Podcasts about Capitol Studios

The New Yorker described cellist and composer Peter Gregson as “working at the forefront of the new music scene”. As a cellist, he has performed all over the world, from The Royal Albert Hall to Capitol Studios in Hollywood. He has composed music for award-winning TV shows and movies, including the much loved Bridgerton from Netflix, and The New Pope from HBO. He also crosses into the pop industry, having featured as both cello soloist and conductor for Ed Sheeran on his record-breaking 2017 album, Divide.In this interview, Peter Gregson discusses his latest work, Everything We Hear Comes First from Silence, written for the Omega Ensemble. We hear about his inspiration from composers like Steve Reich and Philip Glass, and his approach to blending acoustic instruments with electronics. He shares insights into his reimagining of the Bach Cello Suites, and how a chance encounter with Alan Rickman led him to compose for film and television.The Omega Ensemble performs the world premiere of Peter's new work, Everything We Here Comes First From Silence, as part of their upcoming tour La Musica Notturna from March 24-27.

Antoine Arvizu is the studio owner and manager, recording and producing most of the artists that come to us for that “Compound Sound”. Some artists and producers of note include:  Chicano Batman, Ryan Bingham (Grammy and Oscar winner for Crazy Heart), Marc Ford (The Black Crowes, Ben Harper, Booker T. Jones), Ikey Owens (Free Moral Agents, Jack White, The Mars Volta), Jay Buchanan (Rival Sons)… Arvizu began his music career as a drummer in the late 70s/early 80s as punk rock morphed into an alternative art rock. A founding member of Dr. Dream Records recording artists National Peoples Gang, he toured internationally before disbanding in the mid-90s; sharing the stage with such iconic bands as The Flaming Lips, Nirvana, Soundgarden, fIREHOSE and many more during those early days of "indie rock". A recording career began in 1991 at the now defunct The Toledo studio in Long Beach engineering for Sublime, Rocket From The Crypt, Big Drill Car and many more. Later in the nineties he was a founding member of the Delta Blues group Bourbon Jones, earning the moniker Two Drum Tony, famous for simply playing the 26″ Radio King bass drum and cowhide snare, digging deep into the second line style of New Orleans blues and swing. It was in 1998 that Antoine had the opportunity to engineer at Capitol Studios in Hollywood. The list of fine artists that come through those studios is staggering, to name a few: Paul McCartney, The JB's, Richard Carpenter, Elliot Smith, Faith Hill… and the list of world class engineers and producers is outrageous; education through osmosis. In 2003, happy to finally have a studio to truly call home, Antoine joined The Compound Studio to help create “An Organic Recording Experience". Studio Website: https://www.thecompoundstudio.com/Dicogs Link: https://www.discogs.com/artist/468078-Anthony-Arvizu This episode is brought to you byGo to BETTERHELP.com/apologue for confidential online counselling.use the code word Apologue for a 7 day free trial Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shop

Paula is a Music Studio Executive with 30+ years of experience.She has been an anchor of excellence in the L. A. Recording World, from Kendun to Sound CIty to Capitol Studios, and is held in the highest esteem amongst her colleagues, artists, producers and record labels. As Vice President of Capitol Studios, she has worked with top line artists including Paul McCartney, James Taylor, Barbra Streisand, DIana Krall, Frank Sinatra, amongst others. She was instrumental in securing a "Star" on the Hollywood Walk of Famefor the beloved and legendary engineer, Al Schmitt, who was both her dear friend and loyal client for years at Capitol Studios. She continues to leverage her expertise and experience, to ensure client satisfaction and secure long lasting relationships in all her endeavors.She is a recipient of a She Rock" Legend Award and is a member of NARAS, SCL,Guild of Music Supervisors, Board Member of Pacific Jazz Orchestra, and is featured in Dave Grohl's documentary, "Sound CIty".

Rack-mount your own real transformers! Todd talked about recording with dynamic mics, mixing with real transformers as plugins, setting up Atmos, automating Pro Tools with Soundflow, how to 3-mic drums, building a studio, and mastering your own mix. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Todd Burke who has been recording and mixing records and underscores in Los Angeles for over 25 years. His album credits include Ben Harper, Jack Johnson, The Kooks, Belle and Sebastian, M83, and Fitz and the Tantrums. More recently, he has been enjoying mixing Atmos versions of records by Albert Hammond Jr, Christina Perri, and Jeff Goldblum and working as a Score Mixer. A few notable films include The Big Sick, Daddy's Home 1 & 2, Second Act, I Feel Pretty, The Lovebirds, Stargirl, The King of Staten Island, Yes Day, and The Bubble. He also dabbles a bit in Album Mastering with recent projects for The Lickerish Quartet, Motochrist, and Greyboy Allstars. As a teacher he's a main contributor on the recordBetter project and is passionate about handing the art of record making on to young creators. And he is a Brand Ambassador and Artist Representative for Antelope Audio. He's available for engineering bookings in Los Angeles and abroad. Favorite tracking rooms include Sunset Sound and Capitol Studios. His own studio, affectionately coined Listening Room LA, is in the foothills east of LA and outfitted with an Aurora Audio 10 channel sidecar, a 24 channel Aurora Audio GTM Mixer, the most modern generation of digital conversion from Antelope Audio and Chord Electronics, ATMOS monitoring on an array by Wilson Audio, as well as mastering-grade stereo monitoring on a custom Tannoy system by Chris Pelonis. Thank you to Ken Sluiter for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com/en/deals.html Save up to 50% on RX 10, plus get a free RX 11 upgrade next month! https://www.lewitt-audio.com/ray https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify and Apple Music: https://open.spotify.com/playlist/0v9xRXdPy0KdTbD1x55IMC?si=78a133f941304aaf If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/453

Make mine a phantom center! Steve talked about the birth of mixing in Atmos, recording strings for the last Beatles song, Now And Then, how to record immersively, building a home mixing studio, mics for strings, object bed mixing, and the LFE sub. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Steve Genewick a Grammy-nominated recording engineer with 30 years of experience, both as a studio and live recording and mix engineer. Steve has had the pleasure of working at iconic recording studios around the world such as United Recording, East West Studios, Sunset Sound and Village Recorders in Los Angeles, Abbey Road and Angel studios in London and La Fabrique Studios in France. For 20 years, Steve had the great honor of working alongside the legendary 23-time Grammy award-winning producer and engineer, Al Schmitt. They worked with artists such as Diana Krall, Chris Botti, Gladys Knight, Neil Young, George Benson, Quincy Jones, Burt Bacharach and Paul McCartney. Steve also joined Al for “Mix With The Masters” seminars for nine years in the south of France, in addition to collaborating on their instructional film “The Art of Recording a Big Band”. Steve worked primarily out of the famed Capitol Studios in Hollywood as a staff engineer from 1994 to 2022. At Capitol, he worked with countless renowned artists such as Elton John, Bastille and Trisha Yearwood. Steve was among the first studio mixers to begin mixing music in Dolby Atmos, working on projects with Beck, Gregory Porter, LL Cool J, Sam Smith and Niall Horan, and on the popular video game Apex Legends. In 2017, Steve received the Pensado Award for Best Recording Engineer. He was also a part of the Universal Audio and Capitol Studios team that won a 2020 TEC Award for their Capitol Chambers plugin. Check out Steve's earlier episode on RSR231. Thanks to Matt BOUDREAU at the Working Class Audio podcast for making our introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Apple Music: https://music.apple.com/us/playlist/steve-genewick-atmos-mixes/pl.u-76oNkrMF1JKbp If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/447

From Electric Lady to Capitol Studios, Michael Frondelli has brought his "A-game" to a long and eclectic career as recording engineer, producer, label owner, activist, and entrepreneur. We take a deep dive into his fascinating journey.

My guest is Paula Salvatore, VP of Client Relations & Studio Marketing, Universal Music Group. Paula has worked with Al Schmitt, Paul McCartney, John Mayer, Frank Sinatra, Quincy Jones, Diana Krall, Phil Ramone & David Foster. She has worked 33 1/3 years in Capitol Studios/UMG Studios. Paula is featured in Dave Grohl's documentary "Sound City" as the Studio Manager in the 80s. She was instrumental in getting Al Schmitt a Star on the Hollywood Walk of Fame in front of the Capitol Records building. In this episode, we discuss The Rolling Stones Sewing Clothes The Fashion Path Kendun Studios First Job at a Recording Studio Rose Mann-Cherney Candace Stewart Sound City Capitol Studios Rental Furniture The Front Office Al Schmitt Women in Studios Basic Human Skills Supporting Clients Matt's Rant: Revisiting Saying No to Work Links and Show Notes Paula on Instagram Paula on Linkedin Capitol Studios Candace Stewart on WCA Al Schmitt & Steve Genewick on WCA Credits Guest: Paula Salvatore Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith  

-Le chanteur d'Aerosmith, Steven Tyler, a été accusé d'agression sexuelle par une deuxième femme.La première fois date de décembre 2022, lorsque Julia Misley, a accusé le chanteur d'agression sexuelle et de coups et blessures remontant aux années 1970, alors qu'elle était mineure. Le chanteur a nié toutes les allégations.Cette fois, le magazine Rolling Stone rapporte que dans une plainte déposée à New York ce 2 novembre, Jeanne Bellino affirme que Tyler l'a violemment agressée deux fois en une journée durant l'été 1975, alors qu'elle avait 17 ans.La plainte précise que cette dernière "a souffert et continuera à souffrir d'une grande douleur physique et mentale, d'une détresse émotionnelle sévère et permanente, de manifestations physiques de détresse émotionnelle, d'embarras, d'humiliation, de blessures physiques, personnelles et psychologiques". Elle indique également que la plaignante a été hospitalisée et a reçu des médicaments après l'incident et qu'elle a toujours besoin de médicaments pour faire face au traumatisme à ce jour.Les représentants de Tyler n'ont pas répondu à une demande de commentaire sur ces allégations. -Ca y est, Le nouveau clip de la "dernière" chanson des Beatles, "Now And Then", a été diffusé. Il a été réalisé par Peter Jackson et comprend des images inédites des membres du groupe.De nouvelles images des membres survivants travaillant sur le projet sont également intégrées au résultat final et Peter Jackson a plus tard fait part de son refus catégorique d'utiliser des images de synthèse dans le clip, affirmant que "chaque image des Beatles devait être authentique".En plus de travailler avec McCartney et Ringo Starr pour le projet, le réalisateur a également sollicité l'aide de Sean, le fils de John Lennon, et d'Olivia, la femme de George Harrison, qui lui ont tous deux fourni "de superbes séquences inédites de films amateurs" pour le projet. Une partie du "premier film connu des Beatles" est également incorporée, fournie par Pete Best et montrant le quatuor en costume de cuir. Ce projet est le premier vidéoclip sur lequel le cinéaste Peter Jackson a travaillé et fait suite à sa collaboration avec le groupe pour la série documentaire The Beatles : Get Back. Liam gallagher en a déjà fait une critique élogieuse Now And Then est absolument incroyable, biblique, céleste, déchirant et réconfortant à la fois", , "longue vie aux Beatles". -Noel Gallagher partage son nouveau single "We're Gonna Get There In The End" tiré de son récent album Council Skies, avec ses High Flying Birds, Noel a déclaré : "Je l'ai écrit en une nuit pendant la pandémie. Je l'ai écrit et j'ai sorti la démo. Je voulais quelque chose de positif et d'entraînant, une vraie chanson entraînante. En tant qu'artiste, la période de confinement nous a permis de nous concentrer sur quelque chose. Mais cela n'a pas rendu cette période plus facile".Notez que L'ancien chanteur d'Oasis et ses High Flying Birds prendront la route le mois prochain pour une tournée dans les stades. -Paul McCartney a révélé qu'il avait gardé le secret sur la chanson "Now And Then" des Beatles vis-à-vis des musiciens supplémentaires qui ont joué sur le morceau en studio.La chanson, surnommée le "dernier" single des Fab Four, est sortie ce 2 novembre après la diffusion d'un court métrage intitulé Now And Then – The Last Beatles Song. À un moment du court métrage, McCartney évoque le processus d'ajout d'un arrangement de cordes au single lors d'une session aux célèbres Capitol Studios d'Hollywood, en Californie."Nous devions faire écouter le son aux musiciens, mais nous ne pouvions pas leur dire qu'il s'agissait d'une nouvelle chanson des Beatles. C'était un peu secret. Nous avons prétendu qu'il s'agissait d'une de mes créations".Le violoniste Charlie Bisharat ignorait par exemple jusqu'alors qu'il figurait sur le single terminé.Bisharat, qui a déjà enregistré de la musique pour Elton John, les Rolling Stones et Lady Gaga, explique que l'ajout d'un titre des Beatles à son répertoire a été "la cerise sur le gâteau"."Faire partie de ce projet est plus qu'une épopée, c'est le rêve de toute une vie", a-t-il déclaré. "Now And Then – The Last Beatles Song" a été écrit et réalisé par Oliver Murray, vous pouvez le retrouvez sur RTBF AUVIO -Coldplay a demandé à ses fans d'ajouter des voix au nouveau single "One World"Sur leur Instagram, le groupe a écrit : "Bonjour à tous. Nous espérons que vous allez tous bien en ces temps difficiles. Nous avons presque terminé Moon Music. Si vous souhaitez y figurer également, peut-être pourriez-vous ajouter votre voix à une chanson intitulée One World . Tout ce que vous avez à faire est de vous enregistrer en train de chanter "Ahhhhh" pendant quelques secondes sur oneworld.coldplay.com. Vous pouvez soit copier la note sur le site, soit chanter un sol ou un do dans n'importe quelle octave. Merci beaucoup. Je vous aime, Chris, Guy, Will et Jonny".La chanson " devrait donc figurer sur leur prochain album Moon Music, que le groupe dit avoir "presque terminé". Et le groupe s'apprête à entamer une tournée européenne en 2024, avec des dates en Italie, en France, en Allemagne, en Autriche et plus encore. -L'accord entre Priscilla Presley et Riley Keough concernant la succession de Lisa Marie Presley a été officiellement approuvé par le tribunal, évitant ce qui aurait pu être une bataille juridique publique de plusieurs millions de dollars. L'accord final, stipule que Priscilla peut être enterrée aussi près que possible d'Elvis à Graceland et que son fils, Navarone Garibaldi, peut participer à la cérémonie commémorative. Le pacte finalisé confirme également que Priscilla recevra une somme forfaitaire d'un million de dollars, prélevée sur la fiducie irrévocable de Lisa Marie, financée par une police d'assurance-vie de 25 millions de dollars. Riley Keough fille de Lisa Marie Prestley a également accepté de verser à Priscilla 100.000 dollars par an pour ses services en tant que "conseillère spéciale" du Promenade Trust, qui détient la participation de la famille dans Elvis Presley Enterprises, Inc. Ce rôle non fiduciaire durera 10 ans ou jusqu'au décès de Priscilla, selon les documents. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30.

