Podcasts about john derek

This week on Seddy Bimco Part Two The Revenge, We visit the state of Wyoming and take a look at The Movie, 'Ghosts Can't Do It.' Follow Tim on letterboxd!https://letterboxd.com/search/tjhamilton/ See the Seddy Bimco watchlist! Email us at seddybimcoe@gmail.com Most art by Tim Hamilton Music by Tim Hamilton Check out the Seddy website. Website: https://www.seddy-bimco-part-2-the-re... Links: https://linktr.ee/seddybimco Check out George O'Connor's books: https://www.georgeoconnorbooks.com/ Check out Tim Hamilton's books: https://timhamiltonrwf.gumroad.com/ Hosted on Acast. See acast.com/privacy for more informationIn this episode of Seddy Bimco, hosts George The Mighty and Tim Hamilton dive into a variety of topics, They discuss their ongoing battles with pests, facts about Wyoming, including its low population and unique laws, and delve into the cryptids of the state. The conversation shifts to a movie discussion about 'Ghosts Can't Do It,' starring Bo Derek, exploring its plot and the legacy of its director, John Derek. It explores the cultural implications of their age difference, the portrayal of aging in film, and the comedic yet poignant elements of the afterlife as depicted in their movies. In this segment of the conversation, the hosts delve into various themes present in the film they are discussing. They explore the absurdity of the plot, the moral implications of the characters' actions, and the dark humor that permeates the dialogue. The hosts share their thoughts on the absurdity of the situations presented, the threat of violence, and the power dynamics in relationships, all while maintaining a humorous tone throughout. In this engaging conversation, the hosts delve into the absurdities and moral dilemmas presented in the film 'Ghost Can't Do It.' They explore themes of possession, the complexities of relationships, and the humorous yet dark twists that unfold throughout the narrative. The discussion highlights the film's continuity errors, character motivations, and the bizarre scenarios that arise, culminating in a darkly comedic revenge fantasy. Hosted on Acast. See acast.com/privacy for more information.

AOTR NOLA *Brought to you by Coin Trader Inc*Coin Trader Inc. - Visit www.goldpricesnow.comHosted by Victor Del Giorno "The King Of All Podcasting"Co-hosts Ted Semper- Nick VoebelIt's Season SEVEN! On The Show:  Special Guest hosts John Derek & Katie Bellerino-Valentines Day-Superbowl Halftime Show, Lady Gaga, -Recent New Orleans snow storm-Victor stories Support the show (https://www.allovertheroadpod.com/)  https://linktr.ee/allovertheroadpodcastShare your story at the 24 hour listener comment line:  504-603-6753 ALL OVER THE ROAD - Originates in New Orleans, LA...Support the showSupport the show

As a lover of movies some people hate, even I have my limits. Those limits are all about Bo and John Derek. Allow me to tell you about Bolero, Tarzan the Ape Man and Ghosts Can't Do It. I hate making fun of movies and being snarky, but sometimes, you have to deal with PTSD like this. Important links: Theme song: Strip Search by Neal Gardner. Visit ⁠⁠⁠⁠⁠⁠⁠B&S About Movies⁠⁠⁠⁠⁠⁠⁠ and email me at bandsaboutmovies@gmail.com. Donate to our ⁠⁠⁠⁠⁠⁠⁠ko-fi page⁠⁠⁠⁠⁠⁠.

