Podcasts about road test

G'Day and welcome to Overdrive, a program that practices what it preaches, most of the time, on the subject of cars and transport. I'm David Brown For more information go to our website, podcast, or social media – just search for Cars, Transport, Culture. Once again, I am joined by the tireless Paul Murrell from seniordriveraus.com Recalls in America covering some 35 million vehicles First-ever redesign of Genesis GV60 makes Korean debut Some of the thoughts that came out of a chat with Justin Douglas who is head of Genesis in Australia Genesis is Hyundai's Lexus Sales volumes aren't high, but orders are starting to look good They only have five dealers Servicing can be done by Hyundai Dealers No haggle pricing Everything Electric Show coming up Audi, BMW, BYD, Cadillac, Cupra, Deepal, GWM, Jeep, Kia, Leapmotor, Mini, MG, Peugeot, Polestar, Renault, Skoda, Tesla, Volkswagen, XPeng and Zeekr. No Hyundai nor Toyota Stuart Sharp Railway history and a critical item for facilitating travel (public toilets) I have always seen the provision of public toilets as a key issue of mobility. Particularly for women. The reason for charging money is usually for the maintenance of the equipment. In NSW it was to limit the riff raff Paying to use a toilet can be traced back almost 2000 years As this is the anniversary from 1973 of legislation being passed to remove the charges on toilets in Chicago, the first American city to enact a ban There is such a thing as The American Restroom Association In Australia we here about several centenary anniversaries of developments in public toilets at railway stations Road Test of the Genesis GV80 coupe Large SUV Coupe body is not to everyone's taste Contacts Details Web Site: Driven Media: drivenmedia.com.au Podcasts iTunes: Cars Transport Culture Spotify: Cars Transport Culture Or our social pages Facebook Cars Transport Culture Instagram Cars Transport Culture Or YouTube site Cars Transport Culture Search for Cars transport culture Credits And this has been overdrive Thanks to Paul Murrell Mark Wesley Bruce Potter for their help with this program. You can get more of our work including longer versions of the program on our website, through our podcasts, or more visual information on Facebook, Instagram or YouTube. In all cases search for cars transport culture. Overdrive is syndicated across Australia on the Community Radio Network This program was first broadcast on 8 March 2024 I'm David Brown Thanks for listening

The B.C. government is seeking to eliminate the need for a second road test to obtain a full driver's licence. Instead, new drivers would get "on-road experience" and be subject to a 12-month restriction rather than be required to take another test to get their Class 5 license. Driving instructor Sean McDonald joins the show to discuss what it means for road safety and driving skills.

US politicians continue to campaign to try to keep us travelling down south, but Canadians aren't buying it! Tonight is the long-awaited English language debate! Which candidate will come out on top?! Finally, some big changes are coming to BC's graduated licensing program; They're scrapping one of the road tests! Learn more about your ad choices. Visit megaphone.fm/adchoices

How is the US/China trade war impacting the rest of the world?(Hint: It's not good) It just doesn't add up! What's causing Canada's falling math scores?! And finally - why is it taking so long for new BC drivers to book a road test with ICBC? Learn more about your ad choices. Visit megaphone.fm/adchoices

Just as 7-Eleven offers too much good stuff, that's what we have in this week's episode of America on the Road. We've been driving a lot of interesting vehicles lately, and so today we thought we'd bring you not two road tests but four — 2025 Toyota Tundra, 2025 Lincoln Nautilus, 2025 Mazda CX-50, 2025 Hyundai Elantra N Line. It's a fascinating quartet of vehicles each with something special to bring to the table. Our Toyota Tundra test vehicle was a 4x4 SRS CrewMax 5.5 that blends rugged capability with modern features, offering a spacious cabin for five and a 5.5-foot composite bed equipped with a power outlet, LED lighting, and an integrated deck rail system. Powered by a 389-horsepower 3.4-liter twin-turbo V6 paired with a 10-speed automatic transmission, it features part-time four-wheel drive and off-road-ready suspension. This model is equipped with the optional TRD Rally Package, adding 18-inch TRD alloy wheels, Bilstein shocks, skid plates, Crawl Control, Multi-Terrain Select, and unique TRD interior and exterior styling. Additional accessories like a TRD performance air filter, bed mat, and wheel locks further boost its practicality and rugged appeal. The big question is whether the turbo V6 matches the ability of a V8. And is the pricey TRD Rally Package worth the added price? And how does the new hybrid version of the Mazda CX-50 stack up? It pairs a 2.5-liter four-cylinder engine with three electric motors, an EV battery, and an electronically controlled CVT to deliver 219 horsepower and 163 lb-ft of torque, along with standard electric all-wheel drive. It features Mazda's Mi-Drive modes for power and trail driving, hill launch assist, and a 1,500-pound towing capacity. The exterior is sharp with LED headlights, a panoramic moonroof, roof rails, and a power rear liftgate. Inside, the CX-50 Hybrid seats five and offers leather-trimmed seats, heated front seats, a heated leather-wrapped steering wheel, a power driver's seat with memory, and a wireless phone charger. Wireless Apple CarPlay and Android Auto, rain-sensing wipers, a wiper de-icer, keyless entry, and an electric parking brake round out the vehicle's feature list. Host Jack Nerad took this one to the desert and back, and we'll have his full report. Meanwhile, co-host Chris Teague took the wheel of the 2025 Lincoln Nautilus and the 2025 Hyundai Elantra N Line. He found the Nautilus offers a refined interior with a standard 48-inch panoramic display, wireless Apple CarPlay and Android Auto, and Lincoln's new Digital Scent system for a personalized cabin experience. Two powertrain choices are available: a 250-horsepower turbocharged four-cylinder and a 310-horsepower hybrid, both paired with standard all-wheel drive. Additional features include available BlueCruise 1.2 hands-free driving technology, premium leather seating, and an optional Revel Ultima 3D audio system. The 2025 Elantra N Line features a sport-tuned chassis, a 201-horsepower turbocharged 1.6-liter engine, and a seven-speed dual-clutch automatic transmission for sharper performance than its siblings. It comes with 18-inch alloy wheels, unique N Line exterior styling, a black mesh grille, and a sports interior with leather-trimmed seats and alloy pedals. Technology highlights include a 10.25-inch touchscreen with navigation, wireless charging, and Hyundai's Bluelink+ connected services. So how does it match up with its most direct competitor, the Honda Civic Si? Chris and Jack will have the answers for you. In the news this week, we have a crisis on our hands, and it's not tariffs; it's uninsured motorists. They are costing each of us who has car insurance billions of dollars each year. We'll tell you what we learned about it a little later in the show. Of course, there is a lot of buzz right now about tariffs in the auto industry. We'll tell you what is real and what is hype and give you thoughts on how you should proceed if you're planning to buy a car this year.

In Podcast #350, Jessica Ray steps in as host for a vacationing John Davis. Her and the MotorWeek crew have a small constellation of vehicles to talk about, starting with two new entries into Cadillac's all-electric IQ portfolio: the OPTIQ, yes, spelled with an ‘IQ' at the end, and the Escalade IQ. Then we'll shift over to the Honda Civic Si, a name known and loved by many enthusiasts, and one that recently benefited from a model-line refresh. We'll wrap up with an all-new ride from their sister company Acura, the 2025 ADX, which makes their utility lineup bigger…by going smaller. But before that we'll focus our energy into a Lighting Round about lightning-fast EV charging tech and answer a double-header viewer question about using up all that recouped charge.

Andrew Wadden and the Healthy Scratches (Nic Hauka & Jacob Fraser) look back at week of ups and downs for the Canucks, focusing on Vancouver's tough start to the six-game road trip. For more info and how to follow the show… https://sportshaus.ca

They call it “False Spring” in Maine. The weather warms up, and the result is acres and acres of mud everywhere. While it's not good for many outdoor activities, it is made-to-order for all-terrain vehicle testing. That's exactly what co-host Chris Teague did with the 2025 Toyota Tacoma TRD Off-Road. One of several Tacoma variants, the TRD Off-Road is equipped with monotube Bilstein remote reservoir shocks that facilitate extended wheel travel and offer greater heat dissipation, properties that are useful when splashing through the mud. One question many ask about the new Tacoma revolves around the new powertrain. Does the turbo-four adequately replace the tried-and-true V6? Chris Teague will answer that question and many others in his comprehensive review. At the other end of the country, Host Jack Nerad didn't have mud to deal with. Instead, his major obstacle was the heavy traffic around Phonix as snowbirds from the Midwest and West locked to baseball's Spring Training. Nerad's ride for this second stint in Arizona this spring was the 2025 Volkswagen Jetta GLI, the performance version of the popular compact sedan. With 228 horsepower under the hood and a six-speed manual shift lever in his right hand, Nerad and his wife, Sandi, made their way to a pair of exhibition baseball games while simultaneously putting the Jetta GLI through its paces. He'll have a complete report. This week, we have a terrific guest for you. Jason Norton is the director of auto benchmarking at J.D. Power and an expert on vehicle dependability. In his exclusive interview with Host Jack Nerad, he'll offer the details of the recently released 2025 J.D. Power U.S. Vehicle Dependability Study. If you're looking for a dependable vehicle — and who isn't? — you'll want to hear what he has to say. In the news this week, we'll answer the important question: Is this a good time to buy a new car? New data gives us some hints on that, and we'll give you the details in this episode. On the tech front, General Motors and NVIDIA have teamed up for a couple of big new initiatives involving artificial intelligence — one obvious and one not nearly as obvious. We'll tell you about both. Embattled Tesla Motors, the recent victim of multiple acts of arson and vandalism, has gotten a green light on a phase of its robotaxi initiative, and we'll have more on that. California EV drivers could lose a special perk by the end of the year, and we'll tell you what it is and why it may go bye-bye coming up. So we have a lot of show for you this week Stay with us. We'll be right back. Jack Nerad's newest book Jack is now offering his newest crime novel, Only One Thing Stays the Same, at a pre-publication price of just $4.99. Click here to buy from Amazon at this special limited-time price. Matt DeLorenzo's Book Pick up a copy of co-host Matt DeLorenzo's terrific new book How to Buy an Affordable Electric Car: A Tightwad's Guide to EV Ownership. Brought to you by: • DrivingToday.com • Mercury Insurance: Find out how much you can save at DrivingToday.com/auto-insurance. • EMLandsea.com, publisher of Only One Thing Stays the Same and  Dance in the Dark We have a lot of shows for you this week. Thanks for joining us, and don't forget to look for new content on our YouTube and Rumble channels. Please subscribe. If you do, we'll like you forever. America on the Road is brought to you by Driving Today.com, Mercury Insurance, and EMLandsea.com , the publisher of Nerad's latest book, Only One Thing Stays the Same which is available HERE on Amazon.com             Chapters 00:00 America on the Road This Week 02:59 AI Innovations in the Automotive Industry 05:25 General Motors & NVIDIA Team Up 07:53 Tesla's RoboTaxi Initiative 09:51 California's EV Carpool Access Changes 12:45 Road Test: 2025 Toyota Tacoma TRD Off-Road 18:45 Road Test: 2025 Volkswagen Jetta GLI 25:41 Jason Norton, J.D.