Live spécial Paul McCartney P.McCartney-Medley: Showtime/So glad to see you here/ Rockshow/Jet-Tripping the live fantastic (90)/Back to the egg (79)/Over America (76) (Saga remix 2023)P.McCartney-Flaming pie (live)-BBC Electric proms 2007 (14)P.McCartney-Maybe I'm amazed (live)-Over America (76)P.McCartney-Magneto and Titanium man (live)-Over America (76)P.McCartney-Too many people/She came in through the bathroom window (live)-Paul McCartney Live (Quebec City 2008)P.McCartney-A day in the life/Give peace a chance (live for John)-Good evening New York City (Live 2009)P.McCartney-In spite of all danger (live)-Paul McCartney Live (Paris 2016)P.McCartney-My Valentine (live for Nancy)-Live from Capitol Studios (12)P.McCartney-Ac-cent-tchu-ate the positive (live)-Live from Capitol Studios (12)P.McCartney-Eight days a week/New (live)-Saga remix 2012P.McCartney-Alligator-New (13)P.McCartney-Only Mama knows (live)-Good evening New York City (Live 2009)P.McCartney-Sing the changes (live)-Good evening New York City (Live 2009)P.McCartney-Highway (live)-Good evening New York City (Live 2009)P.McCartney-All things must pass (live for George)-Concert for George (03)P.McCartney-Hey Jude (live)-BBC Electric proms 2007 (14)P.McCartney-I can bet-New (13)P.McCartney-I don't know-Egypt Station (18)P.McCartney-Happy with you-Egypt Station (18)P.McCartney-Do it now-Egypt Station (18)P.McCartney-Station II/Hunt you down/Naked/C-link-Egypt Station (18)P.McCartney-Soily (live)-Over America (76)P.McCartney-She said yeah-Run Devil run (99)P.McCartney-Maybe baby-B.O. "Maybe baby" (00)P.McCartney-Golden slumbers/Carry that weight/The end (live)-Tripping the live fantastic (90)

My guest on this episode is Eric Boulanger, who's the founder of The Bakery mastering studio as well as a professional studio violinist.  A protege of legendary mastering engineer Doug Sax, Eric has mastered GRAMMY-winning or nominated projects for Green Day, Hozier, Selena Gomez, Colbie Caillat, OneRepublic, Imagine Dragons, Neil Young, The Plain White T's, Chris Botti, and many more. A classically trained violinist since the age of three with over two decades of professional experience, Eric has trained at such renowned institutions as The Juilliard School, Manhattan School of Music and Tanglewood. His performances and recordings range from orchestral and chamber music, Broadway musicals, contemporary pop music, and film/television scores. In part 1 of the interview we spoke about playing in the string section on Family Guy sessions, working as an intern at Capitol Studios with Al Schmitt, rebuilding the vinyl cutting room at Mastering Lab, having the legendary Doug Sax as a mentor, and much more. I spoke with Eric via Zoom from his home in Los Angeles. On the intro I'll take a look at the class-action lawsuit filed against DistriKid over music takedown notices, and Sonible acquired by Audiotonix, and the Blue Microphone brand being sunsetted. In the upcoming part 2 of my interview with Eric, we'll talk about his unusual mastering studio, installing a familiar piece of equipment, the reason for the vinyl renaissance, why he chose the gear in his studio, and much more. var podscribeEmbedVars = { epId: 86526804, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

Us proposem escoltar el disc de Robert Cray (Columbus EUA) "That's what I head", considerat un dels m

Charlie Haden Quartet West – Sophisticated Ladies EmArcy | Marzo 22, 2011 1 If I'm Lucky 5:41 2 Sophisticated Lady 4:28 3 Ill Wind 4:25 4 Today I Am A Man 5:23 5 My Love And I 4:14 6 Theme From "Markham" 4:40 7 Let's Call It A Day 5:52 8 Angel Face 4:08 9 A Love Like This 5:13 10 My Old Flame 5:35 11 Goodbye 5:48 12 Wahoo 4:52 Ernie Watts: tenor saxophone Alan Broadbent: piano Charlie Haden: double-bass Rodney Green: drums Melody Gardot: vocals (1) Norah Jones: vocals (3) Cassandra Wilson: vocals (5) Ruth Cameron: vocals (7) Renee Fleming: vocals (9) Diana Krall: vocals (11) string orchestra arranged and conducted by Alan Broadbent (1, 2, 5, 7, 9, 11) Producer – Ruth Cameron A&R, Executive-Producer, Liner Notes – Jean-Philippe Allard Recorded on May 20 & 21, at Capitol Studios, studio B, Hollywood, CA, USA Recorded on June 4th 2010 at Avatar Studios, New York, NY, USA Additional Recording on July 12 & 26, 2010 at Avatar Studios, New York, NY, USA Mastered at Precision Mastering in Hollywood, California ℗&© 2010 Universal Music Group International BV ////////////////////////// CORTINA FINAL My Love And I (Love Song From Apache) Always Say Goodbye Charlie Haden Quartet West Verve Records | Enero 1, 1993 ////////////////////////

This is the third of five albums in my dad's collection from one of the greatest and most recognizable voices of all time. While this is my dad's collection, Sinatra was often heard in the house while my mom was in control of the stereo. So, get ready for music only the way old blue eyes can sing it with Volume 124: Frank's All for Mother's Day. Credits and copyrights Frank Sinatra – All The Way Label: Capitol Records – W 1538, Capitol Records – W-1538 Format: Vinyl, LP, Compilation, Mono, Los Angeles Pressing Released: 1961 Genre: Jazz, Pop Style: Swing, Ballad, Vocal All The Way Written-By – James Van Heusen-Sammy Cahn River, Stay 'Way From My Door Written-By – Harry Woods, Mort Dixon This Was My Love Written-By – Jim Harbert High Hopes Written-By – James Van Heusen-Sammy Cahn Recorded on May 8, 1959 at Capitol Studios in Hollywood. Witchcraft Written-By – Carolyn Leigh, Cy Coleman Ol' Mac Donald Written-By – Alan Bergman, Lew Spence, and Marilyn Keith I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Grammy nominated recording engineer Steve Genewick has thirty years of experience, both as a studio and live recording and mix engineer. He has had the pleasure of working at legendary recording studios around the world such as Capitol Studios, United Recording, Village Recorders in LA, Abbey Road Studios in London, and La Fabrique in France. Steve has worked primarily out of Capitol Studios as a staff engineer since 1994. At Capitol Studios he has worked with countless artists such as Elton John, Bastille, and Trisha Yearwood. Steve was also amongst the first of studio mixers to begin mixing music in Dolby Atmos, working with artists such as Beck, Gregory Porter, LL Cool J and Nial Horan and on the popular video game Apex Legends. In 2017 he received the Pensado Award for Best Recording Engineer, and he was a part of the Universal Audio and Capitol Studios Team that won a TEC Award for the Capitol Chambers plugin at the 2020 NAMM Conference. For the last 20 years, Steve has had the great honor of collaborating with 23 time Grammy award winning engineer/producer Al Schmitt, working with artists such as Diana Krall, Chris Botti, Gladys Knight, Neil Young, George Benson, Quincy Jones, Burt Bacharach and Paul McCartney. Steve has also joined Al for Mix With the Masters seminars for the past seven years in addition to their collaboration on their instructional film “The Art of Recording a Big Band”.  When not working at Capitol, Steve works independently at numerous major recording studios in Los Angeles or at his home mixing studio. He has had the pleasure of working with the best in the business, and has always delivered to the highest of standards. IN THIS EPISODE, YOU'LL LEARN ABOUT: Working at Capitol Studios Learning in school vs. real world experience How to work your way up the ranks in a big studio What makes a great assistant engineer? Being adaptable How to be prepared for studio sessions Why the studio industry is actually the hospitality industry Learning to speak to musicians in their language Why engineering rock records isn't different than working in any other genre Working with the legendary Al Schmitt Work/life balance Being one of the first Atmos engineers Remixing classic albums for Atmos To learn more about Steve Genewick, visit: http://stevegenewick.com/ To learn more tips on how to improve your mixes, visit https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Steve Genewick is a grammy nominated recording engineer, and mixing engineer. He works at Capitol Studios and was one of the first engineers to mix music in Dolby Atmos. His credits include, Elton John, Bastille, Beck, LL Cool J, and many more. Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/ Check out all out all other services here: https://linktr.ee/producelikeapro  

►► FREE Start to Finish Guide to Creating a Song https://www.fairairmusic.com/StartGuide How important are chamber reverbs to our mixes? One word… ESSENTIAL. If there's one mixing tip that I believe is crucial to a professional sounding mix, it's using a chamber reverb for all instrument tracks. This is especially true when working with home studio recordings. The good news is that we have amazing sounding chamber reverb plugins to replicate iconic recording studios. The same ones that produced some of the greatest albums of all time! That's right. Abbey Road and Capitol Studios. In this episode you'll learn: • A brief history on how reverb chambers became to be• Why adding a chamber reverb to your mix will elevate it to a professional sound• Which chamber reverb is best for certain elements Hope you enjoy! Emily

Steve Genewick is a grammy nominated recording engineer, and mixing engineer. He works at Capitol Studios and was one of the first engineers to mix music in Dolby Atmos. His credits include, Elton John, Bastille, Beck, LL Cool J, and many more. Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/ Check out all out all other services here: https://linktr.ee/producelikeapro  

Bill Evans – You Must Beleve In Spring Craft Recordings | Feb 2, 1981 1 B Minor Waltz (For Ellaine) 3:12 2 You Must Believe In Spring 5:37 3 Gary's Theme 4:15 4 We Will Meet Again (For Harry) 3:59 5 The Peacocks 6:00 6 Sometime Ago 4:52 7 Theme From M*A*S*H (aka Suicide Is Painless) 5:53 Bonus Tracks 8. Without A Song* 8:05 9. Freddie Freeloader* 7:34 10. All Of You* 8:09 Bill Evans: Piano Eddie Gomez: Bass Eliot Zigmund: Drums *previously unissued recording Engineer – Al Schmitt Liner Notes [Elegy] – Bill Lavatsky Mastered By – Doug Sax Painting – Charles Burchfield Photography By [Back Cover] – Scott Lyons Producer – Helen Keane, Tommy LiPuma Recorded at Capitol Studios, Hollywood, CA, Aug. 23, 24, 25, 1977 ///////////////////////////////////////////////////////// CORTINA FINAL My Foolish Heart Waltz For Debby Bill Evans Trio Riverside Records | Junio 25, 1962 /////////////////////////////////

Shannon Burchett is a recording artist, singer & songwriter from Dallas. He began his music training on piano and guitar at age 5, and he did his first public pop performance at age 6. For a number of years he did recordings at local Dallas studios of cover songs, which became popular on his original YouTube® channel with covers such as “Say You Won't Let Go”, originally recorded by James Arthur, getting more than a million views. Based on his success on YouTube®, he was invited to begin recording videos at the YouTube Space® in Los Angeles. Shannon's breakthrough original song “Do You Know”, was recorded at Capitol Studios® in Los Angeles and released in early 2020 on his new social media channels on music streaming sites. His new album Lucky, which includes the single releases Nirvana, Higher and Someday, is also now available. Shannon plays the keyboard and guitar.

Shannon Burchett is a recording artist, singer & songwriter from Dallas. He began his music training on piano and guitar at age 5, and he did his first public pop performance at age 6. For a number of years he did recordings at local Dallas studios of cover songs, which became popular on his original YouTube® channel with covers such as “Say You Won't Let Go”, originally recorded by James Arthur, getting more than a million views. Based on his success on YouTube®, he was invited to begin recording videos at the YouTube Space® in Los Angeles. Shannon's breakthrough original song “Do You Know”, was recorded at Capitol Studios® in Los Angeles and released in early 2020 on his new social media channels on music streaming sites. His new album Lucky, which includes the single releases Nirvana, Higher and Someday, is also now available. Shannon plays the keyboard and guitar.

The singer talks all things Judy Garland as he releases his stripped-down tribute to her iconic Carnegie Hall concert, recorded live with a jazz quartet at Hollywood's historic Capitol Studios in front of an audience of one — Renée Zellweger, who also inhabited the legendary performer in the 2019 biopic 'Judy.'   See omnystudio.com/listener for privacy information.

Singer, songwriter, and composer Rufus Wainwright continues to surprise and delight with a new tour and album, Rufus Does Judy at Capitol Studios, paying homage to one of his heroes, Judy Garland, and her historic recording. Wainwright was practically born into songwriting as son of musicians Loudon Wainwright III and Kate McGarrigle, and touring with his family by the age of thirteen. The Juno-Award winning and Grammy-nominated artist has since defied expectations, playing with genre, from standards to pop and even opera.  Rufus Wainwright talks to host Talia Schlanger about the influence of his musical family, what uncharted territory is next for him and how he communicates with the muses in his songwriting.  See omnystudio.com/listener for privacy information.

