Podcasts about Murano

Stephanie Trenchard's multi-disciplinary creative process includes painting and poetry along with cast glass. With a focus on biographical stories of how women artists have navigated careers and partnerships, motherhood and making a living while still focusing on their creative practice, the work also discusses the price the art has to pay in this grand juggling act. The artist prioritizes the actual experience of the work, making and seeing it, over the classification of genre or ownership of an idea.  Says Trenchard: “I create my own visual vocabulary in storytelling. Using these totems, I tell stories about the artistic experience and the ensuing personal relationships usually based on true stories of artists from history. The subject of these narratives is often revealed in the title of the piece, but it is not necessary that the viewer be familiar with the subject in order to understand the concept because the metaphors are universal to the human condition.” Her work also involves using art as a way to communicate local activism as seen in her project About Sturgeon Bay. Born in Champaign, Illinois, in 1962, Trenchard earned her BFA in painting from Illinois State University in 1984. Subsequently, she and glass artist husband Jeremy Popelka relocated to San Francisco, California, where Trenchard designed textile patterns, licensed and sold under a private label. Upon returning to Sturgeon Bay Wisconsin in 1997, the couple built a hot shop and gallery that they share to this day. They assist each other with work as well as teaching projects, such as their recent classes in Thailand. As she assisted Popelka, Trenchard began to see glass casting as a means of translating textile patterns and other imagery to glass. The discovery of Paradise Paints allowed her to combine painting skills with glass art in the development of her award-winning body of work. Trenchard has developed a unique method of creating art using glass combined with paint. She first creates fully realized figures or objects in clear glass, which are then painted with high-fire enamels that are mixed and blended just as with oil or acrylic paints. Next, these three-dimensional objects or figures are submerged into molten glass encased in cubes and rectangles of clear sand cast glass. Each cube or rectangle is created so that they can be fitted tightly next to one another or on top, making a totem like structure. Coldworking is required to achieve the perfect fit. She states: “I have been following my own interests and curiosities concerning how these women have navigated their careers and artistic practices. I represent these ideas in glass through the details that speak to me, particularly the ephemera of material culture, furniture and clothing that encapsulate their era and class. I also rely on posture and facial expression to reveal the nature of the subject as I intuit it.” In addition to teaching in her studio, Trenchard has taught workshops at Pratt Fine Art Center, University of Wisconsin, The Studio at the Corning Museum of Glass, The Bergstrom Mahler Museum of Glass and others. She was a lecturer at the Glass Art Society Conference, Murano, Italy, and established the first hot glass school in Southeast Asia, at Bangkok Glass, Thailand. Recent exhibitions include: Beyond Giving, Inspiring Change, Singapore Art Week, Singapore; Matriarchs of Mastery, Habatat Gallery, Detroit, Michigan; A Creative Place, Trout Museum, Wisconsin; and Beyond the Ceiling – Women of Studio Glass, Sarasota, Florida, Habatat Invitational, Michigan. Awards include Trenchard's 2025 Featured Poet award, presented by After Hours Journal, Chicago; 2023, 2024 Prize Winner at Habatat International Exhibition; and the 2020 AACG Wisconsin Artist Series at Bergstrom-Mahler Museum of Glass. Says Trenchard: “Telling stories is what cultures do to understand the history and identities of the people. The small details in my work open up a conversation about the personal experiences of women in the arts as interpreted through history.”  

The 2025 Nissan Murano gets a bold new look and a revamped powertrain, marking a fresh start for this midsized SUV. In this episode, we share our first impressions of the redesigned Murano, including its refreshed styling, appealing interior, engine performance, and driving dynamics. We also discuss who this SUV is best suited for. We also answer audience questions about the reliability and maintenance of high-voltage hybrid batteries. Plus, we explore why European cars often get advanced safety features years before they become standard in the U.S.   More info on the 2025 Nissan Murano here: https://www.consumerreports.org/cars/nissan/murano/2025/overview/?EXTKEY=YSOCIAL_YT   Join CR at https://CR.org/joinviaYT to access our comprehensive ratings for items you use every day. CR is a mission-driven, independent, nonprofit organization.     SHOW NOTES ----------------------------------- 00:00 - Introduction 00:16 - Overview: 2025 Nissan Murano 02:49 - Murano History 03:17 - Driving Dynamics 08:09 - What Is It? 09:12 - Front Seats 10:09 - Controls 16:08 - Pro Pilot Assist 18:04 - Access 18:49 - Rear Seats 20:37 - Cargo Space 21:05 - Who Is This Car For? 25:43 - Question #1: How long does the high-voltage hybrid battery last, how should it be maintained, and what is the cost of replacement? 32:03 - Question #2: Why are advanced safety features in European vehicles approved years before in the U.S., and what can be done to speed up U.S. approvals?     ----------------------------------   First Drive: 2025 Nissan Murano Is Reinvented, But Is It Still Relevant? https://www.consumerreports.org/cars/suvs/2025-nissan-murano-review-a6988352928/?EXTKEY=YSOCIAL_YT   Most Reliable and Fuel-Efficient New Midsized SUVs https://www.consumerreports.org/cars/car-reliability-owner-satisfaction/new-midsized-suvs-most-reliable-fuel-efficient-a2811867777/?EXTKEY=YSOCIAL_YT   New Cars on the Horizon https://www.consumerreports.org/cars/new-cars-on-the-horizon-a1920770135/?EXTKEY=YSOCIAL_YT   These SUVs, Cars, and Minivans Are the Easiest to Get Into and Out Of https://www.consumerreports.org/cars/suvs-cars-minivans-that-are-easiest-to-get-in-and-out-of-a1450236794/?EXTKEY=YSOCIAL_YT

The 2025 Nissan Murano gets a bold new look and a revamped powertrain, marking a fresh start for this midsized SUV. In this episode, we share our first impressions of the redesigned Murano, including its refreshed styling, appealing interior, engine performance, and driving dynamics. We also discuss who this SUV is best suited for. We also answer audience questions about the reliability and maintenance of high-voltage hybrid batteries. Plus, we explore why European cars often get advanced safety features years before they become standard in the U.S.   More info on the 2025 Nissan Murano here: https://www.consumerreports.org/cars/nissan/murano/2025/overview/?EXTKEY=YSOCIAL_YT   Join CR at https://CR.org/joinviaYT to access our comprehensive ratings for items you use every day. CR is a mission-driven, independent, nonprofit organization.     SHOW NOTES ----------------------------------- 00:00 - Introduction 00:16 - Overview: 2025 Nissan Murano 02:49 - Murano's History 03:17 - Driving Dynamics 08:09 - What Is It? 09:12 - Front Seats 10:09 - Controls 16:08 - Pro Pilot Assist 18:04 - Access 18:49 - Rear Seats 20:37 - Cargo Space 21:05 - Who Is This Car For? 25:43 - Question #1: How long does the high-voltage hybrid battery last, how should it be maintained, and what is the cost of replacement? 32:03 - Question #2: Why are advanced safety features in European vehicles approved years before in the U.S., and what can be done to speed up U.S. approvals?     ----------------------------------   First Drive: 2025 Nissan Murano Is Reinvented, But Is It Still Relevant? https://www.consumerreports.org/cars/suvs/2025-nissan-murano-review-a6988352928/?EXTKEY=YSOCIAL_YT   Most Reliable and Fuel-Efficient New Midsized SUVs https://www.consumerreports.org/cars/car-reliability-owner-satisfaction/new-midsized-suvs-most-reliable-fuel-efficient-a2811867777/?EXTKEY=YSOCIAL_YT   New Cars on the Horizon https://www.consumerreports.org/cars/new-cars-on-the-horizon-a1920770135/?EXTKEY=YSOCIAL_YT   These SUVs, Cars, and Minivans Are the Easiest to Get Into and Out Of https://www.consumerreports.org/cars/suvs-cars-minivans-that-are-easiest-to-get-in-and-out-of-a1450236794/?EXTKEY=YSOCIAL_YT

The 2025 Nissan Murano gets a bold new look and a revamped powertrain, marking a fresh start for this midsized SUV. In this episode, we share our first impressions of the redesigned Murano, including its refreshed styling, appealing interior, engine performance, and driving dynamics. We also discuss who this SUV is best suited for. We also answer audience questions about the reliability and maintenance of high-voltage hybrid batteries. Plus, we explore why European cars often get advanced safety features years before they become standard in the U.S.   More info on the 2025 Nissan Murano here: https://www.consumerreports.org/cars/nissan/murano/2025/overview/?EXTKEY=YSOCIAL_YT   Join CR at https://CR.org/joinviaYT to access our comprehensive ratings for items you use every day. CR is a mission-driven, independent, nonprofit organization.     SHOW NOTES ----------------------------------- 00:00 - Introduction 00:16 - Overview: 2025 Nissan Murano 02:49 - Murano's History 03:17 - Driving Dynamics 08:09 - What Is It? 09:12 - Front Seats 10:09 - Controls 16:08 - Pro Pilot Assist 18:04 - Access 18:49 - Rear Seats 20:37 - Cargo Space 21:05 - Who Is This Car For? 25:43 - Question #1: How long does the high-voltage hybrid battery last, how should it be maintained, and what is the cost of replacement? 32:03 - Question #2: Why are advanced safety features in European vehicles approved years before in the U.S., and what can be done to speed up U.S. approvals?     ----------------------------------   First Drive: 2025 Nissan Murano Is Reinvented, But Is It Still Relevant? https://www.consumerreports.org/cars/suvs/2025-nissan-murano-review-a6988352928/?EXTKEY=YSOCIAL_YT   Most Reliable and Fuel-Efficient New Midsized SUVs https://www.consumerreports.org/cars/car-reliability-owner-satisfaction/new-midsized-suvs-most-reliable-fuel-efficient-a2811867777/?EXTKEY=YSOCIAL_YT   New Cars on the Horizon https://www.consumerreports.org/cars/new-cars-on-the-horizon-a1920770135/?EXTKEY=YSOCIAL_YT   These SUVs, Cars, and Minivans Are the Easiest to Get Into and Out Of https://www.consumerreports.org/cars/suvs-cars-minivans-that-are-easiest-to-get-in-and-out-of-a1450236794/?EXTKEY=YSOCIAL_YT

We sat down with SD GFP Sr. Waterfowl biologist Rocco Murano and talked snow geese, avian influenza, canada geese on spring break, and duck jewelry! Tons of stuff we are betting you didnt know about our web footed friends.

