Podcast appearances and mentions of guy mitchell

National Margarita day. Entertainment from 1966. Last time Great Britian was invaded, 1st dog race track, US gets Florida from Spain. Todays birthdays - George Washington, Robert Young, Robert Wadlow, Guy Mitchell, Julie Walters, Kyle MacLachlan, Steve Irwin, Drew Barrymore. Andy Worhol died.Intro - God did good - Dianna Cocoran  https://www.diannacorcoran.com/ One margarita - Luke BryanLightning strikes - Lou ChristieThere goes my everything - Jack Green Birthdays - In da club - 50 Cent     http://50cent.com/Rock A Billy - Guy MItchellExit - First shots on me - Christie Lamb  https://www.christielamb.com/countryundergroundradio.comcooolmedia.com 

Guy Mitchell in Finglas, a century old bank raid, and other tales from the 80s and 90s programme archive, with Aodhán Madden, Nuala Hayes, Brian Leyden, Richard Roche, Hugh Oram and Mae Leonard

Tune in while you tune out , it's that time again to roll a fatty and get high with your High P.E. hosts Traci and Guy Mitchell. We talk about Boom beekeeping Guys woodworking adventures with Carbon based designs and we let you in on the tricks of how to know when your outdoor weed is ready to harvest. Show sponsors cultivatedhempcompany.com use code BOOM25 at check out for 25% off and NationalDisgrace.Biz use code BOOM20 20% off. Go to aboomlife.com to learn more about us! Superpothead.com for swag!Doyogadoyou.com

Sintonía: "Boom Stix" - Curley & The Jades"Wild Child" - David Hill; "I Want To Know" - The Gay Poppers; "Ninety-Nine Years" - Guy Mitchell; "Laughing At Me" - Nellie Rutherford; "Baby Girl Of Mine" - Bobby Sharp; "Lonesome Shack" - Ernie Washington; "So Good" - Ruben Fort; "You´re a Little Too Late2 - Danny Owens; "Johnny Hold My Hand" - Bach Yen y "Seventh Son" de Louisiana Red, extraídas de la recopilación (1x10") "Boom Stix! (Blues & Rhythm, Popcorn, Exotica & Tittyshakers, Volume 10)" del sello germano Stag-O-Lee (2016)"Get Out Of Town" - Patsy Abbott with Margie Sherwin; "Some Like It Cool" - Honey Sanders; "Beatnicks" - Beatnicks; "Cha Cha Bop" - Carol Gray; "Fever" - Kay Martin & Her Body Guards y "Leav´n Woman" de Sarah Northcutt, extraídas de la recopilación (1x10") "Trashcan Records Volume 5: Cha Cha Bop" (Stag-O-Lee, 2020)  Escuchar audio

In this episode of The Perry Pod, I look at Season 4 Episode 28: The Case of the Guilty Clients This episode includes: Law Library: Sabotage and Fraud Plot: Episode plot Trivia: FAA regulations, Guy Mitchell, and Perry's legal work for a friend The Theme: Confusion The Perry Proverb: "A friend in court..." The Water Cooler: Deleted scenes, last ep's Paul Prompt PLUS a listener letter UCLA info: Contact me at theperrypod@gmail.com. Keep on walking that Park Avenue Beat!

Mitchell Sorkin, known as the ATM guy, shares his journey of building a portfolio of almost a thousand ATMs across the country. He explains how he got into the ATM business and the qualities he looked for in a business, such as low labor intensity. Mitchell discusses the business model of ATMs, including the risks and benefits. He also talks about the negotiation process with store owners and the potential income generated by ATMs. Mitchell emphasizes the importance of finding a business that suits your personality and interests. Takeaways The ATM business can be a profitable source of passive income, with low labor intensity and low overhead costs. The cash in the ATM machine is not owned by the ATM operator, reducing the risk of robbery. ATM fees can vary depending on the location and type of business, with some high-volume locations generating significant income. Negotiating agreements with store owners is a key aspect of the ATM business, with fees and revenue sharing arrangements varying. Finding a business that aligns with your personality and interests is important for long-term success.

Mitchell Sorkin, known as the ATM guy, shares his journey of building a portfolio of almost a thousand ATMs across the country. He explains how he got into the ATM business and the qualities he looked for in a business, such as low labor intensity. Mitchell discusses the business model of ATMs, including the risks and benefits. He also talks about the negotiation process with store owners and the potential income generated by ATMs. Mitchell emphasizes the importance of finding a business that suits your personality and interests. Takeaways The ATM business can be a profitable source of passive income, with low labor intensity and low overhead costs. The cash in the ATM machine is not owned by the ATM operator, reducing the risk of robbery. ATM fees can vary depending on the location and type of business, with some high-volume locations generating significant income. Negotiating agreements with store owners is a key aspect of the ATM business, with fees and revenue sharing arrangements varying. Finding a business that aligns with your personality and interests is important for long-term success.

National Margarita day. Entertainment from 2004. Last time Great Britian was invaded, 1st dog race track, US gets Florida from Spain. Todays birthdays - George Washington, Robert Young, Robert Wadlow, Guy Mitchell, Julie Walters, Kyle MacLachlan, Steve Irwin, Drew Barrymore. Andy Worhol died.Intro - Pour some sugar on me - Def Leppard https://en.wikipedia.org/wiki/Def_LeppardOne margarita - Luke BryanSlow Jamz - Twista Kanye West Jamie FoxxAmerican soldier - Toby KeithBirthdays - In da club - 50 Cent http://50cent.com/Rock A Billy - Guy MItchellExit - Its not love - Dokken http://dokken.net/ https://coolcasts.cooolmedia.com/

Took my time this episode, mixing in 23 mostly old tunes over the course of an hour and a quarter. Finished with some nice hidden disco gems. My guest this time was Guy Mitchell, who also goes by the name The Funky Soul Guy. His 45 minute guest mix showed us why - a fast moving stomp through some very nicely mixed disco house belters. Big thanks to Guy, and please give him a follow on Instagram - https://www.instagram.com/guymitchelldj/ HOUR 1 TRACKLIST 1 Manuel Costela - Catching Up Ur Smile 2 Situation - Let's Dance 3 Kornum - Don't Go Away 4 Drop Out Orchestra - Tunga Stenar (Monsieur Van Pratt Remix) 5 Jamiroquai - Too Young To Die (Pete Le Freq Refreq) 6 Tarantulaz - Stop The World 7 Hanna - Shimmer 8 HOLDTight - Late Night Flight 9 RLP - Do You Believe That Love Will Never Do Without You? 10 112, Notorious Big - Only You 11 Erykah Badu - Appletree 12 FF Edits - Do For Love 13 DJ Laurel - 4 More 14 The Gimmicks - Visst är du kär 15 Pete Whiteley - Superfly 16 Grey And Hanks - Dancin' (Joshua Mooney Edit) 17 Mystic Jungle - Get Down On It 18 Mahogany - My Chance To Dance 19 Kwick - Split Decision 20 The Bar Kays - Boogie Body Land (SLY Edit) 21 Persnickety All Stars - One Hundred & Nine 22 Eloise Whitaker - Don't turn your back on love (SLY Edit) 23 Jakob Mäder - Plugin Party

