Podcasts about Complexions Contemporary Ballet

Today's guest, Madeline Jazz Harvey, is an Associate Professor at Colorado State University, is a dance educator, choreographer, and performer specializing in classical and contemporary ballet. Her twenty-year performance career includes dancing with Charlotte Ballet, Carolina Ballet Theatre, and Impact Dance Company. She attended summer intensive programs on full scholarship at Chautauqua Institution, Complexions Contemporary Ballet, and The Juilliard School.Madeline holds a BA and Professional Training Certificate in Dance from the University of North Carolina at Charlotte and an MFA in Choreography from Jacksonville University. Human connection and vulnerability drive her practice. Her creative research investigates play as a paradigm for choreographic process. In 2007, she was the youngest recipient of the New York Choreographic Institute Fellowship Award. She has premiered over 50 original works. She is credited with the development of ShapeX, a wellness program for children with Type II Diabetes. Currently, she is the Principal Investigator for an ongoing research study, Movement Through Parenthood, examining the efficacy of an original EA based dance intervention for improving emotional availability and wellbeing from pregnancy through postpartum. In our conversation Madeline - despite still recovering from the flu - shares the value of collegiate summer dance programs, building creative research, and collaboration as a gateway to learn and opportunity.Takeaways from our conversation:-look for dance experiences that help you take creative risk-collaboration on all levels will strengthen your practice-bring your artistic self into all areas of your lifeLearn more about Madeline at https://madelinejazzharvey.weebly.com/and CSU's dance program at: https://dance.colostate.edu/Check out Dance Lab: https://dance.colostate.edu/dance-lab/Learn more about dance training and career planning: https://www.theballerinatist.com/

Episode Summary: Christina Ricucci, a dynamic artist who blends singing, songwriting, acting, dancing, and choreography. Christina shares her journey from starting dance at age two to competing and training rigorously, achieving national titles, and landing performances featured in Disney projects. She reflects on how Lyme disease, diagnosed in her teenage years, drastically shifted her career, leading her to explore music and acting. This illness ultimately led to the release of her first self-written single, Ophelia, marking a creative milestone. Now teaching dance, choreographing, and producing music, Christina offers valuable advice for aspiring artists, highlighting the importance of adaptability, passion, and creative exploration. This episode is filled with insights for anyone navigating creative careers and personal transformation. Show Notes: (00:00) - Introduction to the podcast and guest, Christina Ricucci (02:00) - Christina's early start in dance and first performances (05:00) - Transition from dance to music and songwriting (08:30) - How Lyme disease impacted Christina's career and forced a pivot (12:00) - Embracing other creative outlets: music, acting, and songwriting (15:30) - The current role of dance in Christina's life: teaching and choreography (18:00) - Advice for young dancers exploring multiple creative avenues (22:00) - Q&A with Business of Dance mentees (40:00) - Christina recommends summer programs and intensives for dancers (44:00) - Reflecting on competitive dance and ballet training (49:00) - Christina shares memories from Showstoppers and other dance competitions (51:00) - Final thoughts from Christina on following your passion and embracing creativity (53:00) - Closing remarks and sign-off Biography: Christina Ricucci is an alternative singer-songwriter, actress, and dancer/choreographer based in Los Angeles, CA. She draws inspiration from life experiences, pain, love, happiness, poetry, and, of course, art, in her creative endeavors. As a dancer and choreographer, Christina has trained extensively in ballet, contemporary, jazz, lyrical, tap, hip hop, and musical theater. She has furthered her training at intensives with prestigious institutions such as The Juilliard School, Nederlands Dans Theater, Cedar Lake Contemporary Ballet, American Ballet Theater, Hubbard Street Dance, Complexions Contemporary Ballet, Martha Graham, Limon, and Batsheva/Gaga. Christina has choreographed award-winning pieces and has taught dance workshops and choreography across the country. Christina is an 8-time National Champion soloist and has toured the U.S. and Canada as a demonstrator with both the JUMP and NUVO Dance Conventions. She was awarded the prestigious National Title of “Best Dancer” from the Dance Awards, the Hope Award from YAGP, and was a Gold Medalist at the World Ballet Competition. She has also appeared on the covers of Dance Spirit magazine as their Cover Model Winner and Inside Dance magazine. Christina's dance career led to her first acting job at age 12, when she was cast as a ballerina in a Disney project. After enduring several years of Lyme Disease treatment, she expanded her creative pursuits to include acting and music. She has won “Best Actress” awards at multiple film festivals. In 2019, Christina was the featured vocalist on Nowhere Near, an international award-winning soundtrack. Her music weaves dark pop with contemporary production, and her upcoming project includes the release of her first single, Ophelia, inspired by John Everett Millais' painting based on Shakespeare's Ophelia. The debut EP is expected to be released in late 2024. Connect on Social Media: https://www.instagram.com/christinaricucci https://www.facebook.com/christina.ricucci

On today's episode of "Conversations On Dance", we are joined by the co-founders of Complexions Contemporary Ballet, Dwight Rhoden and Desmond Richardson. They take us through the history of their artistic connection, the inauspicious beginnings of the company, and how they've built on the mission of Complexions over the course of its 30 year history. Complexions will be performing at Performing Arts Houston in Houston, TX on February 1st. To purchase tickets visit performingartshouston.org. Dwight on COD in June 2024: https://www.conversationsondancepod.com/episodes-transcripts/399-dwight-rhoden-choreographer-amp-artistic-director-of-complexions-contemporary-balletLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

Deborah Engerman is a ballet teacher, coach, choreographer and published author of Let's Talk About Fifth: Teaching Ballet in the 21st Century. For over three decades, her students have gone on to dance with professional companies including American Ballet Theatre, Universal Ballet, Vienna Opera Ballet, Nashville Ballet, Barcelona Ballet Theatre, Complexions Contemporary Ballet as well as on Broadway.Deborah is a passionate and caring educator and I am thrilled to share her wisdom with you today. My biggest takeaways from this episode included the importance of fundamentals, asking for help, and chasing after what you really want in life. I highly recommend her book and this conversation to every dance teacher who wants to become a more well-rounded and effective educator!Key Moments: Early dance training [2:11] How Deborah chose to make teaching dance a career [5:20] Her very first teaching job [6:17] How Deborah's teaching has evolved over the years [7:50] How she continues to learn as a veteran educator [16:10] Deborah's secret to getting dancers to the professional level [21:30] The process of writing a book about the art of ballet [30:02] What Deborah hopes people will gain from reading her book [37:49] Her biggest piece of advice for dancers pursuing a career [41:14]Connect with DeborahDEBORAH'S WEBSITE: www.deborahengerman.comFACEBOOK: facebook.com/DeborahEngermanBalletINSTAGRAM: instagram.com/deborahengerman_balletteacherLinks and Resources:Get your copy of The Ultimate Audition GuideJoin the Brainy Ballerina Book ClubGet your copy of Let's Talk About Fifth: Teaching Ballet in the 21st Century (affiliate link)Let's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerina1-1 CAREER MENTORING: book your complimentary career callQuestions/comments? Email me at caitlin@thebrainyballerina.com

