Podcasts about vinyl me please

Shakira BioSnap a weekly updated Biography.In the past few days, Shakira has been at the center of the global music stage with her ongoing Las Mujeres Ya No Lloran World Tour. On August 4, 2025, she electrified Los Angeles with a sold-out show at SoFi Stadium. Billboard documented her performance of Chantaje, while fans and celebrities like Isabela Merced and Amanda Diaz shared their excitement from the venue on social media. One standout moment, captured by BV Concerts on YouTube, was Shakira's first-ever live rendition of her fan-favorite Men In This Town, a song that has never been performed live before. Opening for Shakira that night were the Black Eyed Peas, making it a major event for LA's summer concert calendar.Next, Shakira is set for a highly anticipated show in Fresno at the Valley Children's Stadium—the first big-name concert ever held at this venue. According to FOX26 News and Fresno State Athletics, there's still a push for last-minute ticket sales, with special deals like free admission for the first 250 students who purchase football season passes. Local officials, including Assemblyman David Tangipa, view her appearance as a pivotal test for Fresno's ambitions to attract more A-list artists, acknowledging that breaking into the big-league touring circuit is no easy feat for the city.Meanwhile, Shakira has also stepped out in the beauty business spotlight. Just last week, she launched her debut haircare line, Isima, at a star-studded party at Casita Hollywood. People magazine reports Shakira opened up at the event about her personal struggles with ‘temperamental' hair, joking about her journey from brunette to blonde to red and back again. Isima is exclusive to Ulta and features eight products tailored to different hair needs. The pop star emphasized that the brand is rooted in science, culture, and, importantly, her own experience with hair disasters over the years.On the financial front, Vinyl Me Please highlighted Shakira's blockbuster tour revenue—she has reportedly grossed $130 million as of June, topping Billboard's mid-year rankings and cementing her position as a global force in Latin pop. Her tour is seen not just as a commercial success, but as a cultural movement addressing themes of female empowerment and resilience—reflected in both her music and her business ventures.Social media continues to buzz with fan content from her shows, reactions to her hairstyles, and speculation about future tour dates, especially as she heads to Mexico for a series of concerts that promise to maintain her record-breaking momentum. All developments reported are verified; no speculation included here.Get the best deals https://amzn.to/3ODvOta

Bad Bunny continues to dominate headlines with a packed schedule and groundbreaking collaborations. In the past week, the superstar made waves in fashion and sports culture by debuting the fourth colorway of his Bad Bunny x adidas Adizero SL72 sneaker, previewed at an exclusive Formula 1 event in Puerto Rico. This limited release, seen by Sneaker Freaker and displayed at the Museo de Artes de Puerto Rico, combines brown and pink with blue and gold accents, and features premium materials like mesh, suede, corduroy, and leather. More than 150 pairs of his adidas collaborations were showcased for fans, underscoring his deep influence on sneaker culture. No official release date has been set, but fans can expect it as part of the Fall 2025 adidas lineup.The F1 event itself was historic for Puerto Rico, as Bad Bunny partnered with the Mercedes-AMG Petronas F1 Team and adidas Originals to bring the racing experience to his home island for the first time. According to Vinyl Me Please, the event blended high performance culture, music, and local pride, with the sneakers gifted to celebrity and VIP attendees, cementing Bad Bunny's reputation for boundary-pushing partnerships.Musically, Bad Bunny remains in the spotlight with the recent release of his single "Alambre Púa," the first new music since the launch of his seventh studio album, *Debí Tirar Más Fotos*, earlier this year. As reported by 94.9 KCMO, he debuted this track live during his current 30-show residency at the Coliseo de Puerto Rico in San Juan, an unprecedented concert series running through September with the first dates initially available only to Puerto Rican residents.He is also gearing up for another chapter in his global domination: following his residency, Bad Bunny's Debí Tirar Más Fotos World Tour will kick off in November with stadium dates in Europe, Australia, Japan, and Latin America, as outlined on his official Wikipedia. These announcements follow a headline-making year in which Bad Bunny delivered a lauded NPR Tiny Desk Concert and starred in the highly anticipated film Happy Gilmore 2.Outside music and sneakers, Bad Bunny remains vocal on social issues. Just this weekend, AOL detailed how he called out U.S. Immigration and Customs Enforcement in a video he posted on social media. Bad Bunny documented what appeared to be ICE agents detaining people in Puerto Rico, expressing anger and raising awareness on immigrant rights, consistent with his history of social advocacy.In summary, Bad Bunny's recent week has been a showcase of creative energy across sneakers, sports, music, activism, and more. He's using his platform to elevate Puerto Rican pride, set records, and ignite conversations on and off the stage.Thank you for tuning in—be sure to come back next week for the latest on Bad Bunny and more. This has been a Quiet Please production. For more, check out quietplease.ai.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.ai

Ed Sheeran BioSnap a weekly updated Biography.Ed Sheeran has electrified the music world yet again by unveiling a blockbuster new tour and album, major stadium announcements, and robust fan engagement that proves his star remains undimmed. According to Vinyl Me Please and multiple other reliable outlets, Sheeran just announced his 2026 Loop Tour, set to launch in Auckland, New Zealand, on January 16, before hitting major Australian cities like Sydney, Melbourne, Brisbane, and Perth. The tour's rapid expansion—four more shows added just days after the reveal due to overwhelming demand—underscores Sheeran's enduring magnetism in Australasia, where he has already moved more than 2.5 million tickets across previous visits. Notably, Newstalk ZB highlighted that his initial Auckland show sold so fast that promoters scrambled to add another concert within hours of the first ticket drop.Ed isn't just playing the hits. He is gearing up to celebrate his evolution as an artist with the launch of his forthcoming studio album, Play, set for release on September 12, 2025—timed perfectly with his upcoming tour. TheMusicUniverse noted that Play is being billed as an “explorative, technicolour pop album,” with vibrant influences from Indian and Persian music woven together with Sheeran's signature British folk sensibility. Fans can expect fresh singles like Azizam, Sapphire, and Old Phone, which insiders describe as radiating a globally influenced sound palette that signals a major leap in his artistry. His new stage show promises not just dazzling visuals and full stadium singalongs, but also signature acoustic interludes and solo loop pedal magic that made him famous.Public buzz is only growing, with heavy traffic on both traditional and social media. Sheeran's Instagram has been abuzz with glimpses of rehearsal sessions and cryptic backstage teases, fueling speculation around surprise on-tour collaborators and possible new directions for his live performances. In Zurich this weekend, Blue News reported on Daniel Moon, a devoted superfan following Sheeran's European tour for weeks—he even earned a shout-out from Ed on TikTok, generating another viral burst for the singer and keeping him top of mind among digital natives.For European fans still catching the tail end of his Mathematics stadium run, bold headlines report Ed's ongoing sold-out shows across Zurich, Wroclaw, and Antwerp, where fans packed venues by the tens of thousands. These appearances, paired with friendly mentions of his local pub Bertie Blossoms in UK tabloids and live charity support, complete the picture of a global superstar doubling down on creativity, fan connection, and philanthropic loyalty. As Sheeran gears up for his most ambitious touring and recording chapter yet, all signs point toward continued commercial dominance—and perhaps even more reinvention ahead.Get the best deals https://amzn.to/3ODvOta

