Podcast appearances and mentions of George S Patton

General Marshall planned brilliantly for the US Army's rapid wartime growth and a 'Just Peace' for post-war Europe. Professor Bill Johnsen explains how. General George C Marshall's (1880-1959) career as a strategist and strategic leader was impressive. As the Chief of Staff for the US Army, he oversaw a forty-fold increase in the size of the Army. Quick to spot talent and advance it out of turn, his appointments included Generals Omar Bradley, Lesley J McNair, George S Patton, and perhaps most crucially, Dwight D Eisenhower. Winston Churchill described Marshall as 'the organiser of victory' After the War, he was appointed as Secretary of State, where he lobbied for the reconstruction of Europe that would build the capacity of nations exhausted by the War, and act as a bulwark against Soviet expansion. The European Reconstruction Plan, which would eventually become simply the 'Marshall Plan', earned him the unique distinction of being the only Army General to be awarded the Nobel Peace Prize. Professor William (Bill) Johnsen is the former Director of Academics at the US Army War College, and a former Infantry Officer. He served in NATO working on the Conventional Forces in Europe Treaty and the 1991 NATO Strategy. He is the author of numerous works, including Origins of the Grand Alliance: Anglo-American Military Collaboration from the Panay Incident to Pearl Harbor (University Press of Kentucky, 2016), and his latest manuscript, tentatively entitled War Councilors: The Combined Chiefs of Staff and the Winning of World War II, is under publication review.

Episode 3000 of the Vietnam Veteran News Podcast will feature Vietnam Vet General George S. Patton IV. Information featured in this episode comes from the HistoryNet website. General George S. Patton IV, the son of the legendary World War II … Continue reading →

Biographical films can be incredible ... that is if they delve deep into the main protagonist's character based on their past. Their influences growing up drive who they are and why they became the important figure, we are watching being analyzed on screen. In 1970, there was a larger-than-life war hero, who for better or worse was a strong force for the American effort in defeating the Nazis in WWII. However, George S. Patton ruffled more than a few feathers during the last few years of the war. Franklin J. Schaffner directed this Best Picture winner, Patton, illustrating this macho, no-holds-barred general who helped win a war, but made many enemies on BOTH sides of the battlefield. George C. Scott's legendary performance is what people remember about this Oscar-winning film. However, there is a lot more that can be analyzed about this classic.After 55 years, does this film still hold up? Does it still deserve the same praise it received when it was first released? Listen to film critic Jack Ferdman's take on it as he analyzes everything about Patton, as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 1970.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHear RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messanger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a text

General George S. Patton war einer der fähigsten, aber auch umstrittensten Befehlshaber des Zweiten Weltkriegs – ein Mann, der Strategie und Skrupellosigkeit auf einzigartige Weise vereinte. Sein Name steht für blitzschnelle Offensiven, unnachgiebige Disziplin und einen Führungsstil, der zwischen Brillanz und Rücksichtslosigkeit schwankte. Während er die Dritte US-Armee in einem beispiellosen Vormarsch durch Frankreich und Deutschland führte, geriet er immer wieder mit seinen Vorgesetzten aneinander – sei es durch seine Respektlosigkeit gegenüber politischen Entscheidungen, seine berüchtigten Wutausbrüche oder seine Bewunderung für den soldatischen Geist selbst in feindlichen Armeen. Patton war ein Krieger durch und durch, aber auch ein Mann voller Widersprüche: ein visionärer Stratege, der zugleich an Reinkarnation glaubte; ein Führer, der seine Soldaten bis an die Grenze ihrer Kräfte trieb, aber selbst unter größten Verlusten immer den Angriff befahl; ein Patriot, der nach Hitlers Niederlage vorschlug, gegen die Sowjets weiterzumarschieren. Seine Erfolge auf dem Schlachtfeld sind unbestritten – seine Methoden und Überzeugungen sorgen bis heute für Diskussionen.

คอลัมน์ “สดแต่เช้า”ปีที่4 (291) จะรับมือกับการท้าทายอย่างไรดี? “ข้าพเจ้าเผชิญได้ทุกอย่าง โดยพระองค์ผู้ทรงเสริมกำลังข้าพเจ้า”‭‭ ~ฟีลิปปี‬ ‭4‬:‭13‬ ‭THSV11‬‬ “I can do everything through Christ who strengthens me.”‭‭ ~Philippians‬ ‭4‬:‭13‬ ‭GW‬‬ คำว่า “การท้าทาย” ในภาษาอังกฤษใช้คำว่า “A challenge” ที่มีความหมายว่า “บางสิ่งที่ใหม่และยาก ซึ่งจำเป็นต้องมีความพยายามและความมุ่งมั่นอย่างมากในการรับมือ” (is something new and difficult which requires great effort and determination.) ชีวิตและการรับใช้ของเรามักมีบางเรื่องหรือมีบางสิ่งท้าทายขวางอยู่เบื้องหน้าตลอดเวลา~บางเรื่องก็เป็นเรื่องยากจริง~บางเรื่องก็เป็นเรื่องหนักมาก~บางเรื่องก็เป็นเรื่องเจ็บปวดสาหัส~บางเรื่องก็เป็นเรื่องใหม่ไม่คุ้นเคยเลย~บางเรื่องก็เป็นเรื่องไม่คาดฝัน ฯลฯ ทำให้ไม่ง่ายสำหรับเราในการรับมือกับความท้าทายเหล่านั้น! ยิ่งบางเรื่องเป็นเรื่องที่เปราะบางทางใจ หรืออยู่ในกระแสสังคม ที่มีความกดดันสูงด้วย ก็ยิ่งทำให้เราลำบากยากเย็นเข็ญใจในการจัดการมากยิ่งขึ้นไปอีก แต่ทุกอย่างจะไม่เป็นปัญหาเกินที่เราจะรับมือ หากว่า เราเชื่อ วางใจ และพึ่งพา 1).พระกำลังของพระคริสต์ และ 2).พระสติปัญญาของพระเจ้า เราจึงต้อง เรียนรู้จัก 1,ยอมรับ(accept)ในสิ่งที่เราปฏิเสธหรือเปลี่ยนแปลงอะไรไม่ได้2.ยอมปรับ(adjust)หรือปรับปรุงในบางสิ่งที่เราสามารถพอปรับปรุงแก้ไขได้3.ยอมเปลี่ยน(adapt)หรือหาวิธีใหม่ที่เราใช้รับมือกับวิกฤติหรือบรรลุเป้าหมายได้4.ยอมปฏิเสธ(avoid)หรือหลีกเลี่ยงไม่ให้เราทำในสิ่งที่ขัดกับจุดยืนตามพระวจนะของพระเจ้า เราต้องพร้อมเผชิญกับทุกสิ่งและทุกสถานการณ์ด้วยหลักการดังต่อไปนี้1.ใช้ความจริงคู่กับความรัก- “จริงก็จงว่าจริง ไม่ก็ว่าไม่ คำพูดที่เกินกว่านี้มาจากความชั่ว”‭‭ ~มัทธิว‬ ‭5‬:‭37‬ ‭THSV11‬‬ “แต่ให้เรายึดถือความจริงด้วยความรัก เพื่อจะเจริญขึ้นในทุกด้านสู่พระองค์ ผู้เป็นศีรษะคือพระคริสต์”‭‭ ~เอเฟซัส‬ ‭4‬:‭15‬ ‭THSV11‬‬ “ความรักไม่ทำอันตรายต่อเพื่อนบ้านเลย เพราะฉะนั้นความรักจึงเป็นสิ่งที่ทำให้ ธรรมบัญญัติสำเร็จอย่างครบถ้วน”‭‭ ~โรม‬ ‭13‬:‭10‬ ‭THSV11‬‬ พี่น้องที่รัก อย่าให้เรา 1.ยึดความจริงอย่างเดียว หรือ 2.ความรักอย่างเดียว แต่ว่าทั้งสอง ต้องไปด้วยกันเสมอ ไม่มีการแยกจากกันโดยเด็ดขาด 1).อย่าอ้างความจริงเพื่อทำอันตรายผู้ใด 2).อย่าอ้างความรักเพื่อทำลายความจริง 3).อย่าบูชาความจริงเป็นพระเจ้า 4).อย่ายึดความรักเป็นรูปเคารพ 5).อย่าปล่อยให้ความเท็จและความเกลียดชังครอบงำจิตใจของเรา2.ใช้ความเมตตานำหน้าการพิพากษาหรือกฎกติกา~ “เพราะว่าการพิพากษาย่อมไม่เมตตาต่อคนที่ไม่แสดงความเมตตา ความเมตตาย่อมมีชัยเหนือการพิพากษา”‭‭ ~ยากอบ‬ ‭2‬:‭13‬ ‭THSV11‬‬ “ท่านจงไปเรียนความหมายของคัมภีร์ข้อนี้ ที่ว่า ‘เราประสงค์ความเมตตา ไม่ประสงค์เครื่องสัตวบูชา' ด้วยว่าเราไม่ได้มาเพื่อเรียกคนชอบธรรม แต่มาเรียกคนบาป””‭‭ ~มัทธิว‬ ‭9‬:‭13‬ ‭THSV11‬‬ “พวกท่านจงมีใจเมตตากรุณาเหมือนอย่างพระบิดาของท่านมีพระทัยเมตตากรุณา”‭‭ ~ลูกา‬ ‭6‬:‭36‬ ‭THSV11‬‬ พี่น้องที่รัก 1).อย่าให้เราเอาความคิดเห็นของตัวเอง เท่านั้น 2).อย่าให้เราอ้างกฎกติกา หรือบทบัญญัติ หรือ ความจริงในพระคัมภีร์ บางข้อบางตอน 3).อย่าให้เราเอากระแสของสังคมหรือของโลกที่กดดันเราอย่างมาก ไปเล่นงานพิพากษาผู้ใดอย่างไร้เมตตา เราต้องเตือนตัวเองไว้เสมอว่าเราไม่มีสิทธิ์พิพากษา ผู้ใดหรือแม้แต่ต่อตัวเอง เราทำได้อย่างมากก็แค่ นำคำเตือนเรื่องการพิพากษา หรือคำพิพากษาที่ชัดเจนของพระเจ้าไป มอบให้แก่เขาเท่านั้น ด้วยท่าทีถ่อมใจ เมตตากรุณา และให้เกียรติแก่เขา พี่น้องที่รัก ขอให้เราเผชิญกับทุกการท้าทายในชีวิตและในการรับใช้ด้วยการพึ่ง1.พระสติปัญญาที่มาจากพระเจ้าพระบิดา2.พระกำลังที่มาจากองค์พระเยซูคริสต์พระบุตร3.ฤทธิ์เดชที่มาจากพระวิญญาณบริสุทธิ์ ซึ่งสอดคล้องกับหลักคำสอนที่เปิดเผยไว้ในพระคริสตธรรมคัมภีร์ เพื่อที่เราจะบินสูงขึ้น และ เป็นผู้มีชัยในบั้นปลายอย่างแท้จริง! ขอให้เรามีท่าทีอย่างท่านนายพล George S. Patton (1885~1945) ผู้โด่งดังในสงครามโลกครั้งที่2 ซึ่งกล่าวว่า “ จงยอมรับการท้าทาย เพื่อว่าคุณจะได้รู้สึกเบิกบานใจในชัยชนะ!” (Accept the challenges so that you can feel the exhilaration of victory.) …เห็นด้วยไหมครับ? ~~~~~~~~~~~~~~~ธงชัย ประดับชนานุรัตน์16มกราคม 2025#YoutubeCJCONNECT #thongchaibsc#คริสตจักรแห่งความรัก #churchoflove #ShareTheLoveForward #ChurchOfJoy #คริสตจักรแห่งความสุข #NimitmaiChristianChurch #คริสตจักรนิมิตใหม่ #ฮักกัยประเทศไทย #อัลฟ่า #หนึ่งล้านความดี #SoulFoodPodcastsSpotify

National short girl appreciation day. Entertainment from 1967. Pan Am flight 103 Lackabie bombing, 1st basketball game played, 1st crossword puzzle printed. Todays birthdays - Phil Donahue, Jane Fonda, Frank Zappa, Samuel L. Jackson, Nick Gilder, Jane Kaczmarek, Lee Roy Parnell, Ray Romano, Keifer Sutherland. George S. Patton died.Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/Short girls - Don ArndtDay dream believer - The MonkeesFor loving you - Bill Anderson    Jan HowardBirthdays - In da club - 50 Cent      http://50cent.com/Don't eat the yellow snow - Frank ZappaSamuel L. Jackson in Snakes on a planeHot child in the city - Nick GilderWhat kind of fool do you think I am - Lee Roy ParnellExit - It's not love - Dokken      http://dokken.net/

