Podcasts about Pritzker Architecture Prize

Zaha Hadid (1950-2016) was an Iraqi-born British architect known for her radical deconstructivist designs. Her fantastical and fluid style challenged architectural conventions and was the source of much controversy. In 2004 she became the first woman to be awarded the Pritzker Architecture Prize and is remembered as a giant in the field for pushing boundaries in design. For Further Reading: Zaha Hadid Profile Zaha Hadid: 'I don't make nice little buildings' Zaha Hadid: queen of the curve Zaha Hadid’s 17 Most Striking Buildings Building Zaha Hadid’s Bold Afterlife This month, we’re talking about Architects. These women held fast to their visions for better futures, found potential in negative space, and built their creations from the ground up. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

“Today, architecture is tasked with doing more and more than in the past. More than ever before, architecture and design are necessary if we are to propose real alternatives for the global challenges we face. Gone are the days of the lone hero, or architect as artist, or a one-dimensional professional. Those involved in architecture, landscape architecture, and urbanism must understand and respond to complex issues and ever-increasing challenges.” These words come from Martha Thorne, who has spent many years of her professional career organising, awarding and judging architectural prizes, and who remains fascinated by the awards, their mission, how they work and their impact. From 2005 to 2021, she was the Executive Director of the Pritzker Architecture Prize, also known as the "Nobel Prize for Architecture", and is currently Senior Advisor to the Henrik F. Obel Foundation, which presents the OBEL AWARD. In today's podcast, we talk to Martha Thorne about what is special about this award and where we still need to rethink.

As president Trump sets out his second-term vision before Congress, we hear from Kyiv, Paris and Hong Kong on how the world is responding to the White House’s pivots in defence and economics. Plus: how the UK is marking the bicentennial of modern railways and who won this year’s Pritzker Architecture Prize?See omnystudio.com/listener for privacy information.

In this talk, Riken Yamamoto, 2024 Pritzker Architecture Prize laureate, will explore the transformative power of architecture in shaping communities. He will discuss key themes such as sustainability, intergenerational living, human-centered design, and the integration of public and private spaces. Drawing from his diverse portfolio, Yamamoto will examine how architecture can address societal challenges like aging populations and disaster recovery while fostering cultural identity and community engagement. Highlighting innovative projects in education, public spaces, and housing, Yamamoto will share his vision of architecture as a tool for positive, lasting societal change. Speaker Riken Yamamoto, Founder & Principal Architect of Riken Yamamoto & Field Shop, Recipient of the 2024 Pritzker Architecture Prize In collaboration with Abu Dhabi Music and Arts Foundation

We head to a viewing party in Virginia to assess Super Tuesday's results with Simon Marks. Plus: Why the Philippines is worried about Asean's stance on China, an interview with the head of the Munich Security Conference and the Pritzker Architecture Prize goes to Riken Yamamoto. See omnystudio.com/listener for privacy information.

建築家の山本理顕氏、２０１１年５月、東京【ニューヨーク時事】米ハイアット財団は５日、「建築界のノーベル賞」と呼ばれる２０２４年のプリツカー賞を建築家の山本理顕氏に授与すると発表した。 Japan's Riken Yamamoto will receive the 2024 Pritzker Architecture Prize, the U.S. Hyatt Foundation said Tuesday.

建築家の山本理顕氏、２０１１年５月、東京【ニューヨーク時事】米ハイアット財団は５日、「建築界のノーベル賞」と呼ばれる２０２４年のプリツカー賞を建築家の山本理顕氏に授与すると発表した。 Japan's Riken Yamamoto will receive the 2024 Pritzker Architecture Prize, the U.S. Hyatt Foundation said Tuesday.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.Artwork: Beneath the Ice, Mia Funk

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.Artwork: Beneath the Ice, Mia Funk

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.Artwork: Beneath the Ice, Mia Funk

Listen to Part 3 of this Special Series with music courtesy of composer Max Richter.All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:PAULA PINHO, Director of Just Transition at the European Commission Directorate-General for EnergyPIA MANCINI, Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation, YGL World Economic ForumJENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign MinistryWALTER STAHEL, Architect, Economist, Founding Father of Circular Economy, Founder-Director, Product-Life InstituteMERLIN SHELDRAKE, Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures, Winner of the Wainwright Prize 2021RON GONEN, Founder & CEO of Closed Loop Partners, Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYCMANUELA LUCÁ-DAZIO, Executive Director, Pritzker Architecture Prize, Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.NICHOLAS ROYLE, Co-author of "An Introduction to Literature, Criticism and Theory”, Author of “Mother: A Memoir”MARK BURGMAN, Director, Centre for Environmental Policy, Imperial College London, Editor-in-Chief, Conservation BiologyMIKE DAVIS, CEO of Global WitnessJAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" PodcastBRITT WRAY, Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford UniversityRICHARD VEVERS, Founder & CEO of The Ocean AgencyARMOND COHEN, Executive Director of Clean Air Task ForceBILL HARE, Founder & CEO of Climate Analytics, Physicist, Climate ScientistDAVID PALUMBO-LIU, Activist, Professor & Author of “Speaking Out of Place: Getting Our Political Voices Back”, Host of Speaking out of Place PodcastIBRAHIM ALHUSSEINI, Founder & CEO of FullCycle Fund GAIA VINCE, Science Writer, Broadcaster & Author of “Transcendence” & “Adventures in the Anthropocene”INGRID NEWKIRK, Founder & President of PETA - People for the Ethical Treatment of Animalswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastwww.maxrichtermusic.comhttps://studiorichtermahr.comMax Richter's music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.Artwork: Beneath the Ice, Mia Funk

Tune in to a a special a special conversation with engineers and makers as they reflect on the film, Frei Otto: Spanning the Future, a documentary about the incredible life and work of Frei Otto. As an architect and engineer, he laid the foundation for contemporary lightweight architecture and his ideas are still awe-inspiring decades after he revealed them. This fact was cemented when he was named the 2015 Laureate of the Pritzker Architecture Prize.

