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If you are interested in movies, movie making, or the movie business, you are going to find this week's show fascinating. Dean and Phil do deep dives into the cinematic delights brought to us by the Marx Brothers, the Canadian films produced under that country's 100-percent Capital Cost Allowance tax shield for investors, Jon Voight's […]
Larry Wilmore discusses his fascination with historical figures like Harry Houdini, the Marx Brothers, and the Beatles, attributing their success to the zeitgeist and cultural timing. He reflects on his own career, including his work on "The Daily Show" and his intentional efforts to create and produce shows like "The PJs" and "The Bernie Mac Show." Wilmore also touches on the challenges of maintaining relevance, the impact of social media, and the importance of evolving with the times. He mentions his current projects, including a podcast and a Hulu show, and his interest in magic, highlighting his diverse career and ongoing creative pursuits.00:00 - Intro00:20 - Creative Artists, Timing & Zeitgeist 08:50 - The Daily Show & Jon Stewart's Voice 12:28 - Taylor Swift, Beyonce, The Beatles & Kanye West 16:13 - Larry's Career Arc & Intentional Choices 23:23 - Making It Through the Lows & Disappointments 28:01 - Larry's Book 29:08 - Black in the Air Podcast & Reasonable Doubt 29:40 - Magic, Touring & Other Lanes 30:48 - Outro Larry Wilmore website:https://www.thelarrywilmore.com/Chuck Shute link tree: https://linktr.ee/chuck_shuteSupport the showThanks for Listening & Shute for the Moon!
What was it like to live and work with Groucho Marx? In this captivating episode of Tales From Hollywoodland, Arthur, Steve, and Julian talk with actor and author Steve Stoliar, who shares firsthand stories from his time with the legendary Groucho. From classic Hollywood encounters to personal insights into one of comedy's most iconic figures, this is a must-listen for fans of Old Hollywood, the Marx Brothers, and behind-the-scenes history. We want to hear from you! Feedback is always welcome. Please write to us at talesfromhollywoodland@gmail.com and why not subscribe and rate the show on Apple Podcasts, Spotify, iHeartRadio, PlayerFM, Pandora, Amazon Music, Audible, and wherever fine podcasts are found. #GrouchoMarx #SteveStoliar #TalesFromHollywoodland #ClassicHollywood #MarxBrothers #HollywoodHistory #OldHollywood #CelebrityInterviews #BehindTheScenes #ComedyLegends #PodcastEpisode #esonetwork
GGACP celebrates Jewish American Heritage Month with this ENCORE of a memorable interview with Oscar- and Emmy-nominated producer, director and actor Bob Balaban. In this episode, Bob talks about his family's history in the movie theater business, his affection for horror films, his transition from acting to directing and his admiration for colleagues Wes Anderson, Christopher Guest and Steven Spielberg. Also, Orson Welles inspires fear, Robert Altman tackles a whodunit, Bill Murray perfects his short game and Bob “apprentices” for Sidney Lumet. PLUS: “Brewster McCloud'! The Marx Brothers on stage! The brilliance of Eugene Levy! Uncle Miltie meets an extraterrestrial! And Bob remembers the late, great Fred Willard! Learn more about your ad choices. Visit megaphone.fm/adchoices
In this week's episode, Thos takes a close look at the 1930 Marx Brothers musical comedy film, Animal Crackers, and its place against the backdrop of a number of transitions - the move from stage to screen for the madcap quartet, the loss of popularity of Hollywood film musicals at the end of the 1920s, the move from prosperity to economic slump following the Wall Street Crash, and how the film industry was learning to adapt stage shows for the silver screen after only four years of talkies! And we take an additional look at Margaret Dumont, dubbed by Groucho himself as the "fifth Marx Brother", who began with opera and ended in rock 'n' roll and who worked with Laurel and Hardy, and WC Fields along the way. As Groucho said "Blessed are the crack(er)ed, for they shall let in the light!"
It's a century since Minnie's Boys, better known as the Marx Brothers, appeared on Broadway in their first fully fledged musical, and to mark the occasion, MusicalTalk is taking a close look at their 1930 musical comedy film, Animal Crackers. In this week's episode, Thos investigates what makes the Marx Brothers so remarkable and timeless, and takes a close look at the difference between the stage version of the story from 1928 and the post-Wall Street Crash film made in 1930. There's also a brief comparison with the now forgotten Ritz Brothers who were a different kind of crackers! So it's Hooray for Captain Spalding!