Shakira BioSnap a weekly updated Biography.This week has been all about Shakira dominating headlines with both her professional achievements and her enduring influence as a global icon. The most prominent news is her announcement as a headliner for the 2025 Global Citizen Festival, set to electrify Central Park's Great Lawn on September 27. As covered by NY1, Shakira will share the stage with The Weeknd, and the event is expected to draw massive crowds while focusing on impactful activism, like expanding electricity access in Africa, educational opportunities for thousands of children, and protecting the Amazon. Hugh Jackman returns as host, and more performers are to be announced. The buzz across outlets like Vinyl Me Please and MusicTalkers underscores the festival's significance in both music and philanthropic circles, adding another star turn to Shakira's legacy of blending entertainment with advocacy.On the career milestones front, Shakira continues her reign as a record-breaker. According to The Business Standard, she recently shattered 14 Guinness World Records with her Bizarrap-produced song Music Sessions Vol. 53, including accolades for the most-viewed Latin track on YouTube in 24 hours and the fastest to reach 100 million views. If that wasn't enough, Jimmy Kimmel Live surprised her live on air with her many Guinness certificates. With 17 records to her name now, Shakira holds strong as the Queen of Latin Music.She's also midway through her globe-spanning Las Mujeres Ya No Lloran World Tour, which saw a recent date reschedule at Houston's Toyota Center as efficiently communicated by Ticketmaster, reflecting both her professional reliability and enormous fan anticipation for the biggest tour of 2025. Social media and fan reaction to the tour, including praise for ticketing transparency and the live show experience, further affirm her power as a crowd-puller.On the personal side, Shakira remains candid about the hardships she's faced since her high-profile split from Gerard Piqué, admitting to Live From E! that “life hasn't always been kind” but crediting recent challenges for her personal growth and resilience—a sentiment picked up widely in gossip and entertainment reports. Her acceptance speech after winning Best Latin Pop Album at the 67th Grammy Awards echoed her advocacy, dedicating her award to immigrants and hardworking women worldwide. Amid all this, Shakira's social channels brim with promotional teases for her tour and the upcoming Central Park festival while fans celebrate her world records and Grammy win. There are, at present, no credible or verified reports of major business ventures or speculative developments; all eyes remain fixed on her official appearances and public milestones. As summer unfolds, Shakira stands not just at the top of charts, but at the center of culture, activism, and conversation.Get the best deals https://amzn.to/3ODvOta

Justin Bieber BioSnap a weekly updated Biography.In a week dominated by surprise, Justin Bieber has electrified both music and pop culture headlines with his return. On July 11, the singer dropped his long-awaited seventh studio album, Swag, under Def Jam—a move that nobody saw coming until billboards popped up in Reykjavik and Los Angeles and Bieber ignited his social media with cryptic teasers. The album immediately set the internet ablaze: fans on TikTok and X (formerly Twitter) revived “Bieber Fever” and group chats exploded, celebrating what many are calling his most personal and vulnerable project yet, according to the LA Times.Swag is Bieber's first full-length studio release in over four years, and marks a significant moment in his evolution as both an artist and a person. The 21-track album dives deep into topics like fatherhood with an emotional acknowledgment of his son Jack Blues Bieber, mental health struggles, and renewed commitment to his marriage with Hailey Bieber—all wrapped in a blend of R and B, pop, and gospel influences. The closing track, Forgiveness, even features gospel star Marvin Winans, underlining the album's spiritual undertones. People magazine reports Hailey was by Justin's side throughout the creative process, with sources noting this project was made entirely on his own terms after officially severing ties with his longtime manager, Scooter Braun. Braun, for his part, publicly praised Swag as “raw” and “beautiful.”Bieber's public appearances remain under the spotlight. In April, he made headlines for a brief but memorable cameo at Coachella 2025, dancing alongside Tems and Wizkid. However, fans and festival insiders remain cautious about his future live appearances. Extra Chill's festival wire details how his erratic on-site behavior and visible cannabis use raised concerns about his readiness for a main-stage comeback—igniting but not confirming rumors that he might headline Coachella 2025. At the moment, Goldenvoice has announced no formal booking.Bieber's business activities have quietly expanded alongside his artistic ventures. Vinyl Me Please and other industry insiders note he has launched a fashion brand, SKYLRK, and continues to profit from Drew House and his water startup, Generosity. Financially, he is thriving, with his net worth estimated between $200 and $300 million, bolstered by a $200 million sale of his music catalog to Hipgnosis in 2023 and impressive real estate investments, as reported by Fourth Wall Production and Celebrity Net Worth.On social media, Bieber has directly addressed rumors about his mental health, calling much of the speculation “gossip and lies,” but he's also embraced the chance to showcase honesty in both his music and public persona. As for tour plans, recent headlines suggest fans are eager but nothing official has been announced, especially as he continues to recover from previous health setbacks related to Ramsay Hunt Syndrome, as LOS40 reports. For now, Bieber's Swag is not just an album but a reset of his narrative—one marked by growth, independence, and the undimmed curiosity of the public.Get the best deals https://amzn.to/3ODvOta

Just when you think you have all the answers, SURFACE NOISE changes the questions! Join our squad of vinyl connoisseurs as we discuss the 11th hour news of a VMP lifeline - what do we know, what does it mean for open orders, and what do we feel are the biggest things to avoid for this next incarnation? Plus, why is our resident international phenomenon "John Bong" ordering a coffee delivery during the show while smoldering in the 100+ degree heat? The answer may surprise you.   Remember, if it's vinyl, it's on SURFACE NOISE!   

