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A Note for Jacob: Since my second podcast recording with Matt, I am pleased to report that General Admission Seating for the May 5 event is SOLD OUT!! It is a pleasure to welcome actor Matt DeAngelis back to The Jake's Take with Jacob Elyachar Podcast. Originally from Boston, Massachusetts, Matt grew up on showtunes and Boston sports. Matt studied theatre at the University of Southern Maine and The Boston Conservatory before heading down Route 95 to NYC in 2004. In June 2009, Matt got the call to make his Broadway debut in the Tony-winning production of HAIR with Tony Award winner Diane Paulus at the helm. Matt continued with that production, “Across the Atlantic Sea,” to the West End in the role of “Woof” and then launched the first national US Tour of HAIR and was seen back on Broadway in the “Summer of Love” revival of HAIR.Following his time with the hippies, Matt launched the first national tour of Green Day's AMERICAN IDIOT as the “Representative from Jingletown”. Matt's cross-country adventures continued in 2014 with the first national tour of ONCE, where he played “Svec” and five instruments. Over the last five years, Matt has been a veteran of almost 2,000 performances. Thankfully, Matt returned home to Broadway (again with Diane Paulus) in the hit musical WAITRESS, where he starred opposite Tony Award winner Jessie Mueller, two-time Grammy winner Jason Mraz, and seven-time Grammy nominee and the show's composer, Sara Bareilles. He then toured the country with the WAITRESS National Tour as Earl opposite his real-life wife, Christine Dwyer, as Jenna. Upon returning from the road, Matt was a part of developing the World Premiere of The Secret Life of Bees at The Atlantic Theatre Company, directed by Tony Award winner Sam Gold. He also appeared in Orpheus Descending at Theatre for a New Audience. Matt DeAngelis also started the Janice Jam in memory of his mother, Janice, who passed from metastatic breast cancer in 2022. This annual event channels the magic of Broadway to honor those we've lost, uplift those fighting, and fund critical research. This event serves as a yearly celebration of Janice, her love for theater, and raising money for those affected by metastatic breast cancer. On May 5, 2025, a group of Broadway all-stars will join Matt and Christine for this event. Golden Globe and Oscar-winning actor Ariana DeBose, Tony winner John Gallagher, Jr., Tony-nominated actors Jeremy Jordan and Jenn Colella, Caroline Bowman, Kara Lindsay, Krysta Rodriguez, Omar Jose Cardona, Rachel Potter, and Stark Sands are expected to perform.On this episode of The Jake's Take with Jacob Elyachar Podcast, Matt DeAngelis previewed the 2025 Janice Jam, revealed this year's music director, and explained how you can support the Breast Cancer Research Foundation. Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.
In this short class we discuss the author of Kadesh U'rchatz, Rabbi Shmuel of Falaise (French name: Sir Morel) and his well known contributions to the study of Passover. With apologies, I forgot to mention that credit needs to be given to Sam Gold and Shimon Steinmetz (via Twitter) for the images in this class.
It is a privilege to welcome actor Matt DeAngelis as a guest for a special edition of The Jake's Take with Jacob Elyachar Podcast. Originally from Boston, Massachusetts, Matt grew up on showtunes and Boston sports. Matt studied theatre at the University of Southern Maine and The Boston Conservatory before heading down Route 95 to NYC in 2004. In June 2009, Matt got the call to make his Broadway debut in the Tony-winning production of HAIR with Tony Award winner Diane Paulus at the helm. Matt continued with that production “Across the Atlantic Sea” to The West End in the role of “Woof” and then launched the first national US Tour of HAIR and was seen back on Broadway in the “Summer of Love” revival of HAIR.Following his time with the hippies, Matt launched the 1st National tour of Green Day's AMERICAN IDIOT as the “Representative from Jingletown”. Matt's cross-country adventures continued in 2014 with the first national tour of ONCE, where he played “Svec” and five instruments. Over the last five years, Matt has been a veteran of almost 2,000 performances. Thankfully, Matt returned home to Broadway (again with Diane Paulus) in the hit musical WAITRESS, where he starred opposite Tony Award winner Jessie Mueller, two-time Grammy winner Jason Mraz, and seven-time Grammy nominee, and the show's composer, Sara Bareilles. He then toured the country with the WAITRESS National Tour as Earl opposite his real life wife, Christine Dwyer, as Jenna. Upon returning from the road Matt was a part of developing the World Premiere of The Secret Life of Bees at The Atlantic Theatre Company, directed by TONY winner Sam Gold. He also appeared in Orpheus Descending at Theatre for a New Audience.Matt DeAngelis made many performance appearances on television with these multiple shows, including Macy's Thanksgiving Parade. Matt is also seen on Person of Interest, Madam Secretary, Marvel's Daredevil, EVIL, For Life, Chicago PD, FBI, and Waitress starring Sara Bareilles. Matt lives with his beautiful wife, fellow performer (and Bostonian) Christine Dwyer, and their Boston Terrier “Chowdah". Matt and Christine also co-own THE WORKING STUDIO, a music theatre and acting studio dedicated to unlocking people's potential and embracing individuality in the audition process. They have also launched a successful master class series, UPGRADE YOUR AUDITION, with other top industry professionals to demystify the auditioning and booking process. Matt DeAngelis also started the Saloon Sessions. The once-a-month jam session features Matt and his cast members from Swept Away as they perform a combination of Broadway, folk music, and pop tunes. DeAngelis has brought together an impressive group of performers in honor of his mother and the countless others affected by the disease. The series serves as a celebration of his mother, Janice, who passed away in 2022 from metastatic breast cancer. Janice's love of theater and music and raises money for the millions of people affected by breast and other types of cancer. The show also welcomes special guests. For their upcoming March 16 show, Tony-nominated actor Tony Yazbeck (On The Town), Emma Pittman (The Outsiders and Back to the Future), and Stephanie Torns (Waitress and Wicked) will join the festivities at Hurley's Saloon in New York City. Proceeds from the show will go to the Breast Cancer Research Foundation. On this special episode of The Jake's Take with Jacob Elyachar Podcast, Matt DeAngelis spoke about performing in Hair, Swept Away, and Waitress. He also discussed starting the Saloon Sessions and how some of Broadway's biggest stars rally around the residency.Let's connect on social media: A) BlueSky: https://bsky.app/profile/jacobelyachar.bsky.socialB) Facebook: https://www.facebook.com/JacobElyachar/C) Instagram: https://www.instagram.com/jacobelyachar/D) Threads: https://www.threads.net/@jacobelyacharE) Twitter (X): https://x.com/JacobElyacharF) YouTube: https://www.youtube.com/@JacobElyacharBecome a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.
Consent is Sexy! Intimacy director Claire Warden on her extensive experience in TV, film, and theater, highlighting her groundbreaking work on Broadway and various TV productions. Claire explains the role of an intimacy director, the importance of actor consent, and how her methods elevate performances by ensuring actors feel safe and empowered. Sarah and Claire also delve into the collaborative nature of her work and its profound impact on storytelling. Claire (she/her) is an intimacy coordinator/intimacy director with over twenty years experience in TV, film and theatre across America and the UK. Claire works as an intimacy coordinator on numerous television productions under various studios including HBO, Hulu, Amazon, Showtime and Apple TV as well major motion picture studios such as Sony and 20th Century Fox. She was the intimacy coordinator for Mrs Fletcher, And Just Like That (S2), Gossip Girl(2021), Dickinson, Billions, Harlan Cobens's Shelter, Your Honor, Looking for Alaska, Hunters and the feature films West Side Story (dir. Steven Spielberg) and A Journal for Jordan (dir. Denzel Washington). She worked as intimacy coordinator and part of the creative team on the TV series of Three Women and has recently finished working as intimacy coordinator on the upcoming TV series Dying For Sex. Claire is the Director of Advanced Training at Intimacy Director and Coordinators, which is a global leader in training and certifying intimacy coordinators for film and intimacy directors for theatre. She is also part of the collaboration team advising SAG-AFTRA on their effort to standardize, codify and implement guidelines for on-set intimacy coordinators. Claire also works in theatre and made history as the first intimacy director on Broadway with Frankie and Johnny in the Clair de Lune. She also worked as intimacy director on the Broadway productions of Slave Play, Romeo and Juliet (directed by Sam Gold), The Inheritance, Jagged Little Pill, The Notebook, Company, Death of a Salesman, Waitress and West Side Story. In Jan 2025 she will begin work as the intimacy director for Othello, starring Denzel Washington and Jake Gylennhaal and directed by Kenny Leon. She recently opened the West End production of Slave Play, serving once again as intimacy and fight director. She has also worked on the National Tours of Les Miserables, Company and Waitress. She was awarded Variety Magazine's 2019 '10 Broadway Players to Watch'. Claire was also recently awarded a special Drama Desk Award for “pioneering work as an intimacy choreographer… and her leadership in the rapidly emerging movement of intimacy direction”. Claire is a Drama Desk award winner for ‘Outstanding Fight Choreography' for Slave Play at NYTW and was also nominated in the same category for the play Daddy. Claire trains faculty & students in acting training institutions across the country, including Yale, Brown/Trinity, Brandeis, Tufts, JMU, SITI,University of Hawaii, Stella Adler, the O'Neill Theatre Center and numerous others. She has presented workshops, conferences and training across the globe. www.IDCprofessionals.com www.clairewarden.com Connect with GOOD SHOW! Instagram: @goodshowpodcast Tik Tok: @goodshowpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
2024 has been the year of the iconic lovers Romeo and Juliet, and director Sam Gold has brought a bold new production of the timeless tragedy to Broadway. With a fresh, contemporary approach, Gold transforms Shakespeare's classic love story into an immersive experience that features a dynamic young cast led by Rachel Zegler (West Side Story) and Kit Connor (Heartstopper) and an innovative score by Grammy-winning musician Jack Antonoff, blending live music seamlessly into the action. Gold discusses how he re-envisioned the play for today's world, capturing the urgency and intensity of youth while staying true to the emotional heart of the original. He reflects on the challenges and joys of reinterpreting a well-known story and shares the creative process behind staging a Romeo and Juliet that feels relevant to a whole new generation of theatergoers, many of whom may be seeing their first Broadway. Sam Gold is a Tony Award-winning director with an extensive Broadway and theater resume. His Broadway credits include An Enemy of the People (this season) with Jeremy Strong and Michael Imperioli, Macbeth with Daniel Craig and Ruth Negga, King Lear with Glenda Jackson, A Doll's House, Part 2 (Tony Award Nomination), The Glass Menagerie, Fun Home (Tony Award), The Real Thing, The Realistic Joneses, and Seminar. Recent credits include Hamlet at The Public Theater, Othello at New York Theatre Workshop, The Flick (Lucille Lortel Award nomination) at Playwrights Horizons, Barrow Street Theatre, and the National Theatre, The Glass Menagerie (Toneelgroep, Amsterdam), John (Signature Theatre; Obie Award, Lortel and Drama Desk Award nominations), The Village Bike (MCC Theatre), and Uncle Vanya (Soho Repertory Theatre; Drama Desk nomination), among many others. From the Shakespeare Unlimited podcast. Published December 16, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.
This year, the theatre world has enjoyed two particularly high profile productions of the William Shakespeare tragedy ROMEO AND JULIET. The first of these took place at the Duke of York's Theatre in the West End and was directed by Jamie Lloyd, with Tom Holland and Francesca Amewudah-Rivers starring as the titular characters. In a subsequent Broadway production, meanwhile, staged at New York's Circle in the Square Theater, Sam Gold directed Rachel Zegler and Kit Connor as those star-crossed lovers. In today's essay episode Mickey-Jo is comparing and contrasting multiple aspects of these hugely different productions, including their casting, direction, design, and critical reception. Don't forget to share your thoughts in the comments! • 00:00 | introduction 02:42 | casting / production 07:16 | the overall vibes 10:58 | West End creative choices 15:40 | Broadway creative choices 22:52 | the performances 28:32 | West End reviews 34:00 | Broadway reviews •
Connor and Dylan are joined by Tony Award nominee Gabby Beans (Romeo + Juliet, The Skin of Our Teeth). If the end is right it justifies… the Gabby Beans of course! Listen in as this fiercely talented star of Romeo + Juliet on Broadway sat down with the twins for a little DRAMA. Gabby opens up about playing the dual roles of Mercutio and the Friar in this Sam Gold-helmed revival. She raves about the leading players of Rachel Zegler and Kit Connor, and teases the cast rap battles happening before the audience's very eyes onstage. Gabby reflects on her high school days in Germany, pursuing Neuroscience AND Theatre while at Columbia, and growing up as an army brat. She brings us back to her Tony-nominated turn in The Skin of Our Teeth at Lincoln Center, and the experience of being nominated alongside extraordinary women in her category. Trust, we chat about Jake Gyl, “Presumed Innocent,” and her aptly-named bob in the Apple TV+ series. How does this Shakespearean star spend her off days? What shows are on rotation for Gabby? Settle in for this terrific chat, which also includes chatter about Conclave, Anora, Sally Rooney's latest novel, and more. See Gabby Beans in Romeo + Juliet through February 16!Follow Gabby on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!