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“I think history and tradition are super important, and this is the point because each generation is sort of translating to the next one. There is almost never a gap. So each generation is in a way interpreting and hopefully also adding something to what is transmitted and continued. And so this is why I think the younger generations now have tools that we didn't have at their age. They are probably able to interpret. And now we go back to the whole discussion about the necessity for sustainability and attention to social and environmental injustice. They probably have a vision or perspectives that we don't have. So in a way, in this transmission, we should be able to learn from them too.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think history and tradition are super important, and this is the point because each generation is sort of translating to the next one. There is almost never a gap. So each generation is in a way interpreting and hopefully also adding something to what is transmitted and continued. And so this is why I think the younger generations now have tools that we didn't have at their age. They are probably able to interpret. And now we go back to the whole discussion about the necessity for sustainability and attention to social and environmental injustice. They probably have a vision or perspectives that we don't have. So in a way, in this transmission, we should be able to learn from them too.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credits: Anselm Kiefer, Sylviane Sarfatiwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“So for me being born in a place like Naples helped me absorb and to be constantly open and curious about other cultures, simply because they were part of my own culture. So it's a challenging city, I must say. And it's incredible how you more easily communicate with other people when you are in a place that you feel is a public place, but it belongs to you. It belongs to everyone. It's a space for the community. So this was the first lesson that I learned studying architecture because then you start to read the places in a more organized, scientific way. And I think maybe this dimension passed into my DNA.So from my point of view, a prize is not just to establish the most beautiful building, the most expensive building, or the tallest building in the world. It's rather to foster the discussion to bring forward critical points to be discussed. To bring forward contradictions, to really enhance the discussion about what is relevant for our society or for society in a specific moment.So this, for me, is the role of a prize, to highlight critical issues and to foster the discussion, to face them, and to find solutions, to find new paths. So in the case of the Pritzker Prize, the mission has been very clear since the very beginning. So it's to acknowledge a living architect or architects for a body of built work that has produced a consistent and significant contribution to humanity and to the built environment through the art of architecture.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“So for me being born in a place like Naples helped me absorb and to be constantly open and curious about other cultures, simply because they were part of my own culture. So it's a challenging city, I must say. And it's incredible how you more easily communicate with other people when you are in a place that you feel is a public place, but it belongs to you. It belongs to everyone. It's a space for the community. So this was the first lesson that I learned studying architecture because then you start to read the places in a more organized, scientific way. And I think maybe this dimension passed into my DNA.So from my point of view, a prize is not just to establish the most beautiful building, the most expensive building, or the tallest building in the world. It's rather to foster the discussion to bring forward critical points to be discussed. To bring forward contradictions, to really enhance the discussion about what is relevant for our society or for society in a specific moment.So this, for me, is the role of a prize, to highlight critical issues and to foster the discussion, to face them, and to find solutions, to find new paths. So in the case of the Pritzker Prize, the mission has been very clear since the very beginning. So it's to acknowledge a living architect or architects for a body of built work that has produced a consistent and significant contribution to humanity and to the built environment through the art of architecture.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.We are living in a world that is extremely complex and complicated. So our lives have been halted, regardless of any geography, as a result of growing inequality (political, social, economical), and so on. We live now in a moment of deep shift. And I think that decolonization, decarbonization, social and environmental injustice, and gender equity, these are all terms that belong to daily vocabulary now. So we have to face and address these issues from both a personal and professional point of view, whatever our profession is.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.We are living in a world that is extremely complex and complicated. So our lives have been halted, regardless of any geography, as a result of growing inequality (political, social, economical), and so on. We live now in a moment of deep shift. And I think that decolonization, decarbonization, social and environmental injustice, and gender equity, these are all terms that belong to daily vocabulary now. So we have to face and address these issues from both a personal and professional point of view, whatever our profession is.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think we have become quite disconnected. We should become more connected to rethink how to communicate and how to learn from the past. And how to use this incredible cultural heritage that we have and how to make it alive and how to translate it into our own times. We want to expand the tools. So maybe to become a little bit more open and imaginative in creating bridges between different fields of knowledge, different methods of teaching and learning, and different ways to transmit knowledge.We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credits: Anselm Kiefer, Sylviane Sarfatiwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“I think we have become quite disconnected. We should become more connected to rethink how to communicate and how to learn from the past. And how to use this incredible cultural heritage that we have and how to make it alive and how to translate it into our own times. We want to expand the tools. So maybe to become a little bit more open and imaginative in creating bridges between different fields of knowledge, different methods of teaching and learning, and different ways to transmit knowledge.We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“We are living in a world that is extremely complex and complicated. So our lives have been halted, regardless of any geography, as a result of growing inequality (political, social, economical), and so on. We live now in a moment of deep shift. And I think that decolonization, decarbonization, social and environmental injustice, and gender equity, these are all terms that belong to daily vocabulary now. So we have to face and address these issues from both a personal and professional point of view, whatever our profession is.We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“We are living in a world that is extremely complex and complicated. So our lives have been halted, regardless of any geography, as a result of growing inequality (political, social, economical), and so on. We live now in a moment of deep shift. And I think that decolonization, decarbonization, social and environmental injustice, and gender equity, these are all terms that belong to daily vocabulary now. So we have to face and address these issues from both a personal and professional point of view, whatever our profession is.We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“When I started and I had to decide what to do in life - because I was working with museums, in exhibition design, and on the restoration of buildings - and then at some point, I had the chance to arrive at the Venice Biennale and my whole perspective changed. And it changed because I was working with living artists and architects. Until that moment, I was working around Old Masters, works in museums, and things that were there with the aura of history. And all of a sudden I was dealing with living architects and artists, and this was, for me, the most incredible experience. So I decided to leave all the rest, because I was doing quite a lot at the same time, and to concentrate on the Biennale.And the very first lesson I learned is that we are there for the artists. And when I say artists, I mean also architects, of course. There would be no Biennale and probably no institution, no museum, without the artists. And to be able to deal with the artists, architects, curators, let's say the creative part of the process, you have to develop empathy and mutual respect and trust, but also you have to be very flexible and very decisive and firm when necessary. So it's quite easy to say, but it's not so easy to put it into practice, I must say.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“When I started and I had to decide what to do in life - because I was working with museums, in exhibition design, and on the restoration of buildings - and then at some point, I had the chance to arrive at the Venice Biennale and my whole perspective changed. And it changed because I was working with living artists and architects. Until that moment, I was working around Old Masters, works in museums, and things that were there with the aura of history. And all of a sudden I was dealing with living architects and artists, and this was, for me, the most incredible experience. So I decided to leave all the rest, because I was doing quite a lot at the same time, and to concentrate on the Biennale.And the very first lesson I learned is that we are there for the artists. And when I say artists, I mean also architects, of course. There would be no Biennale and probably no institution, no museum, without the artists. And to be able to deal with the artists, architects, curators, let's say the creative part of the process, you have to develop empathy and mutual respect and trust, but also you have to be very flexible and very decisive and firm when necessary. So it's quite easy to say, but it's not so easy to put it into practice, I must say.