This week Harrison will review "A Night In Casablanca (1946)" starring The Marx Brothers and directed by Archie Mayo#anightincasablanca #marxbrothers #archiemayo #reelyoldmoviesJoin my Discord!: https://discord.gg/VWcP6ge2Donate to my Streamlab here: https://streamlabs.com/sl_id_ff883caf-a8d0-3d7b-980b-9557565e1fe3/tipSocial Media Links: https://linktr.ee/reelyoldmovies
One month from their 18th Anniversary (of changing the way you listen to the internet!), your friends in podcasting are still recovering from their European Adventures and during this week's installment they start by discussing the Marx Brothers, and end by revealing architecture and fine art discoveries they made while overseas. In between, they discuss […]
Original Release Date: Monday 7 April 2025 Description: One month from their 18th Anniversary (of changing the way you listen to the internet!), your friends in podcasting are still recovering from their European Adventures and during this week's installment they start by discussing the Marx Brothers, and end by revealing architecture and fine art discoveries they made while overseas. In between, they discuss the Netflix CEO declaring war on movie theaters, a movie soon leaving Netflix, and a quite lovely, moving film just released to theaters. And in "Celebrity Deaths" character actor Bruce Glover, king of the miniseries Richard Chamberlin, and movie star Val Kilmer all get remembered.
To celebrate National Film Score Day, Gilbert and Frank are joined by Oscar-winning composer and guest co-host Michael Giacchino for a chat with one of Michael's childhood heroes, Academy Award-winning special effects artist (and GGACP fan!) Dennis Muren. In this episode, Dennis praises the artistry of stop-motion animation, looks back on the early days of Industrial Light & Magic and shares behind-the-scenes stories from the making of modern classics “E.T.,” “Jurassic Park” and “The Empire Strikes Back.” Also, Marlon Brando ages gracefully, Irwin Allen breaks up the Marx Brothers, Michael gets nostalgic for the “Temple of Doom” mine car sequence and Dennis remembers longtime friends Forrest Ackerman and Ray Harryhausen. PLUS: “Flesh Gordon”! The magic of Willis O'Brien! “Casablanca” in 3-D! And Bob Burns recreates “The Exorcist”! Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, I'm reading the sixteenth chapter of the Peter David penned movie novelization of the 1991 Rocketeer film. This chapter takes place in The South Seas Club, like last chapter, and is great fun. Cliff wreaks absolute chaos on mob boss Eddie Valentine's club (crime doesn't pay, kids!). The full clip is here. The novelization adds a few interesting tidbits that I suspect were artistic license, like the first person that Cliff runs into when he is on the waiter's cart being Margaret Dumont (who was in many Marx Brothers films as the straight woman to their gags). Here she is with Groucho in a clip from A Night at the Opera in a somewhat similar location, this also being a fancy restaurant.Thanks for listening!∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify, iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify. Join the mailing list for a digital free copy. You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book? Just email me at writejoshuablum@gmail.com for more details!https://13thhr.wordpress.com/2025/03/31/the-thirteenth-hour-podcast-503-and-like-a-hood-ornament-73-reading-the-rocketeer-movie-novelization-chapter-16/
With listener insights, we take another look at the film that marked the Marxes' Hollywood debut and stands out as the only one featuring a manicurist we can name. This episode highlights the distinctiveness of Monkey Business, as comments explore how it stands apart from both their earlier work and later films. We'll dive into praise for Thelma Todd and even Zeppo, alongside the random nitpicks Marx fans are famous for. Joe Adamson, Scott Alexander and Eddie Deezen are among those contributing. Jay Hopkins would have as well, if he could figure out how to do it.
America last. Child k*lling record in Gaza. Vultures circling over Iran. The blackmail tariffIt's like a Marx Brothers sketch. US wages war on behalf of a 'sh*tty little apartheid state'. Follow the money. Max Blumenthal on Signalgate, the Zionist who's bought Trump and the war to come on Iran.Scott Ritter gives his War report and addresses his recent social media controversy.Max Blumenthal: Editor at The Grayzone News, Author and Journalist - Twitter: https://twitter.com/maxblumenthal- YouTube: https://youtube.com/@mblumenthal- Facebook: https://www.facebook.com/thegrayzoneScott Ritter: Former UN Weapons Inspector and Marine Corps Intelligence Officer, Author and Political Analyst.- Twitter: https://twitter.com/realscottritter- Rumble: https://rumble.com/v27scfr-scott-ritter-extra-ep.-41-ask-the-inspector.html@Scott Ritter Extra - YouTube: https://youtube.com/@ScottRitterAgain- Telegram: https://t.me/ScottRitter Become a MOATS Graduate at https://plus.acast.com/s/moatswithgorgegalloway. Hosted on Acast. See acast.com/privacy for more information.
Face the Music: An Electric Light Orchestra Song-By-Song Podcast
The weakest Marx Brothers movies!