Steven and Ian open this week with a conversation about financial woes at the LP subscription service Vinyl Me Please, and what this says about the "Big Vinyl" industry (1:16). They also talk about Steven's recent column on the most "CD album" albums, and why certain records work better on compact disc (9:38).In the Fantasy Album Draft update, they talk about new records by Model/Actriz and Jenny Hval (22:13). Then they review The Scholars, the latest album by Car Seat Headrest, along with discussing the band's career (29:28). In the mailbag, a reader asks about albums made by comedians, including a recent effort by Kyle Mooney, as well as a "yay or nay" verdict on They Might Be Giants (44:08).In Recommendation Corner, Ian talk about the new album by Club Night while Steven goes for the latest from The Convenience (56:17).New episodes of Indiecast drop every Friday. Listen to Episode 237 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Despite the steady increase in annual sales of vinyl records since 2008, record stores across the country have been closing — except in Denver! The Mile High record store scene is as strong as ever. We've got new shops popping up and old favorites like Wax Trax expanding to new locations. Record Store Day, aka Black Friday for music lovers, is this Saturday, April 12, so host Bree Davies is sitting down with Denver Post arts and entertainment reporter John Wenzel to talk about how Denver is bucking the national trend and where you can get all the special releases.  For a full list of participating record stores across the state, see Record Store Day's official roundup. Bree mentioned Wax Trax's “rules” for Record Store Day. For more on the Vinyl Me Please saga, check out John and Bree's previous conversation on City Cast Denver.  What's your favorite record store in Denver? Are you going to be there on Saturday? Shout out your fave and tell us why! Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418 For even more news from around the city, subscribe to our morning newsletter Hey Denver at denver.citycast.fm. Follow us on Instagram: @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Support City Cast Denver by becoming a member: membership.citycast.fm Learn more about the sponsors of this April 10th episode: Visit Port Aransas Denver Urban Gardens PineMelon - Use code CITYCAST for 75% off! Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices

Action packed and medium paced, SURFACE NOISE: A-Side is back for more news, reviews, and takes that will bruise inside the world of vinyl record collecting.

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

It's been a tough week for the vinyl subscription service Vinyl Me, Please (VMP). A week so rough, that many are questioning their longevity + survival. Our panel talks about some of these latest hiccups, as well as visits the history of the company, their evolution to becoming the premiere vinyl subscription company in the marketplace, and will these latest missteps - coupled with ongoing litigation, declining subscription rates, and yet another price increase - seal their fate? Will they join former subscription competition like Qrates and Bandbox in the vinyl graveyard? Find out on this latest 'sode of SURFACE NOISE - only on VINYL COMMUNITY PODCASTS!   For more on Concert Buddie: https://www.youtube.com/@ConcertBuddie https://concertbuddie.com   For more information on Arnaldo (Fidelios_Frequency): https://www.youtube.com/@fidelios_frequency   For more on Jose Moreno Rahn: https://www.youtube.com/@josemorenorahn https://auroracentralrecords.bandcamp.com   For more on Jason Roxas: https://www.youtube.com/@JasonRoxas   For more on David Bianco (Safe & Sound Texas Audio Excursion): https://www.youtube.com/@SafeAndSoundTXAudioExcursion   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com   . . . . . Friends of the show Vinyl Storage Solutions want to save you 10% today using the following code:   VCP10   https://vinylstoragesolutions.ca  

My guest this week is Chicago rapper, producer, label head, and MIT professor, Lupe Fiasco. We spoke about True Detective, being inspired by his father's record and film collections, practicing martial arts and African drumming, references and concepts in his music, creating across eras, the art and pros and cons of criticism, his bond with producer Soundtrakk, and the creative process behind his years-in-the-making latest album, the Amy Winehouse-inspired Samurai. Come fuck with us.  Samurai is available wherever music is sold, streamed, or stolen. Follow Lupe on Instagram and Twitter: @LupeFiascoI wrote the liner notes for Vinyl Me Please's recent wax reissue of Lupe Fiasco's Food & Liquor. If you're interested in reading, buy a copy on their site.Join the Reel Notes Patreon today starting at $5/month to get early access to episodes, our Discord server, exclusive bonus interviews and reviews, and more! My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund,  The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti.  For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), and Letterboxd (@CineMasai)     Support the Show.

Jean Pierre Consuegra is a designer and record label owner. Jean runs Working Title Studios which focuses on design for the NY underground music scene. Jean runs Somersault Records which hosts friend and guest of the show Jialing and other amazing musicians. Jean was formerly at Vinyl Me Please but is crushing it at Jupiter Disco as head of design.Jean has some of the best hot takes on design Twitter. Don't worry we'll go over it in class today.Please welcome Jean Pierre to Wear Many Hats. ⁠⁠⁠⁠⁠instagram.com/jeanpiconsuegra ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/wearmanyhatswmh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/rashadrastam⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rashadrastam.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wearmanyhats.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Join us for the latest Audio Excursion courtesy of David Bianco and his channel Safe & Sound Texas Audio Excursion. David recently traveled to Colorado to get some details behind the first vinyl pressing plant to open in Colorado - Paramount Pressing - and learn more about what's next for this brand new facility. Much of the Vinyl Community has been interested to hear about this project; namely after the recent news with the folks at Vinyl Me Please and their involvement in this project. David sits down with Jilliann Parker - Head of Operations - for the new plant and Gary Salstrom who has been literally on the ground floor of standing the new facility up. Get ready to learn about this terrific new pressing plant, only on Vinyl Community Podcasts!   For more about host David Bianco (Safe & Sound Texas Audio Excursion): https://www.youtube.com/@SafeAndSoundTXAudioExcursion   Video companion to this series of interviews: https://www.youtube.com/watch?v=BZGMlWDo510   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com  

Back on the dance floor of Vinyl Community Podcasts, Nadine (Souldisco) is joined by Rocco (Pieces of Vinyl) to talk about some of the latest releases from Vinyl Me, Please as well as touch on some of the recent challenges the company has faced with the pressing plant situation. Rumor has it there may even be some cassette talk mixed into the conversation; you'll just have to listen to find out!   For more information on Nadine (Souldisco): https://www.youtube.com/@Souldisco https://souldisco.de/shop/   For more information on Rocco (Pieces of Vinyl): https://www.youtube.com/@PiecesofVinyl   For more on the VMP Pressing Plant story: https://businessden.com/2024/05/03/record-scratch-vinyl-company-fires-and-sues-ceo-cfo-over-rino-plant   For more on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com    