Kevin Hymel joins me again to continue Patton's story in the war. In this episode, Kevin starts around the Knutsford incident and takes us to about 1 August 1944 when Patton finally get's Third Army on the Continent. Links Patton's War: An American General's Combat Leadership Volume I - NOV 1942 to JUL 1944 by Kevin Hymel (Amazon) Patton's War: An American General's Combat Leadership Volume II - AUG to DEC 1944 by Kevin Hymel (Amazon) Marshall and the Knutsford Affair (https://www.marshallfoundation.org/articles-and-features/marshall-and-the-knutsford-affair-2/) US Army Central Timeline (https://www.usarcent.army.mil/About/History/Timeline/) Mother of Tanks website (http://www.motheroftanks.com/podcast/)   Bonus Content (https://www.patreon.com/c/motheroftanks)

GGACP celebrates the birthday of actor, radio personality and voice artist Larry Kenney (Lion-O, Count Chocula, Sonny the Cuckoo Bird) with this ENCORE of a memorable interview from 2017. In this episode, Larry trots out his array of impressions (Richard Nixon, Paul Lynde, George S. Patton) and remembers some of the industry's legendary voice talents, including Mel Blanc, Paul Frees, Bob McFadden, June Foray and Paul Winchell. Also, Larry hosts “Bowling for Dollars,” Don Imus clashes with Howard Stern, William Conrad cleans up the Old West and Peter Lorre tries to sound like...Peter Lorre. PLUS: Jerry the Bellybutton Elf! The return of Vaughn Meader! “The Great American Dream Machine”! And Lauren Bacall praises Larry's Bogie!  Learn more about your ad choices. Visit megaphone.fm/adchoices

You were meant to adapt and adjust. You were meant to be resilient and bounce back. You can get through anything you are going through right now! The key is to intentionally reframe your experience and remember resilience has been part of your history.   Power Phrase of the Week: “I can see the opportunity in every difficulty.” Quote of the Week: “Success is how high you bounce when you hit rock bottom.” - George S. Patton, US Military General

Functional Obsolescence Unveiled: The Silent Value Killer in Real Estate Investments—and How to Defeat It! There's a often overlooked risk of investing in reale state: obsolescence. Whether we're focused on properties that are or will become functionally obsolete or drift directly into economic or physical obsolescence... these are real-world risks with real-world impact to your bottom line. Learn all about them including examples, how they show up and how to overcome them in this special class. In this class, James discusses: A George S Patton quote about fear, risks and making decisions. Obsolescence defined Examples Selection, Direct and Indirect Control, Interpeting the Present and Predicting the Future How Obsolescence Shows Up In Real Estate Investing Solutions to eliminate, minimize and/or mitigate these risks Plus much more... Free Real Estate Deal Analysis Spreadsheet: Download a copy of the newest version of The World's Greatest Real Estate Deal Analysis Spreadsheet™ by going to:https://RealEstateFinancialPlanner.com/spreadsheetImprove Cash Flow: Book a consultation to improve cash flow using our proprietary 88 cash flow improving strategies.Real Estate Agent & Lender Collaborators: Interested in collaborating with us on the Fort Collins real estate investor podcast? Book a free consultation to discuss.

Warning - Risks of Rental Demand Declining When Investing in Real Estate Risk, risk, risk... Life is full of risks. To a limited degree, we get to choose which risks we voluntarily take on. For example, if you choose to invest in real estate, you choose to take on some additional risks that you might not—directly—face if you opt to invest in something else with its own set of risks. One risk when investing in real estate is the risk that the property you buy as a rental experiences a decline in rental demand, which often leads to a reduction in the rent you are getting. What are some things we can do to eliminate or mitigate this risk in advance of seeing possible rental market demand declining, and what are some things we can do after demand softens? That's what James will cover in this mini-class. In this class, James discusses: A George S Patton quote about fear, risks and making decisions. More/Less speculative returns and why cash flow is more speculative than most people believe Buying properties that have mass appeal Buying better quality properties Modifying Warren Buffett's quote: Buying wonderful properties at fair prices versus buying fair properties at wonderful prices. Two opposing thoughts: discount for protection or quality to avoid selling Lower rent, hold on and absorb lower income Reserves and cumulative negative cash flow Change use Improve cash flow Sell Give property back Refi and/or recast Bring in partner Plus much more... Free Real Estate Deal Analysis Spreadsheet: Download a copy of the newest version of The World's Greatest Real Estate Deal Analysis Spreadsheet™ by going to:https://RealEstateFinancialPlanner.com/spreadsheetImprove Cash Flow: Book a consultation to improve cash flow using our proprietary 88 cash flow improving strategies.Real Estate Agent & Lender Collaborators: Interested in collaborating with us on the Fort Collins real estate investor podcast? Book a free consultation to discuss.

Back again is Kevin Hymel to continue the story of General Patton. This time we talk about Patton's trip to England, some colorful behavior, and Willie the dog. If you missed Kevin's episode in last year's 1943 series, it's season 1 episode 47. Links Patton's War: An American General's Combat Leadership Vol. 1 Patton's War: An American General's Combat Leadership Vol. 2 Patton's Photographs: War as He Saw It Historian Kevin Hymel's Article on the 6888th Being Made into a Movie 6888th Central Postal Directory Battalion "No Mail, Low Morale": The 6888th Central Postal Directory Battalion Why We Fight Bonus Content --- Send in a voice message: https://podcasters.spotify.com/pod/show/mother-of-tanks/message

Warning - Risks of Neighborhood Decline When Investing in Real Estate Everything in life has risks. Not investing adds certain types of risks, while investing adds other risks. One risk that some real estate investors face is the possibility that the neighborhood they're investing in will decline, causing values and/or rents to drop. So, how do we prevent this, and what can we do about it if it happens to us? In this mini-class addressing the dangers and risks of investing in real estate, James discusses the risk of a decline in the neighborhood you're investing in and what to do to mitigate the risk and address it should it happen. In this class, James discusses: A George S Patton quote about fear, risks and making decisions. Neighborhoods declining in value, rents, overall quality and desirability How to avoid investing in declining neighborhoods Watching market conditions and early, leading indicators Investing without ownership Investing without long-term ownership Investing for quality versus discount Holding on through a decline (and likely eventual turn around) Selling Give the property back Plus much more... Free Real Estate Deal Analysis Spreadsheet: Download a copy of the newest version of The World's Greatest Real Estate Deal Analysis Spreadsheet™ by going to:https://RealEstateFinancialPlanner.com/spreadsheetImprove Cash Flow: Book a consultation to improve cash flow using our proprietary 88 cash flow improving strategies.Real Estate Agent & Lender Collaborators: Interested in collaborating with us on the Fort Collins real estate investor podcast? Book a free consultation to discuss.

Londres, 1944. La guerre fait rage en Europe. Dans le brouillard glacial de la capitale anglaise, le général George S. Patton se distingue par son aura de bravoure et son caractère trempé. Mais derrière l'image du soldat impitoyable se cache un homme complexe, rongé par l'ambition et hanté par la controverse. Rejeté par les Britanniques et méprisé par les Allemands, Patton n'a qu'un seul objectif : la gloire. Son arrivée au Quartier Général allié est attendue avec un mélange d'admiration et d'appréhension. Face au général Eisenhower, son supérieur hiérarchique, les tensions sont palpables. Un lourd silence pèse entre les deux hommes, ravivant le souvenir d'une affaire de gifles qui a failli briser la carrière de Patton. Mais malgré les rancœurs passées, Eisenhower lui offre une nouvelle chance : le commandement de la 3e Armée et une mission cruciale pour le succès du débarquement. C'est l'occasion pour Patton de se racheter et de graver son nom dans l'histoire. Sa détermination est farouche. Il est prêt à tout pour saisir cette opportunité et briller sur le champ de bataille. Merci pour votre écoute Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/22750 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Warning - Risks of Loan Called Due When Investing in Real Estate Investing in real estate adds some risk to an already risk-filled life. However, certain activities and strategies when investing in real estate create additional risks that other strategies and activities do not have. For example, choosing to utilize strategies where the lender has the right to call a loan due—like many types of creative financing, using home equity lines of credit, and many commercial loans—adds the additional risk of possibly having loans on your properties called due and payable in full. Add in the fact that these often coincide with the most extreme market conditions, and it can be a recipe for disaster for you as a real estate investor... a perfect storm of sorts... extreme market conditions where refinancing or selling can be near impossible or at least impractical, and the lender forcing you to do just that very thing at the same time. In this mini-class, James will discuss the risk of loans being called due, what we can do about it, and how to mitigate or eliminate that risk completely. In this class, James discusses: A George S Patton quote about fear, risks and making decisions. When are loans called due? Balloons on mortgages Breach of agreement on mortgages Buying properties subject-to the existing financing, lease-options, and lease-purchases Lender's option to terminate loan agreement The perfect storm: extreme market conditions and lenders calling loans due How to avoid having a loan called due Options when a loan is called due Plus much more... Free Real Estate Deal Analysis Spreadsheet: Download a copy of the newest version of The World's Greatest Real Estate Deal Analysis Spreadsheet™ by going to:https://RealEstateFinancialPlanner.com/spreadsheetImprove Cash Flow: Book a consultation to improve cash flow using our proprietary 88 cash flow improving strategies.Real Estate Agent & Lender Collaborators: Interested in collaborating with us on the Fort Collins real estate investor podcast? Book a free consultation to discuss.

Warning - Risks of Rental Property Expenses When Investing in Real Estate Risk is all around us. When we choose to invest in anything, we're choosing to take on the additional risk characteristics of that investment. For example, when we choose to invest in real estate, we choose to take on the risk characteristics of the specific real estate investing we opt to do minus the risk mitigation and elimination strategies we put in place. One of the risks of investing in real estate is the risk of rental property expenses increasing. James discusses those risks and how to mitigate or eliminate them in this mini-class. Check out the video from this class here: Warning - Risks of Rental Property Expenses When Investing in Real Estate - Video In this class, James discusses: A George S Patton quote about fear, risks and making decisions. An introduction to Rent Resiliency™, Price Resiliency™, Vacancy Resiliency™, Property Insurance Resiliency™, Maintenance Resiliency™, HOA Resiliency™, Utilities Resiliency™, Capital Expenses Resiliency™, Property Management Resiliency™ and Property Taxes Resiliency™ Eliminating some risk by using fixed rate financing options How increasing expenses don't mean 1:1 reduction in cash flow Options when Property Taxes get too high? Options when Insurance gets too high? Options when Principal and Interest change? Options when Interest Rates rise? Plus much more... Free Real Estate Deal Analysis Spreadsheet: Download a copy of the newest version of The World's Greatest Real Estate Deal Analysis Spreadsheet™ by going to:https://RealEstateFinancialPlanner.com/spreadsheetImprove Cash Flow: Book a consultation to improve cash flow using our proprietary 88 cash flow improving strategies.Real Estate Agent & Lender Collaborators: Interested in collaborating with us on the Fort Collins real estate investor podcast? Book a free consultation to discuss.

Danger of the Peace and Freeze Movements:  A Speech by Major General George S. Patton IV.  He is introduced by Congressman Larry McDonald who was a relative.  Please visit our website www.campconstitutional.net

Warning - The Risk of Down Payment Size When Investing in Real Estate Life is full of risks. When we choose to invest, we choose to take on additional risks. If we invest in stocks, we choose to take on certain risks. When we choose to invest in bonds, we take on different risks. When we choose to invest in real estate, we choose to take on additional and different risks. One of the risks associated with real estate investing is the risk of down payment size. If you put a large amount down—or even choose to pay cash and put 100% down—you have certain risks. If you choose to put a small amount down—or even nothing down—you have other risks. These risks change with the amount you put down. In this mini-class, James will look at the risks associated with the amount you put down when investing in real estate. Check out the video from this class here: Warning - The Risk of Down Payment Size When Investing in Real Estate - Video In this class, James discusses: A George S Patton quote about fear, risks and making decisions. The Risk Matrix and The Risk Matrix for property appreciation (and property declines) An introduction to Rent Resiliency™ and Price Resiliency™ Case-Shiller Home Price Index - Home Price Appreciation Over Previous 12 Months A Case-Shiller chart showing mortgage interest rates, population, real building costs and home prices over the last 133 years Year-Over-Year Home Price Appreciation over the last 133 years and the frequency of price declines (and price increases) What are you risking? Plus much more... Free Real Estate Deal Analysis Spreadsheet: Download a copy of the newest version of The World's Greatest Real Estate Deal Analysis Spreadsheet™ by going to:https://RealEstateFinancialPlanner.com/spreadsheetImprove Cash Flow: Book a consultation to improve cash flow using our proprietary 88 cash flow improving strategies.Real Estate Agent & Lender Collaborators: Interested in collaborating with us on the Fort Collins real estate investor podcast? Book a free consultation to discuss.