On this episode of Big Blend Radio, British multi award-winning singer, actor and entertainer, Richard Shelton discusses his new album 'An Englishman in Love in LA.' Featuring five original songs, three pop classics and eight celebrated jazz standards, 'An Englishman in Love in LA' is an extensive body of work inspired by Shelton's decision to begin a new life in Los Angeles. Shelton's work is undoubtedly influenced by Frank Sinatra, with whom he has an uncanny award-winning dramatic relationship, having portrayed the icon on stages across the world in the critically acclaimed productions ‘Rat Pack Confidential' in London's West End, ‘Sinatra & Me' and more recently, ‘Sinatra RAW'. ‘An Englishman in Love in LA' was recorded at Capitol Studios, the iconic LA hot spot famous for producing some of Frank Sinatra's greatest work, not to mention a whole host of other legendary artists. Teaming up with renowned producers Sean Hargreaves and Alex Frank, Shelton collaborated on arrangements which range from extensive orchestral works, to a core 10-piece all-star band which includes Chuck Berghofer, Frank Sinatra's bass player and member of the legendary session musicians known as ‘The Wrecking Crew', Mike Lang – legendary pianist who played at Sinatra's Los Angeles retirement concert in 1971 and performed the theme to ‘The Way We Were' with Barbra Streisand, Gregg Field, Sinatra's drummer and multiple Grammy winning musician Wayne Bergeron, one of LA's most sought after trumpet players. ‘An Englishman in Love in LA' paints a heart-warming picture about pursuing one's dreams. The album is proof that trusting your instincts can sometimes work wonders. More: https://richardshelton.co.uk/ 

On this episode of Big Blend Radio, British multi award-winning singer, actor and entertainer, Richard Shelton discusses his new album 'An Englishman in Love in LA.' Featuring five original songs, three pop classics and eight celebrated jazz standards, 'An Englishman in Love in LA' is an extensive body of work inspired by Shelton's decision to begin a new life in Los Angeles.Shelton's work is undoubtedly influenced by Frank Sinatra, with whom he has an uncanny award-winning dramatic relationship, having portrayed the icon on stages across the world in the critically acclaimed productions ‘Rat Pack Confidential' in London's West End, ‘Sinatra & Me' and more recently, ‘Sinatra RAW'.‘An Englishman in Love in LA' was recorded at Capitol Studios, the iconic LA hot spot famous for producing some of Frank Sinatra's greatest work, not to mention a whole host of other legendary artists. Teaming up with renowned producers Sean Hargreaves and Alex Frank, Shelton collaborated on arrangements which range from extensive orchestral works, to a core 10-piece all-star band which includes Chuck Berghofer, Frank Sinatra's bass player and member of the legendary session musicians known as ‘The Wrecking Crew', Mike Lang – legendary pianist who played at Sinatra's Los Angeles retirement concert in 1971 and performed the theme to ‘The Way We Were' with Barbra Streisand, Gregg Field, Sinatra's drummer and multiple Grammy winning musician Wayne Bergeron, one of LA's most sought after trumpet players.‘An Englishman in Love in LA' paints a heart-warming picture about pursuing one's dreams. The album is proof that trusting your instincts can sometimes work wonders. More: https://richardshelton.co.uk/

On this episode of Big Blend Radio, British multi award-winning singer, actor and entertainer, Richard Shelton discusses his new album 'An Englishman in Love in LA.' Featuring five original songs, three pop classics and eight celebrated jazz standards, 'An Englishman in Love in LA' is an extensive body of work inspired by Shelton's decision to begin a new life in Los Angeles. Shelton's work is undoubtedly influenced by Frank Sinatra, with whom he has an uncanny award-winning dramatic relationship, having portrayed the icon on stages across the world in the critically acclaimed productions ‘Rat Pack Confidential' in London's West End, ‘Sinatra & Me' and more recently, ‘Sinatra RAW'. ‘An Englishman in Love in LA' was recorded at Capitol Studios, the iconic LA hot spot famous for producing some of Frank Sinatra's greatest work, not to mention a whole host of other legendary artists. Teaming up with renowned producers Sean Hargreaves and Alex Frank, Shelton collaborated on arrangements which range from extensive orchestral works, to a core 10-piece all-star band which includes Chuck Berghofer, Frank Sinatra's bass player and member of the legendary session musicians known as ‘The Wrecking Crew', Mike Lang – legendary pianist who played at Sinatra's Los Angeles retirement concert in 1971 and performed the theme to ‘The Way We Were' with Barbra Streisand, Gregg Field, Sinatra's drummer and multiple Grammy winning musician Wayne Bergeron, one of LA's most sought after trumpet players. ‘An Englishman in Love in LA' paints a heart-warming picture about pursuing one's dreams. The album is proof that trusting your instincts can sometimes work wonders. More: https://richardshelton.co.uk/ 

Travis Ference is a mixer, producer, and recording engineer based out of Los Angeles, CA.  With over a decade of experience in the record business he has managed to work on multiple #1 albums, several top 10's, numerous RIAA platinum and gold certified records, as well as hit TV shows and blockbuster films.  His work can be heard on more than 15 million albums sold worldwide and nearly a billion streams. Upon graduating from Berklee College of Music in Boston, MA, Travis moved to Hollywood and began working at Capitol Studios where he had the privilege of learning the art of recording from their world-class staff and clientele.  He would later join that staff as an in-house engineer for over five years.  After leaving his position at Capitol he worked as chief engineer for Alex da Kid's record label, KIDinaKORNER, managing their studios and handling day to day sessions and operations. Travis now works independently, producing and mixing for various artists, both in Los Angeles and remotely around the globe. IN THIS EPISODE, YOU'LL LEARN ABOUT: Picking microphones for their EQ curves Drum tuning: why it's so important Recording drum kits without cymbals Finding the “priority” of the mix How to find frequencies that are masking each other Identifying the problems with your room and how it affects what you hear in your mixes Building templates How to properly gainstage your signal Getting big low end: how to get your kick and bass tracks to work well together Using rough mixes as inspiration To learn more about Travis Ference, visit: https://www.travisference.com/ To learn more tips on how to improve your mixes, visit https://masteryourmix.com/   Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/   Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/   Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community   To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android.   Have your questions answered on the show. Send them to questions@masteryourmix.com   Thanks for listening! Please leave a rating and review on iTunes!

Dolby Atmos has moved the goalposts for loudness, all the way down to -18 LUFS. This was one of the main topics of conversation for this year's Dynamic Range Day, with the Atmos versions of 5 albums being nominated for the award - and in fact, the overall winner was an Atmos mix & master. In this episode I talk to Nick Rives from Capitol Studios, who mixed the winning album, and we discuss: * Nick's approach to mixing immersive audio * How he got started with Dolby Atmos * Using spatial effects to enhance the musical impact * How the -18 LUFS guideline works in practise * The benefits and challenges of Atmos dynamics Full show notes on our website https://themasteringshow.com/episode-82

Conductor Susie Bechasil Seiter, who specializes in orchestra pops and film score conducting, discuss systematic gender bias, barriers, and her experiences touring with bands around the world!Susie Benchasil Seiter is a prolific conductor, orchestrator and composer for film, television, video games, and live concerts. Susie currently stays busy conducting Live to Picture shows with venerable symphonies, orchestrating various projects  and her first co-written Netflix limited series is due out this fall.Seiter is best known for orchestrating and conducting the remarkably successful orchestral concert tours The Legend of Zelda: Symphony of the Goddesses and Pokémon: Symphonic Evolutions. Combined, these tours have been performed more than 300 times by some of the world's most respected orchestras. In 2017-2018 alone, she conducted over 80 orchestras, including the Royal Philharmonic at London's Apollo Hammersmith, The Orchestra of St. Luke's at Madison Square Garden, the National Symphony Orchestra at Wolf Trap, and the Sydney Symphony at the iconic Sydney Opera House. Seiter excels in leading popular symphonic film concerts such as Frozen Live, Muppets Christmas Carol, Pixar in Concert and Mary Poppins Live. She recently completed a 120 city worldwide orchestra tour as conductor and music director for multiple Grammy-winning band Evanescence and Billboard Music Award winner and YouTube sensation, Lindsey Stirling. Last year she conducted the Paramount blockbuster hit Snake Eyes: A GI Joe Origin Story and Netflix's holiday favorite 8-Bit Christmas. She is excited to appear this summer with Toy Story Live and Nightmare Before Christmas live in various cities. Susie also likes to boast that she conducted the recording to Zombieland 2 at Capitol Studios nine days after giving birth.Originally from Baltimore, Seiter now calls Los Angeles home, where she lives with Chad and their sons Samuel and William.

My guest this week is Steve Genewick, who's worked at Capitol Studios in Hollywood for 25 years. Steve was one of the very first mixers to get into Atmos music mixing and now has more experience than just about anyone. Among the artists that Steve has mixed in Atmos includes Aerosmith, Miles Davis, Bon Jovi, Carrie Underwood, REM, Maroon 5 and many more. During the interview we spoke about setting up a home Atmos studio, getting thrown into the Atmos learning curve, how he uses objects and beds, the tools he regularly uses, his custom reverb setup, and much more. I spoke with Steve from his home studio in Hollywood. You can find out more about him either here or on Episode 276. On the intro I'll take a look at the people who don't like crypto and NFTs and why, and the $200 Kanye Stem Music Player. var podscribeEmbedVars = { epId: 82797749, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

As broadcast January 7, 2022 with plenty of extra Joan & Tone for your podcast spirits.  Tonight for our first guest artist selector show of the new year, we couldn't be more thrilled to have welcomed Joan As Police Woman to the show to discuss the creative process that went into her latest album with Tony Allen and Dave Okumu.  A surprising one night jam session in Paris in 2019 bloomed into the glimmering, brooding flower that is The Solution Is Restless, one of our favorite albums of the year.  Joan talked quite specifically about what moved her to create some of the tunes on the LP, and also how she met the late, great father of afrobeat and kind of "took a chance" asking if he'd like to record with her.  Not to be missed for fans of the artist or the album.#feelthegravityTracklisting:Part I (00:00)Joan As Police Woman with Tony Allen & Dave Okumu – Take Me To Your LeaderGhost Funk Orchestra – Fuzzy LogicOrions Belte – Cherchez La GhostThe Rebels of Tijuana – Et le blizzard s'estompeLeenalchi – Ultimate PrescriptionPart II (30:36)Robert Glasper – So Beautiful (Live at Capitol Studios)James Booker – Black Minute WaltzJ Dilla – Waves Joan As Police Woman with Tony Allen & Dave Okumu – MasqueraderTony Allen – Politely  Part III (60:43)Joan As Police Woman with Tony Allen & Dave Okumu – Geometry Of YouTony Allen feat Damon Albarn – Go BackKrystle Warren & The Faculty – If It Wasn't For The LakeBaths – Lovely BloodflowMeshell Ndegeocello – Forget My NameHere We Go Magic – Over The Ocean Part IV (99:55)Joan As Police Woman with Tony Allen & Dave Okumu – Get My BearingsTony Allen feat Theo Parrish, ESKA, & Andrew Ashong – Day Like This ReworkBridget Kearney – Who Are We KiddingThe Flamingos – I Only Have Eyes For YouConnan Mockasin – Momo'sMadlib – The StrollSly & The Family Stone – Skin I'm In 

All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: unpluggedtube@outlook.it and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ---------------------------------------------------------------------------------------------------- 00:15 - Christmas Time Is Here 3:45 - Joy To The World / Joyful, Joyful 7:45 - 25th 12:10 - Sleigh Ride 16:12 - Silent Night 21:10 - Let It Snow 24:00 - Go Tell It On The Mountain 29:50 - O Come, O Come Emmanuel / O Come All Ye Faithful 33:40 - Gift That Keeps On Giving 37:45 - This Christmas 41:21 - O Holy Night Reshared by Team UNPLUGGED.

#646 - Jack Jones Jack Jones is a special guest on The Paul Leslie Hour. One of the great icons in entertainment, Jack Jones is with us. He is a veritable legend in music, a Grammy award-winning recording artist, Jack Jones is known as "the Singer's Singer." A prolific recording artist and performer, he's released more than 60 albums. His latest album Every Other Day I Have the Blues, is a sojourn into blues music. Recorded at Capitol Studios and Big Surprise Music, the album was produced by Jack Jones and Tom Scott on the Cavalry Productions label. The renowned jazz critic and journalist Will Friedwald had this to say: "It's hardly surprising that Mr. Jones should surprise us with a new album of fresh songs that all have ties to blues form and harmony, delivered with stunning arrangements and a swinging band and soloists." Ladies and gentlemen, I give you Jack Jones! The Paul Leslie Hour - Helping People Tell Their Stories is a talk show with new episodes every Monday, Wednesday and Friday. Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture. Support The Paul Leslie Hour by contributing to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

Maggie & John discuss the celebration of the 50th anniversary of the release of the Jimi Hendrix Experience masterpiece Electric Ladyland, Experience Hendrix, L.L.C. and Legacy Recordings, the catalog division of Sony Music Entertainment,  releasied the Deluxe Edition box set on November 9. Available as either a 3CD/1 Blu-ray set or a 6LP/1 Blu-ray set, both packages include the original double album, now newly remastered by Bernie Grundman from the original analog tapes. For the LP set, Grundman prepared an all analog direct to disc vinyl transfer of the album, preserving the authenticity. Also included is Electric Ladyland: The Early Takes, which presents demos and studio outtakes from this period in Hendrix's career, plus a new 5.1 surround sound mix of the entire original album by Hendrix's original engineer Eddie Kramer. This marks the first and only time this has been done with a Hendrix studio album, and gives listeners the original stereo mixes in uncompressed 24 bit/96 kz high resolution audio.Jimi Hendrix Experience: Live At the Hollywood Bowl 9/14/68, part of Experience Hendrix's Dagger Records official bootleg series, is another exclusive component. The never before released recording captures the band and the mounting excitement that took place just weeks before the release of Electric Ladyland. The Blu-ray also includes the acclaimed, feature length documentary At Last… The Beginning: The Making of Electric Ladyland.Lastly, Electric Ladyland Deluxe Edition includes a full color, 48-page book containing Jimi's handwritten lyrics, poem and instructions to his record label, as well as never before published photos from the recording sessions that were shot by Eddie Kramer himself.Date first available: August 15, 2018Source: https://www.jimihendrix.com/electric-ladyland-50/This episode is from an archive from the KPFK program Profiles adapted for podcast. Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994. Support the show

On this week's Fabulous Film & Friends our roundtable will be completing the second part of a matched set we started with last episode's discussion of Joel and Ethan Coen's Hudsucker Proxy, as we review their other lavish, 1950's-set extravaganza, 2016's Hail Caesar!.  Returning for this thrilling follow up is a name over 200 podcast listeners trust, my younger sister Roseanne Caputi.  Then there's the most doggedly truth-seeking pediatric dentist ever to set up shop in Salt Lake City, David Johnson, DMD.  And back again in the official Paul Lynde Center Square is Actor, Voice Artist, photobug and funnyman, GORDON ALEX ROBERTSON! Hail Caesar! follows a day in the life of Hollywood Studio fixer Eddie Mannix as he shepherds a menagerie of actors, directors, and publicity hounds, keeping them out of trouble, motivated and happy during several productions in the studio's line up. Meanwhile on the set of Mannix's most expensive endeavor, a Tale of the Christ also entitled Hail Caesar, lead actor Baird Whitlock has been kidnapped by a group of Communists. And on a personal level, the scrupulous Mannix struggles with lying to his wife about his cigarette habit and must decide whether he will leave the chaos of Capitol Studios for the greener pastures of a cushy, serious-minded job at Lockheed Martin.  As with Hudsucker Proxy, I first saw the film in less-than-ideal circumstances: on a plane bound for India in the summer of 2016, after missing the film in theaters once again-- something I rarely do with Coen Brothers movies. It should be noted that I missed two of their most visually spectacular films on the big screen and seeing Hail Caesar! amidst the din and flight attendants' interruptions of a plane voyage, I lost a lot of lines and nuance of the film, and yet I still loved it. Upon first seeing it, I declared on social media that you couldn't find a more Catholic message of self-sacrifice and mortification in a mainstream Hollywood film  than if the film was bankrolled by the Vatican itself.   Another  voice in the roundtable couldn't  help but notice a strong Kierkegaardian/existentialist worldview to this largely ignored and/or dismissed film and we all delve into the significance of the story as presented.What's the lowdown on the street? Find out!#hailcaesar!#joshbrolin#hollywood#fabulousfilmandfriendsNote: Actor Max Baker played the lead Communist in Hail Caesar! I mistakenly guessed his name was Mark Baker in the podcast. Either way, a fantastic performance. 