Today's show features music performed by Guy Mitchell and Clarence Fountain

On today's show, Guy Mitchell discusses; Ultra Low Emission Zones to reduce particulate contamination in the air (banning cars) while herding people into subways where particulate matter is SKY HIGH and sound pollution is horrendous and other dumb ideas that drive the great climate deception into utter foolishness and human suffering. Later, Dave Shestokas provides an update on the RICO case involving former President Trump and 18 others in Fulton County, Georgia. Specifically, he mentions his representation of Pastor Steven Lee, one of the indicted individuals. GUEST OVERVIEW: Guy K. Mitchell, Jr. was born in a small town in Alabama in 1948. He was educated in the public school systems in Birmingham, AL, and attended the University of Alabama-Tuscaloosa, where he graduated with a Bachelor's of Science Degree in Mechanical Engineering. He is a member of Pi Tau Sigma, the International Honor Society for Mechanical Engineers and was elected a Distinguished Engineering Fellow by the College of Engineering, University of Alabama, in 1995. Guy Mitchell has worked in various positions in his career, including as a shift foreman in a coal-fired power plant, a plant superintendent in a steel mill, a general manager of a construction materials company in Saudi Arabia and Senior-Vice President of a Fortune 500 company. He is the Author of Global Warming: The Great Deception – The Triumph of Dollars and Politics Over Science and Why You Should Care. GUEST OVERVIEW: David Shestokas is an attorney licensed in IL and FL and author of Constitutional Sound Bites . He earned his B.A. in Political Science from Bradley University and J.D. from The John Marshall Law School, cum laude, while serving on the The John Marshall Law Review. He studied law at Trinity College in Dublin, Ireland. He was also on the ground in Pennsylvania during the tumultuous 2020 election/ongoing coup attempt first as a GOP election observer and as an attorney assisting the Trump Campaign.

1. Little Richard 2. Rhiannan Giddens 3. The Jam 4. Otis Taylor 5. Daughter 6. Anohni 7. Hot Chocolate 8. Natalie Merchant 9. Neil Young 10. Robert Forster 11. Larry's Rebels 12. Guy Mitchell 13. Dr Feelgood 14. Dirtbombs 15. Peter Gabriel 16. Gordons

GUEST 1 OVERVIEW: Michael Hansen is an independent filmmaker from Denmark whose documentaries include Killing Free Speech & Killing Europe. http://www.killingfreespeech.com/ GUEST 2 OVERVIEW: Guy Mitchell is a member of Pi Tau Sigma, the International Honor Society for Mechanical Engineers and was elected a Distinguished Engineering Fellow by the College of Engineering, University of Alabama, in 1995. His book, Global Warming: The Great Deception – The Triumph of Dollars and Politics Over Science and Why You Should Care, explains what he believes to be the flawed claims of global warming caused by human activity. Guy is also Chairman Emeritus of DeSHAZO an industrial equipment manufacturer. http://www.deshazo.com/    

Nick is at Royal Ascot on Gold Cup Day alongside broadcaster Rishi Persad. Among their guests today are Group One winning rider Jim Crowley, Chelsea Thoroughbreds supremo Richard Morcombe, Milliner Lisa Tan, Jamie Hart from WorldPool, Ascot Broadcast Director Sarah Maxwell, Photographer Dan Abraham, Doctor Guy Mitchell, BGC CEO Michael Dugher plus a cameo from David Yates.

Nick is at Royal Ascot on Gold Cup Day alongside broadcaster Rishi Persad. Among their guests today are Group One winning rider Jim Crowley, Chelsea Thoroughbreds supremo Richard Morcombe, Milliner Lisa Tan, Jamie Hart from WorldPool, Ascot Broadcast Director Sarah Maxwell, Photographer Dan Abraham, Doctor Guy Mitchell, BGC CEO Michael Dugher plus a cameo from David Yates.

435 - Heidi & Guy MItchell Podcast Number: 435Podcast Release Date:  05/16/23Podcast Description Heidi and Guy Mitchell, my guests on this episode of The Thriving Christian Artist, have a very unique place in God's kingdom.  They have heard God's call together as a couple, and it has led them to combine their gifts in music and art into something very special.  Their journey certainly hasn't always been easy.  In obedience to God's word, they gave up their other successful endeavors to create their art in His name.  This lean period helped them learn to trust in God in all things, to be faithful with His gifts, and to be sure of His provision.  Now their faithfulness has allowed them to share what God has given them, including His prophetic word, all over the world!  So take a listen to this episode, hear their incredible story, and see how one's obedience to God can have a ripple effect that spreads His glory farther than you can possibly imagine.  And if you want to find out more about the Mitchells and see what the Lord is doing in their lives, you can send them an email, check out their website, or find them on YouTube!  revelationsinart@gmail.com  http://revelationsinart.co.za/    https://www.youtube.com/@revelationsinart9623 ====================When you're ready to stop striving and start thriving, here are 4 other ways I can help: 1️⃣  Get my FREE Guide, “5 Biggest Misconceptions About Prophetic Art”Wondering how to create your art with God or what prophetic art is all about?  Grab my free guide and make sure you're not stuck in any of these misconceptions about prophetic art!  Download here ➡️ https://thrive.matttommeymentoring.com/5-biggest-misconceptions-about-prophetic-art2️⃣ Learn a New Framework for Living: Watch this free 60-minute, on-demand workshop I created called “How to Start Thriving as the Artist God Created You to Be,” where I share a simple, Kingdom-based framework for living that anyone can use starting today. Click here for details and to enroll!  ➡️  https://matttommeymentoring.mykajabi.com/ew-optin-how-to-start-thriving3️⃣  Connect with God: Discover how to connect with the Lord and discover His intention for you and your art in His Kingdom in my course, How to Connect with God to Create & Sell Your Art. Get more details here ➡️  https://thrive.matttommeymentoring.com/how-to-connect  4️⃣  Ready to truly thrive?  Join the Created to Thrive Artist Mentoring Program to discover how to build your art business and live the abundant life Jesus promised you as an artist in His Kingdom! Click here for details and to enroll!  ➡️  https://www.matttommeymentoring.com/artmentor.htmlThanks for listening!  You can also watch this podcast on YouTube at youtube.com/matttommeymentoring.  Be sure to subscribe so you don't miss an episode!Connect with Matt online:

Songs include: Sing, Sing ,Sing, I Gotta Right To Sing the Blues, Let Me Sing and I'm Happy, Sing, You Sinners, And the Angels Sing and It's a Grand Night For Singing.  Performers include: Dick Haymes, Billie Holliday, Louis Prima, Tony Bennett, Guy Mitchell and Martha Tilton. 