In this special Edition within our special series I thought it was important to introduce you to three of the names you have heard or will hear in our series.  As a person in my 50s who has worked in or around politics my entire life these names are familiar to me.  That may not be the case for so many of our listeners who are either younger or not from South Carolina. Strom Thurmond, the former Senator from South Carolina, was as dominate a political figure in my home state for decades as any name you will ever know. He literally served in political office for 72 years and up to the age of 100.  Governor Jim Edwards, the first Republican Governor in South Carolina since Reconstruction, was also a well known figure for many years. Both men have also been out of public office for more than 20 years or longer. I thought it would be important to introduce you to both men so that our younger listeners can grasp how important they were in their time. I also have learned  in the three years and 12 seasons we have been producing these documentary podcasts that you end up with great materials that don't actually fit into your narrative. In the case of General George Patton we had that issue. Mayor Hirsch met Patton while he was fighting in the war but he headed home before the General died in a car accident near Christmas of 1945.  We found an extraordinary documentary short on Patton's life from the time of his death and it was narrated by Ronald Reagan. We wanted to share that short audio with our audience but could not find a place where it would fit. So we thought we would share it here. The same for another interesting story told by Mayor Hirsch that involved the star of our current long series , President George H. W. Bush. We thought that would be a great story to share here in this episode as well. We hope you will enjoy this episode of what we like to call our "DVD Extras" Ranked 4th as one of the best American History Podcasts of 2024https://podcasts.feedspot.com/american_history_podcasts/ Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

Sumario Informe Enigma Dirige y Presenta: Jorge Ríos Escúchanos cada viernes de 23:00h a 01:00h en directo en Radio Platja d'Aro. Síguenos a través de nuestras redes sociales o contacta con nosotros en el siguiente correo electrónico: enigma-rpa@hotmail.com https://danielortegaescritor.com/ Contacto Yolanda Martínez: 647552954 Contacto Beatriz Artola: +49 1525 9736982 / kera.coach@gmail.com No olvides apoyarnos en el apartado de mecenas. El general George S. Patton fue uno de los militares más férreos e implacables en la lucha contra la Alemania Nazi de la Segunda Guerra Mundial. Bajo su mando, las tropas aliadas norteamericanas se adentraron en el corazón del Tercer Reich con una estrategia bélica nunca vista hasta entonces. Su eficacia y rapidez fueron claves para el derrocamiento de Hitler, pero sus métodos, con los que llevaba a sus subordinados a situaciones extremas, fueron muy polémicos. Una figura controvertida, que se ganó el sobrenombre de general "sangre y agallas" Hoy, con Daniel Ortega, abordamos la segunda parte de la biografía de este trepidante héroes americano.

This week Mark and Jonny discuss episodes 247 and 248 of "King of the Hill", "Born Again on the Fourth of July" and "Serves Me Right for Giving Gen. George S. Patton the Bathroom Key".

Warning - Insurable Risks When Investing in Real Estate Life has risks. Real estate investing in Fort Collins adds some additional risks. Some of these risks can be shifted from your responsibility to the responsibility of a third party for a fee. This is often described as insurance. You choose to pay someone else to take on a risk you don't want to take on yourself. In this mini-class, James will go over a variety of insurable risks that real estate investors experience and how to mitigate or eliminate them. Check out the video from this class here: Warning - Insurable Risks When Investing in Real Estate - Video In this class, James discusses: A George S Patton quote about fear, risks and making decisions. The Risk Matrix What is insurance? Insurable risks The most common insurable risks: fire, lightning, hail, theft, vandalism, personal injury, and liability Some less commonly insurable risks: loss of income, flood, earthquake, hurricane, tornado, meth, and rent guarantee The considerations of deductible size Plus much more... Free Real Estate Deal Analysis Spreadsheet: Download a copy of the newest version of The World's Greatest Real Estate Deal Analysis Spreadsheet™ by going to:https://RealEstateFinancialPlanner.com/spreadsheetImprove Cash Flow: Book a consultation to improve cash flow using our proprietary 88 cash flow improving strategies.Real Estate Agent & Lender Collaborators: Interested in collaborating with us on the Fort Collins real estate investor podcast? Book a free consultation to discuss.

Today in 1935, a military mission you sure don't see every day: at the direction of then-Lieutenant Colonel George S. Patton, American planes carried out a series of bombing runs in Hawaii to stop a volcano. Plus: this week in 2015, Vogue Magazine published a correction for the record books. 27 December 1935 (This Day In Aviation) Miscues That Made News (Robert Rector on Blogspot)  Keep this show flying as a backer on Patreon --- Send in a voice message: https://podcasters.spotify.com/pod/show/coolweirdawesome/message Support this podcast: https://podcasters.spotify.com/pod/show/coolweirdawesome/support

National short girl appreciation day. Entertainment from 2005. Pan Am flight 103 Lackabie bombing, 1st basketball game played, 1st crossword puzzle printed. Todays birthdays - Phil Donahue, Jane Fonda, Frank Zappa, Samuel L. Jackson, Nick Gilder, Jane Kaczmarek, Lee Roy Parnell, Ray Romano, Keifer Sutherland. George S. Patton died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Short girls - Don ArndtRun it - Chris BrownCome a little closer - Dierks BentleyBirthdays - In da club - 50 Cent http://50cent.com/Don't eat the yellow snow - Frank ZappaSamuel L. Jackson in Snakes on a planeHot child in the city - Nick GilderWhat kind of fool do you think I am - Lee Roy ParnellExit - It's not love - Dokken http://dokken.net/ https://cooolmedia.com/

The Elite Ones sit down on the 78th anniversary of General Patton's death to discuss his life, career, and if he was assassinated! Questions, comments, etc., please email Jon at jon.b.mikolashek.civ@ndu.edu

Welcome to the Instant Trivia podcast episode 1017, where we ask the best trivia on the Internet. Round 1. Category: I'Ll Have Thirds 1: It says you can't be forced to let soldiers live in your house. the Third Amendment. 2: This annual observance that's on the third Sunday in June should seem familial to you. Father's Day. 3: This third book in the King James Bible says, "It shall be a perpetual statute... that ye eat neither fat nor blood". Leviticus. 4: This general who died late in 1945 led the U.S. Third Army on major campaigns of World War II including Normandy. (George S.) Patton. 5: In 1996 this Reform Party presidential candidate, a Texas businessman, got third place with 8 million votes. Ross Perot. Round 2. Category: What Sort Of Establishment Is This? 1: The type of roadhouse called a this joint lent its name to a coin-operated music machine. a juke joint. 2: In Mexico, it's a bar; on Tatooine, it's also "an ideal spot to hire a starship's crew". a cantina. 3: If you encounter a meat and three establishment in the American South, the "three" refers to these. the side dishes. 4: Raw bars traditionally serve live, uncooked these. oysters (shellfish, clams). 5: There's an alloy in this word for a type of casual restaurant, French for "brewery". a brasserie. Round 3. Category: 1988 1: The Thatcher government imposed a broadcast ban on this political wing of the IRA. Sinn Fein. 2: Bone, Crossbeak and Bonnet, or, as the Eskimos called them, Pontu, Siku and Kannick. gray whales that were trapped. 3: In August this Indiana senator was chosen as the Republican vice-presidential nominee. Dan Quayle. 4: In mid-March, Midway Island will be midway along the path of one of these. a solar eclipse. 5: Along with the Marcoses, this Saudi arms merchant was indicted in October on charges of racketeering. Adnan Khashoggi. Round 4. Category: Singers' Shared First Names 1: Chesney and Loggins. Kenny. 2: Nicks and Wonder. Stevie. 3: Trevi and Gaynor. Gloria. 4: Bolton and Buble. Michael. 5: Maines and Merchant. Natalie. Round 5. Category: In Life 1: In regard to benefits, ssa.gov says this period of your life begins at age 62. retirement. 2: In common law, the age of this, signaling adulthood, is presumed to be 14 in boys and 12 in girls. puberty. 3: In the Holmes-Rahe life stress inventory, the death of a spouse is tops, while this similar outcome is second. divorce. 4: In Catholicism this sacrament, administered on baptized persons at least age 7, allows you to take communion. confirmation. 5: "When age chills the blood", waxed Byron, "our sweetest memorial" will be the "first" this "of love". kiss. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Brought needed relief to the Battle of the Bulge --- Send in a voice message: https://podcasters.spotify.com/pod/show/rocky-seale7/message

In honor of Veterans Day we take a look into the chart and life of one of the most famous Generals in American history, George Patton.facebook.com/historyinretrogradeyoutube.com/historyinretrograde@retrograde_podcast on instagramhistoryinretrograde@gmail.comMusic: [Sitar1] by Alas Media (www.soundcloud.com/alas-media)Licensed under Creative Commons BY Attribution 4.0 LicenseEnjoy what you hear? Consider donating to our paypal to help us continue producing quality content.https://www.paypal.com/donate/?hosted_button_id=JS7ENERBQWQGQ Would you like a personal reading of your astrological chart done by Chandler's Mom?Contact chandlersmom@historyinretrograde.com for more details Hosted on Acast. See acast.com/privacy for more information.

This Episode is Brought To you by HAINES KNIVESFind your new favorite knife at HainesKnives.com/mancast or follow on social media @birdforge  Testicular Fortitude means having deep seated masculine courage and strength. Balls. Guts. Manlihood.  Testicular Fortitude on the Manlihood ManCast is where we take a look at men who have beat the odds, men whose courage has left a lasting legacy. Patton was born into a wealthy family in San Gabriel, California in 1885. As a child, he had difficulty with spelling and reading, which later led historians to speculate that he suffered from dyslexia. Despite his struggles, Patton became an avid reader and developed a passion for military history. He attended the Virginia Military Institute and then transferred to the U.S. Military Academy at West Point, where he repeated his freshman year due to poor grades. However, Patton improved his academic performance and graduated in June 1909, becoming a commissioned second lieutenant in the cavalry. Patton's courage was first tested when he saw his first combat after leaving Fort Riley. In 1916, Pancho Villa led an attack on Columbus, New Mexico, and Patton joined the staff of Brig. Gen. John J. Pershing in the ensuing punitive expedition into Mexico. While the mission failed to capture Villa, Patton led a raid that killed three of Villa's men, which received much publicity and was notable for being the first time automobiles were used in combat by the US Army. Patton's courage was again put to the test during World War I. When the US entered the war, Patton joined the American Expeditionary Force (AEF) in France, where he was appointed as the first officer to the newly formed US Army Tank Corps. Patton trained, organized, and even designed the uniforms for the new tank units. He was promoted to lieutenant colonel and later became the temporary colonel, leading the first US tank units into battle during the Saint-Mihiel offensive. Despite being badly wounded by a machine-gun bullet in the Meuse-Argonne offensive, Patton refused to be taken to the hospital until he had reported to his commander, showing incredible bravery under fire. His bravery earned him the Distinguished Service Cross. In the years that followed World War I, Patton continued to be a proponent of tank warfare. During World War II, he was promoted to temporary major general and made the commander of the 2nd Armored Division. After the Japanese attack on Pearl Harbor, Patton organized the Desert Training Center to simulate combat and maneuvers in the harsh North African climate. Patton's strict discipline, toughness, and self-sacrifice elicited exceptional pride within his ranks, and he was referred to as "Old Blood-and-Guts" by his men. Despite controversies due to his brash actions and mercurial temper, Patton's bravery and testicular fortitude made him one of the greatest military commanders in history. His legacy lives on as an inspiration to all those who admire and value true courage and bravery. When Henry Darlington and Gerald Mygatt assembled and published the Soldiers' and Sailors' Prayer Book in 1944, they requested many of our nation's leaders to contribute a written prayer. Patton submitted a prayer for courage. I find it interesting, because our picture of Patton's courage seems to be innate… something he possessed and owned, but if this prayer is to be taken seriously, Patton's unwavering courage was not drummed up from within, but rather bestowed upon him. God of our Fathers, who by land and sea has ever led us to victory, please continue Your inspiring guidance in this the greatest of our conflicts. Strengthen my soul so that the weakening instinct of self-preservation, which besets all of us in battle, shall not blind me to my duty to my own manhood, to the glory of my calling, and to my responsibility to my fellow soldiers. Grant to our armed forces that disciplined valor and mutual confidence which ensures success in war. Let me not mourn for the men who have died fighting, but rather let me be glad that such heroes have lived. If it be my lot to die, let me do so with courage and honor in a man-ner which will bring the greatest harm to the enemy, and please, O Lord, protect and guide those I shall leave behind. Give us the victory, Lord. Amen. Testicular Fortitude Do you have testicular fortitude? Do you want to embrace your life of courage? Join our elite group of powerhouse men who are changing the world. Manlihood.com/brotherhood --- Send in a voice message: https://podcasters.spotify.com/pod/show/manlihood/message

America's most famous commander from the Second World War, "Old Blood and Guts" was a bombastic leader who fought hard, swore harder, and thought that defending his flanks was for cowards and losers. We follow the complicated, intense, and action-packed life of George S. Patton from an Olympic athlete to his adventures fighting Pancho Villa, to his career as one of America's founding fathers of armored warfare, and across the raging battlefields of North Africa, Italy, France, and Germany during the height of World War II.See omnystudio.com/listener for privacy information.

