Podcasts about last thing he wanted

Welcome to our new series about celebrating what IMDB calls "bad movies" This episode, we will be tackling Alison's pick. The Netflix original, The Last Thing He Wanted. Starring Ben Affleck and Anne Hathaway

*spoilers for all things discussed* Hey everyone this week we enjoy some PEI beers while talking movie news, reviews for The Last Thing He Wanted and then we close it out with Jeopardy! For more fun stuff visit: reelmedianetwork.com

This week, Darryl and Petros are joined by Shaun Alexander from SIVAKO: THE AVATAR PODCAST to discuss Netflix's 2020 political thriller - THE LAST THING HE WANTED!We talk about tapping into very niche internet markets, the questionable character motivations and how absolutely no-one has any idea what this film is about.You can listen to Sivako: The Avatar Podcast on Spotify!Follow Sivako: The Avatar Podcast on Twitter, Instagram and on Patreon!Follow Getting Dafoe You on Twitter, Instagram and TikTok!Email us at dafoeyoupod@gmail.comIf you want to be a true DaFriend of the podcast, then like, subscribe and a give it a 5-star rating. It massively helps the pod grow! Hosted on Acast. See acast.com/privacy for more information.

Learn More About The Working Actor Road Map About Juan Carlos: Juan Carlos Diaz is an actor born and raised in New York City. He began acting at the age of six in various school plays and musicals while in private school. While still in high school, he began working at the Puerto Rican Traveling Theatre under the direction of Miriam Colon Valle, which led to his first Equity production at the age of 17 at New Media Repertory Theatre, where he immediately became part of the children's theatre company there.   Juan Carlos holds a BA in theatre from Bard College, where he studied under the tutelage of JoAnne Akalaitis and Liz Smith.   His work can be seen in BULL, HALSTON, LAW & ORDER, LAW & ORDER SVU, The Last Thing He Wanted (with ANNE HATHAWAY), and many other TV shows and films. I've always been a good listener so I can figure out the homework later and take notes. I went for the audition, and then this went on for about two years. I would even get emails that he's pinned for this with just the name. And you start going, "Well, I haven't auditioned for that in months, if not a year. Okay, what's the name? Let me start doing homework." And then, eventually we got an offer, and it was a guest star spot. It allowed me to understand what our mentors try to instill in us. Sometimes it's waiting. I got a, "I can't let you go out on this, not this CoStar. I'm going to wait for something bigger for you." I don't care if I'm one line or a scene. You're soaking in so much that you're going, "Oh, okay. What is that? That's the gaffer. What's he doing? Okay. Because I need to know this, right." And be part of the collective. That show allowed me to connect with, it's one of its stars, Fred Rodriguez, and being a Latino. It allowed me to say, "Hey man, I came out of college, and I didn't have hope, and I would see you on this show," I think he was on Six Feet Under. And I identified. I thanked him because he is part of a seminal movement across the board in this disenfranchised world, and he helped open doors and be a part of his show in this capacity. Not to mention, I have scenes with him. Networking You know, you'll run into a friend who you haven't done a thing with in a while, and then you, that might be a thing, or at least you're like, "Hey, let's stay in contact." One of the things that you're bringing up is relationships. It's finding those pockets of the right people. And I think now I'm starting to understand networking way better, which is,  I don't have to go and do this whole formal, like a date. It's my friend who has a film. I want to support that. Oh, now I have seen four other films. I'm going to reach out to the festival, and I'm going to reach out to the directors and say, "Hey man, love that thing. Identify with that." It's also about being genuine with it. In other words, if you see a director's movie and don't like it, that's not a director you'll reach out to. Only reach out to the people who you really, really like. Something that was taught to me very early in my career, and unfortunately, it's much easier to say than to do and implement, is it's one audition in a lifetime of auditions. So you bombed an audition, honey; there will be 10,000 of these after this. You may not think so, but there will be. The other thing that you said is that, when you were talking about the spokes of the wheel, you know, I think a lot, a lot of times, the actors think they have to be the whole wheel. You don't have to be the entire wheel; you just have to do your part well. One more brilliant thing that you said is this idea that you're coming in to a casting director, to an agent, to a producer, to a writer, to a celebrity as peers. You're not trying to get them to like you. There is no us; we are figuring out this thing and bringing our own ingredients. If you want to get better, you have to have those conversations either with somebody who sees it outside of you. And or with yourself. Remain teachable. Measuring your progress. I allow myself somehow to get back to the work, and because I'm so, in a good way, obsessed with it, it's what allows me to feel 100% truly alive. Watching movies and tv to all creativity to come. Read a play.

