Podcasts about carnatic music

*This episode has also been published to my new podcast, Woman of Culture.* September 11th, 2021, marked the death centenary of Indian national poet ("Mahakavi"), C. Subramania Bharati (1882-1921). Since then, the Indian government has designated this day as "Bharati Day." Bharati, the greatest Tamil writer of the 20th century, is a legendary figure. He was a multifaceted personality - leading to the interesting situation that, even today, the full extent of the poet's artistic and intellectual contributions is not known. Much remains to be discovered! This podcast episode deals with a lesser-known aspect of Bharati's creativity: the music that the poet composed for his own poems to be sung. While the words of Bharati's songs are well-known to the public, his melodies are not. When Indian classical musicians do sing his songs, they generally write their own melodies, or adapt them from versions popularized in the movies. I discuss Bharati's musical contributions with a star of South India's classical music scene, percussion maestro Suresh Vaidyanathan. Suresh plays a uniquely fascinating traditional instrument, the ghatam – a clay pot.  Links: Maestro Suresh's music teaching site, Ghatam Kulam, is available here. His interview and performance on ghatam with the Sandy Evans Trio was broadcast on Australian radio earlier this week, and is available here. Music Credits: Drums of India, Bickram Ghosh on Tabla and V. Suresh On Ghatam. Subscribe to Bickram Ghosh's YouTube channel.  

മലയാളികളെ സംബന്ധിച്ച് കെ.ജി. ജയൻ, കെ.ജി വിജയൻ എന്നീ പേരുകൾഭക്തിസാന്ദ്രമായ ഒരോർമയാണ്. അയ്യപ്പഭക്തിഗാനങ്ങൾ കൊണ്ട് മലയാളഗാനലോകത്ത് കടന്നുവന്ന് തങ്ങളുടെതായ ഒരിടം ഉണ്ടാക്കിയെടുത്തവരായിരുന്നു ഗായകരായ ഈ ഇരട്ട സഹോദരങ്ങൾ. കരിയറിൽ തിളങ്ങി നിൽക്കുമ്പോൾ സംഗീതലോകത്ത് നിന്ന് ആദ്യം വിടവാങ്ങിയത് കെ.ജി വിജയനായിരുന്നു. ആകസ്മികമായ ആ വിയോഗത്തിൽ തളർന്നുപോയി ജയൻ. ഇനിയും പാടിത്തീരാത്ത ഒരുപിടി ഗാനങ്ങൾ ബാക്കിയാക്കി ഇപ്പോഴിതാ കെ.ജി ജയനും മടങ്ങിയിരിക്കുന്നു. - കെ.ജി. ജയനെക്കുറിച്ചാണ് ഇത്തവണ പാട്ടുകഥ.

Ria is back from India!Hans Zimmer controversial clipIndia elections are getting closer... all this and much more on this week's episode!Follow us @mildmanneredtimid | @kalysay | @kushparm | @rianjalimusicEmail us @ mmtyabish@gmail.com

My Mic Setup: https://www.amazon.in/dp/B0CG36ML45 - 00:00:00 - Podcast Intro - 23:33:50 - Introduction to Krish Ashok, Top Student and Astronomy Enthusiast - 00:04:58 - Krish's Childhood Astronomy Experiences - 00:06:18 - The Philosophical Impact of Astronomy - 00:06:54 - The Simpler Times of the 90s Without Social Media - 00:07:24 - Seeking Adventure in a Pre-Social Media World - 00:08:22 - Krish's Talent in Simplifying Complex Concepts - 00:09:45 - Krish's Journey as a Professional Violinist - 00:10:07 - Parental Guidance in Career Choices - 00:10:35 - The Role of Jargon in Science - 00:11:09 - Articulation in Science Explained - 00:11:50 - The Importance of Precision in Scientific Language - 00:12:35 - Spotlight on Andrew Huberman - 00:14:09 - Tackling Food Stereotypes and Myths - 00:14:34 - The Influence of Sensationalism on Social Media - 00:15:35 - Exploring the Diversity of Food Perspectives - 00:15:57 - India's Flourishing Jazz Scene - 00:16:28 - Chennai's Rich Musical Heritage - 00:16:59 - Chennai as a Hub for Musical Talent - 00:17:23 - The Musical Landscape of Chennai - 00:18:49 - The Lack of Classical Music Awareness in Delhi - 00:19:10 - Musical Education in Indian Schools - 00:20:05 - Bilingualism in India - 00:21:39 - Trilingualism in South India - 00:22:22 - The Universal Language of Music - 00:22:55 - Playing the Carnatic Violin - 00:23:50 - The Elitism in Carnatic Music - 00:24:07 - The Origins of Carnatic Music and Violin - 00:24:48 - The Violin's Fit in Indian Music - 00:25:49 - Krish's Experience with the Cello - 00:26:03 - Krish's Learning Philosophy - 00:26:33 - Visual Learning in Calculus - 00:26:53 - Mustard in Indian Cooking: The Science - 00:27:42 - Recognizing Kitchen Wisdom - 00:28:13 - Applying First Principles in Problem Solving - 00:28:40 - Krish's Blogging Journey - 00:29:06 - The Impact of the Internet Over Conventional Media - 00:31:38 - Krish's Book Deal - 00:32:53 - The Birth of Masala Labs on Instagram - 00:34:27 - Transitioning to Social Media Reels - 00:34:53 - Krish's Venture into AI with GPT Models - 00:35:13 - Demystifying Cooking and Food Myths - 00:37:28 - Understanding Superstitions Compassionately - 00:38:29 - Social Identity and Human Behavior - 00:39:40 - Misinformation in Ayurveda - 00:42:04 - The Milk and Meat Debate in Ayurveda - 00:43:00 - The Need for Evolving Knowledge - 00:44:10 - The Non-Indian Origins of Potatoes - 00:44:50 - British Influence on Indian Agriculture - 00:46:06 - Grain and Rice Taxation by Indian Kings - 00:47:46 - European Advances in Agricultural Hybridization - 00:48:25 - British Agricultural Policies in India - 00:49:06 - South Indian Rice Cuisine Explained - 00:50:37 - Rava as a Wheat Alternative - 00:51:10 - The Role of Indian Railways in Colonial Exploitation - 00:52:09 - The Spiciness of Indian Food - 00:53:31 - Ethiopia's Spicy Cuisine - 00:54:09 - The Difference Between Spicy and Hot Food - 00:54:30 - The Science of Spices - 00:55:30 - Understanding 'Spicy' in Indian Cuisine - 00:57:20 - The Ingredients of Vicks Vaporub - 01:03:25 - Key Components of Food - 01:03:50 - Global Uses of Chilies - 01:06:25 - The Rarity of Expensive Spices in South India - 01:06:50 - Dairy Preferences in North India - 01:09:50 - Exploring India's Diverse Food Culture on Social Media - 01:10:26 - Agricultural Richness of the Indo-Gangetic Plains - 01:12:10 - Meat Consumption in Non-Plains Areas - 01:12:50 - Cattle Rearing in North India - 01:13:50 - Beef Consumption in South India - 01:17:34 - The Poultry Industry's Practices - 01:21:43 - The Reality of Unfertilized Eggs - 01:23:50 - The North Indian Influence on 'Vegetarian' - 01:25:42 - Making Healthy Choices Simple - 01:27:00 - Practical Food Tips - 01:27:40 - Closing Remarks == This is the official channel for Dostcast, a podcast by Vinamre Kasanaa. == Contact Us For business inquiries: dostcast@egiplay.com == #Dostcast

