Podcast appearances and mentions of david linton

In this episode of Seeing Them Live, host Charles Berman interviews Giuliana Funkhauser, a transdisciplinary artist known for her innovative blend of digital code and synthesized audio to create immersive art installations. Giuliana, based on the U.S. East Coast, completed her graduate studies at the San Francisco Art Institute, concentrating on art and technology, with a particular interest in sound synthesis. Besides her artistic endeavors, she teaches courses on data sonification and video game development. Her collaborative projects include working with musical artist Elizabeth Verosa and visual artist Alison Tannenhaus, performing excerpts from their EP '2021' in events such as the 2022 New England Synthesizer Festival. Additionally, Verosa and Funkhauser's track is featured in the Rewoven Transmissions collection, a remix of Cathode Raytube's works.Giuliana's shares how she got introduced to music and her unique concert experiences, ranging from middle school outings to witnessing legendary bands like Everclear, Judas Priest, and Iggy Pop. She recounts attending the Radio 104 Fest and vividly describes how Everclear was not her favorite but ended up being the main act she saw due to time restrictions. A humorous and memorable moment emerges from a misunderstanding that led to her attending a performance by Mono of Japan instead of the expected European band Mono, a life-changing encounter that profoundly influenced her musical tastesGiuliana also narrates her experiences at the Halloween Industrial Music Fest during Hurricane Sandy, where she saw numerous notable acts like Author & Punisher and Theologian in an incredibly intense, weather-challenged environment. Her story culminates in recounting the remarkable Sunn O show, a visceral and intense performance where the sheer power of the sound and visuals led to a memorable audience connection.Throughout the discussion, Giuliana elaborates on her creative process, revealing how she and her collaborators use data sonification and visual cues to guide their live performances and improvisations. Listeners are invited to explore Giuliana's work further on her website  gfunkhouser.com and through various platforms like Bandcamp that feature her recordings.BANDS: Animals, Author and Punisher, Big Brave, Bohemia, Butthole Surfers, Candlebox, Cathode Ray Tube, Cracker, David Linton, Dead Voices on Air, Dear Woman, Dishwalla, Everclear, Flock of Seagulls, Freeze Pop, Go Go's, Harpy, Iggy pop, Inkanti, Iron Maiden, Judas Priest, King Gizzard, Lady Purge, Local H, Lush, Mogwai, Mono, Otto von Schirach, Police, Semisonic, Snowbeasts, Stabbing Westward, Sunn, The Pretenders, Theologian, Tony the Floyd Dementia, Uriah HeepVENUES: Club X, Radio 104 Fest PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

A bigtime record executive comes back to Atlanta to do what he loves best—radio. And, a pretty crafty GM sees the possibility early on and parlays a collection of translator licenses into a new tower site and vastly increased coverage. Oh, and by the way, this little-but-mighty noncommercial station was streaming well before the other Atlanta operators saw the future. How has WCLK earned its reputation as one of America's best? It's all here— as FoGR's Dennis Winslow is in conversation with WCLK's Wendy Williams and David Linton, as the station celebrates 50 years as "Atlanta's Jazz Station."

A late-night confession over a glass of ice-cold lemonade that is definitely not poisoned"The Confession of Amy Archer Gilligan" is the fouth and final episode from our recent return to the live stage! Nightfall on the Nutmeg State is an original series crafted from the lore and legends of the great state of Connecticut — and it was performed live at The Westport Library in Westport, CT, on Friday the 13th of October, 2023. Written by Lizz Leiser with Kacie LaforestFeatured cast:Kacie Laforest as Amy Archer GilliganJames Rieser as Father DavidAli Silva as Sister MaryEirik Davey-Gislason as Franklin AndrewsAlain Laforest as Charles SmithMichael Pate as Dr. KingMary Murphy as Nelly PierceJames Kleinmann as Carlan GosleeSong: "Vanessa the Vegan Murderess" written and performed by Tom Shaner @gentlemandrifter accompanied by Nico Sleator @nicosleatorPoem: "Late Night Radio" written by David Linton and performed by the FMT company Produced by Ali Silva & Gustavo Rodriguez for Fireside Mystery Productions with support from Verso Studios at The Westport Library @westportlibrary @verso.studios Musical score: Nico Sleator Lead sound effects designer and engineer: Greg Russ Additional sound design: Ricardo Delgado and Ali Silva Direction team: Lizz Leiser, Kacie Laforest, and Ali Silva Fireside production coven: Lizz Leiser, Kacie Laforest, and Mary Murphy FMT Theme music: Jason Graves Audio post-production: Ali Silva firesidemysterytheatre.com@firesidemystery©️ 2023 Fireside Mystery ProductionsThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3660607/advertisement

This episode is brought to you by N2N's Illuminate App, The iPaaS for Higher Education. Learn more at https://illuminateapp.com/web/higher-education/Subscribe and listen to more episodes at https://illuminatedpodcast.orgContact David LintonLinkedIn: https://www.linkedin.com/in/david-linton-cfa-a76266b/Get your copy of  CRUSHED: How Student Debt Has Impaired A Generation And What To Do About ItOrder:  https://www.amazon.com/Crushed-Student-Impaired-Generation-About/dp/1604271892/ref=sr_1_1?crid=23I8FONE6PWWI&keywords=CRUSHED%3A+How+Student+Debt+Has+Impaired+A+Generation+And+What+To+Do+About+It&qid=1689179771&sprefix=crushed+how+student+debt+has+impaired+a+generation+and+what+to+do+about+it%2Caps%2C417&sr=8-1

A conversation with the author of  "CRUSHED",, HOW STUDENT DEBT HAS IMPAIRED A GENERATION AND WHAT TO DO ABOUT IT...Professor Dr David Linton from University of Texas McComb and USC's Marshall School of Business. This will wake you up.

A conversation with the author of  "CRUSHED",, HOW STUDENT DEBT HAS IMPAIRED A GENERATION AND WHAT TO DO ABOUT IT...Professor Dr David Linton from University of Texas McComb and USC's Marshall School of Business. This will wake you up.

