Podcasts about African Head Charge

Pochodzący z Londynu producent, DJ, wydawca i założyciel wytwórni On-U Sound odwiedził w czerwcu Lublin. Podczas festiwalu Wschód Kultury Inne Brzmienia można było nie tylko usłyszeć jego autorski set DJ-ski i koncert African Head Charge, ale także – obejrzeć wystawę dokumentującą związki artysty z Polską.… Czytaj dalej Artykuł Adrian Sherwood: „Nie jestem muzykiem w tradycyjnym sensie” pochodzi z serwisu Audycje Kulturalne.

Bonjo Iyabinghi Noah is the percussionist and vocalist behind African Head Charge, the experimental dub project he co-founded with legendary studio wizard Adrian Sherwood in the late 1970s. With dozens of albums to his credit, he's been established as an influential and singular performer with a sound all his own. Today I'm speaking with Bonjo about how he found his musical and spiritual calling in the Poco churches of Jamaica in his youth, how an encounter with Fela Kuti changed the course of his life, his collaborations with classic reggae and soul artists like Desmond Dekker, Prince Far I, Creation Rebel and the Foundations, how he turned an experimental studio project into a large live ensemble, and insights into African Head Charge's latest album, A Trip To Bolgatonga on Adrian Sherwood's On-U Sound label. Scherler Sundays is returning to downtown Olympia for summer 2024!! That means ten weeks in a row of free outdoor concerts and live interview tapings for future broadcast.  Come see your next favorite artist and get to know them in one fell swoop, week after week! This year's lineup includes Little Wings, Mirah, Tender Forever, Lois, Damien Jurado, Michael Hurley, Chris Cohen, Oh Rose, Jonny Kosmo and more than 20 others, all curated and hosted by yours truly.  It's happening every sunday at 3pm from July 21st through September 22nd. Find more info at ScherlerBeer.com If you're a fan of this show, please consider taking a moment to support this show by committing to a flexible monthly donation at patreon.com/lowprofile. It would mean the world to me if I could set aside a proper work week at a living wage every month, and I believe with enough of the regular listeners chipping in 5 bucks, it could happen.  So thanks a lot to those of you who have continued to support me on Patreon, and if you haven't yet, give it a try! It will be great for your karma, I bet! You can find links to more of their work on this episode's website at lowprofilepodcast.com, where you'll also find a treasure trove of oral history from exceptional musicians of all stripes. Low Profile is a part of the Ruinous Media podcast network, and this episode's artwork was drawn by Jack Habegger.  Thanks to Howard Wuelfing at Howlin' Wuelf Media for facilitating today's interview.

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. African Head Charge, "Passing Clouds" (A Trip To Bolgatanga) 2023 On-U Sound 2. Big Joanie, "Today (featuring Kim Deal)" (Today) 2023 self-released 3. Man Rei, "Still, by" (Health) 2023 Somewhere Between Tapes 4. Kristin Hersh, "Ms Haha" (Clear Pond Road) 2023 Fire 5. Ruth Mascelli, "Psychic Surgery" (Non-Stop Healing Frequency) 2023 Disciples 6. Michael Wells aka G.T.O., "Clubquake" (Karma E.P.) 2023 Dataflow 7. Divide and Dissolve, "Want" (Systemic) 2023 Invada 8. Yann Novak, "Super Coherent Light" (The Voice of Theseus) 2023 Room40 9. Spirit Fest, "Lost and Found" (Bear In Town) 2023 Morr 10. Flying Saucer Attack, "My Dreaming Hill" (Flying Saucer Attack (aka Rural Psychedelia)) 1993 VHF 11. Anthony Naples, "Strobe" (orbs) 2023 ANS 12. Julee Cruise, "The World Spins (Demo)" (Three Demos) 2018 Sacred Bones * Eine Sendung vom 16. Juli 2023. # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Die Zonic Radio Show ist die hör-mediale Erweiterung der Kulturerscheinung Zonic. ## Zwischen XXXmesse und X-Mist 1. Korai Öröm - B2 – 1993-1996 – Trottel Records 2. Trottel - After Dealing Out / The Story Goes On – The Final Salute In The Name Of Human Misery – X-Mist/Trottel Records 3. Girls In Synthesis - Arterial Movements – Arterial Movements 7" – X-Mist 4. Sleaford Mods - Bambi – Bambi 7" – X-Mist 5. Nusidm & Arm Unemployed – The Last Temptation Of Thrill – bruit direct disques 6. Center - Doors 4 - 5 – Over The Stations – bruit direct disques 7. Terrine & Carrageenan Do Dad Jokes – Standing Abs – bruit direct disques 8. Koenig feat. Sensational - Diffidence – 1 Above Minus Underground – Purple Tape Pedigree 9. Koenig ft. Dälek - Due Dilligence – 1 Above Minus Underground – Purple Tape Pedigree 10. CÄBRÄNEGRÄ - Junto As Cabras (Stefanie Egedy Rermix) – Aurora – Fuck it all Records 11. Adrian Sherwood - On-U In Space (feat. Lee "Scratch" Perry, LSK, African – Head Charge, Creation Rebel) – Bandcamp 12. Creation Rebel Featuring Prince Far I - Swiftly (The Right One) – Under Pressure – On-U Sound 13. PIL - Death Disco 12" Remix – Virgin Records 14. Killing Joke - Change (Dub) – s/t – Editions EG/Virgin 15. The Soft Pink Truth - Do They Owe Us A Living (Crass) – Do You Want New Wave Or Do You Want The Soft Pink Truth? – Accidental Records 16. Włochaty & Do They Owe Us A Living? – Bank $wiatowy – Nikt Nic Nie Wie 17. Stefanie Egedy - Then I Realized – Blinding Clarity – Darq Distro / SHAPE 2022-2023 @ The Wire CD * Eine Sendung vom 23. August 2023. # Zonic Radio Show Süd Die Zonic Radio Show ist die hör-mediale Erweiterung der Kulturerscheinung Zonic. Thematisch frei zwischen Musik, Literatur und Kunst changierend, gibt es von tieftauchenden popkulturellen Features über experimentelle Klangstücke oder Sound & Poetry- Mixe bis zum Hangeln durch den News-Jungle eines extrem offenen musikalischen Spektrums alles zu hören, was potentielle Relevanz im stetig sich ausbreitenden Zonic-Kosmos hat. Und über dessen Rand hinaus! Die Wort- & Musikauswahl liegt bei Zonic-Herausgeber Alexander Pehlemann. * http://www.zonic-online.de

African Head Charge is a legendary psychedelic dub outfit who have recently returned to their home label On-U Sound with A Trip To Bolgatanga, their first new album in 12 years. As always it finds the peerless Adrian Sherwood at the controls and joins the dots between what the collective has done before and what they are doing now, all with a distinctly Ghanian twist. The signature drums and chants remain at the core of the album of course, as well as plenty of other thrilling new sonic concoctions on keys, guitar, percussion, strings, vocals, kologo and more. It's the latest chapter in a fascinating story that has already seen them release some 16 albums since its inception in 1981. This week's mix is a deep dive into the uniquely melon-twisting sounds of African Head Charge. Sherwood's mastery at the controls means sound is twisted and contorted, dubbed out and reverb-rich from start to finish. Traditional dub sounds melt away into ghoulish vocal passages, unhinged instrumentals come and go and the collective's signature sense of dark soul and mystic ritual holds the whole thing together in a spellbinding fashion.

