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In this episode of Guess That Record, Jackson speaks with Amy Birnbaum. Amy is the Sr. Director, A&R and Artist Relations at Round Hill Music. Round Hill is a publishing company with a diverse roster that includes Jim Vallance, Randy Bachman, Rob Thomas, and many more. The company handles services like royalty collection, and sync licensing amongst others. During the interview, Amy talks about her time as a backing vocalist, working on Broadway, and what has made Round Hill one of the most successful music publishing companies. Guess That Record is sponsored by: Marvel Marketing (https://marvelmarketing.ca/) Guitarworks (https://guitarworks.ca/) Recordland (https://www.instagram.com/recordlandcalgary/) Guess That Record is picked up on radio by these amazing stations: CKMS (https://radiowaterloo.ca/) CKXU (https://ckxu.com/) South Devon Sound (https://southdevonsound.co.uk/) Visit our website (https://guessthatrecordpodcast.com/) Visit our Spotify playlist (https://open.spotify.com/playlist/0B5g5u7usVmyLa3IXmga4P) Follow us on Instagram (https://www.instagram.com/guessthatrecord/?hl=en) Follow us on TikTok (https://www.tiktok.com/@guessthatrecord) Subscribe to our YouTube Channel (https://www.youtube.com/channel/UCkDkfXa3P5XIRWIQkdQ0B9Q)
For a 14,000-acre state park, Fahnestock can be surprisingly easy to overlook. Summer brings the crowds to Canopus Lake for swimming and paddling, and thousands of hikers pass through each year on the Appalachian Trail. But the rest of the park is oddly quiet, perhaps because it lacks river views and you need a car to reach the trailheads. As a result, people miss the many landscapes that Fahnestock provides: the open plains around Glynwood, the sweeping views on Candlewood Hill, the pine trees and mountain laurel corridors that lead to Earl's Chimney, the hidden lakes, the misty wetlands, the abandoned mines. Rocky climbs give way to wide farm roads which give way to mossy creek crossings. For seasoned trail runners, the park is a stark contrast to the buttery, single-track trails of California or the notorious ascents and descents of the Rockies. Fahnestock's trails demand versatility and focus. "It's a nice blend," said Katharine Spector earlier this week while clearing encroaching bushes on the Charcoal Burners trail. "It's a great way to introduce people to what trail running on the East Coast is really like." Spector introduced a lot of people to Fahnestock in 2023 when she helped create the Fabulous Fahnestock Trail Races, which are routes of 5.5 miles, 25 kilometers and 50 kilometers. Half the proceeds go to Fahnestock. The race returns on Aug. 17; register at fahnestockraces.com. An interior designer who lives in Kent, Spector took up trail running in 2018. She's a fast learner and a fast runner. In October 2021, she became the first person to run the New York section of the Appalachian Trail in one continuous push, covering 85 punishing miles in 26 hours, 24 minutes and 4 seconds. She didn't do it alone. She had a support crew of 15 people, including runners who had failed to set the record themselves. "It's important to have a community that supports you, and to support others as they try to achieve their own goals," she said. "Even if you're a runner who goes on every run by yourself, at some point you're going to encounter this community." Spector went on to help found the Hudson Valley Trail Runners group, which holds weekly runs on Tuesday mornings in Beacon and Thursday evenings in Philipstown. (See instagram.com/hudsonvalleytrailrunners.) The local trail-running community was also responsible for the creation of the Fabulous Fahnestock. During the pandemic shutdown that began in 2020, races were canceled and many outdoor spots, such as Mount Beacon, were closed. But Fahnestock was open, and Spector took on a project to run on every trail. Then Christopher McGovern, who lives in Nelsonville, created his own ultramarathon by plotting out a 50K course that traces Fahnestock's circumference. He uploaded the course to the ubiquitous fitness app Strava, and soon other runners were taking on the challenge and refining the route. For the inaugural Fahnestock race, the McGovern course was revised a bit. It avoids the Appalachian Trail and Canopus since they are likely to be busy on a summer Saturday. However, during the 2023 race, on a blessedly cool day in the middle of a brutal heat wave, I hardly saw anyone on the trails who wasn't racing. Two hundred people took part last year, including many from outside the Hudson Valley. The 50K was won by Shannon Capps of Philadelphia and the 25K by Kyle Boykin of Georgia. Beacon's Eric Diehl won the 5.5-mile by six seconds. Spector is hoping the 2024 race will attract more locals and designed the event to appeal to curious outdoor enthusiasts who would enjoy a leisurely day in a beautiful place, not just those looking to blast through the 50K in six hours. The cutoff times are generous enough that the 25K and 5.5 miles races can be done by hikers. There are prizes for the winners but also for the runner who gets lost the most and the last runner to finish within the cutoff times. (Full disclosure: In last year's inaugural 50K, I banged my knee coming down Round Hill and "wo...
Numbers 21.4-9, Psalm 107.1-3, 17-22, Ephesians 2.1-10, John 3.14-21; Is God subversive? How can we live in grace? Why are there so many snakes int he Bible? These questions and more on this episode of Strangely Warmed with guests Heather and Daniel Wray. Heather serves as the Director of Connect Ministries at Leesburg UMC in Leesburg, VA and Daniel serves as the pastor at Round Hill UMC in Round Hill, VA.Hosted by Taylor Mertins
Exodus 20.1-17, Psalm 19, 1 Corinthians 1.18-25, John 2.13-22; What are the pros and cons of being a clergy couple? Does God get jealous? Why are we so afraid of the S word? These questions and more on this episode of Strangely Warmed with guests Heather and Daniel Wray. Heather serves as the Director of Connect Ministries at Leesburg UMC in Leesburg, VA and Daniel serves as the pastor at Round Hill UMC in Round Hill, VA.Hosted by Taylor Mertins
Josef Forstmayr, managing director of Round Hill Hotel & Villas in Jamaica, talks with James Shillinglaw of Insider Travel Report about his luxury property, which has played host to the rich and famous for 70 years. Forstmayr provides an update on the resort, which continues to cater to luxury travelers with service and style. For more information, visit www.roundhill.com. If interested, the original video of this podcast can be found on the Insider Travel Report Youtube channel or by searching for the podcast's title on Youtube.
Our conversation today with Tyler Hinkle, Shenandoah County's Planner is part of an ongoing series following the work on Shenandoah 2045 - Shenandoah County's comprehensive plan. The planning process will unfold over the course of four years with the majority of the community collaboration occurring from 2020-2022, with input in 2023-2024. Today's chat featured Mike Liskey & Jacob Bowman, District 2 Representative of the Citizens Advisory Committee (CAC). They gave us an update on the two chapters that they're working on: Chapter Two: Water Resources, and Chapter Three: Agricultural, Forestal, and Geological Resources. They explained how these chapters were created and the importance of breaking them out into standalone components from the previous plan. They encouraged listeners to reach out with any questions or suggestions. Tyler reminded us of all the different means of communication that are available which include email, their website, social media, as well as stopping by the planning department. You can find the chapter overview below and view the entire plan in various forms here: https://shenandoahcountyva.us/2045plan/ Chapter 2: Water Resources Provides a vision and objectives to protect and enhance aspects such as the rivers, creeks, and streams including their floodplains such as the North Fork of the Shenandoah River, Smith Creek, and Mine Run. karst topography, sinkholes, groundwater recharge areas for public wells, and the related groundwater resources in the county. important aquatic habitats and resources such as wetlands, ponds, lakes, and estuaries flash flooding and droughts and the potential impacts water, or the lack of it, poses to public and private investments water and sewer sanitation facilities as well as private wells Chapter 3: Agricultural, Forestal, and Mineral Resources Provides a vision and objectives to protect and enhance aspects such as the prime agricultural soils overall and for specific agricultural industries. existing forest coverage, old growth forests, and key wildlife corridors and habitats. steep slopes and areas that are prone to landslides. mining operations for minerals or rocks such as limestone quarries mountain top and slopes as well as key natural landmarks such as Round Hill. use of the land and methods to ensure the County retains its rural agricultural character in how land is used. (ie large scale poultry operations, industrial greenhouses, solar facilities, and other uses that pose an impact to valuable farm and forest land in the County) For more information about the planning process, visit their website: https://shenandoahcountyva.us/future/ and follow them on Facebook. You can listen to my previous conversations with Tyler about Shenandoah 2045 by clicking here.
On this exciting episode of Fishing the DMV I breakdown my 4th place finish & big fish award in the NVKBA Kayak Tournament on Sleeters Lake in Round Hill Virginia as well finesse Swim Jig Fishing. If you are interested in being on the show or a sponsorship opportunity, please reach out to me at fishingtheDMV@gmail.com Places you can listen to Fishing the DMV audio version: https://www.buzzsprout.com/1893009 Fishing the DMV YouTube Channel: https://youtu.be/n3c-CFvmpFg Jake's bait & Tackle website: http://www.jakesbaitandtackle.com/ Jake's bait & Tackle Facebook: https://www.facebook.com/JakesBaitAndTackle/?ref=pages_you_manage Fishing the DMV Facebook page: https://www.facebook.com/Arensbassin/?ref=pages_you_manage Fishing the DMV Instagram page: https://www.instagram.com/fishingthedmv/?utm_medium=copy_link #fishing #FishingtheDMV #bassfishing
Vid den här tiden, år 1864, hade Mad Dog Morgan hunnit bli en fullfjädrad bushranger, som rånat, supit och varit i eldstrid med polisen. Han var eftersökt, men hade inga planer på att lägga ner sitt vilda korståg. I detta avsnitt berättar vi om kaoset på gården Round Hill, som blev en av de mes omskrivna händelserna i Mad Dogs bushranger-karriär. Manus av David Oscarsson. Ljudbearbetning av Josefine Molén. Om du gillar Mördarpodden och vill att podden ska komma ut oftare: Var med och sponsra podden på Patreon: https://www.patreon.com/user?u=10466265Når vi $400 på Patreon kommer Mördarpodden garanterat att komma ut varannan vecka. Just nu kan vi bara garantera att Mördarpodden kommer ut den sista i varje månad.Det här är en podcast av Dan Hörning och Josefine Molén.Följ Josefine Molén här:http://josefinemolen.se/https://www.instagram.com/j.molenFölj Dan Hörning här:Twitter: @danhorningInstagram: https://www.instagram.com/dan_horning/?hl=enYoutube: https://www.youtube.com/channel/UCV2Qb7SmL9mejE5RCv1chwgErik SegerstedtSpotify:https://open.spotify.com/artist/63q3l3pKBpvqEjUM5Vf1TG?si=fYtdOwIvTn6noQJW6ffPwwInstagram: https://instagram.com/eriksegerstedt?utm_source=ig_profile_share&igshid=1fq6m5mmt5rxiMartin Molén (Presentationsrösten)Instagram: https://instagram.com/mrmolen?utm_source=ig_profile_share&igshid=1x0nhd3o2lfq9 Hosted on Acast. See acast.com/privacy for more information.
