Podcasts about all men

Olympiaheld Franjo von Allmen zurück im Berner Oberland, entgleister Zug wird aus Schneemassen geborgen, mehr 100-Jährige – Kantone sparen bei Geschenken

Seit Donnerstagmorgen läuft die Bergung jenes Zuges, der am Montag bei Goppenstein in eine Lawine gefahren ist. Ab Montag soll die Strecke zwischen Kandersteg und Brig wieder auf einem Gleis befahrbar sein. Weiter in der Sendung: · Das Bundesgericht bestätigt das Urteil des Berner Obergerichtes im Fall des Tötungsdeliktes im Kiental. · Ein 36-jähriger Lehrer, der bei einem YB-Spiel in England randaliert hat, darf weiterhin als Lehrer arbeiten. · Boltigen empfängt den Olympiasieger Franjo von Allmen. · Berner Wahlen 2026: Hervé Gullotti (SP) und Tom Gerber (EVP) im Gespräch.

How do you stay audacious in a world that's noisier and more saturated than ever? How might the idea of creative rhythm change the way you write? Lara Bianca Pilcher gives her tips from a multi-passionate creative career. In the intro, becoming a better writer by being a better reader [The Indy Author]; How indie authors can market literary fiction [Self-Publishing with ALLi]; Viktor Wynd's Museum of Curiosities; Seneca's On the Shortness of Life; All Men are Mortal – Simone de Beauvoir; Surface Detail — Iain M. Banks; Bones of the Deep – J.F. Penn. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Lara Bianca Pilcher is the author of Audacious Artistry: Reclaim Your Creative Identity and Thrive in a Saturated World. She's also a performing artist and actor, life and creativity coach, and the host of the Healthy Wealthy Wise Artist podcast. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why self-doubt is a normal biological response — and how audacity means showing up anyway The difference between creative rhythm and rigid discipline, and why it matters for writers How to navigate a saturated world with intentional presence on social media Practical strategies for building a platform as a nonfiction author, including batch content creation The concept of a “parallel career” and why designing your life around your art beats waiting for a big break Getting your creative rhythm back after crisis or burnout through small, gentle steps You can find Lara at LaraBiancaPilcher.com. Transcript of the interview with Lara Bianca Pilcher Lara Bianca Pilcher is the author of Audacious Artistry: Reclaim Your Creative Identity and Thrive in a Saturated World. She's also a performing artist and actor, life and creativity coach, and the host of the Healthy Wealthy Wise Artist podcast. Welcome, Lara. Lara: Thank you for having me, Jo. Jo: It's exciting to talk to you today. First up— Tell us a bit more about you and how you got into writing. Lara: I'm going to call myself a greedy creative, because I started as a dancer, singer, and actress in musical theatre, which ultimately led me to London, the West End, and I was pursuing that in highly competitive performance circles. A lot of my future works come from that kind of place. But when I moved to America—which I did after my season in London and a little stint back in Australia, then to Atlanta, Georgia—I had a visa problem where I couldn't work legally, and it went on for about six months. Because I feel this urge to create, as so many of your listeners probably relate to, I was not okay with that. So that's actually where I started writing, in the quietness, with the limits and the restrictions. I've got two children and a husband, and they would go off to school and work and I'd be home thinking, ha. In that quietness, I just began to write. I love thinking of creativity as a mansion with many rooms, and you get to pick your rooms. I decided, okay, well the dance, acting, singing door is shut right now—I'm going to go into the writing room. So I did. Jo: I have had a few physical creatives on the show. Obviously one of your big rooms in your mansion is a physical room where you are actually performing and moving your body. I feel like this is something that those of us whose biggest area of creativity is writing really struggle with—the physical side. How do you think that physical practice of creativity has helped you in writing, which can be quite constrictive in that way? Lara: It's so good that you asked this because I feel what it trained me to do is ignore noise and show up. I don't like the word discipline—most of us get a bit uncomfortable with it, it's not a nice word. What being a dancer did was teach me the practice of what I like to call a rhythm, a creative rhythm, rather than a discipline, because rhythm ebbs and flows and works more with who we are as creatives, with the way creativity works in our body. That taught me: go to the barre over and over again—at the ballet barre, I'm talking about, not the pub. Go there over and over again. Warm up, do the work, show up when you don't feel like it. thaT naturally pivoted over to writing, so they're incredibly linked in the way that creativity works in our body. Jo: Do you find that you need to do physical practice still in order to get your creativity moving? I'm not a dancer. I do like to shake it around a bit, I guess. But I mainly walk. If I need to get my creativity going, I will walk. If people are stuck, do you think doing something physical is a good idea? Lara: It is, because the way that our body and our nervous system works—without going into too much boring science, although some people probably find it fascinating—is that when we shake off that lethargic feeling and we get blood flowing in our body, we naturally feel more awake. Often when you're walking or you're doing something like dance, your brain is not thinking about all of the big problems. You might be listening to music, taking in inspiration, taking in sunshine, taking in nature, getting those endorphins going, and that naturally leads to the brain being able to psychologically show up more as a creative. However, there are days, if I'm honest, where I wake up and the last thing I want to do is move. I want to be in a little blanket in the corner of the room with a hot cocoa or a coffee and just keep to myself. Those aren't always the most creative days, but sometimes I need that in my creative rhythm, and that's okay too. Jo: I agree. I don't like the word discipline, but as a dancer you certainly would've had to do that. I can't imagine how competitive it must be. I guess this is another thing about a career in dance or the physical arts. Does it age out? Is it really an ageist industry? Whereas I feel like with writing, it isn't so much about what your body can do anymore. Lara: That is true. There is a very real marketplace, a very real industry, and I'm careful because there's two sides to this coin. There is the fact that as we get older, our body has trouble keeping up at that level. There's more injuries, that sort of thing. There are some fit women performing in their sixties and seventies on Broadway that have been doing it for years, and they are fine. They'll probably say it's harder for some of them. Also, absolutely, I think there does feel in the professional sense like there can be a cap. A lot of casting in acting and in that world feels like there's fewer and fewer roles, particularly for women as we get older, but people are in that space all the time. There's a Broadway dancer I know who is 57, who's still trying to make it on Broadway and really open about that, and I think that's beautiful. So I'm careful with putting limits, because I think there are always outliers that step outside and go, “Hey, I'm not listening to that.” I think there's an audience for every age if you want there to be and you make the effort. But at the same time, yes, there is a reality in the industry. Totally. Jo: Obviously this show is not for dancers. I think it was more framing it as we are lucky in the writing industry, especially in the independent author community, because you can be any age. You can be writing on your deathbed. Most people don't have a clue what authors look like. Lara: I love that, actually. It's probably one of the reasons I maybe subconsciously went into writing, because I'm like, I want to still create and I'm getting older. It's fun. Jo: That's freeing. Lara: So freeing. It's a wonderful room in the mansion to stay in until the day I die, if I must put it that way. Jo: I also loved you mentioning that Broadway dancer. A lot of listeners write fiction—I write fiction as well as nonfiction—and it immediately makes me want to write her story. The story of a 57-year-old still trying to make it on Broadway. There's just so much in that story, and I feel like that's the other thing we can do: writing about the communities we come from, especially at different ages. Let's get into your book, Audacious Artistry. I want to start on this word audacity. You say audacity is the courage to take bold, intentional risks, even in the face of uncertainty. I read it and I was like, I love the sentiment, but I also know most authors are just full of self-doubt. Bold and audacious. These are difficult words. So what can you say to authors around those big words? Lara: Well, first of all, that self-doubt—a lot of us don't even know what it is in our body. We just feel it and go, ugh, and we read it as a lack of confidence. It's not that. It's actually natural. We all get it. What it is, is our body's natural ability to perceive threat and keep us safe. So we're like, oh, I don't know the outcome. Oh, I don't know if I'm going to get signed. Oh, I don't know if my work's going to matter. And we read that as self-doubt—”I don't have what it takes” and those sorts of things. That's where I say no. The reframe, as a coach, I would say, is that it's normal. Self-doubt is normal. Everyone has it. But audacity is saying, I have it, but I'm going to show up in the world anyway. There is this thing of believing, even in the doubt, that I have something to say. I like to think of it as a metaphor of a massive feasting table at Christmas, and there's heaps of different dishes. We get to bring a dish to the table rather than think we're going to bring the whole table. The audacity to say, “Hey, I have something to say and I'm going to put my dish on the table.” Jo: I feel like the “I have something to say” can also be really difficult for people, because, for example, you mentioned you have kids. Many people are like, I want to share this thing that happened to me with my kids, or a secret I learned, or a tip I think will help people. But there's so many people who've already done that before. When we feel like we have something to say but other people have said it before, how do you address that? Lara: I think everything I say, someone has already said, and I'm okay with that. But they haven't said it like me. They haven't said it in my exact way. They haven't written the sentence exactly the way—that's probably too narrow a point of view in terms of the sentence—maybe the story or the chapter. They haven't written it exactly like me, with my perspective, my point of view, my life experience, my lived experience. It matters. People have very short memories. You think of the last thing you watched on Netflix and most of us can't remember what happened. We'll watch the season again. So I think it's okay to be saying the same things as others, but recognise that the way you say it, your point of view, your stories, your metaphors, your incredible way of putting a sentence togethes, it still matters in that noise. Jo: I think you also talk in the book about rediscovering the joy of creation, as in you are doing it for you. One of the themes that I emphasise is the transformation that happens within you when you write a book. Forget all the people who might read it or not read it. Even just what transforms in you when you write is important enough to make it worthwhile. Lara: It really, really is. For me, talking about rediscovering