It is well known that public perception of post-secondary education is at an all-time low, as politics, rising tuition, and higher student debt is saddling students and graduates with more stress. And, despite reports showing that people with student debt can negatively affect society, the Supreme Court recently ruled that the $1.7 trillion in student debt cannot be forgiven despite what the HEA clearly states in the statutes.   Research shows that students who must incur debt to attend college have lower GPAs, more health issues both before and after graduation, are less likely to buy a house, will get married and have children later in life, are less likely to start a business, and are less entrepreneurial. The problems are real and are affecting society as we know it.   In his latest podcast episode, Dr. Drumm McNaughton speaks with economist and investment manager David Linton about his findings from his upcoming book, Crushed: How Student Debt Has Impaired a Generation and What to Do About It. David shares how much the cost of education has risen from 1969 to 2020, why most college and university managers plan to budget, why this doesn't help address the problem, and what higher ed can do to improve this.   Podcast Highlights   §  The cost of higher ed in terms of percentage of household income has risen dramatically in the past 50 years. In 1969, the cost of public college education was $1,545 per year, 19% of the median household income. In 2020, it was just under $29,000, or 42% of the median household income. That's about two and a half times more expensive as a function of household income. On an inflation-adjusted metric from 1969 to 2020, it's between 3 ½ - 4 times as expensive. In other words, the cost of four years in 1969 was the same as that of one year in 2020.   §  A driving force behind this rise in tuition is that some administrators and presidents prioritize rankings and performing well vis-à a-vie their competitors. They know what colleges the other students are applying to and want to ensure their students have a similar or better college experience, including more physical and mental health services, nicer campus facilities, larger research departments, more public services for the community, and other ancillary services. There are also more administrators per student than before.   §  Another theory as to why tuition is so high is because state support has dropped from 50-70% of the tuition a student pays to around 12%. However, in 2017, Professor Douglas Webber of Temple University roughly found that for every $1,000 in state budget cuts, students pay an extra $300 – $315 more per year in tuition and fees. This addresses only 30% of the problem.   §  Adding to the rising tuition costs, most administrators discuss expanding departments or hiring new faculty versus cost-cutting and reducing tuition—many plan to construct a new building once a year or every other year. Very few or no administrators say that one of their top five priorities is to adopt the Six Sigma approach, which involves constantly getting incrementally better over a very long period. This can include delivering the same quality education or same quality experience but with 2% fewer resources every single year. Higher ed leaders respond, “No, we have a budgeting process, and each department has to fit within their budget.” John Katzman, who founded Princeton Review, says up to a third of overall university expenses could eventually be cut without damaging the education experience.   §  One solution to rising tuition costs would be that a large consortium of schools, e.g., PAC-12 schools or all Midwest liberal arts schools that happen to compete with one another, should announce they are not going to raise tuition by more than inflation each year for the next ten years. These savings could go back to the school departments to figure out how to do more with less every year.   §  Higher ed presidents need to know the average debt per student upon graduation and the degree to which they've been able to pay it off in five or ten years. If they don't, the first step is to figure out what that is. Boards need to establish the objective. If boards discover that 30%, 40%, or 50% of students ten years out cannot repay their debt, one objective can be for the president to improve that somehow.   §  Campuses must identify if certain types of students cannot pay, specific academic thresholds that make it unlikely for students to graduate, or more likely to take on more debt if they don't cross them. Also, if there are certain areas of study where students are more or less successful when repaying their debts or not having debt. Then, institutions must establish a clear objective. For example, possible goals could include that within five years, graduates' student debt delinquency rate will drop from 20% to 10%, the graduation rate will increase from 70% to 80%, or the debt upon graduation will decrease from $30k to $20k.   §  Cust-cutting must be included in prioritization. Most schools have an annual or semi-annual process whereby they look at objectives, whether it's new facilities for staff or a department, and then rank them in order. But cost-cutting is rarely ranked in the top five. Reducing tuition and cost-cutting doesn't have to be dramatic. It can be to freeze, maintain, or have budgets increase at inflation, minus 1%, every year and then force the department heads to figure out a way to work within that framework.   §  Bring in a consultant or have faculty figure out ways to increase revenue without raising tuition. Identify where the campus is getting other resources if they are selling their services to other areas, utilizing their facilities and research more efficiently, or partnering with other businesses.     Read the transcript →   About Our Podcast Guest   David E. Linton is an author and economist.  A former adjunct professor at the University of Southern California's Marshall School of Business, he taught Investment Analysis and Portfolio Management.  His first book, Foundations of Investment Management, has become a mainstay among aspiring professionals who want to bridge the gap between an academic understanding and the practical application of investment management strategies.    Mr. Linton's second book, Crushed, was researched and written after his tenure as a professor at USC.  While wondering about the beautiful campuses of USC, University of Chicago, UT Austin, and several others, Mr. Linton couldn't help but wonder: why are college campuses so nice?  Why is college so expensive?  How can I possibly afford to send my three kids to college?  Is a college degree even worth it?  And how can I balance what's in the best interest of my kids without mortgaging their (and my) future?   If you want to know the answers to these questions – don't do what Mr. Linton did, which is spend the next two years and ~2,000 hours researching the topic.  Just read the book.  It's a better return on time.   Mr. Linton works at a multinational technology firm managing corporate and customer cash when he's not teaching or researching.  He is a seasoned economist and asset manager, previously working as the Director of Portfolio Construction and Manager Research at Pacific Life and a Vice President and Portfolio Manager at PIMCO.  Mr. Linton is a CFA® charter holder, has a BS in Business Administration from the University of Southern California, graduating magna cum laude, and an MBA from the University of Chicago Booth School of Business, graduating with honors.  He enjoys reading with his oldest child, playing chess with his middle child, and wrestling with his youngest child.  He thinks they enjoy those activities, too.   About the Host   Dr. Drumm McNaughton, the host of Changing Higher Ed®, is a consultant to higher ed institutions in governance, accreditation, strategy and change, and mergers. To learn more about his services and other thought leadership pieces, visit his firm's website, https://changinghighered.com/.   The Change Leader's Social Media Links   LinkedIn: https://www.linkedin.com/in/drdrumm/ Twitter: @thechangeldr Email: podcast@changinghighered.com   #studentdebt #crushed #HEA

