Podcasts about radio club

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

Collingwood Area School Students host Radio club, with fun, school news, information and music.

PODCAST: This Week in Amateur Radio Edition #1368 - Full Version (With repeater ID breaks every 10 minutes) Release Date: May 17, 2025 Here is a summary of the news trending...This Week in Amateur Radio. This week's edition is anchored by Tammy Walker, KI5ODE, Rich Lawrence, KB2MOB, Steve Sawyer, K1FRC, Chris Perrine, KB2FAF, Dave Wilson, WA2HOY, Don Hulick, K2ATJ, Eric Zittel, KD2RJX, George Bowen, W2XBS, and Jessica Bowen, KC2VWX. Produced and edited by George Bowen, W2XBS Approximate Running Time: 1:45:29 Podcast Download: https://bit.ly/TWIAR1368 Trending headlines in this week's bulletin service 1. AMSAT: Satellite Shorts From All Over 2. WIA: Chinese Researchers Design Compact High Performance Antenna 3. WIA: FCC Approves Amateur Information Collection Requirement 4. ARD: International Amateur Radio Union Considers Consolidation 5. RW: Florida Radio Pirate Agrees To $11K FCC Fine 6. SC: South Carolina Will Be A Hands Free Driving State In September 7. Rome University Ham Radio Logs QSOs To Welcome The New Pope 8. Ted Randall, WB8PUM, Of The QSO Radio Show, SK 9. Symposium Meeting Date Is Set In October By AMSAT 10. Record Turnout For Ham Radio Exam In Bangladesh 11. WSPR Radio Detectives Recognized By Award 12. ARRL: ARRL Renews Defense Of The 902-928 MHz Amateur Radio Band 13. ARRL: ARRL Seeks Entry-Level HF Privileges in FCC Proposal 14. ARRL: Next Generation DXing Track Videos Are Now Available 15. ARRL: ARRL Awards Phil Karn, KA9Q, with Mary Hobart, K1MMH, Medal of Distinction 16. ARRL: 2025 Hamvention Day Zero Coverage 17. ARRL: Amateur Operator Was Member Of The 1980 Olympic Torch Relay 18. ARRL: New Camp Greenough Station Is Opening Soon 19. ARRL: Amateur Radio Day Celebrated In Puerto Rico 20. ARRL: Upcoming RadioSport Contests and Regional HamFests and Conventions 21. ARRL: 2025 Hamvention Day One Coverage 22. FCC: FCC Older Americans Month Webinar to be held on May 22nd, 2025 23. FCC: FCC wants to improve internet service from space 24. AMSAT: Amazon kicks off Kuiper Network with ambitious first satellite launch 25. WIA: Radio Society of Great Britain participated in the IARU Region One meeting in Paris 26. ARRL: Johns Hopkins University to hold an ARRL Teachers Institute session 27. ARRL: Promote your clubs 2025 Field Day activity with posters 28. FCC: FCC wants imported electronics testing to be based in the United States Plus these Special Features This Week: * Working Amateur Radio Satellites with Bruce Paige, KK5DO - AMSAT Satellite News * Foundations of Amateur Radio with Onno Benschop VK6FLAB, will present, "A Brief Introduction To The HamSci Community" * The DX Corner with Bill Salyers, AJ8B in the DX Corner, with all the latest news on DXpeditions, DX, upcoming radio sport contests, and more * Weekly Propagation and Solar Weather Forecast from the ARRL * Will Rogers, K5WLR, returns with another edition of A Century Of Amateur Radio. This week, Will takes us aboard The Wayback Machine to the early 1920's where we find that at age 29 and already one of the most well-known radio engineers in the world, Edwin H. Armstrong was a veteran of the great war, and the president of the Radio Club of America. This week's edition is titled, "Armstrong In QST" ----- Website: https://www.twiar.net X: https://x.com/TWIAR Bluesky: https://bsky.app/profile/twiar.bsky.social Facebook: https://www.facebook.com/groups/twiari YouTube: https://bit.ly/TWIARYouTube RSS News: https://twiar.net/?feed=rss2 Automated (Full Static file, updated weekly): https://twiar.net/TWIARHAM.mp3 Automated (1-hour Static file, updated weekly): https://www.twiar.net/TWIAR1HR.mp3 ----- This Week in Amateur Radio is produced by Community Video Associates in upstate New York, and is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. If you would like to volunteer with us as a news anchor or special segment producer please get in touch with our Executive Producer, George, via email at w2xbs77@gmail.com. Thanks to FortifiedNet.net for the server space! Thanks to Archive.org for the audio space.