The recent legal strife between Vinyl Me Please and Vinyl Media Pressings as a startup vinyl record pressing plant remind us of the long delays which have become the norm for new plants. Host David Bianco discusses what might be causing these delays based on his experience in manufacturing and seeing the realities vs. the hype. The good news is: more capacity helps keep titles stocked and promise dates be met. But it's not without some ongoing challenges. Listen to this detailed analysis, here on Vinyl Community Podcasts!   For more information on host David Bianco (Safe & Sound Texas Audio Excursion): https://www.youtube.com/@SafeAndSoundTXAudioExcursion   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com        

In this episode, Shawn and Craig delve into two remarkable music collections that are will appeal to fans of classic and alternative rock alike. Shawn spotlights the captivating box set from Vinyl Me, Please, "The Story of Waylon Jennings." This comprehensive collection celebrates the legendary outlaw country icon, featuring meticulously curated albums, rare tracks, and insightful liner notes that paint a vivid picture of Waylon's illustrious career. Shawn explores the significance of this box set, discussing its standout tracks and the timeless appeal of Jennings' rebellious spirit and groundbreaking music.Meanwhile, Craig shines a light on the re-issue of Brad's seminal album, "Shame." Originally released in 1993, this album is a cornerstone of the Seattle alternative rock scene. Craig examines the impact of "Shame" on the genre, highlighting its raw emotion, powerful lyrics, and the exceptional collaboration of its band members, including Pearl Jam's Stone Gossard. With this re-issue, new and longtime fans can rediscover Brad's unique sound and the enduring relevance of "Shame" in today's musical landscape. Tune in for an in-depth discussion filled with nostalgia, admiration, and fresh insights into these two essential collections.

So many takes, so little time. That's why we have the FREESTYLE portion of each SURFACE NOISE production. This go-round we tackle some top-tier flute players (really), did Vinyl Me Please flub up the latest rock release for their members (sold out?), more QC messes in the hobby, and maybe even some talk of being mezmerized by Herbie Mann's luscious chest sweater. It's what your mama warned you about, the latest SURFACE NOISE + FREESTYLE! For more information on host Concert Buddie: https://www.youtube.com/@ConcertBuddie   For more information on David Bianco (Safe & Sound Texas Audio Excursion): https://www.youtube.com/@SafeAndSoundTXAudioExcursion   For more information on Jason Roxas: https://www.youtube.com/@JasonRoxas   For more information on Louie Golden: https://www.youtube.com/@louiegolden   For more information on Jazz Bum Felipe and Jazz Bum Chris (Jazz Bums): https://www.youtube.com/@JazzBums Jazz Bums Discord: discord.gg/yy4n2x8UnZ   For more information on Wyoming Dave: https://www.youtube.com/@Wyoming_Dave   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com/

The Vinyl Me, Please record club marked its 10th anniversary this year and now boasts more than 30,000 members. As senior director of music and editorial, Andrew Winistorfer chooses many of the Records of the Month and exclusive store drops. A passionate music fan himself, he has developed keen insights into the psyche of obsessive vinyl buyers (raising my hand) as well as the business of licensing music from labels and getting albums mastered and pressed to the club's standards. How does VMP select its “Lost Sounds Found” and less obscure albums? Where did it get the gumption to try to top Mobile Fidelity with its Miles Davis box? What factors drive album pricing? How much does FOMO drive sales? Vinyl fanatics, this one's for you.

New treat for you Buddies on this latest 'sode of Vinyl Community Podcasts. On our 100th episode of VCP, we feature a conversation taking us behind the music: specifically, I'm speaking with Cicely Balston of AIR Studios in London. Earlier this year Cicely was awarded the 2023 Music Producer's Guild "Mastering Engineer of The Year" honor - and for good reason! With over a decade in the field, she began to develop her trade back in 2013 at Gearbox Records, an all-analog shop known for cutting on a vintage Skully lathe. She moved on to AIR Studios in 2016, with a detour at Alchemy Mastering (later acquired by AIR) in between her return to Sir George Martin's enterprise in 2020. She's been involved in some terrific releases of late courtesy of Vinyl Me Please, including the exciting recent release of Chalino Sanchez' "15 Exitos 15". She's been part of working on projects from artists like David Bowie, to Young MC, Busta Rhymes, Witch Fever, Sun Ra and a litany of artists across many genres and styles. We touch on that, as well as navigating mastering from digital files and analog both for today's hungry vinyl consumers. As the "vinyl resurgence" continues to go full speed ahead, the mastering side of things is in great hands with Cicely and other mastering engineers taking the baton from their predecessors. This episode has it all: science, music, laughs, and some name dropping (mostly by me). Let's jump into this terrific conversation now on Vinyl Community Podcasts!   For more information on host Concert Buddie: https://www.youtube.com/@ConcertBuddie   For more information on guest Cicely Balston c/o AIR Mastering (London): https://www.airstudios.com/cicely-balston/   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com/  

Welcome back to this latest installment of Vinyl Community Podcasts! On this trip around the turntable, Souldisco (Nadine) hosts a fun and insightful conversation about Vinyl Me, Please - the U.S. subscription vinyl service and independent record label. Founded in 2013 by Cameron Schaefer, VMP was initially established as a record of the month club, offering curated vinyl selections delivered straight to the doorsteps of it's members. Since then, it has evolved into a comprehensive music platform, encompassing record releases, online content, and an active community of music lovers. Vinyl Me, Please has carved out a niche in the music industry by combining the joy of vinyl collecting with a curated listening experience and a vibrant community. It's dedication to quality curation, attention to detail in packaging and presentation, and commitment to supporting artists have endeared the label to vinyl enthusiasts around the world. By bridging the gap between past and present, mainstream and obscure, Vinyl Me, Please continues to play a significant role in preserving the art and appreciation of vinyl records while championing the power of music discovery. Joining in this conversation is Sr. Manager of Customer Care at VMP Paul Bass (or Paulium for VMP members in the know) to share details from the perspective of a longtime employee of VMP. Rounding out the panel is Rocco (Pieces of Vinyl) - a fervent VMP champion, and Michael 45 - a longtime customer of VMP who frequently reviews the latest and greatest products offered by VMP on his influential YouTube channel. We hope you enjoy this presentation, and thank you for listening to Vinyl Community Podcasts!   For more information on host Souldisco (Nadine): https://www.youtube.com/@Souldisco   For more information on Pieces of Vinyl (Rocco): https://www.youtube.com/@PiecesofVinyl   For more information on Michael 45:  https://www.youtube.com/@Michael45RPM   For more information about Vinyl Me, Please: https://www.vinylmeplease.com/   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com/  

On this episode, The Soul Qurators crew have their first guest: DJ Foundection. They discuss his vinyl collection, what would his 'day 3' festival lineup be, how the music in the United Kingdom is some of his favorite, and more. They collectively shared what albums and new songs they're up on as well. Follow DJ FoundACEtion to check out his mix shows and his vinyl collection HERE! Enjoy the show!************Check out the playlist link to hear the songs discussed in this and future episodes: https://spoti.fi/41RXNteAlso, swing by this link to purchase The Soul Qurators merch and follow each hosts individually and collectively: https://linktr.ee/thesoulquratorsFull video: https://youtu.be/Z_HBcStBm24 Produced (audio and video) by The MPN Network. 