Adrian Sherwood — producer, mixologist, sonic innovator, dub technician and label runner joins Paul for an intimate exploration of his fascinating career, where they explore the profound influence of his dub techniques on the music industry, and his surprising contentment with remaining semi-underground. From working with Lee Scratch Perry and Prince Far I to Nine Inch Nails and Depeche Mode, you'll gain insight into not only his career, but also his recent work with African Head Charge, and his unique perspective on success.Sherwood eloquently describes his early experiences with Jamaican sound systems, his perspective on the advancement of audio technology, and the undeniable power of bass in music. The conversation explores the influence of culture and politics on music creation. As Sherwood narrates his encounters with influential figures like James Brown and Keith LeBlanc. We discuss the joy of creating club tunes in mere hours, the human element in music, and the profound impact of Ecstasy on England. You'll also learn about the ever-evolving world of music production technology, the importance of character and expression for artists, and the challenges of monetizing creativity. African Head Charge's new album A Trip To Bolgatanga is out now on On-U SoundLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing here.Lost and Sound title music by Thomas Giddins

Label Rock Podcast#18 (27 aout 2023)Nouvelle sélection estivale avec Courtney Barnett, David Versace, Roisin Murphy (Moodyman remix), Skeewiff, Miss Tiny, Say She She, Muzz, Claud, The Primitives, Being Dead, DJ Shadow, Julie Byrne, Bonnie "Prince" Billy, African Head Charge, A Certain Ratio (Emperor Machine rework), The Linda Lindas, Be Your Own Pet.

Today's guest just makes me smile. It's percussionist Bonjo Iyabinghi Noah from African Head Charge. He grew up in Jamaica and began playing drums in the Rasta camps and Poco churches. He was running away a lot and sleeping in graveyards. Music helped him get out of those bad situations. He really connected with it and started helping out bands as a young kid, even becoming an unofficial roadie. He got a gig with The Foundations of Build Me Up Buttercup fame. All of this helped him start African Head Charge. Bonjo tells me how the band started and what African Head Charge means. He also tells me who gave him the name Bonjo. The band began as a studio project but he was eventually asked to take the music on the road. Unfortunately, his drums were stolen and he couldn't. But that led to a great future relationship. It also led to him playing the main stage at Glastonbury. Bonjo's DIY approach and his hard work with African Head Charge unintentionally pissed people off. After years of hard work, Bonjo moved to Ghana and took some time off; twelve years to be precise. But now Bonjo is back with a new African Head Charge album, A Trip To Bolgatanga. It changes his sound slightly and focuses on African drumming from Ghana. He's got some special guests on it like King Ayisoba, Skip McDonald, and Doug Wimbish. Pick it up on Bandcamp, On U Sound, or wherever you get music. Follow Bonjo @africanheadcharge on social media. Check us out @PerformanceAnx on X or whatever Twitter is now, and Instagram. Send us some coffee at ko-fi.com/performanceanxiety or buy a shirt or something at performanceanx.threadless.com. Now let's get irie with Bonjo Iyabinghi Noah of African Head Charge on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 642: July 16, 2023 playlist: African Head Charge, "Passing Clouds" (A Trip To Bolgatanga) 2023 On-U Sound Big Joanie, "Today (featuring Kim Deal)" (Today) 2023 self-released Man Rei, "Still, by" (Health) 2023 Somewhere Between Tapes Kristin Hersh, "Ms Haha" (Clear Pond Road) 2023 Fire Ruth Mascelli, "Psychic Surgery" (Non-Stop Healing Frequency) 2023 Disciples Michael Wells aka G.T.O., "Clubquake" (Karma E.P.) 2023 Dataflow Divide and Dissolve, "Want" (Systemic) 2023 Invada Yann Novak, "Super Coherent Light" (The Voice of Theseus) 2023 Room40 Spirit Fest, "Lost and Found" (Bear In Town) 2023 Morr Flying Saucer Attack, "My Dreaming Hill" (Flying Saucer Attack (aka Rural Psychedelia)) 1993 VHF Anthony Naples, "Strobe" (orbs) 2023 ANS Julee Cruise, "The World Spins (Demo)" (Three Demos) 2018 Sacred Bones Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Featuring music from the newly-released collaboration from the late Nigerian drummer Tony Allen w/ Ali Shaheed Muhammad & Adrian Younge, the new release from African Head Charge, Israeli musician Dudu Tassa & Radiohead's Johnny Greenwood + more!

Bonjo started in the '70s as a session hand percussionist, played for a few years with Creation Rebel, and became a band leader in 1980, first recording a bit as Noah House of Dread, then creating African Head Charge, which has had more than 20 releases. More at africanheadcharge.bandcamp.com. We discuss "Microdosing" and listen to "A Bad Attitude" from A Trip to Bolgatanga (2023), "Fear of a Man God" from Voodoo of the Godsent (2011), "Orderliness, Godliness, Discipline and Dignity" from Songs of Praise (1990), and "Children of Misery" by Noah House of Dread from Heart (1980). Intro: "Stebani's Theme" from My Life in A Hole in the Ground (1981). Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsors: Get 16 free meals and free shipping via HelloFresh.Com/nem16 (code nem16). Check out the Banned Camp comedy podcast.

Bonjo started in the '70s as a session hand percussionist, played for a few years with Creation Rebel, and became a band leader in 1980, first recording a bit as Noah House of Dread, then creating African Head Charge, which has had more than 20 releases. More at africanheadcharge.bandcamp.com. We discuss "Microdosing" and listen to "A Bad Attitude" from A Trip to Bolgatanga (2023), "Fear of a Man God" from Voodoo of the Godsent (2011), "Orderliness, Godliness, Discipline and Dignity" from Songs of Praise (1990), and "Children of Misery" by Noah House of Dread from Heart (1980). Intro: "Stebani's Theme" from My Life in A Hole in the Ground (1981). Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsors: Get 16 free meals and free shipping via HelloFresh.Com/nem16 (code nem16). Check out the Banned Camp comedy podcast.

