Podcasts about xennial

Welcome back to the home of sports talk for the average joe, the Xennial home of sports talk.We start off the show with an Ovechkin chasing Gretzky update as of recording he has 6 more goals to go in 10 games. From we discuss the eventful Opening Day for MLB. We go over a few of the firsts that happened on Opening Day, like Austin Wells becoming the first catcher to hit a leadoff home run on opening day and only the 21st batter to do so in the history of the sport. Then we get into a discussion about the Los Angeles Angels Opening Day woes, and we get into a long form talk about the Phillies first game of the season.After the commercial break we come back to discuss our fantasy baseball league and how we each feel about our teams. We also talk about the draft and our thoughts for the season.All this and much more! If you haven't joined the NASPOD MVP's group yet, please do so by⁠⁠⁠⁠ clicking here⁠⁠⁠⁠. We have an active group with lively discussions and plenty of interesting sports posts.⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/Naspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our newest sponsor is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ballsy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! click the link to get a great discount on your personal grooming needs. Taking great care of yourself doesn't have to feel like a chore and shouldn't be reserved for GQ models. Only the good stuff like essential oils & plant extracts. No sulfates, parabens, synthetic dyes, and of course no testing on animals. Their products are developed with unique active ingredients to keep you feeling and smelling better than ever before. that's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://https://ballsy.sjv.io/x9YMad⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for your discount at BallsyDon't forget for listeners of The Not Another Sports Podcast, if you visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Fansidea.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use the code NASPOD at checkout and you will get 10% off your order. Fansidea.com is the place to go for custom made jerseys, hoodies, shirts, and other gear.  The perfect product, perfectly Stitch / Sublimation / Embroidery 100% HANDMADE and delivered on-time. That's certainty. And it's their promise to you.

It was the 80s, man! The Xennial microgeneration (born between 1977 and 1983) is, arguably, the best generation, but growing up in the magical, tech-free 80s wasn't actually entirely happy-go-lucky. TV and movies of the era loved inflicting psychological scars on children, so Jared takes a therapeutic moment to get all that emotional damage off his chest.   Next—what you're actually here for—insights on legal technology, conferences, products, and more! Jared welcomes Jobst Elster of InsideLegal to get his take on the latest trends. They discuss technology use in law firms and spend time hashing out why legal tech conferences are still a pretty essential part of tech education and making connections with progressive, reputable vendors.  And, lastly, the Rump Roast! As it turns out, Jobst has a serious barbeque hobby, so, in homage to the name of this segment, he and Jared talk about the literal roasting and smoking of delicious meats. ----- A playlist full of...meat? ----- Jobst Elster is the Head of Content/Legal Marketing Strategy at InsideLegal.com.

It was the 80s, man! The Xennial microgeneration (born between 1977 and 1983) is, arguably, the best generation, but growing up in the magical, tech-free 80s wasn't actually entirely happy-go-lucky. TV and movies of the era loved inflicting psychological scars on children, so Jared takes a therapeutic moment to get all that emotional damage off his chest.   Next—what you're actually here for—insights on legal technology, conferences, products, and more! Jared welcomes Jobst Elster of InsideLegal to get his take on the latest trends. They discuss technology use in law firms and spend time hashing out why legal tech conferences are still a pretty essential part of tech education and making connections with progressive, reputable vendors.  And, lastly, the Rump Roast! As it turns out, Jobst has a serious barbeque hobby, so, in homage to the name of this segment, he and Jared talk about the literal roasting and smoking of delicious meats. ----- A playlist full of...meat? ----- Jobst Elster is the Head of Content/Legal Marketing Strategy at InsideLegal.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this mega-episode conclusion, our three heroes find the missing children and fight to save Christmas from the lich. Find our gaming livestreams at https://www.twitch.tv/critribbit Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic with our (mis)adventures! http://www.1d4rounds.com/ Find Deece on TikTok here: https://www.tiktok.com/@1d4rounds You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: http://www.freelanceheroism.libsyn.com/ Vwyrre Kwylth's theme: Ghost Piano by Xennial, sourced from Free Music Archive under the Creative Commons 4.0 license https://freemusicarchive.org/music/xennial/single/ghost-piano/  

Vwyrre, Max, and Tinker bravely make their way up Hoovale's mountain in search of the kidnapped children when they are attacked. Find our gaming livestreams at https://www.twitch.tv/critribbit Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic with our (mis)adventures! http://www.1d4rounds.com/ Find Deece on TikTok here: https://www.tiktok.com/@1d4rounds You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: http://www.freelanceheroism.libsyn.com/ Vwyrre Kwylth's theme: Ghost Piano by Xennial, sourced from Free Music Archive under the Creative Commons 4.0 license https://freemusicarchive.org/music/xennial/single/ghost-piano/  

Tinker, Vwyrre, and Max get to know each other and help out the local innkeeper before making their way to a suspiciously quiet Hoovale. Find our gaming livestreams at https://www.twitch.tv/critribbit Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic with our (mis)adventures! http://www.1d4rounds.com/ Find Deece on TikTok here: https://www.tiktok.com/@1d4rounds You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: http://www.freelanceheroism.libsyn.com/ Vwyrre Kwylth's theme: Ghost Piano by Xennial, sourced from Free Music Archive under the Creative Commons 4.0 license https://freemusicarchive.org/music/xennial/single/ghost-piano/  

Welcome back to the home of sports talk for the average joe, the Xennial's sport talk home. This week's episode is brough to you by our brand new Facebook Group NASPod MVP's. Click the link and join our growing community of sports fans who enjoy some fun discussion. The first half of the episode we talk about the Golden At Bat Rule that MLB Commissioner Rob Manfred has been rumored to be interested in implementing "down the road". A listener posted about it in the MVP's group and it lead to lively discussion, which we felt should be acknowledged on the air. The second half we talk about the results of a poll posted in MVP's group. Based on current standings who do you think will win the Super Bowl. The overwhelming winner were the Detroit Lions. We discuss all the teams that received votes and why the Chiefs went from celebrated underdogs to disliked winners. all this and more... ⁠⁠⁠https://linktr.ee/Naspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our newest sponsor is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ballsy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! click the link to get a great discount on your personal grooming needs. Taking great care of yourself doesn't have to feel like a chore and shouldn't be reserved for GQ models. Only the good stuff like essential oils & plant extracts. No sulfates, parabens, synthetic dyes, and of course no testing on animals. Their products are developed with unique active ingredients to keep you feeling and smelling better than ever before. that's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://https://ballsy.sjv.io/x9YMad⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for your discount at Ballsy Don't forget for listeners of The Not Another Sports Podcast, if you visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Fansidea.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use the code NASPOD at checkout and you will get 10% off your order. Fansidea.com is the place to go for custom made jerseys, hoodies, shirts, and other gear.  The perfect product, perfectly Stitch / Sublimation / Embroidery 100% HANDMADE and delivered on-time. That's certainty. And it's their promise to you.

A down-on-his-luck mall Santa, a retired toymaker, and Santa's campaign strategist walk into a bar.... Find our gaming livestreams at https://www.twitch.tv/critribbit Email us your questions at: FreelanceHeroismPodcast@gmail.com Visit Freelance Heroism on Facebook! https://www.facebook.com/freelanceheroism/ We have a Patreon! Any support you can provide goes toward us giving you a better podcast listening experience: https://www.patreon.com/Freelance_heroism Check out Deece's webcomic with our (mis)adventures! http://www.1d4rounds.com/ Find Deece on TikTok here: https://www.tiktok.com/@1d4rounds You can find our gameplay videos on our YouTube page: https://www.youtube.com/channel/UC6TwfLOFsl192ExdAugebgg/ You can check out our web page here: http://www.freelanceheroism.libsyn.com/ Vwyrre Kwylth's theme: Ghost Piano by Xennial, sourced from Free Music Archive under the Creative Commons 4.0 license https://freemusicarchive.org/music/xennial/single/ghost-piano/

Welcome back to the Xennial sports talk home. This episode we start talking about the Tyson Vs Paul fight and our thoughts on the event, the fight, and Netflix's ability to livestream. From there we move into the story of Juan Soto meeting with the Phillies and that it went much better than his meeting with the Yankees. We also touch on Alec Bohm and Nick Castellanos being on the trade block and our thoughts on it. In the second half we provide updates on our gameplay videos for our YouTube Channel. What is upcoming for the channel, and our future plans. All this and much more! ⁠⁠⁠https://linktr.ee/Naspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our newest sponsor is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ballsy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! click the link to get a great discount on your personal grooming needs. Taking great care of yourself doesn't have to feel like a chore and shouldn't be reserved for GQ models. Only the good stuff like essential oils & plant extracts. No sulfates, parabens, synthetic dyes, and of course no testing on animals. Their products are developed with unique active ingredients to keep you feeling and smelling better than ever before. that's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://https://ballsy.sjv.io/x9YMad⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for your discount at Ballsy Don't forget for listeners of The Not Another Sports Podcast, if you visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Fansidea.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use the code NASPOD at checkout and you will get 10% off your order. Fansidea.com is the place to go for custom made jerseys, hoodies, shirts, and other gear.  The perfect product, perfectly Stitch / Sublimation / Embroidery 100% HANDMADE and delivered on-time. That's certainty. And it's their promise to you.

