Podcasts about Copacetic

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Hembo and Buster discuss their yearly task of putting together top-10 player lists, evaluating catchers, the Phillies signing Adolis Garcia, the Braves' retool plan, and the market trends Hembo is seeing this offseason. Then, Jeff Passan talks about the state of the Mets, how he thinks the Tigers should handle Tarik Skubal, the shifting intra-division dynamics, and the latest on the labor situation. CALL THE SHOW: 406-404-8460 EMAIL THE SHOW: BleacherTweets@gmail.com REACH OUT ON X: #BLEACHERTWEETS 6:05 Hembo 31:55 Jeff Passan 1:04:44 Bleacher Tweets Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hembo and Buster discuss their yearly task of putting together top-10 player lists, evaluating catchers, the Phillies signing Adolis Garcia, the Braves' retool plan, and the market trends Hembo is seeing this offseason. Then, Jeff Passan talks about the state of the Mets, how he thinks the Tigers should handle Tarik Skubal, the shifting intra-division dynamics, and the latest on the labor situation. CALL THE SHOW: 406-404-8460 EMAIL THE SHOW: BleacherTweets@gmail.com REACH OUT ON X: #BLEACHERTWEETS 6:05 Hembo 31:55 Jeff Passan 1:04:44 Bleacher Tweets Learn more about your ad choices. Visit podcastchoices.com/adchoices

