Podcast appearances and mentions of candy box

Cheng Xiong is a local artist, teacher, and community leader. Xiong grew up in St. Paul, Minnesota and received his Bachelors of Art in Dance at the University of Minnesota. Though he began his journey as a street dancer, through his studies, he was able to broaden to different styles and professional skills. Xiong is also a Hmong dance artist/researcher who is among the first in Minnesota to fuse forms of Breaking, Contemporary, and acrobatic dance styles. He is currently a company member of Black Label Movement and have recently worked with local professional companies such as STRONGmovement, BRKFST Dance, and Minnesota Timberwolves's First Avenue Breakers.As a dancer, choreographer, and a 2022 McKnight Dancer Fellow, Xiong has presented many new works throughout his career; Saint Paul Conservatory Performing Arts's J-Term Projet: Dance Repertory Concert, Arena Dances presents CANDY BOX as a Happy Hour artists, Mixtape 6: Cypher Space, Minneosta Orchestra's annual Young People's Concert: “Sounds of the Harvest,” and Black Label Movement's Inaugural Mover's Make.Alongside his repertoire of performances, Xiong is also a Breakdance instructor and educator. Xiong is currently teaching at the University of Minnesota Theater and Dance Program and Macalester College. Description of the work:“Off the beaten path… a solitary act”explores the emotional landscape of solitude and the courage needed to choose the road less traveled. It may be a lonely road, but it is where you will find your truest self—away from the noise of the world—peace carved to reflect, redefine, and grow. You must embrace a journey that diverges from conventional routes, requiring a willingness to step into the unknown. It is about seeking unique experiences, following intuition, and finding new perspectives undefined by societal expectations. Completing this journey equates to discovering personal truths, challenging comfort zones, and forging a distinctive path that reflects one's true self.

Joe Chvala (Artistic Director/Flying Foot Forum) is the founder and artistic director of the highly-acclaimed percussive dance company, the Flying Foot Forum. In addition to the Flying Foot Forum, Chvala has directed, choreographed, and been commissioned to create new works for a variety of theater and dance companies including the Guthrie Theater, the Walker Art Center, the Ordway Music Theater, the Minnesota Opera, Chicago Shakespeare, Children's Theater Company, Arkansas  Repertory, Theater Mu, Heart of the Beast Puppet and Mask Theatre, the History Theater, The Alpine Theater Project, Park Square Theatre, and The Boston Conservatory.  He has been the recipient of both Ivey and Sage awards for theater and dance as well as numerous “Best of the Year” honors from various US newspapers and periodicals and numerous choreographic and interdisciplinary awards, fellowships, and grants from such organizations as the National Endowment for the Arts, the Minnesota State Arts Board, and the McKnight Foundation. His recent film work as a director/writer has been featured in a number of European and American film festivals.Description of WorkFootfall—Choreographed by Joe Chvala, “Footfall” features a mixture of Flying Foot Forum's signature hybrid percussive dances with traditional clogging, folk music and dance to celebrate the passing of time, the ephemeral quality of life and the joys, struggles, strengths, longings, passions, and melancholy that are a part of it all. This piece will appear in its entirety in our upcoming concert May 8-18 at Park Square Theater. NOTE: The a cappella clogging duet “One Hundred Dead Dollars” was choreographed by founding company member, Clayton Schanilec.

Under the direction of Alexandra Bodnarchuk, Doma Dance Theater creates dance works for the stage and screen that explore the body as a tangible site of culture. Doma, the Carpatho-Rusyn word for “at home,” cultivates a sense of belonging, curiosity, and exuberant self-expression for its performers and audiences. Doma's cross-cultural approach creates powerful contemporary dance works that examine shared experiences of diaspora and displacement. Informed by Bodnarchuk's pan-Slavic cultural upbringing in Pittsburgh, PA, Doma's work incorporates cultural influences, circular spatial patterning, and intimate partnering. As the first Carpatho-Rusyn American choreographer to make contemporary work with a folk lens, Doma's works blaze a trail for Slavic representation in contemporary dance, demonstrating the enduring necessity of unearthing the cultural legacies each of us carry.Founded in 2024, Doma represents an evolution of Alexandra Bodnarchuk Dance Projects (ABDP), founded in 2017. Building upon Bodnarchuk's past focus on body identity and societal expectations of womanhood, Doma continues to unfold the embodied experience in an ongoing search for the elusive feeling of home.Doma'a inaugural season includes performances at Candy Box Dance Festival, and Thistle & Rose at Celtic Junction. For more information visit domadancetheater.org or follow them on Instagram @domadancetheater. Doma Dance Theater's new work for the 2025 Candy Box Dance Festival is set against an aural backdrop of Carpatho-Rusyn folk songs from the Šambron and Poloniny regions of Eastern Slovakia. Featuring dancers Alexandra Bodnarchuk, Non Edwards, Odessa Rain, and Yukina Sato accompanied by Mila Vocal Ensemble, the women weave in and around each other in syncopated harmony. 

NERVOUS THEATRE is a nomadic theatrical collective creating ensemble-driven productions. Their work celebrates and exploits the ‘liveness' of theatre for all its physical and communal possibilities. Founded by artistic director Connor Berkompas, NERVOUS THEATRE has been hailed as "Ambitious and Fabulous" by The San Diego Reader and recognized as "an electrifying company to keep a close eye on" by The Arts Business. Their eclectic body of work has been presented by arts organizations across the nation including Tinworks Art, Gloucester Stage Company, The Boston Conservatory, Westside Theater and Surel's Place.NERVOUS THEATRE will make their Minneapolis debut with the full-length work DANCING ANIMALS at The Southern Theater as part of their Performance Partnership Program in June of 2025.HH showing Friday, 4/24/25 5:30pmdance with me, baby is a celebration of communal movement and its transformative power. On this night, with this audience, what is the conversation that only we can have? In rediscovering each other, can we envision new ways of being together?There are four of us… and many more of you.Why are we all speaking at the same time?When did we start dancing?Where do we go from here?Nervous Theatre presents a work-in-process ahead of their evening-length premiere at The Southern Theater in June of 2025. dance with me, baby is created by artistic director Connor Berkompas in collaboration with Alexandra Bodnarchuk, Marcela Michelle, and Yukina Sato.

Dive into a world devoid of time that witnesses two people attempt to navigate their relationship while questioning their boundaries, perceptions of reality, and conflict resolution skills within the confined space of a growing cardboard set. Nieya Amezquita is a Minnesota-based artist currently working with Threads Dance Project, Rhythmically Speaking, Elayna Waxse Movement Projects and eMartin Dance while collaborating with independent artists like Kaitlyn Hawkins. She has also performed works with Concerto Dance, Yuki Tokuda, Off-Leash Area and Alexandra Bodnarchuk Dance Projects. Nieya earned a BFA in Dance from the University of Georgia. There she had the opportunity to perform nationally and internationally with founding company CADE:NCE before studying in Portugal with the Addo Platform. Most recently, Nieya has been a featured artist in the Blackness Is Arts festival produced by the Guthrie Theater, choreographed for Threads Dance Project and Alternative Motion Project, and launched her own dance company in 2023, Amez Dance.KAITLYN HAWKINS  (she/her) is a freelance dance artist and choreographer based in NYC who likes to research an endless list of questions with movement and conversation. She has performed with TU Dance, Shapiro & Smith, Honeyworks, Hatch Dance, Contempo Physical, Doma Dance, and Black Label Movement. She has self-presented work in Minneapolis, MN and Brooklyn, NY, and participated as a choreographer in the Movers Make showcase and the Candybox Dance Festival in Minnesota.