"You can't fool me! There ain't no Sanity Claus!" David Bluvband (The Marvelous Mrs. Maisel) returns to the show to discuss the Marx Brothers' first film for MGM, A Night at the Opera. We talk Otis B. Driftwood, Riccardo Barone, and the eternal Paramount vs. MGM debate. Follow the Show:TwitterInstagramWebsite Music by Mike Natale
Devin and Jacob reunite to talk about Bong Joon-ho's adapation of Edward Ashton's Mickey7, Mickey 17!Don't forget to check out the first episode, ‘Mickey7' by Edward Ashton (ft. Jacob White)!Support Film Literate on Patreon!Guest: Jacob White (Instagram|Substack|YouTube)
rWotD Episode 2868: Room Service (play) Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Tuesday, 11 March 2025 is Room Service (play).Room Service is a farce written by Allen Boretz and John Murray. It was originally produced by George Abbott and debuted at the Cort Theatre in New York City on May 19, 1937. Its initial production ran for 500 performances, closing on July 16, 1938. The play, starring Jack Lemmon in the role of Leo Davis, was revived on Broadway for a short run of 16 performances in 1953.RKO Pictures purchased the film rights for a then-record $225,000 and used it as the basis for the film of the same title as a vehicle for the Marx Brothers. In 1944, RKO released a musical film adaptation entitled Step Lively starring Frank Sinatra.The original 1937 Broadway production starred Sam Levene as Gordon Miller, Eddie Albert as Leo Davis and Phillip Loeb as Harry Binion.This recording reflects the Wikipedia text as of 00:48 UTC on Tuesday, 11 March 2025.For the full current version of the article, see Room Service (play) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Kimberly.
As we march steadily through the 21st Century, many great things from the past seem to be fading in our collective rearview mirrors and forgotten. In this episode, join Norb and Al as they shed some light on the great comedians of years ago, and how humor will always be incredibly important in our lives. Learn about Laurel & Hardy, Abbott & Costello, W.C. Fields, the Marx Brothers, and others. Be sure to watch the clips linked below and get ready to laugh! Resources: Laurel & Hardy - Way Out West Marx Brothers "Duck Soup" - War Scene W.C. Fields - Egbert Souce' Bank Security Guard The Abbot & Costello Show "Who's on First?" The Magic of Positive Thinking is brought to you by Americaneagle.com Studios; follow today for exciting new episodes!
Poet and philosopher James Matthew Wilson joins the podcast to discuss two films by the Marx Brothers (Duck Soup, A Night at the Opera). Wilson also reads one of his poems featuring allusions to the Marx Brothers, and talks about the letters written between Groucho Marx and T.S. Eliot. James Matthew Wilson, The Strangeness of the Good https://angelicopress.com/products/the-strangeness-of-the-good SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters DONATE to keep this podcast going: https://www.catholicculture.org/donate/audio Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com
Fresh out of copyright, the Marx Brothers’ debut film based on their hit stage play! Also the first full Marx Brothers’ film watched by Christopher and Lydia! Promo: FilmGazers (https://rss.com/podcasts/filmgazers/) Please click, follow, rate and review! https://linktr.ee/TSPandOE_Podcasts (The song "Memory Subtract" by seven7hwave used under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. http://seven7hwave.bandcamp.com/track/memory-subtract). Orphaned Entertainment […]
Patreon Justin has picked some gems and corkers before, like Blood Simple and Hard Eight, and this time he's chosen the little known 1992 comedy, Brain Donors."Brain Donors" was produced during a time when Hollywood was revisiting and paying homage to classic comedy styles, and its production was heavily influenced by the desire to recreate the Marx Brothers' iconic brand of humor. The film was written by Pat Proft, known for his work on the "Naked Gun" series, and produced by David Zucker, Jerry Zucker, and Jim Abrahams, the trio behind many successful comedies of the 1980s. Their involvement ensured that the film would be packed with rapid-fire jokes, slapstick, and absurdity, staying true to the spirit of the Marx Brothers while adding a modern twist. The project was initially conceived as a direct tribute to the Marx Brothers, with the working title "Lame Ducks," and the characters were loosely based on Groucho, Chico, and Harpo Marx.John Turturro, who played the Groucho-esque character Jacques, was a standout in the cast, bringing his unique energy and comedic timing to the role. The production faced challenges in balancing the homage to classic comedy with appealing to contemporary audiences, which led to mixed reactions upon its release. Despite its star-studded creative team and ambitious vision, the film struggled at the box office, partly due to limited marketing and the niche appeal of its humor. However, over time, "Brain Donors" has garnered a cult following, appreciated for its commitment to reviving the chaotic, irreverent spirit of the Marx Brothers. The making of the film reflects a passionate attempt to honor a bygone era of comedy, even if it didn't achieve mainstream success.If you enjoy the show we have a Patreon, so become a supporter.www.patreon.com/thevhsstrikesbackPlot SummaryRoland T Flakfixer, Jacques and Rocco, a trio of eccentric misfits, are hired by the wealthy widow Lillian Oglethorpe to establish a ballet company in honor of her late husband. Their mission quickly spirals into a series of absurd misadventures as they clash with the snobbish elite, outwit a scheming lawyer named Edmund Lazlo , and attempt to pull off a grand ballet performance.thevhsstrikesback@gmail.comhttps://linktr.ee/vhsstrikesback