 When it just touches on these really profound themes and it's moving in a way that catches you off guard. Matt Nothelfer is a Committee Member of the Borrego Springs Film Festival and working documentary filmmaker.In this conversation, Matt talks:* Why small, community-driven festivals like Borrego Springs offer some of the best experiences for indie filmmakers.* How the festival creates a filmmaker-friendly environment: lounge, home-baked food, networking, and long Q&As.* The “secret weapon” of Borrego Springs: a local audience that fills a 180-seat theater from morning to night.* Why early-bird submissions matter—and when they don't.* How to spot scammy or low-value festivals on FilmFreeway through community presence, transparency, and online footprint.* Why filmmakers should focus more on storytelling and theme than technical perfection.* The blind-submission, five-category review process Borrego uses to evaluate films fairly.* Why small festivals often have the highest acceptance chances—300 submissions, 70–80 selections.* How writing a thoughtful, festival-specific cover letter can move a film from “maybe” to “yes.”* Advice to emerging filmmakers: avoid chasing 100 meaningless laurels and instead pursue festivals aligned with your goals.Thanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI-generated transcript of our conversation. Don't come for me.BEN: Hi everyone. This is Ben Guest and this is The Creativity Education and Leadership Podcast. Today my guest is Matt Telfer, who is a committee member for the Borrego Springs Film Festival. In this interview, we talk all things film festival, how to run a filmmaker friendly festival, and tips and tricks for submitting to film festivals.Enjoy.Matt, thanks so much for joining the podcast today.MATT: My pleasure. Happy to be here.BEN: So, I always like to start with a fun question, senior year of high school, what music were you listening toMATT: right off the bat with a curve ball? Alright, let's lay it out. I got the Talking Heads,BEN: the Cure,MATT: Like, let's see, what else?BEN: New Wave.MATT: Yeah, a little bit of the punk stuff. I mean, we got Pixies were, was I listening to the Pixies then? I can't remember. Yeah, so, uh, the Dead Milkman, stuff like that. The pubs, um, yeah, I had some of their records. You know, it's really frustrating ‘cause I had those records up until like five years ago and I left them at a colleague's house and they scattered to the wind.All that good stuff. Yeah. Anyway, I'm still a little bitter about that, but That's okay. My colleagues, my colleague was a friend and he, he deserved them.BEN: So you are a committee member at the Borrego Springs Film Festival. What? Yes, sir. And, and you've, you've held a variety of roles there and, and off air, you're saying sort of lately you've been focused on.You know, the pre-production of the festival, the website, getting the materials together. Correct? Correct. Reaching out to filmmakers, et cetera. Talk to me, talk to us about what are the fundamentals of running a good festival?MATT: Well, our context is that we're super small and modest. Uh, like we were saying before the interview, uh, officially started, we are literally a, a tiny little village in the middle of a giant state park.Actually the biggest state park in the lower 48 states desert community. We're actually just south of Palm Springs and, uh, there's like 3000 full-time residents here and, uh. So running a film festival in a place where there's literally. Not really a commercial market, it's a different type of animal.And um, so we kind of do everything on a very tight budget and we try to personalize stuff as much as we possibly can. We, since we can't really throw a lot of money at stuff, we just do everything we can in other dimensions.BEN: What's an example of that?MATT: Just trying to be considerate about stuff, uh, being friendly to filmmakers that are willing to submit and to get, and that also get accepted. So when they come here, it's a personalized experience. We work pretty hard on creating a filmmaker's lounge where folks can gather and network with each other throughout the entire uh.Five days of our film festival and while they're at the film festival and they're talking to each other, we also have food available for ‘em. One of our great committee members, her name's Pam, she literally will bake stuff in the evening and bring it in in the morning. So you have fresh pastries, cookies, coffee, like fruit vegetables, just everything laid out.And you know, there's really not a huge expense to do that, but you need like the right people to do that, so that's the thing that kind of makes our festival a little bit. Different, I guess in a way is like there's a personalized aspect to it and we spread that type of attitude across all our stuff.So we're gonna have like four parties during the entire festival, and all those parties have similar type of vibe.BEN: The reviews that I read online, um, on film freeway filmmakers were saying that it is, it's a film, it's a filmmaker friendly. Festival.MATT: Yeah. Because, you know, that's what we can do. Mm-hmm. Like, you're not gonna travel to a remote place in the desert and, you know, run into a bunch of industry folks.Usually there are exceptions to that. And, uh, as our. Film festival has gotten a little more solid, and we occasionally have some industry people coming in. Most of the time it's indie filmmakers. You know, we might have some elbow rubbing that this kind of neat. But for the most part, you know, these are just small independent filmmakers trying to do their thing and.Wanting to share their films with an appreciative audience. And aside from, being very personable, uh, with the committee and with the staff that run the film festival, one of the great things about our particular film festival is that the community is a huge part of what we do. The event they show up, we have 180 seat theater and it's full from 10:00 AM in the morning until eight o'clock at night.Oh wow. Every block and wow. It's been that way since the beginning, and it's not because of anything that we do on the committee, it's simply because the community wants to be a part of it. And so that's kind of our secret weapon, is like you show up as a filmmaker and like, oh man, I got, I got scheduled for the 10:00 AM block.They, and then they, they show up and like, what's going on here? This is look back. And then at the end of it, you know, there's an extended q and a. We don't. Push our blocks back to back really tight and there's plenty of time just to like relax and having interaction with folks and some q and as will go on for like a half an hour, if not more.And it's just, you know, so that's a unique thing that just kind of emerged without effort. And we take credit for it and we're excited that we can offer that. But you know, it wasn't any, it wasn't by design, it was just kind of like, cool. This is working.BEN: As far as festivals go, it sounds like filmmaker heaven.MATT: Well, you try to, we definitely try to be. And the dude that got this whole thing rolling, his name's Fred G and he has lived in this little community for a really long time, and he's a great guy and he's one of the reasons why a lot of people show up because, you know, he's just one of those kind of like community, uh, he's, he'll be really upset if I use this phrase, but he's like a town elder. Mm-hmm. You know what I mean? Mm-hmm. Mm-hmm. So just having that type of guidance and having that type of person that can kind of unify the entire event, I. Is really great. And again, like I said before, it's kind of our secret weapon is that we have like this great community that's willing to be a part of a filmmaker's storytelling in so much as like they'll sit there, they'll react to it, they'll ask questions about it afterwards.So yeah, if you're. A filmmaker that wants your film to be seen by actual eyeballs and actual people that are engaged. Mm-hmm. Then film festivals like ours, which there are many around, around the world. You gotta search ‘em out. As a filmmaker, you've gotta. Start getting discriminating. You've gotta really pay attention to what films are film festivals are offering and try to be a part of those kinds of environments, if that's what you want.BEN: So this is great because you're, um, you are part of the Bgo Springs Film Festival, you're also a working filmmaker. What are some other festivals that you've attended or know about that have a similar sort of filmmaker friendly vibe?MATT: Full Bloom film festival in North Carolina for sure. The WYO Film Festival in Wyoming, we enjoyed that a lot.My wife and I who are documentary filmmakers, we've taken our film films there. And again, you know, it's the exact same recipe basically, you have a core group of citizens that are willing and able to show up and be a part of an event. So when you sh, when you arrive as a filmmaker and you sit in the audience, you're not alone with, or if you're in the audience and you're only with other filmmakers there to screen their movie, you know?Yeah. You know that, you know that feeling. We've been there, right? We've been, we've all been there and, and we don't. Film festival is like what we're talking about right now. They don't wanna offer that. They want it to be something, even if they sometimes fall short, which has happened with us, we've had blocks where, maybe there's only 50 people in the audience and, you know, half of the audience might be filmmakers.But that is such a rare thing anymore. You just wanna be offering something to filmmakers. Make them feel appreciated because we know how hard it is to make these things and even and to be willing to share that in front of other people and, ask and answer questions it's a special thing and we wanna nurture that as much as possible and sort of those other film festivals.Love it. Yeah.BEN: Yeah. So we, I, I first came across you on Reddit on the film festival subreddit, and you were offering good advice and thoughts on, for filmmakers applying to festivals, how to think through strategy. So I guess for all, yeah. I mean, did you hear Yeah, help us out.MATT: Yeah. Did you, when you were reading that stuff, I mean, what kind of hit you as like the most relevant?BEN: I think it's two things and since I, I just have a documentary. I finished and am submitted a film festivals. I've read a bunch of stuff. Seen a bunch of stuff, so I may conflate some of the things that you said versus something I saw elsewhere. But two things. That's all right. I'llMATT: take credit for it.BEN: One is know what your goal is ahead of time, right? Oh, yeah, absolutely. To, be it the, be it a filmmaker friendly festival with good parties and events and networking. Is your goal to get exposure? Is your goal to meet people in the industry? Is your goal mm-hmm. To get laurels? Those are all different worthy goals, but they all will change your strategy and your approach for film festivals.And the second is, you know, submit to, don't submit to 50 festivals. Submit to 5, 6, 7, see what the results are and then adjust from there.MATT: Oh, absolutely. Yeah. So yeah, when we're talking strategy, that's so important and, and we can speak about it from the perspective of the Borrego Springs Film Festival because, you know, knowing the context of the type of festival we are now, if you were a filmmaker that was searching out, let's say.A bunch of like publicity for, you know, some type of, media push. It's like, would you necessarily want to come to Bgo Springs? Maybe yes, maybe no. It depends on how you played it, but. The main reason you would be coming to Borrego Springs, we feel is because you want that personal interaction and you want feel special as a filmmaker and you want to share your stuff with us, and we want you to share your stuff with us, right?So you're absolutely right when you're initial initiating your kind of film festival search as a filmmaker, you really gotta narrow down what your expectations are. And figure that out. I can speak as a filmmaker as well. It's like if you're gonna go someplace and spend money to do so, I mean, at the very minimum you squeak by on a budget of 500 bucks, then that's kind of like dirt cheap to go someplace and then return home.You know? That's still a lot of money. Mm-hmm. And that's, that's probably like. The least amount that you would ever be able to spend and you would need help, like getting lodging, which we try to offer to our filmmakers. Um, you know, how are you gonna, what are you gonna do? What are you going to eat when you get there, which we try to offer to our filmmakers.And, you know, all those things become part of the calculus, right? Mm-hmm. Especially when you're independent, mm-hmm. I would ask you is like when you're trying to submit, what are you aiming for right now?BEN: So great question. So I'm aiming for trying to get multiple laurels and I'm in, in a little bit of a different situation, I think, than most filmmakers.So I, I have an academic background, I have a PhD, and ideally I'd like to I've worked at various universities. In the ideal world, I'd like to go back overseas and teach film at a university. And so in the world, in the world of academia, you know, there's this phrase, publish or perish, right? You have to publish academic journal articles, publish.Mm-hmm. In film, in the world of filmmaking, academia, a film festival run. A film festival. Acceptance is like a journal article, right? Um, maybe if you do a feature film that's like publishing a book, this is sort of, uh, roughly equivalent to getting a, a journal article published. So I want to sort of garner a number of laurels so that I can indicate, you know, this, this short plate at these 10 different film festivals.MATT: Okay, so the credentials matter, right? Correct. It's kind of like that kind of that'sBEN: exactly right. LittleMATT: trophy on the mantle, as it were. Mm-hmm. Yeah. Yeah. Okay. So, um, I'm gonna ask you another question if that's okay.BEN: Yes. I feel like I'm getting a All right. Free film festival, um, consulting.MATT: Perhaps, I don't know about that, but when you are pursuing the laurels and, you know, everything's kind of like filtering through film freeway these days. Mm-hmm. So what's your strategy as far as like finding those types of film festivals that you think are going to, allow you to get those laurels on your poster or whatever?BEN: Yeah. Another great question. So couple things. One is it's a doc. My latest is a documentary short, and it's, it takes place in the world of improv comedy. And the two subjects are two black women. So looking at festivals that either are geared towards comedy, towards documentary shorts or towards black themes and African American themes. One of those three or, or, um. Themes of uh, women in, in general. Sure. Well, if I couldMATT: interrupt real quick, please. Yeah. So it seems like you're trying to basically still maintain some integrity as far as that goes. It's like, yeah, I'm not relevantBEN: all like the fly by night, if you submit, we'll give you the, you know, the UP award.Yeah, exactly. Well, that, that's why I'mMATT: asking because. Okay. Because that's why I'm asking because, there are plenty of, you know, weird little festivals that are floating around the mill fly by night, that,BEN: thatMATT: come, that come and go. And if you want to get a hundred laurels on your poster, if that's, you know, what makes you feel good, then you could definitely do that.But at least what you're saying is like, okay, let's make sure that what's happening with my film has integrity, has, has a shape, and has, something that means something after, you get accepted.BEN: Yes. Oh, a hundred percent.MATT: And the reason I bring that up is because, you know, as a small film festival we struggle with getting we just struggle competing with what's out there on film Freeway, let's put it that way.BEN: You know, because Talk about that. Break itMATT: down. Yeah. You know, it's just, as anyone knows that's trying to do this thing, it's like you hit film freeway and they're a great platform. I'm not, complaining about them at all, but there's just a lot of stuff on there that is more or less as a filmmaker or relevant.I mean, would you agree with that?BEN: Oh, a hundred percent.MATT: Unless all you're wanting to do is just get one laurel to put on your, on your poster, so you know. Maybe they offer a little bit of something. But as a filmmaker, I've been to the ones that don't offer much anything aside from a screening and even, and it's like I'm lucky enough to even go to ones that have physical screenings.A lot these days are just like, oh, we'll slap it online and call it good. So, you know, uh, let's be honest, there's a lot that are just out there and they're just trying to churn. Make some money. So as a small film festival, we're competing with that stuff and we've seen our, uh, submission rate decline, not necessarily a bad thing for us.Mm-hmm. But for other film festivals, I imagine they might be getting frustrated with it. We are actually perfectly comfortable with where we've kind of landed and the groove we've been in since the pandemic. Even a little few years before then, and we haven't tried to kind of like change our recipe much.So we're just happy with the amount that we're getting. We're happy with the amount that we're accepting and we're pleased with how we're screening stuff and the opportunities we're giving people. But I do feel, from what I've seen, it's becoming. Uh, it's just, it's a bit, it's a bit difficult to navigate the slop.Let's just break it down like that. Yeah. And I don't know if you're feeling if you're experiencing the same thing or not. I'd be curious to, to see what you, what you say.BEN: For a hundred percent, so I, I made a few documentaries in the late 20, 2011, 2012, and that was right when Without a box, which was filmed free, right withoutMATT: a box.BEN: Started and it was great because instead of having to burn a bunch of DVDs and physically mail them, you could just upload your film and then submit it to a bunch of festivals. Research a bunch of festivals. Great. Coming back to it now in 2025, it's Scam Central and I think unfortunately one of the things you, you have to spend a bunch of time doing is trying to figure out which of these festivals.First of all, which of these festivals are just legit in that they're not trying to just mm-hmm. Get money from you. They're gonna do a virtual screening and that's it. And then once you even get that breakdown, kinda like you said, which are festivals that are legit, that, that have good people working hard, good intentions, you're proud to show your film there versus they're just churning through submissions and fees.And chart, have a bunch of deadlines and a bunch of different slots you can apply for. They're not the exact opposite of how you describe Borrego Springs.MATT: Yeah. And you have to, as a film festival, at least in our opinion over here, it's like you have to bring that value to the table or else why?Why are you really doing it? And if that answer is like, you're just some guy sitting in an apartment somewhere trying to make a lot of money or a living, I don't know if you can make a lot of money doing this.BEN: Mm-hmm.MATT: Um, but. If you're just doing a film festival that is literally fly by night because you want to cash in, it's like, that's really unfortunate.Now the other side of that coin is like we see a lot of very earnest filmmakers submitting and, uh, they might not be the most technically adept. And they're fresh out of the gate as far as like trying to be a filmmaker. So they're very eager and you know, they just want to tackle everything all at once, and they end up you know, they're not really exercising any discrimination about where their films are going and they end up, you know mm-hmm.Kind of wasting a lot of money in that regard. Submitting, the, submitting, submitting without much, kind of emotional reward from it. And I think,BEN: yeah.MATT: Having some type of like positive feedback about what you're doing is great, even if it's whatever.But. It really helps to have a place to land where you feel like super special and cared for and considered and not just like, oh, I showed up and, it cost me $10 to get into my own movie and it's costing me $20 to, buy a cocktail over here and, you know, those kinds of things.If you're even lucky enough to get that, honestly.BEN: Right. What's your advice on spotting scams when you're applying to festivals?MATT: How to be discriminating as far as like submitting?BEN: Yeah,MATT: I mean I can only approach that from our, my wife and i's own experience trying to get our films into festivals. And with the insight like working on a film festival, I think that helps.But trying to spot ‘em is really, you got to. Try to get a sense if there's any type of community involvement going on mm-hmm. With the festival. And you can usually track that online if you're, you know, if you're a bit sleuthy, and you can find out if it's being supported by the community in some sort of way.Mm-hmm. And it shouldn't take you too long to figure that out with a couple of decent, online searches and follow in a few threads of information. Another thing is, is like if they're kind of nurturing their online presence, you know, it doesn't have to be super sophisticated. You just have to get a vibe that they're trying.And if, if you get that kind of sense, then it's worth the effort. Typically the other thing is you gotta really know what type of film festival that you're submitting to, right? If you're making documentaries, you're not submitting to, you know, a feature film, festival Right. In every festival.So