All Songs Considered's Bob Boilen shares his favorite new tracks of the week, including a collaboration between Fred again.. and Brian Eno, the return of Youth Lagoon, the dub ensemble African Head Charge and more.Featured Songs And Artists:1. Youth Lagoon: "The Sling," from Heaven Is a Junkyard2. This Is The Kit: "More Change," from Careful of Your Keepers3. dodie: "Special Girl," from dodie (Live at NPR's Tiny Desk) - EP4. African Head Charge: "Microdosing," from A Trip to Bolgatanga5. Brian Eno & Fred again..: "Come On Home," from Secret Life6. Grandbrothers: "Adrift," from Late Reflections

This is a re-upload of my conversation with the late great Mark Stewart Rest In Power!         For those who don't know  Mark Stewart is an artist, vocalist, producer and songwriter from Bristol. As a founding member of The Pop Group and as a soloist, Stewart has remained an anarchic and pioneering figure since the punk era, a constant source of discordance amongst the frontiers of post-punk, dub, industrial and electronic music. In a body of work driven by an explosive form of lyricism and inspired by radical politics, protest movements, theory, philosophy, technology, art and poetry, Stewart has fearlessly cultivated a revelatory collision of ideas, ideals and influences throughout an indisputably ground-breaking and seditious career. Empowered by the DIY incentives of punk Stewart initiated The Pop Group in 1977, subsequently producing some of the most original and combative music of both the post-punk and contemporary era. From 1977 until 1980 Stewart led the charge in a group that completely eschewed punk's formalism for something far greater. Producing epiphanic, irrepressible anthems, including She's Beyond Good & Evil and We Are All Prostitutes, both in 1979, as well as masterful, seminal albums including Y in 1979 and For How Much Longer Do We Tolerate Mass Murder? in 1980, The Pop Group ignited the revolutionary aesthetic potential of post-punk. The impact of this first incarnation left an immensely significant legacy ultimately leading to the group's reformation in 2010. With 2015's refined return Citizen Zombie and 2016's audacious left-turn Honeymoon On Mars, the group emphatically renewed their relevance, proving as incendiary as ever. Stewart continues to operate as a crucial impetus in the bands ongoing mission. In 1980 Stewart embarked on his solo career inspired by the sounds he had heard during a visit to New York the same year. The virtuosic scratching and early hip hop propagated by Kiss FM's Kool DJ Red Alert, coupled with the impact of a pile driver at a construction site Stewart happened to encounter there, was enough to encourage his visionary next step. In 1982 Stewart consolidated these encounters into coherent possibilities, forming a group called The Maffia and linking up with producer Adrian Sherwood and his cutting edge label On-U Sound. Alongside a rotating cast of session players, initially comprised of members of African Head Charge, Creation Rebel & Dub Syndicate, and later made up of Doug Wimbish, Keith LeBlanc and Skip McDonald (the erstwhile rhythm section of The Sugarhill Gang) Stewart & The Maffia fashioned an abrasive confection of dub reggae, early hip hop and industrial noise that was shattering, seismic and completely ahead of its time. Headed by an iconic version of William Blake's eponymous ancient poem, Stewart & The Maffia unveiled the Jerusalem EP in 1982, swiftly followed by their cult 1983 LP Learning To Cope With Cowardice. Stewart later moved to Mute Records in 1985 for the ferocious proto-industrial militancy of As The Veneer of Democracy Starts to Fade and successive appearances on the label continued to break untold new ground, from 1987's Mark Stewart to 1990's Metatron and 1995's Control Data. Stewart has continued to plot an utterly uncompromising and individual course into the 2000s, with a streak of solo material that has included Edit, The Politics of Envy, The Exorcism of Envy and Experiments. Preserving his vociferous energy and defiant stance whilst advancing, as always, into unfamiliar territories, this work bears all the traces of Stewart's enduring severity and modernism, an exploratory power reinforced by a host of legendary collaborators and artistic descendants including the likes of Primal Scream, Keith Levene (Public Image Ltd / The Clash), Richard Hell, Kenneth Anger, Daddy G (Massive Attack), Lee ‘Scratch' Perry, The Bug, Kahn (Kahn & Neek, Young Echo) and Factory Floor. Stewart continues to exert an inestimable impact on a disparate range of ensuing artists and scenes. His work has been acknowledged and celebrated as a vital inspiration by the likes of Nick Cave, Trent Reznor (Nine Inch Nails), James Murphy (LCD Soundsystem), Tricky, Massive Attack, St Vincent and countless others, while his eye for unorthodox extremity has instigated myriad new evolutions, blueprinting industrial, trip-hop, noise-hop, dance-punk and many other subsequent conceptions. Through a staunch, unrelenting desire to confront, deconstruct and make anew, Stewart has become of the most influential and forward-looking luminaries of post-punk, or indeed, any other form of music. An artist often imitated but never bettered. Mark's Info https://www.markstewartmusic.com/ https://www.facebook.com/markstewartm...

Church music 2029. A musical interlude by The Psychia†ry. 1. Move into our own - Nicole Mitchell 2. This and that and the other - African Head Charge 3. The carnival of the Animals R.125 The Swan - Camille Saint-Saens 4. Helgmalsrigning - The Psychiatry 5. Coconut - Mango 6. Sickness unto Death - The Psychiatry 7. Cantus in memoriam Benjamin Britten Arvo Pärt 8. Vorbei - Dora Gerson9. Inat - Impérieux 10. Delicado - Rudi Lakatos 11. Awakening - The Psychiatry

What are we doing when we pray? In the second episode of the second season, John, David, and Simeon venture a few theories (and a bunch of stories). Referenced and recommended resources include: Quotations: Frank Lake's Clinical Theology (https://mbird.com/psychology/frank-lake-and-the-paradox-of-prayer/), The Long Text of Julian of Norwich (Chapter 43), "Eleven Addresses to the Lord" by John Berryman (https://www.poetryfoundation.org/poems/48948/eleven-addresses-to-the-lord) Books and Literature: Help Thanks Wow (https://amzn.to/3AwCh3m) by Anne Lamott, The Lord's Prayer (https://amzn.to/3yOlYxH) by Wesley Hill, Lit (https://amzn.to/3am2Ai1) by Mary Karr, Augustine's Confessions (https://amzn.to/3P76Gt6), Showings (https://amzn.to/3PfXKSt) by Julian of Norwich, The Collects of Thomas Cranmer (https://amzn.to/3OSEc6O) by Paul Zahl and Frederick Barbee, "Collect for the Fourth Sunday After Easter" (https://www.churchofengland.org/prayer-and-worship/worship-texts-and-resources/book-common-prayer/collects-epistles-and-gospels-38), "For the Time Being" (https://amzn.to/3OKfHsl) by WH Auden Movies: The Apostle _(1997), _Little Boy (2015) Artwork: Das Vaterunser (https://www.moma.org/collection/works/71662) by Max Pechstein Songs: “10 9 8 7” by Armand Duchies, “Dervish Chant” by African Head Charge, “Please Please Please Let Me Get What I Want” by The Smiths, “Come Talk to Me” by Peter Gabriel, “Make The Woman Love Me” by Dion, “Cleopatra” (JAZ edit 2), "Acid Rain" by Galaxy II Orchestra, “Talk to the Lord” by Natalie Bergman, “Let Us Pray” by Elvis Presley, “You Are My Dream” by Kamagni, “Lords Prayer” by Marvin Gaye, “Our Prayer” by The Beach Boys, “I Pray” by Blossom Child Click here (https://open.spotify.com/playlist/2ZEDD3kbdFeuBjrMIhWi1V?si=058bfc64dedc426d) to listen to a playlist of the available tracks on Spotify.