One of the most anticipated shows of Mickey-Jo's most recent trip back to New York has been the new production of ROMEO & JULIET at The Circle in the Square Theatre on Broadway. This new staging of the show is directed by Sam Gold and stars Kit Connor (Heartstopper) and Rachel Zegler (West Side Story). Check out this full review for his thoughts on the new production, its popular stars, as well as the inevitable comparison to the West End production earlier this year which starred Tom Holland... • 00:00 | introduction 03:17 | context / synopsis 08:40 | this production 20:56 | creative choices 30:04 | performances • • get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club: https://phoenixartsclub.com/events/mickeyjotheatre-live/ • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Sam Gold has directed five Shakespeare tragedies, but his latest, “Romeo + Juliet,” is something different—a loud, clubby production designed to attract audiences the age of its protagonists. “It's as if the teens from ‘Euphoria' decided that they had to do Shakespeare,” Vinson Cunningham said, “and this is what they came up with.” The production stars Rachel Zegler, who starred in Steven Spielberg's remake of “West Side Story,” and Kit Connor, of the Gen Z Netflix hit “Heartstopper,” and features music by Jack Antonoff. Gold, who cut his teeth doing experimental theatre with the venerable downtown company the Wooster Group, bristles at the view that his production is unfaithful to the original. “A lot of people falsely sort of label me as a deconstructionist or something, because they're wearing street clothes,” he tells Cunningham. “I'm not deconstructing these plays. I'm doing the play. . . . I think it's a gross misunderstanding of the difference between conventions and authentic engagement in a text.” Gold aspires to excite kids to get off their phones. “We are in a mental-health crisis [of] teen suicide. I'm doing a play about teen suicide, and all those young people are coming. And I think we can help them.”
Broadway's latest stars Rachel Zegler and Kit Connor breezed into the Run-Through podcast studio impeccably dressed and ready to talk tragedy. The duo plays Romeo and Juliet in director Sam Gold's youthful interpretation of the Shakespeare classic, including original scoring from Jack Antonoff, vaping, and a Doc Martens-wearing Juliet. Gold has likened the aesthetic to a Troye Sivan music video, while Zegler assured co-hosts Chloe Malle and Liam Hess that her Juliet definitely had a brat girl summer. Connor and Zegler share their journey from starting as strangers to dying eight times a week together, navigating fashion while coming into fame, and what it's like to watch Antonoff work. The show has been extended through February after opening on October 24th. Plus, a few of our beloved Vogue staffers gave us a breakdown of their Halloween costumes. From Vogue Runway's Jose Criales-Unzueta channeling his big wavy hair to become Charli XCX to Vogue's senior editor Naomi Elizee's Hallo-meme party, the Vogue offices were filled with Spooktacular looks.
Introducing Kit Connor and Rachel Zegler are Romeo and Juliet | Plus Vogue Gets Spooky! from The Run-Through with Vogue.Follow the show: The Run-Through with Vogue Broadway's latest stars Rachel Zegler and Kit Connor breezed into the Run-Through podcast studio impeccably dressed and ready to talk tragedy. The duo plays Romeo and Juliet in director Sam Gold's youthful interpretation of the Shakespeare classic, including original scoring from Jack Antonoff, vaping, and a Doc Martens-wearing Juliet. Gold has likened the aesthetic to a Troye Sivan music video, while Zegler assured co-hosts Chloe Malle and Liam Hess that her Juliet definitely had a brat girl summer. Connor and Zegler share their journey from starting as strangers to dying eight times a week together, navigating fashion while coming into fame, and what it's like to watch Antonoff work. The show has been extended through February after opening on October 24th. Plus, a few of our beloved Vogue staffers gave us a breakdown of their Halloween costumes. From Vogue Runway's Jose Criales-Unzueta channeling his big wavy hair to become Charli XCX to Vogue's senior editor Naomi Elizee's Hallo-meme party, the Vogue offices were filled with Spooktacular looks. DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to team@podroll.fm.
In this episode of “Half Hour”, we delve into the 2024 Broadway revival of ROMEO + JULIET, now playing at Circle in the Square. This modern take on Shakespeare's timeless tragedy, directed by Sam Gold, features standout performances by Kit Conner and Rachel Zegler. We discuss how the production breathes new life into the classic tale, highlighting its relevance to contemporary themes of love and identity. With an innovative use of music and immersive staging, this revival captivates audiences, particularly resonating with Gen Z. Join us as we explore the show's unique approach to representation and its impact on today's theater landscape. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on ROMEO + JULIET. on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
Take a seat at the dining room table and gaze through that planchette. We're attempting to connect with the spirit world in Mike Flanagan's 2016 prequel-to-beat-all-prequels OUIJA: ORIGIN OF EVIL, featuring Elizabeth Reaser, Lulu Wilson, Annalise Basso, and Henry Thomas. Joining us to battle Demons from the Great Beyond is the amazing Louisa Krause, she of Starz's "The Girlfriend Experience" Season 2 and the films The Dive, Maggie Moore(s), Ava's Possessions, Martha Marcy May Marlene, and many more. And this week, we introduce a new segment, "Campus Radio," with a special appearance by Jocelin Donahue, one of the stars of the new film The Last Stop in Yuma County (17:14). Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-34:44Honor Roll and Detention (spoiler-heavy): 34:45-1:01:10Superlatives (spoiler-heavier): 1:01:11-1:22:04 Director Mike FlanaganScreenplay Mike Flanagan & Jeff Howard, based on characters created by Stiles White & Juliet SnowdenFeaturing Annalise Basso, Doug Jones, Parker Mack, Elizabeth Reaser, Kate Siegel, Henry Thomas, Lulu Wilson Louisa Krause appears in the independent features The Dive (in which she stars alongside Sophie Lowe) and Maggie Moore(s) (opposite John Hamm and Tina Fey). On television, she was one of the leads of the Starz series “The Girlfriend Experience,” and had memorable recurring roles on Showtime's “Ray Donovan” and “Billions.” Her extensive list of film credits includes Todd Haynes's Dark Waters opposite Mark Ruffalo and Anne Hathaway; Billy Crystal's comedy feature Here Today; the A24 feature Skin opposite Jamie Bell and Danielle Macdonald; Young Adult; Martha Marcy May Marlene; The Phenom; Ava's Possessions; King Kelly (Best Actress, PiFan Film Festival); Jane Wants a Boyfriend (Best Actress, Napa Film Festival); and Bluebird (Best Actress, Karlovy Vary Film Festival). On stage, Louisa starred in Annie Baker's Pulitzer Prize-winning The Flick, directed by Sam Gold. Jocelin Donahue is an American actress known for her breakout role in Ti West's critically-acclaimed The House of the Devil, turning in what IndieWire called “one of the all-time great final girl performances.” In the years since, Donahue has appeared in many popular studio, independent, and genre films. Her lead performances in The Frontier, Offseason, and Summer Camp are roundly praised by critics and audiences alike. Donahue has worked with preeminent directors like James Wan on Insidious: Chapter 2 and Terrence Malick in Knight of Cups, playing opposite Christian Bale and Antonio Banderas. In 2019, Jocelin appeared in Warner Bros' Doctor Sleep, directed by Mike Flanagan. Her TV credits include a memorable role as a rookie FBI agent and partner to Martin Freeman on the crime series “StartUp” and guest starring roles on episodes of “Lethal Weapon,” “The Rookie: Feds,” “The Affair,” and “CSI,” among others. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music from Ouija: Origin of Evil by The Newton Brothers. For more information on this film, writing by your hosts (on our blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
Henrik Ibsen's “An Enemy of the People” is about halfway through its strictly limited run at The Circle in the Square Theatre having opened on March 18, the Sam Gold directed production will run through June 23. Caleb Eberhardt plays Hovstad, the editor of the town's newspaper - a character integral to the questions posed by the plot involving character, power, public opinion, and the always nuanced-laden exploration of “the greater good.”
Christopher Rotondo and Sam Gold recap a WILD week 10! The action was nonstop and left football fans buzzing!. Hear their thoughts on division battles and MVP races as they heat up late into the season? Is CJ Stroud the MVP? Is Geno Smith back? Is Justin Herbert elite? Are the Ravens in a must win spot this week? All these questions will be answered. Plus a highly anticipated donut ranking on an all new episode of In The Huddle!
Today, I'm thrilled to announce my episode with Peter Friedman, who is currently starring in the sold-out hit play Job off-Broadway. Tune in today to hear some of the stories of his legendary career, including a visit with E. L. Doctorow, working with older vaudevillians on The Tenth Man, coming into Twelve Angry Men late in the process, experiencing a career renaissance with Annie Baker and Sam Gold, why Susan Stroman is a great director, bonding with cast members of Ragtime, and so much more.
Sometimes, the beauty of Shakespeare's poetry takes your breath away. In the case of today's guest, Shakespeare gave him his breath back. You may recognize actor Michael Patrick Thornton from his roles on TV series like Private Practice and The Good Doctor. Twenty years ago, Thornton had just started out in his acting career when he suffered two spinal strokes that nearly ended his life. He survived, but the strokes took away his ability to breathe and speak. A speech therapist helped Thornton find his way back to breath control… by reciting Shakespeare. He talks with Barbara Bogaev about learning to breathe again with the Bard. Michael Patrick Thornton is the co-founder and former artistic director of The Gift Theatre in Chicago. He's played Iago at the Gift, and Richard III in a co-production with Steppenwolf Theatre. Recently, he appeared on Broadway in Sam Gold's 2022 production of Macbeth starring Daniel Craig and Ruth Negga and in the Tony-nominated Broadway production of A Doll's House. From the Folger's Shakespeare Unlimited podcast. Published September 26, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leo Fernandez edits our transcripts. We had technical help from Daniel Roth in Chicago and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.
Sam Gold and Chris Rotondo take you through the week three slate! Hear their picks for each game while they give their insight for all the action!
Chris Rotondo and Sam Gold recap a wild week 2! Who saw three teams in the NFC South starting 2-0? They recap all the action as well as discuss any teams they might be worried about!