Bryce Koon and Glen West recap LSU's sweep in of Missouri and look ahead to a road series at Texas For more video content and podcasts, subscribe to the channel and feed! For more written content head over to: https://247sports.com/college/lsu/ #lsu #lsutigers #lsufootball To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Hosts Judah Newby and Jake Zivin recap the 1-0 victory over Austin FC in matchday 2 and they take a look at Portland's next opponent: Nashville SC. They are joined by former Timber/broadcaster Ross Smith who is set to be on the call Saturday for Apple TV. Next Match: Nashville SC vs Timbers – Saturday March 8 at 5:30pm PT. (WATCH live) Watch all of the Timbers' 50th Anniversary season on MLS Season Pass. More info below:

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show.   Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are.   You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow   A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an Instagram page and YouTube channel both called Brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk   #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   
 Yours Truly, Johnny Dollar is a radio drama that aired on CBS Radio from February 18, 1949 to September 30, 1962. The first several seasons imagined protagonist Johnny Dollar as a private investigator drama, with Charles Russell, Edmond O'Brien and John Lund portraying Dollar in succession over the years. In 1955 after a yearlong hiatus, the series came back in its best-known incarnation with Bob Bailey starring in "the transcribed adventures of the man with the action-packed expense account – America's fabulous freelance insurance investigator."   There were 809 episodes (plus two not-for-broadcast auditions) in the 12-year run, and more than 710 still exist today. Jim Cox's book American Radio Networks: A History cites "886 total performances" which includes repeat performances. Format
The format best remembered was instituted by writer-director Jack Johnstone. Each case usually started with a phone call from an insurance adjuster, calling on Johnny to investigate an unusual claim: a suspicious death, an attempted fraud, a missing person, or other mysterious circumstances. Each story required Johnny to travel to some distant locale, usually within the United States but sometimes abroad, where he was almost always threatened with personal danger in the course of his investigations. He would compare notes with the police officials who had first investigated each strange occurrence, and followed every clue until he figured out what actually happened. Johnny's file on each case was usually referenced as a "matter," as in "The Silver Blue Matter" or "The Forbes Matter". Later episodes were more fanciful, with titles like "The Wayward Trout Matter" and "The Price of Fame Matter" (the latter featuring a rare guest-star appearance by Vincent Price as himself; here Price and Dollar team up to retrieve a painting stolen by Price's insurance agent). Johnny usually stuck to business, but would sometimes engage in romantic dalliances with women he encountered in his travels; later episodes gave Johnny a steady girlfriend, Betty Lewis. Johnny's precious recreational time was usually spent fishing, and it was not uncommon for Johnny's clients to exploit this favorite pastime in convincing him to take on a job near good fishing locations.   His past was rarely mentioned, but Dollar in “The Bennett Matter” described himself as a four-year US Marine veteran who then worked as a police officer for a decade before changing careers to insurance investigation.[5] In "The Blackburn Case" Dollar also refers to his time as a Pinkerton Detective. Each story was recounted in flashback, and every few minutes the action would be interrupted by Johnny listing a line item from his expense account, which served as an effective scene transition. Most of the expense account related to transportation, lodging, and meals, but no incidental expense was too small for Johnny to itemize, as in "Item nine, 10 cents. Aspirin. I needed them." The monetary amounts weren't always literal: the smallest line item Johnny ever recorded was "two cents: what I felt like" after a professional setback; the largest was "one million dollars" (the way he felt after finding a missing woman and her daughter in a snowbound cabin). The episodes generally finished with Johnny tallying up his expense account and traveling back to Hartford, Connecticut, where he was based. Sometimes Johnny would add a sardonic postscript under "Remarks," detailing the aftermath of the case. ("The Todd Matter," which especially disgusted Johnny, ended abruptly with "Remarks – nil!") In later seasons the program sometimes referred to itself, with other characters recognizing Dollar's voice from the radio; in the episode “The Salkoff Sequel Matter” Johnny's radio show becomes an important plot point. 
Original run
As originally conceived, Johnny Dollar was a smart, tough, wisecracking detective who tossed silver-dollar tips to waiters and bellhops. Dick Powell starred in the audition show, recorded in 1948, but withdrew from the role in favour of other detective programs, Rogue's Gallery and Richard Diamond, Private Detective. The Johnny Dollar role went instead to Charles Russell. The show for which Powell auditioned was originally titled Yours Truly, Lloyd London, although the name of the show and its lead character were changed to avoid legal problems with the actual insurance company, Lloyd's of London, before the audition tape of December 7, 1948, was recorded. With the first three actors to play Johnny Dollar – radio actor Russell and movie tough-guy actors Edmond O'Brien and John Lund – there was little to distinguish Johnny Dollar from other detective series at the time (Richard Diamond, Philip Marlowe and Sam Spade). While always a friend of the police, Johnny wasn't necessarily a stickler for the strictest interpretation of the law. He was willing to let some things slide to satisfy his own sense of justice, as long as the interests of his employer were also protected. The series ended in September 1954. Revival CBS Radio revived Yours Truly, Johnny Dollar in October 1955 with a new leading man, a new director, and a new format. The program changed from a 30-minute, one-episode-per-week program to a 15-minute, five-nights-a-week serial (Monday through Friday, 8–8:15 pm EST) produced and directed by radio veteran Jack Johnstone. The new Johnny Dollar was Bob Bailey, who had just come off another network detective series, Let George Do It. With a new lead and 75 minutes of air time each week, it became possible to develop each storyline with more detail and with more characters. Almost all of the Johnny Dollar serials were presented by CBS Radio on a sustaining basis (unsponsored, with no commercials); only two of the 55 serials take time out for a sponsor's message. Bob Bailey was exceptionally good in this format, making Johnny more sensitive and thoughtful in addition to his other attributes. Vintage-radio enthusiasts often endorse Bailey as the best of the Johnny Dollars, and consider the 13-month run of five-part stories to be some of the greatest drama in radio history. The serial scripts were usually written by Johnstone, "John Dawson" (a pseudonym for E. Jack Neuman), Les Crutchfield, or Robert Ryf. Blake Edwards also contributed several scripts and the show was always produced and directed by Johnstone. The show featured a stock company of supporting actors, including Virginia Gregg, Harry Bartell, Vic Perrin, Lawrence Dobkin, Stacy Harris, Parley Baer, Howard McNear, John Dehner, Barney Phillips, Lillian Buyeff, Tony Barrett, Don Diamond, Alan Reed, and Forrest Lewis. Movie character actors appeared occasionally, including Jay Novello, Hans Conried, Frank Nelson, Leon Belasco, William Conrad, Edgar Barrier, Jeanne Bates, Gloria Blondell, and Billy Halop. In late 1956, CBS Radio retooled the show, which reverted to a weekly half-hour drama, airing on late Sunday afternoons. Bob Bailey continued in the leading role until 1960 and wrote one episode, "The Carmen Kringle Matter," under his first and middle names (Robert Bainter). Staff announcer Dan Cubberly introduced the program during the Edmond O'Brien run; Roy Rowan was the announcer for the first two years of Bob Bailey's run; he also was an announcer on CBS's I Love Lucy. In "The Laird Douglas Matter," the only Johnny Dollar serial played for laughs, Roy Rowan was written into the script as dog-show expert "Ray Roland." In 1957 Rowan was succeeded by Dan Cubberly, returning to the series. Changes at CBS
CBS Radio tried to institute an economy measure in June 1959: its four remaining dramatic series (Yours Truly, Johnny Dollar; Suspense; Gunsmoke starring William Conrad; and Have Gun, Will Travel starring John Dehner) would be moved from Hollywood to New York. The plan met with some resistance, because the cast members and crews of Gunsmoke and Have Gun, Will Travel were willing to cancel the shows themselves rather than move to New York. The situation was stalemated for 17 months, as all four programs remained on the air. Finally, in November 1960, CBS Radio kept Gunsmoke in California, discontinued Have Gun, Will Travel, and moved Yours Truly, Johnny Dollar and Suspense to New York. Bob Bailey, unwilling to relocate, gave up the Johnny Dollar role. Bailey's last performance, aired November 27, 1960, was in a script titled "The Empty Threat Matter," perhaps writer Johnstone's editorial comment on CBS's intention to shut down production in California. In New York, CBS staff producer Bruno Zirato Jr. (who also directed TV game shows for CBS) took over Yours Truly, Johnny Dollar, although Johnstone continued to write the scripts. Former child actor Bob Readick took over the leading role in a manner reminiscent of the original Dollar, Charles Russell. After six months he was replaced by Mandel Kramer, who gave the role his own low-key interpretation. Many fans found Mandel Kramer second only to Bailey as the most effective Johnny Dollar. Both Readick and Kramer were members of CBS's stock company in New York, and both appeared in other CBS dramas. The end
The final episodes of Yours Truly, Johnny Dollar and Suspense, airing on CBS, are often cited as the end of the golden age of radio. The last episode of Johnny Dollar, "The Tip-Off Matter", ended at 6:35 pm. Eastern Time on September 30, 1962, followed immediately by the final broadcast of Suspense. Although network radio drama returned to the airwaves – in ABC's Theater Five (1964–65), and CBS Radio Mystery Theater (1974–82) – these were more experimental "drama workshop" shows, and did not adhere to a continuing format or leading character, albeit the latter did spark a bit of a revival of drama on US commercial radio networks in the 1970s. The "Golden Age" of radio drama, as pioneered in the 1920s, died with Johnny Dollar in 1962. Three unsuccessful attempts were made to transfer the success of Yours Truly, Johnny Dollar to television. Charles Russell starred in a 1949 pilot directed by Ralph Levy, Bob Bailey starred in a 1958 pilot entitled The Adventures of Johnny Dollar (which failed because Bailey's 5-foot 9-inch, 150-pound physique didn't match the tough-guy characterization), and William Bryant starred in a 1962 pilot entitled Johnny Dollar. The latter was written, produced, and directed by Blake Edwards. Actors who portrayed Dollar
Dick Powell (Audition show in 1948)
Charles Russell (February 1949 – January 1950)
Edmond O'Brien (February 1950 – September 1952)
John Lund (November 1952 – September 1954)
Gerald Mohr (Audition show in 1955)
Bob Bailey (October 1955 – November 1960)
Bob Readick (December 1960 – June 1961)
Mandel Kramer (June 1961 – September 1962)
Legacy
Yours Truly, Johnny Dollar was so familiar to CBS Radio's listeners that the network's resident comedians, Bob and Ray, occasionally satirized it. Their version, "Ace Willoughby, International Detective," followed the Johnny Dollar format of exotic locales, continental officials, cool villains, and tense confrontations, with Ray Goulding doing a letter-perfect imitation of Bob Bailey's delivery. In the comedy version, however, the detective usually gave up on the case after being beaten up incessantly. Yours Truly, Johnny Dollar was a popular weekly radio mystery play in the 1960s and early 1970s on Radio Iran. The role of Johnny Dollar was played by Heidar Saremi, a popular radio performer. Contrary to the original, Johnny Dollar was more of a criminal investigator. At the end of each episode, the narrator asked the radio audience how Johnny found the perpetrators, making the show a mystery quiz as well as a drama; those who guessed correctly were entered into a raffle for a prize. In the 1970s and 1980s the comedy troupe The Firesign Theatre released a number of satirical record albums; several featured spoofs of old-time radio featuring the character Nick Danger, Third Eye, who was loosely based on Sam Spade and Johnny Dollar. The scripts included inside references to radio with lines such as, "It had been snowing in Santa Barbara ever since the top of the page," and riffs on radio sound effects. In 2003, Moonstone Books adapted the Yours Truly, Johnny Dollar radio program into a graphic novel illustrated by Éric Thériault and written by David Gallaher. The show has been the opening item on The Big Broadcast on WAMU in Washington, D.C. off and on since the early 1990s. As of August 2017, the show is being aired several times a day on KTQA FM 95.3 in Tacoma, WA and CHLU FM in Middle LaHave, Nova Scotia, Canada. In August 2021, the SiriusXM satellite radio network began airing many episodes of the show on its "Radio Classics" channel 148. As of February 2019, a documentary about the program, Last Man Standing – Johnny Dollar & the End of Old-Time Radio, has been produced.[12] In 2023, a new graphic novel series was launched with Johnny Dollar investigating cybercrimes of the modern age. "The man with the action packed expense account" is a cyberinsurance investigator, taking on ransomware actors in the modern age. 
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The Golden Age of Radio Also known as the old-time radio (OTR) era, was an era of radio in the United States where it was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1950s, when television gradually superseded radio as the medium of choice for scripted programming, variety and dramatic shows. Radio was the first broadcast medium, and during this period people regularly tuned in to their favourite radio programs, and families gathered to listen to the home radio in the evening. According to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. A variety of new entertainment formats and genres were created for the new medium, many of which later migrated to television: radio plays, mystery serials, soap operas, quiz shows, talent shows, daytime and evening variety hours, situation comedies, play-by-play sports, children's shows, cooking shows, and more. In the 1950s, television surpassed radio as the most popular broadcast medium, and commercial radio programming shifted to narrower formats of news, talk, sports and music. Religious broadcasters, listener-supported public radio and college stations provide their own distinctive formats. Origins A family listening to the first broadcasts around 1920 with a crystal radio. The crystal radio, a legacy from the pre-broadcast era, could not power a loudspeaker so the family must share earphones
