Podcasts about Bentleys

*Live show tickets available now* SPANKIE MUTHATUCKIN' JACKZON joins Sam to roast these Sydney Housewives this week, and gerrrrl, hold my drink. It may be balmy in Palmy, but a storm is brewing across Queenstown, ready to ravage our ladies on their ultimately sad girls trip. Montano is in more hats, with more horses and reversing more Bentleys and Caroline is sick of Kate's refusal to find the love.  Sam and Spankie also get stuck into the cast of RuPaul's Drag Race Season 17.Follow The Cringe is Real on Instagram, TikTok & Bluesky. 

It's the season finale! This week, for the last time until the Summer months, John Marcar, Amy Heynes, Miles Lacey, Charlotte Vowden, and Alex Goy bring you a round table podcast episode to end yet another busy season of The Driven Podcast.In this week's chat, Amy shares stories of photographing MGs and hanging out with musicians, Charlotte has been driving a new car up and down the country, Alex has unveiled a new Morgan, Miles has been on a track day in a 911 Racing Car, and John is now a Ferrari racing driver. PLUS - we address your listener's letters, questions and talking topics with some frankly alarming tangents._______________________________________________The Driven Podcast brings you motoring-focused discussions, observations from the automotive world, and interviews in which we explore our guests' careers, exploits, and anything else worth discussing.We will also keep you up to speed with the latest automotive news stories and insights into the cars and motorcycles we're reviewing at Driven. Find yet more content on our website, YouTube channel and social feeds, which are readily available to explore via the links below.The Driven Podcast is a Paramex Digital Production hosted by Motoring journalist, producer, and presenter John Marcar, Legendary Photographer and Classic Car restorer Amy Heynes, Professional Racing and Precision Driver Miles Lacey, Journalist and presenter Alex Goy and Journalist and broadcaster Charlotte Vowden PLUS the occasional special guest host.Website: driven.siteYouTube: @driven.videosInstagram: @driven.siteSeries Executive Producer - John MarcarAudio Producer & Title Music - Tom KentTo find out more about Driven and The Driven Podcast, please visit driven.site and find us on social media by the same name: @driven.siteTo contact the show, email us via podcast@driven.site© 2024-2025. All rights reserved. Driven and the driven logo are registered trademarks of Paramex Digital Limited. Other brands or product names featured within this podcast or associated media are the trademarks of their owners, respectively. Hosted on Acast. See acast.com/privacy for more information.

Of course we all love to buy products that are tailored to our specific wants and needs, but the idea of a truly one-of-a-kind vehicle seems almost impossible.But British automaker Bentley is going bespoke to the point of excess, and the automaker has recently announced that it can now offer enough configurations to create a uniquely custom Bentley for every person on earth. And then, every person on earth again. Then, again. 

This week JHen talks about the time he almost got jumped in front of Jokesters and witnessing a beatdown outside of Bentleys.

Today's episode is packed with everything from luxury cars to childhood trauma. We discuss the Carhartt Edition Dodge 1500 and how Carhartt has been hijacked by hipsters. Nick shares a tragic tale of being bitten by an old horse, while Hunter talks about a client's insane Bentley collection—and the mystery cars hidden under covers. We also debate the true cost of EV charging (spoiler: it's not as cheap as you think) and why flying cars will never happen. Plus, we break down the WEC racing series and its F1 connections before Nick assigns new nicknames and mascots for every F1 team. Don't miss this one!

On this week's Keepin It Real, Cam Marston has just returned from a few days in Fort Lauderdale. It's a different world down there, Cam says. One that he might have envied at one point in his life. ------ My wife and I returned from Ft Lauderdale Saturday. We were there for a corporate event where I was giving a speech. My client generously offered an extra couple of nights in the host hotel and our room was on the 26thfloor overlooking the Atlantic Ocean. I watched the sun rise each morning as I sipped coffee and read. It began as a faint glow on the horizon to a disk coming out of the water. It was nice. My wife and I haven't had a chance to do things like that recently. Now that the kids are older, we're trying to take advantage of them. As we left to go on our trip, we told our kids to please not let us find the house in ashes when we returned. We felt that was reasonable. And it was in pretty good shape when we got home Saturday. South Florida is quite different from South Alabama or, I suspect, most of Alabama. And I guess saying that is simply acknowledging the obvious. I counted five or six different Ferraris which I rarely see around here. I think they're beautiful. There were lots of Bentleys. There was lots of jewelry on everyone. Lots of senior citizens on the boardwalk late in the afternoon walking together, riding bikes, sitting and visiting. Lot of accents. Lots of people speaking Spanish, and what I think was Russian. Guitar players up and down the boardwalk, busking and playing music they hoped would catch the senior's attention. My hope for my wife and my trip was to create not a bucket list for the two of us, but a reverse bucket list. Not a list the things we wanted or wanted to do. I wanted us to create list of the things we could do away with. What we could do to simplify. I've said it many times to my wife and kids – we could probably get rid of half of the things we've accumulated over the nearly twenty years in this house and never miss them. If you've lived in the same place for a while, you can probably relate. How and why did we get this stuff in the first place. And why do I have such a hard time getting rid of it. I look at all those things those people in South Florida had, especially the beautiful cars, the jewelry, the magnificent beachfront homes and thought “Wow. That's beautiful. I'm glad I don't want it.” And that's a 180 degree shift and about face from the way I once was – I wanted the stuff, the houses and the cars. Today what excites me is getting rid of the stuff I have. And m y wife is kinda there, too. It's a part of our journey together of what we want for ourselves from here on out. And what we want will change. Likely many times. Ironically, though, as I say this my wife and kids have asked for my Christmas list – more things I want which includes, partly to my shame, a top hat. Do I need a top hat? No. Do I want a top hat? Yes. In a few years will I wonder why I have it and why I struggle to give it away? Absolutely. I think maybe I've identified the problem. I'm Cam Marston and I'm just trying to Keep It Real.

Ferrari's, Bentleys, Jaguars, maar ook Volkswagens of Kia's: als curator kun je ze zo maar tegenkomen in boedel (geleaset of in eigendom) en dan moet je die natuurlijk te gelde maken.

Ferrari's, Bentleys, Jaguars, maar ook Volkswagens of Kia's: als curator kun je ze zo maar tegenkomen in boedel (geleaset of in eigendom) en dan moet je die natuurlijk te gelde maken. Een partij die dit geregeld doet voor curatoren is BCA Group. Het bedrijf is de grootste autoveiler van Europa. In tien landen veilt het bedrijf per jaar 1,4 miljoen auto's. In Nederland gaat het om zo'n 70.000 auto's, waarvoor BCA 300.000 taxaties per jaar moet laten uitvoeren om te zien of een veiling überhaupt zin heeft. Iede Aukema is al 16 jaar directeur van BCA en tekende zijn arbeidscontract vlak voordat de kredietcrisis uitbrak. Kort daarna deed hij de veiling van de 285 auto's van de failliete DSB Bank van Dirk Scheringa. Hoe werkt het veilen van auto's uit een failliete boedel? Klopt het dat de mooiste auto uit het faillissement altijd van de bestuurder is? En hoeveel kreeg BCA voor de Mercedes E320 waar voormalig DSB-topman en oprichter Dirk Scheringa waarschijnlijk in rondreed? De antwoorden op die vragen en nog veel meer, hoor je in deze aflevering van Onder Curatoren. Onder curatoren Niet elk ondernemersavontuur eindigt met een notering in de Quote 500, niet elk bedrijf overleeft een flinke crisis, niet elke onderneming weet het financiële spel goed te spelen. En als alles misgaat, als de chaos regeert en schuldeisers aan de poort rammelen, dan breekt het tijdperk van de curator aan. In de serie ‘Onder curatoren’ praten financieel journalisten Elisa Hermanides en Thomas van Zijl over faillissementen en alles wat daar verder bij komt kijken. Redactie: Jochem Visser / Vormgeving: Gijs Friesen en Connor Clerx / Audiobewerking: Wesley Schouwenaars / Artwork: FDMG | Milja Oortwijn / Eindredactie: Elisa Hermanides / Met dank aan: Wendy Beenakker en Sharine de Rooij See omnystudio.com/listener for privacy information.

In this episode of The Music Rewind Podcast where we sit down with indie-pop musician Rauly! A deep dive deep discussion into Post Malone's groundbreaking 2018 album, "beerbongs & bentleys." Discover the stories behind the tracks, Rauly's unique insights, and why this album remains a fan favorite.  Season 4 — Episode 9 Album: beerbongs & bentleys Artist: Post Malone Year: 2018 In this episode of The Music Rewind Podcast, we're thrilled to welcome Rauly, an indie-pop musician known for his unique sound and dynamic stage presence. Rauly has carved out a niche in the indie music scene with his heartfelt lyrics, catchy melodies, and innovative production techniques. With a knack for blending genres and an ear for captivating hooks, Rauly brings fresh perspectives to the discussion. His deep appreciation for music, combined with his artistic insights are highlighted in his recent EP Your Love.   Your Love - Music Video: https://www.youtube.com/watch?v=0zwzM3mpIKA Rauly's Website: https://linktr.ee/notrauly Follow Rauly in Instagram: https://www.instagram.com/notrauly/  —--------------------------------------------------  Music Rewind Show Survey: https://form.jotform.com/242955276802160  —--------------------------------------------------  Want to start your own podcast? Music Rewind and Podbean can help.  https://www.podbean.com/sidereal  —--------------------------------------------------  Buy Me A Coffee: buymeacoffee.com/musicrewind     —--------------------------------------------------  Useful Links for Music Rewind Music Rewind: All Episodes - https://www.musicrewindpodcast.com/listen Music Rewind Treasure Hunt - https://bit.ly/MixCD_Treasure_Hunt  Music Rewind Selects: A playlist of select tracks from albums covered on the show. - https://bit.ly/MusicRewindSelects    Music Rewind Patreon Early access to future episodes - https://bit.ly/MusicRewindPatreon  Discover our sister podcast, Cinema Decon, deconstructing the movies of the 80's, 90's and 2000's. www.cinemadecon.com  —--------------------------------------------------   “No ownership of music material. All credits go to its rightful owner. Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair Use is a use permitted by copyright statute that might otherwise be infringing. All rights and credit go directly to its rightful owners, no copyright infringement intended.” #TheMusicRewindPodcast #Rauly #PostMalone #BeerbongsAndBentleys #IndiePop #MusicDiscussion #PodcastEpisode

The guys open the podcast welcoming Edgar Zuniga from News Across the Galaxy to the show, and get to the nights beers. They then discuss the upcoming playoff match up between the Loons & the Galaxy. They talk about how the teams got to this point in the playoffs, what players they think will have the biggest impact, how they would feel about their team if this was the final game of the year, and make predictions for the match. After Edgar departs, they talk a little MN soccer history, and finish up with a story about a fake bear damaging luxury cars in LA.

Apologies for the gaps in Hat Chats recently, a lot of 'life' stuff has come up and we're trying to get back on track! Thanks for your patience, it means a lot to us! The Hat Chat Podcast consists of a trio of comedy entertainers who run a YouTube channel called 'Hat Films' Ross Hornby, Chris Trott and Alex Smith make up the three voices you'll hear chatting about absolutely anything and everything. No holds barred! E-mail questions and fingles to This podcast may include strong language and topics of a sexual nature. Thanks for listening to our ramblings, check out our Twitch streams at http://www.twitch.tv/hatfilms and https://www.youtube.com/hatchat Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fr. Gee suggests that we be more concerned about the condition of our heart than how others perceive our righteousness.