It's that time again to recognise an under appreciated star of the screen. We deliver a swerve though, turning our attention to a director and writer... Dee Rees! There are many reasons to be a Dee Rees fan and we are here to share those as we explore her film career. We will cheer about the almighty highs of Pariah (2011) and Mudbound (2017); celebrate the successes of TV biopic Bessie (2015), and even acknowledge where things didn't work out quite so well in The Last Thing He Wanted (2020). We are eager for so much more from Dee, so we also look to the future to share some thoughts on what we'd love to see her involved in. Follow us on social media to stay updated! We're @dontknow_her on ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠. And you can support us ⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠. --- Send in a voice message: https://podcasters.spotify.com/pod/show/dontknowherpod/message

In this episode, Adam and Budi are in conversation with actors Jenelle Chu and Chalia La Tour on how they are navigating the WGA and possible SAG/AFTRA strikes while creating work that matters and redefining actor training for the 21st century.Jenelle Chu is a Canon Crash Course instructor for Encompass Collective. Specializes in scene study, voice, and dialect, career, and MFA applications. Chu is an actor, singer, and aspiring educator and director. Her credits on Broadway include Junk (Lincoln Center Theater) and Bernhardt/Hamlet (Roundabout). She has been seen regionally at Shakespeare & Co, American Conservatory Theater, Papermill Playhouse, and Bucks County Playhouse. Other credits in NYC include shows at The Flea Theater and 52nd Street Project. Film/TV credits: Elementary, Instinct, Madam Secretary, New Amsterdam, Prodigal Son, and short film White Flags with AC Productions. Jenelle has studied with master acting teacher, Michael Howard and on-camera coach, Bob Krakower. She holds a BM in Vocal Performance with an emphasis in Opera Voice and an MFA in Acting from the Yale School of Drama. Her ancestry comes from Guangdong, China, and Cholon, Saigon, Vietnam. She was born and raised in St. Louis, MO, and is fluent in conversational Cantonese Chinese. Chalia La Tour was born and raised in New York City and attended the prestigious Fiorello H. LaGuardia High School of Music & Art and Performing Arts. La Tour went on to study at the Tisch School of the Arts at New York University, where she earned a BFA in Drama. La Tour made her Broadway debut in 2018 in the Tony Award-winning play, "Slave Play." Directed by Robert O'Hara and written by Jeremy O. Harris. La Tour played the role of Alana, a white woman who is struggling to come to terms with her own racial biases and desires. In addition to her work on stage, La Tour has also made a name for herself on television and in film. She has appeared in a number of popular TV shows, including "The Good Fight," "Chicago P.D.," and "Law & Order: Special Victims Unit." She also had a recurring role in the critically acclaimed series "The Deuce," which aired on HBO from 2017 to 2019. La Tour's film credits include "The Climb,"  which premiered at the 2019 Cannes Film Festival. She also appeared in "The Intern," a comedy starring Robert De Niro and Anne Hathaway, and "The Last Thing He Wanted," a political thriller starring Anne Hathaway and Ben Affleck.Healthy Wealthy & Wise with Dr. William ChoctawThe Healthy Wealthy and Wise Podcast, with Dr. William Choctaw, MD is a monthly...Listen on: Apple Podcasts SpotifySupport the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Russ and Jared are back with part 2 of The Last Thing He Wanted (2020), starring Anne Hathaway, Ben Affleck, Willem Dafoe, Rosie Perez, Edi Gathegi, and Toby Jones. Join the guys as they unpack the movie's "explosive" second half! They'll explore the characters' shifting allegiances, debate the film's semi-ambiguous ending, wonder why Rosie Perez isn't in more things, and attempt to fix this snoozefest.