the joy of creation is important because I've lost it at times in my career, both as a performing artist and as an author, in a different kind of way. When we get so caught up in the industry and the noise and the trends, it's easy to just feel overwhelmed. Overwhelm is made up of a lot of emotions like fear and sadness and grief and all sorts of things. A lot of us don't realise that that's what overwhelm is. When we start to go, “Hey, I'm losing my voice in all this noise because comparison is taking over and I'm feeling all that self-doubt,” it can feel just crazy. So for me, rediscovering the joy of creation is vital to survival as an author, as an artist. A classic example, if you don't mind me sharing my author story really quickly, is that when I first wrote the first version of my book, I was writing very much for me, not realising it. This is hindsight. My first version was a little more self-indulgent. I like to think of it like an arrowhead. I was trying to say too much. The concept was good enough that I got picked up by a literary agent and worked with an editor through that for an entire year. At the end of that time, they dropped me. I felt like, through that time, I learned a lot. It was wonderful. Their reason for dropping me was saying, “I don't think we have enough of a unique point of view to really sell this.” That was hard. I lay on my bed, stared at the ceiling, felt grief. The reality is it's so competitive. What happened for me in that year is that I was trying to please. If you're a new author, this is really important. You are so desperately trying to please the editor, trying to do all the right things, that you can easily lose your joy and your unique point of view because you are trying to show up for what you think they all need and want. What cut through the noise for me is I got off that bed after my three hours of grief—it was probably longer, to be fair—but I booked myself a writing coach. I went back to the drawing board. I threw a lot of the book away. I took some good concepts out that I already knew were good from the editor, then I rewrote the entire thing. It's completely different to the first version. That's the book that got a traditional publishing deal. That book was my unique point of view. That book was my belief, from that grief, that I still have something to say. Instead of trusting what the literary agent and the editor were giving me in those red marks all over that first version, I was like, this is what I want to say. That became the arrowhead that's cut into the industry, rather than the semi-trailer truck that I was trying to bulldoze in with no clear point of view. So rediscovering the joy of creation is very much about coming back to you. Why do I write? What do I want to say? That unique point of view will cut through the noise a lot of the time. I don't want to speak in absolutes, but a lot of the time it will cut through the noise better than you trying to please the industry. Jo: I can't remember who said it, but somebody talked about how you've got your stone, and your stone is rough and it has random colours and all this. Then you start polishing the stone, which you have to do to a point. But if you keep polishing the stone, it looks like every other stone. What's the point? That fits with what you were saying about trying to please everyone, you end up pleasing no one. I also think the reality of what you just said about the book is a lot of people's experience with writing in general. Certainly for me, I don't write in order. I chuck out a lot. I'm a discovery writer. People think you sit down and start A and finish Z, and that's it. It's kind of messy, isn't it? Was that the same in your physical creative life? Lara: Yes. Everything's a mess. In the book I actually talk about learning to embrace the cringe, because we all want to show up perfect. Just as you shared, we think, because we read perfect and look at perfect or near-perfect work—that's debatable all the time—we want to arrive there, and I guess that's natural. But what we don't often see on social media or other places is the mess. I love the behind the scenes of films. I want to see the messy creative process. The reality is we have to learn to embrace the messy cringe because that's completely normal. My first version was so messy, and it's about being able to refine it and recognise that that is normal. So yes, embrace it. That's my quote for the day. Embrace the cringe, show up messy. It's all right. Jo: You mentioned the social media, and the subtitle of the book mentions a “saturated world.” The other problem is there are millions of books out there now. AI is generating more content than humans do, and it is extremely hard to break through. How are we to deal with this saturated world? When do we join in and when do we step away? Lara: I think it's really important not to have black and white thinking about it, because trust me, every day I meet an artist that will say, “I hate that I have to show up online.” To be honest with you, there's a big part of me that does also. But the saturation of the world is something that I recognise, and for me, it's like I'm in the world but not of it. That saturation can cause so much overwhelm and nervous system threat and comparison. What I've personally decided to do is have intentional showing up. That looks like checking in intentionally with a design, not a randomness, and then checking out. When push comes to shove, at the end of the day, I really believe that what sells books is people's trust in us as a person. They might go through an airport and not know us at all and pick up the book because it's a bestseller and they just trust the reputation, but so much of what I'm finding as an artist is that personal relationship, that personal trust. Whether that's through people knowing you via your podcast or people meeting you in a room. Especially in nonfiction, I think that's really big. Intentional presence from a place where we've regulated ourselves, being aware that it's saturated, but my job's not to be focused on the saturation. My job is to find my unique voice and say I have something to bring. Be intentional with that. Shoot your arrow, and then step out of the noise, because it's just overwhelming if you choose to live there and scroll without any intentionality at all. Jo: So how do people do that intentionality in a practical way around, first of all, choosing a platform, and then secondly, how they create content and share content and engage? What are some actual practical tips for intentionality? Lara: I can only speak from my experience, but I'm going to be honest, every single application I sent asked for my platform stats. Every single one. Platform stats as in how many followers, how many people listening to your podcast, how many people are reading your blog. That came up in every single literary agent application. So I would be a fool today to say you've got to ignore that, because that's just the brass tacks, unless you're already like a famous footballer or something. Raising and building a platform of my own audience has been a part of why I was able to get a publishing deal. In doing that, I've learned a lot of hard lessons. Embrace the cringe with marketing and social media as well, because it's its own beast. Algorithms are not what I worry about. They're not going to do the creativity for you. What social media's great at is saying, “Hey, I'm here”—it's awareness. It's not where I sell stuff. It's where I say, I'm here, this is what I'm doing, and people become aware of me and I can build that relationship. People do sell through social media, but it's more about awareness statistically. I am on a lot of platforms, but not all of them work for every author or every style of book. I've done a lot of training. I've really had to upskill in this space and get good at it. I've put myself through courses because I feel like, yes, we can ignore it if we want to, but for me it's an intentional opting in because the data shows that it's been a big part of being able to get published. That's overwhelming to hear for some people. They don't want to hear that. But that's kind of the world that we are in, isn't it? Jo: I think the main point is that you can't do everything and you shouldn't even try to do everything. The best thing to do is pick a couple of things, or pick one thing, and focus on that. For example, I barely ever do video, so I definitely don't do TikTok. I don't do any kind of video stuff. But I have this podcast. Audio is my happy place, and as you said, long-form audio builds trust. That is one way you can sell, but it's also very slow—very, very slow to build an audio platform. Then I guess my main social media would be Instagram, but I don't engage a lot there. So do you have one or two main things that you do, and any thoughts on using those for book marketing? Lara: I do a lot of cross-posting. I am on Instagram and I do a lot of creation there, and I'm super intentional about this. I actually do 30 days at a time, and then it's like my intentional opt-in. I'll create over about two days, edit and plan. It's really, really planned—shoot everything, edit everything, put it all together, and then upload everything. That will be 30 days' worth. Then I back myself right out of there, because I don't want to stay in that space. I want to be in the creative space, but I do put those two days a month aside to do that on Instagram. Then I tweak things for YouTube and what works on LinkedIn, which is completely different to Instagram. As I'm designing my content, I have in mind that this one will go over here and this one can go on here, because different platforms push different things. I am on Threads, but Threads is not statistically where you sell books, it's just awareness. Pinterest I don't think has been very good for my type of work, to be honest. For others it might. It's a search engine, it's where people go to get a recipe. I don't necessarily feel like that's the best place, this is just my point of view. For someone else it might be brilliant if you're doing a cookbook or something like that. I am on a lot of platforms. My podcast, however, I feel is where I'm having the most success, and also my blog. Those things as a writer are very fulfilling. I've pushed growing a platform really hard, and I am on probably almost every platform except for TikTok, but I'm very intentional with each one. Jo: I guess the other thing is the business model. The fiction business model is very, very different to nonfiction. You've got a book, but your higher-cost and higher-value offerings are things that a certain number of people come through to you and pay you more money than the price of a book. Could talk about how the book leads into different parts of your business? Because some people are like, “Am I going to make a living wage from book sales of a nonfiction book?” And usually people have multiple streams of income. Lara: I think it's smart to have multiple streams of income. A lot of people, as you would know, would say that a book is a funnel. For those who haven't heard of it, a way that people come into your bigger offerings. They don't have to be, but very much I do see it that way. It's also credibility. When you have a published book, there's a sense of credibility. I do have other things. I have courses, I have coaching, I have a lot of things that I call my parallel career that chug alongside my artist work and actually help stabilise that freelance income. Having a book is brilliant for that. I think it's a wonderful way to get out there in the world. No matter what's happening in all the online stuff, when you're on an aeroplane, so often someone still wants to read a book. When you're on the beach, they don't want to be there with a laptop. If you're on the sand, you want to be reading a beautiful paper book. The smell of