Today we are joined by Dwight Rhoden, Choreographer & Artistic Director of Complexions Contemporary Ballet. Since it has been over six years since we last had him on the podcast, we go back to the beginning and hear about his start in dance and choreography. We dig into his process and what he looks for in dancers, both for Complexions and when he is choreographing on other companies. Dwight tells us about his new work for Houston Ballet that is running from June 6-16 as a part of a mixed bill program called, "Four Seasons." This is Dwight's first work on the company so he tells us what it has been like working with the dancers, how the work evolved from his initial vision, and what he hopes audience's take away from his work. For more information and to get tickets, visit houstonballet.org.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Aubrey Lynch II, dean of students and director of ABT Wellness and RISE with American Ballet Theatre in New York City, joined the studio to talk about his work to further mental health and DEI initiatives at ABT and beyond! He focuses on mentoring students at ABT and providing resources for them, as well as expanding access to mental health resources that support the whole dancer in and out of the studio. He also works to build upon ABT's diversity, equity and inclusion initiatives to make ballet a more welcoming place on stage, in the audience and behind the scenes. Prior to joining American Ballet Theatre, Aubrey was the dance director and chief education and creative programs officer at The Harlem School of the Arts. Before transitioning to arts administration, he was one of the final dancers hand-selected by Alvin Ailey to join Alvin Ailey American Dance Theater. Aubrey was an original company member of Complexions Contemporary Ballet, and he was an original cast member of the Tony Award-winning Broadway musical, Disney's The Lion King. Aubrey also acted as the production's associate choreographer, and later, the associate producer. We talked about the importance of self-reflection in ballet, providing visibility for BIPOC and female dancers and choreographers, and why access to mental health is so important for dancers.  Follow Aubrey on Instagram: ⁠⁠⁠@aubreylynch Learn more about Aubrey's work: ⁠⁠www.aubreylynch.com Learn about ABT's RISE program: https://www.abt.org/community/abt-rise/ Support American Ballet Theatre: https://www.abt.org/support/individual-giving/membership/ Follow Aubrey Lynch In Reflection: https://www.youtube.com/watch?v=tuScqUc3gX4&list=PL4kr2tqzHCEb52fNAgZ50pGyPw1MAk2Nm Music in this episode: Waltz of the Flowers - Tchaikovsky Barroom Ballet - Silent Film Light - Kevin MacLeod Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠⁠⁠https://creativecommons.org/licenses/by/4.0/⁠⁠⁠ Source: ⁠⁠⁠http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310⁠⁠⁠ Artist: ⁠⁠⁠http://incompetech.com/⁠⁠⁠ ⁠⁠⁠@eblosfield⁠⁠⁠ | theadultballetstudio@gmail.com Support this podcast on Patreon! ⁠⁠⁠https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link --- Support this podcast: https://podcasters.spotify.com/pod/show/elizabeth-blosfield/support

* WARNING* Suicide is briefly mentioned in this episode. Guiding New Dance Teachers Hosted by: Anna Harsh Guest Debora Engerman shares her story of how and why she became a Ballet teacher. She offers tips and advice of how new teachers can be more confident and ways to cope with nervousness. Deborah Engerman trained under Wally Saunders in Pikesville, Maryland, from 1977 to 1979, and with the Baltimore Ballet School (formerly the Maryland Ballet School) under the direction of Wendy Robinson from 1979 to 1985, in the RAD (Royal Academy of Dance) tradition. Her classical studies also included training with Petrus Bosman, David Keener, and Christine Hennessy at National Academy of the Arts and Virginia School of the Arts. While pursuing her Bachelor of Arts in International Policy and Management Studies at Dickinson College from 1986 to 1990, she continued her study of classical ballet with the teachers of Central Pennsylvania Youth Ballet. Her dance training includes Vaganova technique, French methodology, Martha Graham technique, and the Dance Education Program at Towson University. She has staged ballets including The Nutcracker and Swan Lake: Act II. For more than three decades, dancers under Engerman's tutelage have gone on to earn professional contracts and danced with companies including American Ballet Theatre, Ballet Inc., Boston Ballet, Complexions Contemporary Ballet, Hubbard Street Dance Chicago, Nashville Ballet, Texture Ballet, Universal Ballet, the Vienna Opera Ballet, the Washington Ballet, and on Broadway. She has also coached dancers for numerous international competitions, such as the Prix de Lausanne, the Varna International Ballet Competition, and Youth America Grand Prix. Her student Adrienne Canterna took the Junior Gold Medal at the 1998 Jackson USA International Ballet Competition. For most of 2010, Engerman toured Europe as ballet mistress for Rock the Ballet, of Sweetbird Productions. Order Anna's Book: https://a.co/d/8QJa4I6 ORDER Let's Talk about Fifth: https://www.amazon.com/Lets-Talk-About-Fifth-Teaching/dp/B0CBT4YCSN/ref=cm_cr_arp_d_pl_foot_top?ie=UTF8 Deborah's website: https://www.deborahengerman.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/anna-harsh/message Support this podcast: https://podcasters.spotify.com/pod/show/anna-harsh/support

“Dance Talk” ® with Joanne Carey and special guest, Alicia Graf Mack, Dean and Director of the Dance  Division of The Juilliard School.  In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Alicia Graf Mack who was recently recognized as a Dance Magazine Award Honoree.     Join us as we talk, not only about her inspiring career, its longevity and the set backs she has overcome, but she graciously pulls back the curtain on her gratefulness, spirituality and family that grounds her along with sharing her deep connection to the responsibility of an artist in the world. You will agree that Alicia Graf Mack brings this to all she does.  Be inspired by this kind, gentle, thought provoking and intelligent woman who not only loves to dance, but she loves teaching and loves to inspire the success of her students no matter which path they choose.  Listen in and be 'moved in these moments.' Alicia Graf Mack enjoyed a distinguished career as a leading dancer of Alvin Ailey American Dance Theater.  She has also been a principal dancer with Dance Theater of Harlem and Complexions Contemporary Ballet, and she had danced as a guest performer with Alonzo King's LINES Ballet, Beyonce, John Legend, Andre 3000, and Alicia Keys.  Graf Mack graduated magna cum laude with honors in history from Columbia University and holds an MA in nonprofit management from Washington University in ST. Louis.  In 2007, Smithsonian Magazine named her American Innovator of the ARTS and Sciences. She is the recipient of the Columbia University Medal of Excellence, an award given each year an alumnus who has demonstrated excellence in their field of work.  In 2008, she delivered the keynote address to the graduates of Columbia University's School of General Studies.  As a dance educator, Graf Mack most recently taught as an adjunct faculty member at the University of Houston and was a visiting assistant professor at Webster University.  She is co-founder of D(n)A Arts Collective, an initiative created to enrich the lives of young dancers through master classes and intensives.  She began her inaugeral season as director of the Juilliard Dance Division in 2018. Follow on Instagram @aliciagrafmack @movingmomentspodcast https://www.juilliard.edu/dance/faculty/graf-mack-alicia Follow Joanne Carey on Instagram @westfieldschoolofdance Follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

For more than three months, residents in south Plaquemines Parish didn't have safe drinking water. The cause? Intruding salt water from the Gulf of Mexico caused by two years of back-to-back drought. When news broke of approaching salt water in more populous areas further up the river, state and local officials took immediate action. Today, the Coastal Desk's Halle Parker reports on the residents in Plaquemines who felt forgotten.  The Louisiana Book Festival is returning to Baton Rouge at the end of the month. Two of this year's featured authors are Mary Perrin and Beverly Fuselier, the authors of, “Healing Traditions of South Louisiana, prayers, plants, and poultices.”  Perrin and Fuselier released the book one year ago this month. They dig into health and wellness traditions of Louisiana's Cajun, Creole and Native American communities. Today, they join us for more on the history of community healers — known as “traiteurs” — and the modern influence of ancient healing techniques.  Internationally renowned Complexions Contemporary Ballet co-founder and choreographer Dwight Rhoden and six-time Grammy-nominated Jazz trumpeter and composer Chief Adjuah, formerly Christian Scott, are joining forces for a special season-opening performance with the New Orleans Ballet Association. Dwight Rhoden joins us for more on this upcoming performance, which features contemporary movement and the music of Lenny Kravitz. Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman. You can listen to Louisiana Considered Monday through Friday at 12 and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts.  Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.