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“There are a lot of women who influenced my life, starting with my mother. My mother is of those women who managed the house, our lives, our family. And she's still there with incredible intelligence, curiosity...She reads, and sometimes I have conversations with her about themes that relate to the Biennale, to art, to architecture, and I'm always surprised. How can she know all this? And sometimes there are even things that maybe I, I knew quite confidentially in my job, and I said, 'How did you get to know that? This is not public?' She said, 'Well, I read this in this newspaper, this in the other, and then I put the things together. It's quite clear.' You know, women have this power to analyze, to observe, then to elaborate, and act. I think history and tradition are super important, and this is the point because each generation is sort of translating to the next one. There is almost never a gap. So each generation is in a way interpreting and hopefully also adding something to what is transmitted and continued. And so this is why I think the younger generations now have tools that we didn't have at their age. They are probably able to interpret. And now we go back to the whole discussion about the necessity for sustainability and attention to social and environmental injustice. They probably have a vision or perspectives that we don't have. So in a way, in this transmission, we should be able to learn from them too.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“There are a lot of women who influenced my life, starting with my mother. My mother is of those women who managed the house, our lives, our family. And she's still there with incredible intelligence, curiosity...She reads, and sometimes I have conversations with her about themes that relate to the Biennale, to art, to architecture, and I'm always surprised. How can she know all this? And sometimes there are even things that maybe I, I knew quite confidentially in my job, and I said, 'How did you get to know that? This is not public?' She said, 'Well, I read this in this newspaper, this in the other, and then I put the things together. It's quite clear.' You know, women have this power to analyze, to observe, then to elaborate, and act. I think history and tradition are super important, and this is the point because each generation is sort of translating to the next one. There is almost never a gap. So each generation is in a way interpreting and hopefully also adding something to what is transmitted and continued. And so this is why I think the younger generations now have tools that we didn't have at their age. They are probably able to interpret. And now we go back to the whole discussion about the necessity for sustainability and attention to social and environmental injustice. They probably have a vision or perspectives that we don't have. So in a way, in this transmission, we should be able to learn from them too.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credits: Anselm Kiefer, Sylviane Sarfatiwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“So for me being born in a place like Naples helped me absorb and to be constantly open and curious about other cultures, simply because they were part of my own culture. So it's a challenging city, I must say. And it's incredible how you more easily communicate with other people when you are in a place that you feel is a public place, but it belongs to you. It belongs to everyone. It's a space for the community. So this was the first lesson that I learned studying architecture because then you start to read the places in a more organized, scientific way. And I think maybe this dimension passed into my DNA.So from my point of view, a prize is not just to establish the most beautiful building, the most expensive building, or the tallest building in the world. It's rather to foster the discussion to bring forward critical points to be discussed. To bring forward contradictions, to really enhance the discussion about what is relevant for our society or for society in a specific moment.So this, for me, is the role of a prize, to highlight critical issues and to foster the discussion, to face them, and to find solutions, to find new paths. So in the case of the Pritzker Prize, the mission has been very clear since the very beginning. So it's to acknowledge a living architect or architects for a body of built work that has produced a consistent and significant contribution to humanity and to the built environment through the art of architecture.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“I think the Pritzker Architecture Prize has the power to foster and enhance the discussion on the one end. And on the other end, it has also the power to involve a more global discussion. So it's not just limited to architects because ultimately architecture is what we live in and we use every day of our lives. So all of us should be involved in this discussion. It's really a common responsibility where the architect, who from my point of view is the translator and the interpreter and the catalyst of all this. So we should rethink what sustainability is and combine the art of architecture and the benefits to humanity and the built environment. This, I think, is a lesson for every single architect from all over the world.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think the Pritzker Architecture Prize has the power to foster and enhance the discussion on the one end. And on the other end, it has also the power to involve a more global discussion. So it's not just limited to architects because ultimately architecture is what we live in and we use every day of our lives. So all of us should be involved in this discussion. It's really a common responsibility where the architect, who from my point of view is the translator and the interpreter and the catalyst of all this. So we should rethink what sustainability is and combine the art of architecture and the benefits to humanity and the built environment. This, I think, is a lesson for every single architect from all over the world.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think the Pritzker Architecture Prize has the power to foster and enhance the discussion on the one end. And on the other end, it has also the power to involve a more global discussion. So it's not just limited to architects because ultimately architecture is what we live in and we use every day of our lives. So all of us should be involved in this discussion. It's really a common responsibility where the architect, who from my point of view is the translator and the interpreter and the catalyst of all this. So we should rethink what sustainability is and combine the art of architecture and the benefits to humanity and the built environment. This, I think, is a lesson for every single architect from all over the world.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“I think the Pritzker Architecture Prize has the power to foster and enhance the discussion on the one end. And on the other end, it has also the power to involve a more global discussion. So it's not just limited to architects because ultimately architecture is what we live in and we use every day of our lives. So all of us should be involved in this discussion. It's really a common responsibility where the architect, who from my point of view is the translator and the interpreter and the catalyst of all this. So we should rethink what sustainability is and combine the art of architecture and the benefits to humanity and the built environment. This, I think, is a lesson for every single architect from all over the world.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“We need to invest a lot in education. Education of the future practitioners, but also the education of future clients. And by client, I don't mean only governments or investors. I mean each one of us, we should become responsible for our demands to architects and to whoever is involved in the building process. And this is why I see so much that education is the main tool to get there because we have to educate ourselves, first of all, and prepare the future generations. And the extent to which, as you say, it's not just beauty, but bringing people together in spaces that are inspiring because it can be a radical thing. It could create societies that are more equal in terms of public spaces. And right now that's being unequally distributed.I think we have become quite disconnected. We should become more connected to rethink how to communicate and how to learn from the past. And how to use this incredible cultural heritage that we have and how to make it alive and how to translate it into our own times. We want to expand the tools. So maybe to become a little bit more open and imaginative in creating bridges between different fields of knowledge, different methods of teaching and learning, and different ways to transmit knowledge.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“We need to invest a lot in education. Education of the future practitioners, but also the education of future clients. And by client, I don't mean only governments or investors. I mean each one of us, we should become responsible for our demands to architects and to whoever is involved in the building process. And this is why I see so much that education is the main tool to get there because we have to educate ourselves, first of all, and prepare the future generations. And the extent to which, as you say, it's not just beauty, but bringing people together in spaces that are inspiring because it can be a radical thing. It could create societies that are more equal in terms of public spaces. And right now that's being unequally distributed.I think we have become quite disconnected. We should become more connected to rethink how to communicate and how to learn from the past. And how to use this incredible cultural heritage that we have and how to make it alive and how to translate it into our own times. We want to expand the tools. So maybe to become a little bit more open and imaginative in creating bridges between different fields of knowledge, different methods of teaching and learning, and different ways to transmit knowledge.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Sydney's main public art museum, the Art Gallery of NSW, recently completed Sydney Modern, a massive expansion project ten years in the making. Almost doubling the existing exhibition space, the new building was designed by the Pritzker Architecture Prize winning Japanese firm SANAA. Positioned within verdant parkland, yet a mere stone's throw from the city centre, the new gallery is a series of interconnected glass–encased pavilions that seem to cascade down an incline towards Sydney Harbour. With its landscaped terraces and courtyards, the new gallery almost merges with its surroundings, inviting visitors to experience art as part of the environment. Join Masako Fukui as she follows the final stages of this construction project, and talks to some of the key people who have contributed to the creative vision, including the Director of the Art Gallery of NSW, Dr Michael Brand, the architects Kazuyo Sejima and Ryue Nishizawa, as well as artisans, artists and the structural engineer on the project.