Great to be back, Buddies! Thanks for tuning in to this latest 'sode of Vinyl Community Podcasts and the series "Mind of The Record Collector". For this latest trip around the turntable I'm joined by fellow record collector Rocco Richardson, host of the YouTube Channel "Pieces of Vinyl". Rocco has done an OUTSTANDING job of launching his channel and providing his audience with not only terrific vinyl news, tips, and music variety, but his production value is second to none - arguably the best out there. Though this conversation I learned there is a distinct reason behind that, and we explore his 15 month+ journey so far in the trenches of the YouTube algorithm and Vinyl Community at large. We learn about Rocco's own collecting journey, including where his wide palate of taste in music comes from, and we touch on a new opportunity that has presented itself here recently for Rocco to collaborate with the subscription service Vinyl Me Please. Big doings, Buddies! All this and more coming up on this latest conversation on Vinyl Community Podcasts! Thanks for joining us!   For more on host Concert Buddie: https://www.youtube.com/@ConcertBuddie For more on guest Rocco (Pieces of Vinyl): https://www.youtube.com/@PiecesofVinyl https://roccorichardson.com/     For more on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com/  

Welcome to the first episode of the brand new community radio podcast from Vinyl Me, Please, Lost Sounds Radio. We're celebrating our 10th Anniversary this year, and whether you're a brand new member or a seasoned member of #TeamNoSwap, we realize that we have a lot going on, and maybe we're not the easiest company to understand all the ins and outs of. We hope that this podcast allows you to hear what's happening at VMP from our staff's mouths to your ears, and make sure you don't miss anything that we're up to.  This first episode is devoted to telling you how VMP works, how we pick the records we feature each month, why we pick what we pick, and how we make sure to pair you with a record you love each and every month. Hear directly from VMP's staff about all the cool things we do to make listening to music together possible, from our Store and Anthologies, to our Rising program and our OnRotation playlist. Also, hear about our album of the episode, and get a special deal for listening to this podcast.  Have a question you'd like us to answer? Call the Lost Sounds Radio hotline at 424-3ASKVMP (‪(424) 327-5867‬).  Executive produced and hosted by Cydney Berlinger and Andrew Winistorfer Edited by Cydney Berlinger Our theme song is "Lo and Beholden" by Jade Vases from the album The Very Best of Jade Vases.  

Welcome back to another episode of Vinyl Community Podcasts! This spin on the dance floor sees our friend Nadine c/o Souldisco return to our airwaves to share a splendid conversation with Jared "Jay B" Boyd on the recent boxset reissue effort from Vinyl Me, Please titled: "Truth Is Where It's At -- A Gospel Truth Collection". The Gospel Truth Label (aka Stax Records Gospel Label), was an imprint of the famous Stax Records label from Memphis, Tennessee. The Gospel Truth series debut in 1972 and produced over 20 albums until 1978, featuring some of the biggest names in Gospel music: The Rance Allen Group, The Staple Singers, The Soul Stirrers, The Pilgrim Jubilees, and The Mighty Clouds of Joy. These albums featured a wide range of Gospel music styles including traditional Gospel, contemporary Christian music, and Soul Gospel.  The Gospel Truth series was known for its high-quality production and arrangements, with some of the most talented musicians and producers in the industry working on the albums. Lauded for it's powerful and uplifting messages, this series featured songs + albums touching on themes of faith, hope, and love. Although Stax Gospel and The Gospel Truth series had a relatively short lifespan, they made a significant impact on the Gospel music industry and helped to popularize Gospel music outside of the church. The legacy of Stax Gospel and The Gospel Truth series lives on, with their influence felt in the music of contemporary Gospel artists and the continued popularity of Gospel music worldwide. Jay B authored the special 20-page Listening Notes booklet included in this boxset. Limited to 1,000 numbered copies, the box set includes 6LPs on 180g black vinyl, with AAA lacquers cut from the original tapes by Ryan K. Smith of Sterling Sound. We trust you'll find this conversation informative, interesting, and fun! Thanks again for joining us on another episode of Vinyl Community Podcasts!   For more information on host Nadine @Souldisco: https://www.youtube.com/@Souldisco   For more information on the Gospel Truth VMP Boxset: https://www.vinylmeplease.com/products/truth-is-where-its-at-a-gospel-truth-collection?variant=40058905821274   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com/    

Aloha Buddies! Thanks for joining us again here on Vinyl Community Podcasts! This episode features a conversation with Jason Roxas, Jose Moreno Rahn, and Arnaldo (Fidelios Frequency) where we discussed a number of trending topics in record collecting inside the vinyl community: the recent Bob Marley reissue campaign from Tuff Gong and their (alleged) Jamaican pressing plant, the deluxe 50th Anniversary box set of Pink Floyd's "Dark Side of the Moon" - complete with the 1974 Wembley Empire Pool performance in London (also sold separately) - and the long rumored announcement from Vinyl Me Please of the Miles Davis: The Electric Years box set. Did any of our guests pick up these releases? Pass on purpose? Or slowly placing themselves on vinyl diets prior to Record Store Day? Plus a special guest drops in to give their thoughts on all of the above....find out who and more on this episode of Vinyl Community Podcasts!   For more information on RiverBend Records + the Monday Livestreams: https://www.facebook.com/RiverBendRecordsOfficial     More information on Concert Buddie: https://www.youtube.com/@ConcertBuddie More information on Jason Roxas: https://www.youtube.com/@JasonRoxas More information on Jose Moreno Rahn: https://www.youtube.com/@josemorenorahn9628 More information on Arnaldo at Fidelios_Frequency: https://www.youtube.com/@fidelios_frequency   And more information about Vinyl Community Podcasts: https://vinylcommunitypodcasts.com/  

Episode 117: One of our favorite guests, music industry exec Adam Block, returns to the Steering Committee with tales of lifted Vanagons, Taylor Swift, “audio patina” and…Enron? @vinylmeplease | www.vinylmeplease.com If you haven't already, please take a moment to subscribe to, rate and review the Steering Committee on Spotify, Apple Podcasts and everywhere else you listen to podcasts. And follow us on Instagram at @ryanbahrke and @thesteeringcommitteepodcast. And be sure to check out our Spotify playlist with all our opening songs: https://open.spotify.com/playlist/0jeI1AhIbcOdUpxebSP5VO Swisstrax.com currently advertises all products at an everyday low price of 15% off MSRP. Use our code STEER5 for an additional 5% off! We love RiNo Sign Works: @rinosignworks and rinosignworks.com. And for badass Belgian brews, visit OG TSC sponsor Bruz Beers at bruzbeers.com. goodr sunglasses: use the code STEERING15 for 15% off your first order at goodr.com.