What happened when Simu Liu summoned the Kenergy to address cultural appropriation of Boba, also known as bubble tea and pearl milk tea, on CBC reality show Dragons' Den, and how did the internet react? (spoiler: not well)And what's the secret sauce behind Netflix's hit rom-com series Nobody Wants This, starring Xennial dreamboats Adam Brody and Kristen Bell?Guest critic Patrick Lenton, freelance culture writer and author, joins BW to figure it out.Show notes:Simu Liu on Dragons' DenBobba apologises

This episode originally broadcast on September 26, 2024. The original podcast post is here: https://pixelatedgeek.com/2024/09/binary-system-podcast-426-the-crown-kaos-time-bandits-better-call-saul-and-star-trek-lower-decks/ This week's episode features the triumphant return of special guest Hannah Wallace, as she and the East Coast branch of the podcast fight their way through the wilds of Gatlinburg. (But really, they saw a bear and everything!) As they fill in Elizabeth on their adventures, everybody gets a chance to talk about what we've all been watching lately, and there's an actual theme: shows you can enjoy even if you don't know the story behind it. The Crown works even if you didn't keep up with the royal family; Kaos works even if you don't know Greek mythology; the new Time Bandits works even if you don't know historic events; Better Call Saul works even if you didn't watch Breaking Bad; and Star Trek Lower Decks works even if you were never a Trekkie. But all these shows work even better if you DO know some stuff behind it, which is why making a monument to Miles O'Brien is freaking hilarious. Spoilers for everything, especially Kaos: Elizabeth figures it's better to spend a season wondering WHEN something bad is going to happen, than spend the season wondering IF something bad is going to happen. This week's outro is a clip from Robots II by Xennial. Looking for a present for that hard-to-shop-for person? Want to buy them (or yourself) a square foot of a castle in Scotland? Look no further! You can support the restoration of Dunan's castle, legally call yourself Lady or Laird, AND if you use this link to get there, you can support this podcast too! ScottishLaird.co.uk. For updates, fan art, and other randomness, come follow us on Facebook, Tumblr, Twitter, and Instagram!

Today the Oscar Grouches celebrate their favorite filthy casual as they placate Jonathan's Xennial nostalgia as they watch Mighty Morphin' Power Rangers: The Movie and Power Rangers!

Hosts Jo Firestone & Manolo Moreno play listener-created games with callers!Games played: Dr. Holiday Movie Show submitted by Kelly Fino from Pittsburgh, Pennsylvania, And Now A Plea From New Sponsors submitted by Owen Lowery from Pittsburgh, Pennsylvania, and Hot Mess Monster submitted by Robert McDougall from Celbridge, IrelandCallers: Kelly & Eric from Pittsburgh, Pennsylvania; Zia from Provo, Utah; Owen from Pittsburgh, Pennsylvania; River from Singapore; Diana from Long Island City, Queens, New York; Hannah & Jacob from Richmond, CaliforniaOutro theme by Scott Hoelzer from Fort Collins, ColoradoManolo's comic book, Supportive #1, is available at moslo.xyz

Today on Long Island Tea Podcast, Alyssa joins Sharon at Urban Air Lake Grove to talk about all things Spring Break. This is the perfect place to take the kids and get them out of the house. As Long Island's tallest indoor adventure park, Urban Air Lake Grove has rides that take young adventurers 30 feet in the air. Favorites include the Sky Rider zipline, ropes course, warrior course, battle beam, bumper cars, trampolines, and more! Check out the link to the Long Island TV episode below to see the full park in action. The ladies talk about other spots to take the kids for Spring Break. Plus coming up this week is National Farm Animal Day, a perfect reason to check out a Long Island farm, and National Dolphin Day. HotTeas: Have you had any dolphin sightings on Long Island? Send us your pictures and videos to spillthetea@discoverlongisland.com and we will share them on our Instagram. Plus baseball season has begun- let us know, are you a Mets or a Yankees fan? The ladies close out the show talking about what it means to be a Xennial. Urban Air Lake Grove:Memberships are the most cost effective way to visit the park more than once, with one month of a Platinum membership costing less than one ticket to the park.urbanair.com/new-york-lake-groveUrban Air on LITV: https://www.youtube.com/watch?v=Hbm83XGW3BgSpring Break Indoor Activities on Long Island for the kids:-Vanderbilt Museum and Planetarium in Centerport-Long Island Aquarium in Riverhead-Long Island Children's Museum in Garden City-Cradle of Aviation Museum in Garden City-GDC Roller Rink in Greenport-Dave and Busters (Massapequa, Westbury and Islandia)-American Armor Museum in Old Bethpage-X-Golf Commack & Westbury-RPM Raceway in Farmingdale-Hue Studio Fine Art Academy in Rockville Centre-Long Island Explorium in Port Jefferson-Selfie Clubhouse in HicksvilleNational Farm Animals DayLong Island Game Farm, Manorville: longislandgamefarm.comWhite Post Farms, Melville: whitepostfarms.comLong Island Ducks: Opening Day is April 25. Get Tickets at liducks.comASK US ANYTHING!DM us on Instagram or email us at spillthetea@discoverlongisland.com. Tell us what you want to hear! Whether it is Long Island related or not, the ladies are here to spill some tea with you!WATCH US:And SUBSCRIBE on YouTubehttps://www.youtube.com/DiscoverLongIslandNYFOLLOW US:Follow The Long Island Tea podcast on TikTok, Instagram, Facebook, and Twitter @LongIslandTeaPodcastWRITE TO US:Email spillthetea@discoverlongisland.com if you are interested in collaborating with us, need some "uncorked advice"or if you just want to say “How you doin?”RATE AND REVIEW US:Be sure to leave us a 5 star rating and review wherever you're listening, and screenshot your review for $5 off our Merch!WEAR US:Shop Long Island merch at shop.discoverlongisland.com Hosted on Acast. See acast.com/privacy for more information.

 I'm Lieutenant Commander Doug Pistorius, your captain on the Xennial Aviator podcast, and we're about to embark on an inaugural flight that threads the vast skies of my personal and professional exploits. From the technical intricacies of Naval Aviation to the expanse of the world viewed from a cockpit, my 15-year journey as a Naval Aviator has been nothing short of extraordinary. Join me as I delve into the friendships forged and the globe-trotting thrills. This is where tales of the skies and street meet the voice of experience.Additionally, we'll navigate the terrain of the Xennial micro-generation, a rare airspace where the analog roots of childhood intertwine with a digital  adulthood. As a Xennial, my path is one of bridged eras. This show promises an eclectic crew of guests, from a fellow aviator transitioning to the airlines, an Oakland cop, a distilling expert supporting veteran causes, and an enlisted sailor reaching for the golden wings. Every episode is a tribute to the peaks and valleys of life's flight plan, because it's not just about the smooth rides but also the turbulence that teaches us to soar.Intro Music:  Track Title: The Need For Speed Artist Name(s): Tiger Gang   (Soundstripe.com)Outro Music:Track Title: ChessArtist Name:  Phononaut (https://www.youtube.com/watch?v=Ro1Bqd0pTjA)Socials:Email: TheXennialAviator@gmail.comFacebook: https://www.facebook.com/profile.php?id=61555711167875Instagram: @thexennialaviatorTiktok:@thexennialaviatorIntro Music: Track Title: The Need For Speed Artist Name(s): Tiger Gang (Soundstripe.com)Outro Music:Track Title: ChessArtist Name: Phononaut (https://www.youtube.com/watch?v=Ro1Bqd0pTjA)Socials:Email: TheXennialAviator@gmail.comFacebook: https://www.facebook.com/profile.php?id=61555711167875Instagram: @thexennialaviatorTiktok:@thexennialaviatorDONATE and Buy me a Beer! I'll give youa shoutout on the next episode! https://www.buymeacoffee.com/thexennialaviator

We sample Eggo brunch in a jar. What is a "Xennial"? Ern puts something good in our mouths (for a change). "Classic" music makes us feel old. Brian hates Greta Thurnberg. Ten things women do that annoy men.