Foundations of Amateur Radio Around the world are thousands of associations, groups of people, clubs if you like, that represent radio amateurs. Some of those associations are anointed with a special status, that of "member society" or "peak body", which allows them to represent their country with their own governments and on the international stage to the ITU, the International Telecommunications Union, through a global organisation, the IARU, the International Amateur Radio Union. Some of these are known across our whole community, the ARRL in the USA, the RSGB in the UK, and the WIA in Australia. Some much less so, the CRAC, the Chinese Radio Amateurs Club, or the ARSI, the Amateur Radio Society of India, for example. In an attempt to get a deeper understanding of what distinguishes these organisations, I visited a dozen member society websites. Cultural sensibilities and aesthetics aside, the variety and sense of priority is both pleasing and astounding. Starting close to home, the WIA, the Wireless Institute of Australia, shows news as the most important and the top story is a radio contact between the International Space Station and a school, held about two weeks ago. The ERAU, the Estonian Radio Amateurs Association, features an article about the 2025 General Meeting outlining who was there, what was discussed and thanking the participants for their contributions. When I visited, the ARRL, the American Radio Relay League, top news item, was the renewed defence of the 902-928 MHz Amateur Radio Band, from a few days ago. The most important issue for the ARRL is that you read the latest edition of QST magazine, but only if you're a member. The RSGB, the Radio Society of Great Britain, has an odd landing page that links to the main site, which features much of the same content. The latest news is "Mental Health Awareness Week" and encourages us to celebrate kindness in our community. The DARC, the German Amateur Radio Club, has a page full of announcements and the top one was an article about current solar activity including a coronal hole and various solar flares. The ERASD, the Egyptian Radio Amateurs Society for Development, uses qsl.net as its main website. It features many images with text, presumably in Arabic, that unfortunately I was not able to translate. Curiously the landing page features some English text that welcomes all interested to join. I confess that I love the juxtaposition between a Yaesu FT-2000 transceiver and the images of Tutankhamun and the pyramids. The RAC, the Radio Amateurs of Canada, use their homepage to promote its purpose, and features many pictures of their bi-monthly magazine, which you can only read if you're a member, which is where many of the homepage links seem to go. The RCA, the Radio Club of Argentina, is promoting the 2024-2025 Railway Marathon, including links to descriptions of what constitutes a Railway Activation, how to reserve your station, and upcoming and past activations. There's also a reminder to renew your license. The ARSI, the Amateur Radio Society of India, has a very sparse landing page showing their mission and not much else. Clicking around gives you lots of information about the history, activities, awards and the like. Unfortunately, I wasn't able to find out how to become licensed in India. There's hardly any images. In contrast, the URA, the Union of Radio Amateurs of Andorra, lands you on a page with contact details and not much else. Clicking through the site gives you lots of pictures of happy people and maps, lots of maps. The KARL, the Korean Amateur Radio League, features an announcement with a link to the 24th Amateur Radio Direction Finding, from a week ago, but it requires a login to actually read it. The JARL, the Japan Amateur Radio League, features an announcement to a form you can complete to join the "List of stations from which you do not wish to receive QSL cards." The NZART, the New Zealand Association of Radio Transmitters, features a big button to latest news and clicking on it shows the "Jock White Field Day", which was held several months ago. I wasn't able to see the CRAC, the Chinese Radio Amateurs Club, since the page didn't load for me. The "Wayback machine", also known as archive.org, from a capture a few days ago, showed a news item announcing the intent to organise the 1st Class C Amateur Radio Technical "something", I say "something" because I cannot actually load the article and see what it has to say. The event was scheduled for a month ago, the announcement was from several months ago. Content aside, finding sites was interesting too, mind you, there's plenty of member associations that don't have any web presence at all. Is that by choice, or necessity? The IARU list of member societies conflicts with the list of national organisations shown on Wikipedia. The IARU has about 160 entries, I say about, since the list isn't really formatted as much as it's congealed. Let's just say, perhaps a table for tabular data might be a novel approach. Wikipedia is slightly better formatted, it lists 93 national organisations. As it happens, both include a link to the national organisation for China, which is either the Chinese Radio Sports Association, with apparently two different acronyms, either CRSAOA, or CRSA, or if you believe the IARU as a source, it's the one I mentioned earlier, the CRAC. I don't know which one is right, but at least we can assume that the IARU page was updated formally, rather than edited by someone on the internet. Regardless of which one is the "real" Chinese national amateur radio organisation, none of the websites loaded for me. Let's move on. It's interesting that several non-English sites like Korea, Japan and Germany feature a button that allows their site to be translated into English. What's even more interesting is that the English version of the site is not in any way the same content. In many cases it appears to be information relevant to English visitors rather than a translation. One notable exception is Estonia, which allows a visitor to read their site in Estonian or English right out of the box. Unsurprisingly, the ARRL website has no buttons for Spanish, even though that represents about 13 percent of the USA population, let alone any other language. I'd encourage you to visit a few and see what you can learn about the other members of our community around the world. My visits leave me with questions. What do these organisations stand for? What do they do? Are they there for amateurs, for aspirant members, the general public, for regulators, for their members, for fund raising and advertising, or international visitors and tourism? It seems to me that looking at just a few of these organisations reveals a great many things about how they understand their own role and how they deliver service and just how much money they have to play with to make that happen. I'll leave you to ponder how effective they might be and what your role is in that endeavour. I'm Onno VK6FLAB

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

In this weeks new episode, new music from Damian Raush, Master At Work, Harry Romero, Darius Syrossian, Nube. The track of the week is Club 69 by Mattei & Omich, Re-Tide. Enjoy! Damian Rausch - How We Do It (Original Mix) [Rausch Recordings] Faber Italy - Universal (Original Mix) [Acker Records] Antony Hot - Keep Workin [MiKan Digital] Nube - Coming in (Ian Oskadev Remix) [Lisztomania Records] Jake Tomas, Paul HG - Take It Slow (Extended Mix) [NEED] Morinoco - Summer Jam (Morinoco Heavy Dub) [LIP] Kimsko - These Days [Recode Deep] Mark Vox - Deeper (Extended Mix) [Queenside Recordings] Masters At Work - Work (Verso Edit) [Jukebox] Camiel Daamen & Arie - Soul Dub (Original Mix) [Freeborn Records] Strainhouse - Higher Rates (Original Mix) [Dustpan Recordings] PXRKX, Nitro Station - Top Speed (Original Mix) [Miura Records] Mattei & Omich, Re-Tide - Club 69 (Extended Mix) [Mattei & Omich Music] Labeuz - Better Things [Ondulé recordings] Paco Caniza - Freedom (Original Mix) [Ritual Beats] Érratic, Basic 96 - Hypersphere (Basic 96 Rework) [Sengiley Recordings] Seed Selector - Porradão (Instrumental Mix) [Jardineira Records] Hoodrat - Come On (Original Mix) [Hood Music] Fromlowitz - Feel Lonely (Original Mix) [Moiss Music Black] C-Zens, HALFZIP - Cascais (Extended Mix) [Motive Deep] La Madone - On Mission (Original Mix) [Witty Tunes] Colau - New Hope [House Operations] fogo_trax - Retrospect [New Violence Records] Vertigini - Marathon (Extended Mix) [Future Disco Dance Club] Fabrizio Mammarella, Lauer, Black Spuma - Skettino (Original Mix) [Permanent Vacation] col lawton - Hearts Burning (Original Mix) [Funk Mansion] Leandro Kolt - Fever [Tactical Records] Darius Syrossian - Tengo La Musica (Original Mix) [MOXY MUZIK] Prunk - Heat (Hot Since 82 Extended Mix) [STORIES] Harry Romero - Danny's Groove (Extended) [Rekids]

Collingwood Area School Students host Radio club, with fun, school news, information and music.

