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5 episodes with lwt
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5 episodes with lwt
2 episodes with lwt
2 episodes with lwt
2 episodes with lwt
2 episodes with lwt
2 episodes with lwt
4 episodes with lwt
Has Learning Without Tears (LWT) successfully incorporated structured literacy into its products? Cheri Dotterer reviews the latest LWT products and discusses how LWT integrates structured literacy into its curriculum with its new phonics program.***************************************************************************DisabilityLabs.com sponsors this video podcast. We are committed to IMPACT the journey of 200K teachers (3M students) by 2030 so they can reignite their passion for teaching.*****************************************************************************BOOKSHandwriting Brain Body DISconnect Digital Version: https://disabilitylabs.com/courses/hwbbd On Amazon: https://www.amazon.com/Handwriting-Br...*****************************************************************************SUBSCRIBE and LISTEN to the Audio version of the podcast here on YouTube or your favorite podcast app.APPLE: https://podcasts.apple.com/us/podcast/the-writing-glitch/id1641728130?uo=4SPOTIFY: https://open.spotify.com/show/5rU9kLxjkqJE5GbyCycrHEAMAZON MUSIC/AUDIBLE: https://music.amazon.com/podcasts/894b3ab2-3b1c-4a97-af60-b1f2589d271fYOUTUBE: https://www.youtube.com/@TheWritingGlitchPodcast*****************************************************************************MISSIONDotterer Educational Consulting, a Therapy Services, LLC company: To provide professional development to improve writing skills through efficient lesson planning for regular education classrooms.************************************************************************WORK WITH US:Self Study Dysgraphia Course: Dotterer Dysgraphia Method: https://disabilitylabs.com/courses/dotterer-dysgraphia-method*************************************************************************Other ways to connect with Cheri Linked In: https://www.linkedin.com/in/cheridott...FB: https://www.facebook.com/groups/tier1...IG: https://www.instagram.com/cheridotterer/X: https://twitter.com/CheriDottererTikTok: https://www.tiktok.com/@cheridotterer ***********************************************************************QUESTIONWhat is your biggest struggle in your classroom right now? Include grade level and your role. Share in the comments or email us at:Cheri@cheridotterer.com********************************************************************************HASHTAGS#thewritingglitch #cheri #dysgraphia #dyscalculia #successdespitedisability #3dsummit #tier1interventions ★ Support this podcast ★
This time on BTSWCE one of the best-known Heads of Production and most experienced Consultants working in the fields of entertainment, drama and events television Lesley Davies shares her career memories of training at Granada TV via LWT, becoming Head of Production at ITV and Director of International Productions at Warner Brothers, and working with the great Producer-Director Geoff Posner on “Dinner Ladies”. Oh, and she talks about organising the building and completion of an entire, new studio complex from scratch – in 8 weeks! Now living in Dorset and a passionate bibliophile, Victoria owns and runs one of the finest independent second-hand bookshops in the land, “Black Pug Books”. https://www.instagram.com/explore/locations/249809868753850/black-pug-books/ https://www.facebook.com/blackpugbooks/?locale=en_GB Support the podcast by becoming a Patron: https://www.patreon.com/BEHINDTHESCENESWITHCOLINEDMONDS Colin Edmonds socials Facebook: colin.edmonds.73 Instagram: colinedmondsssm Twitter:@ColinEdmondsSSM Website: https://www.steamsmokeandmirrors.com/ Listen to all episodes of the podcast available on; Spotify Amazon Music Audible Apple Podcasts BOOKS Buy Steam, Smoke and Mirrors Available at Caffeine Nights Available at Amazon Available on Audible Buy The Lazarus Curiosity: Steam, Smoke and Mirrors 2 Available at Caffeine Nights Available at Amazon Available on Audible Buy The Nostradamus Curiosity: Steam, Smoke and Mirrors 3 Available at Caffeine Nights Available at Amazon
In this edition of Behind the Scenes, Production Assistant (Script Supervisor) Victoria Sturgess shares more stories of her life and times at the sharp end of British television from the late 1960s through to the early ‘90s taking in her move from music and entertainment to LWT's Sports Department; which led to her working alongside such production luminaries as John Bromley, Ted Ayling, Patricia Mordecai and John Scriminger. She recalls the glamour of travelling the globe covering football and boxing, those “tiresome” golf and pool tournaments, the joy of Tarby's FA Cup Final Celebrity Bar, plus that staple of World of Sport's Saturday afternoon line-up - Professional Wrestling! Victoria also talks fondly of her friendships with Jimmy Greaves and Henry Blofeld, their shared love of reading books and why she relocated to Wimborne Minster to open one of Dorset's most celebrated book shops - ‘Black Pug Books'. https://www.instagram.com/.../2498098687.../black-pug-books/ Support the podcast by becoming a Patron: https://www.patreon.com/BEHINDTHESCENESWITHCOLINEDMONDS Colin Edmonds socials Facebook: colin.edmonds.73 Instagram: colinedmondsssm Twitter:@ColinEdmondsSSM Website: https://www.steamsmokeandmirrors.com/ Listen to all episodes of the podcast available on; Spotify Amazon Music Audible Apple Podcasts BOOKS Buy Steam, Smoke and Mirrors Available at Caffeine Nights Available at Amazon Available on Audible Buy The Lazarus Curiosity: Steam, Smoke and Mirrors 2 Available at Caffeine Nights Available at Amazon Available on Audible Buy The Nostradamus Curiosity: Steam, Smoke and Mirrors 3 Available at Caffeine Nights Available at Amazon
The latest edition of Behind the Scenes features the first of a two-part conversation with London Weekend Television and pop music video Production Assistant (Script Supervisor), the magnificent Victoria Sturgess. In a career which started in the late 1960s she worked extensively with legendary director Bruce Gowers on innumerable LWT series, travelling the world with David Frost, and filming Queen's Bohemian Rhapsody” video. Victoria's early career also involved working with Producer-Director Mike Mansfield covering so many iconic pop performances including the Blind Faith and Rolling Stones 1969 concerts in Hyde Park. She also kindly chats about her love of live TV and all its perils, along with averting a transmission near-disaster during the star-studded gala production marking LWT's move from Wembley to the South Bank. And that's all before she joined the London Weekend Sports Department, which is a whole new episode in itself. Now living in Dorset and a passionate bibliophile, Victoria owns and runs one of the finest independent second-hand bookshops in the land, “Black Pug Books”. https://www.instagram.com/explore/locations/249809868753850/black-pug-books/ https://www.facebook.com/blackpugbooks/?locale=en_GB Support the podcast by becoming a Patron: https://www.patreon.com/BEHINDTHESCENESWITHCOLINEDMONDS Colin Edmonds socials Facebook: colin.edmonds.73 Instagram: colinedmondsssm Twitter:@ColinEdmondsSSM Website: https://www.steamsmokeandmirrors.com/ Listen to all episodes of the podcast available on; Spotify Amazon Music Audible Apple Podcasts BOOKS Buy Steam, Smoke and Mirrors Available at Caffeine Nights Available at Amazon Available on Audible Buy The Lazarus Curiosity: Steam, Smoke and Mirrors 2 Available at Caffeine Nights Available at Amazon Available on Audible Buy The Nostradamus Curiosity: Steam, Smoke and Mirrors 3 Available at Caffeine Nights Available at Amazon
A very special interview here with Lord Grade (Michael Grade) whose fingerprints are all over British TV - from the days when his uncle Lew ran ATV to his own stewardship of LWT, BBC, Channel 4 and Later ITV again. Michael has launched (and axed) some of Britain's most popular TV shows. Here he takes Ashley through a whistle stop potted history of his career, stopping off to reminisce about his time at each of the Britain's terrestrial channels along the way.EastEnders, Neighbours, Mind Your Language, Dr Who, Jasper Carrot, Morecambe and Wise, The Big Breakfast, Four Weddings and a Funeral are just some of the iconic programmes and films that find their way into the chat. And Michael ends with his take on the state of British TV and broadcasting today.Enjoy!Presented and produced by Ashley Byrne. Research by Andrew EdwardsContinuity: Andy Hoyle and Jonathan Kydd.A Made in Manchester Production.Distinct Nostalgia costs money and time to make and we'd welcome your support through Patreon. You can donate via the link below. Cheers to Chaos: Reality TV & CocktailsJoin hosts Will and Marisa as they dive into the most entertaining moments from reality TVListen on: Apple Podcasts Spotify Peanuts, Popcorn & CrackerjacksPeanuts, Popcorn & Crackerjacks is baseball and entertainment industry podcast...Listen on: Apple Podcasts SpotifySupport the show
JoinTrent Clark and his guest Mike Dempsey in this exhilarating episode of the Winners Find the Way Show as they cover everything from the Super Bowl to personal stories of resilience and overcoming challenges. From leadership to sports, risk management, and philanthropy, they explore it all with fervor and enthusiasm. Expect a conversation brimming with energy as they intertwine personal anecdotes and profound insights. Mike's unwavering passion for resilience takes center stage as he shares his harrowing experiences as a 9-11 survivor and a witness to the Las Vegas shooting. Brace yourself for a rollercoaster of emotions, with moments of laughter and inspiration seamlessly woven throughout. This episode serves as a rallying cry for listeners to confront challenges head-on, embrace calculated risks, and relentlessly pursue their aspirations. Don't miss out on this dynamic and invigorating dialogue that promises to leave you empowered and ready to conquer obstacles on your path to success. Tune in now for an unforgettable experience! Take your leadership to the next level! Coming up in March! Availability for organizations is limited, so don't delay, secure your spots now! Reserve a spot for your company in the LWT & 16 Keys to Strategic Growth workshop for just $250 for up to 4 leaders. Additionally, receive a free copy of Coach Trent's Book and enjoy a complimentary 90-minute 1:1 session with your leadership team (for eligible participants). Act quickly to guarantee your places before they're filled! Reserve your spot here: https://www.eventbrite.com/e/leading-winning-teams-16-strategies-for-doubling-your-valuefast-tickets-841406508517
Season's greetings! Enjoy a previously unreleased episode in which Tilt and Gary discuss Granada's 1968 prison comedy Her Majesty's Pleasure and LWT's Lovely Couple from 1979.
Charlie Beckett, Professor and Founding Director of Polis, the international journalism think tank at the London School of Economics and Munmun De Choudhury, Associate Professor of Interactive Computing at Georgia Institute of Technology, join host Nikita Roy in this episode. Together, they explore the intricacies of AI-generated misinformation, its potential implications on election and the role of the news industry in keeping the public informed and safeguarding democracy. This episode is a recording of the virtual panel at the Online News Association's Onward 2023 event on September 29, 2023.Charlie Beckett is a professor in the Department of Media and Communications at the London School of Economics.He currently leads the Polis Journalism and AI project. Charlie was director of the LSE's Truth, Trust and Technology Commission that reported on the misinformation crisis in 2018. He was an award-winning journalist at LWT, BBC and ITN. He began his news career on the South London Press and ended it as a programme editor at Channel 4 News.Munmun De Choudhury is an Associate Professor of Interactive Computing at Georgia Tech. Associate Professor of Interactive Computing at Georgia Tech. She is best known for laying the foundation of a new line of research that develops computational techniques for understanding and improving mental health outcomes through the ethical analysis of social media data. Munmun's work has been recognized by multiple awards and recognitions, and her research has contributed to the Office of the U.S. Surgeon General's Advisory on The Healing Effects of Social Connection. Munmun serves on the Board of the International Society for Computational Social Science. She is on the National Academies of Sciences, Engineering, and Medicine committee examining research on social media's impact on the well-being of young people. Tune in for a comprehensive discussion on the evolving role of the news industry in the AI era and its pivotal role in safeguarding democracy.
Today we're going old school. All the way back to 1969 for LWT's Please Sir! Set in a London comprehensive and featuring the roughest bunch of fifteen year olds you've ever seen, has time and cancel culture caught up with the show yet?
Consumers with Borderline Personality Disorder (BPD) make up 10% of the admissions and are at high risk of dying by suicide. People with BPD are often trapped in a revolving door situation to the Emergency Department (ED) and are not getting the treatment they needed due to stigma and lack of resources. The Living Well Team is a multidisciplinary team that adopted virtual care technology combined with evidence based psychological therapies specific to BPD, it is the first of its kind in Queensland. The Living Well Team (LWT) co-designed and delivered a flexible, peer-worker supported evidenced based therapeutic service to address the gap in service delivery that was placing increased pressure on emergency and acute mental health services. Since commencement the service has grown from 30 consumers during the period July – September 2021 (onboarding 10 each month) to achieve the aim of 60 consumers. In the 3 months prior to joining the LWT service, 10 of the 49 consumers (20.4%) had been admitted to acute inpatient care (20 admissions in total). Only four consumers (8.2%) were admitted to acute care following entry into the LWT (8 admissions in total). Consumers identified that engagement with the LWT was instrumental in keeping them out of hospital and improving their recovery journey.
The topic of solitary confinement was the focus of a recent episode of John Oliver's Last Week Tonight on HBO. Thanks to the hard work of activists organizing against solitary confinement for decades, awareness of the brutality of this practice has begun to enter the mainstream. Its history as a counterinsurgency tactic, however, has yet to be fully examined in the light of day. TRNN Editor-in-Chief Maximillian Alvarez joins Rattling the Bars to speak with Mansa Musa, who spent 48 years behind bars himself, a number of which were spent in solitary, to discuss the cruel truths about solitary confinement that people on the outside need to know but rarely hear about.Click here to read the transcript: https://therealnews.com/former-prisoner-of-48-years-reviews-john-olivers-report-on-solitary-confinementReport: Time-In-Cell: A 2021 Snapshot of Restrictive Housing Based on a Nationwide Survey of U.S. Prison SystemsStudio Production: David Hebden, Cameron GranadinoPost-Production: Cameron GranadinoThe Real News is an independent, viewer-supported, radical media network. Help us continue producing Rattling the Bars by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-pod-rtbSign up for our newsletter: https://therealnews.com/nl-pod-rtbGet Rattling the Bars updates: https://therealnews.com/up-pod-rtbLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews
The topic of solitary confinement was the focus of a recent episode of John Oliver's Last Week Tonight on HBO. Thanks to the hard work of activists organizing against solitary confinement for decades, awareness of the brutality of this practice has begun to enter the mainstream. Its history as a counterinsurgency tactic, however, has yet to be fully examined in the light of day. TRNN Editor-in-Chief Maximillian Alvarez joins Rattling the Bars to speak with Mansa Musa, who spent 48 years behind bars himself, a number of which were spent in solitary, to discuss the cruel truths about solitary confinement that people on the outside need to know but rarely hear about.Click here to read the transcript: https://therealnews.com/former-prisoner-of-48-years-reviews-john-olivers-report-on-solitary-confinementReport: Time-In-Cell: A 2021 Snapshot of Restrictive Housing Based on a Nationwide Survey of U.S. Prison SystemsStudio Production: David Hebden, Cameron GranadinoPost-Production: Cameron GranadinoThe Real News is an independent, viewer-supported, radical media network. Help us continue producing Rattling the Bars by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-pod-rtbSign up for our newsletter: https://therealnews.com/nl-pod-rtbGet Rattling the Bars updates: https://therealnews.com/up-pod-rtbLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews
In this episode, we explore the crucial considerations when developing an AI strategy and the potential risks of generative AI in the newsroom with Charlie Beckett, Director of the JournalismAI project at Polis – the international journalism think tank at the London School of Economics and Political Science(LSE). He is also a professor at LSE's Department of Media and Communications. He was previously the director of LSE's Truth, Trust, and Technology Commission, which reported on the misinformation crisis in 2018. Charlie is the author of SuperMedia: Saving Journalism So It Can Save The World (Blackwell, 2008) and WikiLeaks: News In The Networked Era (Polity, 2012).Before LSE, Charlie was an award-winning journalist at LWT, BBC, and ITN, beginning his career at the South London Press and later a program editor at Channel 4 News.JournalismAI, a project of Polis supported by the Google News Initiative, is a global initiative committed to helping news organizations use artificial intelligence responsibly. By fostering innovation and capacity-building, JournalismAI aims to make the potential of AI more accessible and to address inequalities in the global news media related to AI. Through various programs, JournalismAI unites journalists and media professionals to discuss and explore AI, encouraging debates on AI's editorial, ethical, and financial implications on journalism.Join us as Charlie provides his valuable insights on the significance of AI literacy for journalists, the crucial questions to consider when developing an AI strategy for news organizations, the risks and potential limitations of generative AI, and the influence of AI-powered chatbots on search engine traffic.Be a part of the conversation on AI in journalism! Send us your questions here.Here's a list of helpful resources concerning today's episode:JournalismAI Case StudiesJournalismAI Starter Pack JournalismAI Discovery Course (Applications currently open)JournalismAI Survey Report (2019)Partnership on AI's Database of AI Tools for Local Newsroom Hosted on Acast. See acast.com/privacy for more information.
In this episode of “How do you Say That?!”, Trish Bertram joins Sam and Mark to talk about Voice of God-ing, the world of game trailers, and when you should invoice your clients. We also try out some hilarious wildcard characters!We'd love you to join in and send us your version of one of the reads in today's show – just pop it onto an mp3 and send it to podcast@britishvoiceover.co.ukScript 1Emmery FlahtiEmmery is a looked after learner who has relocated from Afghanistan. His employer, Slabfil Builders have been extremely impressed by his tenacious work ethic and application. He has demonstrated hand skills above his level of study - and the college teaching team are already beginning to work with Emmery to prepare him for National Competition standards next year. Emmery's willingness to learn, his technical skills and ability alongside his work ethic make him an extremely strong candidate for Apprentice of the Year.Script 2We thought we knew the world we were born into We thought we understood the rules. What we know now is that everything can change Traditions Nations Truths Nothing is safe in the turmoil between progress and destruction. Here in the streets we dream of tomorrow as in hell, they dream of heaven So we look to you in power To harness this… force and write the rules for this new world. What will you envision? What will you dream of? As tomorrow is racing towards us What world will you build?----------------- Listen to all of our podcasts here ------------------About our guest: Trish Bertram started out as a theatre stage manager and after blagging her way into TV continuity announcing in the early 80s at LWT - she went on to voice promos for ITV and other channels. She got an agent and started doing corporates & documentaries. She started Voice of God-ing in 2006 with the Asian Games in Qatar, which lead to London 2012 - both the Olympics & Paralympics.Recently you will have heard her voicing 'World War II in Colour - Road to Victory' on Netflix, & 'Armada - the Untold Story' on PBS.https://www.trishbertram.com/Resources: Listen to Trish's published game trailer read for Victoria 3 hereWatch David Vickery alongside Trish in their spoof ad for Pete Tong's Essential Collection 93 here - and watch out for the rubber catsuits!Mark's demos & contact details: https://linktr.ee/britishvoiceovermarkSam's demos & contact details: https://linktr.ee/samanthaboffin
NOPE, "Going on Hiatus" isn't a weird, niche indie movie you've never heard of- unfortunately, your hosts David, Chris, and Stan have decided to take a short break from Long Walk Talks due to scheduling conflicts. LWT is expected to return in May or June, but until then, you've still got wrestling content to look forward to, with WrestleMania coming up and a big announcement from David "Two Doggz" Hayes regarding the future of that show. You can check out some of our older episodes on our YouTube channel: https://www.youtube.com/playlist?list=PL-dpEKWvhcZoQ4PLu1HfUg-KXfWwrtnklYou can also check out more of Long Walk Productions' original content here: https://www.youtube.com/channel/UCVrMG74aomWR_WQs7yYT6_g
This time we go Behind the Scenes with a television Floor Manager turned Production Manager Keith Lascelles, who shares his recollections of a 40-year non-stop career at ATV, BBC and LWT working on innumerable Royal Variety Performances along with An Audience With…, Tiswas, Bullseye, Spitting Image and The Golden Shot. He also tells how his close friendship with soap superstar and national favorite Noele Gordon was so much more than we see in the new 3-part series ITVX drama “Nolly”. Steam, Smoke & Mirrors Theme music was composed by John Orchard and arranged by Ian English Support the podcast by becoming a Patron: https://www.patreon.com/BEHINDTHESCENESWITHCOLINEDMONDS Facebook: colin.edmonds.73 Instagram: colinedmondsssm Twitter:@ColinEdmondsSSM Website: https://www.steamsmokeandmirrors.com/ Buy Steam, Smoke and Mirrors Available at Caffeine Nights Available at Amazon Available on Audible Buy The Lazarus Curiosity: Steam, Smoke and Mirrors 2 Available at Caffeine Nights Available at Amazon Available on Audible Buy The Nostradamus Curiosity: Steam, Smoke and Mirrors 3 Available at Caffeine Nights Available at Amazon
We travel back in time this week to rescue a long forgotten relic...the podcast idea of "LWT" not Matt... Please consider supporting us on Patreon to gain access to exclusive episodes (‘Reading Club'), videos and other bonus content!: https://patreon.com/wccy?utm_medium=social&utm_source=twitter&utm_campaign=creatorshare www.wccy.co.uk They would love your feedback! Please get in touch. Audio Feedback: https://speakpipe.com/whocanconvinceyou Twitter: https://twitter.com/Whocanconvince Facebook: https://fb.me/whocanconvinceyoupodcast Email: whocanconvinceyou@gmail.com Youtube: https://www.youtube.com/channel/UC6Kz8MMoNIZKvX8ZiQ3wG3A
Writer, editor, and manager, Tim Quinn was born in Liverpool, England. He started his career as a clown at Blackpool Tower Circus before working on BBC TV's Good Old Days music hall series where he wrote scripts for top comedians. It was a small jump from there into the world of comic books where he spent many happy years as a scriptwriter on such noted UK titles as The Beano, The Dandy, Sparky, The Topper, Buster, Whoopee!, Bunty, Jackie, Dr Who Magazine, and Whizzer & Chips before heading to the United States to work for the mighty Marvel Comics Group as both editor and Head of Special Projects. Through those years he also produced many daily newspaper comic strips and interviews with such names as Klaus Voormann, Derek Taylor, Sir Tim Rice, Jeffrey Archer, Willy Russell, Eddie Izzard, Sierra Boggess, and Chyler Leigh.Tim has worked as a writer for the Guardian newspaper, as well as editor for America's oldest publication, The Saturday Evening Post, and as producer for LWT's The South Bank Show TV documentary series – that included among others, a show on the history of Marvel Comics! For many years Tim ran a publishing company with his wife Jane and Gillian Baverstock, the elder daughter of noted children's author, Enid Blyton.Additionally, Tim and Jane ran Mighty Quinn Management, as agents and managers to many musicians while putting on huge charity shows featuring members of Led Zeppelin and the Rolling Stones. These days, Tim's the Editor-in-Chief for the Merseyside charity, Liverpool Heartbeat, creating literacy-based comic books for schools across the region. He's also produced books for New Haven Publishing, who just released The Jolly Bloodbath, a piratical novel for children written by The Brothers Quinn, Tim and his younger brother, Jason, who's a well-known comic book writer. Also, look for Tim's autobiography, Argh, also from New Haven Publishing.