Russ and Jared are back to tackle The Last Thing He Wanted (2020), starring Anne Hathaway, Ben Affleck, Willem Dafoe, Rosie Perez, Edi Gathegi, and Toby Jones. It's a political thriller loosely based on the Iran-Contra Affair that'll have you on the edge of your seat - or asleep in your recliner, depending on your caffeine intake. Join the guys as they try to untangle the movie's convoluted plot and wonder why Ben Affleck is always lurking in the shadows (just like in real life).

Russ and Jared are back with a new trailer to trash, the guys are watching the under-the-radar Netflix mystery/drama, The Last Thing He Wanted (2020), starring Anne Hathaway, Ben Affleck, Willem Dafoe, Rosie Perez, Edi Gathegi, and Toby Jones. Tune in for some solid impression work, scene-by-scene commentary on the trailer, some fascinating prognosticating, and stay tuned for the full breakdown next week!

Listen along as we discuss Netflix's two hundred and tenth film, the 2020 political thriller ‘The Last Thing He Wanted' directed by Dee Rees starring Anne Hathaway, Ben Affleck, Rosie Perez, Edi Gathegi, Mel Rodriguez, Toby Jones and Willem Dafoe.   Please follow us at Flix Forum on Facebook or @flixforum on Twitter and Instagram and answer our question of the week, 'What's the last thing Elena would have wanted?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; Jesse  MJ   We also have our own Flix Forum Letterboxd page! Links to all our past episodes and episode ratings can be found there by clicking here.    Next week we have 'Yeh Ballet', so check out the film before then. You can see the trailer here.    Flix Forum acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Wurundjeri and Bunurong people of the Kulin Nation. We pay our respects to their Elders past, present, emerging and extend that respect to all Aboriginal and Torres Strait Islander cultures. 

On the film Club Jay, Ju and Deeps watch one film from the IMDB top and bottom 250 List and review it...This weeks films are Wild Strawberries & The Last Thing He Wanted

Welcome back to another spoiler-free quickie episode of Scene Unseen, where we break down what we've been watching recently, theme be damned. I'd love to give a special shout-out to all the new listeners tuning in for the first time after Claire and Christoph's wedding, say hello in our question below! This time we're talking about FIVE MOVIES and ONE SHOW (!!!) we've watched over the past couple months and give you the quick reasons why they stuck with us. Ben raved about Kamikaze 1989 (1982), Cure (1997), Irma Vep (1996). Liam broke down Morbius (2022), The Marvelous Mazel (2017-), and The Last Thing He Wanted (2020). Follow us on Spotify and Apple Podcasts Follow us on Letterboxd: Ben & Liam

The GBGBs take on The Last Thing He Wanted (2020) this week in the Annestitution. How does a Netflix release starting Anne Hathaway, Ben Affleck, Rosie Perez, and Willem Dafoe crash this hard?? We team up with Elena McMahon (Anne Hathaway) to investigate the murder of Joan Didion's screen play adaption. Thanks for stopping by!

