Podcasts about Ken Barlow

In the last round of the Corrieliminator heats, we pit the final thirty characters against each other, ranking them and saving three from Corrielimination. We've got some more big names this round, including the big man himself, Ken Barlow - rather fitting that he's held on this far, don't you think? If you want to have your say on who from this round should make it through to the Grand Finale in the listener votes, select your top three here! https://forms.gle/1CyY7KfKjGa78jbU8 You can check out the video version of this episode over at our YouTube page here: https://youtu.be/FzyDsY2-kC4

We aimed the airgun of enquiry at this week's rock and roll side-stall and dislodged the following coconuts …   … sports star, Rhodes scholar, bohemian: why Kris Kristofferson was a whole new breed of American hero.   … the letter his parents wrote disowning him. … how he invented the crossover hit. … echoes of his life in Five Easy Pieces. … Fellini's La Strada and the story of ‘Me And Bobby McGee'. …. ‘(You Make Me Feel Like) A Natural Woman' and other songs written to order. … why the past is the age before mobile phones. … Joni Mitchell, James Taylor, Leonard Cohen, Carly Simon: the kiss and tell school of songwriting. … why Tracey Thorn misses the age of the autograph. … who'd be famous in the 21st Century? … “What do you think about when you're playing the drums?” Cameron Crowe's lost 1983 time capsule. … in a lift with Ken Barlow. Plus birthday guest Paul Cook and the furthest you've ever travelled for a gig.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We aimed the airgun of enquiry at this week's rock and roll side-stall and dislodged the following coconuts …   … sports star, Rhodes scholar, bohemian: why Kris Kristofferson was a whole new breed of American hero.   … the letter his parents wrote disowning him. … how he invented the crossover hit. … echoes of his life in Five Easy Pieces. … Fellini's La Strada and the story of ‘Me And Bobby McGee'. …. ‘(You Make Me Feel Like) A Natural Woman' and other songs written to order. … why the past is the age before mobile phones. … Joni Mitchell, James Taylor, Leonard Cohen, Carly Simon: the kiss and tell school of songwriting. … why Tracey Thorn misses the age of the autograph. … who'd be famous in the 21st Century? … “What do you think about when you're playing the drums?” Cameron Crowe's lost 1983 time capsule. … in a lift with Ken Barlow. Plus birthday guest Paul Cook and the furthest you've ever travelled for a gig.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We aimed the airgun of enquiry at this week's rock and roll side-stall and dislodged the following coconuts …   … sports star, Rhodes scholar, bohemian: why Kris Kristofferson was a whole new breed of American hero.   … the letter his parents wrote disowning him. … how he invented the crossover hit. … echoes of his life in Five Easy Pieces. … Fellini's La Strada and the story of ‘Me And Bobby McGee'. …. ‘(You Make Me Feel Like) A Natural Woman' and other songs written to order. … why the past is the age before mobile phones. … Joni Mitchell, James Taylor, Leonard Cohen, Carly Simon: the kiss and tell school of songwriting. … why Tracey Thorn misses the age of the autograph. … who'd be famous in the 21st Century? … “What do you think about when you're playing the drums?” Cameron Crowe's lost 1983 time capsule. … in a lift with Ken Barlow. Plus birthday guest Paul Cook and the furthest you've ever travelled for a gig.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

To mark the end of this epic season of The Way They Were, Grainne and Chantal once again took to the stage to entertain the masses and bring a long lost love story back to life, helping them with this task is comedian and all round good egg, Rachel Paris! But 'who is the couple that will see out the current series?' I hear you all scream... perhaps an icon of pop and their Hollywood A-lister lover? Maybe someone from the royal dynasty... or does it involve someone who was *in* Dynasty?.... no no, keep reaching for the stars, as we take a walk down the cobbles and pop in the Rover's Return for a natter about the actual soap opera that was the love story of Ken Barlow and Deirdre Rasheed - by eck it's a good un'.  Learn more about your ad choices. Visit megaphone.fm/adchoices

She may not have the name recognition as the likes of Annie Walker, Ena Sharples or Elsie Tanner, but for us, Christine Hardman is just as deserving of your attention as some of the more famous Corrie originals. First appearing in Episode 2 and staying on the show until mid-1963, Christine wasn't with with us long, but she still managed to get some memorable and actually quite dark stories under her belt in that time, including the famous scene when she was talked down off the factory roof by a young Ken Barlow. If she's an old favourite of yours too or maybe a character you don't really know much about, hopefully this will be an episode to enjoy!

Early access to this weeks pod! On the agenda this week! Powdered coffee Impulsive Jemma French ASMR Comic relief Dangerous Sports Ken Barlow Crumble theory What was he in?! Harry Hill Clean shoes Drop us a line, let us know what you think, lots of talking points this week! Thanks to everyone who writes in every week! Say hello bwtbpod@gmail.com Join our Patreon for exclusive episodes and early access here! https://www.patreon.com/bwtbpod A 'Keep It Light Media' Production Sales, advertising, and general enquiries: hello@keepitlightmedia.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

KSTP-TV meteorologist Ken Barlow has been very public in sharing about his battles with depression. He joined Chad to talk about a recent struggle with deep depression and how it had him, 'in the darkest of places' he's ever been.

Ken Barlow of KSTP-TV joins Chad by sharing his honesty and vulnerability in discussing a recent struggle with deep depression and he made it through some difficulty days. Later, Jason DeRusha joins for some fun with a few nonsense topics and talk about the latest with the Minneapolis City Council and rideshare companies.

Should we be worried about a massive hatch of cicadas we've heard about in the news? Chris Egert learns about that at the top of the hour before KSTP-TV meteorologist Ken Barlow joins to talk about our record breaking heat, the impact of el nino, and what may lie ahead for us over the coming weeks.

KSTP-TV meteorologist Ken Barlow joins Chris Egert to talk about our record-smashing high temperature today, the impact of this year's el nino effect, and what may be coming our way with the weather in the coming weeks.

William Roache, aka Ken Barlow, from Coronation Street, joins us for an exclusive interview on his spiritual views. William also shares his acting journey in Coronation Street, his upbringing, and his truths, which have helped him cope through the difficult periods in his life. These were also shared in his book, 'Soul on the Street'. He is the longest-serving cast member on Coronation Street, having appeared since the first episode on December 9, 1960. In 2008, he wrote his book Soul on the Street, which offers an inspirational insight into William's deep spiritual understanding and the times and events that have shaped his life. He is a great supporter of charities including the Prince's Trust, St. David's Hospice, Childhood Eye Cancer, and Henshaw's Society for the Blind, and is a patron of Crimestoppers. William has faced many trials and tribulations in his personal life, facing financial difficulties leading to bankruptcy. Due to his troubles, he has turned his interest toward helping others in the same situation. ------------------------------------------------------------------------ Subscribe To Our YouTube Channel Click Here: http://bit.ly/3kiuOPi Never miss a video! Turn on notifications now—click the notification bell!

In an Cultaholic exclusive we speak to Coronation Street legend Les Battersby (aka actor Bruce Jones) on his impending in-ring debut for SovPro Wrestling...he even calls out Ken Barlow and gives his thoughts on The Rock!SovPro owner Shotty Horroh also joins us to talk about his first year running Sovereign Pro Wrestling and their plans for the future.--JOIN US and hit SUBSCRIBE!Support Cultaholic on Patreon: https://www.patreon.com/cultaholicUnlock Cultaholic badges & emojis on YouTube:https://www.youtube.com/channel/UCjcPJbFDwVZZELGG38q2cLQ/joinWebsite: https://cultaholic.com/Merch: https://www.cultaholicshop.comTwitch: https://twitch.tv/CultaholicTwitter: https://www.twitter.com/CultaholicFacebook: https://www.facebook.com/CultaholicInstagram: https://www.instagram.com/cultaholicwrestlingDiscord: https://www.cultaholic.com/discordCameo: https://www.cultaholic.com/cameoSign up to Wrestle Crate UK using code CULTAHOLIC and receive DOUBLE the merch with your first month's crate: https://www.wrestlecrate.co.ukCultaholic provides video coverage of professional wrestling - including WWE (including WWE Raw, WWE SmackDown,, and NXT), AEW, IMPACT Wrestling (formerly TNA), NJPW, ROH, and more with daily news updates, reviews, lists, highlights, predictions, reactions, podcasts and much, much more. Hosted on Acast. See acast.com/privacy for more information.

Poor Ken Barlow (Bill Roache), he wasn't expecting this!After an unexpected phone call, we hear what Ken really thinks of Ryan when the camera's are off!The brothers call him back to appologise - find out why in the episode of Mancs On The MicThis epsiode contains language and adult themes that may not be suitable for all listeners.

In this week's podcast I'm talking about something I LOVE! Being visible! The use of daily videos has totally transformed my business and it can have the same impact on yours. In this weeks episode of the podcast, I am talking about what we can all learn from Ken Barlow and his lessons can make us more money. Follow my advice and you'll have clients knocking your door down wanting to work with you. Sales really is easy, when you know the right strategy to implement! Be sure to come and find me on Instagram click HERE and follow for daily business changing sales and mindset hacks!WHAT'S STOPPING YOU FROM MAKING YOUR FIRST SALE? Are you a newly qualified coach who is eager to sell your first coaching programme, BUT...For some reason, it just ain't happening? Imagine if you could diagnose what's going wrong! Imagine if someone gave you a blue print and said "Here follow this each day and you're guaranteed to make sales?"Well click here, https://firstsale.scoreapp.com take the 2 minute quiz and you'll find out EXACTLY what you need to do so you can start making sales. You'll receive a bespoke sales strategy unique to you and your business that will give you a step-by-step process for you to follow - pretty good right? And best of all, it's totally FREE!GOT A QUESTION?Shoot me a DM via Instagram with all your sales, business and mindset questions and I'll be sure to record a podcast episode to help you with all the answers!SUBSCRIBEDon't forget to leave a review and subscribe to the Sales Made Simple podcast, so you never miss an episode. 

