Podcasts about Vigan

This week Seth Paridon, Jon Parshall and their buddy, John McManus, talk about the initial Japanese landings on Luzon in December 1941. The guys get into the very real panic that was in Manila following the debacle at Clark Field and how the citizenry reacted to the news that the Japanese were indeed going to invade. The landings at Aparri, Legaspi and Vigan are discussed as are the main Japanese landings at Lingayen Gulf and MacArthur's response to those landings and the actions that follow. The early actions of the 26th Cavalry as well as Wainwright and others are discussed as we continue the set-up for the disaster that is soon coming on Bataan. #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #essex #halsey #taskforce38 #wwii #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #hollywood #movie #movies #books #mastersoftheair #8thairforce #mightyeighth #100thbombgroup #bloodyhundredth #b17 #boeing #airforce wwii #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #hollywood #movie #movies #books #oldbreed #1stMarineDivision #thepacific #Peleliu #army #marines #marinecorps #worldwar2 #worldwar #worldwarii #leytegulf #battleofleytegulf #rodserling #twilightzone #liberation #blacksheep #power #prisoner #prisonerofwar #typhoon #hurricane #weather #iwojima#bullhalsey #ace #p47 #p38 #fighter #fighterpilot #b29 #strategicstudying #tokyo #boeing #incendiary #usa #franklin #okinawa #yamato #kamikaze #Q&A #questions #questionsandanswers #history #jaws #atomicbomb #nuclear #nationalarchives #nara #johnford #hollywood #fdr #president #roosevelt #doolittle #doolittleraid #pearlharborattack #salvaged #medalofhonor #tarawa #malayalam #singapore #guadalcanal #china #burma #oil #marinecorps

Amore buona domenica dopo il primo maggio, confidando sul fatto che hai passato un inizio mese col botto, al concertone se sei romana, o bevendo e fumando se sei nella fazione delle ragazze cattive, la famosa FDRC, nonché il codice fiscale del tuo amico Federico. Il giorno della settimana lo sai, l'orario sceglilo te, che è un "AMO, CHAT" non serve ripeterlo ma che questa puntata sarà una giostra di emozioni è garantito. E poi sinz? Anche molto divisa come puntata, se di base siamo 4 POV, oggi questi punti di vista collidono, stridono, di scontrano. Ma non è forse questo il bello dell'essere matte? Matteo 4:20. ANNUNCI: - Per il "GUARDALO CON SANDRO" del mese di aprile il film sarà "QUARANTA SECONDI", di Vincenzo Alfieri. Il film lo trovi su Netflix amò, Sandro sta capendo se si riesce a fare una visione collettiva ma per adesso è solo diventato il suo nome del profilo online di Salmoiraghi & Viganò. Doveva parlare del film in questa puntata Sandro, ma io sono una puta, quindi aspettatelo per maggio amò; LINK UTILI: - Email dove inviarci le storie da leggere la domenica: amochatpov@gmail.com - Email per collaborazioni:

Codice sconto per i tuoi acquisti pazzi su KoRo: POVKORO Titolo criptico Cassandra, ma so che a fine puntata capirai l'enigma. Vorrei poterti dire che è un mercoledì, che sono le 17 e che questo è un nuovo "AMO, CHE SUZZ?" che ascolterai di almeno un'ora e mezza, ma purtroppo la mia cesso di bocca parla più di quanto cago e per tutta la puntata parliamo solo degli argomenti miei ihihih. Tu dirai "va bene Lele però cazzo, contieniti". E io ti dico Cassandra che sei molto offensiva nel tuo modo di esprimerti e che sentirò il mio avvocato per sapere cosa posso fare contro la tua persona. Intanto sorbisciti due mega pipponi sulla patente e le macchine con cessi come sedili e le truffe agli anziani più comuni. Poi al massimo chiariamo io e te questo litigio, dai su fai play. ANNUNCI: - Per il "GUARDALO CON SANDRO" del mese di aprile il film sarà "QUARANTA SECONDI", di Vincenzo Alfieri. Il film lo trovi su Netflix amò, Sandro sta capendo se si riesce a fare una visione collettiva ma per adesso è solo diventato il suo nome del profilo online di Salmoiraghi & Viganò. Doveva parlare del film in questa puntata Sandro, ma io sono una puta, quindi aspettatelo per maggio amò; LINK UTILI: - Email dove inviarci le storie da leggere la domenica: amochatpov@gmail.com - Email per collaborazioni:

Hoy nos centramos en dar gracias. Lo hacemos con motivo de 'Las gratitudes', la obra que está ya en el Teatro de La Abadía, en Madrid, y que adapta la novela superventas de Delphine de Vigan. Charlamos con su director, Juan Carlos Fisher. Además, descubrimos una cara de Salvador Dalí menos conocida. Lo hacemos con Vicente Monroy, que nos lo cuenta en su sección de cine. Lara Hermoso regresa con sus 'Conversaciones entre amigas', y nos habla de un libro de Nora Ephron, 'Gente a cenar'. Y decimos nuestro último adiós al director argentino Adolfo Aristarain.Escuchar audio

Codice sconto per il sito di KoRo: POVKORO Amo niente da aggiungere se non: è il compleanno di Alessandro Iole Marigold Enantiosemia Cassiabark Ordigno Catetta Maniavanti Calo Ponderale Cocco Rapé Coppari. Se ti va, fagli gli auguri usando uno dei suoi 80 nomi. Per il resto ti dico solo che Zizzi da oggi, quando ci saranno storie contenenti argomenti un po' spinosi o emotivamente un po' mh (capisci a me), farà un avvertenza iniziale, così da permettere a chiunque di scegliere se mettersi in ascolto, preferire un altro momento o saltare proprio la puntata. In ogni caso, devi fare ciò che ti fa stare bene amò, sempre. ANNUNCI: - Per il "GUARDALO CON SANDRO" del mese di aprile il film sarà "QUARANTA SECONDI", di Vincenzo Alfieri. Il film lo trovi su Netflix amò, Sandro sta capendo se si riesce a fare una visione collettiva ma per adesso è solo diventato il suo nome del profilo online di Salmoiraghi & Viganò; LINK UTILI: - Email dove inviarci le storie da leggere la domenica: amochatpov@gmail.com - Email per collaborazioni:

Che tu sia una druida, una paladina, una barda o una chierica sappi che oggi stellina si è coronato un sogno, e se ci conosci da un po' sai che il verbo coronare non lo usiamo spesso, non solo per la sua importanza, ma perché non sappiamo effettivamente cosa significhi. Ma oggi non fingeremo di essere ciò che non siamo, perché con noi seduto a questo tavolo c'è una grande verità. Ti chiederai quale, probabilmente anche con un po' di sgomento, come se fossi rimbambita e non avessi già letto il titolo. Però sappi piccola pulce senza pelo che per la quattordicesima puntata con ospite del format dal titolo più fiordo di sempre, non ci siamo ridotti come pensavamo a ingaggiare una persona pagata per continuare questo format, ma siamo riusciti tramite le nostre doti persuasive di chi nella vita è nato nelle marche, tra difficoltà idriche e climatiche, a fare sedere una persona in carne e ossa che tende a farsi chiamare Claudio Di Biagio. Forse te lo ricorderai patatina, o forse no ed è la prima volta per te che vedi e ascolti questa palma di un metro e ottantotto. In entrambi i casi sappi che Claudio è una persona estremamente geniale, con la quale sono nate conversazioni sia di argomenti che circondano la sua figura mediatica (adoro descrivere così il dilemma sui numeri che reposta), ma anche di cose molto umane, come direbbe un nostro caro amico e collega. Quindi che sia per te l'ennesimo contenuto di Claudio che fruisci, con la sicurezza e la fiducia che dai al trombamico di sempre che sai ti farà passare quei 40 minuti senza pensieri, o magari il primo contenuto in assoluto (in quel caso ti invitiamo a recuperare anni di storia) rilassati e prenditi un momento per te, anche alcolico ma non potrei consigliarlo, e lasciati trasportare in questa sessione fatta di critici e imprevisti, guidate da un master di tutto rispetto. E un grazie speciale a Claudio per questa chiacchiera per noi preziosa. E qui sotto come sai ti lasciamo le pagine di Claudio dove poterlo trovare: YouTube | https://www.youtube.com/@ClaudioDiBiagio Instagram | https://www.instagram.com/claudiodibiagio?igsh=bHBobWh4OWoxOWU4 TikTok | https://www.tiktok.com/@claudiodibiagio?_r=1&_t=ZN-95kZ8hPTsQh OF | wink ANNUNCI: - Per il "GUARDALO CON SANDRO" del mese di aprile il film sarà "QUARANTA SECONDI", di Vincenzo Alfieri. Il film lo trovi su Netflix amò, Sandro sta capendo se si riesce a fare una visione collettiva ma per adesso è solo diventato il suo nome del profilo online di Salmoiraghi & Viganò; LINK UTILI: - Email dove inviarci le storie da leggere la domenica: amochatpov@gmail.com - Email per collaborazioni:

CODICE SCONTO DA USARE SUL SITO DI KORO: POVKORO Milena buona domenica e come dicono i nostri vicini di casa "basta urlare, sono le 17!", però che fai non te la ascolti Yakuza a tutto volume nel giorno del signore? In questo caso, delle signore? Niente da dirti per questa puntata se non sbrigati a fare play che l'unico rimedio per questo caldo nascente sono le storie dell'amica tua fetente, su su su su su su. ANNUNCI: - Per il "GUARDALO CON SANDRO" del mese di aprile il film sarà "QUARANTA SECONDI", di Vincenzo Alfieri. Il film lo trovi su Netflix amò, Sandro sta capendo se si riesce a fare una visione collettiva ma per adesso è solo diventato il suo nome del profilo online di Salmoiraghi & Viganò; LINK UTILI: - Email dove inviarci le storie da leggere la domenica: amochatpov@gmail.com - Email per collaborazioni:

Domitilla buon mercoledì, adesso come recita la sigla rilassati e preparati perché stai per vivere un "AMO, CHE SUZZ?", e io sto facendo tardissimo a lavoro, quindi cercherò di utilizzare il dono della sintesi che non ho e sfruttare la descrizione per, effettivamente, descrivere. Oggi in realtà è un mega puntatone sulla musica, sulle ultime uscite musicali in un viaggio Sandroide tra Serena, Dito e Madame, e concludiamo anche con due kitkat rubati e un discorso sul food noise. A tal proposito, a fine puntata, in modo non molto programmato, l'argomento diverge proprio sul food noise, sul pensiero verso il cibo riversando delle nostre esperienze personali, come sempre, non programmate nel flusso della puntata. Quindi patatina a te che stai leggendo, sappi che verso la fine dell'episodio ci si apre un po' con pensieri personali e vissuto soggettivo, così, per preparare le tue orecchie. Un bacetto