Guy Mitchell returns this week to continue his interview that exposes the climate change deception with his new book Global Warming: The Great Deception. Doc Holliday brings news about Tucker Carlson’s departure at Fox News and has much commentery about the condition of freedom of speech and the lack of debates in today’s society for important […] The post Guy Mitchell Shatters Climate Change Deception appeared first on WebTalkRadio.net.

Learn more about Guy Mitchell and his work: https://globalwarmingdeception.com Global Warming: The Great Deception https://indiepubs.com/products/global-warming/ We The People must stand strong, stay united, resolute, calm and focus on the mission - God Wins! We at www.themelkshow.com want to thank all our amazing patriots pals for joining us on this journey, for your support of our work and for your faith in this biblical transition to greatness. We love what we do and are working hard to keep on top of everything to help this transition along peacefully and with love. Please help us amplify our message: Like, Comment & Share! The Show's Partners Page: https://themelkshow.com/partners/ Consider Making A Donation: https://themelkshow.com/donate/ Another way to get involved and find ways to become active in the community is to come meet Mel and many amazing truth warriors at our upcoming live in person speaking events. Together we are unstoppable. We look forward to seeing you. GodWins! https://themelkshow.com/events/ Rebels for a C.A.U.S.E Nashville, TN, June 3rd & 4th https://rebelsforcause.eventbrite.com/?aff=MelK Reawaken America Tour Miami, FL - May 12 & 13 (At Trump Doral) Las Vegas, NV - Aug 25 & 26 We The Patriots USA Conference Boise, Idaho June 2 & 3rd Remember to mention Mel K for great discounts on all these fun and informative events. See you there! Website www.TheMelKShow.com Locals.com - Exclusive Mel K Content https://melk.locals.com/ CloutHub (Video/Social Media) https://app.clouthub.com/#/users/u/TheMelKShow Mel K Show Video Platform - (Subscription) https://www.themelkshow.tv Rumble (Video) - The Mel K Show https://rumble.com/c/TheMelKShow Bitchute (Video) - Melk.News/Bitchute https://www.bitchute.com/channel/Iw2kiviwZpwx/ Podbean (Podcast) https://themelkshow.podbean.com/ TRUTH Social https://truthsocial.com/@themelkshow Gab (Social Media) https://gab.com/MelKShow GETTR (Social Media) https://www.gettr.com/user/themelkshow Telegram (Social App) The Mel K Show Group - https://t.me/themelkshowgroup The Mel K Show Channel - https://t.me/themelkshowchannel The Mel K Show Mailing Address 1040 First Avenue #367 New York, NY 10022 If you are interested to explore investing in precious metals please contact below and mention MelK for special offers: Beverly Hills Precious Metals Exchange Buy Gold & Silver https://themelkshow.com/gold/ Speak with Gold Expert Andrew Sorchini…Tell Him Mel K Sent You! Gray & Sons Jewelers Have you considered alternative methods to hedging against inflation? With all the ongoing geopolitical uncertainty, now is a great time to protect your wealth with hard liquid assets. https://themelkshow.com/grayandsons/ Support Patriots With MyPillow Go to www.MyPillow.com Use offer code “MelK” to support both MyPillow and The Mel K Show Mel K Superfoods Supercharge your wellness with Mel K Superfoods Use Code: MELKWELLNESS and Save Over $100 off retail today! www.MelKSuperfoods.com HempWorx The #1 selling CBD brand. Offering cutting edge products that run the gamut from CBD oils and other hemp products to essential oils in our Mantra Brand, MDC Daily Sprays which are Vitamin and Herb combination sprays/ https://themelkshow.com/my-daily-choice/ Dr. Zelenko Immunity Protocols https://zstacklife.com/MelK Dr. Stella Immanuel, MD. Consult with a renowned healthcare provider! Offering Telehealth Services & Supplements. Use offer code ‘MelK' for 10% Off https://bit.ly/MelKDrStellaMD Dr. Mark Sherwood. Take care of your health with Dr. Mark Sherwood and his team at Functional Medical Institute. Download the free e-book to develop physical and emotional resiliency www.Sherwood.tv/melk

Join Doc Holliday this week for a great conversation with author and brilliant mind, Guy Mitchell. Together they discuss why the fuss about global climate change and the carbon dioxide factor can be rebutted with truth. Guy has a website that shows great statistics and diagrams that will better explain why most of our nation’s politicians are getting wrong […] The post Climate Change Rebutted in New Book by Guy Mitchell appeared first on WebTalkRadio.net.

Guy Mitchell, a businessman with the mind of a scientist, takes a holistic approach and combines scientific analysis with an in-depth review of the political and economic aspects of the subject. He uses proven science and scientific facts to refute every claim of the climate alarmists and proponents of the man-made global warming hypothesis. He exposes the true reasons that the UN, certain politicians, and global investment firms promote global warming fraud. His analysis is an unbiased, scientifically based, insightful, no-holds-barred approach to the subject. Guy joins Leland to discuss his latest book, "Global Warming: The Great Deception." Mo Alexander joins Leland to preview his upcoming performances at Comedy Works South in The Landmark at Greenwood Village.

Guy Mitchell, a businessman with the mind of a scientist, takes a holistic approach and combines scientific analysis with an in-depth review of the political and economic aspects of the subject. He uses proven science and scientific facts to refute every claim of the climate alarmists and proponents of the man-made global warming hypothesis. He exposes the true reasons that the UN, certain politicians, and global investment firms promote global warming fraud. His analysis is an unbiased, scientifically based, insightful, no-holds-barred approach to the subject. Guy joins Leland to discuss his latest book, "Global Warming: The Great Deception."

Hour Two: Simon discusses global warming with Guy Mitchell, Iowa Pork with Dave Struthers, and he gives his thoughts on Elon Musk's recent comments on AI.

We are up against the rule of democratic scourge and Shaun doesn't want you to be deceived any longer! Producer and director Hawk Jensen felt something was off at the beginning of the pandemic - so he investigated. He tells Shaun about his new docuseries, Follow the Science, a must see restrospective of the lockdowns and how our rights were taken away one by one. PLUS, Guy Mitchell, Jr. disproves man-made global warming in his new book, Global Warming: The Great Deception.See omnystudio.com/listener for privacy information.

