Podcasts about visual artists

In this episode of The Truth In This Art, the guest is Dina AZ. Salem!About Dina AZ. Salem: Washington, DC–based abstract artist born in Alexandria, Egypt, working across painting and sculpture to create materially driven works that explore healing, transformation, memory, and resilience. Through layered surfaces, texture, and unconventional materials, her practice investigates how personal experiences can be translated into visual language. She signs her work with the initials of her late father, honoring the person who first encouraged her artistic journey.In our conversation, Salem talks through growing up as a hyperactive child in Alexandria, Egypt, and how her mother discovered that painting calmed her down—leading to a lifelong artistic practice that began at four or five years old. She shares how her father, Ahmed Zaki, a CFO who never used a calculator in his life, would sit next to her and watch her paint, eventually buying her early works for small amounts to encourage her. Salem recalls visiting her father's office at nine years old and finding all her blue paintings hanging on his walls, and how his passing when she was twelve stopped her artistic journey for years.She connects her path from applying to shoe design school in Italy to eventually attending Virginia Tech and landing in DC about four years ago, reflecting on how the journey "chose her." We get into her philosophy that materials carry memory—sourcing everything from sand to plaster to abandoned items found walking around DC and at Home Depot, her "happy place." As she puts it, she's interested in "how we become someone new without losing who we were." Salem discusses how living in two places has made her understand that "identity is never fixed, it's always evolving," and how she wouldn't create the same style of work if she had stayed in Egypt.Be sure to follow Dina AZ. Salem on Instagram at @dinaazsalem to keep up with her work and future projects.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Simone Phillips!About Simone Phillips: Award-winning content creator and event curator behind Charm City Table, Baltimore's popular food and beverage platform with more than ten million impressions per month. She's become a trusted voice in Baltimore's culinary scene, highlighting the people, places, and stories that shape the city's food culture. She also curates vertical videos for the Maryland Film Festival and works closely with Parkway Theater.In our conversation, Phillips walks through her journey from starting Charm City Table in 2017 as a hobby to journal her dining experiences. Growing up, she didn't eat out much—Golden Corral and IHOP at church functions, but never exploring Baltimore's dining scene. After graduating college and moving back to Baltimore, she started exploring Harbor East, Fells Point, the Inner Harbor, Canton, and fell in love with all the options. That curiosity became her whole life.She shares her humanitarian approach to content creation—thinking about the restaurant owners and their feelings as creatives, but also the people spending their money who see something and get excited about visiting. We get into what it takes to build a sustainable brand voice rather than chasing virality, why Baltimore remains her intentional focal point even as she partners with national brands in New York, Chicago, and California, and what she believes is missing from Baltimore's food scene to take it to the next level: elevated service as an art form.Be sure to follow Charm City Table on Instagram, Facebook, TikTok, and YouTube Shorts.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Louis-Antoine Gilbert!About Louis-Antoine Gilbert: French-American painter and artist known for his acrylic on canvas works that create the illusion of depth, living in Washington, DC for nearly a decade, creating colorful acrylic cityscapes inspired by brutalist and modernist architecture, art deco design, and graphic novels by Moebius, François Schuiten, and Benoît Peeters. His cubist-influenced work draws from M.C. Escher and Wassily Kandinsky, and he's also a musician, beat maker, and painting instructor.In our conversation, Gilbert talks through growing up in Paris with parents who brought him to free museums and concerts, first wanting to be an artist at age four after seeing an orchestra, and starting with graffiti following older kids in the streets. He connects his journey from Parisian punk bands to DC's basement show scene and digs into how DC's greenery—particularly Rock Creek Park—has transformed his gray, Parisian-inspired compositions into more hopeful work with vegetation. As he puts it, discovering DC made him realize "both cities, both of them have brutalist and modern buildings in them."He recalls meeting artist Autumn Spears early in his DC years, shares stories from selling affordable original drawings at the Little DuPont flea market every six weeks, and discusses learning that French house music actually originated from Detroit. We get into the realities of teaching painting in summers, the influence of graphic novels from his dad's collection, and how nearly a decade in DC has made him rethink the art deco shapes he loved from Paris.Be sure to follow Louis-Antoine Gilbert on Instagram at @antoine_paints to keep up with his work and future projects.Photo courtesy of subject.All views expressed by Louis-Antoine Gilbert are his own and not those of the Law Library of Congress or the Library of Congress The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Zoë Poindexter!About Zoë Poindexter: Documentary filmmaker, producer, and director based in Washington, DC. She attended journalism graduate school at Georgetown University, where she continues to work as a documentary teacher's assistant, and specializes in nonfiction storytelling.In our conversation, Poindexter walks through her journey to A Revolution Called Love, a feature documentary inspired by Black Love Day—a holiday created in DC in the nineties by Mama Ayo Handy-Kendi. After living in DC for almost ten years without ever hearing about it, she called the founder and asked to attend. She showed up in purple—the colors of Black Love Day, which happens to be her favorite color—stayed for the entire seven-hour ceremony, and came back saying, "Yes, this needs to be made into a film." The documentary is structured around the holiday's five tenets: love for the creator, love for yourself, love for family, love for community, and love for the Black diaspora. We explore how she's weaving community voices throughout—filming interviews with Black Washingtonians defining what those tenets mean to them, with select responses used as voiceover narration in the feature.She shares her commitment to telling positive stories that aren't clichés—"We have way too many clichéd stories about Black people, Black communities. I often ask myself, why do we need this again? Who is this actually being made for?" She hopes the film sparks conversation around what we think love is—a deeper dialogue about intention, community, and making work that's truly for us. This conversation came about through a shared passion for storytelling—and the belief that the stories we tell should actually be made for us.Be sure to follow the project (@blacklovedocfilm on Instagram, Black Love Documentary Film on Facebook) and visit BlackLoveDocumentary.com to learn more and support the crowdfund. Both Defining Love: Voices of Black DC (a short oral history film funded in part by Humanities DC) and A Revolution Called Love are currently in production.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Paloma Vianey!About Paloma Vianey: Interdisciplinary artist from Ciudad Juarez, Mexico, now based in Washington, DC. She holds an MFA from Cornell University and has created large-scale public art installations along the US-Mexico border, with work exhibited at major museums and galleries internationally. She is primarily a painter and educator, teaching at the collegiate level.In our conversation, Vianey walks through her artistic journey from beginning to paint as a teenager when Juarez was labeled "the most dangerous city in the world," using art as catharsis during years of violence. She recounts completing a groundbreaking 72-foot-wide community-funded border bridge mural in 2018, depicting a girl blowing bubbles with each bubble representing emblematic images of Juarez including a tribute to femicide victims. We dig into her signature "Chamara" paintings—labor-intensive works where she hand-sews canvas jackets with industrial zippers over oil-painted urban landscapes of Juarez, creating what she calls "portraits of the city." One painting captured a pink house she'd see every time crossing the border—until one visit when she discovered it had been painted white. "That was a little heartbreaking for me," she shares, explaining how these works archive the changing memory of her hometown through a lens of resilience and hope.She shares insights on finding community in DC after moving six times in five years, her love for the U Street corridor (particularly Taqueria Xochi for authentic Mexican food), and how DC has been generous in giving her platforms to show her work. This conversation came about after I encountered Vianey's work at Umbrella Art Fair—a chance discovery that sparked a deeper dialogue about representation, resilience, and the power of challenging negative narratives through art.Be sure to follow Paloma Vianey (@palomavianey on Instagram) and visit palomavianey.com to keep up with her work and future projects. Her exhibition "Un Mismo Cielo Entre Washington y Juarez" is on display at the Mexican Cultural Institute in Washington, DC until July 25th.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Miles Johnson!About Miles Johnson: Miles Johnson is a self-described "unclassically untrained oil painter" and mechanical engineer based in the DMV area. In over 4 years—starting with over a year on iPad before transitioning to oils 3 years ago—he has created numerous pieces. His late grandmother was a painter herself who created approximately 300 pieces and inspired his creative path. Miles first painted her portrait last summer for his solo show.Growing up, Miles would run cross-country to the Smithsonian, where Thomas Cole's four-part series "Voyage of Life" gave him a revelation: "I never thought that paintings were like almost manga panels." He also draws inspiration from Little Black Goat, incorporating anime-style faces into his work. Miles applies his engineering background with painting by creating bullet-point lists and maintaining over 200 pages of documentation in Google Docs. His research process studies figures like Fannie Lou Hamer—someone who was "born into sharecropping and ended up dying with a foundation that gave a million acres of land across Mississippi."Later we discussed Miles working on Common People Ain't Common, a 2025 undertaking. He made 100 pieces dedicated to celebrating the small moments in life and of the people he has observed.  His goal was to make this art affordable for the everyday people who supported him on his art journey. His aim is that these pieces will serve as a great investment for first-time collectors. His Instagram handle @MJonthewall pays homage to Michael Jackson's "Off the Wall" album. Connect with Miles on Instagram and TikTok at @MJonthewall or visit MJonthewall.com.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Bernard Feinsod!About Bernard Feinsod: Editor, producer, writer, director, sound designer, and voice actor with over 17 years of experience in comedy, documentary, news, variety entertainment, and live events. A Baltimore-raised, Brooklyn-based creative who started at NBC's Today Show at 21, spent eight years at Vice Media, and is now navigating the independent content creator landscape.In our conversation, Feinsod talks through his 17-year journey in post-production—from the NBC mail room to creative producer, working with Sony, Field and Stream, and Huckberry across television, film, and new media. He connects his Baltimore DIY roots to his New York work and digs into how transitioning from Vice staffer to freelancer reshaped his creative approach. As he puts it, "it's easy to get complacent when you have like a day job that's holding you down so well."He recalls his time at Vice Media as "the best job I ever had," shares stories from editing Bret Raybould's comedy special, and discusses heading into a new self-starting phase. We get into the realities of working from a Brooklyn apartment edit suite for six years, the mass exodus from Vice, and how the last two years as an independent have pushed him toward more passion-driven, project-based creative work.Be sure to follow Bernard Feinsod to keep up with his work and future projects.Photo credit: Dan St. Ours The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, the guest is Jacob Ming-Trent!About Jacob Ming-Trent: Acclaimed performer, playwright, and one of American Theater's people to watch. A celebrated artist bringing his solo play, How Shakespeare Saved My Life, to Washington, DC's Folger Theater, and later to The Public Theater in New York with Red Bull producing.In our conversation, Ming-Trent walks through his journey from a rough childhood in an abusive home to moving to New York at seventeen—having been homeless the previous year and recently dropped out of high school. He recalls the pivotal moment Shakespeare entered his life: at six years old, his father, an English major, mentioned the Bard alongside Amiri Baraka. Years later, he accidentally walked into the wrong classroom and was asked to read a Shakespeare speech. "It felt like home to me," he says. "The words were big enough to give context to my emotions that were inside."He digs into the origins of How Shakespeare Saved My Life, a play that poured out of him unexpectedly while working on a different project. The solo show follows a kid with a tough childhood who discovers Shakespeare and tries to use it to navigate his world—sometimes it works, sometimes it fails. "It's a raucous ride, it's outrageous, it's funny, it's sad, and in the end we experience some black joy," Ming-Trent shares. We discuss his decision to leave theater at 35 after feeling treated like "an affirmative action hire," his pivot to television in LA, and how a call from director Saheem Ali brought him back to the stage to lead Shakespeare in the Park in Merry Wives—which ultimately led to writing this play. He reflects on the influence of figures like Biggie, Tupac, James Baldwin, and Basquiat—all artists trying to save their lives through their work. He also talks about audience interaction, the differences between performing in Berkeley and DC, and why vulnerability and fear are necessary parts of telling personal stories.Be sure to follow Jacob Ming-Trent and catch How Shakespeare Saved My Life, running until July 5th at Folger Theater (201 East Capitol Street SE, Washington, DC). Tickets start at $20. The play is also published by Bloomsbury Publishing. After DC, the show heads to The Public Theater in New York. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