This week, Ira spoke with Micky Dolenz, performing a special Valentine's Day performance at The Strat, February 14 at 8 p.m. In this episode of “Talk About Las Vegas With Ira,” Micky talks about who influenced him in the world of music before The Monkees (including one surprising choice); moving to England to become a film and TV director; the 1986 reunion that made him aware of the cultural impact of the group; the first time singing live on stage at a press junket for “Circus Boy”); why he doesn't have a favorite episode of The Monkees' television show; performing in Broadway shows; how John Lennon said The Monkees are like The Marx Brothers; being larger than life characters for The Monkees TV show; why Peter Tork was the one in the band who had to play a fairly different character from his real life; how his current show structure is a story going into a song; what he discovered about singing non-Monkees' songs (there's always a connection); why he performs all The Monkees' hits in live shows; and his album, "Live At The Troubadour." (Also Watch Full Podcast Video)
Welcome to The Nerdy Podcast ran by Northern Nerds!! Join us in this episode of The Nerdy Up North Podcast as we dive into the zany world of the Marx Brothers with a review of their classic comedy, Horse Feathers! Released in 1932, this film is a riotous romp through the absurdities of college life, featuring the iconic Groucho, Harpo, and Chico in their most outrageous antics. We'll explore the film's clever satire of higher education, its unforgettable one-liners, and the slapstick humor that has made the Marx Brothers legendary. From Groucho's quick wit to Harpo's silent shenanigans, we'll discuss how Horse Feathers captures the essence of their comedic genius while also reflecting the social attitudes of its time. Join us as we break down our favorite scenes, analyze the film's cultural impact, and share some behind-the-scenes trivia that will leave you laughing and wanting more. Whether you're a lifelong fan of the Marx Brothers or a newcomer to their work, this episode promises to be a delightful journey into the world of classic comedy. Tune in and let the laughter begin!
Noah and Matthew dive into Robert S. Bader's new book, Zeppo: The Reluctant Marx Brother, the first-ever biography of the universally acknowledged youngest Marx Brother. The guys explore Zeppo's life of career shifts, ties to organized crime, and strained family relationships. They delve into why he didn't bask in the glory of the Marxes' 1960's and 70's resurgence, and find proof of his rumored great wit. Oh, and Matthew discovers a Groucho “Holy Grail” buried in Bader's pages... Not too spoilery, this episode is a must-listen whether you've read the book or not.
I hope you have your alarm set, because the dreamer is stirring! Toby and TJ welcome old friend Jason Rothery--acclaimed playwright, novelist, and fellow theatre survivor--to to help us read 3.4: 'Dawn.' In typical incisive form, Jason unleashes insight and enthusiasm as James Joyce acquires himself a brand new fan. From considerations of Finnegans Wake comprehension akin to the Suzuki method of music instruction, to the Jabberwocky, the Marx Brothers, and André 3000's flute album, no topic is off limits, as we skim the surface, ponder translation, and think about how Joyce teaches us to "mean differently." This week's readers: Toby Malone, TJ Young, Jason Rothery Progress: 572 pages complete, 56 pages to go; 91.08% read. Contextual Notes Jason Rothery online: https://jasonpatrickrothery.com/ Privilege: https://www.amazon.ca/Privilege-Jason-Patrick-Rothery/dp/1773370227/ Reg: https://www.amazon.ca/REG-Jason-Patrick-Rothery/dp/B0DJK3QPLB/Jason on Instagram: https://www.instagram.com/jasonpatrickrothery/ The Jabberwocky: https://www.poetryfoundation.org/poems/42916/jabberwocky FWEET: Finnegans Wake Extensible Elucidation Treasury: http://www.fweet.org/ For early drops, community and show notes, join us at our free Patreon, at patreon.com/wakepod, or check out our Linktree, at https://linktr.ee/wake.pod. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!
Marx Brothers 35-xx-xx Hollywood Agents and Time Marxes On
GGACP celebrates January's National Book Blitz Month and the recent release of the book "Zeppo: the Reluctant Marx Brother" by presenting this ENCORE of a 2017 interview with author, archivist and Marx Brothers fanatic Robert S. Bader. Also in this episode: Gummo goes to war, Harpo “courts” Amelia Earhart, Groucho cashes in on “Skidoo” and Gilbert pals around with Chico's daughter. PLUS: Swain's Rats & Cats! The real-life Sunshine Boys! Bugsy Siegel buys the farm! Dennis Hopper plays Napoleon! And the mystery of the disappearing Marx Brother! Learn more about your ad choices. Visit megaphone.fm/adchoices
2:07:27 – Frank in New Jersey, plus the Other Side. Topics include: The Marx Brothers movies, A Night at the Opera (1935), Zeppo, Kitty Carlisle, Howard Stern, The Hindenberg, got the quarter in the cake, American Women 2023 Quarter – Jovita Idar, Fiona Apple, Tape Land 176 – On Noyage – Drive to Phillipsburg Mall (2/23/90), Videocassette […]
Julian Schlossberg is a legendary film producer, distributor, and entertainment industry veteran with a career spanning over six decades. Known for his work on iconic films such as The Sting, Paper Moon, and Ghost, Schlossberg has played a pivotal role in shaping Hollywood's history. His deep knowledge of storytelling, production, and distribution has made him a respected figure in both film and television. In addition to producing and distributing films, Julian has worked closely with some of the biggest names in the entertainment like: Elia Kazan, John Cassavetes, Orson Welles Woody Allen, John Ford, Alfred Hitchcock and, The Marx Brothers. Julian continues to be a vital presence in the industry. His journey through the ever-evolving world of cinema offers invaluable insights for anyone passionate about film and the art of storytelling.