Flute-playing soul-jazz phenomenon Ragan Whiteside has become one of the genre's most consistently dynamic and popular artists. Thanks to her incredible skill and creativity on her chosen instrument, as well as her charismatic presence on stage, Whiteside is at the top of her game. That was demonstrated in October 2022, when she became the first artist to win the competitive Best Contemporary Jazz Artist Award at the inaugural Jazz Music Awards, held at the Cobb Energy Centre in Atlanta. Whiteside is also a 2023 NAACP Image Award Nominee and four-time nominee for the Smooth Jazz Network's Best Artist Award. That distinction is well-deserved, as the Atlanta-based musician, songwriter, and vocalist have become one of very few women players to excel in the male-dominated instrumental sphere, garnering eight consecutive Top Ten Billboard airplay singles by 2022. And she's done it as an independent artist, releasing projects on Randis Music, the label she founded with her husband, producer, and composer Dennis Johnson. Her most recent full-length project, 2022's Thrill Ride, is her sixth career album to date and it lives up to its title, demonstrating Whiteside's breathtaking virtuosity and melodic skills on a thrilling journey through a landscape of dynamic grooves. The project features eight songs, which are largely produced by her longtime collaborators Dennis Johnson and Bob Baldwin. Other producers include Chris “Big Dog” Davis on the sexy update of Stevie Wonder's “Don't You Worry Bout A Thing,” and James Lloyd of the veteran group Pieces Of A Dream, who contributes “A Toast At Sunset” as writer and keyboardist as well. Her third single from the project, “Full Court Press,” is a smooth and sexy groove co-written by Whiteside with the team of Johnson and Baldwin, who produced, and featured guitarist Phil Hamilton and drummer Rich Harrison, also known as the artist RAH. Whiteside's previous single was the title track, “Thrill Ride,” which was also written and produced by Johnson, Baldwin, and Whiteside, and features guitarist Hamilton and drummer RAH. The single peaked at No. 1 on five radio charts, including the Billboard Smooth Jazz Chart, Mediabase, the Smooth Jazz Network, Radiowave and Groove Jazz Music. Her previous single from the set, “Off The Cuff,” not only peaked at No. 7 on the Billboard Smooth Jazz Airplay chart, where it spent 17 weeks, but it also earned her the Jazz Music Awards nomination that she ultimately won. In addition to her projects, Whiteside has been a busy collaborator. Over the last two years, the native New Yorker also charted at No. 1 on the Billboard Smooth Jazz Airplay chart for her collaboration with Kim Scott's 2022 remake of Ashford & Simpson's 1978 mega-hit, “I'm Every Woman” along with Althea René, which peaked at No. 1 on the Billboard Smooth Jazz chart. Whiteside also co-wrote Bob Baldwin's top-charting hit, “B Positive,” with production partners Dennis Johnson and Baldwin. Additionally, she is featured on “This Time Around” with contemporary jazz artist Jarez, from his latest project, J Funk City. In 2022, she appeared on two tracks, “Seven Eight” and “Solo,” on veteran jazz drummer Billy Cobham's new album, Drum'N'Voice Vol. 5. Whiteside has continued to delight fans and critics alike with her engaging, upbeat melodies and exhilarating flute playing. Tunes like “Thrill Ride,” “Off The Cuff,” “JJ's Strut,” “Reminiscing,” “Jam It,” “Early Arrival,” “See You At The Get Down,” and the Billboard No. 1 “Corey's Bop” have burnished her reputation. But while Whiteside has made her mark fusing inspired flute melodies and breathtaking solos with hip upbeat grooves, she gained her musical acumen by training as a classical flutist. Originally from Mount Vernon, New York, Whiteside played drums, piano, and violin in elementary school before a desire to be in the marching band put the flute in her hand at age 8. “They had this thing called Band Day where all the public schools would march in a parade through Mount Vernon. I said, ‘Oh. I need to be in this parade.'” There were no violins in the marching band, so Whiteside was offered the flute. “I did not want to play the flute. And it took me about a week to get a sound out of it,” she says. But once young Whiteside locked onto the instrument, she immediately focused on what kind of music she wanted to play but was steered into a more traditional path. “My parents got me a private teacher. I said to my teacher, ‘Okay, I want to do jazz.' And he was like, ‘No, you're going to play classical,'” Whiteside recalls. “‘I don't want to play classical.' ‘Well, you can play jazz later, but you need to get your foundation in classical music.' Once again, I was being forced into something, but I started playing and I started getting good at it, and I started to like it.” The young flute player got good and got serious. She participated in Mount Vernon High School's Historically Black Colleges and Universities (HBCU-influenced marching bands), entered multiple musical competitions – some with cash prizes – and won. Members of the National Association of Negro Musicians mentored her, many of whom held positions as opera singers, orchestrators, music directors, and instrumentalists in classical music at a time when African Americans were still not often included. She also participated in the NAACP's ACT-SO (Academic, Cultural, Technological, and Scientific Olympics) competitions for young people, where she won both regional and national titles in two different years. With these distinctions under her belt, Whiteside went on to the Cleveland Conservatory of Music, where she was one of just six African American students. When she transferred to the highly competitive HARID Conservatory in Boca Raton, Florida, she discovered she was now the only one. After receiving so much encouragement and mentoring during her high school years, this was a culture shock. “I was on my own, there was no support, there was nobody I could go and talk to,” Whiteside explains. “On top of that, just being in a classical conservatory, it's cutthroat, it's competitive, it's hardcore. A lot is expected of you, and everybody's trying to go after the same five or six openings.” The pressure to perform was intense and her motivation for that life started to wane. During her senior year-end performance, for which she was to play a well-rehearsed, 20-minute flute concerto, Whiteside went blank halfway through. Offered the opportunity to start again, Whiteside realized she was at a turning point and instead walked out. Influenced by such diverse flute masters as jazz-classical player Hubert Laws, the late Latin jazz artist Dave Valentin, and the French classical flutist Jean-Pierre Rampal, Whiteside received rigorous musical training that prepared her to play in the most prestigious symphony orchestras in the world, but after graduation, Whiteside admits she wasn't sure what she wanted to do. Back home in Mount Vernon, she attended a show at a local jazz club where keyboardist, producer, and composer Bob Baldwin was headlining. While watching, Whiteside says she had an epiphany: “I was sitting up front and I said, ‘Oh my God. This is what I want to do.' ” After the show, she introduced herself to Baldwin. “I told him, ‘Look I'm a classical musician but I want to make the transition to jazz. Do you have any advice for me? And we talked for a while and he pretty much took me under his wing, right then and there,” Whiteside explains. “And two days later, I went to a studio in Yonkers, and it turned into my first non-classical studio session.” Whiteside performed a Stevie Wonder tune for Baldwin and studio owner Dennis Johnson, who later became her husband. “I played a Stevie Wonder tune, and they're like, ‘Hey, we need some flute on this jingle for [New York smooth jazz station] CD 101.9.' And I did that, and from there Bob taught me how to make that transition from classical to jazz, and Dennis showed me the ins and outs of audio recording and using computers to compose music.” Since then, Johnson and Baldwin have become Whiteside's frequent songwriting collaborators. Whiteside instantly began her successful foray into the contemporary soul-jazz sphere. After launching the Randis Music label in 2007 with her husband Johnson, she collaborated with Johnson and Baldwin again on her 2007 release Class Axe, 2012's Evolve, 2014's Quantum Drive, 2017's Troublemaker, and 2020's five-track EP Five Up Top. She also teamed with popular saxophonist Kim Waters for the 2017 release Early Arrival. She has collaborated on tracks with several artists including Marion Meadows, Patrice Rushen, Tom Brown, Walter Beasley, Melba Moore, Chieli Minucci, Frank McComb, and others. She has also been a popular performer at the Berks Jazz Fest, the Seabreeze Jazz Festival, the Mallorca Smooth Jazz Festival in Spain, and the Capital Jazz Super Cruise. Meanwhile, Whiteside and her husband Dennis Johnson made the jump from New York to Atlanta when it became clear that Atlanta offered a more attractive lifestyle. Further, digital technology has made it easy to produce and distribute music from anywhere. “Atlanta is like a hub,” Whiteside explains. “You can get to so many different places relatively quickly from Atlanta. For the first time, we were able to get to New Orleans, Nashville, Houston, the Carolinas, and all over Florida without having to fly, and every place we went, we experienced new musical influences.” Whiteside has also maintained a career as a tech consultant and her role as a mother of two. In late 2020, Whiteside added another title to her list of accomplishments: Radio personality. Spotted at a show by David Linton, a former label executive and current program director of Atlanta's station, Jazz 91.9 WCLK, Whiteside was offered the opportunity to audition as a host. She now holds down the popular No. 1 Saturday morning show “Saturday with Ragan Whiteside, ” another role she has grown to enjoy. With so many professional balls to juggle, and the concert industry opening back up, Ragan Whiteside can lay claim to life as a contemporary jazz star as one big “Thrill Ride.” In this episode, Ragan shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Shellee and David discuss crushing the idea of needing to take on thousands in college debt. About David Linton: David E. Linton is an author and economist. Mr. Linton is a former Adjunct Professor at the University of Southern California's Marshall School of Business, where he taught Investment Analysis and Portfolio Management. His first book, Foundations of Investment Management, has become a mainstay among aspiring professionals who want to bridge the gap between an academic understanding and the practical application of investment management strategies. Mr. Linton's second book, Crushed, was researched and written after his tenure as a professor at USC. While wondering the beautiful campuses of USC, University of Chicago, UT Austin, and several others, Mr. Linton couldn't help but wonder: why are college campuses so nice? Why is college so expensive? How am I possibly going to afford to send my three kids to college? Is a college degree even worth it? And how can I balance what's in the best interest of my kids without mortgaging their (and my) future? If you want to know the answers to these questions – don't do what Mr. Linton did, which is spend the next two years and ~2,000 hours researching the topic. Just read the book. It's a better return on time. Connect with David: Website: www.davidelinton.com Facebook: www.facebook.com/david.e.linton LinkedIn: www.linkedin.com/in/david-linton-cfa-a76266b/ Connect with Shellee: Website: https://collegereadyplan.com/ YouTube: https://www.youtube.com/channel/UCr_WodPHDfSWEbiPdsRDbyQ Twitter: https://twitter.com/gocollegeready Instagram: https://www.instagram.com/collegereadyplan/ Facebook: https://www.facebook.com/CollegeReadyPlan/ LinkedIn: https://www.linkedin.com/company/college-ready/ Email: shellee@collegereadyplan.com

On this episode of HGH, we talk about notorious cult, The Body, and their little adventures into Maine that infamously led to the covering up of the death of two children under their watch. This episode features many sighs from Co-host B, an appreciation for the great outdoors, and more! Join our prayer circle by emailing your questions to Homegrownhorrorpod@gmail.com or @homegrownhorrorpod on instagram. Sauce: Pregnant Sect Mom Back in Jail by Chris Lehourites, ABC News August 31, 2000. Children of Attleboro religious sect aided investigation by Denise Lavoie, South Coast Today January 12, 2011. Cult's 2 dead baby boys unearthed in Maine, UPI Archives October 24, 2000 Attleboro sect exhibits cult behavior by David Linton, The Sun Chronicle September 7, 2000 I-Team: ‘Holy God, I Killed My Own Son,' Former Cult Leader Jacques Robidoux Wants To Help Others Avoid Mind Control. CBS News November 4, 2021. Jailed Parents Told to Show Baby. ABC News February 14, 2002. Sect found Robidoux Dies by David Linton. Sun Chronicle May 18, 2006. Cult mom found innocent by David Linton. Sun Chronicle December 27, 2004. Convicted mother describers her ordeal in religious sect. The Boston Globe March 4, 2004. Sect Member Pleads Guilty in Baby's Death by Denise Lavoie. Associated Press February 10, 2004. Cold-blooded cult: Journal shows sect let baby starve ‘in God's hands' by Dave Wedge February 5, 2004. --- Support this podcast: https://podcasters.spotify.com/pod/show/hghpod/support

In this prologue to our next series, we muse on the practice of letter writing. Is it a lost art? When was the last time you wrote, with actual pen and paper, a love letter or a fan letter? We present two missives penned and performed by David Linton to whet your whistle for the epistolary style of our newest series, Yours Truly. "Dear Homer" & "Dear Mr. Poe" Written & performed by David Linton Directed by Ali Silva Intro music composed by Nico Sleator Additional music (via Artlist):"Chunky Monkey" by Shtriker Big Band"Cap Blanc Nez" by Michelle NoblerProduced by Gustavo Rodriguez & Ali Silva Production operations: Lizz Leiser Social media: Kacie Laforest Production coordinator: Faith Johnson Theme music by Jason Graves Audio production & sound design: Ali Silva Copyright 2021 Fireside Mystery Productions Our internet haven: https://firesidemysterytheatre.com Fan our flames with your support: https://patreon.com/firesidemysterytheatre Swag! Masks, hoodies & what-not: http://tee.pub/lic/firesidemystery