GB2RS News Sunday the 15th of December The news headlines: The RSGB 2025 election nominations process is open The Society is advertising for a new Convention Chair YOTA Month is busy this week with more callsign hosts to listen out for The RSGB 2025 elections process has begun, and nominations are open for a range of volunteer roles. The RSGB's President John McCullagh, GI4BWM will reach the end of his second year as President at the AGM and so will stand down. There are also two Elected Board Director vacancies. The Board is looking for people with specific skills to fill these roles. The current President is one of the few at the Board level with extensive experience in spectrum matters and negotiating with the authorities, so that skills gap needs to be filled. Outreach has been an important focus over the last year for the Society, and it would like to support the current activities and expand on them. These developments will include encouraging practical skills amongst the amateur radio community and building links with other organisations. Building those relationships will require someone with drive and determination but also tact and diplomacy. There are eight posts available for RSGB Regional Representatives, ranging from Region 1 in Scotland to Region 11 in the southwest. For more details about the roles as well as application forms and candidate packs, go to the RSGB website at rsgb.org/election The RSGB has been developing its Convention over recent years to suit the changing needs of the amateur radio community. From a face-to-face meeting, it evolved into an online event when we weren't allowed to meet, then changed again into a hybrid event, bringing together the best of both for people in this country and across the world. The Society has also been developing the programme to include practical workshops and forums to support radio amateurs who would like a safe and accessible environment in which to try to develop their practical skills. The RSGB General Manager has been doing the role of Convention Chair for the last three years but has now stepped back from that additional voluntary role, so the RSGB is looking for a new Convention Chair. This role needs someone who understands the advantages of both online and in-person events and who can contribute to shaping the RSGB Conventions of the future to suit the changing amateur radio audience. The RSGB is looking for someone enthusiastic, proactive, collaborative and good at working with others in a strong team. They will also need an awareness of all aspects of amateur radio, including the latest developments and what might be on the horizon. As part of the wider Convention team, they will need to suggest ideas for speakers and practical activities that will attract a range of radio amateurs. If you believe you could contribute to the development of this prestigious annual event, the RSGB would like to hear from you. Please contact the RSGB General Manager Steve Thomas, M1ACB via gm.dept@rsgb.org.uk Youngsters on the Air Month is now halfway through, with plenty more operators booked to host GB24YOTA. There is still time to work the RSGB National Radio Centre's GB3RS station which is hosting the callsign for the duration of today, Sunday the 15th of December. On Wednesday, the 18th of December, the Simon Langton Boys School in Canterbury will be operating between 12 pm and 6 pm. On Thursday, the 19th of December, between 12 pm and 6 pm the Cambridge University Wireless Society will once again be hosting GB24YOTA. To finish up this week, Tommy, M7OMY will be operating on the 20th and 21st of December under the supervision of Las, M0BOY. Tommy is a young radio amateur and has been taking part in YOTA Month for a few years, so be sure to listen out and make a QSO with him. Search GB24YOTA on QRZ.com  to view the full operating schedule. The RSGB's headquarters will close for the Christmas and New Year period from 2pm on Tuesday the 24th of December 2024. It will open again at 8.30am on Thursday the 2nd of January 2025. During that time, if you need information about amateur radio, exams or RadCom, you'll find lots of information on the website via rsgb.org  If you are planning to visit the RSGB's National Radio Centre at Bletchley Park over the holidays, please note that it will be closed on Christmas Eve, Christmas Day, Boxing Day and New Year's Day. On New Year's Eve, the NRC will close at 2 pm. The National Radio Centre will also be closed for essential maintenance works on Thursday the 2nd of January 2025. Outside of these times, volunteers look forward to welcoming visitors as usual. Remember that RSGB Members can download a free entry voucher for Bletchley Park from the RSGB website via rsgb.org/bpvoucher On the 6th of December, Ofcom announced an update regarding the timing of phases two and three of its amateur radio licensing framework, including changes to the new intermediate call signs and rules for Special event Stations. These phases were originally planned for December 2024 and March 2025 respectively, but Ofcom now expects to deliver them in the third quarter of 2025. For more information go to ofcom.org.uk  and search for ‘Licensing updates'. Please send details of all your news and events to radcom@rsgb.org.uk  The deadline for submissions is 10 am on Thursdays before the Sunday broadcast each week. And now for details of rallies and events The Sparkford Radio Rally is taking place on Sunday the 29th of December at Davis Hall, Howell Hill, West Camel, near Yeovil. Doors are open to traders from 7.30 am and from 9.30 am to the public. Admission is £2. Refreshments and free parking will be available. For more information, please contact Luke via 07870 168197 or email m3vhv@hotmail.co.uk Looking ahead to events coming up next year, the Lincoln Shortwave Club Winter Radio Rally is taking place on the 26th of January at The Festival Hall, Caistor Road in Market Rasen. Doors open at 10 am, and admission is £3. Hot refreshments and ample free car parking will be available. The cost of a table is £10. To book, please contact Steve Burke, M5ZZZ via 07777 699069 or email m5zzz@outlook.com Now the Special Event news There is still time to work The Humber Fortress DX Amateur Radio Club which is once again active with special callsign GB0MC until Thursday the 26th of December. The ‘MC' in the callsign stands for Merry Christmas. The Club would like to invite everyone to call in and give them a hearty “HoHoHo” and tell them what radio equipment you would like from Santa this year. The Club will also be live streaming on its YouTube Channel. OR100LGE is the special callsign in use by members of the Liège Radio Club, ON5VL to celebrate its 100th anniversary. The station is active until the end of the year on the 160 to 6m bands using CW, SSB, FT8 and FT4. QSL via Logbook of the World, eQSL or via ON6YH. QSOs will also be uploaded to Club Log. Starting in January 2025, members of the British Railways Amateur Radio Society will be operating Special Event Station GB0LMR to celebrate 200 years of the modern railway. QSL via the Bureau or direct by sending a Stamped Addressed Envelope to the address given on QRZ.COM. Now the DX news Mike, V47NH is active from St Kitts and Nevis until the 17th of December. The IOTA reference is NA-104. He will operate on the 40 to 10m bands and SSB. QSL via KC1NGS or Logbook of the World. The VP2VMM team is active from Anegada Island in The British Virgin Islands. They will be QRV in the 2024 ARRL 10m Contest which ends at 2359 today, Sunday. Outside the contest, they will be QRV holiday style using VP2V/homecall until Tuesday the 17th of December. QSL via Logbook of the World, Bureau, OQRS or direct to KU9C. Full details via QRZ.com S21DX is active from Bangladesh until the 19th of December. The IOTA reference is AS-140. The team is active on the 160 to 10m bands, SSB, RTTY and FT8. QSL via Logbook of the World or direct to EB7DX. A Danish DXpedition will be operating as TO0J from French Guiana between the 20th and 31st of December. They will be active on the 80 to 10m bands, CW, SSB, but mainly FT8. QSL via Clublog OQRS, Logbook of the World or eQSL. Now the contest news The UK Six Metre Group Winter Marathon started at 0000UTC on Sunday the 1st of December and ends at 2359UTC on Friday the 31st of January 2025. Using all modes on the 6m band, the exchange is signal report and locator. The ARRL 10m Contest started at 0000UTC on Saturday the 14th of December and ends at 2359UTC today, Sunday the 15th of December. Using CW and phone on the 10m band, the exchange is signal report and serial number. US, Canadian and Mexican stations will also send their State or Province code. On Tuesday, the 17th of December, the RSGB 1.3GHz UK Activity Contest runs from 2000 to 2230UTC. Using all modes on the 23cm band, the exchange is signal report, serial number and locator. On Thursday, the 19th of December, the RSGB 70MHz UK Activity Contest runs from 2000 to 2230UTC. Using all modes on the 4m band, the exchange is signal report, serial number and locator. Now the radio propagation report, compiled by G0KYA, G3YLA and G4BAO on Thursday the 12th of December 2024. We had another week with quiet geomagnetic conditions. Other than three hours with a Kp of four on the 9th of December, as of last Thursday when this report was being compiled it had been below three for the past seven days. Active region 3920 produced an impulsive M2.8 solar flare, peaking at 1006UTC on the 11th of December. A quick M2.0 flare was also detected around AR3922 in the southeast quadrant. There was also an M6.4 solar flare at 0648UTC on the 10th of December, but no Earth-directed coronal mass ejections were observed. The solar flux index, despite being predicted to reach 200 again, has been simmering away in the 160s and 170s. Nevertheless, the quieter geomagnetic conditions have helped HF with the extrapolated MUF over a 3,000km path often hitting 40MHz at times. However, the early sunset, which is around 1538UTC to 1621UTC at the moment depending on your location in the UK, means that the MUF drops off quite quickly in the afternoon. The average critical frequency at night is currently about 3.0-3.5MHz, which explains why the HF bands appear to be dead. The winter solstice is on the 21st of December, and we won't see much change until we get to mid-January. There is DX to be had with CDXC members reporting working YJ0CA (Vanuatu) on 15 metres, V73WE (Marshall Islands) on 30 metres and YI1QEA (Iraq) on 10 metres. So, at the moment, make the most of the daytime DX and greyline openings, and reserve the evening for Top Band and perhaps 80 metres. Next week, NOAA predicts that the solar flux index will remain around 170 to 175. The Kp index is expected to be around two or three, apart from the 19th of December when it could reach four. And now the VHF and up propagation news from G3YLA and G4BAO. The period of enhanced Tropo activity will have faded away by this weekend as the high pressure slips away into Europe and declines. This allowed low pressure to regain control from last Friday through the current weekend. There may be a chance of some rain scatter propagation on the GHz bands, although it doesn't look like a particularly good example.  All is not lost for Tropo followers, since the next high drifts in from the Atlantic early next week. The southern UK will benefit the most with Tropo paths to France and across Biscay. This lasts until midweek, to be followed by a return of low pressure for the second half of the week and probably a better rain scatter option than this weekend. The big Geminids meteor shower peaked yesterday, the 14th of December, but will linger throughout the month. The radiant source rises late afternoon and sets the following lunchtime and is most favourably positioned late evening and early morning, pre-dawn. Next, a consideration of aurora prospects, which are still a little enhanced by solar conditions. So, as usual, stay alert to an increasing Kp index above Kp=4 to keep in the game. Finally, remember that the period of Christmas and early January is well known for producing random out-of-season Sporadic-E. It's not possible to fine-tune Es prospects this far ahead, but it wouldn't hurt to monitor the f0Es traces on the www.propquest.co.uk website between now and mid-January. The Moon's declination is at maximum today, Sunday the 15th of December, and also on Monday, so expect long Moon windows with high peak elevations. Path losses are still low but rising, so it's still a good week for EME. The 144MHz sky noise is moderate to low all week. And that's all from the propagation team this week.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Welcome to the Clubhouse! A weekly live show about life and sometimes ham radio.You can reach the show at hamradioclubhouse@gmail.comJoin this channel to get access to perks: https://www.youtube.com/channel/UC6MNpsWOXsI68Kbptm9r2Zw/joinIf you would like to buy us a beer: https://www.buymeacoffee.com/w2hrcGuest YouTube channels:Our Channels:Joe - https://www.youtube.com/c/K5YVYAmateurRadioStationShane - https://www.youtube.com/thissideoftheradioDan BeerSnack- https://www.youtube.com/c/DanKD2FMWDon Izzo - https://www.youtube.com/smokesignalsrfSteve - https://www.youtube.com/c/SteveKO4AFLHamRadioDaniel - https://www.youtube.com/channel/UCNcOZ7LUBddxjB0wGMYGcBw