In this episode of Bill Selak Talks, I muse over the quirky yet insightful ways my children interact with technology, revealing a generational bridge that I, as a Xennial, find myself balancing. I'm the go-to tech guide for both my parents and my kids, yet I'm also the playful target of my kids' tech-savvy trolling […]

for the full episode join the Patreon [patreon.com/fashiongrunge]Another interview! I could literally chat all day about nostalgia with fellow pop culture fans. On this episode I chat with Dustin Holden about his show, The Rewatch Recap Podcast and why we love to talk about the good ol days of the 90s, when television series' first appeared on DVD, how fucked Hollywood actually is, appointment television in the day of social media, Stranger Things, Ghostwriter, and tons more!---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon!   Guest: Dustin Holden @therewatchrecapHost: Lauren @lauren_melanieFollow Fashion Grunge PodcastSubstack The Lo Down: a Fashion Grunge blog/newsletterInstagram @fashiongrungepodTwitter @fgrungepodLetterboxd Fashion Grunge PodcastTikTok @fashiongrungepod 

"Care Bears...prepare to stare!" When it came to the awww factor, GenX & Xennial kids that grew up in the 80s were fortunate enough to enjoy the adorable, sweet characters who lived in an extraordinary place called Care-a-Lot. It is from here that they watch over the tender feelings of children all around the world, waiting for their namesake distress alert! Join Cooper Lee & Kennedy Rizzo as they recount the many warm history/ adventures of the ever lovable Care Bears! Subscribe, rate and leave us a shining review/ feedback if you liked what you heard this week! If you have any suggestions, requests or experiences you'd like to have featured in future episodes, please let us know & send us a message at Spotify for Podcasters--> https://podcasters.spotify.com/pod/show/retro-trek-the-caramel-apples or email us at stickycaramelapples@gmail.com We're now on social media! If you would like to reach out, stop by and say hi! Tell us how we're doing! Leave a comment & share with us some of your favorite retro topics. Twitter: @CaramelApples16 Instagram: @retrotrekthecaramelapples TikTok: @retrotrekcaramelapples YouTube: @thestickycaramelapples --- Send in a voice message: https://podcasters.spotify.com/pod/show/retro-trek-caramel-apples/message

New series! Why this is the most Xennial movie ever. Intergenerational trauma and absent parents, absent adults. Kevin Williamson, Wes Craven, and more horrible tales of how awful the Weinstiens were. Drew Barrymore and that opening scene. The first "meta" film. Queer coding. Goddamn patriarchy. Rated NC-17 for "viscera." Box office and an insane slate of movies playing in its opening weekend. --- Send in a voice message: https://podcasters.spotify.com/pod/show/kissyourfranchisegoodbye/message

This week we speak with long time friend Christi Bertelsen. Christi is a multidisciplinary artist: Director, Art Director, Animator, Storyboarder, Compositor, Editor, and Educator are the ways she earns a living.  Her award-winning films have been screened in several countries, aired on PBS, and featured at the Smithsonian National Museum of the American Indian. Embracing her perspective as Native (Navajo and Cherokee), woman, queer, an animator, and a Xennial, Christi's art is often a playful exploration of experiences, daydreams, heartbreak, and absurdity. She shares joy in her creative shenanigans, immersing her work with unexpectedness, charm, and striking visuals. Her love for music inspires and enriches her projects, as well as utilizing various techniques and mediums such as digital art, photography, pixels, spray paint, cut-outs, toys, etc. As an adjunct professor at the School of Visual Arts, she shares her knowledge and enthusiasm with aspiring animators. Christi is also pursuing a Master's degree in Directing Film, furthering her passion for storytelling through cinema.  With an unwavering dedication to authenticity and a DIY spirit, Christi's art aims to forge connections with humans through its simplistic charm and soul-baring humility. @christi.bertelsen www.bertelsen.nyc

#196: With over 170,000 social media followers, Kyla Jannell is bringing together throwback hip hop and rap music lovers all across the globe on TikTok and Instagram.  She's a mom of four in Chicago and said that her family and friends always told her she should be on the TV show, Lip Sync Battle. But she never guessed all those years ago that she'd end up with so many people watching her lip sync her favorite songs on social media one day. Who's her favorite hip hop artist? You'll have to listen to find out! Follow Kyla on TikTok right here.Follow Kyla on Instagram right here. Follow The Social Sunshine Podcast on Instagram here, Facebook here, TikTok here and LinkedIn here. Follow Britney on Instagram here, Facebook here, TikTok here and LinkedIn here. Learn more about Britney's membership, Small Biz Social Society, right here. Interested in working with Britney's marketing agency or in hiring Britney to speak? Head right here for more information.

The Xennial sisters are back and (singing) better than ever.   Let's say someone were to list a random Top 20 songs from Rick Dees' Weekly Top 40 - could you come up with the year these songs topped the charts?!   Another Bad Creation ... Tesla ... Whitney .. check it out now!! #AOL4Eva xennialspodcast@gmail.com https://wevegotmailpodcast.com/  

This week, I spoke, once again with Stephanie, The Exvangelical Xennial. This time, we talk about what's next in the journey of building an Exvangelical community via TikTok.

A wise man once said, “All Good Things Must Come To An End”.  And that statement couldn't be more true when it comes to It Came From The 80s. On this final episode of the podcast Jay and Tony talk about what makes their Micro-Generation, Xennials, so special. Jay and Tony, like so many listeners, grew up in both an analog and digital world and have a unique perspective on life, technology, and the past that they discuss in detail in this final installment. Jay and Tony also talk about being the last generation to grow up in the “good old days”, and being amongst the first to grow up in the truly “modern world”. In addition to all this, the guys also have two special guest stars on this episode that can offer some unique perspectives on our hosts and maybe some insights for future generations. So whether you are a part of Generation X, you're a Millennial, or you fall somewhere in between, then this, the final episode of It Came From The 80s is made with much love and thanks just for you! IG:  https://www.instagram.com/camefromthe80s Twitter: https://twitter.com/CameFromThe80s Email: camefromthe80s@gmail.com

Monica serves and partners with organizations to shape healthy cultures that build and support sustainable growth. She has layers of experience mentoring leaders, building teams, and inspiring individuals in life and business. She speaks, writes, and leads with a passionate commitment to see others find fulfillment and make progress. On a personal note, Monica is a mother of two ‘tweens,' a Latina, and a “Xennial” (that micro-generation between Gen X and Millennials). Her favorite hobbies are adventuring with her kids, working out, and eating chips n' salsa. Follow Monica: hawksagency.com Instagram - MonicaSheriScott LinkedIn - Monica Sheri Scott Facebook - Monica Sheri Scott Find more episodes at https://heady.media/ We are on a mission to build communities around podcasting. This episode is brought to you by Edmond Dental Center. EDC's primary goal is to provide high-quality dentistry and an exceptional experience to every patient that visits their dentist's office. Their team works hard to provide this exceptional experience led by the Founder of EDC, Dr. Michael Chandler. Dr. Chandler makes patients feel comfortable and welcome with his warm and caring demeanor. Many EDC staff have worked with each other for many years, and because they aim to take excellent care of their patients, you will always feel welcome when you visit Edmond Dental Center! Check out Edmond Dental Center: Website - http://edmonddentalcenter.com Facebook - https://www.facebook.com/edmonddentalcenter Instagram - edmonddentalcenter Want to know when our free ebook is coming out, follow us on Instagram @Heady.Coleman. Our ebook is free because of our great friends at https://craftyourinsurance.com/. --- Support this podcast: https://anchor.fm/headymedia/support

We were gifted this fun game by our friend & listener, MaryBeth, and we thought it would be fun to play on the podcast. It's called All of Us - The Family Trivia Game for All Generations. We only represented Gen X and Millennials (Since Stacy feels more like a Xennial) but recommend playing it with your whole family! (This is not an ad.) If you're Gen X, Millennial or a little of both, play along and see how you do!Our InstagramOur WebsiteOur FacebookOur TikTokSupport the show

This week Dave welcomes the Exvangelical Xennial back to the podcast to talk about life after evangelicalism. To check out her content, follow her at https://www.tiktok.com/@the_exvangelical_xennial

Stephanie, The Exvangelical Xennial, is yet another amazing human being I've met in my TikTok travels. She is a former mega church music leader and someone who took their faith as seriously as they possibly could before it became clear that it wasn't actually doing real harm to her and her family. To check out her content, follow her at https://www.tiktok.com/@the_exvangelical_xennial

You only turn 100 once! Come celebrate our 100th episode with six previous guests who partied with us on New Year's Day for our first ever Xennial Roundtable. Our mission? To decide once and for all  “What is the Most 90's Thing?” Big props to Christopher Wolfe, Michelle Mimick Phillips, Andrew Kenney, Abbie Witherbee, Darren Deffley, and Bobbi Wiens Lawhorn for joining us again and partying like it's 1995!Thank you to all our listeners for sticking with us through four seasons and 100 episodes! [From Wikipedia: Xennials are the micro-generation of people on the cusp of Generation X and Millennials, born from 1977 to 1983. Xennials are described as having an analog childhood and digitaladulthood.]< '00 | an Art House Empire Production | #LessThan2000Support the show

Before writer, producer, and director Roxanne Benjamin was making V/H/S shorts or directing shows like Nancy Drew  and The New Adventures of Sabrina the Teenage Witch, she was a disaffected youth who was so recognizable as a Daria that classmates called her by the famous MTV character's name. Now, she joins us  fresh off the streaming release of her new movie, There's Something Wrong With the Children, to talk about relating to Daria, finding a place in the world of horror and filmmaking in general, and some other stuff '80s/'90s kids love.***With Jordan Crucchiola and Roxanne Benjamin

This week Angel and Zoha let their hair down and dive into some Halloween fun. They discuss folklore native to Washington, DC, fav Halloween movies, spirit encounters, etc.Join us Facebook, Tiktok and Instagram.Please send your questions, topics and requests to saltpepperketchuppodcast@gmail.comWrite us a review where you listen.Support the show

**Disclaimer**  THIS IS THE REAL EPISODE LISTEN NOW!! Guys ... another new episode .. another special guest!!  Now all members of Rachel's family have made an appearance on our show!   This week, Maggie joins the fun and tries to stump the Xennial sisters with her quiz.  Maggie's Top 10 worst songs of the 90s and 1 song from the 80s sneaks its way in as well ... #AOL4eva XennialsPodcast@gmail.com Https://wevegotmailpodcast.com  