S3E09: What will the use of artificial intelligence mean for the news and media industry? Is it a threat to jobs or an opportunity to be more creative and uncover new stories and new audiences? In this episode, Craig Wilson is joined award-winning journalist Charlie Beckett from the Polis Journalism and AI project at the London School of Economics to discuss this topic. Our Guest This Episode Charlie Beckett Charlie Beckett is a professor in the Department of Media and Communications. He is the founding director of Polis, the London School of Economics' (LSE) international journalism think tank. Professor Beckett is currently leading the Polis Journalism and AI project. He was director of the LSE's Truth, Trust, and Technology Commission that reported on the misinformation crisis in 2018. He is the author of SuperMedia (Wiley Blackwell, 2008) that set out how journalism is being transformed by technological and other changes. He was an award-winning filmmaker and editor at LWT, BBC, and ITN. He began his career on the South London Press and ended it as a program editor at Channel 4 News where he covered major stories such as the terrorist attacks on New York and London. He was a specialist in politics and international affairs. More Resources For more on this topic, check out All Things AI – A podcast from 2021 looking at AI within the newsroom Tomorrow's News – A series of reports based around the DPP Tomorrow's News initiative Contact Us Questions? Comments? Cool ideas? Get in touch: makingthemedia@avid.com or @craigaw1969. Follow Avid at @avid. Credits Host: Craig Wilson Producer: Matt Diggs Social: Wim Van den Broeck Theme Music: Greg “Stryke” Chin
Look-In January 16-23, 1988 This week Ken welcomes comedian and co-host of the Cheap Show Podcast, Paul Gannon. Ken and Paul discuss how they first met, the Geek Night Out live show, having strange interests, the history of television in the UK, how Paul loved board games, Party Til You Puke, Radio Times, TV Times, The Jr. TV Times, Channel 4, Channel 5, ITV, regional UK programming, Thames TV, LWT, Angelica TV, the phenomenon of UK Annuals, US Comic Book annuals, Alan Moore, NOW Comics, Ralph Snart, The Ghostbusters, Star Comics, Charlton Comics, Marvel UK, Cannon and Ball, Worzel Gummidge, Michael Crawford, Some Mothers Do Ave Em, Man About the House, exporting comedy, UK Movies based on UK Sitcoms, Stella Street, On the Buses, Sapphire and Steel, Street Hawk, Wuzzles, Disney TV animation, No. 72, Tiswas, SMTV, loving Cat Deeley, aHa, Bros, Five Star, skinheads, breaking sausage news, Whetabix, stealing the Gillete logo, The Trap Door, Jonathan Ross, hating Mick Hucknall, Masters of the Universe, Airwolf, quizzes, The A-Team, Argos, Service Merchandise, the strangeness of UK TV schedules, Ghost Busters Jeans, Roger Ramjet, bookleg Garfield, writing letters to complain about Scooby Doo, and strange drawings of Miriam d'abo.
This has been a significant week for the biggest Australian media company that you probably haven't heard of. Headquartered in Perth and with more than 100 staff, The Market Herald has completed a $27m fund raising to buy classified sites Gumtree, Carsguide and, Autotrader.The Market Herald is parent company of the Hot Copper trading forum and the new acquisitions will catapult it the front row of the classified media battle. TMH is the seventh largest media company (of seven) listed on the ASX.In the Unmade interview, TMH's CEO and founder Jag Sanger explains the company's business model, and reveals his plans to launch a new national weekly business newspaper alongside a push into lifestyle publishing and a 24 hour business news streaming channel.Today's episode of the Unmade podcast was edited by Abe's audio.TranscriptTim Burrowes:I'm talking today to the founder and CEO of the biggest Australian media company that you've probably never heard of. Jag Sanger is the boss of The Market Herald, who surprised the market by announcing that they were buying Gumtree, Carsguide and Autotrader. The move makes them a big player in the classified advertising space. The Market Herald itself is a publication focusing on business news in both written and video form. Tim Burrowes:They've got big ambitions including a new weekly national business newspaper and a 24-hour business channel. The company also owns the gossipy investor forum, Hot Copper. I began by asking Jag how the company got to this point.Jag Sanger:Well, thank you. That's a good question. Right now we're at about 110 people split between Australia and Canada. I think one of the reasons why we're somewhat under the radar is in Australia, we're based in Perth, which is perhaps not known as a hotbed of media, and in Canada we're based in Vancouver.Jag Sanger:I think one of the things that has happened, and it hasn't been a deliberate plan on our part, is that because we've built an audience which is in Australia and it's in Vancouver, but it's also... Sorry in Canada, but it's also very much a global audience and we're building some activities which are outside of Australia, people haven't noticed who we are. In Nielsen always though, as a finance play, we've always been number one for impressions.Jag Sanger:We always are delighted about the success of our legacy competitor, the AFR. I think because there is a misunderstanding sometimes of business media, people don't quite understand that we're here, but we're here and we're growing very fast.Tim Burrowes:Well, in a moment we'll talk about The Market Herald now and let's talk about the wider portfolio as well. You're also... I'm not sure if the right phrase is to be owner of a community, but let's say it is. You're also the owner of probably the best-known finance community in Hot Copper. How do you think about that within the portfolio?Jag Sanger:Sure. I think this is a very important part of our journey and a very important part of how we think media organisations are evolving. If we look at how media business has worked, that once upon a time you would have, let's say a newspaper and then you would have classifieds and then by accident you had a community. Classifieds made all the money, community were people who sent you letters and your reason for being was the front page.Jag Sanger:We are that almost in opposite. We have built digital communities. Here in Australia, Hot Copper is easily the largest community for stock market investors. In Canada, Stockhouse is easily the largest community for stock market investors as well, so we own two of the largest communities. We're in that process of acquiring classifieds. We're bucking the trend there. It's a very important part of our business, and the punchline is that we will be releasing broadsheet national business newspapers, in this country and in other countries.Jag Sanger:It will be the first launch of a national business newspaper in this country since what? 1962. There's only two national newspapers in this country. We hope to be the third. This community is incredibly important for us because, one, it gives us readers, it allows us to turn some of the economics of journalism on its head and I'm happy to talk about how that works.Jag Sanger:But it's where we find out what people want to read, we want to find out what people want to view, and that community is a source of petabytes of data for us, which drives our data-led journalism.Tim Burrowes:Well, there's several interesting things there that I'll try and unpack, particularly the launch of a news master head in print form I think you're saying. Let's just talk for a moment about The Market Herald and that model because I'm amused with your labeling the AFR as your legacy competitor but fair enough. How do you think about your publishing ethos for The Market Herald?Jag Sanger:Well, firstly, just to talk about the Financial Review, I used to work for Fairfax. I used to run media and strategy there, a huge affection for the AFR and all its people and as they write about us often I suspect that we're forever in their thoughts as well, so we love to bits.Tim Burrowes:You're referring there to your occasional appearances in the Rear Window column of the AFR.Jag Sanger:You know one day I'll break out of Rear Window and they'll celebrate what we're doing somewhere else in the book and it'll be a happy day for us all. But no, no, we like them and we think they're doing good work. In terms of The Market Herald, just repeat the question. What was the question for The Market Herald?Tim Burrowes:Yeah. The Market Herald, what's your publishing ethos for The Market Herald?Jag Sanger:Sure. One of the things that we think is really important as a news outlet and as a media proposition in a world which is very noisy, with many audiences and huge fragmentation, all the stuff that we know, is to have a very, very clear sense of who your reader or viewer is to understand why they want to read and view you and then make a very, very quick decision, are you in the utility news business or are you in the must-know news business?Jag Sanger:We think utility users is going to a handful of publishers worldwide. There'll be this global giant, but in this must-read world, what we do is help people make decisions in a short period of time without all the information with a financial consequence and we give them that information quickly. Our classic reader is a... And to be horribly gendered for a second, a 55-year-old man who wants to buy a $10,000 worth of Telstra stock. Should I do it? Should I not do it?Jag Sanger:In that moment, we provide the information to them. But again, to be horribly gendered, the other kind of buyer we have is an equally intelligent and often smarter 25-year-old woman who's thinking about spending 10 grand on a used Chanel handbag. She also has information needs, she also needs to know in real time and we serve both those audiences.Jag Sanger:By giving people information they need when they're in state, and this is a very specific language that we use, we're ultimately a data business, when we track this degree of almost psychological arousal for why they must know, we are there and that's what The Market Herald is about.Tim Burrowes:This is both in the written word and in video?Jag Sanger:Absolutely. I think video is very interesting for us. We are easily one of the largest standalone streamers in this country of broadcast quality content. We are running at around nine to 11 million streams a month here in Australia and elsewhere. To understand how people consume media, how they consume video, how they consume the written word, that's something we spend a lot of time in actually working out but that's what we get from the communities we own.Tim Burrowes:Now, something you just mentioned was that you plan on launching a financial broad sheet, which was new information for me. I probably missed an announcement at some point. What is your plan there?Jag Sanger:Sure. We said this right from the beginning that we consider ourselves a newspaper and that we consider there is a viable business model for something we think is as beautiful and as amazing as a newspaper. We think as a product, as a cultural artefact, as a revenue stream, as a reason for being, it's really important to us and it's something we will be launching soon.Tim Burrowes:That's as a daily offering?Jag Sanger:No. I think if you look at the way the business meter is running around the world, it is let's say a Monday through Thursday digital offer, which is what most even print newspapers are doing. Then the weekend offer, which is a very interesting revenue earner and a very different proposition at the weekend for most of the big business press, that will be in print.Jag Sanger:It will be something which will have the cover mounts and the inserts that you have in traditional business news but the two will complement each other. We think a business audience at the weekend looks, feels, consumes differently and we'll serve them as well.Tim Burrowes:This will be available nationally?Jag Sanger:It will be available nationally. We're working out our print runs and our plans right now. We've been talking about this several times and I think it's an important part of the portfolio that we have. We believe here in Australia, we're already number one for online finance news. We are easily number one for business finance, TV streaming news and print is an amazing complement to both of them.Tim Burrowes:Fascinating. Last question on that one, have you yet set a cover price?Jag Sanger:It's a very interesting series of conversations that we're having. All I can say is it will definitely be at a premium.Tim Burrowes:Okay. Now, I suppose one of the other things which interests me about the business model for your portfolio is that some of the business model includes taking effectively shares in some of your advertising clients as they grow their businesses. How does that side of things work?Jag Sanger:There's two ways to look at it. We have a small amount of what exactly what say News Corp does or Seven West does, which is contract. You want to buy X, well, we'll do it in this way. Some of it is that kind of conversation.Tim Burrowes:This for instance would be like where Seven West ventures had stake in Airtasker for instance?Jag Sanger:Correct. They had a stake in Airtasker, they had a stake in... Or they've recently taken a stake in CarExpert, which is a property which we admire greatly and we do some things differently to that but we are kind of in that space. Very similar to that model and it's something that the contra deals people have been doing since the '50s. We get that. We do some of that as well.Jag Sanger:The other thing that we do is because we have a large business audience, one of the areas which we focus on and we see some of our competitors moving into it as well and we think we have different propositions is to provide an opportunity for listed companies and wealth brands to speak to affluent audiences. Now, for these businesses, often which they're smaller, they can be private or they can be listed, we allow them to pay their fees or their cost to ours for billings in stock.Jag Sanger:We don't manage these portfolios. It's not held as a way of making money, just simply a cash flow mechanism for smaller businesses. Sometimes we win and sometimes we lose and every time we're indifferent because it's not about making money on those portfolios, it's just simply a way of reaching different kinds of advertisers who may not yet have funds but who we believe in.Tim Burrowes:Presumably some of this content that you then create for these people is what... The phrase has gone out of fashion a bit, but would've previous been called advertorial or native advertising. How do you ensure the independence of your general reporting on business versus your coverage of those clients?Jag Sanger:One of the things that we do here, which is really interesting is our editorial team and our newsroom, they do not know what is a paying client and what isn't. That's the first thing. The second, when it comes to native, advertorial and sponsored, one of the things that we are almost religiously fixated on is if it's sponsored, it says sponsored at the top in 12-point font, it's orange and it's clear that it's sponsored. Jag Sanger:Our word of sponsored is if we have been paid for it or if there's been any degree of editorial sign-off from a client, then it says sponsored. What we don't do is to do what, for example, Forbes do where I think there is potentially an opportunity to... or a situation where you may begin to devalue some of your trust where sponsored is called something else.Jag Sanger:What we don't do is use the word special report, which again, some of our peers do and what we absolutely don't do, which is what some of our other competitors do, which is to barely mention it at all. The way that we do it is to be very much on the sunny side of the street. We do work with clients, we do advertorial and native sponsorship, but it's say sponsored if it's sponsored.Tim Burrowes:Well, you're about to make, certainly from where I'm sitting, looks like the biggest move in the history of the company so far, which is acquiring Gumtree, Carsguide, Autotrader. Why?Jag Sanger:I think there's a handful of reasons. First of all, the prescription we had for the business media or any kind of media, how it was is you had the front of the... Let's just take a newspaper. You have the front of the book, which is where your reputation sits. You have the back page, which is sports, which is where your readers sit because it's entertainment. But somewhere towards the back you had those traditional rivers of gold, you had those classified sections which paid for the whole shooting match. Jag Sanger:All journalism has always been sponsored, but usually it was sponsored by small ads for cars and houses and jobs. Well known to everybody, everybody knows this, but over the last 10, 20, 25 years, those classified sections have migrated out of newspapers and they become standalone businesses by themselves. You have the very interesting situation where you take for example Nine in this country, which is a $4 billion business-Tim Burrowes:Well, 3.5 these days. They've not had a good couple of weeks.Jag Sanger:I think there are some travails for everybody, but I think we like to go with four. You then look at the largest real estate listing site, the largest car site, the largest job site, and they have an aggregate valuation of $40 billion plus, 10 times bigger than the largest media business. They own no journalists. From our perspective, the largest general classified site in this country is Gumtree. It's a brand which 90% of this country knows. Jag Sanger:There's a degree of affection and warmth to that brand and to build something of that scale and reach would cost us hundreds of millions of dollars. The first thing is we're back in classifieds and we're back in classifieds with a vengeance. Number two, the opportunity to build other products around that audience, especially in terms of streaming video, especially transactional streaming video are huge.Jag Sanger:Great announcement from the news I think this week or last week about in-video commerce and that's something that we are probably going to be natural leaders in. Then the final thing is it gives us scale. Instead of reaching a million, a million and a half, typically male, typically wealth, typically eastern states, we've now got an audience which is almost one in two economically active adults in this country. Jag Sanger:We think we have great editorial opportunities with that and it gives us classifieds, it gives us what we need structurally and it gives us huge reach. That's why we did it.Tim Burrowes:Obviously that plays you into a couple of classified verticals. Are there others you'd be interested in acquiring or launching into? I guess I'm thinking about jobs in real estate, which are obviously lucrative but also quite competitive.Jag Sanger:That's a really good question. I think there are one or two categories where we are very, very well-positioned, and one of those is autos. Against Carsales who we admire and who we like and who we know very well, against Carsales, we now have similar traffic. Over recent years, the business... This is the Gumtree business, has consolidated the second, third and fourth largest competitor to Carsales. One of those is Carsguide, which I was on the board of, and we know it very well and we think we have a red hot chance in cars.Jag Sanger:To put this in context, we've got similar traffic for private party, cars, people selling their own cars. We're bigger than Carsales. For some aspects of dealer, we're kind of at the similar level. Some of the things structurally we're in possibly a better position for... Carsales is a $6/7 billion business so we think there's a huge amount of opportunity there. Jag Sanger:For some other areas, I'm not sure if the brand travels naturally, so we won't push it, but because we're number one in general classifieds, we actually aggregate several thousand categories and within those categories there are always some gems and we'll put our time and effort into those.Tim Burrowes:Now, you're also looking to play yourself into the, I suppose, consumer lifestyle space with the launch of Market Herald Fancy. How are you thinking about that?Jag Sanger:If you look at how business media used to work, and this is the Wall Street Journals, the New York Times, the Financial Times, let's say the AFR here, if you pick up the newspaper on a Friday or a Saturday, the book will have 48 pages, 52 pages, and it will have maybe two or three ads. We like to think that business newspapers took the ads out to make them easier to read. Jag Sanger:But on a Saturday or a Sunday, that same book will have three inserts in it and there will be 74/76 pages and they will be 60% full page, full colour, glossy and they're carrying ads for high ticket consumer, high-engagement but infrequent purchases. It's travel and jewellery and luxury and all that kind of thing. Fancy is in the same vein of that, probably the closest comp would probably be How To Spend It, which is from the Financial Times. How To Spend It is now probably 30% of the EBIT of the entire Financial Times business. Jag Sanger:If you look at the Wall Street Journal, they have Penta, if you look at... Sorry, yeah, they have Penta, the New York Times has the T Magazine. It's very similar. It's a way of selling product and introducing very, very affluent audiences which are hard to reach, to high-end brands. That's something we're doing.Tim Burrowes:Now, you are also looking ever more closely at the streaming space as well, 24 hours streaming with your ambitions for The Market Herald with TMH One. How will you go about that?Jag Sanger:One of the things that we do very well is... And this is something that we talk about and we're very open about and is very much hidden in plain sight, is we've created a different kind of multi-platform journalism and everybody says that, but our newsrooms look different, they act different and they're run different. We begin at the plumbing layer. We are ultimately plumbers. We have built and plumbed a different kind of newsroom, not hired for a different kind of newsroom.Jag Sanger:We're multiplatform from the beginning. Our workflows editorially link into our news gathering and production for video. Our video streaming, we're one of the largest streaming publishers in Asia Pacific. Certainly we're told that by our streaming partners and we built our own play out. What that basically means is we can produce high quality broadcast quality content. We're not terrestrial, but