KSTP-TV meteorologist Ken Barlow joins Chad for a very open conversation about his battle with depression, being diagnosed as bipolar, and suicidal thoughts so scary he checked himself into a hospital. 

KSTP-TV meteorologist Ken Barlow joins Chad with very honest talk about suicidal thoughts, depression and bipolar disorder in his life. Later, Chad shares his thoughts after hearing of another elementary school mass shooting in our country.

Chad talks Wolves, Final Four and much more with Chip Scoggins of the Star Tribune over the first two segments of the hour before we replay our very emotional and honest interview with Ken Barlow about his mental health battles from earlier in the show.

For someone who's often thought of being a bit of a fuddy duddy, Ken Barlow has actually managed to attract the attentions of a remarkable number of women during his time on the Street! In this week's podcast, we take a look at all the ladies who've turned Ken's head and taken him to bed, from the more obvious ones such as Deirdre and first wife Val to some quite surprising characters including a certain red haired newsagent..! For part of the episode, we're also joined by Elle Mulvaney, who currently plays the youngest member of the Barlow clan, to find out how much she knows about Amy's randy granddad's romantic history in a game of 'Snogged, Married or Avoided?'

The latest episode of A Brit Talks Vintage TV is now available to stream and download! Below is a transcript of the podcast. Hello there, and welcome to A Brit talks Vintage TV, with me Jamie Dyer. I was somewhat surprised to hear this week that Neighbours, the Australian soap opera that ended earlier this year, would be resurrected by Amazon through their Freevee streaming service. The show, which began in 1985 and ran for over 8000 episodes, ended due to cuts made at its UK broadcaster Channel Five. After this, it seemed as though Fremantle couldn't find a partner to keep the show going, how wrong we all were. While this show isn't strictly vintage, I think it falls into a category of television that is mostly associated with the past. It is no accident that reports of the show's demise were accompanied by cast photographs from the 1980s featuring Kylie Minogue and Jason Donovan; The show made its biggest cultural impact in that decade; Especially in the united kingdom. If the BBC hadn't picked up the show in 1986 as a bit of daytime filler, there's a chance it wouldn't have lasted five years...let alone thirty-seven. It might seem strange to an American that this bizarre Australian institution is being resurrected by Amazon for new episodes, but it makes sense from all points of view. Neighbours, besides its corny reputation, was a show that broke boundaries, touched audiences and made stars of its cast. The likes of Liam Hemsworth, Margot Robbie, Guy Pierce, Russell Crowe, Alan Dale, Natalie Imbruglia, Delta Goodrem and Holly Valance have all made appearances in the show, before making it big elsewhere. These names alone are enough to intrigue audiences who are yet to be introduced to the residents of Ramsay Street. Part of the deal between programme makers Fremantle and Amazon is that thousands of episodes from the archive will be made available alongside new episodes. This is surely unprecedented for a soap opera, which normally seems to lock away a majority of past episodes to keep you interested in the new. This huge drop into their catalogue of content will also provide the ad-supported service with instant revenue potential too, which means a bigger chance of the deal being long-term. Audiences, old and new, will be able to experience the many iconic characters that have graced the street over the years. Personally, I'm looking forward to tracing the story of two characters who were like Neighbours' version of Ken Barlow and Mike Baldwin, Harold Bishop and Lou Carpenter. Those guys were the face of the show, for me, for a long time. So overall, I think this is a solid move for all parties. Fans, who never wanted it axed in the first place, can rejoice that their treasured show has returned. Amazon and Fremantle can count the money while the BBC and Channel 5 watch from afar. As the theme tune says, "everybody needs good Neighbours". It seems the show has found that with Amazon Freevee in 2023. So what else is there to say? I've said enough. If you have anything to say about the shows mentioned in this podcast, you can email Jamie@OldTimeReview.co.uk, tweet @OldTimeReview on Twitter or check out the Facebook page, Old Time Review. This is Jamie Dyer signing off.

A character dating back to the very early days of the show, Corrie legend Alf Roberts was a mainstay on the cobbles for nearly forty years, earning the respect of his neighbours as a local councillor and mayor, as well as the adoration of many a Coronation Street viewer. Though nowhere near as experienced as fellow long-timer Ken Barlow when it came to women, Alf was linked with a few lovely ladies in the early days including Maggie Clegg and Renee Bradshaw, but of course it was his partnership with Audrey for which he is best known and most loved. In this character profile, we take an in-depth look at Alf's life story, including some of his most memorable scenes and episodes.

Brandon and Jonathan bring you a loaded Ep. 215 of CSR as they catch up with Kenneth Barlow, talk NBA Finals Recap and Warriors winning the NBA Title and talk LIVE reactions as the NBA Draft starts and get the Pacers #6 pick.  Friend of the program and Former Indiana All-Star Ken Barlow joins the […]

This week we welcome back Ken Barlow author of First Round Draft: The Path Least Chosen for part 2 of his story. After vetoing his offer, Ken ventured into an amazing international career that led to numerous championships and leadership positions on and off the court. Be inspired by his choice to follow the path least chosen.

Latics Shorts - Ken Barlow1966 And All ThatGetting Dad's ApprovalFA Cup ReplaysReferee!I'm In TroubleIn this episode of 'Latics Shorts' we travel back to the Golden Era of English football and a young lads dreams about his own club.Ken tells his story centred around a game that is embedded in Latics folklore, the infamous Tranmere FA cup replay, an incredulous referee decision put paid to the glory on a wintery night and Ken was in heaps of bother when he got home from the match.

Join comedians Rachel Fairburn and Kiri Pritchard-McLean as they explore a shared passion, serial killers. Each episode the pair will talk all things murder and macabre and have a right laugh doing it. Episode 89  part 2 takes a look at an unsolved case, The Monster of Florence. This is a fascinating case that follows the murders of several couples in Florence. Strap in these are two tired hosts. You'd think that would mean they'd keep it snappy but apparently not because they still find to talk about classism in comedy, sex with younger men and right at the last minute, dreams about Ken Barlow. Should have cut that bit. 

Colm was on Breakfast this morning talking about Ed Sheeran v Munster, Ken Barlow's 90th birthday and we had more new guesses on the Secret Sound.

EP 13: Lloyd GriffithIn this episode Jon Richardson and Matt Forde are joined by comedian Lloyd Griffith to discuss the fortunes of his FPL team and what it's like to hang out with Mark Wahlberg.Elsewhere there's another live forfeit on the podcast this time suggested by a listener.We also learn why Jon Richardson is like Ken Barlow, we hear why FPL is like Squid Game, and Matt Forde does the unthinkable.Follow us on Twitter: @comediansfplEmail us at hello@cpfpl.comYou can join our FPL Fan League here: fantasy.premierleague.com/leagues/auto-join/4mtcnh… League Code: 4mtcnhA 'Keep It Light Media' and 'Feral Television' Production Sales, advertising, and general enquiries: hello@keepitlightmedia.com

Hour 2: Ken Barlow talked with us about his battle with depression and we talked about the election on Playing Politics.  See omnystudio.com/listener for privacy information.

KSTP Meteorologist Ken Barlow has been open and honest about his battle with depression in a remarkable way. He joined us to talk about his mental health journey. See omnystudio.com/listener for privacy information.

Chris was joined this week by BBC Lancashire's Dan Jewell to chat all things Accrington Stanley since last we met, and to look ahead to the upcoming League fixture at the Stadium of Light this Saturday!You can listen for FREE on Acast, iTunes, Spotify, & YouTube - get stuck in. What's the crack?So how have things been over at Accrington lately?How has owner Andy Holt been managing of late; Still angry at the EFL?Milk adverts and snide remarks; Is the 'little old Accrington Stanley' thing getting a bit old now?How has Stanley manager John Coleman been doing lately, and how many listeners know who Ken Barlow is?What are the Accrington fans expectations for this season?Are they feeling the loss of players like Cameron Burgess to Ipswich... and has that undisclosed fee been disclosed?How are things shaping up behind the scenes at the club;Looking to the future; How confident is Dan about the club moving forward?All this and much more! Listen In! #SAFC #ASFC #EFL #LeagueOne See acast.com/privacy for privacy and opt-out information.

Golden Globe-nominated Linus Roache discusses money, growing up in a family of actors, the celebrity of his father William Roache, fulfillment, happiness, and more. Guest Biography Linus Roache is a British actor, probably best known for his roles as Michael Cutter on Law and Order and Thomas Wayne in Batman Begins. In 1975, Roache appeared in Coronation Street playing Peter Barlow, the son of his father's character Ken Barlow. Roache is also a past member of the Royal Shakespeare Company. Roache was born in Manchester, Lancashire, the son of Coronation Street actor William Roache and actress Anna Cropper. Roache was educated at Bishop Luffa School in Chichester, West Sussex and at the independent Rydal School in Colwyn Bay, North Wales. He studied acting at the Central School of Speech and Drama. Beginning in the 1990s, Roache began a career in film while remaining active in television and stage. In 1994, he received acclaim for his leading role in Antonia Bird's Priest. He is best known to US audiences as Dr. Thomas Wayne, father of Batman, in Batman Begins (2005) or as Executive Assistant District Attorney Michael Cutter in the American TV series Law & Order (2008–2010) and Law & Order: Special Victims Unit (2011–2012). In June 2010, it was announced that he would return to play Laurence Cunningham, alongside his father William Roache, in Coronation Street. In July 2010, he was cast in the HBO pilot The Miraculous Year. In April 2011, Roache was cast as the lead in the ITV mini-series Titanic, airing March–April 2012 to coincide with the 100th anniversary of the sinking of the ship. In February 2014, Roache debuted in season two of the popular TV series Vikings as England's King Ecbert. He is currently filming season 7 of Homeland, where he plays White House Chief of Staff, David Wellington. Show notes: http://www.inspiredmoney.fm/007 Links Homeland Coronation Street Linus Roache (IMDb) In this episode, you will learn: How to prepare for a performance. We non-actors can event benefit by these insights and routines because life is a grand performance! How you should not tie your self-worth to your work. We'll explore all sorts of things like wealth, fulfillment, and happiness. Linus is not just a great actor but after hitting many of his professional goals by age 30, he began to wonder if this is it? He took a break and explored the spiritual aspect of life that included meditating for at least 2 hours a day! So we'll explore this too. I think it's totally relevant because being healthy includes physical health, mental health, spiritual health, and financial health. Thanks for Listening! To share your thoughts: Leave a note in the comment section below. Share this show on Twitter or Facebook. To help out the show: Leave an honest review on iTunes. Your ratings and reviews really help, and I read each one. Subscribe on iTunes. Special thanks to Jim Kimo West for the music. Until next time!