Purists love to tell us that many songs with “blues” in their title — “Blues in the Night,” “Birth of the Blues,” “Lovesick Blues” — technically are not blues at all. (Shoot, even the great “St. Louis Blues,” while it certainly opens with a traditional 12-bar blues structure, wraps up with 16 bars in a habanera rhythm that its composer W.C. Handy called his “tango section.”)Of course, many of these cited songs aren't meant to be blues, but to be about having the blues, and 1950s classic rocker “Singing the Blues” certainly meets those specs.A perfect honky tonk tune of its time, “Singing the Blues” was written by 20-year-old Arkansas native Melvin Endsley in 1954. The following year, Endsley took his song to Nashville to pitch it backstage at the Grand Ole Opry. And it worked. In 1956, Marty Robbins recorded the song (which is credited, by the way, with putting Robbins on the musical map). It was pretty good for Endsley's career too. His writing talents were in high demand after Robbins's success. Over his 50-year career, Melvin wrote some 400 songs that were recorded by hundreds of artists.Living the BluesMelvin Endsley himself had more than a passing acquaintance with the blues. In 1937, when he was three years old, he contracted polio, requiring him to use a wheelchair for the rest of his life.Then, starting at the age of 11, he spent three years in the Crippled Children's Hospital in Memphis. However, the resourceful youngster parlayed that into a life-altering experience. While in the hospital, Melvin regularly listened to music on the radio, and he taught himself to play the guitar.After returning to Arkansas, the teenaged Endsley began performing on local radio shows. By the time he was 20, he had an original song — "It Happens Every Time" — that caught the attention of a couple of established artists, Don Gibson and Dorsey Burnette, who encouraged him to continue his songwriting. Within months, Melvin had created the song that would change his life. While “Singing the Blues” was first recorded by Marty Robbins, its best-known recording was released in October 1956 by Guy Mitchell, whose rendering of it spent 10 weeks at No. 1 on the U.S. Billboard chart from December 1956 to February 1957.Two other charting versions of the song — Robbins' original along with one by English singer Tommy Steel — also were released almost simultaneously with Mitchell's.Since then, “Singing the Blues” often has been revived. In the 1960s, for instance, Bill Haley & His Comets, Hank Snow and Dean Martin all made recordings of it. In the 1970s came versions by Black Oak Arkansas and by Marie Osmond. In the 1980s, it was Gene Summers and Randy Travis, while the ‘90s saw takes by The Kentucky Headhunters and by Paul McCartney.The English Football ConnectionWeirdly, the tune also has resonated with English football fans. It has been sung since the ‘60s by fans of various clubs, usually offering parodies of the opening lyrics. For example, Everton fans sing, "I've never felt more like singing the blues, when Everton win and Liverpool lose. Oh Ev-er-ton, you've got me singing the blues." Our Take on the TunePamela Bowen, who has been our band manager for more than 20 years, is a major influence on all things Flood, from the venues we visit to the tunes we play when we get there. So when Pamela recently suggested we augment the roots music portion of our repertoire with some more classic old-time rock, we started casting our thoughts back to the tunes that stirred our youth, like this from the Fifties.Our first public performance of the song was last week at Sal's Speakeasy, where, as we reported here earlier, it even made Pamela's video from the night. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

En nuestra nonagésima entrega rescatamos a uno de los autores clásicos de la edad de oro de la C-F , quizás menos conocido pero puede que el más original: Alfred Elton Van Vogt. Damos un repaso a su vida y comentamos sus obras más relevantes. - Biografía. Primeros años. (0:07) - El Viaje del Beagle Espacial (1939). (0:26) - Slan (1940). (1:08) - EL ciclo de Isher (1947-51). (1:46) - El Mundo de los No-A (1945). (2:30) - Últimos años. (3:12) - Comentarios de los oyentes y despedida. (3:31) De música de fondo tiramos de este mix: https://youtu.be/f_P8GZpbJGU. Abrimos con esto: https://youtu.be/GlqUZDTuqjk y cerramos con "Singing the blues" de Guy Mitchell. La sintonía, como es habitual, es el tema "Spectre Detector" de los Tiki Tones. Síguenos y contacta con nosotros a través de Facebook en https://www.facebook.com/retronautas, en Twitter en @losretronautas, o escríbenos a nuestro correo electrónico: losretronautas@gmx.com Si te ha gustado este programa y quieres invitarnos a un café, puedes hacerlo a través de: https://ko-fi.com/retronautas Y si estás comprometido con la C-F viejuna puedes unirte a la infantería móvil retronaútica en: https://www.patreon.com/losretronautas o aquí mismo, en Ivoox. Como patrocinador, serás informado de nuestros planes de vuelo, y tendrás acceso anticipado a los podcast "Micronautas". Saludos desde los días del futuro pasado.

Legal experts are speaking out against the indictment of Donald Trump. I was joined by Guy Mitchell to discuss his book, Global Warming: The Great Deception, and the facts that he is exposing in it. I was joined by Maxine Albert, longtime partner of author Curtis Ellis, to discuss the growing relationship between Russia and China and the last book by Curtis Ellis before his death, Pandemonium: China's Global Strategy to Cripple America. I was joined by Ken Crow to discuss his plan to make America's schools safer. I was joined by Ian Prior, one of the most recognizable voices in the "parents' revolution" to discuss his new book, Parents of the World, Unite!: How to Save Our Schools from the Left's Radical Agenda.Go to 4Patriots for the Survival Food Kits and use code TAPP at checkout for a 10% discount on first-time orders on everything in the store.Global Warming: The Great Deception Pandemonium: China's Global Strategy to Cripple America Parents of the World, Unite!: How to Save Our Schools from the Left's Radical Agenda Fight For Schools2nd SkullBeanstox"Homegrown" Boone's Bourbon

Legal experts are speaking out against the indictment of Donald Trump. I was joined by Guy Mitchell to discuss his book, Global Warming: The Great Deception, and the facts that he is exposing in it. I was joined by Maxine Albert, longtime partner of author Curtis Ellis, to discuss the growing relationship between Russia and China and the last book by Curtis Ellis before his death, Pandemonium: China's Global Strategy to Cripple America. I was joined by Ken Crow to discuss his plan to make America's schools safer. I was joined by Ian Prior, one of the most recognizable voices in the "parents' revolution" to discuss his new book, Parents of the World, Unite!: How to Save Our Schools from the Left's Radical Agenda. Go to 4Patriots for the Survival Food Kits and use code TAPP at checkout for a 10% discount on first-time orders on everything in the store. Global Warming: The Great Deception Pandemonium: China's Global Strategy to Cripple America Parents of the World, Unite!: How to Save Our Schools from the Left's Radical Agenda Fight For Schools

National margarita day. Pop culture from 1972. Last time Britian was invaded, U.S. get Florida, 1st Daytona 500, 1st artificial rabbit at a dog track. Todays birthdays - George Washington, Robert Young, Robert Wadlow, Guy Mitchell, Julie Walters, Kyle MacLachlan, Steve Irwin, Drew Berrymore. Andy Worhol died.

THE CULT OF CLIMATE CHANGE- GUY MITCHELL

Guy Mitchell joins JT to discuss the former football star faces a tough battle ahead against Democratic Raphael Warnock.