Have you ever wondered where the relaxing sounds you listen to come from? When you take this Journey of Relaxation with me you will know exactly where and when it was recorded.These relaxing sounds are coming to you from Round Hill Beach on September 16, 2021 at 10:45 am.Go see the pictures and videos on the links below.New intro Support the showTake a moment to find the beauty of nature every day,Duchess of the DunesTikTokFacebookYouTube
I looked up the meaning of Knox.
Join me for a drink as we Fly to Germany to drink beer and watch the World Baseball Classic; Start a Go Fund Me page to buy the LA Angels of Anaheim; Ask why in the world isn't Shohei Ohtani the unanimous MVP front runner?; Like what we see from Merill Kelly and the Arizona Diamondbacks outfield; And the return of Manuel Margot powers the Tampa Bay Rays Drink: Guten Tag Sonnenschein (German Style Wheat Ale) from B Chord Brewing Company in Round Hill, Virginia Instagram: Hipster Baseball Podcast Twitter: @HBP4040 Intro and Outro music: DeCarlo
A two-vehicle collision on Round Hill Road east of Thomasville about midday Monday proved fatal for a local woman. Toni Cowan Stewart died of injuries sustained in the accident. Her husband, Fredrick “Freddy” Stewart is an employee of the City of Thomasville. Mayor Sheldon Day asked for prayers for family at Monday's city council meeting. Stewart was driving a Chevrolet. The driver of the other vehicle, a white car, has not been identified to this newspaper. He reportedly left the scene on foot and had not been located as of Tuesday afternoon. Warrants have been issued for his arrest. The...Article Link
Best-selling author Zack O'Malley Greenburg and I took a break for a new Dad-girl duties to talk about the latest headlines in the music industry — namely Irv Gotti selling a 50-percent ownership stake in Murder Inc.'s past music recordings. He got $100 million from Iconoclast for the deal, plus another $200-million credit line to fund future media endeavors Irv has planned. After the sale, Irv did an interview with Billboard and quipped that monetary-wise, the music industry is the “lowest form” in entertainment compared to film and television. Zack and I debated that during our episode comparing top-line revenues for each entertainment vertical, plus how Irv's deal compares to other splashy catalog sales in the past two years. We also dived into a guest post on Zack's Substack about how “moods” has become the new classification for music, not genres anymore. Discovery algorithms deployed by streaming services have pushed listeners toward moods — and away from regionalism (e.g. Houston-style “chopped and screwed”) and loyalty to particular record labels. It's also another tell-tale sign that Gen Z is more fluid, less rigid than prior generations with their labels. Below are all the music-industry topics Zack and I covered throughout the episode, plus a special segment on becoming Dad's in the past two months:[0:55] Baby Duties For Zack & Dan[4:11] Irv Gotti Calls Music Industry “Lowest Form” In Entertainment [6:09] Zack Still Gets Royalties for “Lorenzo's Oil”[7:52] Top-Line Revenues: Music vs. Movie Industry[8:59] New Artist Perspective Skewing Perception Of Music Business[11:04] Did Irv Gotti's Deal Get Made Before Market Correction? [13:08] Irv's Deal Was For Masters, Not Publishing[13:50] Crowning Jewel of Murder Inc's Catalog[18:23] Why Mood Is The New Musical Genre[19:26] Gen Z Uses Labels Less Than Prior Generations[25:53] Post Malone The Genre-Agnostic Artist[27:10] Did Streaming End Regionalism In Music? [29:53] Fan Attachment To Record Labels Has Disappeared[32:30] Stories From Two New Girl Dads[38:21] First Music Show For The New Babies?Tiffany Ng's article on music being categorized by moods, not genre: https://zogblog.substack.com/p/why-mood-is-the-new-musical-genreListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Zack O'Malley Greenburg, @zogblog Sponsors: MoonPay is the leader in web3 infrastructure. They have partnered with Timbaland, Snoop Dogg, and many more. To learn more, visit moonpay.com/trapital Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapital Trapital is home for the business of hip-hop. Gain the latest insights from hip-hop's biggest players by reading Trapital's free weekly memo. TRANSCRIPTION[00:00:00] Zack O'Malley Greenburg: Our generation, in general, is pretty hung up on labels. You know, everything from music to sexuality, to whatever, you know, it's like things have to be classified and, you know, there's kind of an obsession over putting things in buckets. Whereas I think Gen Z has a lot more about fluidity and sort of like, you know, questioning why we need these labels at all to begin with, or at least, like, maybe we should just loosen up a little bit about them, which I think makes a ton of sense, you know? [00:00:34] Dan Runcie: Hey, welcome to The Trapital podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more, who are taking hip-hop culture to the next level. [00:00:55] Dan Runcie: This episode is the first one I'd done in a little bit, took a quick break from recording. My wife and I welcomed our first child into the world last month, so took some time, focused on family, and finally, ready to get back into the swing of things. And there's no better person to do it with than my friend, Zack O'Malley Greenburg, who recently is coming back from paternity to leave himself. Him and his wife just had a kid in May, and the past couple of months, Zack and I have been talking about our journeys, both leading up to this moment and after. So, and given what we cover in both music and entertainment, it was a good time to catch up on a few recent headlines. First, we talked about Irv Gotti and the $300 million deal he did for selling his Murder Inc. Catalog, doing a deal with Iconoclast for further stuff in media, TV, and film. And this statement that Irv Gotti made about music being the lowest-monetized form of entertainment. Zack and I had some thoughts, so we broke that down. We also talked about one of the articles that was a guest post in Zack's ZOGBLOG that he had published that was about moods in music and how moods and music are definitely taking over genres, especially in streaming, and how that may shape the future of how music's released and monetized. We're getting away from these genre legacy terms like country, rap, and pop and moving more so into chill vibes, or other things that are named by hyperspecific Spotify playlists. And Zack and I saves a little bit of time at the end for Girl Dad Life, where we chatted about some of our mutual experiences and some funny moments that we've experienced so far with having kids and what's that's been like with newborns specifically, so hope you enjoy this episode. Here's my chat with Zack. [00:02:42] Dan Runcie: All right. We're back with another episode. And I'm joined by my guy who is also probably with limited sleep, fresh off of paternity leave himself, Zack, how are you holding up these days, man?[00:02:54] Zack O'Malley Greenburg: Not too bad. I think we got eight hours last night out of Riley, little Riley. So life is definitely getting a little bit more normal but it's, it's all good. sleep or no sleep. It's just a blast. [00:03:06] Dan Runcie: Ah, love to hear it. I'll hopefully be at that eight-hour stretch soon, a couple of weeks behind you with a newborn, but we'll save some time at the end to catch up on Girl Dad Life. [00:03:16] Zack O'Malley Greenburg: All right.[00:03:17] Dan Runcie: Let's start things at the top though. We got some big topics we want to dive into, but this first one that caught my eye, and it sounds like it caught your eye, too. This quote is from Irv Gotti, who just did this huge deal. Of course, Irv Gotti, CEO, one of the founders of Murder Inc. He was able to do a $300 million deal recently with Iconoclast, where he was able to sell his share, his 50% share of Murder Inc.'s masters for $100 million. And plus he also got a $200 million line of credit. That's going to be specifically used for future TV and film projects that are likely going to be based off of some of the Murder Inc. IP or other things. But in an interview that he did talking about this deal with Billboard, he said this quote, and I've been thinking a lot about it.[00:04:11] Dan Runcie: He said, "Entertainment industry is music, TV, and film," right? "The music business is the lowest form, and I just bagged a hundred million dollars for some shit I did 20 years ago." And the interviewer then follows up and it's like, you know, can you say more? And he says, "It's just the facts. More money is made in TV and with movies than music. It's a non-disputable fact. We love the music industry and I love the music industry. There's money to be made. But [it's dwarfed by] the money made from TV and film. If I have 100 episodes of television and I own it, they'll probably put a worth on it at $300 or $400 million. With $300 or $400 million, I could sell it at a 10 to 20 multiple. That's three to six billion. This is why Tyler Perry is a billionaire. That's why I sold my masters and did this deal with Iconoclast." So I pause and, although I get what he's saying and I think there is some interesting discussion there, I think there's a lot of nuances there. And I'm not quite sure if I'm completely on board with him on this. That said, I think Irv Gotti is great. I always loved what Murder Inc. did, but I think that this particular statement is a bit more nuanced, especially with what we've seen happening in music the past few years. [00:05:29] Zack O'Malley Greenburg: Yeah, I absolutely agree with that. I mean, you know, and I think he got into some fuzzy math there at the end. I mean, I don't know, you know, to multiply what by 10? And we're talking how many billion dollars? Like, when Disney pay a billion for the entire Star Wars library, so, I know that was a great deal for them and it's worth a lot more now. I think the math might be a little bit off, but I would kind of flip it and say, you know, sure. You know, there are movies that gross billions of dollars or, you know, hundreds of millions or into the billions, low billions. But like, there aren't albums that do that. Okay, but, you know, in terms of libraries, I mean, we just saw Bruce Springsteen get half a billion dollars for his.[00:06:09] Zack O'Malley Greenburg: I mean, we're seeing, you know, masters in publishing go for hundreds of millions of dollars. The fact that Irv Gotti got a hundred million dollars for half of the Murder Inc. catalog. I mean, that's a wild number. No, not to sort of sleep on the Murder Inc. catalog, but, you know, it's not Bruce Springsteen. So, you know, I think that actually, the fact that he was able to get a hundred million dollars shows that the music industry is actually alive and well, right, in terms of the valuations. So yeah, I'm not, I'm not sure how much I, I, I agree with that, especially when you look at, you know, like for example, I was in a movie when I was a kid. The movie's called Lorenzo's Oil and I played Lorenzo. It's a, a big role, and I still get checks for 60 bucks, you know, every few months. And that's nice. And I'm sure that Nick Nolte and Susan Sarandon who were in it get much bigger checks, but, you know, they can't really go and, like, sell that catalog. You know, you don't have masters as an actor. I suppose you could go and sell the royalty streams or companies let you do that now, but it's not the same in terms of intellectual property. There's not like an equivalent to, you know, songwriting you know, like the sort of, the same kind of IP that, you know, at least, if you are an actor or an artist, or, you know, you would have access into your, to your masters in a way that you wouldn't as an actor unless maybe you're Tom Cruise and you negotiate some crazy backend deal. So, I think the grass is a little bit greener on the music side than Irv is, is giving credit for. [00:07:42] Dan Runcie: Yeah. I think the difference that you're highlighting is that it's not so much the top-line number. It's more so just how the business model under that number is distributed between who owns the underlying content and who doesn't. And I think if you're Irv and you're trying to compare this from this perspective of, if you're in music and you're trying to do a deal with Universal, whether you're an artist or you were an indie label at the time, trying to do a distribution deal or some type of joint venture. I forget exactly what Murder Inc. had at the time. But comparing that isn't the same to comparing what Tyler Perry is doing because even what Tyler Perry's doing, he is very much a unicorn in that right. There's not that many actors that are owning the underlying IP of the work that they're doing. Tyler Perry is the writer, the director, the producer for all of these things. That's why he is getting those things. And that is a very unique use case because in most cases, those are all different people in television. And I think, to be honest, TV is likely getting even murkier now because so much of the money that was going into these projects was based on this concept that these video streaming services could just have infinite growth and just keep growing and growing.