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is  Kelly Molson, MD of Rubber Cheese.Download our free ebook The Ultimate Guide to Doubling Your Visitor NumbersIf you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcastIf you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this episode.Competition ends August  27th 2021. The winner will be contacted via Twitter.Show references:www.linkedin.com/in/jamesrpenfoldwww.itv.com/imacelebrityjunglechallengewww.itv.com/coronationstreettourhttps://village.emmerdalestudioexperience.co.uk James PenfoldJames is the Controller of Partnerships over at ITV and the name behind some of the prolific IP attraction, tour experiences and event ventures – including Coronation Street The Tour, Emmerdale Village Tour and the brand new (for 2021) I’m A Celebrity… Jungle Challenge. James has garnered an indisputable reputation during his 20+ year career at the forefront of leading British media and entertainment branded content formats. An instrumental and respected figure within the industry, James has directly influenced some of the most pioneering live events, UK visitor attractions and big-brand agency collaborations of recent times. His strategic vision, creative energy and unequivocal commercial drive has captured the essence of Intellectual Property (IP) immersive content as he continues to push the boundaries with trailblazing concepts for the biggest players within the media landscape today. With business development disciplines stretching across mergers and acquisitions, brand licencing, IP visitor attractions and participation services, cross platform content distribution, media strategy and commercial partnerships, James has carved out an illustrious career when it comes to brand experiential.Now, a distinguished and well-networked figurehead for immersive experiences and visitor attractions, James’ name is associated with new-format arena tours, big-brand visitor experiences, digital cinema trials, TV channel launches and live entertainment events.  Transcription:Kelly Molson: Welcome to Skip the Queue, a podcast for people working in or working with visitor attractions. I'm your host, Kelly Molson. Each episode, I speak with industry experts from the attractions world. In today's episode, I speak with James Penfold, Controller of Partnerships at ITV, the name behind prolific tour experiences including Coronation Street The Tour, and Emmerdale Village Tour. We discuss translating big brand IPs into commercial ventures, what the most successful formats are, and the brand new I'm A Celebrity Jungle Challenge, opening later this year.If you like what you hear, you can subscribe on iTunes, Spotify and all the usual channels by searching Skip the Queue.Kelly Molson: Thank you so much for coming on the podcast today. It's such a pleasure to see you again.James Penfold: Thank you. It's great to see you today.Kelly Molson: Well, I mean, you say that now, you might not say that after the questions that I'm about to ask you.James Penfold: No, no. Listen, I'm a regular listener and I don't know what's going to be thrown at me, so yeah, I've taken my Xanax and I'm ready.Kelly Molson: I had a lot of fun putting these together. I've gone for a theme. You might notice what the theme is. Okay, let's begin. Would you rather eat a fish eye or drink blended fermented duck eggs?James Penfold: The duck eggs, definitely.Kelly Molson: Oh, really? You'd go for the duck eggs? But the smell though?James Penfold: Yeah. But that's the eye thing, and I always say, the eyeballs or anything, it's that kind of crunch moment, I suppose. Mind you, a fish eye is quite small, isn't it? I was kind of thinking ... Yeah, no, I'll have to stick with my answer, sadly.Kelly Molson: All right. Blended duck eggs, okay. I was not expecting that. Right, who's funnier; Ant or Dec?James Penfold: Oh my god. Well, listen, I love them both, but it's got to be Dec.Kelly Molson: I agree, but then I had a bit of a crush on Dec when I was younger, so he's always been my fave.James Penfold: Yeah, I'm not going to say who my crush is with, but they're both lovely.Kelly Molson: Maybe we'll find out later when you've relaxed a little bit. If you could be any Coronation Street character, who would you be?James Penfold: William Roach. Ken Barlow. Because who doesn't want to work for 40, 50 years in the industry and get so many great storylines?Kelly Molson: He's been a bit of rogue as well though, hasn't he?James Penfold: Absolutely.Kelly Molson: He's been a hit with the ladies.James Penfold: Completely. And a returning hit with the ladies. And he gets great one-liners, he's been involved in amazingly iconic plots. So whenever I ask colleagues within the industry, if any actor can have anything, it's longevity within the industry, isn't it? So yeah, I'll go that road.Kelly Molson: Great. Thank you for answering those. Right, tell me what your unpopular opinion is?James Penfold: My unpopular opinion? Well, let's just say that this is formed off the back of a big reunion. It was controversial, certainly then at the time, certainly on the trips, it was simply that the live recording of any single is 99% of the time not as good as the single recorded in the studio. And obviously, I used to say things like, "Well it's not as good as in the studio," and yeah, it didn't go down that well.Kelly Molson: I think you're probably right though, aren't you?James Penfold: Yeah. I mean Adam Rickitt took it personally, but I think we'd all have to agree. I Breath Again, sitting in the fish tank, needs to be done in the studio.Kelly Molson: I cannot wait to talk to you about this. So James and I had a kind of pre-interview chat a few weeks ago, and I did share my huge love ... I mean, who doesn't love Ant and Dec really? I mean, maybe that will come up as someone's unpopular opinion some day, that they detest them. But I've been such a massive fan, I kind of grew up with them over the years as well, and when they came back a few years ago and brought out Ready to Rumble again, I lost my shit watching that episode. I can remember my friends texting me, it was like, "What is happening? This is amazing." And then for that to kind of expand into the whole big reunion thing was just phenomenal. But we will come to that.Kelly Molson: James, at the moment, you're Controller of Partnerships at ITV, which sounds like a very grand title. What about your background? How did you get to where you are today, and what big highlights have you had in your career?James Penfold: So, like anyone, I think career is all about a bit of a zigzag. Not many people go straight to the end role they hope to achieve. So, left school not knowing at all what I wanted to do, always absolutely loved television. I mean, was an avid fan of Multi-Coloured Swap Shop every Saturday morning. But how did I, therefore, end up in a BT technical apprenticeship at the age of 16, having just done the first year of GCSEs? So we were kind of guinea pigs on that front. Ageing myself here. But BT ran an amazing classic apprenticeship scheme. Three years, going across, two months at a time, every facet in the business. So you could be on estates one week, you'd be on customer residential services and installations, you'd be on externals, so working in the man-holes and those sorts of things and learning about that aspect, marketing, sales, customer service in the sense of operator services. It was a great induction, and all the while being able to go on block release, again, doesn't happen very often, paid for by the company during the day, three months at a time, to colleges and that to get a technical qualification. And then I was very grateful when they offered me, "Did I want to go to university and do a degree?"James Penfold: So I do those three years later than most, probably, at 21 rather than 18. But that meant that I was absolutely ready for it, I knew what I wanted to do, I loved commerce and commercial and the marketing sales. And so I went to Birmingham University, studied B-Comm there, Bachelor of Commerce. Again, coming back into BT in the summer holidays. The internet was just kicking off and so I was fortunate enough to have the choice of, "Which division do you want to go back to in those holidays?" And I went into a division that was just a startup division called the Internet and Multimedia Services. That was actually the precursor days of BT becoming an internet service provider, it was all about the narrow band, but we quickly learned, or the company quickly learned, like everyone, that whether you're an AOL operator or anybody else, that once the people had logged on, what were they going to go to? Because it was the early days of search engines. There wasn't a great lot of content.James Penfold: So I just opted to be a content development manager, which was basically business classic, business development. So looking to acquire content fees. So, in the day, you'd go to BT's various partners and obviously think to what you personally liked, whether it was Top of the Pops, the music, Bloomberg for financial services, and you'd pick off these various brands and go and do deals to acquire that. That moved into broadband services, then worked on a number of trials that were pioneering, I suppose, towards all the things we use now. Multimedia payphones. So they were a whole trial of payphones across Cardiff and Central London for people coming when not many people had email, and certainly, not many people had laptops at home and computers at home, but they did want to be able to send email messages or check their messages when they were between stations or travelling between offices.James Penfold: And then the early precursor to BT TV, which was an ADSL trial, so again using copper wire to send TV signals down it. Well, again, where's the content there. So I was lucky enough to ... again, all hands to the pump really when you're launching these trials, so I opted to talk to the music companies. So EMI, Sony BMG, [inaudible 00:07:33], to provide a variety of content to prove. And then we were really just looking to the customer to say what they wanted. These were only closed user group trials, two or three thousand people in Ipswich and those sorts of things.James Penfold: My boss then got snapped up by Sky. Sky was really taking off as a digital satellite broadcaster, and that inherently launched something called Interactive Services, or the Red Button services, which many of us might have used. He stayed very briefly at Sky, I should say, because he didn't get famously on with James Murdoch, but quickly learned that there was a real desire with multi-choice TV. The reason we had those 200, 300 channels, it's obviously refined itself now as technology has moved on, there are other ways of accessing content. But we settled on a company called the Interactive TV Group. I'm fortunate for Adam Faith, the singer, he'd set up a financial TV group based out of Wapping. Sadly, three weeks into operating that, he passed away. But the facility was available, and my then boss at the time, John [inaudible 00:08:37], picked it up at an absolute song, and we went in. And he'd reformed a team from people he'd worked with at BT and Sky to become an Interactive TV Group, so launching TV channels for other parties here in the UK, and some further afield.James Penfold: I was a business development manager at first, looking after studio facilities and winning clients to use those. And then also looking then into interactive services, which is, again, taking back, I suppose, the internet skillsets, some red buttons. We used to provide those red button services. If Sky didn't develop them for you and do all the coding and the content, then probably the Interactive TV Group did at the time. So BBC, all the Children In Need apps, the multi-screen sports, the Glastonbury multi-screen sports. Not all of it was just developed in-house at the BBC.James Penfold: That took me then to a company called Interaction TV because brands and branded content was becoming very much niche, but certainly a fad at the time, and obviously it's come back in many facets now. I was a commercial director at that company for about four years, which took me to 10, 11 years ago when a colleague, and now my boss, William Van Rest who had joined ITV, picked up the phone and said, "Do you want to come in for a conversation?" And I was lucky enough to literally join ITV.James Penfold: So, probably 20 years after starting my career, always having wanted to work in television, never thinking, "What's my route to being that?" Sadly I'm never going to be in front of a camera, not while Ant and Dec are around and other greats on like that. And there the role, it wasn't defined, which is always, again, a great opportunity where I thrive from. It was about classic business development or sales, looking at what the opportunities are, "Where aren't we making use of the assets that ITV might have?" ITV was absolutely just coming off the back of a transformation where the regions, all the various regions, Granada, HTV, Meridian, London Carbon, LWT, were all combining in to become under one brand for once.James Penfold: And so that journey began. And the team at first was called Brand Extension, which I think was really simple, did what it said on the tin, which was literally, if there's a brand that would have intellectual property that ITV has, owns or makes, what could we be doing with it that isn't the core show itself? And that took me into actually working with all the producers who make all of our shows, whether they're in-house or in the ITV Studios group or third parties, to see where there are opportunities. And often there aren't, but every now and again you strike lucky and there is.Kelly Molson: That's such a crazy path to get to where you really wanted to get to. I love hearing how people have got there. And that must be such an exciting thing to do, to have that opportunity to say, "We have this amazing brand that people love; what more do we do with it? How do we make that even more immersive for people? How do we build this into an experience?" What a fantastic role.James Penfold: Yeah, no, I mean I'm one of a great team, and it's been and is an incredible train set to play with. And you don't take any opportunity for granted, and the show must come first, and absolutely respect the IP in that sense. But sometimes it's not always necessarily the show itself, but there's something that happens off the back of that show. Or you feel, "Right, okay, a tour is warranted off the back of this." Whether that's a theatrical tour, whether it's an arena tour, whether there's obviously a set tour opportunity as we change buildings that we own and opportunities present themselves. Or, increasingly now, again with colleagues, the whole app generation, and games and gaming, and the natural brand extension that you might have to the very successful quiz shows that we produce.Kelly Molson: Well, this is one of my first questions really, because essentially, breaking down what you do is you translate big brand IPs into commercial ventures. So it's taking something and making it more than just a TV show.James Penfold: Yeah.Kelly Molson: What qualities does a brand need to have for it to succeed beyond the telly? What are you looking for?James Penfold: Let's see. It helps if it's got a super fan base. I mean, there is always one ... not one rule, something that we certainly began to find over the years. Again, because ITV's been around for 65 years, and it's a commercial broadcaster, but really this notion of brand extension beyond just simple merchandising is something that's only probably looked at in the last 10, 12 years. A super fan base is great. A show that's certainly finding its feet, so second, the third series, so you don't jump at the opportunity too quickly. That's not always the rule, and I'll come back to the big reunion. Broad appeal, longevity, again, that helps because you've got the fan base and it's really aligned itself with that fan base, viewer engagement. Repeatability is obviously a great commercial opportunity because one-offs tend to be expensive, and that's again a very good learning point. And sometimes we do things that are more celebratory about a show, and they're commercial, but ultimately they've not got the rerun factor or the repeat factor.James Penfold: And then a decent amount of context. I think that's another important thing. So with context, that could be timing in the sense of an anniversary. A talent anniversary, a show anniversary, or related events, so a season in the year where it's just summer festivals, or even just like the exhibitions field where certain things happen in spring and Easter and you think, "Do you know, God, that really resonates with what we do as a show?" And that was a really good example when we took This Morning to the NEC for three years running because as a show it lends itself, it is live, it lends itself to an audience. And you think of nature as a news and consumer affairs show, if you think of what the subject matter is, the broad base of it all, then God, you don't even need to think what the floor plan of the exhibition is, and you don't even really need to change from what people already do for exhibitions. You're just layering our IP onto it. So that's an easy one.Kelly Molson: Some of the things we're talking about today are what you're involved in terms of TV shows and real-life visitor experience. So we've got Coronation Street The Tour, we've got the Emmerdale Village Tour, and again, we'll mention the Big Reunion, there's been various tours and live experiences that have spun out of