Mark Stewart is an artist, vocalist, producer and songwriter from Bristol. As a founding member of The Pop Group and as a soloist, Stewart has remained an anarchic and pioneering figure since the punk era, a constant source of discordance amongst the frontiers of post-punk, dub, industrial and electronic music. In a body of work driven by an explosive form of lyricism and inspired by radical politics, protest movements, theory, philosophy, technology, art and poetry, Stewart has fearlessly cultivated a revelatory collision of ideas, ideals and influences throughout an indisputably ground-breaking and seditious career. Empowered by the DIY incentives of punk Stewart initiated The Pop Group in 1977, subsequently producing some of the most original and combative music of both the post-punk and contemporary era. From 1977 until 1980 Stewart led the charge in a group that completely eschewed punk's formalism for something far greater. Producing epiphanic, irrepressible anthems, including She's Beyond Good & Evil and We Are All Prostitutes, both in 1979, as well as masterful, seminal albums including Y in 1979 and For How Much Longer Do We Tolerate Mass Murder? in 1980, The Pop Group ignited the revolutionary aesthetic potential of post-punk. The impact of this first incarnation left an immensely significant legacy ultimately leading to the group's reformation in 2010. With 2015's refined return Citizen Zombie and 2016's audacious left-turn Honeymoon On Mars, the group emphatically renewed their relevance, proving as incendiary as ever. Stewart continues to operate as a crucial impetus in the bands ongoing mission. In 1980 Stewart embarked on his solo career inspired by the sounds he had heard during a visit to New York the same year. The virtuosic scratching and early hip hop propagated by Kiss FM's Kool DJ Red Alert, coupled with the impact of a pile driver at a construction site Stewart happened to encounter there, was enough to encourage his visionary next step. In 1982 Stewart consolidated these encounters into coherent possibilities, forming a group called The Maffia and linking up with producer Adrian Sherwood and his cutting edge label On-U Sound. Alongside a rotating cast of session players, initially comprised of members of African Head Charge, Creation Rebel & Dub Syndicate, and later made up of Doug Wimbish, Keith LeBlanc and Skip McDonald (the erstwhile rhythm section of The Sugarhill Gang) Stewart & The Maffia fashioned an abrasive confection of dub reggae, early hip hop and industrial noise that was shattering, seismic and completely ahead of its time. Headed by an iconic version of William Blake's eponymous ancient poem, Stewart & The Maffia unveiled the Jerusalem EP in 1982, swiftly followed by their cult 1983 LP Learning To Cope With Cowardice. Stewart later moved to Mute Records in 1985 for the ferocious proto-industrial militancy of As The Veneer of Democracy Starts to Fade and successive appearances on the label continued to break untold new ground, from 1987's Mark Stewart to 1990's Metatron and 1995's Control Data. Stewart has continued to plot an utterly uncompromising and individual course into the 2000s, with a streak of solo material that has included Edit, The Politics of Envy, The Exorcism of Envy and Experiments. Preserving his vociferous energy and defiant stance whilst advancing, as always, into unfamiliar territories, this work bears all the traces of Stewart's enduring severity and modernism, an exploratory power reinforced by a host of legendary collaborators and artistic descendants including the likes of Primal Scream, Keith Levene (Public Image Ltd / The Clash), Richard Hell, Kenneth Anger, Daddy G (Massive Attack), Lee ‘Scratch' Perry, The Bug, Kahn (Kahn & Neek, Young Echo) and Factory Floor. Stewart continues to exert an inestimable impact on a disparate range of ensuing artists and scenes. His work has been acknowledged and celebrated as a vital inspiration by the likes of Nick Cave, Trent Reznor (Nine Inch Nails), James Murphy (LCD Soundsystem), Tricky, Massive Attack, St Vincent and countless others, while his eye for unorthodox extremity has instigated myriad new evolutions, blueprinting industrial, trip-hop, noise-hop, dance-punk and many other subsequent conceptions. Through a staunch, unrelenting desire to confront, deconstruct and make anew, Stewart has become of the most influential and forward-looking luminaries of post-punk, or indeed, any other form of music. An artist often imitated but never bettered. Mark's Info https://www.markstewartmusic.com/ https://www.facebook.com/markstewartmusic  