Episode 261: Technology is supposed to make our work easier but we are not always smarter about how we work. IT expert Brian Scott of Clear Tone Consulting is back for another fun discussion on technology for associations and this time we are talking Automation. To have a solid tech stack that serves the needs of the organization we need to practice system oversight and conscious decision making. However, it's people using those tech stacks so we need to be aware of Shadow IT, aging systems, technical debt, process debt, and Oompa Loompas driving Bentleys. That last phrase relates to artificial intelligence - find out how by listening to this conversation that will help you de-stress when it comes to your system management! What gets in the way of you working smarter? Share a comment! --- Support this podcast: https://podcasters.spotify.com/pod/show/cecilia-sepp/support

Chuck and Ann Bentley argued for many years about finances. But when Chuck repented of his love of money, their marriage began to thrive. The Bentleys will share 7 Keys to help you get on the same team with your spouse, financially and spiritually. Also, have you ever wondered what heaven will be like? What if you could get a glimpse? John Burke relates stories from people of all walks of life who have had near-death experiences. He shares their reports of a beautiful, light-filled place where they encountered Jesus. Discover the comfort and hope of the eternal life that God promises us. To support this ministry financially, visit: https://www.oneplace.com/donate/776/29

Chuck and Ann Bentley argued for many years about finances. But when Chuck repented of his love of money, their marriage began to thrive. The Bentleys will share 7 Keys to help you get on the same team with your spouse, financially and spiritually. To support this ministry financially, visit: https://www.oneplace.com/donate/776/29

In this episode of Didaché, Justin Peters critiques Kenneth Copeland's recent remarks at the Southwest Believers Convention, highlighting his focus on luxurious possessions like Breitling watches and Bentleys. Peters condemns Copeland's exploitation of the sick and vulnerable for financial gain, exposing the false promises of healing through monetary seed sowing. He passionately calls for repentance and adherence to true biblical teachings, warning of the spiritual danger of following such false prophets.Cessationist Conference➡️ Click here to find all of Justin's essential links.

In this episode of Didaché, Justin Peters critiques Kenneth Copeland's recent remarks at the Southwest Believers Convention, highlighting his focus on luxurious possessions like Breitling watches and Bentleys. Peters condemns Copeland's exploitation of the sick and vulnerable for financial gain, exposing the false promises of healing through monetary seed sowing. He passionately calls for repentance and adherence to true biblical teachings, warning of the spiritual danger of following such false prophets.Cessationist Conference➡️ Click here to find all of Justin's essential links.

Slushies, waves abound in this lively discussion of a poem by Martha Silano and two more by Jane Hilberry. The way stream of consciousness can crest and fall, sound waves, the missed and caught waves in real life (including runs of luck or the lack of it), not to mention the different ways in which we experience poetry– the gang rides wave after wave. We regularly find that our process of reading poetry aloud causes one or more of us to experience a poem anew. Sometimes it provides clarity that wasn't there when it was confined to the silence of the page. Sometimes it brings up questions. As always, we were grateful to have the trust of two amazing poets willing to share our discussion of their work. (We were going to call this episode “In Bed with Marion & Kathy” and we'll let you find out why by having a listen!)   At the table: Kathleen Volk Miller, Marion Wrenn, Jason Schneiderman, Angelique Massey, Lisa Zerkle, Dagne Forrest, Vivian Liu (sound engineer) Martha Silano's six books include This One We Call Ours, winner of the 2023 Blue Lynx Poetry Prize, and available from Lynx House Press. She is also the author of Gravity Assist, Reckless Lovely, and The Little Office of the Immaculate Conception, all from Saturnalia Books. Martha's poems have appeared in Poetry, The Paris Review, American Poetry Review, The Missouri Review, and elsewhere. She enjoys birdwatching, botanizing, and hanging out with her kids and cats. Learn more about her work at marthasilano.net.   The Luck of It   What counts is that my car, when it gets broken into, what's gone  is replaceable, like that leather jacket my friend Alison threw at me  when she left for California. Please take it! (I got a new one for Christmas).   Once, when I left it unlocked, someone spent the night in my Hyundai.  All in all, I was happy to offer a place of refuge, especially on account  of nothing stolen, not the extra pair of socks, not my maroon hat or hand sani,    the only tip off being the empty bottle of Sprite. Sprite! I mean, you're kidding me. My husband jokes how I get so excited  about the crumb that drops on my plate from that giant chocolate croissant    in the sky, tells me I'm like a housefly with a tiny chunk of pizza  it can't believe it's had the good fortune to land on. And look! It's even got a little dab    of pepperoni juice! It seems I set the bar low,  and maybe he's right, though when I ran track,  the field part kind of scared me. In tenth grade, when Suzanne Glester    broke the state record in the high jump,  I could barely keep myself from looking away  as her contorted body landed in a heap on a thick mat    that never seemed thick enough. Honestly,  I'm just glad I'm not the guy on Next Door  who posted about the lonely chicken: I see her wandering around.    Seems like she need another little hen.  Do any of you have one you'd like to re-home?  Or the woman who shared someone's been racing their car    up Juneau. making a hair pin turn onto Seward Park Avenue.  It literally rattles our windows. I'm tempted to respond I feel your pain,  but having rattling windows means you live in a home? I guess what I'm trying to say    is that when two guys were about to kick in  our basement window, I happened to stroll by with a bag  of dirty Huggies for the bin. Yep, a load of dirty diapers saved us.  Jane Hilberry is just weeks into retirement after a happy 35-year teaching career at Colorado College that began with Medieval and Renaissance literature and ended up in Creativity & Innovation. So far retirement involves mostly sleeping and swimming, but she aspires to write poems, paint, and make small objects for sheer delight. Her books of poems include Still the Animals Enter and Body Painting (Red Hen Press) and a chapbook co-authored with her father, Conrad Hilberry, titled This Awkward Art:  Poems by a Father and Daughter (Mayapple Press). Paintings and small objects can be found on Instagram @jhilberry. I might have planned badly   My friends are ga-ga over their grandkids, over the moon!   Pictures on their phones of the toddler pushing the vacuum,  the dog sleeping wrapped around the child.     My god, I was driven.  I translated every word of Beowulf,  working out each noun's case ending, nominative, accusative, genitive,  dative, or a vestigial instrumental.  I spent my twenties    in a library carrel until 2 a.m. closing. I could regret it now,  but there was no stopping that one, whoever she was.  Baby, I'm going to be seventy soon, and eighty.    Coastal Cali   At the intersection, a stream of newly washed  Benzes and Bentleys.  A man in a camel coat surveys  a café patio:  "I'm dressed inappropriately,” he says. He's crew for Hollywood Medium.  Against the roar  of leaf blowers, Que tiempo hace hoy plays on someone's radio.  It's breezy, seventy-five.     Meanwhile, at the water,  surfers lift and fall, surge and sink.  The dark triangles  of their heads and shoulders move like fins  in undulating circles, till one rises, twists and vees,  rides the wave into a bloom of foam.     What is this world?  wrote Chaucer, What asketh man to have?  Xanax for the rough days.  I can't identify the flora— Yarrow?  Ice plant? —or remember the gods of the sea. Zephyr? Poseidon?  No one here calls it the sea.

Istanbul police now have some of the world's most expensive sports cars – spoils of seized assets in a crackdown on international organised crime. It's part of Ankara's efforts to escape international scrutiny over money laundering as it seeks global investment. In the heart of Istanbul, onlookers gather around taking selfies of the police's latest addition to its carpool: a Ferrari. City police now boast some of the world's flashiest supercars, not only Ferraris but also Bentleys and Lexuses.They're the pickings of a nationwide crackdown on international organised crime involving narcotics smuggling and money laundering.Turkey's unique geography straddling Europe and Asia makes it an ideal centre for international crime."Turkey is in between the continents. So once you want to transfer a commodity which is illegal, it may be drugs, etc, you must have a step here," says Murat Aslan of the Foundation for Political, Economic, and Social Research, a think tank in Ankara.Gang links"Most criminal gangs in Europe or the United States or South America have links to the ones here in Turkey – and that is why police have started operations, especially focusing on the ones who have warrants or arrest warrants by Interpol."It's a process, and Turkey is currently in the middle of it."Interior Ministry videos show heavily armed police breaking down doors in the middle of the night at luxury addresses usually associated with Istanbul's high society.Vast quantities of cash and guns are invariably recovered. Among those arrested are some of the world's most wanted criminals from Europe, Asia, and the United States, most connected to the illicit drugs trade, underlining Turkey's status as a hub for the European narcotics trade.Last week, Turkish police, with their Spanish and French counterparts, broke up a European Central American drug cartel, resulting in dozens of arrests."According to Interpol and the Turkish police's narcotics department, Turkey has become a transshipment hub for Europe and the Middle East," says Atilla Yesilada, a Turkey analyst for Global Source Partners, another think tank."There are huge amounts of money floating around here." Turkey set on rebuilding bridges with China to improve tradeCrime hubYesilada says Turkey became a hub for international crime not only because of its geography but also because of the government's recent efforts to attract foreign currency to prop up the Turkish lira with a wealth amnesty."Look at our wealth amnesty, bring cash, bring diamonds, we don't really care. Just check it at the border or deposit it in a bank, and we'll never ask questions. This never-ask-questions part is, of course, completely in violation of the spirit of the global anti-money laundering legislation," Yesilada says.Turkish Interior Minister Ali Yerlikaya, at a recent press conference on the crackdown, announced that over 1,000 arrests – including 50 people wanted by Interpol – had been made this year, along with over 3 billion dollars in seized assets.Yerlikaya says he's committed to ending Turkey's reputation as a haven for drug kingpins."Thirty-eight mafia-type organised crime gangs, seven of which were international and 31 of which were local, were broken up," Yerlikaya says."We consider drugs a global disaster in the Turkish century. Our main goal in the fight against drugs is to ensure that Turkey becomes an inaccessible and Prohibited Zone for drugs. We consider drug crime equivalent to terrorism." Turkey cuts trade with Israel but seeks role in resolving Gaza conflictTurkey grey-listedThe crackdown follows the international anti-money laundering organisation the Financial Action Task Force (FATF) putting Turkey on its grey list of countries failing to combat global money laundering."Commercial banks and global funds are reluctant to do business with a country that's still on the grey list because, you know, too many sanctions," warns Yesilada.Turkey's crackdown on organised crime and tightening of its financial controls are part of efforts to remove itself from the grey list and escape its damaging economic impact. Interpol fights crime and controversial image, 100 years on"If we remain on the FATF grey list again, from the top of my head, 20 percent of the institutions that would otherwise be interested in investing in Turkey probably won't be able to do so because of compliance fears," Yesilada says."It is going to be a significant concern when this extensive due diligence work is undertaken, whether to make a particular investment in Turkey."The Turkish government sees increasing international investment as key to solving the country's economic woes, which means the raids on wanted international crime figures seem set to continue, along with confiscating their valuable assets.For the Istanbul police, the supply of fancy cars looks set to continue.

Day by day blow of our trip, these pipes don't fit. These levers make me sad. Ride on the Kanc, Bentleys saloon and will Jim's bike ever not suck?

Spike is driving the Bentley Continental GT Edition 8, the stage is set for Bronco Heritage Limited Edition mods, Jonny is driving the Lexus LX 600 UltraLux, and SCR returns to the Pebble Beach Concours, get your tix now. Plus, the latest car news and the latest Zuckerman News!