Indignant, coward, and evil; tag yourself. This week (a near hysterical) Abigail and Michelle watched this Joan Didion adaptation so you don't have to. They take a confused dive into the films indecipherable plot, nonsensical dialogue, and out-of-it's-league cast

Tyler and David discuss what they've been watching, including North by Current, Prism, Pariah, Don't Look Up, Veronica Mars, The Last Thing He Wanted, The Outfit, The Worst Person in the World, The Second Age of Aquarius, The Rescue and Spider-Man: No Way Home.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Joan Didion (1934-2021), noted essayist, novelist, screenwriter social critic and journalist, in conversation with Richard Wolinsky, recorded in the KPFA studios on October 21, 2003. Joan Didion died on December 23, 2021 at the age of 87. A chornicler of of the American zeitgeist, she was the author of several novels, including Play It As It Lays and The Last Thing He Wanted, the brilliant book-length essay on grief, The Year of Magical Thinking, and several collections of essays including Slouching Toward Bethlehem. Her screenplays include The Panic In Needle Park, True Confessions, and the 1976 A Star Is Born, most of them co-written with her husband, John Gregory Dunne. This interview was conducted while she was on tour for her collection of essays, Where I Was From. Sadly, due to technical difficulties, only the first part of the interview was recorded before both the computer and back-up failed. Photo: Joan Didion at the Brooklyn Film Festival, 2008. Creative Commons. The post Joan Didion (1934-2021), 2003 appeared first on KPFA.

This week, we reach into the City Arts & Lectures archives for a conversation with Joan Didion. One of the most influential writers of our time, Didion both chronicled and shaped American culture with a sharp, witty, and distinctively Californian sensibility.   The Sacramento native graduated from the University of California at Berkeley. Her novels include “Play it as it Lays”, “A Book of Common Prayer”, and “The Last Thing He Wanted”.  With her husband John Gregory Dunne, she co-wrote screenplays including “True Confessions”, “Up Close and Personal”, and “The Panic in Needle Park”.  Didion's nonfiction, beginning with the 1968 “Slouching Towards Bethlehem”, exemplifies the New Journalism movement – a subjective approach to reporting that employs literary techniques. Didion's inimitable voice was brought even more to the foreground in her memoirs “The Year of Magical Thinking”, and “Blue Nights”, which describe the loss of her husband and daughter and her anxieties about parenting and aging.  Joan Didion died in Manhattan on December 23, 2021, at the age of 87. Joan Didion appeared on City Arts & Lectures six times between 1996 and 2011.  In her last visit, recorded on November 15, 2011, she spoke with novelist Vendela Vida, shortly after the publication of “Blue Nights” at the Herbst Theater in San Francisco.  The program was a benefit for the 826 Valencia College Scholarship program. 

The Interview:For over 50 years, Joan Didion, a daughter of California, has been in a league all her own, as a writer and novelist. Unlike many critics, she is capable of writing memorable fiction that, although not as widely read as her reportage and singular essays, stands the test of time. The Library of America Series recently published their second Joan Didion volume featuring the novels Democracy and The Last Thing He Wanted, as well as nonfiction works like Salvador, Miami and After Henry, her third major essay collection. Edited by former LA Times book editor, author, and critic David Ulin, the collection is brimming with her enduring legacy and highlights her works from the 1980s and 1990s, which are not as well known. In this episode, Ulin helps us unpack why Didion's later work and overall influence cannot be underestimated among several younger generations of novelists and essayists. The Reading:For the reading this episode, journalist and author Steffie Nelson reads the piece “A Trip to Xanadu” from the recently published collection of odds and ends by Didion, entitled Let Me Tell You What I Mean (Knopf). Nelson is the author of Slouching Toward Los Angeles (Rare Bird Books), a collection of essays about Didion and the City of Angels.Music by Yusef Lateef

5% on Rotten Tomatoes? Had to. Not a full-blown atrocity, but it IS the lowest-rated film on Netflix!