The Glassmaker Exploring Venice, Murano, and the Art of Glass Beads through Tracy Chevalier's Vision Venice, with its dreamy canals and labyrinthine streets, is a city steeped in timeless beauty. But nestled just a stone's throw away is the island of Murano, a place with an equally rich legacy—one forged in fire, colored in precious minerals, and shaped by centuries of craftsmanship. It is here that Tracy Chevalier sets her luminous new historical novel, The Glassmaker. As the host of the Flavor of Italy podcast, I had the pleasure of speaking with Tracy Chevalier about her latest novel, The Glassmaker, which has captured the imagination of readers worldwide. From the shimmer of molten glass to the intricate art of bead-making, Chevalier's novel is both a sweeping saga and an ode to a vanishing world of artistry. If you're fascinated by Italy, women's history, or the centuries-old tradition of Venetian glass, this story—and the story behind the story—is for you.

Today, we're heading to one of the world's most magical cities—Venice. Imagine wandering through winding canals, admiring centuries-old architecture, and indulging in traditional ciccheti and a select spritz. Whether you're here for the art, the food, or the timeless beauty, Venice has something special waiting for you. I'm joined by two incredible locals, Giovanna Santini and Nicole Zennaro, who share their insider tips on the best experiences, hidden gems, and the fascinating history that makes Venice so unique. From the canals to the cuisine, they'll have you falling in love with Venice all over again. I hope you enjoy this enchanting episode of Luxury Travel Insider. Learn more at www.luxtravelinsider.com   Connect with me on Social: Instagram LinkedIn  

For more than three decades, trailblazing artist and activist Joyce J. Scott has elevated the creative potential of beadwork as a relevant contemporary art form. Scott uses off-loom, hand-threaded glass beads to create striking figurative sculptures, wall hangings, and jewelry informed by her African American ancestry, the craft traditions of her family (including her mother, renowned quilter Elizabeth T. Scott), and traditional Native American techniques, such as the peyote stitch. Each object that Scott creates is a unique, vibrant, and challenging work of art developed with imagination, wit, and sly humor. Born to sharecroppers in North Carolina who were descendants of enslaved people, Scott's family migrated to Baltimore, Maryland, where the artist was born and raised. Scott hales from a long line of makers with extraordinary craftsmanship adept at pottery, knitting, metalwork, basketry, storytelling, and quilting. It was from her family that the young artist cultivated the astonishing skills and expertise for which she is now renowned, and where she learned to upcycle all materials, repositioning craft as a forceful stage for social commentary and activism. In the 1990s, Scott began working with glass artisans to create blown, pressed, and cast glass that she incorporated into her beaded sculptures. This not only allowed her to increase the scale of her work, but also satisfied her desire to collaborate. In 1992, she was invited to the Pilchuck Glass School, Stanwood, Washington. Continuing her interest in glass, Scott has worked with local Baltimore glassblowers as well as with flameworking pioneer Paul Stankard and other celebrated glass fabricators. In 2012, Goya Contemporary Gallery arranged to have Scott work at Adriano Berengo's celebrated glass studio on the island of Murano in Italy, creating works that were part of the exhibition Glasstress through the Venice Biennale. Scott has worn many hats during her illustrious career: quilter, performance artist, printmaker, sculptor, singer, teacher, textile artist, recording artist, painter, writer, installation artist, and bead artist. Her wide-ranging body of work has crossed styles and mediums, from the most intricate beaded form to large-scale outdoor installation. Whether social or political, the artist's subject matter reflects her narrative of what it means to be Black in America.  Scott continues to live and work in Baltimore, Maryland. She received a BFA from the Maryland Institute College of Art and an MFA from Instituto Allende in San Miguel de Allende, Mexico. Selected solo museum exhibitions include The Baltimore Museum of Art (2024); Seattle Art Museum (2024 – 2025); and Grounds for Sculpture (2018), Trenton, NJ. She is the recipient of myriad commissions, grants, awards, residencies, and prestigious honors including from the National Endowment for the Arts, Louis Comfort Tiffany Foundation, Anonymous Was a Woman, American Craft Council, National Living Treasure Award, Lifetime Achievement Award from the Women's Caucus for the Arts, Mary Sawyers Imboden Baker Award, MacArthur Foundation Fellowship (2016), Smithsonian Visionary Artist Award, National Academy of Design Induction, and Moore College Visionary Woman Award, among others. In March of 2024, Scott opened a major 50-year traveling Museum retrospective titled Joyce J. Scott: Walk a Mile in My Dreams co-organized by the Baltimore Museum of Art and Seattle Art Museum. Also in 2024, Scott opened Bearing Witness: A History of Prints by Joyce J Scott at Goya Contemporary Gallery. Her latest exhibition, Joyce J. Scott: Messages, opened at The Chrysler Museum of Art on February 6, 2025 and will run through August 17, 2025 at the Glass Projects Space. This exhibition is organized by Mobilia Gallery, Cambridge, MA. Says Carolyn Swan Needell, the Chrysler Museum's Barry Curator of Glass: “We are thrilled to host this focused traveling exhibition here in Norfolk at the very moment when Scott's brilliant career is being recognized more widely, through a retrospective of her work that is co-organized by the Baltimore Museum of Art and the Seattle Museum of Art.”  In Messages, 34 remarkable beaded works of art spanning the artist's career express contemporary issues and concepts. Included in the show is Scott's recent beaded neckpiece, War, What is it Good For, Absolutely Nothin', Say it Again (2022). A technical feat in peyote stitch, infused with color and texture, this multilayered and intricate beadwork comments on violence in America. Embedding cultural critique within the pleasurable experience of viewing a pristinely crafted object, Scott's work mines history to better understand the present moment. The visual richness of Scott's objects starkly contrasts with the weight of the subject matter that they explore. She says: “I am very interested in raising issues…I skirt the borders between comedy, pathos, delight, and horror. I believe in messing with stereotypes, prodding the viewer to reassess, inciting people to look and then carry something home – even if it's subliminal – that might make a change in them.”   

Hay coches descapotables muy bonitos. Sin duda, la mayoría. Y me puse a preparar un guion sobre los 10 más bonitos. Luego pensé, ¿y si busco los más bonitos y las más feos? Y me puse manos a la obra porque… ¿creéis que es posible hacer un descapotable feo? Ya veréis que sí. Tanto me sorprendí, que este video está dedicado unicamente a los feos… así es la vida. ¿Habéis oído las advertencias? ¡Pues hacedlas caso! Bromas aparte, algunos de estos coches ya los conocéis pues pese a ser descapotables se han “colado” en las listas de los coches más feos de la historia en la categoría que podríamos denominar “absoluta” … Si diseñar coches feos ya tiene cierto mérito, conseguir que un descapotable sea fea tiene aún más mérito… pero hay gente que lo consigue. Después de esta lista, me lo contáis. Pero os adelanto una cosa, ya he puesto este ejemplo otras veces, hay perritos tan, pero tan feos… que tienen su encanto… pues con alguno de estos coches sucede lo mismo. Iba a ordenarlos de menos feo a más feo. ¡He cambiado de opinión! Voy a ordenarlos por orden alfabético de marca y luego vosotros me decís cuál es vuestro “podio” con los tres más feos. ¡Vamos allá! 1. Chrysler PT Cruiser Convertible (2004). La tontería de hacer un SUV descapotable ya la hizo, entre otro, Range Rover con su precioso Evoque Cabrio, un coche absurdo, pesado, poco práctico y caro, que no triunfo, pero tuvo su público. 2. Chevrolet SSR (2003). Ya hemos visto que se puede quitar el techo a un monovolumen o a un SUV… y en Chrysler alguien, con una pick up delante, dijo la famosa frase de “hay que no hay huev*** de quitar el techo a un pick up”. 3. Ford Streetka (2003). Comienzo con una confesión: Yo rengo un Ford Ka, pero el “Plus” de 5 puertas, el coche que fue de mi hijo y que de momento he heredado yo como coche “utilitario”. Pero el primer Ka era, según Ford, un modelo muy original. Según yo, un modelo muy feo. 4. Geo Metro Convertible (1992). Ya sabéis mi simpatía por Suzuki, nunca la he ocultado. Aunque desde luego el Suzuki Cultus no es el mejor ni el más bonito. Y de este modelo derivaba el Geo Metro. 5. Mitsubishi Colt CZC (2006). A ver, realmente más que feo este coche es que parece de chiste, como una caricatura. Es un coche con apenas 3,8 metros de largo y hacer un descapotable de esa longitud que sea bonito, no es fácil. 6. Nissan Micra (2005). En realidad, un “Cabrio Coupé” más que un descapotable puro, de esos que arrasaron a finales de los 90 y sobre todo principios de los 2000 y que luego han desaparecido. 7. Nissan Murano CrossCabriolet (2011). Otros “visionarios” que pensaron: “Vamos a hacer un SUV Cabriolet y lo vamos a petar” y partiendo de un Murano, un coche discreto y hasta elegante, diseñaron este CrossCabriolet que desde luego no era ni discreto ni elegante. 8. Peugeot 206 CC (2001). Vo a ser claro: No me gustan ninguno de los Peugeot CC, ni este 206 ni el 207 ni el 308. En estos modelos de tracción delantera, querer rebajar la línea de cintura hace que el morro, en proporción, sea mucho más voluminoso que la parte posterior… me parecen, por expresarlo de alguna manera, “cabezones”. 9. Pontiac Sunfire (1995). Aquí estamos, en mi opinión ante uno de los coches que puede hacer podio en esta elección. Este o el Chevrolet Cavalier Cabrio, que era más o menos el mismo engendro… perdón… el mismo coche. 10. Siata 500 Record (1938). Me he centrado en modelos más recientes, aunque no quería olvidarme de oros más antiguos. Porque coches feos se hacen ahora, pero en mayor o menor medido, se han hecho siempre. 11. Subaru STi Convertible (2011). Sí, aunque no lo parezca hay algo más tonto que hacer un SUV, un monovolumen o un Pick Up descapotable. ¿El qué? Hacer descapotable un coche de 4 puertas nacido para los rallyes. 12. Veritas SP90 Spohn (1949). Esta marca alemana no es muy conocida… no me extraña que si hacía estos coches muchos la hayan querido olvidar. Os recuerdo una cosa: En 1936 nació el BMW 328 un deportivo diseñado por Fritz Fiedler que es realmente bonito. 12+1. Yugo 55 Convertible (1990). Un candidato a pelear por las primeras posiciones en esta selección del cabrio más feo de la historia. Este modelo, conocido por Yugo 55 o GV en Europa y por Zastava Koral en mercados del Este, era la versión sintecho del conocido Yugo, uno de los coches que siempre están en la lista de los más feos o los más peligrosos… a mí me da penita, pero es lo que hay.