Julian Schlossberg is a legendary film producer, distributor, and entertainment industry veteran with a career spanning over six decades. Known for his work on iconic films such as The Sting, Paper Moon, and Ghost, Schlossberg has played a pivotal role in shaping Hollywood's history. His deep knowledge of storytelling, production, and distribution has made him a respected figure in both film and television. In addition to producing and distributing films, Julian has worked closely with some of the biggest names in the entertainment like: Elia Kazan, John Cassavetes, Orson Welles Woody Allen, John Ford, Alfred Hitchcock and, The Marx Brothers. Julian continues to be a vital presence in the industry. His journey through the ever-evolving world of cinema offers invaluable insights for anyone passionate about film and the art of storytelling.
Every January 1st, The Brattle kicks off the new year with a Marx Brothers marathon. 2025 seemed an ideal year to dive deep into the history and films of the legendary comedic team of siblings whose films and distinctive humor have endured for nearly a century and still have as much to say about contemporary times as they did in the 1920s, '30s and '40's
2:15:33 – Frank in New Jersey, plus the Other Side. Topics include: Insert Coin, Gorf (Midway, 1981), Synchronicity (Visionary Software, 1989), Avondale Bridge, the holidays and Phish, Tape Land, Nightstation Ride One, Nightstation Ride Two, Vampire Survivors, drones, timelines, alien contact, 1929 entering the public domain on Jan. 1, The Cocoanuts (1929), The Marx Brothers, The Brox […]
2:15:33 – Frank in New Jersey, plus the Other Side. Topics include: Insert Coin, Gorf (Midway, 1981), Synchronicity (Visionary Software, 1989), Avondale Bridge, the holidays and Phish, Tape Land, Nightstation Ride One, Nightstation Ride Two, Vampire Survivors, drones, timelines, alien contact, 1929 entering the public domain on Jan. 1, The Cocoanuts (1929), The Marx Brothers, The Brox […]
Once again, our audience takes centerstage as we respond to listener comments on the Marxes' second (or third) film… How is viewing the restored version akin to seeing the team live onstage? What is “insouciant whimsy”? Why is John Tefteller championing a bootleg? These are just a few of the questions we'll ponder in another meeting of ‘The Matthew Coniam Appreciation Council'. We'll also discuss why Chico arrives with an instrument he doesn't play, and learn what famed comedian is not a fan of Lillian Roth.
Jacques Tati's Playtime, aka PlayTime, leaves an impression, and it definitely impressed designer, educator, and writer Louise Sandhaus who has a lot to say about this movie that's kind of about nothing, with the city and scenery as the star, and people merely moving through, around, and within the environment. Be mesmerized by its set pieces, odd circumstances, physical humor, and bombastic party scene that has Marx Brothers antics with Saturday Night Live stumbles and silliness. Watching Playtime, if you get the impression that it influenced Wes Anderson, or shaped the Apple TV show Severance, you're spot on. Louise is the founder and co-director of The People's Graphic Design Archive, a pioneering crowd-sourced platform that preserves graphic design history and is extremely inclusive. As faculty at California Institute of the Arts (CalArts), she teaches The History of Motion Graphics with modules on Designer as Filmmaker and Type in Film, as well as Early Abstract Animation.-Louise Sandhaushttps://calarts.edu/members/louise-sandhaus https://peoplesgdarchive.org/https://www.artbook.com/9781938922619.htmlhttps://vimeo.com/lsandhaus/typeinfilm2021?share=copyhttps://vimeo.com/521664142/270b61f1e8-PlayTime, aka Play Time or Playtime (1967)https://www.imdb.com/title/tt0062136/ https://www.nytimes.com/2004/12/31/arts/movies/the-listings-jacques-tatis-playtime.htmlhttps://www.theguardian.com/culture/2022/oct/04/playtime-jacques-tatis-masterpiece-took-cinema-close-to-a-video-game https://www.criterion.com/current/posts/446-the-dance-of-playtime-Other artists and artworks mentionedhttps://www.instagram.com/anasamoylova/p/CuAA_XwL4l_/?img_index=https://www.imdb.com/name/nm0936464/https://www.imdb.com/name/nm0000517/ https://www.imdb.com/name/nm0000694/