There was a report on a corporate media news outlet today that disturbed me. They were saying that many Republicans are not too concerned about the Georgia runoff election for U.S. Senate since Democrats had already won control. What difference does one vote make, they asked.This was disinformation. They know the stakes are very high for this runoff and they want Republicans to be unconcerned about it in hopes that they could shave off some of the votes on behalf of Democrats. But just in case there really are some Republicans out there who are yawning over the race between Herschel Walker and Raphael Warnock, let me say one name and one other word: "Joe Manchin" and "Filibuster."The only reason Chuck Schumer and Joe Biden couldn't get some of their legislation passed the last two years is because Senator Joe Manchin from West Virginia opposes removing the filibuster. Some may point out that Senator Kyrsten Sinema from Arizona is another roadblock for Democrats, but I would argue that solidarity with Manchin is the only reason she's able to stave off attacks. If she was the lone vote against changing Senate rules, I believe she would have caved.If Warnock wins, that would give Democrats a 51-49 advantage. At some point, likely over gun control or a version of the Green New Deal, Schumer will make a new push to eliminate the filibuster. Even if Manchin votes against it but Sinema votes for it, that would be a tie broken by Kamala Harris. The filibuster would fall.Some would argue that Congressman Kevin McCarthy being Speaker of the House would remove the risk of Democrat legislation passing. I could make the "never trust a RINO" argument, but I'd also point out that with the GOP's razor-thin majority in the House, all Democrats would have to do is convert a small handful of Republicans to their side in order to get gun control, Green New Deal, or other destructive pieces of legislation passed.On today's episode of The JD Rucker Show, I dove into why I believe this is the case. I also had on Guy Mitchell, author of Global Warming: The Great Deception, to discuss the climate change agenda and how a Walker victory in Georgia is absolutely essential.The "red tsunami" failed because of voter fraud. They're going to try to do it again in Georgia. It is imperative that Walker wins by a landslide in order to overcome the theft of his victory.

We begin this week's episode by giving thanks to the Veterans who have served our country as All About Events' Bree Tomar discusses the details of the parade, along with some of the delightful stores (and foodie spots) within the Reading Terminal Market. Then we hear from several of the amazing Chefs who participated at Taste of Philadelphia! We'll hear interviews from Chefs Frank Benowitz and Guy Mitchell who have offered their culinary skills within several terms at the White House and who can also be seen on The Food Network. Then we had a lot of fun speaking with Hell's Kitchen Chefs Barret Beyer and Christine Hazel who were offering cooking demonstrations and tastings during the Taste of Philadelphia-- and we cannot wait to share their stories with all of you!

Here to speak with us now about the matter is Guy Mitchell, the author of Global Warming: The Great Deception – The Triumph of Dollars and Politics Over Science and Why You Should Care. He recently wrote an op-ed titled The Deindustrialization of the European Union which delves deeply into this subject, so his expertise is certainly welcome here. Hosted on Acast. See acast.com/privacy for more information.

Author Guy Mitchell will discusses power issues that will affect millions of consumers this holiday...

“Global Warming: The Great Deception-The Triumph of Dollars and Politics Over Science and Why You Should Care” is the definitive new work on the subject of anthropogenic (man-made) global warming. Guy Mitchell, a businessman with the mind of a scientist. Get free alerts at http://PrayInJesusName.org (c) 2022, Chaplain Gordon James Klingenschmitt, PhD. Airs on NRB TV, Direct TV Ch.378, Roku, AppleTV, Amazon FireTV, AndroidTV, GoogleTV, Smart TV, iTunes and www.PrayInJesusName.org

Guy Mitchell is a member of Pi Tau Sigma, the International Honor Society for Mechanical Engineers, and was elected a Distinguished Engineering Fellow by the College of Engineering, University of Alabama, in 1995. His book, "Global Warming:The Great Deception-The Triumph of Dollars and Politics Over Science and Why You Should Care", explains what he believes to be the flawed claims of global warming caused by human activity. https://deshazo.com/ See acast.com/privacy for privacy and opt-out information.

Guy Mitchell is a member of Pi Tau Sigma, the International Honor Society for Mechanical Engineers and was elected a Distinguished Engineering Fellow by the College of Engineering, University of Alabama, in 1995. His book, Global Warming: The Great Deception, explains the flawed claims of global warming caused by human activity. www.deshazo.com

Hour 2 - Tim Graham talks with John about Hollywood elite's protest over Roe; Climate Change Global Warming myth with best-selling author Guy Mitchell; and a mailer was sent to some in Wichita that misrepresented the Value Them Both amendment 

Episode 212, “Two Country Boys,” presents the hit records of Marty Robbins and Guy Mitchell. Songs include Just Married, Singing the Blues, Heartaches by the Number, My Shoes Are Walking Back to You, El Paso,... Read More The post Episode 212, “Two Country Boys,” appeared first on Sam Waldron.

This is an Armed Forces Radio and Television Service Broadcast of "Big Band Countdown" to Europe from the first week of Feb. 1951. Songs in order of play (including a few extras) are: "Harbor Lights" - "Tennessee Waltz" - Les Paul and Mary Ford; "One O'Clock Jump" - Count Basie "So Long It's Been Good To Know You" - Weavers and Pete Seeger "Rovin' Kind" - Mitch Miller "Local 802 Blues" - Metronome All Stars including Miles Davis. "The Thing" - Phil Harris "IF" Perry Como "You're Just In Love" - Perry Como and Fontaine Sisters "Build That Railroad" - Duke Ellington "Be My Love" - Mario Lanza "My Heart Cries For You" - Guy Mitchell and Mitch Miller "You're the One" - Frank Sinatra and "Tennessee Waltz" Patti Page Broadcast also includes messages to military listening on a variety of issues they may need help with as they come home from Europe. Playlist: "Big Band and Jazz"

Today's show features music performed by Guy Mitchell and Clarence Fountain

October 5, 1952 - Jack Benny plays a newspaperman. References include game 5 of the World Series with ballplayers like Phill Rezzuto and Jackie Robinson, Albert Einstein, Milton Berle, Rocky Marciano, Ty Cobb, The New Follies at the Burbank Theater, and the songs "Cry" by Johnny Ray, "Kiss of Fire" by Georgia Gibbs, and "Feet Up (Pat Him on the Po Po)" by Guy Mitchell.  

Mitchell, aged 46 and a GP in Pulborough, West Sussex, had his right eye removed when a child because of cancer, but also had a long-harboured ambition to ride in, and win, a horse-race. As a result of the impairment, it took, on and off, 30 years of effort for the son, grandson and half-brother of jockeys to be granted a licence of his own, but on only his fourth mount, at Goodwood's August Bank Holiday fixture, he became the first jockey with one eye to win an official UK horse-race when 50-1 shot The Game Is On was successful. It's an inspirational story - hope you enjoy it. 

Mitch Miller was a much more interesting figure than his Sing-a-long image might suggest. See omnystudio.com/listener for privacy information.

Mitch Miller was a much more interesting figure than his Sing-a-long image might suggest.   See omnystudio.com/listener for privacy information.