Guys .. another new episode .. another special guest!!   Now all members of Rachel's family have made an appearance on our show!   This week, Maggie joins the fun and tries to stump the Xennial sisters with her quiz.   Maggie's top 10 worst songs of the 90s .. and 1 song from the 80s sneaks it's way in as well. #AOL4Eva XennialsPodcast@gmail.com https://wevegotmailpodcast.com/  

In this episode, B-Word and Jake discuss their distaste for being labeled Millennial and discuss the Xennial generation. They talk about their experiences growing up and host an Everlasting Game Console segment.   Intro: AJ of Dads on DayQuill Ad: www.Jerky.pro   Promo: Appleboys Podcast & The Hateful Gnome's Music Hut Music: "Guilt Trip" by Gebular For more Bleach Bros Podcast content: https://linktr.ee/bleachbrospodcast Sign up for our Patreon: https://patreon.com/bleachbrospod Make sure to join our Discord for more interaction with the Bleach Bros: https://discord.gg/BbYjgAGDH6 

Today on the Ether we have the KDA Mining Club hosting a space discussing the KD Box Pro giveaway, and answering listener questions. You'll hear from Weiasec, RyanMatta, Xennial, Kadena Krew, hostlogic.eth, Tommy, Aintnoslouch.Horde, Kadena California, k: Carlos, and more! Recorded on September 5th 2022. If you enjoy the music at the end of the episodes, you can find the albums streaming on Spotify, and the rest of your favorite streaming platforms. Check out Project Survival, Virus Diaries, and Plan B wherever you get your music. Thank you to everyone in the community who supports TerraSpaces.

(This episode was recorded November 21, 2021) GenX, Xennial and GenZ agree. You can tell your story; make sure it's a good one!