EPISODE 48 - “STEVE & NAN'S FAVORITE CLASSIC FILMS OF THE 1940s ” - 08/12/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** The 1940s was a phenomenal times for movies. Auteurs like ALFRED HITCHCOCK, GEORGE STEVENS, WILIAM WYLER, and BILLY WILDER were coming into their own with important and personal films that changes the landscape of cinemas. Also, stars like BETTE DAVIS, KATHARINE HEPBURN, CARY GRANT, and HENRY FONDA were defining the screen roles that would make them legends. This week, Nan and Steve will discuss and dissent a few of their very favorite films of the most golden of all decades in film.  SHOW NOTES:  Sources: Preston Sturges By Preston Sturges: His Life in His Words (1991), by Preston Sturges and Sandy Sturges; George Cukor: A Double Life (2013), by Patrick McGilligan; Raoul Walsh: The True Adventures of Hollywood's Legendary Director (2013), by Marilyn Ann Moss; Robert Rossen: The Films and Politics of a Blacklisted Idealist (2013), by Alan Casty; Michael Curtiz: A Life In Film (2021), by Alan K. Rode; Possessed: The Life of Joan Crawford (2010), by Donald Spoto; George Stevens: The Films of a Hollywood Giant (2019), by Neil Sinyard; Wild Bill Wellman: Hollywood Rebel (2015), by Wiliam Wellman, Jr; Stanwyck (1994), by Axel Madsen; Fonda: My Life (1981), by Henry Fonda; Ingrid Bergman: My Story (1980), by Ingrid Bergman and Alan Burgess; Cary Grant: A Brilliant Disguise (2020), by Scott Eyman; Ida Lupino: A Biography (1996), by William Donati; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Christmas In July (1940), starring Dick Powell, Ellen Drew, William Demarest, Raymond Walburn, Jimmy Conlin, Rod Cameron, and Franklin Pangborn; Penny Serenade (1941), starring Cary Grant, Irene Dunne, Beulah Bondi, and Edgar Buchanan; The Lady Eve (1941), starring Barbara Stanwyck, Henry Fonda, Charles Coburn, William Demarest, and Eugene Pallette; High Sierra (1941), starring Humphrey Bogart, Ida Lupino, Joan Leslie, Cornel Wilde, Arthur Kennedy, Henry Travers, and Alan Curtis; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Harry Morgan, Mary Beth Hughes, Anthony Quinn, Jane Darwell, William Eythe, and Harry Davenport; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, Angela Landbury, and Dame May Witty; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, eve Arden, and Bruce Bennett; All The Kings Men (1949), starring Broderick Crawford, John Ireland, Joanne Dry, Anne Seymour, and John Derek; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In “It's A Wonderful Life,” BEULAH BONDI played the most loving mother to JAMES STEWART. Ma Bailey is the epitome of sweetness, kindness, and supportiveness so it's quite shocking when we meet the Ma Bailey who would have existed had George Bailey not been born. She's cold, bitter, and unkind. It gives Bondi the wonderful opportunity to play two versions of the same character, which she does flawlessly. So to celebrate Mother's Day, Nan and Steve are taking a page from Bondi's playbook as they discuss the good and bad mothers of classic cinema.  SHOW NOTES:  Sources: Moms in the Movies (2014), by Richard Corliss; Actresses of a Certain Character (2007), by Axel Nissen; Irene Dunne: First Lady of Hollywood (2006), by Wes D. Gehring; Shelley: Also Known as Shirley (1981), by Shelley Winters; Gene Tierney: Self Portrait (1979), by Gene Tierney and Mickey Herkowitz; “Mrs. Miniver: The film that Goebbels Feared,” February 9, 2015, by Fiona Macdonald, February 9, 2015, BBC.com;  "Greer Garson, 92, Actress, Dies; Won Oscar for 'Mrs. Miniver',” April 7, 1996, by Peter B. Flint, New York Times; “Stella Dallas,” August 6, 1937, New York Times Film Review; “Barbara Stanwyck, Actress, Dead at 82,” Jan. 22, 1990, by Peter B. Flint, New York Times; “1989 Kennedy Center Honors, Claudette Colbert,” Kennedy-Center.org; “Moving Story of War Against Japan: ‘Three Came Home',” by Bosley Crowther, Feb. 21, 1950, New York Times Film Review; “Queen of Diamonds: Angela Lansbury on ‘The Manchurian Candidate',” 2004; “Manchurian Candidate: Old Failure, Is Now A Hit,” by Aljean Harmetz, February 24, 1988, New York Times; “Jo Van Fleet,” by Dan Callahan, May 10, 2017, Film Comment;  “Pacific's largely forgotten Oscar winner made impact on screen,” March 3, 2024,  University of the Pacific; IMDBPro.com; Wikipedia.com Movies Mentioned:  The Grapes of Wrath (1940), starring Henry Fonda, Jane Darwell, John Carradine, and Charley Grapewin; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Mary Beth Hughes, Henry Morgan, Jane Darwell, Anthony Quinn, and William Eythe; Mrs. Miniver (1942), starring Greer Garson, Walter Pidgeon, Teresa Wright, Henry Travers, and Richard Ney; Leave Her To Heaven (1945), starring Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price, Mary Phillips, and Darryl Hickman; The Manchurian Candidate (1962), starring Lawrence Harvey, Frank Sinatra, Janet Leigh, and Angela Lansbury; The Manchurian Candidate (2004), starring Denzel Washington, Meryl Streep, Live Schreiber, and Jeffrey Wight; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, and Angela Lansbury; I Remember Mama (1948), starring Irene Dunne, Philip Dorn, Barbara Bel Geddes, Oscar Homolka, Ellen Corby, Sir Cedric Hardwicke, and Barbara O'Neil; Stella Dallas (1937), starring Barbara Stanwyck, Anne Shirley, John Boles, Barbara O'Neil, and Alan Hale; Stella (1990), starring Bette Midler, Trini Alvarado, John Goodman, Stephen Collins, Marsha Mason, and Eileen Brennan; White Heat (1949), starring James Cagney, Virginia Mayo, Edmond O'Brien, Steve Cochran, Margaret Wycherly, Fred Clark, and John Archer; The Little Foxes (1941), starring Bette Davis, Herbert Marshall, Teresa Wright, Patricia Collinge, Dan Duryea, and Richard Carlson; The Ten Commandments (1956), starring Charlton Heston, Anne Baxter, Yul Brynner, Edward G. Robinson, Yvonne DeCarlo, Martha Scott, John Derek, Debra Paget, Vincent Price, and John Carradine; Three Came Home (1950), starring Claudette Colbert. Sessue Hayakawa, and Patric Knowles;  A Patch of Blue (1965), starring Sidney Poitier, Elizabeth Hartman, Shelley Winters, Wallace Ford, Ivan Dixon, and Elizabeth Fraser; East of Eden (1955), starring James Dean, Julie Harris, Raymond Massey, and Jo Van Fleet --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor and filmmaker John Derek may not have been the gifted auteur he imagined himself to be, but his luck with the ladies was undeniable. His four marriages were all to starlets, and his roving eye eventually led to an ugly split from a young Linda Evans, later of Dynasty fame, for an even younger - in fact, a minor at the time - Bo Derek. Want early, ad-free episodes, Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brockway murders Seanbaby and guest, Merritt K, so he can trap them on the ghost plain and use their supple young bodies to discuss Ghosts Can't Do it, John Derek's 1989 supernatural cuckold fetish documentary starring his wife, Bo Derek!

AOTR NOLA *Brought to you by Coin Trader Inc*Hosted by Victor DelGiorno "The King Of All Podcasting"Co-hosts Ted SemperOn The Show:-We talk to New Orleans Meteorologist John Derek -Talk to Darlene at Lakeview Christian Center-And we talk to our "good friend" Frank about.. well you'll have to listen to find out!Support the show (https://www.allovertheroadpod.com/)  https://linktr.ee/allovertheroadpodcastCall the 24 hour listener comment line:  504-603-6753 ALL OVER THE ROAD - Originates in New Orleans, LA...ALL OVER THE ROAD - NEW ORLEANS is Sponsored by:Coin Trader Inc. - Visit www.goldpricesnow.comSupport the show

This year your favourite bad movie connoisseurs are off to 1984 and Bolero, starring Bo Derek, directed by John Derek who- REMAINDER OF DESCRIPTION REDCATED ON ADVICE OF WATCHING WORST FILMS LEGAL DEPARTMENT Music by Bruce Charles --- Support this podcast: https://podcasters.spotify.com/pod/show/watchingworst/support