it, the visceral experience of it. Books aren't going anywhere, to me. I still feel like there are always going to be people that want to pick it up and dig in and learn so much of your entire life experience quickly. Jo: We all love books here. I think it's important, as you do talk about career design and you mentioned there the parallel career—I get a lot of questions from people. They may just be writing their first book and they want to get to the point of making money so they could leave their day job or whatever. But it takes time, doesn't it? So how can we be more strategic about this sort of career design? Lara: For me, this has been a big one because lived experience here is that I know artists in many different areas, whether they're Broadway performers or music artists. Some of them are on almost everything I watch on TV. I'm like, oh, they're that guy again. I know that actor is on almost everything. I'll apply this over to writers. The reality is that these high-end performers that I see all the time showing up, even on Broadway in lead roles, all have another thing that they do, because they can still have, even at the highest level, six months between a contract. Applying that over to writing is the same thing, in that books and the money from them will ebb and flow. What so often artists are taught—and authors fit into this—is that we ultimately want art to make us money. So often that becomes “may my art rescue me from this horrible life that I'm living,” and we don't design the life around the art. We hope, hope, hope that our art will provide. I think it's a beautiful hope and a valid one. Some people do get that. I'm all for hoping our art will be our main source of income. But the reality is for the majority of people, they have something else. What I see over and over again is these audacious dreams, which are wonderful, and everything pointing towards them in terms of work. But then I'll see the actor in Hollywood that has a café job and I'm like, how long are you going to just work at that café job? They're like, “Well, I'm goint to get a big break and then everything's going to change.” I think we can think the same way. My big break will come, I'll get the publishing deal, and then everything will change. The reframe in our thinking is: what if we looked at this differently? Instead of side hustle, fallback career, instead of “my day job,” we say parallel career. How do I design a life that supports my art? And if I get to live off my art, wonderful. For me, that's looked like teaching and directing musical theatre. It's looked like being able to coach other artists. It's looked like writing and being able to pivot my creativity in the seasons where I've needed to. All of that is still creativity and energising, and all of it feeds the great big passion I have to show up in the world as an artist. None of it is actually pulling me away or draining me. I mean, you have bad days, of course, but it's not draining my art. When we are in this way of thinking—one day, one day, one day—we are not designing intentionally. What does it look like to maybe upskill and train in something that would be more energising for my parallel career that will chug alongside us as an artist? We all hope our art can totally 100% provide for us, which is the dream and a wonderful dream, and one that I still have. Jo: It's hard, isn't it? Because I also think that, personally, I need a lot of input in order to create. I call myself more of a binge writer. I just finished the edits on my next novel and I worked really hard on that. Now I won't be writing fiction for, I don't know, maybe six months or something, because now I need to input for the next one. I have friends who will write 10,000 words a day because they don't need that. They have something internal, or they're just writing a different kind of book that doesn't need that. Your book is a result of years of experience, and you can't write another book like that every year. You just can't, because you don't have enough new stuff to put in a book like that every single year. I feel like that's the other thing. People don't anticipate the input time and the time it takes for the ideas to come together. It is not just the production of the book. Lara: That's completely true. It goes back to this metaphor that creativity in the body is not a machine, it's a rhythm. I like to say rhythm over consistency, which allows us to say, “Hey, I'm going to be all in.” I was all in on writing. I went into a vortex for days on end, weeks on end, months and probably years on end. But even within that, there were ebbs and flows of input versus “I can't go near it today.” Recognising that that's actually normal is fine. There are those people that are outliers, and they will be out of that box. A lot of people will push that as the only way. “I am going to write every morning at 10am regardless.” That can work for some people, and that's wonderful. For those of us who don't like that—and I'm one of those people, that's not me as an artist—I accept the rhythm of creativity and that sometimes I need to do something completely different to feed my soul. I'm a big believer that a lot of creative block is because we need an adventure. We need to go out and see some art. To do good art, you've got to see good art, read good art, get outside, do something else for the input so that we have the inspiration to get out of the block. I know a screenwriter who was writing a really hard scene of a daughter's death—her mum's death. It's not easy to just write that in your living room when you've never gone through it. So she took herself out—I mean, it sounds morbid, but as a writer you'll understand the visceral nature of this—and sat at somebody's tombstone that day and just let that inform her mind and her heart. She was able to write a really powerful scene because she got out of the house and allowed herself to do something different. All that to say that creativity, the natural process, is an in-and-out thing. It ebbs and flows as a rhythm. People are different, and that's fine. But it is a rhythm in the way it works scientifically in the body. Jo: On graveyards—we love graveyards around here. Lara: I was like, sorry everyone, this isn't very nice. Jo: Oh, no. People are well used to it on this show. Let's come back to rhythm. When you are in a good rhythm, or when your body's warmed up and you are in the flow and everything's great, that feels good. But what if some people listening have found their rhythm is broken in some way, or it's come to a stop? That can be a real problem, getting moving again if you stop for too long. What are some ways we can get that rhythm back into something that feels right again? Lara: First of all, for people going through that, it's because our body actually will prioritise survival when we're going through crisis or too much stress. Creativity in the brain will go, well, that's not in that survival nature. When we are going through change—like me moving countries—it would disconnect us a lot from not only ourselves and our sense of identity, but creativity ultimately reconnects you back into life. I feel like to be at our optimum creative self, once we get through the crisis and the stress, is to gently nudge ourselves back in by little micro things. Whether it's “I'm just going to have the rhythm of writing one sentence a day.” As we do that, those little baby steps build momentum and allow us to come back in. Creativity is a life force. It's not about production, it's actually how we get to any unique contribution we're going to bring to the world. As we start to nudge ourselves back in, there's healing in that and there's joy in that. Then momentum comes. I know momentum comes from those little steps, rather than the overwhelming “I've got to write a novel this week” mindset. It's not going to happen, most of the time, when we are nudging our way back in. Little baby steps, kindness with ourselves. Staying connected to yourself through change or through crisis is one of the kindest things we can offer ourselves, and allowing ourselves to come into that rhythm—like that musical song of coming back in with maybe one line of the song instead of the entire masterpiece, which hopefully it will be one day. Jo: I was also thinking of the dancing world again, and one thing that is very different with writers is that so much of what we do is alone. In a lot of the performance art space, there's a lot more collaboration and groups of people creating things together. Is that something you've kept hold of, this kind of collaborative energy? How do you think we can bring that collaborative energy more into writing? Lara: Writing is very much alone. Obviously some people, depending on the project, will write in groups, but generally speaking, it's alone. For me, what that looks like is going out. I do this, and I know for some writers this is like, I don't want to go and talk to people. There are a lot of introverts in writing, as you are aware. I do go to creative mixers. I do get out there. I'm planning right now my book launch with a local bookstore, one in Australia and one here in America. Those things are scary, but I know that it matters to say I'm not in this alone. I want to bring my friends in. I want to have others part of this journey. I want to say, hey, I did this. And of course, I want to sell books. That's important too. It's so easy to hide, because it's scary to get out there and be with others. Yet I know that after a creative mixer or a meetup with all different artists, no matter their discipline, I feel very energised by that. Writers will come, dancers will come, filmmakers will come. It's that creative force that really energises my work. Of course, you can always meet with other writers. There's one person I know that runs this thing where all they do is they all get on Zoom together and they all write. Their audio's off, but they're just writing. It's just the feeling of, we're all writing but we're doing it together. It's a discipline for them, but because there's a room of creatives all on Zoom, they're like, I'm here, I've showed up, there's others. There's a sense of accountability. I think that's beautiful. I personally don't want to work that way, but some people do, and I think that's gorgeous too. Jo: Whatever sustains you. I think one of the important things is to realise you are not alone. I get really confused when people say this now. They're like, “Writing's such a lonely life, how do you manage?” I'm like, it is so not lonely. Lara: Yes. Jo: I'm sure you do too. Especially as a podcaster, a lot of people want to have conversations. We are having a conversation today, so that fulfils my conversation quota for the day. Lara: Exactly. Real human connection. It matters. Jo: Exactly. So maybe there's a tip for people. I'm an introvert, so this actually does fulfil it. It's still one-on-one, it's still you and me one-on-one, which is good for introverts. But it's going out to a lot more people at some point who will listen in to our conversation. There are some ways to do this. It's really interesting hearing your thoughts. Tell people where they can find you and your books and your podcast online. Lara: The book is called Audacious Artistry: Reclaim Your Creative Identity and Thrive in a Saturated World, and it's everywhere. The easiest thing to do would be to visit my website, LaraBiancaPilcher.com/book, and you'll find all the links there. My podcast is called Healthy Wealthy Wise Artist, and it's on all the podcast platforms. I do short coaching for artists on a lot of the things we've been talking about today. Jo: Brilliant. Well, thanks so much for your time, Lara. That was great. Lara: Thank you.The post Audacious Artistry: Reclaiming Your Creative Identity And Thriving In A Saturated World With Lara Bianca Pilcher first appeared on The Creative Penn.