NFL analyst Sam Gold details what the film tells us about why receiver Jaxon Smith-Njigba and cornerback Devon Witherspoon are perfect fits for the Seahawks. Sam breaks down how Seattle can maximize JSN's skill set and how Witherspoon's talent expands Clint Hurtt's playbook. Sam, Michael-Shawn and Christopher also talk Derick Hall as a pass rusher, Tariq Woolen's development & more. Learn more about your ad choices. Visit megaphone.fm/adchoices
FUN HOME Music by Jeanine Tesori | Lyrics by Lisa Kron | Book by Lisa Kron | Based on the Graphic Novel Fun Home by Alison Bechdel | Works Consulted & Reference :Fun Home (Original Libretto) by Lisa Kron & Jeanine TesoriFun Home by Alison BechdelMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Days and Days” from Fun Home (Original Broadway Cast Recording) | Music by Jeanine Tesori | Lyrics by Lisa Kron | Performed by Judy Kuhn"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
It's the first @EchoChamberFP https://www.instagram.com/echochamberfp/ of 2023 folks, and we've got four films for you this week Things start off with the new indie thriller from Lionsgate, Signature Entertainment, then we have two new Netflix @netflix joints. A comedy / drama, and a crime / horror. We close the show with a new Searchlight joint that mixes food, intrigue, and shock! Today we have: The Minute You Wake up Dead Watch Review: Here. https://youtu.be/iRxW6dGKYJw Theatrical Release Date: 4th November 2022 Digital Release Date: 9th January 2023 Director: Michael Mailer Cast: Cole Hauser, Jaimie Alexander, Darren Mann, Morgan Freeman, Ben VanderMey, Liann Pattison, Tony DeMil, Andrew Stevens, James Harlon Palmer, David Dahlgren, John Read, Kenneth Farmer Running Time: 90 min Cert: 18 Trailer: Here. https://youtu.be/Pc4keE4fXv4 Rent or Buy via AppleTV+: Here. https://itunes.apple.com/us/movie/the-minute-you-wake-up-dead/id1650709877 Website: Here. https://www.signature-entertainment.co.uk/film/the-minute-you-wake-up-dead/ ------------ White Noise Watch Review: Here. https://youtu.be/uwCn5FX_Sfs 79th Venice International Film Festival: 31st August 2022 Theatrical Release Date: 25th November 2022 Digital Release Date: 30th December 2022 Director: Noah Baumbach Cast: Adam Driver, Greta Gerwig, Raffey Cassidy, Sam Nivola, May Nivola, Henry Moore, Dean Moore, Don Cheadle, Jodie Turner-Smith, André 3000, Sam Gold, George Drakoulias, Danny Wolohan, Lars Eidinger Running Time: 136 min Cert: 18 Trailer: Here. https://youtu.be/FqJD7ae11mU Watch via Netflix: Here. https://www.netflix.com/title/81317320 Website: Here. https://www.netflix.com/tudum/articles/white-noise-end-credits ------------ The Pale Blue Eye Watch Review: Here. https://youtu.be/GuWdiCi5_j0 Theatrical Release Date: 23rd December 2022 Digital Release Date: 6th January 2023 Director: Scott Cooper Cast: Christian Bale, Harry Melling, Gillian Anderson, Toby Jones, Lucy Boynton, Harry Lawtey, Fred Hechinger, Joey Brooks, Brennan Keel Cook, Robert Duvall, Timothy Spall, Mathias Goldstein, Steven Maier, Gideon Glick, Jack Irv, Matt Helm, Charlie Tahan, Hadley Robinson, Charlotte Gainsbourg Running Time: 128 min Cert: 15 Trailer: Here. https://youtu.be/ddbL9jvg77w Watch via Netflix: Here. https://www.netflix.com/title/81444818 Website: Here. https://www.netflix.com/tudum/articles/pale-blue-eye-opening-scene ------------ The Menu Watch Review: Here. https://youtu.be/brvtsCACIxc Toronto International Film Festival: 10th September 2022 Theatrical Release Date: 18th November 2022 Digital Release Date: 4th January 2023 Director: Mark Mylod Cast: Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, Reed Birney, Judith Light, John Leguizamo, Aimee Carrero, Paul Adelstein, Rob Yang, Arturo Castro, Mark St Cyr, Peter Grosz, Christina Brucato, Adam Aalderks, Matthew Cornwell, Rebecca Koon Running Time: 106 min Cert: 15 Trailer: Here. https://youtu.be/CAWZMssP3gM Watch via Disney+: Here. https://www.disneyplus.com/movies/the-menu/6qKeWn5NKzDY Website: Here. https://www.searchlightpictures.com/the-menu/ ------------ *(Music) 'A Million Ways' by OK Go - 2005 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message
Sam Gold of “Sam's Film Room” breaks down Seattle's hot start with a look at the following: Tariq Woolen's rapid development, Seattle's base coverage causing problems for opponents, Ken Walker III's skill set, Geno Smith's surprising surge, the Seahawks deploying a pass-first offense and more. Learn more about your ad choices. Visit megaphone.fm/adchoices
We are thrilled to chat with Downtown Theater Icon: Paul Lazar. From making appearances in movies that became cult classics (Married to the Mob, Silence of the Lambs, Old Boy, Snowpiercer), to his recent Broadway appearance in Macbeth directed by Sam Gold with Daniel Craig and Ruth Negga -- following Paul's career is like a game of Where's Waldo? You never know where you'll spot him next!In this episode we talk:Early beginnings - how Paul found his way into the Downtown worldThe current state of "Downtown Theater" - what is it? And where is it now?What it's like to work so closely with his wife, choreographer and co-founder of Big Dance Theater, Annie-B ParsonsYou can currently see Paul in Maria Irene Fornes's seminal work: Mud/Drowning at Mabou Mines, alongside May 2019 guest: Wendy Vanden Huevel. If you liked this episode and want to hear more -- check out Manhattan Theatre Club's Beyond the Stage podcast! The latest episode features our host chatting with playwrights: Martyna Majok and Jeff Augustin. With a handy discount code to their upcoming plays at MTC in the shownotes!-----Intro Music by David HilowitzSupport the show
Thank you for listening to this track produced by the Art Gallery of South Australia. In celebration of SALA Festival, join Kylie Neagle, Education Officer, in conversation with South Australian artist and ceramicist Sam Gold as they share their insights into Pure Form: Japanese sculptural ceramics. For more information visit agsa.sa.gov.au Photo: Thomas McCammon
'Macbeth' is back on Broadway, with stars Daniel Craig and Ruth Negga taking the stage under the direction of Sam Gold. Gold joins us to discuss his unconventional staging of the show. We'll also be joined by composer Gaelynn Lea, who was selected by Gold to create the score for the show after he saw her on NPR's Tiny Desk. 'Macbeth' runs at the Longacre Theatre through July 10th.
The highly-anticipated production of MACBETH on Broadway, starring DANIEL CRAIG in his return to Broadway as Macbeth and RUTH NEGGA's Broadway debut as Lady Macbeth, opened on Broadway at the Longacre Theatre. A tale of malice, matrimony and murder, MACBETH tells the story of one couple's obsession with power—and their guilt after doing the unthinkable. For 15 weeks only, this thrilling new production will capture the passion and ferocity of Shakespeare's most haunting text like never before. The famous play is directed by Tony Award winner SAM GOLD. Hear from critics Juan Michael Porter II, Bedatri D. Choudhury, and Ran Xia as they review MACBETH. Learn more about your ad choices. Visit megaphone.fm/adchoices
Career Q&A with Keegan-Michael Key, moderated by BroadwayWorld's Richard Ridge of "Backstage with Richard Ridge!" Emmy and Peabody award winning actor, writer, and creator Keegan-Michael Key has made a name for himself as one of the most creative and in-demand faces in Hollywood. With his extraordinarily diverse skill set and wide-ranging talent in both comedy and drama, Key redefines what it means to be a chameleon and multi-hyphenate in the worlds of film, television, and theater. Up next, Key will star in Shane Black's The Predator, which will hit theaters August 3, 2018. A sequel to the 1987 sci-fi hit Predator, the film also stars Sterling K. Brown, Trevante Rhodes, and Jacob Tremblay. It was also just announced that Key has joined the cast of Jon Favreau's The Lion King as the hyena Kamari. The Disney film is slated for a Summer of 2019 release. Most recently, Key made his Broadway debut in Steve Martin's play Meteor Shower, which opened on November 29th at the Booth Theatre. The production followed his New York stage debut as Horatio in Sam Gold's production of Hamlet at The Public Theater in the Summer of 2017. He can also be seen starring in Nick Stoller's comedy series “Friends from College,” currently streaming on Netflix, which follows a group of Harvard alumni and their adult successes – or lack thereof. The role garnered a 2018 NAACP award nomination for Key, and the show will return for a second season sometime this year. Key is the co-creator and co-star of Comedy Central's “Key & Peele” with Jordan Peele. The show won the 2016 Emmy Award for Outstanding Variety Sketch Series, with Key being individually nominated for acting and co-writing with Peele. Key was previously nominated for 5 Emmy Awards for his work on the show, as well as a 2016 Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series. “Key & Peele” won a 2014 Peabody Award and an American Comedy Award for Best Alternative Comedy Series. The show has become a TV and viral sensation, with 15 total Emmy® nominations and approaching a billion cumulative online hits. The series concluded its five season run in September 2015. Key was named among Time Magazine's “Most Influential People of 2014” and Entertainment Weekly's “Entertainers of the Year of 2012.” He is a veteran of Detroit and Chicago's The Second City, and received his Bachelor's Degree in Fine Arts from the University of Detroit Mercy, and his Master of Fine Arts in Theater from Pennsylvania State University.
Sam Gold joins us in studio to talk all things NFL draft, our very own word game and more! See omnystudio.com/listener for privacy information.
Legislation targeting transgender Americans and trans children has increased sharply in the last year. Guest host Ari Shapiro speaks with the Florida mother of a trans daughter about how their family is coping with that state's new, more restrictive policies. Then, Ari discusses how this wave of law-making differs from so-called "moral panics" of past decades — and why that matters — with historian Jules Gill-Peterson, of Johns Hopkins University.Then, Broadway is back and bigger than ever, with 16 new shows opening this month. But this Broadway burst hasn't been immune to the pandemic. "Macbeth" director Sam Gold talks to Ari about having to go onstage himself this month, when too many of his cast tested positive for Covid; and about what feels different as actors and audiences try to get back to normal. You can follow us on Twitter @NPRItsBeenAMin and email us at ibam@npr.org.
Hello listeners, patrons of the arts, and theatre lovers, The people who have played James Bond are more than just movie stars. They're actors! They're respected thespians! One need look no further than the most recently retired 007, Daniel Craig. His first post-Bond assignment: a modern reinterpretation of William Shakespeare's "Macbeth" on Broadway, co-starring Ruth Negga. The show is directed by Sam Gold. Jason Kim was able to make it to a presentation during its first week. He attended the Wednesday March 30th show with a few members of the Bond fan community. You'll hear from Tim Guccione and his significant other Jackie Capone, as well as Boomer and Sarra Spillane. As for Jason, his keen sense of observation lent itself to a host of topics: Daniel Craig mopping the floor, a theatrical gather all, an obligatory Keri Russell reference, being in the presence of Daniel Craig's piercing blue eyes, a condensed episode of "What's Daniel wearing?", the history of Lady Macbeth performances, and cracking open a brewski after murdering a friend. So sit back and feel the rush of tension and passion that only a classic tragedy can muster. If you see witches three, run away. Fast. "Macbeth" is playing at the Longacre Theatre in New York until July 10th. Tim Guccione co-produces and co-hosts the No Time to Bond podcast.
Sam Gold fills in for Ed today! We talk all things NFL Free Agent QB's, your calls and more! See omnystudio.com/listener for privacy information.
10 years after drafting him, the Seattle Seahawks have traded Russell Wilson. The Seahawks received a great trade package for a guy who only once cost them a third round pick, but the impact of parting with the most renowned quarterback in franchise history--if not the most important player to ever suit up for Seattle--can't be understated. We will try though. I started writing about the Seahawks at Field Gulls in the middle of 2011. Russell Wilson joined in 2012. He started every game for the Seahawks for almost a decade. Playoffs. Super Bowls. I've written more words about Wilson than I've dedicated to any other person in history. Now it's time to set him free and look to a new future. To do that, I gave an instant reaction to the trade news and shared in it with Sam Gold. You know him from Field Gulls, from YouTube, and from Twitter @SamuelRGold. If you don't know him, now you do. Hit SUBSCRIBE for more Seaside Joe episodes like this one.
