Podcasts about Wapping

Marc Brunel's visionary under-water tunnel from Rotherhithe to Wapping finally opened to the public on 25th March, 1843. It had taken 18 years to build, and was massively over-budget, but was the first tunnel successfully created under a navigable river anywhere in the world. Its construction had cost lives, caused controversy and changed the way tunnels would be built forever. But it soon became notorious as a gangway frequented by pickpockets and prostitutes. In this episode, Arion, Rebecca and Olly explain why Brunel had to build a vertical tunnel before embarking upon his horizontal one; tot up its takings as an enormously popular tourist attraction; and explain how the injuries sustained by Isambard Kingdom Brunel during its construction lead directly to his even more famous architectural masterpieces…  Further Reading: • ‘The Opening Of The Thames Tunnel' (SS Great Britain Blog Brunel, 2021): https://www.ssgreatbritain.org/the-opening-of-the-thames-tunnel/ • ‘Open again after 145 years, the eighth wonder of the world' (The Independent, 2010): https://www.independent.co.uk/news/uk/this-britain/open-again-after-145-years-the-eighth-wonder-of-the-world-1920723.html • ‘The Thames Tunnel Archive - Part 5/5' (Brunel Museum London, 2022): https://www.youtube.com/watch?v=6HADkw-laAM This episode originally aired in 2022 Love the show? Support us!  Join 

Send us a textFormer policewoman and district nurse turned novelist, Jean Fullerton has written over 20 novels but recently published something a bit closer to home, her memoir, A Child of the East End. In conversation at the Write Idea Festival, Jean shared eye-watering stories of her childhood in Wapping, the curse of family secrets, bum-stamping and sexism in the police force and why we romanticise the past, Jean proves there is no such thing as a ordinary life. I started by asking her what made her bare her soul in the pages of a book…Thank you to our media partner: Family History Zone – a website covering archives, history and genealogy. Please check then out at www.familyhistory.zone and consider signing up for their free weekly newsletter.

En este episodio, hablamos con Vanesa Castro, Head of Social Media de Leroy Merlin y ganadora del premio a las Mejores Estrategias de Redes Sociales en los eCommerce Awards. Vanesa nos comparte su trayectoria en sectores como entretenimiento, moda y retail, y nos revela cómo la curiosidad ha sido clave en su éxito profesional. Descubre cómo Leroy Merlin ha liderado la transformación omnicanal, integrando lo físico y lo digital en su estrategia de social media, y aprende sobre los retos y oportunidades de crear contenido relevante en un mundo tan cambiante. Un episodio imprescindible para quienes buscan inspiración en marketing y redes sociales. Enlaces de interés: Enlaces de interés: [Beloved sponsor] Prueba gratis la plataforma de la verdadera omnicanalidad de Wapping: ⁠https://bit.ly/wappingweb⁠ Vente al NEXT Digital Trends: https://marketing4ecommerce.net/next/digital-trends-storm/

En este episodio revivimos uno de los momentos clave del año: los Ecommerce Awards 2024. Te traemos la mesa redonda de los nominados a Mejor Directivo/a del Año, quienes, bajo la moderación de José Carlos Cortizo, compartieron sus estrategias y visiones sobre el futuro del ecommerce en España. Entre ellos, contamos con Chen Yue (Laboratorios Phergal), Eloy Mariaud (Casa del Libro), Jorge Peláez (Farma2go) y David Martín (Tradeinn). Prepárate para disfrutar de una charla inspiradora sobre los grandes desafíos y oportunidades del sector. Enlaces de interés: [Beloved sponsor] Prueba gratis la plataforma de la verdadera omnicanalidad de Wapping: https://bit.ly/wappingweb Presentación de nuestro Estudio de Logística para Ecommerce. Si quieres asistir, ¡escríbenos a next@marketing4ecommerce.net! Séptima edición del Ecommerce Breakfast, para conocer las últimas tendencias de cara a la Peak Season: https://marketing4ecommerce.mx/ecommercebreakfast/

The Wapping Dispute was a major confrontation in the 1980s between print unions and Rupert Murdoch's News International as it sought to modernize operations, leading to the decline of union power in the UK. Sparked by technological advancements in the printing industry, the dispute highlighted broader shifts in labor relations and government policies under Prime Minister Margaret Thatcher. Its resolution marked a significant turning point in industrial practices, paving the way for increased operational efficiency at the cost of union influence.

Entrevistamos a Cristina Delgado, presidenta de Women in Retail (WiR), una comunidad que está transformando el sector del retail al visibilizar y promover el talento femenino. Cristina nos comparte su inspiradora trayectoria, desde sus inicios en Decathlon hasta la creación de WiR, y reflexionamos sobre temas clave como el liderazgo en el retail, la importancia de las soft skills y cómo construir redes profesionales sólidas. ¡No te pierdas este episodio! Enlaces de interés: ⭐Prueba gratis la plataforma de la verdadera omnicanalidad de Wapping: ⁠https://bit.ly/wappingweb⁠

In this spine-chilling episode of Paranormal Activity with Yvette Fielding, Yvette is once again joined by Karl Beattie as they dive into some of the most haunting murders in history and the paranormal activity that followed.From the elusive ghost of Jack the Ripper stalking London's streets to the lingering specter of the Red Barn Murder, this episode uncovers the eerie aftermath of infamous crimes.They also explore the horrific Ratcliffe Highway Murders, where a family was brutally slaughtered in Wapping, and the ghostly remnants tied to the Samlesbury Hall Killings.Wrapping it up, Yvette and Karl discuss the lingering spirit of Dr. Hawley Crippen.Prepare yourself for tales of murder, mystery, and the chilling spirits that refuse to rest.A Create Podcast Become a member at https://plus.acast.com/s/paranormal-activity-with-yvette-fielding. Hosted on Acast. See acast.com/privacy for more information.

fWotD Episode 2707: Tichborne case Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 2 October 2024 is Tichborne case.The Tichborne case was a legal cause célèbre that fascinated Victorian Britain in the 1860s and 1870s. It concerned the claims by a man sometimes referred to as Thomas Castro or as Arthur Orton, but usually termed "the Claimant", to be the missing heir to the Tichborne baronetcy. He failed to convince the courts, was convicted of perjury and served a 14-year prison sentence.Roger Tichborne, heir to the family's title and fortunes, was presumed to have died in a shipwreck in 1854 at age 25. His mother clung to a belief that he might have survived, and after hearing rumours that he had made his way to Australia, she advertised extensively in Australian newspapers, offering a reward for information. In 1866, a Wagga Wagga butcher known as Thomas Castro came forward claiming to be Roger Tichborne. Although his manners and bearing were unrefined, he gathered support and travelled to England. He was instantly accepted by Lady Tichborne as her son, although other family members were dismissive and sought to expose him as an impostor.During protracted enquiries before the case went to court in 1871, details emerged suggesting that the Claimant might be Arthur Orton, a butcher's son from Wapping in London, who had gone to sea as a boy and had last been heard of in Australia. After a civil court had rejected the Claimant's case, he was charged with perjury; while awaiting trial he campaigned throughout the country to gain popular support. In 1874, a criminal court jury decided that he was not Roger Tichborne and declared him to be Arthur Orton. Before passing a sentence of 14 years, the judge condemned the behaviour of the Claimant's counsel, Edward Kenealy, who was subsequently disbarred because of his conduct.After the trial, Kenealy instigated a popular radical reform movement, the Magna Charta Association, which championed the Claimant's cause for some years. Kenealy was elected to Parliament in 1875 as a radical independent but was not an effective parliamentarian. The movement was in decline when the Claimant was released in 1884, and he had no dealings with it. In 1895, he confessed to being Orton, only to recant almost immediately. He lived generally in poverty for the rest of his life and was destitute at the time of his death in 1898. Although most commentators have accepted the court's view that the Claimant was Orton, some analysts believe that an element of doubt remains as to his true identity and that, conceivably, he was Roger Tichborne.This recording reflects the Wikipedia text as of 01:38 UTC on Wednesday, 2 October 2024.For the full current version of the article, see Tichborne case on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kendra.

En este episodio del podcast, tenemos a una invitada muy especial: Cristina Saeta, fundadora de la marca de bolsos artesanales y sostenibles #Azorín. Cristina cuenta con una trayectoria impresionante en el mundo del marketing, con 16 años de experiencia trabajando en empresas multinacionales como Red Bull y Llaollao.

¡Hola, marketer! En este episodio especial de nuestro podcast, nos sumergimos en el futuro del SEO y la captación de tráfico con un formato fresquito y veraniego. Acompáñanos en una tertulia apasionante junto a 4 expertos en marketing digital: Rubén Bastón, Director de Marketing4eCommerce. Adrián Aira, CEO de la Marketing4eCommerce Academy. Yago Malarnas, SEO Hub Leader de la agencia de Full Digital Marketing Elogia. Rafael Sotelo, Content Manager de M4C Discutiremos cómo la inteligencia artificial está transformando las búsquedas y compras online, la importancia de la personalización del contenido, y las nuevas tendencias como la realidad virtual y el metaverso. También analizaremos la evolución de Google y la creciente relevancia de plataformas como Amazon y TikTok en el ámbito del e-commerce. [Beloved sponsor] Prueba gratis la plataforma de la verdadera omnicanalidad de Wapping: https://bit.ly/wappingweb 

Hace menos de un año que se lanzó la marca NDL Pro-Health. Su punto de partida: complementos alimenticios para deportistas. Y su “ventaja injusta”: nacer de la mano del centro de investigación Cantabria Labs y con Rafa Nadal como socio. Esto enseguida me generó mucha curiosidad. ¿Cuánto se implica Rafa Nadal en el tema? Pero sobre todo, como marketer… qué supone para una marca recién creada el contar con una celebrity de tal magnitud apoyando el proyecto.  En muy poco tiempo noté que no solo tenían a Nadal, sino que iban fichando un equipo digital potente tanto para canal ecommerce propio, como para distribución por marketplaces así que os traigo a los “Rafa Nadal” dentro de NDL Pro-Health: Adrián Juan, que se encarga mas de la parte de marketplaces y Adrián Rodríguez-Palmero que se encarga de la tienda online propia. Enlaces de interés: [Beloved sponsor] Prueba gratis la plataforma de la verdadera omnicanalidad de Wapping: https://bit.ly/wappingweb  Web de NDL Pro Health: https://ndlprohealth.com/  Mándanos tus audios al tlf: +34 694 495 230. Y si no te atreves por audio, puedes hacerlo por escrito al email podcast @ marketing4ecommerce .net.

La semana pasada se presentó el Estudio anual de Ecommerce de Elogia para IAB Spain, lo hemos analizado en detalle en la web. En este caso, aún no nos basamos en esos datos, que ya miraremos con foco en otra ocasión, sino que vamos a compartir la tertulia que celebré con Jordi Ordóñez, consultor de marketplaces, AMO de Jordiob.com; y José Carlos Cortizo, CMO y socio de Product Hackers. Nos sentamos a hablar de cómo estaba el mercado, si crece o no crece, si la captación está muy cara, qué alternativas hay, si está la cosa más tranquila en marketplaces (spoiler: NO)... Sale, creo, una foto muy estimulante de la situación del sector con ideas sobre qué hacer y por dónde irán los tiros. Enlaces de interés: [Beloved sponsor] Prueba gratis la plataforma de la verdadera omnicanalidad de Wapping: https://bit.ly/wappingweb  Webinar con Joselito y BigCommerce: https://marketing4ecommerce.net/webinars/  Para participar activamente en el podcast: mándanos tu audio al +34 694 495 230 o tu texto a podcast [@] marketing4ecommerce [.] net. Curso de IA aplicada a los negocios de M4C Academy: https://academy.marketing4ecommerce.net/curso-especialista-en-ia-para-ecommerce/

Rencontre animée par Olivia Gesbert Interprète : Marguerite Capelle Le premier roman historique écrit par Zadie Smith, inspiré de faits réels, se déroule à la fin du XIXe siècle. Le personnage principal, Mrs Touchet, est une veuve avant l'heure qui a construit son existence auprès de son cousin William Ainsworth, écrivain raté qui se rêve aussi célèbre que ses amis : Dickens, Forster, Kenealy. Abolitioniste, féministe, engagée pour toute cause qu'elle considère juste, Mrs Touchet, comme toute l'Angleterre des années 1870, se prend de passion pour l'affaire Tichborne : Arthur Orton, un boucher originaire de Wapping, récemment revenu d'un long voyage en Jamaïque, prétend être Sir Roger Tichborne, l'héritier de feu le baron de Tichborne, disparu en mer des années plus tôt. Son témoin le plus fidèle est Andrew Bogie, ancien esclave originaire de Jamaïque, qui fascine Mrs Touchet. Avec la plume percutante de Zadie Smith, on découvre une société anglaise qui se ment à elle-même et qui est encore loin d'avoir résolu son passé colonial. À lire – Zadie Smith, L'imposture, trad. de l'anglais (Royaume-Uni) par Laetitia Devaux, Gallimard, 2024.

Sabemos que es tendencia que muchas tiendas nativas online estén comenzando a apostar por la tiendas físicas, hemos visto Freshly cosmetic o singularu, pues hoy os traigo un caso al revés, una marca que tiene más de 40 tiendas en toda España y por fin se van a lanzar al eCommerce; Miniso.  Desde su llegada a España a finales de 2018, Miniso ha revolucionado el retail con un enfoque único en diseño y accesibilidad, expandiéndose rápidamente llegándose a conocer por todo el país por sus productos premiados por su diseño y que se viralizan solos el TikTok.  Pero nos contará todas las claves y estrategias que están llevando al éxito a esta marca y su proceso de digitalización Ana Rivera, General Manager de Miniso en España. Enlaces de interés: [Beloved sponsor] Prueba gratis la plataforma de la verdadera omnicanalidad de Wapping: ⁠https://bit.ly/wappingweb⁠

Lush Cosmetics es un caso muy interesante. Una marca de fuertes valores ecológicos y sociales. Buscando un referente, serían “el Patagonia de la cosmética”. Centrados en cosmética natural, se rebelan contra los test en animales, se definen como productos vegetarianos, con productos desnudos. ¿Una marca más usando los valores para conectar con los usuarios? Ni de broma. Se los toman muy en serio. En 2021 Lush anunció (y cumplió) que dejaba las redes sociales del grupo Meta (Facebook, Instagram) porque ls consideran negativas para la salud mental de los usuarios. Ni hablar ya de meterse en TikTok, claro. Y no invierten publicidad. venden en marketplaces? No en Amazon, pues no aprueba el compromiso ético que exigen a todos sus partners. Vamos a ver entonces cómo ha logrado esta marca inglesa crecer con estos mimbres hasta superar los 900 millones de facturación a nivel mundial, las 850 tiendas en más de 50 países, 15 de ellas, en España. Lo veremos con Morgane Pommier, la Digital Manager para España y Portugal de Lush Cosmetics. Enlaces de interés: [Beloved sponsor] Prueba gratis la plataforma de la verdadera omnicanalidad de Wapping: https://bit.ly/wappingweb  NEXT Conversion en Barcelona: https://marketing4ecommerce.net/next/conversion-2024/ Nuevos cursos de IA, GA4 y Paid Media en M4C Academy: https://academy.marketing4ecommerce.net/ 

En este episodio del podcast, nos sumergimos en la asombrosa trayectoria de AllZone, una emergente tienda online que desafió las expectativas al facturar 50 millones de euros en menos de cuatro años, lo que le valió nominaciones en los Ecommerce Awards de 2023. Descubriremos cómo, bajo la dirección de Pablo Moscoloni, AllZone ha logrado un crecimiento exponencial desde la pandemia, destacándose en un mercado competitivo con su enfoque en tecnología, hogar y electrodomésticos, a pesar de las delgadas márgenes de ganancia y la necesidad de alta inversión. Acompáñanos en una charla con Pablo Moscoloni, CEO de AllZone, para explorar los secretos detrás de su éxito, demostrando que es posible alcanzar un crecimiento significativo utilizando tecnologías accesibles en el mercado. Enlaces de interés: [Beloved sponsor] Prueba gratis la plataforma de la verdadera omnicanalidad de Wapping: https://bit.ly/wappingweb

No, tus ojos y tus oídos no te están jugando una mala pasada, no soy Rubén Bastón. Soy Yara Quevedo, Social Media Manager de M4C, y como ya te adelantó nuestro amado líder en el episodio 294, de vez en cuando me verás aparecer por este podcast, así él podrá seguir con su plan de mudarse a las Bahamas.  Para estrenarme en esto de conversar con marketers y hacer entrevistas, voy a hablar con Qui Marin Larios, Head of Southern Europe de la plataforma Cheerz, una aplicación francesa de impresión de fotos. A ella la conocimos el pasado 15 de febrero en el NEXT Eco, nuestro primer evento del año que realizamos en Madrid.  Participó en una mesa redonda muy interesante sobre consumo responsable, y como el tiempo pasó volando, le hicimos hueco en este espacio para que nos siga contando cómo esta aplicación apuesta por un futuro sostenible, si existe una contradicción entre la impresión de fotos y la sostenibilidad y cómo apuestan por crear una comunidad. Además, debatiremos sobre si el cliente está en este barco del consumo responsable o no. [Beloved sponsor] Prueba gratis la plataforma de la verdadera omnicanalidad de Wapping: ⁠https://bit.ly/wappingweb⁠  Bootcamp de la M4C Academy de IA aplicada para negocios digitales: ⁠https://academy.marketing4ecommerce.net/curso-especialista-en-ia-para-ecommerce/⁠  Web de Cheerz: https://www.cheerz.com/es

Hola marketer Grabo este podcast desde México. La distancia da perspectiva (las 12 horas de avión ayudan) y en este programa vamos a hacer algo diferente. Reflexionando sobre 12 temas que están transformando, dificultando los negocios digitales y el sector ecommerce en este 2024. ¡vamos allá! Enlaces de interés: [Beloved sponsor] Prueba gratis la plataforma de la verdadera omnicanalidad de Wapping: https://bit.ly/wappingweb  Bootcamp de la M4C Academy de IA aplicada para negocios digitales: https://academy.marketing4ecommerce.net/curso-especialista-en-ia-para-ecommerce/ 

A Mónica Martín la conocí en un evento en Barcelona y me pasé más de media hora machacando su idea de The Refill Concept. A lo cuñado absoluto. Yo le llamo: colocarme en el rol de sombrero negro o poli malo. Acabó convenciéndome, porque la verdad es que la idea es preciosa. En breve: lleva años trabajando en lograr fórmulas de champús, geles y limpieza del hogar que puedan distribuirse en polvo, sin el agua. Se vende la primera vez con una botella de aluminio, rellenable, y se compone el producto final añadiendo agua y los polvos en casa. Brillante, sencillo y super ecológico. Mi preocupación era: “te falta marca”. Y se mete en un sector que lleva generaciones impactándonos por medios masivos haciéndonos marquistas, cada uno de su champú, de su marca de limpieza, etc. Y no solo es que sea marca recién nacida. Otras marcas nativas lo lograron. Sino que The refill Concept se centra, hasta como nombre, en el cómo. Y tenía mis dudas de si eso era driver de decisión suficiente.  Y como tenía dudas, la he invitado al podcast para romperle la cabeza una hora más. Verás que se consolida que es un productazo, un ideón, que ya os quiero ver a todas y todos probándolo, os dejo enlace en las notas, pero que cuesta mucho moverlo sola: sola ella como líder y sola como marca.  Enlaces de interés: [Beloved sponsor] Prueba gratis la plataforma de la verdadera omnicanalidad de Wapping: https://bit.ly/wappingweb  Web de The Refill Concept: https://therefillconcept.com/ Ven a nuestro NEXT ECO (15 de febrero en Madrid): https://marketing4ecommerce.net/next/eco-2024/ Bootcamp de la M4C Academy de IA aplicada para negocios digitales: https://academy.marketing4ecommerce.net/curso-especialista-en-ia-para-ecommerce/ 

Rita heads to Wapping disguised as a maid to visit Bower's Old Mum. A pleasant social call awaits. Based on the brilliant 'Bookhounds of London' sourcebook for Trail of Cthulhu by Kenneth Hite with additional material by Steve Dempsey. If you like what you hear please support the show at Patreon to get early access, exclusive content and more Keeper - Andy Goodman from Expedition to the Grizzly Peaks Dr. Emory Watson is played by Scott Dorward from Good Friends of Jackson Elias Milton Blyth is played by Spencer Game of Keep Off the Borderlands Rita is played by Barney from Loco Ludus --- Send in a voice message: https://podcasters.spotify.com/pod/show/andy-goodman9/message

Greetings Glocal Citizens! For this week's episode I found myself in a hidden gem of a community in East London with a not so hidden gem in the European investment space, Eric Collins. Eric, born an raised in the southern United States, has called London home for the nearly 10 years. He is a serial entrepreneur, investor, technology executive and host of Channel 4 business show, The Money Maker (https://www.themoneymaker.com), which is based on the highly successful US show The Profit on CNBC. Eric has spent much of his career building the value of digital companies through innovative strategies at public and private companies including AOL, TimeWarner, Tegic/Nuance Communications, MobilePosse, SwiftKey/Microsoft and most recently, Touch Surgery, where he was COO. He sits on the boards of companies in San Francisco and London, including Tech Nation. In 2011, President Obama, a fellow Harvard Law School classmate, appointed him to the Small Business Administration's Council on Underserved Communities (https://www.sba.gov/article/2021/jun/22/sba-reconvenes-council-underserved-communities). Eric is also a brand ambassador for luxury car manufacturer, Audi, and the youth charity The Prince's Trust. In 2018, The Financial Times named him among the UK's top 100 BAME leaders in technology. Since 2019, he has been voted one of the most influential Black people in Britain on The Powerlist. In his award-winning book, We Don't Need Permission: How Black Business Can Change Our World (Penguin) (https://a.co/d/0LaTaq1), Eric argues investing in Black and underrepresented entrepreneurs is the surest, fastest socio-economic game changer there is. And with his work as a Founder and CEO of Impact X Capital (https://www.impactxcapital.com) we believe him! Where to find Eric? www.impactxcapital.com (https://www.impactxcapital.com/team/) On LinkedIn (https://www.linkedin.com/in/ericdcollinsba/) On X (https://twitter.com/EricDCollins) On Instagram (https://www.instagram.com/eric_dcollins/) What's Eric reading? J. Califoria Cooper (https://en.wikipedia.org/wiki/J._California_Cooper) What's Eric watching? Purlie Victorious (https://purlievictorious.com) The Lehman Trilogy (https://thelehmantrilogy.com) Other topics of interest: Revisit fellow Glocal Citizen Natasha Moore (https://glocalcitizens.fireside.fm/guests/natasha-d-moore) Greensboro, North Carolina (https://en.wikipedia.org/wiki/Greensboro,_North_Carolina) Tuskegee University (https://en.wikipedia.org/wiki/Tuskegee_University) Bennett College (https://en.wikipedia.org/wiki/Bennett_College) North Carolina A&T State University (https://en.wikipedia.org/wiki/North_Carolina_A%26T_State_University) On Charles Blow's The Devil You Know (https://www.npr.org/2021/01/26/960665185/charles-blow-s-the-devil-you-know-is-a-black-power-manifesto-for-our-time) Roger Fisher's Getting to Yes: Negotiating Agreement Without Giving (https://a.co/d/eLdAHtX) On the Black Power Movement (https://nmaahc.si.edu/explore/stories/foundations-black-power) About the inaugural SBA Council on Underserved Communities and Chair, Cathy Hughes (https://afro.com/15-appointed-to-advisory-council-on-underserved-communities/) Audra McDonald & Brian Stokes Mitchell Perform 'Wheels of a Dream' From RAGTIME (https://www.youtube.com/watch?v=uxAIxaEIc6U) First Black Mayor of Charlotte Harvey Gantt (https://en.wikipedia.org/wiki/Harvey_Gantt) Former Governor of Virgina Douglas Wilder (https://en.wikipedia.org/wiki/Douglas_Wilder) GiveBLACK (https://www.giveblackuk.org) About Ric Lewis (https://en.wikipedia.org/wiki/Ric_Lewis) No. 1 Ladies Detective Agency (https://en.wikipedia.org/wiki/The_No._1_Ladies%27_Detective_Agency_(TV_series)) About Marshmallow (https://www.bbc.com/news/business-59051679) Special Guest: Eric Collins.