There is a long and rich history behind ham radios which are crucial in emergencies. The Santa Barbara Amateur Radio Club is hosting an event this weekend to show the public what they do - and how anyone can get involved. They'll be setting up their gear along Santa Barbara's waterfront this weekend to provide a demonstration of their emergency communications abilities as part of the nationwide 2024 Amateur Radio Field Day. KCSB's Robert Stark spoke with S-B-A-R-C member Warren Meyers to learn more. More information about SBARC can be found at www.sbwireless.org/

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Camas High School's Amateur Radio Club announced that they will attempt direct radio contact with the International Space Station Saturday (June 15), at 8:49 a.m. https://www.clarkcountytoday.com/youth/camas-high-schools-amateur-radio-club-to-connect-with-international-space-station/ #CamasSchoolDistrict #CamasHighSchool #AmateurRadioClub #DirectRadioContact #InternationalSpaceStation #MikeBarratt #CamasHighSchoolAlumnus #ClarkCountyAmateurRadioClub #Camas #ClarkCountyWa #ClarkCountyNews #ClarkCountyToday

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Collingwood Area School Students host Radio club, with fun, school news, information and music. This week, a Taylor Swift Special

** Episode 77- Live on Electromagnetic Radio** SPECIAL GUEST HOST JOI from ELECTRIC RADIO CLUB **International Women's Month Mix** Join host Jesse Karassik aka @heyyyyy_jesse as he takes you on a 2 hour sonic journey playing mixtape inspired tracks in a variety of genres- all for your listening (dis)pleasure! Tracklisting: 1. Just Friends...Amy Winehouse 2. Untouchable Face...Ani DiFranco 3. Love Is A Stranger...Eurythmics 4. Distance...YEBBA 5. Can't Let Go...Lucinda Williams 6. Be My Baby...The Ronettes 7. Pessimist...Julia Michaels 8. Prince Johnny...St. Vincent 9. Cowboys...Portishead 10. Whole Lotta Love...Ike & Tina Turner 11. Midnight Sun...Nilufer Yanya 12. That's The Way Love Goes...Janet Jackson 13. What Do Ya Know...Remy Reilly 14. Sunday Morning...No Doubt 15. Good Fortune...PJ Harvey 16. Dancing Barefoot...Patti Smith Band 17. Tape Song...The Kills 18. Moonlight Drive...Blondie 19. I Love Playin' With Fire...The Runaways 20. Work It...Missy Elliott  

Collingwood Area School Students host Radio club, with fun, school news, information and music.