we can do it maybe at 20% of the cost of terrestrial.Jag Sanger:Now, that ability to take that infrastructure and apply it to different kinds of business and then lifestyle programming absolutely is something that we're focused on and is something we'll be talking about more in the next few months. We've committed to launching a streaming channel called TMH One. We're definitely on track and we look forward to getting that out of the tracks very soon.Tim Burrowes:Would you see that as a potential competitor to the likes of Ausbiz for instance?Jag Sanger:I think, Kylie, we have a huge affection and time for. I think that she's-Tim Burrowes:She's Kylie Merritt me who runs Ausbiz?Jag Sanger:Correct. Yeah. I think, look, it's very interesting. Most of the business TV experiments in this country have failed. If you look at CNN Digital, which it was touted as being one of the biggest changes to CNN for many, many years. They spent two years on it, they spent $300 million and they pulled it after six weeks. If you look at the failed experiments in the UK right now, which have been GB News and a handful of others.Tim Burrowes:Well, in defense of GB News, they are beginning to find an audience now, I think.Jag Sanger:You are correct, there are some programs and some slots which have more than zero views, which was a challenge for them for some time. I give you that. They have got at least one view for most of their slots now. Took a while. I think that we've learned a lot from those failed experiments and I think that that model which was embodied in so many people, which was a terrestrial workflow but somehow tweaked for streaming, we don't believe that works. We think a ground-up integrated workflow is the way to do it.Tim Burrowes:Presumably the rise of connected TVs is one of the factors that makes this the timely moment to do so.Jag Sanger:I think that the opportunity for connected TV is both much greater than people think, but will take much longer to get there. I think that the ability to wrap an idea of programmatic TV, which is how advertisers think about connected TV or always on TV or TV everywhere, doesn't quite match the reality of how people engage with that content. Jag Sanger:One of the really interesting opportunities and realities of business television on big screens, especially streaming business television, is more business TV is walked past in lobbies than watched in seats. We're there. We're thinking about it closely. We have learned a lot from the failed experiments of many of the other terrestrial to streaming formats and we hopefully will get it right and we're going to find out very soon, but we're very confident.Tim Burrowes:You're raising something like $27 million at the moment from your existing shareholders. I noticed there's a slight delay in getting that stock back up and trading on the ASX, certainly as we're talking. I think it was about now we were expecting, but maybe there'll be another week's delay or so. What's the reason for that change in timings?Jag Sanger:First of all, the rights... Sorry, the rights issue was incredibly well supported. We have had all of our existing shareholders take it up, especially institutional shareholders. We'll be announcing who some of those are very soon, which will be very interesting because some of them move past certain thresholds. There was the unfortunate death of a monarch this week, which doesn't happen often and that has delayed our timings. Jag Sanger:Then there's this big kicking and jumping game that happens in Victoria. For those two reasons, the timings were pushed out very slightly but we are hugely pleased by how successful the raising was. There are a number of other things that we have to do to finance this transaction but everything is on track.Tim Burrowes:Now, the organisation has a turnover approaching 30 million. The normalised EBITDA I seem to remember as being about 5 or 6 million. In your last annual report, current debt was about 7 million. Usually the markets like the ratio of the debt to be below the EBITDA. After the raising, where are you expecting your debt to sit?Jag Sanger:I think that we put forward a pro forma in our raising documents and we expect to be about $120-ish million revenue. We expect to be at around 20 million dollars EBITDA. Excuse me. We're not giving guidance on either. We are raising debt and there's a number of different things that will come into play there. It's also worth saying that typically for a media business in the growth phase that we're in and we're growing incredibly quickly each year, the ratio of debt to our market cap is often more significant. Jag Sanger:It'd be fair to say that we are somewhat undervalued at this moment. We're very conscious of that, and the reason for that is that we're very tightly held. One of the things that's happened in this rights issue is most of our shareholders... Well, nearly all of our additional investments come from existing shareholders, which means there's not a lot of stock in the market. For all kinds of reasons, as we grow that will change, our valuation will change.Jag Sanger:Clearly we're not making any forward-looking statements, but I think a rerate would possibly be on the card at some point. At that point we do things differently.Tim Burrowes:Let's talk a little bit more about your background. You've touched on some of this already. You actually found your way into the media with ITV, which is the biggest commercial broadcaster in the UK, back in 1989, which would've been before it was one ITV I guess. What was it that interested you in media in the first place?Jag Sanger:That I think is really interesting. First of all, LWT is I think one of the most interesting broadcasters in the world at the time, and certainly was. It was absolutely that kind of stepping stone between this post-war Reithian public service and the brave new world of selling things. There are so many innovations that happened there that a lot of traditional TV around the world learnt from what happened at LWT but nobody's heard about LWT because it's such a long time ago because I'm so old.Tim Burrowes:London Weekend Television.Jag Sanger:Once upon a time you only saw it at weekends. No, I was incredibly fortunate at that time to get a great job, which was carrying bags and getting people's tea and all that kind of thing. But to me it was actually quite fascinating because I remember so vividly at that time, I earned the grand sum of I think about, I don't know, a few hundred pounds a week, and 30 years later a runner in Central London still earns 300 pounds a week, so it's changed and it hasn't.Tim Burrowes:You then went through cable television and also consulting with McKinsey and later with PwC and along the way, as you've already mentioned, two years at Fairfax, which I think was 2006 to 2008, which was probably when things there were at the most panicked and desperate as the newspaper model went away. What did you learn from that?Jag Sanger:Well, look, if I think and reflect on all of those experiences, I began to work first in probably the world's most significant and interesting broadcast, which doesn't exist anymore. Then I worked at Videotron, which was the most important European cable business, which doesn't exist anymore. Then of course CableTel which literally consolidated to European Cable that doesn't exist anymore. Then I came here and worked a bit for Fairfax, which doesn't exist anymore.Jag Sanger:Your conclusion could be you're a desperately unlucky kind of guy, Jag, which would be one conclusion, or I've seen a lot of things and we kind of know what works and what doesn't work and hopefully we're applying some of those lessons.Tim Burrowes:Without giving any forward-looking guidance, what is your take on the economic outlook for media generally at the moment?Jag Sanger:I think that one of the really interesting things is the growth of the streamers and the decline of the streamers, the way that audiences are going to continue to fragment, but media won't care. Then the really interesting opportunity in business media, and clearly I'm talking my own book because we're in business media. We think the growth and the decline of the streamers is that the magnificence of Netflix and then that short period of existential land grab for anybody grossly distorted production around the world.Jag Sanger:We can see that tide flowing out and it will change a lot of things very quickly. Fragmentation of audience, no one's actually going to care because it's as fragmented as it's going to get. There's enough micro audiences and smart people will realise that there's a difference between utility. Everything will be everywhere at the same time and super, super niche and the super, super niche will thrive. Jag Sanger:Then with business, one of the things that we're very conscious of is we attract in large numbers some of the most affluent, influential, engaged, curious and hard to reach audiences on the planet and unlocking that, getting closer to transactional outcomes means good business programming, coverage news will always attract an audience and that audience is more valuable than people think.Tim Burrowes:Just finally for The Market Herald obviously you're doing the big acquisitions now, Gumtree, Carsguide and Autotrader, is that likely to be it for the short and medium term in terms of acquisitions or do you see more down the track as well?Jag Sanger:If you look at my LinkedIn profile, you will see that I say I'm an M&A guy in media, so I would assume that we will do more on both and this is a platform transaction, which as we publicly said, gives us the opportunity and hopefully the right to do more going forward.Tim Burrowes:Look, and I did say it was the last question, but I have thought of just one more actually, which is inspired by you being the M&A guy. I'd love to know what you do think about that wider media landscape on why these big mergers haven't happened yet. Because it felt like two years ago, maybe even just prior to the pandemic, everything was set for some of the big beasts to come together. Has that, well changed or are we still going to see that, do you think?Jag Sanger:Look, I think there's probably two big reasons. Number one is the history of outside in M&A in media is not good. Let's take Australia for a second. If you look at Nine, if you look at Ten, look at Bauer, the winner was the seller. I think that it's an interesting opportunity to better reflect on some of the reasons why. The second is when you look at the shifting priority of non-financial strategic buyers, it's very different.Jag Sanger:Media is not a fast-growth business to some of these people unless you do things very differently. That then means that the future will be driven very much by non-trade financial buyers and those guys are going to be much more operationally focused. They'll look a lot more like we do and we think that that's the kind of player which will begin to consolidate some of these big beasts.Tim Burrowes:Jag, thank you very much indeed for your time.Jag Sanger:No, I appreciate it. Thank you.Tim Burrowes:That's it from the Unmade podcast for today. If you aren't already signed up to the Unmade email, you can do so at unmade.media. Today's podcast was edited by our friends at Abe's Audio. I'm Tim Burrowes and I'll be back with more soon. Toodle-pip.Speaker 4:Unmade. Podcast edit by Abe's Audio. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe
Estate Professionals Mastermind - More Than A Probate Real Estate Podcast
Mobile Home Park Investing - Deals and Syndications | Guest Miles Noland | Podcast Episode 89Want to invest in mobile home parks? Watch this episode!Podcast Page: https://probatemastery.com/mobile-home-park-investing-podcastWatch on YouTube: https://youtu.be/RGQvkG3BIOcTopics covered:Mobile Home Park InvestingHow to buy a mobile home parkHow to speak to mobile home park ownersHow to value a mobile home parkMHP Syndications and passive investingPodcast Episode Chapters:0:00 Is investing in mobile home parks a good idea?2:38 Introducing Miles Noland, MHP Investor7:33 Why I became an MHP Investor9:15 How to buy a mobile home park11:34 Mobile Home Park cap rates and deal analysis15:18 Mobile Home Park syndications 17:54 K-1 tax benefits of a real estate syndication20:54 Passive investing with mobile home syndications25:00 Why past clients are the best private money lenders near you28:21 Connect with Miles Noland & Get access to mobile home investing guides---Miles began his journey into real estate investing to escape the paycheck-to-paycheck lifestyle. He realized that he didn't want to be a landlord and decided to focus on mobile home parks. Chad and Miles share that there are numerous benefits to investing in mobile home parks including the potential for high returns, the long-term stability of cash flow, and the fact that it is a "recession-resistant" asset class. They also discuss the process of syndicating a mobile home park deal and the K-1 tax benefits that investors can receive from doing so. ---Get Mile Noland's free Mobile Home Park Investing for Beginners guide https://treesidecapital.com/ Join our free Facebook group: https://facebook.com/groups/estateprofessionalsmastermindLearn more about Real Estate Syndication with BiggerPockets' Paul Moore: https://youtu.be/LWt-fv-epJk Take a Probate Course: https://probatemastery.comThe Future Is FreelanceThis show is for freelancers, sole traders, solopreneurs, digital nomads, consultants,...Listen on: Apple Podcasts SpotifyPre-Roll Information: Join our Facebook Group: Estate Professionals MastermindCheck out ProbateMastery.com for the probate certification course and more content.
Suzie Cox is many things…. a TV personality and speaker, a voice over actor, a mentor, investor and advocate, a fellow podcaster, a mum and she was Vogue off of Gladiators, as in the hit TV show of the 90s that I watched religiously every weekend…I cannot believe I have the actual Vogue off of the actual Gladiators on my podcast!She has presented and been interviewed on numerous regional and national television and radio shows including ITV, LWT, BBC, Channel 4, Virgin Radio and Radio 5 Live. She does a whole host of voice over acting and narration and she has not one but TWO podcasts; Top Dogs and Their Humans where Suzie chats with some amazing humans about their pooches and Brave Pants with Vogue and the Viking which is all about women putting on Brave Pants and doing stuff they have always wanted.Her x3 KIRs are:1️⃣ Needing quiet time
Today Jack is joined by Eleanor, Alex and Hannah from the Lancashire Wildlife Trust (LWT). They are here to discuss their involvement with the LWT's Youth Council, talk about how it promotes diversity in conservation, and share how it's members are making huge waves in the conservation space! (When we say huge waves we mean it... they talked at COP26!) The group also chat about some of their personal career goals, how they feel their involvement with LWT has helped them grow, and some of their favourite under-appreciated British species and environments…. Peat Bogs we are looking at you! Useful Links: Don't forget to subscribe to the podcast and follow us on Twitter, Facebook, LinkedIn, TikTok & Instagram! We are @PangolinPodcast Visit the Youth Council Website: https://www.lancswt.org.uk/about-us/youth-council Follow the Youth Council on Instagram: @Wilder_Youth Follow Alex on Twitter & Instagram: @AlexKennedy03 Follow LWT on Twitter: @Lancswildlife Music Credits: "Cambodian Odyssey" Kevin MacLeod (incompetech.com), Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0/ At The Shore by Kevin MacLeod, Link: https://incompetech.filmmusic.io/song/3389-at-the-shore License: http://creativecommons.org/licenses/by/4.0/ Monkoto by Kevin MacLeod, Link: https://incompetech.filmmusic.io/song/4072-monkoto License: http://creativecommons.org/licenses/by/4.0/ AngloZulu by Kevin MacLeod, Link: https://incompetech.filmmusic.io/song/3372-anglozulu License: http://creativecommons.org/licenses/by/4.0/ Savannah (Sketch) by Kevin MacLeod Link: https://filmmusic.io/song/4323-savannah-sketch- License: https://filmmusic.io/standard-license
Jekyll & Hyde was a 1990 adaptation of the classic book by Robert Louis Stevenson. Michael Caine stars in this coproduction from LWT (part of ITV) and the American network ABC. Please send us your comments, questions, requests and complaints. You can reach us at britishinvaders@gmail.com, and you can find us on the British Invaders […]
This time we go Behind the Scenes with Producer, Director, Former BBC Departmental Head, Format Creator, Consultant and international TV Executive Jonathan Glazier. From his first television job in the Sound Department at ATV Elstree to more recently overseeing multi-million dollar productions in the Middle East, Asia and New Zealand, Jonathan recalls his unstoppably versatile 40-year career. To mention Stars In Their Eyes and You've Been Framed at Granada, via Gladiators and An Audience with… at LWT, plus the BBC's The Generation Game, The Weakest Link and The Chair with John McEnroe is to merely scratch the surface of the list of ratings winners he's brought to our screens. Steam, Smoke & Mirrors Theme music composed by John Orchard and arranged by Ian English Support the podcast by becoming a Patron: https://www.patreon.com/BEHINDTHESCENESWITHCOLINEDMONDS Facebook: colin.edmonds.73 Instagram: colinedmondsssm Twitter:@ColinEdmondsSSM Website: https://www.steamsmokeandmirrors.com/ Buy Steam, Smoke and Mirrors Available at Caffeine Nights Available at Amazon Available on Audible Buy The Lazarus Curiosity: Steam, Smoke and Mirrors 2 Available at Caffeine Nights Available at Amazon Available on Audible Buy The Nostradamus Curiosity: Steam, Smoke and Mirrors 3 Available at Caffeine Nights Available at Amazon
Gabby Petito Van Footage Quick Analysis Arrin Stoner https://www.youtube.com/watch?v=fpeuhMRH3rQ&list=PLqj-Y_sxuRta2_r3zFlq-zNGv_t-V5tEs&index=3 Gabby Petito's van door, sandals, and driver seat. HQ Zoomed nirvgorilla https://www.youtube.com/watch?v=jl6nnNfMaJs&list=PLqj-Y_sxuRta2_r3zFlq-zNGv_t-V5tEs&index=38 Brian Laundrie Date of Birth is Not Unknown Gabby Petito - The Unusual Suspects - Coming Soon - Stay Tuned Also still to come on Enchanted LifePath TV. Sloan Bella inadvertently Confirms Enchanted LifePath's Petito Suspicions With Insight Into Emotional Manipulation Special Thanks And Credit For The Video By Sloan Bella Fair Use And Public Interest. This Video Was Used For Review By Enchanted LifePath Independent News & Media. Video Title: Energetic Manipulation Gabby and 700 other girls and women same area! Video Link: https://www.youtube.com/watch?v=lWt-db2-OAw Publish Date: Sep 22, 2021 Today's topic - Bethune's Busted Lying Videos Shown By Red White & Bethune YouTube Channel Under Fair Use And Public Interest. The Red White & Bethune Videos Are Used For Review And Criticism By Enchanted LifePath, An Independent News Outlet. Video Title: Is this Gabby Petito's Van caught on Youtuber's Camera? READ DESCRIPTION Video Link: https://www.youtube.com/watch?v=PBp3aNAGuFM Date of Upload: Sep 19, 2021 Video Title: Go Pro footage of Gabby Petito's Van in Spread Creek || Where is Brian Laundrie?? Video Link: https://www.youtube.com/watch?v=hnMbpMj6P0s&t=76s Upload Date: Sep 19, 2021 Video Title: Road-tripping family believes they spotted Gabby Petito's van in video - Credit To Fox 13 News Video Link: https://www.youtube.com/watch?v=AbUYj_CO-hc&t=185s Upload Date: Sep 20, 2021 Video Title: Live tonight at 8:30pm est (Red White & Bethune) Video Link: https://www.youtube.com/watch?v=0G5qtxyZ9pE&t=2301s Streamed live on Sep 20, 2021 https://www.alltrails.com/members/gabby-petito/maps?b_tl_lat=42.056757383132435&b_tl_lng=-112.86808856825765&b_br_lat=24.513632474548686&b_br_lng=-77.15297143174261 Gabby Petito Trail Data https://www.alltrails.com/members/gabby-petito Brian Laundrie Trail Data https://www.alltrails.com/members/brian-laundrie/lists Fair Use Of Clip Credit - Miranda Baker Tik-Tok https://www.tiktok.com/@mirandabaker_?lang=en Fair Use Clip Credit - Plunder TikToker: I gave “freaked out” Brian Laundrie a ride from Grand Teton Colter Bay on August 29th at 5:30 https://www.youtube.com/watch?v=JDwv-ASRi1c Watch Summer Wells: The Unusual Suspects https://www.youtube.com/watch?v=XhH2QuxuJZ8&lc=UgwwHlQ3KoxwF7zr5BJ4AaABAg.9R00iR3Dgjc9RZhuAz3V3O Cop 666 Tattoo Credit: ABC 7 Chicago FULL VIDEO: Police body camera of interaction with Gabby Petito, boyfriend https://youtu.be/a27XBXb6Jkg?t=4389 Maddie McCann in Donegal https://enchantedlifepath.com/2018/10/25/madeleine-mccann-donegal-red-shoes/ Prayer Cult Actors: https://youtu.be/p-5CEEsktbI Dona Seraphina 40 Min Reading https://www.youtube.com/watch?v=XQ48gmkVNFk&t=302s Donna Seraphina Live On Sweetie PieLo - Praise For Enchanted https://www.youtube.com/watch?v=oIoKaTxvkQc Lori Daybell 88 Jersey - Candus Bly 88 Jersey https://www.youtube.com/watch?v=vgIQbpMJb7c Humanimal Video - Daybell, Lone Star Ramsey & Wells https://www.youtube.com/watch?v=3Dpf73t4dhI Summer Wells Church of Satanism - Patricia 77 Hine 9 https://www.youtube.com/watch?v=VlSbdbg2qUk Time & Date Calculator 88 Days After Jun 15 is Sep 11 https://www.timeanddate.com/date/dateadded.html?d1=15&m1=06&y1=2021&type=add&ay=&am=&aw=&ad=88&rec= Summer Wells 88s Enchanted LifePath Live https://www.youtube.com/watch?v=nD-s_HHw8Tw&lc=UgyqvCLDdoQtfTgSlaF4AaABAg.9Rz3M5N_8Hx9Rz48COO1mN ELP On TrueCrime Commentary With Scot H and JohnQCue https://youtu.be/DMVWU98rM_k (Graphic Warning) - The reading from Donna and discussions in this stream contains difficult topics. Donna Seraphina Reading (Graphic) https://www.youtube.com/watch?v=TXmBUeZFm0I&t=669s TrueCrime Commentary Don's $50k https://www.youtube.com/watch?v=WIrnYlVMlNg&t=2s Watch Summer Wells: The Unusual Suspects https://www.youtube.com/watch?v=XhH2QuxuJZ8&lc=UgwwHlQ3KoxwF7zr5BJ4AaABAg.9R00iR3Dgjc9RZhuAz3V3O Watch On Pete Johnson's YouTube Channel https://www.youtube.com/watch?v=MHmKh9Sj2zo Pete Johnson Summer Wells Parents Interview In Reverse https://www.youtube.com/watch?v=MHmKh9Sj2zo Watch FULL David Dotson Reverse Speech Video From Pete Johnson https://www.youtube.com/watch?v=PQAPqYqRauE RA Timestamp In Maps Video https://youtu.be/PiDk6OffbOU?t=430 #SummerWells Tweetsie Railroad #Ra New Summer Wells Carousel Map Response To Donna Seraphina Psychic - Tweetsie Railroad & Mystery Hill https://www.youtube.com/watch?v=PiDk6OffbOU&lc=UgwrM84Je1dJItymY5F4AaABAg Watch Summer Wells Carousel Part 1 https://www.youtube.com/watch?v=-HIkPRcgD60&lc=UgzfooiDHfv-hjav8w94AaABAg.9RKfi7Aiq-a9RKiXXotPPs Watch Global Agenda Vide...