Martha Thorne is an American academic, curator, editor, and author as well as the former executive director of the Pritzker Architecture Prize. She joins Suzy Annetta, editor-in-chief of Design Anthology on the line for a conversation about her life and work.The Design Dialogues is presented in partnership with Fifth Black.

Meet Zaha Hadid, an Iraqi-British architect WHO broke barriers in her male-dominated field with her spectacular constructions! Her buildings didn't immediately come to life, but WHEN people began to believe in her imaginative designs, she soon had the public saying "WOW" all over the world. Join Rebecca Sheir as she learns about Hadid's architectural legacy, solidified when she became the first woman to be awarded the Pritzker Architecture Prize! Originally aired 12/1/21.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode, we are joined by the surprisingly smart (jk) but unsurprisingly silly stand-up comedian and Indian hillbilly (jk?) comedian Nimesh Patel! And today, I'm going to tell him the story of one of the most legendary people in Architecture: Zaha Hadid - the FIRST! Arab and FIRST! woman to win the famed Pritzker Architecture Prize which is the top award in architecture and you guessed it, the FIRST! Arab and FIRST! woman to design a major art museum in the United States. Next time on FIRST! – make sure to catch me and Marie Faustin and Daddy as we talk about Wendell Scott: the FIRST! Black NASCAR driver.See omnystudio.com/listener for privacy information.

We meet Pritzker Architecture Prize winner Francis Kéré to discuss his sustainable and local approach to design. Plus: we visit tropical modernism masterpiece Casa de Vidro in Brazil.

Francis Kéré spent many of his childhood days trying to secure food and water in his rural community in Burkina Faso.He was born in 1965 and grew up with no clean water or electricity. Yet, he was inspired by the limited natural resources that most people around him had taken for granted, leading him on a journey that has made him one of the world's most renowned architects.This year, Kéré became the first African and first Black person to win the most prestigious award in architecture, The Pritzker Architecture Prize.Francis Kéré talks to Al Jazeera.Subscribe to our channel http://bit.ly/AJSubscribeFollow us on Twitter https://twitter.com/AJEnglishFind us on Facebook https://www.facebook.com/aljazeeraCheck our website: http://www.aljazeera.com/Check out our Instagram page: https://www.instagram.com/aljazeeraenglish/@AljazeeraEnglish#Aljazeeraenglish#News

BUILDING TOWARDS EQUALITY. Alejandro Aravena is a Chilean architect and executive director of the firm Elemental S.A. In 2016 he won the Pritzker Architecture Prize, architecture's highest honour, and was the director and curator of the Architecture Section of the 2016 Venice Biennale. From 2000 to 2005 he was a visiting professor at Harvard Graduate School of Design. An International Fellow of the Royal Institute of British Architects, he was appointed Chair of the Pritzker Architecture Prize Jury as of March 2021.