Welcome to the award-winning The Hill Country Podcast. The Texas Hill Country is one of the most beautiful places on earth. In this podcast, Hill Country resident Tom Fox visits with the people and organizations that make this the most unique area of Texas. This week, Tom visits with Hank Ortega about the Hill Country Amateur Radio Club. Hank Ortega is a committed member of the Hill Country Amateur Radio Club, with a profound interest in amateur radio and emergency communications. His perspective on the subject is shaped by his deep-rooted connection to his community and his extensive experience in operating radios under various conditions. Hank views amateur radio as a vital tool for providing communication during emergencies and disasters, particularly in rural areas where cell phone communication may be unreliable. His fascination with ham radios and their global connectivity capabilities has led him to believe in the critical role of the Community Hill Country Amateur Radio Club in providing training, education, and support for new radio operators. Hank's experiences have also highlighted the importance of the club's collaboration with organizations like the Red Cross and the local sheriff's department in providing emergency communications when needed. Key Highlights: Emergency Communications and Amateur Radio Club Amateur Radio Enthusiasts' Emergency Communications Club Amateur Radio Clubs: Real-Time Disaster Reporting Amateur Radio Operators' Disaster Communication Drills  Resources: Hill Country Amateur Radio Club Other Hill Country Focused Podcasts Hill Country Authors Podcast Hill Country Artists Podcast Texas Hill Country Podcast Network

How to RUIN Your Ham Radio Club - or how to make it as unappealing as possible. Thanks to the author of this reddit post for these great ideas on how to destroy a club - watch this video and let me know what you think!SPONSOR: Save 20% off of all courses with code jason20 at hamradioprep.comLink to original article: https://www.reddit.com/r/amateurradio/comments/1979snh/how_to_make_you_ham_radio_club_as_unappealing_as/

ON THIS EPISODE OF THE DJS NEED LOVE 2 SHOW, DJ PNUT FROM ATLANTA OWNS V103 STOPPED BY THE STUDIO TO KICK IT WITH MONAE AND BATTIO. DJ PNUT A PILLAR IN THE DJ COMMUNITY ESPECIALLY THE RADIO CLUB SCENE DROPS SOME GEMS TO HELP DJS GET ACROSS THE FINISH LINES. ITS ALOT OF THINGS US DJS DONT KNOW ABOUT RADIO, AND PNUT WAS ABLE TO CLEAR THOSE UP. DOPE DJS ARE HARD TO FIND AND WHEN ONE WANTS TO GIVE BACK AND DROP INFORMATION WE ADVISE YOU WATCH THE FULL EP. FOLLOW US ON YOUTUBE FOR VISUAL AND ALL SOCIAL MEDIA PLATFORMS AT DJS NEED LOVE 2 SHOW.

In this episode, we join Martin Butler M1MRB, Dan Romanchik KB6NU, Caryn Eve Murray KD2GUT, Edmund Spicer M0MNG, and Ed Durrant DD5LP  to discuss the latest Amateur / Ham Radio news. Colin Butler (M6BOY) rounds up the news in brief and in the episode's feature is Amateur Radio, Someone Else's Problem We would like to thank an anonymous donor and our monthly and annual subscription donors for keeping the podcast advert free. To donate, please visit - http://www.icqpodcast.com/donate - Club opens arms to the Radio Community for a "build-a-long". - FCC Eyes New Approach to Wireless Alerts - FCC To Vote on Removing Symbol Rate Restrictions - Northern India State Makes Hams Top Priority - End of Teletext Service in Ireland - Saved by 2 Metres - RFI from above is Anything but Heavenly Interference - Broadcast Celebrates 80 Years for UK Shortwave Site - D.A.R.C. Celebrates 100 years of Broadcast Radio in Germany with a Transmission on Medium Wave and other Activities. - RCF funds amateur radio exams for young people - UK Amateur Radio Exam shutdown over festive season - Announcing the D-STAR QSO Party 2023

Jornada interesante con enfrentamientos directos entre los seis primeros con especial atención por el duelo entre Espanyol y Leganés, Insua hace uno de los goles tontos de la jornada gracias a su astucia, repasamos las palabras de Garitano en Radio Club y análisis con Pep Martí.

Breves nouvelles. Nous nous sommes retrouvés a Greez-sur-Roc pour se rappeler les anniversaires ronds du Radio Club du Perche et de RSI . 1e partie

Local HAM Radio enthusiasts from SPARC promote amateur radio, its uses, and its community.

IF YOU EVER TURN ON THE RADIO IN ATL OR SEARCH TOP ATL DJ IN GOOGLE YALL FIND DJ MONTAY. OFFICIAL DJ FOR T-PAIN AND MANY MORE. OWNER AND PRODUCER OMMP CAMP RECORDS DROPS GEMS ON HOW TO BUBBLE IN THE MIXTAPE GAME AS WELL AS RADIO. DJ MONTAY TALKED ABOUT GIVING NEW ARTIST CHANCE IN ORDER TO FIND THE NEWEST THING IN HIPHOP.

In this episode, we join Martin Butler M1MRB, Dan Romanchik KB6NU, Edmund Spicer M0MNG, Ed Durrant DD5LP and Chris Howard M0TCH to discuss the latest Amateur / Ham Radio news. Colin Butler (M6BOY) rounds up the news in brief and in the episode's feature is 23cm Antenna review and ISP Trouble. Spy Radio Stations that Still Broadcast Today An Expansion on Solar Cycle Prediction Another 100 year old Radio Club PRESENTER OPINION: There Are Almost as Many GMRS Licenses as Techs… Hobby Club's Missing Balloon Feared Shot Down By USAF Fluke Multimeter Safety Issue 2022 Roanoke Division ARRL Service Award Recipient Selected New RSGB Youth Champion Appointed