Welcome to our podcast series from The Super Network and Pop4D called Tubi Tuesdays Podcast! This podcast series is focused on discovering and doing commentaries/watch a longs for films found on the free streaming service Tubi, at TubiTVYour hosts for Tubi Tuesdays are Super Marcey, ‘The Terrible Australian' Bede Jermyn and Prof. Batch (From Pop4D & Web Tales: A Spider-Man Podcast), will take turns each week picking a film to watch and most of them will be ones we haven't seen before.Welcome back to The Tubi Tuesdays Podcast, this week all three co-hosts are here with Super Marcey, Bede and Prof. Batch! After looking after Baby Kraven last week, Batch is back and it so happens to be his pick for the film this week. In true Batch fashion he has gone with a truly bizarre film and quite possibly the worst film this show has ever seen! Is that a good or bad thing? Tune in to find out!Ghosts Can't Do It was directed by John Derek, it stars Bo Derek, Anthony Quinn, lots of hats, perms, a ghost, a baboons ass and a nonsensical plot.If you have never listened to a commentary before and want to watch the film along with the podcast, here is how it works. You simply need to grab a copy of the film or load it up on Tubi (you may need alcohol), and sync up the podcast audio with the film. We will tell you when to press and you follow along, it is that easy! Because we have watched the films on Tubi, it is a free service and there are ads, however we will give a warning when it comes up, so you can pause the film and provide time stamps to keep in sync.Highlights include:* Welcome back Batch!* Well the budget went to all of Bo Derek's hats!* What is going on?* What is this?* Ewwwwwwwwwwwww* Perm guy looks like Stingray from Undefeatable* Is Anthony Quinn's ghost underwater?* More ewwwwwwwwwwwwwwwwwwwwwwwwwwww* Plus much, much more!Check out The Super Network on Patreon to gain early access to The Tubi Tuesdays Podcast as well as the video version!DISCLAIMER: This audio commentary isn't meant to be taken seriously, it is just a humourous look at a film. It is for entertainment purposes, we do not wish to offend anyone who worked on and in the film, we have respect for you all.Please Visit Our Sponsor For This Episode SurfShark VPNFor More http://linktr.ee/TheTubiTuesdaysPodcast Hosted on Acast. See acast.com/privacy for more information.

Welcome to It's A Wonderful Podcast!! The newspaper movies kick seems to be continuing into this week too as Morgan and Jeannine move back into dark territory as they talk Phil Karlson's subtly smart, down to earth, tight, gripping and authentic feeling Noir, SCANDAL SHEET (1952) starring Broderick Crawford, Donna Reed & John Derek; adapted from a novel by former newspaperman turned novelist, turned screenwriter, turned director Samuel Fuller! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

For our second episode of 2023, we look back, as we did with Neil Diamond's only starring role last week, at the one and only acting role the late, great football star Pelé would ever make: Escape to Victory, a football-themed World War II drama that would also feature Michael Caine, Sylvester Stallone and Max von Sydow.   ----more---- TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On December 29th, while this show was on hiatus, the football world lost Edson Arantes de Nascimento, the legend known around the world by his single word nickname, Pelé. Even if you weren't a particular fan of football in the 1960s and 1970s, you more than likely knew who Pelé was. The International Olympic Committee named him the Athlete of the Century in 1999. Time Magazine named him one of the 100 most important people of the Twentieth Century. In the Brazilian city of Santos, where a fifteen year old Pelé got his professional start in 1956, a museum dedicated to all things Pelé opened in 2014, with more than 2400 items devoted to his life and careers.   After he retired from football in 1977, in an exhibition game between the New York Cosmos of the North American Soccer League, where Pelé had been playing for three years, and Santos, his former club of nineteen years, Pelé would become a global ambassador for the sport, and record an album of music alongside fellow Brazilian Sergio Mendes to accompany a documentary about his life.   And because this is a podcast about 80s movies, he would, of course, attempt a career in motion pictures.   And those who were going to be responsible for making Pelé a movie star were not going to take any chances.   Because Pelé was the most famous footballer on the planet, the movie was going to somehow be about football. American film producer Freddie Fields and his partner on the film, future Carolco Films co-owner Mario Kassar, would find their story for Escape to Victory in a Hungarian movie from 1961 called Two Halves in Hell. The film was based on a tale of a 1942 football match between German soldiers and their Ukrainian prisoners of war during World War II, known as the Death Match. That film, directed by Zoltán Fábri, would win several awards at film festivals worldwide, and was ripe for the American remake treatment.   However, there would need to be some changes to the story. The action would be moved from Soviet Russia to France, and the character being built for Pelé, Corporal Luis Fernandez, would be identified as being from Trinidad, as Brazil would not enter the European theatre of war until July of 1944.   While the script was being written, Fields and Kassar would get busy putting the film together.   In July 1979, it was announced that Brian Hutton, who had directed two other World War II-set movies, 1968's Where Eagles Dare and 1970's Kelly's Heroes, would helm this new movie, and that Lloyd Bridges was being considered for a role. A writer for Daily Variety reporting on Hutton's hire speculated that Clint Eastwood, who had starred in both Where Eagles Dare and Kelly's Heroes, would also star in the film, but that never happened.   In mid-September 1979, it was announced that legendary French actor Alain Delon would star in the film, and that Hutton had already left the project. Two weeks later, it was announced that two-time Academy Award-winning filmmaker John Huston would direct the project, which would now star Michael Caine and Sylvester Stallone. Amongst the locations Huston scouted to shoot the film at included Austria, Canada, England, Germany, and Ireland, but in the end, they would shoot in and around Budapest, Hungary, because they could shoot the film in the then-communist country for around $12m, versus $30m to $35m it would have cost to shoot in a more democratic country.   On a side note, Stallone ended up coming on to the film in a most unusual way. The actor was looking to buy a beach house in Malibu, and one of the houses he looked at was owned by Freddie Fields. After touring the house, Stallone found Fields sitting on the sundeck, and the actor informed the producer that the house was not quite big enough for himself, his wife and two sons. The two men got to talking, and Fields started to tell Stallone about this sports-based World War II movie he was about to make with John Huston as director. Although Stallone knew almost nothing about football, he was intrigued by the idea of getting to work with a director of Huston's stature. And wouldn't you know it, Fields just happened to have a copy of the script right here. Stallone took the script home, and agreed to be in the film three days later.   