Vid Credit Voices Behind The Wall: Waiting for Summer~Moon /Donald Wells Calls In /Hawkins County PD Scanner We Miss Her Daughter https://youtu.be/KloqeEVDLtM?t=4832 Don Wells V Dog The Bounty Hunter https://youtu.be/KloqeEVDLtM?t=4869 Don Wells On John Walsh https://youtu.be/KloqeEVDLtM?t=5037 Don Wells Summers Hair Is Longer She Don't Look The Same https://youtu.be/KloqeEVDLtM?t=5121 Don Wells Reward Fund 1 https://youtu.be/KloqeEVDLtM?t=5222 Don Wells Reward Fund 2 https://youtu.be/KloqeEVDLtM?t=6087 Cher The One Church https://youtu.be/KloqeEVDLtM?t=6251 Don Wells On SDA Religion https://youtu.be/KloqeEVDLtM?t=6276 Duty Ron Reward Fund https://youtu.be/zEM3cPxwQQ4?t=2439 Molly Go Slight Handidly 666 https://twitter.com/BrianEntin/status/1444024206883270674 Video Credit To Molly Go Lightly Channel Fair Use Review & Criticism https://www.youtube.com/channel/UCM5s_toCOXpbNbu-48z9s5g Duty Ron Bethune Intervioew Credit Duty Ron Fair Use https://www.youtube.com/watch?v=iqaloWLNAuE Gabby Petito Van Footage Quick Analysis Arrin Stoner https://www.youtube.com/watch?v=fpeuhMRH3rQ&list=PLqj-Y_sxuRta2_r3zFlq-zNGv_t-V5tEs&index=3 Gabby Petito's van door, sandals, and driver seat. HQ Zoomed nirvgorilla https://www.youtube.com/watch?v=jl6nnNfMaJs&list=PLqj-Y_sxuRta2_r3zFlq-zNGv_t-V5tEs&index=38 Brian Laundrie Date of Birth is Not Unknown Gabby Petito - The Unusual Suspects - Coming Soon - Stay Tuned Also still to come on Enchanted LifePath TV. Sloan Bella inadvertently Confirms Enchanted LifePath's Petito Suspicions With Insight Into Emotional Manipulation Special Thanks And Credit For The Video By Sloan Bella Fair Use And Public Interest. This Video Was Used For Review By Enchanted LifePath Independent News & Media. Video Title: Energetic Manipulation Gabby and 700 other girls and women same area! Video Link: https://www.youtube.com/watch?v=lWt-db2-OAw Publish Date: Sep 22, 2021 Today's topic - Bethune's Busted Lying Videos Shown By Red White & Bethune YouTube Channel Under Fair Use And Public Interest. The Red White & Bethune Videos Are Used For Review And Criticism By Enchanted LifePath, An Independent News Outlet. Video Title: Is this Gabby Petito's Van caught on Youtuber's Camera? READ DESCRIPTION Video Link: https://www.youtube.com/watch?v=PBp3aNAGuFM Date of Upload: Sep 19, 2021 Video Title: Go Pro footage of Gabby Petito's Van in Spread Creek || Where is Brian Laundrie?? Video Link: https://www.youtube.com/watch?v=hnMbpMj6P0s&t=76s Upload Date: Sep 19, 2021 Video Title: Road-tripping family believes they spotted Gabby Petito's van in video - Credit To Fox 13 News Video Link: https://www.youtube.com/watch?v=AbUYj_CO-hc&t=185s Upload Date: Sep 20, 2021 Video Title: Live tonight at 8:30pm est (Red White & Bethune) Video Link: https://www.youtube.com/watch?v=0G5qtxyZ9pE&t=2301s Streamed live on Sep 20, 2021 https://www.alltrails.com/members/gabby-petito/maps?b_tl_lat=42.056757383132435&b_tl_lng=-112.86808856825765&b_br_lat=24.513632474548686&b_br_lng=-77.15297143174261 Gabby Petito Trail Data https://www.alltrails.com/members/gabby-petito Brian Laundrie Trail Data https://www.alltrails.com/members/brian-laundrie/lists Fair Use Of Clip Credit - Miranda Baker Tik-Tok https://www.tiktok.com/@mirandabaker_?lang=en Fair Use Clip Credit - Plunder TikToker: I gave “freaked out” Brian Laundrie a ride from Grand Teton Colter Bay on August 29th at 5:30 https://www.youtube.com/watch?v=JDwv-ASRi1c Watch Summer Wells: The Unusual Suspects https://www.youtube.com/watch?v=XhH2QuxuJZ8&lc=UgwwHlQ3KoxwF7zr5BJ4AaABAg.9R00iR3Dgjc9RZhuAz3V3O Cop 666 Tattoo Credit: ABC 7 Chicago FULL VIDEO: Police body camera of interaction with Gabby Petito, boyfriend https://youtu.be/a27XBXb6Jkg?t=4389 Maddie McCann in Donegal https://enchantedlifepath.com/2018/10/25/madeleine-mccann-donegal-red-shoes/ Prayer Cult Actors: https://youtu.be/p-5CEEsktbI Dona Seraphina 40 Min Reading https://www.youtube.com/watch?v=XQ48gmkVNFk&t=302s Donna Seraphina Live On Sweetie PieLo - Praise For Enchanted https://www.youtube.com/watch?v=oIoKaTxvkQc Lori Daybell 88 Jersey - Candus Bly 88 Jersey https://www.youtube.com/watch?v=vgIQbpMJb7c Humanimal Video - Daybell, Lone Star Ramsey & Wells https://www.youtube.com/watch?v=3Dpf73t4dhI Summer Wells Church of Satanism - Patricia 77 Hine 9 https://www.youtube.com/watch?v=VlSbdbg2qUk Time & Date Calculator 88 Days After Jun 15 is Sep 11 https://www.timeanddate.com/date/dateadded.html?d1=15&m1=06&y1=2021&type=add&ay=&am=&aw=&ad=88&rec= Summer Wells 88s Enchanted LifePath Live https://www.youtube.com/watch?v=nD-s_HHw8Tw&lc=UgyqvCLDdoQtfTgSlaF4AaABAg.9Rz3M5N_8Hx9Rz48COO1mN ELP On TrueCrime Commentary With Scot H and JohnQCue https://youtu.be/DMVWU98rM_k (Graphic Warning) - The reading from Donna and discussions in this stream contains difficult topics. Donna Seraphina Reading (Gr...
Vid Credit Voices Behind The Wall: Waiting for Summer~Moon /Donald Wells Calls In /Hawkins County PD Scanner We Miss Her Daughter https://youtu.be/KloqeEVDLtM?t=4832 Don Wells V Dog The Bounty Hunter https://youtu.be/KloqeEVDLtM?t=4869 Don Wells On John Walsh https://youtu.be/KloqeEVDLtM?t=5037 Don Wells Summers Hair Is Longer She Don't Look The Same https://youtu.be/KloqeEVDLtM?t=5121 Don Wells Reward Fund 1 https://youtu.be/KloqeEVDLtM?t=5222 Don Wells Reward Fund 2 https://youtu.be/KloqeEVDLtM?t=6087 Cher The One Church https://youtu.be/KloqeEVDLtM?t=6251 Don Wells On SDA Religion https://youtu.be/KloqeEVDLtM?t=6276 Duty Ron Reward Fund https://youtu.be/zEM3cPxwQQ4?t=2439 Molly Go Slight Handidly 666 https://twitter.com/BrianEntin/status/1444024206883270674 Video Credit To Molly Go Lightly Channel Fair Use Review & Criticism https://www.youtube.com/channel/UCM5s_toCOXpbNbu-48z9s5g Duty Ron Bethune Intervioew Credit Duty Ron Fair Use https://www.youtube.com/watch?v=iqaloWLNAuE Gabby Petito Van Footage Quick Analysis Arrin Stoner https://www.youtube.com/watch?v=fpeuhMRH3rQ&list=PLqj-Y_sxuRta2_r3zFlq-zNGv_t-V5tEs&index=3 Gabby Petito's van door, sandals, and driver seat. HQ Zoomed nirvgorilla https://www.youtube.com/watch?v=jl6nnNfMaJs&list=PLqj-Y_sxuRta2_r3zFlq-zNGv_t-V5tEs&index=38 Brian Laundrie Date of Birth is Not Unknown Gabby Petito - The Unusual Suspects - Coming Soon - Stay Tuned Also still to come on Enchanted LifePath TV. Sloan Bella inadvertently Confirms Enchanted LifePath's Petito Suspicions With Insight Into Emotional Manipulation Special Thanks And Credit For The Video By Sloan Bella Fair Use And Public Interest. This Video Was Used For Review By Enchanted LifePath Independent News & Media. Video Title: Energetic Manipulation Gabby and 700 other girls and women same area! Video Link: https://www.youtube.com/watch?v=lWt-db2-OAw Publish Date: Sep 22, 2021 Today's topic - Bethune's Busted Lying Videos Shown By Red White & Bethune YouTube Channel Under Fair Use And Public Interest. The Red White & Bethune Videos Are Used For Review And Criticism By Enchanted LifePath, An Independent News Outlet. Video Title: Is this Gabby Petito's Van caught on Youtuber's Camera? READ DESCRIPTION Video Link: https://www.youtube.com/watch?v=PBp3aNAGuFM Date of Upload: Sep 19, 2021 Video Title: Go Pro footage of Gabby Petito's Van in Spread Creek || Where is Brian Laundrie?? Video Link: https://www.youtube.com/watch?v=hnMbpMj6P0s&t=76s Upload Date: Sep 19, 2021 Video Title: Road-tripping family believes they spotted Gabby Petito's van in video - Credit To Fox 13 News Video Link: https://www.youtube.com/watch?v=AbUYj_CO-hc&t=185s Upload Date: Sep 20, 2021 Video Title: Live tonight at 8:30pm est (Red White & Bethune) Video Link: https://www.youtube.com/watch?v=0G5qtxyZ9pE&t=2301s Streamed live on Sep 20, 2021 https://www.alltrails.com/members/gabby-petito/maps?b_tl_lat=42.056757383132435&b_tl_lng=-112.86808856825765&b_br_lat=24.513632474548686&b_br_lng=-77.15297143174261 Gabby Petito Trail Data https://www.alltrails.com/members/gabby-petito Brian Laundrie Trail Data https://www.alltrails.com/members/brian-laundrie/lists Fair Use Of Clip Credit - Miranda Baker Tik-Tok https://www.tiktok.com/@mirandabaker_?lang=en Fair Use Clip Credit - Plunder TikToker: I gave “freaked out” Brian Laundrie a ride from Grand Teton Colter Bay on August 29th at 5:30 https://www.youtube.com/watch?v=JDwv-ASRi1c Watch Summer Wells: The Unusual Suspects https://www.youtube.com/watch?v=XhH2QuxuJZ8&lc=UgwwHlQ3KoxwF7zr5BJ4AaABAg.9R00iR3Dgjc9RZhuAz3V3O Cop 666 Tattoo Credit: ABC 7 Chicago FULL VIDEO: Police body camera of interaction with Gabby Petito, boyfriend https://youtu.be/a27XBXb6Jkg?t=4389 Maddie McCann in Donegal https://enchantedlifepath.com/2018/10/25/madeleine-mccann-donegal-red-shoes/ Prayer Cult Actors: https://youtu.be/p-5CEEsktbI Dona Seraphina 40 Min Reading https://www.youtube.com/watch?v=XQ48gmkVNFk&t=302s Donna Seraphina Live On Sweetie PieLo - Praise For Enchanted https://www.youtube.com/watch?v=oIoKaTxvkQc Lori Daybell 88 Jersey - Candus Bly 88 Jersey https://www.youtube.com/watch?v=vgIQbpMJb7c Humanimal Video - Daybell, Lone Star Ramsey & Wells https://www.youtube.com/watch?v=3Dpf73t4dhI Summer Wells Church of Satanism - Patricia 77 Hine 9 https://www.youtube.com/watch?v=VlSbdbg2qUk Time & Date Calculator 88 Days After Jun 15 is Sep 11 https://www.timeanddate.com/date/dateadded.html?d1=15&m1=06&y1=2021&type=add&ay=&am=&aw=&ad=88&rec= Summer Wells 88s Enchanted LifePath Live https://www.youtube.com/watch?v=nD-s_HHw8Tw&lc=UgyqvCLDdoQtfTgSlaF4AaABAg.9Rz3M5N_8Hx9Rz48COO1mN ELP On TrueCrime Commentary With Scot H and JohnQCue https://youtu.be/DMVWU98rM_k (Graphic Warning) - The reading from Donna and discussions in this stream contains difficult topics. Donna Seraphina Reading (Gr...
Gabby Petito Foundation Website #GrabbyPetito #BriansBogusJourney #UberLies https://gabbypetitofoundation.org/ Gabby Peitio Charity PayPal https://www.paypal.com/donate/?hosted_button_id=QPS8LFHHCLLTJ The IRS has a direct extension for its nonprofit sector. Please reach out to them at 877-829-5500 if you have any concerns Credit Dr Phil for clip interview: Dr. Phill and Gabby's family https://www.youtube.com/watch?v=zAua4TGDj3E Vid Credit Voices Behind The Wall: Waiting for Summer~Moon /Donald Wells Calls In /Hawkins County PD Scanner We Miss Her Daughter https://youtu.be/KloqeEVDLtM?t=4832 Don Wells V Dog The Bounty Hunter https://youtu.be/KloqeEVDLtM?t=4869 Don Wells On John Walsh https://youtu.be/KloqeEVDLtM?t=5037 Don Wells Summers Hair Is Longer She Don't Look The Same https://youtu.be/KloqeEVDLtM?t=5121 Don Wells Reward Fund 1 https://youtu.be/KloqeEVDLtM?t=5222 Don Wells Reward Fund 2 https://youtu.be/KloqeEVDLtM?t=6087 Cher The One Church https://youtu.be/KloqeEVDLtM?t=6251 Don Wells On SDA Religion https://youtu.be/KloqeEVDLtM?t=6276 Duty Ron Reward Fund https://youtu.be/zEM3cPxwQQ4?t=2439 Molly Go Slight Handidly 666 https://twitter.com/BrianEntin/status/1444024206883270674 Video Credit To Molly Go Lightly Channel Fair Use Review & Criticism https://www.youtube.com/channel/UCM5s_toCOXpbNbu-48z9s5g Duty Ron Bethune Intervioew Credit Duty Ron Fair Use https://www.youtube.com/watch?v=iqaloWLNAuE Gabby Petito Van Footage Quick Analysis Arrin Stoner https://www.youtube.com/watch?v=fpeuhMRH3rQ&list=PLqj-Y_sxuRta2_r3zFlq-zNGv_t-V5tEs&index=3 Gabby Petito's van door, sandals, and driver seat. HQ Zoomed nirvgorilla https://www.youtube.com/watch?v=jl6nnNfMaJs&list=PLqj-Y_sxuRta2_r3zFlq-zNGv_t-V5tEs&index=38 Brian Laundrie Date of Birth is Not Unknown Gabby Petito - The Unusual Suspects - Coming Soon - Stay Tuned Also still to come on Enchanted LifePath TV. Sloan Bella inadvertently Confirms Enchanted LifePath's Petito Suspicions With Insight Into Emotional Manipulation Special Thanks And Credit For The Video By Sloan Bella Fair Use And Public Interest. This Video Was Used For Review By Enchanted LifePath Independent News & Media. Video Title: Energetic Manipulation Gabby and 700 other girls and women same area! Video Link: https://www.youtube.com/watch?v=lWt-db2-OAw Publish Date: Sep 22, 2021 Today's topic - Bethune's Busted Lying Videos Shown By Red White & Bethune YouTube Channel Under Fair Use And Public Interest. The Red White & Bethune Videos Are Used For Review And Criticism By Enchanted LifePath, An Independent News Outlet. Video Title: Is this Gabby Petito's Van caught on Youtuber's Camera? READ DESCRIPTION Video Link: https://www.youtube.com/watch?v=PBp3aNAGuFM Date of Upload: Sep 19, 2021 Video Title: Go Pro footage of Gabby Petito's Van in Spread Creek || Where is Brian Laundrie?? Video Link: https://www.youtube.com/watch?v=hnMbpMj6P0s&t=76s Upload Date: Sep 19, 2021 Video Title: Road-tripping family believes they spotted Gabby Petito's van in video - Credit To Fox 13 News Video Link: https://www.youtube.com/watch?v=AbUYj_CO-hc&t=185s Upload Date: Sep 20, 2021 Video Title: Live tonight at 8:30pm est (Red White & Bethune) Video Link: https://www.youtube.com/watch?v=0G5qtxyZ9pE&t=2301s Streamed live on Sep 20, 2021 https://www.alltrails.com/members/gabby-petito/maps?b_tl_lat=42.056757383132435&b_tl_lng=-112.86808856825765&b_br_lat=24.513632474548686&b_br_lng=-77.15297143174261 Gabby Petito Trail Data https://www.alltrails.com/members/gabby-petito Brian Laundrie Trail Data https://www.alltrails.com/members/brian-laundrie/lists Fair Use Of Clip Credit - Miranda Baker Tik-Tok https://www.tiktok.com/@mirandabaker_?lang=en Fair Use Clip Credit - Plunder TikToker: I gave “freaked out” Brian Laundrie a ride from Grand Teton Colter Bay on August 29th at 5:30 https://www.youtube.com/watch?v=JDwv-ASRi1c Watch Summer Wells: The Unusual Suspects https://www.youtube.com/watch?v=XhH2QuxuJZ8&lc=UgwwHlQ3KoxwF7zr5BJ4AaABAg.9R00iR3Dgjc9RZhuAz3V3O Cop 666 Tattoo Credit: ABC 7 Chicago FULL VIDEO: Police body camera of interaction with Gabby Petito, boyfriend https://youtu.be/a27XBXb6Jkg?t=4389 Maddie McCann in Donegal https://enchantedlifepath.com/2018/10/25/madeleine-mccann-donegal-red-shoes/ Prayer Cult Actors: https://youtu.be/p-5CEEsktbI Dona Seraphina 40 Min Reading https://www.youtube.com/watch?v=XQ48gmkVNFk&t=302s Donna Seraphina Live On Sweetie PieLo - Praise For Enchanted https://www.youtube.com/watch?v=oIoKaTxvkQc Lori Daybell 88 Jersey - Candus Bly 88 Jersey https://www.youtube.com/watch?v=vgIQbpMJb7c Humanimal Video - Daybell, Lone Star Ramsey & Wells https://www.youtube.com/watch?v=3Dpf73t4dhI Summer Wells Church of Satanism - Patricia 77 Hine 9 https://www.youtube.com/watch?v=VlSbdbg2qUk Time & Date Calculator 88 Days After Jun 15 is Sep 11 https://www.timeanddate.com/date/dateadded.html?d1=15&m1=06&y1=2021&…
Gabby Petito Van Footage Quick Analysis Arrin Stoner https://www.youtube.com/watch?v=fpeuhMRH3rQ&list=PLqj-Y_sxuRta2_r3zFlq-zNGv_t-V5tEs&index=3 Gabby Petito's van door, sandals, and driver seat. HQ Zoomed nirvgorilla https://www.youtube.com/watch?v=jl6nnNfMaJs&list=PLqj-Y_sxuRta2_r3zFlq-zNGv_t-V5tEs&index=38 Brian Laundrie Date of Birth is Not Unknown Gabby Petito - The Unusual Suspects - Coming Soon - Stay Tuned Also still to come on Enchanted LifePath TV. Sloan Bella inadvertently Confirms Enchanted LifePath's Petito Suspicions With Insight Into Emotional Manipulation Special Thanks And Credit For The Video By Sloan Bella Fair Use And Public Interest. This Video Was Used For Review By Enchanted LifePath Independent News & Media. Video Title: Energetic Manipulation Gabby and 700 other girls and women same area! Video Link: https://www.youtube.com/watch?v=lWt-db2-OAw Publish Date: Sep 22, 2021 Today's topic - Bethune's Busted Lying Videos Shown By Red White & Bethune YouTube Channel Under Fair Use And Public Interest. The Red White & Bethune Videos Are Used For Review And Criticism By Enchanted LifePath, An Independent News Outlet. Video Title: Is this Gabby Petito's Van caught on Youtuber's Camera? READ DESCRIPTION Video Link: https://www.youtube.com/watch?v=PBp3aNAGuFM Date of Upload: Sep 19, 2021 Video Title: Go Pro footage of Gabby Petito's Van in Spread Creek || Where is Brian Laundrie?? Video Link: https://www.youtube.com/watch?v=hnMbpMj6P0s&t=76s Upload Date: Sep 19, 2021 Video Title: Road-tripping family believes they spotted Gabby Petito's van in video - Credit To Fox 13 News Video Link: https://www.youtube.com/watch?v=AbUYj_CO-hc&t=185s Upload Date: Sep 20, 2021 Video Title: Live tonight at 8:30pm est (Red White & Bethune) Video Link: https://www.youtube.com/watch?v=0G5qtxyZ9pE&t=2301s Streamed live on Sep 20, 2021 https://www.alltrails.com/members/gabby-petito/maps?b_tl_lat=42.056757383132435&b_tl_lng=-112.86808856825765&b_br_lat=24.513632474548686&b_br_lng=-77.15297143174261 Gabby Petito Trail Data https://www.alltrails.com/members/gabby-petito Brian Laundrie Trail Data https://www.alltrails.com/members/brian-laundrie/lists Fair Use Of Clip Credit - Miranda Baker Tik-Tok https://www.tiktok.com/@mirandabaker_?lang=en Fair Use Clip Credit - Plunder TikToker: I gave “freaked out” Brian Laundrie a ride from Grand Teton Colter Bay on August 29th at 5:30 https://www.youtube.com/watch?v=JDwv-ASRi1c Watch Summer Wells: The Unusual Suspects https://www.youtube.com/watch?v=XhH2QuxuJZ8&lc=UgwwHlQ3KoxwF7zr5BJ4AaABAg.9R00iR3Dgjc9RZhuAz3V3O Cop 666 Tattoo Credit: ABC 7 Chicago FULL VIDEO: Police body camera of interaction with Gabby Petito, boyfriend https://youtu.be/a27XBXb6Jkg?t=4389 Maddie McCann in Donegal https://enchantedlifepath.com/2018/10/25/madeleine-mccann-donegal-red-shoes/ Prayer Cult Actors: https://youtu.be/p-5CEEsktbI Dona Seraphina 40 Min Reading https://www.youtube.com/watch?v=XQ48gmkVNFk&t=302s Donna Seraphina Live On Sweetie PieLo - Praise For Enchanted https://www.youtube.com/watch?v=oIoKaTxvkQc Lori Daybell 88 Jersey - Candus Bly 88 Jersey https://www.youtube.com/watch?v=vgIQbpMJb7c Humanimal Video - Daybell, Lone Star Ramsey & Wells https://www.youtube.com/watch?v=3Dpf73t4dhI Summer Wells Church of Satanism - Patricia 77 Hine 9 https://www.youtube.com/watch?v=VlSbdbg2qUk Time & Date Calculator 88 Days After Jun 15 is Sep 11 https://www.timeanddate.com/date/dateadded.html?d1=15&m1=06&y1=2021&type=add&ay=&am=&aw=&ad=88&rec= Summer Wells 88s Enchanted LifePath Live https://www.youtube.com/watch?v=nD-s_HHw8Tw&lc=UgyqvCLDdoQtfTgSlaF4AaABAg.9Rz3M5N_8Hx9Rz48COO1mN ELP On TrueCrime Commentary With Scot H and JohnQCue https://youtu.be/DMVWU98rM_k (Graphic Warning) - The reading from Donna and discussions in this stream contains difficult topics. Donna Seraphina Reading (Graphic) https://www.youtube.com/watch?v=TXmBUeZFm0I&t=669s TrueCrime Commentary Don's $50k https://www.youtube.com/watch?v=WIrnYlVMlNg&t=2s Watch Summer Wells: The Unusual Suspects https://www.youtube.com/watch?v=XhH2QuxuJZ8&lc=UgwwHlQ3KoxwF7zr5BJ4AaABAg.9R00iR3Dgjc9RZhuAz3V3O Watch On Pete Johnson's YouTube Channel https://www.youtube.com/watch?v=MHmKh9Sj2zo Pete Johnson Summer Wells Parents Interview In Reverse https://www.youtube.com/watch?v=MHmKh9Sj2zo Watch FULL David Dotson Reverse Speech Video From Pete Johnson https://www.youtube.com/watch?v=PQAPqYqRauE RA Timestamp In Maps Video https://youtu.be/PiDk6OffbOU?t=430 #SummerWells Tweetsie Railroad #Ra New Summer Wells Carousel Map Response To Donna Seraphina Psychic - Tweetsie Railroad & Mystery Hill https://www.youtube.com/watch?v=PiDk6OffbOU&lc=UgwrM84Je1dJItymY5F4AaABAg Watch Summer Wells Carousel Part 1 https://www.youtube.com/watch?v=-HIkPRcgD60&lc=UgzfooiDHfv-hjav8w94AaABAg.9RKfi7Aiq-a9RKiXXotPPs Watch Global Agenda Vide...