Yukina Sato is a Japanese dancer, choreographer, and filmmaker whose work explores the dynamic interplay of movement, identity, and culture. Her artistic practice delves into the liminal space of hybridity, capturing the unique experiences of living between two countries and navigating overlapping cultural landscapes. Yukina has collaborated with acclaimed performing artists and companies, including Abby Zbikowski, Crystal Perkins, Bebe Miller, and Diavolo – Architecture in Motion – among many others. As the co-founder of YY Dance+Media, she is passionate about creating innovative multimedia performances that merge dance, technology, and storytelling. Her recent work, Motion of Seeing, premiered at the Detroit Dance City Festival and earned the National Exchange Award in 2023, leading to performances at the RAD Festival in 2024. Yukina holds an MFA in Dance from The Ohio State University and a BFA in Dance Performance from the University of Central Oklahoma. Currently, she serves as an Assistant Professor of Dance at Minnesota State University Mankato. In this role, she shares her passion for movement, creativity, and choreography with students. 

Send us a textIn this captivating first installment of our two-part conversation, Ian shares his remarkable coming-of-age story: from his teenage years in South London's vibrant soul scene of the 1970s to living in New York from 1980 to 1983, concluding as he departs for Ibiza in 1984.Ian St Paul stands as a genuine pioneer of London's underground music scene. Raised on the Roundshaw Estate in South London, he discovered soul records at age 13, igniting a lifelong passion for music. He quickly became a fixture at iconic London soul venues like Crackers and the Lacy Lady, absorbing the vibrant club culture of the era. At just 15, Ian embarked on an extraordinary journey to New York City with friend Paul Oakenfold, immersing himself in the legendary club scene that would later profoundly influence UK dance music. Upon returning to London, he founded "Candy Box," a youth club that hosted early performances by then-unknown DJs including Giles Peterson and Oakenfold. Ian's influence expanded when he moved to Ibiza in 1984, diving deep into the island's emerging club culture alongside his DJ cousin Trevor Fung. His pivotal moment came in 1987 when Oakenfold visited him in Ibiza with fellow DJs; Ian introduced them to the island's revolutionary party scene, taking them to Amnesia and exposing them to the nascent ecstasy culture.In 1988, Ian returned to London where he promoted the legendary Acid House nights Future and Spectrum—events that kickstarted the UK's acid house revolution. His journey continued into the 90s when he relocated to Goa, India, where he managed trance music pioneers Juno Reactor.Support the showhttps://www.youtube.com/@ControlledWeirdnesshttps://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOIhttps://www.instagram.com/controlledweirdness/https://controlledweirdness.bandcamp.com/Theme song is Controlled Weirdness - Drifting in the Streetshttps://open.spotify.com/track/7GJfmYy4RjMyLIg9nffuktHosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80's when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90's. He still DJ's in the UK and throu...

Cheng Xiong is a local Hmong dance artist, choreographer, teacher, and community leader. Xiong was born in a refugee camp in Thailand, sponsored by family in the United States, and moved to St. Paul, Minnesota. Xiong started picking up Hip Hop dance, particularly Break(dance)ing, through family and friends. With his journey as a street dancer, he continued his studies in dance at the University of Minnesota Twin Cities and was able to broaden to different styles and professional skills. Xiong became the first in his family to receive a Bachelor of Arts. He is currently a company member of Black Label Movement. He recently worked with local professional companies such STRONGmovement, BRKFST Dance, and Minnesota Timberwolves's First Avenue Breakers. He is also a Breakdance instructor and educator, teaching at Cypher Side Dance School and the University of Minnesota Dance Program. Xiong is also a Hmong dance artist/researcher who is among the first in Minnesota to fuse forms of Breaking, Contemporary, and acrobatic dance styles. His integrated movement practice consists of floorwork, high physicality transitions, and rigorous dynamic movements that thrive on integration and cross-training. Developing a new personal style that pushes athletic skills to their highest and at the same time challenges the creative process by drawing from his background, allowing movements forming together in unique ways. His overarching aim is to continue to use the body as a medium for communication.Some highlights of his work were in 2018, when Xiong participated in the “I'm From…Vol. 2” show at the Southern Theater, where he debuted his solo in collaboration with Tou Saiko Lee, called “Being Hmong, Being Free.” That same year, Xiong was one of the choreographers to present work for Saint Paul Conservatory Performing Arts' J-Term Project: Dance Repertory Concert, where he debuted his new work “Locomote” in The O'shaughnessy theater at St. Catherine University.  In 2022, Xiong was awarded as one of the McKnight Dancer Fellows. The following year, Xiong debuted his new work “Penumbra” at the Southern Theater, for Arena Dances presents CANDY BOX as one of the Happy Hour artists. Right after that, he also debuted his new work called “Breaking Breaking” for the Mixtape Collective show, Mixtape 6: Cypher Space, that was held at the Cowles Center for Dance and the Performing Arts. Later in fall of 2023, the Minneosta Orchestra commissioned Xiong to create a duet called, “Stories of the Harvest,” with composer Jocelyn Hagen's excerpt of “Shoua and the Northern Lights Dragon,” for their annual Young People's Concert: Sounds of the Harvest. In 2024, Xiong presented his new work “Polarity” at the Barbara Barker Center for Dance for Black Label Movement's Inaugural Mover's Make series.Alongside his repertoire of performances, Xiong is a Breakdance instructor and educator. He has taught at after-school programs such as Washington Technology Magnet Middle, Hazel Park Preparatory Academy, and Ramsey Middle through the East Side Arts Council. At present, Xiong is currently teaching at the University of Minnesota Minnesota Theater and Dance Program and Cypher Side Dance School.

The Boys are BACK this week with an unusual episode of ARG Presents, as we take a look at Games ENTIRELY Made with Text Graphics like ASCII and PETSCII. Join Amigo Aaron and THE BRENT as we tackle Digiloi for the C64 and Plus 4, and CANDY BOX for your Browser of choice!

The Boys are BACK this week with an unusual episode of ARG Presents, as we take a look at Games ENTIRELY Made with Text Graphics like ASCII and PETSCII. Join Amigo Aaron and THE BRENT as we tackle Digiloi for the C64 and Plus 4, and CANDY BOX for your Browser of choice!

jess pretty is an Assistant Professor of Dance at the University of Minnesota Twin Cities and the current artistic director of AUNTS; a punk/DIY performance series that hosts events/festivals/shows to highlight the works of experimental dance makers in NYC. she has shown her work at La Mama Experimental Theater Club (2017 La Mama Moves Festival), New York Live Arts (as a 2016/17 Fresh Tracks artist), CATCH!, Gibney Dance Center, Brooklyn Studios for Dance, the CURRENT SESSIONS, panoply performing arts space, Green Street Studios, three ACDA conferences, and the Chocolate Factory Theatre. pretty has been an artist in residence at Kent State (2017), the Chocolate Factory Theatre, and the Center for Performance Research (2019-2020) and was also a 2020 member of the Queer Art Fellowship. pretty has collaborated and been a part of the works of: Will Rawls, Claudia Rankine, Kevin Beasley, Okwui Okpokwasili, Peter Born, Catherine Gallasso, David Thomson, Katie Workum, Niall Jones, Jennifer Monson, Cynthia Oliver, Leslie Cuyjet and Dianne McIntyre. call and response is a methodology for building connection and community; a celebration and appreciation for black life; an archival tool; and lens for embodiment. this work is personal and archival; calling on me to turn towards my own story, lineage and memory as the site of choreographic creation. in looking at myself, i aim to build a black queer archive to provide proof of life (instead of the constant images of black death we experience) for future generations. how do we come together? how do we see each other? how do we care for each other? how do we make space for pleasure, joy, ease and non-urgency? how do we 'get free' using the body as the site for radical transformation? taking place somewhere between an improvised self portrait and the middle of the dance floor, call and response directs our attention inward to the deep histories our bodies hold. calling us to say ‘yes' to "the encounter”, to vulnerability, to the collective, to the moving body, to change and to transformation.