In August of 1985 The Pogues released their sophomore album. It was produced by Elvis Costello and recorded at Elephant Studios in Wapping, London. Of the recording process itself, Costello had this to say: "I saw my task was to capture them in their dilapidated glory before some more professional producer fucked them up." Let's talk The Pogues, Rum Sodomy and the Lash!

Step into the world of the UK's oldest pubs, where time seems to stand still, and the echoes of bygone eras reverberate through the air. Join guest Lorien Jones from Alehouse Haunts, as she takes us through some of their doors. Get ready to embark on a journey through time to explore their unique history and the spirits of the departed that still make themselves known. My Special Guest is Lorien Jones Lorien's interest in the world of ghosts started when she was a child. She began investigating the paranormal in 2006, attending a public event at Alton Towers and hasn't looked back. She launched her business The Ghost Book on Halloween 2013. This was a website which covered many ghostly elements, including the Ghost Hunt Diary on which she advertised events for many of the respectable companies operating in the UK. From here she made many life long friends and acquaintances in the paranormal field. In 2020 she felt herself growing away from the events advertising and began her new venture, Alehouse Haunts. At this time she also began writing for the Haunted Magazine in the autumn of 2020 and was asked to be a brand ambassador in 2022. The Haunting History of Execution Dock At one time the world's largest port, it is hardly surprising that London has a prolific connection with piracy. Lorien explains the haunting history of this area and how if you were charged with piracy, and found guilty, convicts were paraded from the prison over London Bridge, past the Tower of London and towards Wapping where Execution Dock was located. Streets would often be lined with spectators. After a final quart of ale the prisoner would be led to the dock where a shortened rope was placed around their neck whereupon they were executed by hanging. During the suffocation, a prisoner's limbs would spasm and they would be seen to dance which was nicknamed by spectators as the Marshal's Dance. Once dead, the bodies were held in place for three tides. Ghostly goings-on at The Prospect of Whitby Despite being almost entirely destroyed by fire in the 1800s, the internal fittings of The Prospect of Whitby likely originated from shipping timbers. This popular establishment would have been one of the final drinking places for pirates as they broke their journey on their way to Execution Dock. It is said to be haunted by the spirits of many of those condemned men as well as 'moll cutpurse.' In this episode, you will be able to: Delve into the captivating historical past of The Prospect of Whitby and to the reported paranormal activity there. Investigate the types of mysterious occurrences and ghostly sightings at other haunted pubs. Explore some of the dark history of Execution Dock and some of the notorious figures to have been sentenced to death there. If you value this podcast and want to enjoy more episodes please come and find us on ⁠⁠⁠⁠https://www.patreon.com/Haunted_History_Chronicles⁠⁠⁠⁠ to support the podcast, gain a wealth of additional exclusive podcasts, writing and other content. Links to all Haunted History Chronicles Social Media Pages, Published Materials and more:⁠⁠⁠⁠⁠ https://linktr.ee/hauntedhistorychronicles⁠⁠⁠⁠ Guest Links: https://www.alehousehaunts.co.uk/ https://twitter.com/alehousehaunts?t=oBSVjGAqQx36EEA6XThAEg&s=09 https://instagram.com/alehousehaunts?igshid=YmMyMTA2M2Y= https://m.facebook.com/groups/502793851376966?group_view_referrer=search --- Send in a voice message: https://podcasters.spotify.com/pod/show/hauntedchronicles/message

Hanged for piracy and murder, sea captain William Kidd was executed in Wapping on 23rd May, 1701. From the gallows he proclaimed to the large assembled crowd that he was innocent of the crimes, as he was a licensed privateer.  The vessel he'd captured, the Quedagh Merchant, was indeed sailing under a ‘French pass' - though the documents that prove this lay unearthed until the 20th century. His trial was used by the governing Tory party as a political opportunity to embarrass his Whig sponsors, and he was convicted on all counts. In this episode, Arion, Rebecca and Olly explain what happened to his body after his botched hanging; reveal the extraordinary monetary value of his plunder; and explain how, despite his established prowess as a seaman, he became seen as a public enemy… Further Reading: ‘Biography of Captain William Kidd, Scottish Pirate' (ThoughtCo, 2019): https://www.thoughtco.com/captain-william-kidd-2136225 ‘The sacrifice of Captain Kidd' (HistoryExtra, 2011): https://www.historyextra.com/period/stuart/the-sacrifice-of-captain-kidd/ ‘Accidental Pirate' (National Geographic, 2008): https://www.youtube.com/watch?v=f4aGvWzFoko #Pirates #1700s #Macabre Love the show? Join 

EDNA [So], how is Hanzel, [Dear]? GRETL Oh, you know… EDNA I don't know...s'why I ask. GRETL Same, as usual. EDNA What is “usual?” GRETL He's so broken. EDNA **tsk-tsk* [shaking her head, sipping tea] GRETL —wvich is fine— EDNA Good for you. GRETL Yes, it is—but still—almost sad. EDNA [shrugs] Almost. GRETL [shrugs, sips tea in unison with edna] EDNA Would you like another? GRETL Sure, why not? EDNA [she pours another mug] GRETL Wvat is this? EDNA It's just coffee. GRETL Are you sure? EDNA … GRETL … EDNA …. —- AAAAAAAHHHHHHHHHH YAAAAAAAAHHHHHHHH HIIIIIYYYYYAAAAAHHHH STAY DOWN, BITCH. YES, I WIN. don't get up. GET BACK UP. seriously, don't move. GET UP, BITCH! no, you don— BLACKOUT. Ooohh. Kick to the face. That was to the neck. Neck/face— ‍♀️ There's a difference. S/he has a short neck. X.X The famed Edna Mode (The Incredibles) becomes excruciatingly angry after learning that SupaCree has altered the “supa suit” she designed for her—by adding a cape. I wish i was pretty Tim admitted that might be the last wish he grants me this century; Wanna make history... but now I make dollars for callers, I'm all in my misery Misery: Listen to me! I didn't mean to see something in Sonny nobody should see And this shit'll make history; Guess i'm blessed, Now he's dead to me “Bless you” I said, As I sneezed when they cut off my- ... Now I live on a silver platter, I splatted: my hat's on the pavement Must be something ‘bout Asians, Cause every time I say ‘Amen' when I'm praying for Sonny, or Kayla Lauren, or whoever this demented demon that's chasing me-- Satan asks for a payment, and says “Hey! Now, a pop quiz in Mandaran, Learn to speak Spanish, fast, if you can, Cause american ignorance, laziness, complacency and impatience Is ending this country.” --It's ending this country, And the reason why I'm homeless is I decided to run for president and run from him at the same time, And then nobody wanted me Nobody wanted to see the things I would preach about, If they let me out, Of these restraints now; I'm not havin a cow or nothing, I mean i'm lactating, wait; Did he throw my 8 week baby at our other baby, Just to punch me? Broke it off with Sonny a decade later for throwing a Grammy Award at me; Literally and Action Figuratively Hasn't happened yet, But all of the future history I remember is vivid to me So he has to be Evil, I think To claim that he loves me all these infinite ways and dimensions, And then throw a demon instagram basic bitch at me Now she's the reason I bleed and can't eat for a week-- I'm tired of being Jesus, but he's still on his leave, and I'd probably be laughing if I wasn't magnetically attracted to half of the Industry's greatest I hate myself, I hate Dillon Francis and I hate him, But only ‘cause I can't make it to the banquet. I burned the sweater he gave me and left the blanket with my ex, I was stressed, yes, Left my luggage in Boston just to get to Dillon Francis at XS in Vegas and Write this: “WHY GOD!?!? WHY DILLON FRANCIS?!” Jumpin Jumpin, Destiny's Child June 4th, 2021 XS NIGHTCLUB, LAS VEGAS NEVADA See, I told you. There they go. I guess. Alright, where's Rick? He's here— I can smell him. That's— There he is. Mmm. Stop lookin nervous— I don't like this. Alright, that's good ^.^ Okay. Let's find this portal. Damn. Huh. Last time I was here, it was to see— Don't say Skrillex— —It was to see Skrillex. Fuck you dude. ——-ahhhhh——!!!!!! GET IN THE SHIP. —I AIN'T SIGNING SHIT— YOU SHALL NOT PASS!!!!! [WAPPING] alright, that's it! GOD!!! That's not my name. (It is.) —-what? Where are you going? ...We're going camping. All of us? ALL OF US. Oh, shit! Get IN THE SHIP. Woah. NOW! —- Ugh. Oooof. Bad. Get up. Ummm...who are you? Get up, you have to perform. Perform for WHAT? Come on, dude— —okay, first of all— Uh huh [A SUPERSTAR DJ] experiences the dance floor.. ...As a fan. But (I got nervous) what I meant to say, was DILLON FRANCIS is stuck in SUPACREE's body, and vice versa. She must perform in his place. Stop it, man. I have an itch, I'm gonna scratch! Not the ink. What is it? Don't touch it. Don't touch it. DON'T TOUCH THAT— —OR, DO. ‍♀️ . . . ...I don't know. What do I do? Push the button. Which button, Gerald?! The PLAY button. You're a DICK It's ROUND— —what, your di—?! —NO, the BUTTON. WHICH FUCKIN BUTTON. Ooh, I got one. [the Motherf*ckers are fuck hunting] It appears as though they lost all their fucks— DILLON FRANCIS has plenty, because “Chandelier Lol. Pop. Bang. Ooh Oh. My God. What. Wake up. We're here. Im addicted It's lit lit Getting lifted Gifted shapeshifters sit in While I disintegrate my disinterest What is this? You're in it Did I mention I made you a sandwich, It's still in my kitchen Oh shit, the— “That's The Tallest Skrillex I've Ever Seen” Oh wow, tall. Never thought about that Thump thumps— Where'd they come from? This is nuts: What is this. This is earth. No. What is your life's, what is your life Where is your wife And why can't I get this shot right Right on time? Right? That's the guy, right? Might be— It might be time- Tame Impala I don't know, but I'm down for the night Going wild for the I I I forgot my line, like: Try to write an album on the dance floor All these lines, VI—what's that for? I'm free from, call me kudi I'm reborn Call me Lynard Skinnard. I'm a freebird Oh please— You got me weak in the knees Bitch please What are teeth? Take me out to chuckle cheese Tell me what your disease is, It's easy I'm a pleasure, I'll teach you Now let me get a drink Before I speak truth OH MY GOD. I love His fandom so much. Love the fandom, cause I am one Call me Katy imma go dumb Call me carnage, with a green thumb Drop the Bass up In Your face, I call it thump thumps What's for lunch Let's get drunk Don't make me go pop the trunk!!! Oh YOU! YOU! YOU! What's wrong with him, What'd they do to him. What's—wait. Look at that face. That is not the face of a free man. I'm a trash can. Yeah, well...that. Who's his master? I am. What!? Goddamn! I did that. What is that? A sandwhich? Just have half. WHOOOP-WHOOP! What! Whoop whoops?! It's MUCH too earty for Whoop Whoops! Far too early. Where's Chak Chel? oh my God!! Who's this LADY?! I'm in VIP Give me a sip I'm gonna get lit, eat chips with Chak Chel and then dip “What is this sauce?” It's ranch, dipshit. You're an ass NAH, I'm A PIÑATA. Bitch, I'm the boss, I wanna get lost in my thoughts, But I'm lost in the box I'm a rockstar, rockstar games. Or maybe Okay this: He has a man purse. I like him. What's going on?!!!! He has a man purse, we like him He has a man purse, we like him He has a man purse, we like him He has a man purse— GET THAT S#iT BAMPHER: —You're in. I'm in VIP OH YOU FUCKIN WANNA BE LOOK AT MEEEEEE IM MR— There's Rick. Mx. Meesinks. Hi—I'm— Get this bitch [picture of SUPACREE/SKRILLEX/a whatthefuck] Yesssiiirrreeee Don't call me sir. SIR And— SERVANT Wait, there's more? SCRIBE/DARK LORD There's always more— SIR Aaanddd—I would like to be called “sir” SERVANT Excuse me? SIR Call me sir. Third eye itching, Let me stop and take a picture Switch it Feeling wishy washy, Kinda bitchy, kinda bossy— Where the party at? you lost me. Where the fuxk I park my car— It couldn't be that far— I— I— I— I— — I woke up on a farm God. WW U D IM ABOUT TO DO WHAT JESUS WOULDNT DO (Yes, I would.) Whoop whoop!! —Nope, still too early. OMG look. Birds! Becky, Becky, Sarah— Oh, there's Sarah! Wow, Nancy's recovering well, yeah? [NANCY, freshly out of her neck brace; attends her first show since “the incident”—after breaking her neck to EXCISION, her friends agree that DILLON FRANCIS will be a safe bet.] Damn, people don't give any type of fuxk whatsoever. Nope. [drinks] So what do we do? Have a drink. I'm a robot, now No home, no soul I'm a robot now, No friends, no phone I'm a robot now And I'm always all alone I should be proud but I'm a robot now {mixes with A.A., iambic} What is reality? That's not dancing. Let's just—no. No, l—no What the fuxk. What the FUXK!!! How did he get here?! Look at him. No, don't look. (Don't look at me.) Don't look at him. Aww. GET UP DILLON, it's time to go! What is time?? WHAT THE FOOOOOO1– posaqwwwwwwwwww—— GADDAAAAAAQAAAMN!!!! STAAAAAAHHHHP. Goddammit, what are you doing here?! Everybody's here. Nah. Nah. [everybody is there.] Nah. Got this catatonic obsession, Shoulda learned my lesson, There's a learning curve to everything; You finally taught me something Floor is so sticky, I can't even sit and meditate Can't even find the space to write this My mistake, not my guy, I guess? My idol, maybe friend? I know those eyes inside of mine each time I see them So what is freedom? So that's it, There's no love left It's just money and sex No new friends So that means No new beginning— And at the very least no new enemies— Please Gerald! Damn, you're hot. Okay, knock it off I got it. I got it. I told you this would happen. Doesn't it always? “Follow the eye” Or just DONT Time to go. I love that song. I almost wore that shirt; I love that song! I am that song. What. I think I need a day, or forever, maybe To get away Time flies when you fast; I just danced my last dance, Thanks, Dillon Francis. Now when I meditate and pray I can ask GODDAMN, what the fuck was that about Now where in the fuck is my hat,yeah Grab that piñata, Let's look at the map, Maybe tonight, imma get in a fight These white girls are like DANE COOK “MINE” Pelicans MINEMINEMINE Hot Vollyball Girls: MINE. Alright, that's enough. No, stay here. What the fuck. NO, STAY HERE. Okay, I—guess. NO, STAY HERE. Fuxk, the watchers. I thought they didn't want me here. He doesn't care?! Clearly— Clearly nothing—! Gather more evidence! What in the world do you want from me? What in the world do you want from me? What in the world do you want from me? S Ū P ∆ ⓒ Я E E.™ He's a very handsome man, the full package She's actually a retired dancer, turned rapper; The trash can and last kandi handler, Handed a band to a fan, that's reality shattering yeah What happens after? Back to camp, I guess. SWIPER Aww, maaaan. I just wanna hold hands with a piñata, but I can't; I just want the answers to the questions I asked, answered, but nah. Have you seen my left arm? It's self harm, and it's just harmless, a charm— All I did was send magic to that man, Laughed under my mask, but haven't had a chance to love again since the last man banned me from having ‘happy'; So I can't handle this thirst trap, I reverse that Mantra from can't to Yea I can, Now, Where is Pan at? Ask Hanzel After, actually, Scratch that, I said I'd never turn my back on him, but Here's my butt and my backpack. I'll see you at Bass Camp, Or a Mansion, Or @ a mention, And thanks for the graduation, I hate my name, and I'm famous, maybe But hey, I just want someone to know me, I'm really lonely, I owe money to every agency, The governments enslaving me by my name and a paycheck. I've written albums, but haven't gotten paid yet; I wrote a novel, about a man I'm willing to say I've never met, Cause I respected him— And the Sadness Never Ends, I made a fandom out of friends, How it ends is with a pen and paper, I guess My hands on the decks, I'm just an ambidextrous sexually ambiguous DJ bitch; And Dillon Francis is my favorite producer, cause I'm just a loser who refuses to lose it, Enough to end the pollution and politicians who use us for getting richer I snap a picture, no movement. So even though I wanted to, I didn't— No pictures, no press releases and no random bitches; I just saw him in a vision, and at least ten astral projections, Got a circle of protection, a lesson, Cause now I'm branded and stressing OWSLA kicked me out, CAuse I'm a Cow, But I can also be an owl I'm growling now, I'm on the prowl for anyone to let me out, I'm trapped And down, cause he's out of my league, And I like him now. AHHHGGG (Eggageratedly disgusted sigh) (busted) --WHAT? YOU WENT TO DILLON FRANCIS LAND--WITHOUT ME. Nooo...I didn't. YOU DID, and you had a GOOD TIME. It's always a good time... AGH-- AGHHHHHHHHHHHH!!!!! [One attacks, the other runs.] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