Akhil Vinay, a Postgraduate (from Sri Swathi Thirunal College of Music, Kerala, India) in Carnatic Music. State Award Winner for Best Teacher. Singer, Performer, Harmonizer, Composer, Arranger, Classical Guitarist and Grade 5 Acoustic Guitarist. 7 Years of Teaching Experience. After all He is a Blind musician and in spite of that disability he continues to be An Active presence in many songs as well as music performances.

Internationally renowned singer, songwriter, producer and Bollywood film playback singer Sid Sriram stopped by the Vocalo studios ahead of his secret show at Soho House on June 19. He sat down with afternoons host Nudia Hernandez to discuss his upcoming album ‘Sidharth,' the internet virality of his song “Dear Sahana,” and his recent performance for NPR Music's Tiny Desk Concert. This interview was conducted by Nudia Hernandez. It was produced by Nudia Hernandez, and edited by Imani Warren. It originally aired live on 91.1 FM during Nudia in the Afternoons on July 19. Keep up with Sid Sriram on Instagram @SidSriram, and keep an eye out for his upcoming performances on tour this September.

Abhay is joined for a conversation by classical Indian music artist, vocalist, and composer, Kaushiki Chakraborty.  They chatted about everything from music during the rainy season to touring to dreaming about music.  (0:00 - 2:57) Introduction(2:57 - 21:48) Part 1 - themes, optimism, touring(21:48 - 35:34) Part 2 - first concert, preparation as an artist, versatility(35:34 - 46:51) Part 3 - Guru Purnima, parenting and love(46:51 - 57:40) Part 4 - the relevance of classical Indian music, staying true to who you are(57:40) Conclusion

Savitha Namuduri is a data scientist by training and the founder of Surabhi Music Academy, a 501(c)3 nonprofit dedicated to promoting Indian classical music in the United States. A native of India, Savitha has been playing and teaching Karnatak music (a southern Indian classical music genre) for over 20 years. She has a passion for sharing her culture and music with others, and believes that music has the power to connect people across cultures and borders. In this episode, we talked about: ● How and why Surabhi Music Academy was founded ● The importance of music education and learning about culture ● The value of children having extra-curricular activities About Guest: Smt. Savitha Namuduri is a musician hailing from Hyderabad, India. She started learning music at the age of 6 from Smt. V. Lalitha, later from Smt. Y. Bala Bharathi Devi and from Late. Dr. Nookala Chinna Satyanarayana. She received intensive advanced training from Guru Smt. Prema Ramamurthy, who moulded her into a concert level musician. She was further mentored by Late Sri N. S. Sreenivasan, who refined her performance techniques. She has been conferred awards such as the Oustanding service award from TAMA, Acharya Shri from Carnatic Music Idol, USA, and DroneAcharya award from the Sangeeth Samrat series. She is a well-respected teacher and performer living in the Dallas area and has taught for the past 20 years. While music is her passion, professionally, she holds a Ph.D. in Business Administration from Georgia State University, Atlanta, and works as a Data Scientist. About Guest Company: Surabhi Music Academy was founded as a 501(c)3 non-profit organization for promoting Indian Classical Music, specifically Carnatic Music, in 2016 by Smt. Dr. Savitha Namuduri. Website: https://surabhimusicacademy.org/ Instagram: https://www.instagram.com/surabhimusicacademy/ Facebook: https://www.facebook.com/surabhimusicacademy/ YouTube: https://www.youtube.com/SurabhiMusicAcademy Guest Contact Information: LinkedIn: https://www.linkedin.com/in/savitha-namuduri/ Contact Ken: inlink.com/ken hello@kencox.com Text: 314-370-2871 #GetToWork Connect with Us: Instagram: https://www.instagram.com/clicksandbrickspodcast/ Facebook: https://www.facebook.com/clicksandbrickspodcast/ YouTube: https://www.youtube.com/c/ClicksBricksPodcast Website: https://clickandbrickspodcast.com #businesspodcast #founderstories #entrepreneurship #entrepreneur Learn more about your ad choices. Visit megaphone.fm/adchoices

Savitha Namuduri is a data scientist by training and the founder of Surabhi Music Academy, a 501(c)3 nonprofit dedicated to promoting Indian classical music in the United States. A native of India, Savitha has been playing and teaching Karnatak music (a southern Indian classical music genre) for over 20 years. She has a passion for sharing her culture and music with others, and believes that music has the power to connect people across cultures and borders. In this episode, we talked about: ● How and why Surabhi Music Academy was founded ● The importance of music education and learning about culture ● The value of children having extra-curricular activities About Guest: Smt. Savitha Namuduri is a musician hailing from Hyderabad, India. She started learning music at the age of 6 from Smt. V. Lalitha, later from Smt. Y. Bala Bharathi Devi and from Late. Dr. Nookala Chinna Satyanarayana. She received intensive advanced training from Guru Smt. Prema Ramamurthy, who moulded her into a concert level musician. She was further mentored by Late Sri N. S. Sreenivasan, who refined her performance techniques. She has been conferred awards such as the Oustanding service award from TAMA, Acharya Shri from Carnatic Music Idol, USA, and DroneAcharya award from the Sangeeth Samrat series. She is a well-respected teacher and performer living in the Dallas area and has taught for the past 20 years. While music is her passion, professionally, she holds a Ph.D. in Business Administration from Georgia State University, Atlanta, and works as a Data Scientist. About Guest Company: Surabhi Music Academy was founded as a 501(c)3 non-profit organization for promoting Indian Classical Music, specifically Carnatic Music, in 2016 by Smt. Dr. Savitha Namuduri. Website: https://surabhimusicacademy.org/ Instagram: https://www.instagram.com/surabhimusicacademy/ Facebook: https://www.facebook.com/surabhimusicacademy/ YouTube: https://www.youtube.com/SurabhiMusicAcademy Guest Contact Information: LinkedIn: https://www.linkedin.com/in/savitha-namuduri/ Contact Ken: inlink.com/ken hello@kencox.com Text: 314-370-2871 #GetToWork Connect with Us: Instagram: https://www.instagram.com/clicksandbrickspodcast/ Facebook: https://www.facebook.com/clicksandbrickspodcast/ YouTube: https://www.youtube.com/c/ClicksBricksPodcast Website: https://clickandbrickspodcast.com #businesspodcast #founderstories #entrepreneurship #entrepreneur