Not only would Pelé star in the film alongside Caine and Stallone, he would also work with Huston and the crew to design the football action in the film. Nearly two dozen professional football players, including Bobby Moore, the captain of the World Cup-winning 1966 British football team, would either have major roles in the film or play secondary characters in the film. Another member of that team, goalkeeper Gordon Banks, would assist Pelé in getting Stallone to look more like a goalkeeper on camera.   The movie would also hire Desmond Llewelyn, the beloved British character actor best known as Q in 17 James Bond movies made between 1963 and 1999, as a technical advisor, as Llewelyn had spent five years as a POW in German prison camps during World War II.   In early 1980, Max von Sydow, still shooting his role as Ming the Merciless in Mike Hedges' big screen adaptation of Flash Gordon, would be cast as Von Steiner, the Nazi Major who operates the POW camp.   Shooting would begin on May 26, 1980, after Stallone was done shooting Nighthawks in New York City.  Stallone would spend his weekends off that film to work with Gordon Banks on how to better look like a goalie, and to lose no less than forty pounds to better look like a prisoner of war, a sort of method acting Stallone was not really known for. But apparently, Stallone didn't really listen to Banks at first, as on his first day of shooting, the actor would throw himself around his goal area with a kind of reckless abandon, dislocating his shoulder and breaking a rib. The production would need to rearrange the shooting schedule to give Stallone time to heal. After he returned to the set, he would better heed Banks' advice, although he would end up breaking another rib and, in one scene with Pelé, breaking a finger trying to stop one of the superstar footballer's shots.   Other than Stallone's injuries, production on the film ran rather smoothly for nearly two months, until they were forced to shut production down completely on July 29th, eight days after the American Screen Actors Guild went on strike over residuals from emerging revenue streams like videocassettes and pay television. Since several actors like Stallone were SAG members, they had to stop working on the 21st, and the film completed all shots not using those actors a week later. Although the strike would last for slightly more than three months, Fields and Kassar were able to sign an interim agreement with the Guild to allow the film, which only had five days of shooting left when production was shut down, to resume shooting on August 31st.     Huston would spend the rest of 1980 and the first four months of 1981 working with his production team to get the film edited and ready for release. At the suggestion of Sylvester Stallone, Huston would hire Bill Conti to compose the score, the fifth movie starring Stallone that Conti would write the score to in as many years.   In May 1981, two months before the film's release, its American distributor, announced a slight change in the name of the movie. Instead of Escape to Victory, which would be retained by most every other distributor around the world, the film would simply be called Victory when it hit theatres on July 31st. Because the studio was worried that the full title would be a spoiler. And it actually would be. You'll notice I have not really said anything about the story, because if you haven't seen the movie yet, and you feel compelled to check it out because of this episode, I don't want to spoil it for you. And if you have seen the movie before, you already know what happens.   Victory would face very stiff competition when it opened at 692 theatres on July 31st. In addition to the Chevy Chase comedy Under the Rainbow, the film would go up against a re-release of The Empire Strikes Back and also contend with the continued success of Raiders of the Lost Ark and and Superman II.    The film would gross $2.4m in its first weekend, which would place it sixth on the box office charts, but that was slightly more than a third of what the Star Wars sequel would bring in that weekend, after having initially opened in theatres 14 months earlier. Victory would barely beat Arthur, which was in its third week of release but hadn't become the breakout success it would be in the weeks to come, but it lose out to the critically panned disaster known as John Derek's Tarzan the Ape Man in its second week. But hey, naked Bo Derek on the big screen, even more naked than in 10. Can't blame horny guys at the time for that.   In its second week of release, Victory would drop from sixth place to twelfth, with only $1.6m in ticket sales, and lose half of its screens in its third week, falling to thirteenth place with barely $1m taken in at the box office. After that fourth week, the film was no longer being tracked by Paramount, having earned just $10.85m. Internationally, the film would gross another $16m, since football was a more popular sport outside America. In fact, it was the seventh most popular movie released in 1981, outside of America. The film would barely break even once it was gone from theatres, but it would never become much of a cult film once it was released on videotape and to cable channels.   Although audiences didn't quite go for the movie, critics were rather kind to the film.   Vincent Canby of the New York Times would note that while the form of the film was highly conventional, the manner in which it was executed was not. An unnamed critic for the Hollywood trade publication would call the film “old fashioned,” and meant it as a compliment. And Gavin Bainbridge of the UK movie magazine Empire would highlight how John Huston created enough on-field magic and nostalgia for the game, and would note the kind of sportsmanship shown in the film that had sadly become extinct in the succeeding forty years.   In later years, Huston would admit he hated the idea of the movie and only did it for the paycheck, while Caine would tell one reporter while doing press for another movie that the only reason he made Victory was to meet and work with Pelé. Stallone would admit that shooting his scenes as a goalie were more physically and mentally demanding than on either of the Rocky movies that had been made up to that time.   Of course, Michael Caine and Sylvester Stallone would see far greater successes in their careers as the 80s continued on, while  Pelé pretty much kept future on-screen appearances more rooted in reality, appearing as himself on a few global television shows and movie documentaries.   We're actually planning on a small series for the final decade of John Huston's directing career, with a diverse set of movies that include the musical Annie, the mob comedy Prizzi's Honor, and the lyrical adaptation of James Joyce's The Dead. Look for that to come later this year.   Thank you for joining us. We'll talk again soon, when Episode 100 is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Pelé and the movie Victory.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.  