#628 - Oleg Frish The Oleg Frish Interview is featured on The Paul Leslie Hour. Oleg Frish is a unique personality. He is a TV and Radio host, a singer, a journalist and a peppy, sunny, positive man. Oleg was born in the former Soviet Union and during his childhood fell in love with American music. 20 years ago he came to the United States to embark on a career in television and radio. He started his TV show "Time Out" on NTV, a leading Russian TV channel headquartered in the United States. Through the years he interviewed the likes of James Brown, B.B. King, Connie Francis, Engelbert Humperdinck, Paul Anka, Al Martino, John Kander, Petula Clark, Whoopie Goldberg and Gloria Gaynor. Many of his program's guests noted his passion for singing and encouraged him to record an album. Backed by the Patrick Williams Big Band, his album BRING ME SUNSHINE is a collection of songs from the great American Songbook. Patrick Williams arranged and conducted both of Frank Sinatra's Duets albums. The album was recorded at the Capitol Studios in LA. We invite you to listen to our interview with Oleg Frish, right here on The Paul Leslie Hour. The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

Travis Ference is a Grammy nominated mixer, producer, and recording engineer based out of LA, CA, USA. In our conversation Travis shared his journey; from studying at Berklee College of Music to working at Capitol Studios to going freelance and eventually niching into mixing. We go deep on his approach to mixing, clearing space for the vocal and getting amazing vocal tones. We also dig into his podcast, Progressions, how he was able to redefine success for himself, and so much more! Check it out!You can learn more about Travis at https://www.travisference.com/You can follow Travis on Social MediaIG - https://www.instagram.com/tference/You can follow his podcast Progressions at https://www.instagram.com/progressionspod/You can listen to the song we discussed in the "Sauce" segment in its entirety here: "Running from a Ghost" by Corey Britz - https://www.youtube.com/watch?v=zkdzN7ceifs&ab_channel=CoreyBritz-TopicJoin the Secret Sonics Discord community here(!) - https://discord.gg/7menEBGeYkSubscribe to the podcast and get my free guidebook "Music Production Essentials" here - https://mpe-ebook.benwallick.com/free-downloadIf you'd like to help support Secret Sonics, you can do so by visiting https://www.buymeacoffee.com/benwallickReferencesMatt Boudreau - https://www.benwallick.com/podcast-episodes/2021/2/14/secret-sonics-084-matt-boudreau-sustaining-a-life-in-audioTravis on WCA - https://www.workingclassaudio.com/wca-351-with-travis-ference/Progressions - https://www.progressionspodcast.com/Capitol Studios - https://www.capitolstudios.com/Elliot Scheiner - https://en.wikipedia.org/wiki/Elliot_ScheinerMatthew Gerrard - https://en.wikipedia.org/wiki/Matthew_GerrardAlex Da Kid - https://en.wikipedia.org/wiki/Alex_da_KidShoshana Bean - https://en.wikipedia.org/wiki/Shoshana_BeanLo Fang - https://en.wikipedia.org/wiki/Lo-FangCarl Bahner - https://www.benwallick.com/podcast-episodes/2020/8/9/secret-sonics-058-carl-bahnerEssentialism - https://amzn.to/3kEImCqJesse Ray Ernster - https://www.benwallick.com/podcast-episodes/2021/8/29/secret-sonics-110-jesse-ray-ernster-going-all-in-on-his-dreamsValhalla Vintage Verb - https://valhalladsp.com/shop/reverb/valhalla-vintage-verb/SPX 90 - https://www.vintagedigital.com.au/yamaha-spx90-multi-effects-processor/#:~:text=The%20Yamaha%20SPX90%20is%20an,wide%20range%20of%20exciting%20effects.&text=The%20Yamaha%20SPX90%20is%20equipped,30%20outstanding%20preset%20effect%20programs.Plugin Alliance SSL - https://www.plugin-alliance.com/en/products/bx_console_ssl_4000_e.htmlAndrew Maury - https://www.benwallick.com/podcast-episodes/2021/7/18/secret-sonics-104-andrew-maury-mixing-with-intuitionCorey Britz - https://www.instagram.com/coreybritz/?hl=enBush - https://en.wikipedia.org/wiki/Bush_(British_band)Thanks for listening to this episode of Secret Sonics! I hope you enjoyed this episode :) Look out for new episodes weekly. Consider rating and reviewing our show on Apple Podcasts and sharing this or any of your favorite episodes with a friend or two.Thank you to Zvi Rodan, Mendy Portnoy, and Yakir Hyman for contributing to the new podcast theme music!You can find out more about Secret Sonics and subscribe on your favorite podcast app by visiting www.secretsonics.co***If you want the show to continue to improve, feel free to fill out a listener survey here: https://forms.gle/BWKmS4YmESYid5rh8 ***Follow along via social media here:Facebook: www.facebook.com/SecretSonicsPodInstagram: www.instagram.com/secretsonics/Feel free to email me at secretsonics@gmail.com with any questions and feedback you might have. I'm open to learning about what topics you'd like to hear about and which people you'd like to hear from. In pursuit of making this podcast truly helpful to anybody looking to improve at music production, all suggestions are truly welcome! Have a great week, stay safe, and dig in!-Ben

#580 - Paula Salvatore Paula Salvatore is a special guest on The Paul Leslie Hour. Paula Salvatore was recently promoted into a Vice President of Client Relations and Studio Marketing at Universal Music Group. Prior to that, Paula has long been the face of the famed Capitol Studios in Hollywood, California. Through the years, she's interacted and worked with everyone from Frank Sinatra, Paul McCartney, Bob Dylan, James Taylor and so many others. Needless to say, she has a lot of stories. Paula was introduced for this interview through singer and actor Robert Davi who has recorded many songs at Capitol. The personal connection resulted in a personal interview, which you are invited to watch here. Paula Salvatore is on The Paul Leslie Hour. Happy viewing.

In celebration of Pride Month, we talk to Rufus Wainwright about his livestreamed concert on June 10th, Rufus Does Judy at Capitol Studios, where he re-creates and celebrates Judy Garland's classic 1961 Carnegie Hall concert, and shares his thoughts on what it was like to be one of the first openly gay artists when he first emerged on the music scene in the ‘90s. He also talks about family, fatherhood and what the world needs now. We also talk to acclaimed Maine-based singer-songwriter-producer Lady Lamb about how discovering her identity early in life allowed her the freedom of expression to forge her own unique musical path. All this and some valuable advice from our recent ASCAP Experience session on how important video is to releasing new music today. Check out Rufus Does Judy at Capitol Studios on June 10th. Watch Lady Lamb's film "I Feel a Stillness Growing." RSVP for The ASCAP Experience. Listen, watch and subscribe on YouTube.

This week's guest is Grammy nominated recording engineer and mixer Steve Genewick. Steve has been a staff engineer at the world renowned Capitol Studios since 1994. His credits included names like Paul McCartney, Diana Krall, Beck, Niall Horan, LeAnn Rimes and Elvis Costello just to name a few. Steve is also on the forefront of mixing music for the Dolby Atmos format, being one of the first studio engineers to do so. We have a great chat about being prepared for every session, pushing the limits of what's possible, and the importance of finding a studio community to be a part of. In this episode, we'll dig in on... Working at Capitol Studios Mixing music for Dolby Atmos Always saying "Yes" Working with Al Schmitt Switching from analog tape to Pro Tools Finding a studio community to learn from Recording big bands and orchestras Learn the basics first Post-Pandemic recording Being prepared for sessions Remote recording an orchestra at Abbey Road Learn More About Steve Genewick and Capitol Studios... Website: http://stevegenewick.com/ (http://stevegenewick.com/) Capitol Studios: https://www.capitolstudios.com/ (https://www.capitolstudios.com/) Our Sponsors: Sign Up for Complete Producer Network https://www.completeproducer.net/share/z_LJhc8M_GtKZ1OX?utm_source=manual (HERE)! Get on the Waitlist for The Beats Accelerator Process https://knowledge.completeproducer.pro/bapwaitlist (HERE)! Get on the Waitlist for The Mix Accelerator Process http://mixaccelerator.com/ (HERE)! Other Links: https://www.travisference.com/coffeecup (Give Me a Coffee Cup!) Support Progressions on https://www.patreon.com/progressionspod (Patreon)! Sign up for the https://mailchi.mp/87a95bbfe666/progressionspod (Progressions Mailing List) https://kit.co/travisference (Gear and Recommended Reading List) Instagram: https://www.instagram.com/progressionspod/ (https://www.instagram.com/progressionspod/) Facebook: https://www.facebook.com/ProgressionsPod/ (https://www.facebook.com/ProgressionsPod/) Twitter: https://twitter.com/progressionspod (https://twitter.com/progressionspod) Learn more about Travis: https://www.travisference.com/ (https://www.travisference.com/) Credits: Guest: Steve Genewick Host: Travis Ference Editor: Travis Ference Theme Music: inter.ference

Hoy te hablaré de un lugar insonorizado y acondicionado acústicamente para registrar el sonido. Por supuesto, hoy los estudios de grabación serán el tema del estudio de hoy, algunos legendarios, en su interior bandas clásicas grabaron grandes discos, los Real World Studios de Peter Gabriel en Wiltshire Inglaterra, los Trident Studios en el corazón del Soho, los Sunset Sound Recorders de Sunset Boulevard en California, Purple Rain de Prince se grabó allí, los Sun Studios en Memphis Tennessee, donde Elvis o Roy Orbison grabaron sus discos en una sola toma, The Abbey Road en Londres, cuartel general de los Beatles, los Electric Lady Studios en Greenwich Village, New York fundado por Jimi Hendrix, los Capitol Studios en el centro de Hollywood, abriendo las puertas a Frank Sinatra o Nat King Cole, o The Village en Santa Monica, donde se grabaron legendarios disco de Rolling Stones, Pink Floyd, Supertramp o incluso Lady Gaga. Para mi Podcast número 109, los estudios de grabación donde se grabaron el puñado de canciones que sonarán en este estudio de titulo: Versiones perfectas.Playlist de mi Podcast:00 - Blaudzun-Solar (Intro).01 - Randy Crawford-You Might Need Somebody.02 - Steely Dan-Do It Again.03 - Toto-Waiting For Your Love.04 - Steve Winwood-While You See A Chance.05 - Stealers Wheel-Stuck In The Middle With You.06 - Eric Clapton-Lay Down Sally.07 - The Avalanches-Interstellar Love (feat. Leon Bridges).08- Everything But The Girl-These Early Days.09 - Alanis Morissette-Ablaze.10 - Fleetwood Mac-Seven Wonders(Extended Version).11 - Wild Cherry-Play That Funky Music.12 - George Benson-Give Me the Night.13 - David Bowei-Let's Dance.14 - Gerry Rafferty-Baker Street.15 - Blaudzun-Solar (Despedida).

Sai Hanif has been working in the music industry for over sixteen years. In addition to live event production, he founded and continues to run a successful musical instrument brand. Sai has taken his business acumen and applied it to the artists he works with throughout his career. He specializes in scaling artists by implementing processes to create efficient workflows with respect to the creative process. Specialties: Tour Direction, Production Management, Design, Budgeting, Travel, Logistics, Business Strategy, and Artist Development.Founder and CEOMasters of Maple Drums Established in 2002 Masters of maple is one of the leading boutique drum manufacturers in the world. The brand produces high quality instruments with a limited distribution model, and is one of the few manufacturers to make their ply drum shells in house.Tour Director, Production Manager Gabriel " Fluffy" Iglesias May 2019 – Present Gabriel “Fluffy” Iglesias is an acclaimed stand up comedian with multiple Netflix specials, and storied career in entertainment.Production Manager, Technical Director X ambassadors Contract Oct 2019 – Present Production management for the “Orion” world tour album campaign. X ambassadors are a Grammy award winning alternative band from Ithaca, New York. I oversaw design and fabrication of the new stage production, which incorporated video elements utilizing the new disguise D3 media server. Production Consultant, Drum Technician [Joshua Homme]Eagles of Death Metal Dates Employed Apr 2015 – Present Eagles of Death Metal are a rock band from Palm Desert, California. I served as drum technician for Mr. Homme when he would play drums live with the band.  Tour Manager, Production Manager, Creative Director Jakob Dylan Jul 2014 – Present Jakob Dylan is a Grammy award winning and lead singer of The Wallflowers. I have been responsible for all special projects in many capacities. Mr. Dylan is involved in many charities at the forefront of health and world issues.Founder and CEO Ghost Tech Touring Full-time Mar 2012 – Present Ghost Tech Touring is a full service production company. We specialize in all aspects of touring operations such as but not limited to: bus rental, insurance, crew management, budget control, audio visual services, backline, logistics, expendable management. Typically clients save between 4-19% on gross revenue touring expenses.Production Manager Walk The Moon May 2016 – Present Production management for the “What if Nothing” album campaign. Walk the Moon are a rock band from Cincinnati, Ohio.Tour Manager, Production Manager, Management The Wallflowers Jan 2011 – Present Tour Manager | Production Manager [2013- Present]Stage Manager | Backline Crew Chief | Drum Technician | Keyboard Technician [2011-2013] The Wallflowers are a two-time Grammy award winning rock band from Los Angeles, California. Tour Director, Technical Director, Band Liaison, Production Accountant Echo in the Canyon Dates Employed 2018 – 2019 Echo In The Canyon is a 2018 film paying homage to the music of the sixties and the cultural revolution surrounding Laurel Canyon. It was released in theaters May 24, 2019.https://Mdrums.com/https://myghosttech.com/https://www.instagram.com/ladrumguy/https://www.instagram.com/mastersofmapleAl Schmitt videoSupport the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=9JCBNUCRNRVKY&source=url)

Matt talks to Dr. James Doty, the Director and Founder of The Center for Compassion and Altruism Research and Education at Stanford University of which his Holiness the Dalai Lama is the founding benefactor. He is also a clinical professor in the Department of Neurosurgery at Stanford University School of Medicine. He is an inventor, entrepreneur and philanthropist. He is the New York Times bestselling author of Into the Magic Shop: A Neurosurgeon's Quest to Discovery the Mysteries of the Brain and the Secrets of the Heart . Matt and Dr. Doty discuss the story behind his book, how to make a difference, anxiety and panic attacks, relationships, and how compassion can have a major impact on our lives. Matt also answers listener questions and comments, and plays one of his favorite songs that he recorded at the legendary Capitol Studios in Hollywood. 

Composer Keegan DeWitt is the featured guest on this Score to Screen podcast. The All The Bright Places composer reveals what it was like crafting the sweeping score, working alongside director Brett Haley, and recording at Capitol Studios. Based on the internationally bestselling novel by Jennifer Niven, All The Bright Places tells the story of Violet Markey (Elle Fanning) and Theodore Finch (Justice Smith), who meet and change each other's lives forever. As they struggle with the emotional and physical scars of their past, they come together, discovering that even the smallest places and moments can mean something. This compelling drama provides a refreshing and human take on the experience of mental illness, its impact on relationships, as well as the beauty and lasting impact of young love. Keegan DeWitt is one of the more versatile and exciting young composers working in film and TV. Whether adding a refreshing voice to larger projects at HBO, Showtime, and FOX or collaborating alongside notable independent filmmakers; his work crosses a large tapestry of styles and demands attention with its originality and emotion. Over the past 5 years, Keegan has brought 15 films to the Sundance Film Festival; many titles that would go on to garner an Academy Award, multiple Sundance Audience Awards, and an Independent Spirit Award. In addition, Keegan continues to expand on previous collaborative relationships with exciting young directors who have helped make his work a mainstay at festivals worldwide. The Score to Screen podcast series is produced and hosted by Crossover Media's Max Horowitz. Listen to the All the Bright Places Soundtrack here. Listen to the official Keegan DeWitt Spotify playlist here. Follow Sony Soundtracks: https://lnk.to/sonysoundtracksPD

On today's episode of Ready to Record, we have legendary engineer Christina Paakari on the show. We talk about everything from the earliest parts of her career, as well as some really interesting stories about being a staff engineer at Capitol Studios. On today's Gear Talk, The D3 talks about his (and your) most important piece of audio equipment: ears. On today's Music from Blue Girl, The D3 shows off a new, unfinished electronic piece.Find Christina hereFind Blue Girl Productions hereThis show is part of Pantheon Podcasts.