It's a Netflix movie you've never heard of, which is not a good sign. Anne Hathaway plays a journalist who accidently gets embroiled in an arms deal. Join us as we do a deep dive on this tale full of intrigue and confusion. Mostly Confusion.  Subscribe to us on: Apple Podcasts, Spotify, Stitcher, RSS Feed, Acast, PocketCast   Find us on all our socials:  @BlanksBankPod - Twitter Blanks Bank - Facebook Al's Twitter  Jamie's Twitter

As America emerges from the pandemic and summer begins, we're sharing some of the best from our archives. The iconic actress Rosie Perez joined Paul fresh off the Weinstein verdict on February 27, 2020 in Episode 48. If you've never heard this episode, you're in for a treat. And if you're a long time listener, you'll enjoy hearing this gem again.  From February 27, 2020 - Episode 48: Legendary actor and activist Rosie Perez (@RosiePerezBklyn) is a fighter. And this is the Oscar-nominated icon like you've never heard her before. Uncensored, candid and timely, Rosie shares her harrowing path to success that you'll never forget. One of the most beloved actors of our time, she's also a life-long activist, survivor, philanthropist, author, choreographer and boxing expert. An advocate for people living with HIV/AIDS, the people of Puerto Rico, survivors of sexual assault and anyone anywhere facing mental illness. Rosie also knows and loves boxing. Always the skilled analyst, truth-teller and lesson-teacher, “The First Lady of Boxing” breaks down the massive heavyweight championship fight between Tyson Fury and Deontay Wilder, shares her candid thoughts on the groundbreaking Harvey Weinstein verdict after her recent testimony in the trial, reflects on her time as a co-host of The View, digs into Trump and the Democratic candidates, and talks about her amazing first car.   Rosie is a great American success story. After surviving a childhood of abuse, losing her mother to AIDS, and living in a foster group home, she has risen to become an inspiration to millions worldwide. First making her name as a dancer on Soul Train and as a choreographer for the Fly Girls on TV's In Living Color, she exploded into fame after unforgettable parts in Do the Right Thing and White Men Can't Jump. Rosie would rise to an Oscar nomination for her role in Fearless, a seat co-hosting ABC's The View, and authoring Handbook for an Unpredictable Life: How I Survived Sister Renata and My Crazy Mother, and Still Came Out Smiling (with Great Hair). President Obama appointed her to The Presidential Advisory Council on HIV/AIDS (PACHA) and she has served as the Artistic Chair of Urban Arts Partnership--an arts education nonprofit that supports public schools and is also devoted to supporting immigrants, LGBTQ, special needs and at-risk students. Rosie now stars alongside Anne Hathaway, Ben Affleck, and Willem Dafoe, in the Netflix film The Last Thing He Wanted, which is set around the Iran-Contra scandal during the Reagan administration. She also stars in the action film Harley Quinn: Birds of Prey with Margot Robbie, the forthcoming HBO series The Flight Attendant and the children's film, Clifford the Big Red Dog.  Be a part of the solution. Join us for exclusive access and events by joining our Patreon community. Get access to events, guests, merch discounts, and exclusive content. And check out the new IA merch to hook up your favorite independent dad ahead of Father's Day next month. “What all political pods ought to be: fun, engaging, freewheeling, and respectful - even welcoming- of different points of view. I'm a fan.” -That's what political strategist Paul Begala called Independent Americans, You can also watch video of this show with Rosie and more than 100 other important, inspiring and iconic leaders from Sarah Jessica Parker to Meghan McCain; Stephen Colbert to Pete Buttigieg on the Righteous YouTube page. Independent Americans connects, informs and inspires--and is powered by Righteous Media. On social media or www.IndependentAmericans.us. You can also watch video of this full conversation: https://youtu.be/bIYQ-IoXNYw And stay vigilant, America.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In our second episode of our Oscars/Razzies mashup, we prove how professional we are by using co-host Jeff's backup phone voice memo audio because his file got royally screwed during our recording. Deepest apologies to you, and may God have mercy on his soul. We begin with a discussion of indie darling Palm Springs, starring Andy Samberg, Cristin Milioti and JK Simmons, available now on Hulu, and how enjoyable, moving, funny and rewatchable this film is. We then discuss a potential Razzie nominee (I'd bet against a nomination, but we'll see), The Last Thing He Wanted, starring Anne Hathaway, Rosie Perez, Ben Affleck, Willem Dafoe and Toby Jones. It was directed and co-written by Dee Rees, her first movie since Mudbound in 2017, bought in 2018 by Netflix, adapted from a successful Joan Didion, yet somehow got terrible reviews. Was it really that bad? Intro/Palm Springs (0:00) The Last Thing He Wanted (23:10) Music: soundcloud.com/dasein-artist. Beer: @cbarrozobar2019. Edited and produced by Dave Green. Hosts: Jeff Ostermueller, John Say, Dave Green. Twitter: @theloveofcinema, Twitch/Facebook/Instagram: @theloveofcinemapod, YouTube: The Love of Cinema Podcast.  