Gloria Muñoz, una actriz que a los 12 años ya sabía qué quería ser de mayor. Su extensa carrera abarca cine, televisión pero, sobre todo, teatro. Ahora la vemos de nuevo en la gran pantalla de la mano de Pedro Almodóvar en ‘Amarga navidad’. Ya habían trabajado juntos, en ‘La flor de mi secreto’. Gloria Muñoz nos presenta el estreno en La Abadía de Madrid la obra teatral que protagoniza, "Las gratitudes", novela de Delphine de Vigan, escritora y guionista francesa. Porque a veces como ella misma dice los personajes mas interesantes te llegan con la edad. "Estrenamos en Avilés y pensé que si ha gustado en Avilés va a gustar en todos lados", nos confiesa. 'Las gratitudes' cuenta la historia de Michka, una filóloga anciana que pierde el habla en sus últimos meses de vida. La obra reflexiona sobre la vejez, la memoria, el peso del silencio y también sobre lo importante que es dar las gracias antes de que sea demasiado tarde. Y comenta que con esta obra "Se llora de emoción. Pero la función termina con una carcajada y eso me gusta".Escuchar audio

Amore bello buona domenica, un po' uggiosa, una piccola punizione da parte di madre natura che ci ricorda che comunque siamo in primavera. Almeno, questo è il fato per chi vive a Roma, speriamo che da te sia soleggiato. Ora, promettendoti che a scrivere è una fiorda marchigiana e non un'attempata signora del segno del Cancro che vive in campagna e trova diletto a prendere in giro il vicinato per le luci di natale mai riposte in garage dal '98, ricordati che sono le 17 e questo è un "AMO, CHAT" pazzissimo perché è una sola grande storia. Quale? quella di una patatina come tante, che ha deciso di regalarci quel frammento di un nucleo denso e privato chiamato storia personale per dirci che nonostante tutto, e nonostante tutti, forse il problema, sono gli Aquario. Ti aspettiamo dopo il play splendore. ANNUNCI: - Per il "GUARDALO CON SANDRO" del mese di aprile il film sarà "QUARANTA SECONDI", di Vincenzo Alfieri. Il film lo trovi su Netflix amò, Sandro sta capendo se si riesce a fare una visione collettiva ma per adesso è solo diventato il suo nome del profilo online di Salmoiraghi & Viganò; LINK UTILI: - Email dove inviarci le storie da leggere la domenica: amochatpov@gmail.com - Email per collaborazioni:

La gran Gloria Muñoz estrena en el teatro 'Las gratitudes', de la francesa Delphine de Vigan, su obra más vendida y convertida en fenómeno editorial, que cuenta la historia de Michka, una anciana filóloga que pierde el habla en sus últimos meses de vida. Conversamos con la actriz sobre la vejez, la memoria, el peso del silencio y lo importante que es dar las gracias antes de que sea demasiado tarde

Ragazzaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa, buon mercoledì e buon pomeriggio. Oggi ti chiamerai Bethany, per gli amici Bet, per i nemici hany, perché ti considerano un po' un buco di culo. Il format di oggi lo conosci, se non lo conosci non iniziamo benissimo Bet, ecco che mi esce di più la tua parte hany, facciamo che te lo ricordo io: due fiorde, due argomenti diversi, due stagiste dietro e un grandissimo "AMO, CHE SUZZ?" che fa partire le danze. Oggi a cominciare è Sandro che ci porta tra i falli, ma non quelli normali, quelli della lingua, del parlato, quelli orali, che entrano e escono dal discorso. Non so se hai mai sentito parlare delle fallacie comunicative, io fino a oggi no, ma fra poco penso verremo tutte istruire da Sandrofidardo; Io invece bellezza parlo della bimbofication che no, non è il nuovo comando wireless che mi farà smettere di dire parolacce, ma un fetish che è diventato da poco mainstream in seguito a delle foto con tettazze pazze mega gigantazze di una persona che, a differenza mia e tua, non può passare inosservata. Dai su che sei curiosa, ti aspettiamo dopo il play. ANNUNCI: - Per il "GUARDALO CON SANDRO" del mese di aprile il film sarà "QUARANTA SECONDI", di Vincenzo Alfieri. Il film lo trovi su Netflix amò, Sandro sta capendo se si riesce a fare una visione collettiva ma per adesso è solo diventato il suo nome del profilo online di Salmoiraghi & Viganò; LINK UTILI: - Email dove inviarci le storie da leggere la domenica: amochatpov@gmail.com - Email per collaborazioni:

L'émission 28 minutes du 06/04/206 Découvrez ou redécouvrez les meilleurs moments de 28 minutes ! Au programme : l'humoriste Alex Lutz présente son nouveau spectacle "Sexe, Grog et Rocking Chair", l'astrophysicien et docteur en philosophie Aurélien Barrau publie "Trahir par fidélité. Contre la fin du monde, avec Alexander Grothendieck", la cheffe d'orchestre Laurence Equilbey, le neuroscientifique et professeur au Collège de France Stanislas Dehaene nous dévoile les liens ancestraux entre la géométrie et les humains, l'explorateur Matthieu Tordeur et la glaciologue Dr. Heïdi Sevestre qui reviennent d'un voyage en Antarctique et l'écrivaine Delphine de Vigan nous présente son dernier roman “Je suis Romane Monnier”. Retour sur un débat d'actualité : Fin des réseaux sociaux pour les moins de 15 ans ? Pour en débattre, nous recevons Najat Vallaud-Belkacem, ministre de l'Éducation nationale de 2014 à 2017, Grégoire Borst, professeur en psychologie et neuroscience de l'enfant à l'Université Paris Cité et François Saltiel, journaliste à France Culture, spécialiste du numérique. Xavier Mauduit nous raconte l'histoire de deux expéditions parties à la découverte du Piton de la Fournaise, en 1768 et 1801. Marie Bonnisseau s'intéresse à un touriste allemand très procédurier qui a porté plainte contre une taqueria de New York pour une salsa jugée trop épicée. 28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 6 avril 2026 Présentation Élisabeth Quin Production KM, ARTE Radio

Milena sembra quasi un incantesimo il titolo vero? Ma alla fine qualsiasi frase contenga un alto numero di lettere z può essere considerato un sortilegio. Forse a farmi parlare così è il vino cotto che ha portato l'amica di mia madre al pranzo di Pasqua, con un tasso alcolico di 75 gradi, ma se non è risorto Gesù questa domenica, lo è sicuramente il mio sistema immunitario dopo l'assunzione del super acolico, e di nostro Signore ovvio. Comunque tesoro, buona domenica, buona pasqua, sono le 17 e questo è un nuovissimo "AMO, CHAT" TEMATICO, che hanno come centro narrativo delle pasquette un po' pazze, come le tettazze del titolo. Alla fine si sa, la colomba va, la colomba viene, il problema è quando si posa (emoji boomer :P). ANNUNCI: - Per il "GUARDALO CON SANDRO" del mese di aprile il film sarà "QUARANTA SECONDI", di Vincenzo Alfieri. Il film lo trovi su Netflix amò, Sandro sta capendo se si riesce a fare una visione collettiva ma per adesso è solo diventato il suo nome del profilo online di Salmoiraghi & Viganò; LINK UTILI: - Email dove inviarci le storie da leggere la domenica: amochatpov@gmail.com - Email per collaborazioni:

Che matte che siamo ve? Ma questa cosa puoi capirla solo post intro, quindi fai play, ascolta i primi tre minuti e poi torna qui ragazza. E intanto buon mercoledì stellina, sono le 17 (pronunciato diciassétté) e questa è una nuova puntata del tuo format meno preferito "AMO, CHE SUZZ?", perché sappiamo che le storie della domenica ti coinvolgono più delle news di queste fiorde. Ma questo momento un po' pick me? Sarà l'imminente Luna in Bilancia a esporci a queste vulnerabilità di Venere? Comunque il format lo conosci e oggi cominciamo con il caso di Saverio e Lucia, una coppia non di Torino che ha fatto sentir parlare di sé per una BMW ricoperta da conversazioni di un tradimento consumato tra messaggi in chat e audio in AI (questo lo penso io ihihi). Ovviamente SHOUTOUT a QuintoPotere, amo spizzati il canale che hai appena trovato le tue domeniche d'agosto; L'altra fiorda marchigiana continua con la sua rubrica popolana, e in onore del filmico guardare, vi parla di "Una giornata particolare"; di Ettore Scola nonché il "GUARDALO CON SANDRO" del mese. Amo sono sincero, io so cosa guardarmi stasera dopo che Sandro ha scelto la narrazione orale come strumento per abbindolarci tutti, facendoci diventare le sue adepte cinefile. E poi una Sophia Loren così non l'hai mai vista, o magari si, però sembrava una bella frase d'effetto, di quelle che ti insegnano ai master di scrittura creativa alla IULM. ANNUNCI: - Per il "GUARDALO CON SANDRO" del mese di aprile il film sarà "QUARANTA SECONDI", di Vincenzo Alfieri. Il film lo trovi su Netflix amò, Sandro sta capendo se si riesce a fare una visione collettiva ma per adesso è solo diventato il suo nome del profilo online di Salmoiraghi & Viganò; - Link per la puntata su Saverio e Lucia di Quinto Potere: https://www.youtube.com/watch?v=mKLGpVoNACY&t=751s LINK UTILI: - Email dove inviarci le storie da leggere la domenica: amochatpov@gmail.com - Email per collaborazioni:

Mai Hua, réalisatrice et autrice est une amie et elle est venue plein de fois sur Vlan! Elle a signé Les rivières et Make Me a Man, et sort aujourd'hui Mayday, un documentaire qui filme l'intérieur d'une retraite thérapeutique de 14 jours, sans électricité, sans réseaux sociaux, avec 12 personnes qui ne se connaissent pas et n'ont rien en commun.Mai Hua est donc une amie proche. On se connaît depuis longtemps et j'attendais cet épisode avec impatience, parce que ce qu'elle explore touche exactement ce que j'essaie de mettre en mots depuis des années : comment retrouver de l'élan dans un monde qui semble faire tout pour nous l'enlever.Dans cet épisode, nous parlons de la différence fondamentale entre développement personnel et soin collectif, de ce que ça fait de vivre sans téléphone pendant deux semaines, du rôle de la colère comme émotion mal comprise et puissante, et de pourquoi la joie est un acte politique, pas un sentiment léger.J'ai questionné Mai Hua sur ce que le cinéma peut soigner que la thérapie ne peut pas, sur la manière dont les réseaux sociaux organisent notre séparation, et sur ce que les peuples racines ont compris que nous avons oublié. C'est une conversation sur le courage, au sens littéral : courage vient du mot cœur. Et c'est exactement ce dont il est question ici.Citations marquantes"Est-ce que tu veux être une bonne personne ou une personne entière ?" — Carl Jung, cité par Mai Hua en ouverture du film Mayday."The circle is a shaman. D'être ensemble, ça nous fait accéder à une super intelligence, une super âme. Ce n'est pas juste un plus un font deux.""Si tu perds la joie, tu perds deux fois." — Nicolas Gau, cité par Mai Hua."Quand ton corps vit dans des éléments, il n'y a plus de douche, il fait froid, il y a une rivière pour se laver, le toi que tu vas créer est totalement différent de celui que tu peux créer devant ton ordinateur.""La raison d'être de la tribu, c'est la guérison des individus. C'est ça qu'on doit faire. Trouver la super soul qui va amener de la guérison aux individus pour nous mettre en mouvement."Idées dont nous parlons1. Le collectif comme antidote, pas comme supplément Timestamp approximatif : 0:05:30 à 0:07:11 La retraite filmée dans Mayday n'est pas du développement personnel. C'est une proposition culturelle : changer les règles du vivre-ensemble pour voir ce que les individus deviennent quand la tribu a pour cœur de les guérir, et non de les rendre productifs. Le capitalisme a inversé ce paradigme. Filmer ça, c'est montrer qu'une autre logique existe, et qu'elle fonctionne.2. La colère comme condition de l'intégrité Timestamp approximatif : 0:20:52 à 0:24:07 Réprimer la colère, c'est se couper d'une partie de soi. Dans une société de performance qui demande de gérer ses émotions, on devient "bonne personne" au sens social du terme mais on cesse d'être entier. La scène de la batte de baseball dans Mayday illustre ce que ça coûte de mettre cette émotion sous cloche, et ce que ça libère de la traverser.3. La joie est révolutionnaire Timestamp approximatif : 0:33:54 à 0:34:42 La joie n'est pas un sentiment léger ni un luxe. C'est le carburant de la résistance. Elle est inconditionnelle, intérieure, accessible, mais son accès est obstrué. Ce que la retraite, le film et la conversation visent tous les trois : désinterdire l'accès à la joie dans un monde qui tire systématiquement vers les passions tristes.4. L'écoute soigne plus que la parole Timestamp approximatif : 0:40:22 à 0:42:29 Le cercle s'appelle "cercle de paroles" mais c'est en réalité un cercle d'écoute. On parle une fois, on écoute vingt fois. Et c'est dans cet espace que quelque chose se libère : la parole de l'autre, quand elle circonscrît une vérité qu'on n'arrivait pas à formuler soi-même, agit comme de la magie. Delphine de Vigan l'a formulé ainsi : c'est un film qui parle du pouvoir des mots.5. On devient ce qu'on cultive Timestamp approximatif : 0:51:05 à 0:53:13 Les humains sont hyper adaptables. La violence comme l'entraide sont des potentiels. Ce qui décide, c'est la culture dans laquelle on s'inscrit, ce qu'on choisit d'entretenir. La discipline de la joie, de la résistance, de la convivialité n'est pas naturelle dans ce monde, mais elle est possible et nécessaire.Questions structurantes de l'interviewPourquoi filmer une retraite, et quel est pour toi le rôle des retraites dans un contexte où beaucoup de choses s'effondrent ?En quoi une retraite thérapeutique collective est-elle différente du développement personnel individuel ?Quel est le rôle du care et du soin dans le fait de redonner envie du futur ?En quoi être connecté à son corps, pas seulement à sa tête, change quelque chose dans cette démarche ?La colère est un sentiment mal jugé. En quoi est-ce un sentiment positif, et pourquoi l'exprimer est une condition d'intégrité ?Comment un documentaire peut-il produire chez le spectateur quelque chose de proche de l'expérience vécue par les participants ?Quel est pour toi le rôle du divertissement dans une société où l'attention est capturée en permanence ?Toi, qu'est-ce qui te donne de l'élan aujourd'hui, dans ce monde où tout semble s'effondrer ?Quel est le rôle des artistes dans cette période très particulière pour redonner de l'élan aux gens ?Est-ce qu'on ne ferait pas l'erreur de vouloir agir au niveau national ou global plutôt que local ?Références citées dans l'épisodePersonnes et penseursCarl Jung : citation en ouverture du film Mayday : "Est-ce que tu veux être une bonne personne ou une personne entière ?" — 0:22:35Joan Tronto : éthique du care, citée par Mai Hua comme fondement de sa démarche — 0:07:37Scott Peck (thérapeute) : définition de l'amour comme "the will to develop spiritually and to support the spiritual development of others" — 0:07:37Gilles Deleuze : "Le pouvoir a besoin de tristesse" — cité par Greg — 0:16:25Nicolas Gau : auteur d'un livre sur la joie comme acte de résistance. Citation : "Si vous perdez la joie, vous perdez deux fois." — 0:33:54Viktor Frankl : référence à la résistance qui génère de la joie, dans le contexte de la Seconde Guerre mondiale — 0:34:42Hayao Miyazaki : cité par Mai Hua sur le divertissement comme moyen de changer une trajectoire — 0:31:01Delphine de Vigan (romancière) : a participé au crowdfunding de Mayday et commenté le film autour du pouvoir des mots — 0:40:58Pablo Servigne : cité par Greg à propos de l'entraide et des sociétés violentes condamnées à mourir, dans le prolongement d'une interview précédente — 0:57:34Thomas Hobbes : "l'homme est un loup pour l'homme", "ma mère a accouché de deux jumeaux, moi et la peur" — cité par Mai Hua — 0:58:53Spinoza et Rousseau : cités comme alternatives à Hobbes sur l'entraide comme régulateur fondamental des sociétés — 0:58:53Mark Twain : "Il y a toujours un peu de lumière, il y a toujours un peu de violence" — cité par Mai Hua — 0:52:01Lumière Laprais : militante politique citée comme exemple de quelqu'un qui articule pouvoir local et discours global — 0:53:37FilmsPremier contact de Denis Villeneuve : scène de la linguiste qui traverse sa peur pour aller vers l'inconnu, citée comme métaphore de l'engagement malgré la peur — 0:11:18Les rivières : premier film de Mai Hua sur sa lignée familiale féminine — 0:26:00Make Me a Man : deuxième film de Mai Hua, aborde les "Pulse Battalions" britanniques de la Première Guerre mondiale — 1:02:25Mayday : documentaire en cours de sortie filmant une retraite thérapeutique de 14 jours — fil conducteur de l'épisodeLivres / conceptsFutur Ancestral : livre cité par Mai Hua sur les savoirs ancestraux inscrits dans nos gènes — 0:42:47Sex at Dawn : livre d'un couple de chercheurs critiqué sur certains chapitres, qui déconstruit le mythe de la violence naturelle de l'homme — 0:58:53Bullshit Jobs : concept évoqué implicitement (David Graeber), 70% des gens feraient un travail dont ils sentent l'inutilité — 0:38:14Peuples racines : livre d'une journaliste belge (nom oublié) ayant fait un tour du monde pour identifier les raisons d'être communes des peuples anciens — 0:56:06Timestamps clés 00:00 — Introduction : et si le soin était le chemin vers l'avenir ? Greg ouvre l'épisode sur la tension entre individualisme et solitude, et présente Mai Hua, réalisatrice de Mayday.01:52 — Pourquoi filmer une retraite Mai Hua explique sa motivation : redonner de l'espoir en montrant au public ce qu'elle a elle-même vécu comme participante et facilitatrice.04:44 — Développement personnel vs soin collectif Échange central sur la différence entre le self-care individualisé et la logique de la retraite collective. Le capitalisme a fait de la guérison une commodité.07:11 — L'éthique du care et la définition de l'amour Références à Joan Tronto et Scott Peck. L'amour comme volonté de se développer et d'aider l'autre à se développer.08:40 — Le rôle du care pour redonner envie du futur Relâchement, écoute, porosité avec la nature : un autre régime d'existence que l'efficacité et la performance.11:18 — L'engagement malgré la peur Scène de Premier contact de Villeneuve. La peur n'est pas quelque chose à vaincre, c'est quelque chose qu'on traverse.13:02 — La retraite comme microcosme de l'humanité 12 personnes très différentes sous le même toit. La confrontation des systèmes de croyance comme moteur de transformation.16:25 — Les réseaux sociaux organisent notre séparation Deleuze, les passions tristes, le café du commerce. Ce que la retraite fait à l'opposé de ce que les plateformes fabriquent.18:00 — Le téléphone, vrai trigger de la déconnexion Ce n'est pas la nourriture ni l'électricité qui paniquent les gens. C'est l'annonce qu'il n'y aura pas de téléphone.20:45 — Pourquoi le corps compte autant que la tête L'atelier de la colère, la batte de baseball, la somatisation. Le corps garde des émotions très anciennes.22:14 — La colère comme condition d'intégrité Référence à Carl Jung. "Est-ce que tu veux être une bonne personne ou une personne entière ?" Le coût de mettre sa colère sous cloche.25:54 — La puissance du collectif dans un monde individualiste "The circle is a shaman." Ce que le collectif permet que l'individu seul ne peut pas atteindre.27:07 — Comment un film peut soigner comme une expérience Le cinéma réhumanise nos expériences. Les gens rentrent en résistance, puis en empathie, exactement comme dans le cercle.29:47 — Divertissement et nihilisme passif Miyazaki, le doomscrolling, Netflix. La différence entre le divertissement qui endort et celui qui change une trajectoire.33:54 — La joie est un acte révolutionnaire Nicolas Gau : "Si tu perds la joie, tu perds deux fois." La joie est inconditionnelle, intérieure, et l'accès peut être désinterdits.42:29 — Le pouvoir des mots et la magie du cercle Delphine de Vigan sur Mayday. Quand un mot circonscrît une vérité que tu n'arrivais pas à formuler, c'est de la libération.53:05 — Comment cultiver l'élan au quotidien On devient ce qu'on cultive. La discipline de la joie, de la convivialité, du soin.57:34 — L'entraide comme loi naturelle Référence à Pablo Servigne. La loi de la jungle est un mythe. Les sociétés violentes meurent. L'entraide régit le vivant.1:00:03 — Collectif vs Trump : deux formes d'élan L'élan de prédation vs l'élan du collectif. Individuellement on est faibles, collectivement on est incroyablement puissants.1:03:24 — Imaginer un avenir positif Ce que Mai Hua aimerait pour ses enfants, pour les rivières, pour les oiseaux.1:04:09 — La clôture : ouvrir la porte du cœur Le mot "courage" vient du mot "cœur". C'est l'invitation finale de Mai Hua. Suggestion d'autres épisodes à écouter : Vlan #92 (VF