Three poems by Fireside Mystery Theatre's resident poet, Dr. David Linton: "Dear Grandma" "The Virtual Feast" "A Digital Girl" Written & performed by David Linton Audio recording engineered by Matt Straub Produced by Ali Silva for Fireside Mystery Productions Music: Moon Waltz (1st Movement) by Francesco D'Andrea Black Cat Soiree by Bob Hart Ziggy Secret by LMOP FMT theme by Jason Graves Copyright 2021 Fireside Mystery Productions Our internet haven: https://firesidemysterytheatre.com Fan our flames with your support at https://patreon.com/firesidemysterytheatre Swag! Masks, hoodies & what-not! http://tee.pub/lic/firesidemystery

Parachute Software rolls out a new menu ordering platform that's simple to use and cost effective. Calling all restaurants - a profitable way to do take out! To check out Parachute Software: https://www.parachutesoftware.com/Check out their ordering page here: https://order.parachutesoftware.com/order/You can find David here: https://www.linkedin.com/in/davidlinton/

From our dusty vault of unreleased content: an all-new series! Murder, suicide, and treachery follow the rise of Schnell, a sleek new ride-sharing app. "The Disrupters" is the first of a delightfully dark four-part series, The Ride Sharers. It was taped live on stage in NYC in December 2018. TW: suicideCast featured in this episode: David Linton as Harold Gustavo Rodriguez as Bob Eirik Davey-Gislason as Steven, the radio talk show host James Kleinmann as Frederick Albans Kacie Laforest as Tory Mary Murphy as Myra Michael Pate as Isaac Alain Laforest as Jackson Ames James Rieser as Vernon Ames Ali Silva as The Narrator Audio play by Silbin Sandovar Directed by Holly Payne-Strange Produced by Gustavo Rodriguez & Ali Silva Musical score improvised by Brad Whiteley Sound effects designer & engineer: Greg Russ Technical director at The Slipper Room: Johnny Goddard Theme music by Jason Graves Audio post-production: Ali Silva Copyright 2020 Fireside Mystery Productions Our internet haven: https://firesidemysterytheatre.com Fan our flames with your support at https://patreon.com/firesidemysterytheatre Swag! Masks, hoodies & what-not!http://tee.pub/lic/firesidemystery

David Linton from Lick of Smoke BBQ joins me in The Confessional this week. You'll remember David from Episode 78, recorded LIVE at the Fat Drip BBQ Competition last year. In that episode, David and I had a brief chat about how they'd managed to rise so quickly on the national competitive BBQ ladder, getting to 8th place in under a year. And then 2020 happened!In this Ep we get into: David is over brisket! (4:57) How 2019 finished up for him and his team (13:41) What the BBQ scene looks like for him in 2020 / 2021 (17:43) Starting a BBQ rub business in lockdown (21:14) Competition Chicken Tips and Tricks (38:47) This episode of the Smoking Hot Confessions BBQ Podcast is proudly brought to you by our Podcast Partner, JAGRD Woodfired Smoker Ovens. If you're looking for your next BBQ, smoker or grill, be sure to check them out. They have a wide range of well-performing units available, and love doing custom work and commercial kit outs as well.  https://jagrdwoodfired.com.au  If you would like to become a Podcast Partner we'd love to hear from you. Shoot Ben an email and let's get that conversation started! ben@smokinghotconfessions.com

David Linton, Chairman of The Living Legends Foundation, Inc. and former Sr VP Promotion at Capitol, Warner Bros. and Arista talks with entertainment journalists, Chris Bivins and Raqiyah Mays, regarding Major Label changes and reactions to calls for Social Justice during COVID-19; The Future of Black Music Departments  and other views from the executive chair. See omnystudio.com/listener for privacy information.

David Linton, Chairman of The Living Legends Foundation, Inc. and former Sr VP Promotion at Capitol, Warner Bros. and Arista talks with entertainment journalists, Chris Bivins and Raqiyah Mays, regarding Major Label changes and reactions to calls for Social Justice during COVID-19; The Future of Black Music Departments  and other views from the executive chair. 

The long-awaited part two of the nightmare fuel that is the story of Belle Gunness. Be sure you've caught up with episode 50.2 "The Murder of Belle Gunness." Then settle in and get up close and personal with her alleged murderer, Ray Lamphere, as his interrogation reveals the darkest chapter of this wildly true tale. "The Interrogation of Ray Lamphere" is the final installment from our first ever true-crime series. She's a Killer Queen was recorded live in NYC on 2/23/20. The cast featured in this episode: James Rieser as Sheriff Smutzer David Linton as Deputy Cobb Eirik Davey-Gislason as Ray Lamphere Ali Silva as Belle Gunness Rebecca Kopec as Myrtle Kacie Laforest as Liza James Kleinmann as Asle Helgelien and Andrew Helgelien Mary Murphy as Mrs. Lugendorf James Scully as Joe Maxon Song: “The Ballad of Belle Gunness” by T.J. McFarland performed by Martina DaSilva accompanied by Nico Slater Poem: "It's Her Turn" written and performed by David Linton accompanied by Nico Sleator Audio play written by Lizz Leiser and Kacie Laforest Directed by Holly Payne-Strange Produced by Gustavo Rodriguez & Ali Silva Musical score improvised by Nico Sleator Sound effects design: Greg Russ, Ricardo Delgado, Ali Silva, & Dan Naglia Live show sound engineers: Evan Sachs & Ricardo Delgado Technical director at The Slipper Room: Johnny Goddard Theme music by Jason Graves Audio post-production: Ali Silva Production manager: Lizz Leiser Copyright 2020 Fireside Mystery Productions Live show info, links, and more: https://firesidemysterytheatre.com Fan our flames with your support at https://patreon.com/firesidemysterytheatre Swag! http://tee.pub/lic/firesidemystery

David Linton is the founder of Everlast Epoxy Systems, Inc., a commercial flooring manufacturer. David is a master at pivoting to meet changing market needs and offered to share tips and ideas to thrive during challenging times with small businesses and entrepreneurs.He spent 29 years placing floors in some of the most well-known establishments that exist in the U.S., including The U.S. Post Office, The U.S. Air Force, Sony Pictures, Best Western Hotels, Four Seasons Hotels, General Electric Headquarters, Harley-Davidson Motorcycles, Starbucks, Chili’s Restaurants and Buffalo Wild Wings.Early in David’s career, he and his brother installed new flooring in commercial kitchens nationwide. “Every 5 years or so, they’d hire us to rip out their ‘old’ floors and replace them with the exact same thing. It didn’t make much sense to me,” David explained. “If the floors only lasted a couple years, why were we replacing them with something that was just going to fail again and was full of mold and bacteria?”Instead, David and Everlast Epoxy Systems, Inc. came up with a better solution, a flooring system that could be cleaned top, inside, and on the bottom so that mold, mildew, and bacteria couldn’t get trapped inside.MegaBucks Radio with Nina Hershbergerhttp://businessinnovatorsradio.com/megabucks-radio-with-nina-hershberger

David Linton is the founder of Everlast Epoxy Systems, Inc., a commercial flooring manufacturer. David is a master at pivoting to meet changing market needs and offered to share tips and ideas to thrive during challenging times with small businesses and entrepreneurs.He spent 29 years placing floors in some of the most well-known establishments that exist in the U.S., including The U.S. Post Office, The U.S. Air Force, Sony Pictures, Best Western Hotels, Four Seasons Hotels, General Electric Headquarters, Harley-Davidson Motorcycles, Starbucks, Chili’s Restaurants and Buffalo Wild Wings.Early in David’s career, he and his brother installed new flooring in commercial kitchens nationwide. “Every 5 years or so, they’d hire us to rip out their ‘old’ floors and replace them with the exact same thing. It didn’t make much sense to me,” David explained. “If the floors only lasted a couple years, why were we replacing them with something that was just going to fail again and was full of mold and bacteria?”Instead, David and Everlast Epoxy Systems, Inc. came up with a better solution, a flooring system that could be cleaned top, inside, and on the bottom so that mold, mildew, and bacteria couldn’t get trapped inside.MegaBucks Radio with Nina Hershbergerhttp://businessinnovatorsradio.com/megabucks-radio-with-nina-hershberger