We had the pleasure of interviewing WILSN over Zoom video!Australian vocal powerhouse WILSN is thrilled to announce her debut album, Those Days Are Over, out February 3 on Ivy League Records/Universal MusicAustralia (Rolling Blackouts C. F., Hatchie). She also revealed a US headline tour (dates below), following her run with Allen Stone. A fusion of pop, soul, Motown and jazz both classic yet contemporary, WILSN's unbelievable voice & honeyed sound on the record are showcased on single & video debuted today on Under the Radar – “Hurts So Bad” featuring Josh Teskey, lead singer of award-winning Melbourne blues-rock band The Teskey Brothers (even Chris Hemsworth is a fan). Built from a trumpet melody by friend & acclaimed horn player Billy Aukstik (Mark Ronson, Erykah Badu, Sharon Jones, Charles Bradley), the heart-wrenching break-up song is accompanied by a video from Triana Hernandez, where the masterful performers are in full flight. “Right before Covid hit, I toured through Europe and the UK with The Teskey Brothers,” WILSN explains. “I was already a fan before this but seeing their show every night and occasionally getting up to sing with them in their set really solidified my love for the band. Josh is one of my favourite singers in the world and I feel super lucky he's singing with me on my debut record.”Studying at Melbourne, Australia's prestigious Victorian College of the Arts and playing shows there, WILSN – real name Shannon Busch - was soon noticed by international publishing juggernaut Pulse Music Group (Kehlani, Yebba) / Native Tongue (Courtney Barnett, Aldous Harding) - even going on to play the Melbourne Grand Prix. She briefly moved to Nashville to work with GRAMMY-winning writers, which helped hone her craft for this full album.The influence of soul and powerhouse vocal divas loom large over her debut album, Those Days Are Over. Songs like “If You Wanna Love Me,” “Tell Me” and “Hurts So Bad” ooze with the sound, feel and all the emotion of classic soul. Yet while the album is steeped in the sounds of yesterday, WILSN and her partner and producer Stephen Charles (Blessed, Tyne James Organ) took care to balance those classic elements with modern production techniques, leaning on Charles' background in hip hop production to amplify the grooves, dialing up the bottom end and keeping a modern excitement in the mix to make sure the record stood up sonically to contemporary releases. The result is a masterful work, at once timeless and of the now. The album will also be on Apple Music Spatial Audio and vinyl via Vinyl Me Please.We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #WILSN #TheTeskeyBrothers #ThoseDaysAreOver #NewMusic #zoomListen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

Join us as we go through details about various different Vinyl Subscription services. From ones we have used personally or that we know people who have.We go through services like Vinyl Me Please, Third Man Vault, Gimme Metal and more!Podcast Social LinksInstagramFacebookYouTubenoiseavocation@gmail.comRyan InstagramJeremy Instagram

Matt Fiedler is the co-founder and former CEO of record-of-the-month club Vinyl Me, Please (VMP). Since launching VMP in 2013, Matt successfully took the business from a passion project to a globally recognized brand in more than 40 countries around the world. During his tenure as CEO, VMP was named to Fast Company's Most Innovative Companies list, and was twice listed to the Inc. 5000. While he remains Chairman of VMP, Matt also serves as an advisor to several early stage companies. In this EP, we talk about the early days of VMP, its impressive growth trajectory, leadership lessons learned through COVID, the process of letting go as CEO, Matt's favourite records he can't live without, and more Learn more about your ad choices. Visit megaphone.fm/adchoices

It's that sneaky second gifting season of the year (dads, grads, retirements, anniversaries…you get it!), and we're here to answer your calls for help. Ooh, speaking of calls: Want to leave us a voicemail at 833-632-5463 and share any thoughts/feelings that demand our podcasting attention?   If it's time to gift someone a watch: Max Bill for Junghans and Baume & Mercier Classima are classics and about $1k. Uniform Wares has minimalist vibes and top out around $500. Check out Fewer Finer for some vintage options! We also recommend looking into a sporty/casual vintage watch from Casio or Seiko—Foundwell and eBay are great places to explore (this one, this one!). Also: Swatch does custom. If you're looking for a watch for a little, Flik Flak's still got it (see: their recent Hodinkee collaboration), and Parchie and Mini Kyomo are cute for kids, too. For true watch experts, turn to Hodinkee and Dimepiece.   For men turning 40 whose watch taste is too $$$: We love the idea of a signet ring, and Kathryn Bentley does great ones. We also recommend a record player (and personally endorse Plus Audio and Technics by Panasonic Direct Drive Player System via eBay). To add to the record collection, maybe gift a subscription to Vinyl Me Please or round-up albums that came out during their birth year. Related gift: fancy speakers like the ones by Oda. Nice luggage is also a good call—we love Want Les Essentiels, Porter-Yoshida, and classics like Rimowa, Tumi, and Calpak. For hobby gifts, how about a surfboard, a film camera from Photodom, ceramics classes (s/o to Artshack near us!), or pickleball gear from Recess or Nettie (on the topic of pickleball, this New York mag profile of Connor Pardoe). Last but not least, NORMALIZE GIVING MEN FLOWERS!    For retirement gifts: Ask close coworkers to participate in something personal—maybe use Tribute or Padlet or go old-school and collect pictures and letters to make a scrapbook. We also love Storyworth! Or how's about helping them get oriented with a new hobby: For the dad in our VM, maybe a Backroads Bike Tour or a Bianchi bike (find them and other snazzy bikes used on Bike Exchange). There's also personal training: For a virtual option, check out Future (a good review).    When someone's having a baby but not their first one: Set the parent up with a massage (maybe an at-home one through Zeel) or food delivery from Ipsa, Three Owls, or The Culinistas. Treat them to a robe, slippers, a weighted blanket from Bearaby, or a bed tray (Chairish and 1stdibs for cool vintage ones and West Elm, and Offi for new ones) Or: Get something to keep the sibling busy! Non-messy craft projects like needlepoint/sewing kits (love Unwind Studio and LittleExplorersPlay) or a subscription to The Picture Book Club. For the new baby, what about a not-hand-me-down, home-from-the-hospital look from Makie or Lewis? Or something keepsake that second (and third and fourth) kids tend to get less of like a handknit blankie or a puzzle name stool from Damhorst Toys.   What to maybe, possibly ask for when you move into a new home: A return-address stamp from Paper Source or custom house numbers from House Number Lab or Casson. Outdoor stuff can be pricier than expected, so ask for plants from Fast Growing Trees, Plant Gem, and David Austin Roses, a local-nursery gift card, or gardening tools from The Floral Society or Terrain. What about a Solo Stove or a Barebones Living Portable 30" Fire Pit? Or a grill! We like the Weber Spirit II E-210 LP and the Lodge Sportsman's Pro Cast Iron Grill. Get into composting with an indoor bin from Bamboozle. Entertaining stuff is a good call—think an Insalata Serving Bowl or platters from Conran Shop, Bitossi Home, Christian Lacroix, Farmhouse Pottery, vintage spongeware from The Six Bells, and vintage Limoges on Etsy. Ooh, and framing, c/o your local frame shop or Framebridge! Finally, stools: Artek, TipToe, Bed Bath & Beyond, Metal Lab, and ChezRai ones specifically. For other relevant recs, check out our Secret Menu wedding-registry guide. Share your gift ideas or quandries with us at ​​833-632-5463, podcast@athingortwohq.com, or @athingortwohq. For many more recommendations, try out a Secret Menu membership.   Produced by Dear Media