[00:08:59] Dan Runcie: And now we're kind of reaching this point where people are like, okay, Netflix had 220 billion people paying $10, $15, almost $20 a month. Maybe that was as high as it could potentially go. I mean, I think there's plenties to break down there, but if those dollars aren't going to be as high as they may have been in that perspective, then we're going to see the shift. I did look at some top-line numbers, which are, I think, a good way to kind of balance things out. The music industry almost made $30 billion last year. I think it was around $28 billion last year for recorded music overall. So that does not include concerts or any of those things. I know that Irv isn't referring to that, but then if you look at the box office, I mean, that's more money than the global box office made, granted last year was a pandemic year so I know it's a bit tough to compare these things. And there's a lot more other things there, but it's not so much that this industry itself doesn't make as much money 'cause, yeah, you mentioned Bruce just got half a billion for all of his stuff. He owns this stuff and you know, that, you know, Born in the U.S.A. is going to be playing for decades, at least with, you know, as long as your Baby Boomers, and Gen X, and I guess even Millennials that are big Springsteen fans continue to listen. But I think that's different than how Irv might be looking at it. The thing is though it's not just Irv. I think that has its perspective. I think a lot of other folks have that perspective too, but I think it stems from when you are at the lowest rung of being the talent in the particular industry, I think music at that stage is likely a bit less advantageous than it may be for, you know, an actor per se. And maybe that's a bit of the difference where if you're a musician that's just signing on for a deal, it's going to take a lot longer for you to maybe recoup that money than an actor would, you know, signing on for an equivalent level size of something. But that's definitely very different than putting that as a global claim about the broader industry. [00:11:04] Zack O'Malley Greenburg: That's true, but I, I would still argue that if you are an artist getting into the game as a, as a musician, the default would be that you would probably have shared ownership of your masters. If you were an actor getting into the acting game, the default is like you get an okay chunk of money for one movie, you know. It doesn't come with IP in the way that it would. And so it's not until later in your career that you can start to say, Hey, I want to be a director. I want to be a producer. Until you start to get, or, you know, or maybe you're kind of DIY from the beginning and, and you're doing it, all of it yourself, but that's, that's so unusual. You know, I don't know. I mean, I, I think the other thing too, is that like, and maybe this is part of what Irv was alluding to, I mean, that a hundred million dollars that he got, that to me seemed like a number that was more along the lines of the stuff we were seeing, you know, six months to a year ago before interest rates doubled. And we kind of stopped hearing about these big deals. So I wonder if that deal, and I kind of asked around a little bit and I couldn't get a, a firm answer, but I would suspect that that deal, you know, was agreed upon you know, like last fall or something before the economic environment changed and, you know, and it just didn't close until now 'cause these, these deals can take six months to a year to close and, and that's why, you know, you've got such a good multiple. But like these days, you know, when the interest rate is, like, gone from 3% to 6% or whatever, I guess it depends on the kind of deals you're doing, but, you know, that's a huge difference. And it sort of like makes buying music assets a lot less interesting because you know, when just, like normal financial instruments, you know, and not to get, like, too nerdy about it, but, you know, in the bond market are generating something closer to what a music catalog would do. I think, like, these big financial institutions are going to be more inclined to kind of like lean on their expertise rather than trying to, to do these exotic things or, you know, get involved with, with music catalogs and intellectual property and that sort of thing. [00:13:08] Dan Runcie: Yeah. I could see that. I think the other piece of this, too, that may get lost in some of the details, especially, is that this isn't a publishing catalog deal. This is masters, at least partial ownership there, or not partial ownership, but at least the revenue generating from at least half of what Irv had, and at least in streaming, your recorded revenue from the master side is at least three to four times higher than what the publishers are getting. Of course, there have been some, there's some recent changes where the publisher royalty has increased. I think increased from 10 and a half percent to 15.1% recently. So that'll help, but still, that piece of it does in many ways, so even, let's say you were to compare this number for the Murder Inc.'s masters to let's say what Justin Timberlake got for his catalog deal. You can't necessarily compare that because Timberlake's was for the piece of the music sound recordings that were less valuable, relatively speaking, at least currently than this. So I do think sometimes, like, those things do get lost in it, but it would be interesting to see, yeah, what would that be like now if those deals were starting to shine a closer look if those conversations were happening? I think it would be interesting and also a bit unique because this deal is with Iconoclast. This isn't one of the standard players that we've seen that are handing out, you know, the nine-figure checks to these companies. Who knows what the conversations could have been like with Hipgnosis or Round Hill or some of the others. I feel like he may have alluded to that to some extent in the interview, but it was hard to get a sense specifically.[00:14:52] Zack O'Malley Greenburg: Yeah. And you also wonder, I mean, how much, if it was about, you know, being able to say, oh, now we have a catalog that, like, there is some Jay-Z in there. There's some DMX in there. I think there's some J.Lo in there. You know, in addition to like a lot of Ja Rule and Ashanti, and you know, but that's kind of like a trophy to have that. You know, I don't know that it's quite so often that you know, anything by Jay-Z comes up. I think it was, there's a piece of Can I Live on there, which, which is pretty cool, so, you know, that that might have added, you know, a certain premium to it. [00:15:23] Dan Runcie: Yeah. I was going to ask you that. What do you think is the crowning jewel of this catalog? I mean, every one of these catalog sales, it has the typical 80- 20 or the power law thing, where there is a few big songs that are really generating everything. I mean, you mentioned J.Lo. I mean, I'm Real has to be one of the biggest Murder Inc. songs they had, or maybe Always On Time with, you know, Ja Rule and Ashanti. Are there any others that stick out?[00:15:48] Zack O'Malley Greenburg: I mean, the Jay-Z one for sure. Which DMX song was it? It was a pretty big one. I think it's What's My Name? [00:15:54] Dan Runcie: Oh, What's My Name. Oh, that, that was on X's catalog. That was Ruff Ryders and Def Jam. [00:15:58] Zack O'Malley Greenburg: Oh, that was. Okay. [00:15:59] Dan Runcie: But Jay-Z, they, they were on It's Murda though, right? It's Murda from Ja Rule's Venni Vetti Vecci that had Jay and DMX. [00:16:07] Zack O'Malley Greenburg: That's right. Okay.[00:16:08] Dan Runcie: Yeah. Is that right?[00:16:09] Zack O'Malley Greenburg: It was, it was some, it was like somewhere in the discography. I was looking at it though. Oh, well, I'll track it down someday. We'll have to talk about it the next time. But there was, there was a big DMX single that somehow ended up on there that caught my eye. But, you know, like a lot of the Ja Rule stuff, I think. I think maybe Livin' It Up was on there. [00:16:26] Dan Runcie: Oh, yeah, that was big.[00:16:27] Zack O'Malley Greenburg: That's a huge one.[00:16:29] Dan Runcie: Yeah, like Down 4 U, like Down Ass Bitch, like, you had a few of those that were in it. I think Ashanti had some big ones, too, like Foolish. Foolish was huge. [00:16:38] Zack O'Malley Greenburg: Yeah. Oh, yeah, here. Okay, it says What's My Name. It said that he produced What's My Name. So that's why, even though it wasn't...[00:16:45] Dan Runcie: Oh, interesting.[00:16:47] Zack O'Malley Greenburg: Yeah. What's Luv? That's a huge one. [00:16:50] Dan Runcie: Oh, that's a big one. Yep. With Fat Joe and Ashanti, yep. [00:16:53] Zack O'Malley Greenburg: Yeah. Yeah. Can I Live, Holla Holla, you know, so there's, there's some really good stuff on there. And I think you're right. It's probably, there's a couple, you know, without us having a, a look at the statements, it's hard to know, but it, it wouldn't surprise me if one of those songs is just like a sleeper hit that just continues to, I mean, we know it's a big hit, but it, it could be, like, way more lucrative than we ever imagined. Or one of those could have been in a movie, you know, more, more than the others or something like that. So, you know, I think a lot of these songs are going to be, actually, that's what one of the lawyers I reached out to about this said. He was like, you know, there's a lot of stuff in there that is very interesting from the sync perspective. You know, to the sort of like Millennial, Xennial crowd that grew up on that that would love to see it in movies, and TV, and video games, so yeah, that could be part of it, too.[00:17:38] Dan Runcie: Big on sync. Also, big on the likelihood of being turned into some viral TikTok trend. I don't know if that is a quantifiable metric they're using, but I would, I think it is. I just think of so many, the TikTok things that blow up and that era of early 2000s, late 90s hip-hop has done really well in a lot of ways. And sometimes it's so random, but I do think that that Murder Inc. sound captures so much of that. It's only before long that someone finds some, like, weird thing that happened in one of the music videos, and then that then becomes viral, and then it becomes like a whole TikTok viral campaign. [00:18:16] Zack O'Malley Greenburg: Yep. Yep. Although don't know how, how much they'll be getting paid from TikTok, but that's a whole other, that's a whole other story.[00:18:23] Dan Runcie: We'll have to save that one for our next, for the next chat. We got to see how that whole situation firms up. But so the next topic that we want to talk about is a fascinating piece that was a guest post that was written by someone that you had worked with, Tiffany, and she wrote a really interesting essay on why mood is the new musical genre. And when you picked me on this, I read it, and it stuck out because I was like, you know what? It's a hundred percent right. If you look at Spotify and you look at how all these streaming services have shifted, how music is being consumed and listened to. Yeah, it isn't rock, pop country, hip-hop. It's a lo-fi chill vibes. It's, you know, backyard barbecue hang. It's all of these super niche things that reflect a lot more of where music listening is going. And I could only imagine there's so many broader implications that it can have, but I'd love to hear what you think about it. [00:19:26] Zack O'Malley Greenburg: Yeah, absolutely. So I've been out on paternity leave and, you know, not really writing, but Tiffany who's a really great writer and, and was doing some research for me while she was a senior at, at my alma mater, at Yale. And, and she and I were actually, we worked on the same, basically, arts and culture desk on the school newspaper, you know, whatever it was, 15 years apart. So she, while I was out, she wrote this great long piece kind of talking about how, you know, from her generation's perspective, this idea that, yeah, that you would classify things by genre or really identify yourself as like a hip-hop fan or a rock fan or whatever, is all kind of moot. It's like an old people thing. And that her generation is more about moods and, and like you say, it's backyard barbecue or whatever it is. And people don't, you know, really care about genres so much anymore, you know, amongst the sort of Gen Z crowd, and she, you know, really kind of dug into some, I think, great examples of it and talked about Spotify classifications and how they put together, Audio Auras that give you your kind of, like, yearend picture of your listening tastes. And I think it's a really great point. And I think that, you know, our generation, in general, is pretty hung up on labels. You know, everything from music to sexuality, to whatever, you know, it's like things are, have to be classified and, you know, there's kind of an obsession over putting things in buckets. Whereas I think Gen Z is, is a lot more about fluidity and sort of like, you know, questioning why we need these labels at all to begin with, or at least like, maybe we should just loosen up a little bit about them, which I think makes a ton of sense, you know? I mean, I remember when Halsey put out that song, New Americana, and she talked about being raised on Biggie and Nirvana. And I was like, yeah, that's me. Like, I get that. But that always felt weird when people were like, well, what kind of music are you into? And I was like hip-hop, and grunge rock, and like some other stuff. That was always sort of weird, but I think it's good to see the next generation kind of embrace that more and that's what the article kind of dug into.