Welcome to episode forty-eight of A History of Rock Music in Five Hundred Songs. This one looks at “Rock With the Caveman” by Tommy Steele, and the birth of the British rock and roll industry. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a bonus episode available. This one’s on “The Death of Rock and Roll” by the Maddox Brothers and Rose, in which we look at a country group some say invented rock & roll, and how they reacted badly to it  —-more—- Resources As always, I’ve created a Mixcloud streaming playlist with full versions of all the songs in the episode. This double-CD set contains all Steele’s rock and roll material, plus a selection of songs from the musicals he appeared in later. This MP3 compilation, meanwhile, contains a huge number of skiffle records and early British attempts at rock and roll, including Steele’s. Much of the music is not very good, but I can’t imagine a better way of getting an understanding of the roots of British rock. Pete Frame’s The Restless Generation is the best book available looking at British 50s rock and roll from a historical perspective. Billy Bragg’s Roots, Radicals, and Rockers: How Skiffle Changed the World is one of the best books I’ve read on music at all, and covers Steele from the skiffle perspective. Fings Ain’t What They Used T’Be: The Life of Lionel Bart by David & Caroline Stafford gave me a lot of information on Steel’s songwriting partner. Steele’s autobiography, Bermondsey Boy, covers his childhood and early stardom. I am not 100% convinced of its accuracy, but it’s an entertaining book, and if nothing else probably gives a good idea of the mental atmosphere in the poor parts of South London in the war and immediate post-war years. And George Melly’s Revolt Into Style was one of the first books to take British pop culture seriously, and puts Steele into a wider context of British pop, both music and art. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Let’s talk a little bit about the Piltdown Man. Piltdown Man was an early example of a hominid — a missing link between the apes and humans. Its skull was discovered in 1912 in Piltdown, East Sussex, by the eminent archaeologist Charles Dawson, and for years was considered one of the most important pieces of evidence in the story of human evolution. And then, in 1953, it was discovered that the whole thing was a hoax, and not even a particularly good one. Someone had just taken the jaw of an orang-utan and the top part of a human skull, and filed down the orang-utan teeth, and then stained the bones to make them look old. It was almost certainly the work of Dawson himself, who seems to have spent his entire life making fraudulent discoveries. Dawson had died decades earlier, and the full extent of his fraud wasn’t even confirmed until 2003. Sometimes researching the history of rock and roll can be a lot like that. You can find a story repeated in numerous apparently reliable books, and then find out that it’s all based on the inaccurate testimony of a single individual. The story never happened. It was just something someone made up. [Excerpt: “Rock With the Caveman”, Tommy Steele and the Steelmen] We talked a little while ago about the skiffle movement, and the first British guitar-based pop music. Today, we’re going to look at the dawn of British rock and roll. Now, there’s an important thing to note about the first wave of British rock and roll, and that is that it was, essentially, a music that had no roots in the culture. It was an imitation of American music, without any of the ties to social issues that made the American music so interesting. Britain in the 1950s was a very different place to the one it is today, or to America. It was ethnically extremely homogeneous, as the waves of immigration that have so improved the country had only just started. And while few people travelled much outside their own immediate areas, it was culturally more homogeneous as well, as Britain, unlike America, had a national media rather than a local one. In Britain, someone could become known throughout the country before they’d played their second gig, if they got the right media exposure. And so British rock and roll started out at the point that American rock and roll was only just starting to get to — a clean-cut version of the music, with little black influence or sexuality left in it, designed from the outset to be a part of mainstream showbusiness aimed at teenagers, not music for an underclass or a racial or sexual minority. Britain’s first rock and roll star put out his first record in November 1956, and by November 1957 he was appearing on the Royal Variety Show, with Mario Lanza, Bob Monkhouse, and Vera Lynn. That is, fundamentally, what early British rock and roll was. Keep that in mind for the rest of the story, as we look at how a young sailor from a dirt-poor family became Britain’s first teen idol. To tell that story, we first have to discuss the career of the Vipers Skiffle Group. That was the group’s full name, and they were just about the most important British group of the mid-fifties, even though they were never as commercially successful as some of the acts we’ve looked at. The name of the Vipers Skiffle Group was actually the first drug reference in British pop music. They took the name from the autobiography of the American jazz clarinettist Mezz Mezzrow — a man who was better known in the jazz community as a dope dealer than as a musician; so much so that “Mezz” itself became slang for marijuana, while “viper” became the name for dope smokers, as you can hear in this recording by Stuff Smith, in which he sings that he “dreamed about a reefer five foot long/Mighty Mezz but not too strong”. [Excerpt: Stuff Smith, “You’se a Viper”] So when Wally Whyton, Johnny Booker, and Jean Van Den Bosch formed a guitar trio, they chose that name, even though as it turned out none of them actually smoked dope. They just thought it sounded cool. They started performing at a cafe called the 2is (two as in the numeral, I as in the letter), and started to build up something of a reputation — to the point that Lonnie Donegan started nicking their material. Whyton had taken an old sea shanty, “Sail Away Ladies”, popularised by the country banjo player Uncle Dave Macon, and rewritten it substantially, turning it into “Don’t You Rock Me Daddy-O”. Donegan copyrighted Whyton’s song as soon as he heard it, and rushed out his version of it, but the Vipers put out their own version too, and the two chased each other up the charts. Donegan’s charted higher, but the Vipers ended up at a respectable number ten: [Excerpt: The Vipers, “Don’t You Rock Me, Daddy-O”] That recording was on Parlophone records, and was produced by a young producer who normally did comedy and novelty records, named George Martin. We’ll be hearing more about him later on. But at the time we’re talking about, the Vipers had not yet gained a recording contract, and they were still playing the 2is. Occasionally, they would be joined on stage by a young acquaintance named Thomas Hicks. Hicks was a merchant seaman, and was away at sea most of the time, and so was never a full part of the group, but even though he didn’t care much for skiffle — he was a country and western fan first and foremost — he played guitar, and in Britain in 1955 and 56, if you played guitar, you played skiffle. Hicks had come from an absolutely dirt-poor background. Three of his siblings had died at cruelly young ages, and young Thomas himself had had several brushes with ill health, which meant that while he was a voracious reader he had lacked formal education. He had wanted to be a performer from a very early age, and had developed a routine that he used to do around the pubs in his early teens, in which he would mime to a record by Danny Kaye, “Knock on Wood”: [Excerpt: Danny Kaye, “Knock on Wood”] But at age fifteen he had joined the Merchant Navy. This isn’t the same thing as the Royal Navy, but rather is the group of commercial shipping companies that provide non-military shipping, and Hicks worked as wait staff on a cruise ship making regular trips to America. On an early trip, he fell in love with the music of Hank Williams, who would remain a favourite of his for the rest of his life, and he particularly loved the song “Kaw-Liga”: [Excerpt: Hank Williams, “Kaw-Liga”] Hicks replaced his old party piece of miming to Danny Kaye with a new one of singing “Kaw-Liga”, with accompaniment from anyone he could persuade to play guitar for him. Eventually one of his crewmates taught him how to play the song himself, and he started performing with pick-up groups, singing Hank Williams songs, whenever he was on shore leave in the UK. And when he couldn’t get a paid gig he’d head to the 2is and sing with the Vipers. But then came the event that changed his life. Young Tommy Hicks, with his love of country music, was delighted when on shore leave in 1955 to see an advert for a touring show based on the Grand Ole Opry, in Norfolk Virginia, where he happened to be. Of course he went along, and there he saw something that made a huge impression. One of the acts in the middle of the bill was a young man who wore horn-rimmed glasses. Tommy still remembers the details to this day. The young man came out and did a three-song set. The first song was a standard country song, but the second one was something else; something that hit like a bolt of lightning: [Excerpt: Buddy Holly, “Peggy Sue”] That song was young Thomas Hicks’ introduction to the new music called rock and roll, and nothing would ever be the same for him ever again after seeing Buddy Holly sing “Peggy Sue”. By February 1956 he had finished working on the cruise ships, and was performing rock and roll in London, the very first British rock and roller. Except… There’s a reason why we’re covering Tommy Steele *before* Buddy Holly, the man who he claims as his inspiration. Buddy Holly *did* perform with a Grand Ole Opry tour. But it didn’t tour until May 1956, three months after Thomas Hicks quit his job on the cruise ships, and about a year after the time Tommy claims to have seen him. That tour only hit Oklahoma, which is landlocked, and didn’t visit Norfolk Virginia. According to various timelines put together by people like the Buddy Holly Centre in Lubbock Texas, Holly didn’t perform outside Lubbock until that tour, and that’s the only time he did perform outside West Texas until 1957. Also, Buddy Holly didn’t meet Peggy Sue Gerron, the woman who gave the song its name, until 1956, and the song doesn’t seem to have been written until 1957. So whatever it was that introduced young Tommy Hicks to the wonders of rock and roll, it wasn’t seeing Buddy Holly sing “Peggy Sue” in Norfolk Virginia in 1955. But that’s the story that’s in his autobiography, and that’s the story that’s in every other source I’ve