A TECHIE who also makes MUSIC! Season-5, episode 8 of “ZENPod”, featuring Shri HK Venkatram – “HKV”, a Violin Vidwan, a “Ganakala Shree”, “Gaanavaradhi”, “Satyashree” and recipient of “Parur Sundaram Iyer Award for Senior Violinist“. HKV is also an ‘Asthana Vidwan' of Sri Kanchi Kamokoti Peetam, Kanchipuram. A Techie, Social Evangelist, HKV has also published a book ‘TyagarajaVachanamrita‘ with text, transliteration, and translation of popular Saint Tyagaraja's compositions. He works as a Senior Director at Intel for the R&D group. “Spirituality is about deeper involvement in whatever we do, Carnatic music gives us enough room for this. The framework of creative music within Carnatic music itself gives us the space to get very deeply involved and for me, this is spiritual” says Shri HKV, in his conversation with Venki Mahadevan. https://www.hkvenkatram.com/ • HK Venkatram (HKV) is one of the most accomplished and sought-after violinists in the Carnatic Music field. Born into a musical family, Venkatram received his musical training from his illustrious father and Guru Sangita Kalaratna Professor H.V. Krishnamurthy. Venkatram started learning violin at the age of eight and gave his first public performance in Bangalore along with his brother HK Raghavendra at the age of 11. • HKV is an ‘A' Grade artist on All India Radio. He has traveled extensively and has given solo and accompaniment performances at prestigious sabhas (including Music Academy, Krishna Ganasabha, Bangalore Gayana Samaja, and others) in the country and abroad for close to four decades and has received raving reviews. He has given several performances abroad (USA, Canada, HK, Singapore, Malaysia, Australia, and United Kingdom). • He has accompanied many top-ranking musicians, including Sriyuths Semmangudi Srinivasa Iyer, DK Pattammal, Dr. ML Vasanthakumari, KV Narayanaswamy Dr. M Balamuralikrishna, Dr. RK Srikanthan, Nendanuri Krishnamurthy, Dr. N Ramani, TN Seshagopalan, TV Sankaranarayanan, Chitravina Ravikiran, Mandolin U. Srinivas, TM Krishna, Sanjay Subrahmanyam , and others. • HKV is also the Principal of Vijaya College of Music a premier music institution established by his father in 1953 and has been training several disciples. The music college has worked on the ‘Social Responsibility initiative (Prathyarpana Foundation) and has been actively supporting various NGOs and needy individuals and organizations. • In 1999, HKV released a multimedia CD on Tyagaraja's Ghana Raga Pancharatnam during the Tyagaraja Festival held in Cleveland, USA. The CD was released in Bangalore too. The CD featured a multimedia presentation on Life and Times of Saint Tyagaraja as well as audio tracks of Panchratnam songs with music notation and translation. • HKV has effectively utilized the modern form of communication to take Carnatic Music to the masses. He has presented comprehensive multimedia presentations on the Life and Works of Muthuswamy Dikshithar and also documentaries on several doyens of Carnatic music like Sri Semmangudi Sreenivasa Iyer, Veena Sheshanna..etc • HKV has also started the ‘Shabda' initiative together with TM Krishna and RK Shriramkumar, Shabda (www.shabda.co.in) is a project aimed at creating an online archive of the various aspects pertaining to the Indian Performing Arts. “ZENPod” is a Podcast series that features trailblazers from different walks of life, with the purpose to build an empowered eco-system where learnings and experiences from these enlightened professionals, will be available within “arms reach of desire” for those who aspire to scale higher and wish to contribute, in their life's pursuit.

Mr M gets an opportunity to work with the Carnatic Music Maestro, Smt. Aruna Sriram. He narrates the recording experience and how going beyond the norm may yield a pleasant surprise.Please listen in to find out.Do check out all episodes @ waysidestations.com!If you enjoyed this episode, do share it with a connoisseur of Carnatic Music!If you loved this episode, check out other interesting episodes as well @ waysidestations.com!

Namaste

Saints embody what every human yearns to be and what every sadhaka wishes to become. Listen to this inspiring talk on the lives of saints -Ghosha a female seer and philosopher who was healed of her disfigurement and went on to write two prominent hymns in the Vedas, Purandara Dasa a 16th century saint who underwent a mighty transformation and became the founding proponent of Carnatic Music and composed 475 devotional songs on Krishna, and lastly, Valmiki who mended his ways and went on to write the legendary epic -Ramayana. 

Illayaraja, ARR, Northwest Train, Art Fair, Sand Sculpture, Carnatic Music, Arangetram, Dushyanth Sridhar, Movies

Vidushi K. Vrinda Acharya is a Carnatic vocalist, scholar, researcher, writer, Sanskritist and teacher. In this episode, we talk about Carnatic music, Sanskrit language and its depth, Hinduism & Sanatan Dharma, problems with Modern India, spiritual upliftment through music, purpose of life and more. Recorded June 14, 2022 Instagram: https://www.instagram.com/thelabyrinth.podcast/ Podcaster: Pratham Padav | Twitter: @whoispadav Guest: Vrinda Acharya | Website: https://www.vrindaacharya.com/ | YouTube: https://www.youtube.com/c/KVACarnaticMusicchannel Donate to The Labyrinth podcast on YouTube Super Thanks or Buy Me A Coffee: https://www.buymeacoffee.com/thelabyrinth Chapters: 0:00 Intro 0:45 Vrinda's Musical Journey & Upbringing 4:00 Carnatic Music 7:07 Mental Impact Of Music & Art 11:55 The Beauty Of Sanskrit 20:04 Modernity Vs Traditionalism 25:58 Spiritual Experience Through Music 27:14 Intention Behind Prabodha Series 30:08 Hinduism & Santana Dharma 40:08 Purpose Of Life