Ce sont deux romanciers du monde contemporain qu'accueille Claire Chazal sur le plateau d'Au Bonheur des livres : Delphine de Vigan, qu'on ne présente plus, pour son douzième roman déjà, Je suis Romane Monnier (Ed. Gallimard) et Félix Moati, que l'on connaît surtout comme comédien, pour un premier récit original et foisonnant, Voir clair (Ed. de l'Observatoire). Dans une veine assez franchement comique, celui-ci imagine les tribulations d'un trentenaire d'aujourd'hui en quête de sens, tandis que Delphine de Vigan construit, à partir d'un téléphone portable perdu, une enquête troublante, et terriblement efficace, sur les mystères de l'identité... Deux façons inventives, en somme, d'interroger les enjeux existentiels du présent à travers le filtre de la fiction. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

L'émission 28 minutes du 02/03/2026 Toutes nos vies dans nos smartphones Delphine de Vigan, romancière parmi les plus lues en France, a publié le 15 janvier un nouveau roman, “Je suis Romane Monnier”, aux éditions Gallimard. Elle y explore les traces numériques et émotionnelles que nous laissons dans nos vies via le smartphone. Le personnage de Thomas retrouve le téléphone d'une jeune inconnue qui a disparu volontairement. Il se plonge alors dans cet objet où se déploient des fragments de son intimité. Donald Trump et Benyamin Nétanyahou peuvent-ils changer le régime en Iran ? Les États-Unis et Israël ont lancé une série d'attaques conjointes, samedi 28 février, contre la République islamique d'Iran. Au pouvoir depuis 1989, le guide suprême Ali Khamenei a été tué avec plusieurs hauts responsables militaires. L'Iran a riposté avec des frappes sur Israël, mais en attaquant aussi les pays du Golfe, qui sont les alliés arabes des États-Unis dans la région. Ce lundi 2 mars, le Hezbollah a tiré des missiles et des drones vers Israël, entraînant une riposte de l'armée israélienne sur le territoire libanais qui a fait plus de 30 morts. Après trois jours de guerre, la situation semble explosive dans la région et l'incertitude demeure sur la durée et l'issue de cette guerre. Donald Trump et Benyamin Nétanyahou peuvent-ils changer le régime en Iran ? Emmanuel Macron doit prononcer, lundi 2 mars, un discours sur la dissuasion nucléaire française depuis l'île Longue, en Bretagne : l'occasion pour Xavier Mauduit de nous raconter l'histoire de ce site, port d'attache de nos 4 sous-marins nucléaires lanceurs d'engins. Marie Bonnisseau s'intéresse au fatbike, ce vélo électrique à pneus larges, que les Pays-Bas souhaitent bannir. 28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 2 mars 2026 Présentation Élisabeth Quin Production KM, ARTE Radio

Orsina Simona Pierini"I colori delle case"Milan Interiors 1923-1978Hoepli Editorewww.hoepli.itCosa rende unitario un progetto d'interno? Oltre alla coerenza dei materiali è l'uso del colore a dare carattere e identità allo spazio domestico. Ogni architetto, ogni periodo ha una sua palette, dove pavimento, pareti e soffitto si compongono con le cromie dominanti nei materiali scelti.Se il Novecento e il primo razionalismo combattono la loro battaglia tra tinte pastello e colori primari, il peso dei tempi e della guerra si tingono di verdi e di marrone. L'esplosione postbellica di ottimismo ci riporta blu, malva e rosa. Più luminoso Gio Ponti, più elegante Viganò, più contrastato Sottsass. Quando la casa si fa tela d'artista, è il colore il suo strumento. La percentuale e la densità di colore aumentano sempre più fino agli anni Settanta, quando la casa monocromatica si immerge nel blu scuro.Orsina Simona Pierini è Professore Ordinario in Composizione Architettonica e Urbana presso il Dipartimento di Architettura e Studi Urbani del Politecnico di Milano. Cura mostre e pubblica articoli e saggi, sul progetto moderno e contemporaneo, riletto nella continuità dell'esperienza storica, attraverso i temi dell'abitare e della residenza urbana, dal progetto degli interni fino al ruolo della facciata. Ha pubblicato: Passaggio in Iberia. Percorsi del moderno nell'architettura spagnola contemporanea (Marinotti) e Sulla Facciata. Tra architettura e città (Maggioli) nel 2008; Alejandro de la Sota. Dalla materia all'astrazione sempre per Maggioli nel 2010. La ricerca più recente si applica alla residenza urbana contemporanea europea in Housing Primer (con B. Melotto, Maggioli, 2012) e in Housing Atlas. Europe 20th Century (con C. Espegel, D. van Gameren e M. Swenarton, Lund Humphries, 2024) e milanese in Case Milanesi 1923-1973. Cinquant'anni di architettura residenziale a Milano (con A. Isastia, Hoepli, 2017) e Nelle case. Milan Interiors 1928-1978 (con E. Morteo, Hoepli) pubblicato nel 2023.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Delphine de Vigan vous présente son ouvrage "Je suis Romane Monnier" aux éditions Gallimard. Entretien avec Sylvie Hazebroucq. Rentrée littéraire janvier 2026.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 02:30:43 - Les Matins - par : Astrid de Villaines, Yoann Duval - Ce matin, sur France Culture, à 7h40 et à 8h20, Astrid de Villaines reçoit la philosophe Mazarine Pingeot et l'écrivaine Delphine de Vigan pour parler de la façon dont l'IA modifie nos modes de vie. A 7h17, Catherine Marshall analyse les répercussions de l'affaire Epstein au Royaume-Uni. - réalisation : Félicie Faugère

durée : 00:02:34 - L'Humeur du matin par Guillaume Erner - par : Astrid de Villaines - Astrid De Villaines nous livre ce matin quelques-unes de ses questions favorites : celles qui n'ont pas de réponse. Une façon de célébrer, avec Delphine de Vigan et Mazarine Pingeot, ce qui nous distingue encore de l'intelligence artificielle. - réalisation : Félicie Faugère

durée : 00:39:18 - L'Invité(e) des Matins - par : Astrid de Villaines, Yoann Duval - L'intelligence artificielle a envahi nos sociétés : elle structure l'information, influence le débat public, infiltre nos relations les plus intimes, et nous en sommes toujours plus dépendants. Alors, la question se pose : comment préserver ce qui, en nous, demeure inappropriable ? - réalisation : Félicie Faugère - invités : Mazarine Pingeot Philosophe, essayiste, romancière; Delphine de Vigan Écrivaine française

durée : 00:02:34 - L'Humeur du matin par Guillaume Erner - par : Astrid de Villaines - Astrid De Villaines nous livre ce matin quelques-unes de ses questions favorites : celles qui n'ont pas de réponse. Une façon de célébrer, avec Delphine de Vigan et Mazarine Pingeot, ce qui nous distingue encore de l'intelligence artificielle. - réalisation : Félicie Faugère

Entretien mené par Marie-Madeleine Rigopoulos « Les gens ne comprennent pas. Ils pensent que j'exagère. Mais en fait, je cherche quelque chose qui a disparu. Quelque chose de pur, de limpide… qui n'existe plus. » Qui est Romane Monnier ? D'elle, il ne reste qu'un téléphone portable. Des notes, des messages, des souvenirs, des enregistrements, autant de traces confiées à un inconnu, un samedi soir dans un bar. À lire – Delphine de Vigan, Je suis Romane Monnier, Gallimard, 2026

durée : 00:08:13 - Le Masque et la Plume - Delphine de Vigan convoque nos vies numériques via un échange de smartphones entre deux inconnus. Si nos critiques saluent une perspective sociologique riche de sens, ils déplorent unanimement une forme littéraire parfois fastidieuse et un manque de point de vue tranché. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

SSPX Bishop Fellay justifies consecrations: never says "modernism,," does not judge "failing" authority. Viganò, Strickland, others remark. SSPX begs co-existence with Modernism? The very idea of the Catholic papacy is in question. "Church unity is worth a Latin Mass?" Modernists poison Church; solution is more Modernism. Similar: government control poisons society; solution is more government control: socialism! Pope Leo XIII condemns socialism. The truth and power of the traditional Catholic Faith! This episode was recorded on 2/10/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Laure a 19 ans.Elle est brillante. Sensible. Invisible aussi. Et surtout, elle est anorexique. Hospitalisée à un stade critique, elle replonge dans son histoire pour comprendre comment la faim a pris toute la place… jusqu’à effacer le reste. Avec Jours sans faim, Delphine de Vigan livre un récit bouleversant sur le contrôle, la douleur intérieure et ce que le corps finit par crier quand les mots ne sortent plus.

durée : 00:14:33 - Les Midis de Culture - par : Marie Labory - L'autrice de "Rien ne s'oppose à la nuit" publie chez Gallimard son douzième roman, "Je suis Romane Monnier". - réalisation : Laurence Malonda - invités : Johan Faerber Editeur, essayiste, critique littéraire.; Virginie Bloch-Lainé Productrice à France Culture, critique littéraire, romancière.

durée : 00:27:49 - Les Midis de Culture - par : Marie Labory - Au menu de notre débat critique, de la littérature : "Je suis Romane Monnier", le dernier volume de Delphine de Vigan, portrait d'une femme disparue, et le troisième roman d'Hugo Lindenberg, "Les années souterraines", pour laisser l'enfance derrière soi. - réalisation : Laurence Malonda - invités : Johan Faerber Editeur, essayiste, critique littéraire.; Virginie Bloch-Lainé Productrice à France Culture, critique littéraire, romancière.

durée : 00:54:39 - Le grand atelier - par : Vincent Josse - La romancière publie "Je suis Romane Monnier" aux éditions Gallimard. A ses côtés, la metteuse en scène Julie Deliquet, directrice du Théâtre Gérard Philipe de Saint-Denis. - réalisé par : Christophe IMBERT Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:25 - Carnets de campagne - par : Dorothée Barba - Au programme des Carnets du jour dans le Gard : du cinéma fait et réalisés avec les habitants, dans les Cévennes, et un festival d'écologie dans des quartiers populaires de Nîmes. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