Clare Barron is a prolific writer who has written the plays “Baby Screams Miracle,” “Dirty Crusty,” “I'll Never Love Again,” “You Got Older” and the Pulitzer-nominated “Dance Nation." Her gripping play “Shhhh,” which has been called “illuminating” and "raw" recently had a very successful run at the Atlantic Theater Company. Not only did Clare write Shhhh she also directed and starred in the play. Clare is working on an adaptation of Anton Chekhov's “Three Sisters” for New York Theatre Workshop's (NYTW) 2022/2023 season. Directed by Sam Gold the cast includes Greta Gerwig, Oscar Isaac, Steve Buscemi, Quincy Tyler Bernstine, Emily Davis, Chris Messina, Lola Kirke, John Christopher Jones, Michael Benjamin Hernandez, Anthony Michael Lopez, Matthew Maher, Chris Messina, Aaron Clifton Moten, Ben Sinclair and Virginia Wing. Learn more about your ad choices. Visit megaphone.fm/adchoices
Broadway News: Brittney Johnson made history as the first Black Glinda on Broadway on Valentine's Day! Broadway theaters will still require audience members to wear masks and show proof of vaccination for entry through April 30. “American Utopia” has extended its Broadway run through April 3. This is the final extension of the show, which has been playing the St. James Theatre since Sept. 17, 2021. “American Utopia” was originally scheduled to run through March 6. Cast albums by release date: Love in Hate Nation by Joe Iconis, Witness Uganda and Space Dogs (Feb 11); Flying Over Sunset (Feb 18); Back to the Future (London - March 11); Assassins (March 18) West Side Story is arriving on Disney+ on March 2. Newsies will celebrate 10 years with a reunion of the Broadway and tour cast at 54 Below on March 28th and 29th. Broadway premiere of Skeleton Crew, written by Tony Award nominee Dominique Morisseau and directed by Tony Award winner Ruben Santiago-Hudson, moves into its final week of performances. Casting: Elizabeth Teeter will take on the role of Lydia when Beetlejuice returns to Broadway this spring. Teeter, who recently led the Off-Broadway musical The Secret Life of Bees, will star alongside Alex Brightman as Beetlejuice. Returning original cast members include Kerry Butler, Adam Dannheisser, Leslie Rodriguez Kritzer, Kelvin Moon Loh, Danny Rutigliano and Dana Steingold. Amber Grey will play Banquo in Macbeth this spring. She joins previously announced Daniel Craig and Ruth Negga in the upcoming revival, directed by Sam Gold. Maria Dizzia will play Lady Macduff, opposite Grantham Coleman as Macduff. SIX North American tour tour will feature Khaila Wilcoxon as Catherine of Aragon, Storm Lever as Anne Boleyn, Jasmine Forsberg as Jane Seymour, Olivia Donalson as Anna of Cleves, Didi Romero as Katherine Howard, and Gabriela Carrillo as Catherine Parr. The upcoming Broadway musical Paradise Square has announced its complete 40-member cast, which includes Tony nominees Joaquina Kalukango and John Dossett, and Chilina Kennedy. Rehearsals are underway for the production that will begin previews March 15 at the Ethel Barrymore Theatre. Following its 2019 world premiere at Berkeley Repertory Theatre, Paradise Square will officially open on Broadway April 3. Find co-hosts on Twitter at @AyannaPrescod, @CLewisReviews, and @TheMartinAcuna. Subscribe To BPN's newsletter HERE. Follow @BwayPodNetwork on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
Stevie Ray Dallimore, Director of Theater at McCallie, will head to New York in the next few days where he will be the understudy for actor Daniel Craig in the upcoming Broadway production of Macbeth, directed by Sam Gold. In this episode of Stories from the Ridge, Mr. Dallimore discusses his role as understudy, what it entails, and how he got the offer. He also reflects on his nine years leading McCallie's theater department and how that experience has helped him as an actor. He plans to return to the Ridge once the show ends its 15-week run.
In this episode, Katya caught up with South Australian ceramic artist Sam Gold at their JamFactory studio. Sam speaks candidly about their journey from art school to the present, including the mentorships and opportunities that informed their exciting trajectory towards interstate exhibitions like Primavera 2021 and securing gallery representation with Hugo Michell Gallery. Tune in to hear about the way that Sam's training as an Art Therapist informs their reverence for clay as a material, its capacity to echo emotional states, and ceramics as a lesson in resilience and letting go. Show Notes Sammgold.com / @s.amgol.d JamFactory / Associate Program Primavera 2021 at the Museum of Contemporary Art Australia KirstenCoelho.com SALA Feature Artist archive Samstag Museum Helpmann Academy Mark Valenzuela Australia Council for the Arts / ‘AusCo' Duncan Young / @DuncanYoungDesign Ivana Taylor / @IvanaTaylorDesign Francesca Sykes / @FrancescaSykes_Studio Celadon glaze, Chün glaze Catapult Mentorship Program / Guildhouse Sam's mentorship with David Pedler & Jane Robertson Sam Gold joins Hugo Michell Gallery stable [ArtCollector article] Hugo Michell Gallery (SA) / @HugoMichellGallery Wet from a moonlight swim, Sam Gold exhibition at Hugo Michell Gallery, 3 Feb – 5 March 2022. Bedroom, Kate Power Kate Bohunnis / @Kate_Bohunnis George Street Studios Lou Cresp Carclew / Pom Pom program
Film guru Sam Gold joins the show to discuss the following: What's wrong with Seattle's offense, how much of the problem falls on Russell Wilson, how much is on the scheme, what changes have been made on defense, how Jamal Adams has impacted that side of the ball, what's next for the Seahawks and more. Learn more about your ad choices. Visit megaphone.fm/adchoices
每日英語跟讀 Ep.K242: Done With Bond, Craig Will Play Macbeth on Broadway Daniel Craig is veering from James Bond to Shakespeare. 丹尼爾．克雷格要從詹姆士．龐德轉向莎士比亞了。 The 53-year-old actor, who has said that his tenure as Bond will come to an end with the release of “No Time to Die,” on Oct. 8, plans to return to Broadway next spring to star in the title role of “Macbeth.” 這位53歲的演員說，他扮演龐德的任期將隨「007：生死交戰」於10月8日上映後告終，計畫明年春天回百老匯，主演「馬克白」。 Famous for his film career, especially as the rakish spy, Craig is also an accomplished stage actor. 克雷格雖以電影出名，特別是扮演這位瀟灑間諜，不過也是出色的舞台劇演員。 He has starred in two previous Broadway plays, the 2009 production of “A Steady Rain” and a 2013 revival of “Betrayal.” And he played the villainous Iago in a 2016 off-Broadway production of Shakespeare's “Othello” at New York Theater Workshop, opposite David Oyelowo in the title role. 他曾主演兩齣百老匯戲劇，2009年的「連綿之雨」，以及2013年再度上演的「背叛」。他也在2016年紐約戲劇工坊的外百老匯莎士比亞作品「奧賽羅」中飾演惡名昭彰的伊阿古，和演對手戲的大衛．歐洛沃共同主演。 The lead producer for the Broadway production will be Barbara Broccoli, who has a long collaboration with Craig: She and her brother produce the Bond films, and they also coproduced “A Steady Rain” and supported the nonprofit “Othello” production. 這齣戲劇主製作人是芭芭拉．布洛克里，她和克雷格合作多年，她和她的兄弟製作龐德系列電影，他們也製作過「連綿之雨」以及支援非營利的奧賽羅製作。 Broccoli said she had been talking with Craig about Macbeth for several years, ever since he expressed an interest in playing the role. 布洛克里說，自從克雷格表達有意演出馬克白以來，她們已討論此劇多年。 “I'm thrilled that it's coming after Bond, because, obviously, after 16 years of working with this man, the thought of it all coming to an end has been really difficult to take,” she said. “And so it's really heartwarming for me that we're going to be working on something else so soon after the wrapping up of his James Bond cycle.” 她說：「對於這齣戲能接在龐德之後演出，我很興奮。因為和這個男人合作16年之後，想到這即將告一段落，實在讓人難以接受。所以當他的詹姆士．龐德時代結束後，我們馬上合作另一齣戲，讓我很感動。」 Broccoli said that she and Craig also thought it was important to stage the play this season, as Broadway seeks to recover after a long shutdown prompted by the coronavirus pandemic. 布洛克里和克雷格也認為，百老匯因疫情長期關閉，如今試圖復甦之際，讓這齣戲在這一季上演很重要。 “It's been a horrendous 18 months for everyone, and live theater has been damaged tremendously,” she said. “He really wants to come back and be on the stage and encourage people to come back to Broadway — it's important to all of us from a cultural point of view and from a social point of view.” 她說，「對所有人來說，這18個月很可怕，現場演出的戲劇受傷慘重。他很希望回來站上舞台，鼓勵大家造訪百老匯，從文化觀點以及社會觀點來說，這對我們所有人都很重要。」 “Macbeth” is scheduled to run for 15 weeks, beginning previews March 29 and opening April 28 at Broadway's Lyceum Theater. The production is to be directed by Sam Gold, who also directed the off-Broadway “Othello” in which Craig appeared, and who in 2019 directed a Broadway revival of “King Lear.” The production will feature original music by Gaelynn Lea. 馬克白預定演出15周，於明年3月29日預演，4月28日在百老匯蘭心戲院演出。這齣戲將由山姆．戈德執導，他也執導過克雷格演出的外百老匯「奧賽羅」。他在2019年執導百老匯再度上演的「李爾王」，這齣劇搭配格琳．里亞的原創音樂。 There have been 47 previous Broadway productions of “Macbeth,” according to the Internet Broadway Database; the most recent was in 2013, starring Ethan Hawke and Anne-Marie Duff. 根據網路百老匯資料庫，「馬克白」曾在百老匯上演47次，最近一次是2013年，由伊森．霍克和安－瑪麗．達芙主演。Source article: https://udn.com/news/story/6904/5804162
This week your hosts JHawk (@RefJHawk) and Charly Butters (@Charly_Butters) are joined by special guests Dr. Dan (@DrDanDCR) and Sam Gold as they discuss Pro Wrestling Explosion and their show "Galactic Resolution" PLUS Butters went to Fargo! Sam hates Robots and Aliens And so much more! this week on IWTV Guide. Linktr.ee/IWTVGuide
This week your hosts JHawk (@RefJHawk) and Charly Butters (@Charly_Butters) are joined by special guests Dr. Dan (@DrDanDCR) and Sam Gold as they discuss Pro Wrestling Explosion and their show "Galactic Resolution" PLUS Butters went to Fargo! Sam hates Robots and Aliens And so much more! this week on IWTV Guide. Linktr.ee/IWTVGuide
NFL film analyst Sam Gold dives into the truth about Jamal Adams' performance and what changes may need to happen moving forward, what's causing so many coverage breakdowns in the Seahawks' secondary, how Seattle can fix its defense, what's working in Shane Waldron's offense, how Geno Smith may perform as the starter and more. Learn more about your ad choices. Visit megaphone.fm/adchoices
RiverTown Trade is a new concept-boutique located in the heart of Amenia, New York, welcome to RiverTown Trade, the Harlem Valley's latest curated boutique featuring not only unique merchandise but also world class photography and art work.