Tonight World War II Movie Night does 1970's "Patton," a curious biopic that straddles the line between the Big Epics of the 50s/60s, and what filmmaking would become in the '70s. George C. Scott plays George S. Patton in a role so iconic it was parodied for years afterward. Join us as we address almost every element of the European theater, from the invasion of Sicily to D-Day to the Battle of the Bulge... asides include the so-called Goodfellas Effect, Spuds MacKenzie, and translator humor.  Drop us a line at worldwartwomovienight@gmail.com Check out our Twitter at http://twitter.com/WWIIMovieNight 

Sumario Informe Enigma Dirige y Presenta: Jorge Ríos Escúchanos cada viernes de 23:00h a 01:00h en directo en Radio Platja d'Aro. Síguenos a través de nuestras redes sociales o contacta con nosotros en el siguiente correo electrónico: enigma-rpa@hotmail.com Contacto Yolanda Martínez: 647552954 https://danielortegaescritor.com/ 1/ Quizás hayas oído hablar de una extraña señal de radio que lleva emitiendo prácticamente sin descanso desde finales de los años 70 desde Rusia. Una emisión conocida como 'The Buzzer'- el zumbador-, 'MDZhB' o UVB-76, que emite en una frecuencia que le permite recorrer miles de kilómetros, y que consiste en la emisión regular de sonidos extraños con un tinte siniestro. A lo largo de todo este tiempo, el misterio que la rodea ha despertado todo tipo de teorías y conspiraciones. Algunas apuntan a que su peculiar sonido de “bocina intermitente" sería de tipo Channel Marker, es decir que "serviría de aviso a los radioescuchas para que sepan que es un canal ocupado para emergencias o servicios críticos, y que por tanto deben abstenerse de usarlo". Sin embargo no estaba no acaba de encajar del todo y hay quién tiene otras teorías mas siniestras. Hoy, con Hugo Fernández profundizaremos en algunas de estas nuevas informaciones que recaen sobre esta extraña emisora. 2/ El general George S. Patton fue uno de los militares más férreos e implacables en la lucha contra la Alemania Nazi de la Segunda Guerra Mundial. Bajo su mando, las tropas aliadas norteamericanas se adentraron en el corazón del Tercer Reich con una estrategia bélica nunca vista hasta entonces. Su eficacia y rapidez fueron claves para el derrocamiento de Hitler, pero sus métodos, con los que llevaba a sus subordinados a situaciones extremas, fueron muy polémicos. Hoy, con Daniel Ortega conoceremos quién fue este héroe norteamericano. 3/ Yolanda Martínez en voces del más allá nos hablará de cómo es ese transito entre la vida y la muerte.

“Success is measured by how high you bounce when you hit bottom” – George S. Patton

TW: This episode includes mention of someone taking their own life and also mention of the accusing of Black French soldiers of sexual assault. These are not graphic in nature, just adding a trigger warning in case anyone is sensitive to these topics. Historian and author Kevin Hymel joins me in this episode to talk about George S. Patton Jr. This is marked a "Part I" as Kevin has promised to come back and continue the story. He will also talk about the "Six-Triple-Eight" Postal Battalion, about which he wrote an article that inspired an upcoming Netflix film made by Tyler Perry. Kevin is also an Ambrose Historical Tours guide leading the "In Patton's Footsteps" tour. Links Patton's War: An American General's Combat Leadership Vol. 1 (https://amzn.to/459qGUg) Patton's War: An American General's Combat Leadership Vol. 2 (https://amzn.to/3OCx2V8) Patton's Photographs: War as He Saw It (https://amzn.to/3YxSbV2) Historian Kevin Hymel's Article on the 6888th Being Made into a Movie (https://stephenambrosetours.com/historian-kevin-hymels-article-on-the-6888th-to-be-made-into-a-movie/) 6888th Central Postal Directory Battalion (https://armyhistory.org/6888th-central-postal-directory-battalion/) "No Mail, Low Morale": The 6888th Central Postal Directory Battalion (https://www.armyupress.army.mil/Journals/Military-Review/English-Edition-Archives/Jan-Feb-2019/Warrington-Mail/) http://www.motheroftanks.com/ads-sponsors-and-affiliate-links/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/mother-of-tanks/message

Few wives of prominent men are more than a footnote in many histories, but they were often central to their husbands' lives. The classic well-known example is the relationship between the wartime British Prime Minister Winston Churchill and his wife Clementine (see episode 116). For months I've been sitting on Stefanie van Steelandt's biography of Mrs Patton, Lady of the Army: The Life of Mrs George S Patton. Following my look at George Patton in the last episode, I thought it was the opportune time to look at his wife Beatrice. Patreonpatreon.com/ww2podcast  

Stanford professor Victor Davis Hanson returns to The Manhood Hour to talk about the influence of great male role models, from Ajax and George S. Patton to Donald Trump, on the concept of masculinity. Support the show: https://www.sebgorka.com/See omnystudio.com/listener for privacy information.

This podcast hit paid subscribers' inboxes on June 26. It dropped for free subscribers on June 29. To receive future pods as soon as they're live, and to support independent ski journalism, please consider an upgrade to a paid subscription. You can also subscribe for free below:WhoEllen Galbraith, Vice President and General Manager of Stevens Pass, WashingtonRecorded onJune 5, 2023About Stevens PassClick here for a mountain stats overviewOwned by: Vail ResortsLocated in: Skykomish, WashingtonYear founded: 1937Pass affiliations:* Unlimited access on Epic Pass, Epic Local Pass, Stevens Pass Premium Pass* Stevens Pass Select Pass: blacked out during the day on all holidays plus weekends from Dec. 16 to March 10; night skiing allowed on all days* 1- to 7-day access on Epic Day Pass – All Resorts and 32 Resorts versionsClosest neighboring ski areas: Leavenworth Ski Hill (40 minutes), Badger Mountain (1 hour, 28 minutes), Mission Ridge (1 hour, 29 minutes), Echo Valley (1 hour, 58 minutes), Summit at Snoqualmie (2 hours, 4 minutes), Loup Loup (2 hours, 49 minutes) - travel times vary considerably given weather conditions, time of day, and time of yearBase elevation: 3,821 feet at Mill Valley; 4,061 feet at main baseSummit elevation: 5,600 feet at top of Big Chief Mountain, 5,845 feet at top of Cowboy MountainVertical drop: 1,779 from top of Big Chief to bottom of Mill Valley, 1,784 from top of Cowboy to main baseSkiable Acres: 1,125Average annual snowfall: 460 inchesTrail count: 57Lift count: 11 (4 high-speed quads, 2 fixed-grip quads, 2 triples [Southern Cross and Double Diamond are one long up-and-over lift], 1 double, 2 carpets – this is the anticipated lift fleet for 2023-24, which includes the upgrade of Kehr's from a Riblet double to a fixed-grip quad) – view Lift Blog's inventory of Stevens Pass' lift fleet.Why I interviewed herThere is a version of reality in which Washington is a sort of Tahoe North, its snow-bombed ski centers defined by condos bunched mountainside and mixed-use base villages Lego-bricked together for the weekender and spring-breaker. In which the state competes with Colorado or Utah or Montana or Wyoming for conventions and competitions and ski clubs by the planeload. In which Washington skiing matters to anyone other than Washington skiers.But this is not the reality we live in. Because despite several defining factors shared by other great ski regions – plentiful snowfall, proximity to a large airport, locations along major highways, plentiful natural snow, large vertical drops – the state's ski areas are, for the most part, day-drivers. There is little slopeside lodging, nothing approximating a pedestrian base village. Just scattered cabins, ubiquitous RV lots, hotels 40 miles from the lifts.Which, when Washington was a scenic American backwater, was fine. But Seattle is the fastest-growing big city in America. And those new arrivals have money to spend: per-capita personal income in the region has more than doubled in the past 20 years, from $39,965 annually in 2003 to $89,274 today, a rate that has significantly outpaced inflation. Thank Amazon or Microsoft or Starbucks or Boeing. But whatever's driving this general affluence, the region's ski infrastructure has simultaneously benefitted from it and failed to keep up.There are good reasons that Vail (Stevens Pass) and Alterra (Crystal) and Boyne (Summit at Snoqualmie) all own ski areas within Seattle's orbit – it's a rabid and monied market, and one with a reliable enough snowtrain that Stevens Pass owns exactly two snowguns. Snoqualmie doesn't have any (well, a few for their tubing park). All of these companies know how to build resorts. But they can't do it in Washington. Hemmed in by national parks or NIMBYs or terrain too severe for building, they are stuck with powder-day and weekend parades of SUVs dozens of miles long.Which takes us to the purpose of this podcast. What is the future of Washington skiing? That it should continue unchanged seems an insane proposition. But absent large-scale infrastructure investment, the state's Seattle-adjacent ski areas have had to get creative to manage crowds. Crystal's season pass price nearly tripled in just two years. Summit at Snoqualmie is trying to build its way out with ever-more, ever-more-high-capacity lifts. And Stevens Pass follows the mothership's policy of limiting day tickets even as access remains unlimited on a variety of highly affordable Epic Passes.Washington will likely never be an epicenter of destination ski resorts like the Wasatch or Summit County or Tahoe. But it does need to evolve into something other than what it is right now: a big-mountain, high-traffic region that is trying to pretend like it's Michigan's Upper Peninsula, isolated and depopulated and wild. Stevens Pass will be an important character in this drama, creating one version of what it means to be a busy Pacific Northwest Ski area in the so-far eruptive 2020s. Hang on.What we talked aboutStevens Pass' relationship to Whistler; whether the ski area has jumped regional destination status; the ski area's lower-than-average snowfall this past season; the often treacherous but indispensable US-2; earning back trust after you lose it; working the 2002 Olympics; Beaver Creek and the art and importance of grooming; why Galbraith volunteered to work at Stevens Pass when everything started to go sideways during the 2021-22 ski season; the moment the ski area turned around; rethinking parking; employee housing; lodging; RV life; the Kehr's chairlift upgrade; why Stevens Pass is upgrading Kehr's before the even older Seventh Heaven lift; thoughts on replacing Seventh Heaven; the unique up-and-over Double Diamond/Southern Cross lift and whether a future version would still combine the two lifts or upgrade to a detach; potential expansions and lift additions; the masterplan; Stevens Pass snowmaking “system”; the night-skiing footprint; why Stevens Pass still has its own Epic Pass and why the mountain remains unlimited on the Epic Local Pass; comparing Crystal and Stevens' varying responses to Washington's population explosion; and limiting lift ticket sales.Why I thought that now was a good time for this interviewAt some point, we'll be able to stop discussing the disastrous start to Stevens Pass' 2021-22 ski season. But, to both set context around Galbraith's arrival and to distance her from the genesis of the issues, I'll reset it one more time. Gregory Scruggs, writing in The Seattle Times last year:After a delayed start to the season, snow hammered the Cascades during the [2021]holiday week. Severely understaffed, Stevens Pass struggled to open most of its chairlifts for six weeks, including those serving the popular backside terrain.Vail Resorts, which bought Stevens Pass in 2018, had sold a record number of its season pass product, the Epic Pass, in the run-up to the 2021-22 winter, leaving thousands of Washington residents claiming that they had prepaid for a product they couldn't use. A Change.org petition titled “Hold Vail Resorts Accountable” generated over 45,000 signatures. Over 400 state residents filed complaints against Vail Resorts with the state Attorney General's office. In early January, VailDaily reported that Vail's stock price was underperforming by 25%, with analysts attributing the drop in part to an avalanche of consumer ire about mismanagement at resorts across the country, including Stevens Pass.On Jan. 12, Vail Resorts fired then-general manager Tom Pettigrew and announced that [Tom] Fortune would temporarily relocate from his role as general manager at Heavenly Ski Resort in South Lake Tahoe, California, to right the ship at Stevens Pass.Fortune, the current head of Heavenly and Vail's Tahoe Region, had grown up at the ski area, and Stevens' resurrection constituted a deeply personal mission. He laid out the whole experience when he joined The Storm Skiing Podcast back in April. But after jump-starting the machine, he had to get back to Tahoe. Enter Galbraith, who had worked her way up through the Vail ranks and earned her first shot as a mountain general manager last June. Scruggs wrote a follow-up article this past January, to check in on Stevens and assess her first half-year as resort lead:Galbraith, 42, was brought in to help right the ship last season under interim general manager Tom Fortune as Stevens Pass struggled to operate at full capacity, with staff shortages leading to long lines, closed terrain and irate season pass holders. In May, Galbraith became general manager, and by all accounts the guest experience has improved dramatically since its nadir one year ago. For longtime Stevens Pass regulars, their home mountain feels back to normal, with all 10 chairlifts spinning and ski runs open every day, conditions permitting, and lodges fully open for business. And more promised capital upgrades from deep-pocketed Vail are on the way.“Those memories from last year are still very front of mind,” said Galbraith, from her office overlooking the mountain, where a David Horsey cartoon featuring the abominable snowman lampooning the Stevens Pass debacle is tacked above her desk next to a quote from Gen. George S. Patton. …While customers signed a Change.org petition to hold Vail Resorts accountable last winter and filed consumer complaints with the state attorney general, Stevens Pass is generally earning higher marks under Galbraith's tenure.“After last year's D-plus effort, I give this year a solid B-plus,” said Will Roberts, of Edmonds, via email. “My family is having fun and we are happy to come to Stevens Pass.”So, with a season behind her, how was it going? While the Epic and Ikon passes have somewhat scrambled the traditional who-gets-attention calculus, skiers outside of the Pacific Northwest rarely hear about the region's ski areas unless things get terrible. A heat wave ends Timberline's famous summer season three weeks early. The unlimited-Ikon-Base-Pass-inspired Crystal Mountain meltdown of 2020. Stevens Pass goes sideways. When the national ski media ignores the PNW, that typically means everything's going OK.And we didn't hear much about Stevens this year, did we? Lift aficionados are aware of the Kehr's chairlift upgrade. Powderchasers know the ski area came in significantly under its annual snowfall average despite bomber conditions throughout the West. Locals know that the ski area lost several days to road shutdowns on notoriously dicey US 2. But the rest of us mostly forgot about the joint, and for Vail Resorts, that was probably the best possible outcome.Questions I wish I'd askedIf I'd had more time, or if this interview had been 10 years earlier, or if the mountain hadn't been shuffled among owners in the interim, we surely would have discussed the 2012 Tunnel Creek avalanche. The incident killed three skiers in the popular backcountry area adjacent to Stevens Pass. This Pulitzer Prize-winning New York Times feature story by John Branch offers a definitive account of what happened that day. It is a long but essential read, and basically scared me away from the backcountry forever.Why you should ski Stevens PassUsually Facebook is a wasteland overrun by morons who either lack brains, lack empathy, or both. As though someone had flushed the contents of the DSM-5 into the digital netherworld. But once in a while, a flash of brilliance. I observed such an exchange around the time Vail Resorts purchased Stevens Pass in 2018. I can't find the original conversation, so I'll paraphrase:PERSON 1: This is terrible, I don't want a bunch of Vail skiers overrunning my ski area.PERSON 2: You have nothing to worry about. No one is coming from Colorado to ski Stevens Pass. Vail is buying it so that Stevens regulars will go to Park City/Vail/Breckenridge/Whistler on vacation.Person two was right, of course, to an extent. Sure, Colorado or Utah skiers are generally happy reminding everyone that they live in Colorado or Utah. But to an Epic Pass holder living in, say, Pennsylvania or Michigan or New York or Wisconsin, an 1,800-foot, 1,100-acre ski area that averages 460 inches of snow annually sounds like a rowdy good time worth traveling for. Particularly since that ski area is pretty easy to reach via Seattle.I asked Galbraith whether, under the Epic Pass, Stevens had begun to attract more destination guests. She said that it had. It is likely a modest increase, and Stevens Pass will never offer the slopeside condos and snow quality of Utah or Colorado. But it is a revered ski center in a gorgeous natural setting with fierce skiing and a well-defined locals' culture. In our checklist era that the Epic Pass has enabled and defined, Stevens Pass is one mountain that every skier ought to hit eventually.Podcast NotesOn Washington's ski area landscapeWashington has just 16 ski areas and nearly 8 million residents. That gives the state one of the lowest numbers of ski areas, by geographic or population size, of any major ski state:While some of the state's ski areas are quite large, only 11 have chairlifts:We have a better chance of seeing Loup Loup on the Epic Pass than we do of ever building another ski area in Washington State. So this is what we have to work with.The Storm explores the world of lift-served skiing all year round. Join us.The Storm publishes year-round, and guarantees 100 articles per year. This is article 54/100 in 2023, and number 440 since launching on Oct. 13, 2019. Want to send feedback? Reply to this email and I will answer (unless you sound insane, or, more likely, I just get busy). You can also email skiing@substack.com. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.stormskiing.com/subscribe