In this episode of The Truth In This Art, I sit down with Maurice Scarlett III!About Maurice Scarlett III: Maurice Scarlett III is a Baltimore-based visual artist and multi-disciplinary creative named after his father from West Baltimore. He is of Jamaican heritage and specializes in figurative art characterized by darker, alluring tones that capture the essence of Black figures. His journey began in 2010 with photography—documenting friends who were musicians, DJs, and clothing designers right after graduating high school. In 2017, fashion designer Kirby Jean-Raymond of Pyer Moss discovered him on Instagram and invited him to collaborate for New York Fashion Week, a pivotal moment that pushed him to take painting seriously.We talk about his evolution from photography to painting and how his work has become more grounded, immersive, and soulful—"more of his essence in it." Scarlett discusses his use of dark tones rooted in life experiences, grief, and learning to use pain as power. He explains his philosophy of embracing imperfections, quoting Miles Davis: "If you mess up on a key, keep that because that can make the song better."Scarlett describes his approach to portraying Black people in a "re-imagined way"—highlighting them beyond repetitive narratives of politics, slavery, and trauma. He shares how Baltimore shows up in his work subconsciously, with subtle cues that come naturally from growing up in the city. He introduces the word he associates with Baltimore art: grit—the do-it-yourself mentality of creatives who carved their own lane without waiting for platforms. His advice for artists: "Find your own lane, carve your own lane and stay within it, but at the same time experiment and stay curious—doing what's true to you."We also talk about the importance of living life to create soulful work, the danger of comparing yourself to other artists on social media, learning to pace yourself as a creator, his studio on North Avenue, and why Baltimore is a "cool melting pot" slowly getting its recognition.Follow Maurice Scarlett III on Instagram at https://www.instagram.com/mauricescarlett to see his work, including recent pieces "Smokey" (2024), "The Scene" (2025), and "Wu-tang Is For The Children" (2025).Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Episode 675 also includes an E.W. Poetic Piece titled, Glide. Our music this go round is provided by these wonderful artists: Thelonious Monk, Sarah Vaughn, Branford Marsalis & Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

