Podcasts about Brickworks

In this episode, Nhi Trinh and Daniel Moore speak with Ali McFayden, Director and Secretary of Parlour, whose career spans more than 15 years across architecture consultancy, research, and advisory roles. Alongside her leadership at Parlour, where she coordinates national programs such as the Seasonal Salons, POD Program, and LAB Series, Ali is also pursuing a PhD at the University of Melbourne that examines the barriers and enablers to women's career progression in architecture. Our conversation delves into Ali's research, exploring why women continue to leave the profession at higher rates than men despite policy reforms and increasing participation. She discusses emerging findings around enablers and barriers to progression, the impact of workplace culture, and how leadership can be fostered across all levels of practice. Ali also reflects on her own professional journey, including moments of burnout and transition, and how these experiences sharpened her focus on equity, wellbeing, and sustainable career pathways. This episode offers a candid and insightful look at how architecture must evolve to support women and all practitioners in thriving, long-term careers. Ali's perspective highlights why genuine structural change is vital if the profession is to retain talent and foster equity at every stage of practice. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Nicole Eadie and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode, Nicole Eadie and Daniel Moore speak with Jefa Greenaway, founding Director of Greenaway Architects. With over three decades of experience championing Indigenous-led design, Jefa has shaped some of Australia's most significant projects and co-authored the International Indigenous Design Charter, a landmark framework for equity and Country-centred design. Our conversation explores what Indigenous design equity means in practice and how it can shape the built environment with authenticity and respect for Country. Jefa reflects on his leadership roles across cultural, educational, and infrastructure projects, including the North East Link, the UTS National First Nations College, and the Koorie Heritage Trust, and shares insights on the responsibilities of collaboration, competition procurement, and the growing call for Indigenous representation in public tenders. He discusses the challenges of cultural load, the risks of tokenism, and the importance of shifting beyond decorative stereotypes towards genuine co-design that meets the needs of Aboriginal and Torres Strait Islander communities. Jefa's perspective highlights the balance between practical realities of procurement and construction and the deeper responsibility architects have to embed cultural knowledge, equity, and design excellence. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Nicole Eadie and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode of Hearing Architecture, Megan Eiman and Daniel Moore speak with Associate Professor Liz Cameron from the University of Newcastle. Since joining the School of Architecture and the Built Environment in 2022, Liz has played a pivotal role as one of four Indigenous academics shaping architectural education and practice in New South Wales. With a background in occupational therapy, spatial design, and art, Liz brings a unique, cross-disciplinary perspective to her work, enriched by her commitment to cultural integrity and authentic engagement with Country. Our conversation explores the meaning and practice of Design with Country, and the ways in which Indigenous Knowledge Systems and sensory ways of understanding place can expand architectural thinking. Liz reflects on her role as an educator, researcher, and consultant, and introduces the University of Newcastle's new Designing with Country postgraduate course, launching in 2025. She also speaks to the broader shift underway in the profession, as architects respond to the NSW “Connecting with Country” framework and explore how design can embody cultural values, community identity, and custodianship of land. Through her work, Liz advocates for an architecture that is both culturally grounded and deeply human-centred, offering valuable insights for practitioners seeking to embed authenticity, respect, and sustainability in their design practice. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Megan Eiman and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode, Vyasa McPherson and Daniel Moore speak with Ella Masters, Registered Architect and Studio Lead of Hayball's Canberra studio, whose career bridges architecture, education consultancy, and applied research. Originally starting in law before transitioning to architecture, Ella has developed a deep expertise in designing contemporary learning environments for schools and universities. Ella shares her journey through notable educational projects, her involvement in the Mayfield Project during the COVID-19 pandemic, and the insights she gained while children were learning from home. Now undertaking a PhD in Education and Innovative Practice at the University of Melbourne, she explores the drivers of innovation in educational design, focusing on how outcomes are shaped by engagement processes, procurement methods, and education policy. The conversation delves into the critical role of both the educational brief and design brief in aligning architectural outcomes with pedagogy, the interplay between educational campuses and public space, and the value of linking academia with practice. Ella also discusses how research can be made more accessible, the benefits and challenges of working across disciplines, and her commitment to ensuring learning spaces are inclusive, flexible, and grounded in evidence-based design. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Vyasa McPherson and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode, Nhi Trinh and Daniel Moore speak with Paul Boyce, Director of Tridente Boyce Design Studio and Chair of the Architectural Practice Board of South Australia. With decades of experience in Adelaide, Melbourne, and London, Paul reflects on a career spanning master planning, urban design, and architectural practice, alongside his role as a mentor and national convenor shaping standards in the profession. Our conversation explores what it truly means to be an architect, balancing the pragmatic responsibilities of regulation and professional standards with the creative act of designing spaces that endure. Paul shares insights on the value of programming, form, and spatial quality, the role of architects as guardians of the built environment, and how evolving business models and technology demand new ways of thinking. He also discusses the responsibilities of registration, the importance of sharing knowledge across generations, and how architects can ensure their work continues to serve communities, protect the environment, and provide meaning beyond immediate needs. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Nhi Trinh and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode, Hilary Duff and Daniel Moore speak with Dutch-born, Australian-based designer, artist, and environmental activist Joost Bakker about his pioneering work in sustainability, zero waste design, and the circular economy. While not a registered architect, Joost is known for groundbreaking projects such as Greenhouse by Joost, Silo, and the Future Food System at Melbourne's Fed Square, Joost shares how his upbringing in the Netherlands and later life in Australia shaped his philosophy of designing self-sufficient ecosystems that produce their own energy, water, and food. Joost discusses why “waste” is a recent human-made phenomenon, exploring how industrialisation disrupted the closed-loop systems humans shared with nature for millennia. He reflects on his commitment to using unconventional materials, like cork, hemp, and magnesium-oxide boards, and the criteria he applies to ensure every material choice aligns with circular economy principles. The conversation also delves into the challenges and breakthroughs of delivering his zero-waste projects, from navigating regulatory barriers to working with unlikely partners to raise industry standards. Looking ahead, Joost shares his optimism for a future where circular design becomes mainstream, powered by the demands of younger generations for meaningful climate action. He offers advice for emerging architects and designers on integrating sustainability into their practice and reflects on his own collaborative approach, bringing together experts, manufacturers, growers, and chefs to reimagine the built environment. This is an inspiring deep dive into a career built on the belief that beauty, innovation, and environmental responsibility can, and must, coexist. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Hilary Duff and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode, hosts Megan Eiman and Daniel Moore speak with Jo Bastian, founder of Bastian Architecture, about the rewards and realities of running a sole architectural practice in regional NSW. Jo shares candid insights into balancing parenting with running a business, navigating the limitations and freedoms of being a sole practitioner, and building a portfolio that reflects her values of sustainability, connection to landscape and Country, flexibility, playfulness, and respect for client budgets. Jo discusses the gradual process of curating work that truly represents her design ethos, highlighting projects such as Olive Tree House, Gum Tree House, and The Balcony. Each illustrates her approach to creating adaptable, character-filled spaces that connect people to place. The conversation moves into the dynamics of practising in regional NSW, retaining strong links to larger cities, staying engaged through professional memberships, advocating for regional architects, and collaborating with local councils, trades, certifiers, and builders. Jo also explores the opportunities and constraints of urban infill, drawing on Olive Tree House as a case study in small-lot living that fosters community and street engagement, made possible by Newcastle Council's progressive subdivision provisions. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Megan Eiman and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

– Mortgage offsets do compound! – What about the Soul Patts and Brickworks merger? – Tariffs won’t cause a collapse in the US. – What should I look out for with mergers and acquisitions? – How do I evaluate overseas growth opportunities? – An important missive from Camembert ThislethwaiteSee omnystudio.com/listener for privacy information.