This week on Seddy Bimco Part Two The Revenge, We visit Frog-topia and take a look at The Movie, Hell Comes to Frogtown .Links: https://linktr.ee/seddybimcoFollow Tim on letterboxd! See the Seddy Bimco watchlist!Email us at seddybimcoe@gmail.com Most art by Tim HamiltonMusic by Tim HamiltonCheck out the Seddy website. Website: https://www.seddy-bimco-part-2-the-revenge.com/Links: https://linktr.ee/seddybimcoCheck out George O'Connor's books: https://www.georgeoconnorbooks.com/Check out Tim Hamilton's books: https://timhamiltonrwf.gumroad.com/Hosted on Acast. See acast.com/privacy for more information.In this episode, Tim Hamilton and Kevin Kablasto engage in a lively discussion about movies, co-hosting dynamics, and the themes of revenge in storytelling. They explore various films, including 'Audition' and delve into the legacy of the Marx Brothers. The conversation takes a humorous turn as they discuss the fictional setting of Frogtown and its unique characteristics, while also touching on the holiday theme in films. The episode culminates in a detailed synopsis and analysis of a movie, highlighting its connections to broader cinematic themes. In this conversation, Tim Hamilton and Kevin Kablasto delve into the legacy of Rowdy Roddy Piper, exploring his impact on wrestling and film. They discuss the themes and characters of a specific movie featuring Piper, analyzing its storytelling techniques, character development, and the ethical dilemmas presented in a post-apocalyptic setting. The conversation also touches on the comedic elements intertwined with serious themes, the role of women in the narrative, and cultural references that shape the viewer's experience. In this conversation, Tim Hamilton and Kevin Kablasto explore various themes in comedy, particularly the impact of laugh tracks, while also delving into nostalgic references to Star Wars. They analyze the plot of 'Return of the Jedi' and critique the absurdity of the movie 'Frog Town,' discussing character dynamics, humor, and the overall lack of a coherent plan in the film's narrative. The conversation is filled with witty banter and insightful commentary on the nature of comedy and storytelling. In this engaging conversation, the hosts delve into the intricacies of a film set in a post-apocalyptic world, exploring character connections, action sequences, and thematic elements of sacrifice and duty. They draw humorous parallels to cultural references, particularly Star Wars, while creatively weaving in a revenge story that culminates in a holiday-themed reflection. The discussion is rich with insights, humor, and a light-hearted critique of the film's narrative and dialogue. Hosted on Acast. See acast.com/privacy for more information.
On December 16, 1935, 29 year-old actress Thelma Todd was found dead in the driver's seat of her Lincoln. Her car was discovered in a garage owned by Jewel Carmen. Who happened to be the estranged wife of Thelma's current boyfriend/business partner, director Roland West. Thelma rose to fame in comedies starring the Marx Brothers, Buster Keaton, and even Laurel & Hardy. She was in the prime of her career. The coroner ruled she suffered from carbon monoxide poisoning. Yet its unclear, whether her death was a murder, suicide, or simply a horrible accident? Check out our other shows!: Cryptic Soup w/ Thena & Kylee True Crime Guys YouTube EVERYTHING TRUE CRIME GUYS: https://linktr.ee/Truecrimeguysproductions True Crime Guys Music: True Crime Guys Music on Spotify Patreon.com/truecrimeguys Patreon.com/sandupodcast Merch: truecrimeguys.threadless.com
Mark Wilson & Pete Barker in conversation with David Eastaugh https://www.youtube.com/watch?v=RWEISh0MznA Anarchic rockabilly beloved by the late John Peel. "If Elvis had been a Marx Brother, he would have invented Pink Peg Slax" (James Brown, NME) With a name derived from an obscure Eddie Cochran rocker, Pink Peg Slax promise rockabilly revivalism, but these veterans of the Leeds 80s music scene deliver musical subversion. Borne out of punk, the Slax line-up were original members of the Mekons, the Sisters of Mercy and The Gang of Four. Celebrated by John Peel and Andy Kershaw (4 Radio 1 sessions), the NME (3 singles and 2 albums gained 5-star reviews) and TV chef Keith Floyd (who wrote sleeve notes) Pink Peg Slax knocked out 100% original tunes with a deft rockabilly-cajun approach. Pink Peg Slax provided the necessary knowing wink to counter the gothic scowl on the face of indie music in the mid-80s. The Smiths released Meat Is Murder; the Slax released Eat More Meat. The only band ever to offer James Cagney impressions as serious musical output on night-time Radio One, Pink Peg Slax busked their way onto C4's The Tube, annoyed legions of Goths by supporting The Mission on tour and wrote songs about drunken pigs, deaf railwaymen, murderous Frenchmen and Holsten Pils. Frontman Vince Berkeley, often at odds with the world and the time of day, once thanked an audience of fairground workers for not being "gippos", told an indifferent audience in Dusseldorf to "go away and make some chemicals" and regularly spat on, kicked or threatened audience members he felt were disrespecting the band. And yet the band's Roman Catholicism led to album reviews in The Universe, the premier UK religious weekly. After a break of 20 years to raise families and conquer the world of work, Pink Peg Slax return with their original line-up and most of their hair intact..