I first heard DJ Jean Maron of France from his album RUN MPC with M-Dot, since then he's put out a bunch of music, his most recent project is Candy Box 2 which is out on vinyl only at the moment but there's a number of singles he's put out from it. One of them is with Keat from North Carolina who Jean Maron has done a few tracks with & has more on the way coming in the near future. So we got into how they started working together, the Candy Box 2 album, upcoming projects, helping out newer artists, & much more. --- Support this podcast: https://podcasters.spotify.com/pod/show/craigmosher/support

Tristan Koepke (he/him) is a dancer, choreographer, and educator based in Portland, ME. He holds an MFA in Dance from the University of Maryland, College Park, and is currently Assistant Professor at Bates College and Associate Director of the Young Dancers Intensive at the Bates Dance Festival.Benny Olk (he/him) is a performing artist based in Minneapolis with an interest in contemporizing and contextualizing American modern and post-modern dance. As a member of Lucinda Childs Dance Company, he performed reconstructions of pieces such as Dance and Available Light. He performed in reconstructions of works by Merce Cunningham, and has premiered works by Moriah Evans and Anthea Hamilton. He is part of the Isolated Acts 2024 cohort at Red Eye Theater in Minneapolis. Benny holds a BFA in Dance from NYU and an MA in New Performative Practices from Stockholm University of the Arts.There's More Than One Bed is the second collaboration between Tristan Koepke and Benny Olk. Inspired by the creative and amorous relationship between Merce Cunningham and John Cage, Instagram thirst traps, speculative masculinities, and romance novel tropes, Koepke, Olk, and their collaborators interrogate what devotion and commitment to love, longing, and process can look like when you make room for more than two.

Paula Mann has been creating dances for 44 years and is a graduate of New York University. She was full time faculty at the University of Minnesota Department of Theater and Dance from 1993-2013. She is co-artistic director of Time Track Productions.APRIL 25-27, 2024 CBDF Featured Artist Work:NothingA trio: performed by myself, Leila Awadallah and Roxane Wallace. We question and  interrogate our understandings of our realities through movement. Building a focused movement vocabulary since November 2022, we are intent on shifting the structure of the movement and its qualities, hoping to convey that assumed constructs of our perceptions might not be truth. Imagery projected onto our bodies at the end of this section (part one), will contrast speed, timing and content. The meaning of those images and their relationship between the movement and the piece will amplify and articulate our physical vocabulary. Our movement/physical vocabularies will reflect our formative perspectives and perceptions -- the realities we grew into. Ranging from black and white broadcast for the oldest of us, to online mobile devices for the youngest, the streams of our understanding begin here. Sound score by Tarek AbdelqaderThis is part (one) of the trilogy and will be performed at The Candy Box Festival in April 2024 at The Southern Theater in Minneapolis. Everything and Nothing is a three-part series of dance performances, each 25 minutes in length, that will be performed over a two-year period in venues throughout Minneapolis/St Paul Minnesota. In 2026, all three parts will be performed together as an evening-length work.

The Candy Box 12/27/23

This week the generations chat about what finally forced Ceci to get Adam this birthday gift. Also....what does; "that is so Tea" mean? And what Adam's family still does for Easter that had the girls in stitches. Enjoy!

Megan MayerI am an award-winning Minneapolis-based artist working with choreography, dance, experimental video and photography. My work pulls from minimalism, transposition, mimicry, grief, tenderness, wry humor, loneliness, social anxiety, fake bad timing and exacting musicality. By exposing tiny emotional undercurrents, I find virtuosity through vulnerability and gesture. Drawn to the edges of the experience of performing: the anticipatory rapid heartbeat before going onstage, and the regretful relief after exiting, my work often reveals where that switch lives in the body. I make deeply personal dances that celebrate the people performing them.For 35+ years I've always held a full-time job in addition to being an artist. My job and dancemaking are so intertwined that I can't consider one without the demands of the other. I make art work amidst the inequities and confines of late-stage capitalism and try to use my privilege to advocate for fellow artists and employees. My work has been generously supported by two McKnight Foundation Choreographic Fellowships, residencies at the National Center for Choreography (Ohio), Maggie Allesee National Center for Choreography (Florida) and several local arts organizations, grants from MRAC, MSAB and Jerome Foundation, a Sage Dance Award and numerous choreographic commissions. www.meganmayer.com

J'Sun Howard is a Chicago-based dancemaker. He holds an MFA in Dance and a certificate in World Performance Studies from the University of Michigan. He is a 2020 3Arts Awardee, a recipient of their inaugural Esteemed Artist Award from the Chicago Department of Cultural Affairs and Special Events (DCASE), and a 2019 Asian Cultural Council Fellow. A Links Hall Co-MISSION Fellow, a Ragdale Foundation Sybil Shearer Fellow, 2017 3Arts Make A Wave Awardee and 2014 Chicago Dancemakers Forum Lab Artist. His works have been presented at Links Hall, Ruth Page Center for the Arts, Steppenwolf Theatre Company, Defibrillator Performance Gallery, Patrick's Cabaret (Minneapolis, MN), Danspace Project (NYC), Center for Performance Research (NYC), Detroit Dance City Festival (Detroit, MI), New Dance Festival (Daejeon, South Korea) where he won Best Dance Choreographer and the World Dance Alliance's International Young Choreographers' Project (Kaohsiung, Taiwan), among others. He has been commissioned by Northwestern University, Columbia College Chicago, World Dance Alliance, and The Art Institute of Chicago.

Native to St. Paul, MN, Berit Ahlgren trained at Minnesota Dance Theater with Loyce and Lise Houlton, and was a founding company member of TU Dance, performing between the years of 2006—2016. Receiving Metropolitan Regional Art Council's Next Step Grant in 2011, Ahlgren studied the Gaga Movement Language in Tel Aviv, and shortly thereafter moved to Israel to pursue an intensive, yearlong teacher certification. Ahlgren transitioned to New York City in 2014 to obtain her MFA in Dance from NYU/Tisch School of the Arts, developing ties in the community while teaching Gaga at both Gibney and Mark Morris Dance Centers. Returning to Minnesota late 2016, Ahlgren has been working as dance educator, performer, choreographer, and collaborator across the U.S. and abroad, using her relationship with Gaga as a lens to define her artistic process. Ahlgren established the organization HoneyWorks in 2019 to house her creative work, and most notably co-created “Live at the Shed” in 2020 with Helen Hatch (Hatch Dance), an annual, summer, outdoor dance production with a rotating cast of 25+ dancers from the community.

Paula Downes reads her Grandfather and Andrew Downes' father Frank's book, Around the Horn, which tells the story of the Classical Music Industry from the point of view of a professional Horn player. Born 1921, died 2005, his fascinating orchestral career spanned the demise of the silent cinema, municipal seaside orchestras, the RAF Central band during World War II, orchestral playing in pre and post-war Britain, and the rise towards a Royal title for the Birmingham Conservatoire. Chapter 17 covers the Coronation of Queen Elizabeth II, with Andrew Downes watching in his highchair; Frank's first TV broadcasts; a mishap with his horn pull-through; Sir John Reith and Sir John Manduel. Paula has chosen to end this episode with the Prelude from Andrew Downes' Five Dramatic Pieces for Eight Wager Tubas, from the CD, "Andrew Downes: Works for Horns and Wagner Tubas", dedicated to te memory of Frank Downes. This work was described as "Gorgeous writing" by Petroc Trelawny on BBC Radio 3 in 2014: https://www.andrewdownes.com/Instrumental-Ensemble.html#Wagner
 The image of the Queen is a photograph of a Candy Box at about the time of the Queen's Coronation in 1953 by Ross Dunn.