[00:21:22] Dan Runcie: The label and generation identification is a huge thing. Do you remember growing up when the labels of how we were and folks were in middle school and high school was such a thing that people went down the road, it was like, oh, you're a skater? Oh, then you listen to Linkin Park. Then you listen to this and you dress, and you wear like JNCO jeans, like with the chain hanging from the back of your pocket to the front or whatever. You're a prep? Okay, you shop at Abercrombie & Fitch. You're probably wearing Adidas Superstars and you probably, I don't know, clothes from, like Structure or like Express, and stuff like that. Like, there were all these buckets, too, and then it extended as well. If you listen to hip. You probably wore Timberlands. You probably had Nike Air Force 1s, Ecko, or whatever the popular clothes were at times. Like, all of these things and this generation and timeframe is just like, no, that's not the case. And I think this mood thing factors in a lot of that. I think we're almost seeing this to some extent with things we've kind of just seen, like regionality as well. [00:22:29] Dan Runcie: Like, I've heard a lot of people talk about how from, you know, certain generations it's like, oh, like, well, people in Seattle, they dress like this. Like, you could go to Seattle, walk or like, you know, the Pacific Northwest and everyone's wearing flannel like it's a Nirvana music video or whatever. Or if you go down south, like I would visit my cousins in Florida growing up and they would be listening to Ying Yang Twins and all these other songs that were popular at the time. And we just weren't listening to that stuff nearly as much growing up in the Northeast. And it hit that vibe. And I think now, too, because of the internet, so much of that generationality piece just, or not the generationality, the geographical identity is also dissipated, too, where people in Seattle can, you know, feel no different, especially from a youth perspective, could feel no different than someone growing up in Miami or Fort Lauderdale or whatever it is. So I'm curious to see how is that going to shape? Even the legacy labels that we do have on things. I think that the Grammys is, you know, clearly an institution that has prided itself on the number of options that it's given particular artists to have and celebrate their particular genre of music based on these legacy labels. I think it takes a lot of time for those things to change, but will we see that? Could you eventually see things where I think pop radio in a lot of ways? And radio, in general, is still one of the things that's still holding onto this generational, you know, label divides much to a fault because I think there's still certain types of artists that are precluded from being heard on Z100 or being heard on your mainstream stations, so, I think that it may still take time to get there, but I'm curious to see what did that look like 20 years, 20 years from now? Will we still see the same restrictions on radio and in award ceremonies? 'Cause I think those are the two areas that feel harder to disrupt than the broader culture that already has been disrupted by it.[00:24:32] Zack O'Malley Greenburg: Yeah. And one of the other things that Tiffany wrote about in this article which you, oh, you can read it, just it's zogblog.com, and you can go through the newsletter. It's the latest post. I'll be back writing in a week or two, I think. But anyway, it's up there on zogblog.com and she said, she pointed out the IGOR one for best rap album, even though it's not really a rap album. Like, it's already happening, right, like, in categories at the Grammy's. So, right, like how, how soon until we start to change that or, or even have sort of like, broader, you know, kinds of labels. Like, what if it's like, you know, best chill album, you know? Best barbecue album? I don't know. So I'd love to see how that, how that kind of turns out. But, man, I remember, you know, in the nineties, when you would sort of put on your AOL profile what kind of music you listen to. A lot of people sort of also define themselves in opposition to certain genres. They're like, I listen to anything but country and rap, you know? That, I remember a lot of people that, anything but rap, anything but country. That was sort of their battle cry. And you know, I just don't see too much of that anymore. And I think that's a great thing, you know, like, why should you have to limit your taste? It's like, you know, you don't want to be a traitor to, to your emo, whatever, by, by listening to hip-hop. But now we have like emo hip-hop. It's great. I think it's cool that we have, you know, all these kinds of like mixings and subgenres.[00:25:53] Dan Runcie: Yeah, if anything, I think I'll see the angst more for particular artists themselves and not necessarily the broader genre, right? Like, I know there's people that, you know, they just don't like Post Malone for a number of reasons. And it's like, I get it, but you can't put Post Malone in a musical category to be like, oh, I don't like this type of music 'cause I guarantee you, whatever, you know, genre of music, you want to put him in, there's going to be an artist that sounds like him, may not look like him, may not have a fan base that, you know, vibes the way that his does, but you're probably going to like something of that, you know, type of thing, right?[00:26:30] Zack O'Malley Greenburg: Yeah, yeah, absolutely. I mean, I've gotten into so many arguments about how to classify Post Malone. Some people say he is hip-hop, which I don't really, I wouldn't classify him as hip-hop. Is he pop? I guess. I guess that's what you'd call it, but, you know, I wouldn't really say that he's rock.[00:26:45] Dan Runcie: I would call him pop, yeah.[00:26:47] Zack O'Malley Greenburg: Pop yeah. Pop or sad frat party or something, you know? I mean, mood. I think mood is a great way with him, too. [00:26:54] Dan Runcie: Yeah, I mean, is there any other broader implication that you can think of with how moods will just continue to shift over time and how moods may play a bigger role in music, either how it's consumed or how it's monetized? [00:27:10] Zack O'Malley Greenburg: You know, I mean, I think really what's on my mind about that right now is I go back to what you were saying about regionalism. And, you know, I wonder if sort of this movement away from labels of genre, more toward labels of mood has to do with the fact that you know, there's sort of like, you know, national moods almost that you can attach to music in a way that you couldn't when things were sort of regional. And, you know, there was that whole moment where radio, sort of like the consolidation of radio, that kind of switch over to like the clear channel model. And you, you had sort of like the same, you know, whatever it was, KISS-FM or something like that, and you had these big playlists that were just kind of on rotation, the same playlists like all over the country, and you kind of lost a little bit of that local flavor. But actually, you know, as people were lamenting that the whole thing shifted over to streaming. And there's no regional streaming, right? And so I think it sort of follows that mood would sort of like become a new means of classification because once you eliminate the regional aspect to it you know, I don't know, it's, it's sort of like it maybe unnecessary movement to happen over time. And I think, you know, There's some cons to losing the regionalism and, you know, you get some unique sounds and certainly within hip-hop, it was really cool to see like Houston versus Bay Area, you know, like very specific microclimate-type sounds that you could get that, that, you know, within kind of bubble up and percolate into different like more mainstream hip-hop sounds. But you know, then again, I think it's cool to just other genres meld into other genres and have that be kind of the mixing that happens too. So, you know, pros and cons, but I think, I think there are a lot of pros to the mood thing over the genre label thing.[00:29:00] Dan Runcie: So before long, we're going to have to pour some out for the dirty south hip-hop playlist. Got so much play over time. And maybe this regionalism trend or trend away from regionalism is just the way things are going. This is a sports analogy, more so, and there's other reasons behind it. But I look at what's happening in college sports right now with these major teams joining the Big Ten, joining the you know, or the Big East no longer really being a thing, and how so much of that is just a sign of where things are right now. And so much of what people really appreciated about what these conferences could tell you about a particular place in the country, that's not necessarily going to be the case if, you know, Texas and its whole culture is coming and joining, you know, joining the ECC, right? It's just very different. [00:29:53] Dan Runcie: And I think to bring this conversation full circle, too, it's like, I've heard through the grapevines about record labels that had wanted to start their own metaverse experiences and being like, okay, this is the record label's metaverse experience. And then someone wisely told them, Hey, no one cares about your record label. Like, that's not the draw here. Like, I mean, in the folks that are inside the industry, of course, you can share the accolades and stuff like that. But the fans care about the artists. They're not going to be drawn. Like, the days are done of people being like, oh yeah, no Def Jam, like, in the heyday, I'm there. Like, that's just not how it works anymore. [00:30:29] Zack O'Malley Greenburg: Yeah. You know, I mean, if you're really in the business, you know, which labels have which ethos. But, you know, it, it really has blurred together more and more. And yeah, I think in the old days, you know, people would be like, oh, I'm an Atlantic records fan. You know, because when they pulled out that vinyl, you know, they saw that logo, and they knew that there was a certain type of artist and that Atlantic Records were a curator of the type of music that they liked. And maybe it wasn't the same genre always, but there was, you know, they knew that it would be good. But if you're a casual listener, there's not really even an opportunity to easily know what label anybody is on. So why would you care? And I think, especially since you know, I mean, I think there was a heyday in the nineties of hip-hop artists shouting out the record labels that they were on or that they owned and that was sort of, you know, important. Definitely, like Ruff Ryders had a very different ethos from Bad Boy. And, you know, you might classify yourself, you know, more in one bucket or another and identify with that. But I think so much of that has just dissipated in the streaming era, 'cause yeah, you're not looking at a physical thing. So you know, who knows, who cares what labels anybody on, and why the hell would you really want to go to an individual label metaverse thing? I'm glad somebody told them that they shouldn't be doing that anymore. [00:31:43] Dan Runcie: Definitely. No, definitely. All right. Well, we saved some time at the end for the section that's near and dear to both of us, as, you know, if you followed either my writing or Zack's writing recently, you know, that we both had kids very recently. So Zack had his daughter in May. I had mine in June, and it's been great to just, you know, connect and bond and hear more about how things were for both of us leading up to this point and now after. So I figured now that we're on the other side of it with relatively newborn and young children, we could have a little section here called Girl Dad Life, where we each share one interesting or funny experience that's happened for both of us trying to navigate fatherhood here. So Zack, I'll let you start. What's your experience been like? And what's yours?[00:32:30] Zack O'Malley Greenburg: Yeah. You know, less than a, like a specific story, it's really more about an overall vibe mood, if you will. Man, I know it sounds corny, but the moment you become a parent, this compartment opens up inside of you and it's just filled with a new capacity to love that you didn't know was in there. And it just is like overwhelming and beautiful and is, is the best thing that's ever happened to me. And I think that one of the things, you know, like I think the best advice I would give is, is that there's no, like, right way to do it. And people have been having babies for a very long time without all the gear and whatever, and we've survived, as the human race. But I think the thing that, that always surprises and delights me is that you know, Riley, despite being eight weeks old, I mean, from the very beginning, has been a little human who, who knows what she wants. And it's like pretty straightforward. If she's crying, you know, she needs to go to sleep. She needs food or she needs a diaper change. And if she doesn't like that, it's time to put on, like, any number of different songs or albums that she likes. And she's, talk about a musical omnivore. Oh, my God. She loves, like, Shirley Bassey, Big Spender. She loves Biggie, Mo Money Mo Problems. You know, she's really like, no genre constraints when you're an infant. And I think it's just really cool to see that, you know, she could be crying and then that beat comes on and she starts smiling, you know?