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Mokuhanga can be a standalone medium or combined with other artistic practices, offering endless opportunities for experimentation and creative exploration. In this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with printmaker Karen Kunc, who has worked with mokuhanga for many years. She integrates it into her broader printmaking practice, which includes book arts, mixed media, letterpress, Western woodblock, and more. We discuss her early encounters with mokuhanga, her travels to Japan, and her experience printing with Akira Kurosaki. Karen also shares how nature influences her work, the importance of taking creative risks, and her perspective on mokuhanga today. Plus, we talk about her own Constellation Studios and its role in her artistic journey. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Karen Kunc - website, Instagram  Aqua Alta - 26" x 72", woodcut Jocelyn Art Museum - is a fine arts museum located in Omaha, Nebraska, USA. The museum was opened in 1931. More info, here. The Agony and The Ecstasy   - is a biographical novel by the American author Irving Stone (1903-1989). It goes into detail of the life of Michelangelo Buonarroti (1475-1564). The novel was published in 1961.  Awaji Island - located in Japan's Seto Inland Sea, has a rich history dating back to ancient times. According to the Kojiki(Records of Ancient Matters), it is considered the birthplace of Japan—the first island created by the gods Izanagi and Izanami in Japanese mythology. Historically, Awaji played a vital role as a strategic hub for maritime trade and travel, connecting the Kansai region with Shikoku and Kyushu. During the Edo period, it was governed as part of the Tokushima Domain under the Hachisuka clan. Today, Awaji is renowned for its natural beauty, traditional industries such as Awaji Ningyō Jōruri (puppet theater), and its connection to mainland Japan via the Akashi Kaikyō Bridge—the world's longest suspension bridge. Kyoto Seika University - located in Kyoto, Japan, is a leading private institution specializing in art and design education. It offers undergraduate and graduate programs in fields such as painting, sculpture, graphic design, and manga. Known for its rigorous curriculum, Kyoto Seika emphasizes both practical skills and creative expression. With a strong tradition of nurturing talented artists and designers, the university fosters a dynamic environment that encourages innovation and artistic growth. Akira Kurosaki (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Aurora - 13" x 17" colour woodcut (1982)  ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  Utagawa Kuniteru (1808-1876) Sumo Wrestler (1861) Peter Max - is an American artist who is associated with the American Pop Art movement of the 1950's and 1960's. He used vibrant colours in his work. Max's art was seen on posters, paintings, even running shoes. More info, here.  Outer Spectrum - serigraph 8.75" x 12.5" (1978)  Mary Brodbeck - is a mokuhanga printmaker, based in Kalamazoo, Michigan. She has been producing mokuhanga for nearly 25 years. Her work refelcts nature, and the power it contains. Mary's interview with The Unfinished Print can be found, here.  GAZE - 10" x 14"  MI Lab - is a mokuhanga artists residency located in Awatabe Town, Echizen City, Fukui, Japan.  More info can be found, here.  Center For The Science of Human Endeavor - also known in Japanese as 一般社団法人産業人文学研究所  is a program to "research, study, design for a life style in the 21st Century," and is associated with MI Lab.  There is a brick and mortar gallery located in Shinbashi, Tōkyō.  McClains Woodblock Print Supply Co.  - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print: A Mokuhanga Podcast interview with Daniel Jasa of McClain's can be found here. nishinouchi paper - is a Japanese washi which is produced in Nishinouchi Kami no Sato, located in Hitachiomiya City, Ibaraki, Japan. More info can be found, here.  The Japanese Paper Place- is a Toronto based Japanese paper store servicing the mokuhanga and arts community in Toronto and around the world for many years. Nancy Jacobi of The JPP and her interview with The Unfinished Print: A Mokuhanga Podcast can be found,  here. Constellation Studios - is the studio of Karen Kunc located in Lincoln, Nebraska, USA. More info can be found, here.  Penland School of Craft - is a school which welcomes students from all over the world. Located in North Carolina, the school offers eight-week workshops in many different types of mediums. More info, here.  Anderson Ranch Arts Center - since the 1960s, Anderson Ranch Arts Center, located in Colorado, has been a beacon for the arts in the United States. The Ranch offers master classes, workshops, artist-in-residence programs, and more. For additional information, please click here. Virginia Center for the Creative Arts (VCCA) - founded in 1971, is located at Mt. San Angelo in Amherst, Virginia. It provides residency opportunities for artists and writers across various disciplines, offering a supportive environment for creative work. More info can be found, here.  Wayne Crothers - is an Australian mokuhanga printmaker, curator and artist who lives in Japan.  Patricia Olynyk - is a Canadian multimedia artist, photographer,  who resides in The United States. Patricia's work explores the way " social systems and institutional structures shape our understanding of our place in the world." More information can be found, here.  Oculus - digital sculpture  Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print: A Mokuhanga Podcast can be found, here. Park Winter Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print: A Mokuhanga Podcast can be found here. Daizuyama - 23cm x 34cm (2009)  Kari Laitinen - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999. Dimensions VII - 48cm x 76cm (2017) Venice Printmaking Studio - is a printmaking residency located in Murano, Italy. Malaspina Printmakers - is a printmaking residency located in Vancouver, British Columbia, Canada. MNmore info, here.  Annu Vertanen - is a Finnish printmaker who has used mokuhanga in her work. Annu is currently a professor at the Academy of Fine Arts, University of the Arts Helsinki.  Aspect Guanlan I - 95cm x 65cm  © Popular Wheat Productions Opening and closing musical credit - Bruce Springsteen, Atlantic City (1982). From the album Nebraska (Columbia Records) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***          

¡NUEVO EPISODIO! @cayenito nos habla de su álbum #AMORES , su presentación en el homenaje a #MercedesSosa el 8 de marzo en el teatro de la Universidad del Sagrado Corazón y su tema #PorMasQueMeAdvirtieron #JuanManuelHoyos presidente y director general de @nissanpuertorico (Nissan Import Bussines) nos habla sobre los modelos #Armada y #Murano 2025 @carlac_89 nos invita al evento #SolteriaANivel en @todovinopr el 15 de marzo y habla sobre su trayectoria profesional Esto y más por @radioactivapr VIERNES 12MD SÁBADO 4PM Luego en #Spotify junto a @cameraandactionConviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/apoya-lo-nuestro-pr--3486260/support.

“If you go to buy a beautiful men's suit from a famous brand, you can go to Tokyo, New York, London or in Rome, and it would be the same because it's a brand, okay? So why do you travel? But in Florence, you go to a great tailor who will do a beautiful suit. You decide the textile, you decide the buttons and all the details that you love. And this is a unique piece just for you. And this is what we create every day, for every guest, in a different way. This is the sense of place.”We're in great company with Claudio Meli, the General Manager of The Place Firenze and Michela Babini, the Director of The Place of Wonders Foundation, who together, are tailoring their spirit of hospitality and their curated senses of the guest experience for a new generation of immersive travelers, dedicated to promoting and preserving the heritage of Italian craft. Here, The Place Firenze extends a warm Tuscan welcome, well deserving of their international awards and recognitions as a timeless classic reinventing made-to-measure hospitality - where every detail is inspired by the enduring beauty and traditional artisanship they are proud to have in their beloved city. In this episode, Claudio and Michela delight in the tales and testimonials that continue to unfold as they create a new home for us as travelers to visit in Florence - while curating the next generation of artisans and makers molding Italian craft into a modern day Renaissance.    Top Takeaways[3:40] What makes The Hospitality Experience one precious thread woven between hospitality and experience, one family with a long history of curating hotels, one collection of new ideas? Three hotels strongly rooted in remarkable places - Londra Palace in Venice, Borgo dei Conti in Umbria, and The Place Firenze. [4:50] Claudio's love for Florence radiates as he shares stories of his beloved city - a rare treasure where Renaissance masterpieces line the streets and Tuscan vineyards roll just beyond, creating an enchanting blend of art and terroir that has inspired generations.[18:10] The Place Firenze is “deeply connected to its daily life, artistic heritage and lively cultural scene in this vibrant Tuscan city,” from the Scagliola tabletops to the Ginori porcelain table settings, from the Pamploni engraved silver glasses the Spaghetto al Pomodoro and Negroni Experience savored in such company.  [28:30] Michela's passion speaks for itself as she shares how The Place of Wonders Foundation breathes life into Italy's cultural heritage by connecting curious travelers with master artisans in Florence, Venice, and Perugia, while nurturing the next generation of craftspeople through dedicated scholarship programs. [32:50] From designing zero kilometer sneakers in Florence to molding glass beads in Murano to weaving on ancient looms in Umbria - the foundation is creating an immersive journey for travelers and the next generation of makers alike - where traditional techniques meet contemporary innovation in workshops that have shaped Italian artistry for centuries.[41:15] Both Claudio and Michela agree there is so much left to be discovered in and around Florence, but it will take a future with more guests seeking slow travel, slow food, and slow moments, to really uncover those hidden gems. Notable MentionsFabbri Pasta ArtigianaleLaudemio Olio Extravergine Di Oliva Fattoria di Maiano Piazzale MichelangeloView from the Church of San MiniatoTrattoria Sergio GozziSanto Spirito or the “Oltrarno” on the other side of the ArnoRistorante La GiostraMuseo del NovecentoCastello di Ama Chianti WineryVisit For YourselfThe Place Firenze Website | @theplacefirenzeThe Place of Wonders Website | @theplaceofwonders.foundationThe Hospitality Experience Website | @the.hospitality.experience

Wenecja położona jest na 118 wyspach połączonych ze sobą mostami i kanałami. Najbardziej znane jest historyczne centrum, ale pozostałe wyspy oferują również mnóstwo atrakcji. Poznaliśmy Murano, wyspę znaną ze szklanych wyrobów słynnych od wieków na całym świecie. Byliśmy w Burano, która jest najbardziej kolorową wyspą w Europie. Zatrzymaliśmy się w kościele na wyspie San Giorgio Maggiore, będącym najpiękniejszą budowlą Andrei Palladio w Wenecji. Odwiedziliśmy San Michele, wyspę cmentarną, a także wyspy Mazzorbo i Torcello, małą perłę laguny. Wstąpiliśmy też do Gallerie dell'Accademia, Peggy Guggenheim Collection, Muzeum Correr i Scuola Grande dei Carmini. To obowiązkowe przystanki, gdzie można podziwiać dzieła wielkich mistrzów. Na naszej trasie znalazł się również Arsenał, z wieloma pawilonami słynnego Biennale. Gościem Jerzego Jopa była Danuta Rasała.