**Wenige Dinge gehen dieser Tage ihren gewohnten Gang. Umso schöner sind daher kleine Gewohnheiten, Traditionen, Gewohnheiten oder eben Geschenke, die es z.B im Dezember zu sehen und zu hören gibt. In den nächsten 24 Tagen im öffnet sich hier ab heute täglich ein Türchen im Mixtape Adventskalender. Tolle Menschen haben Musik für Euch selektiert, gemixt und als Mixtape zur Verfügung gestellt, dass ich Euch hier bzw. auf den passenden Plattformen zur Verfügung stellen darf. Sharing Means Caring! Daher hilft jeder Like, jeder Hinweis auf den Kalender und jeder Follow den Künstler:innen. Willkommen zum Progolog Adventskalender.** Der Anteil an Bassmusik mit Tiefgang war im bisherigen Verlauf des #progoak21 eher überschaubar. Das dürfte sich nun mit diesem Mix von LWT ändern. Leander aus Nürnberg mag Bässe, Melodien und Good Vibrations. Drum schickt er uns mit seinem Mix zum 11. Türchen im Adventskalender auf einen basslastigen Ausflug. Knackig, aber mit Tiefgang. So soll es sein.
We talk to Tim Quinn - Comic Book Writer, Illustrator and Editor. Growing up in 1950s Liverpool and being enchanted by the music of The Beatles, Tim would start his career as a clown at Blackpool Tower Circus before beginning to work on BBC TV's Good Old Days music hall series where he got the chance to write scripts for top comedians including Ronnie Corbett. From here he would enter the world of comic books and spent many happy years as scriptwriter, illustrator and editor on The Beano, The Dandy, Dr Who Magazine and Whizzer & Chips before heading Stateside to work for Stan Lee and the mighty Marvel Comics Group. Tim has lived in Indiana, been editor for America's oldest publication The Saturday Evening Post and producer for LWT's The South Bank Show. It's quite the ride and an incredible story. This episode is brought to you by our friends Dead Skull Coffee. https://deadskullcoffee.co.uk/discount/STVPlease visit The Straight To Video Patreon Page to find out how you can help grow this show. https://www.patreon.com/stvpod
What the heck is forest gardening?? Today, we chat about all things forest gardening and break down all the info for you! What Forest gardening means Tips for this unique form of gardening How To's Make it Your Own And more! And, of course, you can count on our customary unedited laughs and craziness! ;) Lwt us know if you've thought about forest gardening! Happy Homesteading! This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy Podcorn - https://podcorn.com/privacy
Taking us Behind the Scenes this week is one of British television's busiest and most experienced entertainment directors. Mick Thomas charts his incredible TV career from Ravensbourne College and LWT to directing the RVP, Comic Relief and the most successful quiz shows currently on our screens. Oh. And Mick also ‘reveals' what happened to him at the opening of EuroDisney. Steam, Smoke & Mirrors Theme music composed by John Orchard and arranged by Ian English Facebook: colin.edmonds.73 Instagram: colinedmondsssm Twitter:@ColinEdmondsSSM Website: https://www.steamsmokeandmirrors.com/ Buy Steam, Smoke and Mirrors Available at Caffeine Nights Available at Amazon Available on Audible Buy The Lazarus Curiosity: Steam, Smoke and Mirrors 2 Available at Caffeine Nights Available at Amazon Available on Audible Buy The Nostradamus Curiosity: Steam, Smoke and Mirrors 3 Available at Caffeine Nights Available at Amazon
In this week's Behind the Scenes, audio wizard Rob Ashard chats about master mixing the sound desk on The Graham Norton Show, The Last Leg, Ant & Dec's Saturday Night Takeaway and the hundreds of other programmes with which he has been associated over the last 30 plus years. We reminisce about LWT's Blind Date, Gladiators, Live from Her Majesty's, The Brian Conley Show and ‘saving the day on Saturday Night Live'. Not his words, but director Ian Hamilton's. We also learn how Rob spends his spare time behind the mic at the Santa Pod Raceway and spinning the discs as a much-respected popular DJ on Radio Caroline. Steam, Smoke & Mirrors Theme music composed by John Orchard and arranged by Ian English Facebook: colin.edmonds.73 Instagram: colinedmondsssm Twitter:@ColinEdmondsSSM Website: https://www.steamsmokeandmirrors.com/ Buy Steam, Smoke and Mirrors Available at Caffeine Nights Available at Amazon Available on Audible Buy The Lazarus Curiosity: Steam, Smoke and Mirrors 2 Available at Caffeine Nights Available at Amazon Available on Audible Buy The Nostradamus Curiosity: Steam, Smoke and Mirrors 3 Available at Caffeine Nights Available at Amazon
Estate Professionals Mastermind - More Than A Probate Real Estate Podcast
Paul Moore, Founder of Wellings Capital and host at Bigger Pockets podcast “Ask Me Anything Live: Real Estate Investing”, joins Chad Corbett for the Estate Professionals Mastermind Podcast Ask The Expert series.In this episode, Paul shares why he saw better opportunities in commercial real estate vs. residential real estate sales, how he made that pivot, and why his business mindset allows him to turn down deals with 60% ROI. Paul also discusses important lessons he's learned that apply to any business or business relationship.Watch on YouTube: https://youtu.be/LWt-fv-epJk0:00 Who is Paul Moore?2:38 How to get started in commercial real estate5:07 Podcast recommendations: How to Lose Money podcast6:37 What to invest in when everything is overpriced9:45 Residential vs. commercial real estate investing: Real estate formulas11:20 Value-add vs. intrinsic value extraction: Deep value asset classes15:40 The 80-20 rule of team-building and business strategy (Pareto's principle)16:58 The pivot to value-add commercial funds19:38 Why you should re-think your side hustle (and so should your clients!)24:40 Sponsor vs. the underlying asset: Due diligence for any deal26:04 How to recognize terrible deals on beautiful slide decks and avoid overpaying for assets28:50 Cash on cash return with tiny cabins for AirBNB, VRBO36:16 Why I would pass on a 60% ROI deal: How to stay focused in your workConnect with Paul:Wellings CapitalPaul's How To Lose Money podcastPaul Moore on BiggerPockets.comPre-Roll Information: Join our Facebook Group: Estate Professionals MastermindCheck out ProbateMastery.com for the probate certification course and more content.
Metatextual dreams, trash men, and being a Santa Skeptic. This week Michelle and Abigail watched the third Looks Who's Talking film so you don't have to. They take a quick dive into the leading couples chemistry, the films tonal shift, and the lore of the LWT world
Heart Leadership is about the internal qualities of a person, the energy, the zest they bring into their lives and others that they 'touch'. It's Leadership Without Title - we all have the capability of being 'Leaders.'It's about unlearning the things that insulate us from 'spirit'. Traditional 'Management" training has often focused on manipulating people to the company's ends in the belief that the company can prosper when the individual cannot.. Courageous Heart leaders know that an organisation, a community, can never prosper over the long term unless those that make it up also prosper.Those that lead from the heart have learned courage.They often feel like the leader of a group of revolutionaries when the lead a group of people who have just discovered spirit for the first time. Let's dive deeper into the precepts....
In today's episode I talk to award winning TV comedian Lenny Windsor. Lenny began performing at an early age as a bass player in his father's big band where he discovered his real love and talent for comedy at the age of 16. Playing the usual circuits such as pubs and clubs Lenny was finally given his big break in Britain, when he appeared in shows such as Granada TV's The Comedians, the BBC's Summertime Special, That's Rich, The Oxford Road Show and LWT's Knees Up. He also wrote and presented The Cut Price Comedy Show, Lenny Windsor at Windsor, and An Evening with Lenny Windsor. Lenny was a writer for Benny Hill dealing with Benny on a one-to-one basis and supplying both routines, sketches and jokes for this worldwide star. He has appeared at every major theatre in the UK, and made countless television appearances, as well as well as entertaining at the Her Majesty the Queen's home at Windsor Great Park. He has appeared with great acts such as Gloria Gaynor, Roy Orbisson, Carol Lawrence, The Supremes, Johnny Mathis, The Temptations amongst many other world class singers. He regularly appears in America, recently in Las Vegas appearing with Mr. Vegas himself ‘George Wallace' and appearing in the NEW reality TV show ‘Inspecting Vegas'. A charming, witty and delightful walk through Lenny's colourful and blessed life. We talk about all things showbiz, the stars he's worked with and how he followed his dream to become one of the leading comedians of our time.
It's part 2 of our look at classic sixties sitcom The Rag Trade and this week we delve into the career of Reg Varney and evaluate the LWT remake from the seventies.
In this week's episode, former Controller of Entertainment at Carlton and ITV Mark Wells takes us on a Behind the Scenes tour of his remarkable 30-year television career. From his first role a researcher on Gloria Hunniford's LWT series Sunday Sunday, to heading up the biggest entertainment department in TV, and prompting memories of the brilliant Paul O'Grady, Michael Parkinson, Des O'Connor, Jeremy Beadle, Cilla Black, The National Lottery and Top of the Pops. Steam, Smoke & Mirrors Theme music composed by John Orchard and arranged by Ian English Facebook: colin.edmonds.73 Instagram: colinedmondsssm Twitter:@ColinEdmondsSSM Website: https://www.steamsmokeandmirrors.com/ Buy Steam, Smoke and Mirrors Available at Caffeine Nights Available at Amazon Available on Audible Buy The Lazarus Curiosity: Steam, Smoke and Mirrors 2 Available at Caffeine Nights Available at Amazon Available on Audible Buy The Nostradamus Curiosity: Steam, Smoke and Mirrors 3 Available at Caffeine Nights Available at Amazon
Jack laconically gazed out the window of the Manager's office in Zulu. The float-out and jacket installation had been a heart-stopping movement – we nearly lost it!The crane barge crew had the ballast incorrect – they hadn't fully compensated for the type of sea swell – it was long and ‘peaky' – at the crucial moment of locating the topsides the barge heaved and tilted to an alarming angle. Heaving, for what seemed a ‘lifetime', at an alarming angle on the ‘point of balance' between safety and disaster.People Compasshttp://jimbennett.global/wp-content/uploads/2021/06/People_Compass-scaled.jpg
LoveBabz LoveTalk with Babz Rawls-Ivy: Cheyenne Barboza, Director, Passing Strange, LWT by WNHH Community Radio
Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Kelly Molson, MD of Rubber Cheese.Download our free ebook The Ultimate Guide to Doubling Your Visitor NumbersIf you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcastIf you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this episode.Competition ends August 27th 2021. The winner will be contacted via Twitter.Show references:www.linkedin.com/in/jamesrpenfoldwww.itv.com/imacelebrityjunglechallengewww.itv.com/coronationstreettourhttps://village.emmerdalestudioexperience.co.uk James PenfoldJames is the Controller of Partnerships over at ITV and the name behind some of the prolific IP attraction, tour experiences and event ventures – including Coronation Street The Tour, Emmerdale Village Tour and the brand new (for 2021) I’m A Celebrity… Jungle Challenge. James has garnered an indisputable reputation during his 20+ year career at the forefront of leading British media and entertainment branded content formats. An instrumental and respected figure within the industry, James has directly influenced some of the most pioneering live events, UK visitor attractions and big-brand agency collaborations of recent times. His strategic vision, creative energy and unequivocal commercial drive has captured the essence of Intellectual Property (IP) immersive content as he continues to push the boundaries with trailblazing concepts for the biggest players within the media landscape today. With business development disciplines stretching across mergers and acquisitions, brand licencing, IP visitor attractions and participation services, cross platform content distribution, media strategy and commercial partnerships, James has carved out an illustrious career when it comes to brand experiential.Now, a distinguished and well-networked figurehead for immersive experiences and visitor attractions, James’ name is associated with new-format arena tours, big-brand visitor experiences, digital cinema trials, TV channel launches and live entertainment events. Transcription:Kelly Molson: Welcome to Skip the Queue, a podcast for people working in or working with visitor attractions. I'm your host, Kelly Molson. Each episode, I speak with industry experts from the attractions world. In today's episode, I speak with James Penfold, Controller of Partnerships at ITV, the name behind prolific tour experiences including Coronation Street The Tour, and Emmerdale Village Tour. We discuss translating big brand IPs into commercial ventures, what the most successful formats are, and the brand new I'm A Celebrity Jungle Challenge, opening later this year.If you like what you hear, you can subscribe on iTunes, Spotify and all the usual channels by searching Skip the Queue.Kelly Molson: Thank you so much for coming on the podcast today. It's such a pleasure to see you again.James Penfold: Thank you. It's great to see you today.Kelly Molson: Well, I mean, you say that now, you might not say that after the questions that I'm about to ask you.James Penfold: No, no. Listen, I'm a regular listener and I don't know what's going to be thrown at me, so yeah, I've taken my Xanax and I'm ready.Kelly Molson: I had a lot of fun putting these together. I've gone for a theme. You might notice what the theme is. Okay, let's begin. Would you rather eat a fish eye or drink blended fermented duck eggs?James Penfold: The duck eggs, definitely.Kelly Molson: Oh, really? You'd go for the duck eggs? But the smell though?James Penfold: Yeah. But that's the eye thing, and I always say, the eyeballs or anything, it's that kind of crunch moment, I suppose. Mind you, a fish eye is quite small, isn't it? I was kind of thinking ... Yeah, no, I'll have to stick with my answer, sadly.Kelly Molson: All right. Blended duck eggs, okay. I was not expecting that. Right, who's funnier; Ant or Dec?James Penfold: Oh my god. Well, listen, I love them both, but it's got to be Dec.Kelly Molson: I agree, but then I had a bit of a crush on Dec when I was younger, so he's always been my fave.James Penfold: Yeah, I'm not going to say who my crush is with, but they're both lovely.Kelly Molson: Maybe we'll find out later when you've relaxed a little bit. If you could be any Coronation Street character, who would you be?James Penfold: William Roach. Ken Barlow. Because who doesn't want to work for 40, 50 years in the industry and get so many great storylines?Kelly Molson: He's been a bit of rogue as well though, hasn't he?James Penfold: Absolutely.Kelly Molson: He's been a hit with the ladies.James Penfold: Completely. And a returning hit with the ladies. And he gets great one-liners, he's been involved in amazingly iconic plots. So whenever I ask colleagues within the industry, if any actor can have anything, it's longevity within the industry, isn't it? So yeah, I'll go that road.Kelly Molson: Great. Thank you for answering those. Right, tell me what your unpopular opinion is?James Penfold: My unpopular opinion? Well, let's just say that this is formed off the back of a big reunion. It was controversial, certainly then at the time, certainly on the trips, it was simply that the live recording of any single is 99% of the time not as good as the single recorded in the studio. And obviously, I used to say things like, "Well it's not as good as in the studio," and yeah, it didn't go down that well.Kelly Molson: I think you're probably right though, aren't you?James Penfold: Yeah. I mean Adam Rickitt took it personally, but I think we'd all have to agree. I Breath Again, sitting in the fish tank, needs to be done in the studio.Kelly Molson: I cannot wait to talk to you about this. So James and I had a kind of pre-interview chat a few weeks ago, and I did share my huge love ... I mean, who doesn't love Ant and Dec really? I mean, maybe that will come up as someone's unpopular opinion some day, that they detest them. But I've been such a massive fan, I kind of grew up with them over the years as well, and when they came back a few years ago and brought out Ready to Rumble again, I lost my shit watching that episode. I can remember my friends texting me, it was like, "What is happening? This is amazing." And then for that to kind of expand into the whole big reunion thing was just phenomenal. But we will come to that.Kelly Molson: James, at the moment, you're Controller of Partnerships at ITV, which sounds like a very grand title. What about your background? How did you get to where you are today, and what big highlights have you had in your career?James Penfold: So, like anyone, I think career is all about a bit of a zigzag. Not many people go straight to the end role they hope to achieve. So, left school not knowing at all what I wanted to do, always absolutely loved television. I mean, was an avid fan of Multi-Coloured Swap Shop every Saturday morning. But how did I, therefore, end up in a BT technical apprenticeship at the age of 16, having just done the first year of GCSEs? So we were kind of guinea pigs on that front. Ageing myself here. But BT ran an amazing classic apprenticeship scheme. Three years, going across, two months at a time, every facet in the business. So you could be on estates one week, you'd be on customer residential services and installations, you'd be on externals, so working in the man-holes and those sorts of things and learning about that aspect, marketing, sales, customer service in the sense of operator services. It was a great induction, and all the while being able to go on block release, again, doesn't happen very often, paid for by the company during the day, three months at a time, to colleges and that to get a technical qualification. And then I was very grateful when they offered me, "Did I want to go to university and do a degree?"James Penfold: So I do those three years later than most, probably, at 21 rather than 18. But that meant that I was absolutely ready for it, I knew what I wanted to do, I loved commerce and commercial and the marketing sales. And so I went to Birmingham University, studied B-Comm there, Bachelor of Commerce. Again, coming back into BT in the summer holidays. The internet was just kicking off and so I was fortunate enough to have the choice of, "Which division do you want to go back to in those holidays?" And I went into a division that was just a startup division called the Internet and Multimedia Services. That was actually the precursor days of BT becoming an internet service provider, it was all about the narrow band, but we quickly learned, or the company quickly learned, like everyone, that whether you're an AOL operator or anybody else, that once the people had logged on, what were they going to go to? Because it was the early days of search engines. There wasn't a great lot of content.James Penfold: So I just opted to be a content development manager, which was basically business classic, business development. So looking to acquire content fees. So, in the day, you'd go to BT's various partners and obviously think to what you personally liked, whether it was Top of the Pops, the music, Bloomberg for financial services, and you'd pick off these various brands and go and do deals to acquire that. That moved into broadband services, then worked on a number of trials that were pioneering, I suppose, towards all the things we use now. Multimedia payphones. So they were a whole trial of payphones across Cardiff and Central London for people coming when not many people had email, and certainly, not many people had laptops at home and computers at home, but they did want to be able to send email messages or check their messages when they were between stations or travelling between offices.James Penfold: And then the early precursor to BT TV, which was an ADSL trial, so again using copper wire to send TV signals down it. Well, again, where's the content there. So I was lucky enough to ... again, all hands to the pump really when you're launching these trials, so I opted to talk to the music companies. So EMI, Sony BMG, [inaudible 00:07:33], to provide a variety of content to prove. And then we were really just looking to the customer to say what they wanted. These were only closed user group trials, two or three thousand people in Ipswich and those sorts of things.James Penfold: My boss then got snapped up by Sky. Sky was really taking off as a digital satellite broadcaster, and that inherently launched something called Interactive Services, or the Red Button services, which many of us might have used. He stayed very briefly at Sky, I should say, because he didn't get famously on with James Murdoch, but quickly learned that there was a real desire with multi-choice TV. The reason we had those 200, 300 channels, it's obviously refined itself now as technology has moved on, there are other ways of accessing content. But we settled on a company called the Interactive TV Group. I'm fortunate for Adam Faith, the singer, he'd set up a financial TV group based out of Wapping. Sadly, three weeks into operating that, he passed away. But the facility was available, and my then boss at the time, John [inaudible 00:08:37], picked it up at an absolute song, and we went in. And he'd reformed a team from people he'd worked with at BT and Sky to become an Interactive TV Group, so launching TV channels for other parties here in the UK, and some further afield.James Penfold: I was a business development manager at first, looking after studio facilities and winning clients to use those. And then also looking then into interactive services, which is, again, taking back, I suppose, the internet skillsets, some red buttons. We used to provide those red button services. If Sky didn't develop them for you and do all the coding and the content, then probably the Interactive TV Group did at the time. So BBC, all the Children In Need apps, the multi-screen sports, the Glastonbury multi-screen sports. Not all of it was just developed in-house at the BBC.James Penfold: That took me then to a company called Interaction TV because brands and branded content was becoming very much niche, but certainly a fad at the time, and obviously it's come back in many facets now. I was a commercial director at that company for about four years, which took me to 10, 11 years ago when a colleague, and now my boss, William Van Rest who had joined ITV, picked up the phone and said, "Do you want to come in for a conversation?" And I was lucky enough to literally join ITV.James Penfold: So, probably 20 years after starting my career, always having wanted to work in television, never thinking, "What's my route to being that?" Sadly I'm never going to be in front of a camera, not while Ant and Dec are around and other greats on like that. And there the role, it wasn't defined, which is always, again, a great opportunity where I thrive from. It was about classic business development or sales, looking at what the opportunities are, "Where aren't we making use of the assets that ITV might have?" ITV was absolutely just coming off the back of a transformation where the regions, all the various regions, Granada, HTV, Meridian, London Carbon, LWT, were all combining in to become under one brand for once.James Penfold: And so that journey began. And the team at first was called Brand Extension, which I think was really simple, did what it said on the tin, which was literally, if there's a brand that would have intellectual property that ITV has, owns or makes, what could we be doing with it that isn't the core show itself? And that took me into actually working with all the producers who make all of our shows, whether they're in-house or in the ITV Studios group or third parties, to see where there are opportunities. And often there aren't, but every now and again you strike lucky and there is.Kelly Molson: That's such a crazy path to get to where you really wanted to get to. I love hearing how people have got there. And that must be such an exciting thing to do, to have that opportunity to say, "We have this amazing brand that people love; what more do we do with it? How do we make that even more immersive for people? How do we build this into an experience?" What a fantastic role.James Penfold: Yeah, no, I mean I'm one of a great team, and it's been and is an incredible train set to play with. And you don't take any opportunity for granted, and the show must come first, and absolutely respect the IP in that sense. But sometimes it's not always necessarily the show itself, but there's something that happens off the back of that show. Or you feel, "Right, okay, a tour is warranted