On today's episode of Ready to Record, we have legendary engineer Christina Paakari on the show. We talk about everything from the earliest parts of her career, as well as some really interesting stories about being a staff engineer at Capitol Studios. On today's Gear Talk, The D3 talks about his (and your) most important piece of audio equipment: ears. On today's Music from Blue Girl, The D3 shows off a new, unfinished electronic piece. Find Christina here Find Blue Girl Productions here This show is part of Pantheon Podcasts.

Apenas iniciada la cuarentena, Fito Páez lanzó en las redes "La conquista del espacio", su vigésimo tercer disco. Fue grabado en los Capitol Studios, de Los Angeles y recibió tres nominaciones para los Grammys latinos. El disco cuenta además con invitados internacionales, tan diversos como Juanes, Lali, Mateo Sujatovich o Ca7riel.Buena parte de la crítica especializada calificó a ésta como una de las grandes composiciones en la carrera del rosarino: "La canción de las bestias" See acast.com/privacy for privacy and opt-out information.

Dr. Bloom and Richard are joined by Kimberly Faye Greenburg, Ann Kittredge, Richard Shelton, and Kim David Smith. Kimberly Faye Greenberg is the first and only actress ever to star in two Off-Broadway musicals at the same time, with leading roles in Danny and Sylvia: The Danny Kaye Musical, and the solo show One Night with Fanny Brice. Fabulous Fanny is currently available to stream into your home and for live bookings for 2021-2022. www.fabulousfannybriceshow.com Ann Kittredge is a lifelong performing artist. She has performed on Broadway, Off-Broadway, and at major venues across the country, working with top producers and directors throughout her career. She lives in New York City with her husband and their children. https://annkittredge.com Richard Shelton is a British film, TV and theatre actor and singer. Shelton is best known his role Dr Adam Forsythe on Emmerdale and for his portrayal of Frank Sinatra in Rat Pack Confidential in London's West End. Shelton has recorded solo albums at Capitol Studios in Los Angeles and Abbey Road Studios in London. https://richardshelton.co.uk Kim David Smith, hailing from Australia, is a Helpmann Award nominated singer and cabaret performer, based in New York City. Smith’s debut live album “Kim David Smith Live at Joe’s Pub” was released worldwide July 17, 2020, featuring artwork by fashion illustrator Clifford Faust. http://kimdavidsmith.com

El año 2020 sigue sin dar tregua y ahora nos ha tocado perder a Charley Pride debido a complicaciones relacionadas con el Covid-19. Un artista que creció escuchando a algunos de los grandes maestros como Ernest Tubb, Eddy Arnold, Hank Williams y George Jones. Desarrolló un estilo propio partiendo de ellos e incluyó también a otros de sus favoritos como Sam Cooke, B.B. King o Brook Benton. Y es que Charley Pride siempre entendió que la música americana se construye desde el country, el gospel y el blues. “All I Have to Offer You (Is Me)” es canción de Dallas Frazier y "Doodle" Owens sobre cómo un hombre le cuenta a su novia que no es un hombre rico pero que quiere casarse con ella refleja a la perfección lo que fue el llamado Nashville Sound gracias a la producción de Jack Clement y Chet Atkins. Charley Pride hizo historia con ella al convenirse en 1969 en el primer artista negro que lograba el No.1 de las listas de música country desde que Louis Jordan lo hubiera conseguido en el 44. Es muy posible que la canción más recordada de Charley Pride sea "Is Anybody Goin' To San Antone?", que alcanzó la cima de las listas de country en Abril de 1970. A costa de un malentendido entre la editorial y los compositores -Glenn Martin y Dave Kirby-, el tema había sido grabado y publicado por Bake Turner, jugador del equipo de fútbol americano de los Jets de New York. Pride intento encontrar otros singles para sustituirlo, pero la grabación había quedado tan perfecta como acabamos de escuchar y decidieron editarla.  Nacido en Sledge, en el estado de Mississippi, en 1934, nada fue fácil para él y su nombre estuvo en el centro que muchas polémicas que no buscó. Por ejemplo, dos días después del asesinato de Martin Luther King, el Grand Ole Opry canceló por primera vez en su historia un show -precisamente en el que iba a intervenir Charley Pride- alegando tensiones raciales. Casi siempre tenía que enfrentarse a los prejuicios y es que era negro. Recogió algodón, tuvo que jugar en las Negro leagues de béisbol pero no tuvo ningún problema para servir en el ejército. La calidez de la voz de Charley Pride era perfecta para las emisoras de radio de Onda Media de los 70 y RCA, el sello por el que firmó gracias a Jack D. Johnson, relaciones públicas de la editorial Cedarwood, supo aprovecharlo con creces. Incluso sus envíos promocionales no incluían la habitual biografía y mucho menos fotos. También nació en Mississippi Ben Peters, el compositor de “Kiss An Angel Good Mornin’”, una canción que se convirtió en un emblema de lo acogedor de su fraseo y de su sentido del humor.  El mes pasado, Charley Pride fue galardonado con el Willie Nelson Lifetime Achievement Award y actuó en aquella gala de la CMA junto a Jimmie Allen. Con él y Darius Rucker había grabado por última vez "Why Things Happen", un tema que se publicó un mes y medio después de la muerte de George Floyd, que provocó el movimiento Black Lives Matter. Era la fusión de tres generaciones de músicos negros de la escena de la country music compartiendo un sentimiento de angustia con estrofas como "Intentas no cuestionar a Dios ni a su juicio/Pero, maldita sea, no lo entiendo". Nunca olvidamos a Willie Nelson, y la leyenda viviente del Lone Star Stage vuelve a la actualidad cuando acaban de cumplirse 105 años del nacimiento de Frank Sinatra. El artista tejano tiene prevista la edición de un nuevo álbum dedicado a su figura y su música para finales del próximo mes de febrero del esperado 2021. Será su segundo proyecto con el “viejo de los ojos azules” como protagonista tras la publicación de My Way hace dos años y con el que consiguió un Grammy. Esta vez su título será That’s Life y ha sido grabado fundamentalmente en los Capitol Studios, los mismos que utilizó el legendario artista de Hoboken, en Nueva Jersey, para dar vida a buena parte de sus piezas maestras. Una de las 11 canciones que conformarán ese disco es “Cottage For Sale”, que utiliza la metáfora de una cabaña vacía para contar el final de una relación fallida. Sinatra la incluyó en su LP No One Cares del 59, posiblemente uno de los más oscuros de su discografía, llena de melancolía y soledad.  La semana pasada escuchábamos el homenaje que se rindió a Willie y que ahora se edita en CD y DVD. Uno de sus grandes amigos, Merle Haggard, fue homenajeado con motivo del que hubiera sido su cumpleaños número 80 y era, triste coincidencia, el primer aniversario de su muerte. En el Bridgestone Arena de Nashville estuvieron el propio Willie, Keith Richards, John Mellencamp, Sheryl Crow, Loretta Lynn, Billy Gibbons, Lucinda Williams, Lynyrd Skynyrd, entre otros muchos. Dierks Bentley eligió “If We Make It Through December”, que hace ya 47 años formó parte de Merle Haggard's Christmas Present (Something Old, Something New). La mitad estaba grabada con los Strangers y el resto con Billy Walker And His Orchestra. Extraída como single de aquel trabajo, "If We Make It Through December" ha pasado a formar parte de los clásicos navideños de siempre. El respeto infinito de los Avett Brothers a Merle Haggard se hace patente en su versión de “Mama Tried”, uno de los grandes clásicos del inigualable músico californiano, que junto a Buck Owens representó la más clara alternativa al monopolio de Nashville mediante el llamado Backersfield Sound. "Mama Tried" se incluyó en la banda sonora de la película Killers Three que protagonizaron Broderick Crawford, Robert Wagner, Diana Varsi y el propio Merle Haggard. En aquellas canciones había mucho de folk, pero con una exquisita elaboración y una acusada sección rítmica. Los Strangers, la formación que respaldaba a Haggard, era uno de los grupos de referencia del momento y dejaron su impronta de cara al futuro. Merle Haggard y Sturgill Simpson se hicieron buenos amigos en los últimos años de vida de la leyenda californiana y hablaban mucho por teléfono. La letra de “Hobo Cartoon” la compuso Merle estando ya en el hospital y se la envió con una nota que decía “de un ferroviario a otro”, recordando que él había crecido en un vagón convertido en casa por un padre que trabajaba para el ferrocarril y saltaba de uno a otro tren de carga siendo niño. Sturgill, que trabajó en la Union Pacific, completó la música durante las sesiones de Cuttin Grass y se la enseñó a la viuda Theresa y a su hijo Ben. Por fin, “Hobo Cartoon” se ha convertido en el tema de cierre de este nuevo álbum, el segundo de los que ha publicado en 2020. Sturgill Simpson ha guardado sus canciones más personales para Cuttin' Grass - Vol. 2 (Cowboy Arms Sessions) que ha grabado en el mítico Cowboy Arms Hotel and Recording Spa, el estudio de “Cowboy” Jack Clement en Nashville, que ha sobrevivido a la muerte de su propio mentor y al terrible incendio de hace unos años, junto al productor David Ferguson y los Hillbilly Avengers, el mismo grupo de instrumentistas del primer volumen. El disco se editará en vinilo en abril y a diferencia del anterior, el músico de Kentucky ha incluido dos canciones inéditas. Una de ellas es “Tennessee”, llena de melancolía y grabada por primera vez, aunque se conociera de algunas apariciones con Sunday Valley hace ocho años. En 1988, Guy Clark publicó en el sello Sugar Hill su álbum Old Friends, al que abría y daba título una extraordinaria composición junto a su mujer Susanna y a Richard Dobson. Steve Earle hizo una gran versión el año pasado en Guy, el disco que dedicó a su mentor, y ahora ha sido Chris Stapleton quien se ha recreado junto a su mujer Morgane en esta pieza maestra, una de las dos elegidas para formar parte de su último proyecto, Startin’ Over. Si hablamos del Dirty Old One-Man Band estamos hablando de Scott H. Biram, uno de los más apabullantes músicos tejanos, inquieto hasta límites insospechados y con una capacidad extrema para sorprendernos a cada paso. Es una especie de predicador que hace magia con sus historias, como ahora ocurre en Fever Dreams, el álbum que cumple la docena de discos publicados y que ha grabado entre 2017 y 2019 en su estudio de Austin. Como no podía ser de otra forma, el Reverendo Biram ofrece el más amplio muestrario de su visión del mundo, desnudando sus impresiones de un mundo cargado de nostalgia, amores perdidos o almas solitarias. Todo ello está envuelto en sonidos enraizados que les llevan hasta el truckin’ country de “Can’t Stay Long”.  Otro de los ejemplos de la supervivencia en la escena de la country music es el de Aaron Watson, también tejano y que ha seguido trabajando en nuevos proyectos en plena pandemia. Así ha llegado "Silverado Saturday Night", donde se añoran las fiestas al aire libre y los espacios abiertos y compartidos. Será una de las canciones que formarán parte de su próximo álbum, previsto para 2021. Lo que sabemos es que, sin perder el sonido tradicional de sus grabaciones, el artista de Amarillo tiene previsto que su nuevo trabajo sea accesible a una audiencia más amplia. La última apuesta de John Prine fue Arlo McKinley y él mismo decidió que debía pasar a formar parte de su sello discográfico, Oh Boy Records. El músico de Ohio ha debutado con Die Midwestern y para ello se fue hasta Memphis y se dejó acompañar por músicos como Ken Coomer , Rick Steff y Reba Russell. El resultado es un registro equilibrado entre el country y folk para contar historias como las que siempre cantaron los grandes clásicos, aunque el arrope sonoro es mucho más cercano en el tiempo. Así ocurre con “She’s Always Been Around”, un tema de honky tonk de carretera con la jukebox encendida que hubiera interpretado George Jones con sumo gusto. Hace tres años, en su octavo álbum, Kids in the Street, Justin Townes Earle parecía dispuesto a poner al día las esencias de la música folk para que fueran más atractivas a las nuevas generaciones. Para ello trabajó con Mike Mogis e incorporando un sonido más moderno a unos textos clarividentes e imaginativos. Incluso salió de Nashville, su ciudad natal y donde había grabado hasta entonces. Abriendo aquel registro que cerraba la trilogía que anticiparon Single Mothers y Absent Fathers estaba “Champagne Corolla”, una canción enérgica que ahora, cuando su padre, Steve Earle, la ha incluido en J.T., el álbum que ha dedicado a la memoria de su hijo fallecido, goza de un ambiente más pantanoso que el original. Escuchar audio

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[Episodio 184] El cantautor argentino Fito Páez regresa a Zona Pop CNN para hablar, desde la sala de su casa, sobre “La Conquista del Espacio”. Una producción grabada en Capitol Studios en Los Ángeles y en la que participaron músicos como Abe Laboriel, baterista de Paul McCartney. Este álbum está nominado a tres Latin Grammy en las categorías álbum del año, mejor álbum pop/rock y mejor canción pop/rock por “La Canción de las Bestias”. Support the show: http://cnne.com/zonapop Para conocer sobre cómo CNN protege la privacidad de su audiencia, visite CNN.com/privacidad

Peter Doell is a recording and mastering engineer. He has worked with artists such as Miles Davis, Toto and The Beach Boys. He used to be a staff engineer at Capitol Studios but is now working as a senior mastering engineer at AfterMaster Audio Labs.Peter is also hosting a really cool Audio Lunch “networking event” in Los Angeles where producers and engineers meet. If you ever get a chance to go, you should!It was a pleasure talking to Peter and I’m sure you will enjoy our conversation too.In this interview, we spoke about:• Peter’s mastering routine when he gets a new project in• Working at Capitol Studios• How he deals with various LUFS standards on streaming platforms• Getting more volume with lower ratios• Embracing AI in mastering and what differentiates AI from human mastering• The importance of being kind• Working with Miles Davis and Marcus Miller• The importance of a work/life balance and when it’s appropriate to put in an all-nighterAnd much more►► Join The Audio Tribe To Get Exclusive Access To Interviews, Private Q&A’s And Live Streams: https://www.youraudiosolutions.com/exclusive-accessMixing and Mastering - https://www.niclasjeppsson.com/

Street Wannabes interviewed The Bottom Dollars about their new LP "Marvelous" released May 22, 2020! We also discussed their new music video "Eye of a Radio", flying to LA to record the album, recording with Tim O'Sullivan (Engineered & Mixed by Tim O'Sullivan at Barefoot Studios), having the record Mastered by Ian Sefchick at Capitol Studios, the artwork for "Marvelous" by Ana Asnes Becker, Cherch's band/recording/engineering (s/o Holly Overton), Sean Spada's new video "Taking It Slow" directed by Josef Von Weikkmann, NO ICE, Hollis Brown update, surviving the quarantine and much more! Available on all platforms.The Bottom Dollars are:Brian CherchigliaBuffalo BergChris UrriolaSean SpadaJeremy KolkerMick Greenwood www.facebook.com/thebottomdollarswww.thebottomdollars.bandcamp.comwww.instagram.com/thebottomdollarswww.streetwannabes.com

From Nat King Cole and Frank Sinatra to Bonnie Raitt and Paul McCartney, here's how the studios at Capitol Records in Los Angeles influence artists' sound.