Welcome to another episode of #RealTalk The Podcast, I'm your host, Marc-Anthony (IG:iammarcanthony) On this episode: Selena Gomez launches a mental health campaign with @RareBeauty. Live Nation announces $25 “ALL IN” tickets (a must if you love live music). Post Malone new album alert!!! (finally?) Bad Bunny's major movie announcement (Latino takeover). Vinyl Me Please is opening an “audiophile-grade” vinyl record pressing plant (Vinyl headz unite!) Mathematicians suggest the 37% rule for the biggest decisions in life (ya'll think this is a legit way to move?) Brands that will no longer work with influencers who digitally alter their images (UK leading the way, per usual). Thank you so much for hanging out today on #RealTalk The Podcast - I love you all! Your support means so much! Please like/subscribe/share!! It would mean the world to me! You can find all of the music in this episode on my Spotify Playlist (#RealTalk The Podcast Playlist), here (Link): https://open.spotify.com/playlist/14NYteifVV7xghoXlMsAYL?si=a699c23b4b8a42c6 Connect with me on social: IG: @iammarcanthony Twitter: @RealMarcAnthony Link to Apple Podcasts: https://podcasts.apple.com/us/podcast/real-talk-w-marc-anthony/id1598840494 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

What If… There are More People Like Us? Matt Fiedler (founder of Vinyl Me, Please) studied Entrepreneurship + Music Business before graduating Belmont University in 2011. Since launching VMP in 2012, the business has grown to serve over 200k+ customers in 40+ countries. In today's episode we talk about growth challenges, keeping your sense of self, consumer behavior, and more! SHOUTOUT of the week: Sam Walker (Music Business, 2014) is the co-founder of Walker Brothers Kombucha. Using a SCOBY inherited from their aunt, the brothers began to brew kombucha, eventually creating the light, refreshing, and probiotic-filled kombucha we enjoy today! DrinkWalkerBrothers.com What If… is produced by Old Soul. Music by Stephen Gordon. Learn more about us by visiting our website: belmontetp.com YouTube: @Belmont Entrepreneurs  Facebook:BelmontCenterforEntrepreneurship Instagram: @belmont.etp

I like watching sports, but I don't have the dedication to be a diehard fan. To be a fan–especially a body-painting, tailgating kind of fan–you have love any player who joins the team or forgive constant losing and that ain't my bag. There's a lot of shit within sports fandoms I don't understand, so I asked Josh Terry help break down what goes on behind the face paint.    Indulgence Nichole recommends Queens of Mystery, available online via AcornTV!   Guest Chicago-based writer Josh Terry has covered music and culture for a number of publications since 2012. His writing has been featured in VICE, Rolling Stone, Billboard, Vinyl Me Please, Chicago Magazine, The A.V. Club and others. He's also an avid sports fan and tweets about that more than his writing at @Joshhterry.   Sponsors - Munk Pack, which is offering 20% off your purchase at munkpack.com with code thisisgood - BetaBrand, where you can get 30% off when you go to Betabrand.com/THISISGOOD - Best Women's Erotica of the Year Volume 7, edited by Rachel Kramer Bussel, is out now in print, ebook and audiobook, wherever you buy books.   Find Us Online - Twitter: @ThisIsGoodPod - Instagram: @ThisIsGoodPod - Merch: thisisgoodpod.com/merch - Patreon: thisisgoodpod.com/patreon - Nichole: @tnwhiskeywoman - Multitude: @MultitudeShows - Email: thisisgoodpod@gmail.com   Production - Producer: Eric Silver - Editor: Mischa Stanton - Executive Producers: Amanda McLoughlin and Nichole Perkins - Theme Music: Donwill - Artwork: Jessica E. Boyd   About The Show Nichole Perkins wants people to stop feeling bad about feeling good, and This Is Good For You lets you know you are never alone in what you like. Every episode, Nichole explores something that people love—whether it's needlepoint, watching bad movies with friends, or cowgirl exercise classes—and asks experts and devotee why it makes them happy. She ends each show with an Indulgence: a recommendation listeners can enjoy with no remorse. There's no such thing as a guilty pleasure when you learn to love it freely! To find out what's good for you, listen to new episodes every other Friday.