Paula Downes reads her Grandfather and Andrew Downes' father Frank's book, Around the Horn, which tells the story of the Classical Music Industry from the point of view of a professional Horn player. Born 1921, died 2005, his fascinating orchestral career spanned the demise of the silent cinema, municipal seaside orchestras, the RAF Central band during World War II, orchestral playing in pre and post-war Britain, and the rise towards a Royal title for the Birmingham Conservatoire. Chapter 16 covers the late Queen Elizabeth II's Coronation in 1953, at which Frank's brother Herbert was leading the violas in the orchestra in Westminster Abbey that day. The image of the Queen is a photograph of a Candy Box at about the time of the Queen's Coronation in 1953 by Ross Dunn. The episode also covers the life of conductor and pianist Leo Wurmser, and violinist Ernest Element. Paula has chosen to end this episode with the second movement of Andrew Downes' Sonata for Violin and Piano, performed by Rupert Marshall-Luck and Duncan Honeybourne, since this work was composed in memory of Ernest Element: https://www.andrewdownes.com/Instrumental-Solo.html#VIOLINPIANO

44-year-old Cordelia Botkin was the sole suspect in a murder-by-mail case that killed two sisters and involved two jurisdictions on two different coasts. Authorities knew she had an affair with the husband of one of the victims, but could they find enough evidence to prove it? Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the summer of 1898, two sisters died after eating chocolates they received in the mail. Their suffering was inexplicable — until their father discovered a sinister clue. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Margaret Ogas (she/her) is a dancer and choreographer based in Minneapolis. Using an interdisciplinary approach rooted in dance, her works tell surreal everyday stories through a collage of movement, text and sound. Her choreography has been presented at the Walker Art Center, the Cedar Cultural Center, The Minnesota Museum of American Art, Bryant Lake Bowl, Center for Performing Arts, and on sidewalks in South Minneapolis. She is a recipient of the 2021 Naked Stages Fellowship at Pillsbury House + Theatre. In addition to her choreographic work, Margaret performs with the Taja Will Ensemble and is a teaching artist. She holds a BFA in Dance from the University of Minnesota-Twin Cities. Learn more at margaretogas.com. 

Joanie Smith founded Shapiro & Smith Dance in New York City with husband Danial Shapiro. Smith's works and their collaborative works have been commissioned by companies as diverse as the Alvin Ailey American Dance Theater, Repertory Dance Theater of Salt Lake City, Utah and the PACT Dance Company of Pretoria, South Africa. S&S Dance has toured all over the world from Toledo to Tashkent and over 600 dancers in professional and university dance companies have performed “To Have And To Hold,” aka, Bench. Smith holds the Barbara Barker Endowed Chair in Dance and the John Black Johnston Distinguished Professorship at the University of Minnesota and has an M.A. in Dance from UCLA.  

Emily Michaels King is a performing artist based in St. Paul, Minnesota exploring sensory and embodied engagement in live experiences through movement, multimedia, and visual art. Her work has been presented at the Walker Art Center, the Guthrie Theater, and the Southern Theater, among others. Emily is known for her collaged solo performances, including her award winning show MAGIC GIRL, and her multimedia compassion pieces DIGITAL and IN PERSON. She is also part of the collaborative duo E/D (LEWIS/CLARK, ANIMUS, THE SHOW). Pairing minimalism and subtlety with cacophony and bared irreverence, Emily's works employ the lush landscape of the inner world and the power of unapologetic vulnerability. They combine movement with text, graphics, sound, and sculpture to focus on themes of self discovery and reclamation, womanhood, and bold, or supremely delicate, expressions of personal truth. www.emilymichaelsking.com

Alys Ayumi Ogura (she/her/hers) is a storyteller through her movement, voice and quirky humor. Her dance training began in Japan, where she learned from the now late Mika Kurosawa, the famed godmother of Japanese contemporary dance. She earned a BA in Theater Studies from Westmar University, and her theater training concluded with her earning the “most outstanding student” award from the school's Theater and Dance Department.Her choreographies and performances have been curated for the Walker Art Center's Choreographer's Evening by Megan Mayer, and for BodyCartography Project's/HIJACK's Future Interstates. Ogura has worked since 2010 in the Twin Cities' thriving arts community. As a way of giving back to the Twin Cities arts community, Ogura serves as a DanceMN steering-committee member, and she supports MN Artist Coalition efforts. She most recently performed in Generic Minneapolis, by Emily Gastineau, and she is set to be part of the April Sellers Dance Collective's summer residency/tour. Ogura is a former Arts Organizing Institute fellow (2017-18) through the Pangea World Theater, and a 2021 Naked Stages fellow, managed by Pillsbury House Theatre and funded by the Jerome Foundation.

Taryn Griggs and Chris Yon create original dance works that are deadpan slapstick, understated melodrama, autobiographical science fiction, cubist vaudeville, asymmetrically consonant explorations of magic and virtuosity in everyday movement. They met at the Bessie Schönberg Artist Residency at The Yard in 2002 and have been working together ever since. They were participants in the dance communities of New York City, Minneapolis, and Iowa City, before moving to Winston-Salem. Chris and Taryn's choreographies have been presented across the US, Canada, Ireland, and France. In New York, in addition to the presentation of their work at La MaMa, Dance Theater Workshop, PS122, The Kitchen,and Danspace Project, they appeared together in the work of David Neumann, Yoshiko Chuma, Karinne Keithley Syers, and Sara Rudner. During their years in the Twin Cities, they were both McKnight Fellows,co-curators for Choreographer's Evening at the Walker Art Center, and their work was presented as part of the Walker's Momentum Dance Series at The Southern, Red Eye Theater's Isolated Acts, Jaime Carrera's Outlet Performance Festival, and 9x22 at the Bryant Lake Bowl. Since moving to Winston-Salem, their work has been commissioned by the North Carolina Dance Festival (NCDF), American Dance Festival (ADF), and they have been developing a platform for new work and collaborations through the ongoing project, Interstitial: A site specific dance during the changeovers between art exhibits at the Southeastern Center for Contemporary Art. Griggs teaches at UNCSA, Yon at Appalachian State University. During COVID, their work temporarily moved to the screen. Check out these short screendances commissioned by ADF: Glimmer by Chris Yon; and Chris, Bea, and me by Taryn Griggs; and this one commissioned by NCDF: Untitled (Smoke Stacks) by Chris and Taryn.

Ayumi Shafer is an educator, choreographer, and mover currently active in the Twin Cities and greater area. Originally from California, Shafer has now been teaching for over 15 years in various cities including Los Angeles, San Francisco (BA, San Francisco State University 2009), Eugene (MFA, University of Oregon 2013), and Minneapolis. As she continues to teach in both public and private institutions, Shafer has focused on collaborating with local artists in both dance and other disciplines. In 2014, Shafer co-founded DanceBARN Collective, a nonprofit organization that brings dance to rural communities. In Shafer and her co-director's vision, DanceBARN has been committed to building community engagement, fostering collaborations, and providing support for dance artists. Recently, Shafer had the opportunity to present some of her work through Inbox@Artbox, The Cowles Center's Generating Room, and 6x6 Solos. Drawing inspiration from the idea of play, the freedom to act on our impulses, and active curiosity, she strives to create work that tells a story. Shafer is enthusiastic about sharing dance with all members of her communities, and continues to organize events for people with all types of experiences in art and life.

Alexandra is a Carpatho-Rusyn American choreographer based in Minneapolis, MN. She creates original works ranging from solos to evening length group works for the stage and screen. She is a 2021 Ann & Weston Hicks Choreography Fellow at Jacob's Pillow and a 2020 Jerome Hill Artist Fellow Finalist. Her most recent work, dance film Heritage Sites, premiered in 2020 and will be screened at the 48th annual Athens International Film and Video Festival (OH), Sans Souci Festival of Dance Cinema (CO), DanceBARN Screendance Festival (MN), and Astoria Film Festival (NY). It is also an Official Selection of the BLOW-UP International Arthouse Filmfest Chicago (IL).Since relocating to Minneapolis she has been commissioned by Threads Dance Project and the Performing Institute of Minnesota. She has also presented work at The Cowles Center for Dance & the Performing Arts, Candy Box Dance Festival/Arena Dances, Zenon Dance Zone, Future Interstates, and 9x22 dance lab at the Bryant Lake Bowl. She has worked with Jeffrey Peterson Dance, Ethnic Dance Theatre, April Sellers Dance Collective, Helen Hatch/Hatch Dance & Berit Ahlgren, and Paulina Olowska & Jessie Gold.  She has been moving with Black Label Movement under the direction of Carl Flink since 2017. 