Photo: No known restrictions on publication. @Batchelorshow 6/8:  Rise and Fall and Legend of George S. Patton for Memorial Day. 6/8: The Commanders: The Leadership Journeys of George Patton, Bernard Montgomery, and Erwin Rommel by  Lloyd Clark https://www.amazon.com/Commanders-Leadership-Journeys-Bernard-Montgomery/dp/0802160220/ref=sr_1_1?crid=1IW4D1GLPGRA5&keywords=the+commanders+lloyd+clark&qid=1674136061&s=books&sprefix=THE+COMMANDERS%2Cstripbooks%2C141&sr=1-1 Born in the two decades prior to World War I, George Patton, Bernard Montgomery, and Erwin Rommel became among the most recognized and successful military leaders of the 20th century. However, as acclaimed military historian Lloyd Clark reveals in his penetrating and insightful braided chronicle of their lives, they charted very different, often interrupted, paths to their ultimate leadership positions commanding hundreds of thousands of troops during World War II and celebrated as heroes in the United States, Britain, and Germany.

Photo: No known restrictions on publication. @Batchelorshow 5/8:  Rise and Fall and Legend of George S. Patton for Memorial Day. 5/8: The Commanders: The Leadership Journeys of George Patton, Bernard Montgomery, and Erwin Rommel by  Lloyd Clark https://www.amazon.com/Commanders-Leadership-Journeys-Bernard-Montgomery/dp/0802160220/ref=sr_1_1?crid=1IW4D1GLPGRA5&keywords=the+commanders+lloyd+clark&qid=1674136061&s=books&sprefix=THE+COMMANDERS%2Cstripbooks%2C141&sr=1-1 Born in the two decades prior to World War I, George Patton, Bernard Montgomery, and Erwin Rommel became among the most recognized and successful military leaders of the 20th century. However, as acclaimed military historian Lloyd Clark reveals in his penetrating and insightful braided chronicle of their lives, they charted very different, often interrupted, paths to their ultimate leadership positions commanding hundreds of thousands of troops during World War II and celebrated as heroes in the United States, Britain, and Germany.

Photo: No known restrictions on publication. @Batchelorshow 7/8:  Rise and Fall and Legend of George S. Patton for Memorial Day. 7/8: The Commanders: The Leadership Journeys of George Patton, Bernard Montgomery, and Erwin Rommel by  Lloyd Clark https://www.amazon.com/Commanders-Leadership-Journeys-Bernard-Montgomery/dp/0802160220/ref=sr_1_1?crid=1IW4D1GLPGRA5&keywords=the+commanders+lloyd+clark&qid=1674136061&s=books&sprefix=THE+COMMANDERS%2Cstripbooks%2C141&sr=1-1 Born in the two decades prior to World War I, George Patton, Bernard Montgomery, and Erwin Rommel became among the most recognized and successful military leaders of the 20th century. However, as acclaimed military historian Lloyd Clark reveals in his penetrating and insightful braided chronicle of their lives, they charted very different, often interrupted, paths to their ultimate leadership positions commanding hundreds of thousands of troops during World War II and celebrated as heroes in the United States, Britain, and Germany.

Photo: No known restrictions on publication. @Batchelorshow 1/8:  Rise and Fall and Legend of George S. Patton for Memorial Day. 1/8: The Commanders: The Leadership Journeys of George Patton, Bernard Montgomery, and Erwin Rommel by  Lloyd Clark  https://www.amazon.com/Commanders-Leadership-Journeys-Bernard-Montgomery/dp/0802160220/ref=sr_1_1?crid=1IW4D1GLPGRA5&keywords=the+commanders+lloyd+clark&qid=1674136061&s=books&sprefix=THE+COMMANDERS%2Cstripbooks%2C141&sr=1-1 Born in the two decades prior to World War I, George Patton, Bernard Montgomery, and Erwin Rommel became among the most recognized and successful military leaders of the 20th century. However, as acclaimed military historian Lloyd Clark reveals in his penetrating and insightful braided chronicle of their lives, they charted very different, often interrupted, paths to their ultimate leadership positions commanding hundreds of thousands of troops during World War II and celebrated as heroes in the United States, Britain, and Germany.

Photo: No known restrictions on publication. @Batchelorshow 2/8:  Rise and Fall and Legend of George S. Patton for Memorial Day. 2/8: The Commanders: The Leadership Journeys of George Patton, Bernard Montgomery, and Erwin Rommel by  Lloyd Clark https://www.amazon.com/Commanders-Leadership-Journeys-Bernard-Montgomery/dp/0802160220/ref=sr_1_1?crid=1IW4D1GLPGRA5&keywords=the+commanders+lloyd+clark&qid=1674136061&s=books&sprefix=THE+COMMANDERS%2Cstripbooks%2C141&sr=1-1 Born in the two decades prior to World War I, George Patton, Bernard Montgomery, and Erwin Rommel became among the most recognized and successful military leaders of the 20th century. However, as acclaimed military historian Lloyd Clark reveals in his penetrating and insightful braided chronicle of their lives, they charted very different, often interrupted, paths to their ultimate leadership positions commanding hundreds of thousands of troops during World War II and celebrated as heroes in the United States, Britain, and Germany.

Photo: No known restrictions on publication. @Batchelorshow 3/8:  Rise and Fall and Legend of George S. Patton for Memorial Day. 3/8: The Commanders: The Leadership Journeys of George Patton, Bernard Montgomery, and Erwin Rommel by  Lloyd Clark https://www.amazon.com/Commanders-Leadership-Journeys-Bernard-Montgomery/dp/0802160220/ref=sr_1_1?crid=1IW4D1GLPGRA5&keywords=the+commanders+lloyd+clark&qid=1674136061&s=books&sprefix=THE+COMMANDERS%2Cstripbooks%2C141&sr=1-1 Born in the two decades prior to World War I, George Patton, Bernard Montgomery, and Erwin Rommel became among the most recognized and successful military leaders of the 20th century. However, as acclaimed military historian Lloyd Clark reveals in his penetrating and insightful braided chronicle of their lives, they charted very different, often interrupted, paths to their ultimate leadership positions commanding hundreds of thousands of troops during World War II and celebrated as heroes in the United States, Britain, and Germany.

Photo: No known restrictions on publication. @Batchelorshow 4/8:  Rise and Fall and Legend of George S. Patton for Memorial Day. 4/8: The Commanders: The Leadership Journeys of George Patton, Bernard Montgomery, and Erwin Rommel by  Lloyd Clark https://www.amazon.com/Commanders-Leadership-Journeys-Bernard-Montgomery/dp/0802160220/ref=sr_1_1?crid=1IW4D1GLPGRA5&keywords=the+commanders+lloyd+clark&qid=1674136061&s=books&sprefix=THE+COMMANDERS%2Cstripbooks%2C141&sr=1-1 Born in the two decades prior to World War I, George Patton, Bernard Montgomery, and Erwin Rommel became among the most recognized and successful military leaders of the 20th century. However, as acclaimed military historian Lloyd Clark reveals in his penetrating and insightful braided chronicle of their lives, they charted very different, often interrupted, paths to their ultimate leadership positions commanding hundreds of thousands of troops during World War II and celebrated as heroes in the United States, Britain, and Germany.

