Podcasts about Arachne

Alison is joined by bestie Nick to talk about ladies of lore and the problematic retelling of their stories. Medusa: assault survivor. Arachne: pro weaver pitted against Athena. Circe: just wanted to chill as an island witch. Artemis: turned a gross man into a bambi. Pandora: set up to fail à la garden of eden. Enjoy!♡ ad free episodes ~ patreon.com/sadgap

This is a big episode for Designed for Life, as we proudly reach number 100! We are delighted to have Dean Kamen, an American engineer, inventor, and businessman, on the show. Dean is known for his inventions of the Segway, iBOT, and Slingshot (a water purification system) and for founding what he proudly calls his greatest invention, FIRST. In this episode, we investigate the mindset of a serial inventor to discuss what drives a high-school student to set up a business that yields $60,000 before he finishes school and then pushes him to overcome design challenges, legislation, and the challenges posed by naysayers as he follows his belief that engineering can be a power for good. Chris Hatherall is the principal of Warrington UTC, a design and technology teacher, and a Design & Technology Association Trustee. Last year, he came across FIRST and set up a robotics challenge for his local primary schools, which was hugely successful. This year, the challenge has spread to more UTC's nationally and is open to primary colleagues nationally through this network. From small beginnings, FIRST (For Inspiration and Recognition of Technology) has become a global challenge, with events across multiple countries and nearly three million students competing. Dean's vision was to harness the passion seen openly for sporting events held in large stadiums with hugely competitive students and turn this into one of the world's biggest and most exciting STEM activities. 2025 is the 35th year of FIRST activities. Last year's competition saw 3,468 teams enter, including almost 87,000 students and 27,700 mentors across 28 countries, including the USA, Canada, China, and Turkey. It is an open competition open to all, and while it is truly competitive, it emphasises the need for collaboration, respect, and teamwork. It seems appropriate that we welcome a new sponsor to Designed for Life for our 100th episode. Welcome to Arachne.digital, who have joined the show with an offer to help schools, charities, and public institutions protect against global cyber threats. We are delighted to welcome them on board. So, without further ado, grab an hour to yourself and listen to Designed for Life—In Conversation with Dean Kamen and Chris Hatherall.  https://www.experiential.bot/get-startedhttps://www.firstinspires.org/To hear a seven-year-old girl's perspective on FIRST, follow this link: https://www.youtube.com/watch?v=igR409sJly0Robotpagent@utcw.co.ukhttps://www.arachne.digital/

We have a very special guest. We have Father Time from Mythicos to talk about their amazing game called Mythic Earth (Americas). They have a great time talking history and going over the entire game. The setting is fascinating and the Arachne family has a deep love for this kind of narrative story telling and model gaming. So we recommend you give it a listen and of course enjoy the terrible jokes along the way. Website: https://www.mythicamericas.com/

Arachne, a talented mortal weaver, was famous throughout ancient Greece for her extraordinary skill. Her tapestries were so breathtakingly beautiful that people whispered her work must have been blessed by the goddess Athena herself. But Arachne, proud of her talents, claimed her skill was her own and even dared to challenge Athena to a weaving contest. What followed was a battle of artistry and pride, leading to a transformation that would leave an eternal mark on the world. Discover the legendary tale of Arachne—a story of talent, hubris, and the origins of the spider in Greek mythology. "Join our exclusive WhatsApp group to share your thoughts, discuss your favorite tales, and connect with fellow story lovers—let's keep the magic of storytelling alive together!":                https://chat.whatsapp.com/IKeKIcfq1zB6KcUDSAGR3Q "Don't forget to check out my other podcast, Kochu Kochu Varthamanangal, where I share heartwarming and inspiring stories that will leave you with a smile!"

Welcome to the new segment of Netwatch. The Arachne cast love Cyberpunk: Combat Zone so they decided to start covering it. We asked Mack on, who works for Monster Fight Club, to talk about the newest release from Night City. We go over the cards, what we think of them, and some combos that could help you out in your future games. We of course say stupid things and make bad jokes along the way.

In het tweede deel over Florence en de Oudheid gaan we met emeritus professor dr. David Rijser van de Rijksuniversiteit Groningen kunst kijken! Want hoe werkt de Oudheid door in werken die in Florence werden gemaakt... en nog altijd te zien zijn? David bespreekt in deze aflevering onder andere beeldhouwwerk van Donatello en zijn invloed op onder andere Michelangelo. Maar ook bijzondere aandacht voor de Primavera van de schilder Sandro Botticelli, natuurlijk ook bekend van de 'Geboorte van Venus'. Tenslotte bespreekt David nog een revolutionaire gebeurtenis: de vertaling van en een commentaar op het werk van Plato in het Latijn.Op reis met David Rijser: 'De bakermat van de Renaissance'Ga van 24 maart t/m 1 april 2025 mee op reis met David Rijser naar Florence en Siena! Met de code OUDHEID ontvang je 5% korting op de reis (excl. reiskosten). Per boeking ontvang je ook het boek "Arachne en de imams' van David Rijser. Meer informatie en boeken op de website van Aeterna Reizen.Shownotes

In deze aflevering gaan we wat minder ver terug in de tijd: we gaan met emeritus professor dr. David Rijser van de Rijksuniversiteit Groningen naar het Florence van de Renaissance, de 15de eeuw. Het Florence ook van de familie De' Medici en van de beruchte Pazzi samenzwering uit 1478. Maar ook de stad waar rijke families kunstenaars steunden door patronage, kunstenaars die zich lieten inspireren door de Oudheid. Hoe zien we het verre verleden terug in Florence in die boeiende 15de eeuw? En welke Oudheid tonen die kunstenaars ons eigenlijk in sculptuur, schilderkunst en literatuur?Op reis met David Rijser: 'De bakermat van de Renaissance'Ga van 24 maart t/m 1 april 2025 mee op reis met David Rijser naar Florence en Siena! Met de code OUDHEID ontvang je 5% korting op de reis (excl. reiskosten). Per boeking ontvang je ook het boek "Arachne en de imams' van David Rijser. Meer informatie en boeken op de website van Aeterna Reizen.Shownotes

Today Jesse brings interviews 2 new Malifaux players from the Metro Boston area!  They discuss their gaming backgrounds, what drew them to Malifaux and how it compares to some other games they play regularly.  What do they like, dislike and what keeps them coming back to flip more cards?  How can their experiences help you drive more community building in your area?  Listen in and share your thoughts! Listen to the Arachne gaming podcast and support Dr. D! Arachne - An Infinity and Gaming Podcast Check out Jesse's new side project reviewing video game soundtracks! - Chip Grooves Radio Become a supporter on our new Patreon page! - Boring Conversation on Patreon Shop using our Wyrd Affiliate link! - Boring Conversation Wyrd web store affiliate link Join us on Facebook - Boring Conversation on Facebook Join in the (boring) conversation on our discord server - Boring Conversation on Discord Check out our YouTube channel -  Boring Conversation on YouTube

Legendary Self-Discipline: Lessons from Mythology and Modern Heroes on Choosing the Right Path Over the Easy Path By Peter HollinsHear it Here - https://bit.ly/legendaryselfdiscipline00:00:00 Legendary Self-Discipline00:01:20 Pandora's Box and the practice of discretion and patience00:13:42 Daedalus and Icarus and the merits of moderation00:27:24 Athena and Arachne and the saboteur that is egohttps://www.amazon.com/dp/B089G6MNQCFight temptation, tame your impulses, and learn to persevere.We know we should use self-discipline, just like we know we should budget more wisely, or eat more healthy. But just because we know about something doesn't mean we know how to do it.See role model; copy role model. It's the quickest path from Point A to Point B..#Arachne #Athena #Daedalus #DelosIsland #Icarus #EmperorAugustus #Epimetheus #Prometheuss #KingMinos #Pandora #PandorasBox #Zeus #RussellNewton #NewtonMG #PeterHollins #TheScienceofSelf #LegendarySelf-Discipline #UnlockYourInnerHero #Self-DisciplineLessonsFromMythology

RJ and Elle recount their experiences with  spiders and RJ discusses the history of spiders in mythology. RJ recounts Ovid's story of Arachne and reads an anthropologists recorded Anansi story. RJ and Elle then discuss the arachnomancy readings that are currently popular in West Africa. RJ and Elle then find a black widow spider  and Elle divines a question for Christon using the web.Support the show

The new series for Through the Breach with the Big Deicht Enterprises sub-division. It was decided to release it under Arachne due to the fact that Dr.D is in it and has taken over editing for it. The boys get to some mischief on their way through the breach and find themselves in a very dangerous situation.