Meet Anita's sister! They are super tight. Even though they live on different spectral planes. "Anita, Alexandra, & the Weepy Little Sad Man" is another adventure with Anita in our Fortune Teller series. It was recorded live in NYC on 12/15/19. The cast featured in this episode: Ali Silva as Anita The Fortune Teller Michael Pate as Mr. Schmitt Kacie Laforest as Alexandra James Rieser as Marius Alain Laforest as Mr. Stanley Rebecca Kopec as The Mystery Women James Kleinmann as the waiter David Linton as the dentist Dr. Littlefield Eirik Davey-Gislason as Marius’s father Adam Audio play by Lizz Leiser and Kacie Laforest Directed by Holly Payne-Strange Song: “If You Could Read My Mind” by Gordon LightfootPerformed by Kat Reinhert accompanied by Nico SleatorThe Fortune Teller is dedicated to the magical Joey Wilder Produced by Gustavo Rodriguez & Ali Silva Musical score improvised by Nico Sleator Sound effects designer & engineer: Greg Russ Technical director at The Slipper Room: Johnny Goddard Production assistant: Evan Sachs Theme music by Jason Graves Audio post-production: Ali Silva Copyright 2020 Fireside Mystery Productions Live show info, links, and more: https://firesidemysterytheatre.com Fan our flames with your support at https://patreon.com/firesidemysterytheatre Swag! http://tee.pub/lic/firesidemystery

We tend to think of menstruation as a “women's issue.” But from movies to books to the media, men play a big role in inventing the meaning of menstruation, too. Communications scholar David Linton joins us to discuss his new book exploring the way men have helped shape the meaning of menstruation throughout history - from the Bible to the New York Times crossword puzzle. And he even delights us with some menstrual poems! | Follow us on Instagram @flowdownpod

Who will survive after a grim moment of truth at the little radio station of WXRQ? The final episode from our four-part series, **ALL NIGHT RADIO**."The Reckoning Bell" was recorded live on March 31st, 2019. This episode is sponsored by **[Wix](http://wix.com/podcast)**! Wix has the tools you need to make the website you need! Get started now with 10% off when you go to [**wix.com/podcast**](http://wix.com/podcast).Digging our homage to old time radio? Check out [**Breaking Walls**](https://thewallbreakers.com)!  It's a fascinating long-form documentary podcast that does deep dives into the History of American Radio Drama. In this episode, The WXRQ radio station cast includes:  Eirik Davey-Gislason as Rex Arnold Kacie Laforest as Georgette Beverly Michael Pate as Frank the Engineer “The Cavern of the Three Crones” cast includes:  The Three Crones played by Ali Silva, Mary Murphy, & Kacie Laforest James Kleinmann as the announcer Ted Fortescue Mary Murphy as Julia Brett; Ali Silva as Mrs. Brett; Alain Laforest as Colonel Brett; David Linton as Mr. Spence; James Kleinmann as Todd. Song: “With My Eyes Wide Open, I’m Dreaming” by Harry Revel & Mack Gordon Performed by Martina DaSilva  accompanied by Nico Sleator Radio play by Silbin Sandovar  Directed by Ali Silva & Gustavo Rodriguez Musical score improvised by Nico Sleator 
Sound Effects Designer and Engineer: Greg Russ 
Technical Director at The Slipper Room: Johnny Goddard 
Production Assistant: Brontis Shane Orengo Theme music by Jason Graves Post-production audio by Ali Silva
Produced by Gustavo Rodriguez & Ali Silva for Fireside Mystery ProductionsCopyright 2019 Fireside Mystery Productions**[Help fan the flames of Fireside Mystery Theatre — become a Patreon Patron!](https://www.patreon.com/firesidemysterytheatre)****[firesidemysterytheatre.com](https://www.firesidemysterytheatre.com) [@firesidemystery](https://www.firesidemysterytheatre.com/social)**[**Snag some FMT swag!**](http://tee.pub/lic/firesidemystery)#horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #radiotheater #radioplay #podcast #podernfamily #podcastlife #voiceacting #theatreofthemind #weird #radio #audiodramasunday #audiofictionsunday #livetaping #voiceover #radio #oldtimeradio #otr #suspense #murder #supernatural #drama #radiostation #radioshows #witches #crones

A creaky, old time radio horror show provides the background for the real-life drama set in a small town radio station. The first of a four-part series, **ALL NIGHT RADIO**."Down in the Caves" was recorded live on March 31st, 2019. This episode is sponsored by **WIX**! Go on and get 10% off when you create a stunning website with Wix — go to [**wix.com/podcast**](https://wix.com/podcast). In this episode, “The Cavern of the Three Crones” cast includes:  David Linton as Professor Ballard; Ali Silva as Becky Ballard Mary Murphy as Joan Foster James Kleinmann as Don Miller Alain Laforest as Gabon The Three Crones are played by Ali Silva, Mary Murphy, and Kacie Laforest. It is announced by James Kleinmann as Ted Fortescue.  The WXRQ radio station cast includes:  Eirik Davey-Gislason as Rex Arnold Michael Pate as Frank the Engineer And Kacie Laforest as Georgette Beverly  Radio play by Silbin Sandovar  Directed by Ali Silva & Gustavo Rodriguez Musical score improvised by Nico Sleator 
Sound Effects Designer and Engineer: Greg Russ 
Technical Director at The Slipper Room: Johnny Goddard 
Production Assistant: Brontis Shane Orengo Theme music by Jason Graves Post-production audio by Ali Silva
 Produced by Gustavo Rodriguez & Ali Silva for Fireside Mystery ProductionsCopyright 2019 Fireside Mystery Productions [**Help fan the flames of Fireside Mystery Theatre — become a Patreon Patron!**](https://www.patreon.com/firesidemysterytheatre) **[firesidemysterytheatre.com](https://www.firesidemysterytheatre.com) [@firesidemystery](https://www.firesidemysterytheatre.com/social)** [**Snag some FMT swag!**](http://tee.pub/lic/firesidemystery) #horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #radiotheater #radioplay #podcast #podernfamily #podcastlife #voiceacting #theatreofthemind #weird #radio #audiodramasunday #audiofictionsunday #livetaping #voiceover #radio #oldtimeradio #otr #suspense #murder #supernatural #drama #radiostation #radioshows #witches #crones

Who is slaughtering hundreds of cats each night in the slums of New York City — and why? It’s up to Nellie Bly to find out!"The Band of Mercy" was recorded live on February 24th, 2019. It's our final tale from this series of **MORE from The Secret Files of Nellie Bly**.This episode is sponsored by HelloFresh! Get $80 off your first month of HelloFresh meals when you go to [**HelloFresh.com/FIRESIDE80**](https://hellofresh.com/fireside80) and use the code **FIRESIDE80**! Featured in this episode: David Linton as Arthur Brisbane Mary Murphy as Mrs. Devide Michael Pate as Officer Joseph Connelly James Rieser as Adamson Ali Silva as Nellie Bly Kacie Laforest as Mrs. Ewen Eirik Davey-Gislason as Ben Van Orden Alain Laforest as Joseph Pulitzer James Kleinmann as Governor Roswell P. Flower Song: “Wait Till the Sun Shines, Nelly” by Andrew B. Sterling Performed by Martina DaSilva  accompanied by Nico SleatorPoem: "Just the Facts, Ma'am" Written and performed by David Linton Radio play by Silbin Sandovar  Directed by Holly Payne-Strange Musical score improvised by Nico Sleator 
Sound Effects Designer and Engineer: Joe Jung 
Technical Director at The Slipper Room: Johnny Goddard 
Production Assistant: Brontis Shane Orengo Theme music by Jason Graves Post-production audio by Ali Silva
Produced by Gustavo Rodriguez & Ali Silva for Fireside Mystery ProductionsCopyright 2019 Fireside Mystery Productions**[Help fan the flames of Fireside Mystery Theatre — become a Patreon Patron!](https://www.patreon.com/firesidemysterytheatre)****[firesidemysterytheatre.com](https://www.firesidemysterytheatre.com) [@firesidemystery](https://www.firesidemysterytheatre.com/social)**[**Snag some FMT swag!**](http://tee.pub/lic/firesidemystery)#horror #macabre #mystery #thriller #suspense #audiodrama #audiofiction #radiodrama #radiotheatre #radiotheater #radioplay #podcast #podernfamily #podcastlife #voiceacting #theatreofthemind #weird #radio #audiodramasunday #audiofictionsunday #livetaping #voiceover #nelliebly #journalism #interview #investigativejournalism #history #historicalfiction #newspapers #reporter #women #josephpulitzer #greatwomeninhistory #action #adventure #mystery #cults #religion #cats #catkillers