“Dance Talk” ® with Joanne Carey  and special guest, Jillian Davis, company artist with Complexions Contemporary Ballet. In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest, Gillian Davis. Listen in as Joanne and Jillian recount that they are no strangers. Joanne shares how she recalls Jillian as a young dancer traveling far from home to attend the morning Adult Ballet class where Joanne kept up with her own ballet training. Joanne goes on to share with Jillian that she knew she had that "special something". Follow along as they talk bout Jillian's growth as a young ballet dancer to the powerhouse artist she is today as part of Complexions Contemporary Ballet. JILLIAN DAVIS (Dancer) from Kutztown, PA and began her ballet training at the age of 3. She studied with Risa Kaplowitz and Susan Jaffe at Princeton Dance and Theater Studio in Princeton, NJ. Jillian attended San Francisco Ballet, School of American Ballet, Pacific Northwest Ballet and LINES Ballet programs. Jillian has been a company member with Complexions since 2014. She has been part of Dwight Rhoden world premieres including Headspace, Strum, Gutter Glitter, Star Dust, Bach 25, Woke, Love Rocks, and a world-premiere solo, Elegy. She has also performed installation works by Desmond Richardson and an excerpt of Approximate Sonata by William Forsthye. Along with being a dancer with Complexions, Jillian is part of the core faculty for Complexions Dance Academy. Follow on Instagram @jillange93 Find out more about Complexions Contemporary Ballet https://www.complexionsdance.org/home Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Here are some takeaways from the conversation I had with Shaness Kemp who happens to be a performing artist, choreographer, and dance educator. The first takeaway is you need time to replenish. Now this looks different for all of us but it's important to replenish so you can continue to pour out as an artist. Next, versatility is the key to flexibility. If you are versatile it's easier to be flexible and follow the road that unfolds in front of you. And third, that once you let go of the fear of not understanding, or looking silly, or being uncomfortable you will realize how much you can actually do. Shaness D. Kemp Kemp is a native of Nassau, Bahamas and holds both a Bachelor of Fine Arts degree and a Master's of Fine Arts degree from Temple University. She is an Assistant Professor of Dance at the University of Maryland Baltimore County, and continues to work as a freelance dancer, choreographer and dance educator. As Master Teacher of the Umfundalai technique, she has taught at various institutions, festivals and intensives, both nationally and internationally. Kemp has trained and performed with several notable artists and professional dance companies, including Deeply Rooted Dance Theater, Kariamu & Company: Traditions, Kun-Yang Lin/Dancers, Eleone Dance Theatre, Philadanco! The Philadelphia Dance Company, Urban Bush Women, Complexions Contemporary Ballet, Rennie Harris Puremovement, The Katherine Dunham Seminar and The American Dance Festival to name a few. Most recently, she has appeared as a guest performing artist with Tabanka African and Caribbean Peoples Dance Ensemble in Oslo, Norway. Tabanka is Northern Europe's largest all black dance ensemble. Her work has been presented nationally and internationally.  Get in touch:  Shaness Kemp  Instagram: @shaness_d Ayana Major Bey  Website: www.ayanabey.com Instagram: @ayanambey, @theartistpivot  Monthly Newsletter: https://www.ayanabey.com/podcast Show Sponsor: Get 10% off your first month with BetterHelp at https://betterhelp.com/artistpivot  ******* Host & Exec. Producer: Ayana Major Bey  Editor: Kieran Niemand  Part of the Boundless Audio Network

This episode is also available as a blog post: https://thecitylife.org/2022/11/11/complexions-contemporary-ballet-opens-28th-season-at-the-joyce-theater/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Host Anna Harsh interviews an up and coming dancer/ photographer about advice on the latest tips for dancers head shots. Marcella Galvan from San Antonio Texas gives great advice on how to get the best dance head shot along with what to wear, make up and how to pose. Marcella Galvan is an intuitive artist with a passion of movement, performing, and choreography. Born and raised in San Antonio, Texas, Marcella is recognized for her versatility in performance and choreography. She is currently pursuing her BFA in dance with a concentration in ballet at Point Park University. Marcella has attended summer intensives at Perry Mansfield, Complexions Contemporary Ballet, and Broadway Dance Center. She has been taking photos since 2016 of dancers and other subjects that have gotten her noticed by various dance companies. Book Marcella for a photo shoot visit her website for more information https://www.marcellagalvan.com/ Visit Anna's websites www.AllegroDanceCompany.net or www.AnnaHarsh.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/anna-harsh/message Support this podcast: https://podcasters.spotify.com/pod/show/anna-harsh/support