Best-selling author Zack O'Malley Greenburg and I took a break for a new Dad-girl duties to talk about the latest headlines in the music industry — namely Irv Gotti selling a 50-percent ownership stake in Murder Inc.'s past music recordings. He got $100 million from Iconoclast for the deal, plus another $200-million credit line to fund future media endeavors Irv has planned. After the sale, Irv did an interview with Billboard and quipped that monetary-wise, the music industry is the “lowest form” in entertainment compared to film and television. Zack and I debated that during our episode comparing top-line revenues for each entertainment vertical, plus how Irv's deal compares to other splashy catalog sales in the past two years. We also dived into a guest post on Zack's Substack about how “moods” has become the new classification for music, not genres anymore. Discovery algorithms deployed by streaming services have pushed listeners toward moods — and away from regionalism (e.g. Houston-style “chopped and screwed”) and loyalty to particular record labels. It's also another tell-tale sign that Gen Z is more fluid, less rigid than prior generations with their labels. Below are all the music-industry topics Zack and I covered throughout the episode, plus a special segment on becoming Dad's in the past two months:[0:55] Baby Duties For Zack & Dan[4:11] Irv Gotti Calls Music Industry “Lowest Form” In Entertainment [6:09] Zack Still Gets Royalties for “Lorenzo's Oil”[7:52] Top-Line Revenues: Music vs. Movie Industry[8:59] New Artist Perspective Skewing Perception Of Music Business[11:04] Did Irv Gotti's Deal Get Made Before Market Correction? [13:08] Irv's Deal Was For Masters, Not Publishing[13:50] Crowning Jewel of Murder Inc's Catalog[18:23] Why Mood Is The New Musical Genre[19:26] Gen Z Uses Labels Less Than Prior Generations[25:53] Post Malone The Genre-Agnostic Artist[27:10] Did Streaming End Regionalism In Music? [29:53] Fan Attachment To Record Labels Has Disappeared[32:30] Stories From Two New Girl Dads[38:21] First Music Show For The New Babies?Tiffany Ng's article on music being categorized by moods, not genre: https://zogblog.substack.com/p/why-mood-is-the-new-musical-genreListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Zack O'Malley Greenburg, @zogblog Sponsors: MoonPay is the leader in web3 infrastructure. They have partnered with Timbaland, Snoop Dogg, and many more. To learn more, visit moonpay.com/trapital Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapital Trapital is home for the business of hip-hop. Gain the latest insights from hip-hop's biggest players by reading Trapital's free weekly memo. TRANSCRIPTION[00:00:00] Zack O'Malley Greenburg: Our generation, in general, is pretty hung up on labels. You know, everything from music to sexuality, to whatever, you know, it's like things have to be classified and, you know, there's kind of an obsession over putting things in buckets. Whereas I think Gen Z has a lot more about fluidity and sort of like, you know, questioning why we need these labels at all to begin with, or at least, like, maybe we should just loosen up a little bit about them, which I think makes a ton of sense, you know? [00:00:34] Dan Runcie: Hey, welcome to The Trapital podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more, who are taking hip-hop culture to the next level. [00:00:55] Dan Runcie: This episode is the first one I'd done in a little bit, took a quick break from recording. My wife and I welcomed our first child into the world last month, so took some time, focused on family, and finally, ready to get back into the swing of things. And there's no better person to do it with than my friend, Zack O'Malley Greenburg, who recently is coming back from paternity to leave himself. Him and his wife just had a kid in May, and the past couple of months, Zack and I have been talking about our journeys, both leading up to this moment and after. So, and given what we cover in both music and entertainment, it was a good time to catch up on a few recent headlines. First, we talked about Irv Gotti and the $300 million deal he did for selling his Murder Inc. Catalog, doing a deal with Iconoclast for further stuff in media, TV, and film. And this statement that Irv Gotti made about music being the lowest-monetized form of entertainment. Zack and I had some thoughts, so we broke that down. We also talked about one of the articles that was a guest post in Zack's ZOGBLOG that he had published that was about moods in music and how moods and music are definitely taking over genres, especially in streaming, and how that may shape the future of how music's released and monetized. We're getting away from these genre legacy terms like country, rap, and pop and moving more so into chill vibes, or other things that are named by hyperspecific Spotify playlists. And Zack and I saves a little bit of time at the end for Girl Dad Life, where we chatted about some of our mutual experiences and some funny moments that we've experienced so far with having kids and what's that's been like with newborns specifically, so hope you enjoy this episode. Here's my chat with Zack. [00:02:42] Dan Runcie: All right. We're back with another episode. And I'm joined by my guy who is also probably with limited sleep, fresh off of paternity leave himself, Zack, how are you holding up these days, man?[00:02:54] Zack O'Malley Greenburg: Not too bad. I think we got eight hours last night out of Riley, little Riley. So life is definitely getting a little bit more normal but it's, it's all good. sleep or no sleep. It's just a blast. [00:03:06] Dan Runcie: Ah, love to hear it. I'll hopefully be at that eight-hour stretch soon, a couple of weeks behind you with a newborn, but we'll save some time at the end to catch up on Girl Dad Life. [00:03:16] Zack O'Malley Greenburg: All right.[00:03:17] Dan Runcie: Let's start things at the top though. We got some big topics we want to dive into, but this first one that caught my eye, and it sounds like it caught your eye, too. This quote is from Irv Gotti, who just did this huge deal. Of course, Irv Gotti, CEO, one of the founders of Murder Inc. He was able to do a $300 million deal recently with Iconoclast, where he was able to sell his share, his 50% share of Murder Inc.'s masters for $100 million. And plus he also got a $200 million line of credit. That's going to be specifically used for future TV and film projects that are likely going to be based off of some of the Murder Inc. IP or other things. But in an interview that he did talking about this deal with Billboard, he said this quote, and I've been thinking a lot about it.[00:04:11] Dan Runcie: He said, "Entertainment industry is music, TV, and film," right? "The music business is the lowest form, and I just bagged a hundred million dollars for some shit I did 20 years ago." And the interviewer then follows up and it's like, you know, can you say more? And he says, "It's just the facts. More money is made in TV and with movies than music. It's a non-disputable fact. We love the music industry and I love the music industry. There's money to be made. But [it's dwarfed by] the money made from TV and film. If I have 100 episodes of television and I own it, they'll probably put a worth on it at $300 or $400 million. With $300 or $400 million, I could sell it at a 10 to 20 multiple. That's three to six billion. This is why Tyler Perry is a billionaire. That's why I sold my masters and did this deal with Iconoclast." So I pause and, although I get what he's saying and I think there is some interesting discussion there, I think there's a lot of nuances there. And I'm not quite sure if I'm completely on board with him on this. That said, I think Irv Gotti is great. I always loved what Murder Inc. did, but I think that this particular statement is a bit more nuanced, especially with what we've seen happening in music the past few years. [00:05:29] Zack O'Malley Greenburg: Yeah, I absolutely agree with that. I mean, you know, and I think he got into some fuzzy math there at the end. I mean, I don't know, you know, to multiply what by 10? And we're talking how many billion dollars? Like, when Disney pay a billion for the entire Star Wars library, so, I know that was a great deal for them and it's worth a lot more now. I think the math might be a little bit off, but I would kind of flip it and say, you know, sure. You know, there are movies that gross billions of dollars or, you know, hundreds of millions or into the billions, low billions. But like, there aren't albums that do that. Okay, but, you know, in terms of libraries, I mean, we just saw Bruce Springsteen get half a billion dollars for his.[00:06:09] Zack O'Malley Greenburg: I mean, we're seeing, you know, masters in publishing go for hundreds of millions of dollars. The fact that Irv Gotti got a hundred million dollars for half of the Murder Inc. catalog. I mean, that's a wild number. No, not to sort of sleep on the Murder Inc. catalog, but, you know, it's not Bruce Springsteen. So, you know, I think that actually, the fact that he was able to get a hundred million dollars shows that the music industry is actually alive and well, right, in terms of the valuations. So yeah, I'm not, I'm not sure how much I, I, I agree with that, especially when you look at, you know, like for example, I was in a movie when I was a kid. The movie's called Lorenzo's Oil and I played Lorenzo. It's a, a big role, and I still get checks for 60 bucks, you know, every few months. And that's nice. And I'm sure that Nick Nolte and Susan Sarandon who were in it get much bigger checks, but, you know, they can't really go and, like, sell that catalog. You know, you don't have masters as an actor. I suppose you could go and sell the royalty streams or companies let you do that now, but it's not the same in terms of intellectual property. There's not like an equivalent to, you know, songwriting you know, like the sort of, the same kind of IP that, you know, at least, if you are an actor or an artist, or, you know, you would have access into your, to your masters in a way that you wouldn't as an actor unless maybe you're Tom Cruise and you negotiate some crazy backend deal. So, I think the grass is a little bit greener on the music side than Irv is, is giving credit for. [00:07:42] Dan Runcie: Yeah. I think the difference that you're highlighting is that it's not so much the top-line number. It's more so just how the business model under that number is distributed between who owns the underlying content and who doesn't. And I think if you're Irv and you're trying to compare this from this perspective of, if you're in music and you're trying to do a deal with Universal, whether you're an artist or you were an indie label at the time, trying to do a distribution deal or some type of joint venture. I forget exactly what Murder Inc. had at the time. But comparing that isn't the same to comparing what Tyler Perry is doing because even what Tyler Perry's doing, he is very much a unicorn in that right. There's not that many actors that are owning the underlying IP of the work that they're doing. Tyler Perry is the writer, the director, the producer for all of these things. That's why he is getting those things. And that is a very unique use case because in most cases, those are all different people in television. And I think, to be honest, TV is likely getting even murkier now because so much of the money that was going into these projects was based on this concept that these video streaming services could just have infinite growth and just keep growing and growing.[00:08:59] Dan Runcie: And now we're kind of reaching this point where people are like, okay, Netflix had 220 billion people paying $10, $15, almost $20 a month. Maybe that was as high as it could potentially go. I mean, I think there's plenties to break down there, but if those dollars aren't going to be as high as they may have been in that perspective, then we're going to see the shift. I did look at some top-line numbers, which are, I think, a good way to kind of balance things out. The music industry almost made $30 billion last year. I think it was around $28 billion last year for recorded music overall. So that does not include concerts or any of those things. I know that Irv isn't referring to that, but then if you look at the box office, I mean, that's more money than the global box office made, granted last year was a pandemic year so I know it's a bit tough to compare these things. And there's a lot more other things there, but it's not so much that this industry itself doesn't make as much money 'cause, yeah, you mentioned Bruce just got half a billion for all of his stuff. He owns this stuff and you know, that, you know, Born in the U.S.A. is going to be playing for decades, at least with, you know, as long as your Baby Boomers, and Gen X, and I guess even Millennials that are big Springsteen fans continue to listen. But I think that's different than how Irv might be looking at it. The thing is though it's not just Irv. I think that has its perspective. I think a lot of other folks have that perspective too, but I think it stems from when you are at the lowest rung of being the talent in the particular industry, I think music at that stage is likely a bit less advantageous than it may be for, you know, an actor per se. And maybe that's a bit of the difference where if you're a musician that's just signing on for a deal, it's going to take a lot longer for you to maybe recoup that money than an actor would, you know, signing on for an equivalent level size of something. But that's definitely very different than putting that as a global claim about the broader industry. [00:11:04] Zack O'Malley Greenburg: That's true, but I, I would still argue that if you are an artist getting into the game as a, as a musician, the default would be that you would probably have shared ownership of your masters. If you were an actor getting into the acting game, the default is like you get an okay chunk of money for one movie, you know. It doesn't come with IP in the way that it would. And so it's not until later in your career that you can start to say, Hey, I want to be a director. I want to be a producer. Until you start to get, or, you know, or maybe you're kind of DIY from the beginning and, and you're doing it, all of it yourself, but that's, that's so unusual. You know, I don't know. I mean, I, I think the other thing too, is that like, and maybe this is part of what Irv was alluding to, I mean, that a hundred million dollars that he got, that to me seemed like a number that was more along the lines of the stuff we were seeing, you know, six months to a year ago before interest rates doubled. And we kind of stopped hearing about these big deals. So I wonder if that deal, and I kind of asked around a little bit and I couldn't get a, a firm answer, but I would suspect that that deal, you know, was agreed upon you know, like last fall or something before the economic environment changed and, you know, and it just didn't close until now 'cause these, these deals can take six months to a year to close and, and that's why, you know, you've got such a good multiple. But like these days, you know, when the interest rate is, like, gone from 3% to 6% or whatever, I guess it depends on the kind of deals you're doing, but, you know, that's a huge difference. And it sort of like makes buying music assets a lot less interesting because you know, when just, like normal financial instruments, you know, and not to get, like, too nerdy about it, but, you know, in the bond market are generating something closer to what a music catalog would do. I think, like, these big financial institutions are going to be more inclined to kind of like lean on their expertise rather than trying to, to do these exotic things or, you know, get involved with, with music catalogs and intellectual property and that sort of thing. [00:13:08] Dan Runcie: Yeah. I could see that. I think the other piece of this, too, that may get lost in some of the details, especially, is that this isn't a publishing catalog deal. This is masters, at least partial ownership there, or not partial ownership, but at least the revenue generating from at least half of what Irv had, and at least in streaming, your recorded revenue from the master side is at least three to four times higher than what the publishers are getting. Of course, there have been some, there's some recent changes where the publisher royalty has increased. I think increased from 10 and a half percent to 15.1% recently. So that'll help, but still, that piece of it does in many ways, so even, let's say you were to compare this number for the Murder Inc.'s masters to let's say what Justin Timberlake got for his catalog deal. You can't necessarily compare that because Timberlake's was for the piece of the music sound recordings that were less valuable, relatively speaking, at least currently than this. So I do think sometimes, like, those things do get lost in it, but it would be interesting to see, yeah, what would that be like now if those deals were starting to shine a closer look if those conversations were happening? I think it would be interesting and also a bit unique because this deal is with Iconoclast. This isn't one of the standard players that we've seen that are handing out, you know, the nine-figure checks to these companies. Who knows what the conversations could have been like with Hipgnosis or Round Hill or some of the others. I feel like he may have alluded to that to some extent in the interview, but it was hard to get a sense specifically.