[00:34:00] Zack O'Malley Greenburg: I would also say like, I, I read this book called Bringing Up Bébé, and it's all about the French method of child-rearing. And they're really big into this idea of, like, the baby is a human with thoughts and preferences the minute they come out of the womb and sort of just like paying attention, you know, and, and also giving them a second to try to figure whatever it is out. Like, if your baby starts to cry, you know, don't necessarily just, like, drop everything, rush in and, you know, give your baby a second to try to figure it out. And sometimes they won't. And then you go and tend to them, but, like, if you don't give them a chance to figure it out as babies, then they'll never be able to sort of figure it out on their own as adults. So I thought that was a really cool insight. How about you? [00:34:43] Dan Runcie: Yeah. It's funny. You recommended that book to me, a couple of other friends did too. And I read it and yeah, it was a really an interesting read and it was a good reminder of, like, yeah, people have been doing this for plenty of years, and just because your baby doesn't have the newest, fanciest insert whatever, stroller, bassinet this and that, like, the fact that you're thinking about this to this extent means that you'll probably be fine and the baby will be fine. But a few funny stories that we have that I could share, so one of them when we were in the labor delivery phase, one of the folks that was in the room with us, she was a volunteer doula that was helping with a few things. She had asked me, she was like, oh, did you want me to take pictures? Because she could see I was trying to, like, multitask. My wife had wanted me to take some pictures and I was like, yeah, sure. So then not only did she take pictures, she took a video of everything, from like the moment of, you know, when my wife started pushing to everything after. And then I remember like when, you know, my wife was still recovering, I watched it, and I was like, oh wow, I did not realize she captured everything. And then my wife was just like, I do not want to see that. And then I think she heard me watch it. And then she was like, okay, I have to see that. She was like, was that me? Like? I was like, yes, yes, that was you. But it's okay. You know, completely normal, unexpected. So that's, what's there. But, yeah, I mean, I couldn't agree with you more on, you know, everything from the love, life-changing perspective, you know, something we had wanted, and, you know, it's been so good from that perspective and just pick it up on cues and stuff. There are definitely a few funny moments that we'll always crack ourselves up as 'cause you have to, right? It's like, I mean, you know, we both know what it's like with the whole sleep deprived, everything and, and all that. But you do start to notice the baby's patterns and stuff. And like how they'll react to, you know, when you're either about to feed or when you're about to give a bottle or any of those things and just the instant reaction, so. It's something else. But, you know, it's been good. I mean, we're recording today. Today's actually one month since she was born. [00:36:38] Zack O'Malley Greenburg: Oh, my gosh. [00:36:39] Dan Runcie: Yeah. Time has is flown by, time has flown by. And this is, like, the first podcast I had done since then. Everything else up to this point had been pre-recorded stuff we planned, so slowly getting back into the swing of things. I think I'll most likely be back in like a full-time perspective, maybe sometime later this month, but I think, you know, just going slowly week by week there. It feels good to have the work stuff to mix in with everything, but like, life-changing in the best way.[00:37:03] Zack O'Malley Greenburg: Yeah, well so you're coming up on five weeks and actually one of my favorite moments so far happened at five weeks. My wife and I went out with Riley and we went out for dinner at a sidewalk cafe in New York. And, you know, Riley's, like, sleeping, we're having a great time and chatting and eating. And you know, after maybe like an hour, she starts crying, and so I take her out and I'm kind of rocking her, and she's crying. And there are these ladies sitting next to us and I was like, oh, I'm so sorry. And they're both like, no, really don't worry, we have babies at home. And my wife goes, do you have any advice for us? And the one lady goes, how old's your baby? And Danielle says five weeks. And she goes, honey, you don't need any advice. You're at a restaurant with the five week old. Like, God bless you. And that was exactly, exactly what we needed to hear. And I think it's also like a great indication of, you know, your old life isn't over. You could still do stuff. You just have to plan it a little more carefully and be flexible. And I was shocked like if you had told me a couple months ago that I'd be doing that at five weeks, I wouldn't have believed you. But it's been really cool to just have the summer to chill out and spend time with Riley, and it's so cool to be having like the same timing as you would kind of like go through the milestones, so. [00:38:18] Dan Runcie: Definitely. When do you think you'll bring Riley to a music festival or some type of event like that where she's wearing the headphones and you and Danielle enjoying yourselves?[00:38:29] Zack O'Malley Greenburg: We already got her headphones.[00:38:31] Dan Runcie: Ear muffs, I should say. I said headphones.[00:38:33] Zack O'Malley Greenburg: Yeah, yeah, yeah, exactly, right, right. Ear muffs. Well, we put them on, we did a trial run on the 4th of July. And initially, she smiled a lot and I think she thought they were pretty cool. And then she was like, get this shit off of me. So I don't know. We actually were thinking of venturing into Central Park to SummerStage. A couple of weeks ago, I think Trombone Shorty was there. And then our plan just got blown up with like the various feeding schedules and things like that. So I don't know. I think we're ready to try. I think it just has to be a SummerStage thing, and it has to be like not too hot or too cold, and go for it. But I think the first time we're just not going to buy tickets. We're just going to stand outside, and see how it goes, you know, for like a half an hour. And then if that's okay, then maybe we'll work our way up. But yeah, I mean, so great to be in a, in a place where live music is just, you know, a short walk away. She hates being in the car, so it's a good thing we're in New York. [00:39:29] Dan Runcie: Perfect. No, that's great. [00:39:32] Zack O'Malley Greenburg: When's your first concert plan? [00:39:34] Dan Runcie: It's funny because last year Outside Lands here in San Francisco was in October. So in my mind, I was like, oh yeah, we could do it in October. But then I forgot that it was a pandemic year and Outside Lands is in August. So that's like two weeks from now. It's, like, the first weekend in August that Outside Lands is, and a concert might be a little much in, you know, two weeks if you're listening to this one week from recording. But I'm hoping that, you know, some early fall, hopefully, we could do something. [00:40:00] Zack O'Malley Greenburg: Yeah. Fingers crossed for both of us. [00:40:03] Dan Runcie: Definitely, definitely. Well, Zack, this is a pleasure. Appreciate you coming on. We'll make sure that we link to Tiffany's post in the show notes and, yeah, so next time, we'll hit you up and then, you know, we can definitely save some stuff for our next Girl Dad Life quarter, and I'm sure there'll be plenty of stuff happening in the industry. Everyone's on vacation right now, relaxing, but soon enough things will be ramping back up. [00:40:26] Zack O'Malley Greenburg: Amen. Well, thanks for having me on Dan as always, and best of luck on fatherhood on your end, too. [00:40:31] Dan Runcie: Likewise. Thanks, man. [00:40:32] Zack O'Malley Greenburg: All right.[00:40:34] Dan Runcie: If you enjoyed this podcast, go ahead and share it with a friend. Copy the link, text it to a friend, post it in your group chat, post it in your Slack groups, wherever you and your people talk, spread the word. That's how Trapital continues to grow and continues to reach the right people. And while you're at it, if you use Apple podcast, go ahead, rate the podcast. Give it a high rating and leave a review. Tell people why you liked the podcast. That helps more people discover the show. Thank you in advance. Talk to you next week.Advertising Inquiries: https://redcircle.com/brands
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In today's episode, we welcome Caroline Adams & Marisa Renfro, founders of Casamia onto the show! Caroline's original wedding day was set for Spring 2020 at Round Hill in Jamaica. Marisa was her go-to in terms of asking for fun & creative ideas for the wedding weekend as Marisa is a notorious party-thrower. Because of the pandemic the wedding was postponed, and to make up for the wedding weekend Marisa and her husband had Caroline and her fiancé over for dinner. To Caroline's surprise, the dinner was a recreation of her Welcome Party inspired by The Ivy with a Jamaican twist, and Marisa nailed it. From there, the wine was flowing and Marisa explained the idea of somehow delivering tablescapes to people's homes. They started spit-firing ideas, and with Caroline's business savviness the concept became a reality. Both of them were determined to bring happiness to people's tables nationwide. Voilà Casamia! The ladies' vulnerability, wisdom, and insight will encourage all of our listeners as they share their stories from their years as undergrads to the present day. Enjoy! --- Support this podcast: https://anchor.fm/howdshedothat/support
Castle Hill Cricket Chat. A Huddersfield Cricket League Podcast
In week two of the 2022 season, we have had yet more incredible cricketing achievements and who we're zoning in on this time is Rastrick's Jacob Waterson, a batsman-wicketkeeper that somehow flayed a huge double century, yet his team ended up empty handed! Jacob was a great sport and filled us in on the events at Round Hill, the curious little ground right by the M62 that must get more views a day than a Kardashian Instagram account! Jacob's played on-off for Rastrick for since he was but a lad so it was good to hear his thoughts on how they've started the season, and frankly, that completely bonkers match at Mirfield Parish Cavaliers. Elsewhere there was sad news as David Pamment, a big figure around the league passed away so Steve and Andrew, who both knew him well paid their tributes to the man. We also had to digest an action packed weekend as well as look forward in anticipation to the Sykes Cup first round matches this coming weekend.
Caleb Max, Republican candidate running for Virginia 10th Congressional District, joined WMAL's "O'Connor and Company" radio program on Tuesday to discuss his run for Congress. ABOUT CALEB MAX: Former Congressman Frank Wolf's grandson, Caleb Max is running for his old seat in Virginia's 10th Congressional District - a target race for the NRCC and DCCC. His grandfather held the seat for 34 years from 1980-2015, and Caleb, who is a 24-Year Old Small Business Owner & Farmer is running to take the seat back from the Democrats this November. Caleb is the Founder of the Athenai Institute and Stand Against Chinese Communism (SACC), two organizations dedicated to fighting the CCP. Caleb incorporated a commercial and residential landscape company in 2014 at the age of 17 after cutting his neighbor's lawns since he was 13. Caleb grew this business from one mower to now having 6 crews with 15 employees and a 500 property client list. Caleb has also experienced hardship when he bought Pica Deli in Reston, Virginia three months before the Covid pandemic. Caleb also owns a 40-head cattle beef farm at his home in Round Hill, Loudoun County Virginia. Caleb would be the youngest member of Congress if elected. Website: https://www.maxforvirginia.com ABOUT VA-10: Virginia's 10th congressional district is a U.S. congressional district in the Commonwealth of Virginia. It is currently represented by Democrat Jennifer Wexton, who was first elected in 2018. The district includes all of Clarke County, Frederick County and Loudoun County, parts of Fairfax County and Prince William County, as well as the independent cities of Manassas, Manassas Park and Winchester. The district closely matches Virginia's voting patterns in statewide races with nearly identical margins as the final statewide results. Beginning when it was re-created in 1952, the 10th district was in Republican hands for 60 of 66 years, including long stints in office by Joel Broyhill (1953–74) and Frank Wolf (1981-2014). Barbara Comstock, a former aide to Wolf, succeeded him after the 2014 election.[4] Wexton defeated Comstock in the 2018 midterms, becoming only the second Democrat to win it. Primary election: The primary will occur on June 21, 2022. The general election will occur on November 8, 2022. For more coverage on the issues that matter to you, visit www.WMAL.com, download the WMAL app or tune in live on WMAL-FM 105.9 FM from 5-9 AM ET. To join the conversation, check us out on Twitter: @WMALDC, @LarryOConnor, @Jgunlock, @amber_athey and @patrickpinkfile. Show website: https://www.wmal.com/oconnor-company/ WMAL's "O'Connor and Company" podcast is sponsored by Cornerstone First Financial: https://www.cornerstonefirst.com/ See omnystudio.com/listener for privacy information.