Martha Thorne is Dean of IE School of Architecture and Design in Madrid and former executive director of the Pritzker Architecture Prize. On this edition of This Is DesignIntelligence, she shares some highlights of her extraordinary career, her thoughts about the future of design education, and why she believes architects and designers now have the most important mission they've ever had.

Thursday on the NewsHour, grieving families search for answers about whether law enforcement responded quickly enough to the elementary school shooting in Uvalde, Texas. Then, North Korea scrambles to contain a coronavirus outbreak while still trying to flex its power with new missile tests. Plus, the first Black winner of the Pritzker Architecture Prize discusses his community-focused designs. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

The biggest international prize in architecture will be awarded Friday in London to an architect known for his work on buildings that address social needs, particularly in African countries. This year's prize also made history, as Francis Kéré became the first African and first Black architect to receive the honor. Jeffrey Brown has the story for our arts and culture series, "CANVAS." PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

The biggest international prize in architecture will be awarded Friday in London to an architect known for his work on buildings that address social needs, particularly in African countries. This year's prize also made history, as Francis Kéré became the first African and first Black architect to receive the honor. Jeffrey Brown has the story for our arts and culture series, "CANVAS." PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

The biggest international prize in architecture will be awarded Friday in London to an architect known for his work on buildings that address social needs, particularly in African countries. This year's prize also made history, as Francis Kéré became the first African and first Black architect to receive the honor. Jeffrey Brown has the story for our arts and culture series, "CANVAS." PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Barry Bergdoll is the leading Breuer scholar in the U.S. He is a Professor of Art History at Columbia University and also a member of the jury which awards the annual Pritzker Architecture Prize. From 2007 to 2013, Barry was the Chief Curator of architecture and design at the Museum of Modern Art (MoMA) in New York. You can find here the audio version of my Breuer article.

Burkina Faso architect Francis Kéré is the first African winner of the prestigious Pritzker Architecture Prize

Meet Zaha Hadid, an Iraqi-British architect WHO broke barriers in her male-dominated field with her spectacular constructions! Her buildings didn't immediately come to life, but WHEN people began to believe in her imaginative designs, she soon had the public saying "WOW" all over the world. Join Rebecca Sheir as she learns about Hadid's architectural legacy, solidified when she became the first woman to be awarded the Pritzker Architecture Prize! (Originally aired 12/1/21)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Happy first day of spring! Today Summers and Kristy discuss how video games can help treat health conditions and celebrate Diébédo Francis Kéré, the first Black recipient of the most prestigious award in architecture, the Pritzker Architecture Prize. If you'd like to lend your voice to the Optimist Daily Update, send an email to: editorial@optimistdaily.com. Listen to the Optimist Daily Update with Summers & Kristy - Making Solutions the News!

زها حديد مِعْمَارية بريطانية من أصل عراقي، والتي أصبحت أوَّل امرأة عربية تحصل على جائزة بريتزكر المعمارية Pritzker Architecture Prize. اشتهرت بتصميماتها المُعَبِّرَة التي تتسم بانسيابية من نقاط منظور متعددة، وتُعتَبَر أحد روَّاد فن العمارة المُعاصِرة؛ كما اشتهرت عالميًا بتصميماتها المُبتكرة ذات النمط التجريبي، وقد كانت العقل المُبْدِع وراء تصميم مركز لندن للرياضات البحرية في دورة الألعاب الأولمبية عام 2012، ومتحف إيلي وإيديث للفن المُعاصِر Eli and Edythe Broad Art Museum في الولايات المتحدة الأمريكية، بالإضافة إلى العديد من الإبداعات المعمارية الأخرى.

Dame Zaha Hadid born October 31, 1950, died March 31, 2016. She was known as the “Queen of the Curve” for buildings such as the Heydar Aliyev Center in Azerbaijan with its gently sloping and yet zany curves. She was an Iraqi-born British architect known for her radical deconstructivist designs. In 2004 she became the first woman to be awarded the Pritzker Architecture Prize. Only rarely does an architect emerge with a philosophy and approach to the art form that influences the direction of the entire field. Such an architect is Zaha Hadid who created and set new boundaries for the art of architecture.

Episode 48 - Zaha Hadid    In our last episode of 2021, The DLS team of Susan Stone, Katy Derbyshire, and Florian Duijsens all come together to clink glasses of bubbly, and discuss our favorite Dead Lady news of the year.    Plus, DLS Producer and journalist Susan Stone presents our featured Dead Lady, architect Zaha Hadid.  Born in Baghdad, Zaha started her creative life early, designing her own clothes and furniture at the age of 7 or 8.  She studied at, then taught at, the Architectural Association School in London, where she honed her boundary-breaking skills and unmatchable style.      Both life and her designs threw a series of curves her way, but she excelled and inspired, becoming the first woman to with the Pritzker Architecture Prize, considered the Nobel Prize for architecture, as well as many more accolades and contracts, eventually designing everything from schools to shoes. Along the way she faced notable sexism and racism as one of few women and Arabs in the field. But she wowed critics, and created some of the most incredible buildings the world has ever seen before her death at the age of 65 in 2016.    Find our more about Zaha Hadid on our show notes page here: https://deadladiesshow.com/2021/12/15/podcast-48-zaha-hadid/   Our theme music is “Little Lily Swing” by Tri-Tachyon.   Thanks for listening! We'll be back with a new episode next month.   **** The Dead Ladies Show is a series of entertaining and inspiring talks about women who achieved amazing things against all odds, presented live in Berlin and beyond. This podcast is based on that series. Because women's history is everyone's history.   The Dead Ladies Show was founded by Florian Duijsens and Katy Derbyshire. The podcast is created, produced, edited, and presented by Susan Stone. Don't forget, we have a Patreon! Thanks to all of our current supporters! Please consider supporting our transcripts project and our ongoing work: www.patreon.com/deadladiesshowpodcast   If you prefer to make a one-time donation, here's the link: paypal.me/dlspodcast  