Daramfon Morgan is a Canadian Nigerian visual artist and the founder of DCM ART CREATIONS, based in Halifax, Nova Scotia. His work explores identity, culture, and memory through a bold visual language that blends African heritage, Caribbean influence, and contemporary expression. Working primarily in digital painting, his pieces are known for their rich colour, layered symbolism, and ability to tell stories that resonate across the diaspora.Through collections such as Faces of the Diaspora, We Carry the Fire and We Wear Our Stories, Daramfon uses art as a tool for storytelling, education, and connection. His work reflects the lived experiences, traditions, and evolving narratives of Black communities, while also pushing into modern spaces such as public art, exhibitions, and digital platforms. His practice sits at the intersection of culture and innovation, with a growing focus on art licensing, murals, and large-scale visual storytelling.Beyond his studio practice, Daramfon brings a unique perspective shaped by his professional work in social development and community systems. This influence shows up in the intention behind his work, which often centres on visibility, belonging, and long-term impact. Whether through exhibitions, collaborations, or public installations, his goal is to create work that not only captures attention but leaves a lasting impression.Check him out @lifecover_art

Grief and healing are important themes in her work. When Katina Bitsicas’s father was dying of cancer, she recorded his feelings and impressions. Then after he died, she created a liquid light image of the type of cancer cells that ran through his body. Bitsicas also has compiled a book, Luci: The Girl with Four …

In some parts of the world, traditional herbal remedies are the norm. When we think of natural remedies we tend to think of older generations living in remote areas, in far away countries, with little access to modern healthcare. We rarely think about the ancient medicinal plants that might exist in our very own cities. On today's episode we look at plant and herb medicines through the lens of Michele Elizabeth Lee the author of Working The Roots: Over 400 Years of Traditional African-American Healing. Featuring: Michele Elizabeth Lee, Traditional Healing Practitioner, Educator, Visual Artist and the Author of Working The Roots: Over 400 Years of Traditional African American Healing Brandi Mack, Holistic Health Educator, Therapeutic Massage Therapist, Trauma-Informed Youth developer, Powerful Presenter, and Permaculture Designer Estrella Davina, Holistic Practitioner Making Contact Team: Executive Director: Jina Chung Staff Producers: Anita Johnson, Salima Hamirani, Amy Gastelum and Lucy Kang Digital Media Marketing: Lissa Deonarain Engineer: Jeff Emtman Music Credits: Blue Dot Session - Bedroll Blue Dot Session - 3rd Chair Lobo Loco - Alright in Louisiana Lobo Loco - Inside Your Body Audiobinger - The Garden State Learn More: Working The Roots Instagram Working The Roots: Over 400 Years of Traditional African American Healing Brandi Mack LA Times: Black Herbalist Black Women Herbalists Black Healers NY Times: Some Lessons from Herbalists Mojo Workin' African American Slave Medicine Sticks Stones Roots Bones Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

Artist, Mystic and all-around interpreter of worlds, Nikoo Bafti joins me to discuss the launch of The Transmutation Oracle Deck that she hand-crafted for the Philosophical Research Society. They have not made a tarot deck in over 100 years until they reached out to her. Wowsers. We get into the journey and her radical shift as an artist and what all people experience in form or another, as we navigate and try to interpret the world and magic around us. How does that unfold and what form does it take for you? We have a wonderful discussion about all things mystical and then get a sneak peek at The Transmutation Oracle she created in collaboration with writer Laura Hayes. More on the deck: The Transmutation Oracle Deck is here to serve as a guide, a navigational tool that helps you to engage with the world under the assumption that reality is holographic and far more malleable than we have been taught. Humans have far more agency than most of us believe, and this deck provides fun ways to interact with and influence reality, whilst also encouraging a deeper understanding of the interconnectedness of all things. The universe speaks in symbols and you can learn to read and respond to it. Sunday May 3rd see Nikoo's presentation at PRS by clicking here! Find the deck here! Nikoo's website here! Nikoo's Instagram here! Nikoo Bafti is a British-Iranian Visual Artist and Illustrator. After graduating with a BA (Hons) in Illustration & FdA in Visual Communication from the Arts University of Bournemouth, Nikoo began her career as an Animation Development Intern at Disney Channels in London and has since established her own freelance practice as an Illustrator and Visual Artist exhibiting internationally. Her clients include The Philosophical Research Society, Psychic Garden, Disney Channel & Truly Hard Seltzer. Nikoo's work takes a look behind a thinning veil to a realm of the mystical and anomalous through her intensely saturated and arresting colour palettes. Her use of fine detail and delicate, emblematic markings are reminiscent of the traditional Persian Miniature painting style of her heritage. You can find more on my stand-up schedule, short films and more at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ryansingercomedy.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Commercial Free episodes here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. Learn more about your ad choices. Visit megaphone.fm/adchoices

EP 28 - "Rooted in Nature, Reaching for Joy" | Maggie Douglas | Visual ArtistIn this episode of Let's Talk Passion and Purpose, Nicole Thomas sits down with artist Maggie Douglas to explore the healing and transformative power of creativity. Based in Des Moines, Iowa, Maggie shares how abstract and mixed media art became a form of self-guided therapy and a path to discovering her passion. From award-winning gallery work to large-scale community murals, she reflects on embracing experimentation, learning through failure, and using art to connect people with creativity, nature, and themselves.

This week on the podcast is part two of our interview with Rich Simmons. He's known for blending the rebellious energy of street art with the bold visuals of pop art, into his self-defined genre of Pop Punk Art.Rich is described as a visionary, a cultural disruptor, and a dynamic communicator. His work resonates with collectors, communities and anyone who believes art can be a catalyst for change.He's also the founder of Art is The Cure, a mental health movement he launched in 2008, and Create Scene, a social network for creatives.Join us to hear Rich's empowering story—and visit his websites to see his eye-catching art! https://www.richsimmonsart.com/, https://www.artisthecure.org/ and https://createscene.com/

EP 26 - Creating a Life Through Art | Bryant Small | Visual Artist, Curator, and Co-Founder of KAAIIn this episode of Let's Talk Passion and Purpose, Nicole Thomas sits down with visual artist, curator, and KAAI co-founder Bryant Small to discuss the power of embracing creativity. Bryant shares the pivotal moment that helped him claim his identity as an artist, the influence of his mother, and how alcohol ink became his signature medium. Together they explore art, community, and what it means to create authentically in today's digital and AI-driven world—reminding listeners that creativity is a superpower and there's space for everyone to express it.