In today's episode, Divinia chats with Will Arbery (he/him). Will's bio: "Will Arbery is a playwright from Texas + Wyoming + seven sisters. His play Heroes of the Fourth Turning was a Pulitzer Prize finalist, and the winner of an OBIE for Playwriting, the Lortel Award for Outstanding Play, the John Gassner Playwriting Award, and the New York Drama Critics Circle Award. He's also the recipient of a Whiting Award for Drama. Other plays: Plano (Clubbed Thumb), Evanston Salt Costs Climbing (New Neighborhood), and Wheelchair (3 Hole Press). Commissions: Playwrights Horizons, Audible, MTC. He's a member/alum of New Dramatists, The Working Farm at SPACE on Ryder Farm, Page 73's Interstate 73, Colt Coeur, Youngblood, and Clubbed Thumb's Early Career Writers Group. New plays: Corsicana (dir. Sam Gold, developed at Playwrights Horizons/Ojai), and You Hateful Things (developed at The Public/NYTW/SPACE on Ryder Farm). He is currently developing a slate of film/TV projects at HBO, A24, BBC Films, Sight Unseen, and Hulu. MFA: Northwestern. BA: Kenyon College." Will's website: http://willarbery.com/ (http://willarbery.com/) Host: Divinia Shorter Producer: Jacob Zeranko Charity of Choice: Creativity Explored. For more information, check out their website: https://www.creativityexplored.org/ (https://www.creativityexplored.org/) Follow us! Twitter: @greatestcityco Instagram: @greatestcityco Facebook: @greatestcityco Website: https://www.greatestcitycollective.org/ (https://www.greatestcitycollective.org/)
Abbott and Costello: The Official Podcast of Abbott and Costello’s Old Time Radio Shows
Lou acts like he has a cold. He got it running around with girls. Lou tries to show Susan how to play pool. Lou gets a telegram from his Uncle Mike that he has struck gold. AC arrive in Alaska. They buy a dog sled and go to the saloon to look for Uncle Mike but he's in jail. He's in jail for striking Sam Gold. To listen to more Abbott and Costello visit Oldtimeradioclub.com © 2019 TCA Television Corp., Diana Abbott-Colton, Hi Neighbor Learn more about your ad choices. Visit megaphone.fm/adchoices
Interview with Sam Gold --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
CHASE BROCK, called “prolific” in The New Yorker and “a showman with an eye to a wide audience” in The New York Times, is a choreographer, director and occasional costume designer working across theater, dance, opera, ballet, TV and video games. From Flat Rock, NC, Brock made his Broadway debut at 16 in the original cast of Susan Stroman’s revival of The Music Man, also appearing on “The Rosie O’Donnell Show” and “The Tony Awards.” At 18, Brock produced a showcase of his own choreography in Michael Bennett’s leg- endary building at 890 Broadway, and at 23, he launched his own dance company. As Artistic Director of The Chase Brock Experience (in residence at Theatre Row on 42nd St), he has commissioned 8 original scores and directed, choreographed and often designed cos- tumes for 31 original works including American Sadness to Gabriel Kahane’s debut album, The Four Seasons to the Vivaldi score and new text by David Zellnik, Mirror Mirror with an original score by Michael John LaChiusa, The Song That I Sing; Or, Meow So Pretty to vintage record- ings by The New Christy Minstrels, The Girl with the Alkaline Eyes with original score and sce- nario by Eric Dietz, and Whoa, Nellie! to Nellie McKay’s album Obligatory Villagers. Broadway choreography: Joe Iconis and Joe Tracz’s Be More Chill (Lyceum Theatre), Bono, The Edge and Julie Taymor’s Spider-Man: Turn off the Dark (Foxwoods Theatre) and Sam Gold’s revival of Inge’s Picnic (Roundabout Theatre Company). International choreography: Disney’s The Hunchback of Notre Dame (North American, German and Japanese companies), Be More Chill (London), Roméo et Juliette (Salzburger Festspiele). Off-Broadway choreography: Disney’s Hercules, Michael John LaChiusa’s First Daughter Suite, Lear deBessonet and Todd Almond’s The Tempest and The Winter’s Tale (The Public Theater), The Wildness (Ars Nova), Gigantic (Vineyard Theatre), The Mysteries (The Flea Theater). Re- gional highlights include directing The Music Man, The Nutcracker (Flat Rock Playhouse) and The Night They Invented Champagne (Westport Country Playhouse) and choreographing the world premieres of Sara Bareilles’s Waitress (American Repertory Theater), Soul: The Stax Mu- sical (Baltimore Center Stage, dir. Kwame Kwei Armah), Daniel Zaitchik’s Darling Grenadine (Goodspeed Musicals) and Be More Chill (Two River Theater). Other highlights include serving as the onscreen theater director for the Fiddler on the Roof episode of Kristin Bell’s “Encore!" (Disney+) and choreography for Bartlett Sher’s production of Gounod’s Roméo et Juliette for The Metropolitan Opera and “Great Performances” (PBS), “Dash & Lily” (Netflix), many works of political satire for “Last Week Tonight with John Oliver” on HBO, the bestselling video game Dance on Broadway (Nintendo Wii, PlayStation Move), sever- al ballets for New York Theatre Ballet and the upcoming film Man & Witch. Brock is the subject of the Emmy-nominated documentary Chasing Dance, and his latest project is the creation of Modern Accord Depot (modernaccorddepot.com), an arts residency space and luxury getaway in a turn-of-the-century Hudson Valley train depot. For more, please visit www.chasebrock.com and www.chasebrockexperience.com Follow @instachasebrock --- Send in a voice message: https://anchor.fm/confessionsofanactress/message Support this podcast: https://anchor.fm/confessionsofanactress/support
As movie theaters across the country are about to go through another metamorphosis point after having been largely empty this last year, now seems as good a time as any to revisit the 2014 Pulitzer Prize for Drama about three workers at a single-screen movie theater in New England. On this episode I'm joined by journalist and former guest, Tyler Coates, and actor Eric Gilde, to talk about:- the play;- Baker's career;- her collaboration with director Sam Gold;- and her creative usages of prosceniums, pauses, and Georges Delurue music.Also:How the French New Wave and her Criterion top 10 list informs the play;- her only produced film/television work on one episode of Amazon's I Love Dick;- speculation about what a film she writes and directs might be like;- and how much the play nails about working in a movie theater during the film to digital transition.Tyler Coates is currently writing for the Hollywood Reporter, while past work has appeared in The Awl, Brooklyn Magazine, Esquire, GOOD, Gothamist, Nylon, Out, Town & Country, and the Village Voice. He interviewed Baker in 2013 about The Flick for BlackBook Magazine and also reviewed her play John for Slate.Eric Gilde is a New York-based actor, playwright, and podcaster. He co-hosts the Take Me In to the Ballgame podcast with his wife, actor and baseball commentator Ellen Adair.The Flick is available to read or perform from Samuel French, Inc.
Arab-American playwright with several off-Broadway premieres including The Black Eyed directed by Tony Award winner Sam Gold, Roar the first play about the Arab-American experience to be produced off-Broadway and The Strangest. Currently developing a new screenplay, As Soon As Impossible for the Arab-American actor Jamie Farr, based on the play commissioned by Second Stage and Time Warner. Current Mellon Foundation Playwright in Residence at the Classical Theatre of Harlem.
WELCOME BACK ALL YOU TEA DRINKERS! On our season 2 premier episode we're chatting all things BIG APPLE so you know what that means, REAL HOUSEWIVES OF NY!!! Of course, we bring back the ever lovely and always funny Sam Gold to join us! As always, in these trying times please remember to stay positive, test negative and VOTE. https://www.instagram.com/samgoldd https://www.instagram.com/realiteapod/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
As the sun settles over the whispering pines of Elizaville, NY a new summer is set to begin at Camp Scatico. My guest today is one of the most fiery and inspirational characters I have ever come across who went to camp. He was making a name for himself long before I got there learning to be a leader under the tutelage of Oshatz and Johny Deutsch. This manifested in music appreciation, u13 championships, unsportsmanlike conduct, girls side, Friday night sermons and setting a tone for younger more impressionable campers. He was my counselor during "The Fish Years" heading up to Lake George or SPAC on an off day and playing General for the Grey in 1988 as this host hit half hook after half hook over AJ Hoffman in a pre-lunch B-Hoops Day 4 color war matchup. The reason my guest is inspirational is because in the summer of 2000 the red Qualye 2k Jeep drove through the gates of Scatico. After years as a camper and counselor, Ringing the bell at Hobart, Countless benders @ The Seagrape my guest decided to buck the trend, not give in to skeptics and come back to wave that flag wide and high for cats like myself and Cory Schwartz and the Rabbinical Sam Safrin. He came with an unabashed curiosity and live Tom Petty/Dylan albums cranking after a return trip from the Rhinecliff Hotel and a long walk up the Deli Trail. He is part of the lineage that exists from Nat Holman to Bert Holman from Randy Goldstein to Sam Gold. He and his sister Pam spent multiple summers sporting the green and white. He has contributed to our society 5 children of his own. Maybe someday they will grace the ballfields with their presence to continue the family tradition that makes Scatico what it is. He is now a senior partner @ Crossroads Strategies and has been a prolific policy advocate for a host of American based industries including Expedia, Koch Industries Public Sector, Citizens for responsible energy solutions and The I-69 Mid-Continent Highway Coalition. Part of the Greatest Story Ever Told Todd Weiss welcome to the JFS --- Support this podcast: https://anchor.fm/jake-feinberg/support
Matt takes us on a deep dive into the showbiz industry. What it's like to go on an audition, to win the room, be kind, and being prepare for, not only the moment, but for the role you are auditioning. If you are thinking about going into theater, then Matt is here to shed light on what you will have to endure and overcome to make it in the business. Also, Matt hones in how preparation has led into bigger roles throughout his career. Another key component is treating everyone with kindness. You never know who and when you will run into the person that can take your career to the next level. Originally from Boston Massachusetts, Matt grew up on show-tunes and Boston sports. Matt studied theater at both University of Southern Maine and The Boston Conservatory before heading down Rte 95 to NYC in 2004. In June of 2009 Matt got the call to make his Broadway debut in the TONY winning production of HAIR with TONY winner Diane Paulus at the helm. Matt continued with that production “Across the Atlantic Sea” to The West End in the role of “Woof” and then launched the 1st National US Tour of HAIR and was seen back on Broadway in the “Summer of Love” revival of HAIR. Following his time with the hippies, Matt launched the 1st National tour of Green Day’s AMERICAN IDIOT as the “Representative from Jingletown”. Matt’s cross country adventures continued in 2014 with the 1st National Tour of ONCE, where he played “Svec” and 5 instruments. Collectively over the last 5 years Matt is a veteran of almost 2000 performances. Thankfully Matt returned home to Broadway (again with Diane Paulus) in the hit musical WAITRESS, where he has starred opposite TONY winner Jessie Mueller, 2 time Grammy winner Jason Mraz, and 7 time Grammy nominee, and the shows composer, Sara Bareilles. He then toured the country with the WAITRESS National Tour as Earl opposite his real life wife, Christine Dwyer, as Jenna. Upon returning from the road Matt was a part of developing the World Premiere of The Secret Life of Bees at The Atlantic Theater Company, directed by TONY winner Sam Gold. Most recent regional credits include: playing Guy in ONCE at Bucks County Playhouse and the upcoming World Premiere of Pure Country at TUTS, starring opposite TONY winner Levi Kreis. On television Matt has made many performance appearances with these multiple shows, including the Macys Thanksgiving Parade. Matt can also be seen on Person of Interest, Madam Secretary, Marvel’s Daredevil, EVIL, For Life, and Chicago PD. Matt lives with his beautiful wife and fellow performer (and Bostonian) Christine Dwyer, and their Boston Terrier “Chowdah". Matt and Christine also co-own THE WORKING STUDIO, a music theatre and acting studio dedicated to unlocking peoples potential and embracing individuality in the audition process.Contact info: https://www.theworkingstudio.net/theworkingstudio@gmail.comhttps://www.upgradeyouraudition.com/--- Send in a voice message: https://anchor.fm/wherethefortuneis/message
In these last 10 years, stage and screen veteran Peter Friedman has enjoyed a steady flow of work, more than the first 30 years of his career. Recently, he got raves for his Polonius in Sam Gold’s production of “Hamlet” at the Public Theater, had a recurring role on the Hulu series “The Path,” and now plays Frank Vernon on the hit HBO show “Succession.” On this episode, he talks about how being the “new kid in class” as a day-player on set makes him nervous, why it’s ok to dismiss work that doesn’t speak to you, how performing with The Muppets messed with his acting training, and much more! Follow Back To One on Instagram
The Municipal Voice- Sam Gold, Director Of Lower Connecticut River Valley COG by WNHH Community Radio
Film analyst Samuel Gold breaks down Seahawks rookies Jordyn Brooks, Darrell Taylor and Damien Lewis, Seattle’s free-agent signings, and the progression of DK Metcalf. Michael-Shawn and Christopher also react to Seattle’s schedule release.
Sam Gold of Gold HR and Rebecca Trudgett of Switchfoot Accunting join for this live webinar held during the Covid-19 global pandemic. Addressing some of the HR and Finance concerns of businesses at a time when the world around us was changing rapidly and many were trying to understand their options amidst a wide range of support being offered by the government.
Rachel chats with one of theater's most sought after actors, Matthew Maher (The Flick, Mr. Burns, Chinglish) who has originated roles on Broadway, Off-Broadway, and Off-Off. Most recently he appeared in Will Eno's Gnit, and is slated to appear in NYTW's upcoming Three Sisters, adapted by Clare Barron directed by Sam Gold. Rachel and Matt chat about his early years in New York - working in the downtown theater scene, and how he came to be someone playwrights write roles for. He talks about an unsuccessful move to LA, and how he resolved to only work with friends after returning to New York. Learn how he approaches text, and what he does to bring new plays to life.Mentioned in this episode:The Race of the Ark TattooTFANA GnitNYTW Three SistersMusic:David HilowitzSupport the show (https://www.patreon.com/upstageleft)
Welcome to our episode about a show that has completely captured the attention of literally every single human being in quarantine with a Netflix account. That's right we're talking TIGER KING! Joe, Carole, love triangles, drugs, murder and MUSIC this show has it all and we cover everything. A BIG special thanks to our cool cat guest, Sam Gold for joining us on this electric episode! Sam Gold Instagram- https://www.instagram.com/samgoldd/ Riverdish: The Unauthorized Case Files of Riverdale: https://www.harpercollins.com/9780062908421/riverdish/ Dont forget to follow us at: https://www.instagram.com/realiteapod/ MUSIC CREDITS: "Listen For You"- flor https://www.youtube.com/watch?v=ukydZWyZO7c "Stuck"- The Aces https://www.youtube.com/watch?v=vA6sDKKDx9Q --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Sam Gold, the Tony-Award winning director of Fun Home, wants to eliminate all barriers between the audience and the story. To that end, he removes any element that actors might use as a crutch in their performance, like an unnecessary set piece, and he utilizes the physical theater space to bring the actors as close as possible to the audience. In many of Sam’s productions including Hamlet, Look Back in Anger, and Glass Menagerie, he creates what he calls “a theater with no stage”. Of course, there is a stage, it just blends into the audience’s physical space and therefore into their emotional experience. As he says, “I like putting actors in the architecture that is perfect for the piece we’re making.” This spring Sam will direct Three Sisters at New York Theatre Workshop starring Oscar Isaac and Greta Gerwig. Sam’s emphasis is always on the actors – and he’s worked with some of the best in the business including Laurie Metcalf, Adam Driver, and Glenda Jackson. Combining skilled actors, an architectural approach to directing, and the belief that theater is inherently up for interpretation has made Sam one of the most in-demand directors working today. See acast.com/privacy for privacy and opt-out information.