As Broadcast @ www.totallywiredradio.com on Tuesday 29.06.2021 Hour One with Ket Shah 01. Paul Giess - Immortal Love (Ropeadope 2021) 02. Scrimshire ft. Nat Birchall & Faye Houston - I Hear You, I See You (Alberts Favourites 2021) 03. David Walters - Baby Go (Synapson Remix) (Heavenly Sweetness 2021) 04. Citronade (A Martin Denev Project) - Pink Honda (Issamin 2021) 05. Jordan Rakei - Family (Ninja Tune 2021) 06. Ego Ella May - Tonight I'm Drowning (Upperroom 2021) 07. Symphani Soto - Try (Bizzare Boi 2021) 08. Rasmus Faber ft David Harks - Never Enough (Paper Wave 2021) 09. Amazin' Five - Only With You (Tramp 2021) 10. John Carroll Kirby - Sensing Not Seeing (Stone's Throw 2021) 11. Raytube Collective - Ly (Miraloop 2021) 12. Zepherin Saint ft Miranda Nicole - Shine (Tribe 2021) 13. Dr Robert Blackman - Master Of Wood ( Marcel Vogel Edit ) (Re-Warm 2021) 14. Mark Knight & Micheal Gray ft. Gia - Love Is All We’re Living For (Toolroom 2021) Hour Two with Alan Kenny Arscott (DJ A.K.A) 01. BunnDebrettQuintet - Isolation (BDQ Recs 2021) 02. Leo Almunia - Loveblind (Claremont 56 2021) 03. Ellen McIllwaine - Lovers Lane (United Artists 1978) 04. Ellen McIllwaine - Wings Of A Horse (Polydor 1972) 05. Ellen McIllwaine - Never Tell Your Mother She's Out Of Tune (Polydor 1973) 06. Ellen Mcilwaine & Yukihiro Fukutomi - Born Under A Bad Sign (Routine Jazz 2001) 07. SAULT - Alcohol (Forever Living Originals 2021) 08. Leon Ware Ft. Minnie Riperton - Instant Love (Gordy 1976/Vinyl Me Please 2021) 09. Jeb Loy Nichols With Cold Diamond & Mink - Not There Yet (Timmion Recs 2021) 10. Lamont Butler - Ungodly War (Al Kents Heavenly Edit) (Miles Away 2021) 11. Karriem - I Love You ( Pashlo Recs 1979/Numero 2021) 12. Rich Medina, Brutha Basil, Kelvin Sylvester - Worldwide (The Conversation) (Brukel Music 2021)

Now that you have launched your subscription model, it’s time to operationalize your business. For this, you will need a real team, systems to support your processes, and metrics to let you know how the business is doing. This episode’s guest, Matt Fiedler, is the co-founder and chairman at Vinyl Me, Please, a record of the month club and online record store. After launching in 2013, Matt successfully scaled VMP to more than $15M in revenue, while establishing the brand as one of the largest DTC vinyl retailers, and one of the most admired and respected brands in music. Joining Robbie Kellman Baxter on the show, Matt shares how he scaled VMP from a labor of love for a few fellow music fans to a multimillion-dollar business, how he operationalized the business without losing the personal touch, and how he recognized when the time was right to step back as founder. Love the show? Subscribe, rate, review, and share! Here’s How » Join the Subscription Stories Community today: robbiekellmanbaxter.com Twitter Facebook

Chase is a partner in Boundless Labs — a top ecommerce email marketing agency. Since launching Boundless Labs in June of 2018, he has helped our clients send hundreds of millions of emails resulting in over $50 million in email. A few of his clients include: The Chive, IBEX, Original Grain, TUSHY and Vinyl Me Please. Chase's Newsletter: https://chasedimond.com/chase-email-newsletter Email Marketing Course: https://gumroad.com/l/chasedimond

Driving company growth is more than just the bottom line. Many companies on the Inc 5000 are mission-driven. These leaders know the mission is important. Today's guest is Matt Fielder, CEO at Vinyl Me, Please. Inc Magazine ranked Vinyl Me, Please #342 on the 2020 Inc 5000 list. This company made the Inc 5000 for the last two consecutive years. Matt and I discuss why the mission is important and how it affects the growth of the business. He shares insights about his purpose that will help you with your mission-driven business. Join us today in our conversation about why the mission is important. Get the show notes for Mission is Important to Every Business and Drives Growth with Matthew Fiedler at Vinyl Me, Please Click to Tweet: Listening to an amazing episode on Growth Think Tank featuring Matthew Fiedler at Vinyl Me, Please with me your @GeneHammett http://bit.ly/gttMatthewFiedler  #MissionisImportant #Leadership #Culture #GHepisode657 #GTTepisodes #Podcasts Give Growth Think Tank a review on iTunes!

Once OutKast got its 5-mic review in The Source, what else was left to do? As Jah put it, the resulting sound wasn't Organized Noize — it was disorganized, to its biggest mainstream successes yet. We look back at how 20 years ago, Stankonia fundamentally changed our ideas of what the South had to say. Read Yoh's "Stankonia: The OutKast Album That Defies Reality," on Vinyl Me Please: http://magazine.vinylmeplease.com/magazine/outkast-stankonia-yoh-liner-notes/ Support for Sum'n to Say comes from: https://www.patreon.com/sumntosay

Our podcast is one year old! We talk about Vinyl Me Please, records Hartley found at a garage sale and Ford's most recent pick ups. 

Once again I am joined by Dylan Medina and Torrance T Money Bragg. We talk about Vinyl Me Please, overseas reissues, and our favorite hip hop soundtracks. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

E30: Matt Fiedler - CEO & Co-Founder of Vinyl Me, Please by Canvas Credit Union

David Gamson is a Grammy-nominated keyboardist, musician, producer, songwriter, arranger, and engineer. Originally hailing from New York, he has worked with an impressive list of artists, including Kesha, Kelly Clarkson, Jessie J, Adam Lambert, Chaka Khan, Charli XCX, Meshell Ndegeocello, Green Gartside (Scritti Politti), Sheila E., George Benson, Luther Vandross, Donny Osmond, Miles Davis, Al Jarreau, Tony LeMans, Roger Troutman and Eden XO. He is best known for his distinctive synthesizer work and arrangements as a member of the popular 1980s pop band Scritti Politti for three of their albums. Gamson co-produced, co-wrote and arranged most of the songs on three of the band's albums, which include Cupid & Psyche 85 (1985), Provision (1988), and Anomie & Bonhomie (1999).A column in Vinyl Me Please describes his work as “fast-paced and packed with techniques known for accomplishing clear sonic pronunciation... It avoids melodic stasis by hurdling between distant keys, shifting between the verses and choruses.”

Episode #77: With more and more music flooding the internet, artists, labels, and entrepreneurs are looking for new ways to engage fans. Many look to a subscription model as a way to provide listeners with a unique, niche experience. On this episode we hear from Patreon's Jack Conte, Vinyl Me, Please founder Matthew Fiedler, Kevin Duquette (Topshelf Records) and Karl Hofstetter (Joyful Noise Recordings). Subscribe to The Future of What on iTunes: http://apple.co/1P4Apk0 Follow us: Twitter: http://bit.ly/2gOYMYM Facebook: https://www.facebook.com/thefutureofwhat/