Podcasts about Six Degrees Records

Looking to connect with a community of physician podcasters? We provide the tools, connections, and resources you need to amplify your voice and grow your audience. Be part of something exciting as we prepare to launch. Join the Doctor Podcast Network today!______________________In this episode, Dr Bradley Block interviews Derek Beres, to discuss the intersection of conspiracy theories and spirituality, particularly in the wellness space. Barris explains how "conspirituality" merges left-leaning new-age beliefs with right-wing political ideologies, often exploiting distrust in institutions like healthcare. They explore how wellness influencers leverage emotional appeal, certainty, and fear-mongering to market alternative health solutions.They also discuss how a strong focus on individualism contributes to the spread of medical misinformation and how social media plays a big role in making these ideas more popular. The conversation also touches on figures like RFK Jr. and the Make America Healthy Again movement, which advocates for food regulation while paradoxically aligning with deregulation-focused politics. Dr Block and Barris went further to discuss how physicians can push back by fostering trust, communicating uncertainty effectively, and engaging in social media discourse. BioDerek Beres is an author, speaker, and media expert based in Portland, Oregon. He has held senior editorial positions at various tech companies and has extensive experience in health, science, and music writing. Beres regularly speaks on science and media literacy and is the co-host of the Conspirituality podcast, which examines the convergence of conspiracy theories and wellness culture.In addition to his work in media, Beres is a certified group fitness instructor, having taught yoga, studio cycling, and kettlebell classes at Equinox Fitness from 2004 to 2020. He is also the co-founder of EarthRise SoundSystem, a music production duo that has released records with Six Degrees Records and collaborated with artists like Vieux Farka Touré.Beres has authored several books, including Conspirituality: How New Age Conspiracy Theories Became a Health Threat, Global Beat Fusion: The History of the Future of Music, and Hero's Dose: The Case for Psychedelics in Ritual and Therapy. His writing has been featured in over 40 publications, such as Time, Rolling Stone, The Boston Globe, Teen Vogue, Salon, Women's Health, and National Geographic.Website:https://www.derekberes.com/https://www.conspirituality.net/https://linktr.ee/derekberesSocials:https://www.instagram.com/derekberes/https://x.com/derekberes Did you know…You can also be a guest on our show? Please email me at brad@physiciansguidetodoctoring.com to connect or visit www.physiciansguidetodoctoring.com to learn more about the show!Socials:@physiciansguidetodoctoring on FB@physicianguidetodoctoring on YouTube@physiciansguide on Instagram and Twitter     Visit www.physiciansguidetodoctoring.com to connect, dive deeper, and keep the conversation going. Let's grow! Disclaimer:This podcast is for informational purposes only and is not a substitute for professional medical, financial, or legal advice. Always consult a qualified professional for personalized guidance.

Beyond the flames, L.A. communities face long-term challenges from gentrification and loss. Join our "Meet the BIPOC Press" panel as local journalists explore the environmental and social impacts of recent fires.This show is made possible by you! To become a sustaining member go to https://LauraFlanders.org/donate Thank you for your continued support!Full Episode Description:  In times of crisis, people need their questions answered, fast. As residents impacted by the recent Los Angeles fires return to their homes, are they receiving enough information about insurance and recovery dollars, or how to protect their health and wellbeing? At the time of this recording, the Pacific Palisades and the Eaton fires are still burning, with toxic air and water putting thousands at risk. On top of the immediate dangers, the loss of community and the threat of developers and gentrification will impact residents for years to come. How are the media reporting on communities dealing with this immeasurable loss and what is the path to recovery for the city? Kadia Tubman, Scripps News Disinformation Correspondent, returns to host our monthly “Meet the BIPOC Press” panel. Joining us from Los Angeles are two journalists to talk about the stories they're covering on the ground. Cerise Castle reports on civil rights, criminal justice and climate. She wrote a groundbreaking exposé of deputy gangs inside the L.A. County Sheriff's Department which we featured last year.  She is exploring the environmental impact the fires have had in communities such as Altadena. Jacqueline García is a Senior Reporter at CALÓ News, focused on immigration, politics and issues affecting the Latino population. She is covering inspiring organizing among day laborers and immigrants. We'll also see an excerpt from Castle's most recent report for Capital & Main. Join us to hear what local BIPOC reporters want outside media to hear, as they respond to the Los Angeles fires.“. . . I am glad to see that there has been a course correction by both local and national media to bring these stories to the forefront, not just talking about high-income earners in the Palisades that have lost million-dollar homes, but talking about the babysitters, the grocery shopkeepers, the renters that were living in apartments that lost everything in the Eaton fire.” - Cerise Castle“. . . [Immigrants are] using this phrase of “el pueblo salva al pueblo,” which is people helping people . . . They said that this is what they're showing, that immigrants are also coming to work and they're showing their efforts and their passion for the community, and they want it to go back to as normal as possible.” - Jacqueline GarcíaGuests:•  Cerise Castle: Journalist, Capital & Main•  Jacqueline García: Senior Reporter, CALÓ News•  Kadia Tubman: Disinformation Correspondent, Scripps News Watch the episode cut airing on PBS stations across the country at our YouTube channelSubscribe to episode notes via PatreonMusic In the Middle:  “Babylon Flamenco” by Gaudi from his album Bass, Dub, Sweat & Tears courtesy of Six Degrees Records.  And additional music included- "Steppin"  and "All The Ways" by Podington Bear. Related Laura Flanders Show Episodes:• The Defund Movement in 2024: Frontline Reporters Separate Myth from Reality: Watch / Audio Podcast•  Colette Pichon Battle on Climate Justice Reparations: Watch / Audio Podcast: Episode &/or Full Conversation•  BIPOC Media Answers the Call: Community Action After Hurricane Helene: Watch / Audio Podcast: Episode &/or Full Conversation   Related Articles and Resources:•  Day Laborers and Volunteers Clean After the Eaton Fire, by Jacqueline Garcia, January 10, 2025, CALÓ News•. Black Altadena Rebuilds after the Eaton Fire with Guidance from Octavia Butler, by Cerise Castle, January 24, 2025, Capital & Main•  Governor Newsom announces commitments from major lenders to provide firestorm survivors with mortgage relief, January 18, 2025 Gov.CA.Gov•  ‘It all ended in a second':  Thousands of low-income and immigrant workers lost jobs in LA fires, by Alejandra Reyes-Velarde and Jeannie Kuang, January 17, 2025, CAL MATTERS•  Wildfire Mutual Aid Spreadsheet Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Janet Hernandez, Jeannie Hopper, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Solénoïde (28.10.2024) - Embarquez au cœur d'une Algérie aux mille visages sonores, s'étirant du littoral méditerranéen jusqu'aux confins du Sahara ! Pendant 55 minutes, Solénoïde vous ouvre les portes d'un univers musical riche et diversifié : de la douceur nostalgique de la musique arabo-andalouse à l'énergie brute du raï, des rythmes kabyles à l'électro-sampling inspiré des lieux oubliés du monde par El Mahdy Jr.