Nellie Bly is on the hunt for a scoop in a quaint old Pennsylvania enclave that is the home of a strange religious sect. What is it about this mysterious town called Economy?"The Eighteen Who Survive" was recorded live on February 24th, 2019. It continues our adventures from the archives of **MORE from The Secret Files of Nellie Bly**.This episode is sponsored by **WIX**! Go on and get 10% off when you create a stunning website with Wix — go to [**wix.com/podcast**](http://wix.com/podcast). Featured in this episode: David Linton as Arthur Brisbane Eirik Davey-Gislason as Tudor Ali Silva as Nellie Bly Alain Laforest as Joseph Pulitzer Michael Pate as George Saunders Mary Murphy as Gertrude Rapp James Rieser as Henrici Kacie Laforest as Vera James Kleinmann as Tobias Song: “She May Have Seen Better Days” by James Thornton Performed by Martina DaSilva  accompanied by Nico Sleator Radio play by Courtenay Gillean Cholovich  Directed by Holly Payne-Strange Musical score improvised by Nico Sleator 
Sound Effects Designer and Engineer: Joe Jung 
Technical Director at The Slipper Room: Johnny Goddard 
Production Assistant: Brontis Shane Orengo Theme music by Jason Graves Post-production audio by Ali Silva
 Produced by Gustavo Rodriguez & Ali Silva for Fireside Mystery ProductionsCopyright 2019 Fireside Mystery Productions[Help fan the flames of Fireside Mystery Theatre — become a Patreon Patron!](https://www.patreon.com/firesidemysterytheatre)[firesidemysterytheatre.com](https://www.firesidemysterytheatre.com) [@firesidemystery](https://www.firesidemysterytheatre.com/social)[Snag some FMT swag!](http://tee.pub/lic/firesidemystery)#horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #radiotheater #radioplay #podcast #podernfamily #podcastlife #voiceacting #theatreofthemind #weird #radio #audiodramasunday #audiofictionsunday #livetaping #voiceover #nelliebly #journalism #interview #investigativejournalism #history #historicalfiction #newspapers #reporter #women #josephpulitzer #greatwomeninhistory #action #adventure #mystery #cults #religion #smalltown

Nellie Bly has a very memorable visit with author Jules Verne as she makes her own record journey around the world."The Meeting at Amiens" was recorded live on February 24th, 2019. It continues our adventures from the archives of **MORE from The Secret Files of Nellie Bly**.This episode is sponsored by **WIX**! Go on and get 10% off when you create a stunning website with Wix — go to **[wix.com/podcast](http://wix.com/podcast)**. Featured in this episode: David Linton as Arthur Brisbane Ali Silva as Nellie Bly Michael Pate as Professor Gebhard & Timon Alain Laforest as Joseph Pulitzer James Kleinmann as Pete Garvey Kacie Laforest as Elizabeth Bisland Eirik Davey-Gislason as Albert James Rieser at Jules Verne Mary Murphy as Honorine Verne Song: “A Hot Time in the Old Town Tonight” by Joe Hayden Performed by Martina DaSilva  accompanied by Nico Sleator Radio play by Silbin Sandovar
  Directed by Holly Payne-Strange Musical score improvised by Nico Sleator 
Sound Effects Designer and Engineer: Joe Jung 
Technical Director at The Slipper Room: Johnny Goddard 
Production Assistant: Brontis Shane Orengo Theme music by Jason Graves Post-production audio by Ali Silva
 Produced by Gustavo Rodriguez & Ali Silva for Fireside Mystery Productions Copyright 2019 Fireside Mystery Productions **[Help fan the flames of Fireside Mystery Theatre — become a Patreon Patron!](https://www.patreon.com/firesidemysterytheatre)** **[firesidemysterytheatre.com](https://www.firesidemysterytheatre.com) [@firesidemystery](https://www.firesidemysterytheatre.com/social)** [**Snag some FMT swag!**](http://tee.pub/lic/firesidemystery) #horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #radiotheater #radioplay #podcast #podernfamily #podcastlife #voiceacting #theatreofthemind #weird #radio #audiodramasunday #audiofictionsunday #livetaping #voiceover #nelliebly #journalism #interview #investigativejournalism #history #historicalfiction #newspapers #reporter #women #josephpulitzer #greatwomeninhistory #action #adventure #mystery #julesverne #aroundtheworldineightydays #competition #fencing #ladiesthatfence

Intrepid reporter Nellie Bly faces down a notorious serial killer for an exclusive one-on-one interview."Lizzie Halliday" was recorded live on February 24th, 2019. It’s the first of our adventures from the archives of **MORE from The Secret Files of Nellie Bly**. Featured in this episode: David Linton as Arthur Brisbane Alain Laforest as Joseph Pulitzer Ali Silva as Nellie Bly James Rieser as Edwin Atell Eirik Davey-Gislason as Arlo Michael Pate as Andy Mary Murphy as Lizzie Halliday James Kleinmann as Dr. Wright Kacie Laforest as Nurse Nellie Wicks Song: “Nelly Bly” by Stephen Foster Performed by Martina DaSilva & Nico Sleator Radio play by Silbin Sandovar
  Directed by Holly Payne-Strange Musical score improvised by Nico Sleator 
Sound Effects Designer and Engineer: Joe Jung 
Technical Director at The Slipper Room: Johnny Goddard 
Production Assistant: Brontis Shane Orengo Theme music by Jason Graves Post-production audio by Ali Silva
 Produced by Gustavo Rodriguez & Ali Silva for Fireside Mystery ProductionsCopyright 2019 Fireside Mystery Productions**[Help fan the flames of Fireside Mystery Theatre — become a Patreon Patron!](https://www.patreon.com/firesidemysterytheatre)****[firesidemysterytheatre.com](https://www.firesidemysterytheatre.com) [@firesidemystery](https://www.firesidemysterytheatre.com/social)****[Snag some FMT swag!](http://tee.pub/lic/firesidemystery)**#horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #radiotheater #radioplay #podcast #podernfamily #podcastlife #voiceacting #theatreofthemind #weird #radio #audiodramasunday #audiofictionsunday #livetaping #voiceover #nelliebly #journalism #interview #investigativejournalism #history #historicalfiction #newspapers #reporter #women #josephpulitzer #greatwomeninhistory #action #adventure #mystery #serialkillers #lizziehalliday

Previously on A Man Named Marlowe: At 4:30 in the morning the woman who hired Marlowe comes to his hotel room in Spokane. She explains what happened and why she lied to Phillip. Her real name is Janice Thomlinson. Marlowe decides he’s still working for her and will try to protect her against Benny Chance and John Moriarity. She stays in his room overnight. The next day he goes to see William W. Powell Jr. who owns mining property around Spokane. He lies about his reasons for the visit and arranges a meeting with William T. Phillips. Phillips and Marlowe meet at the lobby bar of the Davenport hotel. After the meeting Marlowe goes back up to his room when he’s slugged and knocked out. In Episode 6, it’s the finale! The Windup… and what a windup! The complete cast for this series was: Will Benson as Benny Chance Christopher Bradley as Lou Parker & Gus Javan Ivey as Joe Briggs Dr. David Linton as William T. Phillips Olga Lysenko as The Telephone Operator Dan Mountain as Bernie Ohls Fernando Sanabria as The Homicide Detective Brett Solimine as Miles The Desk Clerk Sam T. Wilson as Henry Long & William W. Powell Jr. With Nancy Pop as Janice Tomlinson Gustavo Rodriguez as John Moriarity and James Scully as Philip Marlowe Featured Music in this episode: On The Good Ship Lollipop - Shirley Temple Rockin’ Chair - The Mills Brothers Ain’t Misbehavin - Fats Waller and His Rhythm A Man Named Marlowe has been available in the same feed as Breaking Walls. Subscribe on iTunes and everywhere else you get your podcasts by searching for Breaking Walls or at TheWallBreakers.com. If you enjoyed A Man Named Marlowe, give a quick i-tunes rating so more people can discover this show and Breaking Walls, The podcast on the history of American Radio Broadcasting. Episode 82 will premiere 8.1.2018 and focus on the state of the radio industry between 1932 1945, as broadcasting booms while the world goes to War.  To support these shows for as little as $1 per month, please go to patreon.com/TheWallBreakers.