Thinking Outside The (Candy) Box

Christian wurde gestern geboostert, war etwas matschepatischig in der Birne und hat das falsche Soundfile hochgeladen. Hier kommt jetzt das richtige!Last Game Standing ist der Battle-Royal-Modus unter den Spiele-Podcasts! In dieser Staffel suchen Christian Alt und Christian Schiffer (alias C&C) nichts weniger als das beste Rollenspiel aller Zeiten. Im zweiten Duell bekommen bekommen es zwei Spiele miteinander zu tun, die unterschiedlicher kaum sein könnten: Fallout: New Vegas trifft auf ... wait for it ... Candy Box 2. Im Podcast erfahrt ihr, was Rollenspiele mit Entwicklungsromanen zu tun haben, welches der größte Skandal der Unterhaltungsgeschichte ist und warum Candy Box 2 laut der Altschen RPG-Definition ein lupenreines Rollenspiel ist. Wer darf ins Viertelfinale einziehen? Das entscheidet die WASTED-Community! Die Wahlkabinen stehen im WASTED-Forum! Euch gefällt LGS? Dann unterstützt WASTED!

Last Game Standing ist der Battle Royal Modus unter den Spiele-Podcasts! In dieser Staffel suchen Christian Alt und Christian Schiffer (alias C&C) nichts weniger als das beste Rollenspiel aller Zeiten. Im zweiten Duell bekommen bekommen es zwei Spiele miteinander zu tun, die unterschiedlicher kaum sein könnten: Fallout: New Vegas trifft auf ... wait for it ... Candy Box 2. Im Podcast erfahrt ihr, was Rollenspiele mit Entwicklungsromanen zu tun haben, welches der größte Skandal der Unterhaltungsgeschichte ist und warum Candy Box 2 laut der Altschen RPG-Definition ein lupenreines Rollenspiel ist. Wer darf ins Viertelfinale einziehen? Das entscheidet die WASTED-Community! Die Wahlkabinen stehen in WASTED-Forum! https://community.wasted.de/ Euch gefällt LGS? Dann unterstützt WASTED! https://www.patreon.com/wasted_magazin

Pedro Pablo (they/them) is a Venezuelan-raised, Minneapolis-based queer dancer / performance maker. Founder/director of Viva la Pepa (www.vivalapepa.org), a collective of multi-generational queer performers in the Twin Cities. Their works are fueled by the overlapping values of Latinx and Queer cultures: melodrama, passion, decadence, and sensuality. An inaugural Jerome Hill Artist Fellow, Pedro embarked in a collaboration with Argentinian choreographer Celia Argüello, spending time together in the southern hemisphere researching bodies and movements in revolution across the Americas. Viva la Pepa's last work performed in the US, Holy Doña, re-imagines the crucifixion as a queer performance ritual; they performed a preliminary duet iteration of this work in San Juan, Puerto Rico. Pedro co-directs a children and family theater program Drag Story Hour, and entertains the adults at night as their draglesque persona Doña Pepa. Currently a teaching artist with Upstream Arts and with the Pillsbury House Theater. 

Judith Holo Shuǐ Xiān is an interdisciplinary choreographer, improviser and sound artist. Her work prioritizes and centers the experiences of QTIPOC, and stands as an allyship to those of other marginalized identities. She has presented works at venues including Fresh Oysters Performance Research, Public Functionary, Bryant Lake Bowl, Tek Box, The Southern Theater, Intermedia Arts (Minneapolis, MN) and 9 Herkimer Place (Brooklyn, NY) and has recently enjoyed collaborating with others including Dua Saleh, Emily Gastineau, HIJACK/Galia Eibenschutz, Reed Two Bulls, Leila Awadallah, Judith Howard, Rosy Simas, Chris Schlichting, Pramila Vasudevan, Megan Meyer,  and Erin Drummond. She is a 2017 Q-Stage: New Works and 2019 Momentum: New Dance Works recipient.

Laura Osterhaus Rosenstone is a movement artist and educator, born and raised in the Midwest. Across all modes of creating, she strives to connect with and listen to people. While pursuing her bachelor's degree in dance and fashion studies at the University of Minnesota—Twin Cities, Laura had the opportunity to perform the work of modern/contemporary dance choreographers Nora Chipaumire, Gregory Dolbashian, Maurya Kerr, and Garth Fagan among others. As a member of Zenon Dance Company in Minneapolis 2016-2019, Laura performed the work of Danny Buraczeski, Michelle Boulé, Kyle Abraham, Colleen Thomas, Sam Kim and others choreographers throughout Minnesota and across the country. Laura is also grateful to be a member of creative trio, Kelvin Wailey, in addition to her on-screen and live performance roles alongside musical artists for John Mark Creative.As the founder and artistic director of Slo Dance Company, she collaborates with an ever-evolving group of artists to build performance work seeded in slowness, focused on embracing the rich process of intimate relationship-building and developing collective awareness that challenges perception of time. Laura is currently pursuing her Masters of Fine Arts as a Teaching Fellow at Smith College in Northampton, Massachusetts.

Native to St. Paul, MN, Berit Ahlgren trained at Minnesota Dance Theater with both Loyce and Lise Houlton. A founding member of TU Dance under the artistic directorship of Toni Pierce-Sands and Uri Sands, Ahlgren performed with the company 2006—2016. Receiving Metropolitan Regional Art Council's Next Step Grant in 2011, Ahlgren had the opportunity to study the Gaga Movement Language in Tel Aviv, and moved to Israel to pursue a year-long Gaga teacher certification. Returning to the U.S. in 2012, Ahlgren established Gaga classes in the Twin Cities, while guest teaching across the U.S. and abroad. Ahlgren obtained her MFA in Dance from NYU/Tisch School of the Arts in 2016, where she expanded her interests to film and technology, actively collaborating with NYU's Interactive Telecommunications Program (ITP). Since then, Ahlgren has diversified her work through freelance projects, performing works by Jerome Bel, Merce Cunningham, Ashwini Ramaswamy, Carl Flink, Anna Rose, Helen Hatch, Elena Hollenhorst, as well as collaborating with film makers Katie Sadler, J.J. Kaiser and Robert Uehlin, and theater directors Nathan Keepers, Randy Reyes, and Luverne Seiffert. Ahlgren established HoneyWorks in 2019, a dance organization to house interdisciplinary work.

Abigail Whitmore (she/her) and Annika Hansen (they/them, she/her) are dance artists and partners invested in collaborative efforts, performative events, and dance as embodied research. Both graduates of the University of Minnesota Dance Program, they draw inspiration from somatic practices, improvisation, post-modern, and contemporary dance forms. In their work together, they have partnered with Glam Doll Donuts with the support of a UROP grant (You're Invited, 2016), the Casket Arts Building (Casket Dances, 2018), and the Walker Art Center (SculpTour, 2018/2019) to produce public dance events and experiment with audience engagement. Most recently, they were collaborating artists on a piece (To and From:) for the Red Eye Theater's Works in Progress 2019 program. This year they are also planning another SculpTour event in the Minneapolis Sculpture Garden. 

Danielle Ricci is an educator, choreographer, director, and dancer. She received her BFA in Dance Performance from University of California, Irvine in 2006 under direction of Donald McKayle. In 2014 she graduated with an MA in Arts and Cultural Management from St. Mary's University of Minnesota and earned an MFA in Choreography from Jacksonville University in 2018. She has studied at The Ailey School in New York City as part of their Certificate in Dance Program studying with Milton Myers, Tracy Inman, Nancy Turano, and Sharon Wong. Danielle has danced professionally in California, Texas, and Minnesota performing with Loretta Livingston and Dancers, Austin Classical Ballet, and Austin City Ballet. Danielle is the Founding Artistic Director of Borealis Dance Theatre- a professional modern dance company based in Minneapolis. She is also the director of Dance Camera North- an annual international dance film festival. She is currently a dance specialist for Minneapolis Public Schools. Her choreography has been recognized as "Best of the Festival" at the Frontera Fringe Festival in Austin, TX in 2010 and 2012. 

LeilAwa [Leila Awadallah] (she/her) is a Palestinian American dancer, choreographer, and filmmaker based between Minneapolis and Beirut. She is the founder of Body Watani dance project and practice. Her works emerge from physicalized reflections and questions around the notion of body-as-homeland by integrating lands, ancestors, and embodied memories' with traditional Arabic dance forms and historical / present day engagement with both political and settler colonial impacts on bodies / movement / spaces / places. Her research, artistry and activism locates in the context of indigenous Palestine as well as more broadly in Mediterranean and SWANA regions. 