existing TV shows as well. But then you've also got something brand new that's launching this year, which I'm not going to mention just yet, we're going to keep the suspense, we'll talk about that a little bit later. What are the most successful formats that you find translate from the telly to real-life experiences?James Penfold: So I suppose the obvious ones, and this isn't unique to ITV, but certainly, it's about Mass Market big entertainment, stuff that appeals to the broadest audience; so with Syco and Fremantle, X Factor was an obvious tour in its day, at the height of unknown people becoming music talents, celebrities, recording artists, and then going on tour. You have it with the BBC, and they still do it with Strictly. With ourselves again, BGT, Britain's Got Talent, absolutely lends itself to scalability, and scalability leads to commercial success, and it leads itself to repetition. But everything has a life cycle.James Penfold: For ourselves, purely on your own, Saturday Night Takeaway. I've talked about anniversaries; Ant and Dec. What are we? Five or six years ago now it was their 20th anniversary in the industry, they wanted to do something, we'd actually spotted the opportunity; why are Ant and Dec not on tour? Well, there are many reasons. They're very busy and not everybody wants to be on tour the whole time. But the Saturday Night Takeaway show, it's just mass-market entertainment, and it's a show that's so professionally produced that when it airs as a live TV show if you arrived as an audience member, you don't have to arrive hours and hours and hours beforehand. You're slotted into your seats. There might be a few hits done to record some interim piece, some inter-show pieces that play out in the ads or links to that, but then you're straight onto the show. And the 90 minutes you see in the TV audience is the 90 minutes you get at home. God, if you're in that audience, there's a live buzz to it. So, taking that to an arena tour, 30 dates, matinees and evenings, 15, 16 days with the boys on tour around the country, absolutely lent itself. And hats off to colleagues in my team who helped to deliver that. The production company, ITV Entertainment and ITV Studios Entertainment, and of course working with Live Nation as a promoter. So there’s a great marry of partnerships.James Penfold: Big Reunion, again, that's the one, I would say, where it didn't need to be into its 10th series, it didn't need to be coming back like Saturday Night Takeaway was doing after a bit of a hiatus. That was, "Okay, it's been certainly 10 years since we've seen a lot of these acts in arenas or in larger-scale theatres. What have they gone on to do?" Michael Kelpie and Potato, one of the ITV labels, had had success with bringing back Steps for Sky, and they've made that format. I've looked at that format and there was an obvious journey there. And then it was, "Okay, how does ITV do that?" Well, we do it on the scale, so why bring back just one band? Why not let's bring back five every series? And we did two series because basically, there were about 15 real acts that when we thought about it and looked at chart successes and also their back story, what they've gone on to do and where they all are now, we didn't even have to air the first episode. And Twitter was really a thing by then and it was like, "Well, obviously there's going to be a tour." I can assure you there wasn't going to be a tour.Kelly Molson: Oh, so the public requested that? It wasn't the plan to start with?James Penfold: Well, there was a kind of concept. When you work with that many artists and that much talent and its confusing schedules, you think, "Okay, this could lend itself to be but let's be ready, waiting in the wings," but consumer demand, instant feedback. And then, by picking the right partnerships, you've got to be able to move quickly on those sorts of opportunities. And they don't often come along in that way.Kelly Molson: Yeah, it's fabulous. I mean, that show, for me, was really like reliving my childhood, because I'm of a certain age.James Penfold: Much younger than me.Kelly Molson: Thank you. I doubt that very much though. But I was into a lot of those bands at the time, on some level, and it just brilliant watching what they'd gone on and done, and then trying to get them back into shape to do the routines and stuff. It was so funny and so interesting.James Penfold: Kelly, I'm in the exact same situation as you. Don't think I'm not. As somebody in an 18-year-old apprenticeship, or working in and around Soho as I did, because that was where my apprenticeship was based, it was based in the West End of London, love pop music; if you'd ever said you'd then be working with those individuals, sitting on a couch, sometimes on short journeys, sometimes on long journeys, and sometimes in the craziest situations. Well, the show was playing itself out, and of course, the stories were, and then we were getting to take them on tour at the time. So yeah, no, you don't get many opportunities like that, and I'm ever so grateful.Kelly Molson: Fantastic experience for you. So, with the TV, what's interesting is you've obviously got a captive audience with the TV, and it was really interesting to hear how that audience demand kind of spurred ... there was obviously a little idea about the tour, but it really spurred it. How do you strike that balance between developing products to reach new audiences? How do you get that right?James Penfold: So I think, importantly for us, and this is done by trial by error, is you've got to, I suppose, look at does it feel right? Is it a natural extension for us, ITV, to be taking? Because we're not a theme park operator, we don't do reparatory theatre, those sorts of things, and there are other parties out there. And one of the principal roles, I suppose what my role's evolved into now, is looking at the licensing side, where there are many entities who might choose to look at something from a slightly less obvious position and take the thought.James Penfold: But from our perspective, it's really looking at ratings, it's looking at social media and how that talent engages with their audience. Do they engage with their audience? Don't they? Are there natural wins? Because of course, people can always involve them and move their careers forward. A really good example is Gino D'Acampo. So I think we did three tours with him. So Gino, incredible talent, was iconic from his season when he was on I'm a Celebrity Get Me Out of Here, he was obviously becoming a prominent TV chef, he was on This Morning pretty much every week or every other week. And then he starts getting his own show, and that's the test for the commissioners. They're almost like a litmus test; they spot these opportunities and take some of the pain out of it for us. And it was Gino ... I think was Italian Escapes, and that was where he'd go to a different part of Italy.James Penfold: And then we were talking again to a promoter, I think it was clean and Gyro, could he live, who also looked at Ed Sheeran, so talk about different ends of the spectrum for them. And they were talking about theatre shows and the successes they have, and they'd said, "Would Gino be interested?" And there was a quick conversation to be had, "If the talents are interested, then great." Of course, he was. And for him, it suits his purpose, because there he is, having done I'm a Celebrity, having done some TV chef shows, having done This Morning, and now with his own Italian Escapes, but what does he actually stand for? And he wants to evolve his career and put himself differently. So I'd like to think three sellout tours in theatres, 1500, 2000 seats a night, which we were told we were doing well at because we're doing 14 nights a run. And it wasn't just Gino who goes on stage and cooks, because that would have been obvious. It's Gino who goes on stage and does what he does best, which is to engage with the audience. The cooking almost becomes auxiliary to the evening.James Penfold: And then, quickly really, we learned that the audience ... it becomes almost a 50/50 divide. 50% of them were there because they wanted some cooking advice or to hear his anecdotes about Italian Escapes and what it's like to be on the road and cooking the food of his homeland, and 50%, of course, enjoy him because he was suddenly an overnight success in Celebrity Juice. And that audience wanted quite a different thing. And of course, Gino being Gino, he would play to the Celebrity Juice audience, and it made for an unpredictable but incredibly entertaining show. The first tour, it was fairly locked down in what they produced and what it would be and what the format would be. Number two and three, "You go for it. You know what you want to do. As long as you pitch it correctly to the audience as to what they're going to be getting," so Live and Unplugged was tour number two, "Then you've got success."James Penfold: Another good example is, I suppose, This Morning Live. So there we'd been approached by Media 10, the guys who deliver Grand Designs and the Ideal Home Show for a number of years. In fact, for probably nearly about eight or nine years. And they hit us when it was right to have a conversation, because I'd thought, "This is madness?" I'd be challenged; "Why aren't we doing festivals? Why isn't ITV more involved with festivals?" Because you had the Good Food Program for the BBC, you had The Clothes Show historically being such a success.Kelly Molson: Yeah, it is.James Penfold: And in truth, we have always been very successful in the daytime, and I think with This Morning, it was really ... well, we looked at all the shows, so Good Morning Britain, Lorraine, This Morning, and Loose Women, and could you take them all on the road, and would there be an exhibition? And then you start getting into the realities of cost, of logistics, of actually the quite disparate audiences that do come across those four different shows and what they want to engage with. And we quickly settled on This Morning, and then just simply This Morning Live, in that it has cooking in it, it has health issues, it does fashion, it does entertainment. And ultimately, at the heart of it are Phil and Holly, or Eamonn and Ruth at the time. And we learned very quickly that we were taking the show on the road whilst we had a replacement presenter team in London. So you'd have Phil and Holly in Birmingham and Eamonn and Ruth in the studio, or vice versa. They'd hand to each other. Great segments of the show were able to be done from the NEC.James Penfold: Yes, there were costs involved, but to us, that was more of a marketing vehicle. It worked really well for Media 10, because they absolutely know how to deliver a live exhibition. And from a Stand's perspective, and from all those consumer brands that want to sell to our audiences who would normally take advertising slots in those shows anyway, it was a no brainer for them to want to attend. And it was on for four days a week every year, 40 to 50,000 people attending over those four days.James Penfold: And then you get into the great hurdles of, "Oh my God, it's almost too successful in terms of capacities." And fans being more than just, I suppose, the typical ticket buyer and visitor. Everyone wants to meet the talent. And so meet and greets, I think that became a whole performance item in itself.Kelly Molson: So, a huge success. You can see that the formats work, you've got huge engagement from people, and then a global pandemic comes along and kind of smashes us all in the face. I mean, it's affected obviously your plans and things that you've got in fruition quite extensively; how has it affected you and how have you tried to overcome some of those challenges this year?James Penfold: Yeah. So if we look back to this time this year, or actually go back a further two, three weeks, when the UK government was still slightly in denial of the nature of this pandemic-Kelly Molson: I think we all were, weren't we? Because I think we were watching the news going, "Oh, it's all happening in Italy, isn't it? Oh yeah, that looks bad."James Penfold: Yes, the broad public were, but don't forget, ITV is a stakeholder in ITN, so we produce Channel Four News, Channel Five News and ITN News, the three variants, different editorial flavours. So I don't think you could avoid it from that point of view. And I'm based in Gray's Inn Road. Well, I was based in Gray's Inn Road, which is where the news studios are, so I think there was a real feeling there, most importantly about just hand sanitisers introducing themselves.James Penfold: But the thing came to was three weeks out of not even lockdown, us beginning to talk about it, so probably we're talking the back end of February. I was approached by my then division director to say, "At a board level, we think we need to curtail or stop set tours." So the set tours of Coronation Street and the Emmerdale Village Tour. Both were external sets, although there were some interiors to be seen, as in interior sets on the Coronation Street set. And that is principal because, first and foremost, we're a broadcaster and a producer of content, a producer of successful TV shows. These serial dramas have been going last year, 60 years for Corrie, and this year we're celebrating 45 years for Emmerdale.James Penfold: And so hearts and minds, which is a phrase that's very well known now within the business, is looking after staff wellbeing. And staff wellbeing is, therefore, the actors, the talent, all the production staff, all those many people that come on board. So, quickly the sets began to lockdown, and a wrapper was put around the productions to enable them to come on production for as long as they could. That wasn't feasible from the moment the national lockdown happened, and we had to then wait and work with health and safety committees and other people, and with the government, to work out what the safe way through production was.James Penfold: So from my perspective, it was, "Please turn off tours." And we were just starting the season. And we had loads of pre-bookings across Emmerdale, and we had loads of booking across Coronation Street. And of course, we'd just recruited our seasonal workers in the sense of our tour guides for that year, many who come back each year and have other roles when the tours aren't operated at weekends. So I think it was straight away onto the phones with Emmerdale, our partner, Continuum Group, Continuum Attractions, who will work with on many tours and attractions. And obviously, from their perspective, there was a quite rightful debate, "Are we jumping the gun and doing this too soon?" Because they weren't seeing that advice in the tourism market for their attractions. But ours was, "No, this is what we need to do." And we didn't want to let consumers down at the last minute, because with Corrie certainly, people travel quite a distance across the country to come to those weekends. They book hotels in advance, they book transport in advance, and so then it really is about you're just going into a situation of customer management.James Penfold: So there it was a case of, "Listen, sorry, we need to cancel down tours. Obviously, refunds were immediately available if you wanted them, or you can basically move to hold a voucher and we'll contact you as soon as." So that's a complete curtailment of that business, and it became then a reality that even with unlock-down, lockdown, over the backend of summer, that again the situation was even just worse. Think of where we are now in winter. So autumn and the end of summer last year, everyone was feeling great in the UK, and around most of the world. Some had fitted in summer holidays or done stay-cations and things like this. So again, from a consumer point of view, it's all about proactively managing the comms to them.James Penfold: But at the same time, for us, because we don't have a lot to say on this because we're not a true classic digital attraction, just enough communication where you're engaging, giving the consumers what they need to know. Of course, at all opportunities, offering refunds. When we began to realise, "Do you know what? We aren't going to be opening these in autumn, because if anything the pandemic's getting worse," and this was even before new variants, it was, "Okay, well we hope to be able to bring this back in in 2021." That's a realisation now that probably that isn't even a reality. And of course, it's incredibly disappointing to the team. Thank God in the early days, when the furlough opportunity was there, we absolutely used it. From a customer point of view, social media, thank God we've got decent outlets to be able to contact customers. And from being a broadcaster with viewer services, we were able to really talk about it's a business for them to help us to get in contact with as many consumers as possible.James Penfold: And even now it's a difficult one because we look to the advice from ALVA, we keep across Blooloop, we listen to your podcast, we talk to experts, we're talking with Continuum every day, and we have health and safety advisers from the tourist market as well. But from a set tours point of view, it just isn't realistic. There is nobody in any of our offices, we all work remotely. All the editing of the shows is pretty much done remotely, incredibly. In the early days of the pandemic, every show was produced remotely. The galleries all became laptops, so editors and directors were sitting at home. And the two teams that make the soaps have done an incredible job of creating cohorts where nobody overlaps, you're in your cohort group, and you move through, based on