Welcome to the latest episode of Talking Trends, the weekly podcast from Music Business Worldwide – where we go deep behind the headlines of news stories affecting the entertainment industry. Talking Trends is supported by Voly Music.This week on Talking Trends, MBW founder, Tim Ingham, posits that country music could be the biggest story in 2022 for the voracious catalog-acquisition world of the modern music business.Ingham notes that country music's market share of total streaming (according to Nielsen / MRC Data) grew by nearly 1% in 2021 vs. 2020 and grew by 2% in 2021 vs. 2019.Joining Ingham on this episode is Round Hill Music founder and CEO, Josh Gruss.Round Hill made significant acquisition and go-forward deals with songwriters in 2014 onwards. Those writers include a number of writers who contributed to the biggest overall and streaming album in the United States in 2021: Morgan Wallen's Dangerous: The Double Album.
This episode is all about who actually owns music and how they get paid. I sit down with one of the largest investors in music royalties to understand how it all works. Josh Gruss is the Chairman, CEO and founder of Round Hill Music. Prior to founding Round Hill Music, Josh Gruss was previously a partner at Gruss & Co., a private investment firm based in New York City. He also worked in investment banking at Bear Stearns & Co. Before his career in finance, Gruss worked at Sony Music, Atlantic Records, and Clear Channel's Live Music Division. Gruss earned his B.A. from Trinity College in Hartford, Connecticut and an MBA from both Columbia University and London Business School. He served in the U.S. Coast Guard for six years. Follow Justin: https://twitter.com/justinpfortier --- Send in a voice message: https://anchor.fm/toolkit/message
On December 30, 2011 my husband Árni Guðmundsson and I were married in Round Hill, Virginia. On the occasion of our 10th anniversary, we recorded ourselves telling the story of the night we met in 2009!This story features three bags of potato chips from Turkey, but you won't find out which ones until the end of the story.For up-to-date relationship status, listen to our Valentine's Day episode:Trigger warning: This episode includes descriptions of graphic physical violence and injury.This episode is dedicated to our departed friend, Cristian Rieloff . Cristian played a large part in this story as well as in our lives. He was Árni's dear friend and artistic collaborator whose presence is sorely missed.We would also like to thank the painter, Mehmet Ekiz for kindly helping us out when we needed him the day after we met!Links:Artist Árni Guðmundsson http://www.artandvikingvax.comStina Pehrsdotterhttps://www.pehrsdotter.se/Stina_Pehrsdotter/home.htmlA Description of the Tarlabaşı Neighborhoodhttps://balkanstories.net/import-export/tarlabasi-a-slum-quarter-in-istanbul/Historic German Hospitalhttp://www.intmedtourism.com/en/companies/german-hospital-istanbul/ Subscribe to Memory Chips podcast on any of your podcast platforms! https://pod.link/1588265708
Chef Marvin of Round Hill, demonstrates how he makes red pea soup with cow skin. While his version retains the classic flavor profile of red pea soup, it is more refined than the soup we saw at Howie's. Get Recipes and watch the full series with closed captioning at: www.ciaprochef.com/WCA7
Round Hill's Executive Chef Martin Maginley demonstrates how to make pepper shrimp gnocchi that give an Italian twist to the Jamaican idea of a dumpling. The dish is flavored with scotch bonnets, coconut milk and callaloo. Get Recipes and watch the full series with closed captioning at: www.ciaprochef.com/WCA7
Round Hill's Executive Chef Martin Maginley demonstrates how to make tuna carpaccio served in a coconut shell. The dish is one of the resort's signatures. He flavors the tuna with lime juice, salt, pepper, scotch bonnet, scallions, and coconut milk, and marinates the fish for 24 hours. Get Recipes and watch the full series with closed captioning at: www.ciaprochef.com/WCA7
Round Hill's Executive Chef Martin Maginley was born and raised in Canada, but his heart and stomach are 100% Jamaican. Using a jerk sauce, he transforms traditional jerked chicken into a jerked chicken spring roll with dipping sauces. Get Recipes and watch the full series with closed captioning at: www.ciaprochef.com/WCA7
Chef Andre of Round Hill demonstrates how to make ackee and salt fish, a traditional dish that is a standby on many breakfast tables. Ackee is a type of fruit that must be fully ripe before it is edible. It is lightly cooked until it reaches a texture similar to scrambled eggs, then flavored with onions, peppers, scotch bonnet, tomatoes and salted cod fish. Get Recipes and watch the full series with closed captioning at: www.ciaprochef.com/WCA7
We start season 6 (yes, 6! I got it wrong in the intro…) with a special chat. The Rev. Dan Haugh has been called to accept a senior minister position in Vermont and we, his colleagues, send him off with our encouragement and support. We talk through some of the experiences he's had here at Round Hill and what he'll carry forward into his new ministry.
Links from this episode:Omari Music Promotion: www.omarimc.com/promotion Tunecore Discount (Receive 20% off your first upload with our link): https://www.tunecore.com/?ref=omarimcpodcast&jt=omarimcpodcast Merch: https://musiquo.com/
Today's Guest: Marty Dougherty from B-Chord Brewing Marty Dougherty is the owner and head brewer at B-Chord Brewing Company in Round Hill, Virginia. During the pandemic, he's managed to take advantage of the outdoor space available at their location to create an amazing outdoor concert venue that is pulling in national acts. They're even planning to add on an 18-hole disc golf course this summer. We chat with Marty about how he decides what to brew, how the concerts actually help function as crowd control, and even some of his favorite spots for beer. If you missed Episode 31, go back and listen to that first, as that's the start of our conversation with Marty. Brewery Address: B-Chord Brewing Company 34266 Williams Gap Road Round Hill, VA 20141 Our Sponsor: Visit Loudoun and the LoCo Ale Trail With 35 breweries and counting, Loudoun County is one of the most vibrant craft beer destinations in the U.S. Visit Loudoun invites you to hit the LoCo Ale Trail, which connects the urban breweries of Sterling and Ashburn in the east, to everything from bespoke taprooms in historic towns to farm breweries with stunning Blue Ridge Mountain views out west. Grab your Ale Trail “passport” to collect stamps, win prizes and say cheers in Loudoun beer country. For more, check out visitloudoun.org. Times of Note: 1:32 - Our Sponsor! - Visit Loudoun and the LoCo Ale Trail 2:34 - Marty talks about how they chose what beers to make. 4:57 - Derrick brings this up as often as he can. 6:06 - Marty predicts we will see more food at breweries going forward. 7:30 - Real Ginger Ale wasn't a big hit. 9:27 - Does yeast respond to music and make better beer? 10:06 - B-Chord is very unique! 12:01 - What's coming soon to B-Chord. 16:08 - What does Marty pour at the end of a long day? 17:14 - How has B-Chord changed during the pandemic and as we exit? 20:30 - Marty's predictions for craft beer in the DC area. 22:52 - Ticketed musical events help with crowd control. 25:01 - Places in the US that Marty likes for craft beer. 27:30 - Marty likes to stay home and enjoy his beer and music. 29:38 - Beer and music festivals that Marty is looking forward to. 33:28 - Miles & Points with Pints! 34:15 - But first, a shout out to Falling Rock Tap House. 36:06 - The 100K CSP offer!!!!! - as of recording, this wasn't available through referral, but as of release, it is! 37:51 - Our take on the Point Debit Card (referral below if you want one) 41:42 - Some end-of-quarter/end-of-the-month reminders. 44:33 - BILT Rewards and the BILT Mastercard - a game changer! 55:44 - American Air is short of pilots and canceling lots of flights. 59:59 - What it's like to travel to NYC right now. 1:09:36 - The Miles & Pints Theme Song! Relevant Links: Port City Brewing - Optimal Wit Devils Backbone Brewing Company Our Episodes with Favio Garcia Episode 23 Episode 24 Falling Rock Tap House Find the 100K CSP Offer Here Point Debit Card - Get 10,000 (or 25K?) points with our referral. Bilt Rewards Best Xiao Long Bao of the trip - Deluxe Green Bo Hotel 50 Bowery Fifth Hammer Brewing Company B-Chord Brewing Company Website - https://www.bchordbrewing.com/ Facebook - B-Chord Brewing Twitter - @bchordbrewing Instagram - @bchordbrewing Travel On Point(s) Website - travel-on-points.com Facebook - Travel on Point(s) Miles & Pints Website - milesandpints.com Store - Miles & Pints Swag Facebook - Miles & Pints Twitter - @MILESandPINTS Instagram - @milesandpints TikTok - @milesandpints
A wee bit o’ Scotland comes to the Northwest Highlands of Connecticut at Lime Rock Park in Lakeville on Sunday, June 27, 2021. Round Hill Highland Games is celebrating its 98th year of Highland Games and Scotsfest, and is the... Read More ›
A wee bit o’ Scotland comes to the Northwest Highlands of Connecticut at Lime Rock Park in Lakeville on Sunday, June 27, 2021. Round Hill Highland Games is celebrating its 98th year of Highland Games and Scotsfest, and is the... Read More ›
Today's Guest: Marty Dougherty from B-Chord Brewing Marty Dougherty is the owner and head brewer at B-Chord Brewing Company in Round Hill, Virginia. After retiring from the world of IT, Marty used his savings to pursue two of his creative passions, beer and music. In doing so, he's created a fantastic music venue with freshly brewed beer, and it's the perfect place to enjoy an evening or maybe even a whole weekend. Learn how the brewery was founded, how it's grown into what it is today, and how Covid forced the music side of the business to grow and adapt. Be sure to catch the conclusion of the interview next week in Episode 32. Brewery Address: B-Chord Brewing Company 34266 Williams Gap Road Round Hill, VA 20141 Our Sponsor: Visit Loudoun and the LoCo Ale Trail With 35 breweries and counting, Loudoun County is one of the most vibrant craft beer destinations in the U.S. Visit Loudoun invites you to hit the LoCo Ale Trail, which connects the urban breweries of Sterling and Ashburn in the east, to everything from bespoke taprooms in historic towns to farm breweries with stunning Blue Ridge Mountain views out west. Grab your Ale Trail “passport” to collect stamps, win prizes and say cheers in Loudoun beer country. For more, check out visitloudoun.org. Times of Note: 1:39 - Our Sponsor - Visit Loudoun and the LoCo Ale Trail 2:48 - Marty says hello. 3:03 - What we're drinking. 5:22 - Marty's background before brewing. 8:22 - Is moving from tech to beer a natural transition? 11:18 - Some of the obstacles Marty had to overcome when trying to open. 16:01 - They used his own ISP against him. 17:41 - How does B-Chord today compare to the original vision? 19:40 - How Loudoun County is changing and growing. 24:50 - It's really an hour...Derrick must drive fast! 26:16 - The music at B-Chord - how it happened. 30:56 - Music moved outside to deal with Covid. 32:10 - Bigger acts meant a bigger stage. 34:20 - It's important to keep the neighbors happy. 36:00 - How they choose the music. 38:58 - Miles and Points with Pints! 40:00 - Huge 100k Chase Sapphire Preferred offer!!!! 42:56 - Doctor of Credit reporting a 70k Chase Sapphire Reserve offer is coming soon. 46:05 - Citi launches the new Citi Custom Cash card. 51:44 - 10-20k Authorized user bonuses from Amex. 53:15 - 160k Business Platinum offers! 57:17 - Huge News!!! - We now have credit card affiliate links! 59:29 - A less-than-stellar Hyatt promo. 1:02:21 - A much better Hyatt promo. 1:04:04 - Hyatt delays the launch of peak/off-peak awards. 1:05:27 - Southwest has a couple of terrible promos. 1:10:16 - EU moves the US to green - opens travel - theoretically. 1:14:48 - The Miles & Pints Theme Song! Relevant Links: Dirt Farm Brewing Jiffy Lube Live Doctor of Credit Our Credit Card Links!!!!! B-Chord Brewing Company Website - https://www.bchordbrewing.com/ Facebook - B-Chord Brewing Twitter - @bchordbrewing Instagram - @bchordbrewing Travel On Point(s) Website - travel-on-points.com Facebook - Travel on Point(s) Miles & Pints Website - milesandpints.com Store - Miles & Pints Swag Facebook - Miles & Pints Twitter - @MILESandPINTS Instagram - @milesandpints TikTok - @milesandpints
Massage can promote relaxation, support your horse's muscles, and improve his performance. Join our host, Michelle Anderson, as she interviews Michele Haman, owner of Equi-Librium Therapy, LLC, and veterinarian Dr. Gina Tranquillo-Shade . You'll learn about equine massage therapy, how to find a qualified massage therapist for your horse, and how it can benefit certain types of horses. This episode is sponsored by Kentucky Performance Products. Michele Haman is the founder and owner of Equi-librium Therapy, LLC, based in Lexington, Kentucky and Wellington, Florida, which offers massage for equine athletes. She holds bachelor's degrees in equine therapy, equine science, and equine management, as well as in accounting. She's passionate about helping animals feel and perform their best and strives to grow and share her knowledge every day.Gina Tranquillo-Shade, VMD, grew up showing Arabian horses and continued intercollegiate competition at Wilson College, in Pennsylvania. She earned her veterinary degree from the University of Pennsylvania's School of Veterinary Medicine and completed a field care internship at Hagyard Equine Medical Institute, in Lexington, Kentucky. She later practiced equine medicine at All Points Equine, in Pennsylvania. Her interests include reproduction, preventive medicine, sports medicine, field care, and acupuncture. She also completed an equine sports massage therapy certification through Equissage, in Round Hill, Virginia. Although she recently transitioned her scope of practice to small animals, she's an active horsewoman and enjoys riding, cooking, and spending time with family.