Non volevamo darci un tema, tanto è pressoché inutile e non lo rispettiamo mai. Inaspettatamente, però, è venuta fuori una live a tema amoroso totalmente random. E ci è piaciuta così. Buon ascolto! Seguici su Twitch - https://twitch.tv/gummybearssquad Seguici su Instagram - https://instagram.com/gummybears_squad --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Torniamo a parlare d'amore - e chiediamo consiglio alle stelle. Nella puntata di stasera, chiederemo alla nostra astrologa di fiducia di aiutarci a capire il futuro per affrontarlo al meglio. Il reality check è tornato: siete pronti a scoprire come sarà il mese di maggio? Buon ascolto! --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Il nuovo format di Candy Box è online. Questa volta parleremo insieme di cinema, serie tv e nuove uscite (non) cinematografiche. Clicca sul play e ascoltaci! Seguici su Twitch -> https://twitch.tv/gummybearssquad Seguici su Instagram -> https://instagram.com/gummybears_squad --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Siete disposti a rischiare per amore? Oppure preferite la strada più comoda? Ne parliamo nell'episodio di stasera. Buon ascolto! Seguici su Twitch -> https://twitch.tv/gummybearssquad Seguici su Instagram -> https://instagram.com/gummybears_squad --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Il tema di stasera è: l'amore ai tempi del Covid. Chissà che penserebbe Marquez a riguardo. *L'illustrazione in anteprima è dal mobile game di Florence. Perché ci piace tanto farci del male, siamo persone semplici. Buon ascolto

Perché è sempre seducente chi può farci del male? Abbiamo provato a rispondere chiedendo una mano alle nostre ospiti. Poi, lo abbiamo chiesto anche alle stelle. Il nuovo episodio di Candy Box è online. Buon ascolto! Feat. Elena Galli & Fiamma Ficcadenti --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Come ogni giovedì siamo live, sempre alle 21:30, sempre su Twitch.

Avremmo dovuto parlare di Last of Us 2, ma per qualche motivo ci siamo cascati di nuovo: ecco un altro (ennesimo) puntatone mancarone e nostalgia sui videogiochi del nostro passato, da bravi Millennials e Boomer quali effettivamente quasi tutti noi siamo. Buon ascolto! Canale Twitch: https://twitch.tv/gummybearssquad Instagram: https://instagram.com/gummybears_squad --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

In occasione della Giornata Internazionale della Donna, la Gummy Bears Squad ha pensato di invitare un'ospite speciale per parlare di donne, femminismo e sessualità. Guest star: Isabella Borrelli, digital strategist & hacktivist Buon ascolto! --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Siamo giunte all'episodio 12. Il quarto episodio del mese. Il momento nostalgia e quello ormai atteso da grandi e piccini: i tarocchi e l'oroscopo. Questa sera è con noi un ospite speciale, che analizzerà per noi le stelle e il futuro dei nostri segni. Buon ascolto!

Nel 1994 esce al cinema Ricomincio da Capo (Groundhog Day - lett. Il giorno della marmotta), in cui il protagonista è costretto a rivivere lo stesso giorno all'infinito. Avete mai avuto questa sensazione? La protagonista della nostra storia a quanto pare sì, ma ha bisogno del nostro aiuto per uscire - finalmente - dal loop. L'episodio 11 di Candy Box è online. Buon ascolto! --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Tornano a grande richiesta i live amorosi su Twitch. La puntata di oggi è dedicata a una storia che parla di tradimenti ai tempi dei social, di ghosting, orbiting e amenità varie. Buon ascolto! Guardaci live su Twitch ogni giovedì alle 21e30 www.twitch.tv/gummybearssquad Seguici su Instagram -> www.instagram.com/gummybears_squad --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Torniamo live: il tema di stasera è "figlio" dei #liveamorosi: parleremo di approcci e relazioni online. Buon ascolto! --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Continua la live di Candy Box su Twitch. Questa volta torniamo a fare i tarocchi: siete pronti a rendere infausto anche questo Febbraio alle porte? Buon ascolto! --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

In questo episodio di Candy Box, torniamo a parlare di drammi amorosi. La storia di Alessio&Paola, questa sera, ci insegna che gli amori impossibili forse non sono destinati a sbocciare. Buon ascolto! --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Sette puntate dopo, non impariamo ancora la lezione: è inutile preparare una scaletta se tanto poi finiremo a parlare di cibo. L'episodio 7 di Candy Box è online: il tema di oggi è... astratto, diciamo così. Buon ascolto! --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Il rebranding di Burger King ci insegna che le cose belle sono sempre le più semplici. Ma le più buone non sono sempre le più sane. Di junk food, guilty pleasures, fast food e disagi vari parleremo dell'episodio 6 di CANDY BOX. --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Dal 15 Gennaio, arriva su #Netflix #DawsonsCreek. Ne abbiamo approfittato per parlare di #amore #amici & #scopamici Ci credete all'amicizia tra due persone che potrebbero essere attratte l'una dall'altra? E cosa dire, invece, della "scopamicizia"? Esiste davvero o è solo una scusa? Di questo e molto altro abbiamo parlato nell'episodio 5 di Candy Box. Buon ascolto! --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Welcome back friends and foes! It's time for another hot and silly episode of Nonsense: The Show! Tonight, we begin reconciling and recovering from the New Year's Eve Disaster, talk about Captain Nick's Candy Box, hear a query from the Flatfoot, and do a lot of general talking about future plans, hopes, and dreams. Plus, hear some preview information about the upcoming Sunrise Studios and how it can impact you! Please send any feedback, compliments, suggestions, or requests to BeardNBones@gmail.com or @BeardNBones on Instagram. As always, thanks for tuning in and supporting this ridiculous show. I'm grateful.

L'ultima puntata del 2020. Chi morirà nel 2021? Cosa ci dicono le stelle? E i tarocchi? Di questo (e molto, molto altro) parleremo nell'episodio 4 di Candy Box. Buon ascolto! --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Vi ricordate di quel regalo che no, proprio non volevate ricevere? E se a farvelo fosse stato il vostro futuro ex? Di questo - e credeteci, molto molto altro - abbiamo parlato nel terzo episodio di Candy Box. Buon ascolto! --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Peach&Mario: è vero amore o l'anticamera di una friendzone? Meglio un amore come quello di Link&Zelda o come quello di Rinoa&Squall? Geralt di Rivia ama davvero Yennefer o è solo un paravento? Di questo e molto altro parleremo nell'episodio 2 di Candy Box: Love&Games. --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

Sproloqui su amori, vita grama, disagi e male di vivere. --- Send in a voice message: https://anchor.fm/gummy-bears-squad/message

How are you sending your messages on social media? Should you send your messages on social media? How might that help your business? What can you do to make your social media message more productive and profitable for you? Let's talk to Darrell Keezer, CEO of Candy Box Marketing, one of the fastest growing digital marketing agencies in Canada. On the Growth 500 list. Darrell reveals insights about online marketing and how to make smarter decisions about your digital marketing choices. Darrell has been a keynote speaker at events across North America. He is the author of the book, Pick Up Your Freakin Phone – The New Rules for Entrepreneurs. You can learn more at  www.CandyBoxMarketing.com   Your Intended Message is the podcast about how you can boost your career and business success by honing your communication skills. We'll examine the aspects of how we communicate one-to-one, one to few and one to many – plus that important conversation, one to self. In these interviews we will explore presentation skills, public speaking, conversation, persuasion, negotiation, sales conversations, marketing, team meetings, social media, branding, self talk and more.   Your host is George Torok George is a specialist in communication skills. Especially presentation. He's fascinated by the links between communication and influencing behaviours. He delivers training and coaching programs to help leaders and promising professionals deliver the intended message for greater success.   Facts about George Torok He hosted the radio show, Business in Motion for 19 years, interviewing over 500 guests He wrote Secrets of Power Marketing, the bestselling book of personal marketing By the age of 21 he had visited 35 countries   Connect with George www.torok.com www.SpeechCoachforExecutives.com www.SuperiorPresentations.net https://www.linkedin.com/in/georgetorokpresentations/ https://www.instagram.com/georgetorok/ https://www.youtube.com/user/presentationskills1        

PLUS: Paul McGuire Grimes reviews DOWNHILL, HONEY BOY and DOCTOR SLEEP AND CSI: Weird first date.