Next to music and my dogs, my biggest obsession is cars…I've always been a car nut…i'm one of those people with a list of cars I'll buy when I win the lottery… I'll start with production sports cars…a Porsche 911 Turbo 4 will be my daily driver, although there will be a Lamborghini Uris SUV for those times I need to haul people and stuff…for those summer days, I think a McLaren 750s Spider would be cool… I'll need a car for track days, of course…no one else in the neighbourhood would have a Koenigsegg…I'd probably order the Jekso Absolute…1600 horsepower sounds about right… And just to show everyone that I'm not out to completely destroy the planet, there will be at least one EV…right now, that would be a Rimac Nevera… That's what? Four million dollars worth of vehicles?...not including insurance and maintenance, of course…I'm never going to win that kind of lottery, but it's nice to dream… For other people, though, this is the kind of machinery sitting in their air-conditioned, highly secure underground garages…that includes a lot of rock stars… Eric Clapton is so well-known at Ferrari that the company built him a custom one-of-a-kind model that probably cost him upwards of five million…Neil Peart had a selection of very collectible sports cars from the 1960s, all in silver… Brian Johnson of AC/DC has a bunch of Bentleys, Ferraris, and some classic race cars…same with Nick Mason of Pink Floyd…he's even written a book about this collection… Then there's everything we use in the car to listen to music…radio, car audio, satellite radio, infotainment systems and all that… All this got me thinking about the relationship between cars and rock…the two things go hand-in-hand…I think we should look at this history, don't you? Learn more about your ad choices. Visit megaphone.fm/adchoices

A new Toyota 4Runner is coming and we have a lot to say about it. Adams spotted a Gen 2 Toyota MR2. He likes it, but Steve-0 doesn't. Trauma surgeon Stephan Moran MD talks self-driving cars, starting with the recent Tesla settlement with the family of an Apple engineer who died behind the wheel of a Model X using Autopilot in California, and moving on to active driver assistance systems (ADAS), which he believes should always include driver monitoring systems (DMS). Adams eulogizes the Audi R8, which just went out of production. It was a great car. Steve-0 discusses Mansory, the luxury car personalization company in Germany that takes high end cars like Rolls Royces or Bentleys and "enhances" them with garish colors inside and out and other outlandish embellishments. We hate. #toyota4runner #toyotamr2 #teslaautopilot #audir8 #mansory #mansoryrollsroyce #carsoncallpodcast

En Instagram, Hushpuppi presume un estilo de vida extravagante e internacional. Viste de pies a cabeza con prendas de Fendi y posa junto a Bentleys y jets privados. Sus millones de seguidores lo conocen como el antiguo "Chico Yahoo" —un estafador nigeriano de correos electrónicos— que superó la pobreza y ahora se hace llamar el "Maestro Multimillonario Gucci". Pero sus enemigos, entre ellos varios raperos, quieren saber: ¿De dónde viene todo su dinero?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Alpha Dad Show, the podcast that redefines what it means to be a man, blending the principles of Christian values with practical advice on business, finance, and personal success. Join your hosts Colton Whited and Andrew Blumer as they guide you on an inspiring journey of self-discovery, empowering you to become the ultimate Alpha Dad in all aspects of life.Learn More: www.alphadadshow.com ** Get a FREE book, go to www.alphadadshow.com **Steve Currington, a prominent mortgage banker and entrepreneur based in Tulsa, Oklahoma, holds the position of VP at CrossCountry Mortgage. With expertise in various mortgage types, Currington has established himself as one of the top mortgage originators in the United States. In 2019, Currington combined his passion for Lamborghinis with his online presence, creating the LambroSteve YouTube channel. Through this channel, he showcases his cars and shares his experiences outside of his role in the Tulsa mortgage company. With millions of views, Currington's videos feature private planes, Lamborghinis, Bentleys, and other entertaining content that will keep you engaged.Steve Currington… aka Lambro SteveINSTAGRAM: https://www.instagram.com/lambrosteve/ YOUTUBE: https://www.youtube.com/@LambroSteve FACEBOOK: https://www.facebook.com/stevecurringtonmortgage WEBSITE: www.stevecurrington.com -------------------------------------------

A carpenter becoming a CEO shows how resilience, ambition, and staying true to one's purpose can lead to transformation. In this episode, we have Charlie Fitzgibbon, a former school-goer who initially didn't want to go, who now works as a carpenter and runs a successful construction company, Edinburgh Construction. Today, he shares his journey with us, spilling the secrets to managing growth, overcoming recruitment challenges, picking your battles in the construction industry, and more. Tune in now and hear Charlie's wild ride!

Today, we're diving into the life of Alexander Payne, a man who has always had a love for Noosa. Originally from Victoria, he was a frequent visitor to Noosa, sometimes visiting twice a year for holidays. His deep affection for the area led him to move here for the first time in the 1980s. Now, Alexander lives in Sunshine Beach with his husband, Adrian, and Alexander works as a real estate agent with Reed & Co. He specialises in properties in Sunshine Beach, an area he fondly describes as a place where you'll come across "Beetles and Bentleys". Join us as we explore Alexander's journey, his love for Noosa, and his insights into the unique charm of Sunshine Beach.

Chris Tolman is the founder of Tolman Engineering. Chris has an extensive background in rallying and running race teams and has brought this knowledge into his Peugeot 205 Tolman Editions. From running the McLaren driver development cars to Bentley GT3s, there is a wealth of knowledge. In this episode, we sit down with Chris Tolman, the founder behind Tolman Engineering, to explore the thrilling world of motorsport engineering and team management. From the foundational connections in rally racing to the intricate details of running a race team, Chris shares his invaluable experiences and the skills required to excel in this high-octane environment.Dive into the heart of racing as we discuss the challenges and triumphs of managing the McLaren Driver Development Program, and what it takes to race a McLaren at the highest levels. Chris also sheds light on his diverse experience with racing Genettas, Bentleys, rally cars, and more, revealing the critical differences between road car and race car engineering.At the 28:39 mark, get an exclusive look into "The Tolman 205" project, followed by a discussion on keeping racing ventures economical without compromising on performance. Chris emphasizes the importance of the customer experience in motorsport and outlines the ambitious goals of the Evo project.Wrapping up the episode, we have the 5 questions.Enjoy, Samhttps://tolmanengineering.co.uk/Show Notes:0:00 - Intro4:32 - Connections in rally 6:05 - Skills building on a race team8:19 - Running the Mclaren Driver Development Program 17:33 - Challenges of racing a Mclaren19:26 - Running Genettas, Bentleys, rally cars etc26:21 - Difference between road car and race car engineering 28:39 - The 20542:55 - Keeping it economical48:14 - Customer experience52:55 - The goal of the Evo1:04:41 - 5 questions Hosted on Acast. See acast.com/privacy for more information.

This week the lads talk about headlight dazzling, a luxury Bentley versus a cheap car, and 'morons' who go hooning. Hosted on Acast. See acast.com/privacy for more information.

This is a difficult story, but a powerful one. It's a story of having it all, losing it all and finding the strength to build again, from the very beginning. It's a story of struggle, of grit, of commitment in pursuit of freedom and empowerment for a mother and her three children.When she walked out on her husband with three children in tow, she left behind the private jet, the Bentleys and Ferraris and the gilded lifestyle of a property tycoon. Her bank account was empty and she was left to sleep on a friend's floor and live off 14 pounds a day, with four mouths to feed. What happened next tells you everything about the kind of person she is.Today Geeta Sidhu-Robb is a coach, an author, a speaker and a podcaster. She's the kind of coach who counts A-list celebrities and royalty amongst her select clients. But what really makes her who she is today? Well that's all tied up with the extraordinary journey she's been on.I am deeply grateful that she is coming on the podcast to share her story, what she's learned from her Unlock Moments of remarkable clarity, and how her journey has shaped the person we see and know today.--Geeta Sidhu-Robb: https://www.geetasidhu-robb.com/Activate Yourself podcast: https://open.spotify.com/show/61y3qdeZCwi5vgMAeFEWvx --The Unlock Moment podcast is brought to you by Dr Gary Crotaz, PhD. Downloaded in over 100 countries. Find out more at https://garycrotaz.com and https://theunlockmoment.com

If you were thinking about planting a church, the last place you might consider is Flint, Michigan. It just so happens that Steven and Katrina Bentley followed God's lead and did just that. From their first date at Taco Bell to enjoying grandchildren today, the Bentleys have always sought after what God wanted them to be doing. Even when people around them said they weren't making “smart” choices, they stepped out in faith and were rewarded for obeying God's purpose for their lives. When you listen to their story, you will be encouraged.

What's your favorite automotive coach builder? We're here to discuss just that. (Hint: it's absolutely NOT Mansory.) Leave a comment and let us know if we got it right... There is a special car driven this week by Nick. This particular car combines his love of Volvos, vintage Volkswagens, and absolute randomness. We also have a heart-to-heart about living with mental health struggles and current plans, tools, and treatments that we're using to overcome them. As the immortal Tommy Callahan would say: "Don't run away from your feelings!" Promised links: RUF Yellowbird at the Nurburgring Senna in an NSX at Suzuka Nick's random weekly drive: the VW LT40 Come along with us on this episode. Subscribe. Share. Get out and drive something fun!

Prepare to venture behind the scenes of the Hemi Hideout as we chat with Shelley Gates, the woman at the helm of this automotive sanctuary in Brookshire, Texas. You'll be privy to the meticulous planning and organization required to orchestrate major car events, and gain a new appreciation for the vintage aesthetic that the Hideout is famed for.Then, we'll shift gears and chat with Jeff Dziekan about the exhilarating world of kit cars. He'll be sharing his top picks under $26k, and you'll hear all about the Factory Five Daytona Coupe, the Pilgrim 356 Speedster, the DAX Coupe, the Provo Design Quntas, and the DF Goblin. You'll learn about the various components that come with each kit and how you can turbocharge your engine for an adrenaline-pumping ride. Finally, we've got the Gulf Coast Auto Shield Car Social on the horizon, taking place on December 2nd. You'll witness the finest autos Houston has to offer, from sleek Ferraris to luxurious Bentleys, and you'll have the opportunity to meet fellow car enthusiasts and tour the state-of-the-art facility. Be sure to mark your calendar for this unmissable event, you're in for a real treat!Lupe Tortilla, sponsor Tailpipes & Tacos Lupe Tortilla in Katy, Texas, is host to the quarterly Saturday morning cruise-in!Sponsored by Gulf Coast Auto Shield Paint protection and more!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.---- ----- Want more In Wheel Time Car Talk any time? In Wheel Time Car Talk is now available on iHeart Radio! Just go to iheart.com/InWheelTimeCarTalk where ever you are.----- -----Be sure to subscribe on your favorite podcast provider for the next episode of In Wheel Time Car Talk and check out our live broadcast every Saturday, 8a-11aCT simulcasting on iHeart Radio, YouTube, Facebook, Twitter, Twitch and InWheelTime.com.In Wheel Time Car Talk can be heard on you mobile device from providers such as:Apple Podcasts, Pandora Podcast, Amazon Music Podcast, Spotify, Google Podcasts, Stitcher, iHeart Radio podcast, TuneIn + Alexa, Podcast Addict, Castro, Castbox and more on your mobile device.Follow InWheelTime.com for the latest updates!Twitter: https://twitter.com/InWheelTimeInstagram: https://www.instagram.com/inwheeltime/https://www.iheart.com/live/in-wheel-time-car-talk-9327/https://www.youtube.com/inwheeltimehttps://www.Facebook.com/InWheelTimeFor more information about In Wheel Time Car Talk, email us at info@inwheeltime.comTags: In Wheel Time, automotive car talk show, car talk, Live car talk show, In Wheel Time Car Talk

Dan Prosser and Andrew Frankel discuss the weekend's Sunday Scramble at Bicester Heritage, where The Intercooler displayed a handful of very special cars. They also talk about Max Verstappen's third Formula 1 championship, the high-performance BMWs they're living with and what the £1.6m Bentley Batur is like to drive. The best writers, the finest stories and no ads, all on The Intercooler's beautiful website. Visit www.the-intercooler.com. Hosted on Acast. See acast.com/privacy for more information.