Kara Menendez / @kara.menendez Kara Menendez is a New Jersey native. She began her dance training at the New Jersey Dance Theatre Ensemble. Kara went on to further her dance studies at Marymount Manhattan College, where she received a Bachelor of Fine Arts Degree in Dance, with a Ballet Concentration and a Business Minor. Kara has performed works by Emery Lecrone, Paul Taylor, Darrell Moultrie, Norbet De La Cruz, Adam Barruch, Breton Tyner-Bryan and Larry Keigwin. She has also had the opportunity to train at the Vancouver Arts Umbrella, San Francisco Conservatory, Ballet Hispanico, Northwest Dance Project, Movement Invention Project, Complexions Contemporary Ballet, and Parsons Dance. Kara is a Springboard Danse Montreal alumni, where she had the honor of performing work by Peter Chu. As a professional artist, Kara has been fortunate to work in many facets of the entertainment industry. In addition to concert dance, her professional credits include singing and acting in Off- Broadway shows at Royal Family Productions, Virginia Repertory Theatre, and Axelrod Performing Arts Center. Internationally, she has performed in Tokyo Broadcasting Service's production of West Side Story at IHI Stage Around; a 360 degree theatre in Tokyo, Japan. Kara has also been featured in a music video for the pop-rock band KITTEN. She had the honor of performing on the 74th annual Tony Awards for the presentation of Broadway's Back! with the cast of MOULIN ROUGE! The Musical. Kara is a proud recipient of the New Jersey Governor's Award for Artistic Leadership and Excellence in Dance. She is a member of the Actors' Equity Association and is represented by Clear Talent Group. Kara believes in giving back to the community as she shares her passion and craft with many students around the state of New Jersey. Kara continuously returns back to her high school as a choreographer. Kara is also a dance competition adjudicator for Starbound National Talent Competition. https://www.karamenendez.com/ Try a Free Trial of BFTS and work 1 on 1 with Coach Joe! https://builtforthestage.com/free-trial www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Kara Menendez / @kara.menendez Kara Menendez is a New Jersey native. She began her dance training at the New Jersey Dance Theatre Ensemble. Kara went on to further her dance studies at Marymount Manhattan College, where she received a Bachelor of Fine Arts Degree in Dance, with a Ballet Concentration and a Business Minor. Kara has performed works by Emery Lecrone, Paul Taylor, Darrell Moultrie, Norbet De La Cruz, Adam Barruch, Breton Tyner-Bryan and Larry Keigwin. She has also had the opportunity to train at the Vancouver Arts Umbrella, San Francisco Conservatory, Ballet Hispanico, Northwest Dance Project, Movement Invention Project, Complexions Contemporary Ballet, and Parsons Dance. Kara is a Springboard Danse Montreal alumni, where she had the honor of performing work by Peter Chu. As a professional artist, Kara has been fortunate to work in many facets of the entertainment industry. In addition to concert dance, her professional credits include singing and acting in Off- Broadway shows at Royal Family Productions, Virginia Repertory Theatre, and Axelrod Performing Arts Center. Internationally, she has performed in Tokyo Broadcasting Service's production of West Side Story at IHI Stage Around; a 360 degree theatre in Tokyo, Japan. Kara has also been featured in a music video for the pop-rock band KITTEN. She had the honor of performing on the 74th annual Tony Awards for the presentation of Broadway's Back! with the cast of MOULIN ROUGE! The Musical. Kara is a proud recipient of the New Jersey Governor's Award for Artistic Leadership and Excellence in Dance. She is a member of the Actors' Equity Association and is represented by Clear Talent Group. Kara believes in giving back to the community as she shares her passion and craft with many students around the state of New Jersey. Kara continuously returns back to her high school as a choreographer. Kara is also a dance competition adjudicator for Starbound National Talent Competition. https://www.karamenendez.com/ Try a Free Trial of BFTS and work 1 on 1 with Coach Joe! https://builtforthestage.com/free-trial www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Dr. Jenna Kantor interviews Dr. Sherrill Williams about diversity, equity, and inclusion in physical therapy.  Mabout Dr. Williams here:  A lifelong dancer and lover of the performing arts, Dr. Williams committed most of her life to studying Ballet, Modern, Jazz, and Hip Hop. It was not until her commitment to losing 90 lbs that she fell in love with fitness, and wanted to find a way to fuse her love of dance with health and wellness. This new mission sparked a fire that led to Dr.Williams receiving her Doctor of Physical Therapy degree from New York University. Shortly after she founded Leg Up Fitness and Wellness, an online fitness company for performers that want their workout to feel less like exercise and more like dance. Leg Up's client credits include but are not limited to The 1st US National Tour of Aladdin, Hamilton, Lion King, Lizzo, Jidenna, John Legend, Todrick Hall, and Complexions Contemporary Ballet. Dr. Williams is a passionate advocate for dance injury pre-habilitation and rehabilitation and loves helping dancers around the U.S. virtually and in person. Follow Dr. Williams:  www.leguppt.com Instagram TikTok Subscribe to Healthy, Wealthy & Smart: Website:                      https://podcast.healthywealthysmart.com Apple Podcasts:          https://podcasts.apple.com/us/podcast/healthy-wealthy-smart/id532717264 Spotify:                        https://open.spotify.com/show/6ELmKwE4mSZXBB8TiQvp73 SoundCloud:               https://soundcloud.com/healthywealthysmart Stitcher:                       https://www.stitcher.com/show/healthy-wealthy-smart iHeart Radio:                https://www.iheart.com/podcast/263-healthy-wealthy-smart-27628927   Read the Full Transcript Here: 00:07 Welcome to the healthy, wealthy and smart podcast. Each week we interview the best and brightest in physical therapy, wellness and entrepreneurship. We give you cutting edge information you need to live your best life healthy, wealthy and smart. The information in this podcast is for entertainment purposes only and should not be used as personalized medical advice. And now, here's your host, Dr. Karen Litzy.   00:35 Hey everybody, welcome back to the podcast. I'm your host Karen Litzy. Today's episode is brought to you by Net Health. So when it comes to boosting your clinics, online visibility, reputation and increasing referrals, net house digital marketing solutions, has the tools you need to beat the competition. They know you want your clinic to get found get chosen and definitely get those five star reviews on Google. They have a fun new offer if you sign up and complete a marketing audit to learn how Net Health Digital Marketing Solutions can help your clinic when they'll buy lunch for your office. If you're already using that health private practice EMR Be sure to ask about its new integration, head over to net health.com forward slash li tz why to sign up for your complimentary audit today. And like I've said before I actually use this product it works man did a bump me up in the Google search was awesome. Now on to today's podcast, which is being hosted by the ever wonderful Dr. Jenna cantor. And in today's episode, she interviews Dr. Cheryl Williams, a lifelong dancer and lover of the performing arts, Dr. Williams committed most of her life to studying ballet, modern jazz and hip hop. It was not until her commitment to losing 90 pounds that she fell in love with fitness and wanted to find a way to fuse her love of dance with health and wellness. This new mission sparked a fire that led Dr. Williams to receiving her doctor physical therapy degree from New York University. Shortly after she founded leg up fitness and wellness an online fitness company for performers that want their workout to feel less like exercise and more like dance leg UPS client credits include but are not limited to the first US national tour of Aladdin, Hamilton Lion King Lizzo Jidenna John Legend Todrick Hall, and complexions contemporary ballet. Dr. Williams is a passionate advocacy for dance injury, pre habilitation, and rehabilitation, and loves helping dancers around the US virtually and in person. So big thank you to Jenna and to Sherelle for coming onto the podcast so everyone enjoys today's interview.   02:42 Hello, healthy, wealthy and smart. This is Jenna cantor. I'm here with Dr. Sharon Williams, and I cannot be so grateful. So much more grateful right now to be on here with you. First of all, thank you, Sharon, for coming on to talk. Thank   02:54 you. Thank you for having me. I'm excited to be Yeah,   02:59 I love it. I'm really grateful on so many levels, the one we're friends to. And I think this is where I'm starting with where I'm comfortable and where I need to expand. So I'm just owning up to this. In physical therapy. I don't know a lot of black physical therapists, like holy crap. And so you're one of my few. And when I really took account, I took accountability. And I was like, Oh my God, a few people that I know who are black. So I'm starting with people I know. And then I'll expand out to more and more and more and more and more people and increase my network. But that is sad. After calling myself out. I am really excited to be talking about diversity equity inclusion. I feel like that was a pretty good segue because that is yeah, that is legit. So let's go back. You are a new grad congratulations. Thank you. We made it. We made it made it Sherelle is one of those people who thinks big and then achieves the big. So she's a nice person to be regularly inspired by and I'm super grateful to know you Sherelle. So diversity, equity and inclusion. What rehearing that whole statement in as one what are some first thought that comes to mind when it when it comes to physical therapy? There is no wrong answer. I just want your truth.   04:29 Well, I was gonna say when you like yeah, you're like one of the few black people I know that's a physical therapist. I was like me too, girl. Oh, no, me neither. Oh, I didn't know. Yeah, um, to be honest, I think it was CSM where they had a, a networking event and I was like, oh, there is a little community of us but we're just all scattered or you know around the world. But when I think of the Diversity, Equity and Inclusion within physical therapy, you know? No, I don't want to say non existent, but it's just, it's very small. You know, when I went to NYU, you know, I did visit a few schools. When I was doing the audition process when I was   05:22 Joe and I both are performers, as well. So that's what why audition process came to her mind. That's hilarious.   05:31 When I was going through, like the interview process, and I was looking at different schools, and like NYU, you was one of the few schools that you know, I did see quite a few black people. And I had, there was seven of us in my class, and two men, two black men, which is like crazy that I'm excited about to black men. But like, you don't see it at all.   05:59 No, you don't.   06:02 And it's an it's unfortunate, because it's such an amazing field. And I'm still kind of at the point where I'm like, is it that we are not applying? Because we don't know? Or is it that? You know, they're not letting us in the door? And I haven't really figured that out yet. But I do I do feel like a part could be, we don't know. Because a lot of times I feel like especially in the African American community. And you can also say African because those communities are very different. Culturally, you know, people No, go go be an ND nd ND, ND, ND nd? Or what do we need to do to get more people of color in or black people. Because I think that's going to do wonders when it comes to the community and getting people up. And, and healthy. Because unfortunately, in our culture, not many of us, I think my generation is more, it's a lot more active, but the older generation, not move until I think when we get more more people of color in into the field, and then we're talking about it. And we're excited about it, you know, then the community will come to and we'll see, you know, more people being active. And that's just my theory. That's what I've seen based on, you know, my family when I started school, that's what I'm talking about. I'm talking about moving. And my mom is like, oh, yeah, I'll go get a trainer. Or I'll do this or I'll move or they you know, they see me we can lead by example.   07:42 This is so helpful. Because everything and what you're calling rambling I call a more clear insight into what's true in your mind regarding diversity, equity and inclusion. And it's not just one component that it there's a need to be looking upon. First of all, with defining diversity, equity inclusion for you, like it seemed as though we're talking about black people, right now, we're just in which is that's absolutely, we're not seeing it. i There were very few in my class, and I didn't think anything of it. You know, to me, the fact that there were some people who are black, there were some people who were Asian, there were some people of some sort of Indian descent was like, wow, look at us, but there could be more. I agree from what, yeah, I still as a white person, I did not feel like a minority at all. In that group. In that setting. I felt just like, you know, hey, which is Yeah. My point is, from all these little things, let's start separating out different things that you were mentioning, first of all, with getting people in getting people into the profession, how did you get reached?   