When Words Fail Music Speaks – these words hold so much truth. Music has no language and  is a medium that connects people and emotions. In the next episode of the Stories Between the Podcast I have the extreme honor of presenting a delightful conversation with the Pitch Perfect Diva of Carnatic Music (South Indian Classical Music)  Padmabushan awardee Sangitha Kalanidhi Dr. Sudha Ragunathan. Her soulful voice coupled with an infectious smile has won her a legion of fans all over the world. In this episode, we get a glimpse into her multi-faceted personality beyond the mystical world of music of which she is already the reigning queen. Sound music to your years?  Tune in to listen to this exclusive conversation. Background music credits: Saregama.com

In this episode, we have Avanti Patel on Audiogyan. Avanti Patel is a versatile artist based out of Mumbai and Bangalore. A Hindustani classical vocalist, playback singer, composer, and innovator. Her areas of passion include Thumri and Ghazal Gayki, as well as recreating classics using a vocal dominant arrangement style. Among her most recent projects is O Gaanewali, a show based on the lives and music of Tawaifs and Women performers in India. This show was produced by Harkat Studios with the support of The Goethe Institut Max Meuller Bhavan and premiered on their Live Virtual Interactive Stage watched all over the world in 3 successful runs online. O Gaanewali recently premiered live at the NCPA Experimental Theatre, to a houseful audience.Tune into the episode as Kedar and Avanti touch upon some basic aspects of Thumri and its allied forms in relation to the show O Gaanewali gig which is making news.Follow Avanti here Instagram| Facebook| Youtube | SpotifyFollow Kedar on Twitter | LinkedIn Follow Audiogyan on Twitter | Instagram | FacebookYou can listen to this show and other awesome shows on the new and improved IVM Podcast App on Android: https://ivm.today/android or iOS: https://ivm.today/iosYou can check out our website at http://www.ivmpodcasts.com

Rahul Vellal is a 13-years-old incredible classical singer from India. At such a young age, he has caught the attention of people all around the world. Rahul has become a YouTube sensation with his melodious voice. The renowned classical singer, Sudha Raghunathan, was impressed by him and invited him to perform at the Madras Music Academy. For More details: Website: https://www.gcpawards.com/ Follow us on : Youtube: https://www.youtube.com/channel/UCgkHIzGHYq2o_wu7ELIYMoA Facebook: https://www.facebook.com/GCPAwards Twitter: https://twitter.com/gcpawards Instagram: https://www.instagram.com/gcpawards Linkedin: https://www.linkedin.com/company/gcpawards

#mohiniyattam #DeeptiOmcheryBhalla Watch Mohiniyattam exponent Dr. Deepti Omchery Bhalla exclusive interview second part. Deepti Omchery Bhalla is an artist from India who is versatile in singing and dancing. She was trained in these skills by her mother Leela Omchery, a well-known carnatic singer. She is a leading exponent of Mohiniyattam, a classical dance form from Kerala, India. She learnt Mohiniattam, the female classical solo dance from the great exponent Kalamandalam Kalyanikutty Amma. She is Professor in Carnatic Music at the Faculty of Music and Fine Arts, University of Delhi. She received the Sangeet Natak Akademi Award in 2007. --- Send in a voice message: https://anchor.fm/raag-giri/message

Dr. Deepti Omchery Bhalla is a versatile artist who is an exponent of Mohiniyattam and Carnatic Music vocals. Renowned as Singer, Dancer, Teacher, Researcher, and Scholar, she is currently working as a Senior Professor of Carnatic Music at the University of Delhi. Having learned Kathakali for 12 years under veteran gurus like late Punnathur Madhava Panikkar, late Guru Gopinath, late Sadanam Nanda Kumar, Nelliyodu Vasudevan Nampoothiri and Sadanam Balakrishnan, Deepti went on to learn Mohiniyattam from the legendry late Kalamandalam Kalyanikutty Amma. A Gold Medalist from the University of Delhi in Carnatic Music, she also has the distinction of topping the University in M.Phil. Deepti over the last two decades, along with the able support of her mother, Dr. Leela Omchery, an eminent musicologist and Padmasri Awardee has been doing intense research on the Traditional music of Kerala. She has contributed much to expanding and enhancing the Mohiniyattam repertoire and style by choreographing her research findings. --- Send in a voice message: https://anchor.fm/raag-giri/message

I think Hindustani tends to be the more popular style of classical Indian music in the west (see: Ravi Shankar, Ali Akbar Khan, Chatur Lal, Dagar Brothers, etc) so I figured I'd shed some light on the Carnatic side.

Joshua Banbury's work and personal narrative are a tapestry of rich textures influenced by the wide range of music (Jazz, Folk Music, Classical, Carnatic Music and Art Songs) that he has been a student of and performed at the highest levels. He is also artistically and intellectually inspired by Surrealist artists like Leonora Carrington, his Texas roots, and the folk songs of Appalachia.   Joshua is musically gifted. What he can do from a technical perspective and evoke from an emotional standpoint with his rich baritone voice is singular. The sound is haunting, unusual, unexpected. As he describes it himself, he has slowly chiseled all the musical influences he has studied into a perfectly unique sculpture that is his voice. Like an archeologist, he uses his voice to excavate and document his life story and to affirm that his history is beautiful just as it is. Now as a librettist with writing commissions for some of the most prestigious music and art institutions in America like the Metropolitan Museum of Art and the New York Philharmonic, he is crossing over into the realm of genius.Joshua views his music as a way to construct what he calls “ecosystems in his mind” where he can invite others to dwell with him. Like all of us on a quest for something larger than ourselves, the road Joshua travels is long and winding where he faces the complexities of race, sexuality and the sheer energy it takes to be engaged in any creative process. When I posed the question to him what advice he would give to his younger self as Joshua began his musical journey in earnest, he stated something we can all learn from – “I'm different for a reason. I have been sent here to do different things. My path is different.”Music by Joshua Banbury // Song: Brightest and BestJoshua's websiteJoshua on YouTubeJoshua on IGPatrick's WebsitePatrick's IGAt the Podium on IGPatrick on LinkedInPatrick on Facebook