your plotline, through those cohorts so that you always stay safe. And then you have the people who go on sets, their costumes are already hung out for them, and their makeup they do themselves.James Penfold: And so I suppose the thought on the ITV Studios drama and production side, the thought of even entertaining us being able to welcome the members of the public onto those sets currently is still untenable. So the good news is very exciting plans for next year. What this has given, I suppose, the pandemic, let me come to the positives, is it's given us a time to reflect. We were very lucky six years ago when the old set became available, Coronation Street. The Granada building was sold quite quickly after 55 years of ownership by ITV. It would have just been quickly demolished, but I was like, "No, that can't happen. Let's think about this."Kelly Molson: Sacrilege.James Penfold: Yeah. Well, and also, to the developer who bought it, "When do you need the building by? You've got planning to do, you've got plans to put into council; when do you need it by?" "We need it probably in about 24 months time." So for 18 months, we were able to open that set, and 900,000 people came through that set tour in that period of time. And that's a success. And that felt completely natural.James Penfold: But now when we're working in a different environment, we're part of a living breathing production, a production community, so we're looking at it from a filming perspective and from that visitor perspective. The exciting thing is we are able to look at now how do we make the tours more accessible? Is there technology that can almost enhance them? We've worked with groups like Antenna. We've long resisted audio guides because we love the interpersonal nature of the tour guide, but actually, if you think of the amount of content and archive and things like that, it can actually bring sets to life, and everybody's got a different character they like on those shows, and different memory of the storylines. Some people like the '60s, the '70s, the '80s. Some people remember Emmerdale, and I'm going to say ITV sacrilege when it was called Emmerdale Farm. And so there are those angles to it. And it's given us time to reflect.James Penfold: Completely exclusive to you, where we're building a new building next to Coronation Street in Manchester. The pilings underway. The intention is to have it open by next Easter. What's it going to serve? It's multifaceted because it addresses multiple problems. The scriptwriters and there are about 200 in Corrie, normally meet in hotels and go to conference centres to marry all the plot lines together and to do the timelines. Again, with the cast, with all the principal production team, they'll now be able to haggle on the top floor of this almost event space building. The middle floor will have an exhibition space, which will be used by us from a Coronation Street perspective. And the ground floor will have a 70 seat theatre for those, like me, who believe that people will come back in some form to a similar environment. And we'll have a café and we'll have a retail outlet.James Penfold: So I'm going to call it a visitor reception area, as opposed to them just meeting somewhere in Media City and then we walk them over to the set and take them on the set there. That will allow us to be seven days a week from an experience point of view as people engage with the brand. It really plays for Peel, the landowner of Media City, because there's a brand new tramline that opened ... it was pretty much all whilst we've been in lockdown, that serves the Trafford side of Manchester and is a much faster link into Manchester. There's a stop right by ourselves and the Imperial War Museum, so there'll be that stop. There'll be a café there that which I say will provide to. So that's playing to an opportunity, that if we'd not had the pandemic, would have taken quite a lot longer because we've been able to do stuff when the set's been closed, when the filming hasn't happened, and it's a great positive.James Penfold: Something similar is happening with the village for Emmerdale for hopefully the backend of 2022 so that we can get more people into the village and really celebrate the sets and do Q and As and audience with cast and things like that. So yeah, so positives.Kelly Molson: Oh, I love that you've come on and dropped a few little exclusives for us, James. Thank you for sharing that. I mean, many of our listeners are in the attractions world, and they will be completely sympathising with the situation you've been in terms of having to shut down the sets, but it's such a different challenge that you have. I mean, the attractions now, they're planning for their reopening in May time, and are incredibly excited about that and what that looks like, that roadmap. But your roadmap is so much longer because of the logistics of filming, and I hadn't really taken that into consideration at all, how difficult that would be because obviously, you can't have the general public on the sets when you've got to protect the people that are on the sets recording each day. It's a huge challenge.James Penfold: I mean, they're such substantial principle revenue streams, and the most important audience drivers for ITV. The soaps still regularly get between six and eight million, depending on where we are in the storylines, five days a week. And that's incredible in the streaming platform and non-linear broadcast era that we all live within.James Penfold: That said, colleagues within my team who look after our Ninja Warrior brand, in lockdown we started last year with eight licensees and eight sites. By the time we get to the backend of summer, there will be 15 sites, because people are proactively taking and opening sites because they've seen properties becoming available. Previous guests of yours have talked about the nature of retail and leisure finally beginning to merge, which we haven't seen in the UK. It's been prevalent in Asia, very strong in the USA, and to some extent mainland Europe. But that's created a real opportunity. And so there's a real opportunity in that, and obviously those, they're nothing to do with show production, and so they can open, as you're talking about, with these May time scales, and I hope they go on to have really successful years. And whatever sort of restrictions we have in 2021, let's hope 2022 then gives them a full run.Kelly Molson: Yeah. And there's going to be a huge resurgence in people wanting to do things. We're all desperate to get back out and have new experiences because we've been stuck between our four walls for so long. But this brings me to something very exciting, which is the I'm A Celebrity Jungle Challenge. Is it opening this year? Maybe this year? Who knows at the moment? Tell us a little bit about it.James Penfold: I can tell you that based on current government guidelines and what we know of the roadmap, we're absolutely opening this summer. I mean, for me it's very exciting. It's the fruition of a three-year project in a sense, from talking with Peel Holdings, the landowner, to then working with various design companies and settling with Scruffy Dog Productions, and then the exciting part, which we started right back at the start of this podcast, working with the producers of the show. And Richard Cowles, Tom Gould and that ITV entertainment team are genius. I'm A Celebrity is his format, Saturday Night Takeaway is his co-format, Love Island is his format. That team know how to do live programming. And being able to look under the bonnet of what is the essence of I'm A Celebrity if we were going to make it an attraction, has been really exciting.James Penfold: So yeah, Media City, or Quayside Media City I should say, what was the Lowry Outlet, will be opening this summer.Kelly Molson: Oh, I'm so excited. You know, the team, we've already started planning that we'll come and do it as one of our Christmas do adventures because our Christmas do is always a thing. We go and have an experience somewhere. We went and did the Crystal Maze challenge, and then we'll go for dinner and drinks and stuff. And as soon as I mentioned this, they were like, "That's it. That's the Christmas do."James Penfold: I know, Kelly, I need you there soon. We need those guinea pigs for early summer, so I'll be calling you up.Kelly Molson: All right, we'll bring our Christmas to do forward. That's right, we missed out on one last year, so we'll be there.James Penfold: There are no restrictions on tinsel, so you're welcome.Kelly Molson: Fabulous, because I do love a bit of tinsel. Has COVID changed how you will deliver that visitor experience for that attraction, though? Because I think one of the things that we've been talking about quite a lot with attractions are actually some of the positives, of the visitor experience is better when the capacity has been reduced. So, for example, you want to go and visit the Mona Lisa. Well, on a normal day, if you go and visit the Mona Lisa, there are thousands of people that are doing it with you at the same time, and so that experience is just not what you might have hoped for. But actually, if you did it ... well, not now, but when they're open and you've got that reduced capacity, it's a nicer experience. It's more engaging for you. Maybe people will pay a slightly higher price for that as well. So how has that changed how you open and your strategy?James Penfold: So, obviously, when you design any of these attractions, and again, we work with good partners, and we're not experts. We hold people to flame as to how we want it to look and we want it to be delivered 100% to be true to the format, but you've designed it for this sort of flow, for this capacity, and people use it in this manner. And of course, only when we start getting to the customer testing, which we're pretty much just approaching now, will we see how that happens. Now we layer on the COVID factor, and the COVID factor is exactly what you've said. Probably a little more time in that attraction, yes, reviewing the price for that, but the capacity is being reduced, but then the experience is so much better. I think also all leisure attractions are getting price-sensitive, but I do think, and I hope when you see it ... the layering over the IP of the Jungle Challenge, and whether it's the thematic, and even a safety video from Ant and Dec, through to the gameplay we've put on what would traditionally be a rope and swinging course and a bit of Ninja Warrior in the middle, really does bring value to it. So I think we've got to, and we are, reviewing what that customer experience is.James Penfold: Similarly, on the tours side of things, it's absolutely about capacity. Less people maybe in tour groups, certainly fast-tracking this notion of pre-flow that colleagues have had, which is, "Okay, tour guides are wonderful and they give the as scripted and in the tone of a show version of events," but we know, especially as we look to the younger audiences, that it absolutely is all about the selfie moment, the racing to the bit of the set that you know most. Again, I mentioned characters earlier, so we've got to look at that. And then that looks at, "Okay, well how do we then convey some of the knowledge and depth and years of plot lines, characters, and why things look the way they do? Why the houses aren't as big as real houses would be and all those sorts of things." Then we're looking at the audio guide, or certainly the interactive guide, and how smartphones, that again really have got pretty much mass market penetration now across all age brackets, how we can use those.James Penfold: I think last week somebody raised a really ... so the podcast that aired last week, and I can't recall the chap's name, but oh my God, never did I think we'd be looking back at QR codes. And-Kelly Molson: QR codes; 2020 was the year of the resurgence for them. Who knew that was going to happen?James Penfold: Absolutely. It's like the spectrum of tourism, it's suddenly back.Kelly Molson: I was going to say Atari, but that would super age me.James Penfold: Yeah, no, that was 10 years before me.Kelly Molson: So we're coming to the end of the podcast, but one more question to ask you. But can you let us know what kind of things that we might find in this new attraction? Are there going to be any disgusting eating challenges? Because I feel like that is up there with what people really want to do.James Penfold: Listen, I'm A Celebrity just had its 20th season, even in an amazing cast in Wales, did record audiences, and I know we've got pandemic viewers and that people can't go out, and there are many facets to the show. And so I think this is the first iteration of what you're going to see and what we'd like to do with the I'm A Celebrity brand, working with not just property partners, but also with operator partners that we're currently engaged with. This one is all about the Jungle Challenge and getting stars because, at the heart of the show, you get those stars, and it is for the more physical aspects of it. So you've got to climb 15-meter rock-faces, you've got to zip line across the venue, you've got to do a treetop trail that doesn't have much to support you other than the harness you're clipped to, and so that'll test your heights. There's a spy ride, if you so wish, that you can strap yourself into and travel 20 miles an hour around the rooftop. There's Escape the Jungle, which is our variant on Ninja Warrior. So we've packed a lot into this. And if you want to test, again, your test of heights, there's Leap of Faith, where you go and you jump, you hang onto a cushion for as long as you can before you drop to the ground.James Penfold: Yeah, but don't worry, you're in a safe be like.Kelly Molson: Oh, it's going to be great. I feel super excited about it already, and I'm pretty sure that a lot of our listeners will be booking up tickets as soon as they can. Thank you so much for coming on and sharing that, James.James Penfold: Pleasure.Kelly Molson: We always ask our guests for a book that they would recommend to us, and it can be anything really. I used to always ask ... it was a book that had shaped someone's career, but I think actually just a book that you really love, or one that you would just like to share with our audience would be great.James Penfold: Okey-dokey. Well, I've changed my choice as of this morning, and it's courtesy, because of course, working from home, or even when I work in the office, I've always got ITV on, playing in the background. And a book that I found absolutely charming, and not a lifesaver, but just really resonated with me in this lockdown, being single, working on my own, working on a project quite distanced with a team that's quite disparate around the country, has been The Boy, The Mole, The Fox and the Horse. Charlie Mackesy.Kelly Molson: Oh gosh.James Penfold: And it comes into mind today because I saw him over my shoulder just because we came on the call because he was on This Morning and it's being made into a movie, which is incredible. An animated movie using his beautiful artwork. And as I understand it, it's going to extend the characters and give some background to those four wonderful subjects. And I just feel, with all that's going on, whether it's headlines in the news this week on any level, whether it regards ITV or not, that you put a bit of love out there and we'll all be good, and we'll get through this storm, as he likes to put it.Kelly Molson: Oh, do you know what? That book has given me so much comfort over the years, and I'm so glad that somebody ... nobody has recommended that book yet, I'm so glad that you chose that one today because it really does sum up what we all need right now. And like I said, for me, it's been a huge comfort on many different levels, and I think it has been a huge comfort for a lot of people through the lockdown as well.James Penfold: Absolutely. And yeah, you can turn to any page of it and there's a quote or a phrase that you can draw something from it. And I think there have been many books prior to that, and I'm not going to bankrupt you as others do, so that's my book.Kelly Molson: Thank you, just the one book. Just remember, I ask for one book, people.James Penfold: Yeah guys, just listen, one book, please. That's all Kelly wants.Kelly Molson: Costs me so much money. Oh, thank you so much, that's a great recommendation. As ever, if you want to win a copy of that book, if you head over to our Twitter account and you retweet this episode announcement with the words, "I want James's book," then you will be in with a chance of winning a copy. And you should do that because it is a really lovely book. I'm so glad that there's going to be a film as well, that's really nice.James Penfold: Yeah.Kelly Molson: James, thank you.James Penfold: Can I say thank you, by the way? Because I listen to your podcast every week; fascinating insights helps all of us, and yeah, so I'm really pleased that I was invited on. Thank you.Kelly Molson: Aw, that's very kind. All of our guests have said very lovely things about the podcast and I feel super humbled by it. I actually felt really humbled that you put us in the bracket of ALVA and Blooloop there, who are phenomenal organisations that have been doing brilliant things for attractions throughout this. Thank you, James, it's been an absolute pleasure to have you today. It's been wonderful, so thank you so much for your time.James Penfold: You're very welcome, you take care.Kelly Molson: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five-star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, rubbercheese.com/podcast. 