Thirty episodes ago, that week's guest discussed with me the notion of this podcast being a one-man weekly endeavor."That's a grind, man," he said. "That's a grind."He was right when he made that comment, and it made me realize that that was a good summation of what the thing had been to that point. And it hasn't changed. It really is a grind to do the outreach and the scheduling, the interviewing and the editing, the prep and the getting the thing to the places it needs to be.There are five essential components that make it all worthwhile:1) meeting new people and hearing their stories2) getting exposed to music I've either never heard of or listened to before3) having guests tell me that they've enjoyed the interview4) experiencing real-life, there's-still-good-in-the-world moments with each interaction5) personal weekly pride in task completion and productivitySo, when I sit in the chair across from a total stranger like DINKC, and I get to learn about him, his family, his culture, his story, his wishes and dreams, and I then get to put it out there for whoever might be interested in sharing that same experience with me, it's worth it. You cannot put a price tag on the opportunity to meet a guy like DINKC. Now, I only sat with him for a couple of hours, and -- who knows -- we may never see one another for the rest of our lives. As DINKC says and lives and is, Death Is Not Knowing Certainty. It doesn't matter, though; my life and my time on this planet are richer for those two hours, and nothing can change that.So, please check out our conversation. DINKC is a son and a brother and an uncle and a father and a husband and an artist. He's a businessman, a dreamer, a friend to many, and an asset to the Kansas City metro area.We talked about his upbringing, his culture, his values, his art studio -- DINKC Studios (600 Ohio Ave. in Strawberry Hill), and we also talked a little bit about some of his favorite records, which were these:Ritchie Valens (1959), Ritchie ValensNotorious B.I.G.'s Ready to Die (1994)Barrio Bravo (2001), Celso PiñaYou can give DINKC a follow on Instagram here and here, and you can check out Zoe Strohm's The Pitch article on him here.copyright disclaimer: I do not own the rights to the audio samples featured in this episode. They are clips from a track called, "Slow Jam" by Vieux Farke Touré off of his 2009 album, Fondo (c/o Six Degrees Records).

In observance of International Holocaust Rememberance Day (Jan. 27) we're listening to and discussing Silent Tears: The Last Yiddish Tango, the acclaimed 2023 CD with new music and songs based on poetry and other writing by several women who are, or were, Holocaust survivors in Toronto. These songs recall their terrible and traumatic experiences during the Holocaust, including sexual abuse and torture. Some of the songs were collected and adapted by Dr. Paula David, a social worker, from a group of survivors in the Terrace Holocaust Survivors Group at the Baycrest Centre for Geriatric Care in Toronto who wrote poetry together to deal with their trauma. Others were adapted from the diary of Molly Applebaum, a Holocaust survivor in Toronto. The music, which is mostly new for this CD, is performed by Toronto's Payadora Tango Ensemble along with several soloists. Our guest to discuss Silent Tears is Vicky Ash-Shifris. She lives in Jerusalem and works as a Yiddish teacher and translator. She translated four of the songs on the CD into Yiddish. For additional info on Silent Tears, visit Executive Producer Dan Rosenberg's website: https://danrosenberg.net/silent_tears_the_last_yiddish_tango_info_and_press or, to audition and purchase the CD, visit its Six Degrees Records album page: https://payadoratangoensemble.bandcamp.com/album/silent-tears-the-last-yiddish-tango Music: Aviva Chernick with Payadora Tango Ensemble: Silent Tears (Words: Terrace Holocaust Survivors Group, Paula David, Dan Rosenberg; Music: Rebekah Wolkstein) Aviva Chernick with Payadora Tango Ensemble: The Numbers on My Arm (Words: Terrace Holocaust Survivors Group, Paula David, Dan Rosenberg; Music: Rebekah Wolkstein) Aviva Chernick and Olga Avigail Mieleszczuk with Payadora Tango Ensemble: Don't Let Us Starve (Words: Molly Applebaum, Dan Rosenberg; Music: Artur Gold) Lenka Lichtenberg: A Victim Of Mengele (Words: Terrace Holocaust Survivors Group, Paula David, Dan Rosenberg; Music: Rebekah Wolkstein) Henry Carrey: Tu Beshvat (Music and Lyrics by Beyle Schaechter-Gottesman) Intro instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air date: January 24, 2024

Sintonía: "Tabara" (feat. Ali Farka Touré) - Vieux Farka Touré "Sangare", "Ana", "Touré De Niafunké" y "Courage", extraídas del álbum "Vieux Farka Touré" (2006) "Fafa", "Ai Haira", "Slow Jam", "Diaraby Maghi", "Chérie Lé y "Paradise" (feat. Toumani Diabaté), extraídas del álbum "Fondo" (Six Degrees Records, 2009) Escuchar audio

Solénoïde (02.01.2023) - Qu'elles soient profanes ou sacrées, antique ou high-tech, Solénoïde vous offre une plongée panoramique dans l'océan des musiques de tradition - ou d'inspiration – indiennes, des musiques à connotation spirituelle disposant d'un pouvoir d'émerveillement infini. Des voix de sa diaspora à celle de ses amoureux lointains, l'Inde est ainsi célébré par divers aventuriers musicaux capables de concrétiser l'union entre tablas et ordinateurs. Au menu de cette émission, vous retrouverez les acrobaties rythmiques de Zakir Hussain (ECM), le groove voluptueux des italo-japonais de Makyo (Sky Dancer), un pur bijou de fusion est-ouest signé U.Srinivas et Michael Brook… et une multitude d'expressions invoquant la tradition mais aussi le futur musical de la nation Indienne avec Ghazal (ECM), Midival Punditz (Six Degrees), Sheila Chandra (Real World), Shankar (Axiom), Asa Chang and Junray (Leaf), Gayan Uttejak Orchestra (GUO).