Sleep better and Stress Less— with Abide, a Christian meditation app that provides a biblically grounded place to experience peace and progress in your relationship with Christ. We hope this biblical sleep meditation, narrated by Jennifer Clark, helps your body relax and your mind rest on the truth found in scripture. God gives good gifts to all His children, and many times they are skills and abilities. Spend a day in Murano, Italy, with a master glassmaker as he reflects His Creator’s glory through his craft. For a 30 day free trial of our premium ad-free content, your trusted friend for better sleep is right here: https://abide.com/peace Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us

What if the future of your daily drive could include cutting-edge biometric cooling sensors and an SUV that perfectly fits your lifestyle? Join us as we uncover the buzzworthy reveals from the 42nd Annual Houston Auto Show, featuring insightful chats with Rodney Collins and Tony Leon from Nissan. Rodney's journey from Infiniti to Nissan's product specialist and Tony's unexpected path to automotive hosting offer unique perspectives on engaging audiences with interactive games and trivia. We dive into the excitement surrounding Nissan's latest models, the 2025 Murano and Armada, and take a nostalgic look back at the evolution of automotive shows and concept cars that have shaped the industry.As we explore the allure of modern vehicles, discover why the Rogue series is stealing hearts with its versatile trim packages like the adventurous Rock Creek. Get the scoop on the cultural phenomenon of pickup trucks in Texas and the anticipation of rodeo season that adds extra horsepower to the excitement. We also tackle the complexities of extended warranties, sharing tips on what to look for to ensure your investment is protected. Plus, get a sneak peek into our experience with the sleek and spacious 2025 Kia K4 EX, as we highlight its advanced features and design. Whether you're an auto enthusiast or just curious about the latest trends, this episode promises a joyride of insights and lively discussions.Be sure to subscribe for more In Wheel Time Car Talk!The Lupe' Tortilla RestaurantsLupe Tortilla in Katy, Texas Gulf Coast Auto ShieldPaint protection, tint, and more!ProAm Auto AccessoriesProAm Auto Accessories: "THE" place to go to find exclusive and hard to find parts and accessories!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.---- ----- Want more In Wheel Time Car Talk any time? In Wheel Time Car Talk is now available on Audacy! Just go to Audacy.com/InWheelTimeCarTalk where ever you are.----- -----Be sure to subscribe on your favorite podcast provider for the next episode of In Wheel Time Car Talk and check out our live broadcast every Saturday, 10a - 12noonCT simulcasting on Audacy, YouTube, Facebook, Twitter, Twitch and InWheelTime.com.In Wheel Time Car Talk podcast can be heard on you mobile device from providers such as:Apple Podcasts, Amazon Music Podcast, Spotify, SiriusXM Podcast, iHeartRadio podcast, TuneIn + Alexa, Podcast Addict, Castro, Castbox, YouTube Podcast and more on your mobile device.Follow InWheelTime.com for the latest updates!Twitter: https://twitter.com/InWheelTimeInstagram: https://www.instagram.com/inwheeltime/https://www.youtube.com/inwheeltimehttps://www.Facebook.com/InWheelTimeFor more information about In Wheel Time Car Talk, email us at info@inwheeltime.comTags: In Wheel Time, automotive car talk show, car talk, Live car talk show, In Wheel Time Car Talk

Shoot us a Text.We're rolling into the big conversations at the 2025 Public Policy Day, where industry leaders and lawmakers shape the future of auto. Plus, CVS is testing a new app feature to unlock products, and Tesla inches toward unsupervised self-driving—though Elon says don't get too excited just yet. Show Notes with links:The press stage is set at ready to go at the 2025 Public Policy Day hosted by WANADA. The 2025 Public Policy Day at the Washington, D.C. Auto Show on January 30 features key industry leaders and policymakers. The day kicks off with a networking lunch, followed by opening remarks from John O'Donnell and a keynote discussion with Senator Bernie Moreno (R-OH) and Devon Haynie (U.S. News & World Report).Highlights include vehicle reveals from Stellantis (Dodge Charger Daytona, Jeep Wagoneer S) and Nissan (2025 Murano), plus an Aston Martin Vanquish presentation by Bouch Siaf. A fireside chat features Todd Inman (NTSB) and Dave Shepardson (Reuters), while Alex Kwanten presents the Best Cars for the Money Awards.Industry roundtables cover consumer insights (featuring Thomas Castriota, Paul J Daly) and tax/trade policy (Jennifer Safavian, Cody Lusk, Bill Long). The event closes with Michael Cottone (Volvo) and John Bozzella (Alliance for Automotive Innovation).The day concludes with an exclusive Sneak Peek Reception of the Auto Show, presented by Events DC.Elon Musk recently announced that Tesla has initiated "unsupervised self-driving" at its Fremont factory. However, this development is currently limited to vehicles autonomously navigating within the factory premises.Tesla released a video showing cars driving themselves from the production line to loading docks without human intervention.This internal application covers a 1.2-mile route on private factory roads at low speeds.Musk has previously set ambitious timelines for unsupervised self-driving, including a driverless cross-country trip by 2018, which have not been met.The current implementation is a step forward but remains far from the full autonomous driving capabilities promised to consumers.Musk's latest projection targets unsupervised self-driving in California and Texas by the second quarter of 2025.CVS is piloting a new feature in its app that allows customers to unlock anti-theft cabinets themselves, aiming to enhance the shopping experience.The feature is currently being tested in three New York City stores.To use it, customers must be logged into the CVS app, connected to the store's Wi-Fi, and have Bluetooth enabled.This initiative addresses customer frustration with locked cabinets, which, while deterring theft, often inconvenience shoppers.CVS plans to expand the test to 10 to 15 additional stores, including locations on the West Coast."People really, really dislike locked cabinets," said Tilak Mandadi, executive vice president at CVS Health.Hosts: Paul J Daly and Kyle MountsierGet the Daily Push Back email at https://www.asotu.com/ JOIN the conversation on LinkedIn at: https://www.linkedin.com/company/asotu/ Read our most recent email at: https://www.asotu.com/media/push-back-email

In Podcast #345, John Davis and the MotorWeek crew chat about a nice assortment of vehicles! We blast off with some time spent behind the wheel of Nissan's stylish next-gen Murano mid-size utility. Then we'll head back to entry-level territory with Kia's replacement of the Forte, the K4. And Rivian is leveling up their three-row R1S SUV with a second generation with plenty of changes under the skin! Plus, our Lightning Round tackles the recent news that Honda & Nissan will be merging and a listener has a question about when we might see EVs with over 500 miles of range.

Nesse episódio especial, a gente dá indicações de filmes (e uns animes) que você pode ter deixado passar em 2024! Bem-vindos à Locadora do Nicolas, a investigação ordenada e sazonal sobre o audiovisual internacional! Com Rudy e Jotapê. COLABORE COM NOSSO APOIA.SE! Indicações do episódio: O Dublê (David Leitch, 2024) Tartarugas Até Lá Embaixo (Hannah Marks, 2024) Sorria 2 (Parker Finn, 2024) A Primeira Profecia (Arkasha Stevenson, 2024) Fúria Primitiva (Dev Patel, 2024) Kill: O Massacre no Trem (Nikhil Nagesh Bhat, 2023) Look Back (Kiyotaka Oshiyama, 2024) Dandadan (Fūga Yamashiro, 2024) A Sign of Affection (Yūta Murano, 2024) A Substância (Coralie Fargeat, 2024) Twisters (Lee Isaac Chung, 2024) Assassino por Acaso (Richard Linklater, 2023) Imaculada (Michael Mohan, 2024) Greice (Leonardo Mouramateus, 2024) Exhuma (Jang Jae-hyun, 2024) Furiosa: Uma Saga Mad Max (George Miller, 2024) Armadilha (M. Night Shyamalan, 2024) I'll Become a Villainess Who Goes Down in History (Yūji Yanase, 2024) E no próximo episódio... Não sei! Ouça os episódios passados, aposto que você deixou passar algo! Nos encontre por aí: Grupo de ouvintes do Nicolas no Telegram Bluesky: @hqsemroteiro / @rudylonia / @jumbopaulo / @podcastnicolas Instagram: @hqsemroteiro / @ahistoriadacamisa / @roberto_rudiney / @jumbopaulo / @podcastnicolas Letterboxd: @rudylonia / @jp_martins TikTok: @hqsemroteiro / @rudyloniaa / @rudyball Créditos: Edição: Roberto Rudiney e JP Martins Arte: JP Martins Voz de veludo do início: Bruna Soares

Descrizione: tutti i consigli per visitare le isole di Venezia #FamilyPlanet - Puntata 10 - Stagione 5 in collaborazione con Rossella di ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.familyplanet.it⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ascolta la WebRadio qui⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Visita il nostro sito ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.gorgoradio.it

Dans cet extrait, Elsa nous emmène à Murano à la rencontre des souffleurs de verre et de leurs nombreux autres coups de coeur.Pour écouter l'épisode en entier :Poésie hivernale en famille à Venise------------Production : Stéphanie CordierMusique : Luk & Jo

Elsa vit à 100 à l'heure, alors quand elle part en voyage avec son amoureux et ses filles de 10 ans et 7,5 ans, pas question d'enchaîner les sites touristiques sans ressentir la ville. Se perdre sans programme, toucher du doigt la beauté d'un lieu, se laisser porter et suivre ses filles qui se sentent chez elles partout.Ils ont passé une semaine à Venise au tout début de l'année, loin de la foule estivale, en mode brume sur les canaux, ruelles désertes et places Saint-Marc, art et culture, Rialto et Murano, températures hivernales et chaleur des restaurants italiens avec évidemment des spaghettis à la vongole. Je dis "évidemment", car moi aussi j'en ai mangé pour la première fois là-bas, il y a 20 ans déjà, puis enceinte de mon Grand.Ben, vous savez quoi, cette semaine de la Koala's Family m'a donné envie d'y retourner en famille.Allez, c'est parti pour le carnet de voyage d'Elsa à Venise ! ******************************************Retrouvez ElsaInstagram : @elsa_koalasfamily******************************************Production : Stéphanie CordierMusique : Luk & Jo

 A novel about the glass trade in Murano, Italy, finds magic in characters that age hundreds of years and never die. New York Times bestselling author Tracy Chevalier joins guest host Courtney Collins to discuss her enduring characters who live and work in the decorative glassmaking trade outside Venice, why the author chose to follow one family continuously from the Renaissance to modern life and the beauty found in small moments. Her book is “The Glassmaker.”