2020 was an odd year for movies. The big studios kept pushing all their stuff off the schedule for another year. It feels like there was a lot less movies, yet stuff quietly kept being released each week through streaming or VOD. It is the least movies I've seen in theatres since I started professionally reviewing movies in 2012. It is also the least amount of new release movie that I've seen as a movie critic. But that doesn't mean that there haven't been some great movies worth checking out, but that isn't what we are doing this week. In a year that some say has been churning out the horrible in life, it also had a lot of really bad movies. This week, we're going to pan some horrible movies one last time as we rip them apart for wasting over 90 minutes of our lives. This is one of our most popular annual shows of the year, as we take some joy ripping apart some joyless movies.We had a blast recording this week's show and we really hope you love it too. If you do, then please help us out by spreading the word to other movie fans.Reminder that you can subscribe either to The Movie Breakdown feed (a subscription link is at the top right hand of this site), or subscribe on sites like Spotify, Stitcher, Google Podcasts, CastBox, Amazon Music and Apple Podcast.Christopher's Top Ten Worst Movies:10. Artemis Fowl9. Dolittle8. The Last Thing He Wanted7. Fantasy Island6. The Wrong Missy5. A Fall From Grace4. Force of Nature3. Brahms: The Boy 22. Capone1. The Last Days of American CrimeScott's Top Ten Worst Movies:10. Dolittle9. The Last Thing He Wanted8. Bloodshot7. The Grudge6. Hubie Halloween5. Brahms: The Boy 24. Force of Nature3. Pets United2. Fantasy Island1. The Last Days of American Crime

En este episodio comentamos, recomendamos y (no)recomendamos Queen's Gambit, The Last Thing He Wanted, Battle Angel Alita y New Mutants, además de comentar alguna que otra nota.

In this episode, the boys reminisce on being able to go to the movies to see the latest and greatest movie releases. Or in Terren's case, the latest and lamest releases. This week the boys take a look at the biggest cucks of the year, including the Safdie Brothers' Oscar snubbed, "Uncut Gems" with Adam Sandler, and the not-by-choice-but-the-plague-is-still-here straight to Netflix release of Dee Rees', "The Last Thing He Wanted" starring Anne Hathaway and Ben Affleck.

The RR boys talk about jogging and then get into their latest movie, The Last Thing He Wanted. Heads up, Ben Affleck, Anne Hathaway and Willem Dafoe can't save this one.

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This week on The First Run, Chris and Matt are joined by The Film Bee herself, Bee Garner of the In Their Own League network for our first international episode! First up is Eliza Hitmann's ‘Never, Rarely, Sometimes, Always' starring Sidney Flanagan as a young woman navigating numerous infuriating, scary, and sad obstacles in her attempt to obtain an abortion. One of Chris' most anticipated films of 2020 is finally here. Does the indie drama live up to its expectations, or is it a heavy-handed message film that preaches more than tells? Next is Dee Rees' ‘The Last Thing He Wanted, featuring Anne Hathaway, Willem Defoe and maybe Ben Affleck? Based on the book by Joan Didion, is this adaptation a thrilling tale of a reporter that gets sucked into a dangerous underworld involving gun running and the CIA? Or is it a disastrous bore, even with all that cool sounding stuff? There's the riveting rundown of all the major releases on Physical Media, featuring the Streaming and Straight to DVD Picks of the Week. And the big show closes with Bee, Matt and Chris sharing their Top 5 Favorite Message Films from the previous decade. So stamp that passport and journey with us to a different land, digitally of course.00:00-14:42: Intro/Never, Rarely, Sometimes, Always14:43-25:06: Physical Media Picks25:07-37:40: The Last Thing He Wanted37:41-1:06:26: 5 Best Films With A Message (2010-2019)1:06:27-01:08:18: Wrap UpTheme music by Jamal Malachi Ford-Bey