On this episode we speak to authors, art-entrepreneurs, Performing artists who have developed a unique voice through their work.On today's episode we have Sriram Venkatakrishnan, who is an entrepreneur, columnist, music historian, a youtube vlogger and a heritage activist.He is also one of the Secretaries of the Music Academy, Madras, by the capacity of which he is the convenor for its annual conference in December.Sriram completed his graduation with a Bachelor of Engineering degree from the College of Engineering, Delhi in 1987.In 1989, he completed his post-graduation with a Master of Business Administration degree in Marketing and Advertising from FMS, DelhiSince 1999, Mr. Sriram has been doing considerable work on the history of Chennai and the history of Carnatic Music.He writes frequently on these subjects for The Hindu and Madras Musings. He has authored over 25 bookson various topics pertaining to Carnatic music, arts, and history. His book, The Devadasi and the Saint, the Life and Times ofBangalore Nagarathnamma, fetched him the United Nations Female Population Award for gender sensitivity in writing. His CarnaticSummer, the lives of 22 exponents was described by the Hon. APJ Abdul Kalam as unputdownable. See acast.com/privacy for privacy and opt-out information.

Our guest today is BindhuMalini Narayanaswamy. She is a National & Filmfare award-winning Indian singer, composer, musician, music director, actor, and graphic designer. Bindhu is one of the few rare artists to have pursued training in both Carnatic and Hindustani classical forms and yet has constantly strived to explore avenues outside of her strict classical roots to other forms and traditions in search of the soul-stirring power that music has. This has given form to a more easy yet confident personal style for her as a performer. She is known for her soulful voice and her deeply spiritual renditions of the poetry and songs of the mystic saints and poets belonging to different eras and parts of the subcontinent. Bindhu holds a bachelor's degree in History of Fine Arts, Drawing and Painting, A second bachelor's degree in Carnatic Music from the Madras University. Gold Medalist, Master's in Visual Communication, Loyola, Post Graduation in Graphic design at the National Institute of Design (NID) Born in Chennai, she currently lives in Bengaluru with her husband Vasu Dixit, lead singer and songwriter of the folk-rock fusion band Swarathma. Listen in as BindhuMalini shares her inspirational journey! --- Send in a voice message: https://anchor.fm/the-third-eye1/message

A Rhythmic bite ' Thillana ' in Carnatic Music - By Snigda of Grade 9 - Pallavi Model School @ Alwal Campus

On this episode of Story Tellers and Story Sellers, Vineet talks to Ambi & Bindu Subramaniam about the SaPa School of Music and their mission to make music learning more fun & accessible. The conversation ranges from how Ambi & Bindu are using storytelling, technology, and global teaching methods to teach music to over 30,000 students around the world.Check out Ambi Subramaniam on Instagram at https://www.instagram.com/ambisub/?hl=en and Bindu Subramaniam at https://www.instagram.com/bindusub/?hl=en. You can also follow the Subramaniam Academy of Performing Arts at https://www.instagram.com/sapaindia/?hl=enFollow Vineet Kanabar on Twitter & Instagram:https://twitter.com/ashcharyafuckit andhttps://instagram.com/ashcharyafuckit (@ashcharyafuckit)You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.You can also check out our website at http://www.ivmpodcasts.com/

We speak to Deepthi who is also an integral part of the podcast. She helps us understand the nature of her rabbit hole that is carnatic classic music - and any art in general. Hope you enjoy it. Do write into to us at amitabh.mwrh@gmail.com

सुनिए शिल्पा अनंत की प्रेरणादायक कहानी। दोस्तों ये एक गायिका, गीतकार, संगीत कलाकार और शिक्षिका हैं। केरल में जन्मी और दुबई में पली-बढ़ीशिल्पा ने हाई स्कूल की पढ़ाई पूरी करने के बाद अपनी कॉलेज की शिक्षा बैंगलोर से की और मीडिया कम्युनिकेशन और साइकोलॉजी में डिग्री ली। शिल्पा की संगीत की अपनी अनूठी शैली है जो भारतीय और पश्चिमी संगीत का मिश्रण है। उनका सगीतमयी सफर काफी अच्छा रहा है। 2011 में ये एक प्रतिष्ठित बर्कले कॉलेज ऑफ़ म्यूज़िक में संगीत सीखने के लिए अमेरिका चली गईं जहाँ से इन्होने स्नातक किया। पिछले छह सालो से ये न्यूयॉर्क सिटी में रह रही है। इन्होंने अभी कई लाइव परफॉरमेंस दी है। ए.आर. रहमान के साथ भी परफॉर्म कर चुकी है। संगीत के क्षेत्र में अपनी एक अनूठी पहचान बनाने के लक्ष्य के साथ ये निरन्तर आगे बढ़ रही है। पूरी कहानी पढ़ें: https://stories.workmob.com/shilpa-ananth-arts-entertainmentवर्कमोब द्वारा #मेरीकहानी कार्यक्रम के माध्यम से एक नयी पहल शुरू की गयी है जिसके ज़रिये हर कोई छोटे बड़े बिज़नेस ओनर्स अपनी प्रेरक कहानियों को यहाँ सभी के साथ साझा कर सकते है। क्योंकि हर शख्स की कहानी में है वो बात जो जीवन को बदलकर एक नयी दिशा दिखाएगी, और ज़िन्दगी में ले आएगी आशा की एक नयी चमकती किरण। #प्रेरककहानियाँ #गायिका #गीतकार #संगीतकलाकार #शिक्षिका #भारतीयसंगीत #पश्चिमीसंगीत #बर्कलेकॉलेजऑफ़म्यूज़िकजानिए वर्कमोब के बारे में: जुड़िये वर्कमोब पर - ये है भारत का अपना एक प्रोफेशनल सोशल नेटवर्क। जोश और जुनून से भरी प्रेरणादायक कहानियां देखिये। मजेदार प्रतियोगिताएं खेलिए, उनका हिस्सा बने, लाइव जुड़िये, और भी बहुत कुछ पाए वर्कमोब पर । यह सौ प्रतिशत बिलकुल मुफ्त है। जाइये इस लिंक पर - https://stories.workmob.com और देखें ढेर सारी प्रेरक कहानियाँ। हमारे ऐप्प को डाउनलोड करें: Android: https://play.google.com/store/apps/details?id=com.workmob iOS: https://apps.apple.com/in/app/workmob/id901802570