Today we're talking about one of the oldest forms of magic, knot magic and how it's used in the ancient world and folk practices! Grab your string to tie some knots as we deep dive into the mythology of Minerva and Arachne, knots in curses and folk practice and we're announcing some exciting updates for mystery boxes, temple restocks and more! Intro: (0:00) Hades and Persephone Are Back in the Temple!: (1:49) HUGE Medusa Mystery Box Announcement: (4:38) Persephone on Patreon (11:26) Knot Magic, Curses, Minerva and More (11:26) JOIN PATREON https://www.patreon.com/styxandbones STYX AND BONES TEMPLE Shop our products: https://tinyurl.com/tzxrnzh2 Book a service: https://tinyurl.com/2dyz7su8 FOLLOW STYX AND BONES ON SOCIAL MEDIA https://www.instagram.com/styxandbonespodcast https://www.instagram.com/styxandbonestemple https://www.tiktok.com/@styxandbonestemple FOLLOW HIGH PRIESTESS CHELSEA https://www.instagram.com/chelseaghostwhisperer https://www.tiktok.com/@chelseaghostwhisperer FOLLOW DR. K https://www.instagram.com/dirtdiaries_ https://www.tiktok.com/@dirtdiaries_ --- Support this podcast: https://podcasters.spotify.com/pod/show/styx-and-bones-podcast/support

Kaotic and Silver talk about Arachne a normal woman turned into a spider after a weaving competition with Athena/Minerva. Podcast Links  ⁠⁠Discord⁠⁠⁠ ⁠⁠https://discord.gg/F9wtSUYzAN⁠⁠ ⁠⁠Twitter⁠⁠⁠ ⁠⁠https://twitter.com/MmMayhemPodcast⁠ ⁠Twitter⁠⁠ ⁠⁠Patreon⁠⁠⁠ ⁠⁠https://www.patreon.com/MonstersMythsMayhem⁠⁠ ⁠⁠Twitch⁠⁠⁠ ⁠⁠https://www.twitch.tv/kaoticleigh⁠⁠

The boys (Dr.D and Mike) talk about starting a new community and go over some ideas that you can use to get one started in your area. They do some nerd origin stories and tell bad jokes along the way. Just some good ol classic Arachne fun!

Dr. D gets the opportunity to speak to author of the first Infinity novel, Mark Barber. This is a great follow up to episode 30 when they reviewed his book and called him out for an interview. They talk nerd origin story and what it takes to write a book. They also make some terrible jokes along the way. Such is the way of Arachne!

Liv speaks with Dr Joe Watson about the trans characters of Ovid's Metamorphoses, Iphis and Caeneus, along with some necessary asides into Atalanta, Arachne, and Medusa. Follow Joe on Twitter. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.  See omnystudio.com/listener for privacy information.

In this episode of The Chris Abraham Show, Chris teams up with ChatGPT to explore an intriguing new story concept involving a protagonist with aphantasia who discovers they can see the visualizations of others. The discussion dives deep into the implications of this unique ability, touching on themes of surveillance, privacy, and the ethical use of technology. The narrative centers around a secretive project called Arachne, a panopticon-like system that uses everyday devices to capture and analyze people's visualizations, potentially blackmailing and controlling individuals based on their most private thoughts. Chris and ChatGPT brainstorm how the protagonist navigates this chilling discovery and forms a resistance to expose and dismantle Arachne. Join us for a fascinating conversation that blends science fiction with real-world privacy concerns. Q1: What is aphantasia? A1: Aphantasia is a condition where a person is unable to visualize images in their mind. People with aphantasia do not see mental images when they think about objects, people, or scenes. Q2: What is hyperphantasia? A2: Hyperphantasia is the opposite of aphantasia. It refers to an extraordinarily vivid mental imagery, where individuals can visualize scenes, objects, and people in great detail. Q3: What is Project Arachne? A3: In the context of this story, Project Arachne is a secretive surveillance system developed by the Five Eyes alliance. It captures and analyzes people's visualizations through everyday devices, effectively creating a panopticon that invades individuals' most private thoughts. Q4: Who are the Five Eyes? A4: The Five Eyes is an intelligence alliance comprising Australia, Canada, New Zealand, the United Kingdom, and the United States. These countries share intelligence and collaborate on security matters. Q5: What is the protagonist's unique ability in this story? A5: The protagonist, who has aphantasia, discovers they can see the visualizations of others. This ability allows them to perceive detailed mental images, conversations, and sensory experiences that others visualize in their minds. Q6: What are the ethical implications discussed in the episode? A6: The episode explores the ethical implications of surveillance and privacy, particularly how a system like Arachne could be used for blackmail, control, and the violation of individual privacy. It also touches on the balance between security and personal freedom. Aphantasia: A condition where individuals are unable to visualize mental images. Hyperphantasia: A condition characterized by extremely vivid mental imagery. Arachne: A fictional surveillance project that captures and analyzes visualizations from everyday devices. Five Eyes: An intelligence alliance between Australia, Canada, New Zealand, the United Kingdom, and the United States. Visualization: The act of creating mental images, scenarios, or sensory experiences in one's mind. Panopticon: A theoretical design for a prison where all inmates can be observed by a single guard without the inmates knowing whether they are being watched. Used metaphorically to describe systems of pervasive surveillance. Surveillance: Close observation, especially of a suspected spy or criminal, but in this context, the monitoring of people's visualizations through technological means. Privacy: The state or condition of being free from being observed or disturbed by other people. Ethical Use of Technology: The principles and practices of using technology in a way that respects individual rights and societal norms, particularly concerning privacy and surveillance. --- Send in a voice message: https://podcasters.spotify.com/pod/show/chrisabraham/message Support this podcast: https://podcasters.spotify.com/pod/show/chrisabraham/support

Today, we're peering into Kelly's garden shed, where the most epic battle is unfolding - spider vs spider! Arachne, known as the queen of web weaving, is jealous of the compliments a young spider named Silky has been receiving on her own webs - so she challenges her to a web-weaving duel... the loser will be banished from the Shadowy Shed FOREVER! Let's see who wins... Upgrade to Koala Shine Plus for full ad-free access to our collection of kids' shows, with bonus adventures and 8-hour episodes ⭐️ Subscribe via Apple Podcasts or visit https://koalashine.supercast.com/ Want to send in a note, joke, memo or monologue? Click here.

Before you say anything, YES I am AWARE it was Arachne who got her throat cut, NOT Clemensia like I said in the intro. AND YES, RoShawn corrects me about the fact that it was chapters SEVEN through ten, not EIGHT through ten like I said in the intro. I AM SORRY. I AM NOT ALWAYS ON MY SHIT, AS WE ALL KNOW. But these are some good chapters though. This dope poster for the movie is by @tommypocket on Instagram, and you can see it in full here! https://www.instagram.com/tommypocket/p/C0Mt6cNLMT7/Wanna talk spoilers? Join the Discord! https://discord.gg/rEF2KfZxfVThis version of The Hanging Tree is done by the Danish National Symphony Orchestra and is sung by Andrea Lykke Oehlenschlæger & Diluckshan Jeyaratnam. You can watch the video here! https://www.youtube.com/watch?v=hrxwS3jukf8If you'd like to support the show, please go to https://www.patreon.com/unspoiled and become a patron or just follow us for updates!