Recorded live at the 2023 Detroit Concours, with special guest Richard Vaughan! == Click here to join the Hagerty Driver's Club: https://bit.ly/Join-HDC-Cammisa-ICONS == This week, Jason and Derek travel to Detroit to check out the Detroit Concours d'Elegance — and of course Jason's first move is to go over to the RADWOOD-Era cars! There's an Alpine V6 Turbo that immediately captures his attention — and then he's distracted with a Ford Raptor-swapped Delorean with 450 hp and a six-speed manual. On closer inspection, and after instruction from Hyphen, there are other fabulous cars. For example, an incredible one-of-400 Series 70 1957 Cadillac Eldorado Broughams, a pillarless, hand-built hardtop coupe with a stainless-steel roof that cost more than a Rolls-Royce. And a Ferrari 250 GT SWB California Spyder, one of the most valuable Ferraris ever. But the true highlight of the episode is a conversation with Richard Vaughan, Jason's longtime friend and storied designer. Richard started his career by designing the original Lincoln Navigator, and most recently worked on the Rivian R1T's interior. But the coolest part about him is his cars: he owns an original Aston Martin Lagonda sedan, several Bentleys and Rolls-Royces, and of course a Sacco-era Mercedes W124 300CE Coupe in Smoke Silver. The Carmudgeon Show was recorded live in front of an audience at the show, while sitting on beautiful and comfortable Recaro chairs — and is part of the Hagerty Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Stephanie Hollman and Trey Stewart discuss mediocre proms, former president sightings, boobs & blue Bentleys, private school co-mingling, mums galore, and a secret story coming soon. If you enjoyed this episode, leave a review and make sure you subscribe! If you want to connect with Stephanie or Trey directly, message them at: www.instagram.com/stephhollmanwww.instagram.com/trey_stewartwww.instagram.com/bsthepodcastSponsor:BetterHelp- BetterHelp.com/WEEKLYDOSE today to get 10% off your first month.If you are interested in advertising on this podcast or having Stephanie & Trey as guests on your Podcast, Radio Show, or TV Show, reach out to podcast@yeanetworks.comProducers: Mike Morse / Madelyn Grimes / Joshua Burns for YEA Networks

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Aaron RennerPost Malone “Better Now" from the 2018 album "Beerbongs and Bentleys" released on Republic. Written by Post Malone, Louis Bell, Frank Dukes, Billy Walsh, and Kaan Gunesberk and produced Frank Dukes and Louis Bell.Personel:Austin Post– vocalsLouis Bell – drum programming, recordingAndrew Watt – guitarManny Marroquin – mixingCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:The Rolling Stones

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Aaron RennerPost Malone “Better Now" from the 2018 album "Beerbongs and Bentleys" released on Republic. Written by Post Malone, Louis Bell, Frank Dukes, Billy Walsh, and Kaan Gunesberk and produced Frank Dukes and Louis Bell.Personel:Austin Post– vocalsLouis Bell – drum programming, recordingAndrew Watt – guitarManny Marroquin – mixingCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:My Morning Jacket “Off the Record”Fleet FoxesMotley CruePoison “Every Rose Has Its Thorn”White SnakeBon IverTaylor SwiftKanye WestWar and PeaceNotes From the UndergroundDostoevskyThe BeatlesPaul SimonJimi HendrixThe Grateful DeadBeyonceAretha FranklinTankJonathan DavisKornThe MatrixPhishNeil YoungBob DylanBruce Springsteen “Born to Run”David Byrne “Psycho Killer”American UtopiaSleep Token311Post Malone “Sunflower”Post Malone “Circles”Beverly Hills 90210The OCWednesdayBloodsportJean Claude Van DammeJustin BeiberCamilla CabelloLordeThe WkndMigosJustin BeiberLil DickyWeezerGreen DayOasisGnarls BarkleyCee LoFleetwood MacRick Astley “Never Gonna Give You Up”BlanksThe StrutsCaleb Lee HutchinsonLow Fi Fruits Music, Chill Frutis Music