yeah. Core effects. So I, yeah. You know, it's just being, making those obvious decisions. But when you dig beneath that superficial stuff and you get past like the obvious. Really try to get a sense about what you want yourself as a filmmaker when you go to a film festival. And for us it's like getting appreciative eyeballs on the film and giving us fun feedback and having a good time and interacting and, and doing some networking, uh, basically having a party and celebrating your film.Mm-hmm. And I think that weBEN: think about, yeah, sorry, go ahead.MATT: I think that this, that's important for us, so I imagine, and I, I would think that it's important for other people that are making movies as well. Yeah. If we, about, especially independently.BEN: Yeah. Yeah. You know, there's you were alluding to very little money in it, but, um, there are, there are rewards.Yes. One of the biggest of which is seeing your film in a packed house with an engaged audience. What from a screener perspective, from a film festival perspective, what are some tips you would give up and coming filmmakers, young filmmakers on their short films in particular mistakes that you see et cetera, et cetera.MATT: I would say the biggest mistake, especially as a, a young filmmaker, is concentrating so much on the technicalities of the craft and ignoring the storytelling. Um, you know, we, you mentioned, and we mentioned before about like when we started, uh. Kind of submitting to film festivals. This was basically what, like 15 years ago for both of us now, right?2010s, 2012, whatever. Mm-hmm. The technical back then could elevate you above everything else back then. Like today. You know, look, anyone that has a, has a mobile telephone, essentially has the skillset it takes, or not the skillset, but the technical wherewithal.AnBEN: outstanding camera.MATT: Yeah. Yeah. And the point being is like you can go out and you can create something compelling without the gate of the technical getting in the way. Uh, you can capture it. And it doesn't have to look like a million bucks. It's nice if it looks like, you did a big budget thing on a small budget.I'm not knocking the craft of anything. I'm just saying don't be so intent. Or maybe even don't even worry if like, it falls short technically a little bit. ‘cause I will. Guarantee you that a film is gonna get into a film festival based on if it's a compelling story with a good theme or not. And theme is another thing that a lot of folks don't necessarily appreciate, I don't believe.Just to give you a little bit of insight, our film festival. Is the selection committee are not industry professionals. They are regular citizens. They're just watching movies to help out our film festival. Now, try to imagine what that means. It's like folks don't focus on the technical unless it's an absolute train wreck.They will literally sit down and say, is this something I'm interested in and am, am I engaged with the story? Full stop. So that's where, that's the thing you have to focus on. And if you're not doing that as a filmmaker, okay, maybe you're just, you know, maybe your thing is gonna be, you're just a cinematographer, you're just a sound guy.You know, you're more crafty than you are. You know, a storytellers you gotta find that. You gotta find that place. That would be the main thing, because I know we, we. This, I think this is a good thing about our particular film festival is that we have taken in some films that probably weren't like technically as good as they should have been, but because they are just so.Compelling. We don't ignore it like we do pay attention to the craft, but if a story elevates beyond the craft, we're more than happy to bring those folks in. And when those folks come in, they're like, oh my gosh. You know, it was like we're having a hard time getting accepted to film festivals and we're so grateful that you took our film and we can't believe the response that we're getting.Um, they tend to be the best. Most enthusiastic filmmakers and attendance of anybody. Mm-hmm. They're not cynical, you know, they're not burnt out, they're just like over the moon.BEN: They're happy to be there.MATT: Yeah. And it, and they should be. And they're gonna spread the word ‘cause they, they've created something.Yeah. Wonderful. Now, you know, maybe it's underexposed, maybe it's overexposed. Maybe the audio's not great here and maybe the audio's okay there, whatever. It's compelling. That's the main thing. And you and you as a filmmaker really need to start analyzing. My wife and I do this all the time. It's like, what the heck are we making here?Are we making something that is compelling to us personally? Mm-hmm. Are we making something that's compelling to other people? Mm-hmm. It's two different things.BEN: Mm-hmm.MATT: I mean, that's right. So storytelling is hard.BEN: Yeah. That's the craft. It's storytelling.MATT: Yeah.BEN: Yeah, yeah. What does your, so you've got screeners, not industry folks, people just who appreciate films and filmmaking.What does your judging sheet or criteria sheet look like with your screeners, and what's the process that a film goes through?MATT: Here's another thing about our particular film festival. We're completely blind. Submissions. You know, we do not solicit anything. It's like early days we were kind of like poking around and asking for some folks to kind of consider us, but we've kind of let that fall by the wayside.Maybe that's one of the reasons our submissions have declined a little bit over the years. One of the factors, but regardless completely blind submission. So. Stuff comes in. We have a bunch of people that are at the ready and they start watching it, and we basically have a five step process.It's like, consider this, consider this, consider this, consider this. And they do that. And they mark it from scale of one to 10. And, uh, from that we kind of start our, fundamentallyBEN: what are, what are the different, consider this. Like what are the categories?MATT: Let's see. I gotta look it up, but it, it basically breaks down to, okay.Are you sentimentally engaged with this? Meaning, is it, is it a subject matter? I love that questionBEN: that,MATT: yeah, it is a subject matter that you. Like just offhand, like, okay. It's a, it's a nature movie. See, I love nature movies. Oh, I see. Are you, you see what I'm saying?BEN: Predispose, I thought, I thought you meant was the film engagement.MATT: No, no. It, no, it's, it's, it becomes both. It becomes both, right? Yeah. Because your sentimental attraction to something is going to create an engagement. So we kind of wanna know if, uh, our regular folks are like just locking into something because they just love the subject matter.BEN: They make the topic.Yeah.MATT: Yeah. Um. Then from there we do actually talk about craft, even though I was saying before, like, uh, don't worry so much filmmakers about the craft anymore, but we wanna make sure that you can hear it. Okay. It's not a total disaster with the audio and you can see everything. Okay. So we ask them to rate it on that scale.And then, um, other, you know, just more nuancey things is like, okay, is the pacing cool? In other words. Did you find it like it was dragging a lot or it was, too fast? How's the editing style? Those kinds of metrics. And there's actually a few other ones in there as well. So all that is just kind of thrown into the pile.Mm-hmm. And then from there we start to weed that out as we come to after like all the submissions come in and from. Once all the submissions come in and our, our deadline has passed, then the committee jumps in and starts doing a more nuanced type of an analytical thing to the films that have been submitted.But I will say that regardless of how we kind of shuffle things, once the deadline is closed, the people that watch our films and the committee members are usually. Copacetic. There's hardly anything that that changes. And, um. The nice thing about our particular film festival too, is like if you're a filmmaker submitting, you know, I'll just, I'll give you the numbers.We essentially get like 300 submissions, so it's not a lot. Mm-hmm. Um, and out of that 300 we are running a sub, we're running a screening rate anywhere between like 70 to 80 movies a season. Mm-hmm. So that's a really good. That's a really good, uh, opportunity to get accepted at a film festival, and that's why small film festivals might be the best bet for a lot of independent filmmakers, I think.Mm-hmm. You know, because you have that opportunity to get noticed. So I think I might have tangent, I went off tangentially a little bit there, so if you wanna pull me back in.BEN: Yeah. You went off tangentially, but in a great way. I mean that I want to appreciate the transparency with the numbers. I interviewed, um, the director of the Wyoming International Film Festival, a guy named Rudy Womack, and he was the same.He was like, here's our numbers, we publish ‘em. He's like, most festivals don't, but it just demystifies the process. So it's very helpful.MATT: Yeah. And I'll give film pre credit because they allow film festivals like ours to put those numbers online. Mm-hmm. And, and we've done that. If you hit our page on film Freeway, you can start to figure out what we're about without too much trouble.BEN: What are the, what are the different blocks you run?MATT: As far as like thematically?BEN: Yeah. Yeah. Like at a festival. What are the different categories and blocks.MATT: Aha. See now you touched on something that's kind of unique to us. Okay. So, you know, you go to a film festival and it's like, oh, this is the, this is our dog block.Every movie's about dogs.BEN: Right, right.MATT: Or something like that. We don't do that. At all. So we kind of grab bag, the whole thing. It becomes a very eclectic mix of stuff. Mm-hmm. And one of the reasons we've ended up doing that is because our community has kind of demanded it. Whoa.Interestingly enough. Yeah, so they drove the decision to kind of like stop doing thematic blocks and they wanted a better mix of things because they, again, our folks here, they show up for every single block place is packed.BEN: I just, and sorry to interrupt before you finish, like everything you're saying, it just sounds like there's an iter iterative feedback loop.Between the community in the festival, the film? Absolutely in the festival. The volunteers in the festival. So I just wanna highlight that ‘cause I'm loving everything you're saying.MATT: Well, again, like I said, it's the secret sauce. It's our, it's our weapon that we have our secret weapon that allows us to kind of like elevate beyond our like humble budget.Right.BEN: The community is, but community is letting you know, we don't want thematic blocks.MATT: Yeah. The community came in and said, we, we want mix. So when we sit down and we're sitting through movies, it's like. If we're watching something that we're not in tune with thematically, then you know, you would have to sit there for like an hour and a half and just kind of tolerate it.Whereas now, if like a movie comes on about dogs and for some reason you're just a weirdo and you don't like dogs, that movie will come and go and now you're onto something else, right? Mm-hmm. So. Yeah like you just mentioned, it, it really becomes a cooperative effort between the community, the film festival itself and, and even the filmmakers.And we're kind of proud that it is a little bit ramshackle in that way ‘cause it creates a very organic vibe and weirdly enough. Like at the end of it all because it, it's a little bit random. It is like how folks get scheduled.BEN: Mm-hmm.MATT: Themes are emergent anyway.BEN: Mm-hmm. It's, peopleMATT: start creating patterns that didn't exist and then it sometimes that becomes really profound.It's like, didn't even think of that. It's brilliant. However oh, the other thing about programming too, that we do specifically for our film festival is that we. We ask our filmmakers, say like, Hey, are you planning on coming here? And if they, if they are planning on coming here, we try our, our level hardest to make sure that we program their films to match their schedule, right?So we don't lay out our program and say, okay, you were scheduled for, you know, Wednesday at 2:00 PM. It's like, well, I'm only free on the weekend. You know, and you wouldn't, you would never be able to attend. We ask first to say, do you think you're gonna be able to be here? And if they say yes, then we try to accommodate as best we can.So again, it's, it's collaboration across the board from filmmakers down to the, to the citizens of our small town.BEN: One of the things I read somewhere, or heard somewhere, is that it's much more advantageous to apply for the early bird deadline. What's your take on that?MATT: For our film festival, not so much, but I, I definitely adhere to that strategy as a filmmaker.If nothing else, it's budget conscious, you know? Yeah, yeah. It's cheaper usually under the initial deadlines you know, you have to take advantage of that. The other thing I guess is like, I will say from our experience, uh, with our particular film festival, if you get it in under the early bird deadline, at least it's there.And you know, you've basically got like four or five, six months for the submission. Crew for that particular film festival to kind of think about it. Whereas if it comes in a last minute, you're not really gonna get as much consideration. It's just gonna have to be more like, uh, an initial one-off type of decision.SoBEN: are there other, and I mean the, the most important advice right, is always make a good movie outside of the movie. Yeah. Are there other ancillary things that. Can move the needle at all. Cover letters, director statement, press kit, stuff like that, or it's not, uh, it's negligible.MATT: Hmm. It's neg negligible to an extent in so much, it depends on how you frame it as the filmmaker.Mm. And let me, I'll try to explain. So every year as a film festival, you just basically get cover letters. It's like, oh, take my film please. It's about this, it's about that. But it's a cover lever, co cover letter. It's, uh, copy and pasted. You can tell. You can just, you just know. It's like, okay, they're making an overture to us, but they're also making an overture to like a hundred other film festivals.It's like if you're gonna write to a film festival and say you want in, just make sure that you actually acknowledge who you are sending your film to. Don't just say, Hey, Borrego Springs, I wanna be in your film. I like Borrego Springs, mm-hmm. My parents went there once and I've always been com I've always been interested in the desert and how awesome would it be?See, that tells us that you're paying attention. Right?BEN: Mm-hmm.MATT: That you're trying. We're trying. We just want the filmmakers to try as well, as far as like trying to make any requests to get preferential treatment, and it's totally cool to ask for preferential treatment. By the way. You can say, I see that you're a small community.I just made a film that's, that takes place in a small community. We might be a really good fit. That kind of thing matters, right? An email overture works. Yes. An email overture doesn't work. No. It's both things at once, depending on, it really depends on how you write that letter. So if you wanna invest the time and effort to try to impress a film festival, just make sure that.You understand what that film festival is and really think about if what you're offering, the film festival is something that they might want. And if you can, if you see a, a common thread there, write about it in a letter. And even if it's just one sentence, it's like, then we know on our side that this person's paying attention and that that kind of matters.It does matter. So at the end of the day, when you're take, when you're kind of like really trying to figure out your cutoff, if your little film happens to be on the bubble, guess what? It might get into film festival, right? Mm-hmm. Because you said that you have a connection to this place, and I think that's fair.I mean, what, does that make sense?BEN: Yeah, for sure. So the festival is coming up in January, is that correct?MATT: Yeah, we're in the middle of gearing up for it right now, as a matter of fact. Nice. I gotta run out to the, to town here in like a, like 15 minutes actually to do some stuff for the film festival.So yeah, it's, it's, well, today we're shooting, um, a little promo, uh, thing that we're gonna run, run during. At the beginning of the blocks, and I'll be doing that with Fred G the chairman of the board. Yeah, that's nice, fun stuff. We try to have fun with things, so. Yeah.BEN: We do littleMATT: skits and whatnot during the award ceremony.It's, it's goofy. I love it. Cheesy as hell, but we like doing it, soBEN: I love it. Oh, that's actually something that I sort of, in, in, in my cover letters, which I try to. You know, write tailored to the festival. Especially the ones in California say, well, the film's about this improv duo and mm-hmm. We accepted, we'll come and we would love to do a little improv performance for the festival attendees.Um,MATT: I will say this too, because we're such what you just mentioned. I just want to piggyback on that for a second. So you said in my cover letter I'll say, we're willing to attend. It's like if you say that in a cover letter and you mean it, you, and you're willing to do that. Yeah. That's good. Especially for a festival like ours.We want filmmakers to come here. We wanna treat ‘em to a good time. We want them to be part of something that's. Big in the community and the community wants that as well. So if you're here and you're willing to be here, then that matters.BEN: I love it. Well, I mean, everything I'm hearing about Borrego, like literally I just reached out ‘cause I wanted to just talk film festival submissions, but now I'm like, Ooh, next year I'm definitely gonna submit to, uh, to Borrego.MATT: Yeah, I know this was supposed to be like a strategy session and here I am bragging about the film festival. That'sBEN: No, no. It's exactly what I, what I want. It's great. Last question. What's a, what's a. Documentary that blew you away recently?MATT: So, okay, so last year at our film festival, there was this really cool documentary called Dale. Have you seen it?BEN: No. Tell me about it.MATT: So Dale is like this older woman and she's the first basic Asian American that was in the, um, uh, Los Angeles orchestra, the Los Angeles Phil Harmonic. Okay. And essentially all it is is.I say all it is like, it's a very profound kind of retrospective of what she did to get to that point and you know, her views on things and it's just, and the music that was involved, just very beautiful, very poignant and simple. And. So when, when you have like movies like this and it's, it's not even a 10 minute long movie, it's under 10 minutes.Mm-hmm. When it just touches on these really profound themes and it's moving in a way that catches you off guard. Those are the things that you can't ignore, right? Mm-hmm. And this is actually, Dale's a good example because, you know, it's not always shot pristinely, it doesn't have to look, perfect. But the story reaches kind of a transcendent level that is really, really nice. So if I would throw in Dale and let me see, uh, the the director of that, his name was Justin Strike. So if anyone, I think it's still on the film festival circuit, so you have that opportunity. Go check it out.BEN: Love it. Love it. Love it. Matt, thank you so much for taking the time. For people who are interested in Borrego Springs Film Festival, either to attend, to submit, et cetera, what where should they go and where can they find you?MATT: Oh, online search, just, you know, Borrego Springs Film Festival. It'll lead you to all the places you need to be.And, uh, yeah, just track us down that way. Pretty straightforward. Take a peek at what we're offering. We keep mm-hmm uh, we keep an archive of the stuff we've done online so you can pull back the curtain and look and say, okay, is this kind of something I'd be interested in?Um, you can get a vibe for it that way. And, uh, that's, yeah, that's kind of it. That's kind of it. I think we've tried hard to make sure that what we offered is pretty transparent, and if you take a look at it and you think it's a good fit, and by all means, send us your stuff. Including you, by the way, so, you know.Yeah, no, you have to submit as well now would definitelyBEN: be submitting early bird deadline next year. Perfect. I wish I, if I was still in LA I'd come down, uh, next month and, and just go to this upcoming festival. It sounds wonderful.MATT: Well, I know. Why don't you just do it anyway?BEN: Yeah, I'll give you aMATT: VIP pass.I that,BEN: listen, I might take you up on it. I still all, well, if you do, it'sMATT: we'll be waiting for you.BEN: You, you know, we're, we're documentary filmmakers. We always have a couple irons in the fire. So I do have one kind of idea of, uh, another doc I'd like to shoot out on la maybe I'll combine it. I'll let you know.MATT: Perfect excuse.BEN: Hey, this was fantastic. Thank you so much for taking the time. I'm so glad um, we connected and uh, just listen. Our pleasure be fantastic.MATT: Yeah, we're, we're happy as a film festival to be asked to do this kind of thing, so thank you. And um, best of luck to your film too. I'm gonna check it out, so be sure to submit it straight away.BEN: I will. Thank you so much, Matt. Alright man. Thanks.BEN: That was my interview with Matt of the Borrego Springs Film Festival. Hope you enjoyed, please forward to at least one person. Have a great week. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