Mimic *** Written by: No One of Consequence and Narrated by: Owen McCuen *** My Arachne *** Written by: Wailana Kalama and Narrated by: Cole Burkhardt *** Content warning: SPIDERS! *** Support the show at patreon.com/creepypod *** Title music by: Alex Aldea Learn more about your ad choices. Visit megaphone.fm/adchoices

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which crime film from 1967 features Gene Hackman as Buck Barrow? Question 2: In Greek mythology, who turned Arachne into a spider? Question 3: Which philosopher famously said 'Philosophy is a battle against the bewitchment of our intelligence by means of language'? Question 4: What is the name of the TV drama starring Claire Danes that was popular throughout the 2010s? Question 5: Name the movie that matches the following plot summary: 'A Hobbit and eight companions set out on a journey to destroy the powerful One Ring.' Question 6: Which philosopher famously said 'Man is born free, but is everywhere in chains'? Question 7: Which actor has featured in films including Ben-Hur and Dynasty? Question 8: Vin Diesel plays the role of which character in the Marvel Cinematic Universe? Question 9: Which of these quotes is from the film 'Shutter Island'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Did you know there's a place where myth, the Tarot and medicine may intersect in amazing ways? Spiritual counselor Letao Wang explains how the power of myth, coupled with the Tarot, can tell us more about ourselves than we ever imagined and why myths aren't true but always will be in this revelatory Living 4D conversation.Learn more about Letao's work on his Healing Kingdom website and Instagram.TimestampsThe need to find a real home. (7:13)“Myths are never true, but always will be…” (13:46)Using the Tarot to discover insights about physical health. (15:48)Reading Tarot cards more literally. (25:39)Achilles and autism. (40:34)Why Greek mythology? (49:13)The myth of Arachne. (1:07:33)Heracles and Medea: Myths we can learn from in modern times. (1:13:42)Sharing mythic characters like Phaeton with kids may help them become better people. (1:34:46)Find a myth that connects with you. (1:49:24)Letao's next book. (2:01:14)ResourcesLetao's Oracle of the Mythic Heroes Tarot card deckThe Temple of Apollo in GreeceThe work of Ly de Angeles and Dr. Leonard SaxThe Interpretation of Fairy Tales by Marie-Louise von Franz and Kendra Crossen Paul's Living 4D conversation with Ernst WilhelmThanks to our awesome sponsors:PaleovalleyBiOptimizers US and BiOptimizers UK PAUL10Organifi CHEK20CHEK Institute Free Squat AssessmentTarot For Soul Guidance online workshopWe may earn commissions from qualifying purchases using affiliate links.

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which Greek god invented the shepherd's flute and had a musical contest with Apollo? Question 2: Which of these quotes is from the film 'Mad Max: Fury Road'? Question 3: Who played the role of James Bond in A View to a Kill? Question 4: In Greek mythology, into what did Athena turn Arachne? Question 5: Which actress has featured in films including My Fair Lady and Breakfast at Tiffany's? Question 6: The language 'Sudanese Arabic' belongs to which language family? Question 7: Marathi is a language spoken in which of these countries? Question 8: Indiana Jones and the Last Crusade was released in which year? Question 9: Which film won the Academy Award for Best Picture in 1959? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