Faites un don et recevez un cadeau : http://don.storiavoce.com/ Venise a su, dès l'époque médiévale, faire de sa particularité géographique un atout militaire et commercial indéniable. Sa puissance et ses artistes ont contribué à diffuser partout en Europe la légende grandiose de la très sereine République. Pour Storiavoce, Claire Judde de Larivière raconte l'histoire de Venise par un prisme original : celui du quotidien de ses habitants à la fin du Moyen Âge. Que cela signifie-t-il concrètement d'être Vénitien en 1520 ? La réponse recouvre des réalités plurielles, une communauté riche de différents corps de métiers, d'origines géographiques et de pratiques religieuses variées. L'étude de la ville à l'échelle quotidienne permet de matérialiser très concrètement des dynamiques de pouvoir, de sociabilité, d'entraide et d'exclusion qui s'exercent dans l'Occident médiéval. Claire Judde de Larivière propose une rencontre avec ces Vénitien.ne.s de la fin du Moyen Âge qui participaient, chacun.e.s à leur manière, à faire de la ville la puissante cité qui fascine encore aujourd'hui. L'invitée : Claire Judde de Larivière est professeure d'histoire médiévale à l'université de Toulouse Jean Jaurès. Elle est spécialiste de l'histoire sociale et politique de Venise à la fin du Moyen Âge et pendant la Renaissance. Elle a publié La Révolte des boules à neige. Murano face à Venise, 1511 (Fayard, 2014) et L'Ordinaire des savoirs. Une histoire pragmatique des sociétés vénitiennes. XVe-XVIe siècle (Éditions de l'EHESS, 2023). Au micro de Storiavoce, elle présente son dernier livre : Vénitiens ! Vénitiennes ! La traversée d'une ville (Venise, 1520) (Seuil, 2024, 288 p., 33 €). *** Facebook : https://www.facebook.com/HistoireEtCivilisationsMag Instagram : https://www.instagram.com/histoireetcivilisations/ Twitter : https://twitter.com/Storiavoce

Robert Ward is joined by Bill Emmott, Chairman of the IISS Trustees, Murano Masashi, a senior fellow with Hudson Institute's Japan Chair, and Dr Baldauff Nanae, Non-Resident Senior Associate Fellow at the NATO Defense College to discuss Japan and deterrence. Robert, Bill, Masashi and Nanae discuss:  · The strategic definition of deterrence, from what it entails to how it works· Nuclear deterrence, including Japan's strategy amid the nuclear arms race in East Asia· Integrated deterrence, including Japan's efforts to deepen and integrate operations with allies and partnersWe hope you enjoy the episode and please follow, rate, and subscribe to Japan Memo on your podcast platform of choice. If you have any comments or questions, please contact us at japanchair@iiss.org. Date recorded: 31 October 2024  Japan Memo is recorded and produced at the IISS in London.  Hosted on Acast. See acast.com/privacy for more information.

The art of (Venetian) Murano glass bead making (now a recognized UNESCO slice of cultural heritage) is a treasure trove of history, craft, and culture that dates back to the 13th century. Beyond the allure of Murano's famed glass, these Venetian beads hold a unique legacy shaped by centuries of trade, cultural exchange, and artistry.  If you're inspired to explore the rich tradition of Murano glass beads, Venice offers various reputable artisanal workshops, especially on Murano. While mass-produced imitations have flooded the market, authentic Murano glass beads are found in trusted shops and family-run artisanal studios on Murano Island. Artisans on Murano still work in glass workshops that are hundreds of years old, maintaining an extraordinary level of craftsmanship. Each family of bead makers often carries stories of the beads they've produced and the innovations they've contributed to Venetian glassmaking......

From his Micromorphisms to his Opticals and Pinwheels, Dan Alexander explores the mesmerizing world of optical illusions, where intricate designs and mind-bending patterns come to life in stunning glass artistry. From captivating sculptures to breathtaking installations, each piece in this collection is a testament to his artistry and craftsmanship. Much of Alexander's inspiration comes from photographs he has taken or his travels. Looking at one micro-aspect of an object, he envisions how that small segment could be used in repetition to create an overall pattern. An example would be looking at one single coral in the ocean and repeating its colors and shape over and over again to make a large glass tile. By rolling that glass tile up hot around a glass bubble or collar, he makes a large vessel. The artist uses the blown glass process to create a three-dimensional canvas on which his murrine and patterns can be displayed.  Says Alexander: “The work I am currently exploring is inspired by nature, textiles, travel, and architecture – more specifically patterns therein. Being an artist and world traveler, I look at the world around me and try to determine how it could be translated to glass.” Having grown up in a small farming town in northeast Ohio, Alexander has always been interested in art, history, nature, and creating. Upon seeing glass being made for the first time at Hale Farm and Village, Bath, Ohio, he knew this was a trade he had to master. He received his BFA in glass from Kent State University, where he was able to explore glass as an artistic medium while being introduced to working with other materials, history, color theory, and composition.  Following graduation, Alexander studied with some of the top glass artists in the field today and worked in Murano, Italy, with Maestro Davide Salvadore creating large scale blown glass art. Later, he worked for the Corning Museum of Glass as lead gaffer, where he spent six years traveling the world and educating the public about the science and history of glass art. Eventually Alexander decided to take on a new role as the studio director of Third Degree glass factory, St. Louis, Missouri, producing higher volume work, site specific installations, and overseeing studio operations and glass production.  In 2016, Alexander began to branch out and create a name for himself as an independent artist. In recent years he was awarded an emerging artist residency at Duncan McClellan's Gallery in St. Petersburg Florida, the AACG professional artist residency at GoggleWorks Center for the Arts in Reading, Pennsylvania, and Empire of Glass exhibition/residency in Vienna, Austria. He was nominated for the Glass Art Society's Saxe Emerging Artist Award and received an international exhibiting artist award from the Effect, Dream, Transform exhibition in Uskudar, Turkiye. Alexander is currently building a private studio and 501C3 nonprofit in St. Petersburg, Florida, called Art, Education, Gathering Inc. or AEG. Its tagline is: From Glass to Growth – Building Communities Together. AEG will offer community outreach, using glass as a form of STEM education, residencies, mentorships, classes and an emergency program for artists affected by disaster. Says Alexander: “Education is an extremely important aspect. If the public wasn't interested in art, many mediums would suffer. The more knowledge we can share with the public, the more sales, donations, and funding will be put into the arts.”    

Newly appointed Nissan Canada President Trevor Longley talks about how he landed his new role, discusses the new Kicks and Murano, addresses ZEV mandates, commits to sedans, and more.

- GM Invests in Battery Nano-Coating - Corvette ZR1 Officially Fastest American Car Ever - Big U.S. Investment in Battery Thermal Barriers - Stellantis Suspends More Vehicle Production - UK Drivers Don't Want EVs - Toyota Testing Humanoid Robots - Murano Gets Bold New Looks - Ferrari's Reveals Most Powerful Production Car Ever - WeRide Launches New Robotaxi Van - Pony.AI Planning U.S. IPO

- GM Invests in Battery Nano-Coating - Corvette ZR1 Officially Fastest American Car Ever - Big U.S. Investment in Battery Thermal Barriers - Stellantis Suspends More Vehicle Production - UK Drivers Don't Want EVs - Toyota Testing Humanoid Robots - Murano Gets Bold New Looks - Ferrari's Reveals Most Powerful Production Car Ever - WeRide Launches New Robotaxi Van - Pony.AI Planning U.S. IPO

We visit Northern Italy, stopping first in Murano to learn about the island's glass production today, then across to Lombardy to reflect on the outstanding works on show at the Lake Como Design Festival. Plus, what are the challenges of designing bespoke interiors fit for the sky? We meet the founder of a luxury brand, Unique Aircraft.See omnystudio.com/listener for privacy information.

This podcast episode is part of Afar, A Retrospective. As part of Afar's 15-year anniversary celebration, this episode from our sister podcast, Travel Tales by Afar, was selected as one of our favorites. We hope you enjoy it as much as we do—and stay tuned for more archival Travel Tales episodes from September - December 2024. Explore more of our favorite stories over the years at afar.com/fifteen. Hoping to recreate the same magical trip she took as a teen, author Emma John takes her friend's 13-year-old daughter to Venice. But instead of awe, she's filled with anxiety as she flies through a packed itinerary and struggles to impress her teenage companion. Will a reluctant teenager give into the wonders of the Floating City? A Gondolier Wake Up Call In this episode, discover: Ideas for a week-long trip to Venice, beyond hitting tourist hot spots.  How to (and how not to) dress for a visit to St. Mark's Basilica.  What one traveler did to help a teenager fall in love with Venice.  “What Are We Going to Do Next?” Don't miss these transformative travel moments:  [02:13] A midnight chase in the streets of Venice.  [05:38] Glass blowing at Murano, making Venetian masks and an otherwise packed itinerary.  [07:35] The unexpected views that led to a breakthrough.  Single in St. Mark's Square When Emma John was a teen, her mom's single friend took her on a life-changing trip to Venice. An Afar contributing writer, and a traveler who is up for anything, Emma has written about country bluegrass, cricket and her most recent book is a memoir about singleness: Self-Contained: Scenes From a Single Life.  In this episode of Travel Tales by Afar, she rediscovers the magic of Venice and learns a thing or two about travel itineraries and connections.  Resources • Read Emma's original story.  • Explore her other work.    • Check out Afar's Venice travel guide.            Be sure to subscribe to the show and to sign up for our podcast newsletter, Behind the Mic, where we share upcoming news and behind-the-scenes details of each episode. And explore our second podcast, Travel Tales, which celebrates first-person narratives about the way travel changes us.

In today's episode, METM's founding director, Dr. Ben Zoghi, sits down with Dr. Elsa Murano, the Director of the Norman Borlaug Institute for International Agriculture & Development. Dr. Murano shares her incredible leadership journey. From being appointed the Under Secretary of Agriculture for Food Safety in the U.S. Department of Agriculture to being named the first woman president of Texas A&M University, Dr. Murano delves into the challenges and triumphs that have shaped her career. Listen in as she discusses her leadership philosophy, the importance of resilience, and offers invaluable advice for women aspiring to leadership roles. Technical Leadership Talks is brought to you by Texas A&M University's Master of Engineering Technical Management, a program that equips working technical professionals for the next step in their careers.