PODCAST: This Week in Amateur Radio Edition #1245 Release Date: January 7, 2023 Here is a summary of the news trending This Week in Amateur Radio. This week's edition is anchored by Terry Saunders, N1KIN, Dave Wilson, WA2HOY, Bob Donlon, W3BOO, Rich Lawrence, KB2MOB, Eric Zittel, KD2RJX, Will Rogers, K5WLR, George Bowen, W2XBS, and Jessica Bowen, KC2VWX. Produced and edited by George Bowen, W2XBS. Approximate Running Time: 1:29:33 Podcast Download: https://bit.ly/TWIAR1245 Trending headlines in this week's bulletin service: 1. ARRL Volunteers On the Air Event is Underway - Join The Fun 2. More Amateur Radio Astronauts Head For The International Space Station 3. Bud Kozloff, W1NSK, Appointed as ARRL Connecticut Section Manager 4. Military Service Academies Radio Group Now In Operation 5. Sixth Annual HamSCI Workshop Scheduled 6. Amateur Radio Contesting Great Fred Laun, K3ZO, Silent Key 7. Latest Smartphones Gain Satellite Access For Emergency Calls 8. New Callsigns Are Added To The Upcoming Bouvet Island DXpedition 9. W2RS, Roy Soifer Honored By AMSATs Annual Activity Day On CW 10. Amateurs Are Exempt From New Distracted Driver Law In Ohio 11. Straight Key Century Club Activiates Straight Key Month 12. Amplitude Modulation International Has Elected New Leadership 13. Radio Club of America Opens Nominations For Young Ham Lends A Hand Contest 14. QSO Today Virtual Ham Expo Issues Call For Speakers 15. Radio Society of Great Britain Seeks Position Nominations 16. Internationally Celebrated Antenna Engineer Receives A Lifetime Membership 17. HAARP Facility Experiment Bounces Radio Signals Off Space Object to Help Boost Planetary Defense 18. Challenges in Creating ‘Robot Servants' Pushes Timeline Back at Least a Decade 19. FCC Proposes Additional Spectrum At 5 GigaHertz For Drone Communication 20. Australia Day Contest 2023 Is Announced 21. BBC Plans for Future Without Broadcasting Over The Air 22. Southwest Ohio DX Association Launches New Program 23. Malaysian Commission Introduces Changes To Amateur Radio Structure 24. New Over The Horizon Radar To Be Built In The Republic of Palau 25. New Antenna May Spell The End For Bluetooth 26. Amateurs In Switzerland Gain Access To The Four Meter Band 27. German Amateurs Gain Temporary Band Authorisations In 2023 28. Upcoming conventions and on the air contests Plus these Special Features This Week: * Technology News and Commentary with Leo Laporte, W6TWT, takes a look back at radio when he was a kid, and takes a look at Starlink and how it will avoid, and what is, "The Kessler Effect" * Working Amateur Radio Satellites with Bruce Paige, KK5DO - AMSAT Satellite News * Tower Climbing and Antenna Safety w/Greg Stoddard KF9MP, will answer the question, you have secured a new commercial tower site for your repeater, but the antenna placement requires you to mount your vertical repeater antenna upside down. Now what? * Foundations of Amateur Radio with Onno Benschop VK6FLAB, will answer the question "What is the weakest signal that WSPR can decode properly?" * Weekly Propagation Forecast from the ARRL * Bill Continelli, W2XOY - The History of Amateur Radio. Bill returns to begin his series, The Ancient Amateur Archives, this week, Bill takes us back to May 3, 1963 as the ARRL proposes its own version of Incentive Licensing, then in 1965 the FCC proposes, in its version to demote advance class hams. Revision happen and in 1965 the FCC releases the Incentive Licensing structure we basically still operated under today. *Classic Rain featuring a talk given by the late Wayne Green, W1NSD publisher of 73 magazine, at the 1992 Dayton HamVention. Wayne at his best. ----- Website: https://www.twiar.net Facebook: https://www.facebook.com/groups/twiari/ Twitter: https://www.twitter.com/twiar RSS News: https://twiar.net/?feed=rss2 Automated: https://twiar.net/TWIARHAM.mp3 (Static file, changed weekly) ----- Visit our website at www.twiar.net for program audio, and daily for the latest amateur radio and technology news. Air This Week in Amateur Radio on your repeater! Built in identification breaks every 10 minutes or less. This Week in Amateur Radio is heard on the air on nets and repeaters as a bulletin service all across North America, and all around the world on amateur radio repeater systems, weekends on WA0RCR on 1860 (160 Meters), and more. This Week in Amateur Radio is portable too! The bulletin/news service is available and built for air on local repeaters (check with your local clubs to see if their repeater is carrying the news service) and can be downloaded for air as a weekly podcast to your digital device from just about everywhere. This Week in Amateur Radio is also carried on a number of LPFM stations, so check the low power FM stations in your area. You can also stream the program to your favorite digital device by visiting our web site www.twiar.net. Or, just ask Siri, Alexa, or your Google Nest to play This Week in Amateur Radio! This Week in Amateur Radio is produced by Community Video Associates in upstate New York, and is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. If you would like to volunteer with us as a news anchor or special segment producer please get in touch with our Executive Producer, George, via email at w2xbs77@gmail.com. Also, please feel free to follow us by joining our popular group on Facebook, and follow our feed on Twitter! Thanks to FortifiedNet.net for the server space! Thanks to Archive.org for the audio space.

Today it's 89.1 FM, The Point, but in 1957 it started as The Radio Club. From loudspeakers in the Student Union, to 600 AM in campus buildings and eventually to an FM Radio station and streaming, WBSU has launched many successful careers. Hear from two WBSU Hall of Fame alumni, Ron Reger '71 and Gerald Ziobro '70, as they recount some of the early years of WBSU, with special guest Warren Kozireski '82, Brockport faculty and current Station Manager. WBSU - The Early Years - in this episode of Where Golden Eagles Soar, the SUNY Brockport alumni podcast.