For our second episode of 2023, we look back, as we did with Neil Diamond's only starring role last week, at the one and only acting role the late, great football star Pelé would ever make: Escape to Victory, a football-themed World War II drama that would also feature Michael Caine, Sylvester Stallone and Max von Sydow.   ----more---- TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On December 29th, while this show was on hiatus, the football world lost Edson Arantes de Nascimento, the legend known around the world by his single word nickname, Pelé. Even if you weren't a particular fan of football in the 1960s and 1970s, you more than likely knew who Pelé was. The International Olympic Committee named him the Athlete of the Century in 1999. Time Magazine named him one of the 100 most important people of the Twentieth Century. In the Brazilian city of Santos, where a fifteen year old Pelé got his professional start in 1956, a museum dedicated to all things Pelé opened in 2014, with more than 2400 items devoted to his life and careers.   After he retired from football in 1977, in an exhibition game between the New York Cosmos of the North American Soccer League, where Pelé had been playing for three years, and Santos, his former club of nineteen years, Pelé would become a global ambassador for the sport, and record an album of music alongside fellow Brazilian Sergio Mendes to accompany a documentary about his life.   And because this is a podcast about 80s movies, he would, of course, attempt a career in motion pictures.   And those who were going to be responsible for making Pelé a movie star were not going to take any chances.   Because Pelé was the most famous footballer on the planet, the movie was going to somehow be about football. American film producer Freddie Fields and his partner on the film, future Carolco Films co-owner Mario Kassar, would find their story for Escape to Victory in a Hungarian movie from 1961 called Two Halves in Hell. The film was based on a tale of a 1942 football match between German soldiers and their Ukrainian prisoners of war during World War II, known as the Death Match. That film, directed by Zoltán Fábri, would win several awards at film festivals worldwide, and was ripe for the American remake treatment.   However, there would need to be some changes to the story. The action would be moved from Soviet Russia to France, and the character being built for Pelé, Corporal Luis Fernandez, would be identified as being from Trinidad, as Brazil would not enter the European theatre of war until July of 1944.   While the script was being written, Fields and Kassar would get busy putting the film together.   In July 1979, it was announced that Brian Hutton, who had directed two other World War II-set movies, 1968's Where Eagles Dare and 1970's Kelly's Heroes, would helm this new movie, and that Lloyd Bridges was being considered for a role. A writer for Daily Variety reporting on Hutton's hire speculated that Clint Eastwood, who had starred in both Where Eagles Dare and Kelly's Heroes, would also star in the film, but that never happened.   In mid-September 1979, it was announced that legendary French actor Alain Delon would star in the film, and that Hutton had already left the project. Two weeks later, it was announced that two-time Academy Award-winning filmmaker John Huston would direct the project, which would now star Michael Caine and Sylvester Stallone. Amongst the locations Huston scouted to shoot the film at included Austria, Canada, England, Germany, and Ireland, but in the end, they would shoot in and around Budapest, Hungary, because they could shoot the film in the then-communist country for around $12m, versus $30m to $35m it would have cost to shoot in a more democratic country.   On a side note, Stallone ended up coming on to the film in a most unusual way. The actor was looking to buy a beach house in Malibu, and one of the houses he looked at was owned by Freddie Fields. After touring the house, Stallone found Fields sitting on the sundeck, and the actor informed the producer that the house was not quite big enough for himself, his wife and two sons. The two men got to talking, and Fields started to tell Stallone about this sports-based World War II movie he was about to make with John Huston as director. Although Stallone knew almost nothing about football, he was intrigued by the idea of getting to work with a director of Huston's stature. And wouldn't you know it, Fields just happened to have a copy of the script right here. Stallone took the script home, and agreed to be in the film three days later.   Not only would Pelé star in the film alongside Caine and Stallone, he would also work with Huston and the crew to design the football action in the film. Nearly two dozen professional football players, including Bobby Moore, the captain of the World Cup-winning 1966 British football team, would either have major roles in the film or play secondary characters in the film. Another member of that team, goalkeeper Gordon Banks, would assist Pelé in getting Stallone to look more like a goalkeeper on camera.   The movie would also hire Desmond Llewelyn, the beloved British character actor best known as Q in 17 James Bond movies made between 1963 and 1999, as a technical advisor, as Llewelyn had spent five years as a POW in German prison camps during World War II.   In early 1980, Max von Sydow, still shooting his role as Ming the Merciless in Mike Hedges' big screen adaptation of Flash Gordon, would be cast as Von Steiner, the Nazi Major who operates the POW camp.   Shooting would begin on May 26, 1980, after Stallone was done shooting Nighthawks in New York City.  Stallone would spend his weekends off that film to work with Gordon Banks on how to better look like a goalie, and to lose no less than forty pounds to better look like a prisoner of war, a sort of method acting Stallone was not really known for. But apparently, Stallone didn't really listen to Banks at first, as on his first day of shooting, the actor would throw himself around his goal area with a kind of reckless abandon, dislocating his shoulder and breaking a rib. The production would need to rearrange the shooting schedule to give Stallone time to heal. After he returned to the set, he would better heed Banks' advice, although he would end up breaking another rib and, in one scene with Pelé, breaking a finger trying to stop one of the superstar footballer's shots.   Other than Stallone's injuries, production on the film ran rather smoothly for nearly two months, until they were forced to shut production down completely on July 29th, eight days after the American Screen Actors Guild went on strike over residuals from emerging revenue streams like videocassettes and pay television. Since several actors like Stallone were SAG members, they had to stop working on the 21st, and the film completed all shots not using those actors a week later. Although the strike would last for slightly more than three months, Fields and Kassar were able to sign an interim agreement with the Guild to allow the film, which only had five days of shooting left when production was shut down, to resume shooting on August 31st.     Huston would spend the rest of 1980 and the first four months of 1981 working with his production team to get the film edited and ready for release. At the suggestion of Sylvester Stallone, Huston would hire Bill Conti to compose the score, the fifth movie starring Stallone that Conti would write the score to in as many years.   In May 1981, two months before the film's release, its American distributor, announced a slight change in the name of the movie. Instead of Escape to Victory, which would be retained by most every other distributor around the world, the film would simply be called Victory when it hit theatres on July 31st. Because the studio was worried that the full title would be a spoiler. And it actually would be. You'll notice I have not really said anything about the story, because if you haven't seen the movie yet, and you feel compelled to check it out because of this episode, I don't want to spoil it for you. And if you have seen the movie before, you already know what happens.   Victory would face very stiff competition when it opened at 692 theatres on July 31st. In addition to the Chevy Chase comedy Under the Rainbow, the film would go up against a re-release of The Empire Strikes Back and also contend with the continued success of Raiders of the Lost Ark and and Superman II.    The film would gross $2.4m in its first weekend, which would place it sixth on the box office charts, but that was slightly more than a third of what the Star Wars sequel would bring in that weekend, after having initially opened in theatres 14 months earlier. Victory would barely beat Arthur, which was in its third week of release but hadn't become the breakout success it would be in the weeks to come, but it lose out to the critically panned disaster known as John Derek's Tarzan the Ape Man in its second week. But hey, naked Bo Derek on the big screen, even more naked than in 10. Can't blame horny guys at the time for that.   In its second week of release, Victory would drop from sixth place to twelfth, with only $1.6m in ticket sales, and lose half of its screens in its third week, falling to thirteenth place with barely $1m taken in at the box office. After that fourth week, the film was no longer being tracked by Paramount, having earned just $10.85m. Internationally, the film would gross another $16m, since football was a more popular sport outside America. In fact, it was the seventh most popular movie released in 1981, outside of America. The film would barely break even once it was gone from theatres, but it would never become much of a cult film once it was released on videotape and to cable channels.   Although audiences didn't quite go for the movie, critics were rather kind to the film.   Vincent Canby of the New York Times would note that while the form of the film was highly conventional, the manner in which it was executed was not. An unnamed critic for the Hollywood trade publication would call the film “old fashioned,” and meant it as a compliment. And Gavin Bainbridge of the UK movie magazine Empire would highlight how John Huston created enough on-field magic and nostalgia for the game, and would note the kind of sportsmanship shown in the film that had sadly become extinct in the succeeding forty years.   In later years, Huston would admit he hated the idea of the movie and only did it for the paycheck, while Caine would tell one reporter while doing press for another movie that the only reason he made Victory was to meet and work with Pelé. Stallone would admit that shooting his scenes as a goalie were more physically and mentally demanding than on either of the Rocky movies that had been made up to that time.   Of course, Michael Caine and Sylvester Stallone would see far greater successes in their careers as the 80s continued on, while  Pelé pretty much kept future on-screen appearances more rooted in reality, appearing as himself on a few global television shows and movie documentaries.   We're actually planning on a small series for the final decade of John Huston's directing career, with a diverse set of movies that include the musical Annie, the mob comedy Prizzi's Honor, and the lyrical adaptation of James Joyce's The Dead. Look for that to come later this year.   Thank you for joining us. We'll talk again soon, when Episode 100 is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Pelé and the movie Victory.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.  