Prepare to journey into the heart of the Hip's 2009 album, "We Are the Same." This week, we're pulling back the curtain on an album that made fans wait an extra year for its release. We're not just talking about the music; we're delving into the nostalgia, the reception, and the adventure of listening to this collection of songs. TracksMorning Moon - Studio versionThe Last Recluse - Montreal 2009The Depression Suite - San Fransciso 2009Frozen in my Tracks - Syracuse 2009TranscriptTrack 1:[0:01] For the first time in over 20 years, hip fans had to wait longer than two years for new material. It was three years after we got World Container that Bob Rock came down from the mountain with the Stone Tablet Masters of what appeared to be a campfire album called We Are TheSame. Although it launched with a cool promo, the hip, performing live at the bathhouse, beamed to cineplex theaters across Canada, and it debuted at number one, I have absolutely no memoryof this album entering the zeitgeist. In fact, I could tell you that only Love Is a First made it to my ears before the Fully and Completely podcast. My first full listen of this album was followed by a visit to the grocery store where I bumped into my co-host Greg, and I remember us casually throwing around terms like milk toast andbeige when describing what we were getting into with this springtime release. What followed though is something amazing and it's something only music can truly do. [1:05] You see, I gave this album its due and by that I mean a good solid listening session. On walks, at my desk, on my patio, the beige started to turn into a kaleidoscope of colors and shapes. The album was making me feel nostalgic for my 1977 El Camino. I could envision loading up the back of this hog with camping gear and taking this record to the cottage for the May long and listening to nothing but. Yes, I had become a fan of We Are The Same. Today it's an album I reach for when I feel wistful and I want to reminisce with my past. I adore Morning Moon and the Depression Suite, but the deeper cuts do it for me too. Will the love that Pete and Tim felt on the Bob Rock produced World Container spill over onto this record, or will their first experience be like mine? We're here now, so we may as well be getting hip to the hip. Track 4:[2:31] Hey it's JD here and welcome back to Getting Hip to the Hip. I'm here every week with my friends Pete and Tim and what we do is we talk about the Tragically Hip one album at a time week over week trying to understand what it's like to hear thisband for the first time again. Pete, Tim, How the fuck are you guys doing? Ola, como estas? Buenas tardes. Bueno, bueno, bueno. Los fanes de Tragically Hip. That's how they would say it here. I'm not culturally appropriating. That's how people talk here in Spain. In Spanish, you mean? Yeah, yeah. And they wouldn't change the name of Tragically Hip. hip, they would just say tragically hip, just like they say. See, see, see. Cloud, cloud, or cloud, or cloud. I don't know where he's went to, but there was a guy on Facebook. He's in the Facebook group. And his name is Luca Tadia, I believe. And he's Italian. And he discovered the hip out of, he's an Italian, he's in a band. He's a singer-songwriter. [3:47] And he was at a really low point. And he discovered the hip. And he, he really feels so strongly about them that he's rewritten, rewritten. [3:59] The lyrics like transcribe, like not transcribe them. What word am I looking for? Translated them, but in many cases he's had to write his own because there's so many turns of phrase he's, he's having to write like his own sort of stuff, but, but to fit in the melodicstructure and then, you know, he, he alters the melodic structure a little bit, but he's released a whole whack and he's coming out with a record and everything, but I haven't seen, I haven'tseen anything about him in a while. So what a fucking surface, Luca, come back to it. I'll point out, I'll send some stuff to the thread later this week, but, um, I'm getting way, uh, way caught up in the weeds here because we're here to talk about a record we're here to talkabout, we are the same, uh, released in 2009, which interesting tidbit. This is the first time that a hip band had had to wait more than two years for a record since the band emerged in 1987. They had to wait three years. So it was 2006, then 2009. Was that the longest three years of hip's lives? Or what was going on during that time? I'm guessing the diehards were losing their minds. Yeah. Are they breaking up? What's going on? Like, Gord was doing solo stuff. Rob Baker was doing Stripper's Union in 2005. So he might have toured Stripper's Union in 2006. [5:22] I don't know, they did their usual stuff, but they, like, to my... [5:28] To my knowledge, they, I mean, the record still opened at number one, um, for the week that it was released, which was consistent with what the hip had been doing. I think they had eight in a row or something like that, but they just weren't part of the zeitgeist, you know, they weren't part of, or maybe it's just, they weren't part of my zeitgeist. That, that might be it. Uh, they, they might've been, but, but I feel like if they were as big as they were in 96 in 2009, then they would have never fell off my radar, sort of. And it wasn't that they fell off my radar. They, I just started listening to other music. I just, you know, I- Were you aware of their whole, their whole bathhouse performance at the end or before the release? Like they played at the bathhouse to, they played a show? I would have lost my, like, I would have lost my mind. So I, yeah, I don't, I don't know. [6:24] It was just out of my reference point. Yeah, so I read that they played at the Bathhouse and it was screened, I guess, at Cineplex Theatres across Canada. It's like, these guys were, you know, celebrating for sure. Do you know what Cineplex Theatres owns? One of the things they own is a branch of places called the Rec Room. And one of the Rec Rooms is in Toronto, where we're going to be hosting our event. And we hope you all make it. Get out of fucking town. Wait, what's this event? What are we doing? [6:59] Come on be on board I hate the pull it out game That's gonna be a fun night. I just can't wait. That's gonna be a real fun. Oh, don't lie Jay Jay D Your pull-out game is great. [7:15] Oh my gosh He's got like 12 pockets on his outfit right now he's pulling shit out of her. Oh man. Yeah, I know, the event's going to be great, tickets are selling through, so get themwhile you can. Hit them quick. Get more information on our Twitter feed or send any of us an email, JD, Pete, Tim at gettinghiptothehip.com you can do all of that and more. So let's get into this Bob Rock produced record. This one's recorded entirely at The Bath House, which is a stark contrast from World Container, which was recorded at a big studio in Vancouver and a relatively large studio in Toronto. This was now The Hip on their own ground. I feel like as a result of that we get a very different sounding record. It's got like the nuances the nooks and crannies that the bathhouse records are sort of becoming famous for but it's still like holy shit is this record produced. Like it is depending on what side of the fence you're on it's either intricate or too busy you know like in terms of some of the arrangements. [8:34] The general, I don't know, gist of it that I was kind of reading about is a little bit of a love-hate. I don't know. I also read that that extra year they're waiting for Bob Rock to returnfrom a carnival cruise. Like a really extended long carnival cruise. Oh, wow. That's boggers. That's my joke right there. Oh, okay. Oh, yeah, I got that, it took me a second. Yeah, me too. Sorry. We'll dial it in, we'll dial it in in post. I'll test my new editing tools on that one. Punch up the laughter. Okay. No, I really, I read a bit about this album. It is very much highly produced. I feel like it's, the all music reviews, three stars. Yeah. Which is lower, you know, by at least half a point than usual. And one term they used about it was a creative bankruptcy. Like, they pulled out all the stops. All of the stops for this album and tapped the tank. So I thought that was a pretty fucking harsh review. That's very harsh. Considering three years, man. Yeah, no, no, don't be sorry. I just, I don't see that it's, it's, yeah. [9:59] I like this. I like this record. I'll tell you guys. I didn't. The first time I heard it, did not. So I was the same. Yeah, yeah. Let's hear about your experience listening to the record. I was kind of the same. I listened to it. Well, I listened to parts of it. I couldn't sit through it all thefirst try. It was like, I don't know, it was like reading a series of books and getting to the next book and it's like, oh my gosh, this book's going to take me forever. That's what it just felt like to me and finally got through it. I'll say finally. [10:32] And wasn't so sure, but you know there were songs, I'll just say that there were songs that grew on me after repeat listens and I and I got to a point where I thought I could see howhip fans either embraced the whole trajectory of the hip and continued to absolutely love this band and I could see how some hip fans were like Like, what the fuck? When are we going to get this Bob Brock guy out of here? Yeah. Because, I mean, I feel like that's still, I don't know, still a thread going through it. So yeah, that was my take. Listened to it kind of everywhere. [11:11] I just, I gave this album some real attempts. But I listened to it also, I think, less than other albums in general. Okay. Pete? You know, I say we get into it cause I got a lot to say about the, you know, the record as we go. And I'll leave my comments to the record as we move on. Okay, well then kick us off here. Let's start right out with Morning Moon. I mean, I thought it was, I thought it was, let's see. It definitely a different tone to begin the record on with the acoustic vibe, the melody was really cool. I was surprised by the strings, but as we'll talk about as we go on here, the strings become a thing. Hey, that's a good way of putting it, Tim. [12:12] There's a really cool country lick with the electric guitar, I like it. Chorus is catchy, heavy harmonies, twangy guitar. I got some, I got some like a little bit of Eagles vibes on this too. Sure. Clearly hear it. My note that I, my note I wrote down was, it's got an AM radio chorus. Yeah. Yeah, totally, totally. But, but. In a good way. Yeah, in a good way. But I wasn't like, I wasn't like, ah, ah, fuck. This is, yeah. I mean, this is not... [12:49] This is not music at work. This does not grab you by the balls and punch you in the face and then throw you down the fucking hill. It doesn't do that. [13:02] Not to say that I want that, but yeah, interesting start. That's all I'll say. Track one. We'll go there. We'll talk about Bob Rock as we keep going. Oh, Bobby, I thought, you know, this is an interesting start as well. It's got this country rock ballad, you know, it's like, are we jumping into a good condition 90s Chevy Suburban driving through Nashville in this one, like heading to the barbecue place? I don't know. But it also felt like, you know, I was listening through and I also thought this is so singable and it's kind of lovely and it's balladish and And it feels a little country. There's slide guitar. There's some, I don't know, cello or something that comes in. There's strings happening. And then I thought, I could rewrite the lyrics of this song and play it for anybody, and they would like it. I could actually turn this into a country music song. Or you could turn it into, dare I say, a Christian rock song. It just felt really mainstream, stream kickoff song to this album. It was like beautiful. Yeah, it's beautiful. And I like dug it, but it felt like programmed, I felt kind of programmed. [14:26] I would never suggest rewriting Gord Downie lyrics. I agree. But the music merited a feeling of, this could be a song played on different types of radio stations. It just, yeah. I wanted, you know, the kickoff on an album for me, it's got to be gripping. And it puts you in the seat. And you put on your seat belt. And you go. And this one was like, OK, what's number two? [14:56] Which, before we get into number two, honey, please, which, from each of you, song would you have used to kick off the record if you were sequencing the record? Is there a song on there that does that, that throws you down the hill, or grabs you by the throat? I know which one I would not, out of all of them, but I'll take it. It's a good question, but to be honest with you, I feel like this record, there are songs on. There's even notes that I'll say when we get into other songs. I feel like there's songs that don't belong in this record. Gotcha. Yeah, it's hard to say. I mean, they kicked it off the way they kicked it off. And I think it's, you know, you can't argue with what's been done. And I can't make their fucking decisions. But yeah. Yeah, I don't know. That's a tough question. It's a good question, but I can't answer it, JD. All right, honey, please. Oof. Here's another one I thought that kind of had this R.E.M. feel. I have East Street Band written down. OK. I also had. The beginning just reminds me of that piano lick at the beginning. Just reminds me of Springsteen. [16:08] It just feels like it's going into a Springsteen song. OK. This one, it somehow made me think of the band Big Country. I think they were, where were they from? Were they Scottish? I don't know. It just, Gord comes in softly, you know, I kind of felt like, oh, I wonder if they do this one live and he's angrier. Like it just, it just, I felt like there was a shift that wasn't in this song. Like it just felt like a great radio song, but at the same time. It was also playing in the ceiling speaker system when I was in Vancouver, BC getting my teeth cleaned. You know, like it just, it was really, it like, it was like I couldn't figure out what it was. It was that, or it was almost a wedding song. Like I couldn't figure out what this song was supposed to be. I just, it just kind of stumped me. It was good and sing along and everything, but it was also like, where are we going? I know, it's hard. This is that song, this might be the album that got kicked in the balls at the show on September 1st. Somebody might just walk up and kick me in the balls. Oh, there are big fans of this record. This might be that album. I'm wearing a cup, dude. [17:33] On Amazon, like, no fucking way. I'm wearing a mouth guard. I'm wearing a wig and I'm going to have like a voice modifier on my throat. I can just set you guys up behind the screen like so nobody can see you. You know, one of those things like silhouette. The old cage. You remember like watching fucking Roadhouse where the band played behind like a fucking like a chain link fence. And that band was? Jeff Healy and the... Fuck, Jeff Healy and the... I can't remember the band. I would have just said Jeff Healy band. Fucking shadow puppets. Here's my shadow puppets, Pete and Tim. Jesus Christ, man. Great fucking man, though. You know, we've been drinking the Kool-Aid and sometimes you get a little gherpie from, you know, too much Kool-Aid. I think that's just kind of... It's funny you say that, Tim, because I'm reading my notes for this song and it's... And honey, please... You've got gherpie written down. No, no, it didn't matter. This is my complete notes on this song. Heavy production. Producer is really mixing the Kool-Aid here. [18:44] Even how the drums are mixed, I mean, I just, I could not, I could not listen to this fucking song enough to even see, like, I just was like, yeah, dentist's office. I'm at, I'm at a fucking Sears or, or I'm at a Hallmark store and I'm just like, what the fuck, man? I just want to get out of here so I can put on fucking Black Sabbath or the, or fucking, or fully and completely in my fucking car. Like I just, Christ, excuse my language, but yeah, it justwas not taken, not taken. The, the, I'll just, there's more, but the, the, you're right about the drum mixing because there were a couple times where I was like, there's nothing wrong with this drummer. Why are we doing what we're doing here? Oh, it was like fucking the right tom went from the right ear to the left ear and then the kicks going back. I'm like, what the fuck are we doing? Why? Like, just give me the fucking drums. I don't need a ping pong set in my ears. It was just too much. I hear you on the E Street Band JD, but yeah, other than that, could not, oh, yeah, that's all I got. That's all I got. you. [20:05] J.D. we need to rerecord the start and you're going to be like, this is where I lost my friendship with Pete Dibb. And they were banned from the roof of the United States. No entry. No entry. [20:22] The first time I sat down and listened to the record was for Fully and Completely, the podcast. By the way, Pete, it's Fully Completely. Fully and Completely was our podcast. Whoa, easy, JD. Okay, now you're cut. Okay, all right. Mr. Details. This is episode... He's gotten our back. This is like, I mean, we got one record after two records. I should know this, you're right. I should know this at this point. I don't know if I can say this. So I listened to it then and I like absolutely, it did nothing for me. It did nothing. Like, I was just like, I don't even, I didn't pick up anything. I can't even say, oh, well, the Parchment Suite I really liked, you know, like, no, it just washed over me. And that really disappointed me and so I gave it like a session listen. Probably two or three weeks later, where I sat down and listened to it two or three times in a row. And that's when I latched onto a few songs. I won't say what they were, but I latched onto a few songs. And then picking it up again for this podcast and listening to it, it's like I'm finding some of these songs feel weirdly nostalgicnow, you know? And Honey Please, I like the tone of of his voice, like, I like what he's doing with his vocals on this song. Yeah. Uh, like he's, he's really playful. Like Jimmy's like, no, not like that. [21:51] Well, I was just in shock because I thought for a second, Gordani was sitting across from me. Oh, I thought you meant Tim was having a fucking seizure. No, it's, it's what I've been doing around the house when I need a refill. It's like, No, this, you know what, I'll tell, I'll tell you something, this, this is a really weird analogy, but like, I'm not a, I'm not one of those guys who's, I mean, I think the last time beforethis time I had been to a strip club when I was like 18 years old, you know, when you're 18, this is the first thing you can do. You go to a strip club. Yeah. Uh, and I had gone to one, one time after I was in a very committed and loving relationship And it was like, I got there and I was like, there's this beautifulwoman and she's talking to me and she smells nice and everything. And she's like, it's not doing, it's not, it's not taking. [22:44] And then like, you know, the night goes on, I have a couple of beers and I'm like, still not working. I don't understand what it is. And, you know, turns out, at least in terms of the strip club, it was because I love the person I was with and I didn't want to be there. I was not happy about where I was at. But that's how I felt listening to this song, is that no matter how much I tried, it did nothing for me whatsoever. Wow. It wasn't because it was your aunt, Shirley? I mean, for art, for art, that is the most harsh criticism you can give, right? I hate to say that. I hate to say that. This song is- No, no, I'm fine. This is what this is, right? This is great. Yeah, yeah, yeah. I like that you're being honest rather than pandering, you know, I'm not going to pander and I'm going to be honest about this. It means the stuff that you have loved is that much more real to me. You know, thank you. Yeah. I mean, when you go back to, I mean, talk to me about fucking trouble with the hen house and I'm Christ. [23:52] Well, and just wait for next, next week. Ooh. Okay. I'm, I'm, you know, I don't want to get to the last recluse. [27:09] Oh, so, you know, fun chorus, lots of oohs, aahs. You know, I like a good ooh-aah section in a song when it works. I don't mind it. It can make it fun. But this song is so loaded. It's like tons of instruments. I don't know if there's an accordion in this song. I don't know. There's keys. There's tons of layers. It's got this ominous start. Um, it's a really bridge. Yeah. Bridge is so ominous. This chanting. Yeah. Yeah. I, which I thought was kind of cool, but, uh, you know, the keys fade out at the end and, and Gord's just, who are you? Who are you? Who are you? And it's, uh, I don't know what the song is, is about or who, or I don't know. It just, it just was like, whew, this, this song's loaded. Did you watch those videos I sent you guys? There's a trilogy from this record and Gord produced the videos and I sent them as a link. I don't think I think I said I was going to watch it because I wasn't in a place with Wi-Fi and thenI never watched it. I think that's my excuse also. [28:23] I don't remember getting it from you. You have to resend it. I'll resend it. I would watch it. Yeah, I want to read my notes verbatim here. Okay, um because yeah, I I really cool opening. I got YouTube vibes, a little Alice in Chains with the acoustic. [28:46] Guitar. The melody is good but it's very Coldplay. I got a lot of Coldplay vibes from this song. Not that I'm a Coldplay fan but unless you've been living under a fucking rock, you know what Coldplay sounds like. [29:00] And not to say that Coldplay's bad. There's a market for them. I like the keyboards but again with like the chanting and everything like I wrote down I do not recognize this band and it's no it's no surprise to me that Bob Rock did not produce the nextrecord because I feel like the whole time this guy Bob Rock whoever he is I don't know how he sounds I don't know where he's from but he's like listen guys nah this is the way it's gottabe I've been in the business for years I did this Metallica group you hear of them you heard of them they're from they're from California I know how to do it. It's just what you got to do to make this record sound good. Okay, I'm a big time record producer here. Like, I mean, the whole band is just like, Gord, what do you think? Do you know how much this haircut costs? Yeah, I put my my my pants on the same way as everybody else. The only difference is I make gold records. Like, I'm like, just like, fuck, dude, I'm the band must have just been sitting sitting there like, okay, all right, we'll do this. [30:08] Hey Gord, we're taking a coffee break right now. Hey Gord, I just ran into fucking Bob Rock coming out of the bathroom and he says we should put some Gregorian chants on thenext song. And he's like, you said, you said what? Okay, I guess we'll try it. Like it just, I don't know. Yeah. I, let's, can we go to Coffee Girl? Because it's not just. Sure. Can we? Can we? I promise, I promise this is gonna get better, but not with this song. Yeah, it is, it is. Not with this song. [30:43] It's a rollercoaster ride. This song. I'm reading I'm reading verbatim here feels like a song used for a scene transition in a romantic comedy when the guy and the girl break up before the final act where they get backtogether. Coffee girl. It's like I'm just picturing like, ah, fuck, he broke up. It's a montage of like her at work alone, pissed off because the guy fucking broke her heart, whatever the And, and, and like the trumpet, it's like, it was cool, but it was just like, what thefucking trumpet? Like, what is, what is going on right now? [31:24] And, and I mean, maybe it's supposed to make you feel like you're in a, like, give you that, that so I made her an expert or so I married an expert vibes. You remember that? Yes. Yeah. Like with a trumpet, like a lowly coffee shop in San Francisco, like, I don't know what the fuck's going on, but I'm just like, okay, this band is takingdirection. This is not, not to say it's not the same guys, but they're just like, they're led astray on some songs with this record, I feel. That's all I'm saying. Interesting thing. Yeah. I'd want this, this song, I got this, like, I agree with you pretty much, but I got creepy vibes from it. Get to the back door, look around, then turn the key, turn on all the lights, take down the chairs and make things neat. One night he'll make you choose. I mean, what? This is... Well, the beginning part is her opening the coffee shop. This song's creepy though. It's, I don't know. There's, there's... So I had that little sentiment about it. And then I was like, I remember when you could walk in Starbucks and you'd hear like like a catchy song. And then they had CDs for sale next to the cash register. I remember those days. And you can like take from, you know, the holiday Starbucks playlist, but it was on CD for sale right there. Right. I wondered, like, yeah. [32:51] You used to have a song you could download too. Yeah, yeah, yeah. I was like, was this a Starbucks song? I don't think it was a single. Tim's all creeped out and JD's like, no. JD's like, no, I've worked at a coffee shop. I've worked at a Starbucks before. You turn the lights, you turn the fucking key, you put the chairs out. Tim, what the fuck is the problem? Yeah, the problem is one night he'll make you choose. What is that? Like there's... You gotta watch the videos. Watch the videos, all right? I don't... Fucking... Okay. All right. Homework. Homework. Now, I agree with you. This song is very milquetoast. Milquetoast. Good work. You know? Yeah. It's fine. But it's enhanced significantly by this video. You enjoy it a little bit more. But... Well, in that essence, do you feel the song was kind of made for video, hand in hand, kind of? Well, I don't know why it wouldn't have been a single then, you know? Yeah, yeah. Okay. Like, back in the day, they were releasing six, seven singles a record to give those record legs. [34:06] Well, it's got, I think, second biggest plays, or third biggest plays for this entire record on Spotify. Definitely a single category as far as listening is concerned. And I said it at the top of the fucking conversation about this tune is that it feels like it's made for a movie, you know? Yeah, yeah. So yeah, I thought of the same. Only played 77 times live. So it's not really a big live song. No, it'd be super rare. Yeah. You guys are such data whores. Such data whores. You started it with your Spotify. I really wasn't with this album until yesterday. I usually do some research along the way in this album. I really just tried to listen to it, and I tried to listen to it. You weren't inspired. And then yesterday, got into some of the data stuff. All right. Let's go to track number five. Let's go. So, the acoustic guitar feels kind of played hard. Like, I don't know if you caught this, Pete, but it felt like. I don't know. I don't think it feels forced, but the strumming of the acoustic guitar in the beginning feels a little bit annoyed or something. I don't know. There's some sentiment in there. [35:33] Drums felt kind of simple, and then everything kind of thickens up, and there's big solos in here. It's over a six-minute song, So it's building us up in song length. I mean, this is a long song for the hip. [35:52] What else did I have in my notes here? Oh, there is, you know... Sorry, I have to read this real quick. You know, the importance of this one is just how it is all about the reference of the residential school system. We actually watched a kind of docudrama film about the residential school system up there and all the government's policies towards First Nations people. And that's some heavy, heavy stuff. Yeah, yeah, yeah. Yeah. It's just the song, let's see, I read the song is a response to this basically a cool you've apologized. Oh no, no, this was a Gord quote, I believe. Cool you've apologized, but nothing has really changed. The damage has been done. People are still suffering as a direct result of the government's policies. You know, that's, it's, it's not an apology song, but it's sort of. This one's just big. It's just a big song. Another one. [37:06] Yeah, before I speak about the song, I'm going to go back to one thing I said in the previous pod. I really wish to God Gorda was alive today, because I feel like the governments of the world, specifically the United States government and the Canadian government are just fucking itspeople in so many ways. Not making this a political thing, but like, Absolutely, I just I feel like that guy is a guy who would speak out and and you know, it's funny because I remember watching like video ofTrudeau when he died and Saying what a great guy he was and him actually tearing up but thinking like god, man I wonder if Gord hadn't died and what he'd be saying about some of theshit going. Yeah, no doubt the war or, you know, anything that happened during COVID, all that shit. I just really, you know, that guy is an important voice for the people in Canada. And I think, I don't know, I say North America, although there's not a lot of Americans that know the hip, but I sure shit do now. So, but getting back to the song, I liked this one. I, Tim, I certainly felt the same vibe. acoustic guitar in the beginning sounds extremely dated so that's where I think you got the vibe. [38:28] There's a lot of chorus and a lot of reverb it's just like way too like is this is this 1991? 92? It sounded like the same guitar tone on the song More Than Words by Xtreme. It just but strumming instead of that Like it just was too much. That being said, again, the strings come in, but there's a lot more of that on this fucking record. Rob Baker kind of saves the day. Solo starts coming in. The hit is great. The chorus is awesome. I love it there's some really cool arpeggios that are done in the second verse that just mix up the the sound of the song and then Rob Baker's solo it I Mean, I don't know dude. I'm willing to think he's probably the biggest fucking Pink Floyd fan in all I thought the same thing! That motherfucker, it's just fucking David Gilmour. I mean, I'm like, is Gilmour playing on this fucking record or is it Rob Baker? I mean, it's not even like, if you heard it, you'd be like, oh yeah, it's David Gilmour playing guitar. Like, no, it's actually Rob Baker, which is cool. I like it. And then Paul Amois doing like a Beatles thing, like with the guitar, like bouncing back and forth. [39:57] But in the end, I felt like this song had literally, I don't wanna miss a thing, Aerosmith, Armageddon vibes. Like it was produced to that level. Like it was good. Cinematic. But it was just, yeah, like, whoa, like, did I see this on the IMAX? I've got to listen to this song in IMAX. Yeah, to really appreciate it. Oh my gosh. I had the Pink Floyd reference, not so much of the guitar playing, but more as the all-encompassing feel of this album and the journeys throughout it, because it felt like it was trying to belike this massive Floyd production. That's one thought I had relating to the Floyd. [40:44] But the song, it made me wonder. This is where I dove into the story a little bit more. I wanted to know who Honey Watson was. Did you find out who Honey Watson is? Anybody? The reference here. So Gord apparently was watching a CBAE, CBC news story about the residential schools and started to write this song about it. And then the news story shifted to some story in Haiti and the news correspondent's name was Connie Watson. And he heard it as Honey Watson. And he thought that was funny, so he incorporated her name, Connie Watson, as Honey Watson into the song. Just thought it was cool and wrote it down. So he's like going through this really heavy topic, like one of. [41:36] Canada's maybe, you know, top three heaviest topics, residential school system. And he's throwing in these funny little, I thought they said, honey, Watson, her name's Connie Watson. I'm going to put this in this fucked up story, you know, it's like, God damn what this guy can do. And Pete, I completely agree with you. We, we, if I could choose, of course, any of us to have Gord still around. Yes. But we also need the band. Like, this is something I kind of want to save to the end, but of the whole, all of our experience, but like, we don't have art in the form of music that isscreaming about issues going on right now and making people angry. We don't have like, I can't name a band right now that has death threats against it from groups of idiots. [42:31] You know, I just don't know, like, there's a lot of- Hang tight, Tim. Our record comes out in December. Yeah, there we go. I was just going to say, there's a lot of, there's a lot, there are many lesser known, but on the rise, you know, kind of post-punk stuff coming out or going on, you know, like there's a lot. I agree with you though, man. There's just like, there's no- There's no mainstream people out there who are really screaming about issues going on around the world and ruffling feathers. [43:07] Like so much. Where's the song War Pigs, dude? Fuck, I've second time I've mentioned Sabbath during this fucking podcast. But like, where's the song War Pigs? Right now. Right now. It's on my hard drive. Back off. Hey, no, but like, I mean, I mean, here we are. [43:27] You know sending Billions of dollars to fund war all around the world and where the fucking dude, you know what? Um, there's a great fucking tiktok or whatever the fuck it is And it's some guy like i've seen it. Don't pretend like you don't tiktok all the time. No, I don't I don't have it But I wish I did um for that purpose, but there's a guy's Sitting in his car. He actually has his own account. Yeah. Look it up at pete. Um, it's all about his hair No, dude, there's a fucking guy sitting in his car and he's just like, you know, you guys in your punk bands and you were young, you were fighting against thesystem. [44:06] But somewhere you got old and you got fucking soft and you joined a party and it dude, he just fucking nails it. This guy fucking nails it. Wow. He fucking nails it. And it's like when I see shit like people like Henry fucking Rollins, like supporting the Democratic Party, which is like, fuck the Republicans, fuck the Democrats, fuck them all. Your job is to be against the system. You fuck. Excuse my language, but it's just like that's yeah, that's how I feel like, like a guy like Gord had. I don't know. The interviews I've seen with him and so much integrity, he wouldn't waffle. He'd tell he'd call a fucking spade a spade when he saw it. And if he smelled bullshit, he'd call it out no matter who it was. I don't know. That's how I feel, man. And yeah, you're right, Tim. We need the band. We need the band. We do. We need the band. Because the music's... Because not everybody watches the news and not everybody watches interviews. You hear music, though, man. You hear fucking War Pigs and you listen to those lyrics and you think, yeah, Smedley Butler was right. If you don't know who Smedley Butler is, listeners, Google him. He's not either. No, he's dead, but he wrote a good book. War is a wreck. Anyhow, too soon yet. He's been dead a while. It's a depression suit. [54:35] I had no idea what I was getting in store for when the song started, right? I mean, I was in the car and the display in my mediocre sound system, M-S-S. Clearly not my sound system. Fucking premium audio shit. My stock sound system. Anyways, on my screen it doesn't show the amount of time the song is. It just shows the amount of time it's been playing. And I just kept looking over. Like, I'm driving across town and I keep looking over. Like, god damn, how long is this song gonna go? The last song was like six minutes plus, right? Is this one a rock opera? Like, what is going on? It has this lovely start, but you really don't know where it's going. [55:26] The lyrics, I just, I was a little bit confused. The first listen, I thought we were really going to end around three and a half minutes, because that's when I was looking over. But we just kept evolving. It shifts gears, it speeds up, it gets more intense. Gord gets more loud. The strings get more loud. It just like, it's really climbing up this mountain. [55:50] And you know, part of the lyrics is, is what if the song does nothing? What is it doing? You know, what if the song does nothing? In one of the reviews of the song, which I later read, some of the hip fans who aren't as much into this album, they, you know, their, their response of what if the song does nothing waslike, yeah, what if it's not doing anything, you know, it's just confusion maybe? I don't know. Some fans were were like, no, I don't want to see how it ends because Gord's lyrics kind of ask for that. There's this, um... Kind of painful guitar solo at like eight minute mark. I mean the strings that loop and have this abrupt stop it's just this song is... It just goes. I've only listened to it three times I will listen to it again but the song to me was just... I just wonder what everybody was trying to do because it just was magnanimous. [56:59] It's giant. All right. Well, I will say I fucking love this. I thought I thought it was fucking magnificent. I think, you know, I finally with all the strings that are on this record was like, OK, I can dig them on this song. You know, I mean, it's a very, this is a very emotional record. It sounds like just lyrically, I don't feel like any of the first five songs really moved me that way. But there's a lot of musical references that he makes in here to like things like perfectfifths. The chorus is fucking amazing. When he starts warming up his voice, when he really starts digging his fucking heels in and he starts repeating, if this song does nothing, with the strings backing him up, I think are superpowerful. [58:03] They move me in this song, especially I listen to this song a lot in the car. I've talked about it once or twice, but, you know, it's a different experience when you listen to a song, when you listen to hip in my car or any music but you know I have a, The soundsystems, you know, it came with premium, but it's it's you know, it's it's a good It's a good audio system in my car. Frothy and quiet. Pete's premium sound system There's When the strings there's a cool syncopated rhythm that happens in the song and then when it when it breaks There's a part, because this is twodifferent songs, it's like 9 minutes and 27 seconds long and when this song breaks and it changes course, there's a part in it that is Alice Cooper's Only Women Bleed. Has anybody heard that song before? Yeah, sure have. It's that, it's fucking that, fucking it's the hook in that song they fucking use. And Gord's vocals are exactly that. [59:16] He smokes and drinks and don't come home at all. That's the lyric in the Alice Cooper tune. But it's fucking, I dig it. And then, you know, I liked Rob Baker's solo. It was very emotional. This is a really emotional tune. And I don't feel like I'm like, ah, this is fucking amazing. I just think it's, it clearly took a ton of work and a ton of work. Yeah. But I do feel like the band starts to come together on this track. You start hearing, okay, this seems more tragically hip than before. [59:58] So anyway, that's what I got for this tune. They played this, they played the song live 86 times. Like I wanted to look that up to see, like did they play it 10 times, six times? Theyplayed it 86 times. That's like not a ton compared to all the shows they played in their entirety, but that's a handful of times at this. Well, considering it's a later album, I mean, obviously they played the earlier ones more. Yeah. So to experience it and to know it and experience it live was probably fucking epic. Yeah, but who knows if it was with the strings too. [1:00:35] Yeah, I don't think they toured with strings for sure. Okay, okay. If you're playing like Royal Albert Hall or something, yeah, you're gonna have fucking strings, but like, youknow, otherwise... That didn't happen for sure, JD. [1:00:48] I don't remember. I don't remember that being... Like, this would have been around the time in their career that that would have been something that you might expect them to do. You know, like, we're going to do a tour with a full orchestra to get different venues on board and, you know, things like that. Bands do that kind of shit. The Cineplex Theater video. Would have been perfect for this record. Yeah, that Sinplex Theater air didn't include all the Strings people or whomever, do you know? Was that just the band? I can't imagine it would have. I'll try to find that. Yeah, if you know, send me an email, jd.gettinghiptothehip.com. That would be really cool. But let's go to the exact feeling. I didn't have a whole lot on this one. I felt like it had the DNA more, a little more so, of a hip song. Like a standout was the wah pedal going on and kind of this faint background guitar playing fade out at the end like I Honestly didn't have a whole lot not many exact feelings of this oneNot that I didn't like it. It just felt like a filler spot to me. I just kept rolling. Okay. I Yeah, okay. There. This song is the one that starts with the Castagnets, so very Spanish. Yeah. They wrote it for me. [1:02:15] I like the rolling melody, like the chord progression, the way they do it is really cool. It just it drops and then it comes back, it drops and it's very circular. The chorus is fucking amazing on this song. And the way it builds to the chorus is like, it definitely has more of a hip vibe. Like I said last time, I feel like they really start to like becomethe hip again. It's like, whoa, who's that other fucking band the first four songs or whatever, you know? And now there's like, okay, we're warmed up now, fellas, sit back and relax and enjoy. So I dug it. But then, you know, it just kind of doesn't know where to go, fades out. Tim doesn't like fade outs. the time I don't. Yeah, sometimes they're okay. Yeah, in this case, I just feel like the song was really cool. They had some cool ideas, and then there was nowhere to really go. They painted themselves into a corner and we're just like, okay, we're just going to stop painting the room. [1:03:18] You know, but yeah, but I got I got stuff to say about the next song. Yeah, go. Let's go. Queen of the Furrows. I love the beginning. I thought it was fucking awesome. This song is fucking Led Zeppelin three. It is Led Zeppelin three. I think Rob Baker's playing the mandolin. I don't know if Gord is. I don't know who's playing the mandolin. Would love to get some get a line on that. If you know anything, Pete at getting it at the hip.com. You like what you see what I did there? That was that was very professional. Did it sound natural? My boys all growed up. [1:03:57] I dug this song. The way the fucking chorus, the way the chorus comes in is like, it's just so different from the song, which is not very Led Zeppelin 3 because it's so heavy. It's fucking rad. And then the solo by Rob Baker, I'm going to read notes for Vadim here, Rob Baker melts dicks off people. He doesn't even melt your face, he melts your dick. I mean, this solo is fucking screams. It's so good. You can just tell he's in the zone and he could hear that he wanted to play that solo and he just wanted to fucking destroy it. And he just did. He delivered, I don't know if he did that in one take or if they mixed different solos together to make that, but it just sounds so good, dude. Goddamn, it's so good. I love it. Good song, good tune. Good tune. I'll pretty much agree with that. You know, it's one, I'm not going to add much to what Pete just put in, but what I did want to know what, you know, what this queen of the furrows is. And, um, it's actually a crown awarded annually to quote an agriculturally-minded young woman of Ontario. [1:05:23] And I'll just show you guys real quick. This is Kieran County Queen of the Furrow 2020 as part of Ontario's Plowman's Association. Can you see? Oh, yeah. What do you think? She's nice, you know, it's so to give everybody You know some insight into that photo. I would say she's dressed like a like you would think she'd be wearing overalls or something likethat, but she's dressed like a beauty queen. She's got a lovely dress on. She's got a sash and a tiara that looks, you know, like, that looks all beautiful and like prom queenie. Not at all what I would have expected the Queen of the Furrows to look like. Which for real... Not at all what I expected the Plowman's Association to be doing. Easy, Tim! Easy! But I didn't know, furrows is the word for the lines, you know. That's right. In the farm from the machines planting seeds or doing whatever you do. I mean, now I know when I'm sitting in the window seat on Alaska Airlines, covering the West Coast as I do. [1:06:37] I thought the guitar solo, it hearkened me back to some GNR. That's all I'll say about that. Certainly. this I guess just lastly the ending had this noisy but kind of quiet background guitar feedback something like there was something something playfulhappening with some guitar noise and the congos like this was one of those interesting enders but but kind of a cool song. Speed River. So, Speed River, I was like, ah, okay, I'm kind of digging this one. This felt a little more like what I was hearkening back to, Liking of the Hip. This was a single. Yep, yep. This has, again, a big guitar solo, which quiets down into keys and some rim shots from drumsticks happening. [1:07:34] This house sounds like a bomb hit it is a fucking cool lyric. I didn't know if that was referencing the feeling of recording and just being in the zone. This is what I was imagining, just being in the zone of the music just feeling so good with yourbandmates. You know, this house feels like a fucking bomb hit it because we are destroying with this music. But this song is kind of cool. a little more, I don't know, a little more fun in an easilysingable way. You know, it has a somewhat fitting, abrupt ender to it. It might have been... At first glance, it was like, this might be my song on the album. I'm not sure. Don't give it away, buddy. I didn't. I left it hanging a little. All right. He said it might. Yeah. Okay. Okay. I stand corrected. Speed River. I'd love to agree with Tim, because I love agreeing with him, but the tonal licks were cool. [1:08:45] Overall, though, not impressed. I feel like this song was written to play live. I mean, literally, they wrote it and were like, yeah, we don't care how this fucking sounds on the record. It's just gonna be a fucking banger to play live. Yeah, I'm sure it was great live. How many times did they play it there, Tim? Let's look. It was probably like a- Oh, I thought you had it pulled up hard. I do. It's just on, I got it right here. It probably was awesome, you know, to play like the fifth song of a show just to keep the crowd going. It was played 11. This was played 11 times. So this song was probably a treat for people who do it. You know, it was probably a fucking treat. Yeah. I guess so. I heard the rim shots and the keyboards, it's just felt so country pop, like, I felt like I felt like I should be at, like, the lake with my, like, pseudo country Republican voting friends, like, 12Bud Lights deep being like, yeah, this is fucking mad, right? Yeah, this is fucking cool. Yeah. Fuck, yeah. [1:10:00] So that was Bobby and. Yeah. You know, I don't know. It's just the vibe I got. I don't know why, but I felt. I felt like if I heard the song live, I'd be like, fuck, yeah. But on the record, it was just. It was like a bad Viagra pill, not that I've ever taken Viagra, but I don't know why. That's why. That's what I thought of. But it's like somebody selling you like a, like a placebo and be like, yeah, this will, this will do it. And you take it and you're like, I didn't do anything. [1:10:35] I think it was 2009 that we went to Mazatlan. That's kind of throwing me back to bad Viagra pills. Okay. I just thought, because you know, songs, you want to say this song to getmy engine going. That's why I did that. Anyway. If you look at the blueprints of this song, though, it should work like it should. It should all be there. Yeah, yeah. It's got an interesting chorus. But you're right, the sum of the pieces don't add up. Now, there are people that will love this song and tell us why you love it. It'd be great to hear. You could love it, but compare it to the shit that they've done. [1:11:19] And we're not in the compare and contrast game. We're not comparing apples and and oranges, groeries and forges. But I mean, dude, like. You're going to put this up against fucking fireworks, go fucking freak off, as Ricky LeFleur would say. Freak, freak right off. I mean, Christ, I mean, not even close. Right. Just I. But you're right, Judy, the sum of it, you know, it has all the components. It's like, Hey, babe, I was going to make this amazing soup for you. I put all the ingredients in, but for some reason it still tastes like shit. Yeah. Yeah. I won't go. Yeah. I won't, I won't go that far, but yeah. [1:12:08] Well, you know, you know where I'm going. Yeah. Well, with it, with this album and where we're at now and with, with all these journeys of these songs, I mean, we've gone fromlike three minute songs to nine minute songs, these, these past two, Queen of the Froze and Speed River, they feel like kind of placed in there to fill it out a little bit. But they also feel to me a little bit like past albums filler songs. So yeah. To me, they were good and they represent. But in this particular album, it's almost like, guys, we had 10 days book to record. We're at day four and you're feeling done. What do you have? They were part of this for two months. What do you have that we could pull in here? Jesus Christ. What about that song, Speed River? I just hope Bob Brock can retire after this. Yeah. What was that? [1:13:02] I just said, I hope Bob Rock retired after this or, or no, no offense to Bob Rock. Cause he produced some great shit, but just like, or found a band that he was more compatible with because it just. Yeah. I feel you. I feel you. I don't feel, and that's, you know, you guys dug the last record and that was him. And, uh, and, and you turned me back onto it by your, by your digging of it. You know, it's, it's just, it's just interesting. It's it sure is. I mean the last record I I it kind of won me over quickly and I believe I said this, you know, I went online to see how I could get it on vinyl and And then the more I listened to it the less Ilooked into Getting it on vinyl. I'm watching literally watching a crow in my backyard right now I'm going to destroy. [1:13:59] An old crow? I have a crow right now, destroying. Hey! Go! I love birds. I'm a birder. And this crow is destroying my cover over my... It's too complicated. I didn't know that crows in Portland speak English. Did you know that, Jamie? I did not know that either. That is a fact. I would have assumed they spoke Croatian. Oh shit. Fuck man. JD takes a sip of his fucking whiskey and says, I'm out bitches, finish the podcast on your own motherfuckers. I printed out the article, I didn't really, but I printed out the article about dads who throw out dad jokes are better dads than dads who do not throw out dad jokes. That may be true, but I'll tell you what, um, uh, camera, wait, what was it? Pigeon camera? Pigeon camera. Yeah. Yeah, it'd be cool if we, they did a crow camera. At least you havealliteration. [1:15:08] I guess crows weren't as smart, but crows are supposed to be really smart. They're fucking smart. And they, they have face recognition skills. They, they remember people. Frozen in my tracks. [1:18:58] You know, I think it's kind of a pleasure. It's a little bit of a gift, or maybe it's a huge gift, when Gord does his, what do we call it, when he speaks over... Spoken word! Yeah, when he does a spoken word fucking poetry, trippy stuff, like this song has it, and we got it, and I'm happy at this point on any hip song to get that. It's got kind of a... That's cool. Yeah, I mean, come on. It's got somewhat of a spooky start. The snare on this one's a bit tuned up, and the bass is like, lack of a better term for thuddier or deeper. It's like the drums felt a little bit different to me. [1:19:43] This, you know, Gord at the one minute mark, he's already screaming in this song. [1:19:48] I thought that, I don't know, with the bridge at like two minutes, this kind of locomotive feeling, I thought this song reminded, it made me wonder if Bob Rock, look, can yousqueeze call him Bobby? Because if he listens to this, I just want him to be Really upset. It's called a 