09:05 I, to be honest, I sort of think I got into NYU, praise God, I did apply to like 13 schools. I only got into NYU, and I honestly think it's because they had an interview process. Because on paper I didn't have like a four Oh, and I had some C's and I had to retake some classes. But when you get me in person, I can tell you and and why you happen to have an interview process and and I was able to shine in that way. And I think that speaks volumes. I hope that maybe other schools can adopt that because sometimes our paper with we don't, you know, I mean like but that doesn't have anything to do with, you know, how compassionate we are or how smart we are what will be Be like as, as a physical therapist, especially based oh my god, we had the GRE, I   10:08 didn't do the grade on that either. It's interesting, you're saying that because everything on paper only shows part of the picture. So when the schools are making it like that, and they're just looking at paper, I mean, right there, we are automatically going to be leaving a lot of people out, because our school systems are not equal. Yeah, what people are learning are not equal. So if you're just going off of what they happen to be born into, we're really cutting people off. We're really, really cutting people off from opportunity, and therefore, just continuing the cycle of a lot of whiteness in our field.   10:47 And something that I saw that I think would be also be great, like, okay, let's say we don't have time for the interview process, some of the HBCUs. Or if you don't know, historically black colleges and universities, they did like a video, like you had to send in a video and answer a prompt. And that way you get you get to show yourself. And I thought, you know, that was that was great. You know, I mean, it's something that could also be adopted by other schools. To give us a chance, you   11:24 know, I mean, absolutely, I think I think that that's a great idea as a way to be the change be the change. I don't know if you've ever heard this where it's, you know, God, it's a very I don't like this rhetoric, but it's the one where people are saying, not everyone, but people are saying, Oh, well, now people are just getting in because they're black. Can you share some thoughts to that? Because for so you know, I have an angry look on my face and Sherelle rolled her eyes. We're not shy about that. All right, would you mind response to that? Because, I mean, it angers me, but let's talk about this.   12:08 And on that note, we're gonna take a very quick break to hear from our sponsor, and be right back with Shirelles response. When it comes to boosting your clinics, online visibility, reputation and increasing referrals, net Health's Digital Marketing Solutions has the tools you need to beat the competition. They know you want your clinic to get found get chosen, and definitely get those five star reviews on Google. Net Health is a fun new offer. If you sign up and complete a marketing audit to learn how digital marketing solutions can help your clinic when they will buy lunch for your office. If you're already using Net Health private practice EMR, be sure to ask about its new integration, head over to net help.com forward slash li tz y to sign up for your complimentary marketing audit.   12:52 Wow, I've also never discussed this. I mean, if I was just to like speak, honestly,   12:57 yes, please.   13:01 White people get things because they're white all the time. Like not based on merit, not based on skill based on who they know. Or a back door. You know what I mean? And I as   13:17 a person who has benefited in that way, I can absolutely agree. It's Yes, yes. It's true. It's legit happened to me. I like I'm grateful. That's amazing. But like, also, that's so true.   13:32 And, and we're like we said this, the schools are not always even, we don't always have, you know, these connections. But a lot of times when you give us a chance, we go above and beyond, because we're like, hey, my ancestors didn't die for this. So I mean, like, and we deserve the chance, I just think we deserve the chance. The playing field is not going to even and this is our opportunity to try and be able to own probably, I think it kind of goes deeper than just Oh, black you let Black people in. But for so long. We couldn't get education. You know, we were enslaved. We built this. We literally built the US, you know, we couldn't own property. So now it's like, Hey, we're trying to get in these professions, so that we can make something of ourselves we can start building generational wealth. Like for me right now. I am like the person. I am the person right now and 2021 that is trying to start building generational wealth for my family, but why people have had this opportunity to do this and save and know about mutual fund all these different things and I'm just now learning and having the opportunity to get to you've been able To do that,   15:01 oh, for a very long time, and for anybody who says, Oh, the history that you're mentioning, I'm just acknowledging this history that you're mentioning from a bit ago that how black people came into, it's still not 100% there for basic rights for black people, they don't have access to the education that I got, you know, in this, I grew up in California, in a small town, California, if you don't know, if you buy a shed of your own, it can be worth a million cost a million dollars. It's ridiculous. It's a running joke. California is not it's just a well off area to be living, and which is unfortunate. And from that, we are lacking diversity in our areas, and they are people are not getting getting that access. I also feel like that there's an assumption when people are saying, Oh, now black people are getting in just because they're being black. What if? Let's say this black person, maybe it's just one? Oh, you know, come on, like, you know that Gatson is extremely intelligent and more intelligent than you and has had to put a lot more work in to get into prove themselves just to get in? And you actually don't belong? What if? What about what that? What about that? What about that consideration that there could actually be a lot of people of color, who are more intelligent than a lot of people who've been regularly led into school.   16:30 Everything that you just said? That was awesome. Like,   16:36 I love that we're sitting on this for a bit, because getting people into PT school is like the base, you know, how do we reach them? How do we access them and everything. And if then we have people saying it's because they're black. They're people who are black are already dealing with so much this is from what I've learned not experienced, obviously, like you're already dealing with so much discrimination on a regular basis. So to So to finally get that opportunity to come in and then be discriminated against, you've worked your tail off more than the average white person is just preposterous, and we need to call ourselves out on it, in order to be the change. Sure, I was just gonna read this smile. She's   17:25 emotional mom, because you know, it's like, these are the conversations and these are the things that are said within our circles. But then when you have the ally, say, and you see it, and it's like, oh, it's just so nice to be seen and heard. Oh, and then somebody gets it.   17:42 Oh, my God, I do. I do make mistakes. As I go. I've made I've made plenty. And I will continue to do stupid things. But I keep learning and making the changes as I go. But I so grateful that you're on to talk about this. What have you seen, that you think schools are doing that is working to bring in dei and that in schools versus we're taught we've talked a lot about what's not working? What are the schools doing that is working? And what could we do more of pull it out of your buttons fine. Just like brainstorm like, what are the things?   18:15 I mean, like I did say the video. I'm having professors,   18:22 oh my god, I had a black professor. That was the most amazing thing I had ever had one. I remember   18:29 it was so funny. She came in and I was like, Are you a grad student? And she was like, no, actually, I'm a new professor. I remember Mike, one of my classmates, she walked out. We were like in the computer lab. And she was like, now that I see this woman as my, I know, I can do anything. That's what she said. Yeah, so having more black African American ever, professors. If if there can be some type of outreach, I know with my class, so my class isn't good class because I graduated in the middle of a pandemic. So our plan was like, we had many plans and COVID killed the plans. But one of the conversations that I had with a good friend, classmate of mine, she wasn't black, she was a Puerto Rican. And she was like, Oh, I would love to go out to high schools. Let's get a group together and go do it. And then COVID happen and killed everything and we couldn't go anywhere. But I do think in the future. And I know you know, PT school as hard as it is and stressful, but doing some type of outreach in in PT schools and just saying, Hey, this is what you know, get to make it like   19:47 a career day kind of thing. When people come and visit and say, Hey, this is a career you can I do think yeah, definitely. Especially in neighborhoods where my dad's a dentist, okay. I have a family of dentists do Wish total stereotype halacha just brush your teeth, Jenna. So what's my upbringing? Look, I oh my god,   20:10 I missed you.   20:13 The the, but because I had, I grew up with that with people living these amazing careers, I didn't need somebody to come visit because I was surrounded by their neighbors doing a chiropractor friend, one of my best friends her dad was a chiropractor. This was just commonplace. Just in my world. People don't have that. So, uh, yeah, I can even see more. Having people in the profession, someone like my dad even coming and saying, Hey, this is something you could do is great. I think that's, I think that's a really great idea, just literally coming to the schools coming to them. And people don't like if you sit there and just do a social media post and be like, here come to us. Like, it doesn't work that way. Nobody, including any listener, or Sherelle, or myself, we'd like people to just come to us, as we're living our lives.   21:06 This is something I just thought about. I don't even know if it could actually happen. Ooh. Like, can we have like a work study? or some type of like, even be volunteer like work study. And like a student? A student runs an Instagram and it's specific for that school. And it's specifically for, like, adding teens or, you know, people of color and and making content that's relatable. Yeah. So that it's, you know, a track. It's attractive, so people learn more you know about it. I think social media is just such, it's just a force right now.   21:54 It really is it really,   21:56 I don't know what that really looks like. But, you know, yeah. But in talking about, you know, I don't know it just in a creative way.   22:08 No, I get what you're saying. I just, I just recently had a big screening with a ballet company. And I contact a local school and had PT students come volunteer and take measurements and everything was awesome for them to get to experience that would have killed for something like that as a student, but things like that, that other businesses are doing schools are doing, they can have events of some kind to bring that in that that could be I don't know what but because we're like in the like, no mode. But I love that. I love that. Let's let this lay as like the EU, we just let this kind of drop as a potential idea. I have only a few more minutes left with you. I would love to two more things. What have you personally been doing to help bring more dei into the profession?   23:00 I don't know that I necessarily have because I was so engulfed in school by having this conversation. Literally while you were saying that I was like, Oh, I have some ideas. Like I want to start doing this. But I definitely you know, I speak within my family on my social media. You know, I I talk about, hey, let's be more active, I do a lot around how we can move instead of having to go to the MD The MD is going to tell me to take a pill and then sit you don't have bed rest. But I definitely can do more. I can call myself out about that. You know, when I'm back up, you know, hey, I'm going to be very intentful about a purposeful about doing this. I'm excited actually, unfortunately, I passed my boards. I I kind of had this injury and then I wasn't able to do everything that I wanted. So when I'm back up and I'm full, I'm like, Ah, let's go. Let's add this to the list. I'm happy that you asked me that question, which made me get you know, the juices going and Right,   24:09 right. Uh, yeah, I love it. I love it. I give complete credit to Lisa van who's for that question. She said ask this question. I said okay, okay. Where can people we are now coming down to an end. Where can people find you? Sherelle on social media. They can follow you connect. Where can they find you?   24:29 You can find me on Instagram at Lego fitness. I believe Oh, well. I do search my name on Facebook, which is Sherwin Williams. Those are the two places that I live right now. At my website is you know is what is it like up pt.com If you want to see a little bit more about me there.   24:56 And then if anybody might want to email you some people do prefer the email   25:00 Oh yes, my email is right now is just Sherelle w@icloud.com   25:08 I love it. Wonderful. Thank you so much for coming on. You are a force. I frickin love you.   25:16 Thank you for having me. This is so amazing.   25:20 A big thank you to Jenna and Ciara for a great interview on D AI initiatives in the world of physical therapy and of course a big thanks to Net Health. So again when it comes to boosting your online visibility, reputation and referrals, net Health's Digital Marketing Solutions has the tools you need to beat the competition they know you want your clinic to get found, get chosen and get those five star reviews. They have a fun new offer if you sign up and complete a marketing audit, so they can help your clinic when they'll buy lunch for your office. Head over to net help.com forward slash li T zy to sign up for your complimentary marketing audit today.   25:57 Thank you for listening and please subscribe to the podcast at podcast dot healthy wealthy smart.com And don't forget to follow us on social media  