When truly great games are delivered, players tend to respond. The industry's newest sales success is the long-awaited Kingdom Come: Deliverance sequel, which immediately sold a million copies upon release. But it's hardly alone. And the rest of this long year is already shaping up to be something special, with Metal Gear Solid Delta's release date leaking, Death Stranding 2's newest trailer drawing nearer, and EA's Battlefield finally toying with a real comeback. Other news this week includes the potential of a discless PlayStation 6, the arrival of more Xbox games on PS5 in the form of Age of Empires and Age of Mythology, Capcom's announcement of a port of PS2's Onimusha 2 for PlayStation 4, and more. Let's then round things out with listener inquiries, as is our tradition. What are our thoughts on the return of games media brand Rooster Teeth? Is Sony putting its own games on sale too quickly and too steeply, to its own detriment? Did EA executives really claim Dragon Age: The Veilguard failed because it wasn't live service? Will Colin ever recover from tendinitis, or are his weightlifting days over? Please keep in mind that our timestamps are approximate, and will often be slightly off due to dynamic ad placement. Timestamps: 0:00:00 - Intro 0:23:28 - Side Quest is back! 0:29:11 - Colin's tendinitis 0:32:14 - George's bush 0:48:41 - Career switching advice 0:57:39 - Why is Abby tiny? 1:06:19 - Shawn Layden thinks PlayStation will keep physical for PS6 1:12:25 - Metal Gear Solid Delta release date leaked 1:17:31 - Death Stranding 2 is rated in South Korea 1:21:42 - KCD2 sells one million in one day 1:27:25 - New Battlefield game by early 2026 1:34:43 - MultiVersus is going offline 1:42:13 - Devil May Cry remake coming? 1:49:04 - Prince of Persia The Lost Crown sold 1.3 million copies 1:50:02 - Konami churned $500 million in profit over 9 months 1:51:06 - Sony integrates SN Systems 1:52:11 - What Are We Playing? 2:31:06 - Age of Mythology is coming to PS5 2:38:03 - Onimusha 2 is being remastered 2:46:00 - Rooster Teeth's return 2:57:37 - Should PlayStation stop putting their games on sale? 3:06:17 - Will Sony stop releasing on PC? 3:13:42 - Sony's live service push concerning for the industry? 3:16:28 - Is EA crazy? 3:23:38 - Is new IP overvalued? Learn more about your ad choices. Visit podcastchoices.com/adchoices