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Fluent Fiction - Italian: Venetian Inspiration: Love and Art in the Heart of Venice Find the full episode transcript, vocabulary words, and more:fluentfiction.org/venetian-inspiration-love-and-art-in-the-heart-of-venice Story Transcript:It: Giulia camminava lentamente tra le bancarelle del mercato artigianale di Venezia.En: Giulia walked slowly among the stalls of the artisan market in Venice.It: L'aria era fresca e profumava di foglie d'autunno.En: The air was fresh and smelled of autumn leaves.It: Il sole giocava tra le nuvole, creando ombre danzanti sui canali vicini.En: The sun played between the clouds, creating dancing shadows on the nearby canals.It: Gli artigiani esponevano i loro lavori: vetri colorati, gioielli fatti a mano, ceramiche dipinte.En: The artisans displayed their works: colored glass, handmade jewelry, painted ceramics.It: Ma Giulia non trovava l'ispirazione che cercava.En: But Giulia couldn't find the inspiration she was looking for.It: La sua prossima mostra si avvicinava, ma le idee sembravano sfuggirle.En: Her next exhibition was approaching, but ideas seemed to evade her.It: Nel frattempo, Marco passeggiava con la sua macchina fotografica in mano.En: Meanwhile, Marco strolled with his camera in hand.It: Era determinato a catturare l'essenza di Venezia per la sua esposizione.En: He was determined to capture the essence of Venice for his exhibition.It: Tuttavia, ogni immagine sembrava già vista, già catturata migliaia di volte.En: However, every image seemed already seen, already captured thousands of times.It: Decise di mettere via la macchina fotografica e semplicemente immergersi nel presente.En: He decided to put away the camera and simply immerse himself in the present.It: Mentre procedeva tra la folla, Marco vide Giulia, intenta a osservare un vetro soffiato.En: As he moved through the crowd, Marco saw Giulia, intent on observing a piece of blown glass.It: Decise di avvicinarsi.En: He decided to approach her.It: "Bello, vero?En: "Beautiful, isn't it?"It: ", disse, rompendo il silenzio.En: he said, breaking the silence.It: Giulia sollevò lo sguardo, sorpresa.En: Giulia looked up, surprised.It: "Sì, bellissimo", rispose, sorridendo timidamente.En: "Yes, beautiful," she replied, smiling shyly.It: La conversazione iniziò lentamente, ma col tempo divenne fluida e naturale.En: The conversation started slowly, but over time it became fluid and natural.It: Marco parlò della sua passione per la fotografia, mentre Giulia condivise le sue sfide artistiche.En: Marco talked about his passion for photography, while Giulia shared her artistic challenges.It: Improvvisamente, il cielo si oscurò e iniziò a piovere.En: Suddenly, the sky darkened and it began to rain.It: Tutti corsero a cercare riparo.En: Everyone rushed to find shelter.It: Giulia e Marco trovarono rifugio sotto un tendone vicino.En: Giulia and Marco found refuge under a nearby canopy.It: Mentre la pioggia batteva sul tetto, risero e chiacchierarono, ignari del tempo che passava.En: As the rain pattered on the roof, they laughed and chatted, unaware of the passing time.It: Marco mostrò a Giulia alcune delle sue foto, mentre lei gli spiegò i segreti del vetro di Murano.En: Marco showed Giulia some of his photos, while she explained the secrets of Murano glass to him.It: La pioggia divenne un sottofondo melodico alla loro discussione.En: The rain became a melodic background to their discussion.It: "Venezia è davvero unica", disse Marco, guardando Giulia.En: "Venice is truly unique," Marco said, looking at Giulia.It: "Non solo per la sua bellezza, ma per le persone e le storie che nasconde".En: "Not just for its beauty, but for the people and the stories it hides."It: Giulia annuì, sentendo una nuova energia dentro di sé.En: Giulia nodded, feeling a new energy inside her.It: "Forse è questo che mancava alla mia arte", pensò.En: "Maybe this is what my art was missing," she thought.It: Quando la pioggia cessò, il mercato si rianimò.En: When the rain stopped, the market came back to life.It: Giulia e Marco si salutarono con la promessa di rivedersi presto.En: Giulia and Marco said goodbye with a promise to see each other again soon.It: Giulia tornò nel suo studio, con idee fresche e nuove visioni.En: Giulia returned to her studio, with fresh ideas and new visions.It: Marco, invece, si sedette sulla riva del canale, non per scattare foto, ma per assaporare il momento.En: Marco, on the other hand, sat by the canal, not to take photos, but to savor the moment.It: Col passare dei giorni, Giulia e Marco si incontrarono spesso.En: As the days passed, Giulia and Marco met often.It: Con ogni incontro, Giulia trovava sempre più chiarezza per la sua mostra.En: With each meeting, Giulia found more and more clarity for her exhibition.It: Marco scoprì che Venezia non aveva bisogno di essere fotografata per essere apprezzata; doveva essere vissuta.En: Marco discovered that Venice did not need to be photographed to be appreciated; it needed to be lived.It: Alla festa di San Michele, le strade si riempirono di musica e allegria.En: At the San Michele celebration, the streets filled with music and joy.It: Giulia e Marco, tenendosi per mano, assaporavano ogni istante della celebrazione.En: Giulia and Marco, holding hands, savored every moment of the celebration.It: Insieme, trovarono la bellezza nell'imprevedibilità e la gioia nel semplice stare insieme.En: Together, they found beauty in unpredictability and joy in simply being together.It: Così, quella sera, sotto il cielo stellato di Venezia, nacque qualcosa di speciale.En: Thus, that evening, under the starry sky of Venice, something special was born.It: Un nuovo inizio per entrambi, ispirato dall'incontro fortuito in un giorno d'autunno.En: A new beginning for both, inspired by a chance encounter on an autumn day. Vocabulary Words:the stall: la bancarellathe artisan: l'artigianothe autumn: l'autunnothe shadow: l'ombrathe canal: il canalethe jewelry: i gioiellithe exhibition: la mostrathe idea: l'ideathe crowd: la follathe shelter: il riparothe canopy: il tendonethe roof: il tettothe photographer: il fotografothe glass: il vetrothe passion: la passionethe challenge: la sfidathe essence: l'essenzathe surprise: la sorpresathe secret: il segretothe discussion: la discussionethe clarity: la chiarezzathe celebration: la festathe joy: l'allegriathe beginning: l'iniziothe encounter: l'incontroto stroll: passeggiareto capture: catturareto immerse: immergereto darken: oscurareto savor: assaporare

A few days ago, if asked, I would have said I lacked the spaciousness and sanity to write this month. I know it would have been an excuse born of scarcity and fatigue — but summer is flaring into autumn, and time can seem like a horse bolting for the barn in the back half of the year. In a recent advisory on parents' mental health, the Surgeon General cited an APA finding that 48% of American parents feel completely overwhelmed every day. In the ordinary overwhelm of modern life, friends exchange waves from afar with an undertone of “you can call if you're in crisis; otherwise, just text.” Sound familiar?But then there's this: shadows lengthening across the field, the animalic resin of roasted chile and yellow clusters of Chamisa. In The Home Place: Memoirs of a Colored Man's Love Affair with Nature, the ornithologist and wildlife ecologist J. Drew Lanham reflects on the restlessness of autumn's arrival: “The Germans have a fine word for it: zugunruhe. A compound derived from the roots zug (migration) and unruhe (anxiety), it describes the seasonal migration of birds and other animals. In this wanderlust I want to go somewhere far away, to fly to some place I think I need to be. Nature is on the move, too, migrating, storing, and dying. Everything is either accelerating or slowing down. Some things are rushing about to put in seed for the next generation. A monarch butterfly in a field full of goldenrod is urgent on tissue-thin wings of black and orange to gather the surging sweetness before the frost locks it away. Apple trees and tangles of muscadines hang heavy. The fruit-dense orchards offer a final call to the wildlings. Foxes, deer, coons, possum, and wild turkeys fatten in the feasting. The air is spiced with the scent of dying leaves. The perfume of decay gathers as berries ripen into wild wine. Even the sun sits differently in an autumnal sky, sending a mellower light in somber slants that foretell the coming change.”Something is shifting in the air. Equinox, the threshold of autumn, arrives with an invitation to notice the restlessness and, further, to consider the phenomenon of balance in nature. Because on Equinox, from Latin aequus (equal) and nox (night), the light steadies itself between day and night, and in a hardly perceptible motion, the seasons turn toward each other, bow in symmetry, and exchange place.I am reminded of a place in the Amazon I visited years ago. Manaus is located nine hundred miles arterially inland from the Atlantic Ocean, deep in the body of the rainforest. The city is home to more than half of the region's human inhabitants and a staggering array of life: 40,000 plant species, 3,000 fish species, 1,300 bird species, 430 mammal species, and 2.5 million insect species.In the latter half of the 19th century, fueled by rubber exports and indentured servitude, Manaus briefly enjoyed the status of the wealthiest city in the world. Colonial commentators dubbed it the “Paris of the Tropics,” thanks to its electricity, drinking water, and sewage systems—nouveau luxuries in its day.Together, we are making sense of being human in an era of radical change. Your presence here matters. Thank you for reading, sharing, ‘heart'ing, commenting, and subscribing to The Guest House.One of the city's crowning achievements was Teatro Amazonas, perhaps the world's most improbable opera house. First conceived in 1881, the opera premiered on January 7, 1897, with a performance of Ponchielli's La Gioconda by world-renowned tenor Caruso. By all accounts, the evening was magnificent. The finest materials had been imported from Europe, including 198 chandeliers—32 made from Murano glass—and 36,000 ceramic tiles arranged over the dome in an impressive mosaic of the Brazilian flag. The opera house's most specific and transcendent feature was a 75-meter-high stage curtain depicting the water goddess Iara above a local site, the Encontro das Águas, or Meeting of the Waters. The Rio Negro, as its name implies, is black, colored by decayed plant matter, and descends from the Colombian hills. By contrast, the Rio Solimões is milky brown and carries sediment from the Andes Mountains. When these two rivers meet, they do not immediately blend but remain distinct for six kilometers (3.7 miles) before finally merging into the great Rio Amazonas, the Amazon River. Their respective temperatures, speeds, and compositions contribute to an extraordinary symbiosis wherein they balance each other and flow together, reconciled to their mutual existence. Of my time in Manaus, I remember the midday sun pressing downward on my shoulders and the taste of dark tannins in the wet air. The freshwater creatures on display at the local market gleamed slick and otherworldly. But most of all, I remember reaching my hands into two rivers as our wooden boat steadied between them.As Equinox opens the door to Libra season, I'm reminded of the transmission of the meeting of the waters: two rivers centered calmly, two currents in harmony. Libra is symbolized by the scales held by Themis, the Greek personification of divine law and balance, who invites us to reflect on equilibrium—on the balance between light and dark, between movement and stillness. When autumn arrives with its gold and slanting light, with its sweet bark, it offers us an earthly reminder. We are delicately set within these bodies and the turning of time, responsible for cultivating steadiness where we place our hands.And one more thing: the word essay comes from French, essai (to try). In this pivot into the year's final quarter, perhaps trying is what we can do. We can show up and steady ourselves, one word, one day at a time. Get full access to The Guest House at shawnparell.substack.com/subscribe