The Peddler & the Fairy: Part 9 The girls continue their shopping. In 10 parts, by Scholarly Mori. Listen to the Podcast at Explicit Novels. "Now to go get new clothes!" Azalea sang as they exited the goblin smith's shop. She was happy and a bit amused, watching Chitchat walk unsteadily trying to acclimate to her new accessory. "Yes, we've had enough distractions for one day," asserted Reina. "We have a bit of a walk," groused Chitchat. "This way." [[MORE]] The job Chitchat had anticipated to be simple was proving more than she and her rear had bargained for. She rubbed her temples. Friendship assplugs? Really? Who even thinks of something like that? I've never even put my fingers in there before. Thought I was gonna pee myself. This should have been easy -- answer some questions, follow two rural girls around, watch them window shop, and make some money. Easy and simple. You can do it, Chitchat. Just a few more hours, and you'll be eating good and plug-free.' "Hey, Reina, look!" Chitchat's introspection was interrupted. She looked over her shoulder to see Azalea pointing from between Reina's breasts at a large bronze statue of a young arachne woman operating a loom. Reina surveyed the plaza. "They sure do like their urban sculptures." Lanterns placed strategically around the outer edge of the plaza aimed their light at the arachne woman's tapestry which reflected the colors back, bathing the surrounding area in variegated hues. "They are more than just decorative pieces," answered Chitchat. "They help people know which plaza is which since they are all designed the same. This one was erected in front of the tailor and seamstresses' neighborhood." Halfway down the street, Chitchat stopped at a storefront with an unusually wide set of double doors and a hanging sign of two crossed bobbins. "Here we are." "The Silky Loom," read Azalea, wiggling free from Reina. Chitchat leaned against a wooden post holding up the awning. "I'll wait out here while you two conduct your business." "Why?" asked Azalea. She looked down at her tattered cloak. "I'm usually not welcome in nice places like this." Azalea grabbed Chitchat's hand and pulled her past Reina."Then, I'll speak up for you if they don't like you." Reina gave an apologetic look as Chitchat was dragged once again by Azalea. Being the last to enter, Reina closed the door against the outside noise. Shelves of wool, hemp, muslin, and silk were neatly sorted by material, hue, and size on three walls. Hanging from the ceiling were nets filled with balls of yarn. Behind a heavy curtain lining the fourth wall, the patterned sound of a long clack followed by two short ones was heard. Reina took a step forward and felt the floor give slightly with a small creak. The clacking stopped. She looked down curiously. The carpet she stepped on had white threads extending out from it and underneath the veil. "Coming!" called a cheerful voice. A worn hand pushed aside the curtain, and out stepped an older arachne woman with an apron stuffed with needles and scissors. Her salt-and-pepper hair was tied in a bun. Her mature face had telltale crow's feet beginning to develop around her kindly eyes. "Not often do I get so many cute dearies wandering into my shop! Welcome!" She re-adjusted the black and gold shawl over her shoulders. "My name is Gertrude, one of the oldest shop owners in the city! How can I help you today? If you're just looking, you're welcome to browse as long as you wish, or if you have a specific request, I can make everything from formal to loungewear, made with any fabric you find in the store, including my own silk." Reina stepped forward. "We would like a price estimate for formal wear for a business meeting and two winter coats." "Three," Azalea corrected. "Three?" "Yes, something for Chitchat." Chitchat, who had been studying a display mannequin, looked up in surprise. "One gift was already more than enough. No need to trouble yourselves." The large arachne shook her head and marched over, looming over the younger girl. Chitchat slunk back. "Now, sweetie, none of that. I can't rightly feel good with such a young an' sweet thing such as yourself catching your death out in the cold this winter. Granny Gertrude will get you girls properly attired." She ushered them into a side fitting room, fawning disapprovingly over the tiny flaws in their current clothes: "The stitching on this cloak is abysmal! How do you even make clothes out of flowers? The hems on this blanket are way too low -- they'll fray them in no time!" She stopped mid-complaint. "When did you need these completed?" "The formal attire we need by tonight," replied Reina. "That doesn't give us much time. I think I can modify some pieces I already have. I should also have some doll clothes left over I'll be able to modify quick-like. Won't take any time at all! Any particular pattern or cloth you want them to be made out of?" Reina looked at the other girls. "We'll leave it to your judgment." "Splendid!" Gertrude effused and then regarded each girl's overall build and height. "I have a few ideas. I love when my customers give me creative freedom! I'm going to need to take some measurements. Who'd like to go first?" "I will." Azalea landed on a nearby table and assumed a T-pose, standing straight with her arms held out parallel to the table surface. "My name's Azalea, by the way." "And you certainly remind me of one!" Azalea fluttered her wings happily. "Just let me get something to jot some notes down." As the seasoned arachne turned around, Azalea's eyes were drawn to the darkened entrance to her silk hole at the back end of her abdomen. She wondered what it'd feel like to stick her arm inside. Shaking her head at the impolite thought, she jumped as a thread of silk shot out, clinging to the table edge beside her. With paper and chalk in hand, Gertrude snipped the thread and started sectioning off lengths with black marks. "Are you ok, dear? You look a bit red." "I'm sorry. I didn't mean to stare. I was just startled." "Good heavens, that was a bit improper of me, waving my bottom in front of your face like that. Technically, I'm supposed to get consent before I do that since some people get hot and bothered seeing me do that. Though I find it rather odd since my unmentionables are actually under my thorax. My memory isn't what it used to be." "We had to sign something like that at the last shop we visited," acknowledged Azalea. "If I sign it, can I see you do it again?" "I don't see why not." "Azalea, isn't that a little rude?" "It's alright, Reina, dear. I'm more than happy to indulge a healthy curiosity" She handed the girls a list of past signees. Upon receiving and nodding approvingly at their signatures, she turned around and reintroduced her abdomen. "All arachne produce silk, but not all use it because they either don't need to, due to their fast running speed or jumping prowess, or only use it sometimes. Take a look." She back up to the table. Azalea helped spread the opening as Gertrude relaxed her hole's entrance and peered inside. Seven little spinnerets were nestled in the shallow, moist cavity. "Arachne silk is a versatile substance; very strong yet light. We produce seven different types of silk: one for raising our young in, a thick one for web scaffolding, a sticky one for making the core part of a web, a strong and non-sticky one we can use like a rope, an intricate one for connecting threads to other threads, and one for creating little sticky droplets we can place along specific parts of a thread." "What's the last one for?" Azalea queried. "For wrapping up things, but male arachne have an alternative use. They don't have that organ humans use for mating, so they use it to hold their seed when they wish to mate." "Was your husband human?" "Yes. He was the most charming and sweetest man I've ever met. He didn't properly know how arachne conducted courtship, but he heard a rumor that male arachne give gifts of their seed to females. So he went out of his way to ask a male arachne for their special webbings just so he could deposit his seed into it and use it to propose to me." She put a hand to her cheek. "He misunderstood the meaning, but I found the attempt very romantic." "What did you do with it?" "I ate it." "You; ate it?" "Normally, when a male gives us that kind of gift, the two are already mates. It just means they want offspring, but I'm infertile, so I ate it. It's not uncommon. Silk-making takes a lot out of an arachne body, so they often eat their silk to recycle it." "My husband may have gotten the particulars mixed up, but it turned me on so much! Before he realized what was happening, I dragged him back home and spun a little suspended-web bed since he was a fair bit smaller than me. I accepted his offer, if you know what I mean. Was my first time mating human style. I quite liked it; but here I am just talking about myself." She set about measuring Azalea with the marking thread. "Are you three from around here?" "Reina and I aren't, but Chitchat is. I'm from a little fairy village in the north-central region. Reina is from the northeast. We both met Life-mate and arrived in town just today to live here with him." "How lovely! Let me welcome you to Iceford. It's a bit noisy at times but a safe place to live. Always lively and innovative. Ok, Azalea, I'm going to need to measure your chest next." Azalea lifted the flaps covering her chest, proudly displaying her breasts. "Ah, to be young again! Such soft, clear skin. I was quite a looker when I was your age. All the young men used to compliment me when I wore lacy stockings or very short skirts that barely covered them." She stroked the glossy black exoskeleton of her thigh and pedipalp. "And for some odd reason, a few wanted me to tie them up and do lewd things to them." "Really?" "I didn't really understand it but always found it amusing." "I'm sad for you not being able to have children," lamented Azalea. "I appreciate your feelings, deary. I do have regrets, but I'm busy enough where I don't get lonely much, and I'm content dressing up all you youngins in pretty clothes." "Well, if I ever see you around town, I'll definitely come say hi!" "That's very sweet of you. So, you are all together with the same special someone?" "Just Azalea and I. We both met Herd-mate very close to each other, time-wise. Chitchat is acting as our city guide for the day." "Does little Chitchat have a special someone?" "Not in the way you're asking. She's; more like someone I take care of." "I bet she appreciates you a lot." "In her own unique way, yes." "Well, that should do it." Gertrude patted Azalea on the head. "Shall we measure lovely Reina next?" Upon hearing her name, Reina tensed up and looked away, Gertrude noticed her trepidation. "Azalea, why don't you take Chitchat into the front room, choose some colored palettes you like, then take her to freshen up in the bathroom upstairs while I measure Reina. There should be a large, hot kettle you can use to heat up the water." "Sure thing!" Reina was still unsure whether it was the sheer force of charisma or confusion, but seeing a ratgirl being dragged away by a fairy a fraction of her size was something she wasn't getting tired of seeing, and she smiled. "Now, my dear, I noticed you seemed a bit uncomfortable. It's alright. No need to feel shy around granny. These old eyes have seen it all." "I'm sorry, it's just, " she hesitantly started as she removed her coat to reveal her scars. Gertrude frowned. "Good heavens! Who would do such a thing to such a lovely young woman? Brutes, I'd wager. People who wouldn't know refinement and beauty if it clobbered them over the head. You don't have to tell me how you got these, but I just want you to know that it's here that beauty continues to mature and blossom," she declared while pointing to her heart. "Take it from me. The outside matters less and less as you get older." "Life-mate k, kissed them the first time he saw them." "Sounds like you found yourself a keeper with a good head on his shoulders." The old weaver stepped back and looked Reina up and down. "This old seamstress knows a few tricks, so let's see if we can't turn your blemishes into something beautiful. My old grandweaver had a strong belief that even the messiest and most lopsided webs could be made beautiful with creativity." "There's really no need for you to go out of your way. I keep them covered well enough." Gertrude stood up straight. "As the foremost seamstress in the city, I'll tell you now! Us craftsmen don't apply our trade just to subsist on. We take pride in making new and more creative facets of beauty when applying our craft. I take great delight in tackling this challenge, so there is no reason we can't boost your self-image a little as well." She smiled warmly. "Now, please raise your arms." A sudden squeal, followed by giggling and a sudden splash, erupted from upstairs. "Sounds like those two are getting along well," Gertrude laughed. Reina sighed. "I'm sorry for all the mess Azalea is probably making." "It's perfectly alright. You youngsters' youthful energy is a delight to these old ears." She wrapped the measuring tape around Reina's chest. "Such lovely breasts. I'll have to make something special for them. While I can't make many large pieces, my specialty is making lacy lingerie from my silk. I'm sure you probably couldn't guess that." "May I make a small request?" asked Reina. "Of course!" "I'm going to be lactating soon, " "Oh, you're expecting?" "No, no, Azalea put the lactation crest on us so we could help Herd-mate with expenses. Could you make it so, " "So It's easy to gain access to suckle from?" Reina blushed. "So they don't stain the clothes." "Sure thing." Reina had redonned her coat when Azalea and a much cleaner but worn-out-looking Chitchat returned wearing only a towel. Azalea struggled to stay airborne while carrying several examples of colors she wanted, and Chitchat brought the rest. "I decided I want some combination of these colors! I heard the word lingerie. What is that?" demanded Azalea in her typical high-energy style. She set the spools on the table. "It's an undergarment worn primarily by humans to increase their sex appeal." "But how do you see it if it's under your clothes?" "Some outfits give little peeks and glimpses of the lingerie. Think of it as clothing that titillates or accentuates what's underneath. Oh, I can't wait to show you what I'm envisioning!" she bubbled. "But first, now that Chitchat looks freshened up, I'll take her measurements." Chitchat removed the towel, still not believing she was exposing herself twice in one day. Gertrude worked her way around, appraising Chitchat's petite form. "Such slender legs and arms you have, and these tiny hands we certainly must make some mittens for." Gertrude turned Chitchat around. "Your tail is so expressive. Please bend over a little." Chitchat did as she was asked. "Oh, this is a pretty little accessory!" Gertrude commented. "Yes, we just got them from Eitri's shop. Friendship assplugs! We all got one!" Azalea exclaimed. She turned around and bent over. Peering back between her legs, she pulled her ass cheeks apart. "Such a sunny color, isn't it?" Gertrude laughed. "Young people have such imaginative ways to express themselves these days." Finished with her measuring, she compiled all her notes and furiously drew up plans for the girls' outfits. Once the plans were complete, she handed them to Reina for review. "I don't know if we can afford all this, Azalea. Herd-mate was rather adamant about not wanting to spend the client's money." Gertrude reached for an abacus and did some calculations. "Taking into account the type of material and estimated amount as well as the number of outfits, we can apply the new customer discount, the cute discount, and the creative-freedom discount." She winked, rewrote a bill of sale, and handed it to Reina. "This should be the final price." Reina looked chagrined but grateful. "Thank