Previously on A Man Named Marlowe: After Marlowe’s meeting with nightclub owner and gangster Benny Chance, he drives to his friend Lou’s automat only to find that Lou has been murdered. Marlowe goes to his office building where he finds the elevator boy also dead. In Marlowe’s office is an older man with a gun. The two talk. Afterwards Marlowe drives to Spokane, Washington to try to solve the case. When he gets there, the woman who hired him knocks on his hotel room door. In Episode 5, Spokane begins to yield some answers as Marlowe makes a new friend, and pretends to be interested in buying land before getting ambushed. Heard in this episode: Nancy Pop as Janice Tomlinson Sam T. Wilson as William W. Powell Jr. Dr. David Linton as William T. Phillips James Scully as Philip Marlowe Featured Music: In a Sentimental Mood - Duke Ellington A Picture of Me Without You - Paul Whiteman & his Orchestra w/ Ken Darby Don’t Let It Happen Again - Isham Jones & his Orchestra w/ Joe Martin On The Good Ship Lollipop - Shirley Temple A Man Named Marlowe is available in the same feed as Breaking Walls. Subscribe on iTunes and everywhere else you get your podcasts by searching for Breaking Walls or at TheWallBreakers.com. … and if you enjoy A Man Named Marlowe, tune in to Breaking Walls, a documentary series on the history of American Radio Broadcasting. The most recent episode—number 81—delivers an in-depth look at comedian Fred Allen’s career, complete with interviews, show clips. fights with executives, and a good feud or two. Both of these shows are available by searching for Breaking Walls wherever you get your podcasts or by going to TheWallBreakers.com To support these shows for as little as $1 per month, please go to patreon.com/TheWallBreakers.

Many of you may know the famous story by Nellie Bly, "Ten Days in a Mad-House," her groundbreaking exposé of the insane asylum on Blackwell's Island… But do you really?This episode is brought to you by [ForHims.com](https://www.forhims.com/fireside), a one-stop shop for hair loss, skincare, and sexual wellness for men. FMT listeners can get a trial month of Hims for just $5 at [**ForHims.com/fireside**](https://www.forhims.com/fireside)! Hims. Prescription solutions backed by science."The Eleventh Day" is the second of four installments from **The Secret Files of Nellie Bly**. Recorded live at The Slipper Room on March 25th, 2018.Featured in this episode: David Linton as Arthur Brisbane Ali Silva as Nellie Bly Alain Laforest as Joseph Pulitzer and The Police Officer Mary Murphy as The Matron and The Girl Eirik Davey-Gislason as The Doctor and The Guard Kacie Laforest as The PatientMusical performance: “Frankie and Johnny” is a traditional arrangement performed by Martina DaSilva accompanied by Nico SleatorRadio play by Courtenay Gillean Cholovich Directed by Holly Payne-StrangeMusical score improvised by Steve Blanco Sound Effects Designer and Engineer: Greg Russ Technical Director at The Slipper Room: Johnny Goddard Production Coordinator: Brontis Shane Orengo Theme music by Jason GravesPost-production audio by Ali Silva Podcast production by Ali Silva & Daniel GravesProduced by Gustavo Rodriguez, Ali Silva, Daniel Graves, & Rebecca Graves for Fireside Mystery ProductionsCopyright 2018 Fireside Mystery Productions**[firesidemysterytheatre.com](https://www.firesidemysterytheatre.com) [@firesidemystery](https://www.firesidemysterytheatre.com/social)**[**Snag some FMT swag!**](https://www.firesidemysterytheatre.com/merch)#horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #radiotheater #radioplay #weird #radio #audiodramasunday #podernfamily #nelliebly #greatwomen #journalist #writer #newspapers #reporter #blackwellsisland #tendaysinamadhouse #asylum #mentalinstitution #undercover #expose #suffrage #history #nineteenthcentury #journalism #psychic #paranormal #interview #newspaper #mystery #womenshistory #newyorkcity #NYChistory #womensrights #equality

Nellie Bly lands the interview of a lifetime. But the juiciest bits of it are stated off the record...The first of four installments from **The Secret Files of Nellie Bly**. Recorded live at The Slipper Room on March 25th, 2018.Featured in this episode: David Linton as Arthur Brisbane Ali Silva as Nellie Bly Mary Murphy as Susan B. Anthony Eirik Davey-Gislason as The Newspaper Barker & Seller Mary Murphy, Alain Laforest, Kacie Laforest & Gustavo Rodriguez as The Newspaper Readers Musical performance: “Nelly Bly” written by Stephen Foster performed by Martina DaSilva accompanied by Nico Sleator Radio play by Silbin Sandovar Directed by Holly Payne-Strange Musical score improvised by Steve Blanco Sound Effects Designer and Engineer: Greg Russ Technical Director at The Slipper Room: Johnny Goddard Production Coordinator: Brontis Shane Orengo Theme music by Jason Graves Post-production audio by Ali Silva Podcast production by Ali Silva & Daniel Graves Produced by Gustavo Rodriguez, Ali Silva, Daniel Graves, & Rebecca Graves for Fireside Mystery Productions Copyright 2018 Fireside Mystery Productions [firesidemysterytheatre.com](https://www.firesidemysterytheatre.com) [@firesidemystery](https://www.firesidemysterytheatre.com/social) [Snag some FMT swag!](https://www.firesidemysterytheatre.com/merch) #horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #radiotheater #radioplay #weird #radio #audiodramasunday #podernfamily #nelliebly #greatwomen #susanbanthony #suffrage #history #journalism #psychic #paranormal #interview #newspaper #journalist #reporter #mystery #womenshistory #newyorkcity #NYChistory #womensrights #equality

How about a truly twisted take on a much loved fairy tale? In our version, Geppetto has much to answer for…"Another Pinocchio" is a radio play from our live show, **The Master's Hand**, recorded 12/10/17 at The Slipper Room in NYC.Featured in the cast: David Linton as The Woodcutter Michael Pate as Salvatore Eirik Davey-Gislason as Geppetto Ali Silva as Pinocchio James Rieser as The Mayor Alain Laforest as Alonzo Mary Murphy as Bella Kacie Laforest as Lizabeta Gustavo Rodriguez as The FarmerThe song, “Wooden Heart” by Fred Wise, Ben Weisman, Kay Twomey and Bert Kaempfert, was performed by Susan O’Dea accompanied by Nico Sleator.Original story and radioplay by Brian WallaceDirected by Holly Payne-Strange Musical score improvised by Steve Blanco Sound Effects Designer and Engineer: Greg Russ Technical Director at The Slipper Room: Johnny Goddard Production coordinator: Brontis Shane Orengo Theme music by Jason GravesPodcast production by Ali Silva & Daniel Graves Post-production audio by Ali SilvaProduced by Gustavo Rodriguez, Ali Silva, Daniel Graves & Rebecca Graves for Fireside Mystery Productions Copyright 2018 Fireside Mystery Productions[firesidemysterytheatre.com](https://www.firesidemysterytheatre.com) @firesidemysterySnag some FMT swag from our [merch store](https://www.firesidemysterytheatre.com/merch)!#horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #radiotheater #weird #radio #creepy #eerie #strange #pinocchio #carlocollodi #fairytales #geppetto #murder #childmurder #filicide #sculptor #predators #puppets #marionettes #fire #wood #woodwork #audiodramasunday #podernfamily

Hear how a one-for-one luggage company is making a difference to the lives of kids in care.   In this episode, we chat with founder David Linton about what it was like to set up a social enterprise, have brunch with Richard Branson and why you should find your 'black bin bag story'   // To see a 'treasure trove' of all things related to David (including a photo) please visit https://bestofbelfast.org/stories/david-linton-madlug   Best Of Belfast is Northern Ireland's #1 Interview Podcast. We've shared 100+ hour-long conversations with incredible people from Northern Ireland.   To find out more, or join 'The Producers Club' please visit https://bestofbelfast.org/   Cheers!   — Matt   