off the back of this." Whether that's a theatrical tour, whether it's an arena tour, whether there's obviously a set tour opportunity as we change buildings that we own and opportunities present themselves. Or, increasingly now, again with colleagues, the whole app generation, and games and gaming, and the natural brand extension that you might have to the very successful quiz shows that we produce.Kelly Molson: Well, this is one of my first questions really, because essentially, breaking down what you do is you translate big brand IPs into commercial ventures. So it's taking something and making it more than just a TV show.James Penfold: Yeah.Kelly Molson: What qualities does a brand need to have for it to succeed beyond the telly? What are you looking for?James Penfold: Let's see. It helps if it's got a super fan base. I mean, there is always one ... not one rule, something that we certainly began to find over the years. Again, because ITV's been around for 65 years, and it's a commercial broadcaster, but really this notion of brand extension beyond just simple merchandising is something that's only probably looked at in the last 10, 12 years. A super fan base is great. A show that's certainly finding its feet, so second, the third series, so you don't jump at the opportunity too quickly. That's not always the rule, and I'll come back to the big reunion. Broad appeal, longevity, again, that helps because you've got the fan base and it's really aligned itself with that fan base, viewer engagement. Repeatability is obviously a great commercial opportunity because one-offs tend to be expensive, and that's again a very good learning point. And sometimes we do things that are more celebratory about a show, and they're commercial, but ultimately they've not got the rerun factor or the repeat factor.James Penfold: And then a decent amount of context. I think that's another important thing. So with context, that could be timing in the sense of an anniversary. A talent anniversary, a show anniversary, or related events, so a season in the year where it's just summer festivals, or even just like the exhibitions field where certain things happen in spring and Easter and you think, "Do you know, God, that really resonates with what we do as a show?" And that was a really good example when we took This Morning to the NEC for three years running because as a show it lends itself, it is live, it lends itself to an audience. And you think of nature as a news and consumer affairs show, if you think of what the subject matter is, the broad base of it all, then God, you don't even need to think what the floor plan of the exhibition is, and you don't even really need to change from what people already do for exhibitions. You're just layering our IP onto it. So that's an easy one.Kelly Molson: Some of the things we're talking about today are what you're involved in terms of TV shows and real-life visitor experience. So we've got Coronation Street The Tour, we've got the Emmerdale Village Tour, and again, we'll mention the Big Reunion, there's been various tours and live experiences that have spun out of existing TV shows as well. But then you've also got something brand new that's launching this year, which I'm not going to mention just yet, we're going to keep the suspense, we'll talk about that a little bit later. What are the most successful formats that you find translate from the telly to real-life experiences?James Penfold: So I suppose the obvious ones, and this isn't unique to ITV, but certainly, it's about Mass Market big entertainment, stuff that appeals to the broadest audience; so with Syco and Fremantle, X Factor was an obvious tour in its day, at the height of unknown people becoming music talents, celebrities, recording artists, and then going on tour. You have it with the BBC, and they still do it with Strictly. With ourselves again, BGT, Britain's Got Talent, absolutely lends itself to scalability, and scalability leads to commercial success, and it leads itself to repetition. But everything has a life cycle.James Penfold: For ourselves, purely on your own, Saturday Night Takeaway. I've talked about anniversaries; Ant and Dec. What are we? Five or six years ago now it was their 20th anniversary in the industry, they wanted to do something, we'd actually spotted the opportunity; why are Ant and Dec not on tour? Well, there are many reasons. They're very busy and not everybody wants to be on tour the whole time. But the Saturday Night Takeaway show, it's just mass-market entertainment, and it's a show that's so professionally produced that when it airs as a live TV show if you arrived as an audience member, you don't have to arrive hours and hours and hours beforehand. You're slotted into your seats. There might be a few hits done to record some interim piece, some inter-show pieces that play out in the ads or links to that, but then you're straight onto the show. And the 90 minutes you see in the TV audience is the 90 minutes you get at home. God, if you're in that audience, there's a live buzz to it. So, taking that to an arena tour, 30 dates, matinees and evenings, 15, 16 days with the boys on tour around the country, absolutely lent itself. And hats off to colleagues in my team who helped to deliver that. The production company, ITV Entertainment and ITV Studios Entertainment, and of course working with Live Nation as a promoter. So there’s a great marry of partnerships.James Penfold: Big Reunion, again, that's the one, I would say, where it didn't need to be into its 10th series, it didn't need to be coming back like Saturday Night Takeaway was doing after a bit of a hiatus. That was, "Okay, it's been certainly 10 years since we've seen a lot of these acts in arenas or in larger-scale theatres. What have they gone on to do?" Michael Kelpie and Potato, one of the ITV labels, had had success with bringing back Steps for Sky, and they've made that format. I've looked at that format and there was an obvious journey there. And then it was, "Okay, how does ITV do that?" Well, we do it on the scale, so why bring back just one band? Why not let's bring back five every series? And we did two series because basically, there were about 15 real acts that when we thought about it and looked at chart successes and also their back story, what they've gone on to do and where they all are now, we didn't even have to air the first episode. And Twitter was really a thing by then and it was like, "Well, obviously there's going to be a tour." I can assure you there wasn't going to be a tour.Kelly Molson: Oh, so the public requested that? It wasn't the plan to start with?James Penfold: Well, there was a kind of concept. When you work with that many artists and that much talent and its confusing schedules, you think, "Okay, this could lend itself to be but let's be ready, waiting in the wings," but consumer demand, instant feedback. And then, by picking the right partnerships, you've got to be able to move quickly on those sorts of opportunities. And they don't often come along in that way.Kelly Molson: Yeah, it's fabulous. I mean, that show, for me, was really like reliving my childhood, because I'm of a certain age.James Penfold: Much younger than me.Kelly Molson: Thank you. I doubt that very much though. But I was into a lot of those bands at the time, on some level, and it just brilliant watching what they'd gone on and done, and then trying to get them back into shape to do the routines and stuff. It was so funny and so interesting.James Penfold: Kelly, I'm in the exact same situation as you. Don't think I'm not. As somebody in an 18-year-old apprenticeship, or working in and around Soho as I did, because that was where my apprenticeship was based, it was based in the West End of London, love pop music; if you'd ever said you'd then be working with those individuals, sitting on a couch, sometimes on short journeys, sometimes on long journeys, and sometimes in the craziest situations. Well, the show was playing itself out, and of course, the stories were, and then we were getting to take them on tour at the time. So yeah, no, you don't get many opportunities like that, and I'm ever so grateful.Kelly Molson: Fantastic experience for you. So, with the TV, what's interesting is you've obviously got a captive audience with the TV, and it was really interesting to hear how that audience demand kind of spurred ... there was obviously a little idea about the tour, but it really spurred it. How do you strike that balance between developing products to reach new audiences? How do you get that right?James Penfold: So I think, importantly for us, and this is done by trial by error, is you've got to, I suppose, look at does it feel right? Is it a natural extension for us, ITV, to be taking? Because we're not a theme park operator, we don't do reparatory theatre, those sorts of things, and there are other parties out there. And one of the principal roles, I suppose what my role's evolved into now, is looking at the licensing side, where there are many entities who might choose to look at something from a slightly less obvious position and take the thought.James Penfold: But from our perspective, it's really looking at ratings, it's looking at social media and how that talent engages with their audience. Do they engage with their audience? Don't they? Are there natural wins? Because of course, people can always involve them and move their careers forward. A really good example is Gino D'Acampo. So I think we did three tours with him. So Gino, incredible talent, was iconic from his season when he was on I'm a Celebrity Get Me Out of Here, he was obviously becoming a prominent TV chef, he was on This Morning pretty much every week or every other week. And then he starts getting his own show, and that's the test for the commissioners. They're almost like a litmus test; they spot these opportunities and take some of the pain out of it for us. And it was Gino ... I think was Italian Escapes, and that was where he'd go to a different part of Italy.James Penfold: And then we were talking again to a promoter, I think it was clean and Gyro, could he live, who also looked at Ed Sheeran, so talk about different ends of the spectrum for them. And they were talking about theatre shows and the successes they have, and they'd said, "Would Gino be interested?" And there was a quick conversation to be had, "If the talents are interested, then great." Of course, he was. And for him, it suits his purpose, because there he is, having done I'm a Celebrity, having done some TV chef shows, having done This Morning, and now with his own Italian Escapes, but what does he actually stand for? And he wants to evolve his career and put himself differently. So I'd like to think three sellout tours in theatres, 1500, 2000 seats a night, which we were told we were doing well at because we're doing 14 nights a run. And it wasn't just Gino who goes on stage and cooks, because that would have been obvious. It's Gino who goes on stage and does what he does best, which is to engage with the audience. The cooking almost becomes auxiliary to the evening.James Penfold: And then, quickly really, we learned that the audience ... it becomes almost a 50/50 divide. 50% of them were there because they wanted some cooking advice or to hear his anecdotes about Italian Escapes and what it's like to be on the road and cooking the food of his homeland, and 50%, of course, enjoy him because he was suddenly an overnight success in Celebrity Juice. And that audience wanted quite a different thing. And of course, Gino being Gino, he would play to the Celebrity Juice audience, and it made for an unpredictable but incredibly entertaining show. The first tour, it was fairly locked down in what they produced and what it would be and what the format would be. Number two and three, "You go for it. You know what you want to do. As long as you pitch it correctly to the audience as to what they're going to be getting," so Live and Unplugged was tour number two, "Then you've got success."James Penfold: Another good example is, I suppose, This Morning Live. So there we'd been approached by Media 10, the guys who deliver Grand Designs and the Ideal Home Show for a number of years. In fact, for probably nearly about eight or nine years. And they hit us when it was right to have a conversation, because I'd thought, "This is madness?" I'd be challenged; "Why aren't we doing festivals? Why isn't ITV more involved with festivals?" Because you had the Good Food Program for the BBC, you had The Clothes Show historically being such a success.Kelly Molson: Yeah, it is.James Penfold: And in truth, we have always been very successful in the daytime, and I think with This Morning, it was really ... well, we looked at all the shows, so Good Morning Britain, Lorraine, This Morning, and Loose Women, and could you take them all on the road, and would there be an exhibition? And then you start getting into the realities of cost, of logistics, of actually the quite disparate audiences that do come across those four different shows and what they want to engage with. And we quickly settled on This Morning, and then just simply This Morning Live, in that it has cooking in it, it has health issues, it does fashion, it does entertainment. And ultimately, at the heart of it are Phil and Holly, or Eamonn and Ruth at the time. And we learned very quickly that we were taking the show on the road whilst we had a replacement presenter team in London. So you'd have Phil and Holly in Birmingham and Eamonn and Ruth in the studio, or vice versa. They'd hand to each other. Great segments of the show were able to be done from the NEC.James Penfold: Yes, there were costs involved, but to us, that was more of a marketing vehicle. It worked really well for Media 10, because they absolutely know how to deliver a live exhibition. And from a Stand's perspective, and from all those consumer brands that want to sell to our audiences who would normally take advertising slots in those shows anyway, it was a no brainer for them to want to attend. And it was on for four days a week every year, 40 to 50,000 people attending over those four days.James Penfold: And then you get into the great hurdles of, "Oh my God, it's almost too successful in terms of capacities." And fans being more than just, I suppose, the typical ticket buyer and visitor. Everyone wants to meet the talent. And so meet and greets, I think that became a whole performance item in itself.Kelly Molson: So, a huge success. You can see that the formats work, you've got huge engagement from people, and then a global pandemic comes along and kind of smashes us all in the face. I mean, it's affected obviously your plans and things that you've got in fruition quite extensively; how has it affected you and how have you tried to overcome some of those challenges this year?James Penfold: Yeah. So if we look back to this time this year, or actually go back a further two, three weeks, when the UK government was still slightly in denial of the nature of this pandemic-Kelly Molson: I think we all were, weren't we? Because I think we were watching the news going, "Oh, it's all happening in Italy, isn't it? Oh yeah, that looks bad."James Penfold: Yes, the broad public were, but don't forget, ITV is a stakeholder in ITN, so we produce Channel Four News, Channel Five News and ITN News, the three variants, different editorial flavours. So I don't think you could avoid it from that point of view. And I'm based in Gray's Inn Road. Well, I was based in Gray's Inn Road, which is where the news studios are, so I think there was a real feeling there, most importantly about just hand sanitisers introducing themselves.James Penfold: But the thing came to was three weeks out of not even lockdown, us beginning to talk about it, so probably we're talking the back end of February. I was approached by my then division director to say, "At a board level, we think we need to curtail or stop set tours." So the set tours of Coronation Street and the Emmerdale Village Tour. Both were external sets, although there were some interiors to be seen, as in interior sets on the Coronation Street set. And that is principal because, first and foremost, we're a broadcaster and a producer of content, a producer of successful TV shows. These serial dramas have been going last year, 60 years for Corrie, and this year we're celebrating 45 years for Emmerdale.James Penfold: And so hearts and minds, which is a phrase that's very well known now within the business, is looking after staff wellbeing. And staff wellbeing is, therefore, the actors, the talent, all the production staff, all those many people that come on board. So, quickly the sets began to lockdown, and a wrapper was put around the productions to enable them to come on production for as long as they could. That wasn't feasible from the moment the national lockdown happened, and we had to then wait and work with health and safety committees and other people, and with the government, to work out what the safe way through production was.James Penfold: So from my perspective, it was, "Please turn off tours." And we were just starting the season. And we had loads of pre-bookings across Emmerdale, and we had loads of booking across Coronation Street. And of course, we'd just recruited our seasonal workers in the sense of our tour guides for that year, many who come back each year and have other roles when the tours aren't operated at weekends. So I think it was straight away onto the phones with Emmerdale, our partner, Continuum Group, Continuum Attractions, who will work with on many tours and attractions. And obviously, from their perspective, there was a quite rightful debate, "Are we jumping the gun and doing this too soon?" Because they weren't seeing that advice in the tourism market for their attractions. But ours was, "No, this is what we need to do." And we didn't want to let consumers down at the last minute, because with Corrie certainly, people travel quite a distance across the country to come to those weekends. They book hotels in advance, they book transport in advance, and so then it really is about you're just going into a situation of customer management.James Penfold: So there it was a case of, "Listen, sorry, we need to cancel down tours. Obviously, refunds were immediately available if you wanted them, or you can basically move to hold a voucher and we'll contact you as soon as." So that's a complete curtailment of that business, and it became then a reality that even with unlock-down, lockdown, over the backend of summer, that again the situation was even just worse. Think of where we are now in winter. So autumn and the end of summer last year, everyone was feeling great in the UK, and around most of the world. Some had fitted in summer holidays or done stay-cations and things like this. So again, from a consumer point of view, it's all about proactively managing the comms to them.James Penfold: But at the same time, for us, because we don't have a lot to say on this because we're not a true classic digital attraction, just enough communication where you're engaging, giving the consumers what they need to know. Of course, at all opportunities, offering refunds. When we began to realise, "Do you know what? We aren't going to be opening these in autumn, because if anything the pandemic's getting worse," and this was even before new variants, it was, "Okay, well we hope to be able to bring this back in in 2021." That's a realisation now that probably that isn't even a reality. And of course, it's incredibly disappointing to the team. Thank God in the early days, when the furlough opportunity was there, we absolutely used it. From a customer point of view, social media, thank God we've got decent outlets to be able to contact customers. And from being a broadcaster with viewer services, we were able to really talk about it's a business for them to help us to get in contact with as many consumers as possible.James Penfold: And even now it's a difficult one because we look to the advice from ALVA, we keep across Blooloop, we listen to your podcast, we talk to experts, we're talking with Continuum every day, and we have health and safety advisers from the tourist market as well. But from a set tours point of view, it just isn't realistic. There is nobody in any of our offices, we all work remotely. All the editing of the shows is pretty much done remotely, incredibly. In the early days of the pandemic, every show was produced remotely. The galleries all became laptops, so editors and directors were sitting at home. And the two teams that make the soaps have done an incredible job of creating cohorts where nobody overlaps, you're in your cohort group, and you move through, based on your plotline, through those cohorts so that you always stay safe. And then you have the people who go on sets, their costumes are already hung out for them, and their makeup they do themselves.James Penfold: And so I suppose the thought on the ITV Studios drama and production side, the thought of even entertaining us being able to welcome the members of the public onto those sets currently is still untenable. So the good news is very exciting plans for next year. What this has given, I suppose, the pandemic, let me come to the positives, is it's given us a time to reflect. We were very lucky six years ago when the old set became available, Coronation Street. The Granada building was sold quite quickly after 55 years of ownership by ITV. It would have just been quickly demolished, but I was like, "No, that can't happen. Let's think about this."Kelly Molson: Sacrilege.James Penfold: Yeah. Well, and also, to the developer who bought it, "When do you need the building by? You've got planning to do, you've got plans to put into council; when do you need it by?" "We need it probably in about 24 months time." So for 18 months, we were able to open that set, and 900,000 people came through that set tour in that period of time. And that's a success. And that felt completely natural.James Penfold: But now when we're working in a different environment, we're part of a living breathing production, a production community, so we're looking at it from a filming perspective and from that visitor perspective. The exciting thing is we are able to look at now how do we make the tours more accessible? Is there technology that can almost enhance them? We've worked with groups like Antenna. We've long resisted audio guides because we love the interpersonal nature of the tour guide, but actually, if you think of the amount of content and archive and things like that, it can actually bring sets to life, and everybody's got a different character they like on those shows, and different memory of the storylines. Some people like the '60s, the '70s, the '80s. Some people remember Emmerdale, and I'm going to say ITV sacrilege when it was called Emmerdale Farm. And so there are those angles to it. And it's given us time to reflect.James Penfold: Completely exclusive to you, where we're building a new building next to Coronation Street in Manchester. The pilings underway. The intention is to have it open by next Easter. What's it going to serve? It's multifaceted because it addresses multiple problems. The scriptwriters and there are about 200 in Corrie, normally meet in hotels and go to conference centres to marry all the plot lines together and to do the timelines. Again, with the cast, with all the principal production team, they'll now be able to haggle on the top floor of this almost event space building. The middle floor will have an exhibition space, which will be used by us from a Coronation Street perspective. And the ground floor will have a 70 seat theatre for those, like me, who believe that people will come back in some form to a similar environment. And we'll have a café and we'll have a retail outlet.James Penfold: So I'm going to call it a visitor reception area, as opposed to them just meeting somewhere in Media City and then we walk them over to the set and take them on the set there. That will allow us to be seven days a week from an experience point of view as people engage with the brand. It really plays for Peel, the landowner of Media City, because there's a brand new tramline that opened ... it was pretty much all whilst we've been in lockdown, that serves the Trafford side of Manchester and is a much faster link into Manchester. There's a stop right by ourselves and the Imperial War Museum, so there'll be that stop. There'll be a café there that which I say will provide to. So that's playing to an opportunity, that if we'd not had the pandemic, would have taken quite a lot longer because we've been able to do stuff when the set's been closed, when the filming hasn't happened, and it's a great positive.James Penfold: Something similar is happening with the village for Emmerdale for hopefully the backend of 2022 so that we can get more people into the village and really celebrate the sets and do Q and As and audience with cast and things like that. So yeah, so positives.Kelly Molson: Oh, I love that you've come on and dropped a few little exclusives for us, James. Thank you for sharing that. I mean, many of our