you." "Then I'll get to work right away! I should be able to finish your coats before you leave, and I'll have someone deliver your formal attire by tonight." ---- It was late afternoon when the girls met up with Devin, each sporting their new winter coat. They wore matching wool-dyed, bluish-gray cloaks with large wooden buttons and a bunny-fur-lined hood embroidered with images that reminded one of winter. Reina's was different only in its length, extending all the way down her back and over her tail. "Life-mate! I missed you!" Azalea beelined into Devin's chest, giving him a big hug. "It's only been a few hours, but I missed you two as well. How'd it go?" "We had a very; full yet productive shopping trip," Reina replied. "We had so much fun, Life-mate! I can't wait to tell you all about it! How do we look?" Azalea did a little twirl. Devin nodded approvingly. "Adorable as always!" Azalea squealed in delight. "And Reina, equally as majestic. Though I doubt the cold bothered you much." "No, it doesn't, but I'm glad you like it. I can't wait to show you our new dresses tonight and; what's under them," she expressed with a slight blush. He kissed her. "I'll look forward to it." He turned his attention to Chitchat. She stood there awkwardly in her new coat. "I see you all got matching ones." "Y; yes, though I tried to tell them I didn't need one. Reina mentioned something about not spending a lot." "Sometimes it can't be helped. How does it feel?" Devin checked. "It is quite warm," she mumbled. "What's this, what's that!?!" cried an excited Azalea buzzing around the packages in Devin's arms. Reina's stomach growled. "Let's eat somewhere, and then I'll show you," he laughed, trying to dodge her closer inspection. Reina looked to Chitchat for suggestions. "Where should we eat?" "I know!" enthused Azlea, waving her hand. "I saw it before we went to the toy store." "Toy store?" asked Devin. "We'll tell AND show you after we eat,." shouted an impatient Azalea, already several paces away. Devin wondered what she meant as he followed the girls back to the corner with the fenced-off street, causing Devin to pause. Raising his eyebrow at Reina, he challenged, "You went down this street?" Reina pointed at Azalea. "Of course she did. That explains the toy store." "I didn't let her buy anything, Herd-mate," she affirmed. "I wouldn't have minded even if she did, but thank you for looking out for my coin purse, Reina." Chitchat lagged behind, trying to make sense of her feelings. She had set her mind on doing what she had to do to survive. It wouldn't be her first time swindling someone, but it was exceedingly rare for someone to be kind to her, much less give her things this nice or brand new. These chumps were too generous for their own good, and it was causing pesky feelings to arise, making her resolve falter. She pushed the feelings aside and quickened her pace when she saw they were getting too far ahead. "Found it!" Azalea shouted, nearly a block ahead. She pointed to the store-length sign above the window. "Bear Buns Bakery," Devin read aloud. Azalea peered in the storefront window. "I'm loving this street more and more!" she moaned and drooled, face plastered to the window. "They know how to set up an eye-catching display!" "The baker of such; risque confections such as these could almost have drawn inspiration from your special art collection," observed Reina. Arrayed behind the front window, on a slightly tilted display table, were cookies artfully shaped in a multitude of human and demi-human genitalia, surrounded by gingerbread men and women in adorable acts of love-making. Along the periphery were an assortment of similarly-themed pies and cakes with fruits, nuts, and glazes strategically placed to enhance the bawdy display. Azalea smiled smugly. "You're right! Great minds must think alike." This is your opportunity Chitchat! She thought to herself. Now, while their backs are turned! The bag of money hung from Reina's side. With them all huddled around the display, deft fingers and speedy legs would make for a successful grab-and-run before they even knew what had happened. However, for some reason, a tiny piece of her made her hesitate, and she derided herself over her weakness. The fleeting moment was lost. A bare bear ass smooshed against the glass door, causing a bell to ring as it pushed open. A tall woman with a physique that was undecidedly either muscular or plump backed out onto the street. Round, brown ears topped her head, sticking out from under a baker's hat. She was naked, aside from a light yellow apron with a bee pin in one corner covering her human parts. Thick fur covered the rest. She held a wooden folding sign in her fearsomely long-clawed hands. "Oh, hello there!" greeted the smiling portly grizzly woman. "Welcome to Bear Buns!" Everyone looked at her naked, stubby-tailed ass. "Just perusing, or can I entice you with supper tonight?" "We were deciding that," coughed Devin. "If it helps in your decision-making, pastries and baked goods are what we are mostly known for, but we also offer a more dinner-type fare." Devin looked at the girls. He was met with two nods and a grumbling stomach. "I suppose we will." "Wonderful! You may call me Sanna, or Momma Sanna, or Momma Bear -- whichever you like!" The merry woman opened the door and let them in. The interior matched her apron. It was bright and warm, and the ceiling was painted a gentle sky blue. The walls were a mural of flowery fields with scantily-clad bee girls engaged in playfully suggestive acts with aluranes, dryads, and several other plant demi-humans. Potted sunflowers dotted the room to add their cheery faces to the ambiance. "We mostly serve takeout, but we do have a few places for sit-down dining. Please feel free to sit anywhere. I'll go bring you some fresh milk," Sanna said, disappearing into the kitchen. There weren't many options for seating, about five tables in all. Still, they were designed to accommodate the wide assortment of body types found in the city. They chose a table in the corner, near a window, with a prominent flat-padded bench in a corner that allowed Reina to lie down next to the table. Devin sat next to Chitchat on the opposite side, and Azalea perched herself on the table nearest the window. The grizzly woman returned and placed several glasses on the table. "A little something to warm you up from the chill outside." "Hallie, how long are you gonna hide back there?" she shouted behind her. A bunny girl hopped out. Her lower half was covered in soft chestnut brown fur. Her human upper half was covered with an apron identical to Sanna's. One of her long ears stood tall and erect while the other hung loosely. As she rounded the front counter, it smacked her in the face, causing her to trip over her feet and fall face-first in front of everyone. "And here is my mascot and cute ditzy assistant, Hallie. When she's done flashing her dainty bits at ya, she'll be taking your order." The head-under-heels bunny girl took a suspicious amount of time to collect herself, giving ample time to appreciate her poofy tail and prim pink vulva. She jumped up and rubbed her sore button nose. "I'm so sorry! I'm a little clumsy at times. As you heard, my name is Hallie. It's nice to milk you! I mean, it's nice to milk me; You; it's nice to meet you! I'll be taking your orders today!" she stuttered. For some reason, Devin noticed two small wet spots at the top of her apron. He looked at the milk he was holding, then saw her looking intently at him, he guessed maybe waiting for his opinion. He took a sip. "Is this your milk!" queried Devin. With a hint of shyness, she returned, "Yes, it is! Ho; how is it?" "It's delicious. Refreshing with a hint of sweetness." She relaxed. "I'm glad. Normally, momma provides it, but since I'm her brand new hire, it frees her's up to use in baking." "Can I have some more?" inquired Azalea after downing the rest of hers. "Um, I might have a little more left. I only just recently received my milkmaid license, so I don't produce very much yet. I can make just enough for about four glasses." Azalea held out her glass. "Oh, so are we! I mean, we will be lactating soon, too!" Azalea rubbed her lower belly. "I gave Reina and I the lactation crest, but Life-mate needs to hurry up so he can help me fuel Reina's." "I'm making progress. In the meantime, we still have to get your citizen IDs and guild cards before we get your licenses. Maybe, if we have time after we eat, we can get the ball rolling," added Devin. "Ok, but I'm waiting to activate mine since I want to experience it together with Reina." "How delightful," said Sanna returning with menus and passing them around. "Hallie doesn't have any affinity, so we had to induce her the normal way. She was so eager, she massaged her boobs every day till the first drops started to appear." "Saaaaanaaa, don't tell them that! It's embarrassing!" the bunny girl cried. Sanna laughed. "You lucky folk are the first customers to try her milk, so enjoy." Sanna returned to the kitchen, leaving Hallie to her job. Hallie pulled her apron to the side and took Azalea's glass. Lightly milking her breast downward, she squeezed the soft, pink nipples, sending spurts of milk into the empty container. After milking both breasts, she handed a three-fourths full glass back. "I'm sorry. That's all I have left." "No, no! Thank you for letting me enjoy it." Azalea's wings fluttered happily as she drank. Hallie recovered her breasts and played with her hair nervously. "So c; can I get you to eat me? I mean, what can I get you to eat?" Devin hid his smile behind the menu. "What sounds good to you, girls?" Reina ran her finger down the page. "Soup or stew might be nice since it's cold. I'll probably go with this garden vegetable stew with sourdough bread." "Agreed. This summer squash soup with rye bread sounds appetizing to me," mused Devin. "I like sweet things, so maybe I'll try this sweet potato soup," Azalea added, setting the menu down. Chitchat perused the listed dishes. "I've never had food this fancy before." "Might I recommend the melted satyress cheese sandwich and potato leek soup?" Hallie suggested. "Alright! I'll try that, I guess." The bunny waitress took the menus and left to fulfill their orders. Chitchat remained mostly silent, only half-listening to the other three chatter away about their day. She brooded more on why she was not herself today. Stupid rat! You missed a prime opportunity earlier. You just had to let these people and their stupid kindness make you feel guilty, As she took a sip of Hallie's milk, she admitted that if she had done what she had planned, she wouldn't have been able to experience the amazing food she could smell from the kitchen. The smell intensified as Hallie returned with their orders. She placed the bowls in front of their respective hungry customers, bowed, and returned to the kitchen. Chitchat picked up her spoon and took a bite. The fare, albeit simple to her, was some of the best she'd ever had. She felt her chest tighten with emotion. Reina looked at her fairy friend. "Looks like you got a complimentary side salad, Azalea. If it's too much, eat what you can, and I'll finish the rest." "I should be able to finish it, but I'm not happy about it. Mom used to always get on me about eating vegetables and table manners: 'Azalea make sure you eat everything on your plate; stop letting your wings droop; don't slouch; stop masturbating at the table." "At least now you have another reason to eat your vegetables! You want to have a healthy body to produce as much milk of the highest quality as you can." "I know, I know, but they are so bitter." "Looks like they also added some pine nuts as well," Reina attempted to soothe. "Not the kind I like. Life-mate has the only kind of nut I really like." She turned up her nose while taking a bite. "But Herd-mate's tastes bitter too. What's the difference?" "Completely different!" she asserted. "This is plenty bitter. His is warm and creamy and makes me feel all warm and tingly between my legs." "Well, maybe this will distract you a bit from the taste." Devin laid out the things he had bought from Antoris on the table. Azalea jumped up. "Present time!" He unwrapped the cloth containing the remade jewelry box and pushed it toward her. "I had this made for you so you can hang your clothes, store your drawings, and whatever else you want." "Thank you, Life-mate! I love it, and I love you!" She flew up and kissed him all over his face. "But that's not all! There's another surprise inside." Azalea grabbed the honey-colored box and shook it gently. She heard not one but several things rattling. Upon opening the twin doors, the sweet scent of fresh-cut cedar hit her. She looked up at Devin excitedly, seemingly at a loss for words, and back inside the box. "Well, don't leave us in suspense, Azalea! What's inside?" laughed Reina. Azalea pulled out many phallic-shaped dildos, from small fairy size up to Devin's size. "I think these will help stretch you out over time," Devin concluded. "I can't wait to try them! But I suppose I'll have to wait till after we go out tonight! Thank you again, Life-mate. Your little soon-to-be-cock-sleeve couldn't be happier!" "You're welcome, but make sure you do it slowly. Remember how painful it was the first time we tried." "I will." Turning his attention to Reina, Devin confessed, " I'm sorry, but your gift will take a bit more time. It's going to be part of the wagon, and he didn't have enough material. Also, it was quite big and would have been awkward to carry around." "It's alright, Herd-mate. I will look forward to it with growing anticipation." "And lastly, Chitchat, I had a little something made for you. Consider it a small bonus for taking care of my girls, especially the handful one." "Hey, I resemble that remark!" Azalea quipped. Chitchat looked hard at the cloth-covered object. She put her spoon down and unwrapped a wooden dagger sheath, intricately wrought with engravings of a line of dancing rats. "T; thank you," she said, barely above a whisper. Sanna and Hallie returned. "Each of your dishes comes with a dessert." They passed four plates out. In front of Azalea, she placed an impressively elaborate, womb-shaped gingerbread structure filled with a white pudding. Reina was given a plate of four different cookies, each shaped like a different demi-human penis', topped with cream. Devin received a small tart layered with peach slices, shaped like a human cunt, topped with a cherry and fresh cream at the bottom. Lastly, Sanna smiled as she placed two round, jiggly puddings with a cherry placed in the middle in front of Chitchat. The ratgirl took a bite. As the mellow, sweet, fruity flavor spread over her taste buds, a lump formed in her throat. She looked down at the dagger case again, then at her new coat, and finally at the trio animatedly voicing their positive opinions to Sanna. "Chitchat? What's wrong?" Azalea asked, suddenly concerned. "What?" "You're crying." She put a hand to her wet cheek. "I, " She wiped the tears away. "I just, " The more she tried to dry her eyes, though, the more the tears fell. "I'm sorry!" she suddenly blurted out and broke down crying. Azalea zipped over and tried to give her a consoling hug. "Sorry for what?" "For deceiving you!" Everyone looked at her, startled and puzzled. "I'm not really a guide. I'm a thief and pickpocket. I only took this guide job because I thought I could get paid on top of stealing that bag of money you were carrying with you." She paused and bawled. "But; but you were so nice to me. You didn't look down on me like dirty street vermin, and then you started giving me presents and calling me a friend and; and; I'm sorry!" She put her face in her hands, weeping. Everyone looked uncertain about what to do with this revelation. Everyone except Sanna. She stood up to her full height, grabbed the little ratgirl right out of her seat, along with Azalea, and