Our latest isolatedmix comes from Mark Nelson, who as Pan•American, or as part of Labradford or even Anjou, has garnered relative cult status amongst the ambient and experimental lifers and tape community. Forming a big part of the Kranky label history from its very first release, Mark recently returned with a new album after a three-year hiatus, and the mature, refined instrumentalism on The Patience Fader is a subtle reminder of the quality Mark has retained over the years - quite an achievement, given his first Pan•American record on Kranky goes back to 1997. I took the chance to send over some questions to Mark to shed some light on the new record and the music that exists in his life right now, alongside his tasteful and electic isolatedmix. The Patience Fader by Pan•AmericanHi Mark, where are you right now and what have you been listening to lately? I'm at home in Evanston IL-just north of Chicago. Drinking coffee after work and listening to the water running through the filter of our pet turtle's tank and the music of Mette Henriette. If you're not familiar with her she's a Norwegian composer and saxophone player who put out a record on ECM a couple of years ago it's so beautiful-one of those records I only let me listen to occasionally because I don't want to become too familiar with it. worried the magic might lessen-but magic never really does. Last few days I've been listening to lots of the music that made it onto the mix-Mike Cooper, African Head Charge, Ulla, my friend Robert Donne's incredible track Touch my Camera Through the Fence, Takagi Masakatsu. The most recent music that I've really liked are the 3 cd comp by Fubutsushi on Cached Media and my friend Francis Harris' beautiful new record Thresholds that I was lucky enough to contribute to. Running a label myself, and given you had the honor of being the very first release on Kranky, with Labradford, I'm interested in the details of how that very first album and relationship came about? It's hard to believe but back then you could put out a 7" single-maybe 300 copies-and be pretty confident all the key distributors, zines, record store buyers and radio stations would find out about it and boost it up if they liked it. Joel and Bruce worked at Cargo-an independent distributor based in Chicago. Our single came across Joel's desk and he felt good enough about it to set in motion the plan he'd been forming to start a label. I remember my friend Andrew who put the single out told me a guy from Cargo was going to call me and I stayed close to the (landline) phone for the next couple days. Joel called, we talked and the rest has unfolded very naturally. A blend of luck and trying to manifest something in the world around the music. “Romantic minimalism” is used in the text for your new album The Patience Fader, and it's an apt term for the delicate, perhaps even more ‘focused' approach on this one. Do you think there is a clear connection between the effects of the past year and the type of music it inspires? Was that the case here? Yes-absolutely in my case. Both from within and without. Not consciously of course, but Patience Fader was made during the summer and fall of 2020, so Covid, Trumpism, BLM/George Floyd protests were all in full flight. At the same time, my father was dying in a hospice in Virginia that we couldn't visit because of Covid. In some respects, emotions were very simple for me in this time. Right and wrong, life and death joy and sorrow seemed very plainly mapped out. The album features some smaller ‘vignette' type tracks, which I personally love. What was your intention behind these as part of the greater album flow? Is there a hidden narrative? Not a narrative really, no. I would say there's a theme of Roots throughout the record and trying to find different ways to approach what roots and being grounded can mean. So guitar and harmonica as the instruments used speak literally to the basic grounding of American music. The field recording of a summer afternoon and slamming screen door on Baitshop is evocative to me of childhood. There's even a song called Grounded. We were all literally grounded by Covid and I was searching for a sense of Grounding amidst the unraveling. It seems like you come from the ‘instrumental first' school of ambient music (as I sometimes like to put it), integrating your instruments as source material, especially on your latest. What does the process for creating a PA album usually look like? It tends to come out of the daily practice of playing. I like practicing and trying to be "better" as a guitar player. Sometimes it can even feel like if I get an idea I need to dig into, it interrupts just simple, repetitive practice that in some ways I enjoy more. I think I've gotten pretty good at recognizing when an idea needs to be followed through and I do feel like I have an obligation to not let it go. Although in the end, most don't make it. Eventually, I tend to establish something that feels like the first song for an album and the last song, and that's when I know that something new is really emerging. The Lapsteel / Pedal steel was perhaps brought to ‘ambient fame' by the KLF's Chill Out, especially to those who run in more general ‘ambient' music terms. And I definitely get a similar vibe to that album with The Patience Fader. …“the ghost of rust belts and dust bowls looming in a horizon of deepening dusk.” as the press text puts it. As a foreigner in the US, I've always wondered about this romanticism and never really experienced it outside of trips to the desert here in the west. How does this come to life for you personally? Is it something you seek out? I'm a big fan of Chill Out-but I think Brian Eno and Daniel Lanois got there first on Apollo! Also, the Paris Texas soundtrack and Ry Cooder's slide playing cemented some of those connections that I guess now verge on cliche. Funny enough I'm a bit of an outsider here as well-my Father was a US diplomat and I didn't live in the US until I was a teenager. I've always looked for a way in I guess, and music-rock n roll, country, blues, jazz seemed like a kind of skeleton key. A key to a series of doors that open and close constantly and I seem to remain disoriented. I certainly returned to these roots (literal and figurative) in music for an explanation or comfort as Trump set fire to whatever remained of the Better Angels of what (for some reason) is referred to as the American Experiment. Mixed results. You speak of the notion of “lighthouse music,” radiance cast from a stable vantage point, sending “a signal to help others through rocks and dangerous currents.” My perception and ‘unromanticizing' of this after listening to the album, is that you have tried to create very clear, and comforting music, something that will cut through easier and not need too much thought for it to work. I love this overall sentiment - could you expand upon it in your own words? It's an effort to be uncluttered and go straight for the heart. The beauty in country music is the same effort or effect. It's ok if it's a formula to an extent that's comforting! The songs on my record share a very similar structure and palette to one another-I really wanted to create a world that would be very quickly recognized-meaning the boundaries would be clear right away-and the work could be done within those boundaries. There's certainly much to recommend pushing beyond known boundaries and limits-for me though it's where known elements within a world blur, overlap, merge, surrender and change like water that's what I'm interested in! New possibilities come from new combinations, and new layering of familiar material. Hybrid forms, mutations. I think what we're looking for is here-it's just up to us to make it visible.~ astrangelyisolatedplace · isolatedmix 118 - Pan•AmericanListen on Soundcloud, Mixcloud, or the ASIP Podcast.DownloadTracklist:01. Willie Nelson- Sad Songs and Waltzes02. Ulla - New Poem03. Michael Grigoni - Little Cliffs04. Sosena Gebre Eyesus - Seqelew Eyalu05. Maurizio - MO7A (edit)06. Mike Cooper - After Rain07. African Head Charge - Bazarre08. Takagi Masakatsu - Uter 109. Mary Lattimore - We Just Found Out She Died10. Loren Connors - Blues #511. Robert Donne - Touch My Camera Through the Fence12. Lokai - Histoire DSPan•American: Website | Bandcamp | Soundcloud | Discogs

Solénoïde (18.10.2021) - Solénoïde vous sert une nouvelle tranche de bass-music amphétaminée ! Pendant presque une heure, vous dégusterez un mix insolite de reverbe, delay et autres bidouillages déjantés. Une heure durant laquelle un flux continu de basses ondulantes et de percus vrombissantes viendra dérégler votre sens du temps et de l'espace. Une heure d'une playliste plurielle qui verra Solénoïde se transformer en une véritable chambre d'extase sonore entièrement hantée par l'esprit du dub...

Solénoïde (18.10.2021) - Solénoïde vous sert une nouvelle tranche de bass-music amphétaminée ! Pendant presque une heure, vous dégusterez un mix insolite de reverbe, delay et autres bidouillages déjantés. Une heure durant laquelle un flux continu de basses ondulantes et de percus vrombissantes viendra dérégler votre sens du temps et de l'espace. Une heure d'une playliste plurielle qui verra Solénoïde se transformer en une véritable chambre d'extase sonore entièrement hantée par l'esprit du dub...

Notte spaziale e speziata con il dub di formazioni come Creation Rebel, The New Age Steppers e African Head Charge, tra ristampe e inediti a dimostrazione di un'intuizione feconda e capace di trascendere l'epoca

Notte spaziale e speziata con il dub di formazioni come Creation Rebel, The New Age Steppers e African Head Charge

Le Grand Remplacement #8 Podcast mensuel de 60 minutes. Musique sélectionnée par Serge Coosemans. Ethnomusicologie ? World Music ? Sono Mondiale ? Ou tout simplement Le Grand Remplacement ? No more english, fini le français ! Le rock garage se braille en hindi, le disco se fabrique sur le Bosphore, ça croone au Japon et ça funke en Afrique. Dancefloor plus que folkore, ambiance Blade Runner plutôt qu'esprit Couleur Café. Apprendre les langues n'a jamais été si facile. Et groovy. Os Mulheres Negras – So Quero Um Xodo (1990, Brésil) African Head Charge – Chant For The Spirits (1990, Royaume-Uni) Bacao Rhythm & Steel Band – Crockett's Theme (2018, Allemagne) Altin Gun - Şeker Oğlan (2018, Pays-Bas) Crimi – Mano d'Oro (2021, France) Fellini – Historia Do Fogo (1985, Brésil) Carla & Marcus – Vente Verao (1980, Brésil) Les Frères Megri – Leili Twil (1974, Maroc) Victor Jara – El Aparecido (1967, Chili) La Cumbia Moderna De Soledad – Crees Que Soy Sexy ? (1979, Colombie) Les Sympathics de Porto-Novo – A Min We Vo Nou We (seventies/eighties, Bénin) Alemayehu Eshete – Tchero Adari Negn ( ??? (ressortie en 2015), Ethiopie) Wau Wau Collectif – Riddim Rek Ya Niouy Mom (2021, Suède/Sénégal) Sven Wunder – Hyacinth (2019, Suède) Hugo Raspoet – Hoe Durven Ze ? (1970, Belgique) Belbao – Casablanca Shuffle ( ??? sixties/seventies, Maroc)