This week on the podcast is part one of our interview with Rich Simmons. He's known for blending the rebellious energy of street art with the bold visuals of pop art, into his self-defined genre of Pop Punk Art.Rich is described as a visionary, a cultural disruptor, and a dynamic communicator. His work resonates with collectors, communities and anyone who believes art can be a catalyst for change.He's also the founder of Art is The Cure, a mental health movement he launched in 2008, and Create Scene, a social network for creatives.Join us to hear Rich's empowering story—and visit his websites to see his eye-catching art! https://www.richsimmonsart.com/, https://www.artisthecure.org/ and https://createscene.com/

My guest this week is Sean Donovan - who goes by SeanDon- an Orlando based visual artist and curator who likes to perform reverse art heists. He also likes yo show Downtown Orlando POV.I spoke to SeanDon about his art style, as well as, what got him to want to do reverse art heists at his favorite places.  We also spoke about wanting to create an IG account that encourages people to take a break from the attention grabbing instagram and highlight the Downtown Orlando culture.  SeanDon also spoke a bit about Imposter Syndrome and the Allegory of the Dung Beetle.Fun conversation that I will want you to harness your own inner Dung Beetle and put manifest things into existence. Lunch with Biggie is a podcast about small business and creatives sharing their stories and inspiring you to pursue your passion, with some sandwich talk on the side. Created, edited, and produced in Orlando, FL by Biggie- the owner of the sandwich-themed clothing brand- ⁠⁠Deli Fresh Threads⁠⁠. SeanDon Social:Instagram: https://www.instagram.com/seandon_art/Downtown Orlando POV Instagram: https://www.instagram.com/downtownorlandopov/ Biggie's Social: ⁠⁠Deli Fresh Thread's Instagram⁠⁠- ⁠⁠https://www.instagram.com/delifreshthreads/Podcast's Instagram⁠⁠- ⁠⁠https://www.instagram.com/lunchwithbiggiePodcast's Facebook Group⁠⁠- ⁠⁠https://www.facebook.com/groups/lunchwithbiggie⁠⁠ ⁠⁠Podcast's Twitter-⁠⁠ ⁠⁠https://twitter.com/LunchwithBiggie⁠⁠ ⁠⁠Deli Fresh Threads⁠⁠- ⁠⁠ ⁠https://DeliFreshThreads.com

Baxie speaks with Dutch author and visual artist Bette Adriaanse (Bette A.). For the second time in less than a year Bette has teamed up with the legendary Brian Eno to produce two separate projects. The first of which to collaborate on the book “What Art Does: An Unfinished Theory”. Their second collaboration is a full multi-media presentation called “Slow Stories”. This is a collection of two short stories that Bette has been developing over the last twenty years. The stories have been set to a stunning musical score composed by Brian Eno—combined with visuals created by both Bette and Eno specifically for this project. “Slow Stories” is set to be released on March 3rd. And Bette talks about all of it as well as about her friendship with Brian—one of music's most legendary producers (Talking Heads, David Bowie, U2, Peter Gabriel, and more!) Listen on Apple Podcasts, YouTube, Spotify, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee!

The meaning of family is always present in the work of Chinese-Indonesian visual artist Jayanto Tan. Marking the Lunar New Year 2026, he shared stories about his exhibition in Queensland. - Makna keluarga tidak pernah jauh dari karya seniman visual Tionghoa-Indonesia, Jayanto Tan. Menandai Tahun Baru Imlek 2026, ia berbagi cerita tentang pamerannya di Queensland.

Good day ladies and gentlemen, this is IRC news, and I am Joy Stephen, an authorized Canadian Immigration practitioner bringing out this Canada Work Permit application data specific to LMIA work permits or employer driven work permits or LMIA exempt work permits for multiple years based on your country of Citizenship. I am coming to you from the Polinsys studios in Cambridge, OntarioNew Brunswick issued work permits between 2015 and 2024 for Painters, sculptors and other visual artists under the former 4 digit NOC code 5136, currently referred to as NOC 53122.A senior Immigration counsel may use this data to strategize an SAPR program for clients. More details about SAPR can be found at https://ircnews.ca/sapr. Details including DATA table can be seen at https://polinsys.co/dIf you have an interest in gaining assistance with Work Permits based on your country of Citizenship, or should you require guidance post-selection, we extend a warm invitation to connect with us via https://myar.me/c. We strongly recommend attending our complimentary Zoom resource meetings conducted every Thursday. We kindly request you to carefully review the available resources. Subsequently, should any queries arise, our team of Canadian Authorized Representatives is readily available to address your concerns during the weekly AR's Q&A session held on Fridays. You can find the details for both these meetings at https://myar.me/zoom. Our dedicated team is committed to providing you with professional assistance in navigating the immigration process. Additionally, IRCNews offers valuable insights on selecting a qualified representative to advocate on your behalf with the Canadian Federal or Provincial governments, accessible at https://ircnews.ca/consultant.Support the show

Season 7: Episode 1 --The UP Notable Book Club presents Diana Magnuson speaking about her book "Garden Sleeping, Garden Growing." The Crystal Falls Community District Library in partnership with the U.P. Publishers & Authors Association (UPPAA) presents author events with winners of the UP Notable Book List. Make sure to like and subscribe so you don't miss any future UP Notable Book Club speakers! For more information please visit the links below www.UPPAA.org www.UPNotable.com https://www.dianamagnuson.com/ https://www.amazon.com/Garden-Sleeping-Growing-Around-Year/dp/B0FRCPFPVV Diana Magnuson has illustrated over a hundred children's books, bringing characters to life with brush and pencil. She taught illustration classes at Northern Michigan University and presented in schools. In 2016, she was named Marquette City's Visual Artist of the year. Her gallery work focuses on Nature and Climate Change. She now resides with her husband and dog Annwyn in Michigan on the shores of Lake Superior.

This week we have...Jermaine Burse! @jermainedante_art Visual Artist and Published Author (Autopsy of My Former Self)Jermaine is a critically acclaimed visual artist and published author whose rise from sleeping in his car to becoming a globally collected creator shapes the emotional force of his work. His art, held by elite athletes, celebrities, cultural leaders, and major brands, captures human evolution with raw honesty and refined vision.His new book expands that journey and creativity even further, offering a transformative exploration of identity, resilience, and what it means to rebuild a life from the inside out.Jermaine was with us for the first hour and we had a great conversation with him. Mike and Bill wrapped up the last part of the episode. Enjoy the episode.Visit us Podcast  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.sobernotmature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Store  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.sobernotmatureshop.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hobo ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.themoderndayhobo.com

Episode 657 also features an E.W. Poetic Piece titled, "Hey There."Our music this go round is provided by these wonderful artists: Thelonious Monk, Ancient Light, Dara Tucker, Bahamas, Branford Marsalis & Terence Blanchard.Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World.Tell Your Friends and Neighbors. 