En julio hice este episodio, con este “tag” de lecturas de la primera mitad del año 2025: 286 - ¿Cuál es mi “Mid-year freakout book tag” 2025? https://creators.spotify.com/pod/show/al-daily-podcast/episodes/286---Cul-es-mi-Mid-year-freakout-book-tag-2025-e357ln3/a-ac1nev6Y ahora quiero hacer lo mismo pero del segundo semestre de 2025:1. Mejor libro de la segunda mitad del año. **Hierba, Keum Suk Gendry-Kim**2. Mejor secuela o mejor continuación de una saga. **La Guerra (Saga Blackwater III), Michael McDowell**3. Libro nuevo que no esperabas amar tanto. **Las primeras quince vidas de Harry August, Claire North**4. Mayor decepción. **3xtr4ñ0, Miguel Ángel García Argüez**5. Mayor sorpresa: el libro que te sorprendió para bien, aunque no esperabas gran cosa. **Matar es fácil, Agatha Christie**6. Nuevo autor favorito (ya sea debut o una autora nueva para ti). **Leonora Carrington**7. Nuevo crush literario. **Jonathan Strange**8. Nuevo personaje favorito. Estoy entre “La Pili” (**Solo quería bailar, Greta García**) y “Michka Seld” (**Las gratitudes, Delphine de Vigan)**9. Un libro que te hizo llorar. **Las gratitudes, Delphine de Vigan**10. Un libro que te hizo feliz. **La muy catastrófica visita al zoo, Joël Dicker**11. La adaptación favorita a peli o a serie que has visto durante la segunda mitad del año. **Jonathan Strange y el señor Norrell, Susanna Clarke**12. Reseña favorita que has hecho. **El Columpio, Cristina Fernández Cubas** https://almajefi.substack.com/p/el-martes-nos-columpiamos-y-se-nos?r=3g0u913. El libro más bonito que has comprado o recibido en la segunda mitad del año. **El bosque en pleno invierno, Susanna Clarke**14. Libros que necesitaba leer antes de que terminara el año y que he leído. **El nombre del mundo es bosque, Ursula K. LeGuin y El Vivo de Anna Starobinets, Unaccustomed Earth, Jhumpa Lahiri**15. Libros que necesitaba leer antes de que terminara el año y que NO he leído. **La chica zombie, Laura Fernández**Dime qué te ha parecido este capitulo y deja un comentario en ivoox o Spotify.Si lo prefieres, envíame un correo electrónico a la dirección de gmail almadailypodcast. En redes soy @almajefi y me encuentras en X / Twitter, Bluesky, Threads, Instagram y Telegram.Y ahora también puedes seguirme en substack: https://substack.com/@almajefi

durée : 00:47:04 - La 20e heure - par : Eva Bester - L'écrivaine Delphine de Vigan, dont l'ouvrage "Rien ne s'oppose à la nuit" a marqué le paysage littéraire des années 2010, revient cette année avec un nouveau roman : "Je suis Romane Monnier" paru dans la collection blanche de Gallimard le 15 janvier dernier. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:58:00 - Le Book Club - par : Marie Richeux - Qui est Romane Monnier ? C'est la question qui agite Thomas, le personnage du nouveau roman de Delphine de Vigan. Après avoir récupéré mystérieusement un portable dans un bar, il se met à fouiller rageusement le téléphone de l'inconnue à la recherche d'indices qui pourraient éclairer son identité. - réalisation : Vivien Demeyère - invités : Delphine de Vigan Écrivaine française

Une jeune femme se débarrasse volontairement de son téléphone portable et disparaît. Mais n'a-t-elle pas laissé plus de traces que ce qu'elle imagine ? Ecoutez Laissez-vous tenter avec Sophie Aurenche du 14 janvier 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

How can you work with destination management companies (DMCs) and destination specialists to customize the perfect family vacation? This panel examines what these companies provide and how they can organize a family trip. James Shillinglaw of Insider Travel Report moderates a panel that includes: Mina Agnos, president or Travelive; Émilie de Vigan, senior experience designer for Decouvertes DMC France; and Jane Behrend, president of Emerging Destinations.

This week on “Jesuitical,” Ashley and Zac chat with Daniel Corrou, S.J. Father Corrou is a Jesuit priest from the USA East Province who is currently the regional director of Jesuit Refugee Service Middle East & North Africa. Father Corrou lives and works in Lebanon, where Pope Leo XIV will visit from November 30 to December 2, 2025. Ashley, Zac and Father Corrou talk about: - The significance of Pope Leo choosing Lebanon for one of his first papal visits - Lebanon's complex socio-political and religious context - How the region has been affected by U.S. foreign aid cuts In Signs of the Times, Ashley and Zac discuss the biggest news to come out of the U.S.C.C.B. fall meeting, held last week in Baltimore: the election of a new president and a “special message” on immigration. In As One Friend Speaks to Another, Ashley and Zac try to find God in a board meeting. Links for further reading:  - Support Father Corrou's work at the Jesuit Refugee Service - Analysis: The U.S. bishops showed their unity on behalf of immigrants—and may have repaired their relationship to Rome - U.S. bishops release rare message on Trump's immigration crackdown in show of ‘fundamental unity - New USCCB president Coakley talks immigration, Viganò criticism and Pope Leo - Archbishop Coakley, Bishop Flores elected president and vice president of USCCB - Pope Leo backs U.S. bishops in opposing Trump's immigration crackdown You can follow us on X and on Instagram @jesuiticalshow.   You can find us on Facebook at facebook.com/groups/jesuitical.  Please consider supporting Jesuitical by becoming a digital subscriber to America magazine at americamagazine.org/subscribe Learn more about your ad choices. Visit megaphone.fm/adchoices

Corsi Nation presents a powerful and deeply forensic breakdown of new evidence about the assassination of President John F. Kennedy, featuring the work of Dr. Jerome Corsi (@Corsijerome1) and Dr. David Mantik, a radiation oncologist and expert in Kennedy's autopsy X-rays. Using advanced densitometer analysis, original skull X-rays, firsthand medical testimony from Parkland Hospital, and photographic evidence, Dr. Corsi details the crossfire that killed JFK — and why the official narrative fails. Get Dr. Corsi's and Dr. Mantik's book, THE FINAL ANALYSIS, here:  Amazon.com: The Assassination of President John F. Kennedy: The Final Analysis: Forensic Analysis of the JFK Autopsy X-Rays Proves Two Headshots from the Right Front and One from the Rear: 9798888451557: Mantik M.D., Ph.D., David W., Corsi Ph.D., Jerome R., Horne, Douglas P., Viganò, Carlo Maria: Books3.You'reenteringCoThis episode exposes evidence suggesting:✅ Three separate headshots came from locations other than the Texas School Book Depository✅ A coordinated crossfire, including shots from the Grassy Knoll and the Dal-Tex Building 3.You'reenteringCo✅ Skull X-ray forgeries and post-mortem surgical alteration intended to obscure frontal shots 3.You'reenteringCo✅ Massive head trauma indicating frontal entry and rearward blowout✅ Emergency-room doctors at Parkland Hospital almost unanimously concluded the shots came from the front 3.You'reenteringCoThe evidence includes:• Autopsy X-ray density analysis• Keyhole fracture patterns indicating tangential entry 3.You'reenteringCo• Zapruder frame-by-frame documentation of impact and recoil• Parkland doctor testimonies describing missing cranial structures and cerebellum exposure 3.You'reenteringCo• The “Harper fragment” — skull bone found behind the limousine consistent with frontal entry 3.You'reenteringCoThis episode revisits 60 years of misinformation and presents deeply researched medical and photographic data demonstrating that the JFK assassination was far more complex than the lone-gunman narrative.✅ Official Links

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

SPORTS: TNT clashes with dangerous Converge in Vigan | Oct. 18, 2025Subscribe to The Manila Times Channel - https://tmt.ph/YTSubscribe Visit our website at https://www.manilatimes.net Follow us: Facebook - https://tmt.ph/facebook Instagram - https://tmt.ph/instagram Twitter - https://tmt.ph/twitter DailyMotion - https://tmt.ph/dailymotion Subscribe to our Digital Edition - https://tmt.ph/digital Check out our Podcasts: Spotify - https://tmt.ph/spotify Apple Podcasts - https://tmt.ph/applepodcasts Amazon Music - https://tmt.ph/amazonmusic Deezer: https://tmt.ph/deezer Stitcher: https://tmt.ph/stitcherTune In: https://tmt.ph/tunein#TheManilaTimes#KeepUpWithTheTimes Hosted on Acast. See acast.com/privacy for more information.

June 13th, 2025 - We welcome back Ellen Holmes Steeves-LeBlanc to talk Bp. Joseph Strickland's next pilgrimage. Then we're joined again by Dr. Anthony Stine of Return to Tradition to discuss Viganò, Bp. Schneider, Pope Leo and more. Includes the full Aftershow conversation. TheStationOfTheCross.com/ACT  