We meet Adrian Sherwood, the founder of On-U Sound, who’s done things differently right from the start. He started the label at the height of London’s “punky-reggae” moment and quickly put out dozens of groundbreaking dub recordings from acts including Creation Rebel, African Head Charge, New Age Steppers and Tackhead. Drawing on a loose collective of improvisers and wildcards – including Ari Up, Annie Anxiety and Bonjo Iyabinghi Noah – Sherwood leveraged his lack of musical training to produce some of the most influential records of the ‘80s. In this episode he joins Chal from his home in Ramsgate to talk about squatting with Ari Up and Neneh Cherry, dub reggae philosophy, and why you should never trust a hippy. Check out the accompanying RELEVANT PARTIES Playlist on Spotify: https://bit.ly/relevantparties_playlist On-U Sound: http://on-usound.com | https://www.instagram.com/onusound | https://www.youtube.com/user/onusoundrecords Carhartt WIP: https://www.carhartt-wip.com | https://instagram.com/carharttwip

a cura di Gigi Longo. Musiche di John Martyn, Bert Jansch, Arthur Russell, Andrew Weatherall, Adrian Sherwood, Maximum Joy, The Slits, African Head Charge, Mike Oldfield

a cura di Gigi Longo. Musiche di John Martyn, Bert Jansch, Arthur Russell, Andrew Weatherall, Adrian Sherwood, Maximum Joy, The Slits, African Head Charge, Mike Oldfield

a cura di Gigi Longo. Musiche di John Martyn, Bert Jansch, Arthur Russell, Andrew Weatherall, Adrian Sherwood, Maximum Joy, The Slits, African Head Charge, Mike Oldfield

Volcanic psychedelia, flanger sweep obsessions, monuments in the mountains. The musician, poet and teacher discusses three important albums.

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. worriedaboutsatan, "Crystalline" (Crystalline) 2020 Sound In Silence 2. African Head Charge, "Dub for the Spirits" (Churchical Chant Of The Iyabinghi) 1993 / 2020 On-U Sound 3. Mary Lattimore, "Cake" (Cake) 2020 self-released 4. Muhal Richard Abrams, "Think All, Focus One" (Think All, Focus One) 1995 Black Saint / (Celestial Birds) 2020 Karlrecords 5. Promise, "I'm Not Ready for Love" (I'm Not Ready For Love) 1975 New Directions / 2020 Numero Group 6. Cold Beat, "Prism" (Mother) 2019 DFA 7. Mute Forest, "Dance the Spell Off" (Riderstorm) 2020 Lost Tribe 8. Jackie Lynn, "Casino Queen" (Jaqueline) 2020 Drag City 9. Test Card, "The Lost Field Tapestry Network" (Music For The Towers) 2020 Sound In Silence 10. Abul Mogard, "Stumbling Oscillations" (Air Texture Vol. VII) 2020 Air Texture 11. Beatrice Dillon, "Workaround Eight" (Workaround) 2020 PAN 12. HTRK, "Body Lotion" (Body Lotion EP) 2014 Sleeperhold / 2020 self-released * Sendung vom 16. Februar 2020 == Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Ocean Movie by Arthur Russell on Corn (Audika) 4′19″ Peruvian Triangle by The Ray Russell Quartet on Spontaneous Event Live Vol​.​1: 1967​-​69 (Jazz In Britain) 10′33″ That's How I Feel by Sun Ra & His Arkestra on Lanquidity (Philly Jazz) 18′32″ Mahraba by Maleem Mahmoud Ghania and Pharoah Sanders on The Trance of Seven Colors (Axiom) 26′19″ Bird Perspective by Atlantis Transit Project on Music for Dance and Theater (Music from Memory) 32′28″ Part 7 by Bill Nace on Both (Drag City) 35′31″ Timbuktu Express by African Head Charge on Drastic Season (On-U Sound) 40′06″ Lost and Found by Andy Stott on Luxury Problems (Modern Love) 46′32″ Fire Breath by Joanna Brouk on The Space Between (Numero Group) 55′03″ Fragile Well by Ryuichi Sakamoto and Marcus Fischer on Series - Incomplete (monocoastal music)

With this episode we bring you a playlist curated by Jung Sing of the band Silent. Jung's Sad Punks mix includes songs by Philip Glass, Raime, Troller, African Head Charge, Autechre, and Dedekind Cut! As an addendum, we also include a song by Silent, from their 2016 release A Century of Abuse. Subscribe to the podcast on iTunes! Follow us on Instagram! Like us on Facebook!

Solénoïde (04.05.2020) - Cette semaine, Solénoïde vous invite à participer à une mission placée sous le signe du groove et des rythmes planétaires, émission qui pourrait réveiller chez certains d'entre vous des pulsions dansantes refoulées. Durant presque une heure, ce voyage immobile vous emmènera vibrer aux quatre coins des planètes dub, électro, soul et afro-beat. Bienvenue sur le dancefloor rétro-futuriste du Solénoïde !

Bonjo Iyabinghi Noah In Conversation with Mark "Frosty" McNeillCelsius Drop host,  Mark “Frosty” McNeill, was honored to welcome the Jamaican drummer,  Bonjo Iyabinghi Noah, onto his program this month.  Beaming in from his home in Ghana, Noah traced his musical journey for us, including the origins of his legendary group, African Head Charge. Formed in 1981, the band is a long time collaboration between Noah and the visionary UK producer Adrian Sherwood (On-U Sound). The duo, along with a rotating crew of collaborators, launched the form of dub music into new and innovative realms!On-U Sound has been reissuing a wave of African Head Charge works recordings most recently, Drumming Is A Language (1990 – 2011).In Conversation is produced by dublab. Sound editing and music are by Matteah Baim. Due to rights reasons music from the original broadcast has been shortened or removed. To hear more, please visit dublab.com.

This week's must-hear mix of songs includes a sunny new track from Dirty Projectors, new solo music from Radiohead's Ed O'Brien and several curiosities from NPR Music's striking Viking, Lars Gotrich.Playlist:1. Coriky: "Clean Kill" from Coriky2. Azusa: "Detach" from Loop of Yesterdays3. African Head Charge: "Dub Some More" (Single)4. Ricardo Richaid: "Largado Nu" from Travesseiro Feliz5. Dirty Projectors: "Overlord" (Single)6. Big Blood: "Providence" from Do You Wanna Have A Skeleton Dream?7. Ed O'Brien: "Shangri-La" from Earth