Photo: No known restrictions on publication. @Batchelorshow 8/8:  Rise and Fall and Legend of George S. Patton for Memorial Day. 8/8: The Commanders: The Leadership Journeys of George Patton, Bernard Montgomery, and Erwin Rommel by  Lloyd Clark https://www.amazon.com/Commanders-Leadership-Journeys-Bernard-Montgomery/dp/0802160220/ref=sr_1_1?crid=1IW4D1GLPGRA5&keywords=the+commanders+lloyd+clark&qid=1674136061&s=books&sprefix=THE+COMMANDERS%2Cstripbooks%2C141&sr=1-1 Born in the two decades prior to World War I, George Patton, Bernard Montgomery, and Erwin Rommel became among the most recognized and successful military leaders of the 20th century. However, as acclaimed military historian Lloyd Clark reveals in his penetrating and insightful braided chronicle of their lives, they charted very different, often interrupted, paths to their ultimate leadership positions commanding hundreds of thousands of troops during World War II and celebrated as heroes in the United States, Britain, and Germany.

On this episode, we talk about the great American filmmaker Robert Altman, and what is arguably the worst movie of his six decade, thirty-five film career: his 1987 atrocity O.C. and Stiggs. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we're going to talk about one of the strangest movies to come out of the decade, not only for its material, but for who directed it.   Robert Altman's O.C. and Stiggs.   As always, before we get to the O.C. and Stiggs, we will be going a little further back in time.   Although he is not every cineaste's cup of tea, it is generally acknowledged that Robert Altman was one of the best filmmakers to ever work in cinema. But he wasn't an immediate success when he broke into the industry.   Born in Kansas City in February 1925, Robert Altman would join the US Army Air Force after graduating high school, as many a young man would do in the days of World War II. He would train to be a pilot, and he would fly more than 50 missions during the war as part of the 307th Bomb Group, operating in the Pacific Theatre. They would help liberate prisoners of war held in Japanese POW Camps from Okinawa to Manila after the victory over Japan lead to the end of World War II in that part of the world.   After the war, Altman would move to Los Angeles to break into the movies, and he would even succeed in selling a screenplay to RKO Pictures called Bodyguard, a film noir story shot in 1948 starring Lawrence Tierney and Priscilla Lane, but on the final film, he would only share a “Story by” credit with his then-writing partner, George W. George. But by 1950, he'd be back in Kansas City, where he would direct more than 65 industrial films over the course of three years, before heading back to Los Angeles with the experience he would need to take another shot.   Altman would spend a few years directing episodes of a drama series called Pulse of the City on the DuMont television network and a syndicated police drama called The Sheriff of Cochise, but he wouldn't get his first feature directing gig until 1957, when a businessman in Kansas City would hire the thirty-two year old to write and direct a movie locally. That film, The Delinquents, cost only $60k to make, and would be purchased for release by United Artists for $150k. The first film to star future Billy Jack writer/director/star Tom Laughlin, The Delinquents would gross more than a million dollars in theatres, a very good sum back in those days, but despite the success of the film, the only work Altman could get outside of television was co-directing The James Dean Story, a documentary set up at Warner Brothers to capitalize on the interest in the actor after dying in a car accident two years earlier.   Throughout the 1960s, Altman would continue to work in television, until he was finally given another chance to direct a feature film. 1967's Countdown was a lower budgeted feature at Warner Brothers featuring James Caan in an early leading role, about the space race between the Americans and Soviets, a good two years before Neil Armstrong and Buzz Aldrin landed on the moon. The shoot itself was easy, but Altman would be fired from the film shortly after filming was completed, as Jack Warner, the 75 year old head of the studio, was not very happy about the overlapping dialogue, a motif that would become a part of Altman's way of making movies. Although his name appears in the credits as the director of the film, he had no input in its assembly. His ambiguous ending was changed, and the film would be edited to be more family friendly than the director intended.   Altman would follow Countdown with 1969's That Cold Day in the Park, a psychological drama that would be both a critical and financial disappointment.   But his next film would change everything.   Before Altman was hired by Twentieth-Century Fox to direct MASH, more than a dozen major filmmakers would pass on the project. An adaptation of a little known novel by a Korean War veteran who worked as a surgeon at one of the Mobile Auxiliary Surgical Hospitals that give the story its acronymic title, MASH would literally fly under the radar from the executives at the studio, as most of the $3m film would be shot at the studio's ranch lot in Malibu, while the executives were more concerned about their bigger movies of the year in production, like their $12.5m biographical film on World War II general George S. Patton and their $25m World War II drama Tora! Tora! Tora!, one of the first movies to be a Japanese and American co-production since the end of the war.    Altman was going to make MASH his way, no matter what. When the studio refused to allow him to hire a fair amount of extras to populate the MASH camp, Altman would steal individual lines from other characters to give to background actors, in order to get the bustling atmosphere he wanted. In order to give the camp a properly dirty look, he would shoot most of the outdoor scenes with a zoom lens and a fog filter with the camera a reasonably far distance from the actors, so they could act to one another instead of the camera, giving the film a sort of documentary feel. And he would find flexibility when the moment called for it. Sally Kellerman, who was hired to play Margaret “Hot Lips” Houlihan, would work with Altman to expand and improve her character to be more than just eye candy, in large part because Altman liked what she was doing in her scenes.   This kind of flexibility infuriated the two major stars of the film, Elliott Gould and Donald Sutherland, who at one point during the shoot tried to get Altman fired for treating everyone in the cast and crew with the same level of respect and decorum regardless of their position. But unlike at Warners a couple years earlier, the success of movies like Bonnie and Clyde and Easy Rider bamboozled Hollywood studio executives, who did not understand exactly what the new generation of filmgoers wanted, and would often give filmmakers more leeway than before, in the hopes that lightning could be captured once again.   And Altman would give them exactly that.   MASH, which would also be the first major studio film to be released with The F Word spoken on screen, would not only become a critical hit, but become the third highest grossing movie released in 1970, grossing more than $80m. The movie would win the Palme D'Or at that year's Cannes Film Festival, and it would be nominated for five Academy Awards, including Best Picture, Best Director and Best Supporting Actress for Ms. Kellerman, winning only for Best Adapted Screenplay. An ironic win, since most of the dialogue was improvised on set, but the victory for screenwriter Ring Lardner Jr. would effectively destroy the once powerful Hollywood Blacklist that had been in place since the Red Scare of the 1950s.   After MASH, Altman went on one of the greatest runs any filmmaker would ever enjoy.   MASH would be released in January 1970, and Altman's follow up, Brewster McCloud, would be released in December 1970. Bud Cort, the future star of Harold and Maude, plays a recluse who lives in the fallout shelter of the Houston Astrodome, who is building a pair of wings in order to achieve his dream of flying. The film would feature a number of actors who already were featured in MASH and would continue to be featured in a number of future Altman movies, including Sally Kellerman, Michael Murphy, John Schuck and Bert Remson, but another reason to watch Brewster McCloud if you've never seen it is because it is the film debut of Shelley Duvall, one of our greatest and least appreciated actresses, who would go on to appear in six other Altman movies over the ensuing decade.   1971's McCabe and Mrs. Miller, for me, is his second best film. A Western starring Warren Beatty and Julie Christie, was a minor hit when it was first released but has seen a reevaluation over the years that found it to be named the 8th Best Western of all time by the American Film Institute, which frankly is too low for me. The film would also bring a little-known Canadian poet and musician to the world, Leonard Cohen, who wrote and performed three songs for the soundtrack. Yeah, you have Robert Altman to thank for Leonard Cohen.   1972's Images was another psychological horror film, this time co-written with English actress Susannah York, who also stars in the film as an author of children's books who starts to have wild hallucinations at her remote vacation home, after learning her husband might be cheating on her. The $800k film was one of the first to be produced by Hemdale Films, a British production company co-founded by Blow Up actor David Hemmings, but the film would be a critical and financial disappointment when it was released Christmas week. But it would get nominated for an Academy Award for Best Original Dramatic Score. It would be one of two nominations in the category for John Williams, the other being The Poseidon Adventure.   Whatever resentment Elliott Gould may have had with Altman during the shooting of MASH was gone by late 1972, when the actor agreed to star in the director's new movie, a modern adaptation of Raymond Chandler's 1953 novel The Long Goodbye. Gould would be the eighth actor to play the lead character, Phillip Marlowe, in a movie. The screenplay would be written by Leigh Brackett, who Star Wars nerds know as the first writer on The Empire Strikes Back but had also adapted Chandler's novel The Big Sleep, another Phillip Marlowe story, to the big screen back in 1946.   Howard Hawks and Peter Bogdanovich had both been approached to make the film, and it would be Bogdanovich who would recommend Altman to the President of United Artists. The final film would anger Chandler fans, who did not like Altman's approach to the material, and the $1.7m film would gross less than $1m when it was released in March 1973. But like many of Altman's movies, it was a big hit with critics, and would find favor with film fans in the years to come.   1974 would be another year where Altman would make and release two movies in the same calendar year. The first, Thieves Like Us, was a crime drama most noted as one of the few movies to not have any kind of traditional musical score. What music there is in the film is usually heard off radios seen in individual scenes. Once again, we have a number of Altman regulars in the film, including Shelley Duvall, Bert Remsen, John Schuck and Tom Skerritt, and would feature Keith Carradine, who had a small co-starring role in McCabe and Mrs. Miller, in his first major leading role. And, once again, the film would be a hit with critics but a dud with audiences. Unlike most of Altman's movies of the 1970s, Thieves Like Us has not enjoyed the same kind of reappraisal.   The second film, California Split, was released in August, just six months after Thieves Like Us. Elliott Gould once again stars in a Robert Altman movie, this time alongside George Segal. They play a pair of gamblers who ride what they think is a lucky streak from Los Angeles to Reno, Nevada, would be the only time Gould and Segal would work closely together in a movie, and watching California Split, one wishes there could have been more. The movie would be an innovator seemingly purpose-build for a Robert Altman movie, for it would be the first non-Cinerama movie to be recorded using an eight track stereo sound system. More than any movie before, Altman could control how his overlapping dialogue was placed in a theatre. But while most theatres that played the movie would only play it in mono sound, the film would still be a minor success, bringing in more than $5m in ticket sales.   1975 would bring what many consider to be the quintessential Robert Altman movie to screens.   The two hour and forty minute Nashville would feature no less than 24 different major characters, as a group of people come to Music City to be involved in a gala concert for a political outsider who is running for President on the Replacement Party ticket. The cast is one of the best ever assembled for a movie ever, including Ned Beatty, Karen Black, Ronee Blakely, Keith Carradine, Geraldine Chaplin, Robert DoQui, Shelley Duvall, Allen Garfield, Henry Gibson, Scott Glenn, Jeff Goldblum, Barbara Harris, Cristina Raines, Lily Tomlin and Keenan Wynn.   Altman would be nominated for two Academy Awards for the film, Best Picture, as its producer, and Best Director, while both Ronee Blakely and Lily Tomlin would be nominated for Best Supporting Actress. Keith Carradine would also be nominated for an Oscar, but not as an actor. He would, at the urging of Altman during the production of the film, write and perform a song called I'm Easy, which would win for Best Original Song. The $2.2m film would earn $10m in ticket sales, and would eventually become part of the fourth class of movies to be selected for preservation by the National Film Registry in 1991, the first of four Robert Altman films to be given that honor. MASH, McCabe and Mrs. Miller, and The Long Goodbye would also be selected for preservation over the years.   And we're going to stop here for a second and take a look at that list of films again.   MASH Brewster McCloud McCabe and Mrs. Miller Images The Long Goodbye Thieves Like Us California Split Nashville   Eight movies, made over a five year period, that between them earned twelve Academy Award nominations, four of which would be deemed so culturally important that they should be preserved for future generations.   And we're still only in the middle of the 1970s.   But the problem with a director like Robert Altman, like many of our greatest directors, their next film after one of their greatest successes feels like a major disappointment. And his 1976 film Buffalo Bill and the Indians, or Sitting Bull's History Lesson, and that is the complete title of the film by the way, did not meet the lofty expectations of film fans not only its director, but of its main stars. Altman would cast two legendary actors he had not yet worked with, Paul Newman and Burt Lancaster, and the combination of those two actors with this director should have been fantastic, but the results were merely okay. In fact,  Altman would, for the first time in his career, re-edit a film after its theatrical release, removing some of the Wild West show acts that he felt were maybe redundant.   His 1977 film 3 Women would bring Altman back to the limelight. The film was based on a dream he had one night while his wife was in the hospital. In the dream, he was directing his regular co-star Shelley Duvall alongside Sissy Spacek, who he had never worked with before, in a story about identity theft that took place in the deserts outside Los Angeles. He woke up in the middle of the dream, jotted down what he could remember, and went back to sleep. In the morning, he didn't have a full movie planned out, but enough of one to get Alan Ladd, Jr., the President of Twentieth-Century Fox, to put up $1.7m for a not fully formed idea. That's how much Robert Altman was trusted at the time. That, and Altman was known for never going over budget. As long as he stayed within his budget, Ladd would let Altman make whatever movie he wanted to make. That, plus Ladd was more concerned about a $10m movie he approved that was going over budget over in England, a science fiction movie directed by the guy who did American Graffiti that had no stars outside of Sir Alec Guinness.   That movie, of course, was Star Wars, which would be released four weeks after 3 Women had its premiere in New York City. While the film didn't make 1/100th the money Star Wars made, it was one of the best reviewed movies of the year. But, strangely, the film would not be seen again outside of sporadic screenings on cable until it was released on DVD by the Criterion Collection 27 years later.   I'm not going to try and explain the movie to you. Just trust me that 3 Women is from a master craftsman at the top of his game.   While on the press tour to publicize 3 Women, a reporter asked Altman what was going to be next for him. He jokingly said he was going to shoot a wedding. But then he went home, thought about it some more, and in a few weeks, had a basic idea sketched out for a movie titled A Wedding that would take place over the course of one day, as the daughter of a Southern nouveau riche family marries the son of a wealthy Chicago businessman who may or may not a major figure in The Outfit.   And while the film is quite entertaining, what's most interesting about watching this 1978 movie in 2023 is not only how many great established actors Altman got for the film, including Carol Burnett, Paul Dooley, Howard Duff, Mia Farrow, Vittorio Gassman, Lauren Hutton, and, in her 100th movie, Lillian Gish, but the number of notable actors he was able to get because he shot the film just outside Chicago. Not only will you see Dennis Christopher just before his breakthrough in Breaking Away, and not only will you see Pam Dawber just before she was cast alongside Robin Williams in Mark and Mindy, but you'll also see Dennis Franz, Laurie Metcalfe, Gary Sinese, Tim Thomerson, and George Wendt.   And because Altman was able to keep the budget at a reasonable level, less than $1.75m, the film would be slightly profitable for Twentieth Century-Fox after grossing $3.6m at the box office.   Altman's next film for Fox, 1979's Quintet, would not be as fortunate.   Altman had come up with the story for this post-apocalyptic drama as a vehicle for Walter Hill to write and direct. But Hill would instead make The Warriors, and Altman decided to make the film himself. While developing the screenplay with his co-writers Frank Barhydt and Patricia Resnick, Altman would create a board game, complete with token pieces and a full set of rules, to flesh out the storyline.   Altman would once again work with Paul Newman, who stars as a seal hunter in the early days of a new ice age who finds himself in elaborate game with a group of gamblers where losing in the game means losing your life in the process. Altman would deliberately hire an international cast to star alongside Newman, not only to help improve the film's ability to do well in foreign territories but to not have the storyline tied to any specific country. So we would have Italian actor Vittorio Gassman, Spaniard Fernando Rey, Swedish actress Bibi Andersson, French actress Brigitte Fossey, and Danish actress Nina van Pallandt.    In order to maintain the mystery of the movie, Altman would ask Fox to withhold all pre-release publicity for the film, in order to avoid any conditioning of the audience. Imagine trying to put together a compelling trailer for a movie featuring one of the most beloved actors of all time, but you're not allowed to show potential audiences what they're getting themselves into? Altman would let the studio use five shots from the film, totaling about seven seconds, for the trailer, which mostly comprised of slo-mo shots of a pair of dice bouncing around, while the names of the stars pop up from moment to moment and a narrator tries to create some sense of mystery on the soundtrack.   But audiences would not be intrigued by the mystery, and critics would tear the $6.4m budget film apart. To be fair, the shoot for the film, in the winter of 1977 outside Montreal was a tough time for all, and Altman would lose final cut on the film for going severely over-budget during production, although there seems to be very little documentation about how much the final film might have differed from what Altman would have been working on had he been able to complete the film his way.   But despite all the problems with Quintet, Fox would still back Altman's next movie, A Perfect Couple, which would be shot after Fox pulled Altman off Quintet. Can you imagine that happening today? A director working with the studio that just pulled them off their project. But that's how little ego Altman had. He just wanted to make movies. Tell stories. This simple romantic comedy starred his regular collaborator Paul Dooley as  Alex, a man who follows a band of traveling bohemian musicians because he's falling for one of the singers in the band.   Altman kept the film on its $1.9m budget, but the response from critics was mostly concern that Altman had lost his touch. Maybe it was because this was his 13th film of the decade, but there was a serious concern about the director's ability to tell a story had evaporated.   That worry would continue with his next film, Health.   A satire of the political scene in the United States at the end of the 1970s, Health would follow a health food organization holding a convention at a luxury hotel in St. Petersburg FL. As one would expect from a Robert Altman movie, there's one hell of a cast. Along with Henry Gibson, and Paul Dooley, who co-write the script with Altman and Frank Barhydt, the cast would include Lauren Bacall, Carol Burnett, James Garner and, in one of her earliest screen appearances, Alfre Woodard, as well as Dick Cavett and Dinah Shore as themselves.   