Rachel describes how she had always wanted to teach special education, but her path led her on a professional dance track first. She eventually switched careers to public education through the New York City Teaching Fellows Program. To her surprise, her principal (no “s”) requested she teach movement and dance across multiple school sites instead of general education serve as a classroom teacher, so she became a dance educator to students with severe disabilities. That experience restructured how she thought about movement, what movement means to students, and what goals benefit them. The inquiry led Rachel to become passionate about writing dance curriculum that infuses academics and developing creative assessment tools.Text by Emmaly Wiederholt Rachel McCaulsky (MSEL, MST, BFA) is the arts coordinator, remote learning unit coordinator, and movement teacher at P396K, a New York City Department of Education District 75 school servicing students with severe to profound disabilities. She incorporates movement into the school's curriculum, creating units of study that fuse literacy and social studies with dance. Her movement units have been published multiple times in the NYC Department of Education Blueprint for Teaching and Learning in Dance. Rachel holds a master's degree in Educational Leadership, a dual master's degree in Childhood Education and Childhood Special Education, and a bachelor's degree of fine arts in Dance. She has performed with Complexions Contemporary Ballet, Ballet Hispanico, Ailey II, and Dallas Black Dance Theatre. You can find Rachel's frog life cycle unit here: https://drive.google.com/drive/folders/1ZS03Y2q_3yVUwI1nmGkcxl3wSfs-ctLn