Are you curious about what really happens behind the scenes of America's favorite sitcoms? Tune in for Emmy-nominated writer and producer Billy Van Zandt on his tell all books Because It's Funny & Get In The Car, Jane! Moments with Marianne airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio affiliate! Emmy Nominated writer and producer Billy Van Zandt is one of the most widely produced playwrights in the world, celebrated for his contributions to comedic theater. Van Zandt co-wrote 25 plays with his late partner Jane Milmore, including the international hit You've Got Hate Mail, the Off-Broadway slapstick tribute Silent Laughter, the cult classic Drop Dead, the Marx Brothers-inspired A Night at the Nutcracker, and the enduring farce Love, Sex, and the I.R.S. A New Jersey native, Van Zandt is the author of Get In The Car, Jane! And Because It's Funny. https://vanzandtmilmore.comFor more show information visit: www.MariannePestana.com#bookclub #readinglist #books #bookish #author #authorinterview #KMET1490AM #radioshow #booklover #mustread #reading
This was one of my favorite conversations over the last year or so. Figured it'd be nice to share it again... We are joined in this episode by Writer, Producer, Actor and Mentor, LARRY WILMORE! We discussed what drew Larry to comedy, writing, acting and producing; and, yes, we did talk about the WGA strike; why, as a kid, he was compelled by the work of such greats as Houdini, Buster Keaton, the Marx Brothers and Flip Wilson; rebounding from professional setbacks and keeping a healthy mindset; his thoughts on the "TP&R question" - how to be better at talking about politics and religion across our differences; and we got pretty deep with the concept of consciousness, meaning and why humans have a desire to have a life of meaning. Emmy Award winner Larry Wilmore is a prolific producer, actor, comedian, and writer. He is also the host of the excellent podcast Larry Wilmore: Black on the Air. Larry is perhaps best known for his role as host of Comedy Central's The Nightly Show with Larry Wilmore and as the “Senior Black Correspondent” on The Daily Show with Jon Stewart. Off-screen, Larry serves as co-creator and consulting producer on HBO's Insecure, and helped to launch ABC's black-ish as an executive producer and is a co-creator of the spin-off Grownish. Previously, he has written for In Living Color, The PJ's (which he co-created), The Office (on which he also appeared), and The Fresh Prince of Bel-Air. He also served as creator, writer, and executive producer of The Bernie Mac Show, which earned him his Emmy for “Outstanding Writing for a Comedy Series” and a 2001 Peabody Award. In 2016, Larry hosted the White House Correspondents' Association Dinner. Larry is also an author, having released his first book, I'd Rather We Got Casinos and Other Black Thoughts, in January 2009. We're on YouTube! https://www.youtube.com/@politicsandreligion It would mean so much if you could leave us a review: https://ratethispodcast.com/goodfaithpolitics Let us know what you think. You can find Corey on all the socials @coreysnathan such as Bluesky: bsky.app/profile/coreysnathan.bsky.social We're on Patreon! Join the community: https://www.patreon.com/politicsandreligion Talkin' Politics & Religion Without Killin' Each Other is part of The Democracy Group, a network of podcasts that examines what's broken in our democracy and how we can work together to fix it. Very grateful for our sponsor Meza Wealth Management. Reach out to Jorge and his team: www.mezawealth.com www.theringer.com/larry-wilmore-black-on-air Reasonable Doubt on Hulu - www.hulu.com/series/reasonable-doubt-226c1cc5-ecc9-4d26-83a6-40131a93ed19 Jerry and Marge Go Large - www.paramountplus.com/shows/paramount-plus/video/B8wTNAzgYrU2jPLef3IehO_xl_sg15pn/jerry-marge-go-large-cast-featurette-paramount-/ www.threads.net/@larrywilmore
L.A.'s notorious 405 Thanksgiving traffic jam is built on a myth. Is ambivalence killing parenthood? GUEST: Robert S. Bader, author of Zeppo: The Reluctant Marx Brother.
The fourth film starring the Marx Brothers, best known for one of their most famous bits playing in a college football game.