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Christine Wong Yap, a visual artist working in printmaking, social practice, and community-based art.Christine discusses her latest project "Bay Windows/Ventanas," a trilingual public art installation featuring lanterns created with Chinese-speaking women in Chinatown and Spanish-speaking women in the Mission District. The lanterns, displayed at five locations through March 11th, explore themes of mental health, belonging, and immigrant experiences through traditional paper-cutting techniques.About Artist Christine Wong Yap:Christine Wong Yap is a visual artist and social practitioner who works in community engagement, drawing, printmaking, publishing, textiles, and public art. Through her hyperlocal participatory research projects, she gathers and amplifies grassroots perspectives on belonging, resilience, and mental well being. Last year, she received a a Creative Power Award from the Walter & Elise Haas Foundation and Creative Capital Award. She has served as Neighborhood Visiting Artist at Stanford University (Stanford, CA) and Creative Citizenship Fellow at the California College of the Arts (San Francisco, CA). She has developed projects with the Chinese Culture Center of San Francisco, For Freedoms, the Library Foundation of Los Angeles, the Othering and Belonging Institute at UC Berkeley, Times Square Arts, and the Wellcome Trust, among others. She holds a BFA and MFA in printmaking from the California College of the Arts. She was born and raised in the San Francisco Bay Area, where she has lived since spending a decade in New York City from 2010 to 2021.Visit Christine's Website:  ChristineWongYap.comFollow Christine on Instagram:  @ChristineWongYapFor more about Christine's Bay Windows project and upcoming scavenger hunt CLICK HERETo learn about The Creative Capital Award CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 663 - Tad Crawford - A Woman in the Wild - A revealing and memorable portrait of a woman boldly facing her demons in pursuit of a meaningful lifeTad Crawford is an author, attorney, and publisher.He grew up in the artists' colony of Woodstock, New York. Interested in writing both fiction and nonfiction, he majored in economics at Tufts College and graduated from Columbia Law School. After clerking for a judge on New York State's highest court, the Court of Appeals, Crawford worked for a small general law firm in New York City while writing and teaching writing and literature at the School of Visual Arts. Finding few resources to help artists deal with legal matters such as copyrights, the sale and licensing of art, gallery and publishing contracts, income taxes, moral rights, and estate planning, Crawford initiated a “Law and the Visual Artist” course at the School of Visual Arts and wrote Legal Guide for the Visual Artist. Legal Guide now has well over one hundred thousand copies in print and is in its sixth edition (co-authored with M.J. Bogatin).Crawford followed Legal Guide with numerous other books to help professionals in the creative disciplines. The Legal Affairs editor and a regular columnist for Communication Arts magazine, he also wrote for journals such as American Artist, Art in America, Confrontation, Family Circle, Glamour, Guernica, Harper's Bazaar, The Nation, and Writer's Digest.He served as general counsel for the Graphic Artists Guild, lobbied as legislative counsel for the Copyright Justice Coalition (which had many artists' groups as members),  and volunteered as Chairman of the Board for the Foundation for the Community of Artists. In addition to testifying before the Senate subcommittee on behalf of artists' rights, he drafted a package of state laws which he presented to the National Conference of State Legislatures. This presentation led to the enactment of laws favorable to artists in a number of states, including New York and California. The National Endowment for the Arts selected Crawford as a grant recipient to write on the topic of artists' rights. He also received the Graphic Artists Guild's Walter Hortens Distinguished Service Award. In 1989 Crawford founded Allworth Press to offer the practical information needed by creative professionals such as artists, photographers, designers, and authors. He knew firsthand the issues such creative people face each day and envisioned a spectrum of books to help them survive and grow professionally. Beyond these efforts for creative professionals, he also wrote The Secret Life of Money: Enduring Tales of Debt, Wealth, Happiness, Greed, and Charity; A Floating Life: A Novel; and On Wine-Dark Seas: A Novel of Odysseus and his Fatherless Son Telemachus.Allworth Press, which today has hundreds of titles in print, became an imprint of Skyhorse Publishing in 2011. Crawford is a partner in Skyhorse Publishing and remains the publisher for Allworth Press.https://tadcrawford.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Get the AI Opt-Out checklist:https://www.meredithshusband.com/blog/177-ai-opt-outIn this episode, we revisit how visual artists can protect their work from being used to train AI models without undermining their discovery in AI search. We break down what “training opt-out” really means, why robots.txt blocking can harm visibility, and how to use platform-specific tools and privacy settings from OpenAI, Google Gemini, Meta, Anthropic, DeviantArt, and others. We also highlight advocacy groups working on AI regulation for creators.Timestamps[0:00] Episode Introduction  [0:24] Revisiting AI Training Opt-Out  [1:07] How AI Collects and Uses Creative Content  [1:53] Legal Landscape and Current Laws  [2:37] Why This Matters for Visual Artists  [3:28] Visibility vs. Training Tradeoffs  [4:18] Why Robots.txt Blocking Can Hurt Discovery  [5:21] Platform-Level Opt-out Strategy  [6:59] Real Examples (OpenAI, Anthropic, Meta, DeviantArt)  [8:36] How This Helps Future Regulation   -- CONTACTLeave Feedback or Request Topics:https://forms.gle/bqxbwDWBySoiUYxL7

Dave Tourjé: You Have to Destroy What You Create to Become FreeWhen Dave Tourjé was two years old, he had a box of wooden blocks. Every day he'd dump them on the floor, stack them into towers of color, admire what he built—then destroy it and start over.That ritual never stopped.Tourjé is a painter, a punk rock musician, a skateboarder, and a founding member of the California Locos—a collective of LA artists who represent the city's raw, multicultural energy. When he sat down with me for Audio Signals Podcast, we talked about survival, rebellion, and what it really takes to stay free as an artist."You have to learn to destroy what you're creating to really become free," Tourjé told me. "Otherwise you're gonna be trapped by your own creation."He calls himself a lucky survivor of the eighties. Born in 1960, raised in Los Angeles, he hit the punk rock scene at 19, got his first skateboard at 7, and was riding swimming pools by the time urethane wheels made it possible. He studied art on scholarship but quit when they asked him to do papier-mâché in college. "That was third grade for me," he said. "I just said, fuck this. I'm outta here."He's the only practicing artist from that program.When galleries started selling his concrete and steel furniture around the world, Tourjé thought they'd embrace his paintings too. Instead, they told him to stick with what was selling. When collectors wanted commissioned work in different colors, he walked away. "I was not built to do it," he said. "So I bowed out."Instead of finding a patron, he built one. A construction company that runs without him—a machine that pays him without requiring him to owe anything to anyone. "It's going to be my patron," he explained. "It's a similar model, but without all the social implications."That freedom let him focus on the California Locos, a collective he assembled around 2011 with friends who were all leaders in their own corners of LA culture—surf, skate, street art, tattoo, photography. "We are basically Los Angeles," he said. "A very honest reflection."Their book, Renaissance and Rebellion, tells the story from the sixties to now. It's published by Drago in Rome and distributed internationally. They're currently showing at the California Surf Museum in Oceanside, with museum shows lined up for 2027 and Spain on the horizon.But the moment that stuck with me came at the end of our conversation. We talked about how musicians destroy as they create—every live performance disappears the moment it's played. "It's like painting a painting that as soon as you put it down and you go to get the next paint, the paint is gone."And when someone looks at his paintings and sees something he never intended? He doesn't correct them. "The story is the painting," he said. "As soon as the artist says what it's about, everybody has to abide by the rules."He refuses to impose meaning. Once he's done, he becomes an observer. The work is no longer his—it's an object from the past. He's already onto the next thing.That's what freedom looks like after a lifetime of rebellion.Stay tuned. Subscribe. And remember—we are all made of stories.-- Marco_______________________________________________________________________________________Audio Signals Podcast