In our final 'Corrie at 60' series, we meet 3 of the very early stars of the Street. It's back to December 9th 1960 with Alan Rothwell who played David Barlow and Patricia Shakesby who played Susan Cunningham, Ken Barlow's first girlfriend. Both have great stories from the first days of Coronation Street. Then we're meeting Kenneth Cope who played Minnie Caldwell's lodger Sunny Jim (Jed Stone) from 1961 onwards. All these actors did other things, so expect one or two tangents along the way. Enjoy!And don't forget Distinct Nostalgia has a plethora of shows marking Corrie's 60th. Trawl through the DN player or wherever you get your podcasts and you will find a catalogue of interviews and hours of Street history. DN is produced by MIM. The Distinct Nostalgia theme is composed by Rebecca Applin and Chris Warner. Distinct Nostalgia - More Than A Podcast!Support the show (https://www.patreon.com/distinctnostalgia)

Sometimes I be talking and I think I know what I'm saying but then I realise I don't.In this one I just basically talk about christmas and new years. Hope you had a good one.Thanks to everyone of my listeners for the support and messages and everything throughout the terrible year of 2020. I love each and everyone of you equally. Except you.Happy New Year ShaneSupport the show (https://www.patreon.com/shanesbrilliantpodcast)

So we've reached the big final. Test your own Corrie knowledge as Dave from Glasgow representing Corriepedia and Michael from Southampton representing Conversation Street battle it out for the Distinct Nostalgia Mind of the Month Corrie Superfan title and the coveted Distinct Nostalgia Mind of the Month mug. Michael scored 32.5 points on Pat Phelan in the first round while Dave got 34 points on Ken Barlow. Now they must test their general Corrie knowledge going back 60 years. Listen Now and Enjoy!And don't forget Distinct Nostalgia has a plethora of treats in store for you during Corrie's 60th birthday week and month. Stay tuned! And remember to look through our archives. Trawl through the player where you will find a catalogue of interviews and hours of Street history.Distinct Nostalgia - More Than A Podcast!Support the show (https://www.patreon.com/distinctnostalgia)