EDNA [So], how is Hanzel, [Dear]? GRETL Oh, you know… EDNA I don't know...s'why I ask. GRETL Same, as usual. EDNA What is “usual?” GRETL He's so broken. EDNA **tsk-tsk* [shaking her head, sipping tea] GRETL —wvich is fine— EDNA Good for you. GRETL Yes, it is—but still—almost sad. EDNA [shrugs] Almost. GRETL [shrugs, sips tea in unison with edna] EDNA Would you like another? GRETL Sure, why not? EDNA [she pours another mug] GRETL Wvat is this? EDNA It's just coffee. GRETL Are you sure? EDNA … GRETL … EDNA …. —- AAAAAAAHHHHHHHHHH YAAAAAAAAHHHHHHHH HIIIIIYYYYYAAAAAHHHH STAY DOWN, BITCH. YES, I WIN. don't get up. GET BACK UP. seriously, don't move. GET UP, BITCH! no, you don— BLACKOUT. Ooohh. Kick to the face. That was to the neck. Neck/face— ‍♀️ There's a difference. S/he has a short neck. X.X The famed Edna Mode (The Incredibles) becomes excruciatingly angry after learning that SupaCree has altered the “supa suit” she designed for her—by adding a cape. I wish i was pretty Tim admitted that might be the last wish he grants me this century; Wanna make history... but now I make dollars for callers, I'm all in my misery Misery: Listen to me! I didn't mean to see something in Sonny nobody should see And this shit'll make history; Guess i'm blessed, Now he's dead to me “Bless you” I said, As I sneezed when they cut off my- ... Now I live on a silver platter, I splatted: my hat's on the pavement Must be something ‘bout Asians, Cause every time I say ‘Amen' when I'm praying for Sonny, or Kayla Lauren, or whoever this demented demon that's chasing me-- Satan asks for a payment, and says “Hey! Now, a pop quiz in Mandaran, Learn to speak Spanish, fast, if you can, Cause american ignorance, laziness, complacency and impatience Is ending this country.” --It's ending this country, And the reason why I'm homeless is I decided to run for president and run from him at the same time, And then nobody wanted me Nobody wanted to see the things I would preach about, If they let me out, Of these restraints now; I'm not havin a cow or nothing, I mean i'm lactating, wait; Did he throw my 8 week baby at our other baby, Just to punch me? Broke it off with Sonny a decade later for throwing a Grammy Award at me; Literally and Action Figuratively Hasn't happened yet, But all of the future history I remember is vivid to me So he has to be Evil, I think To claim that he loves me all these infinite ways and dimensions, And then throw a demon instagram basic bitch at me Now she's the reason I bleed and can't eat for a week-- I'm tired of being Jesus, but he's still on his leave, and I'd probably be laughing if I wasn't magnetically attracted to half of the Industry's greatest I hate myself, I hate Dillon Francis and I hate him, But only ‘cause I can't make it to the banquet. I burned the sweater he gave me and left the blanket with my ex, I was stressed, yes, Left my luggage in Boston just to get to Dillon Francis at XS in Vegas and Write this: “WHY GOD!?!? WHY DILLON FRANCIS?!” Jumpin Jumpin, Destiny's Child June 4th, 2021 XS NIGHTCLUB, LAS VEGAS NEVADA See, I told you. There they go. I guess. Alright, where's Rick? He's here— I can smell him. That's— There he is. Mmm. Stop lookin nervous— I don't like this. Alright, that's good ^.^ Okay. Let's find this portal. Damn. Huh. Last time I was here, it was to see— Don't say Skrillex— —It was to see Skrillex. Fuck you dude. ——-ahhhhh——!!!!!! GET IN THE SHIP. —I AIN'T SIGNING SHIT— YOU SHALL NOT PASS!!!!! [WAPPING] alright, that's it! GOD!!! That's not my name. (It is.) —-what? Where are you going? ...We're going camping. All of us? ALL OF US. Oh, shit! Get IN THE SHIP. Woah. NOW! —- Ugh. Oooof. Bad. Get up. Ummm...who are you? Get up, you have to perform. Perform for WHAT? Come on, dude— —okay, first of all— Uh huh [A SUPERSTAR DJ] experiences the dance floor.. ...As a fan. But (I got nervous) what I meant to say, was DILLON FRANCIS is stuck in SUPACREE's body, and vice versa. She must perform in his place. Stop it, man. I have an itch, I'm gonna scratch! Not the ink. What is it? Don't touch it. Don't touch it. DON'T TOUCH THAT— —OR, DO. ‍♀️ . . . ...I don't know. What do I do? Push the button. Which button, Gerald?! The PLAY button. You're a DICK It's ROUND— —what, your di—?! —NO, the BUTTON. WHICH FUCKIN BUTTON. Ooh, I got one. [the Motherf*ckers are fuck hunting] It appears as though they lost all their fucks— DILLON FRANCIS has plenty, because “Chandelier Lol. Pop. Bang. Ooh Oh. My God. What. Wake up. We're here. Im addicted It's lit lit Getting lifted Gifted shapeshifters sit in While I disintegrate my disinterest What is this? You're in it Did I mention I made you a sandwich, It's still in my kitchen Oh shit, the— “That's The Tallest Skrillex I've Ever Seen” Oh wow, tall. Never thought about that Thump thumps— Where'd they come from? This is nuts: What is this. This is earth. No. What is your life's, what is your life Where is your wife And why can't I get this shot right Right on time? Right? That's the guy, right? Might be— It might be time- Tame Impala I don't know, but I'm down for the night Going wild for the I I I forgot my line, like: Try to write an album on the dance floor All these lines, VI—what's that for? I'm free from, call me kudi I'm reborn Call me Lynard Skinnard. I'm a freebird Oh please— You got me weak in the knees Bitch please What are teeth? Take me out to chuckle cheese Tell me what your disease is, It's easy I'm a pleasure, I'll teach you Now let me get a drink Before I speak truth OH MY GOD. I love His fandom so much. Love the fandom, cause I am one Call me Katy imma go dumb Call me carnage, with a green thumb Drop the Bass up In Your face, I call it thump thumps What's for lunch Let's get drunk Don't make me go pop the trunk!!! Oh YOU! YOU! YOU! What's wrong with him, What'd they do to him. What's—wait. Look at that face. That is not the face of a free man. I'm a trash can. Yeah, well...that. Who's his master? I am. What!? Goddamn! I did that. What is that? A sandwhich? Just have half. WHOOOP-WHOOP! What! Whoop whoops?! It's MUCH too earty for Whoop Whoops! Far too early. Where's Chak Chel? oh my God!! Who's this LADY?! I'm in VIP Give me a sip I'm gonna get lit, eat chips with Chak Chel and then dip “What is this sauce?” It's ranch, dipshit. You're an ass NAH, I'm A PIÑATA. Bitch, I'm the boss, I wanna get lost in my thoughts, But I'm lost in the box I'm a rockstar, rockstar games. Or maybe Okay this: He has a man purse. I like him. What's going on?!!!! He has a man purse, we like him He has a man purse, we like him He has a man purse, we like him He has a man purse— GET THAT S#iT BAMPHER: —You're in. I'm in VIP OH YOU FUCKIN WANNA BE LOOK AT MEEEEEE IM MR— There's Rick. Mx. Meesinks. Hi—I'm— Get this bitch [picture of SUPACREE/SKRILLEX/a whatthefuck] Yesssiiirrreeee Don't call me sir. SIR And— SERVANT Wait, there's more? SCRIBE/DARK LORD There's always more— SIR Aaanddd—I would like to be called “sir” SERVANT Excuse me? SIR Call me sir. Third eye itching, Let me stop and take a picture Switch it Feeling wishy washy, Kinda bitchy, kinda bossy— Where the party at? you lost me. Where the fuxk I park my car— It couldn't be that far— I— I— I— I— — I woke up on a farm God. WW U D IM ABOUT TO DO WHAT JESUS WOULDNT DO (Yes, I would.) Whoop whoop!! —Nope, still too early. OMG look. Birds! Becky, Becky, Sarah— Oh, there's Sarah! Wow, Nancy's recovering well, yeah? [NANCY, freshly out of her neck brace; attends her first show since “the incident”—after breaking her neck to EXCISION, her friends agree that DILLON FRANCIS will be a safe bet.] Damn, people don't give any type of fuxk whatsoever. Nope. [drinks] So what do we do? Have a drink. I'm a robot, now No home, no soul I'm a robot now, No friends, no phone I'm a robot now And I'm always all alone I should be proud but I'm a robot now {mixes with A.A., iambic} What is reality? That's not dancing. Let's just—no. No, l—no What the fuxk. What the FUXK!!! How did he get here?! Look at him. No, don't look. (Don't look at me.) Don't look at him. Aww. GET UP DILLON, it's time to go! What is time?? WHAT THE FOOOOOO1– posaqwwwwwwwwww—— GADDAAAAAAQAAAMN!!!! STAAAAAAHHHHP. Goddammit, what are you doing here?! Everybody's here. Nah. Nah. [everybody is there.] Nah. Got this catatonic obsession, Shoulda learned my lesson, There's a learning curve to everything; You finally taught me something Floor is so sticky, I can't even sit and meditate Can't even find the space to write this My mistake, not my guy, I guess? My idol, maybe friend? I know those eyes inside of mine each time I see them So what is freedom? So that's it, There's no love left It's just money and sex No new friends So that means No new beginning— And at the very least no new enemies— Please Gerald! Damn, you're hot. Okay, knock it off I got it. I got it. I told you this would happen. Doesn't it always? “Follow the eye” Or just DONT Time to go. I love that song. I almost wore that shirt; I love that song! I am that song. What. I think I need a day, or forever, maybe To get away Time flies when you fast; I just danced my last dance, Thanks, Dillon Francis. Now when I meditate and pray I can ask GODDAMN, what the fuck was that about Now where in the fuck is my hat,yeah Grab that piñata, Let's look at the map, Maybe tonight, imma get in a fight These white girls are like DANE COOK “MINE” Pelicans MINEMINEMINE Hot Vollyball Girls: MINE. Alright, that's enough. No, stay here. What the fuck. NO, STAY HERE. Okay, I—guess. NO, STAY HERE. Fuxk, the watchers. I thought they didn't want me here. He doesn't care?! Clearly— Clearly nothing—! Gather more evidence! What in the world do you want from me? What in the world do you want from me? What in the world do you want from me? S Ū P ∆ ⓒ Я E E.™ He's a very handsome man, the full package She's actually a retired dancer, turned rapper; The trash can and last kandi handler, Handed a band to a fan, that's reality shattering yeah What happens after? Back to camp, I guess. SWIPER Aww, maaaan. I just wanna hold hands with a piñata, but I can't; I just want the answers to the questions I asked, answered, but nah. Have you seen my left arm? It's self harm, and it's just harmless, a charm— All I did was send magic to that man, Laughed under my mask, but haven't had a chance to love again since the last man banned me from having ‘happy'; So I can't handle this thirst trap, I reverse that Mantra from can't to Yea I can, Now, Where is Pan at? Ask Hanzel After, actually, Scratch that, I said I'd never turn my back on him, but Here's my butt and my backpack. I'll see you at Bass Camp, Or a Mansion, Or @ a mention, And thanks for the graduation, I hate my name, and I'm famous, maybe But hey, I just want someone to know me, I'm really lonely, I owe money to every agency, The governments enslaving me by my name and a paycheck. I've written albums, but haven't gotten paid yet; I wrote a novel, about a man I'm willing to say I've never met, Cause I respected him— And the Sadness Never Ends, I made a fandom out of friends, How it ends is with a pen and paper, I guess My hands on the decks, I'm just an ambidextrous sexually ambiguous DJ bitch; And Dillon Francis is my favorite producer, cause I'm just a loser who refuses to lose it, Enough to end the pollution and politicians who use us for getting richer I snap a picture, no movement. So even though I wanted to, I didn't— No pictures, no press releases and no random bitches; I just saw him in a vision, and at least ten astral projections, Got a circle of protection, a lesson, Cause now I'm branded and stressing OWSLA kicked me out, CAuse I'm a Cow, But I can also be an owl I'm growling now, I'm on the prowl for anyone to let me out, I'm trapped And down, cause he's out of my league, And I like him now. AHHHGGG (Eggageratedly disgusted sigh) (busted) --WHAT? YOU WENT TO DILLON FRANCIS LAND--WITHOUT ME. Nooo...I didn't. YOU DID, and you had a GOOD TIME. It's always a good time... AGH-- AGHHHHHHHHHHHH!!!!! [One attacks, the other runs.] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U. Z so

EDNA [So], how is Hanzel, [Dear]? GRETL Oh, you know… EDNA I don't know...s'why I ask. GRETL Same, as usual. EDNA What is “usual?” GRETL He's so broken. EDNA **tsk-tsk* [shaking her head, sipping tea] GRETL —wvich is fine— EDNA Good for you. GRETL Yes, it is—but still—almost sad. EDNA [shrugs] Almost. GRETL [shrugs, sips tea in unison with edna] EDNA Would you like another? GRETL Sure, why not? EDNA [she pours another mug] GRETL Wvat is this? EDNA It's just coffee. GRETL Are you sure? EDNA … GRETL … EDNA …. —- AAAAAAAHHHHHHHHHH YAAAAAAAAHHHHHHHH HIIIIIYYYYYAAAAAHHHH STAY DOWN, BITCH. YES, I WIN. don't get up. GET BACK UP. seriously, don't move. GET UP, BITCH! no, you don— BLACKOUT. Ooohh. Kick to the face. That was to the neck. Neck/face— ‍♀️ There's a difference. S/he has a short neck. X.X The famed Edna Mode (The Incredibles) becomes excruciatingly angry after learning that SupaCree has altered the “supa suit” she designed for her—by adding a cape. I wish i was pretty Tim admitted that might be the last wish he grants me this century; Wanna make history... but now I make dollars for callers, I'm all in my misery Misery: Listen to me! I didn't mean to see something in Sonny nobody should see And this shit'll make history; Guess i'm blessed, Now he's dead to me “Bless you” I said, As I sneezed when they cut off my- ... Now I live on a silver platter, I splatted: my hat's on the pavement Must be something ‘bout Asians, Cause every time I say ‘Amen' when I'm praying for Sonny, or Kayla Lauren, or whoever this demented demon that's chasing me-- Satan asks for a payment, and says “Hey! Now, a pop quiz in Mandaran, Learn to speak Spanish, fast, if you can, Cause american ignorance, laziness, complacency and impatience Is ending this country.” --It's ending this country, And the reason why I'm homeless is I decided to run for president and run from him at the same time, And then nobody wanted me Nobody wanted to see the things I would preach about, If they let me out, Of these restraints now; I'm not havin a cow or nothing, I mean i'm lactating, wait; Did he throw my 8 week baby at our other baby, Just to punch me? Broke it off with Sonny a decade later for throwing a Grammy Award at me; Literally and Action Figuratively Hasn't happened yet, But all of the future history I remember is vivid to me So he has to be Evil, I think To claim that he loves me all these infinite ways and dimensions, And then throw a demon instagram basic bitch at me Now she's the reason I bleed and can't eat for a week-- I'm tired of being Jesus, but he's still on his leave, and I'd probably be laughing if I wasn't magnetically attracted to half of the Industry's greatest I hate myself, I hate Dillon Francis and I hate him, But only ‘cause I can't make it to the banquet. I burned the sweater he gave me and left the blanket with my ex, I was stressed, yes, Left my luggage in Boston just to get to Dillon Francis at XS in Vegas and Write this: “WHY GOD!?!? WHY DILLON FRANCIS?!” Jumpin Jumpin, Destiny's Child June 4th, 2021 XS NIGHTCLUB, LAS VEGAS NEVADA See, I told you. There they go. I guess. Alright, where's Rick? He's here— I can smell him. That's— There he is. Mmm. Stop lookin nervous— I don't like this. Alright, that's good ^.^ Okay. Let's find this portal. Damn. Huh. Last time I was here, it was to see— Don't say Skrillex— —It was to see Skrillex. Fuck you dude. ——-ahhhhh——!!!!!! GET IN THE SHIP. —I AIN'T SIGNING SHIT— YOU SHALL NOT PASS!!!!! [WAPPING] alright, that's it! GOD!!! That's not my name. (It is.) —-what? Where are you going? ...We're going camping. All of us? ALL OF US. Oh, shit! Get IN THE SHIP. Woah. NOW! —- Ugh. Oooof. Bad. Get up. Ummm...who are you? Get up, you have to perform. Perform for WHAT? Come on, dude— —okay, first of all— Uh huh [A SUPERSTAR DJ] experiences the dance floor.. ...As a fan. But (I got nervous) what I meant to say, was DILLON FRANCIS is stuck in SUPACREE's body, and vice versa. She must perform in his place. Stop it, man. I have an itch, I'm gonna scratch! Not the ink. What is it? Don't touch it. Don't touch it. DON'T TOUCH THAT— —OR, DO. ‍♀️ . . . ...I don't know. What do I do? Push the button. Which button, Gerald?! The PLAY button. You're a DICK It's ROUND— —what, your di—?! —NO, the BUTTON. WHICH FUCKIN BUTTON. Ooh, I got one. [the Motherf*ckers are fuck hunting] It appears as though they lost all their fucks— DILLON FRANCIS has plenty, because “Chandelier Lol. Pop. Bang. Ooh Oh. My God. What. Wake up. We're here. Im addicted It's lit lit Getting lifted Gifted shapeshifters sit in While I disintegrate my disinterest What is this? You're in it Did I mention I made you a sandwich, It's still in my kitchen Oh shit, the— “That's The Tallest Skrillex I've Ever Seen” Oh wow, tall. Never thought about that Thump thumps— Where'd they come from? This is nuts: What is this. This is earth. No. What is your life's, what is your life Where is your wife And why can't I get this shot right Right on time? Right? That's the guy, right? Might be— It might be time- Tame Impala I don't know, but I'm down for the night Going wild for the I I I forgot my line, like: Try to write an album on the dance floor All these lines, VI—what's that for? I'm free from, call me kudi I'm reborn Call me Lynard Skinnard. I'm a freebird Oh please— You got me weak in the knees Bitch please What are teeth? Take me out to chuckle cheese Tell me what your disease is, It's easy I'm a pleasure, I'll teach you Now let me get a drink Before I speak truth OH MY GOD. I love His fandom so much. Love the fandom, cause I am one Call me Katy imma go dumb Call me carnage, with a green thumb Drop the Bass up In Your face, I call it thump thumps What's for lunch Let's get drunk Don't make me go pop the trunk!!! Oh YOU! YOU! YOU! What's wrong with him, What'd they do to him. What's—wait. Look at that face. That is not the face of a free man. I'm a trash can. Yeah, well...that. Who's his master? I am. What!? Goddamn! I did that. What is that? A sandwhich? Just have half. WHOOOP-WHOOP! What! Whoop whoops?! It's MUCH too earty for Whoop Whoops! Far too early. Where's Chak Chel? oh my God!! Who's this LADY?! I'm in VIP Give me a sip I'm gonna get lit, eat chips with Chak Chel and then dip “What is this sauce?” It's ranch, dipshit. You're an ass NAH, I'm A PIÑATA. Bitch, I'm the boss, I wanna get lost in my thoughts, But I'm lost in the box I'm a rockstar, rockstar games. Or maybe Okay this: He has a man purse. I like him. What's going on?!!!! He has a man purse, we like him He has a man purse, we like him He has a man purse, we like him He has a man purse— GET THAT S#iT BAMPHER: —You're in. I'm in VIP OH YOU FUCKIN WANNA BE LOOK AT MEEEEEE IM MR— There's Rick. Mx. Meesinks. Hi—I'm— Get this bitch [picture of SUPACREE/SKRILLEX/a whatthefuck] Yesssiiirrreeee Don't call me sir. SIR And— SERVANT Wait, there's more? SCRIBE/DARK LORD There's always more— SIR Aaanddd—I would like to be called “sir” SERVANT Excuse me? SIR Call me sir. Third eye itching, Let me stop and take a picture Switch it Feeling wishy washy, Kinda bitchy, kinda bossy— Where the party at? you lost me. Where the fuxk I park my car— It couldn't be that far— I— I— I— I— — I woke up on a farm God. WW U D IM ABOUT TO DO WHAT JESUS WOULDNT DO (Yes, I would.) Whoop whoop!! —Nope, still too early. OMG look. Birds! Becky, Becky, Sarah— Oh, there's Sarah! Wow, Nancy's recovering well, yeah? [NANCY, freshly out of her neck brace; attends her first show since “the incident”—after breaking her neck to EXCISION, her friends agree that DILLON FRANCIS will be a safe bet.] Damn, people don't give any type of fuxk whatsoever. Nope. [drinks] So what do we do? Have a drink. I'm a robot, now No home, no soul I'm a robot now, No friends, no phone I'm a robot now And I'm always all alone I should be proud but I'm a robot now {mixes with A.A., iambic} What is reality? That's not dancing. Let's just—no. No, l—no What the fuxk. What the FUXK!!! How did he get here?! Look at him. No, don't look. (Don't look at me.) Don't look at him. Aww. GET UP DILLON, it's time to go! What is time?? WHAT THE FOOOOOO1– posaqwwwwwwwwww—— GADDAAAAAAQAAAMN!!!! STAAAAAAHHHHP. Goddammit, what are you doing here?! Everybody's here. Nah. Nah. [everybody is there.] Nah. Got this catatonic obsession, Shoulda learned my lesson, There's a learning curve to everything; You finally taught me something Floor is so sticky, I can't even sit and meditate Can't even find the space to write this My mistake, not my guy, I guess? My idol, maybe friend? I know those eyes inside of mine each time I see them So what is freedom? So that's it, There's no love left It's just money and sex No new friends So that means No new beginning— And at the very least no new enemies— Please Gerald! Damn, you're hot. Okay, knock it off I got it. I got it. I told you this would happen. Doesn't it always? “Follow the eye” Or just DONT Time to go. I love that song. I almost wore that shirt; I love that song! I am that song. What. I think I need a day, or forever, maybe To get away Time flies when you fast; I just danced my last dance, Thanks, Dillon Francis. Now when I meditate and pray I can ask GODDAMN, what the fuck was that about Now where in the fuck is my hat,yeah Grab that piñata, Let's look at the map, Maybe tonight, imma get in a fight These white girls are like DANE COOK “MINE” Pelicans MINEMINEMINE Hot Vollyball Girls: MINE. Alright, that's enough. No, stay here. What the fuck. NO, STAY HERE. Okay, I—guess. NO, STAY HERE. Fuxk, the watchers. I thought they didn't want me here. He doesn't care?! Clearly— Clearly nothing—! Gather more evidence! What in the world do you want from me? What in the world do you want from me? What in the world do you want from me? S Ū P ∆ ⓒ Я E E.™ He's a very handsome man, the full package She's actually a retired dancer, turned rapper; The trash can and last kandi handler, Handed a band to a fan, that's reality shattering yeah What happens after? Back to camp, I guess. SWIPER Aww, maaaan. I just wanna hold hands with a piñata, but I can't; I just want the answers to the questions I asked, answered, but nah. Have you seen my left arm? It's self harm, and it's just harmless, a charm— All I did was send magic to that man, Laughed under my mask, but haven't had a chance to love again since the last man banned me from having ‘happy'; So I can't handle this thirst trap, I reverse that Mantra from can't to Yea I can, Now, Where is Pan at? Ask Hanzel After, actually, Scratch that, I said I'd never turn my back on him, but Here's my butt and my backpack. I'll see you at Bass Camp, Or a Mansion, Or @ a mention, And thanks for the graduation, I hate my name, and I'm famous, maybe But hey, I just want someone to know me, I'm really lonely, I owe money to every agency, The governments enslaving me by my name and a paycheck. I've written albums, but haven't gotten paid yet; I wrote a novel, about a man I'm willing to say I've never met, Cause I respected him— And the Sadness Never Ends, I made a fandom out of friends, How it ends is with a pen and paper, I guess My hands on the decks, I'm just an ambidextrous sexually ambiguous DJ bitch; And Dillon Francis is my favorite producer, cause I'm just a loser who refuses to lose it, Enough to end the pollution and politicians who use us for getting richer I snap a picture, no movement. So even though I wanted to, I didn't— No pictures, no press releases and no random bitches; I just saw him in a vision, and at least ten astral projections, Got a circle of protection, a lesson, Cause now I'm branded and stressing OWSLA kicked me out, CAuse I'm a Cow, But I can also be an owl I'm growling now, I'm on the prowl for anyone to let me out, I'm trapped And down, cause he's out of my league, And I like him now. AHHHGGG (Eggageratedly disgusted sigh) (busted) --WHAT? YOU WENT TO DILLON FRANCIS LAND--WITHOUT ME. Nooo...I didn't. YOU DID, and you had a GOOD TIME. It's always a good time... AGH-- AGHHHHHHHHHHHH!!!!! [One attacks, the other runs.] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U. Z so