Meet Zaha Hadid, an Iraqi-British architect WHO broke barriers in her male-dominated field with her spectacular constructions! Her buildings didn't immediately come to life, but WHEN people began to believe in her imaginative designs, she soon had the public saying "WOW" all over the world. Join Rebecca Sheir as she learns about Hadid's architectural legacy, solidified when she became the first woman to be awarded the Pritzker Architecture Prize!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Anne Lacaton and Jean-Philippe Vassal don't tear things down. They restore buildings sustainably with surprisingly modest means, while meeting the needs of residents. Their socially and ecologically conscious work won them the 2021 Pritzer Prize.

收听提示 1、大家为什么喜欢打卡建筑？ 2、建筑到底丑不丑，谁说了算？ 3、建筑让人们更冷漠了吗？ 4、我们应该怎么理解人和建筑的关系？ 本集相关 冯果川 《你没听过的人类居住简史》主讲人。筑博建筑设计有限公司首席建筑师，著名学者，城市规划专家。重庆建筑大学城市规划学士，北京大学建筑学研究中心建筑学硕士。 路德维希·密斯·凡德罗 路德维希·密斯·凡德罗（Ludwig Mies van der Rohe，1886年3月27日－1969年8月17日）生于德国亚琛，过世于美国芝加哥，原名为玛丽亚·路德维希·密夏埃尔·密斯(Maria Ludwig Michael Mies)，德国建筑师，亦是最著名的现代主义建筑大师之一，自1930年至1933年在德意志国德绍与柏林时期的包豪斯建筑学校为最后一任校长。 安藤忠雄 安藤忠雄（日语：安藤忠雄／あんどう ただお Andou Tadao，1941年9月13日－），日本建筑师，1995年普利兹克奖得主，东京大学名誉教授。21世纪临调特别顾问，东日本大震灾复兴构想会议议长代理，大阪府与大阪市特别顾问。 住吉长屋 住吉的长屋（或译为住吉长屋）是一栋坐落于日本大阪府大阪市住吉区的两层楼私人住宅建筑，是知名日本建筑师安藤忠雄最早期的作品之一。由于该住宅的业主姓"东"，因此又常被称为东邸（Azuma House）。安藤忠雄因此建筑表现的设计理念，而获得了1979年的日本建筑学会奖。 萨哈·哈帝 扎哈·穆罕默德·哈迪德女爵士，DBE（英语：Dame Zaha Mohammad Hadid；阿拉伯语：زها حديد‎，1950年10月31日－2016年3月31日），香港译萨哈·哈帝，台湾译札哈·哈蒂，生于伊拉克巴格达，伊拉克裔英国建筑师，后来定居英国，于2004年成为首位获得普利兹克建筑奖的女性建筑师。她于2010年和2011年获得英国建筑的最高荣誉－斯特灵奖（Stirling Prize）。 普利兹克建筑奖 普利兹克建筑奖（英语：Pritzker Architecture Prize）是一年一度由凯悦基金会颁发，以表彰"在世建筑师，其建筑作品展现了其天赋、远见与奉献等特质的交融，并透过建筑艺术，立下对人道与建筑环境延续且意义重大的贡献"，于1979年由杰·普利兹克和妻子辛蒂设立，由普利兹克家族资助；普利兹克建筑奖被公认是全球最主要的建筑奖项之一，有"建筑界的诺贝尔奖"的美誉。 上集回顾 281. 强人政治下的印度，疫情为什么控制不住？ 本集推荐 冯果川·你没听过的人类居住简史 | 限时6折 《八分》每周三、周五晚8点更新 欢迎留言说出你的问题和建议

Pritzker prize-winning architect Jean-Philippe Vassal discusses the architectural approach of his studio in this special episode of Dezeen's Face to Face podcast. This bonus episode of Face to Face features a previously unheard interview. Conducted by Dezeen's acting US editor India Block, Vassal sat down with Block ahead of his lecture at the Royal Academy of Art in London in 2019. Vassal and his partner Anne Lacaton recently won the 2021 Pritzker Architecture Prize for their studio's body of work, which includes projects to refurbish rather than rebuild social housing.

Lo que no has escuchado del Premio Pritzker... Entra.! suscribete también: Patreon: https://www.patreon.com/TaverasL Ivoox: https://mx.ivoox.com/es/zonaPrivada_z... Anchor: https://anchor.fm/dashboard/episodes Google Podcast: https://podcasts.google.com Spotify: https://open.spotify.com/show/1Fe24m1... Sigueme: Instagram: https://www.instagram.com/l.taveras/ Twitter: https://twitter.com/TaverasL Facebook: https://www.facebook.com/LACT-El-Podc... #Podcast #Arquitectura

Reconnu comme étant le créateur de l'architecture conceptuelle Toyo Ito (né à Séoul en 1941), s'inspire du monde végétal et du virtuel pour créer des métaphores visuelles en portant une attention particulière aux détails. Plusieurs fois récompensé : Lauréat du Pritzker Architecture Prize en 2013, il reçoit quatre ans plus tard la Médaille d'Or du Congrès de l'Union internationale des architectes de Séoul. Invité en 2005 au Pavillon de l'Arsenal, il présente son projet Tod's Omotesando à Tokyo reconnaissable par son motif sériel de l'arbre et reconnu pour sa prouesse technique de verre et de béton.