Eine Woche Olympia liegt hinter uns – und sie hatte alles: Spektakel, Emotionen, Drama. In dieser Folge der Sportstunde blicken wir auf große Momente in Mailand/Cortina zurück und ordnen die Geschichten hinter den Medaillen ein. Unser Sportler der Woche: Franjo von Allmen – drei Starts, dreimal Gold! Wer ist der Schweizer Überflieger? Außerdem feiern wir die deutschen Goldhelden Philipp Raimund, Max Langenhan und Julia Taubitz. Zwischen Triumph und Tragik: das Drama um Merle Fräbel im Eiskanal. Dazu: Historisches im Eistanz mit Guillaume Cizeron, das Mutter-Sohn-Duo im Slalom, der Helm-Eklat im Skeleton – und ein Blick voraus auf Bob, Biathlon & Co. Außerdem: Ticket-Wahnsinn bei der Fußball-WM, Super-Bowl-Zahlen, Rugby mit den Six Nations, Volleyball-Überraschung aus Düren und vieles mehr. Olympia pur – und der Blick darüber hinaus.

Eine Woche Olympia liegt hinter uns – und sie hatte alles: Spektakel, Emotionen, Drama. In dieser Folge der Sportstunde blicken wir auf große Momente in Mailand/Cortina zurück und ordnen die Geschichten hinter den Medaillen ein. Unser Sportler der Woche: Franjo von Allmen – drei Starts, dreimal Gold! Wer ist der Schweizer Überflieger? Außerdem feiern wir die deutschen Goldhelden Philipp Raimund, Max Langenhan und Julia Taubitz. Zwischen Triumph und Tragik: das Drama um Merle Fräbel im Eiskanal. Dazu: Historisches im Eistanz mit Guillaume Cizeron, das Mutter-Sohn-Duo im Slalom, der Helm-Eklat im Skeleton – und ein Blick voraus auf Bob, Biathlon & Co. Außerdem: Ticket-Wahnsinn bei der Fußball-WM, Super-Bowl-Zahlen, Rugby mit den Six Nations, Volleyball-Überraschung aus Düren und vieles mehr. Olympia pur – und der Blick darüber hinaus.

Franjo von Allmen ist mit drei Goldmedaillen der Überflieger der Olympischen Winterspiele. Aber Hausi Leutenegger hebt den Mahnfinger.

Četrtek prinaša ženski superveleslalom z Ilko Štuhec, v moški konkurenci pa je zmagal Franjo von Allmen. S tretjo zlato medaljo le še potrdil svojo vlogo enega od junakov 25-ih zimskih olimpijskih iger. Radijska reporterka Anja Hlača Ferjančič razlaga, da ima 24-letnik rad adrenalinske športe, ko vozi motokros ima višji utrip, kot pa takrat ko drvi navzdol po belih strminah, da je lahko Švicar v poznih najstniških letih nadaljeval svojo smučarsko kariero, pa so zanj tudi zbirali sredstva.