Over four programmes, different superfans are put to the test on their knowledge of their chosen specialist subject. In this first round, second contestant David from Glasgow is representing Corriepedia. David has chosen Ken Barlow as his specialist subject. How well will he do? 30 questions - and a special gamble question from a Corrie star at the end. David needs to score as high as possible to make it to the final in which two contestants will battle it out for the Distinct Nostalgia Mind of the Month mug. And don't forget Distinct Nostalgia has a plethora of treats in store for you during Corrie's birthday week and month. Stay tuned! And if you'd like to enter future series of the Distinct Nostalgia Mind of the Month quiz, please contact us via the website - www.distinctnostalgia.com Support the show (https://www.patreon.com/distinctnostalgia)

The Coronation Street 60th Anniversary build up starts right here! Soap From The Box welcomes Denise Black, who played Denise Osbourne in Coronation Street, a character who - along with Ken Barlow - was part of one of the most iconic stories lines ever seen on the cobbles. But that’s not all, she also played Joanie Wright in Emmerdale and was a key part of the groundbreaking series, Queer As Folk. Lee and Denise chat through all that and more, including the challenges of life as an actor, soap opera comebacks, and putting on an accent for Ken Loach. Relive Denise’s amazing time in Weatherfield here:https://www.youtube.com/watch?v=aCPHDPwmiRoAnd the epic Emmerdale helicopter crash here (there's also amazing behind the scenes footage on our social media):https://www.youtube.com/watch?v=xeC11OnNRKkAnd why not take Denise’s recommendation and watch some truly vintage Corrie here: https://www.youtube.com/watch?v=Sq-qudJGYPIDenise also reveals the impact her hand disability has had on her life and career and discusses the representation of disability ion TV. If these issues affect you, you can find advise and support here:https://www.scope.org.uk/https://www.princes-trust.org.uk/help-for-young-people/who-else/housing-health-wellbeing/wellbeing/disabilitiesFind Denise on social media:Instagram: @denise_black_ukTwitter: @deniseblackuk—————————————————————————————————————————————————————————Lee Salisbury is a Series Producer & Director who worked in Continuing Drama for over 10 years.Thanks to David Stevens at The Bothy for editing and technical wizardry.@davidstevens_editor @the__bothyFind us on Facebook, Instagram and Twitter @soapfromthebox

Since the nation was introduced to the likes of Elsie Tanner and Ken Barlow in the northern town of Weatherfield almost 60 years ago, television soap operas have gripped viewers across the networks. Some talk about it as an addiction as the weddings, funerals, rows, murders, love triangles, crashes, affairs and divorces are played out on our screens. As these epic stories draw on our emotions, some have argued that it's easy to see the biblical and other religious parallels in the story-lines. In this addition of Beyond Belief, Ernie Rea discusses the religious influences on the soaps and how they have portrayed religious characters over the years with Dr Katie Edwards, a freelance writer and broadcaster who has researched the Bible in popular culture; Mark Pinsky author of "The Gospel According to the Simpsons", the Right Reverend Dr John Saxbee, retired Bishop of Lincoln and June Brown who played Dot Cotton. Producer: Amanda Hancox

Since the nation was introduced to the likes of Elsie Tanner and Ken Barlow in the northern town of Weatherfield almost 60 years ago, television soap operas have gripped viewers across the networks. Some talk about it as an addiction as the weddings, funerals, rows, murders, love triangles, crashes, affairs and divorces are played out on our screens. As these epic stories draw on our emotions, some have argued that it's easy to see the biblical and other religious parallels in the story-lines. In this addition of Beyond Belief, Ernie Rea discusses the religious influences on the soaps and how they have portrayed religious characters over the years with Dr Katie Edwards, a freelance writer and broadcaster who has researched the Bible in popular culture; Mark Pinsky author of "The Gospel According to the Simpsons", the Right Reverend Dr John Saxbee, retired Bishop of Lincoln and June Brown who played Dot Cotton. Producer: Amanda Hancox

Hosts Jake Langdon and Brooke Wood sit down with Ken Barlow '82 in the most recent episode of Views From the Hill!

Join Snags n Geeb as we discuss the Ken Barlow loyal

For this week's bonus podcast, we chat to Corrie actress Denise Black, who's played hairdresser Denise Osbourne on and off for nearly thirty years. We talk about what it was like to step onto the set of the nation's biggest soap for the first time, how unfortunate real life circumstances led to her character shacking up with Corrie stalwart Ken Barlow, and why, even after you leave the show, she believes it's still vitally important to be an ambassador for Coronation Street.

Claire returns this week, as we discuss Panos Cosmatos’ psychedelic prog revenge movie “Mandy”. A divisive film for the team, in which we learn that cheese is best served vomited from a green puppet; hand-to-hand combat is difficult when you have a knife for a cock; and we get to see Ken Barlow’s son’s willy. Along the way we discuss “Slumber Party Massacre”, “Punishment Park”, “Vast of Night”, “LFO”, “Phase IV”, “Host” and the many lunacies of Nicolas Cage. Watch (or re-watch) to avoid spoilers, and join us. APOLOGIES FOR ANY SOUND QUALITY ISSUES -CURRENT QUARANTINE MEASURES MEANT WE HAD TO RECORD THIS EPISODE REMOTELY.

Stel and Rhodri Giggs are joined by Roberto Rojas and Semps to review the remaining FA Cup Semi Final matches and a few Premier League matches, namely Manchester United's 3-0 win at Brighton, Southampton's victory over Watford and one more we almost forgot about...