Allyson Kelly received her ballet training at the Kirov Academy of Ballet in DC and the Debbie Allen Dance Academy in Los Angeles, CA. She starred in many of Ms. Allen's productions at the Kennedy Center including Dancing in the Wings and Dreams. Allyson then moved to NYC and toured the world with Complexions Contemporary Ballet under the direction of Dwight Rhoden & Desmond Richardson. For the past 10 years she has been a Radio City Rockette in NYC at Radio City Music Hall. IG @ally_kelly214

From tonight (the 17th) through Saturday night (the 19th), Choregus Productions will present its 2021 Summer Heat International Dance Festival. Three world-class companies will perform at the Tulsa Performing Arts Center; more details on the festival, including how to get tickets, are here . Our guest on ST is the choreographer Dwight Rhoden, whose NYC-based Complexions Contemporary Ballet is a company known for its groundbreaking combination of methods, styles, and cultures. It's a diverse and well-respected dance collective that's performed on five continents, in more than 20 countries. Complexions will perform tonight (Thursday the 17th) at 8pm in the Chapman Music Hall at the Tulsa Performing Arts Center.

Je vous propose, aujourd'hui, de rentrer dans la deuxième vie de Tailys Poncione et Mathis Joubert. Ce couple de danseurs aux univers opposés a vécu le rêve américain ! Formés dans les plus grandes institutions américaines (Alvin Ailey Dance Theatre, Alonzo King Lines Ballet, Complexions Contemporary Ballet…) ils ont tous les deux remporté plusieurs prix internationaux. Tailys et Mathis ont récemment dansé dans le clip d'Amir "La Fête", collaboré pour différentes marques de prêt-à-porter, et sont apparus dans Vogue Magazine et plusieurs émissions de télévision. Ils ont également performé pour la cérémonie privée du sultan d'Abu Dhabi à Hollywood et participé à des tournées internationales. Vous l'avez compris toute leur vie tourne autour de la danse ! Mais depuis le 5 mars dernier, alors qu'ils étaient en tournée en France avec la compagnie « Rock The Ballet », c'est la douche froide ! Après 5 représentations, la tournée s'arrête net à cause de la Covid-19, tous les danseurs de la compagnie repartent aux Etats-Unis sauf Taylis et Mathis. Depuis 1 an, ils dansent très peu et ont dû se réinventer. Ils ont accepté de nous raconter leur parcours, de nous parler aussi de leur relation sur scène et dans la vie. C'est l'histoire de Taylis et Mathis… ou quand la danse classique rencontre le breakdance.

Our newest episode of TECHnically Speaking features North Carolina-based lighting designer Jenni Propst.Jenni has worked as a production manager, head electrician, and event manager for clients ranging from non-profit groups to large corporate events, national tours, and even NASCAR.She has toured domestically and internationally as a head electrician and lighting supervisor with Alonzo King LINES Ballet, Complexions Contemporary Ballet, and Charlotte Ballet.Jenni has worked with world renowned choreographers including Dwight Rhoden, Jean-Pierre Bonnefoux, Sasha Janes, Mark Diamond and David Ingram. Some of her design credits include Charlotte Ballet’s The Little Mermaid and Innovative Works, Charlotte Symphony Orchestra’s KnightSounds series, Charlotte Youth Ballet’s Wizard of Oz and Alice in Wonderland and countless concerts and special events.She is an ETCP Certified Entertainment Electrician, member of IATSE Local 322, and has an M.A. in Communication from the University of North Carolina – Charlotte where her academic focus was on sports communication and culture. She’s an avid knitter, teardrop camper, hockey enthusiast and world traveler.Currently, she is studying theatre at the University of Memphis with an emphasis in Lighting and Sound Design.Because of Jenni's extensive touring experience, she was kind enough to be a guest on our podcast as well as author a "Tour Diaries: Tales from the Road" piece, which will be published in next week's Weekly News!If you’d like to explore Jenni’s work, please visit her website www.jennipropst.com.Registration is now open for USITT21 Virtually Anywhere taking place March 8-12, 2021. To register visit usitt.org/registration.TECHnically Speaking is a public service of USITT, which seeks to have a broad conversation on topics of interest to its members, but it is neither a legal interpretation nor a statement of Institute policy. The views expressed on this podcast by guests are their own and their appearance herein does not imply an endorsement of them or of any entity they may represent. Reference to any specific product or idea does not constitute an endorsement or recommendation. Views, opinions, recommendations or use cases expressed on this podcast do not necessarily reflect the views of USITT, its Board members or employees.

A lifelong lover of the performing arts, Dr. Sherrill committed most of her life to studying dance. After losing 90 lbs she blended her love of dance with wellness by receiving a Doctor of Physical Therapy degree from New York University. Shortly after she founded Leg Up Fitness and Wellness, a concierge fitness and physical therapy practice. Leg Up's client credits include The 1st US National Tour of Aladdin, Hamilton, Lizzo, John Legend, Complexions Contemporary Ballet and more! Dr. Sherrill is a passionate advocate for dance injury pre-hab and rehab, and loves helping dancers around the U.S. virtually and in person.@legupfitnessleguppt.comFacebookTake Your Career to the Next Level!Work 1-on-1 with Dane, host of You Booked It.

“How we approach dance with regularity and consistency, we want to approach health that way, and especially our diet. We need consistent energy.” In this episode we speak with Marie Scioscia. We speak about the reasons to seek the help of a dietician, importance of a balanced diet for sustainable energy, intuitive eating, opting out of diet culture, possible indications of an eating disorder, avoiding the influences of social media on diet and exercise and more. Link to purchase Marie's handbook "Eat Right, Dance Right": https://www.cinchnutrition.com/store.html#!/c/0Academy of Nutrition and Dietetics: https://www.eatright.org/About Marie: Marie is registered dietician based in New York City and former Luigi trained dancer. She has her masters in clinical nutrition and is a certified personal trainer through the American Council on exercise. Marie is currently the nutritionist for the Alvin Ailey School and has worked with the New York City Ballet wellness group. She has lectured for the Complexions Contemporary Ballet and Martha Graham School and has written for both Dance Spirit and Pointe Magazine. Marie has a private practice for dancers and non-dancers in both New York and New Jersey. Additionally, Marie has recently published a handbook for dancers titled “Eat Right, Dance Right” based on her continuous work in the dance world.

This week’s guest is Abdur-Rahim Jackson graduate of The Juilliard School, former Principal Dancer with The Alvin Ailey American Dance Theater and Broadway performer. He has created ballets for Alvin Ailey American Dance Theater, Complexions Contemporary Ballet and Orlando Ballet. Abdur-Rahim co-choreographed Beyoncé "Halo" music video and choreographed the LED sections of Beyoncé "Crazy in Love" Super Bowl XLVII Halftime performance on CBS. He has also choreographed the Salt-N-Pepa Lane Bryant Campaign, L'Oréal/Matrix and JCPenney Salons Hair and Fashion Shows across the country.

Dwight Rhoden of Complexions Contemporary Ballet discusses his work "Love Rocks," set to the music of Lenny Kravitz. It debuted at New York's Joyce Theater in January 2020. For the live stage performance: costume design and construction by Christine Darch; lighting and set design by Michael Korsch; and sound design by Corey Folta. Rehearsal and performance clips heard in this episode are used with permission and courtesy of Complexions Contemporary Ballet. UnSequenced is a podcast in which we discover the stories and emotions behind the movement. Each episode dives deep into the creative process with a choreographer, documenting what compels them as an artist, what drives their artistic decisions for a particular work, and what unexpected things come up along the way.

Desmond Richardson was a principal dancer at Alvin Ailey American Dance Theater and is the co-founder and co-artistic director of Complexions Contemporary Ballet. Desmond joins Charmaine Hunter and Robert Hill for a conversation about the state of dance, their careers, and how artistry is shifting post-COVID-19 as an artistic director.

All Access had the opportunity to speak with Co-Founder and Co-Artistic Director for Complexions Contemporary Ballet, Dwight Rhoden! Dwight chats about the program of Bach to Bowie featuring Bach 25 and StarDust. Rhoden also tells us about what he looks for in dancers that join his company, his dance tribute to David Bowie and the diverse music catalog featured, and more! To learn about Complexions Contemporary Ballet, visit the event page here: https://www.stnj.org/event/complexions-contemporary-ballet

This month's theater recap has nineteen reviews including three Broadway shows, many off and off-off Broadway productions including dance, puppetry and children's theater. In addition, I interview Sara Juli prior to seeing her very personal comedic-dance performance piece titled Burnt-Out Wife.Shows from Broadway on this episode are David Byrne's American Utopia, A Soldier's Play and West Side Story. Theater companies and venues covered include Theater for the New City, The Tank, Complexions Contemporary Ballet, Dixon Place, New York City Center, The Flea Theater, Roundabout Theatre, Mint Theater, Chelsea Music Hall, Vineyard Theatre and the Transport Group. Plus a visit to the Off-Broadway hit revival of Little Shop of Horrors.