I met you at The Ninth Gate… I don't think this is a good idea. It's a fine idea. I really don't know. Then shut up. Obsession, Lust— Thr delicate balance between Genius, and Madman What do I look like to you? …a movie star. What is that? A movie star. I didn't hear you! A movie star! I wanted to tell you this in person… If you go any further, there's no going backs There's no going back anyway. CHAUNCEY STREET, BROOKLYN. NY. A knock at the door. ALEX lets our a deep sigh and places her phone down on the table; she opens the door. Her face is flush. Hey. Hey. [A mysterious man] lets himself in. Did you talk to her. Yeah. Is she still in New York. Yeah. She's still in New York. Brooklyn? I don't know. ‘You don't know' I don't know. —but she's here. In the city? Yeah! Okay. [the mysterious man] sets a stuffed white envelope on the table] Here. Wun Jimerlilly Fallerlallonms Oo00h. TW0 Jimmerlilly Fallerlallonms *GASP* WhT! TW0 JiMmeRLiLly FaLleRlaLloNms?!? Jyus! JYES. —nerr. My god. Yea captain. S/he speaks perfect Skrillex. 3/10 Room 208 2:30 pm I just want to be okay again I just want to live in LA again I just want to play again No Vacancy, No Vacation, No veneration or compensation for commissioner; No doctors for the patients A saint, But seeking minimum wage And simple certain stakes I got on the wrong train And still ended up in the right place Long nights make for Nice days I carried a distinct memory of this day, and so there had to have been something important about it— least I thought, or perhaps even hoped, that there was maybe something good and special just around the corner, as it had been hard and bad for so long, that in the very least I knew that it couldn't get worse-that I had somehow hit rock bottom again so quickly that it was indeed possible that I would spring up just as quickly, which I realized was a brighter outlook than I had even expected at best, and a start at most. While inwardly I was devastated, I was at least able to suffice a calm facade, which Luke had commended me on, despite his various other psychological tricks and quips, as it seemed everything had been a test with him—but then, nearly everything was a puzzle or a challenge, not that I minded—but the latest installation of superfluous hazing, which was (at least by google'ssuggestion, somewhat even seemingly supernatural had been a first handed look into the srufff of nightmares, white america's predominately black non-solution to the housing crisis which they had caused, and furthermore, a test in my own mental strength and wits—a reminder of every reason and more why I had left my previous life behind—it's trials neither worth writing about, nor remembering, however, it's effects a tragic scar on my psyche, however unremarkable the result. It only hurts to think about a lot, And so I don't, It's just a rock, really Going on a walk through Central Park ia not an option. Neither a mother, nor father, Nor mirror; Here I'm sitting at the harbor Nonchalant as God would ever want to be And conscious, yet unconscious— Nodding off again, I'll know it when it's time to talk again (To talk again) Pause What. Remember what AlwaZ said. Uh. ALWAZ AKA -THE ILLUMINATI You're a genius. SUPACREE Yeah, thank you. ALWAZ Listen, you're famous—! SUPACREE When is this? New York City is probably absolutely the worst place in the world to be, if you don't want to be there. Hands down worst place ever. And I mean—I was stranded in Mexico with no money for a couple months, and that shit sucked—but it wasn't like “kill yourself” bad. New York gets craaaazy. I was on the subway and this dude was just listening to that one The Weekend Song over and over on loop. The funny thing is. I don't remember which The Weekend song it was— but you play any one of his songs on loop and you tell me if that man is okay. He's not okay. I heard it's a chemical imbalance Whatever that is Is has to be Obviously, Cause they said it is, Cause they said so, So it is, isn't it? Sunni bLums pDisxses It's my favorite troll doll! Ah! Real monsters! I don't use Travelocity!/ Get back on my front lawn, motherfucker! Hey, it's Daniel Dipshit! Who the fuck is “Daniel?” You're Daniel, Dipshit! Why “Daniel?!” Dipshit—why not just Cause you don't even know your own name, Dipshit! [sprays with hose] WTF ARE YOU DOING. I don't like licking the sour stuff off, I just want the sweet stuff! Oh, do you? Don't be gay. DJ Magic Kenny Where's Dillon Francis. He's not here. Where is he? I fired him. You what? I fired him. When?! This morning. You can't fire him! He's half the show! Just—one date. No. Sunni, come on. No! I'm not dating Diplo. What?! Why not?! He's too pretty. PUT A SHIRT ON. GODDAMNIT, SHUT UP. OWSLA places a TRUTH SPELL on SUNNI BLU/ which results in her being outed as SUPACREE. Nooooo. YES. TABLOIDS Mwahaha PAPARAZZI MWAHAHAHAJA TMZ MWAHAHAHAJA ILUMINATI -_- Great. You pissed off the Illuminati. I am the Illuminati. Now we're fucked. What don't you get about this: I am in control. [a cannonball flies through the window] I told you. Holy shit, what is THIS. It's a cannonball. A fucking cannonball! W0W. It says something. What's it say The cannonball reads: “You're so fucked.” “You're so fucked. W0W. Nice. I told you. No, I told you. “I'm in control!” I write in canon! It's a stretch, but it'll do! Keep up. You wrote this? I wrote everything! The next level Timmy's Turn up When I talk Hi, I'm Ū Offenbach 4U Heart over height, Head over heels, Mind over matter— I don't want to fight you. We have to. No, we don't. We're going to. But we've already— That doesn't matter. It matters to me. I am you. Then it matters to you! That's—not what I meant. C'esme't. I'm gonna go. You're leaving?! The quarrel's tomorrow. No it isn't! Yes it is. Call it off! No. Its tradition. But— ? [I love you] Goodnight. She heads for the door. [I love you too.] Unspoken words In the hurt of the war of the worlds You come first, Then unearth I become in the force of the storm Where were you, before this? What I was, I assure you was unsure, at first Now, it's just Another record So it works forward, and back Of course Back—and forth… Yes. This is marvelous. Well, it's yoursz I can't take this. You're not taking it; I'm giving it to you. What for? For traveling, of course! But I'm not going anywhere… What is this. It's a DJ. Oh, wow, nice. Yeah. Where'd you get it? I found it. Oh, wow. Yeah. Where? It was just—on the ground. On the ground? Yeah. Oh. MORPHEUS You know what? What is it? MORPHEUS …nevermind. AMY POHLER …I think this is a bad idea. TINA FEY It's a good idea. AMY POHLER I think it's bad. TINA FEY Have another shot. [she does] AMY POE—whatever It's a really bad idea! TINA FEY OKAY, LETS GO. Pan out to JIMMY FALLON standing awkwardly in silence in the shadows behind them. JIMMY FALLON I'm coming too. OH MY GOD. what the [BLEEP] How long have you been standing there. The whole time. No you haven't No you weren't. You're so—WEIRD. I'm coming with you. No NO. Yes. I'm coming with you. No— —wait— No! Jimmy, do you think this is a good idea, or a bad idea. [beat] It's the worst idea ever. HA! NO—it's GOOD. I TOLD YOU. You're not coming. He's coming. With. (hiccups) us. Yes. UGH *takes shot* UGH [BLEEP] It's the worst idea ever— NO UT ISNT. —it's a really bad idea. You need me. Ew. We need him therr—uhh Yes. [beat] Fine. YES. But don't say anything C'ESME'T Petrutheio… PETRUTHEIO You should go. If you are what you eat Then I'm nuts and bananas but sometimes I'm even a hero But that's neither here nore there, no. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U. Jumpin Jumpin, Destiny's Child DLAXKBACK: SEASON 5 June 4th, 2021 XS NIGHTCLUB, LAS VEGAS NEVADA See, I told you. There they go. I guess. Alright, where's Rick? He's here— I can smell him. That's— There he is. Mmm. Stop lookin nervous— I don't like this. Alright, that's good ^.^ Okay. Let's find this portal. Damn. Huh. Last time I was here, it was to see— Don't say Skrillex— —It was to see Skrillex. Fuck you dude. ——-ahhhhh——!!!!!! GET IN THE SHIP. —I AIN'T SIGNING SHIT— YOU SHALL NOT PASS!!!!! [WAPPING] alright, that's it! GOD!!! That's not my name. (It is.) —-what? Where are you going? ...We're going camping. All of us? ALL OF US. Oh, shit! Get IN THE SHIP. Woah. NOW! —- Ugh. Oooof. Bad. Get up. Ummm...who are you? Get up, you have to perform. Perform for WHAT? Come on, dude— —okay, first of all— Uh huh [A SUPERSTAR DJ] experiences the dance floor.. ...As a fan. But (I got nervous) what I meant to say, was DILLON FRANCIS is stuck in SUPACREE's body, and vice versa. She must perform in his place. Stop it, man. I have an itch, I'm gonna scratch! Not the ink. What is it? Don't touch it. Don't touch it. DON'T TOUCH THAT— —OR, DO. ‍♀️ . . . ...I don't know. What do I do? Push the button. Which button, Gerald?! The PLAY button. You're a DICK It's ROUND— —what, your di—?! —NO, the BUTTON. WHICH FUCKIN BUTTON. Ooh, I got one. [the Motherf*ckers are fuck hunting] It appears as though they lost all their fucks— DILLON FRANCIS has plenty, because “Chandelier” Lol. Pop. Bang. Ooh. Oh. My God. What. Wake up. We're here. Im addicted It's lit lit Getting lifted Gifted shapeshifters sit in While I disintegrate my disinterest What is this? You're in it Did I mention I made you a sandwich, It's still in my kitchen Oh shit, the— “That's The Tallest Skrillex I've Ever Seen” Oh wow, tall. Never thought about that Thump thumps— Where'd they come from? This is nuts: What is this. This is earth. No. What is your life's, what is your life Where is your wife And why can't I get this shot right Right on time? Right? That's the guy, right? Might be— It might be time- Tame Impala I don't know, but I'm down for the night Going wild for the I I I forgot my line, like: Try to write an album on the dance floor All these lines, VI—what's that for? I'm free from, call me kudi I'm reborn Call me Lynard Skinnard. I'm a freebird Oh please— You got me weak in the knees Bitch please What are teeth? Take me out to chuckle cheese Tell me what your disease is, It's easy I'm a pleasure, I'll teach you Now let me get a drink Before I speak truth OH MY GOD. I love His fandom so much. Love the fandom, cause I am one Call me Katy imma go dumb Call me carnage, with a green thumb Drop the Bass up In Your face, I call it thump thumps What's for lunch Let's get drunk Don't make me go pop the trunk!!! Oh YOU! YOU! YOU! What's wrong with him, What'd they do to him. What's—wait. Look at that face. That is not the face of a free man. I'm a trash can. Yeah, well...that. Who's his master? I am. What!? Goddamn! I did that. What is that? A sandwhich? Just have half. WHOOOP-WHOOP! What! Whoop whoops?! It's MUCH too earty for Whoop Whoops! Far too early. Where's Chak Chel? oh my God!! Who's this LADY?! I'm in VIP Give me a sip I'm gonna get lit, eat chips with Chak Chel and then dip “What is this sauce?” It's ranch, dipshit. You're an ass NAH, I'm A PIÑATA. Bitch, I'm the boss, I wanna get lost in my thoughts, But I'm lost in the box I'm a rockstar, rockstar games. Or maybe Okay this: He has a man purse. I like him. What's going on?!!!! He has a man purse, we like him He has a man purse, we like him He has a man purse, we like him He has a man purse— GET THAT S#iT BAMPHER: —You're in. I'm in VIP OH YOU FUCKIN WANNA BE LOOK AT MEEEEEE IM MR— There's Rick. Mx. Meesinks. Hi—I'm— Get this bitch [picture of SUPACREE/SKRILLEX/a whatthefuck] Yesssiiirrreeee Don't call me sir. SIR And— SERVANT Wait, there's more? SCRIBE/DARK LORD There's always more— SIR Aaanddd—I would like to be called “sir” SERVANT Excuse me? SIR Call me sir. Third eye itching, Let me stop and take a picture Switch it Feeling wishy washy, Kinda bitchy, kinda bossy— Where the party at? you lost me. Where the fuxk I park my car— It couldn't be that far— I— I— I— I— — I woke up on a farm God. WW U D IM ABOUT TO DO WHAT JESUS WOULDNT DO (Yes, I would.) Whoop whoop!! —Nope, still too early. OMG look. Birds! Becky, Becky, Sarah— Oh, there's Sarah! Wow, Nancy's recovering well, yeah? [NANCY, freshly out of her neck brace; attends her first show since “the incident”—after breaking her neck to EXCISION, her friends agree that DILLON FRANCIS will be a safe bet.] Damn, people don't give any type of fuxk whatsoever. Nope. [drinks] So what do we do? Have a drink. I'm a robot, now No home, no soul I'm a robot now, No friends, no phone I'm a robot now And I'm always all alone I should be proud but I'm a robot now {mixes with A.A., iambic} What is reality? That's not dancing. Let's just—no. No, l—no What the fuxk. What the FUXK!!! How did he get here?! Look at him. No, don't look. (Don't look at me.) Don't look at him. Aww. GET UP DILLON, it's time to go! What is time?? WHAT THE FOOOOOO1– posaqwwwwwwwwww—— GADDAAAAAAQAAAMN!!!! STAAAAAAHHHHP. Goddammit, what are you doing here?! Everybody's here. Nah. Nah. [everybody is there.] Nah. Got this catatonic obsession, Shoulda learned my lesson, There's a learning curve to everything; You finally taught me something Floor is so sticky, I can't even sit and meditate Can't even find the space to write this My mistake, not my guy, I guess? My idol, maybe friend? I know those eyes inside of mine each time I see them So what is freedom? So that's it, There's no love left It's just money and sex No new friends So that means No new beginning— And at the very least no new enemies— Please Gerald! Damn, you're hot. Okay, knock it off I got it. I got it. I told you this would happen. Doesn't it always? “Follow the eye” Or just DONT Time to go. I love that song. I almost wore that shirt; I love that song! I am that song. What. I think I need a day, or forever, maybe To get away Time flies when you fast; I just danced my last dance, Thanks, Dillon Francis. Now when I meditate and pray I can ask GODDAMN, what the fuck was that about Now where in the fuck is my hat,yeah Grab that piñata, Let's look at the map, Maybe tonight, imma get in a fight These white girls are like DANE COOK “MINE” Pelicans MINEMINEMINE Hot Vollyball Girls: MINE. Alright, that's enough. No, stay here. What the fuck. NO, STAY HERE. Okay, I—guess. NO, STAY HERE. Fuxk, the watchers. I thought they didn't want me here. He doesn't care?! Clearly— Clearly nothing—! Gather more evidence! What in the world do you want from me? What in the world do you want from me? What in the world do you want from me? S Ū P ∆ ⓒ Я E E.™ He's a very handsome man, the full package She's actually a retired dancer, turned rapper; The trash can and last kandi handler, Handed a band to a fan, that's reality shattering yeah What happens after? Back to camp, I guess. SWIPER Aww, maaaan. I just wanna hold hands with a piñata, but I can't; I just want the answers to the questions I asked, answered, but nah. Have you seen my left arm? It's self harm, and it's just harmless, a charm— All I did was send magic to that man, Laughed under my mask, but haven't had a chance to love again since the last man banned me from having ‘happy'; So I can't handle this thirst trap, I reverse that Mantra from can't to Yea I can, Now, Where is Pan at? Ask Hanzel After, actually, Scratch that, I said I'd never turn my back on him, but Here's my butt and my backpack. I'll see you at Bass Camp, Or a Mansion, Or @ a mention, And thanks for the graduation, I hate my name, and I'm famous, maybe But hey, I just want someone to know me, I'm really lonely, I owe money to every agency, The governments enslaving me by my name and a paycheck. I've written albums, but haven't gotten paid yet; I wrote a novel, about a man I'm willing to say I've never met, Cause I respected him— And the Sadness Never Ends, I made a fandom out of friends, How it ends is with a pen and paper, I guess My hands on the decks, I'm just an ambidextrous sexually ambiguous DJ bitch; And Dillon Francis is my favorite producer, cause I'm just a loser who refuses to lose it, Enough to end the pollution and politicians who use us for getting richer I snap a picture, no movement. So even though I wanted to, I didn't— No pictures, no press releases and no random bitches; I just saw him in a vision, and at least ten astral projections, Got a circle of protection, a lesson, Cause now I'm branded and stressing OWSLA kicked me out, CAuse I'm a Cow, But I can also be an owl I'm growling now, I'm on the prowl for anyone to let me out, I'm trapped And down, cause he's out of my league, And I like him now. I needed it to be a leap year, but it wasn't , and although I was expecting a small amount of money on the 3rd, I had to depart lik/ on the first, and though I had roughly 4 days remaining in my stay, it had started to feel like the beginning of the end, from about the night before and into the morning, waking up sick and sore and most of all tired and hungry A Free Vegan is a term used to describe a person who practices veganism, but still may moderately consume some animal products sparingly, such as collagen, honey, or other products medicinally or as supplementary nutrition; this Vegan might wear leather, use products or materials derived from animals for convenience, functionality, or economic reasons Girl with the tattoo Miguel “A Walkthough Central Park” I'm on a regimen of vitavitavitamin, I need some anescrptoc and some aneceptomen Medicine man and an antiseptic A bed to rest my head I, some bread Some peanut butter for my jelly {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