NEWS Kids are watching TikTok almost as much as YouTube Telefunken has opened a mic custom shop Gibson sells iconic manufacturer Stanton to InMusic GUEST Mixer and producer David Cole – find out more at themixguy.com David Cole started his career as a staff engineer at the famous Capitol Studios in Hollywood, learned the lost […]

NEWS Kids are watching TikTok almost as much as YouTubeTelefunken has opened a mic custom shopGibson sells iconic manufacturer Stanton to InMusic GUEST Mixer and producer David Cole - find out more at themixguy.com David Cole started his career as a staff engineer at the famous Capitol Studios in Hollywood, learned the lost art of vinyl disk mastering there, and worked his way up to staff producer at Capitol and MCA Records before going freelance. David’s had a lot of great studio experiences including engineering and co-producing for Bob Seger’s huge hit Like A Rock as well as most of the albums he’s made afterwards. His long credit list also includes albums with Melissa Etheridge, Steve Miller, Richard Marx, NSYNC, Poco, Kenny Rodgers Josh Groban and Michael Bolton, as well as movies including A Mighty Wind, Best In Show, Waiting for Guffman, among others. During the interview we talked about recording with Bob Seger, David’s philosophy on mastering, working on music for movies, plugin overload, and much more. On the intro I’ll take a look at the rise of TikTok among kids, Telfunken’s custom mic shop, and Gibson selling Stanton. var embedVars = { epId: 43910443, backgroundColor: 'white', height: '550px', showSpeakers: true };

Ep. 103: Angel Velez, conductor. Let's Talk Off The Podium with Tigran Arakelyan. Angel Velez enjoys a career balanced between the studios of Los Angeles, guest conducting and teaching. Velez has extensive experience as an orchestral conductor working with orchestras such as the Augsburger Philharmoniker (Germany), Berlin Sinfonietta (Germany), Budapest Symphony (Hungary), Cape Cod Symphony (USA), Deutsche Staatsphilharmonie Rhineland-Pfalz (Germany), Boca del Rio Philharmonic (Mexico), Illinois Valley Symphony (USA), Indianapolis Symphony (USA), Moravian Philharmonic (Czech Republic), Puerto Rico Symphony (USA), Rousse Philharmonic (Bulgaria), Los Angeles studio ensembles and many others. Velez serves as conductor of the Santa Monica Chamber Orchestra, artistic director and conductor for Silent Films LIVE, a live-to-film concert series benefiting Education Through Music - Los Angeles, as well as conductor for the recent Silent Films LIVE album with the Varèse Sarabande Chamber Orchestra at Capitol Studios. He served as conductor for the L.A.-based ensemble, Helix Collective in addition to serving as conductor for the Los Angeles Live Score Film Festival, American Society of Cinematographers Awards at the Dolby Theatre, Indianapolis Motor Speedway Centennial Gala and many others. He has recorded for the Südwestrundfunk (SWR) in Germany and Varèse Sarabande Records labels. He continues to work professionally in the entertainment industry where he has worked on projects such as Family Guy, Green Book, James Bond: Goldeneye for Wii, Jane the Virgin, Madison, My Week with Marilyn, Star Wars: The Clone Wars, Star Wars Rebels, The Mandalorian, Tatort and others as well as recently conducting the world-premiere concert performance of the Marvel franchise hit movie, Captain Marvel. In this episode we talk about LA Film Conducting Intensive which Angel co-founded, music in film, and choices for family and career. We also talk about his mentors, hobbies and much more! For more information about Angel Velez and the LAFCI please visit: https://www.lafci.org/angel-velez © Let's Talk Off The Podium, 2020

When The Band entered the studio to continue to record Moondog Matinee, they switched locations. This time they flew out to Capitol Studios in Los Angeles, California to finish the last few songs. Los Angeles had been pulling The Band westward for sometime. With the rest of an album to finish, The Band couldn't turn down a request from George Harrison and Ringo Starr to help them record in the studio as well.Please Consider Following Us: InstagramTwitterFacebookThe Band: A History is part of Pantheon Podcasts. Listen to The Band: A History and a variety of other great podcasts over on Pantheon."Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)

When The Band entered the studio to continue to record Moondog Matinee, they switched locations. This time they flew out to Capitol Studios in Los Angeles, California to finish the last few songs. Los Angeles had been pulling The Band westward for sometime. With the rest of an album to finish, The Band couldn't turn down a request from George Harrison and Ringo Starr to help them record in the studio as well.Please Consider Following Us: InstagramTwitterFacebookThe Band: A History is part of Pantheon Podcasts. Listen to The Band: A History and a variety of other great podcasts over on Pantheon."Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)

This mix has already been recorded and re-recorded twice and has been going for about two years. It was originally created for sunsets and quiet evenings, when you can dim the lights, fill a glass of whiskey or wine, fall into a deep chair, smoke and relax. To be in a moment alone with yourself. The final version of the mix has been waiting for a year and it so happened that the time for it came yesterday, when I played this selection on our broadcast. Now I'm sharing this mix with you all. Enjoy listening! P.S.: You can see live playing this mix with beautiful view from Vladivostok, Russia - https://www.youtube.com/watch?v=Y3wgdDVnv5Y&t=3640s ___________________________________ Этот микс уже записывался и перезаписывался дважды и собирался уже около двух лет. Создавался он изначально для закатов и спокойных вечеров, когда можно приглушить свет, наполнить бокал виски или вина, упасть в глубокое кресло, закурить и расслабиться. Быть в моменте наедине с самим собой. Итоговая версия микса ждала год и так случилось, что время для него пришло вчера, когда я отыграл эту подборку на нашей трансляции. Теперь делюсь этим миксом с лёгкой с вами всеми. Приятного прослушивания! P.S.: Вы можете посмотреть как этот микс сыгран вживую с прекрасным видом на Владивосток https://www.youtube.com/watch?v=Y3wgdDVnv5Y&t=3640s Tracklist: 1. Miguel - Sure Thing 2. Rejjie Snow - HOPE 3. Masego - Navajo 4. Handsome Boy Modeling School feat. Roisin- J-Live-The Truth 5. Killa Kyleon_-_Doja Sweet (feat. A$AP Rocky & Bun B) 6. Hippie Sabotage - Devil Eyes 7. Catching Flies feat. Jay Prince, Oscar Jerome - New Gods 8. Kassa Overall - What's New With You 9. HideandSeekZoo - Moment (prod. Chris McClenney) 10. J. Cole - FRIENDS 11. Animal Farm ft Talib Kweli - Test Of Time 12. M-Phazes feat. Masta Ace, Bekay - Brooklyn Bridge 13. Big Sean - Living Single 14. Joy Crookes - Man's World 15. Akua Naru - Nag Champa 16. Snakehips feat. Jay Prince - ERA 17. Richie Cunning - Last Stop 18. FloFilz - Whirlwind 19. Robert Glasper - Reckoner (Live at Capitol Studios / 2014)

When The Band entered the studio to continue to record Moondog Matinee, they switched locations. This time they flew out to Capitol Studios in Los Angeles, California to finish the last few songs. Los Angeles had been pulling The Band westward for sometime. With the rest of an album to finish, The Band couldn't turn down a request from George Harrison and Ringo Starr to help them record in the studio as well. Please Consider Following Us: Instagram Twitter Facebook The Band: A History is part of Pantheon Podcasts. Listen to The Band: A History and a variety of other great podcasts over on Pantheon. "Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)

When The Band entered the studio to continue to record Moondog Matinee, they switched locations. This time they flew out to Capitol Studios in Los Angeles, California to finish the last few songs. Los Angeles had been pulling The Band westward for sometime. With the rest of an album to finish, The Band couldn't turn down a request from George Harrison and Ringo Starr to help them record in the studio as well. Please Consider Following Us: Instagram Twitter Facebook The Band: A History is part of Pantheon Podcasts. Listen to The Band: A History and a variety of other great podcasts over on Pantheon. "Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)

I had the pleasure of working with Ira Glylack at Capitol Studios the last 2 times I was there. We sat down after the session for a bit just to catch up and talk shop. We talked about some things that I think are helpful, so of course, I'm sending it to you. I hope you enjoy this conversation.

My guest today is Steve Genewick three-time Grammy-nominated recording engineer, with over twenty-five years of experience, both as a studio and live recording engineer.   Steve has worked primarily out of Capitol Studios as a staff engineer since 1994.  For the last 15 years, Steve has had the great honour of collaborating with 23 time Grammy award-winning engineer/producer Al Schmitt, working with artists such as  Diana Krall, Chris Botti, Gladys Knight, Neil Young, George Benson, Quincy Jones, Burt Bacharach, and Paul McCartney.  When not at Capitol, Steve can be found working at any number of major recording studios in Los Angeles or mixing at his home studio.  Steve also creates a great video channel for Capitol Studios called Top Of The Tower and the 1 Mic 1 Take series which we have included on Youtube for you. Thanks to our sponsors! WhisperRoom: https://whisperroom.com Get 10% off the 4x4 or 4x6 booths now when you mention Recording Studio Rockstars: http://whisperroom.com Spectra1964: https://www.spectra1964.com Eventide: https://www.eventideaudio.com OWC - Other World Computing: https://www.OWC.com RoswellProAudio: https://roswellproaudio.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/231

Ian Sefchick is a mastering and cutting engineer at Capitol Studios and he has worked on records for artists such as Alabama Shakes, Glass Animals, Kid Cudi and many others.Besides working at Capitol, Ian also builds the very popular Magic Death Eye tube compressors with EQ’s that has been praised by engineers in the business.It’s also available as a plugin from DDMF.In my interview with Ian we spoke about:- Doing direct to lathe sessions- The difference between compressors such as Vari-mu, FET, VCA and Optical- How control voltage, tubes, attack- and release time work in a compressor- Why you need to match tubes in your compressors- The best way of learning how to hear compression- If there’s a rule as to how you should deliver your mixes to your mastering engineer- Side-chaining and the difference between feedforward and feedback designs- Look-ahead compressors and how they workAnd much moreGet more clients for your home studio by downloading your free guide here, https://www.youraudiosolutions.com/3-tested-ways-to-increase-your-client-baseLet me know if you have any questions about compression and what your favourite compressor is by emailing me at niclasjeppsson@gmail.com

Paula Salvatore is the manager of the illustrious Capitol Studios in Hollywood, California. Over the years, she's seen just about every big name in the business come through the doors. Let her take you on a behind-the-scenes tour of this legendary recording studio.

FALLECIÓ EL DR.NICOLÁS LÉOZ. El ex dirigente deportivo, Nicolás Léoz falleció en la noche de este miércoles según confirmó su abogado, Ricardo Preda. El mismo se encontraba en los últimos momentos de vida en su residencia y convaleciente en un hospital. Habría sufrido un infarto tras varias complicaciones de salud. Durante varios años fue la mayor autoridad del fútbol sudamericano, trayectoria que se vio opacada por las acusaciones en corrupción dentro del escándalo denominado FifaGate, que alcanzó a otras varias autoridades del ente rector internacional. ABC ENTRE PROTESTAS Y EL FMI. Argentina vivió este miércoles una jornada de protestas por la situación de "catástrofe" que vive el país después de las primarias del pasado 11 de agosto. Y es que el dólar se ha apreciado un 29,87 % frente al peso argentino y los precios comenzaron a subir. La capital albergó la protesta más multitudinaria, que incluyó un corte al tráfico en una de las principales arterias de la ciudad y una concentración frente al simbólico Ministerio de Desarrollo Social. Argentina anunció este miércoles que buscará extender los plazos para el pago de su deuda con acreedores privados y el FMI en un intento por reconquistar la confianza de los mercados y aliviar la presión cambiaria. LA NACION REUNIÓN DE LÍDERES SUDAMERICANOS. El presidente de Brasil, Jair Bolsonaro, anunció que habrá una reunión entre los líderes sudamericanos el 6 de septiembre para discutir la política que rodea la situación en la región del Amazona, según la agencia de noticias estatal brasileña Agencia Brasil. Bolsonaro se reunió el miércoles en Brasilia con el presidente de Chile, Sebastián Piñera, para discutir los resultados de la cumbre del G7 y los asuntos ambientales. Después de su reunión, Agencia Brasil informó que Bolsonaro anunció la reunión del 6 de septiembre y dijo que se llevará a cabo en la ciudad colombiana de Leticia, que se encuentra a lo largo de la frontera de Brasil y el Amazonas. EXPANSION DORIAN AVANZA HACIA EEUU. El huracán Dorian se precipita hacia el sureste de los EE. UU. La tormenta, elevada a una categoría 1 por la tarde, azotó las Islas Vírgenes, arriba, pero bordeó a Puerto Rico.  El gobernador de Florida, Ron DeSantis, declaró el estado de emergencia para 26 condados que se pueden ver afectados por el huracán Dorian, el cual según el Centro Nacional de Huracanes (NHC, en inglés) de EEUU impactará esta península el próximo lunes. UNIVISION GRETA THUNBERG LLEGA A NUEVA YORK. La activista climática Greta Thunberg llegó este miércoles a Nueva York, EE.UU., tras dos semanas de viaje por el Océano Atlántico a bordo de un velero ecológico, con el objetivo de participar en la cumbre del cambio climático que tendrá lugar en la ciudad, el próximo 23 de septiembre. La joven de 16 años, que rechazó viajar en avión para evitar las emisiones contaminantes, llegó proveniente desde el Reino Unido y fue recibida por la Organización de las Naciones Unidas (ONU) con una flota de 17 veleros. La cantidad de embarcaciones representa cada uno de los objetivos del Desarrollo Sustentable que impulsa el organismo multilateral.  TWITTER RUSIA E INDIA POR EL COMERCIO. Rusia está lista para empezar negociaciones con la India para establecer una Area de Libre Comercio (ALC) con la Unión Económica Euroasiática (EAEU, por sus siglas en inglés), declaró hoy el ministro de Relaciones Exteriores ruso, Sergei Lavrov. La EAEU encabezada por Rusia es un mercado único que agrupa a Rusia con cuatro exrepúblicas soviéticas: Armenia, Bielorrusia, Kazajistán y Kirguistán. XINHUA ESCANEO EN AEROPUERTOS DEL REINO UNIDO. Todos los principales aeropuertos del Reino Unido deben introducir equipos de inspección de equipaje en 3D antes de finales de 2022, dice el gobierno. Los ministros dicen que la tecnología aumentará la seguridad, acelerará los controles previos al embarque y podría poner fin a las restricciones para viajar con líquidos y computadoras portátiles. El equipo, similar a los escáneres CT usados ​​en hospitales, ya se está instalando en el aeropuerto Heathrow de Londres. Proporciona una imagen más clara del contenido de una bolsa, que el personal puede ampliar y rotar para su inspección. LA REPUBLICA SORTEO DE LA CHAMPIONS LEAGUE. Será hoy a partir de las 18:00 hora local cuando se lleve a cabo en el Forum Grimaldi de Montecarlo, la ceremonia del sorteo de la fase de grupos de la Champions League 2019-2020, la máxima competencia a nivel de clubes, en donde quedarán conformados los ocho grupos, con cuatro equipos cada uno. La fase de grupos comienza el 17 de septiempre. Durante la ceremonia también conoceremos a los mejores del año para la UEFA. MARCA | UEFA JORNADA MOJADA EN EL US OPEN. Solo 2 de las 17 pistas de juego con las que cuenta Flushing Meadows permanecieron este miércoles activas a causa de la insistente lluvia gracias a que cuentan con una cubierta que las protege de las precipitaciones, mientras que la gran mayoría de los partidos tuvieron que cancelarse. En la tercera jornada del Abierto de EE.UU., el estadio central, llamado Arthur Ashe, y el Louis Armstrong, "su hermano pequeño", mantuvieron el horario previsto para el día con partidos protagonizados por Roger Federer, Novak Djokovic, Serena Williams y Karolina Pliskova. AS ALERTAS LOCALES DE FACEBOOK. Facebook está lanzando una nueva herramienta de alerta de emergencia llamada Alertas locales, que permite a los funcionarios de la ciudad saber si sucede algo inseguro en su área. Esta herramienta estará disponible para páginas de Facebook verificadas administradas por los gobiernos. Las publicaciones marcadas como alertas locales serán vista por más usuarios y aquellos en el las áreas afectadas recibirán notificaciones.Se espera contar esté lista para fin de año. EL NUEVO HERALD FITO PÁEZ PREPARA SU NUEVO ÁLBUM. El músico y compositor Fito Páez inició el registro del 23er álbum de su trayectoria en el mítico Capitol Studios de la ciudad estadounidense de Los Ángeles. El próximo disco del también cineasta y escritor contendrá nueve canciones inéditas y su grabación en los Estados Unidos coronará una serie de poderosos encuentros entre su música y la audiencia que habita en ese país. TWITTER        