[00:14:52] Zack O'Malley Greenburg: Yeah. And you also wonder, I mean, how much, if it was about, you know, being able to say, oh, now we have a catalog that, like, there is some Jay-Z in there. There's some DMX in there. I think there's some J.Lo in there. You know, in addition to like a lot of Ja Rule and Ashanti, and you know, but that's kind of like a trophy to have that. You know, I don't know that it's quite so often that you know, anything by Jay-Z comes up. I think it was, there's a piece of Can I Live on there, which, which is pretty cool, so, you know, that that might have added, you know, a certain premium to it. [00:15:23] Dan Runcie: Yeah. I was going to ask you that. What do you think is the crowning jewel of this catalog? I mean, every one of these catalog sales, it has the typical 80- 20 or the power law thing, where there is a few big songs that are really generating everything. I mean, you mentioned J.Lo. I mean, I'm Real has to be one of the biggest Murder Inc. songs they had, or maybe Always On Time with, you know, Ja Rule and Ashanti. Are there any others that stick out?[00:15:48] Zack O'Malley Greenburg: I mean, the Jay-Z one for sure. Which DMX song was it? It was a pretty big one. I think it's What's My Name? [00:15:54] Dan Runcie: Oh, What's My Name. Oh, that, that was on X's catalog. That was Ruff Ryders and Def Jam. [00:15:58] Zack O'Malley Greenburg: Oh, that was. Okay. [00:15:59] Dan Runcie: But Jay-Z, they, they were on It's Murda though, right? It's Murda from Ja Rule's Venni Vetti Vecci that had Jay and DMX. [00:16:07] Zack O'Malley Greenburg: That's right. Okay.[00:16:08] Dan Runcie: Yeah. Is that right?[00:16:09] Zack O'Malley Greenburg: It was, it was some, it was like somewhere in the discography. I was looking at it though. Oh, well, I'll track it down someday. We'll have to talk about it the next time. But there was, there was a big DMX single that somehow ended up on there that caught my eye. But, you know, like a lot of the Ja Rule stuff, I think. I think maybe Livin' It Up was on there. [00:16:26] Dan Runcie: Oh, yeah, that was big.[00:16:27] Zack O'Malley Greenburg: That's a huge one.[00:16:29] Dan Runcie: Yeah, like Down 4 U, like Down Ass Bitch, like, you had a few of those that were in it. I think Ashanti had some big ones, too, like Foolish. Foolish was huge. [00:16:38] Zack O'Malley Greenburg: Yeah. Oh, yeah, here. Okay, it says What's My Name. It said that he produced What's My Name. So that's why, even though it wasn't...[00:16:45] Dan Runcie: Oh, interesting.[00:16:47] Zack O'Malley Greenburg: Yeah. What's Luv? That's a huge one. [00:16:50] Dan Runcie: Oh, that's a big one. Yep. With Fat Joe and Ashanti, yep. [00:16:53] Zack O'Malley Greenburg: Yeah. Yeah. Can I Live, Holla Holla, you know, so there's, there's some really good stuff on there. And I think you're right. It's probably, there's a couple, you know, without us having a, a look at the statements, it's hard to know, but it, it wouldn't surprise me if one of those songs is just like a sleeper hit that just continues to, I mean, we know it's a big hit, but it, it could be, like, way more lucrative than we ever imagined. Or one of those could have been in a movie, you know, more, more than the others or something like that. So, you know, I think a lot of these songs are going to be, actually, that's what one of the lawyers I reached out to about this said. He was like, you know, there's a lot of stuff in there that is very interesting from the sync perspective. You know, to the sort of like Millennial, Xennial crowd that grew up on that that would love to see it in movies, and TV, and video games, so yeah, that could be part of it, too.[00:17:38] Dan Runcie: Big on sync. Also, big on the likelihood of being turned into some viral TikTok trend. I don't know if that is a quantifiable metric they're using, but I would, I think it is. I just think of so many, the TikTok things that blow up and that era of early 2000s, late 90s hip-hop has done really well in a lot of ways. And sometimes it's so random, but I do think that that Murder Inc. sound captures so much of that. It's only before long that someone finds some, like, weird thing that happened in one of the music videos, and then that then becomes viral, and then it becomes like a whole TikTok viral campaign. [00:18:16] Zack O'Malley Greenburg: Yep. Yep. Although don't know how, how much they'll be getting paid from TikTok, but that's a whole other, that's a whole other story.[00:18:23] Dan Runcie: We'll have to save that one for our next, for the next chat. We got to see how that whole situation firms up. But so the next topic that we want to talk about is a fascinating piece that was a guest post that was written by someone that you had worked with, Tiffany, and she wrote a really interesting essay on why mood is the new musical genre. And when you picked me on this, I read it, and it stuck out because I was like, you know what? It's a hundred percent right. If you look at Spotify and you look at how all these streaming services have shifted, how music is being consumed and listened to. Yeah, it isn't rock, pop country, hip-hop. It's a lo-fi chill vibes. It's, you know, backyard barbecue hang. It's all of these super niche things that reflect a lot more of where music listening is going. And I could only imagine there's so many broader implications that it can have, but I'd love to hear what you think about it. [00:19:26] Zack O'Malley Greenburg: Yeah, absolutely. So I've been out on paternity leave and, you know, not really writing, but Tiffany who's a really great writer and, and was doing some research for me while she was a senior at, at my alma mater, at Yale. And, and she and I were actually, we worked on the same, basically, arts and culture desk on the school newspaper, you know, whatever it was, 15 years apart. So she, while I was out, she wrote this great long piece kind of talking about how, you know, from her generation's perspective, this idea that, yeah, that you would classify things by genre or really identify yourself as like a hip-hop fan or a rock fan or whatever, is all kind of moot. It's like an old people thing. And that her generation is more about moods and, and like you say, it's backyard barbecue or whatever it is. And people don't, you know, really care about genres so much anymore, you know, amongst the sort of Gen Z crowd, and she, you know, really kind of dug into some, I think, great examples of it and talked about Spotify classifications and how they put together, Audio Auras that give you your kind of, like, yearend picture of your listening tastes. And I think it's a really great point. And I think that, you know, our generation, in general, is pretty hung up on labels. You know, everything from music to sexuality, to whatever, you know, it's like things are, have to be classified and, you know, there's kind of an obsession over putting things in buckets. Whereas I think Gen Z is, is a lot more about fluidity and sort of like, you know, questioning why we need these labels at all to begin with, or at least like, maybe we should just loosen up a little bit about them, which I think makes a ton of sense, you know? I mean, I remember when Halsey put out that song, New Americana, and she talked about being raised on Biggie and Nirvana. And I was like, yeah, that's me. Like, I get that. But that always felt weird when people were like, well, what kind of music are you into? And I was like hip-hop, and grunge rock, and like some other stuff. That was always sort of weird, but I think it's good to see the next generation kind of embrace that more and that's what the article kind of dug into.[00:21:22] Dan Runcie: The label and generation identification is a huge thing. Do you remember growing up when the labels of how we were and folks were in middle school and high school was such a thing that people went down the road, it was like, oh, you're a skater? Oh, then you listen to Linkin Park. Then you listen to this and you dress, and you wear like JNCO jeans, like with the chain hanging from the back of your pocket to the front or whatever. You're a prep? Okay, you shop at Abercrombie & Fitch. You're probably wearing Adidas Superstars and you probably, I don't know, clothes from, like Structure or like Express, and stuff like that. Like, there were all these buckets, too, and then it extended as well. If you listen to hip. You probably wore Timberlands. You probably had Nike Air Force 1s, Ecko, or whatever the popular clothes were at times. Like, all of these things and this generation and timeframe is just like, no, that's not the case. And I think this mood thing factors in a lot of that. I think we're almost seeing this to some extent with things we've kind of just seen, like regionality as well. [00:22:29] Dan Runcie: Like, I've heard a lot of people talk about how from, you know, certain generations it's like, oh, like, well, people in Seattle, they dress like this. Like, you could go to Seattle, walk or like, you know, the Pacific Northwest and everyone's wearing flannel like it's a Nirvana music video or whatever. Or if you go down south, like I would visit my cousins in Florida growing up and they would be listening to Ying Yang Twins and all these other songs that were popular at the time. And we just weren't listening to that stuff nearly as much growing up in the Northeast. And it hit that vibe. And I think now, too, because of the internet, so much of that generationality piece just, or not the generationality, the geographical identity is also dissipated, too, where people in Seattle can, you know, feel no different, especially from a youth perspective, could feel no different than someone growing up in Miami or Fort Lauderdale or whatever it is. So I'm curious to see how is that going to shape? Even the legacy labels that we do have on things. I think that the Grammys is, you know, clearly an institution that has prided itself on the number of options that it's given particular artists to have and celebrate their particular genre of music based on these legacy labels. I think it takes a lot of time for those things to change, but will we see that? Could you eventually see things where I think pop radio in a lot of ways? And radio, in general, is still one of the things that's still holding onto this generational, you know, label divides much to a fault because I think there's still certain types of artists that are precluded from being heard on Z100 or being heard on your mainstream stations, so, I think that it may still take time to get there, but I'm curious to see what did that look like 20 years, 20 years from now? Will we still see the same restrictions on radio and in award ceremonies? 'Cause I think those are the two areas that feel harder to disrupt than the broader culture that already has been disrupted by it.[00:24:32] Zack O'Malley Greenburg: Yeah. And one of the other things that Tiffany wrote about in this article which you, oh, you can read it, just it's zogblog.com, and you can go through the newsletter. It's the latest post. I'll be back writing in a week or two, I think. But anyway, it's up there on zogblog.com and she said, she pointed out the IGOR one for best rap album, even though it's not really a rap album. Like, it's already happening, right, like, in categories at the Grammy's. So, right, like how, how soon until we start to change that or, or even have sort of like, broader, you know, kinds of labels. Like, what if it's like, you know, best chill album, you know? Best barbecue album? I don't know. So I'd love to see how that, how that kind of turns out. But, man, I remember, you know, in the nineties, when you would sort of put on your AOL profile what kind of music you listen to. A lot of people sort of also define themselves in opposition to certain genres. They're like, I listen to anything but country and rap, you know? That, I remember a lot of people that, anything but rap, anything but country. That was sort of their battle cry. And you know, I just don't see too much of that anymore. And I think that's a great thing, you know, like, why should you have to limit your taste? It's like, you know, you don't want to be a traitor to, to your emo, whatever, by, by listening to hip-hop. But now we have like emo hip-hop. It's great. I think it's cool that we have, you know, all these kinds of like mixings and subgenres.[00:25:53] Dan Runcie: Yeah, if anything, I think I'll see the angst more for particular artists themselves and not necessarily the broader genre, right? Like, I know there's people that, you know, they just don't like Post Malone for a number of reasons. And it's like, I get it, but you can't put Post Malone in a musical category to be like, oh, I don't like this type of music 'cause I guarantee you, whatever, you know, genre of music, you want to put him in, there's going to be an artist that sounds like him, may not look like him, may not have a fan base that, you know, vibes the way that his does, but you're probably going to like something of that, you know, type of thing, right?[00:26:30] Zack O'Malley Greenburg: Yeah, yeah, absolutely. I mean, I've gotten into so many arguments about how to classify Post Malone. Some people say he is hip-hop, which I don't really, I wouldn't classify him as hip-hop. Is he pop? I guess. I guess that's what you'd call it, but, you know, I wouldn't really say that he's rock.[00:26:45] Dan Runcie: I would call him pop, yeah.