In this podcast, Dwight Rhoden, Complexions Contemporary Ballet co-Founder, co-Artistic Director and Choreographer, talks about his dance career that kicked off at the late age of 17 and led him to become a principal dancer with Alvin Ailey American Dance Theater, before setting up his own company. Together with the legendary Desmond Richardson, they founded the groundbreaking and award-winning Complexions Contemporary Ballet in 1994. Listen to Dwight share his journey from dancer to choreographer and creating over 60 works for Complexions and other top companies around the world. Dwight also gives us an insight into his role as Artistic Director, and what type of dancer he looks for to join the company. Through his work with Complexions Contemporary Ballet Education Initiatives, Dwight aims to inspire nextgen dancers and he shares with us his words of advice to help dancers succeed. New York-based Complexions is heading on tour across Germany, and Dwight has a full roster of new and remounted work with the Atlanta Ballet - Heart/Beat that features live gospel music, Pittsburg Ballet with Simon Says to music by Paul Simon and new work with the West Australian Ballet. Check out dates and location here. PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Complexions+Dwight+Rhoden.mp3   Also available on Apple Podcasts, Spotify and wherever you get your podcasts! Dwight Rhoden Complexions Ballet's Jared Brunson & Daniela O'Neil - THEGINGERB3ARDMEN

Host Deardra Shuler talks with Desmond Richardson, one of the Artistic Directors of the Complexion Contemporary Ballet.  Complexions will feature its upcoming season at the Joyce Theater in NYC from January 21 – February 2nd.  Program A will feature the world premiere of “Love Rocks” a full company ballet set to works by the iconic GRAMMY Award winning singer and songwriter, Lenny Kravitz.  Photo credit for Love Rocks goes to Chad Wagner and Steven Trumon Gray, @THEGINGERB3ARDMEN; Sharen Bradford for Bach 25 Dance company photo and Woke photo by Joseph Franciosa. In the second week (Program B), the company will reprise “WOKE,” a physical reaction to the daily news. A bold and dynamic socially conscious one act ballet featuring the full company that examines our humanity in conjunction with today’s political climate.  Also  featured“BACH 25.” Set to the music of Johann Sebastian and Carl Philipp Emanuel Bach will be presented as part of Programs A*and  B.

On this week's episode, Kalena and Jayne sit down with Candy Tong, dancer with Complexions Contemporary Ballet, to talk about how she made the transition to baby San Francisco Ballet School 'trina to contemporary goddess extraordinaire. We talk comfort zones, auditions, and the importance of timing in everyone's career, because we all share the need to speak out about our experiences to younger generations. Isn't that nice of us? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ontheotherfoot/support

On this episode your co-host Martheya interviews Kyle Abraham’s Abraham In Motion, Dancer and Rehearsal Director Tamisha Guy. Tamisha Guy a native of Trinidad and Tobago, began her formal dance training at Ballet Tech, the New York City Public School for Dance under the direction of Eliot Feld. Later she attended Fiorello H. LaGuardia High School, and SUNY Purchase College as a double major in dance and arts management. She has completed summer programs with Complexions Contemporary Ballet, Springboard Danse Montreal, and Nathan Trice and performed works by William Forsythe, Pam Tanowitz, Loni Landon, Mark Morris, and Martha Graham etc. In 2013 Guy graduated with honors from SUNY Purchase College and joined the Martha Graham Company shortly after. In 2016 Guy was selected as one of Dance Magazine' Top 25 to Watch and she also received the 2016 Princess Grace Award. Tamisha joined A.I.M in 2014. On this episode, we talk about auditions, using social media as a platform to offer encouragement, podcast recommendations, scheduling tips, saying ‘No’ to avoid burnout, going behind the screen of Merce Cunningham Night of 100 Solos Facebook Livestream, and using the digital space to create more of an audience for dance.

Today we talk to Brian Carey Chung about the changing culture of ballet. We hear about some of his experiences, both as a dancer and choreographer, and discuss some of the deeper themes of dance and art.Brian Carey Chung has been a company member with LINES Ballet, Complexions Contemporary Ballet, Ballet Hispanico of NY, and Armitage Gone! Dance, where he was a principal dancer, rehearsal director and assistant choreographer to Karole Armitage. He has taught on the faculties of LINES Ballet at SF Dance Center, Peridance Capezio Center, Broadway Dance Center, and Joffrey Ballet School. He was also an Assistant Professor of Ballet at Northern Illinois University and has guest lectured and taught master classes internationally at NYU TISCH, Stanford University, University of Hawaii, and University of Arizona. Brian is currently the resident choreographer at Dance Alive National Ballet in Gainesville, FL.

Today on Conversations On Dance, we speak with Dwight Rhoden, founding artistic director and resident choreographer of Complexions Dance Company. Despite a late start in dance, Rhoden danced for numerous major companies, including as a principal with Alvin Ailey American Dance Theater. Partnering with acclaimed performer Desmond Richardson, Rhoden co-founded Complexions in 1994, a company […] The post (96) Dwight Rhoden, Artistic Director of Complexions Contemporary Ballet appeared first on tendusunderapalmtree.com.

Today on Conversations On Dance, we speak with Dwight Rhoden, founding artistic director and resident choreographer of Complexions Dance Company. Despite a late start in dance, Rhoden danced for numerous major companies, including as a principal with Alvin Ailey American Dance Theater. Partnering with acclaimed performer Desmond Richardson, Rhoden co-founded Complexions in 1994, a company […] The post (96) Dwight Rhoden, Artistic Director of Complexions Contemporary Ballet appeared first on tendusunderapalmtree.com.

In the 13th installment of "Offstage and Unbound," The Music Center's President and CEO Rachel Moore chats with Dwight Rhoden, founding artistic director and resident choreographer of Complexions Contemporary Ballet. Rhoden has established a remarkably wide-ranging career, earning distinction from The New York Times as “one of the most sought out choreographers of the day.” A native of Dayton, Ohio who began dancing at age 17, Rhoden has performed with Dayton Contemporary Dance Company, Les Ballet Jazz De Montreal and as a principal dancer with Alvin Ailey American Dance Theater. In 1994, Rhoden and legendary dancer Desmond Richardson founded Complexions Contemporary Ballet. Together they have brought their unique brand of contemporary dance to the world for nearly two decades. Complexions Contemporary Ballet returns to The Music Center on April 20, 21 and 22, 2018 with StarDust, a dance tribute to David Bowie. Tickets on sale now.

Today Margaret kicks off her second season of Beyond the Barre with an interview with the incredible Theresa Ruth Howard. Founder of MoBBallet, Theresa is an expert and advocate on the issue of diversity in Ballet. She has sat on panels for Dance/USA, Dance/NYC, Collegium for African Diaspora Dance at Duke University, and collaborated with International Association of Blacks in Dance in the planning and facilitation of the first Ballet Audition for female ballet dancers of color. A former member of the Dance Theater of Harlem, and Armitage Gone! Dance, Howard has worked extensively with choreographer Donald Byrd, and was a guest artist with Complexions Contemporary Ballet. As a contributor to Pointe, Expressions (Italy), Tanz (Germany) and dance media publications, Howard has emerged as a clear and defining voice on topics such as body image and race. She holds more than 17 years of experience as a dance educator including Ballet Faculty at the Ailey School. Premier Dance Network MOBBallet website

In Episode #2 of the ADC podcast, Complexions Contemporary Ballet co-Artistic Directors Dwight Rhoden and Desmond Richardson are interviewed by Mike Huebner, classical music and dance critic and fine arts writer for The Birmingham News. Dwight and Desmond will bring Complexions Contemporary Ballet to Birmingham, AL on January 16-18 as the guest company-in-residence at the 2009 Alabama Dance Festival.