Atlanta's Bishop Eddie Long made himself a prominent voice in the fertile world of Prosperity Gospel preachers in the early 2000s. His charismatic preaching style and internationally broadcast sermons grew his New Birth Missionary Baptist Church to more than 25,000 members, and landed Bishop Long behind the wheel of luxury Bentleys and enjoying time aboard private jets. But there was a dark side to it all, including allegations from four teenaged congregants of coerced sexual relationships, as well as evidence of significant financial misdeeds. Want early, ad-free episodes, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Sponsors This episode is brought to you by BetterHelp. Visit Betterhelp.com/trashy and get 10% off your first month when you sign up at the link! June's Journey from Wooga. June needs your help, detective! Download June's Journey for free today on iOS and Android! HelloFresh. Visit hellofresh.com/trashy50 and use code trashy50 for 50% off and free shipping! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Did you know that most wealthy people don't drive luxury cars? It's not all Lamborghinis and Bentleys. For many, the most likely cars are Toyotas, Hondas and Fords. You might be surprised at other millionaire habits more frugal than you'd expect. In this podcast, we're going to talk about the habits of millionaires, because understanding what millionaires do can help you follow in their footsteps. Host Stacy Johnson is joined by financial journalist Miranda Marquit. Listening in and sometimes contributing is producer Aaron Freeman. Today's special guest is Sarah Fallow, daughter of Dr. Thomas J Stanley, the author of The Millionaire Next Door and the founder of DataPoints, a company that looks at data surrounding self-made millionaires. Before we start, remember this isn't financial advice. So make sure to do your own research and consult your own experts before acting on anything you learn here. You can download the episode wherever you get your podcasts: Listen on Apple Podcasts Listen on Google Podcasts Listen on Spotify Learning about millionaire habits There are some you can learn from millionaires that can guide you to your own version of wealth. If you want to learn more about The Millionaire Next Door, Brandon Gaille offers a quick summary. We also found some great quotes on Good Reads from the book. One great quote: "Many people who live in expensive homes and drive luxury cars do not actually have much wealth. Then, we discovered something even odder: Many people who have a great deal of wealth do not even live in upscale neighborhoods." If you're looking for some more resources on becoming a millionaire, we have great articles on Money Talks News: How to Become a Millionaire, Guaranteed 9 Millionaire Habits You Can Learn From 13 Smart Habits of Millionaires You Should Adopt The 10 Golden Rules of Becoming a Millionaire 14 Myths About Becoming a Millionaire Where Do Millionaires Keep Their Money? 6 Money Secrets of Self-Made Millionaires 5 Surprisingly Simple Ways to Become a Millionaire 9 Millionaires and Billionaires With Surprisingly Frugal Habits Building a foundation for becoming a millionaire As you work toward becoming a millionaire, you need a solid financial foundation. We have plenty of resources on this website to help you learn about saving and investing, as well as smart spending. Take a look: Start Building Serious Savings With a Pay-Yourself-First Strategy 5 Effortless Ways to Boost Your Retirement Savings How the Secure Act Could Make or Break Your Retirement Savings The Pros and Cons of Dividend Stocks for Retirement Savings Frugal Living Guide: How to Have Less Stuff and Save Money 10 Ways to Change Bad Spending Habits and Save Money 9 of the Best Ways to Save Money on a Tight Budget How to Choose Between Active and Passive Investing 9 Tips for Sane and Successful Stock Investing The Lazy Person's Guide to Flawless Investing How to Find the Best Dividend Stocks, Step by Step 8 Budgeting Questions to Keep Your Spending in Check Meet this week's guest, Sarah Stanley Fallaw Sarah Stanley Fallaw, Ph.D. is the author of The Next Millionaire Next Door and the founder and President of DataPoints LLC, a behavioral assessment advisortech company. In her role at DataPoints and her research, Dr. Fallaw continues the study on self-made wealth begun by her late father, Dr. Thomas J. Stanley, author of The Millionaire Next Door. Dr. Fallaw's research on the psychology of wealth has been featured in numerous conferences and publications, and she consults with firms worldwide on measuring client money personality. Website Twitter LinkedIn Don't listen to podcasts? A podcast is basically a radio show you can listen to anywhere and anytime, either by downloading it to your smartphone or by listening online. They're awesome for learning stuff and being entertained when you're in the car, doing chores, jogging or riding your bicycle. You can listen to our latest podcasts here or download them to your phone from any number of places, including Apple, Spotify, RadioPublic, Stitcher and RSS. If you haven't listened to our podcast yet, give it a try, then subscribe. You'll be glad you did! About the hosts Stacy Johnson founded Money Talks News in 1991. He's a CPA, and he has also earned licenses in stocks, commodities, options principal, mutual funds, life insurance, securities supervisor and real estate. Miranda Marquit, MBA, is a financial expert, writer and speaker. She's been covering personal finance and investing topics for almost 20 years. When not writing and podcasting, she enjoys travel, reading and the outdoors.Become a member: https://www.moneytalksnews.com/members/See omnystudio.com/listener for privacy information.