seen on the subject, because they’re all just repeating what he said, on the assumption that he’d remember something like that, something which was so important in his life and future career. Remember what I said at the beginning, about rock and roll history being like dealing with Piltdown Man? Yeah. There are a lot of inaccuracies in the life story of Thomas Hicks, who became famous under the name Tommy Steele. Anything I tell you about him is based on information he put out, and that information is not always the truth, so be warned. For example, when he started his career, he claimed he’d worked his way up on the cruise ships to being a gymnastics instructor — something that the shipping federation denied to the press. You find a lot of that kind of thing when you dig into Steele’s stories. In fact, by the time Hicks started performing, there had already been at least one British rock and roll record made. He wasn’t bringing something new that he’d discovered in America at all. “Rock Around the Clock”, the Bill Haley film, had played in UK cinemas at around the time of Hicks’ supposed epiphany, and it had inspired a modern jazz drummer, Tony Crombie, to form Tony Crombie and the Rockets and record a Bill Haley soundalike called “Teach You To Rock”: [Excerpt: Tony Crombie and the Rockets, “Teach You To Rock”] However, Crombie was not teen idol material — a serious jazz drummer in his thirties, he soon went back to playing bebop, and has largely been written out of British rock history since, in favour of Tommy Steele as the first British rock and roller. Thomas Hicks the merchant seaman became Tommy Steele the pop idol as a result of a chance meeting. Hicks went to a party with a friend, and the host was a man called Lionel Bart, who was celebrating because he’d just sold his first song, to the bandleader Bill Cotton. No recording of that song seems to exist, but the lyrics to the song — a lament about the way that old-style cafes were being replaced by upscale coffee bars — are quoted in a biography of Bart: “Oh for a cup of tea, instead of a cuppuchini/What would it mean to me, just one little cup so teeny!/You ask for some char and they reckon you’re barmy/Ask for a banger, they’ll give you salami/Oh for the liquid they served in the Army/Just a cup of tea!” Heartrending stuff, I’m sure you’ll agree. But Bart was proud of the twenty-five guineas the song had earned him, and so he was having a party. Bart was at the centre of a Bohemian crowd in Soho, and the party was held at a squat where Bart, a card-carrying member of the Communist Party, spent most of his time. At that squat at various times around this period lived, among others, the playwright John Antrobus, the actor Shirley Eaton, who would later become famous as the woman painted gold in the beginning of Goldfinger, and the great folk guitarist Davey Graham, who would later become famous for his instrumental, “Angi”: [Excerpt: Davey Graham, “Angi”] We’ll hear more about Graham in future episodes. Another inhabitant of the squat was Mike Pratt, a guitarist and pianist who would later turn to acting and become famous as Jeff Randall in the fantasy detective series Randall and Hopkirk (Deceased). Hicks, Bart, and Pratt started collaborating on songs together — Hicks would bring in a basic idea, and then Bart would write the lyrics and Pratt the music. They also performed as The Cavemen, though Bart soon tired of playing washboard and stuck to writing. The Cavemen became a floating group of musicians, centred around Hicks and Pratt, and with various Vipers and other skifflers pulled in as and when they were available. The various skiffle musicians looked down on Hicks, because of his tendency to want to play “Heartbreak Hotel” or “Blue Suede Shoes” rather than “Bring a Little Water Sylvie” or “Rock Island Line”, but a gig was a gig, and they had to admit that Hicks seemed to go down well with the young women in the audience. Two minor music industry people, Bill Varley and Roy Tuvey, agreed to manage Hicks, but they decided that they needed someone involved who would be able to publicise Hicks, so they invited John Kennedy, a PR man from New Zealand, to come to the 2is to see him. Hicks wasn’t actually playing the 2is the night in question – it was the Vipers, who were just on the verge of getting signed and recording their first single: [Excerpt: The Vipers Skiffle Group, “Ain’t You Glad?”] While Hicks wasn’t scheduled to play, at the request of Varley and Tuvey he jumped on stage when the Vipers took a break, and sang a song that he, Bart, and Pratt had written, called “Rock With the Caveman”. Kennedy was impressed. He was impressed enough, in fact, that he brought in a friend, Larry Parnes, who would go on to become the most important manager in British rock and roll in the fifties and early sixties. Kennedy, Parnes, and Hicks cut Varley and Tuvey out altogether — to the extent that neither of them are even mentioned in the version of this story in Tommy Steele’s autobiography. Hicks was renamed Tommy Steele, in a nod to his paternal grandfather Thomas Stil-Hicks (the Stil in that name is spelled either Stil or Stijl, depending on which source you believe) and Parnes would go on to name a whole host of further rock stars in a similar manner — Duffy Power, Johnny Gentle, Billy Fury, Marty Wilde. They had everything except a record contract, but that was why Kennedy was there. Kennedy rented a big house, and hired a load of showgirls, models, and sex workers to turn up for a party and bring their boyfriends. They were to dress nicely, talk in fake posh accents, and if anyone asked who they were they were to give fake double-barrelled names. He then called the press and said it was “the first high society rock and roll show” and that the girls were all debutantes. The story made the newspapers, and got Steele national attention. Steele was signed by Decca records, where Hugh Mendl, the producer of “Rock Island Line”, was so eager to sign him that he didn’t check if any studios were free for his audition, and so Britain’s first homegrown rock idol auditioned for his record contract in the gents’ toilets. A bunch of slumming jazz musicians, including Dave Lee, the pianist with the Dankworth band, and the legendary saxophone player Ronnie Scott, were brought in to record “Rock With the Caveman”: [Excerpt: Tommy Steele, “Rock With the Caveman”] The single went to number thirteen. Tommy Steele was now a bona fide rock and roll star, at least in the UK. The next record, “Elevator Rock”, didn’t do so well, however: [Excerpt: Tommy Steele, “Elevator Rock”] That failed to chart, so Steele’s producers went for the well-worn trick in British record making of simply copying a US hit. Guy Mitchell had just released “Singing the Blues”: [Excerpt: Guy Mitchell, “Singing the Blues”] That was actually a cover version of a recording by Marty Robbins from earlier in the year, but Mitchell’s version was the one that became the big hit. And Steele was brought into the studio to record a soundalike version, and hopefully get it out before Mitchell’s version hit the charts. Steele’s version has an identical arrangement and sound to Mitchell’s, except that Steele sings it in an incredibly mannered Elvis impression: [Excerpt: Tommy Steele, “Singing the Blues”] Now, to twenty-first century ears, Steele’s version is clearly inferior. But here was the birth of something particularly English — and indeed something particularly London — in rock and roll music. The overly mannered, music-hall inspired, Cockneyfied impression of an American singing style. On Steele’s subsequent tour, a nine-year old kid called David Jones, who would later change his name to Bowie, went to see him and came away inspired to become a rock and roll star. And we can hear in this performance the roots of Bowie’s own London take on Elvis, as we can also hear a style that would be taken up by Anthony Newley, Ray Davies, and many more masters of Cockney archness. I don’t think “Singing the Blues” is a particularly good record compared to Mitchell’s, but it is a prototype for something that would become good, and it deserves recognition for that. Mitchell’s version got out first, and went to the top of the charts, with Steele’s following close behind, but then for one week Mitchell’s record label had a minor distribution problem, and Steele took over the top spot, before Mitchell’s record returned to number one the next week. Tommy Steele had become the first British rock and roll singer to get to number one in the UK charts. It would be the only time he would do so, but it was enough. He was a bona fide teen idol. He was so big, in fact, that even his brother, Colin Hicks, became a minor rock and roll star himself off the back of his brother’s success: [Excerpt: Colin Hicks and the Cabin Boys, “Hollering and Screaming”] The drummer on that record, Jimmy Nicol, later had his fifteen minutes of fame when Ringo Starr got tonsilitis just before a tour of Australia, and for a few shows Nicol got to be a substitute Beatle. Very soon, Tommy Steele moved on into light entertainment. First he moved into films — starting with “The Tommy Steele Story”, a film based on his life, for which he, Bart, and Pratt wrote all twelve of the songs in a week to meet the deadline, and then he went into stage musicals. Within a year, he had given up on rock and roll altogether. But rock and roll hadn’t *quite* given up on him. While Steele was appearing in stage musicals, one was also written about him — a hurtful parody of his life, which he claimed later he’d wanted to sue over. In Expresso Bongo, a satire of the British music industry, Steele was parodied as “Bongo Herbert”, who rises to fame with no talent whatsoever. That stage musical was then rewritten for a film version, with the satire taken out of it, so it was a straight rags-to-riches story. It was made into a vehicle for another singer who had been a regular at the 2is, and whose backing band was made up of former members of the Vipers Skiffle Group: [Excerpt: Cliff Richard, “Love” (from Expresso Bongo)] We’ll talk about both Cliff Richard and the Shadows in future episodes though… Tommy Steele would go on to become something of a national treasure, working on stage with Gene Kelly and on screen with Fred Astaire, writing several books, having a minor artistic career as a sculptor, and touring constantly in pantomimes and musicals. At age eighty-two he still tours every year, performing as Scrooge in a stage musical version of A Christmas Carol. His 1950s hits remain popular enough in the UK that a compilation of them went to number twenty-two in the charts in 2009. He may not leave a large body of rock and roll work, but without him, there would be no British rock and roll industry as we know it, and the rest of this history would be very different.