In this episode, hosts Lily Jiang and Daniel Moore speak with Vanessa Fahey, Director of Knisco Inclusive Access in Brisbane, about the transformative role of universal design and access consultancy in creating truly inclusive spaces. Knisco works across a broad range of projects, from aged care, independent living, and public transport to retail, health, education, residential, and government buildings, helping clients meet accessibility obligations under the Disability Discrimination Act while enhancing usability for all. Vanessa is not a registered architect and began her career as an occupational therapist, working directly with people with disabilities. This experience shaped her deep commitment to removing barriers in the built environment and led her to become an Accredited Access Consultant (Accredited Member of the ACAA). With more than a decade in the construction industry, she brings a unique perspective grounded in the interplay between people, their environments, and the activities they undertake, a perspective that enables her to bridge design aspirations with practical, dignified, and equitable access outcomes. The conversation explores how universal design principles can be embedded from the earliest project stages, the evolving expectations of Australia's accessibility standards, and the value of proactive collaboration between architects, designers, and access consultants. Vanessa shares real-world insights on balancing creative vision with regulatory compliance, building trust with clients, and achieving efficient, cost-effective solutions without compromising inclusivity. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Lily Jiang and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode, Aileen Chew and Daniel Moore speak with Nanako McIntosh, Director of Ellia Design, about her diverse career spanning New Zealand, Singapore, and Australia, and her experience moving between architecture, project management, and design management roles. Nanako reflects on how working both client- and contractor-side has reshaped her understanding of an architect's value, revealing opportunities for collaboration that improve project efficiency and cost outcomes without compromising design integrity. Nanako shares the story of founding Ellia Design with Senior Designer Ashleigh Elliott, building a bi-state practice with a focus on mid- to senior-level staff, and developing a loyal, recurring client base. Nanako offers candid insights into the challenges and rewards of running a small studio, from managing variable project scopes to balancing growth with hands-on design involvement. Her journey is a thoughtful reminder that an architect's role can be flexible, multifaceted, and deeply enriched by cross-disciplinary experience. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Aileen Chew and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode, Alistair Nancarrow and Daniel Moore speak with Will Young, an environmental consultant working for Finding Infinity whose unique background in engineering and finance brings a strategic lens to sustainable development across buildings and precincts. Will shares how his work bridges technical rigour with creative problem-solving, helping clients and collaborators navigate the often complex financial realities of environmental initiatives. From early-stage master planning to detailed delivery, Will has worked closely with State and Local Governments and many of Melbourne's leading architecture practices to embed sustainability into real-world outcomes. Our conversation explores Will's recent contributions to projects such as A New Normal, the Wilam Ngarrang multi-residential refurbishment, and Sanders Place commercial retrofit—projects that demonstrate how environmental leadership and design excellence can go hand in hand. Will offers insights into how precincts and buildings can dramatically reduce environmental impact when guided by clear financial and strategic thinking. This episode highlights the value of interdisciplinary collaboration and challenges practitioners to think bigger, act earlier, and embed sustainability as a driver, not a constraint, of design innovation. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Alistair Nancarrow and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode, Nhi Trinh and Daniel Moore speak with Miranda Spencer, Gabrielle Seymour, and Lauren Jeans—co-founders of Archibubs, a South Australian initiative dedicated to supporting parents and caregivers in architecture and interior design. Launched in 2021 through the South Australian chapter of EmAGN, Archibubs was born from a shared recognition that the profession lacked spaces for open conversation around the realities of balancing caregiving and careers in design. Miranda, Gabrielle, and Lauren share how Archibubs has created a much-needed platform for connection, support, and advocacy, offering insights, resources, and solidarity to those navigating both parenthood and professional practice. This conversation explores the importance of inclusive networks, the power of lived experience, and the cultural shifts needed to support more sustainable and equitable careers in architecture and design. It's a timely reminder that a stronger profession is one that recognises and responds to the diverse needs of its practitioners—at every stage of life. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Nhi Trinh and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode, Nicole Eadie and Daniel Moore speak with buyer's advocate and podcast host Emily Wallace about the journey of first-home buyers and how they perceive architecturally designed homes. Emily brings a refreshing and grounded perspective from the frontline of Melbourne's property market, where she works to demystify the buying process and ensure fairness for buyers navigating a complex landscape. She shares insights into what prospective homeowners are looking for, how design quality is perceived in the real estate market, and whether architect-designed homes truly stand out to those entering the property ladder. This conversation offers architects a rare glimpse into the afterlife of their projects—beyond handover and into the hands of buyers—raising important questions about communication, liveability, and the long-term value of thoughtful design. Emily's passion for transparency and accessibility in the property sector invites the architectural profession to reflect on how we connect with, and design for, everyday people. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Sally Hsu and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

Hook: Ever been stuck in a car park maze or unable to find your way out? We reveal Adelaide's top 5 worst car parks as voted by you.Overview: In this fun and relatable episode, hosts discuss the car parks around Adelaide that drive listeners crazy, from tricky layouts to lack of space. Callers share their least favorite car parks and why, sparking laughs and agreement from the hosts. The championship has been run and the winner for Adelaide's worst car park goes to...00:20 Bunnings Kent Town wins the title for Adelaide's worst car park. Tiny, one entrance, one exit.02:30 Festival Plaza comes in at number two. Confusing layout and hard to find lifts.03:45 Findon Shopping Centre with its frustrating skinny lanes.04:20 Blackwood Shopping Centre mixes elderly drivers with poor design.05:10 Is Burnside Village really that bad? Hosts debate its spot at number five.06:00 Caller shares why Westfield Marion gets her vote. Constant accidents even at low speeds.07:15 Brickworks centers also get a mention for their confusing roundabouts.Don't get stuck searching for your car - listen to find out the top 5 car parks you'll want to avoid!See omnystudio.com/listener for privacy information.