Nathan Lawrence and Sam Gold join the show to talk about the launch of their new app Nighthawk. Links & Show Notes Nighthawk (https://www.tweetnighthawk.com) Nathan Lawrence (https://twitter.com/NathanBLawrence) Sam Gold (https://twitter.com/samhenrigold) The Wiggles (https://en.wikipedia.org/wiki/The_Wiggles) Stan (https://en.wiktionary.org/wiki/stan) WWDC (https://en.wikipedia.org/wiki/Apple_Worldwide_Developers_Conference) Ruined by Design (https://www.ruinedby.design) More Launched Website - launchedfm.com (https://launchedfm.com) Twitter - @LaunchedFM (https://twitter.com/launchedfm) Reddit - /r/LaunchedFM (https://www.reddit.com/r/LaunchedFM/)
Ben shares some incredible stories about about Julie Andrews, Idina Menzel, Caissie Levy, Bernadette Peters + more!Benjamin Rauhala is Jeremy Jordan’s musical director and has accompanied Jeremy for all his London concerts over the past few years, including a recent run of sold out shows at Cadogan Hall.He is the co-creator and ‘Fairy Godfairy’ of the Broadway Princess Party concert series, which has seen a host of Broadway's biggest stars perform across the U.S., with many of their performances going viral on YouTube. Earlier this year Ben was Associate Music Director for The Secret Life of Bees, which ran off-Broadway directed by Sam Gold. He has worked on the music team for the Broadway productions of Fiddler on the Roof, American Psycho and Pippin. Ben is also the musical director for many major Broadway stars! During his recent trip to London, Ben sat down with West End Frame Editor, Andrew Tomlins, to discuss Jeremy Jordan & Broadway Princess Party, his path to becoming a musical director, the shows he has worked on, plus lots more!Broadway Princess Party is coming to London next year! Keep an eye on www.club11.london for info. Hosted by Andrew TomlinsVisit westendframe.co.uk for more info about our podcasts!
Recorded on January 12, 2019. A Career retrospective with Adam Driver. Moderated by Jenelle Riley. Adam Driver was most recently seen starring in Rian Johnson’s Star Wars: The Last Jedi and Steven Soderbergh’s Logan Lucky, alongside Channing Tatum and Daniel Craig. Driver is currently shooting Noah Baumbach’s next feature opposite Scarlett Johansson. Driver won the Volpi Cup Award for Best Actor for Hungry Hearts, which premiered at the 2014 Venice International Film Festival. Other recent credits include Martin Scorsese’s Silence, Jim Jarmusch’s Paterson, Jeff Nichols’ Midnight Special, and J.J. Abrams’ Star Wars: The Force Awakens. His other film credits include While We’re Young, This Is Where I Leave You, Tracks, Inside Llewyn Davis, Lincoln, Frances Ha, and J. Edgar. Driver also starred on HBO’s critically acclaimed series “Girls.” His performance in “Girls” garnered him three Emmy® nominations for Outstanding Supporting Actor in a Comedy Series. In 2019, he will be seen in the first Broadway revival of “Burn This,” directed by Michael Mayer. His other Broadway credits include “Man and Boy” (dir. Maria Aitken), opposite Frank Langella, as well as “Mrs. Warren’s Profession” (dir. Doug Hughes) opposite Cherry Jones. Off-Broadway, he starred in John Osborne’s “Look Back in Anger” (dir. Sam Gold), which earned him the Lucille Lortel Award for Outstanding Featured Actor. Prior to that, he took the stage as Louis Ironson in The Signature’s revival of Tony Kushner’s “Angels in America” (dir. Michael Greif). Driver is a Juilliard graduate and is a former Marine who was with 1/1 Weapons Company at Camp Pendleton, CA.
The adventure wraps up in the final chapter of our first Ages of Atheron series. Special thanks to Sam Gold, Jeff Mondoro, Sarah Naughton, and David Julian Melendez.
Former Field Gulls contributor now with the Athletic, Sam Gold joins the podcast this week to talk about his 22-minute film breakdown between Andrew Luck and Russell Wilson. Comparing areas like accuracy, arm strength, vision, pocket awareness and more, Wilson edged out Luck in the overall analysis, which seems to have a lot of Colts fans fuming. Gold does say that Colts fans who have actually watched the video all the way through believe that his analysis on Lucks strengths and weaknesses is fair however. In the video, Gold is critical of Wilson's vision on the field as well as his pocket awareness, but his elite ranking in terms of his accuracy is really what put Wilson in a strong position ahead of Luck, even before considering Luck's injury history. Follow Sam on Twitter @SamuelRGold. Learn more about your ad choices. Visit megaphone.fm/adchoices
Mets manager Mickey Callaway and former M's pitcher Jason Vargas got into it with a reporter recently, apparently unhappy with what had been written about them. The media's job is to react to what's happening with the organization. If you don't like what's being written, change your approach. Sam Gold of The Athletic made a 22-minute video explaining why Russell Wilson is better than Andrew Luck. He explains what brought him to this conclusion, plus other Seahawks thoughts for the 2019 season. Softy says every quarterback that comes to Washington leaves a positive mark on this team, and Browning's is winning at least ten games each season. Dick gives much of that credit to the defense, and argues that Browning was below average in terms of Husky quarterbacks. In honor of the Mickey Callaway story, we found some of the best manager meltdowns in history, because who doesn't love hearing Lou Piniella lose it?
Mets manager Mickey Callaway and former M's pitcher Jason Vargas got into it with a reporter recently, apparently unhappy with what had been written about them. The media's job is to react to what's happening with the organization. If you don't like what's being written, change your approach. Sam Gold of The Athletic made a 22-minute video explaining why Russell Wilson is better than Andrew Luck. He explains what brought him to this conclusion, plus other Seahawks thoughts for the 2019 season. Softy says every quarterback that comes to Washington leaves a positive mark on this team, and Browning's is winning at least ten games each season. Dick gives much of that credit to the defense, and argues that Browning was below average in terms of Husky quarterbacks. In honor of the Mickey Callaway story, we found some of the best manager meltdowns in history, because who doesn't love hearing Lou Piniella lose it?
Mets manager Mickey Callaway and former M's pitcher Jason Vargas got into it with a reporter recently, apparently unhappy with what had been written about them. The media's job is to react to what's happening with the organization. If you don't like what's being written, change your approach. Sam Gold of The Athletic made a 22-minute video explaining why Russell Wilson is better than Andrew Luck. He explains what brought him to this conclusion, plus other Seahawks thoughts for the 2019 season. Softy says every quarterback that comes to Washington leaves a positive mark on this team, and Browning's is winning at least ten games each season. Dick gives much of that credit to the defense, and argues that Browning was below average in terms of Husky quarterbacks. In honor of the Mickey Callaway story, we found some of the best manager meltdowns in history, because who doesn't love hearing Lou Piniella lose it?
Sol Project’s Associate Artistic Director, David Mendizábal, and Producing Assistant, Joey Reyes, sit down with actor Sean Carvajal to talk about his Broadway debut as Edgar in Sam Gold's production of King Lear, starring Glenda Jackson, how he found his way into the world of American theater, and Latinx representation on stages. Sean Carvajal made his Broadway debut in 2019 as Edgar in King Lear. His Off-Broadway credits include Jesus Hopped the ‘A’ Train (Signature Theatre; Lucille Lortel, Obie, Drama Desk, Clarence Derwent Awards), Seven Spots on the Sun (Sol Project/Rattlestick Playwrights Theatre), Tell Hector I Miss Him (Atlantic Theater Company), Queen Latina and Her Power Posse (Cherry Lane Theatre), Ghetto Babylon (59E59 Theaters), Lissabon (La MaMa), and Holy Land (HERE Arts Center). Regional: Water by The Spoonful (Mark Taper Forum), Seven Spots on the Sun (World Premiere at Cincinnati Playhouse), and Between Riverside and Crazy (Studio Theatre). TV: “Crashing” (HBO). He is a member of the LAByrinth Theater Company. David Mendizábal is an NYC based director, designer, and one of the Producing Artistic Leaders of The Movement Theatre Company. Learn more about David and his work at www.davidmendizabal.com. Joey Reyes is a queer, Latinx, Two Spirit, grandchild of a Mexican immigrant, born and raised in Southern California with six younger siblings. They have resided in Brooklyn, NY since late 2017 working as a producer, writer, and facilitator. IG & Twitter: @joeykangarooooo. Follow us on Facebook at The Sol Project and Instagram and Twitter at @solprojectnyc!
JAYNE HOUDYSHELL is enjoying a full circle moment: the young girl who was so inspired by Glenda Jackson's Marat/Sade performance on PBS is now an esteemed performer sharing the stage with Jackson eight times a week in Sam Gold's epic staging of Shakespeare's King Lear. Though Houdyshell did not make her Great White Way debut until the age of 52, she has performed all across the country and is a New York stage stalwart. Since then, Houdyshell has earned acclaim in Broadway productions like Well, Follies, A Doll's House, Part 2 and more. In 2016, she earned a Tony Award for The Humans, and as previously reported, she'll reprise her role on the big screen in a film adaptation of the Stephen Karam play. Houdyshell stopped by Show People with Paul Wontorek to discuss life backstage at Lear, which theater power player she grew up with and more.
The great Glenda Jackson is back on the stage. In 1992, the Emmy and two-time Academy Award winner was elected to Parliament. She spent the next 23 years in Britain’s House of Commons. Since returning to theater in 2015, she’s played King Lear on London’s West End and won a Tony Award for her performance in Edward Albee’s "Three Tall Women." Now, she’s playing Lear again in a new production, directed by Sam Gold, on Broadway. We were thrilled to get Glenda Jackson into the studio to talk about playing a king, opportunities for women in the arts, and the intricacies of her performance in the new production of "King Lear." Jackson is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published May 14, 2019. © Folger Shakespeare Library. All rights reserved. This podcast episode, “What Have You Performed?”, was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Technical help came from Robert Auld, Helena DeGroot, Deb Stathopulos, and Larry Josephson at The Radio Foundation studios in New York.
The Athletic's Samuel Gold joins the show to discuss the impact Doug Baldwin's release will have on the Seahawks passing offense, DK Metcalf's potential as a rookie, expectations for first-round pick L.J. Collier and what Seattle is getting in veteran pass-rusher Ezekiel Ansah.
The Athletic's Samuel Gold joins the show to discuss the impact Doug Baldwin's release will have on the Seahawks passing offense, DK Metcalf's potential as a rookie, expectations for first-round pick L.J. Collier and what Seattle is getting in veteran pass-rusher Ezekiel Ansah.
Dan and Eric talk about how tired they tend to get every April; Toobin's reporting on William Barr (is he just doing Trump's bidding? All signs point to yes.); Jonathan Dee's excellent review of a Nelson Algren biography; Pat Barker and her harrowing yet witty short story; the Isaac Chotiner/Bret Easton Ellis interview that went viral; and Hilton Als' very critical review of Sam Gold's production of King Lear.