A decent newspaper Film Noir with a great cast of Broderick Crawford, Donna Reed, and John Derek in Scandal Sheet (1952) Classic Movie Review YouTube Channel The Coyote's Tale, a noir mystery by John Cornelison is available on Amazon in paperback and on Kindle Support the show with a purchase from Merch SPREAD THE WORD! If you enjoyed this episode head on over to iTunes and kindly leave us a rating, a review, and subscribe! Click here to subscribe via Apple Podcast Find us at: Libsyn Page Ganna Amazon Music Spotify Radiodotcom We would love to get your feedback! Email jec@classicmovierev.com Read more at classicmovierev.com

Evans' first guest-starring role was on a 1960 episode of Bachelor Father. The series starred John Forsythe, with whom she would costar 20 years later on Dynasty.[5] After several guest roles in The Adventures of Ozzie and Harriet between 1960 and 1962, and guest appearances on television series such as The Lieutenant and Wagon Train, Evans gained her first regular role in 1965 in The Big Valley. Playing Audra Barkley, daughter of Victoria Barkley (played by Barbara Stanwyck.On December 31, 1967, John Derek, Linda's husband at the time, recruited her to operate one of his cameras after he had been commissioned by daredevil Evel Knievel to film his motorcycle jump of the fountains at Caesars Palace in Las Vegas. Evans captured the iconic images of Knievel's devastating crash as the jump failed.Evans was next cast as Krystle Carrington in Aaron Spelling's opulent new primetime soap opera, Dynasty, which premiered in January 1981.Intended as ABC's answer to the hit CBS series Dallas.  Dynasty featured Evans as the former secretary and new wife of millionaire oil tycoon Blake Carrington, portrayed by her former costar John Forsythe.  Although initially sluggish in the ratings, audience figures improved after the show was revamped and British actress Joan Collins was brought in to play opposite Evans and Forsythe as Blake's scheming ex-wife, Alexis Carrington.  By the 1984–85 season, Dynasty was the number one show on American television, outranking Dallas.Evans won a Golden Globe Award for Best Actress in a Television Drama Series for her Dynasty role in 1981, and was subsequently nominated every year from 1982 to 1985.  She was nominated for a Primetime Emmy Award for Outstanding Lead Actress in a Drama Series in 1983.[16] Evans won a People's Choice Award for Favorite Female Performer in a New TV Program in 1982,[17] and for Favorite Female TV Performer in 1983, 1984,  1985, and 1986. She won a Soap Opera Digest Award for Outstanding Lead Actress in 1984 and 1985.Here's my interview on KRAK with the lovely Linda Evans.

The sleeper hit of late 1979 was Blake Edwards's sex farce 10, a comedic vivisection of a male midlife crisis, which turned 23 year-old California girl Bo Derek into a controversial cultural phenomenon. Derek's early fame was framed in the media through the lens of her marriage to John Derek, who was 30 years her senior and who she met when she was 16. Today we'll talk about Derek's reign as a sex-positive bombshell in a time of extreme double standards, 10's strangely prescient understanding of toxic masculinity, and the problem of how to frame teenage sexuality for adult consumption. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What exactly is a wife guy and why have they sacrificed their Hollywood careers (and a few film studios) to honor their ladies? The OV boys investigate the wife guy phenomenon to get to the bottom of how Renny Harlin bankrupted Carolco Pictures for love and John Derek avoided prison. THIS WEEK: Cutthroat Island (1995), Swept Away (2002), Bolero (1984) Support Optimism Vaccine on Patreon: https://www.patreon.com/optimismvaccine (https://www.patreon.com/optimismvaccine)

***CW: Disturbing sexual content*** Title: Bolero [Wikipedia] [IMDb] Director: John Derek Producer: Bo Derek Writer: John Derek Stars: Bo Derek, George Kennedy, Andrea Occhipinti, Ana Obregón Release date: August 31, 1984 PROMO: Shocked & Applaud (@ShockedApplaud) SPECIAL GUESTS: Lydia Malcom, Naomi McQuade, Jen McQuade; Shocked & Applaud (@ShockedApplaud) Chazzle Dazzle, Trial by Error Variety Show (@tbevarietyshow) SHOWNOTES: Collateral Cinema, Shocked & Applaud, and the TBE Variety Show had to band together in order to endure John Derek's torturous attempt at cinema. And so, with heavy hearts, we discuss this absolute travesty of a "romantic drama film" / softcore pornography / self-directed cuckold fantasy called Bolero. Interested so far? Join us on this wild journey, and then stay tuned for more bad movie reviews this month—with our upcoming episode on Neil Breen's debut feature Double Down and Holiday Special on the "War on Christmas" propaganda film Last Ounce of Courage! Collateral Cinema is on Facebook, Instagram, and Twitter, and is on Podbean, Spotify, Apple Podcasts, Google Podcasts, YouTube, iHeartRadio, Chill Lover Radio, and wherever else you get your podcasts! (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

If we all lived half as much life as Toni has, we'd be so lucky!She became an inner-city teacher at Crenshaw High School in Southern California where she taught drama and AP literature .She was the subject of a book called "And Still We Rise" by Miles Corwin - And Still We Rise is an unforgettable story of transcending obstacles that would dash the hopes of any but the most exceptional spirits.She was bff's with Bo Derek - yes, the movie star - and was on a greek island when John Derek left Linda Evans for 15 year old Bo. Toni was abandoned with Bo's mom and Linda Evans with no way home in a foreign land.She is also friends with Ann Margaret and has lots of old Hollywood tales to tell.She did PR for some more famous people and she's good friends with Shari Belafonte Harper!One of her former AP students wrote a book and dedicated it to Toni as her inspiration.Plus much, much more!Support the show