Dritte Anhörung von Jacques Moretti zum Brand in Crans-Montana, Netanjahu fordert in Washington härtere Linie gegenüber Iran, Schweizer KMU sind attraktiv für internationale Investoren, Franjo von Allmen holt drei Mal Gold an den Olympischen Winterspielen 2026

Franjo von Allmen holt dritte Goldmedaille an den Olympischen Winterspielen 2026, Kompromiss beim Lohnschutz in den EU-Verträgen, Tote und Verletzte nach Schüssen an Schule in Kanada, Chinesischer Zulieferer schweigt zu verunreinigter Babynahrung

Franjo von Allmen je s tretjo zlato medaljo le še potrdil svojo vlogo enega od junakov 25-ih zimskih olimpijskih iger. Švicar je postal prvak v smuku in v kombinaciji, trojček pa dopolnil v superveleslalomu. Radijska reporterka Anja Hlača Ferjančič razlaga, da ima 24-letnik rad adrenalinske športe, ko vozi motokros ima višji utrip, kot pa takrat ko drvi navzdol po belih strminah, da je lahko Švicar v poznih najstniških letih nadaljeval svojo smučarsko kariero, pa so zanj tudi zbirali sredstva. Hlača Ferjančič tudi razlaga, da so te igre precej manj sterilne kot prejšnje. V Sočiju in Pekingu so na novo zgradili mnoga prizorišča, četudi so bila prelepa, pa niso imela toliko duše in patine kot letošnja v Dolomitih. Skoraj vsako prizorišče v Italiji je uveljavljeno in tradicionalno, na mnogih najboljši tekmujejo že vrsto let, toda na nekaterih področjih zaostaja preostala infrastruktura. Predazzo je majhen kraj, morda premajhen za prirejanje olimpijskih tekem, pravijo nekateri obiskovalci, med biatlonci v Anterselvi je vsak tekmovalni dan prometni kaos, podobno pa je tudi v Cortini, za katero pa še en radijski reporter Klemen Verlič pravi, da ima najbolj olimpijsko vzdušje med vsemi prizorišči v Dolomitih. Slišite lahko tudi, da je vzdušje na tekmah curlinga podobno tistemu s teniških dvobojev, kjer se tišina med točkami prepleta z glasnimi aplavzi in vzkliki. Led je povsem drugačen kot tisti na drsališčih, ravno zaradi tega pa je šport precej drag. Verlič pravi, da morajo zato najboljši Slovenci trenirati v sosednjih državah, saj v Sloveniji ni primerne ledene ploskve za igranje curlinga. Klemen Verlič in Anja Hlača Ferjančič se o aktualnem dogajanju na olimpijskih igrah pogovarjata z voditeljem Luko Petričem.

Ski Alpin: OS: Franjo von Allmen gewinnt dritte Goldmedaille+++Skeleton: OS: Keine Ausnahme für Wladyslaw Heraskewytsch+++Basketball: NBA: Niederlage für Maximilian Kleber und Los Angeles Lakers+++Hockey: Pro League: Deutsche Herren gewinnen gegen Pakistan.

260211PC Das Überraschungsei Olympia Mensch Mahler am 11.02.2026Das ist es, was ich an Olympia so liebe: Denn erstens kommt es anders und zweitens als man denkt. Die Spiele sind – ob im Sommer oder im Winter gespickt mit Überraschungen.Die erste war eine hervorsehbare und tragische: Die 41jährige Speed-Queen Lindsey Vonn aus den USA gab vor wenigen Wochen ihr Comeback nach längerer Pause. Sie hatte im Dezember startete im Dezember 25 mit einer Teilprothese im rechten und mit geflicktem Kreuzband im linken Knie. Im Januar stürzte sie bei einer Weltcup-Abfahrt in Crans-Montana schwer. Das Rennen wurde abgebrochen, Vonn mit dem Helikopter ins Krankenhaus geflogen. Vorgestern trat Linsey Vonn mit gerissenem Kreuzband, das vom Sturz in Crans Montana herrührte, dennoch in der Olympia-Abfahrt in Cortina d'Ampezzo an. Nach 13 Sekunden war es totenstill im Zielraum. Die schnelle und überehrgeizige Amerikanerin legte einen wirklich brutalen Sturz hin. Sie erlitt einen komplexen Schienbeinbruch im linken Bein, das mehrere Operationen erforderte. Aber es gab auch weniger dramatische Überraschungen: Mein Held, der Schweizer Marco Odermatt, der seit zwei Jahren in der Abfahrt alles in Grund und Boden fährt, landete erstmals seit Ewigkeiten nicht einmal auf dem Treppchen. Er wurde in der Abfahrt nur Vierter. Sein junger Landsmann Franjo von Allmen, bisher nicht sonderlich aufgefallen, holte Godl.Und dann eine wunderschöne Story für Deutschland: Philipp Raimund aus Göppingen ist zwar in dieser Saison passabel gesprungen, Favoriten für Gold auf der kleinen Schanze in Predazzo waren andere. Allen voran Prevc Domen, der den Weltcup dominiert. Oder der Japaner Kobashi. Nicht zu vergessen: Die starken Österreicher, die immer eine starke Team-Leistung abliefern. Raimund legte in beiden Durchgängen Bestnoten hin und holte Gold.Olympia ist spannend – weil eigentlich unvorhersehbar. Hosted on Acast. See acast.com/privacy for more information.

The couples are going back home to their GRAYGE apartments (and their phones). Will Bliss give Zack another chance? Will Tiffany throw Brett out with the bathwater?? Will Paul and Micah ever stop fucking (will they ever START fucking?)?? Will Chelsea be okay moving out of her Barbie Dream Apartment™? Will Marshall continue to be the King of All Men? Will Irina stop being a dried-up old house plant you forgot to water and is now just a reminder of everything wrong with life?   All this AND MORE on STFU Season 4, Episode... six?

Eine Minute, 51 Sekunden und 61 Hundertstelsekunden. Mit dieser Zeit holt Franjo von Allmen am Samstag Olympiagold in der Abfahrt. Und am Montag doppelt er gleich nach, in der Kombi mit Tanguy Nef. Er ist der erste Doppelolympiasieger in der Geschichte des alpinen Schweizer Skisports – mit gerade einmal 24 Jahren. Dabei bleibt er ziemlich cool. Nervosität? Fehlanzeige.Neben Franjo von Allmens Olympiaeuphorie ist das erste Wochenende von einem schweren Sturz geprägt: Lindsey Vonn, die bereits mit einem Kreuzbandriss startet, bricht sich nach nur 13 Fahrsekunden den Unterschenkel.Welche Risiken gehen Sportlerinnen und Sportler für den Olympiaerfolg ein? Was bedeutet das Gold für Franjo von Allmen? Und was macht den neuen Schweizer Skihelden so gut?Sportredaktor Philipp Rindlisbacher berichtet aus Cortina über die Ski-Alpin-Rennen und erzählt in einer neuen Folge des täglichen Podcasts «Apropos» von den Eindrücken des ersten Olympiawochenendes.Host: Alexandra AreggerProduzentin: Valeria MazzeoMehr zum ersten Olympia-WochenendeEin eigener Likör und zwei Nuggis gleichzeitig im Mund? Der Olympiasieger Franjo von Allmen in ZahlenViel Glamour, Bruch mit dem Vater und jetzt dieser schlimme Sturz – Lindsey Vonns bewegtes LebenFranjo von Allmen: Der Abfahrtsweltmeister im Interview Unser Tagi-Spezialangebot für Podcast-Hörer:innen: tagiabo.chHabt ihr Feedback, Ideen oder Kritik zu «Apropos»? Schreibt uns an podcasts@tamedia.ch Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Letzten Dezember kam der Durchbruch im Grimsel-Dialog: Die grossen Wassekraftprojekte sollen gebaut werden. Im Gegenzug sollen Kleinwasserkraftwerke zurückgebaut werden. Nun bangen Oberländer Gemeinden um ihre Wasserkraftwerke und wehren sich. Weiter in der Sendung: · In knapp drei Monaten startet die Eishockey-WM in Freiburg und Zürich. Der Generalsekretär des Grossevents und ehemaliger Captain von Fribourg-Gottéron Christian Hofstetter gibt einen Einblick in die Vorbereitungen für den Austragungsort Freiburg. · Gleich zwei Goldmedaillen an den Olympischen Spielen für Bern und Freiburg: Die Freiburger Ski-Freestylerin Mathilde Gremaud sichert sich im Slopestyle die Goldmedaille und der Berner Oberländer Franjo von Allmen fährt in der Team-Kombination erneut auf Platz eins.