In an unplanned Ben Affleck double feature, Ben reviews "The Last Thing He Wanted," a Netflix movie also starring Anne Hathaway, Keith talks about "The Way Back" and then Brad goes back in time to talk "Blade Trinity." Afterwards, the guys give some recommendations of movies and TVs to watch as people are asked to be socially distant to help stop the spread of COVID-19.

Spling reviews The Last Thing He Wanted, Skemerson and Cats: The Mewvie as broadcast on Talking Movies, Fine Music Radio. Spling Movies

Spling reviews The Last Thing He Wanted, Skemerson and Cats: The Mewvie as broadcast on Talking Movies, Fine Music Radio. Spling Movies

Will the upcoming remake of Mulan by Disney be a flop or a surprise success? Should fans of Joan Didion bother with a new adaptation on Netflix? Just how scary - and timely - is the latest attempt to enliven the Universal Monsters roster, with The Invisible Man? All these questions get the answers we know you're craving (we're telepathic by the way) in the latest episode of The Extra Buttery Podcast. Theme music: "Downtown" by Podington Bear. [CC BY-NC 3.0] Time Stamps 4:17 The Last Thing He Wanted, and how bad it was 18:30 The Invisible Man, and how the story is updated to the present day 29:45 The Assassin, and how difficult it is to track down old foreign films 38:50 Altered Carbon, the new season of Netflix's neo-noir cyberpunk series

Host Andrew Morgan (@jokesondrew) is joined by writer/director & co-host of Forgotten Cinema (@forgotcinema), Michael Field, to break down the latest film from Oscar Nominated writer/director Dee Rees, The Last Thing He Wanted. They discuss the career paths of Hathaway & Affleck, the disappearing strength & questionable motives of Elena, the wild ride (and homophobia) of Dick McMahon, & much more. Follow The Nomcast on Twitter/IG @nomcastpod

It's another big week here on The Movie Breakdown as we have four huge movie reviews. One of the most anticipated family animated adventures of the year has arrived with the latest Pixar picture, Onward, and I saw this one with the family, so I'll share their experience too. Then in the less family category we have two horror pictures in the remake of a classic in The Invisible Man and the latest Stephen King adaptation with Doctor Sleep. The latest Netflix Original movie is a period piece thriller starring Anne Hathaway in The Last Thing He Wanted. After all that, we discuss what is the purpose of a film critic and what value do they have in 2020. We had a blast recording this week's show and we really hope you love it. If you do, then please spread the word on social media to other movie fans.Reminder that you can subscribe either to The Movie Breakdown feed (a subscription link is at the top right hand of this site) or on iTunes (if you enjoy the show, please help us by giving us a five star review).The Movies' Rating Out of Four StarsOnward ***½ (CS)Doctor Sleep **** (CS) & ***½ (SM)The Invisible Man *** (CS)The Last Thing He Wanted * (CS & SM)

Two women filmmakers are highlighted on the show this week! First up is Celine Sciamma, whose critically acclaimed Portrait of a Lady on Fire has finally had its wide release. Do Wade and Kevin fall within the critical consensus on this one? Another acclaimed filmmaker, Dee Rees of Mudbound fame, offers her follow-up to that film with another Netflix release, an adaptation of Joan Didion's political thriller The Last Thing He Wanted. Music interlude by the Bright Skies, "Tokyo." Used under Creative Commons license 3.0. Theme music by Alexander Osborn and Lindsey Mysse. Used under Creative Commons license 3.0.