In this episode, the FAQ is: How do I keep track of travel memories so I don't forget them?   Today's Destination is: Venice, Italy Part 3 Today's Misstep: Tickets to the Opera in Venice were sold out   Travel Advice: Stick to the outskirts for fewer tourists   FAQ: How do I keep track of travel memories so I don't forget them? Answer: Our memories may not be as sharp as we age, so recording our best thoughts in writing may be more critical. I use the Notes app on my phone, my audio recording app, and take lots of photos and videos while I travel. I do not post to social media while I travel, but wait until later most of the time to curate my memories in blogs and podcasts like this one.   How you record and save your memories is really up to you. Whatever your process is, make sure you have enough memory and battery and that you capture the essence of your travel, whether it's a person you met, a place you want to return to, or a special meal you ate.   Today's destination: Venice, Italy Part 3   To really enjoy Venice, Italy, as a tourist, you have to learn to get in synch with the city's vibe. It would be best if you had a lot of patience. My experiences were as a solo female, and yours may differ depending on your adventure step. It's a Step 5 destination.  If you visit Venice now, you will pay a daily fee. Show notes have more on this.  https://www.cnn.com/travel/article/venice-entry-fee-explained/index.html The highlights were on the water, where I spent almost all of my time.   https://en.venezia.net/venice-vaporetto-tickets.html Study your transportation options ahead of time, if possible. Patience.    https://www.parrocchiecavallinocavio.it/ancient-church-of-saint-mary-elizabeth/ Saint Elena and Saint Mary Elizabeth are at the end of line 1. I'm heading to the beach here for a swim. Swimming

Talk Art returns for Season 23! We meet Culture-loving Rob Rinder MBE and Architecture-fan Rylan Clark as they follow in the footsteps of 19th century romantic poet Lord Byron, and other Grand Tourists, on the 200th anniversary of his death.We discuss Caravaggio, Murano glass blowing, Artemisia Gentileschi & her censored ‘Allegory of Inclination' (1816) and what it was like to become nude life models themselves. We explore how they met the Venice-based drag/art collective House of Serenissima, and hear all the gossip from the historic era of the Grand Tour.Rob and Rylan's Grand Tour follows Rob Rinder and Rylan Clark – presenters, friends, and men who love the finer things in life – as they discover the greatest art treasures in Italy, finding out more about themselves along the way. Together, they retrace the steps of countless English aristocrats who took the Grand Tour – the original gap year – leaving behind the confines of British society for freedom and discovery abroad. But can the Grand Tour still work its magic today?Starting their journey in the winding canals of Venice, Rylan and Rob are ready to embark on the Grand Tour, once a cultural rite of passage designed to turn young men into distinguished gentlemen. In the city, they unveil one of the largest canvas paintings in the world, Tintoretto's Il Paradiso, leaving them in awe. They also learn about the legacy of Italian painter Canaletto before heading off to the quaint island of Murano, famous for its glass blowing art. Rob, a lover of opera and poetry, attempts to realise a lifelong dream by conducting Vivaldi's Four Seasons in the same church it was first performed in. Meanwhile, Rylan learns all about the lesser known side of the famous Venice Carnival. In episode two, Rob and Rylan head to the Renaissance city of Florence, the “Beating Heart of Tuscany”. Famous for its many museums and art galleries, this charming city is oozing with history around every corner. Set out to uncover the secrets of the Renaissance period, the pair soak up the sights, including the well known Uffizi Gallery in the historic centre, home to pieces by legendary artists Leonardo da Vinci, Michelangelo and Raffaello. They go on to visit more iconic locations: the Stibbert Museum, the Bargello Museum, Piazzale Michelangelo, Piazza Santa Croce during the final of the Calcio Storico, Piazza della Signoria, Piazza Santa Maria Novella, and Ponte alle Grazie. Along the trip, the duo learnt what it meant to be a Grand Tourist, trying on flamboyant Italian looks, fencing, dancing.On their final stop, the dynamic duo head to Italy's capital city, Rome. Here they enjoy exploring the classical ruins of the famous Colosseum and the Roman Forum as well as the Pantheon. Channelling their love of opera, Rylan and Rob enjoy a rooftop performance with sensational views of the city in the background.Rob and Rylan's Grand Tour is available now to stream on BBC iPlayer.Follow @RobRinder and @Rylan Hosted on Acast. See acast.com/privacy for more information.

The newly elected Chair of the Women and Equalities Select Committee, Labour MP Sarah Owen, joins Anita Rani on the programme to discuss the remit of her new role and what she hopes to achieve. Tracy Chevalier's new novel The Glassmaker follows a Murano glassmaking family through hundreds of years of Venetian history. Time plays strange tricks as it follows Orsola Rosso, who is nine in 1486, all the way to the present day, when she is in her late sixties. Tracy joins Anita to discuss her love story that encompasses centuries of passion and longing. 72-year-old Gisele Pelicot has been testifying in court against her husband, Dominique. He is accused of drugging her repeatedly over the course of a decade and inviting men to the house to rape her while she was unconscious. This was only discovered because he was caught by the police for upskirting in 2020. To get the latest updates on the case, Anita speaks to BBC Correspondent Andrew Harding. She is also joined by campaigner Gina Martin, who helped to make upskirting illegal in the UK.A new play, The Lightest Element, which has opened at Hampstead Theatre, explores the life and career of astronomer Cecila Payne-Gaposchkin, the first person to work out what stars are made of. Anita is joined by actor Maureen Beatie, who plays Cecilia, and the playwright Stella Feehilly. Presenter: Anita Rani Producer: Emma Pearce

This week the Filipina artist Goldie Poblador who works in scent and glass interactive instillation art.  Goldie specializes in glass flameworking combined with performance, video, installation, and scent embodying themes of feminism, the environment, and decolonization as it relates to the body.  Goldie was born in Manila, The Philippines in 1987. Her parents; Napoleon Poblador, a lawyer and painter and Gizela Poblador, a home-maker who had earlier studied dentistry. Goldie is the eldest of four children; she has three younger brothers. She was, she says, an imaginative child who enjoyed creating worlds and performing. Her parents exposed her to art and music; she visited art shows, galleries and museums, learned the piano, and performed in a drama club. By the age of 18 Goldie was performing in a Punk band; something she likes to recreate today for fun. But it was her fascination with glass and painting that would steer her through college. She graduated from the University of The Philippines in 2009 with a BFA in Studio Art and later with an MFA Glass from the Rhode Island School of Design. Between colleges Goldie was introduced to the Scuola Abate Zanetti in Murano, Italy. She also worked as an artist and attended the Pilchuck Glass School in Seattle, co-founded by the renown glass sculptor Dale Chihuly.  Goldie has been exhibited internationally at such institutions as the Yangon Secretariat Building Knockdown Center, Cemeti Art House, Singapore Art Museum, Bangkok Art and Culture Center, Fine Art Museum of Hanoi and The Cultural Center of the Philippines. She is currently working on a show for the Art Fair in The Philippines in 2025. Goldie will be a featured artist in the Sensorium, Stories of Glass and Fragrance; an exhibition that will explore the millennia-long relationships between glass, perfumery, and the storage of scent, at the Corning Museum of Glass (CMoG) from September 7, 2024 - February 1, 2025.  Goldie is married to Joseph Sousa and the couple live in New York City. https://goldiepoblador.com/InformationInstagram: @_goldieland https://www.instagram.com/_goldieland Goldie's favorite female artists:Janine AntoniAgnes ArellanoJoan JonasCamille ClaudelKiki SmithHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the Filipina artist Goldie Poblador who works in scent and glass interactive instillation art.  Goldie specializes in glass flameworking combined with performance, video, installation, and scent embodying themes of feminism, the environment, and decolonization as it relates to the body.  Goldie was born in Manila, The Philippines in 1987. Her parents; Napoleon Poblador, a lawyer and painter and Gizela Poblador, a home-maker who had earlier studied dentistry. Goldie is the eldest of four children; she has three younger brothers. She was, she says, an imaginative child who enjoyed creating worlds and performing. Her parents exposed her to art and music; she visited art shows, galleries and museums, learned the piano, and performed in a drama club. By the age of 18 Goldie was performing in a Punk band; something she likes to recreate today for fun. But it was her fascination with glass and painting that would steer her through college. She graduated from the University of The Philippines in 2009 with a BFA in Studio Art and later with an MFA Glass from the Rhode Island School of Design. Between colleges Goldie was introduced to the Scuola Abate Zanetti in Murano, Italy. She also worked as an artist and attended the Pilchuck Glass School in Seattle, co-founded by the renown glass sculptor Dale Chihuly.  Goldie has been exhibited internationally at such institutions as the Yangon Secretariat Building Knockdown Center, Cemeti Art House, Singapore Art Museum, Bangkok Art and Culture Center, Fine Art Museum of Hanoi and The Cultural Center of the Philippines. She is currently working on a show for the Art Fair in The Philippines in 2025. Goldie will be a featured artist in the Sensorium, Stories of Glass and Fragrance; an exhibition that will explore the millennia-long relationships between glass, perfumery, and the storage of scent, at the Corning Museum of Glass (CMoG) from September 7, 2024 - February 1, 2025.  Goldie is married to Joseph Sousa and the couple live in New York City.  https://goldiepoblador.com/InformationInstagram: @_goldieland https://www.instagram.com/_goldieland Goldie's favorite female artists:Janine AntoniAgnes ArellanoJoan JonasCamille ClaudelKiki SmithHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

In this episode of Venice Talks, Monica sits down with Matteo Silverio from Rehub Glass to explore how they are revolutionizing the upcycling of Murano's non-recyclable glass waste. Rehub's innovative approach transforms discarded materials into stylish, sustainable, and custom-made solutions.Here's what you'll learn:Sustainability in Action: How Rehub gives new life to non-recyclable glass waste, reducing raw material use and CO2 emissions.