Gordon Brown says Sir Keir Starmer is in a "serious" situation as he battles to keep his job - but insisted the Prime Minister was the right man to "clean up the system". Sir Keir is facing scrutiny about his appointment of Lord Mandelson as the UK's ambassador to the US - after files released by the US Department of Justice suggested the peer had close links with the sex offender Jeffrey Epstein. Also: President Zelensky says Russia has used more than 400 drones and around 40 missiles in its latest attack on Ukraine's energy infrastructure. And: At the Winter Olympics in Italy, the first gold medal has been won by the Swiss skier, Franjo von Allmen, who was crowned champion of the men's downhill in Bormio.

Die olympischen Winterspiele hätten aus Schweizer Sicht kaum besser beginnen können: Erster Tag, erste Olympia-Goldmedallie. Bei der Männer-Abfahrt in Bormio gewinnt Franjo von Allmen vor den beiden Italienern Giovanni Franzoni und Dominik Paris. Weitere Themen: Wegen der Brandkatastrophe in Crans-Montana herrscht zwischen der Schweiz und Italien eine frostige Atmosphäre. Nun ist ein bisschen Entspannung zu vermelden. Bundespräsident Parmelin traf anlässlich der Olympischen Spiele in Mailand den italienischen Staatspräsidenten Mattarella. Unternehmen in der Schweiz kommen weniger leicht und weniger günstig an Bankkredite seit dem Untergang der Credit Suisse vor drei Jahren. Das besagt eine neue Studie. Die Banken verteidigen sich: von einer Kredit-Klemme könne keine Rede sein, sagt etwa der Chef der grössten Kantonalbank, der ZKB.

Franjo von Allmen gewinnt olympische Abfahrt in Bormio, Parmelin bemüht sich um Entspannung im Verhältnis zu Italien, russische Angriffe verursachen landesweite Stromausfälle in der Ukraine, Schutzmassnahme für Delfine im Golf von Biskaya

Ingeborg Mösching (*1953) ist Meditationslehrerin, MBSR-Lehrerin und ehemalige Pflegefachfrau. Über viele Jahre arbeitete sie mit schwerkranken und sterbenden Menschen und integrierte Achtsamkeit später auch in klinische Kontexte, unter anderem am Universitätsspital Basel. Ihre Meditationspraxis begann 1986 in der christlichen Zen-Tradition und vertiefte sich später in Vipassana und den Herzqualitäten (Brahma-Vihāras). Prägend waren lange Schweigeretreats – unter anderem an der Insight Meditation Society und im Kloster Shwe Oo Min in Myanmar – sowie die Schulung und Autorisierung durch Fred von Allmen.Im Gespräch sprechen wir über Pflege als Schulungsraum, über lange Retreats und das Üben von Gleichmut im Angesicht von Leid. Ingeborg beschreibt eindrücklich, was sie unter «Nicht-Einsteigen» versteht – ein praktisches Loslassen von Identifikation, ohne Verdrängen. Es geht um Einsicht als gelebte Erfahrung, um Herzqualitäten jenseits von Idealisierung und um eine Meditationspraxis, die nicht auf aussergewöhnliche Zustände zielt, sondern im Alltag trägt.Wir sprechen über:

Ein 18-jähriger Mann, der beim Brand vor genau einem Monat in Crans-Montana schwer verletzt wurde, ist in einem Zürcher Spital gestorben. Die Meldung kommt am Tag der Weltcup-Abfahrt in Crans-Montana, bei welcher der Berner Franjo von Allmen gewinnt. Ein Spagat.

Goldmedaillen, Karriereenden und emotionale Wendepunkte – diese Best-of-Folge des SPORTCAST SCHWEIZ blickt zurück auf ein Jahr voller besonderer Sportmomente. Im Mittelpunkt stehen Athletinnen und Athleten, die 2025 geprägt haben. Abfahrtsweltmeister Franjo von Allmen sprach über seinen Weg an die Weltspitze und darüber, wie er vor den grössten Rennen seines Lebens zur Ruhe kommt. IRONMAN-Triathlet Jan van Berkel blickte nach dem Ende seiner Karriere offen auf die mentale und körperliche Komplexität seines Sports zurück. Sydney Schertenleib erzählte von der bevorstehenden Heim-EM und dem Wechsel zum FC Barcelona – ausgelöst durch eine Instagram-Nachricht. Zum Abschluss gab Nino Schurter, der erfolgreichste Mountainbiker aller Zeiten, einen persönlichen Einblick in seine aussergewöhnliche Karriere, geprägt von grossen Erfolgen und einer Niederlage, die bis heute nachwirkt. Eine Folge über Triumphe, Abschiede und die Geschichten hinter den Resultaten.

Analyse zu Val-d'Isère, Gröden, Alta Badia und mehr Ein Käselaib stiehlt in Val d'Isère allen die Show. So schlimm war es in Wirklichkeit nicht, denn Conny Hütter meldet sich zurück und auch Sofia Goggia kann wieder gewinnen. Ist Alice Robinson eine echte Contenderin im Gesamtweltcup? Franjo von Allmen bleibt der Hasadeur im Ski-Weltcup, eine Abfahrtslegende warnt ihn ob seiner Fahrweise. Der Felix der Woche geht zweimal an die Schweiz - wegen einem Poker und wegen zwei Vierbeinern. Frohe Weihnachten euch allen!Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.

Analyse zu Val-d'Isère, Gröden, Alta Badia und mehr Ein Käselaib stiehlt in Val d'Isère allen die Show. So schlimm war es in Wirklichkeit nicht, denn Conny Hütter meldet sich zurück und auch Sofia Goggia kann wieder gewinnen. Ist Alice Robinson eine echte Contenderin im Gesamtweltcup? Franjo von Allmen bleibt der Hasadeur im Ski-Weltcup, eine Abfahrtslegende warnt ihn ob seiner Fahrweise. Der Felix der Woche geht zweimal an die Schweiz - wegen einem Poker und wegen zwei Vierbeinern. Frohe Weihnachten euch allen! Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.