In this episode, Sally Hsu and Daniel Moore speak with architect David Kaunitz about his powerful experiences working alongside communities both in Australia and internationally, particularly through his time with Emergency Architects Australia and his practice Kaunitz Yeung Architecture. David shares how deeply collaborative, on-the-ground engagement with First Nations communities has shaped his approach to architecture, one rooted in respect, listening, and cultural continuity. From working in remote Indigenous communities across Australia to projects in the Pacific, David reflects on how architecture can help support community identity, foster connection to Country, and celebrate local knowledge systems. This conversation explores the transformative potential of architecture when driven by humility and shared authorship, and invites practitioners to reconsider traditional design hierarchies in favour of culturally responsive processes that empower the communities we serve. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Sally Hsu and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode, Safia Ibrahim and Daniel Moore speak with architect Philip Gresley about the meaning and value of sustainability certification, including BCorp, in the architectural profession. Philip reflects on how sustainability in architecture must extend beyond environmental concerns to address broader questions of accountability, social equity, and community wellbeing. He shares insights into how design processes and outcomes are evolving in response to these challenges, and how architects can lead with purpose through both practice and advocacy. This conversation offers a thoughtful exploration of how architecture can drive measurable change in the way we live, build, and support one another. Philip Gresley is a Registered Architect and founding Director of Gresley Abas Architects. He is known for his commitment to socially sustainable and community-centred design. Philip's work focuses on projects that achieve environmental goals while delivering real benefits to the people they serve. Beyond practice, he actively contributes to the profession through design review panels and as Chair of Cohen Connect, a not-for-profit organisation that oversees the EG Cohen Medal, awarded annually to an architecture graduate who exemplifies generosity and selflessness during their studies. Philip's career exemplifies how architectural thinking can extend beyond buildings to shape better futures. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Safia Ibrahim and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode, Vyasa McPherson and Daniel Moore speak with architect Harriet Spring shares her diverse career journey, from working on Parliament House to leading public projects as a government architect and project manager. Harriet reflects on the impact of civic architecture and how working beyond traditional practice can deepen an architect's contribution to the public good. She challenges the stigma around leaving private practice, encouraging architects to embrace broader roles in policy, delivery, and project leadership. Her insights reveal how architectural thinking can shape outcomes far beyond the drawing board, offering inspiration for those exploring alternative career paths within the built environment and public sector. Harriet Spring is a Registered Architect and design professional who worked for many years in traditional architectural practice across residential, heritage, public, and commercial sectors, and has subsequently moved on to develop a range of expertise across other fields, however, still working within the construction and building management sector. During her career that followed, Harriet applied the skill set she developed through her architectural practice. She found her core architectural strengths in strategic thinking, having a certain design sensibility, and taking a structured approach to problem solving, have been directly transferable skills to managing complexities and delivering solutions in life after architecture. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Vyasa McPherson and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

With a personal aim to ‘humanize' spaces, big or small, and over 26 years of experience, Tonya Hinde is not a registered architect and stands out as a collaborative leader and interior designer in the Australian architectural industry. She shares BLP's deeply held belief that our future is dependent on creating healthy buildings and environments, and that good design is instrumental in making people feel better. Tonya is a strong advocate for Mental Health Design – particularly for BLP's Co-Design methodology, continuing to learn from those with Lived Experience – and has been a significant contributor to the award-winning Orygen Youth Mental Health facility, Parkville Tonya talks with hosts Daniel Moore and Nicole Eadie today about her work on Orygen Parkville. This project is a stunning reminder that health design doesn't need to be clinical to be functional. It is a highly awarded project which challenges the status quo. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Nicole Eadie and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

In this episode, we speak with Katerina Dracopoulos, Director at Fulton Trotter Architects, about her journey through the profession and the personal experiences that have shaped her approach to design. Katerina reflects on the profound impact of living abroad during her formative years, and how exposure to different cultures and ways of life broadened her perspective both as a person and as an architect. Our conversation delves into the importance of diversity in architecture, not only in the makeup of our teams but in the range of ideas and experiences we bring to our work. Katerina shares candid insights on the value of embracing mistakes early in her career, and how a willingness to learn, adapt, and take risks helped her build confidence and develop a thoughtful, human-centred design practice over time. She also speaks passionately about the need for architects to regain their place in the project team as respected project leads, advocating for the profession to reclaim its vital role in shaping better outcomes for clients and communities. Katerina is a dynamic leader and designer, striving to create transformative architecture that enriches people's lives. As a collaborative designer, she works to create a visual and tactile language that conveys the narrative of the client, the building and its users. Katerina's portfolio of projects spans bespoke learning environments, commercial and civic spaces, social infrastructure and adaptive reuse projects, and her breadth of experience includes working in Sydney and Paris. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Katie Katos, Claudia McCarthy, and Mark Broadhead, and the EmAGN production team was Abigail Lee and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.  

In this episode, we speak with Elliet Spring from MGS Architects about her journey from studying at Columbia University in New York and living in Norway, to her current role as an architect, urban planner, and master planning specialist in Australia. Elliot reflects on her formative years in New York and the influence of that education on her approach to design back home. Our conversation explores the importance of embedding strong ideas and human-centred principles at the master planning stage for projects of all scales. Elliet shares thoughtful insights on the value of investing in master plans, even knowing that the practice may never be invited to design any of the individual buildings within them. She explains how rigorous, people-focused planning can deliver extraordinary outcomes for communities by shaping precincts that prioritise livability, inclusivity, and long-term value. Elliet Spring is a director of MGS Architects, having joined the practice in 2014. Her formative professional years spent living and working in Norway and New York have helped shape her approach to architecture, from her focus on civic responsibility to her passion for architecture and urban design as catalysts for enriching human experience. She works comfortably between architecture and urban design and has been instrumental in broadening her practice's Campus Master Plan portfolio. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Alistair Noncarrow and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.  

In this episode of the Hearing Architecture podcast, Anthony Burke, Professor of Architecture at the University of Technology Sydney and renowned television presenter, delves into the critical importance of effectively communicating architectural ideas to diverse audiences. Drawing from his extensive experience across various media platforms, including hosting Grand Designs Australia, contributing to ABC News, and participating in architecture awards programs, Burke emphasizes that architects must tailor their messaging to resonate beyond the professional sphere. He advocates for storytelling that connects with the public's values and experiences, thereby demystifying architecture and highlighting its relevance in everyday life. Burke's insights underscore the necessity for architects to engage in broader dialogues, ensuring that the significance of design is accessible and appreciated by all. Anthony Burke is a TV presenter, Professor of Architecture, international tour leader and global lecturer on all things architectural. He publishes regularly on a range of contemporary topics, and has an endless fascination for the role of architecture and design in shaping our lives. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Sally Hsu and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

Keven AdamsIf you are quite certain that you want to miss the bantery discussion of Father's Day activities and Jeff's fishing trip, you can skip directly to minute 9 and get right into the interviews. Be sure not to miss the opening song though!We are proud to present more or our March Madness 2025 interviews. Keven Adams discusses his scenario designs and ASL background, Sarah Sackett, and Aidan Hallman.  These are the interviews that you won't want to miss. Now that we think about it, why would you want to miss any of them?SHOW TIMES 0:01 Song SMC's a Goner (lyrics below)Aiden and Sarah3:03 Banter9:20 Kevin Adams Interview36:00 Interview with Sarah and Aiden49:10 Total Running TimeLINKSKulningThe Brickworks on Illuminating RoundsRALLY PHASE RECORDS PRESENTS!!! SMC's a Goner Sung to the tune of Girlfriend In a Coma by The Smiths Lyrics: D. Wallick, D. DonovanVocals: Stephen StewartMixer: Jim, the Mix-Master BeraLeader blew morale check, oh no! I know it's seriousHe was already broken, ya know, I know it's seriousAnd do I want him to roll a wound check? No! Cuz you know,I would hate anything to happen to himNo I don't want to lose himDo you really think he'll survive?Do you think he'll roll less than 5?DuuuuuuuuudeSMC's a goner, ya know, I know it's seriousBye bye, bye my buddy, GoodbyeThere were times when I could have rallied him'Cuz you know, it's not like he's a 10-2 and he just got a field promotionNow he's taking the check, time to fret, And he rolled a 5 and he died.Dooooooooh!Let me whisper a few bad words, I know it's seriousDownload this episode (right-click and save)

ASX200: up 0.33%, 8548 GOLD: $3,415 US/ounce BITCOIN: $164,546 The Health Care sector led the way, with stocks up 1.6%, led by CSL, Pro Medicus and Cochlear. James Hardie shares were up 7.1% to $41.70. Brickworks on track to gain in its property division. Shares were up 0.3% to $34.40 Droneshield announced another contract worth $9.7 million, but the company closed the day down more than 4% to $2.28. BHP, Fortescue and Rio Tinto were all down by more than 1%, and also closing lower were Woodside, Xero and Newmont. James Hardie will switch its primary listing to the US as it completes a $14 billion takeover of Azek. See omnystudio.com/listener for privacy information.