listeners are in the attractions world, and they will be completely sympathising with the situation you've been in terms of having to shut down the sets, but it's such a different challenge that you have. I mean, the attractions now, they're planning for their reopening in May time, and are incredibly excited about that and what that looks like, that roadmap. But your roadmap is so much longer because of the logistics of filming, and I hadn't really taken that into consideration at all, how difficult that would be because obviously, you can't have the general public on the sets when you've got to protect the people that are on the sets recording each day. It's a huge challenge.James Penfold: I mean, they're such substantial principle revenue streams, and the most important audience drivers for ITV. The soaps still regularly get between six and eight million, depending on where we are in the storylines, five days a week. And that's incredible in the streaming platform and non-linear broadcast era that we all live within.James Penfold: That said, colleagues within my team who look after our Ninja Warrior brand, in lockdown we started last year with eight licensees and eight sites. By the time we get to the backend of summer, there will be 15 sites, because people are proactively taking and opening sites because they've seen properties becoming available. Previous guests of yours have talked about the nature of retail and leisure finally beginning to merge, which we haven't seen in the UK. It's been prevalent in Asia, very strong in the USA, and to some extent mainland Europe. But that's created a real opportunity. And so there's a real opportunity in that, and obviously those, they're nothing to do with show production, and so they can open, as you're talking about, with these May time scales, and I hope they go on to have really successful years. And whatever sort of restrictions we have in 2021, let's hope 2022 then gives them a full run.Kelly Molson: Yeah. And there's going to be a huge resurgence in people wanting to do things. We're all desperate to get back out and have new experiences because we've been stuck between our four walls for so long. But this brings me to something very exciting, which is the I'm A Celebrity Jungle Challenge. Is it opening this year? Maybe this year? Who knows at the moment? Tell us a little bit about it.James Penfold: I can tell you that based on current government guidelines and what we know of the roadmap, we're absolutely opening this summer. I mean, for me it's very exciting. It's the fruition of a three-year project in a sense, from talking with Peel Holdings, the landowner, to then working with various design companies and settling with Scruffy Dog Productions, and then the exciting part, which we started right back at the start of this podcast, working with the producers of the show. And Richard Cowles, Tom Gould and that ITV entertainment team are genius. I'm A Celebrity is his format, Saturday Night Takeaway is his co-format, Love Island is his format. That team know how to do live programming. And being able to look under the bonnet of what is the essence of I'm A Celebrity if we were going to make it an attraction, has been really exciting.James Penfold: So yeah, Media City, or Quayside Media City I should say, what was the Lowry Outlet, will be opening this summer.Kelly Molson: Oh, I'm so excited. You know, the team, we've already started planning that we'll come and do it as one of our Christmas do adventures because our Christmas do is always a thing. We go and have an experience somewhere. We went and did the Crystal Maze challenge, and then we'll go for dinner and drinks and stuff. And as soon as I mentioned this, they were like, "That's it. That's the Christmas do."James Penfold: I know, Kelly, I need you there soon. We need those guinea pigs for early summer, so I'll be calling you up.Kelly Molson: All right, we'll bring our Christmas to do forward. That's right, we missed out on one last year, so we'll be there.James Penfold: There are no restrictions on tinsel, so you're welcome.Kelly Molson: Fabulous, because I do love a bit of tinsel. Has COVID changed how you will deliver that visitor experience for that attraction, though? Because I think one of the things that we've been talking about quite a lot with attractions are actually some of the positives, of the visitor experience is better when the capacity has been reduced. So, for example, you want to go and visit the Mona Lisa. Well, on a normal day, if you go and visit the Mona Lisa, there are thousands of people that are doing it with you at the same time, and so that experience is just not what you might have hoped for. But actually, if you did it ... well, not now, but when they're open and you've got that reduced capacity, it's a nicer experience. It's more engaging for you. Maybe people will pay a slightly higher price for that as well. So how has that changed how you open and your strategy?James Penfold: So, obviously, when you design any of these attractions, and again, we work with good partners, and we're not experts. We hold people to flame as to how we want it to look and we want it to be delivered 100% to be true to the format, but you've designed it for this sort of flow, for this capacity, and people use it in this manner. And of course, only when we start getting to the customer testing, which we're pretty much just approaching now, will we see how that happens. Now we layer on the COVID factor, and the COVID factor is exactly what you've said. Probably a little more time in that attraction, yes, reviewing the price for that, but the capacity is being reduced, but then the experience is so much better. I think also all leisure attractions are getting price-sensitive, but I do think, and I hope when you see it ... the layering over the IP of the Jungle Challenge, and whether it's the thematic, and even a safety video from Ant and Dec, through to the gameplay we've put on what would traditionally be a rope and swinging course and a bit of Ninja Warrior in the middle, really does bring value to it. So I think we've got to, and we are, reviewing what that customer experience is.James Penfold: Similarly, on the tours side of things, it's absolutely about capacity. Less people maybe in tour groups, certainly fast-tracking this notion of pre-flow that colleagues have had, which is, "Okay, tour guides are wonderful and they give the as scripted and in the tone of a show version of events," but we know, especially as we look to the younger audiences, that it absolutely is all about the selfie moment, the racing to the bit of the set that you know most. Again, I mentioned characters earlier, so we've got to look at that. And then that looks at, "Okay, well how do we then convey some of the knowledge and depth and years of plot lines, characters, and why things look the way they do? Why the houses aren't as big as real houses would be and all those sorts of things." Then we're looking at the audio guide, or certainly the interactive guide, and how smartphones, that again really have got pretty much mass market penetration now across all age brackets, how we can use those.James Penfold: I think last week somebody raised a really ... so the podcast that aired last week, and I can't recall the chap's name, but oh my God, never did I think we'd be looking back at QR codes. And-Kelly Molson: QR codes; 2020 was the year of the resurgence for them. Who knew that was going to happen?James Penfold: Absolutely. It's like the spectrum of tourism, it's suddenly back.Kelly Molson: I was going to say Atari, but that would super age me.James Penfold: Yeah, no, that was 10 years before me.Kelly Molson: So we're coming to the end of the podcast, but one more question to ask you. But can you let us know what kind of things that we might find in this new attraction? Are there going to be any disgusting eating challenges? Because I feel like that is up there with what people really want to do.James Penfold: Listen, I'm A Celebrity just had its 20th season, even in an amazing cast in Wales, did record audiences, and I know we've got pandemic viewers and that people can't go out, and there are many facets to the show. And so I think this is the first iteration of what you're going to see and what we'd like to do with the I'm A Celebrity brand, working with not just property partners, but also with operator partners that we're currently engaged with. This one is all about the Jungle Challenge and getting stars because, at the heart of the show, you get those stars, and it is for the more physical aspects of it. So you've got to climb 15-meter rock-faces, you've got to zip line across the venue, you've got to do a treetop trail that doesn't have much to support you other than the harness you're clipped to, and so that'll test your heights. There's a spy ride, if you so wish, that you can strap yourself into and travel 20 miles an hour around the rooftop. There's Escape the Jungle, which is our variant on Ninja Warrior. So we've packed a lot into this. And if you want to test, again, your test of heights, there's Leap of Faith, where you go and you jump, you hang onto a cushion for as long as you can before you drop to the ground.James Penfold: Yeah, but don't worry, you're in a safe be like.Kelly Molson: Oh, it's going to be great. I feel super excited about it already, and I'm pretty sure that a lot of our listeners will be booking up tickets as soon as they can. Thank you so much for coming on and sharing that, James.James Penfold: Pleasure.Kelly Molson: We always ask our guests for a book that they would recommend to us, and it can be anything really. I used to always ask ... it was a book that had shaped someone's career, but I think actually just a book that you really love, or one that you would just like to share with our audience would be great.James Penfold: Okey-dokey. Well, I've changed my choice as of this morning, and it's courtesy, because of course, working from home, or even when I work in the office, I've always got ITV on, playing in the background. And a book that I found absolutely charming, and not a lifesaver, but just really resonated with me in this lockdown, being single, working on my own, working on a project quite distanced with a team that's quite disparate around the country, has been The Boy, The Mole, The Fox and the Horse. Charlie Mackesy.Kelly Molson: Oh gosh.James Penfold: And it comes into mind today because I saw him over my shoulder just because we came on the call because he was on This Morning and it's being made into a movie, which is incredible. An animated movie using his beautiful artwork. And as I understand it, it's going to extend the characters and give some background to those four wonderful subjects. And I just feel, with all that's going on, whether it's headlines in the news this week on any level, whether it regards ITV or not, that you put a bit of love out there and we'll all be good, and we'll get through this storm, as he likes to put it.Kelly Molson: Oh, do you know what? That book has given me so much comfort over the years, and I'm so glad that somebody ... nobody has recommended that book yet, I'm so glad that you chose that one today because it really does sum up what we all need right now. And like I said, for me, it's been a huge comfort on many different levels, and I think it has been a huge comfort for a lot of people through the lockdown as well.James Penfold: Absolutely. And yeah, you can turn to any page of it and there's a quote or a phrase that you can draw something from it. And I think there have been many books prior to that, and I'm not going to bankrupt you as others do, so that's my book.Kelly Molson: Thank you, just the one book. Just remember, I ask for one book, people.James Penfold: Yeah guys, just listen, one book, please. That's all Kelly wants.Kelly Molson: Costs me so much money. Oh, thank you so much, that's a great recommendation. As ever, if you want to win a copy of that book, if you head over to our Twitter account and you retweet this episode announcement with the words, "I want James's book," then you will be in with a chance of winning a copy. And you should do that because it is a really lovely book. I'm so glad that there's going to be a film as well, that's really nice.James Penfold: Yeah.Kelly Molson: James, thank you.James Penfold: Can I say thank you, by the way? Because I listen to your podcast every week; fascinating insights helps all of us, and yeah, so I'm really pleased that I was invited on. Thank you.Kelly Molson: Aw, that's very kind. All of our guests have said very lovely things about the podcast and I feel super humbled by it. I actually felt really humbled that you put us in the bracket of ALVA and Blooloop there, who are phenomenal organisations that have been doing brilliant things for attractions throughout this. Thank you, James, it's been an absolute pleasure to have you today. It's been wonderful, so thank you so much for your time.James Penfold: You're very welcome, you take care.Kelly Molson: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five-star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, rubbercheese.com/podcast.
Sue Bunnell is currently a Senior Vice President and Managing Counsel at Wells Fargo, where she has been for over 20 years in a variety of legal roles. She currently leads a team handling information security, technology, renewable energy, physical security, property management, construction, and a wide-ranging vendor transactional practice in support of the company’s over 6000 locations in 33 countries worldwide. As you can imagine, she has been quite busy during the pandemic, serving as a guiding voice on Wells Fargo’s COVID-19 and pandemic response activities to keep essential workers and customers safe in Wells Fargo’s facilities. Sue prioritizes uplifting other women with her non-profit work. She is the President and co-Chair of Leading Women in Technology ("LWT"), a women’s professional development and advancement non-profit that started in the San Francisco Bay Area, and she is on the Board of the Professional Business Women of California. Sue also has a boutique career therapy practice, helping professionals learn how to articulate and advocate for their own excellence and worth in their resume, interviews, and critical career negotiations.And, in her spare time, she is mom to two teenage sons! In this episode, we discuss navigating career progression, how to drive career success by leading with intention, figuring out your personal brand, and the value of authenticity. Tune in for some insight into how Sue navigated the early years of her motherhood journey and how she stepped into more visible roles to drive her career success as her children grew older and more self-sufficient. Connect with and Follow Sue Bunnell at: LinkedIn: www.linkedin.com/in/suebunnell. Leading Women in Technology ("LWT"): http://www.lwtleadership.org/wilpower LWT on LinkedIn: https://www.linkedin.com/company/lwtleadership. Sue Bunnell is speaking on one of the panels at Mom Life and Law LIVE. She will be speaking on how authenticity is the foundation to a meaningful legal career, sharing insight from her law practice and leadership roles. Mom Life and Law LIVE is a leadership summit for lawyer moms, taking place virtually on Friday, May 7, 2021. Register today!When powerful women gather, we make meaningful connections that help us in business and in life. Gather with lawyer moms from different industries and geographic locations to expand your network. Whether you feel like you are on top of your game or you feel disappointed in where you are in your career, we have the ability to harness our collective wisdom to improve our lives. Learn from leaders in the law and in other industries to help you build the life you want. Then, let's set our sights on changing our profession for good.Register today at: https://www.momlifeandlaw.com/live.Connect with and Follow Mom Life and Law at:www.momlifeandlaw.comFacebook: @momlifeandlawInstagram: @momlifeandlawTwitter: @momlifeandlawLinkedIn: Mom Life and Law
As Leaders Without Title (LWT) we have the opportunity to Inspire, Impact and Influence our world.We look at what we need to do build our New Reality to have more joy and excitement.. How to Re-set our 'navigation' to decide and clearly voice what you want, how to be around others, look after our physical well-being and make powerful decisions.
Why and how to break the vicious circle of automatic reactions.Every single emotion we experience in every single moment of our life conditions the very substance and wiring of our emotional body. Hence, the quality and purity of our emotional nature is directly determined by the emotions we express. We literally build our emotional body by the emotions we go through.Let's understand how we regain control!
"Every important decision about you is made in the room you're not in." - Sue Bunnell, quoting her powerhouse mentors. How do we bring women to more rooms where decisions are made? What are the type of leaders we need for the time we live in? How can you become one? How can you foster an environment of inclusion, understanding, and support in times of ambiguity? These are just some of the questions we dive into with Sue Bunnell, my guest for today's episode. Sue Bunnell is an SVP at Wells Fargo, where she has served for 20 years in a variety of legal roles. She currently leads a team that handles info security, technology, renewable energy, physical security, property management, construction, and a wide-ranging vendor transactional practice across the more than 6000 retail and administrative locations in 33 countries worldwide. She's has been a guiding voice on Wells Fargo's COVID-19 and pandemic response activities to keep essential workers and customers safe in Wells Fargo's facilities. Sue is also the President and co-Chair of LWT, a women's professional development and advancement non-profit that started here in the Bay Area, and now has year-long programs in San Francisco, Palo Alto, New York, and Seattle. She joined the Board of the Professional Business Women of California last year and is delighted to serve on the committee that puts on the annual Young Women's Professional Summit event for up-and-coming women in all industries. In this episode, Sue and I talk about: Her definition of leadership What type of leaders we need at this time Sue unpacks the key qualities and skills that make a good leader and how you can rise up to become one How to foster leadership skills among women and what each of us can do to become a better leader (LWT Program) How to approach conversations about promotion, or career change with empathy and curiosity, and the right questions you should be asking to understand the full context of why you didn't get the promotion What I appreciated most about this conversation, was the insider's scoop on how promotion decisions are made and how not to take unmet promotion desires personally or with disappointment which is why you need to understand the broader business context. This conversation is loaded with a lot of wisdom and practical tips so listen carefully and take notes :) *** Connect with Sue Bunnell LinkedIn LWT, Leading Women in Technology Program If you enjoy this podcast, please consider leaving a short review on Apple Podcast. It takes less than a minute and it makes all the difference in helping others find this show more easily. *** For show notes and past guests, please visit www.danielatamraz.com/podcast. Follow Danny: Instagram: https://www.instagram.com/dannytamraz/ Facebook: https://www.facebook.com/dannytamraz89/ LinkedIn: https://www.linkedin.com/in/danielatamraz/ Sign up for my weekly newsletter so that you never miss a new episode through this form.
Peter Haining elite rowing expert, Olympian and 3 times World Gold Medalist in Lightweight single sculls. Sponsors - Sculling Gear - everything you need after you've bought a single scull https://rowing.chat/sponsor/sculling-gear/ - Rowing Directory - the place to find a rowing business selling what you need. https://rowing.chat/retailer/ Timestamps to the show 02:40 Peter’s background in rowing started when he come in 1966. He ended up winning World Gold in LM1x three times. 05:20 I was born lucky. My Mother was the only person in her maternity ward whose child wasn’t born thalidomide - the morning sickness drug’s side effects weren’t known. 07:15 I was brought up in a damp house and I had bronchitis and asthma as a child. My brother George died of pneumonia aged 6 weeks. 10:30 My Father, Jackie Haining was a member at Loch Lomond Rowing Club and he coached the juniors,. 17:30 George Parsonage and the Glasgow Humane Society. I was watching George sell and how he connects to the boat - he was so fast. I told George I”d beat his Guinness World Record for rowing the length of Loch Ness in 2 hours 43 minutes and I didn’t. 22:30 I went to York regatta and raced Chris Williams from Tideway Scullers in the elite 1x and we dead heated three times. He said I should try racing lightweight. John Pritchard lent me his Glyn Locke single boat stored at Imperial College with Billy Mason. 26:00 Rowing the pair with Glen Knight we went to trials and Mr Raynor lent us his 10.5 stone single scull - it was rigged right over left. We did 42 seat races over 1500 meters before I won selection into the LM8+ and we won at Luzern. It’s a special regatta and I’ve got several medals from there. I dropped my Dad’s wedding ring into the lake when we lifted out boat out of the water. 32:30 I moved back into Lwt 1x after I saw this Staempfli boat at Henley Royal Regatta and I wanted to row like them - it was Ian Wilson’s Nottinghamshire Country Rowing Association crew. So I moved to Nottingham to live and train. 36:00 I was late once too often for the 8s outing and got dropped for being unreliable. Ray Sims offered me a single. I was livid. I decided whatever training the 8 did I would do 2 more trips than them. 39:00 Mike Spraklen wrote to me saying “Miles make champions - but they have to be good miles.” 45:00 I went to Paris to race and try to be the first lightweight to go sub 7 minutes. Frans Goebel the Dutch sculler was just so fast - his catches and finishes were amazing. The Spanish sculler taught me the catch drill’ Niall O’Toole the Irish sculler taught me to reach with your chest. 52:00 The future of rowing - there’s a lot of urban staleness and the business models of how we get our grants is broken. Participation in rowing is only 300,000 in UK it’s pathetically small. WE need to be more inclusive. 54:00 Team Keane is where I coach - it’s run like a US programme where you pay for your programme and you get coached. Contact Peter www.elitesculling.com
Good day to you and of course you too. From John and Andy, 100 leagues Beneath the Hove Plinth, Hove seafront, Hove. Welcome to another DredgeLand Podcast Spectacular! Enjoy a brief introduction to the all new detective adventure suspense and disco based series the Discotheque Detectives, coming to LWT this spring! John and Andy are … Continue reading "The DredgeLand Financial Returns of John Dredge Spectacular"
In 1988 the British government passed explicitly anti-gay legislation. Through log book entries from Switchboard, Tash and Adam return to the scene: lawmakers spaffing about what constitutes a family, gay teachers zipping up and living in fear, and bewildered young people with seemingly nowhere to turn to for advice. This episode is filled with untold stories about Section 28 of the Local Government Act and the censorship of LGBTQ+ lives — and concludes with the joyous launch of a new kids' book by Olly Pike called Kenny Lives With Erica and Martina.Content warning: attacks on LGBTQ+ people, including language that some people may find offensive.The Log Books — stories from Britain's LGBT+ history and conversations about being queer today. Produced by Shivani Dave, Tash Walker and Adam Zmith, in partnership with Switchboard - the LGBT+ helpline. With thanks to the Bishopsgate Institute and the BFI National Archive.TV clip from Gay Rights – The London Programme, produced by LWT, April 10th, 1987. TV clip from Back In The Closet, produced by Thames TV, January 14th, 1988.For more information about Section 28, take a look at:Section 28 detailed history from the LGBT+ History ForumMusic by Tom Foskett-BarnesArtwork by Natalie Dotohttps://www.thelogbooks.orgSupport this show http://supporter.acast.com/thelogbooks. See acast.com/privacy for privacy and opt-out information.
Richard Digance talks to Steve Hewlett about his Radio Presenting job at Capital in London to his touring & duetting in America with Steve Martin. He talks about his books, cd's songs and poems, what he's been up to in Lockdown in 2020 and what he can do to continue to entertain you with his unique personalised ideas.We have quite a serious chat about talent shows of which Richard has never needed to take part in. Richard is a one off entertainer and has performed for us for many decades, nearly five believe it or not but his experience shows and I can't recommend him enough, check out his live shows on youtube specifically The Brighton Dome which is a full show for you to enjoy...