声音预告片 wb: @预告片bot

声音预告片 wb: @预告片bot

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THE MOVIE PODCAST is a film news and entertainment podcast that covers the week's biggest movie stories and a unique topic of the show. You can catch Daniel, Shahbaz and Anthony in a new episode every Monday! Please be sure to rate the show and subscribe.Got a topic request? Have a movie suggestion? Did we get something wrong? Let us know at ThisTimeWith.com/talk EPISODE #43: Obi Wan Disney+ Series Delayed and Our Top Sports Movies - January 26, 2020 MAILBAGThank you to everyone who told us their favourite sports movies!Don't forget to submit your Best Picture Oscar pick to www.ThisTimeWith.com/Oscars NEWS [00:04:47]"'Bambi' Remake in the Works With 'Captain Marvel', 'Chaos Walking' Writers - Borys Kit, Mia Galuppo / THR'Anaconda' Reboot in the Works With 'Snow White and the Huntsman' Writer - Borys Kit / THR‘Obi-Wan' Disney+ Series on Hold as Crew Sent Home - Adam Chitwood / Collider NEW TRAILERS [00:28:58]The Last Thing He Wanted (Netflix)VivariumIrresistibleMr JonesEscape from PretoriaHorse Girl OUT THIS WEEK [00:38:15]The Rhythm SectionGretel & Hansel WHAT WE'RE WATCHING [00:39:37]Anthony: Young Pope, New Pope, Killer Inside: The Mind of Aaron HernandezDaniel: The Outsider, Jerry Maguire, Any Given Sunday, Rocky III, Judy, Waves, The GentlemenShahbaz: The Martian, Bad Boys, La La Land, Catch Me If You Can, Little America, The Outsider, Waves TOPIC OF THE SHOW [01:02:55]Daniel, Shahbaz, and Anthony discuss their top sports movies of all time! FOLLOW US:Follow Daniel on Twitter, Instagram, and LetterboxdFollow Shahbaz on Twitter, Instagram, and LetterboxdFollow Anthony on Twitter, Instagram, and LetterboxdFollow The Movie Podcast on Twitter, Instagram, Discord, and YouTube  

This week we are at the Sundance film festival in Park City, Utah, sending regular dispatches about the highlights in its independent film lineup. One of the most highly anticipated movies here is called The Last Thing He Wanted, from filmmaker Dee Rees, who previously directed Mudbound and Pariah. The Last Thing He Wanted is an adaptation of the Joan Didion novel, which centers on a journalist who gets caught up in shady international business when her ageing father gets sick. The time period is the high-Reagan 1980s, and the story involves malfeasance in Central America, gun running, family challenges, and the CIA. Anne Hathaway plays the journalist, Willem Dafoe is her father, Rosie Perez is a fellow journalist. Rees takes a kaleidoscopic approach to adapting Didion's typically complex narration, FC Editor-in-Chief Nicolas Rapold sat down with the director at Sundance to discuss her process as well as pick her brain about the movie's ideas about modernity and identity. The Last Thing He Wanted premieres here on January 27 and will be available through Netflix in February.

The Last Thing He Wanted (Knopf)   Part II of a special two-part interview with a novelist whose works have defined the essences of American places (Los Angeles, Miami, New York) and times (the sixties, the seventies, the eighties).  

The Last Thing He Wanted (Knopf)Part I of a special two-part interview with a novelist whose works have defined the essences of American places (Los Angeles, Miami, New York) and times (the sixties, the seventies, the eighties). Topics include the influences of T.S. Eliot, Joseph Conrad, Ernest Hemingway, and her contemporary, Joyce Carol Oates, the nature of resonance and the role of accident and intuition in the writing of novels.