This story isn't intended for young or sensitive readers. Readers who are on the lookout for trigger warnings are advised to give Worm a pass.Complete list of potential triggers: here-----------------------------------Episode Description:“Yeah,” Tattletale said. “So. Now that the Brockton Bay Book Club is gone and there's no need to pretend anything, it's your chance to say. You guys good? Copacetic? We good to go?” “Sure,” Rachel said. “I'm not sure I really get what all this was, but I kind of liked it. Made me feel better, where I didn't realize like I felt bad. Less lonely, maybe.”Check out all our links @brocktonbaybc-----------------------------------Thank you to the sponsors that fuel our podcast:This episode of the Brockton Bay Book Club is sponsored by Made Marion. Made Marion creates custom cottagecore and ren faire clothing designed for every body. Whether you're looking for a lace up bodice, rustic apron and pinafores, or ethereal dresses, you'll find items customized for every individual's fit and design. All items are lovingly hand sewn with attention to detail and a touch of whimsy.Visit Made Marion today and transform your wardrobe with clothing that feels as enchanting as it looks. Find Made Marion on etsy, at themademarion.etsy.comShow less

Support us on Patreon... Tennant, Luke and Frankie are calling all Summerupperers to come join the expanded LMSU universe and support our Patreon! Sign up today for access to coveted BoCo like bonus subscriber-only episodes, including our feelpinions about the recent US election!!. Head on over to https://www.patreon.com/LetMeSumUp.Our main topicIt is Back to Baku (sort of) as Frankie, Luke and Tennant report from the ground at COP29  in Azerbaijan, and call in reinforcements (someone has to be on hand to remind us of the storied history of cover texts) in the form of climate journalism luminary Dr Simon Evans from Carbon Brief!And there is much to discuss! How is Trump's election affecting the mood on the ground? What about those early NDCs from UK and Brazil? What is up with all those Article 6 shenanigans on Day 1? And are we any closer to closing a deal on finance at the, you know, Finance COP?It's a lot, frankly. So if you want even more extemporaneous opinions – especially on the rich program of side events – don't forget to check out our Youtube channel for daily updates from the ground.One more thingsTennant's one more thing is, shockingly, CBAM related, specifically the way trade issues are being raised – and shut down – at the COP.  Who saw that coming?Frankie's one more thing is Simon's one more thing is a reflection on the through the looking glass experience of attending a climate conference in a petrostate, brought into sharp relief by an incongruous art installation on the Baku foreshore.Luke one more thing is a plug for the Trump election reaction episode that our Patreon subscribers have just had drop into their feeds. If you are here for LMSU feelpinions on the Trump winheadon over to Patreon.com/letmesumupAnd that's all from us Summerupperers! Support our Patreon at patreon.com/LetMeSumUp, send your hot tips and suggestions for papers to us at mailbag@letmesumup.net and check out our back catalogue at letmesumup.net.

Listen, we're in a little blue dot in a redneck state -- one that used to not be all that bad, actually.But now it is. And especially this year, that can get, how do we say, depressing AF.Still, you have to do 3 Chords & the Truth. Every damn week. Your keel has to be even.So, sometimes you need a little somethin' somethin'. I forget what the directions on the label said, but I figure I'm good if I take more than one and fewer than 10.I figure I'm good if I take more than one and fewer than 10.I figure I'm good if I take more than one and fewer than 10.Good, I am if take, I do, more than one and fewer than . . . I forget. Better take another one.It's a good Big Show; it's a laid back show. Show. Mellow. Cool!Good is the music. Mellow is the host. Copacetic is the vibe.I figure I'm good if I take more than one and fewer than 10. Ten. An interesting number, that.Because one is the loneliest number that you'll ever do. The 0 makes it unlonely. Yes, it does.It's  3 Chords & the Truth, y'all. Be there. Aloha.

Nebraska sports had an excellent weekend. Nebraska men's basketball had a very dominant win over the Minnesota Gophers and it solidified Fred Hoiberg's position as Big Ten Coach of the Year. Will he get it or not? Who knows, but he deserves it. But up until the game against Minnesota, Ben Johnson from Minnesota was another great candidate. The Football players had a dunk contest at halftime of the men's basketball game against Minnesota, and WHEN is the last time we had athletes showing off their talents at another athletic event? The baseball team went 3-1 with a series win over Grand Canyon University. Men's track and field finished second in the Big Ten. Women finished 8th. Nebraska softball (8-6) finished with a 2-3 record in the tournament while playing three ranked teams and five teams that made the 2023 NCAA Tournament. And look at all this stuff from the athletic department notes after the men's basketball win against Minnesota: Nebraska improved to 20-8 on the season, matching its best 28-game start in the Big Ten era (also 2017-18).It is the seventh time Nebraska has won 20-or-more games in the regular season (also 1919-20, 1977-78, 1965-66, 1990-91, 1992-93 and 2017-18). * Nebraska tied a school record with its 17th home win, which had been done three other times in school history. Nebraska is 17-1 at Pinnacle Bank Arena this season. *-Nebraska has now won 10 Big Ten games, marking only the third time since joining the conference that NU has reached double figures in conference wins. *-Nebraska held Minnesota to a season-low 55 points as its previous low was 58 at San Francisco on Nov. 26. Minnesota entered Sunday's game averaging 76.7 points per game. *-Nebraska has won four straight Big Ten games by at least 15 points including tonight's 18-point victory. This marks the first time Nebraska has won four straight conference games by 15 or more points since winning four straight Missouri Valley Conference games by at least 15 points in 1911-12. *-Nebraska last won four straight conference games by double figures in 1998-99 when the Huskers won four straight Big 12 games by at least 13 points. *-Juwan Gary posted a career high with 22 points, betting his previous career high of 20 on two other occasions. Gary also had a career-high four 3-pointers, topping his previous best of three on two other occasions. *-Nebraska is 15-0 this season when holding opponents under 70 points and has won 19 straight dating back to last season.

Eaton joins the podcast. He is a cop in the midwest. He started in a big agency but moved over to a midsized agency where he is PSO, which means he is a cop/ems/fire. He tells us about that world and why he recommends it. We have so really good conversations about rendering aid, new guys being lazy, and much more. Solid dude, fun podcast. Please patronize and support the LEO businesses that made this podcast possible. How are First Responders hitting huge fitness / body/ health goals? Don't miss this one! Fit Responder Fit Responder is the top remote coaching program for first responders around the US. Having support that understands the demands and stressors of the job helps when you need an effective and realistic action plan to make your goals reality  Follow FIT RESPONDER for tips, guides, memes, etc. https://fitresponder.com/ Frontline Optics is a First Responder owned and operated sunglasses company based out of San Diego. They offer Polarized UV400 sunglasses backed by a “No Questions Asked” Replacement Program. In addition, a portion of all sales directly benefits the First Responders Children's Foundation supporting the families of our Brothers and Sisters who made the ultimate sacrifice in service to their communities. Try them risk free with free shipping and 30 day free returns or exchanges. Wear them on or off duty, beat them up, hit them up, get a new pair! Use code PMPM15 at checkout! https://frontline-optics.com/ https://www.thethinlinerockstation.com/ PMPM coins - www.ghostpatch.com PMPM Merch - https://poorly-made-police-memes.creator-spring.com/? ttps://linktr.ee/Poorlymadepolicememes --- Support this podcast: https://podcasters.spotify.com/pod/show/poorly-made-police-memes/support

After a string of indie label seven inch releases, Velocity Girl from College Park, Maryland, released their debut album Copacetic on Seattle's legendary Sub Pop records. Taking their name from the Primal Scream track, the band leans into the UK sound of shoegaze with a layer of American indie and noise rock. Lead singer Sarah Shannon's vocal hover above the fray, the anchor in the three-to-four minutes of brittle guitars and thin rhythms that hamper the potential of Copacetic. This episode is dedicated to Steven Jon, who passed away on November 23rd, 2023. RIP.   Songs In This Episode Intro - Crazy Town 19:15 - Audrey's Eyes 26:09 - Here Comes 30:49 - Pop Loser 38:29 - A Chang Outro - Void I: Thousand Year Drift by Hollow Earth   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

After a string of indie label seven inch releases, Velocity Girl from College Park, Maryland, released their debut album Copacetic on Seattle's legendary Sub Pop records. Taking their name from the Primal Scream track, the band leans into the UK sound of shoegaze with a layer of American indie and noise rock. Lead singer Sarah Shannon's vocal hover above the fray, the anchor in the three-to-four minutes of brittle guitars and thin rhythms that hamper the potential of Copacetic. This episode is dedicated to Steven Jon, who passed away on November 23rd, 2023. RIP.   Songs In This Episode Intro - Crazy Town 19:15 - Audrey's Eyes 26:09 - Here Comes 30:49 - Pop Loser 38:29 - A Chang Outro - Void I: Thousand Year Drift by Hollow Earth   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

link Трек-лист: 01. Måneskin — Somebody Told Me 02. Conrad Subs — Monstrosity 03. Gorillaz — Feel Good Inc. 04. Waves_On_Waves — Copacetic 05. The Brains — Gato Calavera 06. Группа Экспресс — Хава Нагила 07. Jamie Bower — Run On 08. Телевизор — Газпромбайтер 09. Rodion feat. Louie Austen — Estate 10. The Beatles … Продолжить чтение Lofstrom loop 344 (15.09.2023)

Dare I say it? Spring may have sprung! I also share my surprise at how well the pool noodles have worked. My main topic today is about why and how I developed my personal organisation system, and that’s actually a … Continue reading →

Merriam-Webster's Word of the Day for September 2, 2023 is: copacetic • koh-puh-SET-ik • adjective Copacetic (less commonly spelled copasetic or copesetic) describes things that are very satisfactory. // Worry not: I assure you that everything's copacetic. See the entry > Examples: "Yes, 'atmosphere,' has always been a factor in restaurant criticism and there have been some extraordinary and inspiring outliers, but restaurateurs of the past didn't necessarily agonize over coming up with a unique look or small decor details. For the most part, as long as the place looked nice (and clean) and there were chairs to sit in and tables to eat at, everything was copacetic." — Elizabeth Chorney-Booth, The Calgary (Alberta) Herald, 1 July 2023 Did you know? If you're living the life of Riley, strolling along easy street, or wallowing in hog heaven, your circumstances may be described as copacetic. A word of obscure origin, copacetic has for over a century satisfied those who've had a hankering to describe that which is hunky-dory or otherwise completely satisfactory. (If "of obscure origin" leaves you feeling less than copacetic, the note here will undoubtedly remedy that.) Life isn't always beer and skittles, but when you do find yourself walking that primrose path, just remember: it's all copacetic.