During the first three decades of radio, from 1887 to about 1920, the technology of transmitting sound was undeveloped; the information-carrying ability of radio waves was the same as a telegraph; the radio signal could be either on or off. Radio communication was by wireless telegraphy; at the sending end, an operator tapped on a switch which caused the radio transmitter to produce a series of pulses of radio waves which spelled out text messages in Morse code. At the receiver these sounded like beeps, requiring an operator who knew Morse code to translate them back to text. This type of radio was used exclusively for person-to-person text communication for commercial, diplomatic and military purposes and hobbyists; broadcasting did not exist. The broadcasts of live drama, comedy, music and news that characterize the Golden Age of Radio had a precedent in the Théâtrophone, commercially introduced in Paris in 1890 and available as late as 1932. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept. Between 1900 and 1920 the first technology for transmitting sound by radio was developed, AM (amplitude modulation), and AM broadcasting sprang up around 1920. On Christmas Eve 1906, Reginald Fessenden is said to have broadcast the first radio program, consisting of some violin playing and passages from the Bible. While Fessenden's role as an inventor and early radio experimenter is not in dispute, several contemporary radio researchers have questioned whether the Christmas Eve broadcast took place, or whether the date was, in fact, several weeks earlier. The first apparent published reference to the event was made in 1928 by H. P. Davis, Vice President of Westinghouse, in a lecture given at Harvard University. In 1932 Fessenden cited the Christmas Eve 1906 broadcast event in a letter he wrote to Vice President S. M. Kinter of Westinghouse. Fessenden's wife Helen recounts the broadcast in her book Fessenden: Builder of Tomorrows (1940), eight years after Fessenden's death. The issue of whether the 1906 Fessenden broadcast actually happened is discussed in Donna Halper's article "In Search of the Truth About Fessenden"[2] and also in James O'Neal's essays.[3][4] An annotated argument supporting Fessenden as the world's first radio broadcaster was offered in 2006 by Dr. John S. Belrose, Radioscientist Emeritus at the Communications Research Centre Canada, in his essay "Fessenden's 1906 Christmas Eve broadcast." It was not until after the Titanic catastrophe in 1912 that radio for mass communication came into vogue, inspired first by the work of amateur ("ham") radio operators. Radio was especially important during World War I as it was vital for air and naval operations. World War I brought about major developments in radio, superseding the Morse code of the wireless telegraph with the vocal communication of the wireless telephone, through advancements in vacuum tube technology and the introduction of the transceiver. After the war, numerous radio stations were born in the United States and set the standard for later radio programs. The first radio news program was broadcast on August 31, 1920, on the station 8MK in Detroit; owned by The Detroit News, the station covered local election results. This was followed in 1920 with the first commercial radio station in the United States, KDKA, being established in Pittsburgh. The first regular entertainment programs were broadcast in 1922, and on March 10, Variety carried the front-page headline: "Radio Sweeping Country: 1,000,000 Sets in Use." A highlight of this time was the first Rose Bowl being broadcast on January 1, 1923, on the Los Angeles station KHJ. Growth of radio
Broadcast radio in the United States underwent a period of rapid change through the decade of the 1920s. Technology advances, better regulation, rapid consumer adoption, and the creation of broadcast networks transformed radio from a consumer curiosity into the mass media powerhouse that defined the Golden Age of Radio. Consumer adoption
Through the decade of the 1920s, the purchase of radios by United States homes continued, and accelerated. The Radio Corporation of America (RCA) released figures in 1925 stating that 19% of United States homes owned a radio. The triode and regenerative circuit made amplified, vacuum tube radios widely available to consumers by the second half of the 1920s. The advantage was obvious: several people at once in a home could now easily listen to their radio at the same time. In 1930, 40% of the nation's households owned a radio,[8] a figure that was much higher in suburban and large metropolitan areas. The superheterodyne receiver and other inventions refined radios even further in the next decade; even as the Great Depression ravaged the country in the 1930s, radio would stay at the centre of American life. 83% of American homes would own a radio by 1940. Government regulation
Although radio was well established with United States consumers by the mid-1920s, regulation of the broadcast medium presented its own challenges. Until 1926, broadcast radio power and frequency use was regulated by the U.S. Department of Commerce, until a legal challenge rendered the agency powerless to do so. Congress responded by enacting the Radio Act of 1927, which included the formation of the Federal Radio Commission (FRC). One of the FRC's most important early actions was the adoption of General Order 40, which divided stations on the AM band into three power level categories, which became known as Local, Regional, and Clear Channel, and reorganized station assignments. Based on this plan, effective 3:00 a.m. Eastern time on November 11, 1928, most of the country's stations were assigned to new transmitting frequencies. Broadcast networks
The final element needed to make the Golden Age of Radio possible focused on the question of distribution: the ability for multiple radio stations to simultaneously broadcast the same content, and this would be solved with the concept of a radio network. The earliest radio programs of the 1920s were largely unsponsored; radio stations were a service designed to sell radio receivers. In early 1922, American Telephone & Telegraph Company (AT&T) announced the beginning of advertisement-supported broadcasting on its owned stations, and plans for the development of the first radio network using its telephone lines to transmit the content. In July 1926, AT&T abruptly decided to exit the broadcasting field, and signed an agreement to sell its entire network operations to a group headed by RCA, which used the assets to form the National Broadcasting Company. Four radio networks had formed by 1934. These were: National Broadcasting Company Red Network (NBC Red), launched November 15, 1926. Originally founded as the National Broadcasting Company in late 1926, the company was almost immediately forced to split under antitrust laws to form NBC Red and NBC Blue. When, in 1942, NBC Blue was sold and renamed the Blue Network, this network would go back to calling itself simply the National Broadcasting Company Radio Network (NBC).
National Broadcasting Company Blue Network (NBC Blue); launched January 10, 1927, split from NBC Red. NBC Blue was sold in 1942 and became the Blue Network, and it in turn transferred its assets to a new company, the American Broadcasting Company on June 15, 1945. That network identified itself as the American Broadcasting Company Radio Network (ABC).
Columbia Broadcasting System (CBS), launched September 18, 1927. After an initially struggling attempt to compete with the NBC networks, CBS gained new momentum when William S. Paley was installed as company president.
Mutual Broadcasting System (Mutual), launched September 29, 1934. Mutual was initially run as a cooperative in which the flagship stations owned the network, not the other way around as was the case with the other three radio networks. 
Programming
In the period before and after the advent of the broadcast network, new forms of entertainment needed to be created to fill the time of a station's broadcast day. Many of the formats born in this era continued into the television and digital eras. In the beginning of the Golden Age, network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium at that time. As a result, network prime-time shows would be performed twice, once for each coast. 
Rehearsal for the World War II radio show You Can't Do Business with Hitler with John Flynn and Virginia Moore. This series of programs, broadcast at least once weekly by more than 790 radio stations in the United States, was written and produced by the radio section of the Office of War Information (OWI).
Live events
Coverage of live events included musical concerts and play-by-play sports broadcasts. News
The capability of the new medium to get information to people created the format of modern radio news: headlines, remote reporting, sidewalk interviews (such as Vox Pop), panel discussions, weather reports, and farm reports. The entry of radio into the realm of news triggered a feud between the radio and newspaper industries in the mid-1930s, eventually culminating in newspapers trumping up exaggerated [citation needed] reports of a mass hysteria from the (entirely fictional) radio presentation of The War of the Worlds, which had been presented as a faux newscast. Musical features
The sponsored musical feature soon became one of the most popular program formats. Most early radio sponsorship came in the form of selling the naming rights to the program, as evidenced by such programs as The A&P Gypsies, Champion Spark Plug Hour, The Clicquot Club Eskimos, and King Biscuit Time; commercials, as they are known in the modern era, were still relatively uncommon and considered intrusive. During the 1930s and 1940s, the leading orchestras were heard often through big band remotes, and NBC's Monitor continued such remotes well into the 1950s by broadcasting live music from New York City jazz clubs to rural America. Singers such as Harriet Lee and Wendell Hall became popular fixtures on network radio beginning in the late 1920s and early 1930s. Local stations often had staff organists such as Jesse Crawford playing popular tunes. Classical music programs on the air included The Voice of Firestone and The Bell Telephone Hour. Texaco sponsored the Metropolitan Opera radio broadcasts; the broadcasts, now sponsored by the Toll Brothers, continue to this day around the world, and are one of the few examples of live classical music still broadcast on radio. One of the most notable of all classical music radio programs of the Golden Age of Radio featured the celebrated Italian conductor Arturo Toscanini conducting the NBC Symphony Orchestra, which had been created especially for him. At that time, nearly all classical musicians and critics considered Toscanini the greatest living maestro. Popular songwriters such as George Gershwin were also featured on radio. (Gershwin, in addition to frequent appearances as a guest, had his own program in 1934.) The New York Philharmonic also had weekly concerts on radio. There was no dedicated classical music radio station like NPR at that time, so classical music programs had to share the network they were broadcast on with more popular ones, much as in the days of television before the creation of NET and PBS. Country music also enjoyed popularity. National Barn Dance, begun on Chicago's WLS in 1924, was picked up by NBC Radio in 1933. In 1925, WSM Barn Dance went on the air from Nashville. It was renamed the Grand Ole Opry in 1927 and NBC carried portions from 1944 to 1956. NBC also aired The Red Foley Show from 1951 to 1961, and ABC Radio carried Ozark Jubilee from 1953 to 1961. Comedy
Radio attracted top comedy talents from vaudeville and Hollywood for many years: Bing Crosby, Abbott and Costello, Fred Allen, Jack Benny, Victor Borge, Fanny Brice, Billie Burke, Bob Burns, Judy Canova, Eddie Cantor, Jimmy Durante, Burns and Allen, Phil Harris, Edgar Bergen, Bob Hope, Groucho Marx, Jean Shepherd, Red Skelton and Ed Wynn. Situational comedies also gained popularity, such as Amos 'n' Andy, Easy Aces, Ethel and Albert, Fibber McGee and Molly, The Goldbergs, The Great Gildersleeve, The Halls of Ivy (which featured screen star Ronald Colman and his wife Benita Hume), Meet Corliss Archer, Meet Millie, and Our Miss Brooks. Radio comedy ran the gamut from the small town humor of Lum and Abner, Herb Shriner and Minnie Pearl to the dialect characterizations of Mel Blanc and the caustic sarcasm of Henry Morgan. Gags galore were delivered weekly on Stop Me If You've Heard This One and Can You Top This?,[18] panel programs devoted to the art of telling jokes. Quiz shows were lampooned on It Pays to Be Ignorant, and other memorable parodies were presented by such satirists as Spike Jones, Stoopnagle and Budd, Stan Freberg and Bob and Ray. British comedy reached American shores in a major assault when NBC carried The Goon Show in the mid-1950s. 
Some shows originated as stage productions: Clifford Goldsmith's play What a Life was reworked into NBC's popular, long-running The Aldrich Family (1939–1953) with the familiar catchphrases "Henry! Henry Aldrich!," followed by Henry's answer, "Coming, Mother!" Moss Hart and George S. Kaufman's Pulitzer Prize-winning Broadway hit, You Can't Take It with You (1936), became a weekly situation comedy heard on Mutual (1944) with Everett Sloane and later on NBC (1951) with Walter Brennan. Other shows were adapted from comic strips, such as Blondie, Dick Tracy, Gasoline Alley, The Gumps, Li'l Abner, Little Orphan Annie, Popeye the Sailor, Red Ryder, Reg'lar Fellers, Terry and the Pirates and Tillie the Toiler. Bob Montana's redheaded teen of comic strips and comic books was heard on radio's Archie Andrews from 1943 to 1953. The Timid Soul was a 1941–1942 comedy based on cartoonist H. T. Webster's famed Caspar Milquetoast character, and Robert L. Ripley's Believe It or Not! was adapted to several different radio formats during the 1930s and 1940s. Conversely, some radio shows gave rise to spinoff comic strips, such as My Friend Irma starring Marie Wilson. Soap operas