Dave Tourjé: You Have to Destroy What You Create to Become FreeWhen Dave Tourjé was two years old, he had a box of wooden blocks. Every day he'd dump them on the floor, stack them into towers of color, admire what he built—then destroy it and start over.That ritual never stopped.Tourjé is a painter, a punk rock musician, a skateboarder, and a founding member of the California Locos—a collective of LA artists who represent the city's raw, multicultural energy. When he sat down with me for Audio Signals Podcast, we talked about survival, rebellion, and what it really takes to stay free as an artist."You have to learn to destroy what you're creating to really become free," Tourjé told me. "Otherwise you're gonna be trapped by your own creation."He calls himself a lucky survivor of the eighties. Born in 1960, raised in Los Angeles, he hit the punk rock scene at 19, got his first skateboard at 7, and was riding swimming pools by the time urethane wheels made it possible. He studied art on scholarship but quit when they asked him to do papier-mâché in college. "That was third grade for me," he said. "I just said, fuck this. I'm outta here."He's the only practicing artist from that program.When galleries started selling his concrete and steel furniture around the world, Tourjé thought they'd embrace his paintings too. Instead, they told him to stick with what was selling. When collectors wanted commissioned work in different colors, he walked away. "I was not built to do it," he said. "So I bowed out."Instead of finding a patron, he built one. A construction company that runs without him—a machine that pays him without requiring him to owe anything to anyone. "It's going to be my patron," he explained. "It's a similar model, but without all the social implications."That freedom let him focus on the California Locos, a collective he assembled around 2011 with friends who were all leaders in their own corners of LA culture—surf, skate, street art, tattoo, photography. "We are basically Los Angeles," he said. "A very honest reflection."Their book, Renaissance and Rebellion, tells the story from the sixties to now. It's published by Drago in Rome and distributed internationally. They're currently showing at the California Surf Museum in Oceanside, with museum shows lined up for 2027 and Spain on the horizon.But the moment that stuck with me came at the end of our conversation. We talked about how musicians destroy as they create—every live performance disappears the moment it's played. "It's like painting a painting that as soon as you put it down and you go to get the next paint, the paint is gone."And when someone looks at his paintings and sees something he never intended? He doesn't correct them. "The story is the painting," he said. "As soon as the artist says what it's about, everybody has to abide by the rules."He refuses to impose meaning. Once he's done, he becomes an observer. The work is no longer his—it's an object from the past. He's already onto the next thing.That's what freedom looks like after a lifetime of rebellion.Stay tuned. Subscribe. And remember—we are all made of stories.-- Marco_______________________________________________________________________________________Audio Signals Podcast

In rural Fremont County, the Idaho Art Lab is inspiring creativity with hands-on classes, maker spaces and exhibits that showcase artists of all levels. 

Natalie Chiasson is a journalist and visual artist based in Halifax, Nova Scotia. She moved to the East Coast from western Canada in 2019, and has established strong roots here in Mi'kma'ki.She is passionate about storytelling through writing, photography, videography, and illustration, and strives to document stories that amplify underrepresented voices that bring attention to environmental, cultural, and social issues that help people better understand the world around them.Find out more @nataliechiassonmedia

Happy New Year from The Learning Vibes Podcast.  Vibe on this episode again.  It takes us all the way back to September of 2019--our second episode.  In this episode, you'll hear from Choreographer, Emily Ashburn; Visual Artist, Martha Kelly; and Musician, Nathan Sickmeier.  They share their artistic process and how learning is bolstered through that process.  

In this episode, Dennis is joined via Zoom by visual artist & production designer Nino Alicea whose larger-than-life installations Got Framed and Attabay's Treasure are currently on display in San Francisco's Embarcadero as part of the city's year-long Big Art Loop initiative. Nino talks about the inspiration for both pieces. Got Framed, with it's 91 roses, is inspired by his grandmother Rosemilia and Attabay's Treasure is a tribute to Nino's homeland of Puerto Rico and the challenges it face after Hurricane Maria. Both pieces, as well as several others, were initially created for Burning Man, where Nino has mounted several pieces over the last decade. Nino talks about the moment over ten years ago where, after a week at Burning Man, he pledged to himself that he would have an installation at next year's festival, even though he had little idea how he would pull that off. With the help of a small army of fellow artisans and at least on engineer, he did it...and he's been going back every year. Nino also talks about getting to create props for Ricky Martin's "All In" Las Vegas residency and world tour and how that opportunity came because he was in the right place at the right time and "just said yes" when the possibility was suggested to him. Other topics include: that time he spent a month making over a hurricane-damaged basketball court in Puerto Rico, the steps one must take to get a piece into Burning Man, why the best part of his work is all the people he gets to work with, that "Oh shit" moment at Burning Man when he realized he didn't have enough screws, how he used recycled pizza tins for the fish gills on Attabay's Treasure and that time Nino went viral with a comedic video sketch in a stage show Dennis co-hostened that would probably get them both cancelled today. www.leaveittonino.com

In the season three finale of The WildStory, poet Han VanderHart (0:2:29) joins Ann to discuss their collection Larks, which was published in 2025 by Ohio University Press. Han and Ann talk about the uncertainty and mutability of knowledge and the ordering of the natural world, and about the poet's work of observation—not only of what we can see and hear, but of all that we can't.In the Ask Randi segment (0:29:05), Dr. Randi Eckel, owner of Toadshade Wildflower Farm, answers a question from Rikki and takes a deep dive into native versus non-native wisteria, explaining why invasive wisteria overwhelms ecosystems, resists competition, and is notoriously hard to remove. She closes with practical resources for controlling invasive vines.Kim then talks with Mare McClellan, (0:39:15) artist and nursery manager at Gino's in Newtown, PA about her upcoming spring show of multi-media artwork at Morpeth Contemporary. Mare shares how the Dogbane Tiger Moth caterpillars sparked her imagination and how she keeps a quiet promise to a Cecropia moth, whose emergence you can watch on Instagram.Hyalophora Cecropia, Cecropia Giant Silk MothDogbane Tiger Moth, Delicate Cycnia, and their larval host plant, Dogbane, Apocynum cannibinumCecropia, Giant Silk Moths, emerged from their cocoons on June 20,2025To close the season, Kim and Ann talk with Benjamin Vogt, (0:58:04) author of Prairie Up about how social and cultural pressures and affordability shape our gardens and landscapes. Ben reflects on the “happy accidents” that have guided his work, talks about his forthcoming Timber Press book, Unlawning America, and offers advice for navigating weed management, local ordinances, and the design of public space.Thank you for joining us during season 3 of The WildStory. We look forward to bringing you a brand new season in 2026.