Merriam-Webster's Word of the Day for September 2, 2023 is: copacetic • koh-puh-SET-ik • adjective Copacetic (less commonly spelled copasetic or copesetic) describes things that are very satisfactory. // Worry not: I assure you that everything's copacetic. See the entry > Examples: "Yes, 'atmosphere,' has always been a factor in restaurant criticism and there have been some extraordinary and inspiring outliers, but restaurateurs of the past didn't necessarily agonize over coming up with a unique look or small decor details. For the most part, as long as the place looked nice (and clean) and there were chairs to sit in and tables to eat at, everything was copacetic." — Elizabeth Chorney-Booth, The Calgary (Alberta) Herald, 1 July 2023 Did you know? If you're living the life of Riley, strolling along easy street, or wallowing in hog heaven, your circumstances may be described as copacetic. A word of obscure origin, copacetic has for over a century satisfied those who've had a hankering to describe that which is hunky-dory or otherwise completely satisfactory. (If "of obscure origin" leaves you feeling less than copacetic, the note here will undoubtedly remedy that.) Life isn't always beer and skittles, but when you do find yourself walking that primrose path, just remember: it's all copacetic.

Slight Recap on the guy's vacation RIP Ms Jacky Oh Dangers of cosmetic work. Whats going on in Senegal??? Travis Rudolph Trial Zion Williamson tricking skills.

As COP27 in Sharm El-Sheikh winds down, we talk to Oliver Marchand about his impressions from the conference. While staving off the worst effects of climate change is definitely getting harder, we also find some reasons for hope. Then we review an updated rule that is looking to clamp down on methane emissions from oil and gas wells in the US. The document is 504 pages long, but we promise a briefer precis.Host: Bentley Kaplan, MSCI ESG ResearchGuests: Oliver Marchand & Chris Cote, MSCI ESG Research

Joy Division • Nox Novacula • Killing Joke • Christian Death Savage Republic • False Figure • Tension Span • The NuNs • Depeche Mode ESSES • Echo & The Bunnymen • This Mortal Coil • The Cure • Billy Idol • Rush Music In This Episode: Joy Division: "She's Lost Control" taken from the album "Unknown Pleasures" Nox Novacula: "Victim" taken from the album " Ascension " Killing Joke: "Europe" taken from the album "Night Time" Christian Death: "This Glass House" taken from the album "Catastrophe Ballet With Rhapsody Of Youth And Rain" Savage Republic: "Torpedo" taken from the album "1938" False Figure: "Sadist Lament" taken from the album "Castigations" Tension Span: "Trepidation" taken from the album "The Future Died Yesterday" The NuNs: "Angeles Domini" taken from the album "Rumania" Depeche Mode: "Halo" taken from the album "Violator" ESSES: "Faceless Past" taken from the album "Bloodletting for the Lonely" Echo & The Bunnymen: "All My Colours" taken from the album "Heaven Up Here" This Mortal Coil: "Waves Become Wings" taken from the album "It'll End In Tears" The Cure: "Siamese Twins" taken from the album "Pornography" Billy Idol: "Eyes Without a Face" taken from the album "Rebel Yell" Rush: "The Enemy Within" taken from the album "Grace Under Pressure" Thanks for listening! Interviews, reviews, and more at www.dreamsofconsciousness.com

Welcome back to Razzlefrat! We catch up after a month of moves, weddings, and Mercury not being in retrograde. We hit the books with a campus read On Beauty by Zadie Smith. We talk about her talent of making music and art come through the page, the satire of academia superiority, and the Shakespearian elements of a dysfunctional family. As always, follow us in between episodes on our booksta accounts @grapes_of_ash and @theresinkonmyhands and also our joint account @razzlefratpod! Until next time, we bid you farewell. xoxo, Razzlefrat Books mentioned this episode: On Beauty by Zadie Smith NW by Zadie Smith Swing Time by Zadie Smith White Teeth by Zadie Smith Hamlet by Shakespeare A Court of Thorns and Roses by Sara J. Maas The Southern Book Club's for Slaying Vampires by Grady Hendrix --- Support this podcast: https://podcasters.spotify.com/pod/show/razzlefratpodcast/support

Did you ever have a teacher whose passion and excitement for learning drove you AND your peers to excel? In this episode Paul is in 8th Grade, and his new band teacher is young, fun, talented, interesting, fair and engaging with all of his students. Quelling immature student behavior, Mr. Roush nurtured the band class to exceed expectations. Paul and his classmates slowly begin to understand that a single person can find, and then pull the BEST YOU out of you. At that point in his hife, learning became a passion. Until it happened...Support the show

Welcome back family! It's been a while but let's just say A LOT has been going on and we want to update you with everything! This episode was recorded in August so you can tell Its been nothing short of an amazing summer. Everything was copacetic until........... Join us on this hilarious story time after our brunch date and of course our petty peeve's! Follow us and email us for any questions or topics you would like us to discuss! IG: @hisnherspodcast EMAIL: hisnherspod@gmail.com