I recently saw the performance ofKing Learwith Glenda Jackson as the mad king. It was a magnificent production and if you have the chance to see, I would certainly urge you to do so. The production had many interesting features and interpretations which seemed to be great entrees into several compliance topics. The play was directed by Sam Gold and it was scored by Phillip Glass but the star power was derived from Jackson as King Lear. It was a fabulous take on the story and one that will resonate directly to our turbulent times. Therefore, inspired by octogenarian Jackson and her performance, I am going to use King Lear as a deep dive into several compliance topics this week. Today, I want to use the nature of the production, to introduce the day’s topic of innovation in compliance. Gold’s Lear production was both unique and innovative. It was quite a large stage but the lightening was used to great effect. When the director wanted to shift the action, to another group of actors or topic, the lights were simply shut off to the actors not involved. They did not have to exit the stage and then return. This allowed them to remain on stage and the action could move back and forth without disruption. The second innovation was in the use of music. While I am generally not a fan of music in Shakespeare, unless used in the original show notes, such as bugles blaring; I am not a fan of music in the performances. However there was a classical quartet which played throughout the performance that I felt truly enhanced the entire production. Finally, I normally revolt at any singing in a Shakespearian production. There were a couple of singing scenes which almost worked for me but at least they did not detract from the overall performance. I thought about this in the context of how to move compliance innovation into the corporate pantheon of greater business process efficiency when I read a recent MIT Sloan Management Review article, entitled “Grow Faster By Changing Your Innovation Narrative”, by George S. Day and Gregory P. Shea. In the article they discussed their findings that organizations that sustain growth “faster than industry rivals articulate a coherent, compelling innovation narrative and rely on four powerful levers to make it a reality.” They posited four key levers for doing so which I believe would work well for a compliance function to sustain innovative growth within an organization and with its customer base, i.e. employees. I have adapted their piece for such an exercise. The first lever is to invest in compliance talent. The second lever is encouraging prudent risk taking. The third lever is to adopt a customer centric process. The fourth lever is aligning metrics and incentives with innovation activity. The bottom line is that senior management is well-versed in the need for innovative and effective compliance. By using these four levers, a compliance practitioner can help senior managers to focus the organizations compliance efforts. The authors conclude by stating, “A growth-affirming innovation narrative and the four levers that make it manifest within a company can help leaders focus and prioritize their innovation efforts. The process of identifying and articulating the narrative is essential to understanding the culture of innovation within a company and envisioning what it can achieve. The levers bring that narrative to life. Without them, organic growth leadership in any industry is a hit-or-miss endeavor.” Learn more about your ad choices. Visit megaphone.fm/adchoices
It's a pod-crossover, as we chat with the authors of Riverdish, Ryan Bloomquist and Sam Gold! Subscribe to the pod here: itunes.apple.com/us/podcast/harpe…ents/id806303320 It's a book based on a podcast based on a tv show based on a comic strip. It sounds confusing, but it's actually just fun. Tyler chats with the infectious hosts and authors of Riverdish, Ryan Bloomquist and Sam Gold. Then, we play an early snippet of the upcoming audiobook edition of Riverdish.
After the explosive story about Dennis Ranahan yesterday we've been gauging reaction from listeners, and frankly we suspected there'd be people who were dismissive, but almost everyone is all on board and wants to get to the bottom of it. The question we need answered right now is, is there any real hard evidence to prove any of this? The Athletic's film room expert Sam Gold breaks down Seahawks film with an eye toward next season. The Dawgs continue to ride high. Coach Mike Hopkins discuses the improvement in defense over last year, Naz Carter, his thoughts on the rankings, and more.
After the explosive story about Dennis Ranahan yesterday we've been gauging reaction from listeners, and frankly we suspected there'd be people who were dismissive, but almost everyone is all on board and wants to get to the bottom of it. The question we need answered right now is, is there any real hard evidence to prove any of this? The Athletic's film room expert Sam Gold breaks down Seahawks film with an eye toward next season. The Dawgs continue to ride high. Coach Mike Hopkins discuses the improvement in defense over last year, Naz Carter, his thoughts on the rankings, and more.
This month, Dan de la Motte was joined in the old YV stationary cupboard by stage icon, Jenna Russell. We hear how Sylvia Young was integral to giving teenage Jenna a start in theatre and a way out of 'normal' schooling, as well as talking about her successes later in life in productions such as Grey Gardens, Into The Woods and of course, Sam Gold's production of Fun Home at the Young Vic.
Theatre often struggles to include and embrace diverse voices and artists, and this is certainly true of artists with disabilities. However, directors and casting directors are uniquely positioned to change producing practices and the perceptions of audiences well before the lights go up, and indeed, even before the first rehearsal – and it starts with the casting breakdown. Join SDCF Foundation Director David Roberts as he sits down with director Sam Gold and casting director David Caparelliotis to discuss opportunities in collaborating with artists with disabilities. They will explore authentic representation of disabled characters by actors with disabilities, as well as the casting of those same actors in non-disabled roles, and how they as director and casting director navigate producers' expectations, critical reception, and audience response to their work with this underrepresented community of artists.
In this conversation, Sam Gold of Gold HR and I talk about how she helps employers whether they're looking to take on their first employee or adding to an existing team, managing the HR aspects of having employees, some of the challenges employers face, how Sam made the transition from being in a corporate environment and how she balances being a mother and a wife with running her own business. She shares the challenges of acknowledging what we're good at and recognising when to outsource to those who are good at it! We also talk about how running your own business can be a lonely place and how Sam has found support to alleviate that and the part networking has played in it. She shares her surprise at how generous people can be with information and a desire to support others - even if in the same business. We talk about how she manages being married, girls who swim competitively and making the most of the windows of time you have when you have them. Show Links Facebook: facebook.com/goldhr.co.uk Twitter: twitter.com/samgoldhr Website: goldhr.co.uk Email: sam@goldhr.co.uk LinkedIn: linkedin.com/in/samgold1 For more information on Sam and my other guests, please visit bridgeroadconsultants.com/podcast-guests About Debra Levitt - Your host I work with business owners who are growing their business. We work together to identify hotspots, agree rescue plans and put a structure in place to enable you to become more consistent and efficient which increases productivity and supports your growth. We do this utilising planning, project management and communication skills. You can contact me on email at debra@bridginggaps.uk or on +44 (0)1344 289985.
Sam Gold from Gold HR, has a refreshing approach to HR, and the importance for Business owners to get the best from the most precious asset - their staff. WHAT WE DISCUSS How to build a relationship with a new team How to build an open relationship where mistakes are openly shared and learnt form, rather than penalized How to manage a friendship after one of you has been promoted How to turn the tide when your team has turned against you How to maintain a good relationship with a team member while giving negative feedback How to bring your team with you when you move your business forward ABOUT SAM Sam founded GoldHR in 2012. Her aim was to provide companies without their own internal HR expertise with no nonsense, business focused, expert HR advice in a truly flexible manner. For most small businesses to employ a full time HR Manager or Director would be a complete luxury, and historically the only feasible option for businesses would be to engage with a solicitor or get tied into a contract with a call centre style advice line. Sam felt that these businesses were missing out on having the value of an HR professional in their business, to not only advise on the ‘nitty gritty’ HR, such as disciplinaries and redundancies - but to be there as a listening ear to those sometimes tricky staffing situations. Sam holds a Post Graduate Diploma and MSc in Human Resources Management, is a fully qualified Chartered Member of the CIPD (Chartered Institute of Personnel and Development) and an Accredited Workplace Mediator. She has worked in a variety of different businesses from a rapidly expanding start-up, to a senior HR Business partner at an large utilities provider. Prior to setting up GoldHR, Sam was a consultant providing HR support to small and medium sized businesses in the London and South East region. Sam is passionate about helping business owners, knowing first-hand the difficulties that employing staff can encounter, but also how amazing business can be when the people part is right. Sam says "I set up GoldHR as I felt businesses were missing out on the value that HR can bring. I have seen first-hand what can happen when the people part of a business goes wrong - this doesn‘t mean just a messy tribunal claim, but when the wrong people are employed, or when the structure of a business isn’t right - things start to fall apart. We are currently a small, but perfectly formed team of HR professionals from a wide variety of backgrounds. We all share in the belief that HR shouldn’t be bureaucratic, tick box function that restricts business growth. HR should be at the heart of every business, proactively working alongside business owners to make things happen." CONTACT DETAILS / LINKS To find out how we can help you and your business visit our website at www.goldhr.co.uk or send me a connection request and let’s start a conversation. Email: sam@goldhr.co.uk Website: Click here Phone: 07955 588922 Social Media Links: Facebook details - Click Here Twitter details - @SamGoldHR LinkedIn details - Click Here If you have enjoyed this show then please leave a review. How to leave an iTunes rating or review for a podcast from your iPhone or iPad Launch Apple's Podcast app. Tap the Search tab. Enter the name of the podcast you want to rate or review. Tap the blue Search key at the bottom right. Tap the album art for the podcast. Tap the Reviews tab. Tap Write a Review at the bottom. Connect with Wendy Here...... Facebook - CLICK HERE Linked in - CLICK HERE Twitter Account - CLICK HERE Website – www.yourrelationshipspecialist.co.uk Email – wendy@yourrelationshipspecialist.co.uk From Surviving to Thriving in a Romantic Relationship book - Link to Amazon Itunes link - http://apple.co/2xj5yud
We are rounding out 2017 with episode #76 and a fantastic chat with two-time Tony Nominee, Jane Cox! Jane has exploded a lot in the past couple years with her lighting designs for such diverse shows as 'The Color Purple', 'Jitney', 'Amélie', and 'Machinal' and she's chatting about all of them. She tells us about her long-standing relationship with John Doyle and their collaboration on shows like 'Color Purple', 'Road Show', and 'Allegro' as well as her projects with Sam Gold like 'The Flick' and the recent 'Othello', which saw her trying to light an enclosed army bunker with zero conventional theatre lights. Cory and Jane also chat about her new role as the head of the Princeton theatre department, how she's using that position to help create more diverse creative teams, and her path from Dublin to New York. And stick around till the end to hear how she ended up touring with Bob Dylan!