故事FM ❜ 第 239 期今天的节目讲述的，是一个关于「失去」的故事。讲故事的人叫翔哥。三年前，他失去了一位重要的家庭成员，名字叫「拉登」。为了纪念这个家庭成员的离开，他创办了一家名叫「天堂事务所」的公司。 /讲述者/ 翔哥 /主播/ @寇爱哲/制作人/ @梁珂/声音设计/ 王儒西、彭寒 /BGM List/01. StoryFM Main Theme – 彭寒（片头曲）02. Modulation Practice – 王儒西（拉登的回忆）03. Fall – 王儒西（拉登去世了）04. Rise – 王儒西（拉登火葬）05. Candy Box – 王儒西（葬礼致辞）06. Travler – 王儒西（奇葩葬礼）07. Where the wind goes – 王儒西（一拳少女）08. Modulation Practice – 王儒西（拉登的回忆）09. StoryFM Main Theme（Acoustic Version）- 彭寒（片尾曲）

RECUPERIAMO L'ULTIMA delle puntate non editate! In copertina: com'era Simone all'epoca, fresco di compleanno! (Immagine: http://bit.ly/2MkN2OL) 00:00:03 Inizio 00:03:26 ADDIO ANDREOTTI (Link) 00:05:49 PATRICE DÉSILETS cacciato in malo modo da UBISOFT (Link) 00:09:03 XBOX 720, tutti i RUMOUR (Link, Link) 00:28:01 Le STRATEGIE della NEXT-GEN (Link) 00:52:25 NINTENDO, punta sugli INDIE! (Link) 01:05:35 KOTAKU vs. TETTONE (Link) 01:16:43 IWATA e i giochi dopo L’ESTATE (Link) 01:23:21 #FILM: SIGHTSEERS #MITICODAVIDE (Trakt) 01:26:25 #VG: Borderlands 2 #MITICODAVIDE (Amazon) 01:30:01 #VG: Candy Box #BRUNODINOI (Link) 01:31:30 #WEB: White Russian Cinema #BRUNODINOI (Link) 01:32:38 #MUSIC: Yugenstudio - Hypnosaur #BRUNODINOI (SoundCloud) 01:33:09 #ANIME: Hokuto no Ken: Raoh Gaiden Ten no Haoh #BRUNODINOI (MyAnimeList) 01:35:58 #FILM: Il rosso e il blu #BRUNODINOI (Trakt) 01:36:36 #SERIE: Game of Thrones, stagione 3 #BRUNODINOI (Trakt) 01:37:58 #VG: Game Dev Tycoon #ASTROTASSO (Link) 01:39:43 #VG: Space Station 13 #ASTROTASSO (Link) 01:43:16 #VG: Hitman: Absolution #MAESTROMIRCO (Amazon) 01:45:32 #VG: Star Wars Jedi Knight: Dark Forces II #MAESTROMIRCO (Amazon) 01:48:03 #VG: The Night of the Rabbit #SAGGIOSIMONE (Amazon) 01:49:37 #SERIE: Grimm #SAGGIOSIMONE (Trakt) 01:53:13 #VG: Cut the Rope: Time Travel #SAGGIOSIMONE (Link) 01:54:44 #VG: Sacred Citadel #BRUNODINOI (Humble) 01:58:40 FINALE 02:02:43 #ENDSONG: Yugenstudio - Hypnosaur (SoundCloud) Link: Sito | Gruppo Facebook | Twitter | Discord | Telegram | Telegram Voce Supportaci: Patreon | PayPal | Humble Store | Kinguin | G2A Le note dell'episodio complete: [http://bit.ly/2Mi03bW] Il link Amazon per i vostri acquisti: [https://amzn.to/2rW5cdX] (potrebbe arrivarci una commissione!)

Wanna get a taste of the oldies? On Day 15 We feature the Classic Candy Box. This box features the classics! But why not give you the taste of the oldies... so we are

DTF Club welcomes drag legend, Candy Box and the fabulous Kat Vass from Stonewall Hotel on the show this week! The dynamic duo talks to host, Dyan about the history of Stonewall Hotel and also […] http://media.rawvoice.com/joy_archives/p/joy.org.au/dtfclub/wp-content/uploads/sites/408/2018/05/SYN4000-1.mp3 Podcast: Play in new window | Download (Duration: 58:56 — 67.4MB) The post Sweet like Candy appeared first on DTF Club.

It’s our last regular episode of the year, and it’s here where we make our stand. We critique the quality of the game mechanics of White Elephant, discuss our time with Wolfenstein II — including some heavy spoilers, and rediscover Ryu’s love of pound cake. Ludum Dare 40 happened last weekend, so we discuss the games we played and the games we made, which include Will’s escape🥚hatch, Alex’s Pizza’matic 5000, and Dylan’s Polyose. From there we move on to The Game Awards announcements, from Campo Santo’s In the Valley of Gods to whatever the hell Death Stranding is. And that’s it for your regularly scheduled Wardcast for 2017. Coming up: Best Games Played, maybe some MAGFest, and a new Hidden Gems panel coming to you this January at PAX South. Stay tuned! Games include Wolfenstein II: The New Colossus, Warframe, Candy Box 2, Animal Crossing: Pocket Camp, Rymdkapsel, Cards Against Humanity, Super Mario Bros., Super Mario Bros. 3, Dr. Mario, HQ, Puzzle Fighter, Bit Swapper, All Day I Dream About Eyeballs, Zealot, Super Mario Odyssey, and Monument Valley 2. Got a question for the show? Join us on Discord or email us at contact@ward-games.com!

We're back with the next episode of our increasingly numerically fraught Reading List subseries! This time Ryan, Rob, and Jon are joined by special guest Vivian Wong to discuss some of our favorite 'unpolished gems' -- games that might not be remembered as best in class (or remembered at all), but that still have great ideas that are worth taking a second look at. Games covered this time include Candy Box, Dream Quest, High School Dreams: Best Friends Forever, and Chulip.   Apologies for the inconsistent audio quality this episode. We had some technical issues while recording, and Jon had to patch the episode together from multiple backups like some terrible audio Frankenstein. (Happy Halloween, everybody!)

This episode was produced by a team of goblins snatched from their homes to toil day and night. It’s okay though, we feed them presents and words every day, so they must love us. They even say so when we pat them. This fortnight, the gang gathers in the Chunderchamber to discuss clicker games (The full list being, I am told, Cookie Clicker 2, Clicker Heroes, Time Clickers, Idle Oil Tycoon, Kittens Game, A Dark Room and Candy Box). Then, for whomever is still awake, we also talk about the PC Gamer Weekender event in London, and the legally rad Vive VR headset thing. After that it’s all downhill, a decline into mere computer games like Stardew Valley, The Witcher 3, Devil Daggers and Tom’s Clancy Division.