PSALMS Introduction To The Psalms PSALMS Bible Quiz….(08/29/22) What BOOK of the Bible Is at the VERY CENTER of The Bible?________________________________ The Longest Chapter in the Bible Is________________________________ The Shortest Chapter of The Bible Is____________ List 3 authors of the Psalms______________________________ ***EXTRA CREDIT***  Two Verses In  a NT Gospel Mention ‘PSALMS' as Prophetic of Christ what are the verses?_____________________________________________________________________________ What Passage In the NT mentioning Psalms is prophetic of Judas betrayal of Christ? _____________________________________________________________________________________ What Three passages In The Epistles mention the Psalms in operation in the church for edification?_____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ The Book at the Center of your Bible is PSALMS The Chapter In The Very Center of Your Bible Is PSALM 118 The fact can be argued depending on what Bible version you are using, but by most reckoning, the very center of the Bible when measured by chapter count is Psalms 118. . Oh, give thanks to the Lord, for He is good! For His mercy endures forever.2 Let Israel now say, “His mercy endures forever.” 3 Let the house of Aaron now say, “His mercy endures forever.” 4 Let those who fear the Lord now say, “His mercy endures forever.”     Some Scholars say PSALM 117 is the center chapter of the Bible Notwithstanding, PSALM 117 IS the Shortest Chapter in God's Word 1) Praise the Lord, all you Gentiles! [a]Laud Him, all you peoples! 2 )For His merciful kindness is great toward us, And the truth of the Lord endures forever. Praise the Lord Here are some other fun facts surrounding Psalms 117 & 118: The longest chapter of the Bible falls just after this center chapter-- Psalm 119. The shortest chapter of the Bible falls just after this center chapter-- Psalm 117. There are exactly 594 chapters before Psalm 118, and exactly 594 chapters after it. When you add the number of chapters before Psalms 118 and those after, the sum is 1,118. And the verse at the very center of the Bible is Psalms 118:8. The Very Center Verse of God's WORD Is…. Psalm 118:8 - "It is better to take refuge in the Lord than to trust in man." (NIV) In  following History this verse is 3500 years after creation & 3500 years until the close of the Millennium ( In the CENTER of All Time!!) This center verse of the Bible reminds believers to ask the question, "Are you centered in your trust in God?" It is a particular verse that reminds Christians to trust in God over trusting in themselves or other people. As Christians understand, God consistently provides for us and His grace is given to us freely. Even in the most difficult times, we should center ourselves by trusting in God. He is there making us strong, giving us joy, and carrying us when life weighs heavily on us. Miscellaneous Thoughts… “The PSALMS”  Refers to the 150 songs under that title in the English O.T., sometimes called “The Psalter”, from the Greek psalterion, or psalmi;1st used in the Greek translation & version of the O.T. known as the Septuagint, (so called for the 70 translations from the Hebrew to the Greek) designated often LXX , & dating from 300-200 BC. The O.T. had 3 Main sections of Books …The Law, the Prophets, & the Psalms Each Psalm is an individual song The Psalms subject matter is without Limit The Psalms are also greatly varying forms of Poetry The Book of Psalms stands  BETWEEN the Old & New Covenants Some Psalms spanned 1000 year period as between Moses & Hezekiah The Psalms show us the CENTRAL THEME of God's Word…His SON PSALMS is a ‘Spiritual Song Book' ,standing between the Cherubim PSALMS is LOADED With the Experiences of Jesus & His Church PSALMS shows  to us God's Mercy, Love,  & Judgment PSALMS is for All Men, in All Times &  All Seasons In a ‘Nutshell' The Psalms is a devotional, through which Jesus wants to speak to us In The end each one of us is writing our own ‘Personal Psalm' Psalms are are useful as: The Christian's "hymnal" to assist us in our praise to God The Christian's "prayer book" in which we learn how to approach God in prayer The Christian's "book of evidences" to strengthen our faith in Jesus Christ The Christian's "training guide" for living holy and righteous lives before God   Reasons To Study The Psalms As Christians, we are commanded to utilize the Psalms: Speaking to one another in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord, (Ep 5:19) Let the word of Christ dwell in you richly in all wisdom, teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord. (Col 3:16) Is anyone among you suffering? Let him pray. Is anyone cheerful? Let him sing psalms. (Jm 5:13)     Thus the Psalms are useful for singing praises to God. They are also useful for teaching and confirming that Jesus is the Christ or Messiah. Note the use Jesus made of them (Lk 24:44-47), 44 Then He said to them, “These are the words which I spoke to you while I was still with you, that all things must be fulfilled which were written in the Law of Moses and the Prophets and the Psalms concerning Me.” 45 And He opened their understanding, that they might comprehend the Scriptures. 46 Then He said to them, “Thus it is written, [a]and thus it was necessary for the Christ to suffer and to rise from the dead the third day, 47 and that repentance and remission of sins should be preached in His name to all nations, beginning at Jerusalem. (Psa 2:1-12; Psa 16:9-11; Psa 22:1-31; Psa 40:6-8; Psa 69:1-36; Psa 72:1-20; Psa 88:1-18; Psa 109:4-20; Psa 110:1-7; Psa 118:22;) and also Peter's use of them in his first gospel sermon (Ac 2:25-28,34-35). 25 For David says concerning Him: ‘I foresaw the Lord always before my face, For He is at my right hand, that I may not be shaken. 26 Therefore my heart rejoiced, and my tongue was glad; Moreover my flesh also will rest in hope. 27 For You will not leave my soul in Hades, Nor will You allow Your Holy One to see corruption. 28 You have made known to me the ways of life; You will make me full of joy in Your presence.' 34 “For David did not ascend into the heavens, but he says himself: ‘The Lord said to my Lord, “Sit at My right hand, 35 Till I make Your enemies Your footstool.” '(Psalm 16:8-11, 73:23) The Aim Of This Study It is my prayer that as we study this book we will accomplish the following goals: Become more familiar with Old Testament poetry - This is essential to getting more out the Psalms, and important if we are to avoid misinterpreting them Develop an appreciation and working knowledge of the Psalms - So one may utilize them for his or her own comfort and encouragement, and in counseling and comforting others Glean a clearer picture of God's character - To better understand His love, mercy and deliverance towards the righteous, but also His wrath and judgment against the wicked Learn more of the Christ in prophecy - To note descriptions of His suffering and glorious reign found in the Psalms, some of which are not found elsewhere in Scripture Consider examples of fulfilled prophecies - To see in fulfilled prophecy irrefutable arguments for the inspiration of the Scriptures, and for the claim that Jesus of Nazareth is the Messiah We will do (STUDY)this in TWO WAYS…..a.) Individual Psalms  b) Taking a ‘Theme' (like Praise, fear etc…) & studying it throughout the Entire Book of Psalms MORE Reasons To Study The Psalms…………….  Shows Characteristics Of Hebrew Poetry(Psalms  is part of the poetic ‘BOOKS'—Job, Proverbs, Ecc. & SofS also) Before we get into the background of the Psalms themselves, it may prove beneficial to consider some things about Hebrew poetry. Not only will this help to better understand the nature of the Psalms, but it can also assist in proper interpretation of this portion of Scripture. NOTE: wherein the English language of poetry has a clear rhyme & meter there is not a clear consensus  on the REAL flavor of Hebraic poetry…Hebrew is a fluid language, & Poetry has 5 Hebrew meanings , with some words showing opposite meanings. One of the things that makes Hebrew poetry different is... The Use Of "Thought Rhyme" Also known as "parallelism", thought rhyme involves arranging thoughts in relation to each other. This is done without a concern as to whether certain words rhyme with each other (as found in most modern poetry). In the Psalms, we find several different kinds of thought rhyme: Synonymous parallelism - The thought of first line is repeated in the second line, expressed in different words for the sake of emphasis. A good example is found in Ps 24:2...For He has founded it upon the seas, And established it upon the waters. (same idea, reworded) Antithetical parallelism - The truth presented in one line is strengthened by a contrasting statement in the next line. Consider this example from Ps 1:6...For the LORD knows the way of the righteous, But the way of the ungodly shall perish. (note the contrast) Synthetic parallelism - The first and second lines bear some definite relation to each other (such as cause and effect, or proposition and conclusion). A good example is Ps 119:11...Your word I have hidden in my heart, (cause) That I might not sin against You! (effect) Progressive parallelism - There are several varieties of this form, the most common being:Stair-like - Composed of several lines, each providing a complete element of the aggregate or composite thought. Notice Ps 1:1...Blessed is the man... Who walks not in the counsel of the ungodly, Nor stands in the path of sinners, Nor sits in the seat of the scornful; (note the progression) Climatic - Here the principal idea in the first line is repeated and expanded to complete the thought. An example is found in Ps 29:1...Give unto the LORD, O you mighty ones (give what?) Give unto the LORD glory and strength. (the answer) Introverted parallelism - The first line is closely related in thought to the fourth, and the second to the third. For example, consider Psa 91:14...Because he has set his love upon Me, (note line 4) therefore I will deliver him; (note line 3) I will set him on high, (note line 2) because he has known My name. (note line 1) Contrasted parallelism –The 1st line is in contrast to the 2nd line (Ps. 1:6)                                  Blessed is the man…..But His delight It is often fascinating to note how creative the Hebrew poets were as they composed their poetry using "thought rhyme" rather than "word rhyme". In some cases it even helps in interpreting difficult expressions or phrases. Another characteristic of Hebrew poetry is... The Lack Of Poetic Rhythm Much modern poetry has standard measures of identifiable rhythm, as in the poem "Mary Had A Little Lamb." With the Hebrews, however, the art of poetic rhythm was of secondary consideration. Some suggest that it is not likely that the Hebrew poets had standard measures, worked out and carefully defined. Again, their focus was on "thought rhyme," not "word rhyme." Finally, an important characteristic of Hebrew poetry is... The Use Of Figurative Expression The Psalms are filled with figurative expressions, and as such it is important to keep certain principles of interpretation in mind... The figure must be accepted and dealt with as a figure of speech, not as a literal statement For example, in Ps 18:31, the Lord is called "a rock." He is like a rock, but not one literally. In Ps 51:4, David says "Against You, You only, have I sinned." Yet he is confessing his sin of adultery with Bathsheba, in which he sinned not only against the Lord, but against his wife, against Uriah, and many others. David was speaking figuratively for the sake of expressing his deep grief in sinning against God, and we must allow for figurative expressions including hyperbole in poetic writings. One needs to be careful and not develop doctrinal beliefs upon what may be figurative expressions not intended to be taken literally. The figure must be interpreted in light of its meaning in the setting in which it was used For example, in Ps 23:4, we find the well-known phrase: "the valley of the shadow of death." It is not uncommon to hear the phrase applied at funerals to the act of dying. In the setting of the psalm, however, it refers to a treacherous place (such as a steep valley, where deep shadows can easily cause a misstep resulting in death), where the guiding hand of a shepherd would be very helpful to sheep to avoid death. It is therefore applicable to any time one is in perilous straits and in need of God's guiding hand. The Language of Similar sounds…(Psalm 132 …broad, guttural sounds, like a dirge)…words that sound like what they mean…cuckoo, splash, ping pong…kol-be-seder=Copacetic ….leviatin=Leviathan)………The Hebrew language is a language of SOUND that impacts our feelings & emotions………Emotion was part of the Hebrew communication, it should be likewise for us…Our communication IS 78% non-verbal. Lyrical Poetry- Poetry based on lyrics…the language is a perfect fit for the actions , it gives great pictures, broad concepts, & distinct sounds….(Psalm 110) Appreciating these characteristics of Hebrew poetry can help the Psalms become more meaningful, and understanding these characteristics can also help avoid misinterpreting the Psalms to teach doctrines the psalmist had no intention of teaching!

This is a recording of my 2nd set at the Big Eddy Glassworks Market from 7-8:30pm. I had an assortment of house(ish) and world music that I wanted to play for the people! And ABBA... because heck yeah ABBA! Had so much fun playing this set! Hope you enjoy, like and share :)

Kate Hagen (The Black List) and Drew McWeeny (The Last '80s Newsletter You'll Ever Need) rank the 7 best mainstream films to be released with an X, NC-17, or Unrated designation.  This episode is sponsored by Manscaped! Get 20% OFF + Free Shipping with promo code COPACETIC at MANSCAPED.com!

Director Brian Duffield (Spontaneous) and development executive Thomas Grabinski rank the seven films that Steven Soderbergh has made since he announced his retirement in 2013! This episode is sponsored by Manscaped! Get 20% OFF + Free Shipping with promo code COPACETIC at MANSCAPED.com!

Roxana Hadadi (Vulture) and Jordan Crucchiola ("Feeling Seen" on Maximum Fun) put their friendship on the line as they rank the 7 best films starring Baby Goose!   This episode is sponsored by Manscaped! Get 20% OFF + Free Shipping with promo code COPACETIC at MANSCAPED.com!

Kihp and Copacetic look at episodes 35-36 of Build and Jetman to see what courage a dove inspires and put old boxes on our belts! Next week Kihp, Stef, and David look at 35-40 of Den-O! In Two weeks 37 and 38 of Jetman and Build with Kihp, Copacetic Senpai, and who knows who else. Send in questions to Podcast@kamenridewithme.com and review us on Apple podcasts so we can keep growing the show. Follow us on twitter @Kamenridewithme or our website Kamenridewithme.com. Find Merch at KamenRideWithMe.com/merch. "Kamen Rider Love Song” by Berserk used with Permission Support Kamen Ride With Me: A Kamen Rider Podcast by contributing to their tip jar: https://tips.pinecast.com/jar/kamen-ride-with-me-a-kamen-rid Find out more at https://kamen-ride-with-me-a-kamen-rid.pinecast.co Check out our podcast host, Pinecast. Start your own podcast for free with no credit card required. If you decide to upgrade, use coupon code r-198289 for 40% off for 4 months, and support Kamen Ride With Me: A Kamen Rider Podcast.

Joe Reid and Chris Feil (This Had Oscar Buzz) are back, and this time they've brought along Luis Rendon and Gavin Mevius from The Mixed Reviews! Their task? To rank all 21 films that have received the dreaded "F" CinemaScore! This episode is sponsored by Manscaped! Get 20% OFF + Free Shipping with promo code COPACETIC at MANSCAPED.com!    

Sorry for the late episode, we needed to get some art together. Kihp and David take on Kamen Rider Den-o 28-34 and see the aftermath of the movie, a recast, and one of the best arcs in Kamen Rider! Stef is off this week. Next week Kihp and Copacetic look at episodes 35-36 of Build and Jetman! In Two weeks Kihp, Stef, and David look at 35-40 of Den-O. Send in questions to Podcast@kamenridewithme.com and review us on Apple podcasts so we can keep growing the show. Follow us on twitter @Kamenridewithme or our website Kamenridewithme.com. Find Merch at KamenRideWithMe.com/merch. "Kamen Rider Love Song” by Berserk used with Permission Support Kamen Ride With Me: A Kamen Rider Podcast by contributing to their tip jar: https://tips.pinecast.com/jar/kamen-ride-with-me-a-kamen-rid Find out more at https://kamen-ride-with-me-a-kamen-rid.pinecast.co Check out our podcast host, Pinecast. Start your own podcast for free with no credit card required. If you decide to upgrade, use coupon code r-198289 for 40% off for 4 months, and support Kamen Ride With Me: A Kamen Rider Podcast.