I met you at The Ninth Gate… I don't think this is a good idea. It's a fine idea. I really don't know. Then shut up. Obsession, Lust— Thr delicate balance between Genius, and Madman What do I look like to you? …a movie star. What is that? A movie star. I didn't hear you! A movie star! I wanted to tell you this in person… If you go any further, there's no going backs There's no going back anyway. CHAUNCEY STREET, BROOKLYN. NY. A knock at the door. ALEX lets our a deep sigh and places her phone down on the table; she opens the door. Her face is flush. Hey. Hey. [A mysterious man] lets himself in. Did you talk to her. Yeah. Is she still in New York. Yeah. She's still in New York. Brooklyn? I don't know. ‘You don't know' I don't know. —but she's here. In the city? Yeah! Okay. [the mysterious man] sets a stuffed white envelope on the table] Here. Wun Jimerlilly Fallerlallonms Oo00h. TW0 Jimmerlilly Fallerlallonms *GASP* WhT! TW0 JiMmeRLiLly FaLleRlaLloNms?!? Jyus! JYES. —nerr. My god. Yea captain. S/he speaks perfect Skrillex. 3/10 Room 208 2:30 pm I just want to be okay again I just want to live in LA again I just want to play again No Vacancy, No Vacation, No veneration or compensation for commissioner; No doctors for the patients A saint, But seeking minimum wage And simple certain stakes I got on the wrong train And still ended up in the right place Long nights make for Nice days I carried a distinct memory of this day, and so there had to have been something important about it— least I thought, or perhaps even hoped, that there was maybe something good and special just around the corner, as it had been hard and bad for so long, that in the very least I knew that it couldn't get worse-that I had somehow hit rock bottom again so quickly that it was indeed possible that I would spring up just as quickly, which I realized was a brighter outlook than I had even expected at best, and a start at most. While inwardly I was devastated, I was at least able to suffice a calm facade, which Luke had commended me on, despite his various other psychological tricks and quips, as it seemed everything had been a test with him—but then, nearly everything was a puzzle or a challenge, not that I minded—but the latest installation of superfluous hazing, which was (at least by google'ssuggestion, somewhat even seemingly supernatural had been a first handed look into the srufff of nightmares, white america's predominately black non-solution to the housing crisis which they had caused, and furthermore, a test in my own mental strength and wits—a reminder of every reason and more why I had left my previous life behind—it's trials neither worth writing about, nor remembering, however, it's effects a tragic scar on my psyche, however unremarkable the result. It only hurts to think about a lot, And so I don't, It's just a rock, really Going on a walk through Central Park ia not an option. Neither a mother, nor father, Nor mirror; Here I'm sitting at the harbor Nonchalant as God would ever want to be And conscious, yet unconscious— Nodding off again, I'll know it when it's time to talk again (To talk again) Pause What. Remember what AlwaZ said. Uh. ALWAZ AKA -THE ILLUMINATI You're a genius. SUPACREE Yeah, thank you. ALWAZ Listen, you're famous—! SUPACREE When is this? New York City is probably absolutely the worst place in the world to be, if you don't want to be there. Hands down worst place ever. And I mean—I was stranded in Mexico with no money for a couple months, and that shit sucked—but it wasn't like “kill yourself” bad. New York gets craaaazy. I was on the subway and this dude was just listening to that one The Weekend Song over and over on loop. The funny thing is. I don't remember which The Weekend song it was— but you play any one of his songs on loop and you tell me if that man is okay. He's not okay. I heard it's a chemical imbalance Whatever that is Is has to be Obviously, Cause they said it is, Cause they said so, So it is, isn't it? Sunni bLums pDisxses It's my favorite troll doll! Ah! Real monsters! I don't use Travelocity!/ Get back on my front lawn, motherfucker! Hey, it's Daniel Dipshit! Who the fuck is “Daniel?” You're Daniel, Dipshit! Why “Daniel?!” Dipshit—why not just Cause you don't even know your own name, Dipshit! [sprays with hose] WTF ARE YOU DOING I don't like licking the sour stuff off, I just want the sweet stuff! Oh, do you? Don't he gay. DJ Magic Kenny Where's Dillon Francis. He's not here. Where is he? I fired him. You what? I fired him. When?! This morning. You can't fire him! He's half the show! Just—one date. No. Sunni, come on. No! I'm not dating Diplo. What?! Why not?! He's too pretty. PUT A SHIRT ON. GODDAMNIT, SHUT UP. OWSLA places a TRUTH SPELL on SUNNI BLU/ which results in her being outed as SUPACREE. Nooooo. YES. TABLOIDS Mwahaha PAPARAZZI MWAHAHAHAJA TMZ MWAHAHAHAJA ILUMINATI -_- Great. You pissed off the Illuminati. I am the Illuminati. Now we're fucked. What don't you get about this: I am in control. [a cannonball flies through the window] I told you. Holy shit, what is THIS. It's a cannonball. A fucking cannonball! W0W. It says something. What's it say The cannonball reads: “You're so fucked.” “You're so fucked. W0W. Nice. I told you. No, I told you. “I'm in control!” I write in canon! It's a stretch, but it'll do! Keep up. You wrote this? I wrote everything! The next level Timmy's Turn up When I talk Hi, I'm Ū Offenbach 4U Heart over height, Head over heels, Mind over matter— I don't want to fight you. We have to. No, we don't. We're going to. But we've already— That doesn't matter. It matters to me. I am you. Then it matters to you! That's—not what I meant. C'esme't. I'm gonna go. You're leaving?! The quarrel's tomorrow. No it isn't! Yes it is. Call it off! No. Its tradition. But— ? [I love you] Goodnight. She heads for the door. [I love you too.] Unspoken words In the hurt of the war of the worlds You come first, Then unearth I become in the force of the storm Where were you, before this? What I was, I assure you was unsure, at first Now, it's just Another record So it works forward, and back Of course Back—and forth… Yes. This is marvelous. Well, it's yoursz I can't take this. You're not taking it; I'm giving it to you. What for? For traveling, of course! But I'm not going anywhere… What is this. It's a DJ. Oh, wow, nice. Yeah. Where'd you get it? I found it. Oh, wow. Yeah. Where? It was just—on the ground. On the ground? Yeah. Oh. MORPHEUS You know what? What is it? MORPHEUS …nevermind. AMY POHLER …I think this is a bad idea. TINA FEY It's a good idea. AMY POHLER I think it's bad. TINA FEY Have another shot. [she does] AMY POE—whatever It's a really bad idea! TINA FEY OKAY, LETS GO. Pan out to JIMMY FALLON standing awkwardly in silence in the shadows behind them. JIMMY FALLON I'm coming too. OH MY GOD. what the [BLEEP] How long have you been standing there. The whole time. No you haven't No you weren't. You're so—WEIRD. I'm coming with you. No NO. Yes. I'm coming with you. No— —wait— No! Jimmy, do you think this is a good idea, or a bad idea. [beat] It's the worst idea ever. HA! NO—it's GOOD. I TOLD YOU. You're not coming. He's coming. With. (hiccups) us. Yes. UGH *takes shot* UGH [BLEEP] It's the worst idea ever— NO UT ISNT. —it's a really bad idea. You need me. Ew. We need him therr—uhh Yes. [beat] Fine. YES. But don't say anything C'ESME'T Petrutheio… PETRUTHEIO You should go. If you are what you eat Then I'm nuts and bananas but sometimes I'm even a hero But that's neither here nore there, no. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U. Jumpin Jumpin, Destiny's Child DLAXKBACK: SEASON 5 June 4th, 2021 XS NIGHTCLUB, LAS VEGAS NEVADA See, I told you. There they go. I guess. Alright, where's Rick? He's here— I can smell him. That's— There he is. Mmm. Stop lookin nervous— I don't like this. Alright, that's good ^.^ Okay. Let's find this portal. Damn. Huh. Last time I was here, it was to see— Don't say Skrillex— —It was to see Skrillex. Fuck you dude. ——-ahhhhh——!!!!!! GET IN THE SHIP. —I AIN'T SIGNING SHIT— YOU SHALL NOT PASS!!!!! [WAPPING] alright, that's it! GOD!!! That's not my name. (It is.) —-what? Where are you going? ...We're going camping. All of us? ALL OF US. Oh, shit! Get IN THE SHIP. Woah. NOW! —- Ugh. Oooof. Bad. Get up. Ummm...who are you? Get up, you have to perform. Perform for WHAT? Come on, dude— —okay, first of all— Uh huh [A SUPERSTAR DJ] experiences the dance floor.. ...As a fan. But (I got nervous) what I meant to say, was DILLON FRANCIS is stuck in SUPACREE's body, and vice versa. She must perform in his place. Stop it, man. I have an itch, I'm gonna scratch! Not the ink. What is it? Don't touch it. Don't touch it. DON'T TOUCH THAT— —OR, DO. ‍♀️ . . . ...I don't know. What do I do? Push the button. Which button, Gerald?! The PLAY button. You're a DICK It's ROUND— —what, your di—?! —NO, the BUTTON. WHICH FUCKIN BUTTON. Ooh, I got one. [the Motherf*ckers are fuck hunting] It appears as though they lost all their fucks— DILLON FRANCIS has plenty, because “Chandelier” Lol. Pop. Bang. Ooh. Oh. My God. What. Wake up. We're here. Im addicted It's lit lit Getting lifted Gifted shapeshifters sit in While I disintegrate my disinterest What is this? You're in it Did I mention I made you a sandwich, It's still in my kitchen Oh shit, the— “That's The Tallest Skrillex I've Ever Seen” Oh wow, tall. Never thought about that Thump thumps— Where'd they come from? This is nuts: What is this. This is earth. No. What is your life's, what is your life Where is your wife And why can't I get this shot right Right on time? Right? That's the guy, right? Might be— It might be time- Tame Impala I don't know, but I'm down for the night Going wild for the I I I forgot my line, like: Try to write an album on the dance floor All these lines, VI—what's that for? I'm free from, call me kudi I'm reborn Call me Lynard Skinnard. I'm a freebird Oh please— You got me weak in the knees Bitch please What are teeth? Take me out to chuckle cheese Tell me what your disease is, It's easy I'm a pleasure, I'll teach you Now let me get a drink Before I speak truth OH MY GOD. I love His fandom so much. Love the fandom, cause I am one Call me Katy imma go dumb Call me carnage, with a green thumb Drop the Bass up In Your face, I call it thump thumps What's for lunch Let's get drunk Don't make me go pop the trunk!!! Oh YOU! YOU! YOU! What's wrong with him, What'd they do to him. What's—wait. Look at that face. That is not the face of a free man. I'm a trash can. Yeah, well...that. Who's his master? I am. What!? Goddamn! I did that. What is that? A sandwhich? Just have half. WHOOOP-WHOOP! What! Whoop whoops?! It's MUCH too earty for Whoop Whoops! Far too early. Where's Chak Chel? oh my God!! Who's this LADY?! I'm in VIP Give me a sip I'm gonna get lit, eat chips with Chak Chel and then dip “What is this sauce?” It's ranch, dipshit. You're an ass NAH, I'm A PIÑATA. Bitch, I'm the boss, I wanna get lost in my thoughts, But I'm lost in the box I'm a rockstar, rockstar games. Or maybe Okay this: He has a man purse. I like him. What's going on?!!!! He has a man purse, we like him He has a man purse, we like him He has a man purse, we like him He has a man purse— GET THAT S#iT BAMPHER: —You're in. I'm in VIP OH YOU FUCKIN WANNA BE LOOK AT MEEEEEE IM MR— There's Rick. Mx. Meesinks. Hi—I'm— Get this bitch [picture of SUPACREE/SKRILLEX/a whatthefuck] Yesssiiirrreeee Don't call me sir. SIR And— SERVANT Wait, there's more? SCRIBE/DARK LORD There's always more— SIR Aaanddd—I would like to be called “sir” SERVANT Excuse me? SIR Call me sir. Third eye itching, Let me stop and take a picture Switch it Feeling wishy washy, Kinda bitchy, kinda bossy— Where the party at? you lost me. Where the fuxk I park my car— It couldn't be that far— I— I— I— I— — I woke up on a farm God. WW U D IM ABOUT TO DO WHAT JESUS WOULDNT DO (Yes, I would.) Whoop whoop!! —Nope, still too early. OMG look. Birds! Becky, Becky, Sarah— Oh, there's Sarah! Wow, Nancy's recovering well, yeah? [NANCY, freshly out of her neck brace; attends her first show since “the incident”—after breaking her neck to EXCISION, her friends agree that DILLON FRANCIS will be a safe bet.] Damn, people don't give any type of fuxk whatsoever. Nope. [drinks] So what do we do? Have a drink. I'm a robot, now No home, no soul I'm a robot now, No friends, no phone I'm a robot now And I'm always all alone I should be proud but I'm a robot now {mixes with A.A., iambic} What is reality? That's not dancing. Let's just—no. No, l—no What the fuxk. What the FUXK!!! How did he get here?! Look at him. No, don't look. (Don't look at me.) Don't look at him. Aww. GET UP DILLON, it's time to go! What is time?? WHAT THE FOOOOOO1– posaqwwwwwwwwww—— GADDAAAAAAQAAAMN!!!! STAAAAAAHHHHP. Goddammit, what are you doing here?! Everybody's here. Nah. Nah. [everybody is there.] Nah. Got this catatonic obsession, Shoulda learned my lesson, There's a learning curve to everything; You finally taught me something Floor is so sticky, I can't even sit and meditate Can't even find the space to write this My mistake, not my guy, I guess? My idol, maybe friend? I know those eyes inside of mine each time I see them So what is freedom? So that's it, There's no love left It's just money and sex No new friends So that means No new beginning— And at the very least no new enemies— Please Gerald! Damn, you're hot. Okay, knock it off I got it. I got it. I told you this would happen. Doesn't it always? “Follow the eye” Or just DONT Time to go. I love that song. I almost wore that shirt; I love that song! I am that song. What. I think I need a day, or forever, maybe To get away Time flies when you fast; I just danced my last dance, Thanks, Dillon Francis. Now when I meditate and pray I can ask GODDAMN, what the fuck was that about Now where in the fuck is my hat,yeah Grab that piñata, Let's look at the map, Maybe tonight, imma get in a fight These white girls are like DANE COOK “MINE” Pelicans MINEMINEMINE Hot Vollyball Girls: MINE. Alright, that's enough. No, stay here. What the fuck. NO, STAY HERE. Okay, I—guess. NO, STAY HERE. Fuxk, the watchers. I thought they didn't want me here. He doesn't care?! Clearly— Clearly nothing—! Gather more evidence! What in the world do you want from me? What in the world do you want from me? What in the world do you want from me? S Ū P ∆ ⓒ Я E E.™ He's a very handsome man, the full package She's actually a retired dancer, turned rapper; The trash can and last kandi handler, Handed a band to a fan, that's reality shattering yeah What happens after? Back to camp, I guess. SWIPER Aww, maaaan. I just wanna hold hands with a piñata, but I can't; I just want the answers to the questions I asked, answered, but nah. Have you seen my left arm? It's self harm, and it's just harmless, a charm— All I did was send magic to that man, Laughed under my mask, but haven't had a chance to love again since the last man banned me from having ‘happy'; So I can't handle this thirst trap, I reverse that Mantra from can't to Yea I can, Now, Where is Pan at? Ask Hanzel After, actually, Scratch that, I said I'd never turn my back on him, but Here's my butt and my backpack. I'll see you at Bass Camp, Or a Mansion, Or @ a mention, And thanks for the graduation, I hate my name, and I'm famous, maybe But hey, I just want someone to know me, I'm really lonely, I owe money to every agency, The governments enslaving me by my name and a paycheck. I've written albums, but haven't gotten paid yet; I wrote a novel, about a man I'm willing to say I've never met, Cause I respected him— And the Sadness Never Ends, I made a fandom out of friends, How it ends is with a pen and paper, I guess My hands on the decks, I'm just an ambidextrous sexually ambiguous DJ bitch; And Dillon Francis is my favorite producer, cause I'm just a loser who refuses to lose it, Enough to end the pollution and politicians who use us for getting richer I snap a picture, no movement. So even though I wanted to, I didn't— No pictures, no press releases and no random bitches; I just saw him in a vision, and at least ten astral projections, Got a circle of protection, a lesson, Cause now I'm branded and stressing OWSLA kicked me out, CAuse I'm a Cow, But I can also be an owl I'm growling now, I'm on the prowl for anyone to let me out, I'm trapped And down, cause he's out of my league, And I like him now. I needed it to be a leap year, but it wasn't , and although I was expecting a small amount of money on the 3rd, I had to depart lik/ on the first, and though I had roughly 4 days remaining in my stay, it had started to feel like the beginning of the end, from about the night before and into the morning, waking up sick and sore and most of all tired and hungry A Free Vegan is a term used to describe a person who practices veganism, but still may moderately consume some animal products sparingly, such as collagen, honey, or other products medicinally or as supplementary nutrition; this Vegan might wear leather, use products or materials derived from animals for convenience, functionality, or economic reasons Girl with the tattoo Miguel “A Walkthough Central Park” I'm on a regimen of vitavitavitamin, I need some anescrptoc and some aneceptomen Medicine man and an antiseptic A bed to rest my head I, some bread Some peanut butter for my jelly {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

I met you at The Ninth Gate… I don't think this is a good idea. It's a fine idea. I really don't know. Then shut up. Obsession, Lust— Thr delicate balance between Genius, and Madman What do I look like to you? …a movie star. What is that? A movie star. I didn't hear you! A movie star! I wanted to tell you this in person… If you go any further, there's no going backs There's no going back anyway. CHAUNCEY STREET, BROOKLYN. NY. A knock at the door. ALEX lets our a deep sigh and places her phone down on the table; she opens the door. Her face is flush. Hey. Hey. [A mysterious man] lets himself in. Did you talk to her. Yeah. Is she still in New York. Yeah. She's still in New York. Brooklyn? I don't know. ‘You don't know' I don't know. —but she's here. In the city? Yeah! Okay. [the mysterious man] sets a stuffed white envelope on the table] Here. Wun Jimerlilly Fallerlallonms Oo00h. TW0 Jimmerlilly Fallerlallonms *GASP* WhT! TW0 JiMmeRLiLly FaLleRlaLloNms?!? Jyus! JYES. —nerr. My god. Yea captain. S/he speaks perfect Skrillex. 3/10 Room 208 2:30 pm I just want to be okay again I just want to live in LA again I just want to play again No Vacancy, No Vacation, No veneration or compensation for commissioner; No doctors for the patients A saint, But seeking minimum wage And simple certain stakes I got on the wrong train And still ended up in the right place Long nights make for Nice days I carried a distinct memory of this day, and so there had to have been something important about it— least I thought, or perhaps even hoped, that there was maybe something good and special just around the corner, as it had been hard and bad for so long, that in the very least I knew that it couldn't get worse-that I had somehow hit rock bottom again so quickly that it was indeed possible that I would spring up just as quickly, which I realized was a brighter outlook than I had even expected at best, and a start at most. While inwardly I was devastated, I was at least able to suffice a calm facade, which Luke had commended me on, despite his various other psychological tricks and quips, as it seemed everything had been a test with him—but then, nearly everything was a puzzle or a challenge, not that I minded—but the latest installation of superfluous hazing, which was (at least by google'ssuggestion, somewhat even seemingly supernatural had been a first handed look into the srufff of nightmares, white america's predominately black non-solution to the housing crisis which they had caused, and furthermore, a test in my own mental strength and wits—a reminder of every reason and more why I had left my previous life behind—it's trials neither worth writing about, nor remembering, however, it's effects a tragic scar on my psyche, however unremarkable the result. It only hurts to think about a lot, And so I don't, It's just a rock, really Going on a walk through Central Park ia not an option. Neither a mother, nor father, Nor mirror; Here I'm sitting at the harbor Nonchalant as God would ever want to be And conscious, yet unconscious— Nodding off again, I'll know it when it's time to talk again (To talk again) Pause What. Remember what AlwaZ said. Uh. ALWAZ AKA -THE ILLUMINATI You're a genius. SUPACREE Yeah, thank you. ALWAZ Listen, you're famous—! SUPACREE When is this? New York City is probably absolutely the worst place in the world to be, if you don't want to be there. Hands down worst place ever. And I mean—I was stranded in Mexico with no money for a couple months, and that shit sucked—but it wasn't like “kill yourself” bad. New York gets craaaazy. I was on the subway and this dude was just listening to that one The Weekend Song over and over on loop. The funny thing is. I don't remember which The Weekend song it was— but you play any one of his songs on loop and you tell me if that man is okay. He's not okay. I heard it's a chemical imbalance Whatever that is Is has to be Obviously, Cause they said it is, Cause they said so, So it is, isn't it? Sunni bLums pDisxses It's my favorite troll doll! Ah! Real monsters! I don't use Travelocity!/ Get back on my front lawn, motherfucker! Hey, it's Daniel Dipshit! Who the fuck is “Daniel?” You're Daniel, Dipshit! Why “Daniel?!” Dipshit—why not just Cause you don't even know your own name, Dipshit! [sprays with hose] WTF ARE YOU DOING I don't like licking the sour stuff off, I just want the sweet stuff! Oh, do you? Don't he gay. DJ Magic Kenny Where's Dillon Francis. He's not here. Where is he? I fired him. You what? I fired him. When?! This morning. You can't fire him! He's half the show! Just—one date. No. Sunni, come on. No! I'm not dating Diplo. What?! Why not?! He's too pretty. PUT A SHIRT ON. GODDAMNIT, SHUT UP. OWSLA places a TRUTH SPELL on SUNNI BLU/ which results in her being outed as SUPACREE. Nooooo. YES. TABLOIDS Mwahaha PAPARAZZI MWAHAHAHAJA TMZ MWAHAHAHAJA ILUMINATI -_- Great. You pissed off the Illuminati. I am the Illuminati. Now we're fucked. What don't you get about this: I am in control. [a cannonball flies through the window] I told you. Holy shit, what is THIS. It's a cannonball. A fucking cannonball! W0W. It says something. What's it say The cannonball reads: “You're so fucked.” “You're so fucked. W0W. Nice. I told you. No, I told you. “I'm in control!” I write in canon! It's a stretch, but it'll do! Keep up. You wrote this? I wrote everything! The next level Timmy's Turn up When I talk Hi, I'm Ū Offenbach 4U Heart over height, Head over heels, Mind over matter— I don't want to fight you. We have to. No, we don't. We're going to. But we've already— That doesn't matter. It matters to me. I am you. Then it matters to you! That's—not what I meant. C'esme't. I'm gonna go. You're leaving?! The quarrel's tomorrow. No it isn't! Yes it is. Call it off! No. Its tradition. But— ? [I love you] Goodnight. She heads for the door. [I love you too.] Unspoken words In the hurt of the war of the worlds You come first, Then unearth I become in the force of the storm Where were you, before this? What I was, I assure you was unsure, at first Now, it's just Another record So it works forward, and back Of course Back—and forth… Yes. This is marvelous. Well, it's yoursz I can't take this. You're not taking it; I'm giving it to you. What for? For traveling, of course! But I'm not going anywhere… What is this. It's a DJ. Oh, wow, nice. Yeah. Where'd you get it? I found it. Oh, wow. Yeah. Where? It was just—on the ground. On the ground? Yeah. Oh. MORPHEUS You know what? What is it? MORPHEUS …nevermind. AMY POHLER …I think this is a bad idea. TINA FEY It's a good idea. AMY POHLER I think it's bad. TINA FEY Have another shot. [she does] AMY POE—whatever It's a really bad idea! TINA FEY OKAY, LETS GO. Pan out to JIMMY FALLON standing awkwardly in silence in the shadows behind them. JIMMY FALLON I'm coming too. OH MY GOD. what the [BLEEP] How long have you been standing there. The whole time. No you haven't No you weren't. You're so—WEIRD. I'm coming with you. No NO. Yes. I'm coming with you. No— —wait— No! Jimmy, do you think this is a good idea, or a bad idea. [beat] It's the worst idea ever. HA! NO—it's GOOD. I TOLD YOU. You're not coming. He's coming. With. (hiccups) us. Yes. UGH *takes shot* UGH [BLEEP] It's the worst idea ever— NO UT ISNT. —it's a really bad idea. You need me. Ew. We need him therr—uhh Yes. [beat] Fine. YES. But don't say anything C'ESME'T Petrutheio… PETRUTHEIO You should go. If you are what you eat Then I'm nuts and bananas but sometimes I'm even a hero But that's neither here nore there, no. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U. Jumpin Jumpin, Destiny's Child DLAXKBACK: SEASON 5 June 4th, 2021 XS NIGHTCLUB, LAS VEGAS NEVADA See, I told you. There they go. I guess. Alright, where's Rick? He's here— I can smell him. That's— There he is. Mmm. Stop lookin nervous— I don't like this. Alright, that's good ^.^ Okay. Let's find this portal. Damn. Huh. Last time I was here, it was to see— Don't say Skrillex— —It was to see Skrillex. Fuck you dude. ——-ahhhhh——!!!!!! GET IN THE SHIP. —I AIN'T SIGNING SHIT— YOU SHALL NOT PASS!!!!! [WAPPING] alright, that's it! GOD!!! That's not my name. (It is.) —-what? Where are you going? ...We're going camping. All of us? ALL OF US. Oh, shit! Get IN THE SHIP. Woah. NOW! —- Ugh. Oooof. Bad. Get up. Ummm...who are you? Get up, you have to perform. Perform for WHAT? Come on, dude— —okay, first of all— Uh huh [A SUPERSTAR DJ] experiences the dance floor.. ...As a fan. But (I got nervous) what I meant to say, was DILLON FRANCIS is stuck in SUPACREE's body, and vice versa. She must perform in his place. Stop it, man. I have an itch, I'm gonna scratch! Not the ink. What is it? Don't touch it. Don't touch it. DON'T TOUCH THAT— —OR, DO. ‍♀️ . . . ...I don't know. What do I do? Push the button. Which button, Gerald?! The PLAY button. You're a DICK It's ROUND— —what, your di—?! —NO, the BUTTON. WHICH FUCKIN BUTTON. Ooh, I got one. [the Motherf*ckers are fuck hunting] It appears as though they lost all their fucks— DILLON FRANCIS has plenty, because “Chandelier” Lol. Pop. Bang. Ooh. Oh. My God. What. Wake up. We're here. Im addicted It's lit lit Getting lifted Gifted shapeshifters sit in While I disintegrate my disinterest What is this? You're in it Did I mention I made you a sandwich, It's still in my kitchen Oh shit, the— “That's The Tallest Skrillex I've Ever Seen” Oh wow, tall. Never thought about that Thump thumps— Where'd they come from? This is nuts: What is this. This is earth. No. What is your life's, what is your life Where is your wife And why can't I get this shot right Right on time? Right? That's the guy, right? Might be— It might be time- Tame Impala I don't know, but I'm down for the night Going wild for the I I I forgot my line, like: Try to write an album on the dance floor All these lines, VI—what's that for? I'm free from, call me kudi I'm reborn Call me Lynard Skinnard. I'm a freebird Oh please— You got me weak in the knees Bitch please What are teeth? Take me out to chuckle cheese Tell me what your disease is, It's easy I'm a pleasure, I'll teach you Now let me get a drink Before I speak truth OH MY GOD. I love His fandom so much. Love the fandom, cause I am one Call me Katy imma go dumb Call me carnage, with a green thumb Drop the Bass up In Your face, I call it thump thumps What's for lunch Let's get drunk Don't make me go pop the trunk!!! Oh YOU! YOU! YOU! What's wrong with him, What'd they do to him. What's—wait. Look at that face. That is not the face of a free man. I'm a trash can. Yeah, well...that. Who's his master? I am. What!? Goddamn! I did that. What is that? A sandwhich? Just have half. WHOOOP-WHOOP! What! Whoop whoops?! It's MUCH too earty for Whoop Whoops! Far too early. Where's Chak Chel? oh my God!! Who's this LADY?! I'm in VIP Give me a sip I'm gonna get lit, eat chips with Chak Chel and then dip “What is this sauce?” It's ranch, dipshit. You're an ass NAH, I'm A PIÑATA. Bitch, I'm the boss, I wanna get lost in my thoughts, But I'm lost in the box I'm a rockstar, rockstar games. Or maybe Okay this: He has a man purse. I like him. What's going on?!!!! He has a man purse, we like him He has a man purse, we like him He has a man purse, we like him He has a man purse— GET THAT S#iT BAMPHER: —You're in. I'm in VIP OH YOU FUCKIN WANNA BE LOOK AT MEEEEEE IM MR— There's Rick. Mx. Meesinks. Hi—I'm— Get this bitch [picture of SUPACREE/SKRILLEX/a whatthefuck] Yesssiiirrreeee Don't call me sir. SIR And— SERVANT Wait, there's more? SCRIBE/DARK LORD There's always more— SIR Aaanddd—I would like to be called “sir” SERVANT Excuse me? SIR Call me sir. Third eye itching, Let me stop and take a picture Switch it Feeling wishy washy, Kinda bitchy, kinda bossy— Where the party at? you lost me. Where the fuxk I park my car— It couldn't be that far— I— I— I— I— — I woke up on a farm God. WW U D IM ABOUT TO DO WHAT JESUS WOULDNT DO (Yes, I would.) Whoop whoop!! —Nope, still too early. OMG look. Birds! Becky, Becky, Sarah— Oh, there's Sarah! Wow, Nancy's recovering well, yeah? [NANCY, freshly out of her neck brace; attends her first show since “the incident”—after breaking her neck to EXCISION, her friends agree that DILLON FRANCIS will be a safe bet.] Damn, people don't give any type of fuxk whatsoever. Nope. [drinks] So what do we do? Have a drink. I'm a robot, now No home, no soul I'm a robot now, No friends, no phone I'm a robot now And I'm always all alone I should be proud but I'm a robot now {mixes with A.A., iambic} What is reality? That's not dancing. Let's just—no. No, l—no What the fuxk. What the FUXK!!! How did he get here?! Look at him. No, don't look. (Don't look at me.) Don't look at him. Aww. GET UP DILLON, it's time to go! What is time?? WHAT THE FOOOOOO1– posaqwwwwwwwwww—— GADDAAAAAAQAAAMN!!!! STAAAAAAHHHHP. Goddammit, what are you doing here?! Everybody's here. Nah. Nah. [everybody is there.] Nah. Got this catatonic obsession, Shoulda learned my lesson, There's a learning curve to everything; You finally taught me something Floor is so sticky, I can't even sit and meditate Can't even find the space to write this My mistake, not my guy, I guess? My idol, maybe friend? I know those eyes inside of mine each time I see them So what is freedom? So that's it, There's no love left It's just money and sex No new friends So that means No new beginning— And at the very least no new enemies— Please Gerald! Damn, you're hot. Okay, knock it off I got it. I got it. I told you this would happen. Doesn't it always? “Follow the eye” Or just DONT Time to go. I love that song. I almost wore that shirt; I love that song! I am that song. What. I think I need a day, or forever, maybe To get away Time flies when you fast; I just danced my last dance, Thanks, Dillon Francis. Now when I meditate and pray I can ask GODDAMN, what the fuck was that about Now where in the fuck is my hat,yeah Grab that piñata, Let's look at the map, Maybe tonight, imma get in a fight These white girls are like DANE COOK “MINE” Pelicans MINEMINEMINE Hot Vollyball Girls: MINE. Alright, that's enough. No, stay here. What the fuck. NO, STAY HERE. Okay, I—guess. NO, STAY HERE. Fuxk, the watchers. I thought they didn't want me here. He doesn't care?! Clearly— Clearly nothing—! Gather more evidence! What in the world do you want from me? What in the world do you want from me? What in the world do you want from me? S Ū P ∆ ⓒ Я E E.™ He's a very handsome man, the full package She's actually a retired dancer, turned rapper; The trash can and last kandi handler, Handed a band to a fan, that's reality shattering yeah What happens after? Back to camp, I guess. SWIPER Aww, maaaan. I just wanna hold hands with a piñata, but I can't; I just want the answers to the questions I asked, answered, but nah. Have you seen my left arm? It's self harm, and it's just harmless, a charm— All I did was send magic to that man, Laughed under my mask, but haven't had a chance to love again since the last man banned me from having ‘happy'; So I can't handle this thirst trap, I reverse that Mantra from can't to Yea I can, Now, Where is Pan at? Ask Hanzel After, actually, Scratch that, I said I'd never turn my back on him, but Here's my butt and my backpack. I'll see you at Bass Camp, Or a Mansion, Or @ a mention, And thanks for the graduation, I hate my name, and I'm famous, maybe But hey, I just want someone to know me, I'm really lonely, I owe money to every agency, The governments enslaving me by my name and a paycheck. I've written albums, but haven't gotten paid yet; I wrote a novel, about a man I'm willing to say I've never met, Cause I respected him— And the Sadness Never Ends, I made a fandom out of friends, How it ends is with a pen and paper, I guess My hands on the decks, I'm just an ambidextrous sexually ambiguous DJ bitch; And Dillon Francis is my favorite producer, cause I'm just a loser who refuses to lose it, Enough to end the pollution and politicians who use us for getting richer I snap a picture, no movement. So even though I wanted to, I didn't— No pictures, no press releases and no random bitches; I just saw him in a vision, and at least ten astral projections, Got a circle of protection, a lesson, Cause now I'm branded and stressing OWSLA kicked me out, CAuse I'm a Cow, But I can also be an owl I'm growling now, I'm on the prowl for anyone to let me out, I'm trapped And down, cause he's out of my league, And I like him now. I needed it to be a leap year, but it wasn't , and although I was expecting a small amount of money on the 3rd, I had to depart lik/ on the first, and though I had roughly 4 days remaining in my stay, it had started to feel like the beginning of the end, from about the night before and into the morning, waking up sick and sore and most of all tired and hungry A Free Vegan is a term used to describe a person who practices veganism, but still may moderately consume some animal products sparingly, such as collagen, honey, or other products medicinally or as supplementary nutrition; this Vegan might wear leather, use products or materials derived from animals for convenience, functionality, or economic reasons Girl with the tattoo Miguel “A Walkthough Central Park” I'm on a regimen of vitavitavitamin, I need some anescrptoc and some aneceptomen Medicine man and an antiseptic A bed to rest my head I, some bread Some peanut butter for my jelly {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