This is Living Stories, featuring voices from the collections of the Baylor University Institute for Oral History. I'm Kim Patterson. Pirate radio stations in the U.S. were born when President Taft initiated federal regulation of the airwaves in 1912. Navy ships had been complaining that unlicensed broadcasters were interfering with their transmissions. Even with the new laws in place, pirate stations continued to pop up all over the country, for radio was still relatively new and full of magic and possibilities, and equipment was easy to build. Charles Armstrong recalls the influence of his after-school stops by a local radio store in Waco in the thirties: "There was a little shop down on the corner of Thirteenth and Clay, and I'd just go by there on the way home from school and go and talk to him. I was real interested in it. And when they'd have the boxing matches they had, you know, way back there, well, a lot of people was interested in them, and I despised them. And so I made me an old device I could knock them off. The local people right around here close within a block or two of me, I could put them off the air. It's kind of like (laughs)—kind of like scrambling it, and it worked. And I'd get a kick out of—they'd all be sitting around there getting ready for it, and it'd come on. I'd turn my machine on, and it'd sound like static—like an electrical storm. So that went on for several years. But I finally built me a station, and the kids come up and talk back home, talk to their mama on my radio. And we'd sing songs and stuff like that out in my garage." He had to sign off when his life of crime caught up with him: "And it took them about, oh, I guess a year before they caught me. And they come out—the FCC [Federal Communications Commission] come out and Bob [Robert] Van Wie. He was captain of police. And he came out, and they loaded my stuff up in the back of an old touring car. It was about 1929, 1930 model, A Models, and load my stuff up and carry it off. Mama said, ‘What are they—what are they going to do to you?' And I said, ‘I don't know.' And she said, ‘They're going to send you to penitentiary.' (laughter)" Goodson McKee, longtime announcer on WACO, explains his involvement in pirate radio while at Waco High in the 1940s: "I was a member of the Radio Club. And a good friend of mine, Mr. [Raymond] Franks, he and I were in the Radio Club together, and he was an electronic whiz. And we put together—I had a record player, played records in the mornings before school. And he was smart enough to put together an electronic transmitter, and we went on the air. It was the first pirate radio station in this area. But anyway, we had the radio station on the air for a while, and he could hear it clear across the river. We decided we'd better not get in trouble, so we shut it down." Pirate radio stations continue to broadcast, with many streaming over the Internet. For some owners, these stations are a way to rebel against the high costs of proper licenses and to denounce authority. Pirate stations are able to hide from the law because equipment is easy to come by and the space required to transmit, minimal. Learn more about your ad choices. Visit megaphone.fm/adchoices

PODCAST: This Week in Amateur Radio Edition #1227 Release Date: September 3, 2022 Here is a summary of the news trending This Week in Amateur Radio. This week's edition is anchored by Chris Perrine, KB2FAF, Dave Wilson, WA2HOY, Don Hulick, K2ATJ, Eric Zittel, KD2RJX, Will Rogers, K5WLR, George Bowen, W2XBS, and Jessica Bowen, KC2VWX. Produced and edited by George Bowen, W2XBS. Approximate Running Time: 1:49:01 Podcast Download: https://bit.ly/TWIAR1227 Trending headlines in this week's bulletin service: 1. World Radio Conference 2023 Preparatory Activities Are Intensifying 2. FCC Auction Of 2.5 GigaHertz Spectrum Closes, Raising Less Than $428 Million 3. ARRL Foundation Grants $270,000 to Amateur Radio Clubs 4. ARRL President Emeritus Harry Dannals, W2HD, SK 5. Radio Club of America Announces 2022 Award Recipients and Fellows 6. ARRL Mourns Loss of Caroline Kenney, QST Assistant Editor 7. Route 66 On the Air Special Event Operation Coming Up 8. ARRL September VHF Contest Is Coming Up 9. Ohio State Parks On The Air Contest 10. Cambodian Amateurs Are Challenged By New Government Regulations 11. Radio Amateur and His Son Are Convicted In Assaults Case are Now Headed For Prison 12. SpaceX Hopes Starlink Satellites To Assist T-Mobile Service In United States Dead Zones 13. Appalachian Trail Is Activated By Amateurs On The East Coast 14. New Zealand Acts Over Importation Of Handheld Transceivers 15. SOTA Tanzania update Climbing Kilimanjaro up to its top - Uhuru Peak, Africa's highest point 16. The Daily Herald - Radio hams experiment with cutting edge technology 17. USKA in Switzerland, takes note of the dramatic aging of amateur operators in Switzerland. Hams are aging out. 18. Hams in Ohio complete their Simulated Emergency Test with the Perry Nuclear Power Plant in Lake County 19. Mike KN4PRE using near vertical incidence activation in various modes from Kosovo 20. Goonhilly - the station supporting NASA's Artemis moon mission from Cornwall 21. The Great Essex Table Top Sale, hosted by Chelmsford Amateur Radio Society in the U.K. 22. Amateurs worldwide help support International Air Ambulance Week 2022 23. The ARRL 2021 Annual Report is now available for member download 24. QRZ announces its new Ham Jumpstart program 25. There was record attendance at this years edition of the Huntsville Hamfest 26. Hackers at the annual DEFCON conference in Las Vegas reveal that the US EBS system is vulnerable to cyber attack 27. Upcoming contests, conventions, and hamfests 28. How about a portable transceiver that doesn't need batteries? Plus these Special Features This Week: * Technology News and Commentary with Leo Laporte, W6TWT, will compare the differences between analog and digital audio at a basic level, and will tell us how we love our smartphones, and how they have the capability to become sort of an enemy through government surveillance. * Working Amateur Radio Satellites with Bruce Paige, KK5DO - AMSAT Satellite News * Tower Climbing and Antenna Safety w/Greg Stoddard KF9MP, returns to his vertical office this week with some tips on general antenna mounting on your tower. * Foundations of Amateur Radio with Onno Benschop VK6FLAB, continues his overview of the amateur code with a look at Loyalty in Amateur Radio. * Weekly Propagation Forecast from the ARRL * Bill Continelli, W2XOY - The History of Amateur Radio. Bill returns returns with another edition of his summer series, Amateur Radio History Headlines. This week, Bill takes us on a quick journey through what made amateur radio news in the late 1970's and early 1980's. ----- Website: https://www.twiar.net Facebook: https://www.facebook.com/groups/twiari/ Twitter: https://www.twitter.com/twiar RSS News: https://twiar.net/?feed=rss2 iHeartRadio: https://bit.ly/iHeart-TWIAR Spotify: https://bit.ly/Spotify-TWIAR TuneIn: https://bit.ly/TuneIn-TWIAR Automated: https://twiar.net/TWIARHAM.mp3 (Static file, changed weekly) ----- Visit our website at www.twiar.net for program audio, and daily for the latest amateur radio and technology news. Air This Week in Amateur Radio on your repeater! Built in identification breaks every 10 minutes or less. This Week in Amateur Radio is heard on the air on nets and repeaters as a bulletin service all across North America, and all around the world on amateur radio repeater systems, weekends on WA0RCR on 1860 (160 Meters), and more. This Week in Amateur Radio is portable too! The bulletin/news service is available and built for air on local repeaters (check with your local clubs to see if their repeater is carrying the news service) and can be downloaded for air as a weekly podcast to your digital device from just about everywhere, including Acast, Deezer, iHeart, iTunes, Google Play, Spotify, TuneIn, Stitcher, iVoox, Blubrry, Castbox.fm, Castro, Feedburner, gPodder, Listen Notes, OverCast, Player.FM, Pandora, Podcast Gang, Podcast Republic, Podchaser, Podnova, and RSS feeds. This Week in Amateur Radio is also carried on a number of LPFM stations, so check the low power FM stations in your area. You can also stream the program to your favorite digital device by visiting our web site www.twiar.net. Or, just ask Siri, Alexa, or your Google Nest to play This Week in Amateur Radio! This Week in Amateur Radio is produced by Community Video Associates in upstate New York, and is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. If you would like to volunteer with us as a news anchor or special segment producer please get in touch with our Executive Producer, George, via email at w2xbs77@gmail.com. Also, please feel free to follow us by joining our popular group on Facebook, and follow our feed on Twitter! Thanks to FortifiedNet.net for the server space! Thanks to Archive.org for the audio space.