On this episode of The Football Odyssey, Aron and Os Davis of Truly The GOATs review the cynical 1951 college football film, Saturday's Hero, starring John Derek and Donna Reed, directed by David Miller and released by Columbia Pictures. At the end of the episode, Os and Aron also look toward their new sports film podcast, Game Film.  https://www.thefootballodyssey.com/ https://twitter.com/FootballOdyc https://www.instagram.com/thefootballodyssey/ https://sportshistorynetwork.com/podcasts/ http://www.trulythegoats.com/podcast/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Starring a young Bo Derek, Bolero was written, directed and filmed by her husband John Derek and released in 1984. It's an erotic, romantic story about a young wealthy woman who finishes university and wants to travel the world and lose her virginity. Michael Shanks is our guest for this episode - a filmmaker who writes, directs, does visual effects and acts. Check out Michael's amazing YouTube channel: https://www.youtube.com/channel/UCXoIFuHdVHm-Zp9umA2seRQ Follow Michael Shanks on Twitter: https://twitter.com/timtimfed As always, follow us on Facebook and Instagram Or email us at trulyrottentomatoes@gmail.com  

Bo Derek passionately discusses her new project about woman who played a huge role in WWII called "WASP." It tells the true life story of woman test pilots giving their lives during the war. She talks about how she is spending her quarantine with her husband, "Sex and the City" star John Corbett. Derek also talks about how she began acting and how she met her late husband, actor and director, John Derek.

Set in 1910, virginal Jane Parker (Bo Derek), a feminist who thinks women should be able to explore the world the same as men. She travels to Africa to find the father she never knew, renowned explorer James Parker (Richard Harris). James, who abandoned her when she was an infant, thinks Jane is the spitting image of his late wife, which brings up all manner of incestuous feelings. James continues his safari to find the fabled elephant graveyard where precious ivory exists. Jane insists on coming along despite her father's protests. Tarzan's primal yelling makes their native entourage nervous, forbidden to travel into the land occupied by the famous "white ape-man" who stands, according to myth, ten feet tall. Proceeding cautiously, Jane bathes in the ocean, attracting a ferocious lion, saved by the mysterious ape-man of myth. James determines Tarzan (Miles O'Keeffe) will be their next kill, especially after he kidnaps Jane, though she seems more than willing to get caught. John Derek directs.

Today on The Neil Haley Show, The Total Tutor Neil Haley will interview The Legendary George Hamilton. is an American film and television actor. His notable films include Home from the Hill (1960), By Love Possessed (1961), Light in the Piazza (1962), Your Cheatin' Heart (1964), Once Is Not Enough (1975), Love at First Bite (1979), Zorro, The Gay Blade (1981), The Godfather Part III (1990), Doc Hollywood (1991), 8 Heads in a Duffel Bag (1997), Hollywood Ending (2002) and The Congressman (2016). For his debut performance in Crime and Punishment U.S.A. (1959), Hamilton won a Golden Globe Award and was nominated for a BAFTA Award. He has received one additional BAFTA nomination and two additional Golden Globe nominations. Hamilton began his film career in 1958 and although he has a substantial body of work in film and television he is, perhaps, most famous for his debonair style and his perfect and perpetual suntan. Bo Derek writes in her autobiography that "there was an ongoing contest between John [Derek] and George Hamilton as to who was tanner".[1]

This is the very first episode of the AG Walking Club Podcast.  Segments and notes include:- Can you identify the wildlife sound? An interview with Jemma Jones Hayes, who talks to us about Munzee Hunting.   Derek & Doreen join the Adventure Geek Walking Club Education slot this week is about the app called Alltrails.com  Finale where we get to meet two very unique characters called Janet & John.  Think "carry on camping" and you have got the idea!     

In this excerpt from Flame CCR's chaotic Friday teatime broadcasts, Derek and Peter talk about Heaven in a prelude to their quarterly PWMI (Prophetic Witness Movement International) meeting. Their Biblical studies indicate the possible close proximity of the Lord's Return. Think on about these things .......

This week, Relix Assistant Editor Raffaela Kenny-Cincotta and bassist Karina Rykman talk about the late, great Dr. John, discuss Derek Trucks and Susan Tedeschi getting deputized in Georgia and take a look at Bob Dylan's Rolling Thunder Revue, as depitcted in Martin Scorsese's new Netflix documentary. Plus, a Weekly Shout Out by Eli Winderman of Dopapod! [Recorded June 10, 2019]

John Derek Zvonek shares his intimate story of chasing after the things in life that scare him the most. This interview deals with much more than running as we dig into some of the deeper reasons some of us have for testing our limits. Join us as we learn from a man who has not only faced his own biggest fears, but helps others to overcome adversity in their lives by taking on physical challenges. John’s Training FaceBook Page  MY New Trainer LLC:  https://www.facebook.com/MyNewTrainerCT Website: https://wordpress.com/media/documents/cultrarunning.home.blog   Suppport  Cutra Trail Running through a small monthly Patreon donation:  https://www.patreon.com/CultraTrailRunning Twitter: https://twitter.com/blueblazerunner  Instagram: https://www.instagram.com/cultratrailrunning/ Facebook: https://www.facebook.com/CultraTrailRunning/?__tn__=%2Cd%2CP-R&eid=ARAvGAIpGFU6At4y7HqUd_Heqx5OaCT4rtQPiEHvQNuB0aDaF8juSY9Db3ihSqbqgmMgwz2GFQLpMVps More info on Connecticut Forest and Parks may be found at: https://www.ctwoodlands.org/   Please support them!

On this episode, we discuss the twenty-second Best Picture Winner: “All the King's Men.”"All the King's Men" follows the rise and fall of a corrupt southern governor who promises his way to power. Broderick Crawford portrays Willie Stark, who, once he is elected, finds that his vanity and power lust prove to be his downfall. The film is based on the 1946 Pulitzer Prize-winning novel by Robert Penn Watten. The film co-stars John Ireland as Jack Burden, Joanne Dru as Anne Stanton, John Derek as Tommy Stark, Mercedes McCambridge as Sadie Burke, Shepperd Strudwick as Adam Stanton and is directed by Robert Rossen.Here on The Envelope, we discuss & review every Best Picture Winner in the Academy Awards History. We are a Cinema Squad Production, presented on the Cinema Squad Podcast Channel. You can reach anyone here at TheCinemaSquad.com – Just go there to email us, check our bios, and keep up with the latest episode. 