Join Dr. Danielle Belardo and her expert of the week, multi-faceted author, media expert, and co-host of the Conspirituality Podcast, Derek Beres. Derek is pulling back the curtain on the wellness industry and exposing the harmful trends, tactics, and patterns of pseudoscience influencers that have turned spirituality into paranoia. Today's eye-opening episode will leave you with the tools to weed through spiritual disinformation and recognize a “wellness” opportunist when you see one.        Danielle and Derek discuss:    The meaning and origins of conspirituality   How the wellness industry has been taken over by conspiracy theories and fake progressive wellness utopianism  How charismatic influencers exploit their followers and tips to avoid scamfluencers    The horseshoe effect in wellness and why it is a major red flag     Derek Beres is a Los Angeles based writer and the Senior Editor at Eco. Currently, he is co-writing Conspirituality: How New Age Conspiracy Theories Became a Public Health Threat with Matthew Remski and Julian Walker. He has been featured in over forty publications, including Rolling Stone, Women's Health, Big Think, Yoga Journal, and National Geographic. He is also the co-founder of EarthRise SoundSystem and has produced records for Six Degrees Records and Vieux Farka Toure.    Thank you so much for taking the time to contribute to a generation that values fact over fiction! Be sure to rate, review, and follow on your favorite podcast app and let us know which not-so-wellness trend you'd like to hear debunked. Follow your host on Instagram @daniellebelardomd and the podcast @wellnessfactvsfiction. Learn more about Derek at derekberes.com.    Thank you to our sponsors for making this episode possible. Check out these deals just for you:  DIPSEA - go to dipseastories.com/drdanielle for a free 30 day trial.  COZY EARTH - Go to cozyearth.com and enter WELLNESS at checkout to SAVE thirty-five  Percent.  FITON - Text WELLNESS to 64-000 to join FitOn for free! 

Happy Thursday Friends! We are 2 days away for Christmas. I am looking forward to spending time with family and making more memories. I am excited to introduce you to my next guest. He is a very talented artist, he has paved his own way as a musician and not getting tied up in any specific label as an artist. Please welcome Michael Emenau. From his first professional gig at the age 16 drumming in a country band to performing at with a symphony orchestra at Carnegie Hall four years later, the career of Michael Emenau has been as prolific as it has been varied.  After completing a degree in classical percussion from McGIll University Michael played for multiple orchestras. Feeling confined he switched his focus over to jazz vibraphone, both of these experiences provided the skills to perform a wide range of musical genres, to date he has recorded vibraphone on over 200 albums. In the early 90's he moved to Tokyo and immersed himself into the acid jazz and EDM scene becoming a member of the weekly UFO's (United Future organisation) live/DJ all night music battles at Club Yellow. He went on to record on 5 of UFO's albums including the platinum selling “Red Hot and Blue”.In the late 90's Michael relocated to San Francisco where his musical interests cracked wide open—producing 3 albums with the Middle Eastern electronic group LUMIN; was a founding member of The Jazz Mafia which incorporated live looping and sampling into small and large jazz ensembles; fronting an Afro-Cuban dance band while also releasing solo jazzy downtempo music with Six Degrees Records and Hearts of Space.In 2005 Michael and his family relocated to Paris where he started a multi-year project unearthing, re-arranging, recording and performing the music of Henry Purcell with Cirque du Soleil star vocalist Elise Velle. This project spilled over to writing a musical, Divine Intervention--an interpretation of the demi-god Dionysus and his actual cultural influence on Classical composers and authors culminating in a 2-week run at the Nova Scotia Fringe Festival.Michael, his family and his beagle currently reside in Montreal where he is a world-touring member of the Grammy nominated “Les Triplettes de Bellville” Cine-Concerts series. He co-leads the Canadian Folk Music Awards nominated “ensemble of the year 2020” SUSSEX, which interweaves folk, ragtime, and roots music.Since the onset of Covid Michael has gone back to the studio and released 3 albums of Lofi Hip-Hop instrumental. The first of which is based on the music of Eric Satie and streamed over a half million times on Spotify. This quick success led to Michael signing with Six Degrees Distribution/Universal Records whose team helped to spark his  renewed passion for classical music. To follow, support or learn more head to the links below:http://www.mnomusic.com/https://www.instagram.com/mnomusic/https://twitter.com/mnomusicSupport for Label Free Podcast is brought to you by ​MANSCAPED™​, who is the best in men's below-the-waist grooming.  ​MANSCAPED  offers precision-engineered tools for your family jewels. They obsess over their technology developments to provide you the best tools for your grooming experience. MANSCAPED is trusted by over 2 million men worldwide! We have an exclusive offer for my listeners - 20% off + free shipping with the code: LabelFree20 at   https://www.manscaped.com​ As always thank you for the support, to contact me directly follow the link below: https://www.labelfreepodcast.com​ Stay Healthy, Stay Ready- Deanna Marie Kuempel #ad​​ #sponsor​