But between the shooting of the film in the late winter and early spring of 1979 and the planned Christmas 1979 release, there was a change of management at Fox. Alan Ladd Jr. was out, and after Altman turned in his final cut, new studio head Norman Levy decided to pull the film off the 1979 release calendar. Altman fought to get the film released sometime during the 1980 Presidential Campaign, and was able to get Levy to give the film a platform release starting in Los Angeles and New York City in March 1980, but that date would get cancelled as well. Levy then suggested an April 1980 test run in St. Louis, which Altman was not happy with. Altman countered with test runs in Boston, Houston, Sacramento and San Francisco. The best Altman, who was in Malta shooting his next movie, could get were sneak previews of the film in those four markets, and the response cards from the audience were so bad, the studio decided to effectively put the film on the proverbial shelf.   Back from the Mediterranean Sea, Altman would get permission to take the film to the Montreal World Film Festival in August, and the Telluride and Venice Film Festivals in September. After good responses from film goers at those festivals, Fox would relent, and give the film a “preview” screening at the United Artists Theatre in Westwood, starting on September 12th, 1980. But the studio would give the film the most boring ad campaign possible, a very crude line drawing of an older woman's pearl bracelet-covered arm thrusted upward while holding a carrot. With no trailers in circulation at any theatre, and no television commercials on air, it would be little surprise the film didn't do a whole lot of business. You really had to know the film had been released. But its $14k opening weekend gross wasn't really all that bad. And it's second week gross of $10,500 with even less ad support was decent if unspectacular. But it would be good enough to get the film a four week playdate at the UA Westwood.   And then, nothing, until early March 1981, when a film society at Northwestern University in Evanston IL was able to screen a 16mm print for one show, while a theatre in Baltimore was able to show the film one time at the end of March. But then, nothing again for more than another year, when the film would finally get a belated official release at the Film Forum in New York City on April 7th, 1982. It would only play for a week, and as a non-profit, the Film Forum does not report film grosses, so we have no idea how well the film actually did. Since then, the movie showed once on CBS in August 1983, and has occasionally played on the Fox Movie Channel, but has never been released on VHS or DVD or Blu-Ray.   I mentioned a few moments ago that while he was dealing with all this drama concerning Health, Altman was in the Mediterranean filming a movie. I'm not going to go too much into that movie here, since I already have an episode for the future planned for it, suffice to say that a Robert Altman-directed live-action musical version of the Popeye the Sailor Man cartoon featuring songs by the incomparable Harry Nilsson should have been a smash hit, but it wasn't. It was profitable, to be certain, but not the hit everyone was expecting. We'll talk about the film in much more detail soon.   After the disappointing results for Popeye, Altman decided to stop working in Hollywood for a while and hit the Broadway stages, to direct a show called Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean. While the show's run was not very long and the reviews not very good, Altman would fund a movie version himself, thanks in part to the sale of his production company, Lion's Gate, not to be confused with the current studio called Lionsgate, and would cast Karen Black, Cher and Sandy Dennis alongside newcomers Sudie Bond and Kathy Bates, as five female members of The Disciples of James Dean come together on the 20th anniversary of the actor's death to honor his life and times. As the first film released by a new independent distributor called Cinecom, I'll spend more time talking about this movie on our show about that distributor, also coming soon, suffice it to say that Altman was back. Critics were behind the film, and arthouse audiences loved it. This would be the first time Altman adapted a stage play to the screen, and it would set the tone for a number of his works throughout the rest of the decade.   Streamers was Altman's 17th film in thirteen years, and another adaptation of a stage play. One of several works by noted Broadway playwright David Rabe's time in the Army during the Vietnam War, the film followed four young soldiers waiting to be shipped to Vietnam who deal with racial tensions and their own intolerances when one soldier reveals he is gay. The film featured Matthew Modine as the Rabe stand-in, and features a rare dramatic role for comedy legend David Alan Grier. Many critics would note how much more intense the film version was compared to the stage version, as Altman's camera was able to effortlessly breeze around the set, and get up close and personal with the performers in ways that simply cannot happen on the stage. But in 1983, audiences were still not quite ready to deal with the trauma of Vietnam on film, and the film would be fairly ignored by audiences, grossing just $378k.   Which, finally, after half an hour, brings us to our featured movie.   O.C. and Stiggs.   Now, you might be asking yourself why I went into such detail about Robert Altman's career, most of it during the 1970s. Well, I wanted to establish what types of material Altman would chose for his projects, and just how different O.C. and Stiggs  was from any other project he had made to date.   O.C. and Stiggs began their lives in the July 1981 issue of National Lampoon, as written by two of the editors of the magazine, Ted Mann and Tod Carroll. The characters were fun-loving and occasionally destructive teenage pranksters, and their first appearance in the magazine would prove to be so popular with readers, the pair would appear a few more times until Matty Simmons, the publisher and owner of National Lampoon, gave over the entire October 1982 issue to Mann and Carroll for a story called “The Utterly Monstrous Mind-Roasting Summer of O.C. and Stiggs.” It's easy to find PDFs of the issues online if you look for it.   So the issue becomes one of the biggest selling issues in the history of National Lampoon, and Matty Simmons has been building the National Lampoon brand name by sponsoring a series of movies, including Animal House, co-written by Lampoon writers Doug Kenney and Chris Miller, and the soon to be released movies Class Reunion, written by Lampoon writer John Hughes… yes, that John Hughes… and Movie Madness, written by five Lampoon writers including Tod Carroll. But for some reason, Simmons was not behind the idea of turning the utterly monstrous mind-roasting adventures of O.C. and Stiggs into a movie. He would, however, allow Mann and Carroll to shop the idea around Hollywood, and wished them the best of luck.   As luck would have it, Mann and Carroll would meet Peter Newman, who had worked as Altman's production executive on Jimmy Dean, and was looking to set up his first film as a producer. And while Newman might not have had the credits, he had the connections. The first person he would take the script to his Oscar-winning director Mike Nichols, whose credits by this time included Who's Afraid of Virginia Wolff?, The Graduate, Catch-22, and Carnal Knowledge. Surprisingly, Nichols was not just interested in making the movie, but really wanted to have Eddie Murphy, who was a breakout star on Saturday Night Live but was still a month away from becoming a movie star when 48 Hours was released, play one of the leading characters. But Murphy couldn't get out of his SNL commitments, and Nichols had too many other projects, both on Broadway and in movies, to be able to commit to the film.    A few weeks later, Newman and Altman both attended a party where they would catch up after several months. Newman started to tell Altman about this new project he was setting up, and to Newman's surprise, Altman, drawn to the characters' anti-establishment outlook, expressed interest in making it. And because Altman's name still commanded respect in Hollywood, several studios would start to show their interest in making the movie with them. MGM, who was enjoying a number of successes in 1982 thanks to movies like Shoot the Moon, Diner, Victor/Victoria, Rocky III, Poltergeist, Pink Floyd - The Wall, and My Favorite Year, made a preemptive bid on the film, hoping to beat Paramount Pictures to the deal. Unknown to Altman, what interested MGM was that Sylvester Stallone of all people went nuts for the script when he read it, and mentioned to his buddies at the studio that he might be interested in making it himself.   Despite hating studio executives for doing stuff like buying a script he's attached to  then kicking him off so some Italian Stallion not known for comedy could make it himself, Altman agree to make the movie with MGM once Stallone lost interest, as the studio promised there would be no further notes about the script, that Altman could have final cut on the film, that he could shoot the film in Phoenix without studio interference, and that he could have a budget of $7m.   Since this was a Robert Altman film, the cast would be big and eclectic, filled with a number of his regular cast members, known actors who he had never worked with before, and newcomers who would go on to have success a few years down the road. Because, seriously, outside of a Robert Altman movie, where are you going to find a cast that included Jon Cryer, Jane Curtin, Paul Dooley, Dennis Hopper, Tina Louise, Martin Mull, Cynthia Nixon, Bob Uecker, Melvin van Peebles, and King Sunny Adé and His African Beats? And then imagine that movie also featuring Matthew Broderick, Jim Carrey, Robert Downey, Jr. and Laura Dern?   The story for the film would both follow the stories that appeared in the pages of National Lampoon fairly closely while also making some major changes. In the film, Oliver Cromwell “O.C.” Oglivie and Mark Stiggs are two ne'er-do-well, middle-class Phoenix, Arizona high school students who are disgusted with what they see as an omnipresent culture of vulgar and vapid suburban consumerism. They spend their days slacking off and committing pranks or outright crimes against their sworn enemies, the Schwab family, especially family head Randall Schwab, a wealthy insurance salesman who was responsible for the involuntary commitment of O.C.'s grandfather into a group home. During the film, O.C. and Stiggs will ruin the wedding of Randall Schwab's daughter Lenore, raft their way down to a Mexican fiesta, ruin a horrible dinner theatre performance directed by their high school's drama teacher being attended by the Schwabs, and turn the Schwab mansion into a homeless shelter while the family is on vacation. The film ends with O.C. and Stiggs getting into a gun fight with Randall Schwab before being rescued by Dennis Hopper and a helicopter, before discovering one of their adventures that summer has made them very wealthy themselves.   The film would begin production in Phoenix on August 22nd, 1983, with two newcomers, Daniel H. Jenkins and Neill Barry, as the titular stars of the film. And almost immediately, Altman's chaotic ways of making a movie would become a problem. Altman would make sure the entire cast and crew were all staying at the same hotel in town, across the street from a greyhound racetrack, so Altman could take off to bet on a few of the races during production downtime, and made sure the bar at the hotel was an open bar for his team while they were shooting. When shooting was done every day, the director and his cast would head to a makeshift screening room at the hotel, where they'd watch the previous day's footage, a process called “dailies” in production parlance. On most films, dailies are only attended by the director and his immediate production crew, but in Phoenix, everyone was encouraged to attend. And according to producer Peter Newman and Dan Jenkins, everyone loved the footage, although both would note that it might have been a combination of the alcohol, the pot, the cocaine and the dehydration caused by shooting all day in the excessive Arizona heat during the middle of summer that helped people enjoy the footage.    But here's the funny thing about dailies.   Unless a film is being shot in sequence, you're only seeing small fragments of scenes, often the same actors doing the same things over and over again, before the camera switches places to catch reactions or have other characters continue the scene. Sometimes, they're long takes of scenes that might be interrupted by an actor flubbing a line or an unexpected camera jitter or some other interruption that requires a restart. But everyone seemed to be having fun, especially when dailies ended and Altman would show one of his other movies like MASH or The Long Goodbye or 3 Women.   After two months of shooting, the film would wrap production, and Altman would get to work on his edit of the film. He would have it done before the end of 1983, and he would turn it in to the studio. Shortly after the new year, there would be a private screening of the film in New York City at the offices of the talent agency William Morris, one of the larger private screening rooms in the city. Altman was there, the New York-based executives at MGM were there, Peter Newman was there, several of the actors were there. And within five minutes of the start of the film, Altman realized what he was watching was not his cut of the film. As he was about to lose his stuff and start yelling at the studio executives, the projector broke. The lights would go up, and Altman would dig into the the executives. “This is your effing cut of the film and not mine!” Altman stormed out of the screening and into the cold New York winter night.   A few weeks later, that same print from New York would be screened for the big executives at the MGM lot in Los Angeles. Newman was there, and, surprisingly, Altman was there too. The film would screen for the entire running length, and Altman would sit there, watching someone else's version of the footage he had shot, scenes put in different places than they were supposed to be, music cues not of his design or consent.   At the end of the screening, the room was silent. Not one person in the room had laughed once during the entire screening. Newman and Altman left after the screening, and hit one of Altman's favorite local watering holes. As they said their goodbyes the next morning, Altman apologized to Newman. “I hope I didn't eff up your movie.”   Maybe the movie wasn't completely effed up, but MGM certainly neither knew what to do with the film or how to sell it, so it would just sit there, just like Health a few years earlier, on that proverbial shelf.   More than a year later, in an issue of Spin Magazine, a review of the latest album by King Sunny Adé would mention the film he performed in, O.C. and Stiggs, would, quote unquote, “finally” be released into theatres later that year.   That didn't happen, in large part because after WarGames in the early summer of 1983, almost every MGM release had been  either an outright bomb or an unexpected financial disappointment. The cash flow problem was so bad that the studio effectively had to sell itself to Atlanta cable mogul Ted Turner in order to save itself. Turner didn't actually want all of MGM. He only wanted the valuable MGM film library, but the owner of MGM at the time was either going to sell it all or nothing at all.   Barely two months after Ted Turner bought MGM, he had sold the famed studio lot in Culver City to Lorimar, a television production company that was looking to become a producer and distributor of motion pictures, and sold rest of the company he never wanted in the first place to the guy he bought it all from, who had a kind of seller's remorse. But that repurchase would saddle the company with massive bills, and movies like O.C. and Stiggs would have to sit and collect dust while everything was sorted out.   How long would O.C. and Stiggs be left in a void?   It would be so long that Robert Altman would have time to make not one, not two, but three other movies that would all be released before O.C. and Stiggs ever saw the light of day.   The first, Secret Honor, released in 1984, featured the great Philip Baker Hall as former President Richard Nixon. It's probably Hall's single best work as an actor, and the film would be amongst the best reviewed films of Altman's career.   In 1985, Altman would film Fool For Love, an adaptation of a play by Sam Shepard. This would be the only time in Shepard's film career where he would star as one of the characters himself had written. The film would also prove once and for all that Kim Basinger was more than just a pretty face but a real actor.   And in February 1987, Altman's film version of Beyond Therapy, a play by absurdist playwright Christopher Durant, would open in theatres. The all-star cast would include Tom Conti, Jeff Goldblum, Christopher Guest, Julie Hagerty and Glenda Jackson.   On March 5th, 1987, an article in Daily Variety would note that the “long shelved” film would have a limited theatrical release in May, despite the fact that Frank Yablans, the vice chairman of MGM, being quoted in the article that the film was unreleasable. It would further be noted that despite the film being available to international distributors for three years, not one company was willing to acquire the film for any market. The plan was to release the movie for one or two weeks in three major US markets, depending on its popularity, and then decide a future course of action from there.   But May would come and go, without a hint of the film.   Finally, on Friday, July 10th, the film would open on 18 screens, but none in any major market like Chicago, Los Angeles or New York City. I can't find a single theatre the film played in that weekend, but that week's box office figures would show an abysmal $6,273 worth of tickets were sold during that first weekend.   There would not be a second weekend of reported grosses.   But to MGM's credit, they didn't totally give up on the film.   On Thursday, August 27th, O.C. and Stiggs would open in at least one theatre. And, lucky for me, that theatre happened to be the Nickelodeon Theatre in Santa Cruz. But despite the fact that the new Robert Altman was opening in town, I could not get a single friend to see it with me. So on a Tuesday night at 8:40pm, I was the only person in all of the region to watch what I would soon discover was the worst Robert Altman movie of all time. Now, I should note that even a bad Robert Altman movie is better than many filmmakers' best movies, but O.C. and Stiggs would have ignobility of feeling very much like a Robert Altman movie, with its wandering camera and overlapping dialogue that weaves in and out of conversations while in progress and not quite over yet, yet not feeling anything like a Robert Altman movie at the same time. It didn't have that magical whimsy-ness that was the hallmark of his movies. The satire didn't have its normal bite. It had a number of Altman's regular troop of actors, but in smaller roles than they'd usually occupy, and not giving the performances one would expect of them in an Altman movie.   I don't know how well the film did at the Nick, suffice it to say the film was gone after a week.   But to MGM's credit, they still didn't give up on the film.   On October 9th, the film would open at the AMC Century City 14, one of a handful of movies that would open the newest multiplex in Los Angeles.   MGM did not report grosses, and the film was gone from the new multiplex after a week.   But to MGM's credit, they still didn't give up on the film.   The studio would give the film one more chance, opening it at the Film Forum in New York City on March 18th, 1988.   MGM did not report grosses, and the film was gone after a week. But whether that was because MGM didn't support the film with any kind of newspaper advertising in the largest market in America, or because the movie had been released on home video back in November, remains to be seen.   O.C. and Stiggs would never become anything resembling a cult film. It's been released on DVD, and if one was programming a Robert Altman retrospect at a local arthouse movie theatre, one could actually book a 35mm print of the film from the repertory cinema company Park Circus.   But don't feel bad for Altman, as he would return to cinemas with a vengeance in the 1990s, first with the 1990 biographical drama Vincent and Theo, featuring Tim Roth as the tortured genius 19th century painter that would put the actor on the map for good. Then, in 1992, he became a sensation again with his Hollywood satire The Player, featuring Tim Robbins as a murderous studio executive trying to keep the police off his trail while he navigates the pitfalls of the industry. Altman would receive his first Oscar nomination for Best Director since 1975 with The Player, his third overall, a feat he would repeat the following year with Short Cuts, based on a series of short stories by Raymond Carver. In fact, Altman would be nominated for an Academy Award seven times during his career, five times as a director and twice as a producer, although he would never win a competitive Oscar.   In March 2006, while editing his 35th film, a screen adaptation of the then-popular NPR series A Prairie Home Companion, the Academy would bestow an Honorary Oscar upon Altman. During his acceptance speech, Altman would wonder if perhaps the Academy acted prematurely in honoring him in this fashion. He revealed he had received a heart transplant in the mid-1990s, and felt that, even though he had turned 81 the month before, he could continue for another forty years.   Robert Altman would pass away from leukemia on November 20th, 2006, only eight months after receiving the biggest prize of his career.   Robert Altman had a style so unique onto himself, there's an adjective that exists to describe it. Altmanesque. Displaying traits typical of a film made by Robert Altman, typically highly naturalistic, but with a stylized perspective and often a subversive twist.   He truly was a one of a kind filmmaker, and there will likely never be anyone like him, no matter how hard Paul Thomas Anderson tries.     Thank you for joining us. We'll talk again in two weeks, when Episode 106, Mad Magazine Presents Up the Academy, is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.  