Maitri Health Technologies (CSE: MTEC) CEO Andrew Morton joined Steve Darling from Proactive to share more details about the company that offers a system for businesses to run safely and a reliable source certified personal protective equipment or PPE and testing solutions. Morton talks about the company and also about their letter of intent to acquire Texas-based Round Hill Health. This company specializes in industry leading testing and mobile lab network. Morton saying this move will allow the company to grow the business by delivering long-term solutions to keep workers safe and business open.
Numbers 21.4-9, Psalm 107.1-3, 17-22, Ephesians 2.1-10, John 3.14-21; Is God subversive? How can we live in grace? Why are there so many snakes int he Bible? These questions and more on this episode of Strangely Warmed with guests Heather and Daniel Wray. Heather serves as the Director of Connect Ministries at Leesburg UMC in Leesburg, VA and Daniel serves as the pastor at Round Hill UMC in Round Hill, VA.
Exodus 20.1-17, Psalm 19, 1 Corinthians 1.18-25, John 2.13-22; What are the pros and cons of being a clergy couple? Does God get jealous? Why are we so afraid of the S word? These questions and more on this episode of Strangely Warmed with guests Heather and Daniel Wray. Heather serves as the Director of Connect Ministries at Leesburg UMC in Leesburg, VA and Daniel serves as the pastor at Round Hill UMC in Round Hill, VA.
This week we feature part two of our coverage of this topic. Special Guests Seth Berg and Adam Parsons The music press has been filled with headlines over the past couple of years about companies like Hipgnosis, Primary Wave, Round Hill and others making moves to acquire the rights to some very big artists for huge amounts of money. Bob Dylan reportedly received $400M for his, other deals were even bigger. But what is the story behind these deals and why are they happening now. Ace is joined this week by frequent contributor and publishing expert Seth Berg as well as Ace's long time business partner (and artist management expert) Adam Parsons. Enjoy!
Special Guests Seth Berg and Adam Parsons The music press has been filled with headlines over the past couple of years about companies like Hipgnosis, Primary Wave, Round Hill and others making moves to acquire the rights to some very big artists for huge amounts of money. Bob Dylan reportedly received $400M for his, other deals were even bigger. But what is the story behind these deals and why are they happening now. Ace is joined this week by frequent contributor and publishing expert Seth Berg as well as Ace's long time business partner (and artist management expert) Adam Parsons. Enjoy!
This week on the show, we'll talk about lunchtime leftover noodle bowls and review two flavors of Van Leeuwen vegan ice cream.We will also talk way too much about the 1995 film, The Net.Here's what else:Wart Junior is the frog we wanted for our Animal Crossing island. We did not get him, but we did get a cool cow!Muddy Buddies, which Dave will veganize for the familyRice Krispies Peanut Butter Logs, same thingHere's the super easy vegan hot cocoa recipe we made for our micro tree-trimming party.The Round Hill pub in Brighton winning Best Sunday Roastpasta cass made with spaghetti and broccoli, sauteed bacon from the Herbivorous Butcher tossed with vegan camembert from Herbivorous B, and bakedusing leftover broccoli and spaghetti with air fryer tofu and Amazing Sauce from Gu's Dumplings to make a quick noodle bowl. I accidentally called it Awesome Sauce on the pod, but it's Amazing.We got nostalgic for piescreams and brown sugar vanilla from Jake's Ice Cream in Atlanta.Thank you so much for listening. We record these episodes for you, and we'd love to hear from you. Got a favorite vegan treat that you think we should cover on the podcast? Send your suggestions to talkintofupod@gmail.com.
Did you think we were done honoring awesome teachers all around the Commonwealth? Of course not! The Virginia Lottery #TeacherTour brought us to Round Hill Elementary in Round Hill, Virginia were we met Jennifer Jewell. The 4th grade teacher went the extra mile for her students. From Real.Fun.DC. “The Tommy + Kelly Show” is produced in Washington, DC providing news, culture, playful conversation, positive energy, and a dose of morning fun any time. Download the Real.Fun.DC. APP to check out our wide array of programming app.RealFunDC.com Follow Kelly Collis Instagram and Twitter: @CityShopGirl LinkedIN: Kelly Collis Follow Tommy McFLY Twitter: @TommyMcFLY Instagram: @MrTommyMcFLY LinkedIN: Tommy McFLY
Terrified families bundled into cars in the dead of night then fled for their lives as massive flames closed in on their homes.Hundreds of people were evacuated after a blaze, which on Sunday stretched for 1600 hectares, gave Lake Ohau Village residents just minutes to get up and out of the idyllic lakeside Waitaki District town.Many were last night being put up in motels and some people who own holiday homes were likely still unaware if their property was one of the few to survive the devastation.Civil Defence scrambled to supply basic essentials for the 112 registered with the evacuation centre in Twizel, while offers of accommodation flooded in from locals.But the strong winds that have fanned the fire are set to intensify today, so there is likely to be little reprieve for exhausted firefighters until tomorrow, according to the MetService.Hugh Spiers, owner of the Barn at Killin B&B, which had been destroyed, said the scene was "like the movies"."It was really, really scary. The flames were big and smokey, thick with heat; there was no time to even take a photo," Spiers said."We couldn't get out our normal way, we had to cross country through a fire break."Janet Brown only had time to grab her kids and flee after hearing an alarm going off."Our bedroom windows look straight out towards the fire and it was our neighbour's house on fire. It was coming at us pretty fast, and we had a house full of kids," she told Stuff."Luckily we were catching a flight today so we had our bags packed and we just jumped in the cars and left the house."Another affected resident, who didn't want to be named, said his family were "shattered" and staying in a motel last night, keen to get much-needed rest."We're pretty tired, I can tell you, we've been up since just after 2am and it's been a long, pretty stressful day, and to see your house burn down is not very nice."But we're out and we've got no injuries."David Stone was left with just the clothes he was wearing after his Huxley Tce home was destroyed.He'd driven around the town and estimated only 15 of about 70 houses in the village were still standing.Fire and Emergency incident controller Graeme Still flew over the fire ground on Sunday and confirmed "at least" 20 houses had been damaged or destroyed.He said the Lake Ohau village looked "like a war zone"."I've got to be honest, it's not looking good," he said."There's just structures totalled to the ground. It's black, it's awful. Quite a bit of it is razed."Eleven helicopters were at the scene yesterday afternoon, along with seven fire crews.Support was being provided for evacuated residents, who were jolted awake shortly after 3am by an evacuation siren sounding, Still said."People are very uncertain, they don't know which of their properties has been compromised, it's quite sad."The blaze was one of four large fires across the country, three of which were in the South Island.A large forest fire also broke out in the settlement of Livingstone, about 30km northwest of Oamaru about 3.15am, forcing residents to evacuate their homes.Sixteen crews, including a command team from Dunedin, fought to bring that blaze under control. There was also a bush fire just off Abel Tasman Drive in Ligar Bay, about 130km north of Nelson.Far North firefighters also battled a fire that burned more than 10ha near Ahipara from midday. Three houses nearby were evacuated.Meanwhile back in Ohau, Dunedin resident Andy Winneke saw the "dramatic" fire when he woke about 4am from where he was camping with his family across from Lake Ohau.They had camped at Round Hill, about 5km across the lake and north of the township, but got little sleep because of high winds, gusting more than 100km/h.He had to get up to rope down the caravan to prevent it being blown over by the "very strong northwesterlies"."We had a fairly sleepless night."During the night, he'd also seen several large water spouts, up to 50m high, whipped up by the wind...