[00:26:47] Zack O'Malley Greenburg: Pop yeah. Pop or sad frat party or something, you know? I mean, mood. I think mood is a great way with him, too. [00:26:54] Dan Runcie: Yeah, I mean, is there any other broader implication that you can think of with how moods will just continue to shift over time and how moods may play a bigger role in music, either how it's consumed or how it's monetized? [00:27:10] Zack O'Malley Greenburg: You know, I mean, I think really what's on my mind about that right now is I go back to what you were saying about regionalism. And, you know, I wonder if sort of this movement away from labels of genre, more toward labels of mood has to do with the fact that you know, there's sort of like, you know, national moods almost that you can attach to music in a way that you couldn't when things were sort of regional. And, you know, there was that whole moment where radio, sort of like the consolidation of radio, that kind of switch over to like the clear channel model. And you, you had sort of like the same, you know, whatever it was, KISS-FM or something like that, and you had these big playlists that were just kind of on rotation, the same playlists like all over the country, and you kind of lost a little bit of that local flavor. But actually, you know, as people were lamenting that the whole thing shifted over to streaming. And there's no regional streaming, right? And so I think it sort of follows that mood would sort of like become a new means of classification because once you eliminate the regional aspect to it you know, I don't know, it's, it's sort of like it maybe unnecessary movement to happen over time. And I think, you know, There's some cons to losing the regionalism and, you know, you get some unique sounds and certainly within hip-hop, it was really cool to see like Houston versus Bay Area, you know, like very specific microclimate-type sounds that you could get that, that, you know, within kind of bubble up and percolate into different like more mainstream hip-hop sounds. But you know, then again, I think it's cool to just other genres meld into other genres and have that be kind of the mixing that happens too. So, you know, pros and cons, but I think, I think there are a lot of pros to the mood thing over the genre label thing.[00:29:00] Dan Runcie: So before long, we're going to have to pour some out for the dirty south hip-hop playlist. Got so much play over time.  And maybe this regionalism trend or trend away from regionalism is just the way things are going. This is a sports analogy, more so, and there's other reasons behind it. But I look at what's happening in college sports right now with these major teams joining the Big Ten, joining the you know, or the Big East no longer really being a thing, and how so much of that is just a sign of where things are right now. And so much of what people really appreciated about what these conferences could tell you about a particular place in the country, that's not necessarily going to be the case if, you know, Texas and its whole culture is coming and joining, you know, joining the ECC, right? It's just very different. [00:29:53] Dan Runcie: And I think to bring this conversation full circle, too, it's like, I've heard through the grapevines about record labels that had wanted to start their own metaverse experiences and being like, okay, this is the record label's metaverse experience. And then someone wisely told them, Hey, no one cares about your record label. Like, that's not the draw here. Like, I mean, in the folks that are inside the industry, of course, you can share the accolades and stuff like that. But the fans care about the artists. They're not going to be drawn. Like, the days are done of people being like, oh yeah, no Def Jam, like, in the heyday, I'm there. Like, that's just not how it works anymore. [00:30:29] Zack O'Malley Greenburg: Yeah. You know, I mean, if you're really in the business, you know, which labels have which ethos. But, you know, it, it really has blurred together more and more. And yeah, I think in the old days, you know, people would be like, oh, I'm an Atlantic records fan. You know, because when they pulled out that vinyl, you know, they saw that logo, and they knew that there was a certain type of artist and that Atlantic Records were a curator of the type of music that they liked. And maybe it wasn't the same genre always, but there was, you know, they knew that it would be good. But if you're a casual listener, there's not really even an opportunity to easily know what label anybody is on. So why would you care? And I think, especially since you know, I mean, I think there was a heyday in the nineties of hip-hop artists shouting out the record labels that they were on or that they owned and that was sort of, you know, important. Definitely, like Ruff Ryders had a very different ethos from Bad Boy. And, you know, you might classify yourself, you know, more in one bucket or another and identify with that. But I think so much of that has just dissipated in the streaming era, 'cause yeah, you're not looking at a physical thing. So you know, who knows, who cares what labels anybody on, and why the hell would you really want to go to an individual label metaverse thing? I'm glad somebody told them that they shouldn't be doing that anymore. [00:31:43] Dan Runcie: Definitely. No, definitely. All right. Well, we saved some time at the end for the section that's near and dear to both of us, as, you know, if you followed either my writing or Zack's writing recently, you know, that we both had kids very recently. So Zack had his daughter in May. I had mine in June, and it's been great to just, you know, connect and bond and hear more about how things were for both of us leading up to this point and now after. So I figured now that we're on the other side of it with relatively newborn and young children, we could have a little section here called Girl Dad Life, where we each share one interesting or funny experience that's happened for both of us trying to navigate fatherhood here. So Zack, I'll let you start. What's your experience been like? And what's yours?[00:32:30] Zack O'Malley Greenburg: Yeah. You know, less than a, like a specific story, it's really more about an overall vibe mood, if you will. Man, I know it sounds corny, but the moment you become a parent, this compartment opens up inside of you and it's just filled with a new capacity to love that you didn't know was in there. And it just is like overwhelming and beautiful and is, is the best thing that's ever happened to me. And I think that one of the things, you know, like I think the best advice I would give is, is that there's no, like, right way to do it. And people have been having babies for a very long time without all the gear and whatever, and we've survived, as the human race. But I think the thing that, that always surprises and delights me is that you know, Riley, despite being eight weeks old, I mean, from the very beginning, has been a little human who, who knows what she wants. And it's like pretty straightforward. If she's crying, you know, she needs to go to sleep. She needs food or she needs a diaper change. And if she doesn't like that, it's time to put on, like, any number of different songs or albums that she likes. And she's, talk about a musical omnivore. Oh, my God. She loves, like, Shirley Bassey, Big Spender. She loves Biggie, Mo Money Mo Problems. You know, she's really like, no genre constraints when you're an infant. And I think it's just really cool to see that, you know, she could be crying and then that beat comes on and she starts smiling, you know?[00:34:00] Zack O'Malley Greenburg: I would also say like, I, I read this book called Bringing Up Bébé, and it's all about the French method of child-rearing. And they're really big into this idea of, like, the baby is a human with thoughts and preferences the minute they come out of the womb and sort of just like paying attention, you know, and, and also giving them a second to try to figure whatever it is out. Like, if your baby starts to cry, you know, don't necessarily just, like, drop everything, rush in and, you know, give your baby a second to try to figure it out. And sometimes they won't. And then you go and tend to them, but, like, if you don't give them a chance to figure it out as babies, then they'll never be able to sort of figure it out on their own as adults. So I thought that was a really cool insight. How about you? [00:34:43] Dan Runcie: Yeah. It's funny. You recommended that book to me, a couple of other friends did too. And I read it and yeah, it was a really an interesting read and it was a good reminder of, like, yeah, people have been doing this for plenty of years, and just because your baby doesn't have the newest, fanciest insert whatever, stroller, bassinet this and that, like, the fact that you're thinking about this to this extent means that you'll probably be fine and the baby will be fine. But a few funny stories that we have that I could share, so one of them when we were in the labor delivery phase, one of the folks that was in the room with us, she was a volunteer doula that was helping with a few things. She had asked me, she was like, oh, did you want me to take pictures? Because she could see I was trying to, like, multitask. My wife had wanted me to take some pictures and I was like, yeah, sure. So then not only did she take pictures, she took a video of everything, from like the moment of, you know, when my wife started pushing to everything after. And then I remember like when, you know, my wife was still recovering, I watched it, and I was like, oh wow, I did not realize she captured everything. And then my wife was just like, I do not want to see that. And then I think she heard me watch it. And then she was like, okay, I have to see that. She was like, was that me? Like? I was like, yes, yes, that was you. But it's okay. You know, completely normal, unexpected. So that's, what's there. But, yeah, I mean, I couldn't agree with you more on, you know, everything from the love, life-changing perspective, you know, something we had wanted, and, you know, it's been so good from that perspective and just pick it up on cues and stuff. There are definitely a few funny moments that we'll always crack ourselves up as 'cause you have to, right? It's like, I mean, you know, we both know what it's like with the whole sleep deprived, everything and, and all that. But you do start to notice the baby's patterns and stuff. And like how they'll react to, you know, when you're either about to feed or when you're about to give a bottle or any of those things and just the instant reaction, so. It's something else. But, you know, it's been good. I mean, we're recording today. Today's actually one month since she was born. [00:36:38] Zack O'Malley Greenburg: Oh, my gosh. [00:36:39] Dan Runcie: Yeah. Time has is flown by, time has flown by. And this is, like, the first podcast I had done since then. Everything else up to this point had been pre-recorded stuff we planned, so slowly getting back into the swing of things. I think I'll most likely be back in like a full-time perspective, maybe sometime later this month, but I think, you know, just going slowly week by week there. It feels good to have the work stuff to mix in with everything, but like, life-changing in the best way.[00:37:03] Zack O'Malley Greenburg: Yeah, well so you're coming up on five weeks and actually one of my favorite moments so far happened at five weeks. My wife and I went out with Riley  and we went out for dinner at a sidewalk cafe in New York. And, you know, Riley's, like, sleeping, we're having a great time and chatting and eating. And you know, after maybe like an hour, she starts crying, and so I take her out and I'm kind of rocking her, and she's crying. And there are these ladies sitting next to us  and I was like, oh, I'm so sorry.  And they're both like, no, really don't worry, we have babies at home. And my wife goes, do you have any advice for us? And the one lady goes, how old's your baby? And Danielle says five weeks. And she goes, honey, you don't need any advice. You're at a restaurant with the five week old.  Like, God bless you.  And that was exactly, exactly what we needed to hear. And I think it's also like a great indication of, you know, your old life isn't over. You could still do stuff. You just have to plan it a little more carefully and be flexible. And  I was shocked like if you had told me a couple months ago that I'd be doing that at five weeks, I wouldn't have believed you. But it's been really cool to just have the summer to chill out and spend time with Riley, and it's so cool to be having like the same timing as you would kind of like  go through the milestones, so. [00:38:18] Dan Runcie: Definitely. When do you think you'll bring Riley to a music festival or some type of event like that where she's wearing the headphones and you and Danielle enjoying yourselves?[00:38:29] Zack O'Malley Greenburg: We already got her headphones.[00:38:31] Dan Runcie: Ear muffs, I should say. I said headphones.[00:38:33] Zack O'Malley Greenburg: Yeah, yeah, yeah, exactly, right, right. Ear muffs. Well, we put them on, we did a trial run on the 4th of July. And initially, she smiled a lot and I think she thought they were pretty cool. And then she was like, get this shit off of me. So I don't know. We actually were thinking of venturing into Central Park to SummerStage. A couple of weeks ago, I think Trombone Shorty was there. And then our plan just got blown up with like the various feeding schedules and things like that. So I don't know. I think we're ready to try. I think it just has to be a SummerStage thing, and it has to be like not too hot or too cold, and go for it. But I think the first time we're just not going to buy tickets. We're just going to stand outside, and see how it goes, you know, for like a half an hour. And then if that's okay, then maybe we'll work our way up. But yeah, I mean, so great to be in a, in a place where live music is just, you know, a short walk away. She hates being in the car, so it's a good thing we're in New York. [00:39:29] Dan Runcie: Perfect. No, that's great. [00:39:32] Zack O'Malley Greenburg: When's your first concert plan? [00:39:34] Dan Runcie: It's funny because last year Outside Lands here in San Francisco was in October. So in my mind, I was like, oh yeah, we could do it in October. But then I forgot that it was a pandemic year and Outside Lands is in August. So that's like two weeks from now. It's, like, the first weekend in August that Outside Lands is, and a concert might be a little much in, you know, two weeks if you're listening to this one week from recording. But I'm hoping that, you know, some early fall, hopefully, we could do something. [00:40:00] Zack O'Malley Greenburg: Yeah. Fingers crossed for both of us. [00:40:03] Dan Runcie: Definitely, definitely. Well, Zack, this is a pleasure. Appreciate you coming on. We'll make sure that we link to Tiffany's post in the show notes and, yeah, so next time, we'll hit you up and then, you know, we can definitely save some stuff for our next Girl Dad Life quarter, and I'm sure there'll be plenty of stuff happening in the industry. Everyone's on vacation right now, relaxing, but soon enough things will be ramping back up. [00:40:26] Zack O'Malley Greenburg: Amen. Well, thanks for having me on Dan as always, and best of luck on fatherhood on your end, too. [00:40:31] Dan Runcie: Likewise. Thanks, man. [00:40:32] Zack O'Malley Greenburg: All right.[00:40:34] Dan Runcie: If you enjoyed this podcast, go ahead and share it with a friend. Copy the link, text it to a friend, post it in your group chat, post it in your Slack groups, wherever you and your people talk, spread the word. That's how Trapital continues to grow and continues to reach the right people. And while you're at it, if you use Apple podcast, go ahead, rate the podcast. Give it a high rating and leave a review. Tell people why you liked the podcast. That helps more people discover the show. Thank you in advance. Talk to you next week.Advertising Inquiries: https://redcircle.com/brands