The first program generally considered to be a daytime serial drama by scholars of the genre is Painted Dreams, which premiered on WGN on October 20, 1930. The first networked daytime serial is Clara, Lu, 'n Em, which started in a daytime time slot on February 15, 1932. As daytime serials became popular in the early 1930s, they became known as soap operas because many were sponsored by soap products and detergents. On November 25, 1960, the last four daytime radio dramas—Young Dr. Malone, Right to Happiness, The Second Mrs. Burton and Ma Perkins, all broadcast on the CBS Radio Network—were brought to an end. Children's programming
The line-up of late afternoon adventure serials included Bobby Benson and the B-Bar-B Riders, The Cisco Kid, Jack Armstrong, the All-American Boy, Captain Midnight, and The Tom Mix Ralston Straight Shooters. Badges, rings, decoding devices and other radio premiums offered on these adventure shows were often allied with a sponsor's product, requiring the young listeners to mail in a boxtop from a breakfast cereal or other proof of purchase. Radio plays
Radio plays were presented on such programs as 26 by Corwin, NBC Short Story, Arch Oboler's Plays, Quiet, Please, and CBS Radio Workshop. Orson Welles's The Mercury Theatre on the Air and The Campbell Playhouse were considered by many critics to be the finest radio drama anthologies ever presented. They usually starred Welles in the leading role, along with celebrity guest stars such as Margaret Sullavan or Helen Hayes, in adaptations from literature, Broadway, and/or films. They included such titles as Liliom, Oliver Twist (a title now feared lost), A Tale of Two Cities, Lost Horizon, and The Murder of Roger Ackroyd. It was on Mercury Theatre that Welles presented his celebrated-but-infamous 1938 adaptation of H. G. Wells's The War of the Worlds, formatted to sound like a breaking news program. Theatre Guild on the Air presented adaptations of classical and Broadway plays. Their Shakespeare adaptations included a one-hour Macbeth starring Maurice Evans and Judith Anderson, and a 90-minute Hamlet, starring John Gielgud.[22] Recordings of many of these programs survive. During the 1940s, Basil Rathbone and Nigel Bruce, famous for playing Sherlock Holmes and Dr. Watson in films, repeated their characterizations on radio on The New Adventures of Sherlock Holmes, which featured both original stories and episodes directly adapted from Arthur Conan Doyle's stories. None of the episodes in which Rathbone and Bruce starred on the radio program were filmed with the two actors as Holmes and Watson, so radio became the only medium in which audiences were able to experience Rathbone and Bruce appearing in some of the more famous Holmes stories, such as "The Speckled Band". There were also many dramatizations of Sherlock Holmes stories on radio without Rathbone and Bruce. During the latter part of his career, celebrated actor John Barrymore starred in a radio program, Streamlined Shakespeare, which featured him in a series of one-hour adaptations of Shakespeare plays, many of which Barrymore never appeared in either on stage or in films, such as Twelfth Night (in which he played both Malvolio and Sir Toby Belch), and Macbeth. Lux Radio Theatre and The Screen Guild Theater presented adaptations of Hollywood movies, performed before a live audience, usually with cast members from the original films. Suspense, Escape, The Mysterious Traveler and Inner Sanctum Mystery were popular thriller anthology series. Leading writers who created original material for radio included Norman Corwin, Carlton E. Morse, David Goodis, Archibald MacLeish, Arthur Miller, Arch Oboler, Wyllis Cooper, Rod Serling, Jay Bennett, and Irwin Shaw. Game shows
Game shows saw their beginnings in radio. One of the first was Information Please in 1938, and one of the first major successes was Dr. I.Q. in 1939. Winner Take All, which premiered in 1946, was the first to use lockout devices and feature returning champions. A relative of the game show, which would be called the giveaway show in contemporary media, typically involved giving sponsored products to studio audience members, people randomly called by telephone, or both. An early example of this show was the 1939 show Pot o' Gold, but the breakout hit of this type was ABC's Stop the Music in 1948. Winning a prize generally required knowledge of what was being aired on the show at that moment, which led to criticism of the giveaway show as a form of "buying an audience". Giveaway shows were extremely popular through 1948 and 1949. They were often panned as low-brow, and an unsuccessful attempt was even made by the FCC to ban them (as an illegal lottery) in August 1949.[23] Broadcast production methods
The RCA Type 44-BX microphone had two live faces and two dead ones. Thus actors could face each other and react. An actor could give the effect of leaving the room by simply moving their head toward the dead face of the microphone. The scripts were paper-clipped together. It has been disputed whether or not actors and actresses would drop finished pages to the carpeted floor after use. 
Radio stations
Despite a general ban on use of recordings on broadcasts by radio networks through the late 1940s, "reference recordings" on phonograph disc were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of pre-recorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs. Recording was done using a cutting lathe and acetate discs. Programs were normally recorded at 331⁄3 rpm on 16 inch discs, the standard format used for such "electrical transcriptions" from the early 1930s through the 1950s. Sometimes, the groove was cut starting at the inside of the disc and running to the outside. This was useful when the program to be recorded was longer than 15 minutes so required more than one disc side. By recording the first side outside in, the second inside out, and so on, the sound quality at the disc change-over points would match and result in a more seamless playback. An inside start also had the advantage that the thread of material cut from the disc's surface, which had to be kept out of the path of the cutting stylus, was naturally thrown toward the centre of the disc so was automatically out of the way. When cutting an outside start disc, a brush could be used to keep it out of the way by sweeping it toward the middle of the disc. Well-equipped recording lathes used the vacuum from a water aspirator to pick it up as it was cut and deposit it in a water-filled bottle. In addition to convenience, this served a safety purpose, as the cellulose nitrate thread was highly flammable and a loose accumulation of it combusted violently if ignited. Most recordings of radio broadcasts were made at a radio network's studios, or at the facilities of a network-owned or affiliated station, which might have four or more lathes. A small local station often had none. Two lathes were required to capture a program longer than 15 minutes without losing parts of it while discs were flipped over or changed, along with a trained technician to operate them and monitor the recording while it was being made. However, some surviving recordings were produced by local stations. When a substantial number of copies of an electrical transcription were required, as for the distribution of a syndicated program, they were produced by the same process used to make ordinary records. A master recording was cut, then electroplated to produce a stamper from which pressings in vinyl (or, in the case of transcription discs pressed before about 1935, shellac) were moulded in a record press. Armed Forces Radio Service 
Frank Sinatra and Alida Valli converse over Armed Forces Radio Service during World War II
The Armed Forces Radio Service (AFRS) had its origins in the U.S. War Department's quest to improve troop morale. This quest began with short-wave broadcasts of educational and information programs to troops in 1940. In 1941, the War Department began issuing "Buddy Kits" (B-Kits) to departing troops, which consisted of radios, 78 rpm records and electrical transcription discs of radio shows. However, with the entrance of the United States into World War II, the War Department decided that it needed to improve the quality and quantity of its offerings. This began with the broadcasting of its own original variety programs. Command Performance was the first of these, produced for the first time on March 1, 1942. On May 26, 1942, the Armed Forces Radio Service was formally established. Originally, its programming comprised network radio shows with the commercials removed. However, it soon began producing original programming, such as Mail Call, G.I. Journal, Jubilee and GI Jive. At its peak in 1945, the Service produced around 20 hours of original programming each week. From 1943 until 1949 the AFRS also broadcast programs developed through the collaborative efforts of the Office of the Coordinator of Inter-American Affairs and the Columbia Broadcasting System in support of America's cultural diplomacy initiatives and President Franklin Roosevelt's Good Neighbour policy. Included among the popular shows was Viva America which showcased leading musical artists from both North and South America for the entertainment of America's troops. Included among the regular performers were: Alfredo Antonini, Juan Arvizu, Nestor Mesta Chayres, Kate Smith,[26] and John Serry Sr. After the war, the AFRS continued providing programming to troops in Europe. During the 1950s and early 1960s it presented performances by the Army's only symphonic orchestra ensemble—the Seventh Army Symphony Orchestra. It also provided programming for future wars that the United States was involved in. It survives today as a component of the American Forces Network (AFN). All of the shows aired by the AFRS during the Golden Age were recorded as electrical transcription discs, vinyl copies of which were shipped to stations overseas to be broadcast to the troops. People in the United States rarely ever heard programming from the AFRS,[31] though AFRS recordings of Golden Age network shows were occasionally broadcast on some domestic stations beginning in the 1950s. In some cases, the AFRS disc is the only surviving recording of a program. Home radio recordings in the United States
There was some home recording of radio broadcasts in the 1930s and 1940s. Examples from as early as 1930 have been documented. During these years, home recordings were made with disc recorders, most of which were only capable of storing about four minutes of a radio program on each side of a twelve-inch 78 rpm record. Most home recordings were made on even shorter-playing ten-inch or smaller discs. Some home disc recorders offered the option of the 331⁄3 rpm speed used for electrical transcriptions, allowing a recording more than twice as long to be made, although with reduced audio quality. Office dictation equipment was sometimes pressed into service for making recordings of radio broadcasts, but the audio quality of these devices was poor and the resulting recordings were in odd formats that had to be played back on similar equipment. Due to the expense of recorders and the limitations of the recording media, home recording of broadcasts was not common during this period and it was usually limited to brief excerpts. The lack of suitable home recording equipment was somewhat relieved in 1947 with the availability of magnetic wire recorders for domestic use. These were capable of recording an hour-long broadcast on a single small spool of wire, and if a high-quality radio's audio output was recorded directly, rather than by holding a microphone up to its speaker, the recorded sound quality was very good. However, because the wire cost money and, like magnetic tape, could be repeatedly re-used to make new recordings, only a few complete broadcasts appear to have survived on this medium. In fact, there was little home recording of complete radio programs until the early 1950s, when increasingly affordable reel-to-reel tape recorders for home use were introduced to the market. Recording media
Electrical transcription discs   
The War of the Worlds radio broadcast by Orson Welles on electrical transcription disc
Before the early 1950s, when radio networks and local stations wanted to preserve a live broadcast, they did so by means of special phonograph records known as "electrical transcriptions" (ETs), made by cutting a sound-modulated groove into a blank disc. At first, in the early 1930s, the blanks varied in both size and composition, but most often they were simply bare aluminum and the groove was indented rather than cut. Typically, these very early recordings were not made by the network or radio station, but by a private recording service contracted by the broadcast sponsor or one of the performers. The bare aluminum discs were typically 10 or 12 inches in diameter and recorded at the then-standard speed of 78 rpm, which meant that several disc sides were required to accommodate even a 15-minute program. By about 1936, 16-inch aluminum-based discs coated with cellulose nitrate lacquer, commonly known as acetates and recorded at a speed of 331⁄3 rpm, had been adopted by the networks and individual radio stations as the standard medium for recording broadcasts. The making of such recordings, at least for some purposes, then became routine. Some discs were recorded using a "hill and dale" vertically modulated groove, rather than the "lateral" side-to-side modulation found on the records being made for home use at that time. The large slow-speed discs could easily contain fifteen minutes on each side, allowing an hour-long program to be recorded on only two discs. The lacquer was softer than shellac or vinyl and wore more rapidly, allowing only a few playbacks with the heavy pickups and steel needles then in use before deterioration became audible. During World War II, aluminum became a necessary material for the war effort and was in short supply. This caused an alternative to be sought for the base on which to coat the lacquer. Glass, despite its obvious disadvantage of fragility, had occasionally been used in earlier years because it could provide a perfectly smooth and even supporting surface for mastering and other critical applications. Glass base recording blanks came into general use for the duration of the war. Magnetic wire recording
In the late 1940s, wire recorders became a readily obtainable means of recording radio programs. On a per-minute basis, it was less expensive to record a broadcast on wire than on discs. The one-hour program that required the four sides of two 16-inch discs could be recorded intact on a single spool of wire less than three inches in diameter and about half an inch thick. The audio fidelity of a good wire recording was comparable to acetate discs and by comparison the wire was practically indestructible, but it was soon rendered obsolete by the more manageable and easily edited medium of magnetic tape. Reel-to-reel tape recording