Episode 452: February 16, 2020 playlist: worriedaboutsatan, "Crystalline" (Crystalline) 2020 Sound In Silence African Head Charge, "Dub for the Spirits" (Churchical Chant Of The Iyabinghi) 1993 / 2020 On-U Sound Mary Lattimore, "Cake" (Cake) 2020 self-released Muhal Richard Abrams, "Think All, Focus One" (Think All, Focus One) 1995 Black Saint / (Celestial Birds) 2020 Karlrecords Promise, "I'm Not Ready for Love" (I'm Not Ready For Love) 1975 New Directions / 2020 Numero Group Cold Beat, "Prism" (Mother) 2019 DFA Mute Forest, "Dance the Spell Off" (Riderstorm) 2020 Lost Tribe Jackie Lynn, "Casino Queen" (Jaqueline) 2020 Drag City Test Card, "The Lost Field Tapestry Network" (Music For The Towers) 2020 Sound In Silence Abul Mogard, "Stumbling Oscillations" (Air Texture Vol. VII) 2020 Air Texture Beatrice Dillon, "Workaround Eight" (Workaround) 2020 PAN HTRK, "Body Lotion" (Body Lotion EP) 2014 Sleeperhold / 2020 self-released Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Je vous raconte pas tous les détails de ma semaine. Mais ça n'a pas été tout a fait facile de vous livrer cette émission. Mais entre deux trains, j'ai tout de même réussi à trouver le temps de vous dénicher neuf nouvelles perles qui devraient vous occuper au moins jusqu'à la semaine prochaine.On ira à Strasbourg tout d'abord pour découvrir les Cheap House.Et puis, on ira ensuite voir ce que devient Sébastien Tellier plusieurs années après Pepito Bleu.On se délectera aussi de ce nouveau projet complètement jouissif qui mèle rap et rock, j'ai nommé Ausgang.En Angleterre, on ira écouté Ed o Brien et African Head Charge.On ira également au Congo pour écouter Bantou Mentale.Et puis direction des Etats Unis avec Each Other, Mr Elevator, Swmrs et Fidlar

Tracks from releases on Bob's label (Brokers' Tip) and Mike's label (Little Brother Records), plus discussion of UK dub, VA rap, soul, free jazz, and indie rock. Tracks from Post Pink, Nels Cline Trio, LaVern Baker, Sticky Filth, Missy Elliot, African Head Charge, and Gentleman Jesse.

Solénoïde (11.02.2019) - Offrez-vous une nouvelle excursion afrodisiaque ! Cette semaine, Solénoïde va déployer toutes ses ressources pour vous transmettre un nouveau virus musical. En effet, nos ingénieurs ont détecté des artistes contaminés par le virus de l’afrobeat ou de traditions maliennes, éthiopiennes ou touarègues nigériennes...

And we are back for the month of August. The usual array of oddball dancehall and eerie riddims, grime bawlers and Bristol rollers with some full frontal club assault and jungle to keep things lit towards the end. Jump right down our musical ADHD rabbit hole as we scramble and shamble our way through shit new and old from Duppy Gun productions, African Head Charge, Artwork, Tessela, Disrupt, Breakage, Eomac, Aardvarck. Pinch, Shades, Killa P, Stereotyp, Lemzly Dale and a whole shed load more. Tracklisting: Raw Food (Roly Porter remix) - Dead Fader Dem Drums - Chevel Off The Beaten Track - African Head Charge Tehran - Kahn Events Occur In Realtime - Disrupt Channel - Tessela 4 Floors Of Whores - Tzusing Shelleys - Via Maris Dominion - Cadans Moon Obelisk - Eomac Three - Aardvarck Brighter Day (feat Juakali) - Pinch Codeine & Dragon Stout- Chimpo Over - Breakage Pulse X (Blackwax Remix) - Youngstar No Long Talk - Lemzly Dale Hungry - Riko Dan Splatta (feat Fox) -Richie Brains Banman Nah Beg Fren' (Serial Killaz remix) - Turno Dred Bass - Dead Dred RIP (DJ Hype remix) - Remarc Underground Style - DJ Hybrid

Today's Bombshell (Bombshell Radio) Bombshell Radio Lynchland - David Lynch Archivist8am-9am EST2pm-3pm CEST1pm-2pm BSTbombshellradio.comRepeats 2am-3am EST#david lynch #lynchian #wild at heart #chris isaak #joe henry #lynchland #bombshellradioToday, we celebrate David Lynch's most seminal movie, Wild at Heart. Our new selection more or less mirrors the original soundtrack, offering sixteen tales of love, fear and madness. The mix starts with Connie Francis For Every Young Heart, a wonderful tune from the 1963 comedy Follow the Boys (featuring none less than a young Russ Tamblyn). From there it continues with some Rhythm & Blues and Rock & Roll classics, a cover of Johnny Cash Folsom Prison Blues by Firewater, Scout Niblettís acapella ditty ìLulaî, and the aptly titled Bad for Bobby by Big Sexy Noise, a great Lydia Lunch/Terry Edwards (of Gallon Drunk fame) side-project. Lets also mention Treat Her Right I Think She Likes Me, heard during one of the WaHís deleted scenes, or the brooding Far Away Chant by African Head Charge, hidden in the movies soundtrack during Grace Zabriskieís unnerving appearance. We also pay homage to Ornette Coleman with Mugwumps, one of the tracks he composed in collaboration with Howard Shore for the Naked Lunch score. We close this mix with Joe Henrys elegant interpretation of Aura Lee, the traditional American Civil War song that inspired Love Me Tender.01 Connie Francis - For Every Young Heart 02 Firewater - Folsom Prison Blues 03 Warren Barker - Caper at the Coffee House 04 Pepe Deluxe - Black Cadillac 05 T-Bone Walker - Don't Go Back to New Orleans 06 Ruth Brown & Clyde McPhatter - Love Has Joined Us Together 07 Giyo - Are the Animals Gone 08 Scout Niblett - Lula 09 Bo Diddley - Cops and Robbers10 Big Sexy Noise - Bad For Bobby 11 African Head Charge - Far Away Chant 12 Chris Isaak - Voodoo 13 Treat Her Right - I Think She Likes Me14 Southern Gentlemen - Madness in the Dark 15 Howard Shore, Ornette Coleman & The London Philharmonic Orchestra - Mugwumps16 Joe Henry - Aura Lee

Synth jams in the coal shed, collective escape, drum machine rebellion. The Sheffield-based artist discusses three important albums.

1. Bob Marley,  2. Peter Tosh,  3. Toots and the Maytals,  4. Jimmy Cliff,  5. Burning Spear,  6. Bunny Wailer  7. Black Uhuru,  8. Sly and Robbie,  9. Third World,10. Lee "Scratch" Perry,11. I-Roy,12. King Tubby,13. U-Roy14. Laurel Aitken,15. Mutabaruka,16. Culture,17. Big Youth,18. Wailing Souls,19. Desmond Dekker,20. Steel Pulse,21. Prince Buster,22. Scientist,23. Alton Ellis,24. Gregory Isaacs,25. Dennis Brown,26. he Skatalites,27. Harry Belafonte,28. John Holt,29. Linton Kwesi Johnson,30. Jacob Miller,31. Mad professor,32. Aswad,33. Judge Dread,34. The Heptones,35. The Ethiopians,36. Ras Michael,37. Johnny Clarke,38. Pablo Moses,39. The Mighty Diamonds,40. Beres Hammond,41. The Itals,42. Sugar Minott,43. Prince Far I,44. Freddie McGregor,45. Yellowman,46. Max Romeo,47. Linval Thompson,48. Bryon Lee,49. Delroy Wilson,50. Dennis Alcapone,51. Owen Gray ,52. Ken Boothe,53. The Upsetters,54. Tappa Zukie,55. Barrington Levy,56. Inner Circle,57. The Abyssinians 58. Dillinger,59. Justin Hinds and the Dominoes,60. Mikey Dread,61. Derrick Morgan,62. Mighty Sparrow,63. Junior Delgado,64. Eek-a-Mouse,65. African Head Charge,66. Ijahman Levi,67. Horace Andy,68. Augustus Pablo,69. Israel Vibration,70. Junior Reid,71. Johnny Nash,72. Junior Murvin,73. Capelton,74. The Tamlins,75. UB40,76. Andrew Tosh,77. Trinity,78. Millie Small,79. Jackie Mittoo,80. JC Lodge,81. Al Campbell,82. Lucky Dube,83. Roots Radics,84. General Echo,85. Johnny Osbourne,86. Pluto 