Amelia Eichler, previously seen on Episode 152, returns today to talk about her journey into cinema history and preservation. Specifically, she talks about her grandfather's love of movies and how he mindfully passed it on to her. She and I talk about how it helps to be guided by a mentor and how that can coincide with normal growth as a person, possibly making it easier. Amelia and I share a love of The Marx Brothers, which does call back to my talk with Frank Ferrante. — See Show Notes at www.AaronBossig.com Follow me on BlueSky, Twitter, or Instagram - @AaronBossig
GGACP celebrates the 30th anniversary of the classic comedy-drama "Ed Wood" (released September 28, 1994) with this ENCORE of an interview with the film's screenwriters Scott Alexander and Larry Karaszewski. In this episode, Scott and Larry talk about the Ed Wood-Bela Lugosi relationship, the exuberance of Milos Forman, the bizarro cinema of Rudy Ray Moore and their Eddie Murphy vehicle, “Dolemite is My Name.” Also, Jim Carrey pranks Danny DeVito, Tim Burton befriends Vincent Price, Ray Walston “replaces” Peter Sellers and Scott and Larry remember the late, great Martin Landau. PLUS: Appreciating Robert Morse! The legacy of William Goldman! Mae West seduces 007! The Marx Brothers meet the Master of Disaster! And the boys pick their favorite big-screen biopics! Learn more about your ad choices. Visit megaphone.fm/adchoices
After 72 episodes of you listening to us, today we listen to you, as Council members offer their insights and opinions of the Marxes' first (surviving) film. Are its age and creakiness actually a blessing in disguise? How many tunes named “The Monkey Doodle Doo” did Irving Berlin actually compose? And why is Matthew comparing Oscar Shaw to Pavarotti? All this, and Eddie Deezen…need we say more? A podcast that you won't want to end, and it almost doesn't.
“Push the button, Frank!” GGACP celebrates the birthday (August 30) of writer, comedian and actor Frank Conniff (“Mystery Science Theater 3000”) by revisiting this funny conversation from 2017. In this episode, Frank shares selections from his new book of MST3K-related essays and gives his take on topics ranging from Superman's Jewish roots to the outsized cinema of Bert I. Gordon to the meta-comedy of Art Metrano. Also, Jack Webb directs, Pia Zadora meets Kris Kringle, Frank defends Ed Wood and Gilbert hangs with Sid Melton. PLUS: Richard “Jaws” Kiel! The Rip Taylor Trio! “Monster a Go-Go!” Billy Wilder teams with the Marx Brothers!? And the worst musical ever made! Learn more about your ad choices. Visit megaphone.fm/adchoices
Rivka and Frank are joined once again by comedian, writer, and illustrator Branson Reese to discuss the Marx Brothers' classic, Duck Soup. Together, they explore the anti-comedy style of the Marx Brothers, the political and cultural legacy of their work, and the film's anti-fascist and anarchic themes. Branson Reese Website Rude Tales of Magic Podcast
GGACP celebrates the recent 80th anniversary of the granddaddy of film noirs, Billy Wilder's 1944 masterpiece "Double Indemnity" by revisiting this conversation from 2015. In this episode, Gilbert and Frank sing the praises of James M. Cain and Raymond Chandler, look back at various remakes ("Body Heat," "Big Trouble") and analyze the movie's seldom mentioned love story. Also: The boys pay tribute to the John Huston classic "Treasure of the Sierra Madre." PLUS: Bugs Bunny meets Bogart! Bela Lugosi meets the Marx Brothers! John Cassavetes directs a comedy! And the enduring mystery of B. Traven! Learn more about your ad choices. Visit megaphone.fm/adchoices
This is a Grave Talks CLASSIC EPISODE! The Haunted Lincoln Theatre in Belleville, Illinois, has been the stage for some of the most iconic performers in history. The Marx Brothers, Ginger Rogers, Harry Houdini and more. Long after the stage shows ended, the Lincoln fell onto hard times, suffering through multiple closures and re-openings. Through it all, did some of the performers never leave? Do the ghosts of some of history's top performers still grace the stage of the Haunted Lincoln Theatre? Some claim to have seen and heard the ghost of Houdini himself, saying it was time for “magic” in a shocking EVP. Today, we discuss the haunted world of the Lincoln Theatre and how the ghosts are captured there with paranormal investigator Dale Kaczmarek. Become a Premium Supporter of The Grave Talks Through Apple Podcasts or Patreon (http://www.patreon.com/thegravetalks) There, you will get: Access to every episode of our show, AD-FREE! Access to every episode of our show before everyone else! Other EXCLUSIVE supporter perks and more!
This is a Grave Talks CLASSIC EPISODE! The Haunted Lincoln Theatre in Belleville, Illinois, has been the stage for some of the most iconic performers in history. The Marx Brothers, Ginger Rogers, Harry Houdini and more. Long after the stage shows ended, the Lincoln fell onto hard times, suffering through multiple closures and re-openings. Through it all, did some of the performers never leave? Do the ghosts of some of history's top performers still grace the stage of the Haunted Lincoln Theatre? Some claim to have seen and heard the ghost of Houdini himself, saying it was time for “magic” in a shocking EVP. Today, we discuss the haunted world of the Lincoln Theatre and how the ghosts are captured there with paranormal investigator Dale Kaczmarek. This is Part Two of our conversation. Become a Premium Supporter of The Grave Talks Through Apple Podcasts or Patreon (http://www.patreon.com/thegravetalks) There, you will get: Access to every episode of our show, AD-FREE! Access to every episode of our show before everyone else! Other EXCLUSIVE supporter perks and more!