Bing Crosby became the first major proponent of magnetic tape recording for radio, and he was the first to use it on network radio, after he did a demonstration program in 1947. Tape had several advantages over earlier recording methods. Running at a sufficiently high speed, it could achieve higher fidelity than both electrical transcription discs and magnetic wire. Discs could be edited only by copying parts of them to a new disc, and the copying entailed a loss of audio quality. Wire could be divided up and the ends spliced together by knotting, but wire was difficult to handle and the crude splices were too noticeable. Tape could be edited by cutting it with a blade and neatly joining ends together with adhesive tape. By early 1949, the transition from live performances preserved on discs to performances pre-recorded on magnetic tape for later broadcast was complete for network radio programs. However, for the physical distribution of pre-recorded programming to individual stations, 16-inch 331⁄3 rpm vinyl pressings, less expensive to produce in quantities of identical copies than tapes, continued to be standard throughout the 1950s. Availability of recordings
The great majority of pre-World War II live radio broadcasts are lost. Many were never recorded; few recordings antedate the early 1930s. Beginning then several of the longer-running radio dramas have their archives complete or nearly complete. The earlier the date, the less likely it is that a recording survives. However, a good number of syndicated programs from this period have survived because copies were distributed far and wide. Recordings of live network broadcasts from the World War II years were preserved in the form of pressed vinyl copies issued by the Armed Forces Radio Service (AFRS) and survive in relative abundance. Syndicated programs from World War II and later years have nearly all survived. The survival of network programming from this time frame is more inconsistent; the networks started prerecording their formerly live shows on magnetic tape for subsequent network broadcast, but did not physically distribute copies, and the expensive tapes, unlike electrical transcription ("ET") discs, could be "wiped" and re-used (especially since, in the age of emerging trends such as television and music radio, such recordings were believed to have virtually no rerun or resale value). Thus, while some prime time network radio series from this era exist in full or almost in full, especially the most famous and longest-lived of them, less prominent or shorter-lived series (such as serials) may have only a handful of extant episodes. Airchecks, off-the-air recordings of complete shows made by, or at the behest of, individuals for their own private use, sometimes help to fill in such gaps. The contents of privately made recordings of live broadcasts from the first half of the 1930s can be of particular interest, as little live material from that period survives. Unfortunately, the sound quality of very early private recordings is often very poor, although in some cases this is largely due to the use of an incorrect playback stylus, which can also badly damage some unusual types of discs. Most of the Golden Age programs in circulation among collectors—whether on analogue tape, CD, or in the form of MP3s—originated from analogue 16-inch transcription disc, although some are off-the-air AM recordings. But in many cases, the circulating recordings are corrupted (decreased in quality), because lossless digital recording for the home market did not come until the very end of the twentieth century. Collectors made and shared recordings on analogue magnetic tapes, the only practical, relatively inexpensive medium, first on reels, then cassettes. "Sharing" usually meant making a duplicate tape. They connected two recorders, playing on one and recording on the other. Analog recordings are never perfect, and copying an analogue recording multiplies the imperfections. With the oldest recordings this can even mean it went out the speaker of one machine and in via the microphone of the other. The muffled sound, dropouts, sudden changes in sound quality, unsteady pitch, and other defects heard all too often are almost always accumulated tape copy defects. In addition, magnetic recordings, unless preserved archivally, are gradually damaged by the Earth's magnetic field. The audio quality of the source discs, when they have survived unscathed and are accessed and dubbed anew, is usually found to be reasonably clear and undistorted, sometimes startlingly good, although like all phonograph records they are vulnerable to wear and the effects of scuffs, scratches, and ground-in dust. Many shows from the 1940s have survived only in edited AFRS versions, although some exist in both the original and AFRS forms. As of 2020, the Old Time Radio collection at the Internet Archive contains 5,121 recordings. An active group of collectors makes digitally available, via CD or download, large collections of programs. RadioEchoes.com offers 98,949 episodes in their collection, but not all is old-time radio. Copyright status
Unlike film, television, and print items from the era, the copyright status of most recordings from the Golden Age of Radio is unclear. This is because, prior to 1972, the United States delegated the copyrighting of sound recordings to the individual states, many of which offered more generous common law copyright protections than the federal government offered for other media (some offered perpetual copyright, which has since been abolished; under the Music Modernization Act of September 2018, any sound recording 95 years old or older will be thrust into the public domain regardless of state law). The only exceptions are AFRS original productions, which are considered work of the United States government and thus both ineligible for federal copyright and outside the jurisdiction of any state; these programs are firmly in the public domain (this does not apply to programs carried by AFRS but produced by commercial networks). In practice, most old-time radio recordings are treated as orphan works: although there may still be a valid copyright on the program, it is seldom enforced. The copyright on an individual sound recording is distinct from the federal copyright for the underlying material (such as a published script, music, or in the case of adaptations, the original film or television material), and in many cases it is impossible to determine where or when the original recording was made or if the recording was copyrighted in that state. The U.S. Copyright Office states "there are a variety of legal regimes governing protection of pre-1972 sound recordings in the various states, and the scope of protection and of exceptions and limitations to that protection is unclear."[39] For example, New York has issued contradicting rulings on whether or not common law exists in that state; the most recent ruling, 2016's Flo & Eddie, Inc. v. Sirius XM Radio, holds that there is no such copyright in New York in regard to public performance.[40] Further complicating matters is that certain examples in case law have implied that radio broadcasts (and faithful reproductions thereof), because they were distributed freely to the public over the air, may not be eligible for copyright in and of themselves. The Internet Archive and other organizations that distribute public domain and open-source audio recordings maintain extensive archives of old-time radio programs. Legacy
United States
Some old-time radio shows continued on the air, although in ever-dwindling numbers, throughout the 1950s, even after their television equivalents had conquered the general public. One factor which helped to kill off old-time radio entirely was the evolution of popular music (including the development of rock and roll), which led to the birth of the top 40 radio format. A top 40 show could be produced in a small studio in a local station with minimal staff. This displaced full-service network radio and hastened the end of the golden-age era of radio drama by 1962. (Radio as a broadcast medium would survive, thanks in part to the proliferation of the transistor radio, and permanent installation in vehicles, making the medium far more portable than television). Full-service stations that did not adopt either top 40 or the mellower beautiful music or MOR formats eventually developed all-news radio in the mid-1960s. Scripted radio comedy and drama in the vein of old-time radio has a limited presence on U.S. radio. Several radio theatre series are still in production in the United States, usually airing on Sunday nights. These include original series such as Imagination Theatre and a radio adaptation of The Twilight Zone TV series, as well as rerun compilations such as the popular daily series When Radio Was and USA Radio Network's Golden Age of Radio Theatre, and weekly programs such as The Big Broadcast on WAMU, hosted by Murray Horwitz. These shows usually air in late nights and/or on weekends on small AM stations. Carl Amari's nationally syndicated radio show Hollywood 360 features 5 old-time radio episodes each week during his 5-hour broadcast. Amari's show is heard on 100+ radio stations coast-to-coast and in 168 countries on American Forces Radio. Local rerun compilations are also heard, primarily on public radio stations. Sirius XM Radio maintains a full-time Radio Classics channel devoted to rebroadcasts of vintage radio shows. Starting in 1974, Garrison Keillor, through his syndicated two-hour-long program A Prairie Home Companion, has provided a living museum of the production, tone and listener's experience of this era of radio for several generations after its demise. Produced live in theatres throughout the country, using the same sound effects and techniques of the era, it ran through 2016 with Keillor as host. The program included segments that were close renditions (in the form of parody) of specific genres of this era, including Westerns ("Dusty and Lefty, The Lives of the Cowboys"), detective procedurals ("Guy Noir, Private Eye") and even advertising through fictional commercials. Keillor also wrote a novel, WLT: A Radio Romance based on a radio station of this era—including a personally narrated version for the ultimate in verisimilitude. Upon Keillor's retirement, replacement host Chris Thile chose to reboot the show (since renamed Live from Here after the syndicator cut ties with Keillor) and eliminate much of the old-time radio trappings of the format; the show was ultimately cancelled in 2020 due to financial and logistics problems. Vintage shows and new audio productions in America are accessible more widely from recordings or by satellite and web broadcasters, rather than over conventional AM and FM radio. The National Audio Theatre Festival is a national organization and yearly conference keeping the audio arts—especially audio drama—alive, and continues to involve long-time voice actors and OTR veterans in its ranks. Its predecessor, the Midwest Radio Theatre Workshop, was first hosted by Jim Jordan, of Fibber McGee and Molly fame, and Norman Corwin advised the organization. One of the longest running radio programs celebrating this era is The Golden Days of Radio, which was hosted on the Armed Forces Radio Service for more than 20 years and overall for more than 50 years by Frank Bresee, who also played "Little Beaver" on the Red Ryder program as a child actor. One of the very few still-running shows from the earlier era of radio is a Christian program entitled Unshackled! The weekly half-hour show, produced in Chicago by Pacific Garden Mission, has been continuously broadcast since 1950. The shows are created using techniques from the 1950s (including home-made sound effects) and are broadcast across the U.S. and around the world by thousands of radio stations. Today, radio performers of the past appear at conventions that feature re-creations of classic shows, as well as music, memorabilia and historical panels. The largest of these events was the Friends of Old Time Radio Convention, held in Newark, New Jersey, which held its final convention in October 2011 after 36 years. Others include REPS in Seattle (June), SPERDVAC in California, the Cincinnati OTR & Nostalgia Convention (April), and the Mid-Atlantic Nostalgia Convention (September). Veterans of the Friends of Old Time Radio Convention, including Chairperson Steven M. Lewis of The Gotham Radio Players, Maggie Thompson, publisher of the Comic Book Buyer's Guide, Craig Wichman of audio drama troupe Quicksilver Audio Theatre and long-time FOTR Publicist Sean Dougherty have launched a successor event, Celebrating Audio Theatre – Old & New, scheduled for October 12–13, 2012. Radio dramas from the golden age are sometimes recreated as live stage performances at such events. One such group, led by director Daniel Smith, has been performing re-creations of old-time radio dramas at Fairfield University's Regina A. Quick Centre for the Arts since the year 2000. The 40th anniversary of what is widely considered the end of the old time radio era (the final broadcasts of Yours Truly, Johnny Dollar and Suspense on September 30, 1962) was marked with a commentary on NPR's All Things Considered. A handful of radio programs from the old-time era remain in production, all from the genres of news, music, or religious broadcasting: the Grand Ole Opry (1925), Music and the Spoken Word (1929), The Lutheran Hour (1930), the CBS World News Roundup (1938), King Biscuit Time (1941) and the Renfro Valley Gatherin' (1943). Of those, all but the Opry maintain their original short-form length of 30 minutes or less. The Wheeling Jamboree counts an earlier program on a competing station as part of its history, tracing its lineage back to 1933. Western revival/comedy act Riders in the Sky produced a radio serial Riders Radio Theatre in the 1980s and 1990s and continues to provide sketch comedy on existing radio programs including the Grand Ole Opry, Midnite Jamboree and WoodSongs Old-Time Radio Hour. Elsewhere
Regular broadcasts of radio plays are also heard in—among other countries—Australia, Croatia, Estonia,[46] France, Germany, Ireland, Japan, New Zealand, Norway, Romania, and Sweden. In the United Kingdom, such scripted radio drama continues on BBC Radio 3 and (principally) BBC Radio 4, the second-most popular radio station in the country, as well as on the rerun channel BBC Radio 4 Extra, which is the seventh-most popular station there.   
Special thanks to Wikipedia. #starradio #totalstar #star1075 #heart #heartradio #lbc #bbc #bbcradio #bbcradio1 #bbcradio2 #bbcradio3 #bbcradio4 #radio4extra #absoluteradio #absolute #capital #capitalradio #greatesthitsradio #hitsradio #radio #adultcontemporary #spain #bristol #frenchay #colyton #lymeregis #seaton #beer #devon #eastdevon #brettorchard #brettsoldtimeradioshow 
fe2f4df62ffeeb8c30c04d3d3454779ca91a4871