Be sure to check us out on the Satchel Player! You can download the app from the Apple Store or Google Play Store to follow and support your favorite podcasts. Go to http://satchelplayer.com/ to check it out! You can now follow us on Twitter! @compbeatdown After a week off for the holiday, Bloggy Bonilla and Silent G are back with episode 78 of Comprehensive Beatdown. This week the guys listen to “Crown,” the new project from North Carolina based MC, and recent Roc Nation signee, Rapsody. The intro song comes from African Head Charge's “Return of the Crocodile,” the recent collection of previously unreleased tracks from 1981-1986 released by On U Sound Records in London. The outro song is from letherette's newest album, “Last Night on the Planet.” Send any questions/comments/suggestions to comprehensivebeatdown@gmail.com Follow us on Twitter! @compbeatdown Like us on Facebook! https://www.facebook.com/comprehensivebeatdown If you want to keep up with an inordinate amount of new music, follow Silent G's 2016 Albums/EPs playlist on Spotify. https://open.spotify.com/user/garrad36/playlist/6nbyqZJoAA1JMrvzbDjjyP Check out Bloggy Bonilla's website to see what he is enjoying day-to-day. http://keyb2lock.com/ As always, follow http://dopemedianetwork.com/ and find the podcast on iTunes and leave a review.  

Listen[audio:http://media.rvanews.com/wp-content/uploads/2012/12/The-Bopst-Show-Wiggly-World-Episode-221.mp3|titles=The Bopst Show -- Wiggly World? -- Episode 221]SubscribeiTunes: The Bopst show podcastEverything else: The Bopst show podcastDownloadThe Bopst Show -- Wiggly World? -- Episode 221— ∮∮∮ —Title: The Bopst Show: "Wiggly World? (Episode 221)"Rating: PG-13 (Adult Situations & Language)Intent: To shove the poles in the holes…Random Richmond Diversion: a mutual agreementRandom USA Diversion: A female professor was taken to hospital after she began to lose consciousness while teaching at the Hellems Arts and Sciences BuildingRandom World Diversion: The banks, Kaupthing Singer & Friedlander and Heritable Bank, went bust during the 2008 financial crisisRandom Image: Skating In A Wiggly WorldRandom Music Blog: Dancing AstronautRandom Bopst Show: The Bopst Show: “Kicksville (Episode 123)Glen Beck is funny:http://www.youtube.com/watch?v=W196uHCVPQkConstruction Date: Monday December 10th, 2012Equipment: Mac G5, Free Audio Editor & Recorder Software from Audacity, Frontier US-122 USB Audio/MIDI Interface, Shure SM57 MicrophonePosted: Monday December 10th, 2012Artists and Groups in order of appearance: Gene Wilder, Big Daddy Kane, Charles Mingus, African Head Charge, The Possum Hollow Boys, Brand New, RPG, Lonnie Johnson, Boogaloo, Super Hi-Fi, Matthew E. White, Rattlemouth, Devo, Trouble FunkLiner Notes God made the Idiot for practice, and then He made the School Board. Mark TwainHere are some shows I’m hustling at Balliceaux this week...NEXT NEW SHOW: 12/17/12New show times. The Bopst Show airs Sundays, 11PM and Tuesdays, 6PM (EST-USA) on KAOS Radio Austin.Until Next Time:Stay clean,BOPSTHo there, reader of RSS feeds! Do you ever want to support RVANews in a real and tangible way? Or at least pay a small penance for reading ad-free content? If so, support us on Patreon for a couple bucks a month!

Anoraks Tom Bonnett, Alex Burnard and Alex Lawson get the microphones sizzling with a festive special for Shoreditch Radio. The musical fanatics pump out a stocking with no filler in sight including an exclusive interview with Daddy Ad and Earl Gateshead of Trojan Sound System, the men who bring the Trojan Records reggae sound to clubs around the world. Some top tunes from 2012, the silliest stories of the year and a catch-up with adventuring Anorak Cyril are tied up in a bow by Sidiki, Cat Power and African Head Charge in what is obligatorily described as a Christmas cracker. See acast.com/privacy for privacy and opt-out information.

IDM flows this week on the HSS. Vector Lovers, and Sleepy Town Manufacture start the show with their glitchy, chopped beats and layered melodies. Tycho opens the space a bit with their driving bass, ambient grooves and we hear some new stuff from Yppah. Cheju takes us into some glitchy idm dubness and Auditory Canvas delivers on their bass heavy melodic track Spring Rain. The legendary Lee Scratch Perry gets his say and On-U Sounds' African Head Charge play their classic Hold Some More. We come back to the beginning and finish the show near our starting vibe with the glitched out groovy ambience of Australia's Thrupence. Tracklist: Vector Lovers – Far Side Of The Tracks Sleepy Town Manufacture – Don't You Miss Me? Tycho – A Walk Yppah – Paper Knife Cheju – Pachinko Auditory Canvas – Spring Rain Sense: Orteip (Sense Remix) Lee Scratch Perry – African Head Charge In The Hackney Empire African Head Charge – Hold Some More Thrupence – Voyages

A real journey this week as we kick off with a couple of Lee "Scratch" Perry versions of Bob Marley tunes, followed by some Yabby You grooves. Classic reggae all the way. The vibe amps up with Brian Eno & David Byrne's "Regiment" - off one of the first albums to heavily use samples as lead vocals. Is there anything Eno didn't pioneer? The assault continues with African Head Charge leading the way. Part two sees us taking the vibe down several notches as we enter the heady atmosphere of synths and soft flutes via Schpongle's "Flute Fruit". An Oud Improvisation running through some heavy reverb floats us across the musical ether as we slowly build up a groove and bounce our way to the finish, ending the set with an onsite recording of an Islamic call to prayer. Tracklist: Lee Scratch Perry: I Am A Madman Lee Scratch Perry: Pirates (Black Plastic) Yabby You: Deliver Me From My Enemies Vivian Jackson & The Prophets: Run Come Rally Brian Eno & David Byrne: Regiment African Head Charge: Dervish Chant Schpongle: Flute Fruit Naseer Shamma: Oud Improvisation Mad Sheer Khan: Concrete Sunblock Eat Static: Panspermia Grant Wakefield: Call To Prayer www.HoweSoundSystem.com