In this episode of the District 3 Podcast, Irvin and Miggs sit down with Northwest Arkansas–based visual artist and author Zeke Peña. They dive into his creative journey, the food and culture that inspire his work, and his newest book, SunDust. It's a fun, laid-back conversation that gives you a closer look at a truly talented artist and the stories behind his art

 The great Whit Taylor (Fizzle, Dead Air, The Nib) returns for part 3 of our read-through of Peter Bagge's Hate, one of the greatest works from the 90's alternative comics era.  As always, we discuss how certain elements have aged, while also appreciating the art and storytelling of this series that was so formative for both of us.  This is the season finale of The Runs Season 3!  Drop me a line if you'd like me to make season 4! Here's a link to The Runs Comics Podcast on iTunes.  And here's the link to the show on Spotify. Be sure to subscribe, rate and review! And here's a link if you'd like the stream the episode.  

Join our next BoldBrush LIVE! Webinar by signing up here:register.boldbrush.com/live-guestLearn the magic of marketing  with us here at BoldBrush!boldbrushshow.comGet over 50% off your first year on your artist website with FASO:FASO.com/podcast---For this week's episode, we made a compilation of our past guests reflecting on how early influences, mentors, and disciplined study shaped their art, and how they often feel driven to keep growing rather than staying comfortable. They describe learning fastest by painting from life—especially in plein air—tackling unfamiliar subjects, simplifying values, and using subtle color temperature shifts instead of high-contrast effects. Throughout the episode, our past guests stress intentional decision-making in composition and color, the importance of not overworking a piece, and the deep community and life-changing connections formed through workshops and shared painting experiences.Episodes mentioned:158 Cynthia Rosen156 Shanna Kunz155 Scott D. Prior154 Julie Davis151 John Morra138 Michelle Dunaway137 Chris Krupinski136 Bill Davidson127 Jill Basham

 Sidney Davidson was the colorist on a series I got to illustrate (with writer Mark Russell) called Vanishing Point.  I invited him to be a guest on the show and he suggested The Maxx, which is among the most formative comics of my experience as a reader. I couldn't wait to talk about it with him!  Does it hold up?  How does it read differently as an adult than as an adolescent?  Did any of the other Image books reference Camille Paglia?  Find out in this episode! Here's a link to The Runs Comics Podcast on iTunes.  And here's the link to the show on Spotify. Be sure to subscribe, rate and review! And here's a link if you'd like the stream the episode.  

 Mark Ginocchio, co-host of The Amazing Spider-Talk Podcast, returns to The Runs to discuss one that we both really love, Daredevil: Born Again.  Is it the greatest Marvel run of all tine?  Who contributed more, Miller or Mazzucchelli?  Can you appreciate it as much as ever given the stank on Frank Miller's legacy?  What images are on Mark's Mount Rushmore of comics?  Find out this episode! Here's a link to The Runs Comics Podcast on iTunes.  And here's the link to the show on Spotify. Be sure to subscribe, rate and review! And here's a link if you'd like the stream the episode.  

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily interviews artist Jamil Hellu. Jamil shares his multicultural background—Brazilian, Syrian, Paraguayan, American, and queer—and discusses how these identities inform his work. The conversation explores his journey from Brazil to the U.S., his evolution as an artist, and his teaching at Stanford.Jamil talks about his latest exhibition, "In the Studio," at Rebecca Camacho Presents in San Francisco, which delves into identity, transformation, and the use of vibrant color and materials in self-portraiture. He reflects on his creative process, the influence of queer culture, and the importance of community in the Bay Area.The episode also features Jamil's thoughts on representation, the impact of artists like Claude Cahun, and the significance of residencies in his artistic development. Tune in for an inspiring discussion about art, identity, and the power of self-expression.About Artist Jamil Hellu:Jamil Hellu is a visual artist based in the San Francisco Bay Area, who creates personal and politically charged projects to expand the discourse on identity representation. Through an interdisciplinary studio practice rooted in photography, his work is a dynamic exploration of queerness, community, and cultural heritage.Born in Brazil and of Middle Eastern descent, Hellu's diverse ethnic background informs his practice and research, offering a critical lens through which to examine issues of race, discrimination, and belonging. In today's political climate, where LGBTQ+ rights, immigration, and racial justice remain central to social struggles, Hellu's projects invite viewers to consider the ways we construct, perceive, and validate identities.Through a vibrant visual vocabulary, he repeatedly engages in self-portraiture, activating conversations around visibility, cultural lineage, and the evolving nature of self-representation. His work contributes to ongoing discussions about who gets to be seen and who doesn't and the power of visual storytelling as a form of resistance.Hellu earned his MFA in Art Practice from Stanford University and has exhibited widely. His work has been discussed in publications such as The New York Times, The Guardian, Artforum, and VICE. His projects have been supported by grants and residencies such as the Fleishhacker Foundation, the San Francisco Arts Commission, and the Headlands Center for the Arts. An active participant in the San Francisco Bay Area arts community, Hellu serves as an Advisory Board member for Recology's Artist-in-Residence Program and represents local artists in the Board of Directors of SF Camerawork. He is a Photography Lecturer in the Department of Art & Art History at Stanford University.  Visit Jamil's Website:  JamilHellu.netFollow Jamil on Instagram:  @Jamil.HelluFor more about Jamil's exhibit "In The Studio" at Rebecca Camacho Presents CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Artist Brittney Leanne Williams joins Chrystal Genesis to talk about her evocative figurative work, where architecture, landscape, and color blur together, and the body opens into a space of transcendence, memory, revelation, suffering and the mystical. Based in Los Angeles and born in Pasadena, Brittney has steadily built a reputation as one of today's most exciting, thoughtful figurative painters. In this wide-ranging conversation, they discuss how Brittney explores spirituality and how she uses the color red as a signal for the Black experience. They trace the evolution of her practice, from portals and prayer to layered storytelling that engages with presence, absence and witnessing. Along the way, they reflect on her early years in Pasadena, her formative time in Chicago, and how nature, along with her personal and cultural history, informs her work. Together, they dig into the creative process, the role of mystery in painting and the questions Brittney is currently asking herself in the studio. This episode is an engaging and intimate look into the mind of an artist shaping contemporary figurative painting with spiritual depth, color and narrative complexity. If you like what you heard, please leave a review, subscribe, and explore more at stancepodcast.com and on socials @stancepodcast. Stance is Hosted by Chrystal Genesis and Produced by Etay Zwick. Referenced In This Podcast & Show Notes: Brittney Leeanne Williams website Brittney Leeanne Williams IG Alexander Berggruen gallery

 I've been trying to get David Walker (Bitter Root, Big Jim and the White Boy, Naomi, Badazz Mofo) on this podcast every season!  Well, it finally happened. I never would have guessed that he'd pick Doug Moench and Paul Gulacy's Master of Kung Fu, but only cause I didn't know anything about those comics.  Having read them now, it's not at all surprising. More James Bond than Enter the Dragon, these 70's Marvel hidden gems hold their own unique place in comics history, not unlike David himself. Here's a link to The Runs Comics Podcast on iTunes.  And here's the link to the show on Spotify. Be sure to subscribe, rate and review! And here's a link if you'd like the stream the episode.  