Happy Thursday Friends! We are 2 days away for Christmas. I am looking forward to spending time with family and making more memories. I am excited to introduce you to my next guest. He is a very talented artist, he has paved his own way as a musician and not getting tied up in any specific label as an artist. Please welcome Michael Emenau. From his first professional gig at the age 16 drumming in a country band to performing at with a symphony orchestra at Carnegie Hall four years later, the career of Michael Emenau has been as prolific as it has been varied.  After completing a degree in classical percussion from McGIll University Michael played for multiple orchestras. Feeling confined he switched his focus over to jazz vibraphone, both of these experiences provided the skills to perform a wide range of musical genres, to date he has recorded vibraphone on over 200 albums. In the early 90's he moved to Tokyo and immersed himself into the acid jazz and EDM scene becoming a member of the weekly UFO's (United Future organisation) live/DJ all night music battles at Club Yellow. He went on to record on 5 of UFO's albums including the platinum selling “Red Hot and Blue”.In the late 90's Michael relocated to San Francisco where his musical interests cracked wide open—producing 3 albums with the Middle Eastern electronic group LUMIN; was a founding member of The Jazz Mafia which incorporated live looping and sampling into small and large jazz ensembles; fronting an Afro-Cuban dance band while also releasing solo jazzy downtempo music with Six Degrees Records and Hearts of Space.In 2005 Michael and his family relocated to Paris where he started a multi-year project unearthing, re-arranging, recording and performing the music of Henry Purcell with Cirque du Soleil star vocalist Elise Velle. This project spilled over to writing a musical, Divine Intervention--an interpretation of the demi-god Dionysus and his actual cultural influence on Classical composers and authors culminating in a 2-week run at the Nova Scotia Fringe Festival.Michael, his family and his beagle currently reside in Montreal where he is a world-touring member of the Grammy nominated “Les Triplettes de Bellville” Cine-Concerts series. He co-leads the Canadian Folk Music Awards nominated “ensemble of the year 2020” SUSSEX, which interweaves folk, ragtime, and roots music.Since the onset of Covid Michael has gone back to the studio and released 3 albums of Lofi Hip-Hop instrumental. The first of which is based on the music of Eric Satie and streamed over a half million times on Spotify. This quick success led to Michael signing with Six Degrees Distribution/Universal Records whose team helped to spark his  renewed passion for classical music. To follow, support or learn more head to the links below:http://www.mnomusic.com/https://www.instagram.com/mnomusic/https://twitter.com/mnomusicSupport for Label Free Podcast is brought to you by ​MANSCAPED™​, who is the best in men's below-the-waist grooming.  ​MANSCAPED  offers precision-engineered tools for your family jewels. They obsess over their technology developments to provide you the best tools for your grooming experience. MANSCAPED is trusted by over 2 million men worldwide! We have an exclusive offer for my listeners - 20% off + free shipping with the code: LabelFree20 at   https://www.manscaped.com​ As always thank you for the support, to contact me directly follow the link below: https://www.labelfreepodcast.com​ Stay Healthy, Stay Ready- Deanna Marie Kuempel #ad​​ #sponsor​

Bob Duskis, president and co-founder of Six Degrees Records looks back on 25 years of music and experience running a record label. How to get a smash hit song with TikTok and the impact it has on an artist's visibility and sales. How to find and select international artists for your music label. How to work out record deals from an independent label perspective. How to work with global distribution deals for varying international markets. Developing and nurturing a new audience based on instrumental tracks recorded and produced specifically for guided meditations. Music from Dom La Nena, Karsh Kale, and Bombay Dub Orchestra. How 2020 pushed independent artists to evolve and produce music on their own. A retrospective look at Six Degrees Records with Bob's upcoming new podcast. https://www.sixdegreesrecords.com/ https://www.sixdegreesrecords.com/dom-la-nena/ https://www.sixdegreesrecords.com/karsh-kale/ https://www.sixdegreesrecords.com/bombay-Dub-orchestra/ Learn more about your ad choices. Visit megaphone.fm/adchoices