Theotis Beasley checks in with stories about growing up and skating Hawthorne, meeting Andrew Reynolds, getting on Baker and then Nike, driving Bentleys and Porche's, working on getting Beagle to smoke with Snoop Dogg, sitting next to Denzel Washington at a Lakers game, keepin' it heavy in the streets for an upcoming Baker video and much more... Big love Theotis, you've always had my back and I appreciate you so much! --------------------------------------- SUBSCRIBE NOW: https://bit.ly/2RYE75F --------------------------------------- FOLLOW THEO: ⁠http://www.instagram.com/theotisbeasley --------------------------------------- TALKIN' SCHMIT SOFT GOODS IN JAPAN: https://www.instagram.com/underdogdistribution --------------------------------------- INTRO MUSIC: "Mary's Cross" by Natur INTERVIEW & EDITED: Greg "Schmitty" Smith CREDITS MUSIC: “Adirondack gate” by Shane Medanich CLOSING MONOLOGUE: Noelle Fiore EXECUTIVE DIRECTOR: Sharal Camisa If you want to help support the show, head over to https://www.talkinschmit.com/ and pick up some merchandise. There's also lots of photos, video and extras to help complement each interview. WEBSITE: https://talkinschmit.com/ YOUTUBE: http://www.youtube.com/TalkinSchmit INSTAGRAM: @Talkin_Schmit FACEBOOK: https://www.facebook.com/TalkinSchmit/ --------------------------------------- SUPPORT OUR SPONSORS: BLOOD WIZARD (http://bloodwizard.com/) BLUE PLATE (http://www.blueplatesf.com/) --------------------------------------- CONTACT with comments or suggestions: TalkinSchmit@Gmail.com #skateboarding #podcast #TalkinSchmit #TheotisBeasley #YoungMoney #Baker4Life --- Send in a voice message: https://podcasters.spotify.com/pod/show/talkin-schmit/message