Martha Thorne is the Dean of IE School of Architecture and Design and the executive director of the Pritzker Architecture Prize, a latter of which she’s held since 2005 and will be stepping down from next month. Previously she was Associate Curator of Architecture at the Art Institute of Chicago. In this episode, Jarrett and Martha talk about the expanding definitions of architecture, the intersection of the aesthetic and the humanitarian in architecture practice, and how the Pritzker has evolved over the years. Links from this episode can be found at scratchingthesurface.fm/172-martha-thorne.

Casino resorts are usually filled with wondrous buildings designed by some of the most famous architects around the globe. It's safe to say that casinos in Las Vegas have some of the most beautiful designs. Still, many other venues around the globe look just as great as the resorts in the Entertainment Capital of the World. Interesting Casino Architecture Worldwide We're taking a break from looking at brilliant online platforms like Ultra Casino, and we've decided to make a list of several breathtaking buildings that are home to popular casinos worldwide. Read on! Luxor, Las Vegas Luxor is inspired by ancient Egypt, which is often associated with casinos. Therefore, the architects designed two unique structures — a sphynx and a pyramid, decorating the popular gambling property's exterior. If you prefer innovative and modern design, you might dislike Luxor, as it's created to attract the masses and impress rather than please aesthetic cravings. Nevertheless, it is a unique casino in terms of exterior design. The architect responsible for bringing the piece of Egypt to Nevada was Veldon Simpson. Casino de Monte-Carlo, Monaco One of the most legendary casinos in Europe, the Monte-Carlo Casino, looks like a huge 19th-century castle. It's also one of the oldest gambling houses in Europe, attracting tens of thousands of tourists from all around the globe. The casino was designed by Charles Garnier, who also designed the wonderful Paris Opera. Casino de Montreal, Canada Casino de Montreal is an architectural wonder. You can compare it with the Sydney Opera House in terms of design, and it's breathtaking as the Australian masterpiece. If you happen to be in Montreal, make sure to visit this landmark or at least get near enough to see what it's all about. Jean Faugeron is the architect who designed the casino. Casino Helsinki, Finland Casino Helsinki is neither impressive nor massive. However, its design has a great vintage feeling to it, as the property fits perfectly with the rest of the city. It's one of those casinos that people enjoy visiting because they represent the very heart of the city. We weren't able to find out who designed this casino, but they certainly did an excellent job. Marina Bay Sands, Singapore Singapore is home to one of the most beautiful casinos in the world. In fact, even if you're not a casino enthusiast or an architect, chances are that you already saw this piece of art. The property consists of three separate buildings connected on top with a huge rooftop pool (several other facilities are located on the top). Once you're up there, you'll be able to see the entire city, which is especially beautiful at night. Moshe Safdie is the talented architect who designed this casino, and he is known for a very unusual approach — using Lego pieces. Morpheus Casino, Macau Morpheus Casinos is one of the most beautiful buildings in Macau, thanks to the traditional Chinese design with a modern twist. The building has a hole in the middle of it, which is a very common feature in Chinese architecture. However, the twisting exoskeletal with geometric figures decorating it is definitely something that will take your breath away when you see it up close. The mastermind behind this design is an architect called Zaha Habib, the first female winner of the Pritzker Architecture Prize. Which Country Has the Best Casino Architecture? This is a very difficult question to answer since not all of us like the same things. For example, tourists who are used to visiting Macau casinos may not be impressed with the architecture of Las Vegas, and vice versa, even though both feature architectural wonders. However, if we were to take variety as one of the factors in the process of describing fine architecture, the US would definitely win the race. Why is this so? The answer is simple — there are many more different approaches to designing casinos in the US simply because there are more casinos there...

Eccentric, demanding and unapologetic, Dame Zaha Hadid was one of the most innovative architects in modern times, even though her designs and her temperament weren’t for everyone. Decades after moving to the UK from Iraq, she would finally find her place in this male-dominated industry, but she wouldn’t have long to enjoy it. Support the show: https://www.aljazeera.com/podcasts/hindsight/

President Higgins congratulates winners of Pritzker Architecture Prize by Áras an Uachtaráin

The highest honor in architecture has gone to two designers from Ireland. The 2020 Pritzker Architecture Prize was awarded in March to Yvonne Farrell and Shelley McNamara, co-founders of the Dublin design firm Grafton Architects. We speak with Farrell and McNamara. Also, Ernest Hemingway quarantined with both his Wife and his mistress. Host Robin Young speaks to Lesley Blume about her article "How Hemingway Quarantined (Hint: It Was with his Wife, his Mistress, his Son and the Nanny)."

BUILDING VESSELS OF LIGHT. Renzo Piano is an Italian architect whose notable buildings include the Centre Georges Pompidou in Paris, The Shard in London, the Whitney Museum of American Art in New York City, the Stavros Niarchos Foundation Cultural Center in Athens etc. Renzo Piano won the Pritzker Architecture Prize in 1998. In 2013 he was made a Life Senator in Italy.

Glenn Murcutt AO (with Sandra Sully) Architect Glenn Murcutt is globally acclaimed for his environmentally sensitive, sustainable and quintessentially Australian designs. The sole practitioner, teacher and critic, counts his childhood in Papua New Guinea and his father’s inspiring guidance, informed by the ideas of Henry David Thoreau, as profound influences. Murcutt has received every significant award including the Pritzker Architecture Prize, the Alvar Aalto Medal and the AIA Gold Medal. Recorded live at the Hallstrom Theatre in the Australian Musuem on 25 June 2019.