Caddick tests Katherine's knowledge, Ken Barlow vs Mike Baldwin, Daniel talks a woman curing herself of HIV?, Paul chats about Solomon Burke and Nigel in Maidstone treats us to a song

Welcome to Tea with Twiggy! In this episode Twiggy has virtual tea with Joanna Lumley!Born in Kashmir, India, (her father was a major in the Gurkha Rifles), Joanna’s family returned to the UK after Indian independence. Joanna came to England as a young girl to complete her schooling at St Mary’s School in Sussex.An aspiring actress, she first came to fame as a model in London's swinging 1960s, where she was photographed by the greats, including the late Patrick Lichfield. She was designer Jean Muir's muse and became one of the top ten most-booked models of the 1960s.Her first TV appearance was in a bread advert, followed closely by her ‘big break’ on Coronation Street – she turned down Ken Barlow’s marriage proposal! It was The Avengers that brought Joanna (and her ‘Purdey bob’ hairdo) to the forefront of popular culture.But Joanna’s reinvention as a comic actress in her role as champagne-loving, chain-smoking Patsy in Absolutely Fabulous, from 1992-2005, cemented her role as one of the UK's best loved and most respected actresses. The show was formed into a hit film in 2016, featuring countless celebrity cameos.In 2008 Joanna became the public face of a campaign to provide Gurkha veterans with the right to settle in Britain. She is also a vegetarian and an active crusader for animal rights. Joanna has been a supporter of Survival International and the cause of indigenous rights, a patron of Tree Aid and a patron of the Pastoral and Environmental Network in the Horn of Africa.Other charities supported include Mind, ActionAid and SANE.She has won three BAFTA awards and a British Comedy Award.The music for the podcast is Twiggy's version of "Waterloo Sunset" by the Kinks and can be found on Apple Music at this link https://music.apple.com/gb/album/romantically-yours/693460953If you’ve enjoyed listening to “Tea With Twiggy” please give take a moment to give us a lovely 5 STAR rating on Apple Podcasts. It really helps other people to find the show.If you haven’t done so already please subscribe to this podcast so you auto-magically get the next episodes for free and do tell all your friends and family about it too. If you want to connect with me I’d love to hear from you.You can find me on Twitter @TwiggyOr you can find me on Instagram @Twiggy LawsonMy thanks go to all the people that have helped this podcast happen:● Many thanks to James Carrol and all the team at Northbank Talent Management● Thanks to all the team at Stripped Media including Ben Williams, who edits the show, my producer Kobi Omenaka and Executive Producers Tom Whalley and Dave CorkeryIf you want to know more about this podcast and other produced by Stripped Media please visit www.Stripped.media to find out! See acast.com/privacy for privacy and opt-out information.

Ryan discusses the effect of the coronavirus pandemic on comedy, living arrangements and Ken Barlow's career with comedian Maisie Adam.

Die Hard. Home Alone. Sopranos. Watchmen. Gedo Parenting. Brit Wres The Thick Of It. Gary Glitter. Tony Blair. Jeff Jarrett. Brookside Close. Ken Barlow. Aldi. Billy Blanks. Pierce Brosnan. Buck Zumhofe. Michael Jackson. Nick Tilsley. Sid Owen. Slayer. Arsenal Fan TV. James Mason Houlihan. Kevin Nash. Fuck Marry Kill: Naito, Okada, Tanahashi. All this, plus much more in the 2019 version of #AskRevJoe, as anything goes when we spend 3 hours answering your questions! Subscribe to GRAPPL Spotlight: iTunes || Android || Web || YouTube || TuneIn || Stitcher || Spotify || RSS Follow us on Twitter: Benno || JP || GRAPPL Download GRAPPL the wrestling rating app App Store || Google Play || Grappl.co  

What a ride this episode is! If you don’t think you’ll enjoy fruit pastels being used as a source of pleasure for Hollywood’s own Zac Efron, it’s best to skip the first 6 minutes. This episode is the most eclectic to date. There’s Baywatch, The Marvel controversy, fan fiction, celebrity crushes, dictators and the most ruthless rating we will probably ever give to any film. Of course it’s in the Sh*t bin, but in the words of limbo: “How low can you go?” Listen in to find out. We also support female leading roles this episode, explaining why we don’t need a Jane Bond, but instead need more original characters and ideas from Hollywood in this modern era. Some quite serious topics touched on, but even more absolutely absurd points covered. On behalf of all of us, especially Callum for conjuring up the Zac Efron Fan Fiction, we’re so very sorry. Follow us everywhere @CineJoust! Subject your ears to this mess of an episode. Enjoy. If you can. Love u. Intro music supplied by SniffItBigTime (https://youtu.be/qaaspWTc0n4)

Join Dr. Posley for part two of my powerful interview Indiana High School basketball hall of farmer Ken Barlow as they discuss how he helped change the NBA DRAFT forever!!

Join Dr. Posley for part two of my powerful interview Indiana High School basketball hall of farmer Ken Barlow as they discuss how he helped change the NBA DRAFT forever!!

Join Dr. Posley for part two of my powerful interview Indiana High School basketball hall of farmer Ken Barlow as they discuss how he helped change the NBA DRAFT forever!!

Join Dr. Posley for part two of my powerful interview Indiana High School basketball hall of farmer Ken Barlow as they discuss how he helped change the NBA DRAFT forever!!

Ken Barlow's forecast is "Interesting", Dawn is Volunteering with Little Brothers friends of the Elderly; The Timberwolves play their last game, and Angel is getting us pumped up for tonight.

It's the last day of 2017 and we've decided to send off the year that was just as we lived it: recording an unprepared hour of uninformed soap opera podcasting! Loads happened over the Christmas holidays, really too much for you to expect us to remember it all. Billy went for a ride in a helicopter, Robert will hire anyone sat at the bar, Roy's going to study up to remove his own kidney maybe? I dunno. On top of all that the factory's getting a racist makeover and Brian is looking well fit. I think that was it? It's Of Mice and Ken!

Golden Globe nominated Linus Roache discusses money, growing up in a family of actors, the celebrity of his father William Roache, fulfillment, happiness, and more. Guest Biography Linus Roache is a British actor, probably best known for his roles as Michael Cutter on Law and Order and Thomas Wayne in Batman Begins. In 1975, Roache appeared in Coronation Street playing Peter Barlow, the son of his father's character Ken Barlow. Roache is also a past member of the Royal Shakespeare Company. Roache was born in Manchester, Lancashire, the son of Coronation Street actor William Roache and actress Anna Cropper. Roache was educated at Bishop Luffa School in Chichester, West Sussex and at the independent Rydal School in Colwyn Bay, North Wales. He studied acting at the Central School of Speech and Drama. Beginning in the 1990s, Roache began a career in film while remaining active in television and stage. In 1994, he received acclaim for his leading role in Antonia Bird's Priest. He is best known to US audiences as Dr. Thomas Wayne, father of Batman, in Batman Begins (2005) or as Executive Assistant District Attorney Michael Cutter in the American TV series Law & Order (2008–2010) and Law & Order: Special Victims Unit (2011–2012). In June 2010, it was announced that he would return to play Laurence Cunningham, alongside his father William Roache, in Coronation Street. In July 2010, he was cast in the HBO pilot The Miraculous Year. In April 2011, Roache was cast as the lead in the ITV mini-series Titanic, airing March–April 2012 to coincide with the 100th anniversary of the sinking of the ship. In February 2014, Roache debuted in season two of the popular TV series Vikings as England's King Ecbert. He is currently filming season 7 of Homeland, where he plays White House Chief of Staff, David Wellington. Show notes: http://www.inspiredmoney.fm/007 Links Homeland Coronation Street Linus Roache (IMDb) In this episode, you will learn: How to prepare for a performance. We non-actors can event benefit by these insights and routines because life is a grand performance! How you should not tie your self-worth to your work. We'll explore all sorts of things like wealth, fulfillment, and happiness. Linus is not just a great actor but after hitting many of his professional goals by age 30, he began to wonder if this is it? He took a break and explored the spiritual aspect of life that included meditating for at least 2 hours a day! So we'll explore this too. I think it's totally relevant because being healthy includes physical health, mental health, spiritual health, and financial health. Thanks for Listening! To share your thoughts: Leave a note in the comment section below. Share this show on Twitter or Facebook. To help out the show: Leave an honest review on iTunes. Your ratings and reviews really help, and I read each one. Subscribe on iTunes. Special thanks to Jim Kimo West for the music. Until next time!

The Alison Spittle Show – Episode 36 – Tommy Tiernan In Episode 36 – recorded live at The Vodafone Comedy Festival at Iveagh Gardens, Alison meets comedy hero Tommy Tiernan. They talk meeting Martin McGuinness, bidets, Ken Barlow and cul-de-saccing conversations, and riding lizard people amongst other things! Tommy Tiernan is an Irish comedian, actor, […] La entrada Tommy Tiernan | The Alison Spittle Show #36 se publicó primero en Headstuff.

Welcome to the second Coaxial podcast, with Gareth Kavanagh and Christian Cawley. This week, we chat about the changing faces and fortunes of ITV's pair of premium soap operas, Coronation Street and Emmerdale (Farm). Are the glory days of both soaps now long-since past? Has Emmerdale found itself accidentally socially relevant simply by being set in the countryside? And do the toilets in the Rovers Return really lead into Ken Barlow's sitting room?

In episode 140 of Janey Godley's podcast the comedy mother and daughter get ranty about Aspergers, the war in Iraq and Ken Barlow. Ashley discusses her experience of living through ten years of the illegal occupation of Iraq and her feelings about The Steubenville rape case. Janey tells us a horrific story involving a guide dog and another about a toilet brush. Infidelity, a story about a kidney and some weird singing feature this week. If you would like to support our podcast then please do so by clicking onto Our Donate Page and donate via PayPal or like our page on: Facebook   Get your copy of Molly Wobbly's Tit factory, live cast recording here.   Check out The saga of Tim and Freya   You can check out all our videos on YouTube   Order "Handstands in the Dark" Paper Back or in EBook   Please rate us or leave a comment on PodOmatic, ITunes   You can find all the info regarding Janey's live shows by just clicking Gigs!

Stardate 22nd March 2012... [The Starburst Radio 1st Birthday Special Bonus Episode] In which Mike Royce reveals the nice guy of ‘Red Dwarf’, reminisces over the Doctors broken companion, outs Kris’s bad habit to his mum, and blows the lid off ‘The National Leprechaun Museum’. Kris Heys hates Actor recycling, is happy to have Catherine Tate in the office, reviews ‘The Madness of Ken Barlow’, and provides the complete guide to ‘The Garbage Pail Kids’. The new ‘Doctor Who’ companion is discussed, Underscore Bobby Mo is happy, and we bring you ‘Celebrity Blow-Ups - Part 2’... All recordings are issued under official license from Manchester Radio Online.

Hello:Episode One Hundred And Forty TwoDickens, dinosaurs and Ken Barlow's knickers.