In this week's episode, we're featuring one of the best albums in the long career of Buck Owens: "Buck Owens Sings Harlan Howard" (1961). Born in Detroit and barely receiving nine years of formal education, Harlan Howard relocated to Tucson then Los Angeles in the mid-fifties seeking a steady wage. It was there he was introduced to several early Bakersfield pioneers, including Wynn Stewart and Buck Owens. Extremely handy with a turn of phrase, Howard's stock skyrocketed when Charlie Walker cut "Pick Me Up On Your Way Down" and the following year Ray Price and Guy Mitchell's versions of "Heartaches By The Number" prompted a move to Nashville, where the songwriter earned the nicknames "The Irving Berlin Of Country Music", "Dean Of Nashville Songwriters" and "Mr. Songwriter". Few in country history have had as many hits with as many artists, and Howard's partnership with Buck Owens is legendary. This album, put out shortly after the third Owens/Howard hit in "Foolin' Around", has Buck covering several current hits from the pen of Harlan Howard, as well as many more from the deep songbook of the talented writer. Set in an era before the tele twang element of the Bakersfield sound had come to fruition and before Don Rich was let loose on harmony vocals - if you had to buy only one Buck Owens album, "Buck Owens Sings Harlan Howard" may well be it.

This edition of Ringside Rap, hosted by Rich Tate, Les Thatcher, and Mike Sempervive, featured discussion on WWE and TNA, more specifically the so-called war between RAW and iMPACT; the announcement of Gorgeous George being inducted into the WWE Hall of Fame; a review of the LegendsMania event recently held in Atlanta, including advice to the coordinators for future events; Jeff Hardy's trial and the charges he is facing; UFC updates; the Manny Pacquiao-Joshua Clottey fight; thoughts on Angelo Poffo's ICW promotion and its affect on wrestling in Knoxville; and the deaths of Sandy Scott, Guy Mitchell, Corsica Joe, and Tony Nero. Bill Apter was the featured guest, and he spoke about his various projects and what he is doing today. He talked about the “Apter Mags”, revealing the biggest selling issue and the resulting flack over the cover story, as well as experiences he had in publishing those magazines, including a feature story on the Von Erichs that hit newsstands just as reports broke that David Von Erich had passed. Also, he discussed how he played a part in the infamous feud between Jerry Lawler and Andy Kaufman. The program is a presentation of Georgia Wrestling History's GWH Radio Network. Follow the crew between shows here.

Guy tells Red why things are different in Canada; his roots and how he spends his free time.