Welcome to HerArt podcast, a project for art lovers, especially art created by women. In our tenth episode, we will talk about Zaha HADID - the first woman to receive the Pritzker Architecture Prize. My name is Nata Andreev and I am going to tell you seven curious facts that you didn’t know about the artist that was known for experimenting with the boundaries and relationships of space and architecture in everything she designed. The information provided in this episode comes from multiple sources and is not mine. All authors are credited on HerArt Podcast blog on Medium.

Dame Zaha Hadid born October 31, 1950 and died March 31, 2016, was an Iraqi-born British architect known for her radical deconstructivist designs. In 2004 she became the first woman to be awarded the Pritzker Architecture Prize. She was also known as the “Queen of the Curve” for buildings such as the Heydar Aliyev Center in Azerbaijan with its gently sloping and yet zany curves.

This episode is the 100th Episode of Audiogyan and I am super honoured to have none other than Prof. Balkrishna Vithaldas Doshi (Born in 1927). I decided to mark this 100th episode with living legend of design and architecture. Doshi sir is considered to be an important figure of South Asian architecture and noted for his contributions to the evolution of architectural discourse in India. His more noteworthy designs include the Indian Institute of Management Bangalore and the Aranya Low Cost Housing development in Indore which was awarded the Aga Khan Award for Architecture. In 2018, he became the first Indian architect to receive the Pritzker Architecture Prize.  I am completely aware of my limitations while taking interview of a person of this stature but a humble and genuine effort to document Prof Doshi’s thoughts on design. 1. What is your philosophy / ideology while designing? For eg. Laurie Baker worked on more cost effective, energy efficient architecture, Or Charles Correa is celebrated for his sensitivity to the needs of the urban poor. In short, what does the word “Design" Mean to you? The Pritzker jury announced that you have "always created an architecture that is serious, never flashy or a follower of trends”. What is the secret behind it? 2. What according to you is the reason that cities have started looking similar. Same flyovers, same glass and steel buildings? Have spaces become more inclusive as we are evolving? What is the role of architects in giving character to these structures? And has there been any innovation to improve the working style of the people lower in the pyramid? Do you think architects should address these concerns? 3. How has RCC changed lives of architects and designers? Has it become more challenging or less? How has the landscape changed because of RCC 4. What are your thoughts on Vastu Shashtra when it comes to architecture? 5. What according to you is the difference between good and great? To further ask this question, as per my knowledge, an artist or a designers should ensure that he or she is consuming the right content, be in an appropriate environment to nurture and grow artistic sensitivities. What is your take on it? How can one go about building their own styles?

Last week, Indian architect, urban planner, and educator Balkrishna Doshi was selected as the 2018 Pritzker Architecture Prize laureate. In light of this news, we wanted to share an episode from earlier this year featuring an interview with Doshi. — While working in Chandigarh, Le Corbusier also developed projects in Ahmedabad, the former capital of … Continue reading "B. V. Doshi – Modern Architecture in India [rebroadcast]"

Architekten präsentieren: Digitale Architekturen | Symposium Lecture/Talk ZKM_Lecture Hall Fri, 04.08.2017 Patrik Schumacher and Helmut Kinzler from the studio of Zaha Hadid, winner of the Pritzker Architecture Prize 2004, American architect Greg Lynn (winner of the Golden Lion at the Venice Biennale of Architecture in 2008), as well as the Bremen-based artist collective URBANSCREEN, specializing in site-specific multimedia installations in public spaces were guests at ZKM. This award-winning group of architects provided an insight into their latest architecture projects. Video Documentary: ZKM | Institute for Visual Media Camera: Frenz Jordt, Benedict Meyer Editing: Benedict Meyer /// Vortrag/Gespräch ZKM_Vortragssaal Fr, 04.08.2017 Patrik Schumacher und Helmut Kinzler vom Studio der Pritzker-Preisträgerin Zaha Hadid (Pritzker-Preis 2004), der amerikanische Architekt Greg Lynn (Preisträger des Goldenen Löwen der Architektur-Biennale Venedig 2008) sowie das Bremer Medienkünstlerkollektiv URBANSCREEN waren zu Gast im ZKM. Die preisgekrönten Architektengruppen gaben einen Einblick in ihre jüngsten architektonischen Projekte. Videodokumentation: ZKM | Institut für Bildmedien Kamera: Frenz Jordt, Benedict Meyer Schnitt: Benedict Meyer

Architekten präsentieren: Digitale Architekturen | Symposium Lecture/Talk ZKM_Lecture Hall Fri, 04.08.2017 Patrik Schumacher and Helmut Kinzler from the studio of Zaha Hadid, winner of the Pritzker Architecture Prize 2004, American architect Greg Lynn (winner of the Golden Lion at the Venice Biennale of Architecture in 2008), as well as the Bremen-based artist collective URBANSCREEN, specializing in site-specific multimedia installations in public spaces were guests at ZKM. This award-winning group of architects provided an insight into their latest architecture projects. Video Documentary: ZKM | Institute for Visual Media Camera: Frenz Jordt, Benedict Meyer Editing: Benedict Meyer /// Vortrag/Gespräch ZKM_Vortragssaal Fr, 04.08.2017 Patrik Schumacher und Helmut Kinzler vom Studio der Pritzker-Preisträgerin Zaha Hadid (Pritzker-Preis 2004), der amerikanische Architekt Greg Lynn (Preisträger des Goldenen Löwen der Architektur-Biennale Venedig 2008) sowie das Bremer Medienkünstlerkollektiv URBANSCREEN waren zu Gast im ZKM. Die preisgekrönten Architektengruppen gaben einen Einblick in ihre jüngsten architektonischen Projekte. Videodokumentation: ZKM | Institut für Bildmedien Kamera: Frenz Jordt, Benedict Meyer Schnitt: Benedict Meyer