That first drop gave me herpes. yeah, well, that's supacree for ya. I met you at The Ninth Gate… I don't think this is a good idea. It's a fine idea. I really don't know. Then shut up. Obsession, Lust— Thr delicate balance between Genius, and Madman What do I look like to you? …a movie star. What is that? A movie star. I didn't hear you! A movie star! I wanted to tell you this in person… If you go any further, there's no going backs There's no going back anyway. Jumpin Jumpin, Destiny's Child DLAXKBACK: SEASON 5 June 4th, 2021 XS NIGHTCLUB, LAS VEGAS NEVADA See, I told you. There they go. I guess. Alright, where's Rick? He's here— I can smell him. That's— There he is. Mmm. Stop lookin nervous— I don't like this. Alright, that's good ^.^ Okay. Let's find this portal. Damn. Huh. Last time I was here, it was to see— Don't say Skrillex— —It was to see Skrillex. Fuck you dude. ——-ahhhhh——!!!!!! GET IN THE SHIP. —I AIN'T SIGNING SHIT— YOU SHALL NOT PASS!!!!! [WAPPING] alright, that's it! GOD!!! That's not my name. (It is.) —-what? Where are you going? ...We're going camping. All of us? ALL OF US. Oh, shit! Get IN THE SHIP. Woah. NOW! —- Ugh. Oooof. Bad. Get up. Ummm...who are you? Get up, you have to perform. Perform for WHAT? Come on, dude— —okay, first of all— Uh huh [A SUPERSTAR DJ] experiences the dance floor.. ...As a fan. But (I got nervous) what I meant to say, was DILLON FRANCIS is stuck in SUPACREE's body, and vice versa. She must perform in his place. Stop it, man. I have an itch, I'm gonna scratch! Not the ink. What is it? Don't touch it. Don't touch it. DON'T TOUCH THAT— —OR, DO. ‍♀️ . . . ...I don't know. What do I do? Push the button. Which button, Gerald?! The PLAY button. You're a DICK It's ROUND— —what, your di—?! —NO, the BUTTON. WHICH FUCKIN BUTTON. Ooh, I got one. [the Motherf*ckers are fuck hunting] It appears as though they lost all their fucks— DILLON FRANCIS has plenty, because “Chandelier” Lol. Pop. Bang. Ooh. Oh. My God. What. Wake up. We're here. Im addicted It's lit lit Getting lifted Gifted shapeshifters sit in While I disintegrate my disinterest What is this? You're in it Did I mention I made you a sandwich, It's still in my kitchen Oh shit, the— “That's The Tallest Skrillex I've Ever Seen” Oh wow, tall. Never thought about that Thump thumps— Where'd they come from? This is nuts: What is this. This is earth. No. What is your life's, what is your life Where is your wife And why can't I get this shot right Right on time? Right? That's the guy, right? Might be— It might be time- Tame Impala I don't know, but I'm down for the night Going wild for the I I I forgot my line, like: Try to write an album on the dance floor All these lines, VI—what's that for? I'm free from, call me kudi I'm reborn Call me Lynard Skinnard. I'm a freebird Oh please— You got me weak in the knees Bitch please What are teeth? Take me out to chuckle cheese Tell me what your disease is, It's easy I'm a pleasure, I'll teach you Now let me get a drink Before I speak truth OH MY GOD. I love His fandom so much. Love the fandom, cause I am one Call me Katy imma go dumb Call me carnage, with a green thumb Drop the Bass up In Your face, I call it thump thumps What's for lunch Let's get drunk Don't make me go pop the trunk!!! Oh YOU! YOU! YOU! What's wrong with him, What'd they do to him. What's—wait. Look at that face. That is not the face of a free man. I'm a trash can. Yeah, well...that. Who's his master? I am. What!? Goddamn! I did that. What is that? A sandwhich? Just have half. WHOOOP-WHOOP! What! Whoop whoops?! It's MUCH too earty for Whoop Whoops! Far too early. Where's Chak Chel? oh my God!! Who's this LADY?! I'm in VIP Give me a sip I'm gonna get lit, eat chips with Chak Chel and then dip “What is this sauce?” It's ranch, dipshit. You're an ass NAH, I'm A PIÑATA. Bitch, I'm the boss, I wanna get lost in my thoughts, But I'm lost in the box I'm a rockstar, rockstar games. Or maybe Okay this: He has a man purse. I like him. What's going on?!!!! He has a man purse, we like him He has a man purse, we like him He has a man purse, we like him He has a man purse— GET THAT S#iT BAMPHER: —You're in. I'm in VIP OH YOU FUCKIN WANNA BE LOOK AT MEEEEEE IM MR— There's Rick. Mx. Meesinks. Hi—I'm— Get this bitch [picture of SUPACREE/SKRILLEX/a whatthefuck] Yesssiiirrreeee Don't call me sir. SIR And— SERVANT Wait, there's more? SCRIBE/DARK LORD There's always more— SIR Aaanddd—I would like to be called “sir” SERVANT Excuse me? SIR Call me sir. Third eye itching, Let me stop and take a picture Switch it Feeling wishy washy, Kinda bitchy, kinda bossy— Where the party at? you lost me. Where the fuxk I park my car— It couldn't be that far— I— I— I— I— — I woke up on a farm God. WW U D IM ABOUT TO DO WHAT JESUS WOULDNT DO (Yes, I would.) Whoop whoop!! —Nope, still too early. OMG look. Birds! Becky, Becky, Sarah— Oh, there's Sarah! Wow, Nancy's recovering well, yeah? [NANCY, freshly out of her neck brace; attends her first show since “the incident”—after breaking her neck to EXCISION, her friends agree that DILLON FRANCIS will be a safe bet.] Damn, people don't give any type of fuxk whatsoever. Nope. [drinks] So what do we do? Have a drink. I'm a robot, now No home, no soul I'm a robot now, No friends, no phone I'm a robot now And I'm always all alone I should be proud but I'm a robot now {mixes with A.A., iambic} What is reality? That's not dancing. Let's just—no. No, l—no What the fuxk. What the FUXK!!! How did he get here?! Look at him. No, don't look. (Don't look at me.) Don't look at him. Aww. GET UP DILLON, it's time to go! What is time?? WHAT THE FOOOOOO1– posaqwwwwwwwwww—— GADDAAAAAAQAAAMN!!!! STAAAAAAHHHHP. Goddammit, what are you doing here?! Everybody's here. Nah. Nah. [everybody is there.] Nah. Got this catatonic obsession, Shoulda learned my lesson, There's a learning curve to everything; You finally taught me something Floor is so sticky, I can't even sit and meditate Can't even find the space to write this My mistake, not my guy, I guess? My idol, maybe friend? I know those eyes inside of mine each time I see them So what is freedom? So that's it, There's no love left It's just money and sex No new friends So that means No new beginning— And at the very least no new enemies— Please Gerald! Damn, you're hot. Okay, knock it off I got it. I got it. I told you this would happen. Doesn't it always? “Follow the eye” Or just DONT Time to go. I love that song. I almost wore that shirt; I love that song! I am that song. What. I think I need a day, or forever, maybe To get away Time flies when you fast; I just danced my last dance, Thanks, Dillon Francis. Now when I meditate and pray I can ask GODDAMN, what the fuck was that about Now where in the fuck is my hat,yeah Grab that piñata, Let's look at the map, Maybe tonight, imma get in a fight These white girls are like DANE COOK “MINE” Pelicans MINEMINEMINE Hot Vollyball Girls: MINE. Alright, that's enough. No, stay here. What the fuck. NO, STAY HERE. Okay, I—guess. NO, STAY HERE. Fuxk, the watchers. I thought they didn't want me here. He doesn't care?! Clearly— Clearly nothing—! Gather more evidence! What in the world do you want from me? What in the world do you want from me? What in the world do you want from me? S Ū P ∆ ⓒ Я E E.™ He's a very handsome man, the full package She's actually a retired dancer, turned rapper; The trash can and last kandi handler, Handed a band to a fan, that's reality shattering yeah What happens after? Back to camp, I guess. SWIPER Aww, maaaan. I just wanna hold hands with a piñata, but I can't; I just want the answers to the questions I asked, answered, but nah. Have you seen my left arm? It's self harm, and it's just harmless, a charm— All I did was send magic to that man, Laughed under my mask, but haven't had a chance to love again since the last man banned me from having ‘happy'; So I can't handle this thirst trap, I reverse that Mantra from can't to Yea I can, Now, Where is Pan at? Ask Hanzel After, actually, Scratch that, I said I'd never turn my back on him, but Here's my butt and my backpack. I'll see you at Bass Camp, Or a Mansion, Or @ a mention, And thanks for the graduation, I hate my name, and I'm famous, maybe But hey, I just want someone to know me, I'm really lonely, I owe money to every agency, The governments enslaving me by my name and a paycheck. I've written albums, but haven't gotten paid yet; I wrote a novel, about a man I'm willing to say I've never met, Cause I respected him— And the Sadness Never Ends, I made a fandom out of friends, How it ends is with a pen and paper, I guess My hands on the decks, I'm just an ambidextrous sexually ambiguous DJ bitch; And Dillon Francis is my favorite producer, cause I'm just a loser who refuses to lose it, Enough to end the pollution and politicians who use us for getting richer I snap a picture, no movement. So even though I wanted to, I didn't— No pictures, no press releases and no random bitches; I just saw him in a vision, and at least ten astral projections, Got a circle of protection, a lesson, Cause now I'm branded and stressing OWSLA kicked me out, CAuse I'm a Cow, But I can also be an owl I'm growling now, I'm on the prowl for anyone to let me out, I'm trapped And down, cause he's out of my league, And I like him now. I needed it to be a leap year, but it wasn't , and although I was expecting a small amount of money on the 3rd, I had to depart lik/ on the first, and though I had roughly 4 days remaining in my stay, it had started to feel like the beginning of the end, from about the night before and into the morning, waking up sick and sore and most of all tired and hungry A Free Vegan is a term used to describe a person who practices veganism, but still may moderately consume some animal products sparingly, such as collagen, honey, or other products medicinally or as supplementary nutrition; this Vegan might wear leather, use products or materials derived from animals for convenience, functionality, or economic reasons Girl with the tattoo Miguel “A Walkthough Central Park” I'm on a regimen of vitavitavitamin, I need some anescrptoc and some aneceptomen Medicine man and an antiseptic A bed to rest my head I, some bread Some peanut butter for my jelly {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