Wildcats sweep the Vols Auburn and Bama grab wins headed to Saturday's marquee matchup No Condon for UF no problem

Hoosiers travel to Michigan State for a chance to get IU Basketball back on the rails toward an NCAA Tournament bid. IU coach odds has Dusty May as the favorite! Colts free agency will reveal everything we need to know about how Chris Ballard sees his roster. Pacers at home tonight against the Knicks as they try to close the gap on the third place Knicks. https://mybookie.website/joinwithKENT Promocode: KENT Buying or selling a home in Indy - text "value" to Sean Hartwick - (317) 373-3724. InstaGram - https://www.instagram.com/the317agent/ Here is the link for my book: https://www.amazon.com/Oops-Art-Learning-Mistakes-Adventures/dp/173420740X Learn more about your ad choices. Visit megaphone.fm/adchoices

Clint Scott and Dr. Mike Gustafson give you The Juice and discuss why Patrick Mahomes gets so much hate, Red Raider Basketball's upcoming road test against Arizona and what's at stake, who has the biggest expectations out of the Tech spring sports, and how similar this men's basketball team is to the 2019 national runner up team. The guys also make their weekend picks for Tech Talk Locks.

The 2025 Honda Civic Hybrid has been named North American Car of the Year, and nobody knows more about the car and process than NACTOY jurors Jack Nerad and Matt DeLorenzo, who host and co-host this week's show. They'll take you behind the scenes to discuss not only the winning vehicle but also the procedures that resulted in the choice of Honda's highly popular compact car. At the same time, Nerad and DeLorenzo will offer long looks at the winners of the North American Utility of the Year and North American Truck of the Year — the 2025 Volkswagen ID.Buzz and the 2025 Ford Ranger. You'll hear commentary on these vehicles you won't get anywhere else. In our interview segment this week, you'll also hear a discussion you won't hear anywhere else. Russell Wager, Kia America's vice president of marketing, is our guest. Jack Nerad sat down with him to talk about the opportunities and challenges presented as the country transitions from the Biden years to the Trump era. Speaking of Biden, as one of his last acts in office, he and his Administration essentially banned Chinese-built cars from entering the U.S. market and, at the same time, banned vehicles with Chinese technology and hardware. We'll discuss the ramifications of that coming up. In our road test segment, guest co-host Matt DeLorenzo will detail the special virtues of the 2025 Infiniti QX55, and Jack Nerad will provide an in-depth report on the 2025 Hyundai Kona Electric — a vehicle that might be the best value among battery-electric vehicles right now. Listener Question of the Week “It seems like electric cars are more expensive than gasoline vehicles, but some people tell me that you can quickly make up the difference because they cost much less to own and operate. Is that true or are folks just blowing smoke?” Rudy, Myrtle Beach, South Carolina Matt DeLorenzo's Book Pick up a copy of co-host Matt DeLorenzo's terrific new book How to Buy an Affordable Electric Car: A Tightwad's Guide to EV Ownership. Special Offer Jack is now offering his suspense novel, Dance in the Dark, for just $.99, a $9.00 saving from its original published price of $9.99. Click here to buy from Amazon at this special limited-time price. Brought to you by: • DrivingToday.com • Mercury Insurance: Find out how much you can save at DrivingToday.com/auto-insurance. • EMLandsea.com, publisher of Dance in the Dark. We have a lot of shows for you this week. Thanks for joining us, and don't forget to look for new content on our YouTube and Rumble channels. Please subscribe. If you do, we'll like you forever. America on the Road is brought to you by Driving Today.com, Mercury Insurance, and EMLandsea.com , the publisher of Nerad's latest book, Dance in the Dark, which is available HERE on Amazon.com             Chapters 00:00 Introduction and Overview of the Show 03:00 North American Car of the Year Discussion 09:16 Banning Chinese Vehicles: National Security Concerns 10:25 Honda's Aggressive Strategy in the Market 11:10 Matt's Book on Affordable Electric Vehicles 12:48 Road Test: 2025 Infiniti QX55 Review 17:00 Road Test: 2025 Hyundai Kona Electric Review 25:55 Exclusive Interview: Kia Marketing VP Russell Wager 39:30 Listener Question: Cost of Electric Vehicles vs Gasoline Vehicles Keywords automotive, electric vehicles, North American Car of the Year, Honda, Chinese vehicles, 2025 Infiniti QX55, 2025 Hyundai Kona Electric, car reviews, automotive news, EV ownership Summary In this episode of America on the Road, hosts Jack Nerad and Matt DeLorenzo discuss various automotive topics, including the North American Car of the Year awards, the implications of the Biden administration's ban on Chinese-built vehicles, Honda's renewed market strategies, and insights from Matt's book on affordable electric vehicles. They also review the Infiniti QX55 and the Hyundai Kona Electric, highlighting their features and market positioning.

Become a PHNX Diehard for just $4 a month! http://gophnx.com/intro-offer-youtube Arizona basketball and Tommy Lloyd look to continue to build momentum as they head to West Virginia for a Battle4Atlantis rematch with Darian DeVries and the Mountaineers. WVU may be without its centerpiece Tucker Devries but Javon Small and Sencire Harris look to pick up the slack in his absence. How big of a role will Carter Bryant and Henri Veesaar play in a rematch? Will Caleb Love catch fire again? PLUS! What's new with Brent Brennan and Arizona football transfer news? Join Damon Fairall and Kevin Thomas to answer these questions on the AZ Wildcats Podcast. An ALLCITY Network Production SUBSCRIBE to our YouTube: https://bit.ly/phnx_youtube ALL THINGS PHNX: http://linktr.ee/phnxsports MERCH https://store.allcitynetwork.com/collections/phnx-locker ALLCITY Network, Inc. aka PHNX and PHNX Sports is in no way affiliated with or endorsed by the City of Phoenix PHNX Events: Get your tickets to PHNX events and takeovers here: https://gophnx.com/events/ bet365: https://www.bet365.com/olp/open-account?affiliate=365_03330244 Use the code PHNX365 to sign up, deposit $10 and choose your offer! Disclaimer: Must be 21+ and physically located in AZ. If you or someone you know has a gambling problem and wants help, call 1-800-NEXT-STEP, text NEXTSTEP to 53342 or visit https://problemgambling.az.gov/ Empire Today: Schedule a free in-home estimate today! All listeners can receive a $350 OFF discount when they use the promo code PHNX. Restrictions apply. See https://empiretoday.com/phnx for details. Gametime: Download the Gametime app, create an account, and use code PHNX for $20 off your first purchase. Terms apply. Circle K: Join Inner Circle for free by downloading the Circle K app today! Head to https://www.circlek.com/store-locator to find Circle Ks near you! Branded Bills: Use code PHNX at https://www.brandedbills.com/ for 20% off your first order! Check out FOCO merch and collectibles and use promo code “PHNX10” for 10% off your order on all non Pre Order items. Rugged Road: Gear up for your next adventure with Rugged Road Coolers - Your ultimate outdoor companion! Head to http://ruggedroadoutdoors.pxf.io/ALLCITY and use code PHNX for 10% off! When you shop through links in the description, we may earn affiliate commissions. Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.

Hour 1 of JJ & Alex with Jeremiah Jensen and Alex Kirry. Paul Finebaum says an all Big 10 championship game will change college football Kevin Young and BYU Basketball have a huge Big 12 road test at #14 Houston Would You Rather?

LAWRENCE, KAN. -- NC State struggled early in a 75-60 loss to No. 10 Kansas despite getting a big night from the big men. The Wolfpack (7-4, 1-0 ACC) shot less than 37 percent from the field and missed too many free throws early, but it was an awful start to go down 15-0 that doomed the Wolfpack. Cory Smith and Brian Geisinger will discuss the continued early woes for the Pack, how Ben Middlebrooks and Brandon Huntley-Hatfield provided a glimmer of optimism and where the Pack goes now after four non-conference losses to quality opponents. Watch or listen to the latest Postgame Podcast to get all of that and more!

Planning on making a goal for 2025? Don't set it until you road test it. The start of a new calendar year seems like a great time to start a new challenge or resolution. But is it? In this Five with Fitz, we're making the case for road testing a personal challenge in December. Listen to this short episode for hacks on how to make sure that resolution is worth setting.