“Murano is filled with secrets…” Arthur and Kozlowski row across the Venice lagoon by torchlight, in search of secret island... Don't want to wait for the next episode? Consider becoming a patron or subscribing on Apple Podcasts to get early access, listen without ads, and get bonus episodes! The Amelia Project is created by Philip Thorne and Oystein Brager and is a production of Imploding Fictions. This episode featured Alan Burgon as The Interviewer, Hemi Yeroham as Kozlowski, Alexander Ananasso as Adriano and Julia C. Thorne as Alvina.  The episode was written and edited by Philip Thorne with story editing by Oystein Brager, direction by Philip Thorne and Oystein Brager, music and sound design by Adam Raymonda, production assistance by Maty Parzival and graphic design by Anders Pedersen. Website: https://ameliapodcast.com/ Transcripts: https://ameliapodcast.com/season-5 Patreon: https://www.patreon.com/ameliapodcast Donations: https://ameliapodcast.com/support Merch: https://www.teepublic.com/stores/the-amelia-project?ref_id=6148 Instagram: https://www.instagram.com/ameliapodcast/ Tumblr: https://www.tumblr.com/ameliapodcast X: https://twitter.com/amelia_podcast Bluesky: https://bsky.app/profile/theameliaproject.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

The episode explores the rise in prescriptions for weight loss medications among young people, particularly females. It delves into the impact of medications like Wegovy, Zepound, Ozempec, and Murano on obesity medicine and public perception. The host and guest discuss the significant increase in prescriptions from 8,000 in 2020 to over 60,000 in 2023, highlighting the importance of addressing weight gain and promoting weight loss, especially among youth.

Fred Wilson's artistic output includes painting, sculpture, photography, and collage, among other media. But his 1992 work “Mining the Museum” at the Maryland Historical Society used the museum's own collection as its material, radically reframing how American institutions present their art. Wilson went on to represent the United States at the 2003 Venice Biennale. For that exhibition, Wilson commissioned a black glass chandelier from the famed Venice glassmakers on the island of Murano. Wilson titled the piece “Speak of me as I am,” after the line from Shakespeare's tragic Venetian, Othello. In the years since then, Wilson has made several other pieces that engage with Othello, many of them made from the same evocative black Murano glass. In a new installation piece commissioned by the Folger, Wilson brings together two sides of his artistic practice: institutional critique and glass sculpture. It's titled “God me such uses send, Not to pick bad from bad, but by bad mend”—another line from Othello, this one spoken by Desdemona. The installation includes a massive black-glass mirror, ornately etched and filigreed. Visitors see themselves reflected in the mirror, along with a portrait of Queen Elizabeth that hangs opposite the mirror in the gallery. On another wall hangs an engraving of the actor Ira Aldridge in the role of Othello, alongside lines from the play written out in Aldridge's own hand. The piece brings together questions of identity, belonging, erasure, and representation—and lets those facets reflect and refract one another, without easy answers. On this episode, Wilson discusses the piece with host Barbara Bogaev. Fred Wilson's installation, “God me such uses send, Not to pick bad from bad, but by bad mend,” will welcome visitors to the Shakespeare Exhibition Hall when the Folger reopens on June 21. From the Shakespeare Unlimited podcast. Published June 4, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Digital Island Studios in New York and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Angela Hartnett is a Michelin starred chef, restaurateur and podcast host. After studying for a history degree, she began working in a local pub before joining Gordon Ramsay at his first restaurant, Aubergine. She worked with Gordon for 17 years before deciding to go it alone. She now runs several restaurants of her own including the Michelin-starred Murano in Mayfair. Angela's podcast, Dish from Waitrose, is available on all podcast providers.

The Michelin starred chef and restaurateur Angela Hartnett likes crisps, prefers cheese to dessert, and her favourite pasta is spaghetti in a tomato sauce. Simple tastes for someone who's famous for giving people fine dining experiences. A protegee of Gordon Ramsay, Angela cheffed in some of the best restaurants in the world before opening her own Murano in Mayfair.She's famous and in demand for her TV appearances and hosts the excellent and entertaining podcast Dish along with Nick Grimshaw. Whilst growing up, she inherited the values of wholesome food and the importance of the family meal from her Italian grandmother. So we askes her to share the music that she's inherited with us.Inherited: Simply the Best by Tina Turner Passed on: Nessun Dorma by Giacomo Puccini, performed by Luciano PavarottiProducers: Ben Mitchell and Catherine Powell

In this captivating episode, we embark on a journey through Venice's rich artistic heritage with the incomparable professional guide, Monica Gambarotto. Join us as we unravel the intricate history of Venice's artisans, delve into the concept of "Made in Venice," and uncover the fascinating world of guilds that shaped the city's identity.Key Notes:Artisanal Legacy: Discover the centuries-old traditions of craftsmanship that have defined Venice's artistic landscape, from glassmaking to lacework, and learn how these traditions continue to thrive in the modern era."Made in Venice": Explore the significance of the "Made in Venice" label and its role in preserving the authenticity and quality of Venetian artisanal products, from Murano glass to Venetian masks.Guilds of Venice: Step into the historical guilds that once governed the city's artisans, regulating trade practices, setting standards of quality, and fostering a sense of community among craftsmen.Join us for an enlightening conversation that celebrates Venice's artisans and their enduring contributions to the city's cultural tapestry.Venice Talks, hosted by Monica CesaratoProduced by Monica Cesarato, Sentire Media.Guest: Monica GambarottoTune in now to gain a deeper appreciation for Venice's artisanal traditions and explore the stories behind the city's renowned craftsmanship.

Private Water Taxis: Navigating Venice's Waterways in StyleVenice is comprised of an intricate network of canals. For a truly luxurious experience, opt for a private water taxi to whisk you away to your destination. Glide through the shimmering waters of the Grand Canal, passing historic palaces and ornate bridges, as your knowledgeable guide tells the tales of Venice's storied past! Private water taxis typically cost 70-80 Euros and are well worth the ride.Hotel ai Cavalieri di Venezia: A Luxurious RetreatUnwind in style at the Hotel ai Cavalieri di Venezia, a luxurious boutique hotel nestled in the heart of Venice's historic center. Indulge in elegant accommodations adorned with sumptuous furnishings and modern amenities, and savor exquisite Venetian cuisine at the Hotel's gourmet restaurant. With its impeccable service and prime location, Hotel ai Cavalieri di Venezia offers the perfect base for exploring all that Venice has to offer.Mask Stores: Unveiling Venice's Carnival TraditionStroll through Venice's enchanting mask stores, which hark back to the city's famous Carnival celebrations. In addition, you can explore the narrow alleys of this "City of Mazes" to discover hidden gems where artisans craft exquisite masks using traditional techniques passed down through generations. Whether you're seeking a whimsical souvenir or a stunning piece of wearable art, Venice's mask stores offer something for every taste. Shopping: A Venetian Retail TherapyIndulge your inner shopaholic as you meander through Venice's charming streets lined with boutiques and artisanal shops. From high-end fashion boutiques showcasing Italian luxury brands to quaint artisan workshops selling handcrafted goods, Venice offers a shopping experience like no other. Treat yourself to Venetian lace, Murano glass jewelry, or delectable Venetian delicacies. Venice is the perfect place to find a souvenir. This way, you can remember Venice long after you've returned home. My favorite souvenirs from Venice were a porcelain blue and gold mini mask I bought the first time I visited and a matching red and gold leather crossbody purse and wallet, which I was gifted by family members who visited Venice.Basilica di San Marco and Doge's Palace Tour: A Glimpse into Venice's Glorious PastStep back in time as you explore the iconic landmarks of Venice, including the magnificent Basilica di San Marco and the imposing Doge's Palace. Marvel at the intricate mosaics adorning the basilica's façade, depicting scenes from biblical tales and Venetian history. Then, venture inside to admire the opulent interior adorned with shimmering gold leaf and precious marbles. Next, embark on a guided tour of the Doge's Palace, once the seat of Venetian political power, and immerse yourself in the grandeur of its ornate chambers and lavish frescoes.Private Gondola Rides: Romance on Venice's CanalsNo trip to Venice would be complete without a romantic gondola ride along its tranquil waterways. Snuggle up with your loved one as your gondolier serenades you with melodic Italian ballads, offering a unique perspective of Venice's iconic landmarks bathed in the golden light of dusk. Opt for a private gondola ride for an intimate experience that promises to create cherished memories that will last a lifetime.Theater La Fenice: A Cultural ExtravaganzaImmerse yourself in Venice's vibrant cultural scene with a visit to the illustrious Teatro La Fenice. Renowned for its spectacular opera performances and classical concerts, La Fenice promises an unforgettable evening of artistic excellence. Marvel at the theater's opulent interiors adorned with gilded stucco work and intricate frescoes as you enjoy a captivating performance by world-class artists. If you don't have time to see a show but still want to visit the gorgeous Teatro, you can take an audio tour.Concerts at Vivaldi's Four Seasons: Musical Magic in VeniceFor music aficionados, a visit to Vivaldi's Four Seasons promises an unforgettable auditory experience. Situated in the heart of Venice, this historic venue hosts a series of concerts showcasing the timeless works of the legendary composer Antonio Vivaldi. Lose yourself in the sublime melodies of Vivaldi's masterpieces as you bask in the intimate ambiance of this historic concert hall.Murano Glass Factory Tours: A Fascinating Artisanal TraditionEmbark on a journey to the nearby island of Murano to discover the centuries-old tradition of Murano glassmaking. Witness skilled artisans at work as they transform molten glass into exquisite works of art using age-old techniques passed down through generations. Marvel at the dazzling array of glass sculptures, chandeliers, and jewelry on display, and perhaps even purchase a one-of-a-kind piece to adorn your home.A Day Trip to The Colorful Fishing Village of Burano: A Photographic ParadiseEscape the crowds of Venice and venture off the beaten path to the picturesque island of Burano. Famous for its vibrant pastel-colored houses and intricate lacework, Burano offers a tranquil retreat from the hustle and bustle of the city. Explore the quaint streets lined with charming cafes and artisanal shops, and don't forget to capture the postcard-perfect scenes that abound at every turn.Venice captivates the imagination with its timeless beauty, rich history, and vibrant culture. Whether you're gliding along its tranquil waterways in a private gondola, exploring its iconic landmarks, or immersing yourself in its rich art and music scene, Venice promises a truly magical experience that will linger in your memory long after you've bid arrivederci to this enchanting city.