The Seattle Seahawks have eight straight wins in their home opener in the Pete Carroll era, eight straight wins over the 49ers, and we've enduring eight straight quarters of football that has been difficult to watch in terms of the offense. While the issue seemed clear last week, it seems as though there's more to be concerned about after the latest win. But are we as down on the team this week if two players don't drop touchdown catches? Would we be as concerned if Carlos Hyde didn't break two big runs on the defense? Adam and Brandan sort through where some of the real concerns are and if this is just something that's normal for the start of a Seahawks season. Apart from the two long runs, the defense stifled the 49ers offense and held Brian Hoyer under 100 yards passing. They almost added a safety, but the refs ruled that Hoyer's "forward progress" kept him out of the end zone. Brandan talks about the "rule snobs" that come out on Twitter when you show any weakness in knowing the NFL rule book. The guys look ahead to the matchup with the Titans. They break down a term fans might hear a lot this upcoming week, "exotic smashmouth." But what does that mean to play that style of football? While the Seahawks defense is equipped to go up against any offense, the Titans defense offers similar strengths and vulnerabilities to the Packers team they faced in Week 1. Sam Gold, founder of NFL Breakdowns and staff writer for Field Gulls, joins the show this week to talk about two big components of the Seattle offense: the zone read and the wide receiver screens. The NFL gets a "Do Better" this week for mistakes that were made in pulling together nominees for the 2018 Hall of Fame class and Better at life honors go to former Seahawks receiver Golden Tate for reminding a fan about the reality of football and to Paul Allen who celebrated 20 years of taking ownership of the Seahawks and his role in keeping the team in Seattle. Thanks to Hello Fresh for sponsoring the show this week. Visit hellofresh.com and use the promo code HAWKERS30 for $30 off your first order. Subscribe via: iTunes | Google Play | Stitcher | TuneIn | Facebook | Twitter | RSS Or listen on our free app for Android, iOS, Kindle or Windows Phone/PC Call or text: 253-235-9041 Email: gohawks@seahawkerspodcast.com Join the pick'em league The Sea Hawkers Podcast pick'em league on NFL.com Register your team name to win prizes Support the show Get in the Flock! Visit GetInTheFlock.com and get bonus episodes Get your game tickets via Ticket Network Or visit our website for other ways to support the show Find Sea Hawkers clubs around the world at SeaHawkers.org Music from the show by The 12 Train, download each track at ReverbNation
The Seattle Seahawks have eight straight wins in their home opener in the Pete Carroll era, eight straight wins over the 49ers, and we've enduring eight straight quarters of football that has been difficult to watch in terms of the offense. While the issue seemed clear last week, it seems as though there's more to be concerned about after the latest win. But are we as down on the team this week if two players don't drop touchdown catches? Would we be as concerned if Carlos Hyde didn't break two big runs on the defense? Adam and Brandan sort through where some of the real concerns are and if this is just something that's normal for the start of a Seahawks season. Apart from the two long runs, the defense stifled the 49ers offense and held Brian Hoyer under 100 yards passing. They almost added a safety, but the refs ruled that Hoyer's "forward progress" kept him out of the end zone. Brandan talks about the "rule snobs" that come out on Twitter when you show any weakness in knowing the NFL rule book. The guys look ahead to the matchup with the Titans. They break down a term fans might hear a lot this upcoming week, "exotic smashmouth." But what does that mean to play that style of football? While the Seahawks defense is equipped to go up against any offense, the Titans defense offers similar strengths and vulnerabilities to the Packers team they faced in Week 1. Sam Gold, founder of NFL Breakdowns and staff writer for Field Gulls, joins the show this week to talk about two big components of the Seattle offense: the zone read and the wide receiver screens. The NFL gets a "Do Better" this week for mistakes that were made in pulling together nominees for the 2018 Hall of Fame class and Better at life honors go to former Seahawks receiver Golden Tate for reminding a fan about the reality of football and to Paul Allen who celebrated 20 years of taking ownership of the Seahawks and his role in keeping the team in Seattle. Thanks to Hello Fresh for sponsoring the show this week. Visit hellofresh.com and use the promo code HAWKERS30 for $30 off your first order. Subscribe via: iTunes | Google Play | Stitcher | TuneIn | Facebook | Twitter | RSS Or listen on our free app for Android, iOS, Kindle or Windows Phone/PC Call or text: 253-235-9041 Email: gohawks@seahawkerspodcast.com Join the pick'em league The Sea Hawkers Podcast pick'em league on NFL.com Register your team name to win prizes Support the show Get in the Flock! Visit GetInTheFlock.com and get bonus episodes Get your game tickets via Ticket Network Or visit our website for other ways to support the show Find Sea Hawkers clubs around the world at SeaHawkers.org Music from the show by The 12 Train, download each track at ReverbNation
William Shakespeare shed light on humans’ hypocrisy, absurdity, and complexity with unparalleled acuity. It’s obvious why Keegan-Michael Key, who with his gifted partner-in-crime Jordan Peele, chartered new waters with their hilariously subversive sketch comedy series Key & Peele, has always felt an affinity for the bard. But it is a dream come true, one he'd spoken of for decades, for the Emmy and Peabody winning actor to be in Hamlet at The Public Theater in New York. Directed by Tony winner Sam Gold and starring Oscar Isaac as Hamlet, the three month run sold out as soon as tickets went on sale. In our Employee of the Month interview, we spoke about Keegan’s two-decade detour in comedy, his first film Hamtramck, improvising with President Barack Obama for The White House Correspondents Dinner, and how comedian Mike Birbiglia’s indie Don’t Think Twice proved the perfect segue for extending his already rich repertoire to more dramatic roles. Did I mention Keegan-Michael Key can sing? Oh, you’ll here him....
Emily Skeggs, Tony and Grammy nominated actress, shares her life story on this compelling episode of Little Known Facts. At a young age she is already a magnificent talent as well as a voice in the world of political activism. She has taken on difficult acting roles and manages to make it seem effortless. She describes the joy and responsibility she feels when playing real life heroes. Hear her journey from working at kid's birthday parties to landing a role on Broadway and taking the theater community by storm. She is warm and kind and funny and will leave you wishing she was your best friend. Listen to this inspiring actress who is just beginning what promises to be a huge and important career. In December, Emily wrapped one of the lead roles in Desiree Akhavan’s feature film The Miseducation of Cameron Post, based on the popular YA novel. Emily also stars in Dustin Lance Black's eight-part miniseries When We Rise for Gus van Sant, airing on ABC. Emily was nominated for duel Tony and Grammy Awards as the lead in Sam Gold’s hit musical Fun Home on Broadway, all the while shooting a recurring role on Brannan Braga’s series Salem.
Judy Kuhn has been nominated for four Tony Awards most recently for her starring role in the Tony award winning musical Fun Home. Also on Broadway she starred in the Roundabout’s hit revival of She Loves Me (Tony Nomination), Chess (Tony & Drama Desk Nomination), Les Miserables (Tony & Drama Desk Nomination), Rags (Drama Desk Nomination), Two Shakespearean Actors (Lincoln Center Theatre), Alan Menken & Tim Rice's King David, and The Mystery of Edwin Drood (original cast). Recent appearances incude: The Visit by John Kander, Fred Ebb & Terrance McNally at The Williamstown Theater Festival; the orginal production of Fun Home Public Theater (Lucille Lortell Award); Fosca in the much lauded production of Stephen Sondheim & James Lapine’s Passion directed by John Doyle at the Classic Stage Co. (Drama League Award nomination) and and she appeared in the inaugural season of Encores! Off-Center in The Cradle Will Rock directed by Sam Gold. Other theater includes: Three Sistersadapted by Craig Lucas and directed by Bartlett Sher (Intiman), Passion (Kennedy Center’s Sondheim Celebration); U.S. premiere of Sunset Boulevard in Los Angeles; Ricky Ian Gordon’sSycamore Trees (Helen Hayes Award/Signature Theater); Michael John LaChiusa’s The Highest Yellow, Eli’s Comin’ (Vineyard Theatre/Obie Award); The Ballad of Little Jo (Steppenwolf Theatre Co./Jeff Award Nomination); As Thousand's Cheer (Drama Dept.); Tina Landau and Ricky Ian Gordon’s Dream True (Vineyard Theatre); The Glass Menagerie (McCarter Theatre), Martin Guerre(Hartford Stage), and Martha Clarke's Endangered Species (BAM). In London's West End she starred in Metropolis (Olivier Award Nomination). Judy sang the title role in Disney's Pocahontas as well as the in the sequel Pocahontas II: Journey To A New World. Other film and television appearances include: Enchanted, Elementary (CBS) Hope & Faith (ABC), Law & Order (NBC), All My Children (ABC), The Secret Life of Mary Margaret...(HBO), My Favorite Broadway: The Leading Ladies (PBS), The Kennedy Center Honors (CBS), The Les Miserables 10th Anniversary Concert (PBS), In Performance At The White House (PBS), and the independent feature Day on Fire in which she costarred and performed the soundtrack with John Medeski. Judy has performed on concert stages around the world including appearances at Carnegie Hall, Avery Fisher Hall, Feinstein’s at The Regency, The Hollywood Bowl, The Philly Pops Orchestra and , The Royal Albert Hall and The Hippodrome in London. She can be heard on numerous original cast recordings as well as her solo CD’s: All This Happiness (PS Classics); Serious Playground: The Songs of Laura Nyro (Sh-K-Boom) and Just In Time: Judy Kuhn Sings Jule Styne.
Former Children's Laureate, Malorie Blackman takes a twist on Othello into the future and outer space in her new book for young adults, Chasing the Stars. She tells Kirsty why she chose sci-fi to explore contemporary issues such as immigration and prejudice.Idris Elba plays a lone wolf CIA operative in the new Paris-based thriller Bastille Day, who enlists the assistance of a reluctant American played by Richard Madden from Game of Thrones. Antonia Quirke reviews the film whose release was postponed after the Paris attacks.The Flick is a Pulitzer Prize winning play about the staff at a run-down cinema in Massachusetts. Kirsty talks to its director Sam Gold as it starts its run at the National Theatre this week.As part of our Shakespeare's People series, Simon Russell Beale chooses Benedick from Much Ado About Nothing.Presenter : Kirsty Lang Producer : Dymphna Flynn.
A quiet play about a group of people working in a run-down Massachusetts movie theater is getting its second New York City production. Annie Baker’s “The Flick” might be quiet onstage, but it has made noise in the theater world, winning the 2014 Pulitzer Prize for Drama. It was first produced at Playwrights Horizons in 2013. Now the play has been remounted in a Off Broadway production at the Barrow Street Theatre, with the original cast intact and the same director, Sam Gold, at the helm. How has the mix of old and new elements altered New York Times theater critic Charles Isherwood’s impression? He tells us.
On April 30, 2012, Walter Bobbie and Sam Gold discussed their shared background in performance and respective discoveries that they are better suited for directing. Both directors go into great detail about how they find collaborators, how to give notes to a director, and the generous professionals who helped them when they were getting their start.
A star-packed cast — Toni Collette, Michael C. Hall, Tracy Letts and Marisa Tomei — is assembled for the Broadway debut of a playwright known for “experimental theater.” Will Eno’s previous plays have found audiences Off-Broadway, but his new play, The Realistic Joneses, is his first outing on Broadway at the Lyceum Theatre. Directed by Sam Gold, the play is about two couples who meet and confront questions of relationships, life, death and deeper meaning. New York Times theater critic Charles Isherwood assesses the play, the cast and the prospects of Eno’s distinctive voice finding a Broadway audience willing to listen.
Conversation with Walter Bobbie and Sam Gold: On April 30, 2012, SDCF hosted a One-on-One conversation between Walter Bobbie and Sam Gold moderated by John Clinton Eisner. They discuss their shared background in performance and respective discoveries that they are better suited for directing. Bobbie shares his career trajectory and the strategic choices he made in order to become the artist he wants to be. Gold speaks about building a New York based career and how the turning point in his career came so quickly. Both directors go into great detail about how they find collaborators, how to give notes to a director, and the generous professionals who helped them when they were getting their start. This dynamic conversation is a rare opportunity to peek into the artistic visions of two fantastic contemporary directors. This event was sponsored by A Summer of Theatre & Film at Southampton Arts. Originally recorded - April 30, 2012. Running Time - 1:21:41 © 2012 SDCF
The Flick is the newest play by Annie Baker, whose frequent collaborator, Sam Gold, directs the production now running at Playwrights Horizons. Baker and Gold have worked together on her previous plays The Aliens and Circle Mirror Transformation, as well as Baker’s translation of Uncle Vanya. As she did in The Aliens, Baker again looks at what might at first appear to be small moments in small-town lives of young, underpaid, and perhaps unmotivated workers in New England. New York Times theater critic Charles Isherwood has liked Baker’s previous work. He tells us if her track record continues.
Today Laura Theodore, the Jazzy Vegetarian welcomes American Choreographer and Vegan, Chase Brock to hear about his role as choreographer for the hit Broadway show: Spider-Man Turn Off the Dark. Chase Brock is an American choreographer working in theater, modern dance, ballet, opera, television, film and video games. Theater choreography includes the Broadway productions of Spider-Man Turn Off the Dark (with music and lyrics by Bono and The Edge) and this season’s upcoming Picnic revival (Roundabout Theatre Company, directed by Sam Gold). In modern dance and ballet, Brock has choreographed more than 25 dances for his Brooklyn-based contemporary dance company The Chase Brock Experience, including American Sadness, Curious Episode, The Four Seasons, Good Breeding, Junk and Lies, Mirror Mirror, and Whoa, Nellie!. For television, Brock has choreographed segments for “Late Show with David Letterman” and “The Macy’s Thanksgiving Day Parade” and the CBS special “Broadway Under the Stars.” For more information, please visit chasebrock.com and chasebrockexperience.com. MUSIC today by Micheal Castaldo.
On April 30, 2012, SDCF hosted a One-on-One conversation between Walter Bobbie and Sam Gold moderated by John Clinton Eisner. They discuss their shared background in performance and respective discoveries that they are better suited for directing. Bobbie shares his career trajectory and the strategic choices he made in order to become the artist he wants to be. Gold speaks about building a New York based career and how the turning point in his career came so quickly. Both directors go into great detail about how they find collaborators, how to give notes to a director, and the generous professionals who helped them when they were getting their start. This dynamic conversation is a rare opportunity to peek into the artistic visions of two fantastic contemporary directors. This event was sponsored by A Summer of Theatre and Film at Southampton Arts.
Annie Baker and Sam Gold on the incestuous nature of Park Slope (Brooklyn), why fonts matter, and assembling the close-knit cast of CIRCLE MIRROR TRANSFORMATION.
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