Arkansas will face its first true road test of the season Tuesday night at Miami in the ACC/SEC Challenge. Can the Razorbacks bounce back and take advantage of the reeling Hurricanes? Check out the daily Razorback Basketball Mailbag https://www.youtube.com/watch?v=kSMx4u4Xnwc&list=PLJiDrEgHVPu78t6p9fsFiBDu3TLuqRe3Q #arkansas #razorbacks #football #basketball #baseball #sampittman #johncalipari SHOUTOUT TO OUR SPONSORS: RHOBACK Check out the highest quality of performance hoodies, polos, quarter zips, joggers, and more with Rhoback clothing! All different types of apparel for men, women, and kids that will have you ready to take on any occasion this sports season! Visit www.rhoback.com & use promo code: HOGSBY20 for 20% off your 1st purchase! Be sure to check out their amazing Razorback game day gear in their collections section! ----------------------------------------------------------------------------- FAYETTEVILLE FLY COMPANY Fayetteville Fly Company is a local small business based right here in Fayetteville. They offer apparel for outdoor enthusiasts and weekend warriors who enjoy everything NW Arkansas has to offer including fishing, hiking, biking, hunting and more. Fayetteville Fly Co carries a full line of hats, long and short sleeved shirts, outerwear, and more. Use code: HOGSBY20 for 20% off purchases at www.fflyco.com Free Shipping on all orders of $50 (5% back to local non-profits supporting nature conservation efforts) Gear up for the Holidays Check out New full zip jackets and hoodies in time for colder weather ahead! ----------------------------------------------------------------------------- BET SARACEN Arkansas' #1 Sports Betting App! Visit www.betsaracen.com to check out the latest spreads, lines, O/U, parlays, and more! BetSaracen has specials running every day that are unique to everyone here in the great, state of Arkansas! Download the BetSaracen app today on the Apple or Google Play store and get to winning big ONLY with BetSaracen…Arkansas' #1 Sports Betting App! https://apps.apple.com/us/app/saracen/id1612098207 ----------------------------------------------------------------------------- ALUMNI HALL 3417 N College Ave, Fayetteville, AR 72703 479-435-6352 www.alumnihall.com/arkansas-razorbacks The best and largest selection of Razorback gear Apparel for the family - mens, womens, kids, pets too Razorback apparel, accessories, hats, Yeti, gifts - Alumni Hall has it all Hall Pass Rewards - Earn points with your purchases and get rewarded! Once you've spent $150 (which is easy to do), you'll get $10 off your next purchase Have the nice brands we love (for men) - Nike, Columbia, Cutter & Buck, Johnnie-O, Onward Reserve, Peter Millar, southern tide, Tommy Bahama, Turtleson. We know some athletes so for our friends that shop the big and tall Hogs gear - go to alumnihall.com/arkansas-razorbacks! Alumni Hall - The ultimate Razorback shopping destination! Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode, we dive into what could be one of the season's most telling matchups as the UConn Huskies head on the road to face UNC. We break down what an early test like this can reveal about UConn's championship potential and how they handle a ranked opponent in a challenging environment. Next, we discuss “The Paige Bueckers Effect” and how her presence on the court is making waves across college basketball, inspiring not only fans but even opponents. Finally, we celebrate UConn's season of milestones, with Geno Auriemma on the brink of becoming the all-time winningest coach in NCAA history, and Paige Bueckers projected as the No. 1 pick in the 2025 WNBA draft. It's a special time for UConn Nation as we honor a legacy while looking toward an exciting future. Show Notes:• Segment 1: UConn vs. UNC – What an Early Road Test Tells Us About UConn's Championship Chances• Preview of the Huskies' first big test against UNC• Key players to watch, including Sarah Strong's “homecoming” element• How Geno Auriemma's rotations may look in a tight game• Segment 2: The Paige Bueckers Effect• How Paige's stardom extends beyond UConn, creating a cultural impact• Opponents like Jada Elston and Talexa Weeter openly express admiration• Reflecting on how UConn has built a legacy of stars, paving the way for players like Paige and Caitlin Clark• Segment 3: Celebrating Legacy, Chasing Records, and Projecting Futures• Geno Auriemma's quest to break the all-time coaching wins record• The significance of this 40-year coaching era alongside Chris Dailey• Paige Bueckers' potential as the No. 1 pick in the WNBA draft and what it means for UConn's program• A look at my early-season Power Rankings, with UConn standing strong at No. 2 and top teams to watch  #UConn, #UConnWBB, #PaigeBueckers, #GenoAuriemma, #CollegeBasketball, #NCAA, #UNC, #Huskies, #WNBADraft, #WNBA, #PowerRankings, #LockedOnUConn

Chase Thomas is the Sports Renaissance Man, Atlanta Sports Guy & VFL. On today's program, Chase is joined by More Important Issues' Caleb Mitchell to talk about Tennessee's victory over Mississippi State, what they saw from Gaston Moore in the second half in for Nico Iamaleava, a deep dive into Tennessee vs. Georgia, why the Vols will win or lose the big-time game in Athens and much more.Host: Chase ThomasGuests: Caleb MitchellTo learn more about CT and the pod please go visit: https://chasethomaspodcast.comBy the way, this is a free, independent national sports podcast. To keep it that way, I'm going to need some help from you guys. If you're a fan of the pod and you haven't already, take a second right now and leave the show a 5-star rating and a review on Apple, Spotify or wherever you get your podcasts. It really does help, and it's so quick and easy to do. Thanks, y'all!Keep up with Chase on social media:Follow me on Twitter: https://twitter.com/PodChaseThomasFollow me on Instagram: https://bit.ly/3kFHPDnFollow me on TikTok: https://bit.ly/3JdZ3RF'Like' me on Facebook: https://bit.ly/3ZmURo4 Hosted on Acast. See acast.com/privacy for more information.

Driving from Dallas to Oxford, Mississippi, and back over the course of a three-day weekend sounds like a daunting proposition for a lot of people. After all, Dallas is 530 miles from Oxford, so the journey entails a lot of driving. But there is reason behind our madness. Our future son-in-law went to Ole Miss, and he and my daughter asked us to join them to make the trip to see the Rebels play Oklahoma. How could you turn that down? The good news is we found the perfect vehicle for the trip — the 2025 Honda Odyssey Elite minivan. Intelligently upgraded for the new model year, the Odyssey proved to be the ideal vehicle for our, well, odyssey. Of course, it. It wasn't enough to drive directly from Ft. Worth to Oxford, Mississippi — 500 miles as the crow flies. No, with the Odyssey's newly revised infotainment system to guide us, we decided to take a side trip to visit Hot Springs National Park, one of the few national parks in the middle of a city. Then we pointed the Odyssey's attractive nose to Grenada, Mississippi, because getting rooms in Oxford on football weekends involves mortgaging your home or selling an offspring. The Odyssey's long-standing reputation as a reliable, spacious transporter proved invaluable. With five travelers aboard, we appreciated the roomy interior that can accommodate as many as eight and the adaptable seating. Honda's Magic Slide seats and the fold-flat third row offered versatility, making cargo management easy, even with tons of luggage and snacks aboard. The Odyssey's V-6 engine with a 10-speed automatic transmission provided smooth and efficient performance, providing plenty of power for passing on the rural two-lanes we often found ourselves on. Notable tech features like a rear-seat entertainment system, cabin camera, and PA system kept everyone comfortable and connected. In short, the Odyssey slayed as a cross-country family cruiser, and Host Jack Nerad will tell you more in this episode. This week, our special guest is also our guest host. A few days ago, Matt DeLorenzo and host Jack Nerad traveled to Ann Arbor, Michigan, for the annual North American Car of the Year test session. After driving about a dozen car of the year contenders each, they sat down to talk about what they had learned and what vehicles impressed them. In this episode, Matt Delorenzo will also review one of the North American Truck of the Year semi-finalists, the 2025 Ford Ranger with its new 2.7-liter turbocharged engine. In the news, the Biden Administration's proposed ban on cars and trucks that include Chinese technology is facing big-time blowback from several sources, including the Mexican government. One auto brand says the ban will eliminate it completely from the U.S. market, including the vehicles it builds in Carolina. We'll have more on that. Speaking of the Chinese, Volkswagen is having big troubles in Europe and worldwide with many of its issues caused by new Chinese competition. We'll tell you how that might sort out and what it could mean here in America. Meanwhile Toyota is ramping up its EV efforts with a new deal with Suzuki Motors, one of several efforts it is making on the EV front. Toyota has also unveiled its 2025 GR Corolla, and we'll have details on that coming up. So we have a lot of show for you this week. Thanks for joining us, and don't forget to look for new content on our YouTube and Rumble channels. Please subscribe. If you do we'll like you forever. America on the Road is brought to you by Driving Today.com, Mercury Insurance, and EMLandsea.com , the publisher of Nerad's latest book, Dance in the Dark, which is available HERE on Amazon.com

On the latest edition of the GigEm247 Podcast, Andrew Hattersley and Carter Karels are joined by the BigSpur's John Whittle to break down the matchup between the Gamecocks and Aggies. SUBSCRIBE TO THIS CHANNEL: #247Sports #TexasA&M #GigEm #Aggies Follow our hosts on Twitter: @CarterKarels, @AndrewHatts AUDIO ‘The Gig'Em247 Podcast' is available on Apple Podcasts, Spotify, Stitcher, Google Podcasts and wherever else you listen to podcasts. -LEAVE a 5-star review on Apple Podcasts: https://247sports.com/podcast/gig-em-247-a-texas-am-sports-podcast-62 -STREAM on Spotify: https://open.spotify.com/show/3E5fSHMva2idP6ehJR26X2?si=fb4b7953c1684113 WEBSITE -READ our content from Gig'Em247: https://gigem247.com/ SOCIAL MEDIA -FOLLOW Gig'Em247 on Twitter: https://twitter.com › gigem247 To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ben Criddle talks BYU sports every weekday from 3 to 7 pm.Today's Co-Hosts: Ben Criddle (@criddlebenjamin)Subscribe to the Cougar Sports with Ben Criddle podcast:Apple Podcastshttps://itunes.apple.com/us/podcast/cougar-sports-with-ben-criddle/id99676

This is KCBS Radio's daily Tech and Business Report. Today, KCBS Radio news anchor Holly Quan spoke with Bloomberg's Heejin Kim. Stellantis is set to road test a new line of electric vehicles powered by solid state batteries. You can hear our Tech and Business Report weekdays at 12:30 pm on KCBS Radio and for more, tune into Bloomberg Technology weekdays at 8 am.

Inside Nebraska's Tim Verghese and Steve Marik discuss the latest in Nebraska football with a focus on the Huskers' road test at No. 16 Indiana as Nebraska seeks bowl eligibility for the first time since 2016.

Ohio State fans want Ryan Day gone after losing to Oregon, Michigan has a top 25 road test against Illinois this weekend.

Chris Williams and Chris Hassel dive deep into No. 11 Iowa State's road test at West Virginia and Iowa's Big Noon (kind of) matchup with Washington. Top games of the weekend, locks of the week, and more. Presented by Fareway Meat & Grocery. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello and welcome to Overdrive, a program where we wander through the world of motoring and transport. I'm David Brown If you want to dive deeper into our thoughts, ideas, and occasional ramblings, you can find us on our website, podcast, or social media – just search for Cars, Transport, Culture. Subjects • The new Polestar 3 – an accomplished SUV but at a price (01:04) • Some of the Chinese brands headed for Australia – There's manufacturing revolution going on here and around the world (07:51) • Road Test the Suzuki 5 door Jimny (12:25) • Two legends of the Australian Rally scene – Wayne Bell and David Body (24:50) Contacts Details Web Site: Driven Media: drivenmedia.com.au Podcasts iTunes: Cars Transport Culture Spotify: Cars Transport Culture Or our social pages Facebook Cars Transport Culture Instagram Cars Transport Culture Or YouTube site Cars Transport Culture Search for Cars transport culture Credits And this has been overdrive Thanks to · Alan Zurvas · Evan Jones · Wayne Bell · Dave Body · Suzuki Australia · Mark Wesley · Bruce Potter for their help with this program. You can get more of our work including longer versions of the program on our website, through our podcasts, or more visual information on Facebook, Instagram or YouTube. In all cases search for cars transport culture. Overdrive is syndicated across Australia on the Community Radio Network This program was first broadcast on 28 September 2024 I'm David Brown Thanks for listening

Jack, Kenny and Payton recap Mizzou's 41-10 loss to Texas A&M on the road in its second SEC matchup. The guys dive into what went wrong, including Mizzou's defensive struggles and lost battles in the trenches. The guys discuss Mizzou's lack of identity, leadership and woes moving forward for the remainder of the 2024 season. The Show Goes On with Quick Hits: Ennis Rakestraw, Kobe Brown and a chaotic Week 6 in college football. Intro 00:00:00-00:02:15 Mizzou vs. Texas A&M recap - opening thoughts 00:02:15-00:10:45 Defensive woes 00:10:46-00:16:46 Drinkwitz's quarterback game plan 00:16:47-00:22:37 Tigers destroyed in the trenches 00:22:38-00:28:00 Mizzou season outlook 00:28:01-00:34:30 Luther discourse 00:34:31-00:44:24 Quick Hits "Ken's Sports Shorts" 00:44:25-00:48:25 Tigers in the wild 00:48:26-00:52:00 Headlines 00:52:01-01:02:50 Ratio + Joke 01:02:51-01:07:51

Justin and Tanner talk the Detroit Tigers' improbable run to the ALDS, Michigan's first road game of 2024, and more.