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On this week's episode, the 2018 Listener Request Month rolls on with the totally insane perv-a-thon film no one asked for, 1981's Tarzan the Ape Man! What a TRASH pile of a film! Why do we have to wait 45 minutes for Tarzan to show up? Did we need all those sexy incestuous overtones from Richard Harris? And what the ever-loving shit was John Derek thinking with that snake fight? PLUS: Drunken explorers tell tall tales at the U.K. equivalent of Applebee's—whatever that is!Tarzan the Ape Man stars Bo Derek, Richard Harris, John Phillip Law, and Miles O'Keeffe; directed by John Derek.

Today's Guest: George Kennedy, Oscar winning actor, Cool Hand Luke, author, Trust Me Mr. Media is recorded live before a studio audience of guys who remember every line from Cool Hand Luke and The Naked Gun but can’t remember their wife’s birthday… in the NEW new media capital of the world, St. Petersburg, Florida!   Order 'Cool Hand Luke' [Blu-ray] starring Paul Newman and George Kennedy, available from Amazon.com by clicking on the Blu-Ray DVD above! Order Trust Me: A Memoir by George Kennedy by clicking the book cover above!   It’s easy to point out that George Kennedy, in a career spanning five decades, worked with some of the greatest names in Hollywood history. Paul Newman. Cary Grant. Kirk Douglas. Frank Sinatra. Leslie Nielsen. Bettie Davis. Clint Eastwood. John Wayne. Maggie Smith. Peter Ustinov. Carol Burnett. David Niven. That’s pretty cool, of course, but having just finished his new book, Trust Me: A Memoir, I realize how lucky they were to have worked with him. GEORGE KENNEDY audio excerpt: "Ellen Barkin (who plays Kennedy's daughter in the film, 'Another Happy Day') is one of the wonders in life. She's like Rocky Graziano in skirts." Now in his mid-80s, Kennedy has illustrated so many iconic roles – Joe Patroni in the Airport movies, Captain Ed Hocken in The Naked Gun movies, Bumper Morgan in “The Blue Knight” TV series– and, of course, he won Best Actor in a Supporting Role for playing “Dragline” in Cool Hand Luke in 1967 – so it’s going to be as hard for me to know where to start asking questions as it was for him to organize all of his stories in the book. If you love a good Hollywood story, you’ll love reading Kennedy’s stories of shooting The Eiger Sanction with Eastwood or suffering the cheapness and meanness of John Derek on Bolero. He even explains how he came to appear as Ellen Barkin's father in Another Happy Day, one this year's hottest film festival indie releases. Trust me: this is going to be a real treat. George Kennedy Wikipedia • IMDB  "Mean Business: How I Save Bad Companies and Make Good Companies Great" by Albert J. Dunlap with Bob Andelman, available in print, e-book or digital audio. Order your copy now by clicking on the book cover above! The Party Authority in New Jersey, Pennsylvania, Delaware and Maryland!

On this week's episode, the gang finds themselves stuck in a strange realm somewhere between the Halloween Spooktacular, A Side Order of Sleaze, and the closest they'll come to an election special, with the totally disgusting and ridiculous, Ghosts Can't Do It! What is with the way they're filming Anthony Quinn as a ghost? Is Bo Derek's character a Stockholm Syndrome-suffering hostage? And is that really Donald Trump? PLUS: In an alternate timeline, Donald Trump loses the election to the dancing chicken from Werner Herzog's Stroszek, who also happens to be a member of the Communist party. Ghosts Can't Do It stars Bo Derek, Anthony Quinn, Don Murray, Julie Newmar, and Donald Trump; allegedly directed by John Derek.

País Estados Unidos Director Cecil B. DeMille Guión Aeneas MacKenzie, Jesse L. Lasky Jr., Jack Gariss, Fredric M. Frank Música Elmer Bernstein Fotografía Loyal Griggs Reparto Charlton Heston, Yul Brynner, Anne Baxter, Edward G. Robinson, Yvonne De Carlo, Debra Paget, John Derek, Cedric Hardwicke, Nina Foch, Martha Scott, Judith Anderson, Vincent Price, John Carradine Sinopsis Drama bíblico ambientado en el Antiguo Egipto que narra la historia de Moisés (Charlton Heston), favorito de la familia del faraón, que decide renunciar a su vida de privilegios para conducir a su pueblo, los hebreos esclavizados en Egipto, hacia la libertad.

País Estados Unidos Director Cecil B. DeMille Guión Aeneas MacKenzie, Jesse L. Lasky Jr., Jack Gariss, Fredric M. Frank Música Elmer Bernstein Fotografía Loyal Griggs Reparto Charlton Heston, Yul Brynner, Anne Baxter, Edward G. Robinson, Yvonne De Carlo, Debra Paget, John Derek, Cedric Hardwicke, Nina Foch, Martha Scott, Judith Anderson, Vincent Price, John Carradine Sinopsis Drama bíblico ambientado en el Antiguo Egipto que narra la historia de Moisés (Charlton Heston), favorito de la familia del faraón, que decide renunciar a su vida de privilegios para conducir a su pueblo, los hebreos esclavizados en Egipto, hacia la libertad.

Join us tonight as we talk to Vice-President of Children and Family Services for the Center for Human Development in Springfield, MA. A father of an adult son on the spectrum, John shares with our listeners personal insights into his experience of raising a child diagnosed with autism. John shares with us points pertinence to this service population as we discuss concerns with youth incarceration where special need services have potentially been insufficient. You don't want to miss this!This show is broadcast live on W4WN Radio – The Women 4 Women Network (www.w4wn.com) part of Talk 4 Radio (http://www.talk4radio.com/) on the Talk 4 Media Network (http://www.talk4media.com/).

The Cannon Canon Podcast E03 BoleroSean and John return at last to discuss the cinematic crime that is 1984's Bolero. Join us as we scrape the bottom of the barrel and hopefully come up with some kino conversational gold!BoleroSubscribe to all the great podcasts in the Giant Media Ball Website calendar! Giant media Ball Podcast Collection in iTunes, GMB Facebook and GMB on Twitter. Spread the word, spread the Media Ball! #CannonFilms #kino

Le riprese de 'Il colosso di Rodi' - I contrasti con John Derek, l'arrivo di Rory Calhoun - sul set con Robert Aldrich: 'Sodoma e Gomorra'