For today's show we welcome two guests – returning to Interchange is Viren Murthy, associate professor of history at the University of Wisconsin at Madison, and also joining us is Annapurna Mamidipudi who is currently a Visiting Postdoctoral Fellow at the The Max Planck Institute for the History of Science in Berlin, Germany. They've co-authored …

Mela is the proud innovation of the South Indian Classical Music tradition. It is a very scientific and systematic categorisation of musical scales which forms the basis for the sophisticated Raga system. In this episode on the Non-translatables of Carnatic Music, Vrinda Acharya explains why the concept of Mela, which fails to find a parallel in any non-Indian musical system, is a non-translatable. Watch more on the Non-translatables of (South) Indian Music here: http://bit.ly/NontranslatablesofSouthIndianMusic Do check out our YouTube channel 'Rajiv Malhotra Official' and do follow us on Facebook '@RajivMalhotra.Official' and Twitter '@InfinityMessage' and '@RajivMessage'. To support this project: https://infinityfoundation.com/donate/ --- Support this podcast: https://anchor.fm/kurukshetra/support

In this episode, Shruti and Krish Ashok discuss different Indian cuisines, oral versus written tradition, the fusion of different musical styles, the challenges of working remotely and much more. Krish is the global head of digital workplace practice at Tata Consultancy Services in Chennai, Tamil Nadu, India. He is also a classical violinist, guitarist and cellist, and he has written a book, Masala Lab, on the science of Indian cooking. Follow Krish on Twitter: https://twitter.com/krishashok Follow Shruti on Twitter: https://twitter.com/srajagopalan For a full transcript of this conversation with helpful links, visit DiscourseMagazine.com 

Carnatic Music is what it is because of its Gamakas. The concept of gamaka, which lends to Carnatic music its distinctive character and personality, is the core of the Raga system. In this video, Vrinda Acharya brings out the unique feature of gamakas in Carnatic music and how it is conceptually deeper and distinct from an apparently similar concept used in Hindustani music and Western Music. Watch more on the Non-translatables of (South) Indian Music here : https://bit.ly/SanskritNonTranslatables Do check out our YouTube channel 'Rajiv Malhotra Official' and do follow us on Facebook '@RajivMalhotra.Official' and Twitter '@InfinityMessage' and '@RajivMessage'. To support Infinity Foundation's projects including the continuation of such episodes and the research we do: इनफिनिटी फ़ौंडेशन की परियोजनाओं को अनुदान देने के लिए व इस प्रकार के एपिसोड और हमारे द्वारा किये जाने वाले शोध को जारी रखने के लिए: http://infinityfoundation.com/donate-2/ --- Support this podcast: https://anchor.fm/kurukshetra/support

Swarashri Shridhar is the prime disciple of Guru Pali Chandra and has been learning Kathak for the last 10 years under Gurukul Studios. As the youngest distinction holder of the ISTD Vocational Advanced course from the UK, she has performed in London, Switzerland, Belgium, India, and UAE and believes in bringing about a change in society through dance. Her first project in doing so was raising awareness for Dance Movement Therapy for Parkinson's Disease through a self-choreographed piece titled ‘Rise Again'. Taking this forward, she participated in a play called ‘Still Dancing' which was based on Dance Movement Therapy for Parkinson's Disease. Swarashri has made it a point to talk about Parkinson's Disease and perform her piece on various platforms, thus raising awareness about this topic through dance. Her most recent initiative - #spinpositivity was aimed at generating positivity and enthusiasm during these challenging times impacted by COVID-19. The initiative attracted dancers from the US to Australia echoing her #spinpositivity and posting short dances on Instagram Stories, thus creating a small movement. She donated the proceeds of her maiden online live performance titled ‘Rise Again' through Playtoome, India's first live online platform to the Prime Minister's National Relief Fund in aid of COVID-19 relief efforts. Links to social media https://www.instagram.com/swarashri_kathak/ Timestamps 0:01:03 Normalization of Dance as a Career 0:05:31 Alternative courses for dancers 0:07:35 Online Degrees/Courses 0:09:24 ISTD Vocational Course 0:11:48 Unique aspects and future changes in Training 0:16:05 Pali Ji's Parampara Workshop 0:18:06 Making a living as an average dancer 0:21:21 Other Careers in Kathak 0:26:45 Mindset of a Kathakar 0:29:50 FOMO 0:32:42 Gurubehens 0:35:29 Induviduality in Gurukul Training 0:38:30 Raising Dance in Social and Medical Issues 0:40:34 Dance Movement Therapy 0:45:29 Carnatic Music in Kathak 0:50:01 Use of Carnatic Music in Kathak 0:51:51 Explorations in Carnatic Music 0:53:15 Spinpositivity 0:57:50 How does it feel to be known? 1:00:44 Feedback 1:03:49 Feedback that dancers should be wary of 1:06:28 Current and Future Projects

Basics of Carnatic music site -> http://www.shivkumar.org/music/varnams/index.html#basics Full Notation -> http://www.shivkumar.org/music/basics/janta-varisai.htm Varishais - Sequences: The great composer Purandara Dasa, hailed as the Father of Carnatic music, created a set of fundamental exercises nearly 500 years ago, which are followed even today. There are 4 main types of varishais. Sarali Varishais: These fundamental sequences enable the student to get a feel of melody with rhythm. The logic is quite obvious here. The 1st varishai is a plain ascent and descent of the notes of the raga. The 2nd varishai focuses on the second note from S, namely R (in the ascent) and N (in the descent). The 3rd varishai centers on the third note (G and D) in the ascent and descent respectively. The fourth varishai concentrates on the fourth note M and P. This goes on upto the 7th varishai. The last 3 are general exercises. Some books have split the last sarali varishai into 5 parts, but singing it as a single varishai is more instructive. Janta Varishais: These are forceful sequences, which facilitate the students to add weight and majesty to their voice. They make use of a form of ornamentation called "spuritham" which is rendering a note twice: plain the first time, and with force from the previous note (i.e. the note just below this note in frequency) in the raga the second time. Teachers must take care that the concept of sphuritham is very clearly embedded in the students' minds. The tendency to render it in a bland and insipid manner should be avoided. Melsthayi Varishais: These are higher octave sequences, which increase the students' vocal or instrumental range. Again, the logic is easy to understand. The first is the simplest asn every subsequent exercise adds a new phrase to the previous one. The progressively cover notes upto Pa in the higher octave. Dhatu Varishais: These are zigzag sequences that increase the students' overall command of notes. Alankarams: These are multi-tala sequences composed in the 35 talas. But usually 7 of these are selected and taught to the students. Students should be taught to render all these exercises in at least 3-4 speeds. Once they perfect this technique, they could practice most of them in the 3rd speed. It is ideal to render each varishai twice, once just with the swaras, and again, with akaaram. 1. Basic ascent/descent with janta s s r r | g g | m m || p p d d | n n | S S || 2. Janta Emphasis (starting and ending) at each of the seven notes Laya pattern: 11-22-33-44 and 11-22-33-44 (12-12-12-12) s s r r | g g | m m || r r g g | m m | p p || g g m m | p p | d d || m m p p | d d | n n || p p d d | n n | S S || S S n n | d d | p p || n n d d | p p | m m || d d p p | m m | g g || p p m m | g g | r r || m m g g | r r | s s ||