embraced her in a full bear hug. Azalea continued to rub and pat Chitchat's head. "You didn't in the end, and no one got hurt. I still consider you my new friend!" Chitchat sniffled, calming down a little. "You're too trusting." "Maybe so, but I'd rather be wrong in the attempt than not be trusting." "I've raised two girls who got into all sorts of mischief and trouble. While there may have been consequences, I don't believe it's ever too late to change for the better," added Sanna. "Yes, yes! You can start over as the adorable girl who went along with all my selfish requests today!" Sanna put down the puffy-eyed ratgirl. Hallie lent the edge of her apron to dry her tears. "Today was kinda fun," she sniffled. "But I'm still not so sure about the friendship plugs." Several eyebrows raised while Azalea laughed. Devin eyed the girl. "I am glad to see my instincts are still sharp since I thought something was off about you." At that, Chitchat hung her head. "But coming clean about your intentions makes me want to give you a second chance." Devin handed her the other half of the guiding payment and placed the knife sheath in her hands to reaffirm his words, "So you don't cut a hole in your new clothes." She gave a little smile and looked toward Reina. "Well, you haven't done me any harm, and I feel no ill will. I thank you for your guidance during our shopping today." "Um, I should probably tell you something else. My real name is Suvi." Azalea crawled between her ears and hung down over her face. "Chitchat was cute, but Suvi fits you more!" She glanced to Devin. "I still feel bad for Suvi's situation. Can we raise her standard of living somehow?" "Maybe this Whitegold place is needing another employee?" "Whitegold, eh? I'm quite sure she'll be able to find a job there," stated Sanna. Suvi put her knife in the sheath and pocketed her payment. "How can you be sure?" "I know the owner, and should it not work out for some reason or another, you would be most welcome to help Hallie prep my kitchen in the morning. I don't know how many bowls of flour she's broken." "It was only five," demurred a fidgeting Hallie. "Five too many!" Sanna laughed. "I won't be able to provide a place to sleep, though, like Whitegold could." "What kind of place is this Whitegold." "It's a place that server food and drinks. The employees there are all girls and are well taken care of." "If I worked here, would I have to wear only an apron, too?" questioned Suvi. "Not if you don't want to, but before Hallie's ass-flashing loses its novelty, our customers might enjoy seeing a new one. But I would encourage you to try Whitegold first. I think you'll enjoy the perks there more." Once everyone had finished eating, they all thanked Sanna and Hallie and filed out. Sanna called out a "see you again!" from the door. Just a block from the bakery, Devin suggested, "I think we have enough time to stop by the admin office and get you girls your guild cards." "You said it'd be as pretty as yours, right?" asked Azalea. "Yes. They are costly but worth it in the long run." "Let's do it!" With Devin leading the way this time, they walked briskly toward the middle of the city. Abruptly, he slowed and asked: "So what was that about friendship plugs?" "Oh, that! Well, now would be a great time to show you. Let's go over there." Azalea led them down an empty side alley. "I suppose I have to show mine as well." "Pleeease, Suvi!" Azalea begged. "Fine," she sighed, turning around. Reina and Azalea followed suit. She pointed at Devin with her tail and shared, "Consider this a thank you for forgiving me." Azalea called out. "Ready? One, two, three!" All three girls pulled their coats up over their asses. Suvi pushed her belts aside while Azalea spread her cheeks wide. Devin looked at the three citrine-gemmed plugged holes. "You three got matching sex toys?" "Not just matching, they are a physical manifestation of our friendship!" Azalea chirped. "An odd way to express it, but ok." "She's way too proud of them!" complained Suvi. "Can I stop now?" "Not yet! There is a special feature Eitri told me about." "Special?" Suvi hesitated. "Feature?" swallowed Reina. "Yep!" Azalea touched a finger to the gem in her own till she felt a click. She did the same to Suvi's and Reina's and then placed both hands on their hips. Both girls jumped as the plugs buzzed to life. Suvi tensed. "What is this feature!?!" "Eitri said when you turn it on, as long as you stay within physical contact, it vibrates! Two or more friends could all hold hands, mutually basking in the emotional and physical manifestation of their friendship. Doesn't it feel amazing!" "It's surprisingly strong," noted Reina. "Too strong!" squeaked Suvi. "I wonder if I touch you in different places if it changes the intensity?" Azalea traced her fingers down Suvi's ass and circled around until she touched her plug directly. Suvi's legs buckled. "I'm not sure I'm ready to start out with this level of friendship!" Azalea took her hand away. Suvi was red-faced and breathing heavily. "Thanks to you, I'm all horny and wet now." "I'm an expert at fixing that. May I help you cum?" Suvi regarded Reina and Devin. "I'm not sure I can with an audience, but you've already seen every part of me, so I guess I'll try." "I'll help make it a bit more discreet." Reina relocated so she faced the street and blocked the view from there. "Ready, my cute little rat?" Suvi, still squatting, spread her knees. Azalea re-positioned herself behind, admiring her swollen, red cunt. Azalea placed her tiny hands on the slick folds. Immediately, the vibrations returned. They were still focused around her anus, but with Azalea's ministrations, pleasure was steadily building throughout her body. "Azalea, don't get your new clothes wet," Devin warned. "Oh yes, I forgot. You're not a squirter, are you, Suvi?" Her eyelids fluttered open, and she began panting. "A what?" "Do you squirt when you cum?" "No, but this is more intense than anything I've ever felt!" "Well, just in case, I'll stand beside you." She moved to the side of Suvi's bottom. She rolled up her sleeve and busily started working her hand into the entrance of Suvi's vagina. From that angle, she could still push her small arm up into the tight, velvety insides. With her free hand, she pushed and prodded Suvi's plug, slightly changing its angle and depth. "I; I'm close," Suvi moaned. "I can see that. Let me hear your cute cries!" Suvi felt herself peak. Her body contracted as the first dry orgasm washed over her, but the second had loosened her bladder. During the third wave, she squirted a little. The post-orgasmic relaxation left her forgetful of her surroundings, trembling, and unable to control herself. She fell back against Devin's leg and emptied the rest of her bladder as Azalea backed away, licking the juices off her hand. As Suvi came back to her senses, she saw Azalea nodding her approval. Devin handed her a handkerchief, and she suddenly became self-conscious, quickly wiping herself dry and hesitantly handing it back. She re-dressed in silence. "Post-lunch orgasms are the best!" Azalea stated. "Did you have one?" asked Reina. "No, I wanted to make sure Suvi got the best one she ever had." "It was certainly that," the ratgirl acknowledged. "I can do it to you again whenever you want." "One, I think, is more than enough." With Azalea and Reina continuing to enjoy their new toy, Suvi made an effort to ensure she didn't accidentally bump into the large Whitehorn. Once the ladies were sated, they cleaned up, redressed, and continued on their journey with Devin in the lead. Upon reaching the center of town, they crossed an expansive arched bridge to the central council building. "Never been here before," Suvi confessed, looking up at the high-vaulted ceiling inside the reception room. After waiting in line, they approached the receptionist, to who they explained their purpose. She brought the appropriate forms and explained, "This one's your citizen ID. It's mainly to let the bureaucracy know that you are a family." Azalea whispered in Devin's ear on her way to an open spot on the counter. He answered for them all to hear, "If you two girls could fill out these Guild entry forms, I'll help fill out Suvi's." "Which is this?" Azalea held up the paper and squinted. "Is this my Guild entry? Why do I need it again?" "Well, you technically don't, but if you are going to work in any official capacity, it gives you some weight behind you as a potential employee. You also get discounts and perks depending on what rank you're in. Sapphire: 5% discount; Emerald: 10%; Amethyst: 15%; Ruby: 20%; and Diamond: 25%. Amethyst and up gives you access to certain guild functions, parties, festival events, etc., to network and make connections. Since you girls are new, you'll start in Sapphire." "Good enough for me." After she finished filling out all the blanks and signing her name, she handed it to the receptionist. With all the paperwork filled out, the secretary looked it over approvingly. "Everything looks in order. Since your ID and guild cards are two sides of the same badge, it'll take time to craft them, and they should be ready in a few days, but here is a rough idea what it'll entail." With that, she showed them sample cards she had prepared. Reina D. Ebonplume Weight: 500 Lbs | Height: 8.5 Feet Birth date: Autumn 34, 3608 Year of the Dryad Citizen of Iceford Merchant Guild Member Sapphire Rank Milkmaid ---------------------- Azalea Ebonplume Weight: 150g | Height: 7 Inches Birth date: Spring 15, 3605 Citizen of Iceford Merchant Guild Member Sapphire Rank Milkmaid ---------------------- Suvi Norvetica Weight: 70 Ibs | Height: 4' 7" Birth date: Summer 2, 3596 Year of the Dryad Citizen of Iceford ------- The sun was setting when they returned to Jeni's. At some point before they returned home, someone had left the girls' new clothes with her. They found the little owl abuzz in her typically mechanical way, examining the girls' new clothes and catching snippets of their adventures throughout the day. She was a little shy of Suvi at first, but her charisma soon disarmed any hesitancy the little owl felt. "Young patron and friends, are you leaving this one again tonight?" "Yes. We have a business meeting to go to." Her wings drooped. Azalea, striking upon an idea. "Life-mate, can Jeni go with us?" "I don't see why not." Jeni perked up. "I do not know what purpose my presence would be, seeing as I know nothing about economics. Wouldn't my presence be a hindrance?" "The girls also have no reason to go, but it's a chance to get out of your workshop and spend time with everyone." "This one did not go clothing shopping with the others." "Do you have any formal clothes?" Jeni thought for a moment. "My graduation robes from the academy." "That should be fine. Perfect, and since Life-mate already gave us our presents, it's time for us to show him his!" All four disappeared into the back room to get changed, leaving Devin alone. "Guess I should get changed, too." He found an empty corner and dug out his outfit reserved for guild functions with the more well-to-do business owners. A high-collared lace vest, a long sash tied around his waist, and pants tucked into high boots completed the ensemble. As he changed, he played back the events of the day, occasionally hearing a giggle and the murmur of chatter from the adjacent room. The girls' door opened just as he finished buckling a cape over his left shoulder. Azalea came in first, pretending not to notice him. Her hair was unbraided and done up in a bun, held together by a butterfly hairpin. She fluttered around, exaggerating the flow of her one-piece, white and violet kirtle. She acted surprised to see him, coyly coming close, then she crossed her arms, exemplifying the upside-down 'A' cutout showing a generous amount of under-cleavage. While it covered more of her body than her flower dress, it was opaque enough to see an undergown. The undergown was embroidered with crocus, snowdrops, leucojum, and other winter flowers tactically placed to hide the parts of her normally kept private while, at the same time, drawing the eye to those tantalizingly censored parts. "Here we are -- your two presents, Life-mate!" Reina entered right behind. Her demure movements were further dignified by her gown of arachne satin dyed midnight blue and interspersed with snowflakes matching the silver filigree on her horns. A lacy choker set with a sapphire-encrusted brooch of a snow-covered mountain peak, an heirloom of the matriarchs of her family, was clasped about her neck. Devin's eyes wandered down over Reina's womanly figure. A black bodice laced with ribbon hugged her torso, making her already large breasts spill over slightly. She strode to the middle of the room, making the glossy material ripple and giving the illusion of falling snow. With long white gloves, she played with the end of her hair which was done up in a braided ponytail and draped over her shoulder. Whoever the seamstress had been, Devin approved of their taste. Reina's lips curled slightly upon seeing Devin's engrossed assessment of her. Azalea landed on her composed friend's antlers and whispered into her ear. "Must we ruin the moment?" "You mean enhance! Ready, Reina? Aaaaand, go!" Both girls attempted a seductive pose. Devin tried to stifle his laughter but failed. "See? I told you Herd-mate would find this silly." "But it was fun." "Silly or not, you both are lovely, and I love you very much." He pulled them both into an embrace and kissed each of them. "I wanted Suvi to do it with us, Life-mate, but I couldn't persuade her." Suvi poked her head out the door. "I have to draw the line somewhere." "Come on out and show everyone," Azalea summoned. Stepping out from behind the door, she raised her arms and looked over the simple red wool tunic with soft leather-laced jerkin. It was decorous, so it maintained her tomboyish appearance. "It's quite easy to move in it." She tightened the belt around her waist and adjusted her twin tails. "I guess that leaves one more," Devin noted. "This one is still uncertain if this is appropriate attire for an outing," she complained, but Jeni drew everyone's attention as she entered the room last. She was, in every sense, dressed as an academic. A flat-topped scholar's hat set low over her head with a feathered quill sticking out from the top. An open-front, hoodless cowl, held together with two gold chains, laid on top of a heavy, pine green, sleeveless robe. Four polished, inkwell-shaped brass buttons decked the robe which hung to her ankles. She flapped her wings experimentally. Devin reached for her hat. "If you leave this, I think it'll be fine." "Jeni is so smart looking!" praised Azalea. "I'm so glad you're coming with us!" "We were supposed to wait for someone to escort us, yes?" reminded Reina. Devin smoothed down Jeni's feathers. "Around eight, if I recall." As if on cue, they heard a knock at the door. Devin rose and opened it. In the lantern glow of the front porch stood a slim-tailed weasel woman. She wore masculine, form-fitting breeches and a ruffled white shirt. Looking over the merchant with beady black eyes, she bowed and introduced herself. "My name is Sable, Stewardess of Whitegold." She pulled out a monocle and looked them over. "Mr. Ebonplume and guests, I presume?" "Yes, that is us," he declared. "Very good. I am here to escort you to a meeting at our establishment tonight." Devin looked over his shoulder. "We are ready." Sable held open the door to a sleek, white and gold gilded, enclosed coach. Jeni and Suvi hopped in along with Azalea. Devin turned apologetically to Reina. "I'm sorry, Reina." "It's alright, Herd-made. I am not fond of enclosed spaces, and a brief walk will feel refreshing." Sable closed the door as soon as Devin stepped in and climbed into the driver's seat. With a flick of the reins, they set off into the night. To be continued in part 10, by Scholarly Mori for Literotica.