This week's guest is Steve Genewick, who's worked at Capitol Studios in Hollywood for 25 years. During that time he’s had the opportunity to work with a wide variety of legendary artists including Bob Dylan, Paul McCartney, Neil Young, Queen, George Harrison, Michael Jackson and many more. Steve has also been able to work closely with some of the greatest engineers ever, including Al Schmitt and Geoff Emerick, among many others. He has also worked on the music for the Academy Awards for the last 20 years, including some huge setups that probably couldn’t be done anywhere else. After working on a number of high-profile 5.1 surround mixes in the past, Steve is now focusing much of his attention on Dolby Atmos immersive audio mixing with some spectacular results. During the interview we spoke about the wide variety of clients at Capitol Studios, what goes on behind-the-scenes while recording the music for the Academy Awards, lessons learned from legendary engineers, making the transition to immersive audio mixing, and much more. On the intro I’ll also take a look at the musician's labor relations and a possible producer’s union, and the latest acquisition by the Focusrite Group.

This week’s guest is Steve Genewick, who’s worked at Capitol Studios in Hollywood for 25 years. During that time he’s had the opportunity to work with a wide variety of legendary artists including Bob Dylan, Paul McCartney, Neil Young, Queen, George Harrison, Michael Jackson and many more. Steve has also been able to work closely […]

Eric Sarafin, or Mixerman, as he is known for, is a gold and platinum award-winning record producer and mixer. He has worked for artists such as Ben Harper, The Pharcyde, Tone Loc, Amy Grant and many others.He is also the author of many popular books for people learning about producing, mixing and recording. For example, Zen And The Art Of Mixing, Producing and Recording.In this interview, Eric spoke about:- Starting out at Dimension Sound and being a runner at Capitol Studios.- Working at Hollywood Sound and how that led him to work with the band The Pharcyde.- Being fearless- Pricing himself and how lower recording budgets have affected his work- What it means to mix aggressively- What he learned from writing his popular books such as Zen and the art of Mixing- The importance of causing a reaction for the listener or a reader, either if it’s good or bad- Eric’s thoughts on the value of music and if we can get value back into music- If it’s worth getting signed to a label as an artist these days.- Eric’s opinion on analogue summing and why it can help you as a mixing engineer- How affirmation and manifestations have affected his career and life and what he says to himself to boosts his confidence.Visit Eric’s website: https://mixerman.net/Get his books on Amazon or Barnes & NoblesJoin the Mixermania Facebook group here: https://www.facebook.com/groups/mixermania/Download your free guide, 3 Tested Ways To Increase Your Client Base, https://www.youraudiosolutions.com/3-tested-ways-to-increase-your-client-base

Hollywood icon and jazz piano aficionado Jeff Goldblum sits down with Entertainment Weekly's Clark Collis to discuss his debut album, The Capitol Studios Sessions, with his band The Mildred Snitzer Orchestra. The conversation was recorded on November 11, 2018 in front of a live audience at New York's 92nd Street Y.

This episode of The Paul Leslie Hour features an interview with Steve Genewick that was originally broadcast on FM radio. There is also a tribute to Dave Puciw and a report of a journey to see the Bob Dylan concert in Augusta, Georgia. Steve Genewick has a big Dylan connection, he is a staff recording engineer at the famed Capitol Studios in Los Angeles. He recorded the 3 latest album of Bob Dylan. He's also recorded albums by Paul McCartney, Diana Krall, Michael Buble, Chris Botti, Gladys Knight, Neil Young, George Benson, Quincy Jones, Burt Bacharach, Al Green, etc. In this episode he shares his insight into recording with Bob Dylan, his memories of the late Tommy LiPuma and more. Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

Working Class Audio #202 Mixerman!!! Mixerman, professionally known as Eric Sarafin, is a producer, mixer, and recordist with multiple gold and platinum sales awards to his name. After 25 years of operating out of Los Angeles, Eric currently resides in Asheville, NC, where he produces and mixes acts from around the world. Eric has worked with numerous National and International acts including The Pharcyde, Tone Loc, Spearhead, The Brand New Heavies, Ben Harper, Amy Grant, Lifehouse, Barenaked Ladies, Hillary Duff, Foreigner, and Australian phenom Pete Murray, just to name a few. Mixerman gained notoriety as an author from his first work, The Daily Adventures of Mixerman, a satire of a Major Label recording session from the early aughts that delighted and surprised well over 150,000 unique visitors. In 2008, Hal Leonard picked up his Adventures, and since 2010, Mixerman has written 5 books including Zen and the Art of Mixing, Zen and the Art of Producing, Zen and the Art of Recording, followed by another music business satire #Mixerman and the Billionheir Apparent. His latest book Musician's Survival Guide to a Killer Record (the only gear you’ll need) is written specifically to help today’s musicians get the engineering out of the way so that they can focus on what’s important–the music itself. About this Interview:  Mixerman  joins me to discuss his journey in recording from New Jersey to  California to North Carolina.  We discuss his time at Capitol Studios, advocating for yourself, early internet forums, the creation of Mixerman, trolling, book writing and empowering musicians. Enjoy! – Matt Show Notes and Links Current sponsors & promos  Musician’s Survival Guide to a Killer Record :https://amzn.to/2Q4ilL9 The Daily Adventures of Mixerman: https://amzn.to/2JmY2Gg #Mixerman and the Billionheir Apparent: https://amzn.to/2yF26h4 Zen and the Art of Mixing: https://amzn.to/2Jpz5Km Zen and the Art of Producing: https://amzn.to/2Q1FUnO Zen and the Art of Recording: https://amzn.to/2DbxebN Blog:  Mixerman.net/word Mailing list: Mixerman.net/list Courses: Mixerman.net/courses Discography: Mixerman.net/discography Facebook: Mixerman.net/facebook YouTube: Mixerman.net/YouTube Twitter: @mixerman Explore Ashville, NC: https://www.exploreasheville.com/

Zoom has put out its latest portable audio recorder, the H1n Handy Recorder, with a built-in stereo microphone in a 90-degree, X/Y configuration. The H1n updates the older H1 recorder with a sharper display, an onboard limiter, a low-cut filter with selectable cutoff point, playback speed control, unlimited overdubbing and an updated control interface. The Zoom H1n is available now for just under $120 USD. If you’d like to have your music mixed, mastered, and cut to vinyl at a famous studio with world-class gear by Grammy-winning engineers, you’ll have your chance beginning April 2nd. Capitol Studios in Hollywood, California is opening its services to anyone in the world through online transactions. Pre-orders coming in before April 2nd will get a 10% discount. Go to CapitolStudios.com for pricing and further details. Nektar Technology has announced Pacer, a footswitch controller for MIDI hardware and software, as well as for control over almost any DAW software. Pacer has 11 footswitches with multicolor LED feedback. 10 of those footswitches are user programmable. Nektar has programmed the Pacer with integrated DAW control over programs such as Apple Logic, Bitwig Studio, Propellerhead Reason, and Steinberg Cubase, and the Mackie Control protocol makes Pacer compatible with Ableton Live, FL Studio, and other programs. The Nektar Pacer footswitch controller should be available in April of this year for $229 USD.  That’s this week’s Audio Tech News Flash, brought to you by Accusonus, but that’s not all. If you use an Amazon Echo device, you can command Alexa to play this podcast. To enable this skill, go to Amazon.com and in the search field for Alexa skills, search for Audio Tech News Flash.    And as always, If you like this podcast, please subscribe and leave us a 5-star review. That way you can help spread the Audio Tech News. LINKS: Zoom H1n Handy Recorder https://www.zoom-na.com/products/field-video-recording/field-recording/zoom-h1n-handy-recorder Capitol Studios online mixing, mastering, and vinyl-cutting services https://www.capitolstudios.com/ Nektar Technology Pacer MIDI and DAW footswitch controller http://www.nektartech.com/pacer-midi-daw-footswitch-controller.html

Pensado's Place - Audio 36:47 info@pensadosplace.tv (Pensado's Place)noPensado's Place Audio PodcastGrammy winning mix engineer Dave Pensado and veteran manager/executive producer Herb Trawick are the host and co-host of Pensado’s Place. A weekly talk show covering the audio and music spectrum, its craftsman and the business of. Pensado’s Place has been called the “Charlie Rose of audio”, a description that sits fine with both Herb and Dave. Pensado’s Place segments cover include interviews, technique application, interactive audience participation, speed rounds and more. Along with location shoots, sweepstakes, gear and career opportunities, thought leader analysis of the challenges and evolution in the audio and music space, Pensado’s place is the tv show for the casual enthusiast up to the long term professional. With mix credits including Michael Jackson, Kelly Clarkson, AfroJack, Beyonce, Elton John, Christina Aguilera and Jill Scott, Dave is acknowledged as one of the leading online educators for all things audio. Trawicks experience as a successful manager makes him the resident expert on intellectual property, business affairs, career consultation, digital media and more. There is a reason over 120

Pensado's Place - Video 36:52 info@pensadosplace.tv (Pensado's Place)noPensado's Place - VideoGrammy winning mix engineer Dave Pensado and veteran manager/executive producer Herb Trawick are the host and co-host of Pensado’s Place. A weekly talk show covering the audio and music spectrum, its craftsman and the business of. Pensado’s Place has been called the “Charlie Rose of audio”, a description that sits fine with both Herb and Dave. Pensado’s Place segments cover include interviews, technique application, interactive audience participation, speed rounds and more. Along with location shoots, sweepstakes, gear and career opportunities, thought leader analysis of the challenges and evolution in the audio and music space, Pensado’s place is the tv show for the casual enthusiast up to the long term professional. With mix credits including Michael Jackson, Kelly Clarkson, AfroJack, Beyonce, Elton John, Christina Aguilera and Jill Scott, Dave is acknowledged as one of the leading online educators for all things audio. Trawicks experience as a successful manager makes him the resident expert on intellectual property, business affairs, career consultation, digital media and more. There is a reason

Matt Redman is a Grammy award-winning songwriter, worship leader, and author. His songs, including 10,000 Reasons, The Heart of Worship, At The Cross and Blessed Be Your Name have been sung by millions around the world.  Recorded at the legendary Capitol Studios in Los Angeles, Matt’s latest release, Glory Song, is a unifying, diverse and collaborative album which includes the voices of Kim Walker-Smith and Tasha Cobbs Leonard.   Connect with Worship Together:  Twitter: https://twitter.com/worshiptogether Facebook: facebook.com/worshiptogether  Instagram: https://www.instagram.com/worshiptogether/?hl=en   Hosted by: Jimi Williams David Gutekunst Jessica Sweet Michael Fogarty  Production and Editing by Form & Function –– formandfunctionmedia.com  Worship Together is the number one resource for Worship Leaders. Find free resources and videos at worshiptogether.com

In episode 5, the ever insightful David Cole discusses his time as staff engineer at Capitol Studios, making demos with Tina Turner, the path to his first gold record, and his mega-hit making experiences with Bob Seger, Steve Miller, and Richard Marx!
 David’s was the very first recorded episode of ATS, and as he participated on faith alone, kudos to him for taking a chance! Artists and projects David Cole has participated on include BOB SEGER, STEVE MILLER BAND, CAKE, MELISSA ETHERIDGE, RICHARD MARX, TINA TURNER, “A MIGHTY WIND", “BEST IN SHOW", and “WAITING FOR GUFFMAN”. 