The first drop was so bad, it gave me herpes. yeah, that's S Ū P ∆ ⓒ Я E E. I met you at The Ninth Gate… I don't think this is a good idea. It's a fine idea. I really don't know. Then shut up. Obsession, Lust— Thr delicate balance between Genius, and Madman What do I look like to you? …a movie star. What is that? A movie star. I didn't hear you! A movie star! I wanted to tell you this in person… If you go any further, there's no going backs There's no going back anyway. CHAUNCEY STREET, BROOKLYN. NY. A knock at the door. ALEX lets our a deep sigh and places her phone down on the table; she opens the door. Her face is flush. Hey. Hey. [A mysterious man] lets himself in. Did you talk to her. Yeah. Is she still in New York. Yeah. She's still in New York. Brooklyn? I don't know. ‘You don't know' I don't know. —but she's here. In the city? Yeah! Okay. [the mysterious man] sets a stuffed white envelope on the table] Here. Wun Jimerlilly Fallerlallonms Oo00h. TW0 Jimmerlilly Fallerlallonms *GASP* WhT! TW0 JiMmeRLiLly FaLleRlaLloNms?!? Jyus! JYES. —nerr. My god. Yea captain. S/he speaks perfect Skrillex. 3/10 Room 208 2:30 pm I just want to be okay again I just want to live in LA again I just want to play again No Vacancy, No Vacation, No veneration or compensation for commissioner; No doctors for the patients A saint, But seeking minimum wage And simple certain stakes I got on the wrong train And still ended up in the right place Long nights make for Nice days I carried a distinct memory of this day, and so there had to have been something important about it— least I thought, or perhaps even hoped, that there was maybe something good and special just around the corner, as it had been hard and bad for so long, that in the very least I knew that it couldn't get worse-that I had somehow hit rock bottom again so quickly that it was indeed possible that I would spring up just as quickly, which I realized was a brighter outlook than I had even expected at best, and a start at most. While inwardly I was devastated, I was at least able to suffice a calm facade, which Luke had commended me on, despite his various other psychological tricks and quips, as it seemed everything had been a test with him—but then, nearly everything was a puzzle or a challenge, not that I minded—but the latest installation of superfluous hazing, which was (at least by google'ssuggestion, somewhat even seemingly supernatural had been a first handed look into the srufff of nightmares, white america's predominately black non-solution to the housing crisis which they had caused, and furthermore, a test in my own mental strength and wits—a reminder of every reason and more why I had left my previous life behind—it's trials neither worth writing about, nor remembering, however, it's effects a tragic scar on my psyche, however unremarkable the result. It only hurts to think about a lot, And so I don't, It's just a rock, really Going on a walk through Central Park ia not an option. Neither a mother, nor father, Nor mirror; Here I'm sitting at the harbor Nonchalant as God would ever want to be And conscious, yet unconscious— Nodding off again, I'll know it when it's time to talk again (To talk again) Pause What. Remember what AlwaZ said. Uh. ALWAZ AKA -THE ILLUMINATI You're a genius. SUPACREE Yeah, thank you. ALWAZ Listen, you're famous—! SUPACREE When is this? New York City is probably absolutely the worst place in the world to be, if you don't want to be there. Hands down worst place ever. And I mean—I was stranded in Mexico with no money for a couple months, and that shit sucked—but it wasn't like “kill yourself” bad. New York gets craaaazy. I was on the subway and this dude was just listening to that one The Weekend Song over and over on loop. The funny thing is. I don't remember which The Weekend song it was— but you play any one of his songs on loop and you tell me if that man is okay. He's not okay. I heard it's a chemical imbalance Whatever that is Is has to be Obviously, Cause they said it is, Cause they said so, So it is, isn't it? Sunni bLums pDisxses It's my favorite troll doll! Ah! Real monsters! I don't use Travelocity!/ Get back on my front lawn, motherfucker! Hey, it's Daniel Dipshit! Who the fuck is “Daniel?” You're Daniel, Dipshit! Why “Daniel?!” Dipshit—why not just Cause you don't even know your own name, Dipshit! [sprays with hose] WTF ARE YOU DOING I don't like licking the sour stuff off, I just want the sweet stuff! Oh, do you? Don't he gay. DJ Magic Kenny Where's Dillon Francis. He's not here. Where is he? I fired him. You what? I fired him. When?! This morning. You can't fire him! He's half the show! Just—one date. No. Sunni, come on. No! I'm not dating Diplo. What?! Why not?! He's too pretty. PUT A SHIRT ON. GODDAMNIT, SHUT UP. OWSLA places a TRUTH SPELL on SUNNI BLU/ which results in her being outed as SUPACREE. Nooooo. YES. TABLOIDS Mwahaha PAPARAZZI MWAHAHAHAJA TMZ MWAHAHAHAJA ILUMINATI -_- Great. You pissed off the Illuminati. I am the Illuminati. Now we're fucked. What don't you get about this: I am in control. [a cannonball flies through the window] I told you. Holy shit, what is THIS. It's a cannonball. A fucking cannonball! W0W. It says something. What's it say The cannonball reads: “You're so fucked.” “You're so fucked. W0W. Nice. I told you. No, I told you. “I'm in control!” I write in canon! It's a stretch, but it'll do! Keep up. You wrote this? I wrote everything! The next level Timmy's Turn up When I talk Hi, I'm Ū Offenbach 4U Heart over height, Head over heels, Mind over matter— I don't want to fight you. We have to. No, we don't. We're going to. But we've already— That doesn't matter. It matters to me. I am you. Then it matters to you! That's—not what I meant. C'esme't. I'm gonna go. You're leaving?! The quarrel's tomorrow. No it isn't! Yes it is. Call it off! No. Its tradition. But— ? [I love you] Goodnight. She heads for the door. [I love you too.] Unspoken words In the hurt of the war of the worlds You come first, Then unearth I become in the force of the storm Where were you, before this? What I was, I assure you was unsure, at first Now, it's just Another record So it works forward, and back Of course Back—and forth… Yes. This is marvelous. Well, it's yoursz I can't take this. You're not taking it; I'm giving it to you. What for? For traveling, of course! But I'm not going anywhere… What is this. It's a DJ. Oh, wow, nice. Yeah. Where'd you get it? I found it. Oh, wow. Yeah. Where? It was just—on the ground. On the ground? Yeah. Oh. MORPHEUS You know what? What is it? MORPHEUS …nevermind. AMY POHLER …I think this is a bad idea. TINA FEY It's a good idea. AMY POHLER I think it's bad. TINA FEY Have another shot. [she does] AMY POE—whatever It's a really bad idea! TINA FEY OKAY, LETS GO. Pan out to JIMMY FALLON standing awkwardly in silence in the shadows behind them. JIMMY FALLON I'm coming too. OH MY GOD. what the [BLEEP] How long have you been standing there. The whole time. No you haven't No you weren't. You're so—WEIRD. I'm coming with you. No NO. Yes. I'm coming with you. No— —wait— No! Jimmy, do you think this is a good idea, or a bad idea. [beat] It's the worst idea ever. HA! NO—it's GOOD. I TOLD YOU. You're not coming. He's coming. With. (hiccups) us. Yes. UGH *takes shot* UGH [BLEEP] It's the worst idea ever— NO UT ISNT. —it's a really bad idea. You need me. Ew. We need him therr—uhh Yes. [beat] Fine. YES. But don't say anything C'ESME'T Petrutheio… PETRUTHEIO You should go. If you are what you eat Then I'm nuts and bananas but sometimes I'm even a hero But that's neither here nore there, no. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U. Jumpin Jumpin, Destiny's Child DLAXKBACK: SEASON 5 June 4th, 2021 XS NIGHTCLUB, LAS VEGAS NEVADA See, I told you. There they go. I guess. Alright, where's Rick? He's here— I can smell him. That's— There he is. Mmm. Stop lookin nervous— I don't like this. Alright, that's good ^.^ Okay. Let's find this portal. Damn. Huh. Last time I was here, it was to see— Don't say Skrillex— —It was to see Skrillex. Fuck you dude. ——-ahhhhh——!!!!!! GET IN THE SHIP. —I AIN'T SIGNING SHIT— YOU SHALL NOT PASS!!!!! [WAPPING] alright, that's it! GOD!!! That's not my name. (It is.) —-what? Where are you going? ...We're going camping. All of us? ALL OF US. Oh, shit! Get IN THE SHIP. Woah. NOW! —- Ugh. Oooof. Bad. Get up. Ummm...who are you? Get up, you have to perform. Perform for WHAT? Come on, dude— —okay, first of all— Uh huh [A SUPERSTAR DJ] experiences the dance floor.. ...As a fan. But (I got nervous) what I meant to say, was DILLON FRANCIS is stuck in SUPACREE's body, and vice versa. She must perform in his place. Stop it, man. I have an itch, I'm gonna scratch! Not the ink. What is it? Don't touch it. Don't touch it. DON'T TOUCH THAT— —OR, DO. ‍♀️ . . . ...I don't know. What do I do? Push the button. Which button, Gerald?! The PLAY button. You're a DICK It's ROUND— —what, your di—?! —NO, the BUTTON. WHICH FUCKIN BUTTON. Ooh, I got one. [the Motherf*ckers are fuck hunting] It appears as though they lost all their fucks— DILLON FRANCIS has plenty, because “Chandelier” Lol. Pop. Bang. Ooh. Oh. My God. What. Wake up. We're here. Im addicted It's lit lit Getting lifted Gifted shapeshifters sit in While I disintegrate my disinterest What is this? You're in it Did I mention I made you a sandwich, It's still in my kitchen Oh shit, the— “That's The Tallest Skrillex I've Ever Seen” Oh wow, tall. Never thought about that Thump thumps— Where'd they come from? This is nuts: What is this. This is earth. No. What is your life's, what is your life Where is your wife And why can't I get this shot right Right on time? Right? That's the guy, right? Might be— It might be time- Tame Impala I don't know, but I'm down for the night Going wild for the I I I forgot my line, like: Try to write an album on the dance floor All these lines, VI—what's that for? I'm free from, call me kudi I'm reborn Call me Lynard Skinnard. I'm a freebird Oh please— You got me weak in the knees Bitch please What are teeth? Take me out to chuckle cheese Tell me what your disease is, It's easy I'm a pleasure, I'll teach you Now let me get a drink Before I speak truth OH MY GOD. I love His fandom so much. Love the fandom, cause I am one Call me Katy imma go dumb Call me carnage, with a green thumb Drop the Bass up In Your face, I call it thump thumps What's for lunch Let's get drunk Don't make me go pop the trunk!!! Oh YOU! YOU! YOU! What's wrong with him, What'd they do to him. What's—wait. Look at that face. That is not the face of a free man. I'm a trash can. Yeah, well...that. Who's his master? I am. What!? Goddamn! I did that. What is that? A sandwhich? Just have half. WHOOOP-WHOOP! What! Whoop whoops?! It's MUCH too earty for Whoop Whoops! Far too early. Where's Chak Chel? oh my God!! Who's this LADY?! I'm in VIP Give me a sip I'm gonna get lit, eat chips with Chak Chel and then dip “What is this sauce?” It's ranch, dipshit. You're an ass NAH, I'm A PIÑATA. Bitch, I'm the boss, I wanna get lost in my thoughts, But I'm lost in the box I'm a rockstar, rockstar games. Or maybe Okay this: He has a man purse. I like him. What's going on?!!!! He has a man purse, we like him He has a man purse, we like him He has a man purse, we like him He has a man purse— GET THAT S#iT BAMPHER: —You're in. I'm in VIP OH YOU FUCKIN WANNA BE LOOK AT MEEEEEE IM MR— There's Rick. Mx. Meesinks. Hi—I'm— Get this bitch [picture of SUPACREE/SKRILLEX/a whatthefuck] Yesssiiirrreeee Don't call me sir. SIR And— SERVANT Wait, there's more? SCRIBE/DARK LORD There's always more— SIR Aaanddd—I would like to be called “sir” SERVANT Excuse me? SIR Call me sir. Third eye itching, Let me stop and take a picture Switch it Feeling wishy washy, Kinda bitchy, kinda bossy— Where the party at? you lost me. Where the fuxk I park my car— It couldn't be that far— I— I— I— I— — I woke up on a farm God. WW U D IM ABOUT TO DO WHAT JESUS WOULDNT DO (Yes, I would.) Whoop whoop!! —Nope, still too early. OMG look. Birds! Becky, Becky, Sarah— Oh, there's Sarah! Wow, Nancy's recovering well, yeah? [NANCY, freshly out of her neck brace; attends her first show since “the incident”—after breaking her neck to EXCISION, her friends agree that DILLON FRANCIS will be a safe bet.] Damn, people don't give any type of fuxk whatsoever. Nope. [drinks] So what do we do? Have a drink. I'm a robot, now No home, no soul I'm a robot now, No friends, no phone I'm a robot now And I'm always all alone I should be proud but I'm a robot now {mixes with A.A., iambic} What is reality? That's not dancing. Let's just—no. No, l—no What the fuxk. What the FUXK!!! How did he get here?! Look at him. No, don't look. (Don't look at me.) Don't look at him. Aww. GET UP DILLON, it's time to go! What is time?? WHAT THE FOOOOOO1– posaqwwwwwwwwww—— GADDAAAAAAQAAAMN!!!! STAAAAAAHHHHP. Goddammit, what are you doing here?! Everybody's here. Nah. Nah. [everybody is there.] Nah. Got this catatonic obsession, Shoulda learned my lesson, There's a learning curve to everything; You finally taught me something Floor is so sticky, I can't even sit and meditate Can't even find the space to write this My mistake, not my guy, I guess? My idol, maybe friend? I know those eyes inside of mine each time I see them So what is freedom? So that's it, There's no love left It's just money and sex No new friends So that means No new beginning— And at the very least no new enemies— Please Gerald! Damn, you're hot. Okay, knock it off I got it. I got it. I told you this would happen. Doesn't it always? “Follow the eye” Or just DONT Time to go. I love that song. I almost wore that shirt; I love that song! I am that song. What. I think I need a day, or forever, maybe To get away Time flies when you fast; I just danced my last dance, Thanks, Dillon Francis. Now when I meditate and pray I can ask GODDAMN, what the fuck was that about Now where in the fuck is my hat,yeah Grab that piñata, Let's look at the map, Maybe tonight, imma get in a fight These white girls are like DANE COOK “MINE” Pelicans MINEMINEMINE Hot Vollyball Girls: MINE. Alright, that's enough. No, stay here. What the fuck. NO, STAY HERE. Okay, I—guess. NO, STAY HERE. Fuxk, the watchers. I thought they didn't want me here. He doesn't care?! Clearly— Clearly nothing—! Gather more evidence! What in the world do you want from me? What in the world do you want from me? What in the world do you want from me? S Ū P ∆ ⓒ Я E E.™ He's a very handsome man, the full package She's actually a retired dancer, turned rapper; The trash can and last kandi handler, Handed a band to a fan, that's reality shattering yeah What happens after? Back to camp, I guess. SWIPER Aww, maaaan. I just wanna hold hands with a piñata, but I can't; I just want the answers to the questions I asked, answered, but nah. Have you seen my left arm? It's self harm, and it's just harmless, a charm— All I did was send magic to that man, Laughed under my mask, but haven't had a chance to love again since the last man banned me from having ‘happy'; So I can't handle this thirst trap, I reverse that Mantra from can't to Yea I can, Now, Where is Pan at? Ask Hanzel After, actually, Scratch that, I said I'd never turn my back on him, but Here's my butt and my backpack. I'll see you at Bass Camp, Or a Mansion, Or @ a mention, And thanks for the graduation, I hate my name, and I'm famous, maybe But hey, I just want someone to know me, I'm really lonely, I owe money to every agency, The governments enslaving me by my name and a paycheck. I've written albums, but haven't gotten paid yet; I wrote a novel, about a man I'm willing to say I've never met, Cause I respected him— And the Sadness Never Ends, I made a fandom out of friends, How it ends is with a pen and paper, I guess My hands on the decks, I'm just an ambidextrous sexually ambiguous DJ bitch; And Dillon Francis is my favorite producer, cause I'm just a loser who refuses to lose it, Enough to end the pollution and politicians who use us for getting richer I snap a picture, no movement. So even though I wanted to, I didn't— No pictures, no press releases and no random bitches; I just saw him in a vision, and at least ten astral projections, Got a circle of protection, a lesson, Cause now I'm branded and stressing OWSLA kicked me out, CAuse I'm a Cow, But I can also be an owl I'm growling now, I'm on the prowl for anyone to let me out, I'm trapped And down, cause he's out of my league, And I like him now. I needed it to be a leap year, but it wasn't , and although I was expecting a small amount of money on the 3rd, I had to depart lik/ on the first, and though I had roughly 4 days remaining in my stay, it had started to feel like the beginning of the end, from about the night before and into the morning, waking up sick and sore and most of all tired and hungry A Free Vegan is a term used to describe a person who practices veganism, but still may moderately consume some animal products sparingly, such as collagen, honey, or other products medicinally or as supplementary nutrition; this Vegan might wear leather, use products or materials derived from animals for convenience, functionality, or economic reasons Girl with the tattoo Miguel “A Walkthough Central Park” I'm on a regimen of vitavitavitamin, I need some anescrptoc and some aneceptomen Medicine man and an antiseptic A bed to rest my head I, some bread Some peanut butter for my jelly {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

the first drop gave me herpes. well, that's S Ū P ∆ ⓒ Я E E . I met you at The Ninth Gate… I don't think this is a good idea. It's a fine idea. I really don't know. Then shut up. Obsession, Lust— Thr delicate balance between Genius, and Madman What do I look like to you? …a movie star. What is that? A movie star. I didn't hear you! A movie star! I wanted to tell you this in person… If you go any further, there's no going backs There's no going back anyway. CHAUNCEY STREET, BROOKLYN. NY. A knock at the door. ALEX lets our a deep sigh and places her phone down on the table; she opens the door. Her face is flush. Hey. Hey. [A mysterious man] lets himself in. Did you talk to her. Yeah. Is she still in New York. Yeah. She's still in New York. Brooklyn? I don't know. ‘You don't know' I don't know. —but she's here. In the city? Yeah! Okay. [the mysterious man] sets a stuffed white envelope on the table] Here. Wun Jimerlilly Fallerlallonms Oo00h. TW0 Jimmerlilly Fallerlallonms *GASP* WhT! TW0 JiMmeRLiLly FaLleRlaLloNms?!? Jyus! JYES. —nerr. My god. Yea captain. S/he speaks perfect Skrillex. 3/10 Room 208 2:30 pm I just want to be okay again I just want to live in LA again I just want to play again No Vacancy, No Vacation, No veneration or compensation for commissioner; No doctors for the patients A saint, But seeking minimum wage And simple certain stakes I got on the wrong train And still ended up in the right place Long nights make for Nice days I carried a distinct memory of this day, and so there had to have been something important about it— least I thought, or perhaps even hoped, that there was maybe something good and special just around the corner, as it had been hard and bad for so long, that in the very least I knew that it couldn't get worse-that I had somehow hit rock bottom again so quickly that it was indeed possible that I would spring up just as quickly, which I realized was a brighter outlook than I had even expected at best, and a start at most. While inwardly I was devastated, I was at least able to suffice a calm facade, which Luke had commended me on, despite his various other psychological tricks and quips, as it seemed everything had been a test with him—but then, nearly everything was a puzzle or a challenge, not that I minded—but the latest installation of superfluous hazing, which was (at least by google'ssuggestion, somewhat even seemingly supernatural had been a first handed look into the srufff of nightmares, white america's predominately black non-solution to the housing crisis which they had caused, and furthermore, a test in my own mental strength and wits—a reminder of every reason and more why I had left my previous life behind—it's trials neither worth writing about, nor remembering, however, it's effects a tragic scar on my psyche, however unremarkable the result. It only hurts to think about a lot, And so I don't, It's just a rock, really Going on a walk through Central Park ia not an option. Neither a mother, nor father, Nor mirror; Here I'm sitting at the harbor Nonchalant as God would ever want to be And conscious, yet unconscious— Nodding off again, I'll know it when it's time to talk again (To talk again) Pause What. Remember what AlwaZ said. Uh. ALWAZ AKA -THE ILLUMINATI You're a genius. SUPACREE Yeah, thank you. ALWAZ Listen, you're famous—! SUPACREE When is this? New York City is probably absolutely the worst place in the world to be, if you don't want to be there. Hands down worst place ever. And I mean—I was stranded in Mexico with no money for a couple months, and that shit sucked—but it wasn't like “kill yourself” bad. New York gets craaaazy. I was on the subway and this dude was just listening to that one The Weekend Song over and over on loop. The funny thing is. I don't remember which The Weekend song it was— but you play any one of his songs on loop and you tell me if that man is okay. He's not okay. I heard it's a chemical imbalance Whatever that is Is has to be Obviously, Cause they said it is, Cause they said so, So it is, isn't it? Sunni bLums pDisxses It's my favorite troll doll! Ah! Real monsters! I don't use Travelocity!/ Get back on my front lawn, motherfucker! Hey, it's Daniel Dipshit! Who the fuck is “Daniel?” You're Daniel, Dipshit! Why “Daniel?!” Dipshit—why not just Cause you don't even know your own name, Dipshit! [sprays with hose] WTF ARE YOU DOING I don't like licking the sour stuff off, I just want the sweet stuff! Oh, do you? Don't he gay. DJ Magic Kenny Where's Dillon Francis. He's not here. Where is he? I fired him. You what? I fired him. When?! This morning. You can't fire him! He's half the show! Just—one date. No. Sunni, come on. No! I'm not dating Diplo. What?! Why not?! He's too pretty. PUT A SHIRT ON. GODDAMNIT, SHUT UP. OWSLA places a TRUTH SPELL on SUNNI BLU/ which results in her being outed as SUPACREE. Nooooo. YES. TABLOIDS Mwahaha PAPARAZZI MWAHAHAHAJA TMZ MWAHAHAHAJA ILUMINATI -_- Great. You pissed off the Illuminati. I am the Illuminati. Now we're fucked. What don't you get about this: I am in control. [a cannonball flies through the window] I told you. Holy shit, what is THIS. It's a cannonball. A fucking cannonball! W0W. It says something. What's it say The cannonball reads: “You're so fucked.” “You're so fucked. W0W. Nice. I told you. No, I told you. “I'm in control!” I write in canon! It's a stretch, but it'll do! Keep up. You wrote this? I wrote everything! The next level Timmy's Turn up When I talk Hi, I'm Ū Offenbach 4U Heart over height, Head over heels, Mind over matter— I don't want to fight you. We have to. No, we don't. We're going to. But we've already— That doesn't matter. It matters to me. I am you. Then it matters to you! That's—not what I meant. C'esme't. I'm gonna go. You're leaving?! The quarrel's tomorrow. No it isn't! Yes it is. Call it off! No. Its tradition. But— ? [I love you] Goodnight. She heads for the door. [I love you too.] Unspoken words In the hurt of the war of the worlds You come first, Then unearth I become in the force of the storm Where were you, before this? What I was, I assure you was unsure, at first Now, it's just Another record So it works forward, and back Of course Back—and forth… Yes. This is marvelous. Well, it's yoursz I can't take this. You're not taking it; I'm giving it to you. What for? For traveling, of course! But I'm not going anywhere… What is this. It's a DJ. Oh, wow, nice. Yeah. Where'd you get it? I found it. Oh, wow. Yeah. Where? It was just—on the ground. On the ground? Yeah. Oh. MORPHEUS You know what? What is it? MORPHEUS …nevermind. AMY POHLER …I think this is a bad idea. TINA FEY It's a good idea. AMY POHLER I think it's bad. TINA FEY Have another shot. [she does] AMY POE—whatever It's a really bad idea! TINA FEY OKAY, LETS GO. Pan out to JIMMY FALLON standing awkwardly in silence in the shadows behind them. JIMMY FALLON I'm coming too. OH MY GOD. what the [BLEEP] How long have you been standing there. The whole time. No you haven't No you weren't. You're so—WEIRD. I'm coming with you. No NO. Yes. I'm coming with you. No— —wait— No! Jimmy, do you think this is a good idea, or a bad idea. [beat] It's the worst idea ever. HA! NO—it's GOOD. I TOLD YOU. You're not coming. He's coming. With. (hiccups) us. Yes. UGH *takes shot* UGH [BLEEP] It's the worst idea ever— NO UT ISNT. —it's a really bad idea. You need me. Ew. We need him therr—uhh Yes. [beat] Fine. YES. But don't say anything C'ESME'T Petrutheio… PETRUTHEIO You should go. If you are what you eat Then I'm nuts and bananas but sometimes I'm even a hero But that's neither here nore there, no. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U. Jumpin Jumpin, Destiny's Child DLAXKBACK: SEASON 5 June 4th, 2021 XS NIGHTCLUB, LAS VEGAS NEVADA See, I told you. There they go. I guess. Alright, where's Rick? He's here— I can smell him. That's— There he is. Mmm. Stop lookin nervous— I don't like this. Alright, that's good ^.^ Okay. Let's find this portal. Damn. Huh. Last time I was here, it was to see— Don't say Skrillex— —It was to see Skrillex. Fuck you dude. ——-ahhhhh——!!!!!! GET IN THE SHIP. —I AIN'T SIGNING SHIT— YOU SHALL NOT PASS!!!!! [WAPPING] alright, that's it! GOD!!! That's not my name. (It is.) —-what? Where are you going? ...We're going camping. All of us? ALL OF US. Oh, shit! Get IN THE SHIP. Woah. NOW! —- Ugh. Oooof. Bad. Get up. Ummm...who are you? Get up, you have to perform. Perform for WHAT? Come on, dude— —okay, first of all— Uh huh [A SUPERSTAR DJ] experiences the dance floor.. ...As a fan. But (I got nervous) what I meant to say, was DILLON FRANCIS is stuck in SUPACREE's body, and vice versa. She must perform in his place. Stop it, man. I have an itch, I'm gonna scratch! Not the ink. What is it? Don't touch it. Don't touch it. DON'T TOUCH THAT— —OR, DO. ‍♀️ . . . ...I don't know. What do I do? Push the button. Which button, Gerald?! The PLAY button. You're a DICK It's ROUND— —what, your di—?! —NO, the BUTTON. WHICH FUCKIN BUTTON. Ooh, I got one. [the Motherf*ckers are fuck hunting] It appears as though they lost all their fucks— DILLON FRANCIS has plenty, because “Chandelier” Lol. Pop. Bang. Ooh. Oh. My God. What. Wake up. We're here. Im addicted It's lit lit Getting lifted Gifted shapeshifters sit in While I disintegrate my disinterest What is this? You're in it Did I mention I made you a sandwich, It's still in my kitchen Oh shit, the— “That's The Tallest Skrillex I've Ever Seen” Oh wow, tall. Never thought about that Thump thumps— Where'd they come from? This is nuts: What is this. This is earth. No. What is your life's, what is your life Where is your wife And why can't I get this shot right Right on time? Right? That's the guy, right? Might be— It might be time- Tame Impala I don't know, but I'm down for the night Going wild for the I I I forgot my line, like: Try to write an album on the dance floor All these lines, VI—what's that for? I'm free from, call me kudi I'm reborn Call me Lynard Skinnard. I'm a freebird Oh please— You got me weak in the knees Bitch please What are teeth? Take me out to chuckle cheese Tell me what your disease is, It's easy I'm a pleasure, I'll teach you Now let me get a drink Before I speak truth OH MY GOD. I love His fandom so much. Love the fandom, cause I am one Call me Katy imma go dumb Call me carnage, with a green thumb Drop the Bass up In Your face, I call it thump thumps What's for lunch Let's get drunk Don't make me go pop the trunk!!! Oh YOU! YOU! YOU! What's wrong with him, What'd they do to him. What's—wait. Look at that face. That is not the face of a free man. I'm a trash can. Yeah, well...that. Who's his master? I am. What!? Goddamn! I did that. What is that? A sandwhich? Just have half. WHOOOP-WHOOP! What! Whoop whoops?! It's MUCH too earty for Whoop Whoops! Far too early. Where's Chak Chel? oh my God!! Who's this LADY?! I'm in VIP Give me a sip I'm gonna get lit, eat chips with Chak Chel and then dip “What is this sauce?” It's ranch, dipshit. You're an ass NAH, I'm A PIÑATA. Bitch, I'm the boss, I wanna get lost in my thoughts, But I'm lost in the box I'm a rockstar, rockstar games. Or maybe Okay this: He has a man purse. I like him. What's going on?!!!! He has a man purse, we like him He has a man purse, we like him He has a man purse, we like him He has a man purse— GET THAT S#iT BAMPHER: —You're in. I'm in VIP OH YOU FUCKIN WANNA BE LOOK AT MEEEEEE IM MR— There's Rick. Mx. Meesinks. Hi—I'm— Get this bitch [picture of SUPACREE/SKRILLEX/a whatthefuck] Yesssiiirrreeee Don't call me sir. SIR And— SERVANT Wait, there's more? SCRIBE/DARK LORD There's always more— SIR Aaanddd—I would like to be called “sir” SERVANT Excuse me? SIR Call me sir. Third eye itching, Let me stop and take a picture Switch it Feeling wishy washy, Kinda bitchy, kinda bossy— Where the party at? you lost me. Where the fuxk I park my car— It couldn't be that far— I— I— I— I— — I woke up on a farm God. WW U D IM ABOUT TO DO WHAT JESUS WOULDNT DO (Yes, I would.) Whoop whoop!! —Nope, still too early. OMG look. Birds! Becky, Becky, Sarah— Oh, there's Sarah! Wow, Nancy's recovering well, yeah? [NANCY, freshly out of her neck brace; attends her first show since “the incident”—after breaking her neck to EXCISION, her friends agree that DILLON FRANCIS will be a safe bet.] Damn, people don't give any type of fuxk whatsoever. Nope. [drinks] So what do we do? Have a drink. I'm a robot, now No home, no soul I'm a robot now, No friends, no phone I'm a robot now And I'm always all alone I should be proud but I'm a robot now {mixes with A.A., iambic} What is reality? That's not dancing. Let's just—no. No, l—no What the fuxk. What the FUXK!!! How did he get here?! Look at him. No, don't look. (Don't look at me.) Don't look at him. Aww. GET UP DILLON, it's time to go! What is time?? WHAT THE FOOOOOO1– posaqwwwwwwwwww—— GADDAAAAAAQAAAMN!!!! STAAAAAAHHHHP. Goddammit, what are you doing here?! Everybody's here. Nah. Nah. [everybody is there.] Nah. Got this catatonic obsession, Shoulda learned my lesson, There's a learning curve to everything; You finally taught me something Floor is so sticky, I can't even sit and meditate Can't even find the space to write this My mistake, not my guy, I guess? My idol, maybe friend? I know those eyes inside of mine each time I see them So what is freedom? So that's it, There's no love left It's just money and sex No new friends So that means No new beginning— And at the very least no new enemies— Please Gerald! Damn, you're hot. Okay, knock it off I got it. I got it. I told you this would happen. Doesn't it always? “Follow the eye” Or just DONT Time to go. I love that song. I almost wore that shirt; I love that song! I am that song. What. I think I need a day, or forever, maybe To get away Time flies when you fast; I just danced my last dance, Thanks, Dillon Francis. Now when I meditate and pray I can ask GODDAMN, what the fuck was that about Now where in the fuck is my hat,yeah Grab that piñata, Let's look at the map, Maybe tonight, imma get in a fight These white girls are like DANE COOK “MINE” Pelicans MINEMINEMINE Hot Vollyball Girls: MINE. Alright, that's enough. No, stay here. What the fuck. NO, STAY HERE. Okay, I—guess. NO, STAY HERE. Fuxk, the watchers. I thought they didn't want me here. He doesn't care?! Clearly— Clearly nothing—! Gather more evidence! What in the world do you want from me? What in the world do you want from me? What in the world do you want from me? S Ū P ∆ ⓒ Я E E.™ He's a very handsome man, the full package She's actually a retired dancer, turned rapper; The trash can and last kandi handler, Handed a band to a fan, that's reality shattering yeah What happens after? Back to camp, I guess. SWIPER Aww, maaaan. I just wanna hold hands with a piñata, but I can't; I just want the answers to the questions I asked, answered, but nah. Have you seen my left arm? It's self harm, and it's just harmless, a charm— All I did was send magic to that man, Laughed under my mask, but haven't had a chance to love again since the last man banned me from having ‘happy'; So I can't handle this thirst trap, I reverse that Mantra from can't to Yea I can, Now, Where is Pan at? Ask Hanzel After, actually, Scratch that, I said I'd never turn my back on him, but Here's my butt and my backpack. I'll see you at Bass Camp, Or a Mansion, Or @ a mention, And thanks for the graduation, I hate my name, and I'm famous, maybe But hey, I just want someone to know me, I'm really lonely, I owe money to every agency, The governments enslaving me by my name and a paycheck. I've written albums, but haven't gotten paid yet; I wrote a novel, about a man I'm willing to say I've never met, Cause I respected him— And the Sadness Never Ends, I made a fandom out of friends, How it ends is with a pen and paper, I guess My hands on the decks, I'm just an ambidextrous sexually ambiguous DJ bitch; And Dillon Francis is my favorite producer, cause I'm just a loser who refuses to lose it, Enough to end the pollution and politicians who use us for getting richer I snap a picture, no movement. So even though I wanted to, I didn't— No pictures, no press releases and no random bitches; I just saw him in a vision, and at least ten astral projections, Got a circle of protection, a lesson, Cause now I'm branded and stressing OWSLA kicked me out, CAuse I'm a Cow, But I can also be an owl I'm growling now, I'm on the prowl for anyone to let me out, I'm trapped And down, cause he's out of my league, And I like him now. I needed it to be a leap year, but it wasn't , and although I was expecting a small amount of money on the 3rd, I had to depart lik/ on the first, and though I had roughly 4 days remaining in my stay, it had started to feel like the beginning of the end, from about the night before and into the morning, waking up sick and sore and most of all tired and hungry A Free Vegan is a term used to describe a person who practices veganism, but still may moderately consume some animal products sparingly, such as collagen, honey, or other products medicinally or as supplementary nutrition; this Vegan might wear leather, use products or materials derived from animals for convenience, functionality, or economic reasons Girl with the tattoo Miguel “A Walkthough Central Park” I'm on a regimen of vitavitavitamin, I need some anescrptoc and some aneceptomen Medicine man and an antiseptic A bed to rest my head I, some bread Some peanut butter for my jelly {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.