A cantora, compositora e violoncelista franco-brasileira Dom La Nena lançou recentemente "Tempo", seu terceiro álbum solo. Aclamado pela crítica europeia, ele traz uma mistura poética de diversos estilos musicais e transita por três línguas diferentes: uma viagem regada à delicadeza e sensibilidade típicas da artista. Neste novo álbum do selo Six Degrees Records, Dom La Nena aborda com maestria os vários aspectos do tempo. Não por acaso, o trabalho é lançado no começo dos 30 anos da artista, composto no final de seus 20 anos. De forma inconsciente, ela diz que essa nova etapa da vida a influenciou. "Durante o processo de composição, eu tinha a impressão de que cada música tinha sua vida própria e eu não via uma ligação entre elas. Eu só fui me dar conta de que havia um fio condutor quando o disco estava praticamente pronto. As faixas levantam reflexões em torno da vida, da morte, do nascimento, do amadurecer, do envelhecer, da solidão, enfim, sobre várias questões que têm uma ligação com o tempo", diz Dom La Nena, em entrevista à RFI. A gravidez e a maternidade também são temáticas que vêm à tona no álbum, seja através dos batimentos cardíacos da filha mixados em algumas músicas ou pelas letras que tratam deste amor incondicional. A pequena Alma é, aliás, a protagonista do clipe "Todo tiene su fin", em que aparece ao lado da mãe. Mistura de ritmos e línguas "Tempo" também concretiza um particular universo criado por Dom La Nena desde o início de sua carreira. A jovem começou cedo: os estudos de música tiveram início quando tinha quatro anos, em Porto Alegre, sua cidade natal. As mudanças e vivências em três países diferentes, em pouco mais de 30 anos de vida, a levam a trasladar entre o samba e a chanson française, a bossa nova e a milonga. "Nasci no Brasil, conheci a música no Brasil e isso foi muito importante. Lá eu tinha uma relação muito prazerosa e alegre com a música que eu não encontrei chegando aos oito anos em Paris, onde eu encontrei algo muito acadêmico e exigente. Depois, passei minha adolescência na Argentina, então tenho uma relação forte com a música da América Latina, em geral, e com a música francesa também. E tudo isso, obviamente, despertou uma curiosidade por músicas do mundo inteiro", conta. A exemplo dos dois álbuns solo anteriores "Ela" e "Soyo", a artista continua investindo no diálogo entre três línguas diferentes, com uma impressionante naturalidade. Na faixa "Oiseau Sauvage", a artista chega a mesclar português, espanhol e francês. "É quase como se eu tivesse três línguas maternas, elas fazem parte da minha identidade, cultura e história. O fato de eu usar três idiomas e misturá-los em minhas músicas é algo muito natural, não é como se eu estivesse fazendo algo que eu não dominasse e que fosse alheio à minha história. Acho que cada língua tem uma sonoridade própria, uma particularidade musical. Muito frequentemente percebo que uma letra que eu escrevi em português não funcionaria em espanhol, por exemplo", explica. Novos caminhos com o violoncelo Em "Tempo" Dom La Nena também dá um espaço maior a seu instrumento preferido, o violoncelo, que começou a tocar aos sete anos. Uma experiência similar já havia sido desenvolvida no projeto "Birds on a Wire", em 2014, junto com a cantora franco-americana Rosemary Standley, do grupo Moriarty. Mas em seu novo álbum solo, a jovem vai ainda mais longe. "No 'Tempo', eu tinha essa vontade de fazer um disco violoncelo e voz, mas tentando levar esse instrumento para caminhos que eu ainda não tinha explorado, de uma forma um pouco mais moderna, experimental e pop. Então, eu fui construindo a cor do disco e fazendo os arranjos aos poucos, sozinha ou com o técnico de som no estúdio, experimentando maneiras de transformar o som do violoncelo e levá-lo para novas sonoridades", reitera. Outra particularidade relacionada ao álbum "Tempo" é o seu lançamento, em plena pandemia de Covid-19. Dom La Nena conta que, diante da crise sanitária, foi obrigada a se adaptar. "O disco ia ser lançado no ano passado, mas por causa da pandemia, fui adiando. Nesse ano decidi lançá-lo porque achei que fosse uma maneira de me aproximar do meu público. Está sendo diferente, obviamente, pelo fato de não ter shows, não poder encontrar pessoalmente o público e não ter essa troca de energia e esses encontros que são fundamentais para um músico", aponta. No entanto, a artista encontrou outras formas de se conectar ao público. Enquanto as salas de shows não voltam a reabrir na França, a experiência, ainda que temporária, tem rendido bons frutos. "Acabou que está sendo legal, apesar de tudo. Estou fazendo muita divulgação e tendo muito retorno de gente que me diz que o disco os acalma, que os ajuda nesse momento tão difícil para todo mundo. Isso me deixa feliz porque uma das principais razões de fazer música é fazer bem ao público", conclui.

« Tempo », le 3e projet solo de la chanteuse et violoncelliste brésilienne Dom La Nena navigue entre bossa, pop et musique de chambre. Nous, c'est au salon qu'elle nous a reçus, celui de son appartement parisien. Entre deux éclats de rire, la « petite » raconte une vie faite d'exils et de passions ainsi que les rencontres qui, de Porto Alegre à Paris en passant par Buenos Aires, l'ont façonnée. Un podcast original en audio 3D. A écouter au casque. Son pseudo signifie "la petite". Pourtant, à bientôt 32 ans, la violoncelliste et chanteuse Dom La Nena a tout d'une grande : un parcours fait de passions (voire "d'obsession", fut un temps, pour le violoncelle) et de rencontres déterminantes. Née à Porto Alegre, au sud du Brésil, elle emménage à Paris à l'âge de 8 ans avec ses parents et intègre le conservatoire. A 13 ans, de retour en Amérique du Sud, elle rejoint seule Buenos Aires, la capitale argentine, pour perfectionner son instrument auprès de la violoncelliste américaine Christine Waleska. L'adolescente est déterminée et sacrément douée (et inversement). À 18 ans, de retour à Paris, elle embarque avec Jane Birkin sur l'album et la tournée internationale Enfants d'hiver. Un déclic. Soutenue par le songwriter Piers Faccini, la Brésilienne se lance en solo et sort, à 23 ans, son 1er album : Ela. Suivront Soyo en 2015 (co-réalisé avec Marcelo Camelo du groupe de rock brésilien Los Hernanos) et plusieurs EP chantés en portugais, en espagnol et parfois aussi en français ou en anglais. Ses compositions sont aériennes. Sa mélancolie : lumineuse. En parallèle, Dom La Nena forme avec la chanteuse franco-américaine Rosemary Standley (voix emblématique du groupe folk Moriarty) le duo Birds on a Wire. À deux voix et un violoncelle, elles revisitent un répertoire très éclectique qui va du baroque italien à Pink Floyd en passant par Gilberto Gil et Leonard Cohen. Tempo, le 3e projet solo de Dom La Nena est à son image :il navigue entre bossa brésilienne, pop et musique de chambre. Nous, c'est au salon de son appartement parisien qu'elle nous a reçus pour une conversationen toute intimité et en audio 3D. Un podcast - avec plein de d'éclats de rire et de musiques dedans - à écouter au casque. Facebook / Instagram / YouTube   Titres diffusés dans le podcast : À retrouver sur l'album Ela (Six Degrees Records - 2012) : Buenos Aires À retrouver sur l'album Soyo (Six Degrees Records - 2015) : La nena soy yo, Lisboa À retrouver sur l'EP Cantando (Six Degrees Records- 2016) : Gracias a la vida, Felicidade À retrouver l'album Tempo (Six Degrees Records - 2021) : Oiseau Sauvage, Todo Tiene Su Fin, Valsa, Doux de rêver, Esperando Alma, Teu Coração, Samba Para Você À retrouver sur l'album Birds on a wire (en duo avec Rosemary Standley, Air Rytmo - 2014) : Bird on the wire À retrouver sur l'album Ramages (en duo avec Rosemary Standley, Air Rytmo - 2020) : Sur la place, La Marelle / Amarelinha          Avec des extraits de : - Jacques Brel : Sur la place - Barbara : Sur la place - Alain Bashung : La nuit je mens - Jane Birkin : Période bleue - Nazare Pereira : La marelle - Leonard Cohen : Bird on the Wire - Los Hernanos : Cher Antoine - Violetta Pereira : Gracias a la vida - Lupicinio Rodrigues : Felicidade - Concerto pour Violoncelle de Lalo - Concert pour violoncelle en la majeur de Boccherini - Christina Waleska - Serenata del Eco   Au cours de notre conversation Dom La Nena a évoqué : La violoncelliste américaine Christine Walevska https://www.youtube.com/watch?v=7cMNPXG6m14 La musicienne et productrice française Édith Fambuena https://musique.rfi.fr/chanson-francophone-20160819-edith-fambuena-guitariste Marelle de l'écrivain argentin Julio Cortazar (1914-1984) https://www.youtube.com/watch?v=j7IkWS6nuU4 Et le titre La Marelle de la chanteuse brésilienne Nazaré Pereira Archive INA / https://www.youtube.com/watch?v=eNO8tpPTiI4