– GDP is out… and it’s weak – Trump doubles steel and aluminium tariffs – Trump’s bill to turbocharge US debt – Soul Patts and Brickworks tie the knot See omnystudio.com/listener for privacy information.

The future of AI put on the national agenda by the Business Council; Soul Patts & Brickworks enter into a merger; US and China again strained in trade relationship; Donald Trump lifts tariffs on steel & aluminium; planning your retirement; Imax plans more cinemas for Australia; and Adam Dawes joins us for the Market Wrap Host: Deborah Knight Executive Producer: Tom Storey Technical Producer: Liam Achurch Publisher: Nine RadioSee omnystudio.com/listener for privacy information.

The trade war between the US and China has threatened to boil over again, just weeks after a truce was declared. MARKET WRAP: ASX200: down 0.24%, 8414 GOLD: $3,289 US/ounce BITCOIN: $162,704 Soul Patts rose 16.4%, and Brickworks gained 27.6% after a $14 billion merger deal was struck. Aluminium companies were scared off by the weekend lift in tariffs by the US, with Alcoa down 4.8%, and South32 dropping 3.6%. BHP lost 1.2%, Fortescue down 2.5% and Rio Tinto off by 1.7%. Mineral Resources fell another 11.8% to $19.58. Bluescope Steel gained 4.4% to $23.75 James Hardie up 1.4% to $35.94 Wisetech, Sigma Healthcare, and Origin Energy were all lower Up by more than 1% was QBE, Coles and Xero CURRENCY UPDATE: AUD/USD: 64.8 US cents AUD/GBP: 47.8 pence AUD/EUR: 56 Euro cents AUD/JPY: 92 yen AUD/NZD: 1.07 Dollars See omnystudio.com/listener for privacy information.

Washington H Soul Pattison will merge with Brickworks in a deal worth $14 billion, after a long courtship finally took the next step.See omnystudio.com/listener for privacy information.

A $14 billion deal between Washington H Soul Pattison and Brickworks will put an end to a 56-year protection arrangement, which steel & aluminium again feels the wrath of Trump.See omnystudio.com/listener for privacy information.

Soul Patts and Brickworks announce a mega merger worth about $14b, with CEOs Todd Barlow and Mark Ellenor explaining the tie up. Plus, economists expect dismal GDP figures and property prices hit a new record high in May.See omnystudio.com/listener for privacy information.

Tuesday 3 June 2025 Soul Patts and Brickworks to merge creating a top 40 company on the ASX. And more, including: Relations between Canberra and Washington worsen over defence spending. Regional Australia beating the capital cities when it comes to house price growth. Ukraine’s audacious attack on Russian military instalments. BYD told to stop discounting its electric vehicles Book your free ticket to Fear & Greed’s first ever live show in Sydney on June 5, combined with the launch of Michael’s new novel All The Perfect Days. Join our free daily newsletter here. And don’t miss the latest episode of How Do They Afford That? - 10 ways to get onto the property ladder. Get the episode from APPLE, SPOTIFY, or anywhere you listen to podcasts.Find out more: https://fearandgreed.com.auSee omnystudio.com/listener for privacy information.

The market responded well to comments from US Fed Chair Jerome Powell, who doesn’t seem worried about tariff inflation. MARKET WRAP: ASX200: up 1.16%, 7,918 GOLD: $3,051 US/oz BITCOIN: $135,930 AUD Cleanaway Waste Management turned trash into treasure with a $377 million deal to acquire toxic chemical handler Contract Resources. Shares rose 2% to $2.60 on the news. TPG Telecom gained approval to sell its fibre networks for $5.25 billion from the regulator, helping its shares 5.9% higher to $4.82. Brickworks gained 1.1% despite a 6% decline in total revenue in its half-year results. Wisetech up 2.5%, Technology One up 3%, and Xero gaining 2%. Myer dropping another 5.3% after its half-year reports yesterday. Iron ore futures prices dipped below $100 US a tonne, sending BHP down 1.1%, Fortescue down 3.3% and Rio Tinto down 1%. James Hardie fell 4.8% and Seek lost 0.9%. CURRENCY UPDATE: AUD/USD: 63.17 US cents AUD/GBP: 48.7 pence AUD/EUR: 58 Euro cents AUD/JPY: 93 Japanese yen AUD/NZD: 1.09 NZ dollars See omnystudio.com/listener for privacy information.

Listen to this exclusive Techno DJ Mix set by Saad Ayub. Download Saad Ayub @ Evergreen Brickworks, Toronto – Ozmozis, Halloween 26-10-2024 for free. Subscribe to listen to Techno music DJ Mix, Tech House music, Deep House, Acid Techno, and Minimal Techno.

Interest rates curb the US dollar's decline as Donald Trump's Treasury nominee, Scott Bessant, is viewed positively by markets. Meanwhile, the prospect of a ceasefire in the Middle East has put downward pressure on oil prices, while at the same time, gold prices have fallen due to reduced safe-haven demand. In corporate news, Webjet is set to release its earnings, while Brickworks, Pilbara Minerals, and Ramsay Health will host their AGMs. Looking ahead, futures indicate solid gains for the local share market on Tuesday, while the Australian dollar consolidates amid a moderating US dollar. The content in this podcast is prepared, approved and distributed in Australia by Commonwealth Securities Limited ABN 60 067 254 399 AFSL 238814. The information does not take into account your objectives, financial situation or needs. Consider the appropriateness of the information before acting and if necessary, seek appropriate professional advice.See omnystudio.com/listener for privacy information.

Amazing Time in Toronto for Halloween 2024 with Ozmozis Crew! Thank you :)

The ASX 200 saw its first rise of the week, nearly recouping earlier losses and approaching a record high. The materials sector, benefiting from China's stimulus, surged, while financials rebounded slightly after a rough start to the week. Consumer discretionary stocks also performed well, led by Aristocrat Leisure, which hit an all-time high. Meanwhile, the energy sector struggled due to falling oil prices. Brickworks saw significant gains despite posting a loss, largely due to its long-standing dividend growth. Tomorrow will be a major day for dividend payments, with CBA and Fortescue leading the pack. The content in this podcast is prepared, approved and distributed in Australia by Commonwealth Securities Limited ABN 60 067 254 399 AFSL 238814. The information does not take into account your objectives, financial situation or needs. Consider the appropriateness of the information before acting and if necessary, seek appropriate professional advice.See omnystudio.com/listener for privacy information.

Star Entertainment has got its lifeline, but with losses of $1.7 billion in the last year, is it too little too late? MARKET WRAP: ASX200: up 0.95%, 8,203 GOLD: $2,693 US/oz BITCOIN: $93,043 AUD Sliding late in the day was the Energy sector, which dropped 1.1% as the price of Brent Crude plunged in late trading. Woodside closing down 2.7% to $24.70 and Santos dropped 2.3% to $6.92. Commonwealth, Westpac and ANZ all finished down.  Underwear retailer Step One fell 8.8% on the news that its founder and chief executive was selling stock. Brickworks saw shares jump 7.2% after beating expectations to post a net loss of $119 million for the year. Consumer Discretionary winners included Wesfarmers, up 1.5%, Aristocrat Leisure, rising 2.8%, and JB Hi-Fi, up 3%. BHP & CSL lifted 1.6%, as Wisetech Global gained 2.8%. CURRENCY UPDATE: AUD/USD: 68.68 US cents AUD/GBP: 51.4 pence AUD/EUR: 61 Euro cents AUD/JPY: 99 Japanese yen AUD/NZD: 1.09 NZ dollars See omnystudio.com/listener for privacy information.

The Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff. Each week we bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident, but the consequence of decisions made at the design stage. Here is our opportunity. We as designers have an opportunity to do better. In this episode I speak with Maarten Gielen. Martin is an award-winning, Brussels based designer, researcher, professor, and leading practitioner changing the way materials are used in architecture, construction, and engineering. His curated exhibitions, including the 2010 Belgian pavilion of the Venice biennale, the groundbreaking 'Progress' with Rem Koolhaus (2011) and 'Behind the Green Door' for the Oslo Architecture Triennale (2013), underscore his ability to provoke critical dialogue and inspire change within the industry. Maarten, along with Tristan Boniver and Lionel Devlieger, co-founded Rotor in 2006—a collaborative design practice with a specific focus on material flows. Originally conceived as a private yet 'activist' studio aimed at influencing policy and driving change in Brussels' material economy, Rotor has since expanded its impact through various publications, exhibitions, and lectures, contributing significantly to the broader industry. In 2014, Maarten co-initiated commercial spin-off: Rotor Deconstruction, which dismantles, salvages, and sells reused building materials. Here he acted as director, growing the company to around 25 employees, until late 2023 when he shifted his focus to new projects and processes.  His latest initiative, 'Halfwerk,' explores the potential for reusing sheet metal and other materials, challenging traditional notions of waste and promoting local value chains. Maarten's expertise extends far beyond mere practical considerations. He approaches architectural sustainability from a holistic perspective, examining entire systems and supply chains to understand the broader implications of construction materials. He asks us to consider construction material as an object, with the same rigor in which we should consider the void in the landscape from which materials are extracted. To consider the transportation, the storing, the fixing, and the materials at the end of its first considered life. He suggests that construction materials are cultural products whose value extends far beyond the technical.  At the heart of Maarten's work lies a deep interest in reimagining the organization of the built environment. His concern regarding the tremendous quantity of materials we barely use and quickly waste has led to his determination to challenge the status quo and adapt the conventional business model to facilitate material salvage, waste reduction, and the establishment of a circular economy.  Through our conversation, we explore pressing questions surrounding the infrastructure and actions needed to prioritize reuse as a viable alternative to virgin materials and we query what kind of industry we need to build to allow architects to specify second hand materials with the same ease as new materials. This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, made possible with the support of the Alastair Swayn Foundation This episode was recorded during a period of residency with the SIM Icelandic Arts Association in Reykjavik. Thank you so much for listening and thank you to our international guest Maarten Gielen of Halfwerk. Thank you for sharing your proposals relating to the new economic models in the material flow register of the building sector and to helping us consider the city as resource. Let's watch this space and we look forward to speaking with you again in the future. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alstair Swayne Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. Supported by: State Workshops We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

The Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff. Each week we bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident, but the consequence of decisions made at the design stage. Here is our opportunity. We as designers have an opportunity to do better. In this episode I meet with Daniel Bell of Atelier Luma, based in the Camargue region in the South of France. Daniel graduated as an architect from the Glasgow Mackintosh School of Architecture and has since practiced as an Architect in France, Ireland, and the UK.  Since 2018 he has worked at Atelier LUMA; a design and research lab located in Arles. His role here is a slight deviation to the traditional role of an architect, yet he is often working with built space and materials. At Atelier Luma he has joined a team of designers, engineers, scientists, and experts from the fields of culture, craftsmanship, humanities, and social sciences and innovation, to explore the potential of non-extractivist, and often discredited, local materials. Their research subjects vary across areas including invasive plants, agricultural coproducts, algae, and industrial waste. Each project has a hyper local focus. I visited Atelier Luma back in June 2023 shortly following the opening of their new headquarters: Lot 8. Sited within a heritage park of 27 hectares, Lot 8 sits within a campus collection of architectures, with neighbours such as Frank Gehry and Annabelle Selldorf, and a series of historic railway industrial buildings dating from the 19th century. The site is now inhabited by functions including a modern art gallery, and a series of exhibition spaces. The Atelier adds a new function to the park; a semi-public and most fascinating research hub of bioregional design, operating out of a building or rather, one large prototype of what the Atelier researches and investigates. In Spring 2023, Lot 8 opened as a result of a three-year large-scale, experimental building project, designed to serve as a pilot program in the field of renovation. Designed by and for Atelier LUMA, it is the teams' workplace. A research and prototyping space that consists of a biolab, wood, ceramics, textile and research workshops, office spaces, a dye house, a material testing lab, and a functional plant garden.  Le Magasin Électrique is built and equipped with the results of Atelier LUMA's research, in collaboration with BC architects & studies and Assemble, London. From the coating of the façade to the crystal salt door handles. Structural elements such as walls and partitions were produced from waste earth and minerals, and agricultural coproducts. The acoustics and the finishing of the interiors were done with panels of sunflower fibres, rice straw, and soil from the bioregion. The terrazzo floor, bathroom tiles, stains, door handles, and light fixtures are the result of years of research into algae, salt, bioplastics, earth, and enamels in collaboration with local partners. In the following interview, Daniel and I discuss how the building was conceived as a pilot project for an architectural process celebrating craftmanship, collective experimentation, site specificity and the development of biomaterials. In this case the process is anchored in the Arles or Camargue bioregion and the designers tapped into a network of local and international expertise, in order to share acquired knowledge. We discuss the need to move from a globalised, extractive supply chain, towards regional ecosystems of materials that help regenerate the environment. How it is imperative for designers to question the way materials can be assembled, reassembled, or reconfigured to contribute to its adaptation to changing environmental and social conditions. It was wonderful to see a project where the design team identified opportunities, possibilities, and poetics, over waste.  This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, made possible with the support of the Alastair Swayn Foundation. This episode was recorded during a period of residency with the Danish Arts Association in Copenhagen. Thank you so much for listening and thank you to our international guest Daniel Bell of Atelier Luma. Thank you for exemplifying how through investigating the resources and know-how in our bioregion, and connecting different fields of expertise, we can develop local solutions for ecological, economic, and social transition. Let's watch this space and we look forward to speaking with you again in the future. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alstair Swayne Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore and Hilary Duff. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. Supported by: State Workshops We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

With Russia potentially limiting its exports of uranium, could Australian miners be the ones to benefit in the long run? MARKET WRAP: ASX200: up 1.10%, 8,075 AUD: 66.72 US cents GOLD: $2,545 US/oz BITCOIN: $87,192 AUD Wisetech Global raced to a new record high, up another 3.5% to $131.64 Appen jumped over 16% after further market excitement over the direction of AI. Uranium miners Deep Yellow rising 13.5%, Paladin gaining 9.1% and Bannerman Energy up 13.3% Commonwealth Bank up 1.4% Goodman Group rising 2.4%  Fortescue lifting 2.2% Nine Entertainment shed 2.8% after CEO Mike Sneesby announced he would be stepping down. Brickworks sank by 1.8% to $25.57 after it said a non-cash impairment charge of $172.4 million would affect its results. And BHP dropped 1.4% as it went ex-dividend. CURRENCY UPDATE: AUD/USD: 66.75 US cents AUD/GBP: 51.2 pence AUD/EUR: 60 Euro cents AUD/JPY: 95 Japanese yen AUD/NZD: 1.08 NZ dollars See omnystudio.com/listener for privacy information.

The Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff. Each week we bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident, but the consequence of decisions made at the design stage. Here is our opportunity. We as designers have an opportunity to do better. Until recently, earthen construction methods were widespread globally, but in the 19th century industrial bricks and concrete revolutionized the construction landscape. This shift ushered in a new era where traditional earth building materials were supplanted by industrial alternatives, leading to a surge in housing production and widespread access to quality shelter. However, industrialization also brought drawbacks such as excessive material usage, pollution, and rising greenhouse gas emissions, particularly noticeable from the 1960s onward. Today, the construction sector bears a heavy environmental burden, contributing significantly to CO₂ emissions, raw material consumption, air pollution, and waste generation. Nonetheless, there is vast potential for the industry to operate more sustainably by incorporating proven materials from our past.  Joining us in this episode is Nicholas Coeckelberghs of BC architects, Brussels, an architect dedicated to implementing these changes. Nicholas is an architect and co-founder of hybrid practice, designing and undertaking "acts of building" towards systemic change in the construction sector. BC stands for Brussels Cooperation and points to how BC grew - embedded within place and people. They operate through 3 legal entities registered in Belgium; BC architects (a design studio), BC studies (a non-profit education laboratory), and BC materials (a material production cooperative). BC strive for bioregional, low-tech, circular, beautiful, and inclusive design. They work with their minds and hands, undertaking activities such as community organisation, material production, contracting, teaching, and prototyping. I was lucky enough to visit the workshop back in June 2023. I turned up with my audio interview equipment but somehow ended up elbow-deep in clay and aggregate joining one of the team's iconic earth construction workshops. This is an example of the enthusiasm and out-of-the-box thinking of the BC crew.  Nicholas and I spoke about how the kind of change that is needed to the construction industry is a cultural one. And how transition needs to be learned as a practice. BC has identified that it takes time for construction communities to imbibe certain kinds of knowledge — knowledge more often accrued through learning by doing, and by collaborating. A kind of knowledge that arises from an act of ‘getting close' to a material or a method, through processes of trial and error. BC Materials is not a normal material production company The studio and workshop operate on a Brussels wasteland in a fully demountable and circular production hall, which can be transported to other locations in the Brussels region. It is governed as a cooperative of workers and other interested parties, reflecting its aim to achieve broad and lasting impact in the construction sector. They do this by building a community and creating capacity around earth construction, and one which does not aim for the fastest possible sale of building materials or for the highest possible profit margins. BC negotiates the balance between a commercial activity and a societal mission and aims to show, and to implement, strategies for a proper transitioning of our construction sector to a culture of local, circular, almost CO2-neutral construction in between craftsmanship and industry. I eventually got around to dusting off and recording with Nicholas. This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, and made possible with the support of the Alastair Swayn Foundation. This episode was recorded during a period of residency with the Danish Arts Association, in Copenhagen. Thank you so much for listening and thank you to our international guests Nicholas Coeckelberghs of BC architects and studies. Thank you for your expertise in materials, insights in sustainable and circular building and intensive fieldwork. Thank you for acting on behalf of the generations after us and for encouraging us to quite literally, get our hands dirty with materials around us. Let's watch this space and we look forward to speaking with you again in the future. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alastair Swayn Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. Supported by: State Workshops We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

The Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff. Each week we bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident, but the consequence of decisions made at the design stage. Here is our opportunity. We as designers have an opportunity to do better. The built environment sector, notorious for its resource consumption and waste generation, faces a pivotal moment. In a world where 'away' is a luxury we can no longer afford, the linear economy's destructive ‘Take, Make, and Throw Away' model demands reconsideration and urgent action. In this episode, I speak with Victor Meesters, a Paris-based architect working with the Belgian collective Rotor. Since 2005, Rotor has operated as a multidisciplinary group of architects, designers, and other professionals interested in the processes that shape a building. Specifically, they are interested in the flow and transit of materials in the industrial and construction sector and the industry's relationship to resources, waste, use and reuse.  Their research is disseminated through publications, critical writing, workshops, and conferences. And they work with the expanded construction industry to produce exhibitions, books, economic models, and policy proposals.  On a practical level, they work to combine their research with the design and realization of architectural projects, coordinating large-scale dismantling operations of reusable construction elements and collaborating on architectural projects. Since 2014 their commercial spin off: Rotor DC ,or deconstruction, has been an active arm of the studio, which oversees deconstruction projects in end-of-life buildings with a view to finding them a new use. In practice, the team goes into buildings slated for demolition and sells off parts of those buildings. It documents building elements, creates a catalogue of the items, estimates how much it would cost to salvage the materials, and delivers them directly to the client. At the conception of the business, Rotor DC almost exclusively sold materials dismantled by its own workers, however the shop now also trades materials from several other suppliers such as demolition contractors and real estate companies. Back in June 2023, I got to explore the salvage yard and the store houses which surround the offices of Rotor and Rotor DC. They are based within the urban setting of Brussels. A tactical metropolitan locale, working with the studio's goals to become a central part of a regional ecosystem for large scale reuse. As I walked through the ‘house of doors', past the neat piles of salvaged stone, and through the aisles of plumbing fixtures, it was easy to understand the convenience and appeal of the organisation to ‘mum and dad' renovators, to other architectural studios, or to developers alike. The business is proud to announce that many of the stocked materials are cheaper than new for the same quality. Some materials may be equally expensive as new, but come with a great story, a deep patina or simply a clear conscience. And then, from time to time, they offer pieces or materials that were conceived by renowned designers, created by skilled craftsmen, or made using technologies now out of reach. On the day of my visit, there were pieces of a gothic cathedral from Antwerp available for someone to snap up, whilst later in the week I saw some rare and well-kept mid-century desks by an iconic local designer. These pieces are priced a bit higher, but Rotor notes their hope that the economies made with the more generic materials help bring them in reach of the many. In my conversation today, I speak with Victor about the realities of their processes and how Rotor has carved a niche for itself working at both ends of the theory- practical spectrum.  It was a joy to explores the birth as well as the afterlife of buildings and to touch on the impressive undertaking of the complex system of many stakeholders. This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, made possible with the support of the Alastair Swayn Foundation. This episode was recorded during a period of residency with the SIM Icelandic Arts Association in Reykjavik. Thank you so much for listening and thank you to our international guest Victor Meesters of Rotor. Thank you for encouraging us to be as generous with this city as it is with us. Let's watch this space and we look forward to speaking with you again in the future. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alstair Swayne Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. Supported by: State Workshops We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

The Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff. Each week we bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident, but the consequence of decisions made at the design stage. Here is our opportunity. We, as designers, have an opportunity to do better. In today's episode I speak with Floris Schiferli of SuperUse Studios, Rotterdam. Superuse Studios is an international architecture collective for circular and sustainable design. In their office, a design is not considered as the beginning of a linear process, but rather: A phase in a continuous cycle of creation and recreation, use and reuse. They have applied several strategies to make sustainable architecture with reclaimed materials. And have a wonderful and delightful variety of projects, including fit-outs, playgrounds, commercial offices and social housing. SuperUse's is driven by a deep-rooted belief in transforming waste into valuable resources.  Their work pioneers ideas about moving beyond the "green economy" where a commercial enterprise is organised according to ecological principles and the waste streams of one business becomes the source of raw materials for another.  This pioneering venture has garnered widespread recognition for its groundbreaking work in waste architecture and circular design, earning them the distinguished ARC 21 OEUVRE award in 2021. The firms design process works to rethink the functionality of a ‘thing' and to understand how it could perform a new function once it serves its initial purpose. SuperUse has distilled this process into 16 different flows that enter and exit buildings and cities. Each project begins by mapping these flows and then examining where the flows interconnect.  We were lucky enough to spend time with Floris back in July 2023, where he gave us an insight into this incredible economy of the future. This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, and made possible with the support of the Alastair Swayn Foundation. This episode was recorded during a period of residency with the Danish Arts Association, in Copenhagen. Thank you so much for listening and thank you to our international guest Floris Schiferli of SuperUse Studios for your discussion Thank you for seeking to inspire and empower others to build a more resourceful and sustainable society. Let's watch this space and we look forward to speaking with you again in the future. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alastair Swayn Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. Supported by: State Workshops We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

The Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff. Each week we bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident, but the consequence of decisions made at the design stage. Here is our opportunity. We as designers have an opportunity to do better. Going from a linear to a circular mindset requires a huge transformation in the built environment and can only be successful with an innovative approach and through partnerships for change. In this episode I meet with an individual who offers both and operates at the periphery of the built industry. Siddharth Hande a Data Scientist and Social Entrepreneur and is founder and CEO of Kabadiwalla Connect. His organisation is working to transform the informal waste supply-chain in cities in the Global South, including his own hometown of Chennai, India. His location and subject of investigation might appear foreign at first, both geographically and in its analysis of industry not specific to architecture. But Sid is considering the circular economic paradigm from a global perspective, and is proving that circular solutions based on data do have an application to a much boarder context. Sid studied in Australia, at my university no less. But I first crossed paths with Sid at the UIA international Congress of Architecture in Copenhagen in July 2023 when I saw a presentation Sid gave on the Circular Economic perspectives and data-driven social change. In our conversation today, we discuss what this fascinating organisation is doing in Asia, and how he is spreading the word abroad. I learned about the current informal waste supply-chain in cities such as Chennai.  And how Kabadiwala Connect is integrating informal actors into the formal waste management system; to deliver low-cost and low-carbon, waste management solutions that cities in the Global South need to support their growing economies and populations. This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, made possible with the support of the Alastair Swayn Foundation. This episode was recorded during a period of residency with the Danish Arts Association in Copenhagen. Thank you so much for listening and thank you to our international guest Siddharth Hande of Kabadiwala Connect. Thank you for identifying how bottom-up systems can be a success and how a city might leverage existing informal infrastructure and urban actors into an innovative movement.  Let's watch this space and we look forward to speaking with you again in the future. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alstair Swayne Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. Supported by: State Workshops We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

The Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff. Each week, we will bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident but the consequence of decisions made at the design stage. Here is our opportunity. We, as designers, have an opportunity to do better. The larger and more complex the world becomes, the better architecture is needed. Architecture can no longer be satisfied with uniting form and function. It must address and embrace a much larger number of considerations from aesthetics, to function, to climate, health and energy. At the same time, the project's finances, law and time must be respected. In this episode we speak with Lene Damsbo Brix of Matter by Brix, and founder and partner of Circle Bank. A talented and driven Copenhagen – based force; Lene is grappling with these conundrums.  Lene is an architect by training with over 25 years of experience in the architectural and construction sector, including working at a number of well-known practices which now are celebrated for their design agenda revolving around circularity. But after years at the desk, Lene has stepped away from the tools to focus on systems and process's that can begin to help with the industry's transition toward circularity.  Today Lene and I discuss the Circle Bank project and it's important goals in creating a digital platform that integrates new knowledge through the process of scanning, demolition, material handling and architectural design. We dive into the detail of the tool and platform explore the grand ambition of the organisation: that By 2030, circular construction has outcompeted linear construction. This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, and made possible with the support of the Alastair Swayn Foundation. This episode was recorded during a period of residency with the Danish Arts Association in Copenhagen. Thank you so much for listening and thank you to our international guest Lene Brix for your discussion and leadership in moulding our architectural technologies and systems towards a circular future. We join you in dreaming that it is only a matter of time before the circular economy becomes competitive with the standard linear model of construction. Let's watch this space and we look forward to speaking with you again in the future. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alstair Swayne Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. Supported by: State workshops We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

The Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff. Each week we bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident, but the consequence of decisions made at the design stage. Here is our opportunity. We as designers have an opportunity to do better. The construction, operation, and maintenance of buildings account for almost 30% of the globe's carbon emissions and 40% of global energy consumption. This current way of practice is unacceptable, unsustainable, and misaligned with climate reduction targets. Our current model of architecture makes these problems worse.  However, it also gives the architectural community a huge opportunity for impact and with a significant portion of new construction taking place in urban environments, cities have a role to play in encouraging sustainable construction methods and creating a market demand for low-carbon and bio-based materials. Enter this week's guest; Peter Vangsbo, Associate Director for Climate and Sustainable Services at Arup. Peter leads the Circular Cities Services the Arup Copenhagen office. As part of the Nordic leadership team, he provides deep expertise in the areas of circular systems, decarbonisation, resilience, and climate change.  His home city of Copenhagen is a locale often touted as being a hotbed of progressive, sustainable thinking, and of wide-spread design understanding and appreciation. This is something I saw and experienced first-hand during my visit, where an average apartment was just as likely to feature an PH5 Henningsen lamp as they are an Ikea piece. It's a city where city residents can swim in the harbour within the centre of the city, and visit, hike up or even ski down the envelope of the infrastructure facility that processes their household waste (Google CopenHill by BIG if you don't know what I am talking about). The urban setting of Copenhagen is like no other. Peter has experience working on large urban and infrastructure projects and has experienced success in championing low-carbon construction, efficient reuse of resources, and the specification of biobased materials. I was interested in speaking with Peter to understand when working on large-scale and vital city infrastructure, how public and private sectors can interact and how he has managed to focus conversations and processes around these green and self-proclaimed ‘radical' initiatives. We discuss aspects of business model innovation, finance and funding, governance and policy, locality-based sustainability goals, and how to use data to prove the benefit of sustainability against the feasibility targets so often aimed for in business.  We query the market barriers to accelerating the use of biobased building materials and how low-carbon construction needs to invest more in alternative building materials and we call upon industry leaders and city policymakers to make tackling embodied emissions a priority. This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, and made possible with the support of the Alastair Swayn Foundation. This episode was recorded during a period of residency with the Danish Arts Association in Copenhagen. Thank you so much for listening and thank you to our international guest Peter Vangsbo of Arup, Denmark for your advocacy and expertise and engagement of policymakers and key players across the public and private sector, as we continue to work towards sustainable cities and carbon-positive future. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alastair Swayn Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Hilary Duff and Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. Supported by: State Workshops We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

The Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff. Each week, we will bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident but the consequence of decisions made at the design stage. Here is our opportunity. We, as designers, have an opportunity to do better. In this episode, I meet with Sandy Bell of Stance Studio, an Australian-trained and registered architect, who has spent the last half-decade living and working in Denmark. At the time of the interview, Sandy was operating a fascinating hybrid practice, Stance Studios, that spanned the roles of the ‘design architect and construction architect often seen separated in Denmark. Similarly Stance's output ranges in scale, from handcrafted furniture, single residential, and through to commercial and educational projects. Often working with local practice Einrum Arkitekter, the studio has spent the last number of years expanding into, and advancing, the niche of mass timber design and construction. Astutely aware of the construction sector's major contribution to human environmental impact on the planet, Sandy advocates for mass timber products as a sustainable alternative to traditional building.  Among other things, our conversation explores various aspects of mass timber performing as a sustainable alternatives to steel and concrete, and we delve into how construction is undergoing a revolution through integrated building technology, transforming the utilization of timber in the industry.  I was lucky enough to cycle the city with Sandy and got to follow his classic Danish wagon bike around town. We started in his office where a small typical desk setup was excitedly located beside a timber and off-cut-filled workshop nested in a larger co-working space filled with talented other creatives, working with salvaged materials. We visited several of his projects, from the intimate – furniture pieces and shop fit-outs to the large and commercial ones such as Copenhagen Distillery, and Gladsaxe (Gleaghds- axe -e) Kindergarten. We ended our tour at the site of Falleby (Fal-le-boo) project, which we discuss in the interview. Its timber CLT envelope and neat construction process meant it was one of the cleanest and most comfortable construction sites I have ever set foot on. I can imagine it must be quite a joy to work on as a contractor. Which brings us to the atypical role, which Sandy and his CLT-focused counterparts play. On the construction site, Sandy is just as likely to be found with a hammer in hand as he is with a clipboard or measuring tape of a typical architect.  It is a small shift in the traditional role of an architect that can hopefully lead to a large and more crucial shift in the industry, towards a craft and materials-focused, low-carbon and cyclical way of building. This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, made possible with the support of the Alastair Swayn Foundation. This episode was recorded during a period of residency with the Danish Arts Association in Copenhagen. Thank you so much for listening, and thank you to our international guest, Sandy Bell of Stance Studio. It was truly delightful to delve into your appreciation for traditional craftsmanship and innovative processes, and speculate about the future landscape of mass timber construction. Let's watch this space, and we look forward to speaking with you again in the future. Our sponsor Brickworks, also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alstair Swayne Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore and Hilary Duff. Music by Blue Dot Sessions released under Creative Commons Licencing. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

The Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff. Each week, we will bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident but the consequence of decisions made at the design stage. Here is our opportunity. We, as designers, have an opportunity to do better. In this episode we speak with Kirsten Lynge of Søuld. Kirsten is head of sustainability and co-founder of Søuld, a Danish material manufacturer committed to providing forward-thinking designers, builders, and end-users with eco-friendly, recyclable and CO₂-storing building materials made from eelgrass. At Søuld, Kirsten uses her skills from her engineering background, where she has been trained in managing sustainable production systems. She pairs this with her love for eelgrass, awakened from a childhood at Læsø, a Danish Island known for its historical eelgrass roofs, that last for centuries. I was lucky enough to touch and feel some of this seaweed or grass. There was number of historical samples in the office when I spoke with Kirsten. It was quite astounding to touch something that has been around for over 300 years and think about how materials such as these could be utilised to stand in buildings that aim for a lifespan of even a slim portion of that time.  Listening to Kirsten, the ideas of the product seem so simple or obvious that it can be hard to understand why our industry makes it so difficult to make them viable. This is a scenario I came across many times when talking to those producing similar solutions. Specifically, Kirsten has queried: Why not take a material that is in abundance in Denmark, seaweed, to press and shape into a building material to insulate buildings. It Revives old traditions of seaweed houses and focusing on common sense solutions with a proven track record in other times in our history. In our discussion today, we discuss what happens when a simple idea meets a complex industry - How regulation, formal and informal industry practices, and competition by established players, all shape how a sustainable idea manifests into a viable product. Kirsten's team has made it work in the landscape of the construction industry and its existing practices and players. But it hasn't always been smooth sailing.  Alongside the invention of the product, Kirsten, and the team at Søuld has had to educate and convince contractors, architects, and engineers, as well as customers. They have had to battle to prove compliancy and codes in a space where current regulations match the performance and test logic of current products, often made in factories, and without the curve balls that natural materials throw. They have had to fight to exist in a risk-averse industry where there is significant financial hurdles, hesitancy to deviate from existing regulations, and where the interest in promoting new, more sustainable solutions is lower than what our environment needs. To sum up, Søuld and fellow counterparts in the industry of new sustainably focused materials, have had to do much more than just develop their innovative product or service. They must reconfigure and persuade an entire value chain to embrace their innovation. Ultimately, they have to help build an entire new industry. Søuld is well on its way, being helped along by key and interesting business partners, research grants and a supportive network of local designers. Today's episode showcases one particular story, as an exemplar of the journey of these small businesses, designers and great thinkers preparing Solutions with the potential to move the world in a better, more sustainable direction. This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, made possible with the support of the Alastair Swayn Foundation This episode was recorded during a period of residency with the Danish Arts Association in Copenhagen. Thank you so much for listening, and thank you to our international guests Kirsten of Søuld. Thank you for your drive, aiming at something beyond minor modifications of current practice. And in your offering of functional, sustainable, and beautiful alternatives to traditional building materials that can improve sustainable development whilst also improving human health and well-being. Our sponsor Brickworks, also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alstair Swayne Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore and Hilary Duff. Music by Blue Dot Sessions released under Creative Commons Licencing. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time.

Elizabeth Avery and G+T Ventures head Xavier Keary investigate the coming collision of venture capital and the new merger proposals as the ACCC draws the line at market power. You can't enter a box junction unless your exit is clear -- is it the same for the startup sector, and what does that mean for economic dynamism? Plus merger reforms and AI were discussed and the Chatham House rule was observed at the Hodgekiss Competition Law Conference; market share thresholds and call in powers under the new merger framework; third parties do a Michelle Heyman around the ACCC's decision in Brickworks v BGC and legal privilege in expert reports; private misuse of market power actions against Sony and more; and could school apps be a natural monopoly? All this and professional-grade sporting analogies with co-hosts Moya Dodd and Matt Rubinstein. Meet the Gilbert + Tobin Competition, Consumer + Market Regulation team Email us at edge@gtlaw.com.au See omnystudio.com/listener for privacy information.

Rebecca and Tara share their latest reads and links to their new feature on YouTube: Reading From Our Shelves! Rebecca (@canadareadsamericanstyle):  Somehow by Anne Lamott Imagining Imagining: Essays on Language, Identity & Infinity by Gary Barwin Autokrator by Emily A. Weedon I Shall Not Hate: A Gaza Doctor's Journey on the Road to Peace and Human Dignity by Izzeldin Abuelaish James by Percival Everett The Last Slave Ship: The True Story of How Clotilda Was Found, Her Descendants, and an Extraordinary Reckoning by Ben Raines Barracoon: The Story of the Last "Black Cargo" by Zora Neale Hurston Eleanor Courtown; The Brickworks; Stella's Carpet; The Marzipan Fruit Basket by Lucy E.M. Black Making Up the Gods by Marion Agnew Tara (@onabranchreads):  Cold; Chasing Painted Horses by Drew Hayden Taylor Coexistence: Stories; A Minor Chorus by Billy-Ray Belcourt A Sweet Sting of Salt by Rose Sutherland Nosy Parker; The Spoon Stealer by Lesley Crewe Followed by the Lark by Helen Humphreys Walden by Henry David Thoreau A House with Good Bones; Thornhedge by T. Kingfisher Reading From Our Shelves: https://www.youtube.com/watch?v=ObgtKpEdnRE https://www.youtube.com/watch?v=lek38hy8jCA&t=93s