Real Estate, Leadership & Management with Mike Procopio 1) Everyone has one big (personal) thing that stands in the way of their success. Find yours, and deal with it, ASAP. 2)

NOTE: The dental procedures have begun, and as George S Patton once said, no plan survives first contact with the enemy. In literally the first minute, the decision was made to change directions and try something else first. Already the planned procedures have changed. So literally I have no idea what will happen next or when, except that it will not be before February of 2023. Thank you for the encouragements and messages. I really appreciate them. One of the the things that I hate about being a modern person is that we are so skeptical of history. Today, we are constantly revising it, reviewing it, re-interpreting it. In fact, we are willfully forgetting it. The stories told for untold generations are being replaced, not with the old ideas, reinforced by old legends and myths, but new ideas, underpinned by opinion and theory. The power of the story of the past could restore many of those things, but it is being abandoned. Like the reason that I hate being in a Dentist chair goes back near on to three-thousand years.. --- Send in a voice message: https://anchor.fm/plausibly-live/message

Al and James continue their USA series with historian John C. McManus. They discuss two of the United States' most iconic commanders - George S. Patton and Omar Bradley.A Goalhanger Films ProductionProduced by Vasco AndradeExec Producer: Tony PastorTwitter: #WeHaveWays @WeHaveWaysPodWebsite: wehavewayspod.comEmail: wehavewayspod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

GGACP celebrates the birthday (July 27th) of the late, legendary comedian-impressionist Will Jordan with this ENCORE of an interview from back in 2016. In this episode, Will looks back on his 70 years in showbiz and regales Gilbert and Frank with stories about Charlie Callas, Don Rickles, Lenny Bruce, Sheldon Leonard and David Janssen -- to name a few. Also, Will praises John Byner and Larry Storch, meets Lou Costello, remembers Hanson's drugstore and impersonates everyone from Ed Sullivan to George S. Patton. PLUS: Sabu! Foghorn Leghorn! “Broadway Danny Rose”! The genius of Bill Dana! And the return of Rickie Layne and Velvel! Learn more about your ad choices. Visit megaphone.fm/adchoices