Martin Cooper is an engineer, inventor, entrepreneur, and futurist. He isknown as the “father of the cell phone.” He led the creation of the world's first cell phone atMotorola—and made the first public call on it. Over nearly three decades at Motorola, Coopercontributed to the development of pagers, two-way radio dispatch systems, quartz crystalmanufacture, and more.A serial entrepreneur, he and his wife, Arlene Harris, have cofounded numerous wirelesstechnology companies. This includes Cellular Business Systems, SOS WirelessCommunications, GreatCall, and ArrayComm. Cooper is currently chairman of Dyna LLCand a member of the FCC's Technological Advisory Council. He was the first to observe theLaw of Spectrum Capacity, which became known as Cooper's Law.In 2013, Cooper became a member of the National Academy of Engineering from whom hereceived the Charles Stark Draper Prize for Engineering. He was awarded the Marconi Prize“for being a wireless visionary who reshaped the concept of mobile communication.” He hasbeen inducted into the Consumer Electronics Hall of Fame and Wireless History Foundation'sWireless Hall of Fame. The Radio Club of America awarded him a Lifetime AchievementAward in 2010. He is a lifetime member of the IEEE, was president of its VehicularTechnology Society and received its Centennial Medal. In 2007, Time magazine named himone of the “100 Best Inventors in History.” He is a Prince of Asturias Laureate.

In this episode, Martin Butler (M1MRB) is joined by Dan Romanchik KB6NU, Caryn Eve Murray KD2GUT, Edmund Spicer M0MNG and Ed Durrant DD5LP to discuss the latest Amateur / Ham Radio news. Colin (M6BOY) rounds up the news in brief and in the episode's feature Friedrichshafen 2022 interviews Part 2. We would like to thank Dino Papas (KL0S), Philip Heckingbottom (VK6ADF) and our monthly and annual subscription donors for keeping the podcast advert free. To donate, please visit - http://www.icqpodcast.com/donate Indonesia Prepares to Launch its First Amateur Radio Satellite EMF – Resources for Tutors and Clubs Proposed New Ham Radio Regulations in Slovakia Unknown Intruder in 21 MHz Band Youth Mentorship Program Launched by Radio Club of America British Inland Waterways on the Air 2022

ARRL Foundation Club Application ProcessLink: https://apply.mykaleidoscope.com/scholarships/arrlgrantapplicationARRL Webinar Replay: https://youtu.be/lx42qAFknOw

Preparamos un programa especial desde el 

Do you find that 10% of the people do 100% of the work in your radio club? You're not alone. We'll share some of your answers. Plus, we take your questions. All of this and more on this edition of the 100 Watts and a Wire Podcast. WebsiteContactDiscordFacebookYouTubeSupport the show (https://www.buymeacoffee.com/christiancudnik)

What if you had three months to prove that a cordless phone was possible in 1973? What would you do? One of the driving forces behind the creation of the cell phone was an FCC hearing…a hearing that was three months away. How important is a hard deadline like that when it comes to innovation? During the era of Trimline phones attached to the kitchen wall, avocado colored refrigerators and Saturday morning cartoons, Martin "Marty" Cooper did the only thing he could do: call a press conference and show the world he could make a phone call without any wires! This is an epic interview with the father of the cordless phone. Brad gets Marty to open up about his time at Motorola, that fateful call in front of the FCC, what drives innovation and his wife, Arlene Harris, who is also an inventor. At 93 years young, Marty is still sharp, witty and is still inventing. Marty shares his belief that the Wireless Revolution is still in its beginning stages, that this technology promises to help end poverty and disease and bring education and employment to everyone. About Martin Cooper: Martin Cooper is an engineer, inventor, entrepreneur, and futurist. He is known as the “father of the cell phone.” He led the creation of the world's first cell phone at Motorola—and made the first public call on it. Over nearly three decades at Motorola, Cooper contributed to the development of pagers, two-way radio dispatch systems, quartz crystal manufacture, and more. He is also the author of CUTTING THE CORD: The Cell Phone Has Transformed HUMANITY, published by Rosetta Books, $24.99, hardcover, $10.69 ebook, $17.99 audiobook 

A serial entrepreneur, he and his wife, Arlene Harris, have cofounded numerous wireless technology companies. This includes Cellular Business Systems, SOS Wireless Communications, GreatCall, and ArrayComm. Cooper is currently chairman of Dyna LLC and a member of the FCC's Technological Advisory Council. He was the first to observe the Law of Spectrum Capacity, which became known as Cooper's Law. In 2013, Cooper became a member of the National Academy of Engineering from whom he received the Charles Stark Draper Prize for Engineering. He was awarded the Marconi Prize “for being a wireless visionary who reshaped the concept of mobile communication.” He has been inducted into the Consumer Electronics Hall of Fame and Wireless History Foundation's Wireless Hall of Fame. The Radio Club of America awarded him a Lifetime Achievement Award in 2010. He is a lifetime member of the IEEE, was president of its Vehicular Technology Society and received its Centennial Medal. In 2007, Time magazine named him one of the “100 Best Inventors in History.” He is a Prince of Asturias Laureate.

Cooper grew up in Chicago, the son of Ukrainian immigrants. He attended Crane Technical High School and the Illinois Institute of Technology, where he is a Life Trustee. He served in the US Navy as a submarine officer during the Korean Conflict. Host: Brad Szollose: First things, first. How do you say Szollose? It's pronounced zol-us. Fueled by the passion to ignite game-changing conversations, award-winning author Brad Szollose created Awakened Nation®—a podcast dedicated to deeper conversations with today's cutting edge entrepreneurs, idea makers and disruptors, bestselling authors, activists, healers, spiritual leaders, professional athletes, celebrities and rock stars...conversations that take a deep dive into the extraordinary. This podcast makes you think. --- Support this podcast: https://anchor.fm/awakenednation/support