Welcome to the new audio drama produced by the members of Arachne. Pretty much just Dr.D and Kara right now. We hope you enjoy!

We're still walking on top of the reliefs of the prideful in the road bed of the first terrace of Mount Purgatory after the gate: the terrace of pride. Here, Dante the pilgrim sees four more figures: two from the classical age and two from the Biblical age. And the classical figures seem distinctly connected to art.Join me, Mark Scarbrough, as we explore another short passage on the reliefs in the road bed of the terrace of pride.Would you like to help support this podcast? I have many fees--domain, licensing, streaming, hosting, and more--and I could use a little help covering them, since I remain otherwise unsupported. To help out and donate a little, please visit this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:31] My English translation of the passage: PURGATORIO, Canto XII, lines 37 - 48. If you'd like to read along or continue the conversation with me, please visit my website: markscarbrough.com.[02:39] The figures in the road bed in this passage: Niobe, Saul, Arachne, and Reheboam.[10:06] The craft of this passage: Ovid's Metamorphosis v. the Bible; poetry and art v. politics and revolt.[13:00] One curiosity in the passage: suicides.[15:43] The second of three discussions on the difficulty of making humility a virtue.

The boys (Dr. D and Brady T.) talk about the previous year and the coming year for the show and Infinity in general. Of course they make some jokes and even speculate on what is coming from CB. Of course this was recorded before they showed off what the new sectorial was. So be amazed at Dr. D's ability to see the future!