Tom Rinaldi grew up in San Francisco, enjoyed the Summer of Love, and tasted wine in Napa Valley on his motorcycle. Later he signed up for the Navy before entering UC Davis where he studied winemaking -- and the rest is history. He’s been winemaker for Round Hill, Duckhorn, Provenance, Pellet Estate, and others. His sense of adventure intact, Tom looks forward to many more vintages to come. Enjoy! For more visit: http://pelletestate.com/
This is Blurred Laws & Life with Richard Busch & he is discussing: Being listened to all over the world, music vs. melody debate, "Truth Hurts" by Lizzo, the writers registering themselves as writers, the Lawsuit filed in Federal Court, a Counter claim filed, the Background information & "Healthy" Demo, Round Hill vs. TuneCore & Copyright Infringement Law Lesson & more. Then it's an honor & a privilege to have musician Matt Goss on Blurred Laws & Life with Richard Busch to discuss: How Richard created lyrics for Matt to sing a few years ago, being a household name in the UK & around the world from his group Bros, the challenges of being thrust into the limelight at a young age, becoming in debt to their management company after performing in front of 77,000 people at Wembley Stadium, being famous vs. the journey, if he knew then what he knew now, good management being worth it's weight in gold & a warning for young artists, making music being extremely expensive & streaming being lopsided, a hope for artists to take the power back, playing a reunion show with his brother to a Sold Out O2 Stadium & being empowered by fans to this day, having a show in Las Vegas for the past decade & it halting during the pandemic, what the future holds & philanthropic endeavors, "Life You Imagine" album & collaboration with legends, having a true love for music, praise for Richard & so much more. Music Provided by www.FreePlayMusic.com
This is Blurred Laws & Life with Richard Busch and to start Richard reflects on the first 20 episodes, his Round Hill vs TuneCore filed lawsuit, Copyright issues on Twitch & more. Then friend & songwriter Andrew Frampton calls in to add his two cents on the Lyrics vs. Melody debate with a mic drop point. Then it's time for Part 2 with Founder of The Pussycat Dolls, Robin Antin on Blurred Laws & Life with Richard Busch along with mutual friend Polow da Don to discuss: Catching lightning in a bottle, "Buttons", Robin being at the center of modern dance, masters & A Pussycat Dolls reunion, why the group disbanded, becoming partners, The Next Generation of Pussycat Dolls, Women Empowerment, Polow being a winner & so much more Music Provided by FreePlayMusic.com
6e émission de la 48e session... Cette semaine, funk-jazz, freebop et free-jazz! En musique: Lettuce sur l'album Resonate (Round Hill, 2020); Chip Wickham sur l'album Blue to Red (Lovemonk, 2020); Jean Cloutier sur l'album Hannah-Carillon (Indépendant, 2020); Superposition sur l'album Superposition (Wee Jazz, 2020); The Streetfighters Quartet sur l'album The Streetfighters Quartet (Indépendant, 2020); Burton Greene sur l'album Presenting Burton Greene (Columbia, 1968); Charles Tyler Ensemble sur l'album Charles Tyler Ensemble (ESP-Disk, 1966)...
6e émission de la 48e session... Cette semaine, funk-jazz, freebop et free-jazz! En musique: Lettuce sur l'album Resonate (Round Hill, 2020); Chip Wickham sur l'album Blue to Red (Lovemonk, 2020); Jean Cloutier sur l'album Hannah-Carillon (Indépendant, 2020); Superposition sur l'album Superposition (Wee Jazz, 2020); The Streetfighters Quartet sur l'album The Streetfighters Quartet (Indépendant, 2020); Burton Greene sur l'album Presenting Burton Greene (Columbia, 1968); Charles Tyler Ensemble sur l'album Charles Tyler Ensemble (ESP-Disk, 1966)...
Colombian-born Sebastian Luque, who is an investment director at London based Round-Hill Capital, takes time during self-quarantine at his Madrid apartment to provide his thoughts on multifamily investment and development in Bogota, as well as explain how Round Hill is reacting to the coronavirus pandemic across its portfolio. With a split engineering/banking background and an MBA from London Business School, Sebastian is Round Hill's "go to" professional for investments in Spain, Portugal, Colombia, Mexico, Peru, and Chile.Episode LinksOffice BuildingsEdificio Los Venados: https://powersearch.jll.com/co-es/property/26047/edificio-los-venados-oficinas-en-arriendo-en-bogot%C3%A1Recreation / Outdoor ActivitiesCiclovia: https://en.wikipedia.org/wiki/Ciclov%C3%ADaParque El Virrey: https://es.wikipedia.org/wiki/Parque_urbano_El_VirreyNeighborhoodsLa Cabrera: https://arrivedo.com/article/things-to-do-in-la-cabrera-neighborhoodLa Candelaria: https://en.wikipedia.org/wiki/La_CandelariaRestaurantsAndres Carne de Res: http://www.andrescarnederes.com/
Today I sat down with our fantastic administrative assistant Tania Priatka to talk about Christmas on Round Hill. This annual event at Round Hill Community Church offers up an opportunity for us to enjoy time with one another, eat great food, and have a lot of fun! Please join us on December 6th at 6:00pm in the Community House. Tickets can be purchased on roundhillcommunitychurch.org
Each month in addition to their regularly scheduled duties, Ridgerunners also get treated to some well deserved R&R. This July, Jim Fetig of ATC Headquarters invited me to join him and four NoVA Ridge Runners at the PATC's rustic cabin retreat, the Blackburn AT Center, near Harper's Ferry. From Jim's Blog: Blackburn Trail Center, Round Hill, VA, July 18, 2019 — Once a month in June and July we bring our Appalachian Trail ridgerunners to Blackburn for a little R&R and a short business meeting. Outside guests from the Conservancy, NPS and our trail club are often invited. In August they travel to the Scott Farm training center outside Carlisle, PA where they rejoin their mid-Atlantic peers for an official seasonal debrief and a personal comparing of notes. Our MO is pretty standard. We show up Thursday afternoon for some social time, prepare a meal and have some beer. Friday morning we do cook-your-own pancakes with a 9 o’clock hard start for our meeting which varies between 90 minutes and three hours. Lunch is leftovers if there are any. Ridgerunners are usually fairly stoic people. They are selected for their maturity, judgment, commitment and intelligence. But what are they really like when they let their hair down and no one else is looking? Listeners who support the show have already heard the next THREE episodes while you and I sit here like a couple of wood thrushes waiting for the cicadas to stop. This raw audio includes TWO episodes that no one else will ever hear. Ever. Get more episodes AND support the show! Why aren't you watching Reptar Hikes!? Email the show. No, seriously. Email the show. Stories From The Trail on Facebook Stories From the Trail on Instagram JOIN our LIVE INTERNET AUDIENCE on Discord Get the audio version of Where's the Next Shelter? for free when you join Audible! Get more great Podcasts by The Trek.
Arnie Shriskandarajah is the Managing Director of Round Hill Ventures and has appeared on toplists such as Forbes 30 under 30 and 100 most influential people in Tech. Round Hill Ventures is a part of Round Hill Capital – a global real estate firm with 15 offices around the world and 7 billion brittish pounds … Continue reading "Arnie Sriskandarajah, Round Hill Ventures"
Tomorrow is election day again; Round Hill becomes the fifth Loudoun town to pass a resolution on the potential negative environmental impacts of a planned factory nearby in West Virginia.
County supervisors look ahead to a tough budget year; Loudoun's newest park formally opens in Round Hill.
Expanding Medicaid in Virginia will mean the county needs to hire 9 people; the Town of Round Hill is looking for a new town council member and planning commissioner.
The county nears a deal on a proposal that could shape development around Loudoun's Metro stations into the future; the Town of Round Hill is looking for a logo.
Round Hill looks to hire its first-ever public works director; rising high school seniors try their hand at trying a case at the 18th annual Thomas D. Horne Leadership in the Law program.
Jenny Byxbee is the Director of Children's Ministries for Round Hill Community Church. She has been with the church since September 2016, and oversees the nursery to fifth grade Children's Education program. What Jenny most enjoys about her work is being with the young people and hearing what is in their hearts. She feels strongly that we have as much to learn from our youngest members as we do from our eldest members. When Jenny is not working with us at Round Hill, she is the Youth Services Bureau Administrator with the Town of Greenwich. She also cares deeply about many charities and groups in town and is one of the founding members of the Greenwich Sentinel foundation as well as a facilitator with the Junior League of Greenwich “Positively More” program.
In this episode of Mentoring for the Modern Musician the boys are fortunate to be joined by Amy Birnbaum Sr. Director, Artist Relations, Marketing and PR for Round Hill Music in NYC! Proving once again that there are terrific humans roaming the music industry. Our conversation covers her early years dancing, singing and performing all the way up to the present in her position with Round Hill Music…and everything in between! Amy gives us a terrific upbeat look at the world of music Publishing and the necessary hustle to make a career in music work!! A little about Amy: After having worked in Broadway production at Jujamcyn Theaters (Book of Mormon, Jersey Boys, HAIR, Spring Awakening, American Idiot), Amy had the honor of working in company management and music marketing on the Tony Award winning Broadway production and US National Tour of FELA! Amy has performed, produced events and booked bands at Bonnarroo, SXSW, Calgary Folk Festival, Ottawa Folk Festival, Winnipeg Folk Festival, Edmonton Folk Festival, Vancouver Folk Festival, Brooklyn’s Prospect Park Summerstage, Lincoln Center’s Songbook Series, Al Sharpton events, Brooklyn Bowl, Joe’s Pub, The Apollo, Bowery Ballroom, The Knitting Factory, The Troubador LA. She was proudly a backup singer and manager for Daptone Records artist Naomi Shelton and the Gospel Queens and has shared the stage with Sharon Jones and the Dap Kings, The Roots, Burning Spear, Langhorne Slim, as well as having recorded with Mark Ronson and Foreigner. Prior to working in Broadway production, Amy had the fortunate opportunity to work with some of the most talented actors, directors and producers: Billy Crudup, Jeremy Piven, Christine Ebersole, Richard Kind, Edie Falco, Mary Louise Parker, Tony Award winning director Michael Mayer, Rocco Landesman, chairman of the National Endowments for the Arts and Jack Viertel, creative director of Encores! at City Center. Amy is a graduate of Indiana University with a BA in Music Vocal Performance and a minor in Communications. She is currently developing an original Broadway Musical with members of the Daptone family. Amy signs talent to the Round Hill Music publishing roster and is proud to develop and maintain relationships between the company and its gifted writers. As always, reach out to us with suggestions for show topics, comments, questions, or just to say hello! Head over to: https://m3artist.com/contact Make sure to share this or any episode with all of your music loving friends! You got this, we got your back!
Round Hill establishes its identity as the place to go outside; county supervisors sign off on a kennel and animal hospital across the Leesburg Bypass from Leesburg's Foxridge neighborhood.
A Loudoun Sheriff's officer gets caught up in a carjacking; Lovettsville has a full council; Round Hill might not be the smallest town for long.
CMU’s Andy Malt and Chris Cooke review the week in music and the music business, including Adele's record-breaking week, Cox Communications' dispute with BMG and Round Hill, Paul Weller's dispute with the Daily Mail, and Noisey's interview with the guy behind Dancing Jesus. The CMU Podcast is sponsored by 7digital.