Also Build gets a final boss. It is time to skeet as Kihp and Copacetic Senpai are back to look at 33-34 of both Jetman and Build! Next week Kihp, Stef, and David take on Kamen Rider Den-o 28-34! In Two Weeks Kihp and Copacetic look at episodes 35-36 of Build and Jetman! Send in questions to Podcast@kamenridewithme.com and review us on Apple podcasts so we can keep growing the show. Follow us on twitter @Kamenridewithme or our website Kamenridewithme.com. Find Merch at KamenRideWithMe.com/merch. "Kamen Rider Love Song” by Berserk used with Permission Support Kamen Ride With Me: A Kamen Rider Podcast by contributing to their tip jar: https://tips.pinecast.com/jar/kamen-ride-with-me-a-kamen-rid Find out more at https://kamen-ride-with-me-a-kamen-rid.pinecast.co Check out our podcast host, Pinecast. Start your own podcast for free with no credit card required. If you decide to upgrade, use coupon code r-198289 for 40% off for 4 months, and support Kamen Ride With Me: A Kamen Rider Podcast.

On this episode Copacetic checks in to share his thoughts on Everything Everywhere All at Once and Sonic 2 and drops a TV recommedation for Tokyo Vice.   Follow Us: Twitter: www.twitter.com/copaceticsenpai Instagram: www.instagram.com/copaceticsenpai Facebook: www.facebook.com/popcultnet

Copacetic checks in to share his thought on Jujutsu Kaisen 0... could it be the best anime movie of the year? Tune in to find out!  or more Pop Cult Net content: Youtube: www.youtube.com/popcultnet Facebook: www.facebook.com/popcultnet   Follow Us: Twitter: www.twitter.com/copaceticsenpai Instagram: www.instagram.com/popcultnet  TikTok www.tiktok.com/copaceticsenpai Facebook: www.facebook.com/popcultnet    

Copacetic shares his thoughts on The Batman and the future of DC comics and where this movie ranks for all-time Batman movies.    For more Pop Cult Net content: Youtube: www.youtube.com/popcultnet Facebook: www.facebook.com/popcultnet   Follow Us: Twitter: www.twitter.com/copaceticsenpai Instagram: www.instagram.com/popcultnet  Facebook: www.facebook.com/popcultnet

Suns get first win over young Thunder team after the All-Star break, Denadre Ayton conundrum? C-o-p-a-c-e-t-i-c Kyler relationship, RAPSHEET Joined!

NFL Network Insider Ian Rapoport joined The Drive - "Copacetic" relationship between Kyler Murray & Cardinals, Aaron Rodgers update & some other NFL tidbits

Copacetic reviews The Book of Boba Fett and shares his share moments and thoughts about the show.  For more Pop Cult Net content: Youtube: www.youtube.com/popcultnet Facebook: www.facebook.com/popcultnet   Follow Us: Twitter: www.twitter.com/copaceticsenpai Instagram: www.instagram.com/copaceticsenpai Facebook: www.facebook.com/popcultnet

Copacetic shares his thoughts on one of the most memeorable episodes of Star Wars ever in The Book of Boba Fett Chapter 6: From Desert Comes a Stranger.    For more Pop Cult Net content: Youtube: www.youtube.com/popcultnet Facebook: www.facebook.com/popcultnet   Follow Us: Twitter: www.twitter.com/copaceticsenpai Instagram: www.instagram.com/copaceticsenpai Facebook: www.facebook.com/popcultnet    

On this episode Copacetic shares his instant reactions for Spider-Man: No Way Home !!! Is this the best Spidey more ever? Tune in to find out!   For more Pop Cult Net content: Youtube: www.youtube.com/popcultnet Facebook: www.facebook.com/popcultnet   Follow Us: Twitter: www.twitter.com/copaceticsenpai Instagram: www.instagram.com/popcultnet  Facebook: www.facebook.com/popcultnet  

On this episode Copacetic shares his thoughts on episodes 1-3 of Hawkeye, Disney's new installment in the MCU and Disney+ series.    For more Pop Cult Net content: Youtube: www.youtube.com/popcultnet Facebook: www.facebook.com/popcultnet   Follow Us: Twitter: www.twitter.com/copaceticsenpai Instagram: www.instagram.com/popcultnet  Facebook: www.facebook.com/popcultnet  

Interview w/ two local détroit artists . --- Send in a voice message: https://podcasters.spotify.com/pod/show/unapologeticallyopiniond/message

In this episode the guys take a look at the coolest mechanic shop in all of Miami.

Today's episode is brought to you by the word: Copacetic. There is a Better Beverage: Sidecar. Tony tongues the rim. Tony and Mike toss some axes, run go karts, experience a rager together, and they also experience a rage room. There is a Better Entertainment Corner: Dune (Theaters & HBOMax), Night Teeth (Netflix), In the Dark (Netflix) We learn Mikey Two-Sheets has a fetish. The Intern Formerly Known as Ghosty recaps the recapped “How to Become a Tyrant” (Netflix) There is a Better Discussion: You're the dictator of your own island nation...what laws do you enact? The gang also hits up a note of positivity: Name one positive change your seeing in the world today that your glad to see. There is a Better Podcast Recommendation: The Insanely Dangerous Retro Podshow. An 80s/90s retro show based out of Southampton, England, where everything is about the 80s and 90s, and contains excellent produced bits. Find them on Twitter and Facebook. Listen to them on Apple Podcasts, Podchaser, and other fine podcast outlets. Marvel is marvelous, and Ghosty claims he doesn't know jack about sports. Leave us a comment on Apple Podcasts, Google, YouTube, and other places where you may leave comments. You'll be entered to win the RadioShack trucker hat. It's not just for truckers! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

CopaceticAesthetix.com/about --- Send in a voice message: https://podcasters.spotify.com/pod/show/3commaclub/message

Tore Castagnier took up Business Administration with a concentration in Supply Chain Management at Governors State University. He has been working at UPS for more than 11 years. He has a myriad of experience in Industrial Engineering, Operations, Health and Safety, Training, Sales. He has also accumulated management experience for more than seven years. Tore Castagnier is also a Life Coach. He specializes in life, relationships, and Entrepreneurial mindset Coaching. He has helped others achieve their goals in life. He is the founder and CEO of Copacetic Coaching. Copacetic Coaching helps give love, life, and leadership development to people in order for them to achieve their small and large goals in life. Website: https://www.copaceticcoaching.com/ LinkedIn: https://www.linkedin.com/in/tore-castagnier/ Facebook: https://www.facebook.com/copaceticcoaching/ ------------------------- Thanks for watching The Funky Brain Podcast with Dennis Berry. Dennis is a Life Coach for Addiction Recovery and Life Mastery. If you are struggling with any type of addiction like alcohol, food, porn, drugs, or shopping, reach out for help. Asking for help is the first step in solving the addiction puzzle. Maybe you're not struggling with an addiction, but you are simply “stuck” in life and don't know how to push through. Dennis is the master in helping people get laser-focused, accomplishing their goals and dreams, and achieving life mastery on every level. Dennis works with people worldwide and currently has clients in England, Australia, and India. Zoom is a beautiful tool for helping people all over the world. If you like what you see, and you'd like to hire Dennis to speak at your next event, he is the best motivational keynote speaker on the planet. He brings a ton of energy, experience, motivation, and inspiration to the table. His fun, witty, unique spin on life, with a touch of humor, will leave you motivated to get out there and improve yourself. Website: https://www.DennisBerry.com Email: contact@dennisberry.com LinkedIn: dennisberry1 Facebook: @LifeCoach.DennisBerry You can buy his best-selling book on Amazon - Funky Wisdom: A Practical Guide to Life

The Cool Guys ™ finally get around to covering a band they probably should have got to a while ago- Knuckle Puck. This 5 piece from suburban Chicago seems to fall smackdab in the middle of the emo revival of the mid 2010's and the more commercial leaning pop punk of the same era. In other words, this band is tight as hell.    We covered their 2015 full length debut, Copacetic, which came out after the band grinded it out the old fashioned way- release a few well liked EP's and open for some more established bands. You may be one of Knuckle Puck's many fans, or maybe they're one of those bands that, for some reason, you haven't check out. Either way, you owe it to yourself to listen to this episode, check out the PGP website, go buy some PGP merch, and give your last dollar to our patreon. Thanks! PGP Merch: www.teespring.com/stores/podgoespunk PGP Website: www.podgoespunk.com

In this week's episode:-We go through our new(ish) singles of the week-Discuss our top 5 sad boi pop-punk/emo jams-Talk about our albums of the week (Copacetic by Knuckle Puck and Composure by Real Friends)-Feature the song Fair-Weather Friend by RoyalsRoyal's Song "Fair-Weather Friend"https://open.spotify.com/track/6PpMftQ2NdCOLwGgu9ftEn?si=k6-BAyZ2Rbq4f3UH6-xDmQRoyal's Socials:Facebook- https://www.facebook.com/RoyalsOfficialUK/Instagram- https://www.instagram.com/RoyalsOfficialUK/Twitter: https://twitter.com/RoyalsBandUKOur Socials:Facebook- https://www.facebook.com/PPESPodcastInstagram- https://www.instagram.com/ppespodcast/Twitter- https://twitter.com/PPESPodcast

Highly sensitive people have a tendency to be adaptable. Copacetic. Harmonious. Why? Because we hate conflict. Duh. But sometimes, in life, we really need to be able to stand firm and be clear about what our needs are. This podcast is about identifying what our non-negotiable are and finding ways to articulate them effectively. 

Much About Nothing! Episode 38 of three regular guys from East LA spewing nonsense; talking much about nothing! The opinions of our guests do not reflect the opinions of our hosts. Follow us! Instagram: www.instagram.com/muchaboutnothingpod/ Twitter: twitter.com/mchabtnthng Instagram: @weechy @tommytoastington @alvinmarquez19

Castle Ravenloft. Castle Ravenloft! CASTLE RAVENLOFT! CAAAAASTLE RAAAVENLOOOOFT!!!!!