In this episode of the Ludus Novus podcast, I discuss incremental games, also known as idle games or clickers. How did a formula that started as satirical jokes from people like Ian Bogost yield things like A Dark Room? Games discussed: Cow Clicker, Progress Quest, Candy Box, Cookie Clicker, A Dark Room. The Ludus Novus … Continue reading Ludus Novus 025: Idle, Incremental →

The Mappers are joined once again by Honorary Cartography Extraordinaire Destiny Sturdivant for the inaugural meeting of the RPG Explorers Club. Em leads them down the Mako-soaked lanes of his memory as they dig up that burning question for the ages: what exactly does happen to Aeris? It’s a long journey, full of pitfalls and pratfalls, and together they all learn to love again. Just like Cloud. Who learns to love a certain flower girl. Who dies. Oh right, Aeris dies.Destiny Sturdivant can be found at Badland Girls!You can get our podcast on iTunes, on Stitcher, or you can download it directly by clicking HERE.Games Discussed: Sims 3, Final Fantasy Theatrhythm: Curtain Call, Neverending Nightmares, EGX, Even the Stars, Clicker Heroes, Cookie Clicker, Candy Box, and of course, Final Fantasy VIIMusic This Episode:Blown Away by Kevin MacLeodAnxious Heart by Nobuo UematsuTurk’s Theme by Nobuo UematsuThe Great Warrior by Nobuo UematsuTheatrhythm Curtain Call End Theme by Tokyo Ska Paradise Orchestra

Episode 12 - Chronicle 2: Hate Her to Death - A 2013 RecapHosted by Rob Pigott, Eric Bayer, & Kelly Burke, this is a podcast about the things we and our guests love, whether it be art, film, video games and more!On this episode, Rob, Eric and Kelly give a recap of their favorite games, music, anime, TV shows, and movies!Cell Shock Podcast Facebook Page Theme Song and “The Party Part 3” is by Ethan Avila AKA Tikal ShineEric’s Twitter Kelly’s Twitter Rob’s Twitter Gone Home  The Walking Dead: Season 2 You Don’t Know Jack The Last of Us Papers, Please Kentucky Route Zero  Amnesia: A Machine for PigsTomb Raider Candy Box VG Bandits Podcast Cookie Clicker Phoenix Wright: Ace Attorney - Dual Destinies New Super Luigi U Super Mario 3D World Fire Emblem: Awakening Animal Crossing: New Leaf Pokemon X BioShock Infinite Ryan Davis GTA V The Wolf Among Us Maniac ICP - Hate Her to Death SHINee Dir En Grey Random Access Memories Reflektor Wake Up Yeezus In Utero Marshall Mathers LP 2 The Wind Rises Hayao Miyazaki Kill La Kill Gurren Lagann Yondemasuyo, Azazel-san Excel Saga Elfen Lied Breaking Bad Ozymandias Game of Thrones The Rains of Castamere Hannibal The Walking Dead RuPaul’s Drag Race Iron Man 3 Bad Grandpa Jackass series Rob’s List of Favorite Movies Dragon Ball Z: Battle of Gods V/H/S/2 Evil Dead Europa Report The Purge Home Sweet Home Man of Steel Monster’s University The Cell Shock Podcast, a podcast hosted by me, Rob, aka Jedifan421, all about movies, music, gaming, and pop culture, new and old, as I host a round table discussion with new guests every week from fan communities around the world.

Our chat with author Daniel Johnson begins at 31 minutes into the show! We speak with Daniel Johnson AKA Daniel Primed, author of the amazing 600 page ebook Game Design Companion: A Critical Analysis of Wario Land 4. Before that Jagger and Arian review the game of the year lists of Destructoid, Amazon, Kill Screen, and Kotaku. Games: Ridiculous Fishing, Salty Bet, Europa Universalis IV, Dota 2, Corrypt, Luigi's Mansion: Dark Moon, Candy Box,  Legend of Zelda: A Link Between Worlds, Grand Theft Auto V, Super Mario 3D World, Miasmata, BioShock Infinite, Device 6, Ni No Kuni, Metal Gear Rising, 868-Hack, Tomb Raider, Saints Row IV, Proteus, Fire Emblem: Awakening, The Stanley Parable, Kentucky Route Zero, Papers, Please, The Last of Us, Gone Home, Guacamelee, Tomb Raider, Divekick, Rayman Legends, Tearaway, Rogue Legacy, Sleeping Dogs, Lego Batman 2: DC Super Heroes, Sleeping Dogs, Metal Gear Solid, Snake Eater 3, Gravity Rush, Culdcept, Hitman: Absolution, Mount & Blade, Starbound.   email: GoForRainbow@gmail.com Twitter: @GoForRainbow Find Daniel Johnson at: danielprimed.com We Love You  

Beyond Good and Evil est habituellement mentionné dans les conversations qui parlent des personnages féminins forts. Mais durant le podcast, Gab nous en parle en touchant à certains enjeux politiques intéressants, en plus de nous faire une belle rétrospective du jeu. Et pour le reste de l'émission, on parle de plein de jeux indies vraiment ... Continuer la lecture

Happy October everybody! In this episode that was recorded in the month of October (and clearly not last week), we finally get to record face-to-face with all the weird eye contact you can handle. What is Lindsay playing? Pokemon X (Fun!) What is Alice playing? The Stanley Parable (Interesting, funny but flawed) Candy Box 2 (Play it!) What are we looking forward to? The Sims 4 Gone Home commentary mode! Deux Ex: Human Revolution Director's Cut Also, Alice wrote a short story about the existential horror of being an NPC in a Pokemon game that you can read here.

I come here to praise Sonic, not to bury him. Wait, that's wrong. I come here to bury him — or at least the happy memories I once had of him. Fortunately, my besties Justin and Griffin have positive things to talk about, like the surprises of The Stanley Parable and oh my gosh Candy Box 2 is out! So yes, while I'm sad to see the mascot of my childhood continue to struggle through my adult years, I can take solace in the cornucopia of other good games being released on a weekly basis. 3:20 - Best first level of a not-so-good game (Sonic: Lost World) 15:15 - Best tutorial (How to Survive) 22:20 - Halftime! 26:00 - Best endings (The Stanley Parable) 37:00 - The winner is everyone! Theme song by Ian Dorsch Get the show: Download MP3" Subscribe to the podcast (RSS) Subscribe on iTunes

Terminator02, iFish, and PettingZoo (Ian) discuss being on tilt, seeing other games, op shops, and reverse-pirate syndrome. Topics: 1:52 Brutal Legend 2:28 Fish Out of Water 3:17 Pocket Planes 4:08 Game Dev Story 5:50 Monaco 7:20 Candy Box 11:13 Sony PVM Monitor 21:20 Cart Life 24:10 CST L-TRAC 2545-5W Trackball 28:40 Oculus Rift 35:26 Xbox […]

People overreact to layoffs. Candy Box consumes another person’s life. Square Enix decides the best thing for its future is to make an HD version...

02 - Notícias Injustas na Caixa de Doces Nesse episódio os players discutem sobre as notícias da semana antes de divagarem sobre os jogos Candy Box e Injustice: Gods Among Us. Links comentados no...

It's the last episode before Jon and Sean take off traveling for a bit. Nathan and Jon have been playing the browser game Candy Box while Sean finishes up DmC and Fire Emblem Awakening, he also discovers Doritos Crash Course 2. As for the news: EA secures exclusive rights to any future Star Wars games, Penny Arcade puts out a controversial kickstarter, weird happenings with Ubisoft employees and Burnout Paradise is on sale on Steam and Sean now owns every version of that game.

This week on The Final Battle, the hosts are joined by Just Another Anime Podcast co-host, Michael "905" Carey. We discuss FarCry 3 Blood Dragon and play a bunch of Candy Box on-air. We also discuss our favourite and least favourite videogame consoles and Tommy gives us a rundown of what life as a gamer was like in Poland, 168-in-1 multicarts and all.

I love Candy Box. I'd hate to spoil what Candy Box is. So trust me. Before you press that play button, click this link. Play Candy Box for a few minutes, then leave it open on a browser tab and return for the podcast. Follow these instructions precisely. Fun, right? Confusing, right? Great, let's get to the show. This week, we offend chiropractors, slay mystical beasts, fix the industry's piracy problem and Candy Box, Candy Box, Candy Box, Candy Box, Candy Box, Candy Box, Candy Box, Candy Box, Candy Box, Candy Box. Also, Candy Box. 3:00 - Best use of Blood Dragons (Far Cry 3: Blood Dragon) 9:50 - Best piracy prevention that is also ironic (Game Dev Tycoon) 19:50 - Half time: Chris goes back to school 26:10 - Best value of the week and also of all time (Neverwinter) 33:30 - Best something something Candy Box (Candy Box) 41:00 - The winner is... Theme song by Ian Dorsch Get the show: Download MP3" Subscribe to the podcast (RSS) Subscribe on iTunes