This week, international multi-award winning Toronto, Canada guerrilla-folk ensemble The Lemon Bucket Orkestra recorded live at Ozark Folk Center State Park. Also, interviews with Mark Marczyk, founding member of this genre-bending super-band. “Lemon Bucket Orkestra are Toronto's original guerrilla-folk party-punk massive. The multi-award-winning ensemble has been heralded as a groundbreaking, genre-bending phenomenon by media and fans alike, and over the past 8 years have performed all over the world from WOMAD in New Zealand and Pohoda in Slovakia, to Festival D’Été in Québec City, and Luminato in Toronto. The Guardian proclaimed that their performances are ‘gorgeously sung and passionately played’ and The New York Times declared them ‘charismatic...handsome and ambitious.’ “Equal parts exhilarating precision and reckless abandon, LBO’s live shows are a truly immersive experience - ranging from the ecstatic to the cathartic and all points in between - and they have expertly captured that unique blend of energy and emotion on their new album If I Had The Strength. Released in Canada through Outside Music in late 2018, it’s set for worldwide release via a new deal with Six Degrees Records this September, and includes guest appearances from famed soprano Measha Brueggergosman, rising Latino rapper Boogát, sing-a-long phenoms Choir!Choir!Choir! and more. “Lemon Bucket Orkestra is: IAN TULLOCH (sousaphone) , OS KAR (savage drums, screams), MARICHKA MARCZYK (accordion, vocals), MICHAEL LOUIS JOHNSON (trumpet), JULIAN SELODY (saxophone), JAASH SINGH (darbouka). ALEX NAHIRNY (guitar), MARK MARCZYK (violin, vocals), STEPHANIA WOLOSHYN (dance, percussion, vocals), NATHAN DELL-VANDENBERG (trombone), JAMES McKIE (violin)” https://www.lemonbucket.com/band In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original fiddler Lonnie Robertson performing the traditional tune “Florida Blues,” from the Ozark Folk Center State Park archives.

This week, international multi-award winning Toronto, Canada guerrilla-folk ensemble The Lemon Bucket Orkestra recorded live at Ozark Folk Center State Park. Also, interviews with Mark Marczyk, founding member of this genre-bending super-band. “Lemon Bucket Orkestra are Toronto's original guerrilla-folk party-punk massive. The multi-award-winning ensemble has been heralded as a groundbreaking, genre-bending phenomenon by media and fans alike, and over the past 8 years have performed all over the world from WOMAD in New Zealand and Pohoda in Slovakia, to Festival D’Été in Québec City, and Luminato in Toronto. The Guardian proclaimed that their performances are ‘gorgeously sung and passionately played’ and The New York Times declared them ‘charismatic...handsome and ambitious.’ “Equal parts exhilarating precision and reckless abandon, LBO’s live shows are a truly immersive experience - ranging from the ecstatic to the cathartic and all points in between - and they have expertly captured that unique blend of energy and emotion on their new album If I Had The Strength. Released in Canada through Outside Music in late 2018, it’s set for worldwide release via a new deal with Six Degrees Records this September, and includes guest appearances from famed soprano Measha Brueggergosman, rising Latino rapper Boogát, sing-a-long phenoms Choir!Choir!Choir! and more. “Lemon Bucket Orkestra is: IAN TULLOCH (sousaphone) , OS KAR (savage drums, screams), MARICHKA MARCZYK (accordion, vocals), MICHAEL LOUIS JOHNSON (trumpet), JULIAN SELODY (saxophone), JAASH SINGH (darbouka). ALEX NAHIRNY (guitar), MARK MARCZYK (violin, vocals), STEPHANIA WOLOSHYN (dance, percussion, vocals), NATHAN DELL-VANDENBERG (trombone), JAMES McKIE (violin)” https://www.lemonbucket.com/band In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1978 archival recording of Ozark original fiddler Lonnie Robertson performing the traditional tune “Florida Blues,” from the Ozark Folk Center State Park archives.

Episode 20: Halloween is upon us. SO WE ARE GOING TO GET SPOOKY ON SATURDAY! Enjoy a history lesson with your girl, Taylor Wilde. Listen to the parallels of women's wrestling and the original bad ass, feminists. Witches. Paired with a classic 80's goth rock catalogue and haunting tales told by your favourite ladies of the squared circle. Don't miss it boys and ghouls! If you get too scared. Just remember! Keep Calm, and Wilde On! ✌

Solénoïde (31.08.2020) - Compositeur américain établi en Australie, David Shea continue de tracer une voie singulière dans le paysage des musiques contemporaines avec la publication d'un album explicitement titré "Rituals". Rassemblant des matériaux sonores empruntés aux cultures bouddhiste et taoïste, cet opus nous tient en haleine pendant 75 mn, offrant une synthèse idéale entre visées contemplatives et explorations contemporaines. De quoi en faire haut la main le radiobalisage de notre mission 178 ! Mais d'autres artistes venus de la sphère radiovisuelle viendront surprendre ou émerveiller vos papilles auditives. Parmi eux, Ustad Sultan Khan et Warren Cuccurello, le curieux phénomène hongrois Laszlo Hortobagyi et le berlinois Kalipo.