Francis passes away; "Christ's word does not pass away." The frank statement of Viganò. What will follow Francis: Extreme Modernism? Semi-Catholicism? The powerful prophecy of Saint Bede. The prophecies of Saint Malachy! Atheists and Faitheists! Again, the failure of sedeprivationism. Vatican l "hyperpapalism" set stage for Vatican ll revolution? Why Latin: Apostles preached and worshipped in vernacular, shouldn't we? This episode was recorded on 4/22/2025 Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Last time we spoke about the invasion of iwo jima. General LeMay's B-29 bombers targeted Japan, inflicting heavy damage on Kobe and Ota's Nakajima factory, though at a cost of lost aircraft. Meanwhile, U.S. forces prepared for the Iwo Jima assault. On February 19, Marines landed amid intense bombardment, facing fierce Japanese resistance. Progress was slow, with heavy casualties. By February 21, they fought to capture Mount Suribachi. Amidst the chaos, kamikaze attacks struck American carriers, causing significant losses and foreshadowing the brutal battles ahead. In the midst of a relentless rain on February 22, Colonel Liversedge led the 28th Marines in a fierce assault on Mount Suribachi, facing determined Japanese resistance. Despite harsh conditions and significant casualties, the Marines pushed forward. On February 23, they reached the summit, raising the American flag to symbolize their hard-fought victory. The Secretary of the Navy, inspired by the moment, declared it would ensure the Marine Corps' legacy for centuries. As battles continued, the Marines faced heavy losses but remained resolute in their mission. This episode is the fall of Manila Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.  As we last observed in Manila, General Griswold's forces had effectively confined the remnants of Admiral Iwabuchi's troops to Intramuros, the South Port Area, and the Philippine Commonwealth Government buildings located at the southeastern edge of the Walled City. Available information led to the conclusion that the Japanese defenses were strongest on the southern and eastern sides of the Walled City and that the Japanese expected attack from these, the most logical directions. Japanese garrisons in the Legislative, Finance, and Agriculture Buildings just across Padre Burgos Street southeast of Intramuros could cover these approaches. The 37th Division could, of course, take the government buildings before launching an assault on Intramuros, but it would be easier to attack the government buildings after Intramuros fell. Conversely, planners deemed it feasible to strike into Intramuros from the west, since Japanese defenses along the west wall, across Bonifacio Street from the Manila Hotel and the South Port Area, appeared weak. But in this case, American troops would first have to clear the South Port Area and then, advancing from the west, would have to attack toward much of their own supporting artillery. The artillery's best positions for close support were on the north and northeast, across the Pasig, and on the east, in the area south from the General Post Office to the City Hall, and much of the artillery ultimately did fire from these areas. About halfway from the northeast to the northwest corner of Intramuros the ancient wall ended, providing direct access into the Walled City at the Government Mint. The only other obstacle on the north was a low sea wall running along the south bank of the Pasig, and Japanese defenses along the north face appeared weak except at the northeast corner. Planners therefore decided that there would be an excellent chance to execute a successful amphibious assault from the north bank of the Pasig against the north-central side of the Walled City.  Given that the Japanese defenses were strongest on the southern and eastern sides of the Walled City, and that the ancient wall ended at the Government Mint between the northeast and northwest corners of Intramuros, it was decided to initiate an amphibious attack from the north bank of the Pasig River targeting the north-central section of the Walled City, executed by the 129th Regiment with close artillery support. However, aware that the Japanese had established a complex tunnel system for rapid troop movement within Intramuros, General Beightler deemed it essential to conduct a secondary assault on Quezon Gate near the northeastern entrance to keep the Japanese forces off balance and to split their attention. Since the Japanese had fortified this area with strong pillboxes just inside the walls, the division concluded that heavy artillery would be required to create an additional breach in the thick wall just south of Quezon Gate, where the 145th Regiment would launch its attack. Furthermore, as the Japanese could target the advancing troops with enfilade fire from the three government buildings to the south, Allied artillery would need to neutralize these buildings during the assault on Intramuros. Lastly, the 1st Cavalry Brigade positioned to the west and southwest of Intramuros would block any potential escape routes for Japanese forces from the Walled City. So far, General MacArthur had severely restricted the employment of air in the metropolitan area. In late January and early February Marine Corps SBDs had bombed or strafed a few pinpointed targets in the North and South Port Areas and had also hit some obvious Japanese gun positions in the open areas of Luneta Park and Burnham Green. One or two strikes may also have taken place against specific targets within Intramuros, but all in all it appears that planes of the Allied Air Forces flew no more than ten or twelve individual sorties against targets within the city after February 3. Before that time both carrier-based and land-based aircraft had presumably limited their strikes to targets within the port areas and to oil storage facilities in Pandacan and Paco Districts. Of course some bombs had gone astray during these strikes and had caused damage within Intramuros, while additional damage within the Walled City had resulted from both American and Japanese artillery fire the first two weeks of the battle for Manila. When approached with General Griswold's plan to carry out an intensive aerial bombardment against the Walled City, MacArthur once again objected: “The use of air on a part of a city occupied by a friendly and allied population is unthinkable. The inaccuracy of this type of bombardment would result beyond question in the death of thousands of innocent civilians. It is not believed moreover that this would appreciably lower our own casualty rate although it would unquestionably hasten the conclusion of the operations. For these reasons I do not approve the use of air bombardment on the Intramuros district.” However, General MacArthur had previously issued orders limiting air operations in the metropolitan area, leading him to reject this proposal. Not wanting to rely solely on infantry for the assault, Griswold and Beightler decided to organize a significant artillery preparation, as they were not explicitly prohibited from using artillery. After several unsuccessful attempts to persuade the Japanese in Intramuros to surrender or release the numerous Filipino civilians they were holding hostage, Griswold initiated the bombardment of Intramuros on February 17, creating several breaches in the east wall. On February 22, Allied artillery began targeting the north wall to breach it and eliminate a Japanese stronghold at the Government Mint, while additional guns took up positions for the final barrage before the infantry assault the following morning. Between 07:30 and 08:30 on February 23, the Americans executed the last preparatory bombardment, effectively damaging the walls of Intramuros and covering much of the interior. Once the supporting fire ceased, the infantry assault commenced, with the 3rd Battalion, 129th Regiment swiftly crossing the Pasig River without opposition and advancing through the Government Mint into Intramuros. Simultaneously, the 2nd Battalion, 145th Regiment climbed over the breach south of Quezon Gate and entered through the gate unopposed, quickly moving southwest toward Letran University. Ten minutes into the assault, Griswold's artillery resumed fire for the next half hour, deploying high explosives, smoke, and white phosphorus across a 100-yard-wide area between the east and west walls. This aimed to seal off the southern third of Intramuros, preventing the Japanese forces there from observing movements to the north or sending reinforcements. The total artillery and mortar fire supporting the assault amounted to 230 tons, equivalent to over 11,650 rounds. By 08:50, the 129th and 145th Regiments connected at Letran University, with the 129th advancing toward Beaterio Street and Fort Santiago against minimal resistance, while the 145th cleared Letran University and secured the first two blocks southwest of Quezon Gate. At 10:45, the 1st Battalion of the 145th Regiment moved through Parian Gate and headed south. As American troops pushed deeper into Intramuros, the Japanese began to recover from the artillery bombardment, offering sporadic resistance from isolated machine-gun and rifle positions. Nonetheless, the 129th successfully cleared the west wall north of Beaterio Street and captured Fort Santiago in the afternoon. However, the 145th had to halt its advance about four blocks southwest of Quezon Gate as the Japanese started releasing nearly 3,000 civilian hostages from San Augustin and Del Monico Churches. Once the civilian evacuation was complete, American tanks and self-propelled artillery targeted Japanese positions within those churches and other strongholds in the southwestern section of Intramuros. Despite the efforts, the troops were unable to reach the south or west walls before nightfall due to fierce resistance. Meanwhile, the 1st Squadron, 12th Cavalry, along with the 2nd Squadron, 5th Cavalry, began clearing the South Port Area, facing relatively light opposition except at one strongpoint. Meanwhile, the 1st Squadron, 5th Cavalry, and elements of the 148th Regiment contained the enemy at the government buildings. On February 24, while the 129th was finishing operations at Fort Santiago, the 145th continued its offensive, successfully cornering the last pockets of resistance in its area into the Aquarium, situated in a bastion at the southwest corner of Intramuros. Although the resistance was fierce in this location, a tunnel linking the bastion to the main wall was unexpectedly left unguarded, allowing Company C to break through into the Aquarium with ease. The final assault commenced in the afternoon, resulting in 115 Japanese casualties as the last organized resistance within Intramuros was overcome. In total, approximately 1,000 Japanese were killed, and 25 were captured during the assault on Intramuros, with the Americans suffering 25 killed and 265 wounded. Concurrently, the cavalrymen completed the clearing of the South Port Area and turned their attention to the government buildings, which would necessitate another intensive preparatory bombardment.  The imposing, columned façade of the Philippine Commonwealth's Legislative Building--the Philippine Capitol--fronted on Padre Burgos Street opposite the southeast corner of Intramuros and lay 150 yards south of the City Hall. About 100 yards south of the Legislative Building was the Bureau of Finance, and another 250 yards to the south-southeast, near the intersection of General Luna and San Luis Streets, lay the main building of the Bureau of Agriculture and Commerce. Architecturally similar to the old Senate and House Office Buildings in Washington DC, the three government structures were modern, earthquake-proof edifices constructed of heavily reinforced concrete. The oblong Legislative Building, with wings four stories high and a central portion rising another two and a half floors, was constructed around two open courtyards. The Finance and Agriculture Buildings, both five-story trapezoids, each featured a central courtyard. The buildings were strong not only by virtue of their construction but because all approaches to them led across wide open ground. Sandbag emplacements and barricades of other types blocked all readily accessible doors and windows, and window-emplaced machine guns covered all approaches. Despite the fact that the Japanese in the three buildings had advantages of position and elevation that permitted them to endanger American and Filipino movements over large areas of Manila, the 14th Corps and the 37th Division at first considered starving the Japanese garrison out. But the two headquarters soon decided this would take too long. Information from prisoners and Filipino hostages who had escaped from the buildings indicated that the Japanese garrisons in the three structures had sufficient strength, ammunition, food, and water to withstand a protracted siege. On February 26, after an hour of final artillery preparation, the 1st Battalion, 148th Regiment entered the ground floor of the Legislative Building from the rear, while the 5th Cavalry attacked the Agriculture Building; however, both units were successfully repelled by the determined defenders. The following day, after a failed attempt to smoke the Japanese out of the Legislative Building, heavy artillery was used to demolish the north and south wings, leaving only the damaged central section, which was subsequently cleared by the infantry. At the same time, the 5th Cavalry cleared out the apartment building and several nearby structures in preparation for another attack on the Agriculture Building, which commenced on February 28 following a three-hour artillery bombardment that caused significant portions of the building to collapse. Facing no initial resistance, the cavalrymen quickly accessed the remnants of the first floor but soon encountered strong opposition from pockets of resistance at the northwest and southeast corners. With support from tanks and armed with small arms, bazookas, and portable flamethrowers, the 5th Cavalry managed to clear the above-ground debris by nightfall, although a few Japanese soldiers remained hidden in basement areas. Ultimately, on March 1, after a failed appeal for surrender, demolitions along with burning gasoline and oil eliminated the last of the Japanese resistance. During this time, artillery, tanks, and tank destroyers relentlessly bombarded the Finance Building from various angles. Eventually, the 1st Battalion of the 148th Regiment would clear the remnants of this building during their final assaults on March 2 and 3. Late on March 3, Griswold joyfully informed Krueger that organized resistance in the Manila area had come to an end. The cost of reclaiming Manila was significant, with over 1,000 Americans killed and 5,500 wounded in the metropolitan area between February 3 and March 3. In contrast, the Japanese suffered approximately 16,000 fatalities in and around Manila. During periods of calm in the fighting, Japanese troops often vented their anger and frustration on the city's civilians, committing acts of violent mutilation, rape, and massacres in schools, hospitals, and convents. This led to the deaths of at least 100,000 Filipino civilians, both from deliberate actions by the Japanese during the Manila massacre and from artillery and aerial bombardments by American and Japanese forces. If you listened to the very first episode of this podcast series, I actually began it with what is known as the Manila massacre. During lulls in the battle for control of Manila, Japanese troops took their anger and frustration out on the civilians in the city. Violent mutilations, rapes, and massacres occurred in schools, hospitals and convents, including San Juan de Dios Hospital, Santa Rosa College, Santo Domingo Church, Manila Cathedral, Paco Church, St. Paul's Convent, and St. Vincent de Paul Church. The Bayview Hotel was used as a designated "rape center". General Yamashita was convicted as a war criminal for the Manila massacre, although Admiral Iwabuchi's marines had committed the atrocities and Yamashita had earlier ordered him to evacuate Manila.  