Basics of Carnatic music site -> http://www.shivkumar.org/music/varnams/index.html#basics Notes -> http://www.shivkumar.org/music/basics/alankaram.htm Alankarams: These are multi-tala sequences composed in the 35 talas. But usually 7 of these are selected and taught to the students. 1. Chatushra Jaati DRUVA TALAM Alankaram: I4 0 I4 I4 = 4 + 2 + 4 + 4 = 14 beats I4 0 I4 I4 s r g m | g r | s r g r | s r g m || r g m p | m g | r g m g | r g m p || g m p d | p m | g m p m | g m p d || m p d n | d p | m p d p | m p d n || p d n S | n d | p d n d | p d n S || S n d p | d n | S n d n | S n d p || n d p m | p d | n d p d | n d p m || d p m g | m p | d p m p | d p m g || p m g r | g m | p m g m | p m g r || m g r s | r g | m g r g | m g r s || 2. Chatushra Jaati MATYA TALAM Alankaram: I4 0 I4 = 4 + 2 + 4 = 10 beats I4 0 I4 s r g r | s r | s r g m || r g m g | r g | r g m p || g m p m | g m | g m p d || m p d p | m p | m p d n || p d n d | p d | p d n S || S n d n | S n | S n d p || n d p d | n d | n d p m || d p m p | d p | d p m g || p m g m | p m | p m g r || m g r g | m g | m g r s || Full Notations -> http://www.shivkumar.org/music/basics/alankaram.htm

Basics of Carnatic music site -> http://www.shivkumar.org/music/varnams/index.html#basics Detailed notes -> http://www.shivkumar.org/music/basics/dhatu-varisai.htm Dhatu Varishais: These are zigzag sequences that increase the students' overall command of notes. 1. Pattern: Swara: sm - gm- rg - sr and sgrg - srgm Laya: 14 - 34- 23 - 12 and 1323 - 1234 s m g m | r g | s r || s g r g | s r | g m || r p m p | g m | r g || r m g m | r g | m p || g d p d | m p | g m || g p m p | g m | p d || m n d n | p d | m p || m d p d | m p | d n || p S n S | d n | p d || p n d n | p d | n S || S p d p | n d | S n || S d n d | S n | d p || n m p m | d p | n d || n p d p | n d | p m || d g m g | p m | d p || d m p m | d p | m g || p r g r | m g | p m || p g m g | p m | g r || m s r s | g r | m g || m r g r | m g | r s || More notes -> http://www.shivkumar.org/music/basics/dhatu-varisai.htm

Basics of Carnatic music site -> http://www.shivkumar.org/music/varnams/index.html#basics Detailed Notes -> http://www.shivkumar.org/music/basics/melsthayi-varisai.htm Melsthayi Varishais: These are higher octave sequences, which increase the students' vocal or instrumental range. Again, the logic is easy to understand. The first is the simplest asn every subsequent exercise adds a new phrase to the previous one. The progressively cover notes upto Pa in the higher octave. 1. Dheergam at melsthayi "S", and touch of "R" (d n S R) s r g m | p d | n S || S , , , | S , | , , || d n S R | S n | d p || S n d p | m g | r s || 2. Dheergam at melsthayi "S" Focus at melsthayi "R" (d n S R - S S R S - S R S n) Some janta ( S S) and zig zag usages (S R S n - d p m p) s r g m | p d | n S || S , , , | S , | , , || d n S R | S S | R S || S R - S n | d p | m p || d n S R | S n | d p || S n d p | m g | r s || 3. Dheergam at melsthayi "S" Touch of melsthayi "G" (d n S R - G R S R ) Focus at melsthayi "R" (d n S R - S S R S - S R S n) Some janta ( S S) and zig zag usages (S R S n - d p m p) s r g m | p d | n S || S , , , | S , | , , || d n S R | G R | S R || S R - S n | d p | m p || d n S R | S S | R S || S R - S n | d p | m p || d n S R | S n | d p || S n d p | m g | r s || More Notes -> http://www.shivkumar.org/music/basics/melsthayi-varisai.htm

Basics of Carnatic music site -> http://www.shivkumar.org/music/varnams/index.html#basics 1. Simple ascent/descent Laya pattern: 1234 5678 s r g m | p d | n S || S n d p | m g | r s || 2. Focus on R and N Laya pattern: 12-12-1234 and 1234 5678 s r - s r - | s r | g m || s r g m | p d | n S || S n - S n - | S n | d p || S n d p | m g | r s || 3. Focus on G and D. Laya pattern: 123-123-12 and 1234 5678 s r g - s | r g - | s r || s r g m | p d | n S || S n d - s | n d - | s n || S n d p | m g | r s || 4. Focus on M and P Laya pattern: 1234-1234 and 1234 5678 s r g m - | s r | g m - || s r g m | p d | n s || S n d p - | S n | d p - || S n d p | m g | r s || 5. Focus on P and M (dheergam); and R, N Laya pattern: 1234 56-12 and 1234 5678 s r g m | p , - | s r || s r g m | p d | n S || S n d p | m , - | S n || S n d p | m g | r s || 6. Focus on G and D Laya pattern: 1234 56-12 and 1234 5678 s r g m | p d - | s r || s r g m | p d | n S || S n d p | m g - | S n || S n d p | m g | r s || Please see site for more details -> http://www.shivkumar.org/music/varnams/index.html#basics