On episode 47, the season 4 finale of Millennials are Ruining the World? an Xennial perspective: real conversations bridging the gap between Generations X & Y, host Seth Bisen-Hersh is joined by his good friend Jessica Webb to discuss CATS .

Merriam-Webster's Word of the Day for July 17, 2022 is: finicky • FIN-ih-kee • adjective Finicky means “very particular in tastes or standards.” // The young boy was a finicky eater, and his parents found it challenging to come up with ideas for healthy meals that he would enjoy. See the entry > Examples: “The cucumber is a pretty finicky vegetable, having strong opinions about soil, sun, and water.” — Vanessa Nirode, SFGate.com, 5 Apr. 2022 Did you know? If you're a reader of a certain age (say, a Boomer, Gen Xer, or even a Xennial), you may remember cheeky television commercials featuring Morris, a finicky housecat who only eats a certain brand of cat food. (Morris is still featured on product labels.) Morris's tastes in cuisine are not only very particular, but very fine as well, and that's appropriate given the origin of finicky. The word came about as an alteration of finicking, itself an alteration of another adjective, finical. It's believed that finical derives from the adjective fine.

Merriam-Webster's Word of the Day for July 17, 2022 is: finicky • FIN-ih-kee • adjective Finicky means “very particular in tastes or standards.” // The young boy was a finicky eater, and his parents found it challenging to come up with ideas for healthy meals that he would enjoy. See the entry > Examples: “The cucumber is a pretty finicky vegetable, having strong opinions about soil, sun, and water.” — Vanessa Nirode, SFGate.com, 5 Apr. 2022 Did you know? If you're a reader of a certain age (say, a Boomer, Gen Xer, or even a Xennial), you may remember cheeky television commercials featuring Morris, a finicky housecat who only eats a certain brand of cat food. (Morris is still featured on product labels.) Morris's tastes in cuisine are not only very particular, but very fine as well, and that's appropriate given the origin of finicky. The word came about as an alteration of finicking, itself an alteration of another adjective, finical. It's believed that finical derives from the adjective fine.

One of the many awesome things about being a Xennial is that we grew up during a perfect time period in which many technological advances were first becoming available to the public and computers were definitely the biggest part of this tech revolution! In this episode of It Came From the 80s, Jay and Tony dive deep into the world of computers in the 1980s. Join the boys as they give a history lesson on computers, and also, relive what it was like back in the day to walk into a “Computer Lab” in school, put in a Floppy Disk of “Oregon Trail”, or “Where in the World is Carmen San Diego” and become transfixed by something that no generation before them had experienced. The guys also talk about their first household computers, how it was first connecting to the internet, printing on dot matrix printers, connecting with people via AOL Instant Messenger, how much life has changed with respect to using computers, and so much more! IG :  https://www.instagram.com/camefromthe80s/ Twitter: https://twitter.com/CameFromThe80s Email: camefromthe80s@gmail.com   

On episode 46 of Millennials are Ruining the World? an Xennial perspective: real conversations bridging the gap between Generations X & Y, host Seth Bisen-Hersh is joined by his good friend Walter Petryk to discuss STAR TREK.

On episode 45 of Millennials are Ruining the World? an Xennial perspective: real conversations bridging the gap between Generations X & Y, host Seth Bisen-Hersh is joined by his good friend Adriel Garcia to discuss TOXICITY.

On episode 44 of Millennials are Ruining the World? an Xennial perspective: real conversations bridging the gap between Generations X & Y, host Seth Bisen-Hersh is joined by his good friend Mary Lauren to discuss CHILDREN'S THEATER.

*Smol Note: Jessica's audio isn't GREAT. But it is a vast improvement considering how bad it was to begin with. We have Earl Green to thank for making this episode listenable.* You Don't Know, Nick is blessed with Glaiza Champion's presence this week. Jessica uses the excuse to have them on the podcast in order to get to know them better, and it goes swimmingly. You know Glaiza from the TTRPG scene and from dating fake people on their Twitch streams. Listen now to see what makes them tick and why they have a penchant for killing their characters off. Find Glaiza's podcast, Classical Adventures for One here: https://www.classicaladventuresfor.one/ Find Glaiza on social media everywhere as @ClassicalGlaiza Enjoy the Fractured Destiny DND Campaign over on Kira858's channel: twitch.tv/Kira858 SPECIAL THANKS TO EARL GREEN ****** MISSION LOG - THE ORVILLE An episode by episode deep dive into Seth MacFarlane's The Orville hosted by Jessica Lynn Verdi and Mike Richards. This show and other great podcasts available at Podcasts.Roddenberry.Com ****** Please leave a review wherever you listen to podcasts! A moment of your time really helps us to know you appreciate this show! Interested in becoming a Patron? Check us out today for exclusive Patron-esque things.  PATREON TWITTER INSTAGRAM FACEBOOK ​JLV Productions 2022 jessicalynnverdi.com

On this weeks episode, the sister are joined once again by Tom, of Sidetracks.  Listen now to see who knows more about everyone's favorite sunken ship, The Titanic!   Tom does an excellent job at trying to stump the Xennial sisters .. what he doesn't know is that they watched this movie DAILY back in 1997.   #AOL4Eva XennialsPodcast@gmail.com https://wevegotmailpodcast.com/  

Wayne Goodman in conversation with Shelley Wong, award-winning poet and self-avowed Xennial

Tom from Sidetracks, joins the Xennial sisters for this fun filled episode.  Both Katie and Tom believe they hold the most useless Wayne's World knowledge.  Listen now to find out who gets the most points.   #AOL4Eva xennialspodcast@gmail.com https://wevegotmailpodcast.com https://sidetracks.show  

We talk the slap that was heard around the world, Will Smith, Chris Rock, the premier of FX's Atlanta, and the not so good start of NYC mayor Eric Adams….. Check us on social media or email us at thepoplifepodcast@gmail.com The post I Am A Xennial! first appeared on The Poplife Podcast.