Since their first album release in 2009, the Kenneth Brian Band’s modern Southern Rock and Americana infused style, timeless song-craft, layered with Kenneth’s gritty vocals and guitar prowess have helped earn them a loyal fan following and the respect of fellow musicians. The quartet’s musical styling and dynamic live performances also attracted the attention of some of their mentors like Lucinda Williams, Billy Gibbons and current bandmate Steve Ferrone of Tom Petty and the Heartbreakers. Since 2013, they spent two years touring with multi-Grammy winner Lucinda Williams, who describes them as “somewhere between Lynyrd Skynyrd and Drive-By Trucker”, before joining ZZ Top in 2016 for several dates. Whether in intimate Honky Tonks or stately, sold-out theaters (with Lucinda), they continue to captivate audiences with resonating harmonies and a tight rhythm section.Their fourth studio album With Lions, released in May, includes 11 songs all written by Kenneth and pays tribute to their musical mentors as well as their musically rich Southern heritage. The single “You’re Not Mine” is an edgy anthem with heavy-hitting guitar solos and their signature harmonies. “Beautiful Storm” is an emotionally evocative track that showcases Kenneth’s spellbinding competency with a slide.Rock ‘n’ roll royalty Steve Ferrone (Drums, Tambourine, Shakers) and Scott Thurston (Keyboards, Piano) of Tom Petty and the Heartbreakers don’t just lend their talents for the album but, Ferrone sits behind the drum kit when he’s not touring with Tom Petty. Travis and Steve met a couple of years ago at a gathering thrown by a mutual pal. Not long after, they needed a drummer for a Hollywood gig and Steve sat in with the band. He worked with the guys to hone their sound and helped them find the right players. And as they say, the rest is history.Handpicked by Steve, drummer Chris Cano plays with KBB when Ferrone is on the road with the Heartbreakers. Popular session bass guitarist and Disresputable Few member, Paul ILL, joined the band at Steve’s urging and perfectly rounded out the Kenneth Brian Band sound. “Those two were the perfect combination for what we do,” said Kenneth Brian. “Their influence has helped elevate our playing and just being around Steve is a master class on how to be a successful artist and a decent human being,” he continued. In true KBB form, the sound of the new album honors their distinctive blend of Southern Rock that is both progressive and rooted in tradition.While they both currently reside in Los Angeles, they hail from the South. Kenneth was born in Virginia but spent most of his formative years in Alabama before his family settled in a small town just north of Gainesville, Florida. Travis was born and raised in Charleston, West Virginia and spent summers with his dad in Nashville. From a very young age, they realized their passion for creating music and have pursued it with vigor. Travis started on the piano and Kenneth penned his first country song on an old guitar at the ripe age of 4.After moving to Nashville in 2001, founding members Kenneth Brian (Lead Vocals, Lead Guitar) and Travis Stephens (Harmony Vocals, Rhythm Guitar, Piano) met while playing the local scene and struck up a fast friendship, which led to a creative collaboration in 2009. Travis describes the camaraderie that comes from being part of this band. “We both understand the underlying spiritual groove that we are forever trying to stay dialed into for ourselves and our fans. And that comes before egos or opinions,” he said.With Lions, out May 19, 2017 on Robo Records, was recorded at Dave’s Room Studio in Hollywood, California. David Bianco (Bob Dylan, Lucinda Williams, Tom Petty) produced, mixed and engineered the album. It was mastered at legendary Capitol Studios in Hollywood, California by mastering engineer Kevin Bartley.Website: www.kennethbrianband.com

Paula Salvatore has been an anchor of excellence in the L.A. recording world for many years. As Senior Director and Manager of Capitol Studios for 24 years, and currently as the Vice President/Studios, Paula has been an integral part of recordings for top line artists such as James Taylor and Tony Bennett and has worked alongside Grammy legend Al Schmitt with artists including Paul McCartney, Diana Krall, Natalie Cole, Barbra Streisand, Sinatra and others.When Studio A was renovated and re-opened in 1990, Paula helped establish Capitol Studios as a leading facility for Film & TV Scoring projects, hosting renowned composers such as Dave Grusin, James Newton Howard, Michael Giacchino, and Tom Newman. Studio A & B’s adjoining rooms (separated by a retractable wall) are amongst the most unique and popular rooms for orchestra sessions, live shows, events and film shoots. Hosting the pre-records and, for several years, the live broadcast of the annual Academy Awards have helped set the standard for excellence.Paula established her management career working at Kendun Studios with Quincy Jones and George Benson, and numerous R & B legends. Moving to Sound City in the 80's, she worked with artists such as Tom Petty, Pat Benatar, Rick Springfield and Fleetwood Mac, as well as heavy metal and “hair” bands like Guns & Roses, Warrant and Poison.Musician, producer and now director, Dave Grohl of the FooFighters, featured Paula in his critically acclaimed 2013 documentary, Sound City. She also co-wrote and performed the end title theme, entitled “Sound City”. The studio business has been Paula’s life journey and she is held in high regard amongst her colleagues and industry peers. Many successful engineers have come up through the ranks under her guidance and Paula’s commitment and loyalty has earned her the respect of her renowned clientele.

Paula Salvatore has been an anchor of excellence in the L.A. recording world for many years. As Senior Director and Manager of Capitol Studios for 24 years, and currently as the Vice President/Studios, Paula has been an integral part of recordings for top line artists such as James Taylor and Tony Bennett and has worked alongside Grammy legend Al Schmitt with artists including Paul McCartney, Diana Krall, Natalie Cole, Barbra Streisand, Sinatra and others.When Studio A was renovated and re-opened in 1990, Paula helped establish Capitol Studios as a leading facility for Film & TV Scoring projects, hosting renowned composers such as Dave Grusin, James Newton Howard, Michael Giacchino, and Tom Newman. Studio A & B’s adjoining rooms (separated by a retractable wall) are amongst the most unique and popular rooms for orchestra sessions, live shows, events and film shoots. Hosting the pre-records and, for several years, the live broadcast of the annual Academy Awards have helped set the standard for excellence.Paula established her management career working at Kendun Studios with Quincy Jones and George Benson, and numerous R & B legends. Moving to Sound City in the 80's, she worked with artists such as Tom Petty, Pat Benatar, Rick Springfield and Fleetwood Mac, as well as heavy metal and “hair” bands like Guns & Roses, Warrant and Poison.Musician, producer and now director, Dave Grohl of the FooFighters, featured Paula in his critically acclaimed 2013 documentary, Sound City. She also co-wrote and performed the end title theme, entitled “Sound City”. The studio business has been Paula’s life journey and she is held in high regard amongst her colleagues and industry peers. Many successful engineers have come up through the ranks under her guidance and Paula’s commitment and loyalty has earned her the respect of her renowned clientele.

Capitol Studios

The Walter Proof Experiment : Le retour de la rentrée ! [dc]B[/dc]on, fallait bien que ça arrive, tout le monde est revenu au boulot, alors les pingouins aussi. Ton Walter et ton Pompidou ont refermé le hangar à vacances, et repris le chemin du studio, finalement pas trop poussiéreux, pour retrouver leurs micros préférés, et entamer, le coeur léger et les pieds moites, leur troisième saison avec le vingt-troisième volume du Wapx ! Dans cet épisode Rob Scallon : Harp metal Sérénade à John Williams : La répétition La rencontre Le Floppotron : Imperial march Pokémon Theme Billie Jean au GRIDI Chopstick piano Sampling mécanique par Rurihard Speedometer : Lover and a friend Let the music take your mind Take a chance Angelo Badalamenti raconte la création du theme de Twin Peaks Andrew Huang : The toothbrush song Light bulbs Tous les samples du Discovery de Daft Punk Gilet jaune par Cannibal Penguin La +BCdM : Ain't no sunshine par Bill Withers - Michael Jackson - Lady Smith Black Manbazo - Joe Cocker - Eva Cassidy - Stevie Wonder Lean on me Just the two of us Days of wine and roses La Playlist de la +BCdM : sur le Tube à Walter sur Spotify (merci John Cytron) Le son mystèèère : Here comes the sun par Samurai Guitarist Sloop John B live at Capitol Studios avec Brian Wilson and Al Jardine Les résultats des PPA 2016

Hi-Res Symposium 2016 Representatives from Universal Music Group, The Recording Academy Producers & Engineers Wing and Sony Electronics met recently to underscore the variety of marketing and educational programs that are currently underway to promote the benefits of Hi- Res Audio devices, content and services to a broader audience. The event, which was sponsored by DEG: The Digital Entertainment Group was held at Capitol Studios in LA. It featured a number of speakers, presentations and demonstrations that were conducted by these organizations' representatives. A research study conducted by Music Watch and the Consumer Technology Association was presented at the symposium that showed that nearly 90% of 18 to 54 year olds want higher sound quality, and over 60% of them are willing to pay more for it. So there is a market for the content and further, the industry is willing to produce such content. Currently there are about 10,000 titles available from 12 online providers and more than 100 manufacturers offering hi-res capable devices. But the question is, how does the industry educate consumers about hi-res and convince them that the higher quality is something that they want to spend money for? Look for manufacturers and retailers to create Hi-Res listening centers within stores to demonstrate the difference. There are also new logos to identify Hi-Res content and players: So the question is why? From the point of view of the content creators it's all about more revenue. Likewise, manufacturers would like you to upgrade your equipment as well. We have discussed at length that we don't think Hi-Res is any better than CD so we won't go into it here. If you are interested we have a video that covers the topic analytically which is available on Youtube (https://youtu.be/8xotaf4aN_g). It's clear to us that the music industry is learning from the movie industry. Create a “Better” format and charge people a premium to buy their music again.   If you decide to go down the path to Hi-Res recordings consider a few things: Digital equipment today is better than when CDs first came out - This means that you may hear a difference in digital music that is remastered today. Don't confuse that with hi-res audio. Many songs in the early digital days were not necessarily mastered very well. Fixing those errors alone and putting it back on a CD will do more than simply taking the same master and adding bits.   Don't let your eyes do the listening - If you know that you are listening to a hi-res audio product there is a very good chance your eyes will tell your ears that they are hearing superior sounding audio. Double blind is the best way to test. If you can hear a difference then, congratulations! You are in the top 2%.   SACD sounds better and it's higher quality - From Wikipedia: In September 2007 the Audio Engineering Society published the results of a year-long trial, in which a range of subjects including professional recording engineers were asked to discern the difference between SACD and a compact disc audio (44.1 kHz/16 bit) conversion of the same source material under double blind test conditions. Out of 554 trials, there were 276 correct answers, a 49.8% success rate corresponding almost exactly to the 50% that would have been expected by chance guessing alone. If you hear a noticeable difference with SACD it may be due it being a 5.1 mix vs a 2 channel mix. Be careful not to draw the conclusion that it sounded better because of the higher bit and sample rates. Before you spend a lot of money setting up for Hi-Res audio do yourself a favor. Make sure you can hear a difference at home. You can buy a decent headphone DAC for about $250, then you'll need to allocate about another $250 for headphones but then you'll just be scratching the surface of the gear you will buy in the future. Do some serious A/B test on your own with no one pressuring you. ABX Shootout is a great SW package that can help you do this. If you don't want to spend at least $500 on gear to help you decide whether Hi-Res is worth it, then you may as well stay with what you have.

Deana Martin is an influential American singer, actor and performer and the very proud daughter of iconic entertainer, Dean Martin.    Deana achieved success early in her career in films, theater and television, then quickly added to her repertoire — recording artist, best-selling author, nationally syndicated radio host, licensed pilot, and business entrepreneur.    In 2004 Deana broke new ground as an author with her best-selling memoir “Memories Are Made of This, Dean Martin Through His Daughters Eye’s”   In 2005, after Deana completed her sold-out “Deana Sings Dino” international concert tour, she was eager to return to the studio and record a new album. In 2006, Deana released “Memories Are Made Of This,” her top–selling CD of Standards and Jazz. It remained on the Top 10 charts for over 40 weeks. Deana then launched her phenomenally successful “Memories Are Made Of This” international concert tour.    In the summer of 2009, Deana released her newest CD “Volare” & opened on the Billboard Heat Seeker chart at #7, Billboard’s Top Jazz Albums chart at #22, and on iTunes Top 10 chart. Deana loved working at Capitol Studios where she collaborated on this project with legendary multi-Grammy Award-winning engineer Al Schmitt, & her producer John Griffeth.   Following the release of her new album, Deana will embark on the international “Volare Concert Tour.”     Deana's desire to continue her father’s legacy & support of children’s charitable causes led to her being the driving force behind the annual Dean Martin Festival. All proceeds from this event fund the Dean Martin Music Scholarships.  

Deana Martin is an influential American singer, actor and performer and the very proud daughter of iconic entertainer, Dean Martin.    Deana achieved success early in her career in films, theater and television, then quickly added to her repertoire — recording artist, best-selling author, nationally syndicated radio host, licensed pilot, and business entrepreneur.    In 2004 Deana broke new ground as an author with her best-selling memoir “Memories Are Made of This, Dean Martin Through His Daughters Eye’s”   In 2005, after Deana completed her sold-out “Deana Sings Dino” international concert tour, she was eager to return to the studio and record a new album. In 2006, Deana released “Memories Are Made Of This,” her top–selling CD of Standards and Jazz. It remained on the Top 10 charts for over 40 weeks. Deana then launched her phenomenally successful “Memories Are Made Of This” international concert tour.    In the summer of 2009, Deana released her newest CD “Volare” & opened on the Billboard Heat Seeker chart at #7, Billboard’s Top Jazz Albums chart at #22, and on iTunes Top 10 chart. Deana loved working at Capitol Studios where she collaborated on this project with legendary multi-Grammy Award-winning engineer Al Schmitt, & her producer John Griffeth.   Following the release of her new album, Deana will embark on the international “Volare Concert Tour.”     Deana's desire to continue her father’s legacy & support of children’s charitable causes led to her being the driving force behind the annual Dean Martin Festival. All proceeds from this event fund the Dean Martin Music Scholarships.  

Deana Martin is an influential American singer, actor and performer and the very proud daughter of iconic entertainer, Dean Martin. She achieved success early in her career through films, theater and television, then quickly added to her repertoire recording artist, best-selling author, nationally syndicated radio host, licensed pilot, and business entrepreneur. In 2004, she embarked on a global book expedition with her best-selling memoir "Memories Are Made Of This, Dean Martin Through His Daughter's Eyes." In 2005, after she completed her sold-out "Deana Sings Dino" international concert tour, she was eager to return to the studio and record a new album. In 2006, she released "Memories Are Made Of This," her top-selling CD of Standards and Jazz. It remained on the Top 10 charts for over 40 weeks. She then launched her phenomenally successful "Memories Are Made Of This" worldwide concert tour. 2007 found Deana at Capitol Studios, in Hollywood, California, working on her next album. In the summer of 2009, she released her newest CD "Volare." While still in pre-release, "Volare" entered the Top 100 music and radio charts. She loved working at Capitol Studios where she collaborated on this project with legendary multi-Grammy Award-winning engineer Al Schmitt and her producer John Griffeth. Following the release of her new album, she will embark on the intercontinental "Volare Concert Tour." Deana's desire to continue her father's legacy and support of children's charitable causes led to her being the driving force behind the annual Dean Martin Festival. All proceeds from this event fund the Dean Martin Music Scholarships. Ms. Martin proudly announced that her book, "Memories Are Made Of This, Dean Martin Through His Daughter's Eyes" is being made into a movie, directed by actor Joe Mantegna with screenplay written by actor/writer/television host Bonnie Hunt. Deana and her husband John Griffeth divide their time between Beverly Hills, CA and Branson, MO.