The Helium Boys Podcast, a serious non-serious USC football podcast, returns with Shotgun Spratling and Chris Trevino behind the microphones for another episode. The Helium Boys are back to break down USC's come-from-behind 38-21 victory over Wisconsin in the Trojans' first-ever Big Ten game in the Coliseum and look forward to a trip to Minnesota to take on a stingy Golden Gophers team that has struggled to put together a complete game. The episode opens with the Helium Boys staple 'Two-Minute Drill' that includes Chris thanking the staff for filling in for him after missing the game for a wedding while Shotgun initially goes off the rails talking about MLB's final day of the regular season before discussing the potential of road weariness starting to play a factor for the Trojans as they travel back and forth across the country. Chris and Shotgun then dive into their Stock Up/Stock Down segment looking at the players and themes that saw their stock rise or dip this week. Ja'Kobi Lane and the carousel of receiving targets taking first billing are discussed as well as the Trojans' defense getting repeated stops on third and fourth down. Quinten Joyner, Kamari Ramsey and second-half adjustments also make the cut. But on the flip side, USC's lack of intensity coming out of the gates the last two weeks was discussed heavily in the Stock Down portion. After a break, the Helium Boys preview the Trojans' upcoming Big Ten road trip to Minnesota, taking a look at the key storyline, player and matchup before positing scenarios that would cause USC to win and scenarios that would cause USC to lose Saturday evening's game. The podcast duo then answer your mailbag questions discussing primarily offensive line concerns and defensive pressure issues of the Trojans. The episode concludes with Chris quizzing Shotgun with some Take It or Leave Its about the upcoming game and the state of Minnesota. Please review, rate and subscribe to the Peristyle Podcast on Apple Podcasts! Make sure you check out USCFootball.com for complete coverage of this USC Trojans football and basketball teams.  Check out The Peristyle Shop where you can order your Helium Boys merchandise to help support the podcasting duo. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Bold Predictions, preview, final score picks for Buckeyes road test at Michigan State | Ohio State #OhioStateFootball #OhioState #cfbnews Use the code On3 for $20 off your first purchase in the Gametime App or at Gametime.co. Subscribe for more Ohio State Football coverage: https://www.youtube.com/c/Lettermenrow?sub_confirmation=1 Ohio State Buckeyes videos from Columbus, Ohio from the staff of Lettermen Row.

On this edition of the Bucknuts Happy Hour, Patrick Murphy previews the OSU at Michigan State matchup and more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the second hour, Dave Softy Mahler and Dick Fain, in for Mario Bailey, are joined by Mario Bailey for the Husky Honks as the guys quickly look at the win over Northwestern last week and preview the road game this Friday at Rutgers and who needs to step up.

In the second hour, Dave Softy Mahler and Dick Fain, in for Mario Bailey, are joined by Mario Bailey for the Husky Honks as the guys quickly look at the win over Northwestern last week and preview the road game this Friday at Rutgers and who needs to step up.

In the latest 'Dawg Talk w/ Brock Huard,' Brock and Damon Huard discuss the current state of the Washington Huskies' football season, focusing on the challenges ahead, the impact of coaching strategies, and the importance of recruitment. They analyze the defensive strategies implemented by coordinator Steve Belichick and the offensive struggles faced by the team.   The Huards also highlight the excitement surrounding upcoming Big Ten road matchups and the keys to success against Rutgers on Friday night.   Watch each weekly episode on YouTube or on-demand wherever you listen to podcasts.   More info about Dawg Talk w/ Brock Huard here: https://sports.mynorthwest.com/category/podcast_results/?i=2336&n=Dawg+Talk+w%2F+Brock+Huard

In Podcast #335, John Davis and the MotorWeek crew gather to chat about a wide spectrum of utilities! We'll launch with the launch of the refreshed 2025 Volvo XC90 3-row utility. Then it's all about value and function with a first drive in the revamped Nissan Kicks. We go digital for this week's Lightning Round as our own Jessica Ray had a recent tweet about a Mini Countryman's circular touchscreen that went viral and then a viewer has a question about what happens when you drain the battery in a plug-in hybrid! Finally, we spent two weeks with the all-new Toyota Land Cruiser.

Coming off a big win, Georgia Tech heads back on the road to face Louisville. How good are the Cardinals? Dalton Pence of Locked on Louisville gives the insight. Make sure to hit that like button and subscribe as well! #georgiatech #collegefootball WEBSITE: https://thecrowdedbooth.substack.com/ DISCORD: https://discord.gg/dWYnG2MnW5 MERCH: https://www.bonfire.com/store/the-crowded-booth/ Join this channel to get access to perks: https://www.youtube.com/channel/UCa-wUyx0nAQWGQISxgmzdtA/join

Weldon Rotenberg joins to discuss Ole Miss' 40-6 win at Wake, defensive line play, running backs, a look around the SEC and more.

Bump and Stacy talk about Mike Macdonald’s first road test against the Patriots on Sunday and two keys to a win, they talk about Saturday’s Apple Cup at Lumen Field, Tua Tagovailoa’s concussion, and more in Headline Rewrites, Bump responds to a critique of the Apple Cup, then they hear you bold takes in Bold Take Friday.

Tulane football sideline reporter Maddy Hudak, the "Before the Whistle" podcast host, joined Mike and Deuce to preview the Green Wave's road test at No. 15 Oklahoma. Hudak said Tulane has a "chip on their shoulder" after a tough loss to Kansas State. She explained how Tulane can earn a signature win against Oklahoma. 

Chris Lee, Luke Wyatt, and Billy Derrick recap Saturday's win over Alcorn State, look ahead to Saturday night's game vs. Georgia State, discuss the impact of bad weather on this offense, and answer mailbag questions. Try out our sponsor Magic Mind today! Get 48% off a subscription and 20% off a one-time purchase at https://www.magicmind.com/vandysports

In this episode of the Karma Stories Podcast, host Rob shares three intriguing tales from the Malicious Compliance subreddit. The first story revolves around an IT worker who automated HR and payroll processes, leading to unexpected chaos. The second story features a driver facing impossible demands from his managers, resulting in a major logistics disruption. The final story highlights a disciplinary meeting gone awry between an auto mechanic and an overly zealous manager. Tune in for these captivating stories of compliance gone wrong, along with insightful comments from the Reddit community.Karma Stories is available on all major Podcasting Platforms and on YouTube under the @KarmaStoriesPodcast handle. We cover stories from popular Reddit Subreddits like Entitled Parents, Tales From Tech Support, Pro Revenge and Malicious Compliance. You can find new uploads here every single day of the week!Rob's 3D Printing Site: https://Dangly3D.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/karma-stories--5098578/support.

Kia's released a new video for their new ute, the Tasman, and we have a look at a listeners "Ultimate" 4WD setup and we have to admit it's VERY good. Music by The Southern River Band. Hosted on Acast. See acast.com/privacy for more information.

Seriously what was that ad? Watch the ad then listen to this... Full episode out Fridays!Music by The Southern River Band. Hosted on Acast. See acast.com/privacy for more information.

Pittsburgh's Aurora Innovation plans to operate 20 self-driving semitrucks between Dallas and Houston this year. And we go over a trio of TikTok news including a possible ban in the EU. Plus Instagram is making changes to its algorithm to recommend smaller creators. Starring Tom Merritt, Sarah Lane, Amos, Roger ChangShow notes here:Quick Hits:https://arstechnica.com/ai/2024/04/apple-poaches-ai-experts-from-google-creates-secretive-european-ai-lab/https://www.axios.com/2024/04/30/microsoft-openai-lawsuit-copyright-newspapers-alden-globalhttps://economictimes.indiatimes.com/tech/technology/google-to-pay-up-to-6-million-to-news-corp-for-new-ai-content-report/articleshow/109734472.cmshttps://www.theverge.com/2024/4/30/24145198/beats-solo-4-headphones-budshttps://www.theverge.com/2024/4/30/24144183/arc-browser-windows-launch-features-availabilityhttps://www.bloomberg.com/news/articles/2024-04-30/ses-agrees-to-buy-intelsat-in-3-1-billion-satellite-deal-dealTop Stories:https://www.politico.eu/article/tiktok-ban-in-eu-is-not-excluded-von-der-leyen-says/https://www.washingtonpost.com/technology/2024/04/29/tiktok-capcut-ban-impact/https://www.bloomberg.com/news/articles/2024-04-30/tiktok-shop-tops-500-000-us-sellers-after-2023-e-commerce-launchhttps://techcrunch.com/2024/04/30/instagram-is-updating-its-ranking-systems-to-surface-more-content-from-smaller-original-creators/Subscribe to Apple Vision Show: https://applevisionshow.comDiscussion Story:https://apnews.com/article/trucks-selfdriving-highways-automation-driver-083409631158f54d806d75309c4764e2Next guest:Eileen Riverahttps://applevisionshow.com@eileentvShow Links:http://dailytechnewsshow.com/ntxhttp://knowalittlemore.comhttp://dtns.bigcartel.comhttp://www.dailytechnewsshow.com/supporthttp://dtns.tv/wikihttp://sarahlane.comhttps://twitter.com/sarahlanehttps://medium.com/@sarahlanehttps://masto.ai/@sarahlanehttps://havesuchagoodday.comhttp://tomsnewbook.comhttp://swordandlaser.com/storehttp://www.cordkillers.comhttp://awordpodcast.com

Pittsburgh's Aurora Innovation plans to operate 20 self-driving semitrucks between Dallas and Houston this year. And we go over a trio of TikTok news including a possible ban in the EU. Plus Instagram is making changes to its algorithm to recommend smaller creators. Starring Tom Merritt, Sarah Lane, Amos, Roger Chang To read the show notes in a separate page click here! Support the show on Patreon by becoming a supporter!

The Golden State Warriors played well but couldn't get it done against the Minnesota Timberwolves and their red-hot three-point shooting. The Minnesota Timberwolves sank a season high 21 three pointers, outscoring Stephen Curry and the Golden State Warriors by 21 from beyond the arc. All eyes were on Andrew Wiggins due to his erratic play recently as he returns to Minnesota, where he began his NBA career. As Warriors fans have come to expect from Andrew Wiggins, he shrunk in the big moment. The Golden State Warriors still need to figure out how to win close games as the end of the regular season continues to draw closer.  eBay Motors For parts that fit, head to eBay Motors and look for the green check. Stay in the game with eBay Guaranteed Fit at eBayMotos.com. Let's ride. eBay Guaranteed Fit only available to US customers. Eligible items only. Exclusions apply.  PrizePicks Go to PrizePicks.com/lockedonnba and use code lockedonnba for a first deposit match up to $100!