Join Julia and Philip on Horsefly Chronicles Radio with Special Guest Corbyn Bentley. Corbyn Bentley is on the rise to fame! Born and raise in Elkhart Indiana . The paranormal sparked Bentleys interest at an early age. Inspired by “ Ghost Adventures “ and many more shows! Traveling to some of the worlds most haunted locations and staying overnight he's generated a fan base of over 750,000! Investigating with noteable people in the industry such as Nick Groff , Nicole Hoopz Alexander , Mercedes Blanche and more. Corbyn is a celebrity investigator and has gotten the nickname by working with many celebrities on investigations. He also host different haunted events around the United States where fans of the paranormal can come hunt along side with him and learn different techniques. “ This is only the beginning to a lifelong journey “ having being said Bentley has a long list of goals to accomplish. Wanting to change the paranormal for many generations to come he seeks many new methods to help the world find answers to there questions.

Jonny has spotted something local and peculiar in the Netherlands and Richard has remembered a sporty Fiat from the ‘80s. Also in this episode, the world's finite supply of Biros, car tipping, Panda 100HP love, finding yourself on the Harry Metcalfe highway, driving old Bentleys, the Goodwood Members' Meeting, the Ohlins Invitational Cup, Nic Cage surfing for Studebakers, and what's actually happening at Land Rover. patreon.com/smithandsniffsmithandsniff.com/merch Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, on The Driven Chat Podcast, John Marcar and Amy Shore are in the studio together for one of their regular catch-up chats, but this time, a pressing topic dominates the conversation as our very own Amy Shore is getting married!Aside from plenty of wedding chat, we also catch up with Amy's comings and goings, including an adventure to Scotland with a BMW X6 (thank you, BMW Park Lane), racing pre-war Bentleys around Goodwood, and photographing friends in cars full of flowers.John also shares the details on some recent press cars, including his week with a KIA EV6, a Bentley Bentayga EWB and the much anticipated BMW M3 Touring.Also, for the first time ever, as part of a new trial, this week's episode has also been caught on camera and is available to watch on YouTube. Let us know what you think in the comment section of YouTube.The Driven Chat podcast is brought to you by Paramex Digital. It is available to stream on all the usual podcast platforms, including Apple Podcasts, Spotify, Google Podcasts, Amazon, Audible and more. For more information on Driven chat, visit www.drivenchat.comContact the show via email: podcast@drivenchat.comGet involved;WATCH >> Driven Chat on YouTubeFOLLOW >> Driven Chat on InstagramDISCUSS >> Driven Chat on FacebookONLINE >> DrivenChat.com Hosted on Acast. See acast.com/privacy for more information.

Today, I am so excited to have my dear friend Madalyn on the Queen City Connect podcast! Madalyn is the wonderful owner of Bentley's Buds and Brews, a super cool mobile flower and tap truck right here in Charlotte. In this episode, we get to know Madalyn better and dive into her past experiences that have led her to become a successful business owner. We chat about her business and what inspired her to start it, so get ready to be inspired!   Connect with Madalyn! Instagram: https://www.instagram.com/bentleysbudsflowertruck/  Website: https://bentleysbudsandbrewsflowertruck.com/   

Behind every car is a story... From Cadillacs to Bentleys, Savage recollects on the cars that retell his rise from an immigrant's son to a radio legend. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Iain is the founder and director of Cheshire Classic Cars, which restores and sells rare metal from, Bentleys to Ferraris, rally special to open-wheeled race cars. His YouTube channel, Tyrrell's Classic Workshop, frequently features the cars of Harry Metcalfe, who entrusts his Lamborghinis to Tyrrell. That's quite an endorsement. On this episode Iain tells us about opening his shop in his early 20s; undercharging for Ferrari work; how 3D printing has changed his profession; parts that are impossible to source; what people get wrong when they fix or restore a car; why he loves the Espada and the Lagonda; BMW's gem; colors he wants to see more of; and a lot more. https://www.cheshireclassiccars.co.uk/restoration-projects/ https://www.youtube.com/channel/UC2pQT90JBqbMHSVLtbJBvyw Recorded February 19, 2023 Want your question answered? To listen to the episode the day it's recorded? Want to watch the live stream, get ad-free podcasts, or exclusive podcasts? Join our Patreon: https://www.patreon.com/thesmokingtirepodcast Tweet at us!https://www.Twitter.com/thesmokingtirehttps://www.Twitter.com/zackklapman Instagram:https://www.Instagram.com/thesmokingtirehttps://www.Instagram.com/therealzackklapman  Click here for the most honest car reviews out there: https://www.youtube.com/thesmokingtireMake sure you don't miss out on the action and tune in to the NASCAR Cup Series race on Sunday, March 5th at 3:30 PM Eastern on FOX. Head to factormeals.com/tire50 and use code tire50 to get 50% off your first box Get 20% Off and Free Shipping with the code TIRE20 at Manscaped.com

The Christmas Party

Nikki and Sydney talk about Christmas lights, holiday parties, boats, watches, basketball, adult dance shows, Bentleys, the lottery, and other random shit. Shoutout To Our Sponsor: This episode is #sponsored by Manscaped - Get 20% off + Free Shipping With Code SORRYMOM at Https://www.manscaped.com More Ways To Watch http://www.sorrymompodcast.com Show Some Love! www.patreon.com/sorrymompodcast www.onlyfans.com/sorrymompodcast Nikki Howard @Nikki Howard https://www.instagram.com/nikki_howard https://www.youtube.com/nikki_howard https://www.tiktok.com/@nikki_howard https://www.facebook.com/nikkialexishoward https://www.nikkiahoward.com Sydney Maler https://www.instagram.com/sydneyamaler https://www.tiktok.com/@sydneyamaler https://www.facebook.com/sydneyamaler https://www.sydneymaler.com