FOR DECADES, globalization has been a fact of life. And even before Covid-19, it was becoming controversial. Now, with critical supply chains being disrupted by the pandemic, we're having a bit of a rethink. Whatever happens with global trade, one thing is certain: the global exchange of music, film, art and media is a cultural fact of life that will remain as vibrant and creative as ever. San Francisco is the home of Six Degrees Records, a company that's been dedicated to crossing musical borders since 1996, with the provocative slogan "everything is closer than you think." They live the idea, releasing a wide range of traditional and progressive music from around the planet. On this transmission of Hearts of Space, an Anglo-American ambient journey, on a program called SIX DEGREES OF AMBIENT. Music is by ANOTHER FINE DAY, TOM MIDDLETON, BOB HOLROYD, TOM GREEN, HALFTRIBE, ANDREW HEATH, DARSHAN AMBIENT, JEFF PEARCE, RICHARD NORRIS, and MARK ISHAM. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Solénoïde (10.06.2019) - L’espace de 55 minutes, nous allons nous intéresser à la mosaïque musicale qui forme l’Algérie, pays réputé pour son riche répertoire (de la musique kabyle à la musique diwane, du classique arabo andalou au raï). Dans cette virée sonore, vous retrouverez des musiciens influencés par leurs racines nord africaines ou des bâtisseurs de ponts entre cultures orientales et occidentales.

Recently, a fire at Highlander Center gained national attention for the historic movement institution. Donations, messages of love, and some knee-jerk panic poured in for the co-directors, well known to the Laura Flanders Show. Co-directors Ash-Lee Woodard Henderson and Rev. Allyn Maxfield-Steele join us from Chattanooga to discuss the fire at their home, as well as arsons across the country and world, at Black churches, at Notre Dame, and in Sri Lanka. Has capitalism limited our empathy? More in this episode: Pakistani activist, lawyer, and feminist on why digital rights are fundamentally civil and human rights that women deserve. Advances to allow for women's access to technology have been made in Pakistan, says Dad. But true freedom of access is still a long ways away As an organizer of Pakistan's aurat march (Women's March), Dad has experienced both the danger and the satisfaction that can come from challenging cultural restrictions. She is the founder and Executive Director of Pakistan's Digital Rights Foundation. Music Featured:  "Power Justice and Love" by Morley from her album 1000 Miles released on Six Degrees Records. For suggested reading, research and links to our guests and issues featured in this episode, go to: Patreon.com/theLFShow

How do you show up for your audience? Performing art is a co-creation between you and your audience. . . which can be invigorating when you feel connected, but can be hard if you’re not. In this episode with guest composer, vocalist and cultural instigator, Meklit Hadero, you’ll learn from her extensive touring experience on how to connect with your audience, how to pick your collaborators, maintain your artistic vision and more! Holly will also share The Watermill exercise which helps you calm nervousness and keep the wheel between you and your audience turning. This episode examines your partnership with your audience so you can feel more at ease and confidence leading the room. Find out more about Performers & Creators Lab >>Meklit is a San Francisco based Ethio-Jazz singer-songwriter and cultural activist. Meklit’s 2017 album “When the People Move, the Music Moves Too” is a love letter to the Ethiopian Diaspora, originally commissioned by the MAP Fund and released on Six Degrees Records. The album reached #4 on the iTunes World Charts and was named amongst the Best Soul Albums of 2017 by Bandcamp. Meklit is a TED Senior Fellow and her TED Talk “The Unexpected Beauty of Everyday Sounds” has been watched by more than 1.2 million people. She has toured extensively across the US, UK, and East Africa and her music videos air daily on Ethiopian national television. She been an artist-in-residence at NYU and Purdue. She sang alongside Angelique Kidjo and Anoushka Shankar as a featured singer in the UN Women Theme Song, and works with Brighter Sound Manchester on developing women songwriters across the UK. Meklit sits on the Board of YBCA and holds a BA from Yale University. Find out more at meklitmusic.comAbout Your Host, Holly ShawHolly Shaw, CHT is a performance coach, creativity researcher and stand up comedian. Growing up in Indianapolis, IN she convinced her parents she needed to go to Chicago to get her own agent when she was 14 years old and has spent a lifetime in film, T.V. and on professional stages all over the world as an actor, dancer, and director.Now she shares her passion for the problems that artists face as a Creativity Coach and a Certified Hypnotherapist and has helped hundreds of artists, from Emmy award winning and Grammy nominated artists to world class choreographers overcome their anxiety, stage fright, impostor syndrome, and creative blocks so that they can create original work and totally kill it onstage again and again without feeling like they're selling out or losing their sanity.In 2016, Shaw wrote and released her book, The Creative Formula: Compose, Choreograph, and Capture Your Masterpiece which has become an Amazon bestseller. In 2018 she launched the Performers & Creators Lab podcast which was named one of 2019's most outstanding podcasts by Databird Research. She teaches regularly at the SAG/AFTRA offices in L.A. and SF and runs creative laboratory workshops like the Comedy Lab Open Mic once a month at Monaghan's on the Hill in Oakland. Follow her on Instagram @hollyshawspritely