An eccentric professor and his reluctant grad student enter into a secret society to play a strange card game with perilously high stakes. Adapted from a story by Robert Louis Stevenson...This episode is sponsored by BarkBox! Treat your furry BFF to new and exciting treats and toys every month! Go to http://barkbox.com/mystery and get a FREE EXTRA MONTH of BarkBox, when you subscribe to a 6 or 12 month plan!FMT merch is 25% off through 12/2 with coupon code GIVEME25! Go to http://firesidemysterytheatre.com/merch."Games of Chance" was recorded live at The Slipper Room in NYC 10/29/17.Featured in the cast:David Linton as Professor FlorizelAli Silva as GeraldineJames Kleinmann as The Young Man with the CannolisJames Rieser as The PresidentMary Murphy as Sister MaryGustavo Rodriguez as A Club MemberMichael Pate as MalthusKacie Laforest as JonesMusical performance: “From a Jack to a King” by Ned Miller, performed by Martina DaSilva and accompanied by Arcoiris SandovalPoem: "Take a Chance," written and performed by David LintonOriginal story by Robert Louis Stevenson adapted for radioplay by Brian WallaceDirected by Holly Payne-StrangePodcast production by Ali Silva & Daniel GravesPost-production audio by Ali SilvaMusical score improvised by ArcoIris SandovalTheme music by Jason GravesSound Effects Designer and Engineer: Greg RussTechnical Director at The Slipper Room: Johnny GoddardProduction coordinator: Dalia MoraliProduced by Gustavo Rodriguez, Ali Silva, Daniel Graves & Rebecca Graves for Fireside Mystery ProductionsCopyright 2017 Fireside Mystery Productionshttp://www.firesidemysterytheatre.com@firesidemystery#horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #radiotheater #weird #radio #creepy #eerie #strange #robertlouisstevenson #adaptation #classic #suicide #ace #aceofspades #aceofclubs #aceofdeath #cards #cardgames #gamesofchance #club #secretsocieties

Miss Ebbet has a sinister plot of her own and weaves it into her school production of the tragic play “The Duchess of Malfi.”“The Field House” is the fourth and final part of our original tale, “Sing The Old Alma Mater.”Check out our special merch sale at http://firesidemysterytheatre.com/merch: All T-shirts are $14 through Monday, November 6th!Musical performance: “One More Try” by George Michael, performed by Nicole Zuraitis accompanied by Jason Teborek.Poem: “The Core Curriculum” by Dr. David Linton was read by the author.Recorded live at The Bickford Theatre at The Morris Museum in Morristown, New Jersey on Sunday, October 1st 2017.Featured in the cast:Mary Murphy as Miss EbbetAlain LaForest as EricMichael Pate as JackBill Heidrich as ChasJames Rieser as Dean HubbleKacie LaForest as Amanda GardotDavid Linton as Mr. HolstAli Silva as Polly MansfieldOriginal story and radioplay written by Silbin SandovarDirection and post-production audio by Ali SilvaPodcast production by Ali Silva & Daniel GravesMusical score improvised by Jason TeborekTheme music by Jason GravesSound Effects Designer: Joe JungAudio Recording Engineer: Ray LanuzaTechnical Director for the Bickford Theatre: Lewis PerlmutterProduction coordinators: Dalia Morali & Brontis Shane OrengoProduced by Gustavo Rodriguez, Ali Silva, Daniel Graves & Rebecca Graves for Fireside Mystery ProductionsCopyright 2017 Fireside Mystery Productionshttp://www.firesidemysterytheatre.com@firesidemystery#horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #radiotheater #weird #radio #school #creepy #eerie #strange #supernatural #privateschool #boardingschool #ghosts #almamater

The past blurs with the present as we explore the strange and tragic past of the Cathedral School of St. Thaddeus. “Curious,” “odd,” and “peculiar” are words that come to mind as we dive into Part 2 of “Sing The Old Alma Mater.”This episode is sponsored by Fifth and Maiden, the official jeweler of Fireside Mystery Theatre. For "a bit of shimmer" go to: http://fifthandmaiden.com and Instagram @fifthandmaidenMusical performance: “My Old School” written by Donald Fagen and Walter Becker, performed by Nicole Zuraitis accompanied by Jason Teborek.Poem: “Education Lament” by Dr. David Linton, read by the author.Recorded live at The Bickford Theatre at The Morris Museum in Morristown, New Jersey Sunday, October 1st 2017.Featured in the cast:Alain LaForest as EricMichael Pate as JackBill Heidrich as ChasJames Rieser as Dean HubbleDavid Linton as Mr. HolstAli Silva as Polly MansfieldOriginal story and radioplay written by Silbin SandovarDirection and post-production audio by Ali SilvaPodcast production by Ali Silva & Daniel GravesMusical score improvised by Jason TeborekTheme music by Jason GravesSound Effects Designer: Joe JungAudio Recording Engineer: Ray LanuzaTechnical Director for the Bickford Theatre: Lewis PerlmutterProduction coordinators: Dalia Morali & Brontis Shane OrengoProduced by Gustavo Rodriguez, Ali Silva, Daniel Graves & Rebecca Graves for Fireside Mystery ProductionsCopyright 2017 Fireside Mystery Productionshttp://www.firesidemysterytheatre.com@firesidemystery#horror #macabre #mystery #thriller #suspense #audiodrama #radiodrama #radiotheatre #radiotheater #weird #radio #school #creepy #eerie #strange #supernatural #privateschool #boardingschool #ghosts #almamater

Episode 23.1 “They Heard You Too” from our Siblings show performed live at The Slipper Room in Manhattan on Sunday, November 27th 2016.FMT Merchandise now available! Go to www.firesidemysterytheatre.com/merch and grab some swag to support the show.Want to support the show? Go to www.blueapron.com/fireside to get 3 delicious meals free and help Fireside Mystery Theatre in the process! Blue Apron: Fresh Ingredients, Original Recipes, Delivered to You.A curious sibling reunion takes place within the walls of Pilgrim State Psychiatric Center.Featured in the cast:Eirik Davey-Gislason as TimothyMary Murphy as DorothyMichael Pate as The AttendantAlso included, “No Merit Badge,” a poem written and performed by David Linton.Narrated by Ali SilvaOriginal story and radio play by Silbin SandovarDirected by Annabelle RollisonPodcast production by Ali Silva, Greg Russ & Daniel GravesMusical score improvised by Steve BlancoTheme music by Jason GravesSound designer and engineer Greg RussProduction coordinator Dalia MoraliProduction assistant Brontis Shane OrengoProduced by Gustavo Rodriguez, Ali Silva, Daniel Graves & Rebecca Graves for Fireside Mystery ProductionsCopyright 2017 Fireside Mystery Productionshttp://www.firesidemysterytheatre.com@firesidemystery

This week on The Conversation Cafe™ A.Raquel & Mahoghani Dawn will talk with celebrity & entertainment blogger Ray Cornelius, who will keep us "in the know" about the latest in entertainment news. In the second half of the show A.Raquel & Mahoghani Dawn will discuss “The Secret to Navigating the Music Industry” with David C. Linton, an award winning record executive, who has been responsible in whole or in part for helping major record labels break some of the most important artists since 1988. Mr. Linton has held senior level positions at Warner Bros., Island Records, Arista Records and Capitol Records. For more information about Ray Cornelius visit: Website:  http://raycornelius.com/ Facebook: facebook.com/Ray-Cornelius Twitter: @75RayCornelius Instagram: instagram.com/raycornelius. For more information about Davis C. Linton visit: LinkedIn: http://www.linkedin.com/in/lintondc Facebook: https://www.facebook.com/davidc.linton80?fref=ts Twitter: @DCL76  Listen in LIVE and call in to join the dialogue by calling (773) 897-3986. You will be empowered, educated and enlightened.  “Remember…“where there's NO DIALOGUE, there's NO CONVERSATION!”

How can companies provide the visibility and traceability needed to prove that their EE programs are truly making a difference? Ryan Vankessel, vice president of business development for Parachute Software and David Linton, a founder of Parachute Software, provide some input about this topic and address the growing market for tracking and measurement programs.