Noted Carnatic Vocalist Vidushi K. Vrinda Acharya explains the significance of Non-translatable terms related to South Indian Music or Carnatic Music. She elaborates on the wisdom and intensity of these technical terms, how they are integrated with the ethos of Sanatana Dharma and why it is not okay to replace them with simplistic English translations. She also observes that retaining the original terms as non-translatables is very essential to prevent the digestion of Carnatic music into World music. Do check out our YouTube channel 'Rajiv Malhotra Official' and do follow us on Facebook '@RajivMalhotra.Official' and Twitter '@InfinityMessage' and '@RajivMessage'. To support this project: https://infinityfoundation.com/donate/ --- Support this podcast: https://anchor.fm/kurukshetra/support

 This is a very special episode which speaks about the national instrument of India, viz; The Veena. With special guest and Veena player Saipriya Viswanathan sharing some very informative facts and knowledge about the instrument.This particular episode also has emotions attached with the journey of Late Miss Padma Iyer who was proficient in the field of Carnatic Music as a Veena and Violin player, and is the maternal aunt to the host Ravi Iyer.Miss Padma Iyer by profession was an English and Maths Teacher at Bombay Scottish School located at Mahim (Mumbai, India), and this episode features a tribute to all her students, her colleagues and the school management.The highlight of this episode also features one of Miss Padma Iyer's Veena performance which was recorded somewhere around 1968 on a spool tape recorder which has been exclusively brought to you by her nephew (your host)  Ravi Iyer.The in-valuable information and knowledge shared by the guest Saipriya  would definitely be intriguing  to many of you who would like to  know more about this beautiful and a spiritual instrument viz; Veena.Also featuring the original composition by Ravi Iyer called Jogi Blues which also happens to be the signature tune for the podcast ‘Thought Bits' with Ravi Iyer. Music Credits for Jogi Blues: Original Composition: Ravi IyerGuitar: Ravi IyerVeena: Saipriya ViswanathanVocals: Rajalakshmee SanjayTabla: Rupak DhamankarMridangam: Krishnan NarayananRecorded at Ravi Iyer AcademyMixed & Mastered by Krishnan NarayananSupport the show (https://www.paypal.com/paypalme/raviiyerfusion) --- Send in a voice message: https://anchor.fm/ravi-iyer95/message

Urvashi Urvashi Carnatic music | Ar Rahman Realxing Music | Prabhu Deva | Tamil | Relaxing AR RAHMAN Instrumental Melodies BGM Flute, Violin, #Master #Ilayaraja #Tamilmusic Relaxing Ilayaraja Instru mental Melodies BGM Flute, Violin, Veenai #Master #Ilayaraja #Tamil Music | Tamil Podcast Relaxing music for sleep Relaxing music for meditation stress relief relaxing music | mind relaxing music Nature Music for stress relief Nature music for sleep | mind Relaxing | Tamil Podcast Relaxing music for sleep Relaxing music for meditation stress relief relaxing music #alaipauthey #snehitane #netrumuniravil #snehitanecover #alaipautheymashup #maniratnam #madhavan #maddy #shalini #pachainirame #yaroyarodi #evanooruvan #masalacoffe #unplugged #arrahuman #snehitanestatus #Indruvennilavil #alaipautheysongs #snehitanebgm Indru vennilavil antha eera ninaivil)(Netru Mun Iravil ru_un_iravail(Snehithane Cover(Alaipayuthey(Alaipayuthey Mashup Alaipayuthey movie Alaipayuthey movie scenes) Snehithane whatsapp status)(Snehithane masala coffee Alaipayuthey whatsapp status

“Piano adapted for Carnatic music is becoming a sub-genre in itself. Harmony does not exist in the South Indian classical system, so I think there's a whole world which would be curious to understand what I have done,” says Anil Srinivasan during Chennai Margazhi Music Season 2019.

“Carnatic Music is building a wide audience. Earlier, at concert venues, I would only run into people I knew already. Now, complete strangers greet me and mention my YouTube videos,” says Prince Rama Varma during Chennai Margazhi Music Season 2019.

We continue our discussion regarding arohanam and avarohanam, and define several terms commonly used in Carnatic music to describe raagas. With several examples and illustrations, Vidya elaborates on terms such as Audava, Shadava, Sampoorna, Krama, Vakra, Varja, Melakarta and Bhashanga, and describes how a raaga can frequently represent a combination of these attributes.

In this episode, we introduce the fundamentals of rhythm. Vidya explains how rhythm manifests itself in Carnatic music and discusses terms such as laya, kala, and tala. We finish this episode by defining the basic constituents of tala, called "angas".

Continuing on the topic of "Shruti", in this episode we present the concept of Shruti Bhedam. Shruti Bhedam or Graha Bhedam is a form of improvisation in Carnatic Music where artistes transpose the raaga they are rendering to a new raaga by using a perception of a shift of their fundamental note or shadjam. Vidya illustrates this concept using the raaga Mohanam to bring out the raaga Madhyamavathy by a tonic shift.

We discuss another important term: Shruti or pitch. We also explain the relative nature of this concept in Carnatic music- and how a singer identifies the pitch that is best suited to his or her voice. Finally, we showcase a couple of snippets by Dr. M. Balamurali Krishna who is well known, among numerous other things, for his exemplary capacity to easily sing across several octaves.

Starting with this episode, we would like to dedicate a few segments to explaining some common terms used in Carnatic music. The first among these terms is Naada. We also showcase a couple of very popular Thygaraja compositions where he describes Naada and mentions the divine origin of the Saptaswaras or the 7 basic musical notes.

Just as in any other performing art, Carnatic Music -- especially if you want to perform -- takes several years of learning and practice.   And in Carnatic Music, the guru has a very special and almost sacred place in your life. In this episode, we talk about Vidya's guru: Lalgudi Jayaraman. We also discuss his unique style, the Lalgudi Bani.

As we explore the world of Carnatic Music, every now and then, we plan to highlight key cities, towns, and villages that play an important role in this art form. In the last segment, we discussed the art of listening. We talked about how attending concerts is one way to expose yourself and learn by listening. When it comes to Carnatic music concerts, Chennai has a lot to offer. So, in this segment, we shine the spotlight on Chennai.

We start of this episode by learning a bit more about Vidya. Then, we discuss how you can begin your journey to understand and appreciate Carnatic Music better. Vidya's tip is pretty straightforward yet profound: keep listening to a lot of Carnatic Music and start looking for patterns.

One of the best ways to appreciate Carnatic Music better is to listen to songs. In that spirit, we will be regularly featuring certain songs and talk about them. This week, our featured song is Maha Ganapatim.