By the end of the Battle of Manila, the public transportation system no longer existed; the water supply and sewage systems needed extensive repairs; the electric power facilities did not function; most of the streets needed repaving; and 39 out of 100 or more large and small bridges had been destroyed, including the 6 over the Pasig River. The University of the Philippines and the Philippine General Hospital were largely irreparable. Lower class residential districts north of the Pasig and upper class apartments south of the river had been destroyed; the Philippine Commonwealth's government's center had been wiped out; the 400-year-old landmark of Intramuros had been nearly razed; severe damage had been inflicted on the economically important installations in the North and South Port Areas; and the industrialized Paco and Pandacan Districts had been badly battered. Many buildings still standing would ultimately have to be torn down as unsafe for occupancy. Millions upon millions of dollars' worth of damage had been done and, as a final shocking note of tragedy, an estimated 100000 Filipino civilians had lost their lives during the battle. However, Manila was officially liberated, marking the end of nearly three years of Japanese military occupation in the Philippines. Following Manila's fall, Krueger aimed to eliminate the Shimbu and Shobu Groups to finalize the liberation of Luzon. Meanwhile, MacArthur deemed it crucial to establish a safe, direct shipping route through the central Philippines to support the creation of large air, naval, and logistical bases on Luzon. Consequently, he instructed the 6th Army to secure southern Luzon and the Bicol Peninsula while also ordering General Eichelberger's 8th Army to seize the islands in the Visayan Passages and the northern part of Samar. To facilitate the southern Philippines Campaign, MacArthur reassigned the 40th and 41st Divisions, the 19th and 34th Regiments of the 24th Division, and the 503rd Parachute Regiment back to the 8th Army. Additionally, he designated the 37th Division to garrison Manila. With the 43rd Division sent south to replace the 40th at Clark Field, Krueger assigned the recently arrived 33rd Division, led by Major-General Percy Clarkson, to take control of the Damortis-Rosario sector. Meanwhile, as the 188th Glider Regiment cleared Ternate Island, Krueger also decided to deploy the 11th Airborne Division and the 158th Regiment to secure the northern shores of the Visayan Passages and open Batangas and Balayan Bays. However, this left only the 1st Cavalry Division and the 112th Cavalry Regiment available for operations against the Shimbu Group, leading Krueger to reluctantly redeploy the 6th Division south to reinforce the 14th Corps, leaving just the 25th, 32nd, and 33rd Divisions under the 1st Corps for operations in northern Luzon. After making these adjustments, Krueger and Griswold began strategizing their offensive eastward against General Yokoyama's Shimbu Group, which had recently received the Noguchi Detachment from the Bicol Peninsula. To ensure the security and recovery of the Manila Bay area, General Patrick's 6th Division was tasked with first capturing Wawa Dam and its pipeline connections, followed by securing Ipo Dam and its related facilities, essential for meeting Manila's water needs. Meanwhile, General Hoffman's 2nd Cavalry Brigade was assigned to secure the Antipolo-Tagig region. Between February 20 and 22, even before the fierce fighting in Manila began to ease, the 7th Cavalry crossed the Marikina River to take control of Taytay and then ventured into the Sierra Madre foothills. The 8th Cavalry followed suit, crossing the river to secure Tagig. On February 23, the 2nd Cavalry Brigade advanced east toward Antipolo, but General Noguchi effectively utilized artillery and conducted small-scale nightly infiltration attacks, successfully harassing and delaying the cavalrymen, who could only measure their progress in feet. Noguchi's effective passive defense meant that by March 4, the 2nd Cavalry Brigade was still a mile and a half from Antipolo, having incurred heavy casualties during this frustrating advance. Among the wounded was General Mudge, who was temporarily replaced by Hoffman as commander of the 1st Cavalry Division. On February 22, the 6th Division also began crossing the Marikina River, with the 20th Regiment fording at Marikina town and the 63rd Regiment crossing at Montalban and San Mateo. Facing no resistance, the 20th Regiment advanced a mile into the steep, grassy hills northeast of Marikina, while the 63rd probed into the high ground east of San Mateo by the evening of February 23. The troops initiated an assault on General Kobayashi's primary defenses at Mounts Pacawagan and Mataba, but made minimal progress before the 1st Regiment arrived from Bataan on February 25. With this new reinforcement, Patrick launched a coordinated attack involving three regiments against Pacawagan and Mataba. However, by March 4, they had only secured a tenuous foothold on the northern crest of Pacawagan, as the efforts of the 1st and 20th Regiments were entirely unsuccessful.   Meanwhile, noticing an uptick in guerrilla activity in the Bontoc and Baguio areas, which indicated a potential major enemy offensive on Baguio, and considering the possibility of an airborne assault in the Cagayan Valley, General Yamashita began reorganizing his forces while preparing the defenses of the triangular redoubt in northern Luzon. He kept most of the 103rd Division stationed in the Aparri and Vigan sectors, assigned the 177th Independent Battalion to secure the naval air base at Tuguegarao, and started organizing eight provisional companies from the remnants of the 2nd Parachute Group at Echague. He tasked the 10th Division with defending the Salacsac-Balete Pass sector to the last man, gathered the remnants of the 2nd Tank Division at Dupax to reform as an understrength infantry division, and relocated the 105th Division to Bagabag, where it would be bolstered by the 10th Regiment. Additionally, he assigned these three divisions to Major-General Konuma Haruo's self-sufficient Bambang Branch, transferred the 19th Division to the Bontoc area to combat the enemy guerrillas, tasked the Hayashi Detachment with holding San Fernando, began moving the worn-out 58th Independent Mixed Brigade north to defend Route 9, and ordered the fatigued 23rd Division to continue containing the enemy in the Rosario-Baguio sector. General Swift's 1st Corps, which had recently lost two divisions, was focusing its main efforts against Baguio. Clarkson's 33rd Division was set to advance north along Route 11, while General Gill's 32nd Division would move northwest through the Ambayabang, Agno, and Arodogat valleys from the south and southeast. Meanwhile, General Mullins' 25th Division planned to launch a holding attack on the Bambang front. However, in mid-February, as Clarkson's forces continued to pressure Japanese troops entrenched along the Hill 600-Hill 1500 ridgeline, they learned that General Sato's withdrawal to the north was already in progress to bolster the San Fernando front. Additionally, the 130th and 136th Regiments successfully cleared the last Japanese forces from the north-central part of the ridgeline by February 22, although they were unable to capture the Hill 600 complex. At the same time, the 32nd and 25th Divisions conducted extensive patrols in their areas, discovering that the Japanese were guarding every approach to the north as various units made contact with Japanese outposts. During this period, the Americans also identified the Baguio-Aritao supply road. Severing this link in the Japanese defensive network would provide the 1st Corps with a significant tactical advantage. Given that the Baguio end of the supply road was more heavily defended and that breaking through to Aritao would threaten the critical Bambang and Bagabag positions, Krueger and Swift decided that the 25th and 32nd Divisions would concentrate their efforts on the Bambang front, while the Baguio front would be maintained in a holding capacity. Volckmann's missions as assigned by 6th Army, which assumed control of USAFIP(NL) on January 13, were to gather intelligence, ambush Japanese patrols, seize or destroy Japanese supplies, disrupt Japanese lines of communication, and block Japanese routes of withdrawal into and exit from the Cagayan Valley. It was not, apparently, initially intended that Volckmann's force would engage in sustained efforts against major Japanese units, and there seems to have been little hope that Volckmann's, or any other guerrilla unit, would ever become effective combat organizations. The most help General MacArthur and Krueger probably expected was in the form of harassing raids, sabotage, and intelligence. But Volckmann--and other guerrilla leaders on Luzon as well--interpreted his missions as broadly as his strength and armament permitted. By the end of February USAFIP(NL) had cleared much of the west coast of Luzon north of San Fernando and also controlled the north coast west of Aparri. Volckmann had rendered Route 11 between Baguio and Tuguegarao and Route 4 from Libtong to Bagabag virtually impassable to the Japanese. Indeed, one of the main reasons that Yamashita moved the 19th Division north had been to regain control over the two vital highways so that supplies could continue moving into the final redoubt. While USAFIP(NL) did not possess sufficient strength to attack major Japanese concentrations or to hold out against large-scale punitive expeditions, it had diverted and pinned down Japanese forces that could undoubtedly have been used to better advantage elsewhere. It would appear that by mid-February USAFIP(NL) had accomplished far more than MacArthur or Krueger had either expected or hoped. Meanwhile, the 121st Regiment secured the highway from Vigan south to Libtong, with Company L capturing Cervantes and pushing the 357th Independent Battalion into the Bessang Pass. Elements of the 121st then shifted their focus to San Fernando, which they attempted to attack unsuccessfully in late February and early March. Following Swift's new strategies, the 33rd Division began patrolling the approaches to Baguio in the last week of February, successfully overrunning the last Japanese positions on Hill 600 and in the Arodogat Valley. Along Route 11, the 71st Regiment executed a successful fighting withdrawal, while American patrols along the coast occupied Agoo and advanced to Pugo with minimal resistance, only to encounter the first sections of the Tuba Trail defended by elements of the 64th Regiment. On the main front, the 25th Division commenced its advance to Puncan on February 21, while the 32nd Division began its push up the Villa Verde Trail toward Santa Fe. The 127th Regiment broke through the trail's outpost line on February 24; the 35th Regiment advanced unopposed along Route 100, reaching Carranglan on February 26; the 161st Regiment targeted high ground overlooking Puncan from the west and successfully secured the trail junction on February 28, diverting the enemy's attention; and the 27th Regiment pushed north along Route 5, facing fierce resistance while clearing the Lumboy area on February 27. On Villa Verde, the 127th Regiment advanced to the Cabalisiaan River crossing by March 1, where they once again defeated the 10th Reconnaissance Regiment. After leaving one battalion to secure the crossing, the 127th continued their advance and encountered the weakened Japanese defenders on March 3. Recognizing the threat to the Salacsac Pass, Konuma promptly sent reinforcements to the 10th Reconnaissance Regiment and ordered General Iwanaka's recently reorganized 2nd Tank Division to prepare for deployment to the Salacsac Pass, taking command of all troops along the Villa Verde Trail. While these reinforcements were en route, the 127th Regiment continued to assault the remaining positions of the 10th Reconnaissance Regiment, ultimately reaching the western entrance of Salacsac Pass on March 5. Meanwhile, to the south, a battalion from the 35th Regiment descended a rugged trail into Puncan from the northeast and secured the heights overlooking the damaged town on March 1. The next day, as patrols entered the deserted Puncan, the rest of the regiment cautiously advanced west along Route 100 from Carranglan, occupying Digdig without resistance on March 3. Over the following two days, organized resistance began to crumble throughout the Lumboy-Puncan area, with Mullins' three regiments successfully connecting at Puncan and Digdig after the encirclement of a 1,250-man enemy force. Concerned about these developments, Konuma quickly decided to bolster the 10th Division with the Takachiho Unit and the majority of the 10th Regiment. Additionally, the 2nd Battalion of the 126th Regiment began its advance up the Ambayabang Valley on February 25, successfully reaching Lawican by March 5. In response to this new threat, Yamashita swiftly directed his reserve 16th Reconnaissance Regiment to secure the upper reaches of the Ambayabang. Finally, to the south, the Americal and 24th Divisions were tasked with initiating operations to secure the Visayan Passages. Consequently, on February 19, the 1st Battalion of the 182nd Regiment landed on Capul Island and launched an assault on Biri Island the next day. After discovering other unoccupied islets near Samar, the battalion established a base at the northwestern tip of Samar, ultimately defeating the last organized resistance in that region by March 1. Meanwhile, elements of the 19th Regiment landed on Verde Island on February 23, managing to secure the island by March 3. The 1st Battalion of the 21st Regiment made an unopposed landing on Lubang Island on February 28, and the 1st Battalion of the 132nd Regiment successfully captured Ticao and Burias Islands on March 3. Additionally, on the morning of February 23, a task force comprising the 1st Battalion of the 188th Glider Regiment, the 1st Battalion of the 511th Parachute Regiment, a Provisional Reconnaissance Platoon from the 11th Airborne Division, several guerrilla groups led by Lieutenant-Colonel Honorio Guerrero, along with supporting artillery, tank destroyers, and amphibious tractors, executed a carefully coordinated rescue of 2,147 internees from an internment camp near Los Baños on Laguna de Bay. The 1st Battalion of the 188th Glider Regiment, commanded by Lieutenant-Colonel Robert Soule, launched a diversionary ground attack from the west, while the majority of the 1st Battalion of the 511th Parachute Regiment crossed Laguna de Bay using amphibious tractors. Company B of the 511th Parachute Regiment parachuted directly into the camp, and the Reconnaissance Platoon along with the guerrillas, who had already infiltrated the area, created chaos throughout the camp. The task force eliminated the Japanese garrison of about 250 guards and managed to escape through enemy-held territory before the Fuji Force could mount a counterattack. The casualties were minimal: only 3 Americans and 2 Filipinos lost their lives, while 2 Americans and 4 Filipinos were injured. However, starting two nights after the raid, the 17th Regiment, along with Kempeitai police and Filipino Ganaps, began terror raids in the surrounding barrios, resulting in the deaths of up to 1,500 Filipino civilians over the next few nights. It was now time to leave the Philippines and return to New Guinea to support the ongoing Australian campaign in Aitape-Wewak. Previously, Brigadier Martin's 19th Brigade had fought its way to Malin and Abau, while Colonel Buttrose's 2/5th Battalion secured Perembil, Asiling, Samisai, and Maharingi. On January 12, Brigadier Moten directed the battalion to initiate a three-pronged offensive toward Luwaite, Bulamita, and Bombisima. The advance was rapid, as patrols encountered only small enemy groups, and all three objectives were successfully captured by the end of January. After the capture of Malin, the 2/8th Battalion and the 2/9th Commando Squadron patrolled the rugged terrain between Nimbum Creek and the upper Danmap for three weeks, facing some resistance on Long Ridge. Due to this pressure, General Aotsu's force received additional reinforcements in the latter half of January before withdrawing to join the defenses of the 20th Division, while General Mano's 41st Division retreated to Balif and Salata. Meanwhile, General Stevens had ordered Brigadier Roy King's 16th Brigade to relieve the 19th at the Danmap, but catastrophic floods hindered the completion of this relief in the south before the month ended. In the north, the 2/1st Battalion took over from the 2/11th Battalion on January 24 and began advancing patrols along Nambut Hill, where they faced significant resistance. Due to these patrols, the Australians launched a company attack on February 4, which the defenders easily repelled. Following a heavy air bombardment, the enemy stronghold was captured on February 7, and another company took McNeil's Creek four days later. Meanwhile, the 2/3rd Battalion initiated an assault on Long Ridge, inflicting considerable casualties on the enemy at Cory's Spur. At this juncture, Stevens decided to sequentially capture But, Dagua, and Wewak, as well as Maprik in the mountains, and to push eastward. The 16th Brigade was the first to advance to Wank Creek and then to the Anumb River. King promptly sent the 2/1st Battalion to secure Nambut Creek while the 2/3rd Battalion moved to the Wolhuk Creek-Una Creek line. By February 18, the 2/1st Battalion had fully secured Nambut Hill, with one company advancing along the coast and pushing the Japanese across the creek the next day. By February 22, the area up to Balam Creek was occupied, and barges had delivered supplies at Wank Creek for four days. The following day, they reached the Anumb River and began patrolling toward Sowom while a sloop bombarded enemy positions along the coast. Finally, on February 28, the 2/2nd Battalion relieved the weary 2/1st Battalion and started preparing for operations against But. Simultaneously, the 2/3rd Battalion successfully established the Wolhuk Creek-Una Creek line and sent patrols northward to connect with both the 2/1st and 2/2nd Battalions. In early February, the 2/5th Battalion launched an attack on Salata, Balif, and Balaga, sending three companies southward. Salata and Bombeta were captured on February 3, followed by Balif three days later, while Balaga remained successfully defended. The 2/6th Cavalry Commando Regiment was tasked with supporting Moten's advance toward Maprik, prompting the 2/10th Commando Squadron to move to Ami. After the Australians secured the Balaga-Numango area on February 13, Buttrose dispatched two companies to capture Barangabandangi and Malahun, which fell by February 17. At this time, the 2/10th Commando Squadron had also advanced northeast of Ami to Walahuta, Kualigem, and Amahaur, resulting in several Japanese casualties. Meanwhile, the 2/7th Commando Squadron conducted patrols deep into the Atob River and the headwaters of the Screw River. The 2/5th Battalion was preparing for relief by the 2/7th Battalion but first needed to fend off a strong counterattack at Malahun on February 23. During the 2/5th's advance, most of the 40th Division withdrew south into a densely populated garden area bordered by the Nanu and Amuk Rivers. This southern flank could not be overlooked as the Australians moved toward Maprik, so Moten sent a company from the 2/6th Battalion to advance through M'Bras, Asanakor, Yubanakuor, and then east to the heavily fortified Sinahau villages, pushing the enemy toward Maprik for destruction. Additionally, a rumor was spread among the locals that the commandos would advance on Maprik via Ami, which successfully prompted the Japanese to reposition most of their forces to the north and northeast. Meanwhile, by early March, the 2/7th Battalion had completed the relief of the 2/5th Battalion and successfully occupied Asanakor on March 7, followed by Inimbi on March 8, Yubanakuor on March 9, and Balangabadabil, Ilahop, and Armimin on March 10. To the north, the 2/2nd Battalion also finished its relief at the Anumb. Additionally, the 2/3rd Machine-Gun Battalion and the 2/9th Commando Squadron took over from the 2/3rd Battalion in the mountainous region. The latter began advancing towards Arohemi on March 4, where they encountered a strong Japanese force that resisted for three days. After a significant airstrike, the Australians managed to clear the area west of the Anumb River by March 9. Simultaneously, the 2/2nd Battalion pushed forward to Simbi Creek, successfully clearing the area and reaching the Ninahau River by March 12. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. The battle for Manila is finally over. The capital of the Philippines came at a terrible cost for the Americans, Japanese and innocent Filipino civilians. It would be only a matter of time until the Americans moped up the Philippines and continued onwards to the Japanese home islands.