Ständerat streicht Sparpaket zusammen, EU-Gipfel zum Zugriff auf russisches Vermögen für die Ukraine, USA: Trump hält Rede an die Nation, Gröden-Abfahrt: Odermatt gewinnt vor von Allmen

This time we discussed A Mouthful of Dust, book 6 of The Singing Hills Cycle, written by Nghi Vo and narrated by Cindy Kay. We also discussed some of our favorite recent short fiction listens in our short fiction spotlight.   A Mouthful of Dust [Libro.fm] / [Overdrive/Libby] A Witch's Guide to Magical Innkeeping [Libro.fm] / [OverDrive/Libby] The Grimoire Grammar School Parent Teacher Association [Libro.fm] / [OverDrive/Libby] The Very Secret Society of Irregular Witches [Libro.fm] / [OverDrive/Libby] Short Fiction Spotlight: "Wire Mother" written by Isabel J. Kim, narrated by Kate Baker [Clarkesworld] - Issue 229: October 2025 / Short Story "Holding Patterns" written by Jennifer Hudak, narrated by Kat Kourbeti [Escape Pod 989] / Short Story "The Porniest Porn in Porntown" written by Stephen Graham Jones, narrated by Stefen Rudnicki [Lightspeed] - October 2025 (Issue 185) / Short Story "Five Impossible Things" written by Koji A. Dae, narrated by Kate Baker [Clarkesworld] - Issue 228: September 2025 / Short Story "The Garden" written by Emma Törzs, narrated by Erika Ensign [Uncanny Magazine] - Issue Sixty-Five "The Girl Who Came Before" written by David von Allmen, narrated by Pine Gonzalez [Escape Pod 1004] / Short Story  

Ueli von Allmen, Musiker aus Interlaken, bietet mit einem Promo-Konzert im Schilthornbahn-Terminal in Stechelberg eine erste Hörprobe für das kommende Tächaland-Festival.

A Call to All Men (Proverbs 1:7) || Walk With Jesus || Todd Peters 

Join us as we break down the Our Father as the Master of All Men intended us to practice it.Matthew 6:9–13 Our Father in heavenSanctified be your nameYour kingdom comeYour will be doneOn earth as it is in heavenGive us this day our daily breadForgive us our debts, as we also have forgiven our debtorsLead us not into temptation, but deliver us from evilYours is the power and the glory for everAmen

The latest up from Spoken Label (Author / Artist Podcast) features Amanda Nicholson doing a live launch of her new novel, 'Death to all men' of course hosted by Andy N.Amanda Nicholson is an author, poet, podcast co-host and copywriter. Her recent novel has the memorable title Death to All Men.Amanda's poetry has been broadcast on BBC Radio Manchester, and she won the Bradford Cares 2023 Competition. She Has a Creative Writing MA, and has articles published by Ask.com, Harlequin and Reader's Digest UK, among others.Her book can be bought from including:https://www.amazon.co.uk/Death-All-Men-Amanda-Nicholson/dp/B0DVDN2NB6

Is Our Dood Ronald 'The Show' Hughley the SELFIE KING of All Men?!? Lolol full 619 Sat, 07 Jun 2025 00:27:43 +0000 X7WrhKITZclribW9qbgj22OyP3zlmFhj sports The Drive with Stoerner and Hughley sports Is Our Dood Ronald 'The Show' Hughley the SELFIE KING of All Men?!? Lolol 2-6PM M-F © 2025 Audacy, Inc. Sports False https://player.ampe

在討論性別暴力問題時，我們常常聽到的一個說法是Not All Men。這句話一開始相對於me too而出現，在女性透過me too這個標籤表達性別暴力的一種普遍性的時候，男性則企圖主張，並不是所有的男性都是「性犯罪預備軍」，性別暴力這個問題或許不應該以生理性別作為唯一的討論標的。與此同時，有些女性則對於Not All Men這樣的論述感到反感，認為這「放錯重點」，因為不管是不是all men，問題是「men」。然而，與其討論到底是不是All Men，或許我們更應該關注的問題是，why some men？   本集重點： → 男性都是「魔族預備軍」嗎？當我們討論父權社會裡的男性，我們到底在討論什麼？ → 男性是如何變成男性的？ → 某些男性為何傷害女性，男性需要的是同理心教育嗎？ → 在性別身分流動，與性別互動樣態愈發多元的今天，我們如何討論性別？   更多訊息請見部落格文：https://queerology.net/2025/05/16/smalltalq-107/   支持我們：感謝你的收聽。如果你喜歡我們的節目，歡迎你透過以下的方式支持我們。你可以點下訂閱，期待我們下一集的節目；留下五星評價，讓我們知道你的喜歡；也可以將我們的節目分享給更多人知道。如果你願意給我們更多支持，歡迎你前往 https://tinyurl.com/5xsecc9z， 請我們喝杯咖啡。

I. The Chosen ServantII. Well-Loved by the FatherIII. Just to All MenIV. Mild to All Men

I. Injustice is RegardedII. God Sees AllIII. All Men are Equally Mortal

In this episode Bill speaks with CLMP™ and recognized industry figure, Steve Allmen, EVP, Strategy and Partnerships, Canadian Automobile Association. Steve is guiding marketing efforts for this large membership organization. His insights in this conversation will shed light on strategies and tactics to grow loyalty and engagement across large member groups and change the way you think about Membership Loyalty. Hosted by Bill Hanifin.Show notes:1) Steve Allmen2) Canadian Automobile Association3) Bill Hanifin4) The Wise Marketer5) Life: Keith Richards (Book)****************************This episode is sponsored by Phaedon.Visit their website to learn more about how they're powering the world's most beloved loyalty programs at www.wearephaedon.com

Latest up from Spoken Label (Author / Artist Podcast) features the wonderful Amanda Nicholson.Amanda Nicholson is an author, poet, podcast co-host and copywriter. Her recent novel has the memorable title Death to All Men.Amanda's poetry has been broadcast on BBC Radio Manchester, and she won the Bradford Cares 2023 Competition. She Has a Creative Writing MA, and has articles published by Ask.com, Harlequin and Reader's Digest UK, among others.'Death to all men' is available for all of the usual places including - https://www.amazon.co.uk/Death-All-Men-Amanda-Nicholson/dp/B0DVDN2NB6

Zweite Gotthard-Strassentunnel-Röhre: Beginn der Bohrarbeiten, Boltigen BE feiert «seinen» Franjo von Allmen, Gymnasium in Sarnen OW: Umgang mit Handyverbot

Umweltverantwortungsinitiative ist chancenlos, Liechtenstein hat neuen Landtag gewählt, erstes TV-Duell Scholz versus Merz in Deutschland, Franjo von Allmen holt Gold in der Abfahrt an der Ski-WM 2025

Po sinočnjem obsežnem požaru na območju podjetja Plana v industrijski coni Tezno v Mariboru so danes na prizorišču kriminalisti, ki ugotavljajo vzroke požara. Zgorelo je sedem skladiščnih šotorov, v katerih je bilo več tisoč palet plastičnih izdelkov. Gasilci so požar ponoči uspeli pogasiti, v intervenciji je sodelovalo 230 gasilcev s 60-imi vozili iz gasilske brigade in prostovoljnih gasilskih društev. V oddaji tudi: - Na volitvah na Kosovu se zmaga obeta vladajoči stranki premiera Kurtija, na volišča množično tudi Srbi. - Kulturni ministri Zahodnega Balkana na Goriškem o lažjemu vključevanju v Unijo s pomočjo kulture. - Švicar von Allmen svetovni prvak v smuku, Hrobat odstopil, ostali brez presežka.

In this powerful episode of Becoming Resilient, I sit down with kettlebell master, men's work specialist, and all-around wisdom powerhouse, Mike Salemi!