 Comics superstar Matt Bors (The Nib, The Toxic Avenger) returns to the show to discuss a different run: Grant Morrison's New X-Men.  There's lots to discuss here about how this compares to other runs of X-men, what it means to be a mutant, how the run holds up and, most importantly, how to pronounce "Quitely." Here's a link to The Runs Comics Podcast on iTunes.  And here's the link to the show on Spotify. Be sure to subscribe, rate and review! And here's a link if you'd like the stream the episode.  

Keaton Henson is an English musician, composer, and visual artist known for his hauntingly emotional songs and fragile voice. Despite his success, Henson rarely performs live due to severe anxiety and stage fright, which has become a defining part of his story. His debut album Dear… (2010) brought him widespread acclaim for its raw honesty, followed by Birthdays (2013) and Kindly Now (2016), which cemented his reputation as one of Britain's most distinctive singer-songwriters. His orchestral work Six Lethargies was performed by the Royal Liverpool Philharmonic Orchestra at the Barbican, and his album Monument (2020) was praised for its moving exploration of loss. Alongside his music, he is also a talented illustrator and poet, known for blending art and emotion in all his work. His latest album Parader is out on 21st November .Keaton Henson is our guest in episode 543 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .For Keaton Henson's videos, books, music and more, visit - https://keatonhenson.com .Keaton's music on Spotify - https://open.spotify.com/artist/6GFfu1alUSrL7qazImC160?si=pZINSBFvQcmjJY7qu4mKIg .Keaton's music on Apple Music - https://music.apple.com/us/artist/keaton-henson/318147460 .Follow Keaton Henson on Instagram: @keatonhenson .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Send us a textJudith Tutin - Irish-born/Cornwall-based Visual Artist & Teacher - shares her faith and her gift including growing up in a Catholic family in Ireland; how having a strong faith instilled in her allowed her to withstand Catholic scandal; how her older brothers, and spending time alone in Rome, brought her back to her faith; her parents faith example and influence on her; the meditation of praying the rosary; her passion for drawing and art as a young child; how music compliments her art and our mutual admiration for The Smiths and Morrissey; how the decaying buildings in Rome links to nature; how overthinking art can get in the way of enjoying art; an appreciation for Rothko; a vocational compromise with her parents that led to teaching art; how she decides what to put on the canvas; how her painting affects her faith; the importance of beautiful churches; if she could own one piece of art in the world, what would it be and why; and so much more! (There are a couple very brief spots in the conversation when they audio crackles)https://www.judithtutinart.com/Support the show

Genesis Rodriguez joins The Truth in This Art for her first public deep-dive into her work and process.A Philadelphia-area Latina mixed media artist known for blending bold color with striking realism, Genesis explores themes of femininity, natural beauty, and identity while bringing a thoughtful “emotional IQ” to both her visual art and emerging music practice.In this episode, Genesis discusses her current “building era” of laying a strong creative foundation, what it means to engage with art beyond surface-level reposting, and how honesty and integrity shape the work. She also reflects on sharing her story for the first time, navigating visibility as an emerging artist, and the value of choosing depth over aesthetics.This conversation explores the connection between art and community, focusing on authenticity, meaningful engagement, and the discipline it takes to build a sustainable creative practice.Topics Covered:Genesis's first public conversation about her work and processBlending bold color and realism to explore femininity, natural beauty, and identityThe “building era”: structure, foundation, and sustaining a practiceEngaging with art beyond the surface—thinking and sharing with intentionBalancing visual art with an emerging music practice and creative growthThank you for listening to this conversation with Genesis Rodriguez. Explore more episodes of The Truth in This Art for discussions that spotlight creativity, culture, and the voices shaping our communities. Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Working Artists! You are not alone! Listen to these entertaining and inspirational podcast conversations with working artists.When the art show season wraps up, the podcast season renews! Back on their mics, Will and Douglas catch up over topics from this year's art fairs. Somehow, these guys incorporate the following topics together into a conversation that only art fair artists can: Booth shots, food poisoning, reproductions, Plaza Art Fair, artist "collaborators," taxes, Devo, tricky installs, personal style, incestuous art collections, Tom Petty and the Heartbreakers, and being an "Art Cop."Visual artists Douglas Sigwarth (https://www.sigwarthglass.com/) and Will Armstrong (http://www.willarmstrongart.com/) co-host and discuss topics affecting working artists. FOLLOW US ON SOCIAL MEDIAInstagram https://www.instagram.com/independentartistpodcast/Facebook https://www.facebook.com/independentartistpodcastWebsite https://independentartistpodcast.buzzsprout.com/YouTube https://www.youtube.com/@theindependentartistpodcastEmail independentartistpodcast@gmail.comPLEASE RATE US AND REVIEW US.......... and SUBSCRIBE to the pod on your favorite streaming app.SUPPORT THE SHOWVENMO/ username @independentartistpodcast or through PAYPAL.ME by clicking on this link https://paypal.me/independentartistpod?locale.x=en_USSponsorsThe National Association of Independent Artists (NAIA). http://www.naiaartists.org/membership-account/membership-levels/ZAPPlication https://www.zapplication.orgMusic  "Walking" by Oliver LearBusiness inquiries at theoliverlear@gmail.comSupport the show

In this episode, Alan is joined by visual artist Shefa Salem al‑Baraesi, a Benghazi‑based creator whose oil paintings re‑imagine Libya's archaeological heritage—like the inverted‑figure boat scene from the Acacus cave art—and ancient rituals such as the Kaska dance. Through her realistic, large‑scale works, Shefa transforms written history and myth into evocative visual narratives that resonate with everyday Libyans. Her exhibitions, I Am Libya and Ethnolibya, bring these ancestral images forward as a living, shared national memory.TranscriptsFor a rough transcript head over to: https://www.archaeologypodcastnetwork.com/rockart/151LinksArtist - shefa salemEXHIBITIONS - shefa salemArtists Exploring Libya's History, Cultural Resilience and RebirthShefa Salem: a Libyan artist, inspired by the history of her country‘All my work is Libya': Five emerging Libyan artists to watchContactDr. Alan Garfinkelavram1952@yahoo.comDr. Alan Garfinkel's WebsiteSupport Dr. Garfinkel on PatreonArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetAPN ShopAffiliates and SponsorsMotion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.