Phil Norton commenced his Police career in the Metropolitan Police as a cadet. He served at Canon Row and became a visible presence in central London.He recounts the day he was on duty when the bomb was detonated at Harrods by the IRA. He vividly discusses how he had to clear the road for a colleague to take the injured to the hospital. He attended Broadwater Farm in Tottenham an describes the screams of officers as they battled with the rioters and how he was on the frontline at Wapping during the news international dispute Phil transferred to Essex and was part of the team that undertook the investigation into the Essex Boys murders and discusses his frustrations at the alleged corruption of some Essex Officers who were handling the informant Darren Nicholls .Phil had always been a man of faith, and God has always been part of his life. However, his faith was compounded when he was involved in a serious road collision and by rights he should have been killed or seriously injured. His view is that god and his angels saved him on that fateful night. Following his police career Phil has dedicated his life to helping others. He is part of the Street Pastors team He attended the tragedy at Grenfell Tower and assists at the foodbank.Listen to Phil's lovely story and enjoy his travels through life. Hosted on Acast. See acast.com/privacy for more information.

I veckans avsnitt av ”Så in i Själen” samtalar jag med Göran Appelgren pastor i Swedenborgskyrkan och Gustav Fornander ordförande i Skandinaviska Swedenborgsällskapet. Samtalet kommer naturligtvis att handla om Emanuel Swedenborg. Emanuel föddes i Stockholm den 29 januari 1688. Som ung man blev han känd för sitt mekaniska sinne och sina uppfinningar. Swedenborgs vetenskapliga arbete var imponerande och han har blivit liknad vid Leonardo da Vinci. 1719 blev familjen adlad och tog namnet ”Swedenborg”, tidigare Swedberg. Emanuel tog nu plats i riksdagen och lämnade där flera bidrag i finansiella, ekonomiska, utrikespolitska frågor nästan ända till sin död. Vid mitten av 1740-talet tog Swedenborgs liv en helt ny vändning. Från att ha koncentrerat sig på det yttre påbörjade han nu en inre resa.Under hela hans ”andliga period”, som varade från mitten av 1740-talet fram till hans död 1772, fortsatte Swedenborg med sitt ”normala” liv. Han fortsatte som aktiv medlem i den svenska Riksdagen. Han reste till London och Amsterdam många gånger för att kunna publicera sina böcker. Även om de var skrivna på latin kunde de inte ges ut i hans hemland, på grund av de stränga religionslagarna som rådde i Sverige på den tiden. Swedenborg dog i London den 29 mars 1772, efter att han förutsagt sin dödsdag och betalt hyra till precis den dagen. Han blev begravd i den svenska kyrkan i Wapping. Då denna kyrka skulle rivas tidigt 1900-talet, blev kvarlevorna mycket högtidligt fraktade till Sverige. Swedenborgs kvarlevor vilar idag i en sarkofag i Uppsala domkyrka. Nu vet ni lite mer om Swedenborgs bakgrund. Och nu ska vi fördjupa oss ytterligare i den andliga sidan hos Emanuel Swedenborg. Varmt välkomna till ”Så in i Själen”.”Gud, som i Sig Själv är Kärlek, dömer ingen till helvetet. Himmelen och helvetet är ett självvalda tillstånd, både i detta livet och i nästa. Tron på en enda Gud och ett liv i kärlek till våra medmänniskor är vägen till frälsning.” Emanuel Swedenborg. Producerat av Silverdrake Förlagwww.silverdrakeforlag.seRedaktör: Marcus Tigerdraakemarcus@silverdrakeforlag.seKlipp: Patrik Sundén Hosted on Acast. See acast.com/privacy for more information.

What are ragged schools, and who were they for? How did the help the poor of London, and what exactly is a Blue Coat School? This one is a listener request, so let's delve into the murky world of abjectly poor London of the 18th and 19th centuries and go back to school! Visit https://www.ladieswholondon.com  Get in touch! Instagram; @ladieswholondonpodcast Email; ladieswholondon@gmail.com Websites; www.ladieswholondon.com www.guideemily.com and www.alexlacey.com/podcast where you can also book for our virtual and real life walking tours. Thanks to Susie Riddell for our voiceover jingles www.susieriddell.com and our jinglemeister Ben Morales Frost, can be found on www.benfrostmusic.com See you next week Learn more about your ad choices. Visit megaphone.fm/adchoices

Season 2 Episode 48 Wapping up season 2, Jessi sits down to discuss the idea of health entitlement as we head into a new chapter. With western society obsessing over the quick and easy fix, it's become common to expect or believe we are inherently deserving of perfect health without any effort or consciousness. Ironically, this perspective is often the block that prevents the very healing and health we desire. Jessi shares how to release and overcome this mindset, the power of acquiring health, and how to navigate it all without falling into overwhelm. Tune in to discover a unique and fresh perspective on this topic, Jessi's plan for the Sensitive community, and more! Topics Discussed: How and why western society has created a detrimental narrative around the process of health. [00:05:50] Why attaining true health is a lifelong endeavor that takes substantial effort. [00:09:30] Jessi shares her vision for the ACM, the podcast, and her practice as she transitions into this new chapter and Season 3 of the podcast! [00:24:30] Quotes: “The purpose of the spiritual, physical and emotional work we do is to return back to who we were created to be.” - Jessi Michel Agadoni “There is a big difference between selflessness and self-abandonment.” - Jessi Michel Agadoni “You need to spend time alone with yourself and put in real effort to come back into your authenticity before diving into rescuing, saving, and serving others.” - Jessi Michel Agadoni Links Mentioned: The Authentic Calm Method Episode Transcript Here Head to Mêrfleur Wellness to discover more. Support the show or buy Jessi a kombucha here! Follow along or message us @merfleurwellness and @authenticcalm.

A Party of Loversby John Keats (1795-1821)    Pensive they sit, and roll their languid eyes,    Nibble their toast, and cool their tea with sighs,    Or else forget the purpose of the night,    Forget their tea, forget their appetite.    See with cross'd arms they sit, ah! happy crew,    The fire is going out and no one rings    For coals, and therefore no coals Betty brings.    A fly is in the milk-pot, must he die    By a humane society?    No, no; there Mr. Werter takes his spoon,    Inserts it, dips the handle, and lo! soon    The little straggler, sav'd from perils dark,    Across the teaboard draws a long wet mark.    Arise! take snuffers by the handle,    There's a large cauliflower in each candle.    A winding-sheet, ah me! I must away    To No. 7, just beyond the circus gay.    'Alas, my friend! your coat sits very well;    Where may your tailor live?'    'I may not tell.    O pardon me, I'm absent now and then.    Where might my tailor live?    I say again    I cannot tell, let me no more be teaz'd,    He lives in Wapping, might live where he pleas'd.' This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit iwillreadtoyou.substack.com/subscribe

In this, Part 2 of my chat with Richard Lapper, we walk from Wapping to Tower Hamlets Cemetery Park and back to Wapping via King Edward VII Park, the Regents Canal, Mile End Park and Limehouse Basin talking about history, politics, London, and Brazil. Tune in to be inspired by London's east side, understanding more about Brazil, and how farming, religion and security can play such an important part in the making and breaking of a country. And why the Amazon has become so threatened by a policy that changed the region forever: People without land for a land without people. Richard talks about the influence of British journalist Norman Lewis raising awareness of the indigenous communities in the Amazon and how their way of life was being threatened brought about the rise of Survival International; and through reporting for insurance companies the change of weather patterns brought about the world's first environmentalist movements. Richard talks about why Brazil goes off the rails, the impact of the discovery of oil in Brazil in 2006, the car wash scandal and the rise of the two biggest gangs in Brazil, the First Command of the Capital in Sao Paulo and The Red Command in Rio de Janeiro. “Organised crime is becoming more and more powerful in Brazil, as the State becomes weaker, and policing becomes less effective.” Like episode 63, this episode is dedicated to (Dominic) Dom Phillips and Bruno Pereira who were murdered in the Amazon in June 2022 while using their skills as journalist and advocate for indigenous people respectively, to defend the Amazon against further destruction and to protect the indigenous people who live there. This podcast chat has been recorded in two episodes. This is Part 2. Part 1 can be heard in the previous podcast episode - 63. To find out more about Richard Lapper go to: Twitter: https://twitter.com/onlatinamerica Email: richard.lapper@gmail.com https://www.chathamhouse.org/about-us/our-people/richard-lapper Instagram: @richard_lapper YouTube: https://www.youtube.com/watch?v=PVfaQIUcXmU To BUY Beef, Bible and Bullets: Brazil in the Age of Bolsonaro https://www.amazon.co.uk/Beef-bible-bullets-Brazil-Bolsonaro/dp/152614901X OR https://manchesteruniversitypress.co.uk/9781526149015/ To find out about your podcast host EMMA go to https://www.travellingthrough.co.uk/ And, a big thanks as always, to MARISKA Martina at https://www.mariskamartina.com/ for creating our wonderful podcast jingle!

RICHARD LAPPER is an independent journalist and consultant. Originally from Sheffield, Richard is the author of Beef, Bible and Bullets: Brazil in the Age of Bolsonaro. Originally published in 2021, the paperback is now available and comes at a time when the spotlight is on Brazil with respect to the alarming depletion and destruction of the Amazon and why it is happening at such an uncontrolled pace. Richard spent many years living and working in Central and South America, particularly Brazil. He now lives in Wapping and I caught up with him to walk and talk about writing during the lockdown, Brazil, the Amazon, and the horrific murders of his good friend and journalist Dominic (Dom) Phillips, and advocate for the indigenous people Bruno Pereira. Both men were raising awareness of the need to protect the Amazon forest and its indigenous people from lawlessness and a relentless onslaught of destruction, to ensure the survival of these important interlocking eco systems for the future. Podcast episodes 63 and 64 are dedicted to DOM PHILLIPS and BRUNO PEREIRA for their commitment, bravery and beliefs in adversity. This is Part 1 of 2 podcast episodes with Richard Lapper. To find learn more about RICHARD LAPPER go to: Twitter: https://twitter.com/onlatinamerica https://www.chathamhouse.org/about-us/our-people/richard-lapper Instagram: @richard_lapper YouTube: https://www.youtube.com/watch?v=PVfaQIUcXmU To BUY Beef, Bible and Bullets: Brazil in the Age of Bolsonaro https://www.amazon.co.uk/Beef-bible-bullets-Brazil-Bolsonaro/dp/152614901X OR https://manchesteruniversitypress.co.uk/9781526149015/ To find out about your podcast host EMMA go to https://www.travellingthrough.co.uk/ A big thanks to MARISKA Martina at https://www.mariskamartina.com/ for creating our wonderful podcast jingle! And finally, a huge thank you to Fatima for preparing a delicious impromptu Brazilian influenced light lunch for us.

Wapping Wharf developer Stuart Hatton and AHR Architects' Adam Spall talk to Bristol24/7 Editor Martin Booth about their ambitious plans for the future of Wapping Wharf.

This week, we've already taken you on the first passenger journey on Crossrail, but what else is going on beneath us in the capital?London's new £4.2 billion Thames Tideway Tunnel, or ‘super sewer', is due to open in 2025 to help cope with capital's overflowing waste water.With the existing system, when there's heavy rain, sewage overflows into the River Thames, polluting the water and killing marine life, which happens up to 60 times a year.We take a trip down into one of the 70-metre deep project's cavernous bores, at its Battersea riverside access shaft, to meet project manager Ignacio Tognaccini - and hear some surprising subterranean music.In today's episode we'll also be looking at the challenges of digging through London's damp clay while avoiding hundreds of years of other infrastructure projects, and making sure these huge bores don't collapse in on themselves.Plus we'll look at the top secret stuff below the pavements, where maps show only a grey void and government telephone number.The Leader speaks with Martin Knights, a tunnelling engineer who chairs construction firm London Bridge Associates, about modern digging processes and the challenges of avoided existing, centuries-old buried infrastructure.We also meet infrastructure expert Liz Reynolds, an urban planner for Hackney-based studio called Tapestry and former town planning advisor for Crossrail's central stations.She discusses why it's so tricky to find the best spot to dig and looks at early tunnels, such as the Brunel-built Thames Tunnel linking Wapping to Rotherhithe in the early 1800s. See acast.com/privacy for privacy and opt-out information.

"the moment when just his head was above the water"

Marc Brunel's visionary under-water tunnel from Rotherhithe to Wapping finally opened to the public on 25th March, 1843. It had taken 18 years to build, and was massively over-budget, but was the first tunnel successfully created under a navigable river anywhere in the world. Its construction had cost lives, caused controversy and changed the way tunnels would be built forever. But it soon became notorious as a gangway frequented by pickpockets and prostitutes. In this episode, Arion, Rebecca and Olly explain why Brunel had to build a vertical tunnel before embarking upon his horizontal one; tot up its takings as an enormously popular tourist attraction; and explain how the injuries sustained by Isambard Kingdom Brunel during its construction lead directly to his even more famous architectural masterpieces…  Further Reading: • ‘The Opening Of The Thames Tunnel' (SS Great Britain Blog Brunel, 2021): https://www.ssgreatbritain.org/the-opening-of-the-thames-tunnel/ • ‘Open again after 145 years, the eighth wonder of the world' (The Independent, 2010): https://www.independent.co.uk/news/uk/this-britain/open-again-after-145-years-the-eighth-wonder-of-the-world-1920723.html • ‘The Thames Tunnel Archive - Part 5/5' (Brunel Museum London, 2022): https://www.youtube.com/watch?v=6HADkw-laAM For bonus material and to support the show, visit Patreon.com/Retrospectors We'll be back on Monday! Follow us wherever you get your podcasts: podfollow.com/Retrospectors The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill. Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Emma Corsham. Copyright: Rethink Audio / Olly Mann 2022.  Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris Whyatt has spent the last 30 years of his career working in the adjacent disciplines of sales and bidding. Co – Founder Get to Great in 2008 and he supported 100+ small and big organisations. Chris has been delivering training programmes for TechUK for 15 years and has supported clients on ~50 major deals, co-created 25 business winning frameworks, trained ~1,000 people in sales and bid aspects of business. Chris co-founded the UK chapter of the Association of Proposal Management Professionals (APMP) in 2001 with Jon Williams and served on the Board as COO for the first 3 years.  He was a Fellow of the Sales Leadership Alliance, which rebranded as the Association of Sales Professionals. Chris has conducted extensive research into improving the working relationship between sales and bid, publishing his second paper on this subject in January 2020.Imposing change on people without consulting them makes them feel undervalued at best, causing them to disengage, or even worse, creating collective resistance. Historically, the industrial revolution, the miner's strike, and the Battle of Wapping come to mind. Prime Minister Thatcher recognised the threat of collective resistance, and we know what happened next. In business, new-in-position sales leaders and managers often act without harnessing the collective wisdom of the people they inherit, in essence, saying that they (the new person) know best and that they don't value the opinion or input of others. Perhaps that explains the short shelf-life of Sales Directors and even CEOs. The world of consultancy is no different, with the big players often identifying the problem and defining big (expensive) change programmes with scant reference to anyone outside the senior management team. Support the show (https://pod.fan/scribble-talk)

It's been a funny old year but there is so much I have learned and embraced about food. In this episode I share my food ups and downs. Cooking obstacles: developing a chronic illness Best dinner out: Laksha Bay in Wapping, London https://www.laksha-bay.co.uk Best breakfast out: https://www.littlefarthingloefarm.co.uk Best dish I have made: Malai Kofta See the recipe video here: https://www.instagram.com/reel/CXEazEqo2-X/?utm_source=ig_web_copy_link Gurka Palace: https://gurkhapalace.co.uk Holy Pundit: http://theholypundit.co.uk New products: BBQ sauce, Veg stock, meal planning course, meal planning journal, 3 hour cooking week: https://virtuelicious.co.uk/shop/ New thing I have learnt to make: bread Most proud of: being stocked in four zero waste shops New foods: Eczema Detox by Karen Fischer https://www.amazon.co.uk/Eczema-Detox-low-chemical-eliminating-inflammation/dp/1925335534 Kitchen gadgets that have upped my game: air fryer, slow cooker Coming up next year: Veganuary Weight-loss special Best kitchen gadgets Thermomix series Airfryer tips meal planning series quick cook tips how I learnt to make to bread what to expect when you shop in zero waste shops recipes Happy Cooking x --- Send in a voice message: https://anchor.fm/virtuelicious/message

If anyplace is haunted, it has to be London. Ready for another round?  Our Haunted London Pub Crawl continues, with stops at Wapping, where we'll visit neighboring pubs, The Prospect of Whitby and The Town of Ramsgate, then across town to The Black Lion in Hammersmith.  We'll hang with pirates and cutpurses, a hanging judge, and then attempt to answer the question “can you kill a ghost?”  Photos and sources for this episode can be found HERE. Our website  https://yltpodcast.buzzsprout.com/  Follow us on:Twitter at YLT_Pod Facebook at Yesterday's London Times PodcastInstagram at Yesterday's London Times Podcast

Alec Catchpole grew up not knowing the gospel. Leaving School he got into drugs and soon became an addict. Then he was seduced by the ideas of Karl Marx and became an activist for socialism, even taking part in the riots at the Wapping dispute in 1986. He was full of hate, believing the only answer to the UK's problems was a revolution where the workers take over the means of production, leading to a communist utopia. However, travelling to The post I Was a Marxist Revolutionary (45 min) first appeared on Gospel Hall Audio.

Jimmy Constable joined Ian on the show to chat about his band 911 and solo projects. Gary Morris of London Super Comic Con stopped by the studios to discuss the event. Ian and Producer Nat recorded a segment at a Travelodge in Wapping, or did they?

MSNBC's Chris Hayes joins the show to defend himself against accusations of Song of the Summer vote tampering. Also, a controversy over a newly discovered Dr. Seuss book has echos of the Atticus Finch uproar. And a major league baseball team is Fetty Wapping the press.