«Einstein» ist hautnah dabei bei der Lauberhornabfahrt. Wie macht das Forschungs-Team von Swiss-Ski die Rennfahrer schneller? Wie mixt es exklusiv für die Schweizer das Skiwachs? Und wie macht es den Rennsport mit KI sicherer? Der exklusive Blick hinter die Kulissen. In der Kommandozentrale Schnell Skifahren wie Marco Odermatt ist alles eine Frage des Talents? Nicht nur! Hinter den Erfolgen von Odermatt und Co. steht neben vielen Betreuern auch ein Team von Forschern. Bei jedem Weltcuprennen betreiben diese ein «Command Center», ein Kommandozentrum. Da wird bei den Trainings und sogar zwischen den Läufen jeder Schwung analysiert, jede Gleitstrecke in Zahlen gefasst. Über eine Bildschirmwand flimmern Videos und Zahlen, die das Forschungsteam zusammenfasst und innert wenigen Minuten an Fahrer und Trainer weitergibt. «Einstein» sitzt in Wengen im Command Center. In der Wachsküche Es wird bereits gemunkelt, die Schweizer hätten ein neues Wunderwachs. Noch bevor sich das Starttor eines Rennens öffnet, hat Udo Rauniak bereits einen wichtigen Beitrag zu Topresultaten geleistet. Auf die Ski der Schweizer kommt nicht Wachs einer grossen Wachsfirma, sondern das von Rauniak exklusiv für Swiss Ski gemixte. Auslöser war das Verbot des krebserregenden Fluors im Wachs. Rauniak verrät: «Silikon ist das neue Fluor». In der künstlichen Realität Es ist eine Premiere am Lauberhorn. Forscher der Fachhochschule Yverdon vermessen für Swiss-Ski die Lauberhornstrecke zentimetergenau. Über das digitalisierte Streckenmodell lässt dann ein Mathematiker eine künstliche Intelligenz über eine Million Mal fahren. Die schnellste Linie können sich die Athleten in Zukunft mit der VR-Brille ansehen, also in der virtuellen Realität. Das soll nicht nur ein Beitrag zu schnelleren, sondern auch sichereren Fahrten liefern. «Einstein»-Moderator Tobias Müller darf die Jungfernfahrt machen. Im Schmerzkeller Pain Cave, Schmerzkeller, so nennen Athletinnen und Athleten den Kraftraum auch. Hier werden Grundlagen für Erfolge erarbeitet, aber auch für die Gesundheit der Fahrer. Der Forschungskoordinator von Swiss-Ski, Björn Bruhin, hat derart viele Daten gesammelt, dass er sagen kann, ob Athleten genug fit sind für eine Strecke oder ob körperliche Defizite die Fahrt zu gefährlich machen. Wie schlägt sich Tobias Müller im Vergleich zu Odermatt und Co.? Am Hundschopf Tobias Müller wagt sich auf die Lauberhornstrecke. «Alles viel enger als auf den TV-Bildern», ist sein erster Eindruck. Und dann kommen die Eispassagen. Müller kann kaum noch steuern. Im Haneggschuss ist es griffiger, er lässt es laufen. 107 km/h zeigt seine GPS-Messung. Respektabel, aber noch immer 55 km/h langsamer als die schnellsten Rennfahrer.

Lauberhorn-Abfahrt: Odermatt und von Allmen feiern Doppelsieg, Delegiertenversammlung der FDP in Bern, Aus- und Weiterbildung zu KI boomt, Krieg in Nahost: Waffenruhe ab Sonntagmorgen

First Part, Question 113, Articles 2, 4 & 6; Article 2: Whether Each Man is Guarded by an Angel; Article 4: Whether Angels are Appointed to the Guardianship of All Men; Article 6: Whether the Guardian Angel Ever Forsakes a Man

In this episode, “Not All Men...Yet,” we dive deep into a powerful movement to reclaim the phrase Not All Men with a renewed purpose of accountability, healing, and change. We explore She Is Not Your Rehab's Not All Men campaign, which challenges men to take ownership of their role in ending cycles of harm and creating a safer world for everyone. Highlighting comedian Daniel Sloss's personal account, we discuss why “just being good on the inside” isn't enough and why silence, inaction, or looking the other way makes us complicit. This episode isn't about blame—it's an invitation for all men to step up, speak out, and get involved in being part of the solution. Join us as we discuss how this connects to TeamsOfMen and the role of coaches, mentors, and athletes in setting a new standard for healthy, accountable manhood. Let's move from Not All Men to All Men in the work of creating safe and respectful communities.

(Trigger warning for subject mentioning at 1:37:00) The second All Men's edition of the podcast is here!!! Majority unedited, Tae, Ju and Andre (aka every cereal name) have quite an episode ahead. Speaking on several topics including the definition of being a grown man, how soon is too soon to get to know someone intimately (spoiler, 2 days) and fatherhood roles amongst many different backgrounds. A cameo from our dear KeeLowLow with TJ special guest starring, this is gonna be one to remember, buckle up!!!The Support Black Business shoutout goes to:Our dear mechanic, NishoSoul!!!Be sure to check out his music, and up to date shows on all social mediaTwitter: NishoSoulIG: NishoSoulMusicQuestions/Listener Letters: tkohnah@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/tkohnahpodcast/support

The Sutra's hero, Vimalakirti, a master of the Bodhisattva's 'Skilful Means', discussed here in terms of the Four Analytical Knowledges, the Four Elements of Conversion, and the Magical Formulae. In this excerpt from the talk Sangharakshita describes the fourth of the Four Analytical Knowledges, that of Courage. From from the talk On Being All Things to All Men, part of the series The Inconceivable Emancipation - Themes from the Vimalakirti Nirdesha given in 1979. *** Subscribe to our Dharmabytes podcast:  On Apple Podcasts | On Spotify | On Google Podcasts Bite-sized inspiration three times every week. Subscribe to our Free Buddhist Audio podcast:  On Apple Podcasts | On Spotify | On Google Podcasts A full, curated, quality Dharma talk, every week. 3,000,000 downloads and counting! Subscribe using these RSS feeds or search for Free Buddhist Audio or Dharmabytes in your favourite podcast service! Help us keep FBA Podcasts free for everyone: donate now! Follow Free Buddhist Audio: YouTube  |  Instagram  |  Twitter  |  Facebook  |  Soundcloud  

This special episode takes place in Fort Worth, Texas at Opal Lee's Juneteenth Celebration. We've curated an amazing panel of Dallas/Ft. Worth's thought-leaders for our first All Men's Panel: Sederrick Raphiel, Matt Houston, Lee Merritt, Esq., and Dr. Jake Tayler Jacobs. Join the conversation as we celebrate and challenge black fathers, inspire our community to rally together and support our culture, and dispel the lie that men lose in marriage. This powerful episode calls out into deep with the question, :Adam, Where Are You?"   CONNECT WITH OUR GUEST https://www.instagram.com/leemerrittesq https://www.instagram.com/jaketaylerjacobs https://www.instagram.com/sederrickraphiel https://www.instagram.com/mrmatthouston   PURCHASE TICKETS TO "SOUND OF HOPE" https://angel.com/kr   JOIN OUR MAILING LIST Stay updated on our latest episodes and events: https://bit.ly/LRWconnection   BOOK YOUR SPOT AT THE CLARITY RETREAT https://icwtt.com/group-trips/   PURCHASE "YOU (Dear Future Wifey)" Theme Song http://itunes.apple.com/album/id/1729993404   DONATE TO KINGDOM ROYALE: "Where foster kids become royalty." https://www.KingdomRoyale.com   DEAR FUTURE WIFEY MERCH https://www.DearFutureWifey.comSee omnystudio.com/listener for privacy information.

Pastor Miles McPherson challenges believers of all skin tones to consider the fact that grouping humans by skin color promotes racism, which hinders the gospel. He encourages us to treat every person like they truly were created in the image of God.   Receive the book The Third Option PLUS a free audio download of the broadcast "Seeing God's Image in All Men" for your donation of any amount!   Get More Episode Resources   We'd love to hear from you! Visit our Homepage to leave us a voicemail.   If you've listened to any of our podcasts, please give us your feedback.