Greg Dyke’s hugely successful career is defined by leading some of the UK’s biggest and most influential organisations, from the BBC, ITV, London Weekend Television, The FA and Brentford, the west London club he’s supported since childhood. Sport has been a theme throughout his professional and personal life. When he was managing director of LWT in the early 1990s, Dyke arranged to meet representatives of five major English clubs to discuss a deal to award them a greater slice of media rights fees. This meeting is often cited as a catalyst for creation of the Premier League. Famously, Dyke’s ITV was outbid by Rupert Murdoch’s Sky, and years later, when Dyke was a board director of Manchester United, his was the only vote against Murdoch’s proposed takeover of the club. He became Director General of the BBC in 2000, with a reform agenda, famously describing the organisation as ‘hideously white’. In 2013, Dyke replaced David Bernstein as chairman of The FA, leaving in 2016, choosing not to seek re-election. We’re grateful to Nic Coward for putting us in touch. If you’re a latecomer to Unofficial Partner, you can go back and listen to our entire back catalogue, for free, via the website or Apple Podcasts. and if you’ve been with us since episode one, we’re really grateful for your support and interest, and rest assured we’re just getting going.
Fresh from a stint on Capital Radio and working on BBC Radio 2, John was busy with two new ventures and then came a boozy lunch with Nigel Lythgoe which led to his long stay with Gladiators.John and co-writer Colin Edmonds quickly realised a live commentary wouldn't work - with 15 cameras it was impossible to follow so in the end they used recorded footage to write from and headed to the LWT dubbing suites to finish the job.They kept a statistic ‘Bible' packed with facts and shots of him in the arena were staged after he visited Birmingham with his young children who loved meeting the Gladiators and having their photos taken with them.Wolf used to visit LWT's dubbing suite to create ‘a bit of nonsense' for the recordings, but John insists Michael was the ‘sweetest guy' and one of his favourites from the many Gladiators he saw come and go.The show racked up £600,000 in hotel bills and sets cost £2m - the pricetag of revisiting Gladiators would be frightening. John was never asked to take part in the Sky revival and was glad not to be involved in the production.And should it return to our screens? Well, apart from the financial side of things, John's instinct is a no.Have you got a Gladiators tale to tell? Get in touch with Di and Dave by emailing gladpod@gladiatorstv.com or by sending a message on Twitter. Facebook or Instagram - just search for @TheGladPodThe Glad Pod is brought to you in association with GladiatorsTV. Discover more content on their website, Facebook, Twitter and Instagram by searching @GladiatorsTV
Ingrid Oliver stays indoors in a flat in Ashford with no outside space, and watches the first episode from series four of the LWT sitcom, Me & My Girl (which you can view here: https://bit.ly/TVCIndoors14) and then tells TV Cream about it. This episode was recorded at the start of May 2020.
Wir sprechen mit Jan Koormann vom LWT Lingen, über den Lingener Einkaufssommer, die Corona Zeit beim LWT, und geben einen Ausblick auf kommende Events in Lingen.
From a place behind a newsagent's counter armed just with a single O’ level – emerging as a leading influence in getting the business of brand-based commercial radio into shape as Group Commercial Director at Chrysalis, then COO at Global Radio. In this hour of ‘Radio Moments – Conversations’, Don Thomson tells of his days at the mighty Kelloggs, before alighting on a career in radio at a colourful Piccadilly in Manchester. He moved to LWT, before establishing a national radio airtime sales agency representing the UK’s newest stations – and then returning to Piccadilly as sales director. As Chrysalis won the first of its major radio licences, Don was appointed as sales director, helping to establish Heart in the West Midlands where he designed refreshing and more accountable customer-focused ad policies as the medium became more competitive for both clients and audiences. His role broadened as Chrysalis won the London licence and his clear vision and operational focus helped to position the brand approach to radio we recognise today. On the acquisition of Chrysalis by the new Global Radio in 2007, Don became Chief Operating Officer, helping to integrate the GCap stations as Global rose to its dominant position. Since leaving the Company, he has been involved in a variety of projects, including a period as Chief Exec of Celador Radio. He reflects on the lessons he learned from Kelloggs; the tricks of client relationships; and the programmers and presenters who have helped or hindered commercial efforts. In his own words – this is the Don Thomson story. Hear the whole ‘Radio Moments Conversations’ series here (https://podfollow.com/radiomoments-conversations) – and sign up for the regular podcast for this ongoing series. Music by Larry Bryant (http://www.larrybryant.com/) .
Tällä viikolla Tuomaksella, Markolla ja Marialla on aiheena Turkin päätös laskea kymmeniätuhansia turvapaikanhakijoita rajojensa läpi Eurooppaan, Joe Bidenin poliittis-taktillisesti mestarillinen nousu Yhdysvaltain demokraattipuolueen presidenttihalukkaiden kärkikastiin, mitä eroa on kahdella vanhalla ukkelilla Joella ja Berniellä, ja vielä puhumme naisesta joka kertoi menneensä naimisiin tanskalaisen sukellusvenemurhaan Peter Madsenin kanssa. Maria kirjoitti aiheesta jutun, joka kertoo paitsi tästä naisesta myös venäläisestä toisinajattelusta. Lopuksi hyviä keskustelunaiheita pitkien epämukavien hiljaisuuksien varalle: Marko suosittelee Netflix-sarjaa Better Call Saul (https://www.netflix.com/fi/title/80021955), Tuomas poliittista satiiria Youtubesta (Daily Show: https://www.youtube.com/channel/UCwWhs_6x42TyRM4Wstoq8HA, LWT: https://www.youtube.com/user/LastWeekTonight), Maria suosittelee The Atlanticin upeaa juttua ydinperheestä (https://www.theatlantic.com/magazine/archive/2020/03/the-nuclear-family-was-a-mistake/605536/).
Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to. Joining Tim this time is comedian Meryl O'Rourke, who’s literally rooting through her drawers as we speak in search of BBC Schools programme Sam On Boff's Island, early portable television the Roadstar, early word processor the Canon StarWriter, Thames Television's kids club magazine Telereporter, LWT magazine show The Six O'Clock Show, Tom Hanks sitcom Bosom Buddies, and The International Shoparound Exotic Glamourwear Catalogue. Along the way we'll be estimating how many pills make Michael Rosen larger, failing to impress Russell Harty in a lift, considering the audience venn diagram for Dramarama: Spooky and Button Moon, puzzling over why less underwear costs more, and trying not to think too much about the operational logistics behind party invites reading 'Graham is bringing his porn'. You can find more editions of Looks Unfamiliar at http://timworthington.org/
Behind every great Tradie...."LWT works with couples in Trades businesses to stop shit hitting the fan in love, life and business."In this episode, sponsored by Galvins Plumbing and Hardware, Dan chats with Kate Muldoon, a business coach who makes it her business to manage the home-front team as well as the business side of things. As the wife of a Tradie herself, she knows what it's like to be married to a hard working bloke and the intricacies that comes with it.Follow Kate here: https://ladieswithtradies.com/https://www.facebook.com/ladieswithtradies/IG - ladieswithtradieshttps://www.linkedin.com/in/kate-muldoon/A massive thank you to our sponsor of this episode - Galvin Plumbing and Hardware (https://galvins.com.au/). Call their Osborne Park branch on 08 9441 8544 to see what they can offer.
Lord Michael Grade is one of the most recognised names in television. With a background in light entertainment, he started his broadcasting career at LWT in 1973. Dominating the British entertainment industry for five decades, he has held the hat-trick of top television jobs – chief executive of Channel 4, chairman of the BBC, and executive chairman of ITV – as well as a chairman at Pinewood Studios. He was awarded a CBE for services to broadcasting in 1998 and was made a life peer in 2011. In this in-depth interview, he recalls the highs and lows of his five decades in the industry, explains why he left a lucrative role at Embassy Television in the US and took “the biggest pay cut in history” to become controller of BBC1, and discusses one of the proudest moments of his career – his involvement in the groundbreaking Live Aid concert.
Leander aka LWT ist mir, ähnlich wie Moiselle & Wolfke, über die Sammlung an Fusion-Sets in diesem Sommer aufgefallen. Sein knackiger Mix für den diesjährigen Mixtape-Adventskalender geht, im Spektrum zwischen 95-100 BPM, über Genre-Grenzen hinaus und bildet ab, was Leander zum Zeitpunkt der Aufnahme als stimmig empfunden hat. Eine Melange aus elektronischen und Hip-Hop Beats, die ich ebenfalls mitfühlen kann.
Leander aka LWT ist mir, ähnlich wie Moiselle & Wolfke, über die Sammlung an Fusion-Sets in diesem Sommer aufgefallen. Sein knackiger Mix für den diesjährigen Mixtape-Adventskalender geht, im Spektrum zwischen 95-100 BPM, über Genre-Grenzen hinaus und bildet ab, was Leander zum Zeitpunkt der Aufnahme als stimmig empfunden hat. Eine Melange aus elektronischen und Hip-Hop Beats, die ich ebenfalls mitfühlen kann.
Leander aka LWT ist mir, ähnlich wie Moiselle & Wolfke, über die Sammlung an Fusion-Sets in diesem Sommer aufgefallen. Sein knackiger Mix für den diesjährigen Mixtape-Adventskalender geht, im Spektrum zwischen 95-100 BPM, über Genre-Grenzen hinaus und bildet ab, was Leander zum Zeitpunkt der Aufnahme als stimmig empfunden hat. Eine Melange aus elektronischen und Hip-Hop Beats, die ich ebenfalls mitfühlen kann.
I am delighted to bring you a chat with former TVS and LWT continuity announcer Glen Thompsett. He talks about his beginnings in Independent Local Radio, as well as his time at London Weekend Television, where he describes what happened on the day of the Queen Mother's death in 2002, as well as the final day of LWT just a few months later. HOST: Rob Francis (@robfrancis) GUEST: Glen Thompsett (@glenthompsett) VOICE: James Bailey LEGAL NOTICE: We welcome you to download and play the podcast and share with others for personal use; please acknowledge The TV Booth Podcast as the source of the material. You may not, except with our express written permission, distribute or commercially exploit the content. --- Send in a voice message: https://anchor.fm/tv-booth/message
This episode of the podcast features one of the finest voices in British television. Trish Bertram joins me to discuss her career. In particular, she reveals how Fern Britton persuaded her to become a continuity announcer, the day that Princess Diana died, and her final days at London Weekend Television. We would like to take this opportunity to apologise most sincerely to anyone offended by the inappropriate LWT jingle singing that occurs during this podcast. Just kidding. :) Host - Rob Francis (@robfrancis) / Guest - Trish Bertram (visit www.trishbertram.com and follow on Twitter @trishvoice) / Voiceover: James Bailey Any redistribution or reproduction of part or all of the contents in any form is prohibited other than the following: We welcome you to download and play the podcast and share with others for personal use; please acknowledge The TV Booth Podcast as the source of the material. You may not, except with our express written permission, distribute or commercially exploit the content. --- Send in a voice message: https://anchor.fm/tv-booth/message
Blyth Power special with Joseph Porter in conversation Blyth Power are a British rock band formed in 1983 by singer and drummer Joseph Porter, formerly of Zounds and The Mob. Blyth Power's music shows strong influences from punk rock and folk music, and the band members have described their sound as a cross between The Clash, Steeleye Span and The Rubettes. Established in 1983 and named after a railway locomotive, the one constant in an ever-shifting lineup has been drummer, vocalist, and songwriter Joseph Porter (real name Gary James Hatcher, born 21 February 1962 in Templecombe, Somerset). The band's lyrics often deal with episodes from history, ranging from the Trojan War to the Cod War — as well as aspects of English culture such as cricket, village life and trains. Porter is an avowed trainspotter, and in August 1998 the band appeared on the LWT television programme Holy Smoke! in a slot in which musicians discussed their individual religions — with trainspotting cited as his religion. Since 1993, Blyth Power recordings have been released on their own label, Downwarde Spiral. Since 2000 they have cut back on their touring schedule due to various personal commitments, but they have organised an annual mini-festival, the Blyth Power Ashes. The festival takes place in August of each year, and combines live music with a cricket match featuring band members and their associates. From 2011 the event moved to The Plough, in Farcet Fen near Peterborough due to its ever-increasing popularity. From 2015 The Ashes takes place at The Hunters Inn in Longdon, near Tewkesbury. Joseph Porter has also been involved with various side-projects, such as doing solo guitarist/vocalist performances and collaborating in two other bands, Red Wedding and Mad Dogs & Englishmen.
MICHAEL SCOTT is the New York Times bestselling author of more than one hundred books for both adults and young adults. He has written both fiction and nonfiction, his fiction being primarily of the fantasy, science fiction, and folklore genres. His work has been published in thirty-seven countries and translated into twenty languages. Visit him online at http://www.dillonscott.com/. MELANIE RUTH ROSE has worked extensively in the entertainment industry throughout her career, completing numerous projects for the BBC, LWT and ITV, and appearing on the West End stage. Born and raised in England, Rose now lives in Los Angeles. MIRROR IMAGE is her first collaboration with Michael Scott. For more information, visit http://www.melanieruthrose.com/. Join the Thorne & Cross newsletter for updates, book deals, specials, exclusives, and upcoming guests on Thorne & Cross: Haunted Nights LIVE! by visiting Tamara and Alistair at their websites: alistaircross.com and tamarathorne.com This is a copyrighted, trademarked podcast owned solely by the Authors on the Air Global Radio, LLC.
We attended the 2018 Lesbians Who Tech + Allies Summit back in March in San Francisco. The LWT organization supplied us with a press pass so we took our portable recorder and spoke to attendees at the summit. It was an awesome event and we had a blast. Take a listen to our guests Cat Wade , Tonda Case & Carolyne Vu. Thank you so much to the entire LWT team! Find out more at https://lesbianswhotech.org
In this episode, guest Leah Hiller, OTR/L, and Jayson dive into Response to Intervention (RTI) a bit and discuss several ways occupational therapists can have an impact on students without ever completing an evaluation. RTI is a growing model in schools and as OTs, it opens the door for us helping more students in less time. It also provides opportunities for OTs to provide in-services for teachers and recommend curriculums that will benefit the social and motor aspects of student roles. Earn Professional development for OT School House Podcast episodes you've already listened to at www.OTSchoolHouse.com/pd Contact Leah Hiller, OTR/L at Hillertherapy.com Learning Without Tears (LWTears.com): Formally known as Handwriting Without Tears, LWT is a leader in developing handwriting and keyboarding curriculums. Want to hear from them on the podcast? Shoot them an email and let them know about us. We Thinkers! from SocialThinking.com: This program uses music and play to teach early learners how to manage every day social situations. Personal Space Camp by Julia Cook (Affiliate link) Use this Amazon affiliate link to check out the book used by Leah to help her young students understand personal space in school. AOTA's FAQ On Response To Intervention (RTI) Use this link to view AOTA's description and understanding of what RTI is and how OT/COTA can use RTI in schools. Thank you for listening. Be sure to hit subscribe on your app so that you never miss an episode! Purpose Therapy Box Find the perfect OT gift for yourself or your favorite OTP! Use promo OTSchoolHouse for 10% off!Back To School ConferenceLearn more & register for the OT School House: Back to School Conference before early bird registration ends!
It's Gondelmania as Sean & Joey are joined by Josh Gondelman of "Last Week Tonight." Josh gives his patented pep talks to downtrodden NBA players and teams and makes a starting five out of LWT characters. We all diss the triangle offense, and talk about Coach Kobe, Wikipedia, Chipotle, JumpSoles, players we want to see win titles, bitcoins, Supa Cool Beas, Brooklyn Nets food trucks, Russell Westbrook as Good Luck Chuck, and the retired Matt Barnes' Derek Fisher-tracking app. Also Joey's neighbor runs a giant vacuum outdoors near the end, so we apologize about that. See acast.com/privacy for privacy and opt-out information.
Lwt's kick off Halloween with a special guest - Eddie rotten - as he joins Gavin and Andrew to discuss where has Halloween gone to these days?
Matthew Bannister on Sir John Hurt, the actor whose outstanding roles included Quentin Crisp, the Elephant Man and Caligula. Margaret Pereira, the pioneering forensic scientist who was known as "Miss Murder" by the press. Sir Christopher Bland who chaired LWT, the BBC and BT. Emma Tennant, the author from an aristocratic background whose work included sequels to classic novels. And Mary Tyler Moore, the American TV star whose sitcom made her a role model for independent career women. Producer: Neil George.
We're pulling an all-nighter! Gary and Tilt look back at the development of 24-hour television in the UK...who remembers The Nightshift?
It's trandem-based madness on the South Bank as The Sitcom Club reviews The Goodies at LWT.
It's an all-new weekend line-up as Mooncat and Ocho visit 1968 to see the latest member of the ITV network in action.
Steve Stebbing (The League Of Manchildren) comes on the show to watch the fantastic film Bronson starring Tom Hardy! It was a great time chatting about the movie and podcasting in general! We tended to go off the topic at hand but who cares! It was a blast! Check it out!
In this episode we discuss registering for Dreamforce 2015, Benioff winning the Celebrity Fitbit Challenge, issues with deploying large packages and metadata between sandbox and production, Benioff's stance against Indiana's Religious Freedom Restoration Act, Drunk UX testing, and Benioff's interview at the Lesbians Who Tech conference.Dreamforce 2015So which billionaire CEO won the fitness challenge — #TeamDell or #TeamBenioff?Salesforce CEO Benioff Takes Stand Against Indiana Anti-Gay LawI Paid a UX Expert $100 to Get Drunk and Evaluate Gizmodo's DesignKara Swisher Interviews Marc Benioff at LWT 2015 at the Castro Theater, SFWhy America’s obsession with STEM education is dangerousHilarious TV Ads From The Dawn Of The Home Computer EraDevelopers! Developers! Developers! Developers!
Peep Show, the long-running Channel 4 comedy, is shot and set in Croydon. Lucky Feller, which starred a pre-Only Fools and Horses David Jason, was set in Lewisham and shot on a soundstage at LWT.
In this episode Paul Monaghan takes a walk down memory lane to discuss his arcade memories. Starting out in the 80's up to today, a lot of classic machines are discussed. Members of the team also discuss what they loved about the arcades. As well as this is an interview with Paul Bratt from Paul's Custom Cabs who makes an excellent range of custom made bartop arcade machines to order. Check out https://www.facebook.com/pauls.customcabs?fref=ts https://www.facebook.com/ABeadsCStart - for a great charity raffle run by a friend of our show. https://www.youtube.com/channel/UCfCC9rIvCKoW3mdbuCsB7Ag Main Site Sponsors Play Expo- http://www.playexpo.net/ Play Expo is returning to Manchester's EventCity for its third successive year. Taking place 11th and 12th October 2014. Funstock http://www.funstock.co.uk/ Home of the Dingo A330, NeoGeoX and stacks of retro gaming merchandise and usb controllers. Remember to use the code ‘asylum' for an exclusive 5% discount against any order. Retro Towers http://www.retrotowers.co.uk/ The only place to pick up the fantastic Everdrive and retro console cables and peripherals. September Site Sponsors Dino Dini- legendary game producer of the Kick Off and Goal series. Follow Dino on Twitter @dndn1011 Stelios Michael J Hay TheRetroHunter Finally thank you to Trish Bertram for our new LWT intro, her website is http://www.trishbertram.com/
The Goodies' series nine LWT episode Change of Life gets dissected by the podcast team. Including the original 1982 ad break. Link to the ad break from Change of Life in 1982: https://www.youtube.com/watch?v=7IKDAMnGC1s
All good things come to an end - friendships, relationships, vacations... visits to cheerleaders... lives and loves... Superstars, Super Hats and Superchaps Three... Back in the real world once again, Steve and Megan take time out (30 minutes, in fact...no... 27... no... 26) to catch up with events from last year, and also to watch the final episode of the Goodies ever - Animals (but not THAT Animals, the LWT one!) Be ready for daring ideas, daring comedy, daring bedroom scenes, vacation slide nights and a heck of a lot of swearing! Revisit with us now, where it all ended... will it be a blast, or a whimper? And will Steve survive the week????
Charlie Beckett, Head of Media and Communications at the London School of Economics, looks at WikiLeaks as a case study for understanding media and political communication. Beckett is the founding director of Polis, the London School of Economics' international journalism think-tank. He was an award-winning filmmaker and editor at LWT, BBC and ITN's Channel 4 News. He is the author of SuperMedia (Wiley Blackwell, 2008) which sets out how journalism is being transformed by technological and other changes and how that will impact on society. His latest book is WikiLeaks: News In The Networked Era (Polity) which describes the history and significance of WikiLeaks. Polis is a public forum for debate about the news media in the UK and globally. Polis holds seminars, conferences and lectures and has published reports on topics such as social media, reporting politics, financial journalism, humanitarian communication and media and development.
This week the castaway on Desert Island Discs is the Chairman of BT, Sir Christopher Bland. Passionately interested in business, Sir Christopher's business career maps a total of 18 different business and industries, about which he says "I was shocked!" It also includes Chairmanships of LWT and the BBC. In conversation with Sue Lawley, he talks about his life and work and chooses eight records to take to the mythical island.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Write Myself a Letter by Fats Waller Book: The collected works by John Donne Luxury: Two and half miles of the Hampshire Chalk Stream
This week the castaway on Desert Island Discs is the Chairman of BT, Sir Christopher Bland. Passionately interested in business, Sir Christopher's business career maps a total of 18 different business and industries, about which he says "I was shocked!" It also includes Chairmanships of LWT and the BBC. In conversation with Sue Lawley, he talks about his life and work and chooses eight records to take to the mythical island. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Write Myself a Letter by Fats Waller Book: The collected works by John Donne Luxury: Two and half miles of the Hampshire Chalk Stream
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