  In this thought-provoking episode of The Patrick Coffin Show, Patrick engages in a rather detailed, and somewhat technical, conversation with canon lawyer Marc Balestrieri to address two hot-button topics within the Catholic Church: the schismatic claims surrounding Archbishop Carlo Maria Viganò and the mounting evidence that Pope Francis (Jorge Bergoglio) could be considered an antipope.   Guest Marc Balestrieri is founder and president of Canonical Aid, an international canon law service helping lay and clergy with canonical issues. He is licensed to practice before any ecclesiastical court in the world, except the tribunals of the Holy See, and specializes in the nullity of Marriage, penal canon law, rotal Jurisprudence and praxis, and the rights of clerics and the faithful.   He was recruited to serve as a staff canonist for the Sacred Roman Rota in the Vatican for the Holy See, and his record includes service in the United States for the Archdioceses of Saint Paul & Minneapolis, Saint Louis, and Los Angeles; England for the Archdiocese of Westminster; and France for the Archdiocese of Strasbourg.    In this interview, Balestrieri offers a detailed analysis of the canonical definitions of schism and whether Viganò's outspoken critiques of Francis, in light of the July 2024 Vatican announcement of Viganò's excommunication for schism. They explore Viganò's controversial stance on issues like the Second Vatican Council and his sharp critiques of the Vatican's leadership.   The conversation then pivots to the question of Bergoglio's legitimacy as pope. Balestrieri shares insights into historical and canonical precedents that fuel arguments for and against the idea that Francis may not be the true successor of St. Peter. Patrick and Marc discuss the impact these debates have on the faithful and the Church's unity, encouraging listeners to think critically about the current papal crisis.   Tune in for a fascinating exploration of modern ecclesial controversies, and what it all means for Catholics worldwide.   Topics covered in this episode:   The proper definition of schism The differences between the 1917 Pio-Benedictine Code of Canon Law The dilemma of being on trial for excommunication and schism when you don't recognize the validity of the antagonist-judges The relevant canons for papal resignation and the distinction between munus (office or gift) and ministerium (external functions) Principles for maintaining hope in an upside down Church under Bergoglio The controversies surrounding the St. Gallen Mafia's misadventures in the lead up and voting pattern in the March 2013 Conclave   Resources mentioned in this episode:   Marc Balestrieri's website    Pope Emeritus? The Always Is Also a Forever by Estefania Acosta Ochoa

On Twitter, Archbishop Viganò wrote in the context of discussing Cardinal McCarrick: “Bergoglio [Pope Francis] himself committed the same abuses when he was Master of Novices of the Society of Jesus in Argentina, as personally confided to me by one of his former novices.” Get a FREE signed copy of the book Rosary in 50 Pages (AND a free Rosary) mailed to you while the offer lasts: https://www.patreon.com/drtaylormarshall Dr Taylor Marshall's newest book: Antichrist and Apocalypse is on amazon (https://amzn.to/3ESfDEL) or get an autographed copy at https://www.patreon.com/drtaylormarshall Dr Marshall's previous book: Infiltration - The Plot to Destroy the Church from Within: https://amzn.to/2ENisHk Take Dr. Marshall's online Catholic courses by signing up as a student at https://newsaintthomas.com