    Here's the first Sunday Morning Music mix of 2018.   Most of the music is new. All of the tracks were released in 2018 with the exception of "To Earth" by Ariwo from 2017 and "Jade Visions" by Bill Evans from 1961. There are no vocal tunes in this mix, which wasn't on purpose, it just sort of works out that way sometimes.   Many thanks to the artists and labels for the excellent music that appears in this mix. To name just a few...   Thanks to Bob Duskis at Six Degrees Records and Delia Derbyshire Appreciation Society for the Cloudface Remixes: https://deliaderbyshireappreciationsociety.bandcamp.com/album/cloudface-remixes https://www.sixdegreesrecords.com/   Thanks to Michael Cottone, aka The Green Kingdom, for the heads up on the new ep "Depths." https://thegreenkingdom.bandcamp.com/album/depths-ep   Thanks to Ryan at Lost Tribe Sound for the sneak peaks of two fantastic albums being released soon,  "Sleep Stations" by From The Mouth Of The Sun and "Black Box Animals" by Luton. https://ftmots.bandcamp.com/album/sleep-stations https://luton.bandcamp.com/album/black-box-animals-2   Thanks also to Harry Towell over at Whitelabrecs for pointing me in the direction of the new Paper Relics album, "The Road Home." https://whitelabrecs.bandcamp.com/album/the-road-home   And finally thanks to my online friend Thomas Lindsey, aka Tonepoet, for another fine album, "Ocean of Infinity." https://tonepoet.bandcamp.com/album/ocean-of-infinity   I love all the connections, online and in the real world, brought about by our mutual love for music. Thanks for all the great tunes over the years!   Cheers!       T R A C K L I S T I N G :   00:00    Albrecht La'Brooy - Daybreak 04:55    Gigi Masin - Morning Light 09:24    Anenon - Open 12:15    Henri Texier - Quand tout s'arrete 17:48    Joachim Staudt - Mother Earth 19:05    Ariwo - To Earth 27:40    Christian Kleine - Sun Star 30:52    Delia Derbyshire Appreciation Society - Cloudface 34:42    The Green Kingdom - Velvet Wavescape 37:03    Luton - Archipelago 41:00    Paper Relics - Stoke's Hall 45:05    From The Mouth Of The Sun - About the Birth of Stars 46:30    Tonepoet - The Birth of Gravity 49:00    Christina Vantzou - At Dawn 51:25    Ian Hawgood & Danny Norbury - V 56:30    Bill Evans - Jade Visions 59:51    end        

Los Angeles-native singer/songwriter, Charlotte Bash, began performing at a young age and has sung at numerous venues internationally with the likes of John Mellencamp, Sara Bareilles, Aaron Carter, Marietta Simpson, Sylvia McNair, and Shahkar Bineshpajooh at The Microsoft Theatre at LA Live. She was classically trained as an opera singer at Indiana University’s Jacobs School of Music, but when she returned to L.A. she wanted to find her own sound that combined her classical training with the pop music she loved.  The sound she found is a unique musical experience that combines fantasy and reality, as demonstrated in her 2013 release of her coming of age EP, Journey to Me. Her newest project, “Princess Game”  was inspired by the electro indie pop scene coming out of Britain and Australia and is a theatrical journey through sonic landscapes that tell a powerful story. Afrolicious has established itself as one of the most legendary weekly parties in San Francisco and of the top live/electronic bands on the west coast. Started as a weekly dance party featuring DJ’s and brothers Pleasuremaker and Señor Oz  (Joe McGuire and brother Oz McGuire) alongside percussionists, MC’s and horn players, it has evolved with original music under the alias Afrolicious and a live band.  They have performed at venues like Red Rocks, Sierra Nevada World Music Festival, Electric Forest Festival, Snow Globe, Burningman, Sea of Dreams, and alongside such artists as Thievery Corporation, Jimmy Cliff, Fishbone, Rob Garza, Novalima, J.Boogie, and DJ Smash.  Afrolicious remixes and original productions can be found on labels such as ESL Music, Six Degrees Records, Akwaaba Music, Bagpak Music and more.

Renaissance man Ian Brennan talks about his journey from working in psychiatric facilities to becoming a violence prevention as well as conflict resolution specialist.  This Grammy award winning music producer talks about "Cracking the Code" also is author of recent novella called "Sister Maple Syrup Eyes." Outro music “I Am Done With Evil“ from the I Will Not Stop Singing album by the Zomba Prison Project. Courtesy of Six Degrees Records.  

Listen to music for duos on this New Sounds show, including stunning and inviting works from harpist Mary Lattimore & synth/guitarist/producer Jeff Zeigler from their recent collaboration, "Slant of Light."  Also, hear music from Xylouris White, comprised of Cretan singer and lute player George Xylouris and drummer/percussionist Jim White (The Dirty Three, Cat Power, others), recorded and engineered by Guy Picciotto (Fugazi, Rites of Spring). Then, hear music by Paola Prestini from a new record by cellist Jeffrey Zeigler (formerly of Kronos Quartet), which features percussionist/composer Jason Treuting (So Percussion). Prestini's Listen, Quiet is a conversation between cello passages and drums, blocks, marimba, and what sounds like glockenspiel all layered over cuts of chattering groups of female voices.  Plus, music from the recent record by Piers Faccini & Vincent Segal, and more. PROGRAM #3661 Duos (First aired on 11/14/2014)   ARTIST(S) RECORDING CUT(S) SOURCE Jeffrey Zeigler (+ Jason Treuting, percussion) Something of Life Paolo Prestini: Listen, Quiet, excerpt [1:30] Innova 905 innova.mu Mary Lattimore & Jeff Zeigler Slant of Light The White Balloon [3:21] Thrill 374 thrilljockey.com Xylouris White Goats Psarandonis Syrto [4:38] Other Music Recording Co. othermusicrecordingco.com Piers Faccini & Vincent Segal Songs of Time Lost Mangé Pou Le Coeur [4:59] Six Degrees Records sixdegreesrecords.com Ballake Sissoko & Vincent Segal Chamber Music Halinkata Djoubé [5:08] Six Degrees Records #1171 sixdegreesrecords.com or via Amazon.com Jeffrey Zeigler (+ Jason Treuting, percussion) Something of Life Paolo Prestini: Listen, Quiet Innova 905 innova.mu Mary Lattimore & Jeff Zeigler Slant of Light Welsh Corgis In The Snow [7:27] See above. Xylouris White Goats Suburb [6:23] See above.

Launching the second season of Deconstructing Dinner, this broadcast explores the highlights from all shows aired between June and November of 2006. Show segments have been orchestrated alongside a soundtrack courtesy of Six Degrees Records.