Athene is charismatic and bloodthirsty, goddess of wisdom, war and...handicrafts. Owl-eyed Athene is not interested in love, although she is very fond of the hero Odysseus and gives him a leg-up whenever she can. War is Athene's thing, the bloodier the better. She's perfectly happy to humiliate and degrade her enemies, including the feisty and talented weaver Arachne, who challenges Athene to a weaving competition. Athene loves a scrap so it's game on: looms at dawn. She weaves a depiction of her own glorious success over Poseidon in the battle for Attica. Arachne creates a tapestry which shows scenes of gods tricking, seducing, assaulting and kidnapping mortal women. Her message is that the 'protection' of the gods is not worth the cost. Athene is speechless and it's clear who has won the challenge. But Arachne has to pay a price for victory. Rock star mythologist' and reformed stand-up Natalie Haynes is obsessed with the ancient world. Here she explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.Producer...Mary Ward-Lowery

In this week's TBOSAS episode, we get into nomenclature and mythology, and Arachne suffers from hubris.Ali's bingo card can be found here!Gus' bingo card can be found here!Check out Ali's new podcast, THE HOT NUANCE BOOK CLUB!~~~Material covered in this episode: Chapters 6-9 of THE BALLAD OF SONGBIRDS AND SNAKESThis episode contains SPOILERS through CHAPTER 9 of THE BALLAD OF SONGBIRDS AND SNAKESERRATA: Gus does not actually know whether the author of The Boy With The Bread uses she/her pronouns~~~SUPPORT STRIKING ACTORS AND WRITERS BY DONATING TO THE ENTERTIANMENT COMMUNITY FUNDCheck out our TWITTER, INSTAGRAM, and TIKTOKCheck out our Patreon at patreon.com/wheeltakesEmail us at wheeltakespodcast@gmail.comUS-friendly MERCHANDISE: https://www.zazzle.com/store/wheeltakesmerch/productsEurope-friendly MERCHANDISE: https://wheel-takes-merch.myspreadshop.co.uk/allSend us a card!Wheel Takes PodcastP.O. Box 1457El Segundo, CA 90245~~~Support the Prague Shakespeare Company!US-based donation link: https://urldefense.com/v3/__https:/www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=P3XXBTWT4SKLY__;!!LpKI!yRseJwkaasaNLZf5LUF-SJG--u97dLQUppRndhKmWCQxNXuV5SUOaJdbb7svXF1Kug$Donate via check:Payable to: Prague Shakespeare Company AmericaPrague Shakespeare Company America1111 North Country Club DriveShoreacres, TX 77571Memo: In Support of PSCEuropean resources: https://www.pragueshakespeare.com/support-psc.html~~~Music: THE GREAT BATTLE by Alexander Nakarada.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5747467/advertisement

This week's episode is sponsored by: Ready for some retail therapy with a side of laughter and community? Look no further than Erin.Lane's monthly live sales! Each sale features a fresh theme (think whimsical unicorns, sassy llamas, you name it!), and you'll be the first to snag brand spankin' new fabrics. Who knows, you might just find your new favorite bag too.   Make sure to never miss a minute (or fabric) by signing up for the newsletter, and keep up with us in real time by with our Facebook community, Erin.Lane Bag Buddies. Bag buddies always get first access to new bags and fabrics, because who doesn't want to share the love of their besties?     Have you ever had to frog because you forgot a step several rows back? Or lost your spot because you dropped your magnet board or lost track with your highlighter tape? Instead of wrestling with paper, use the knitCompanion app. It keeps you on track so you can knit more and frog less. knitCompanion works with ALL your patterns and is available for Apple, Android, and Kindle Fire Devices                   Are you feeling dis-GRUNT-eled about your stash? Are you browsing Insta-HAM looking for knitting inspiration? Is color "kind of a PIG deal" in your life? Oink Pigments offers over one hundred forty PIG-ture perfect colorways to make you SQUEAL with delight. For a limited time only, bring home the bacon with code KNITMORE and get fifteen percent off in-stock yarns and fibers at oinkpigments dot com. Shop soon, because these pigs will FLY!   Seismic Yarn & Dyeworks, based just outside of San Francisco, CA, creates color for people who love bold, saturated yarn and fiber as well as for those who might be *a little* afraid of wearing color.   We dye a large range of colorways from neon and black light/UV reactive colors all the way through to deep, rich semi-solid, tonal, and low contrast variegated colorways. Of course, we only use the softest and most exquisite bases!   Seismic Yarn & Dyeworks - color to rock your world!   On the Needles:(0:35) Gigi: finished knitting Meadowlands blanket 6 in the colorway Gnome , crochet an edging  Jasmin has FINISHED her Patons “Must Have Cardigan” in Malabrigo Rios “Bobby Blue”. Gigi: cast on Meadowlands 7 :Electro: yellows , orange, to brown  Jasmin's Paton's Cabled Hoodie is working on sleeve 1, in Seismic Yarns “Citrine” Butter Sock Dk Gigi: cast  on a sock for drag along knitting, working on foot  Jasmin has swatched for her Arachne pullover, in Seismic Yarns Butter Sport in a yellow to orange gradient Jasmin picked up her Halloween stripe cardigan again, in the leftovers from her Halloween Hearts pullover (in Oink Pigments Sock) Knitting Club!   Events :(17:55) Rhinebeck - Saturday with the family, October  Cognitive Fiber Retreat Nov 11, Jasmin is teaching a steeking workshop  Mother Knows Best Keep learning! It makes your brain work better. (Brainstorm by Dan Siegel on audible) LINK!! Adult Education , Rosetta Stone , Duolingo, Library, When knitting Attacks:(20:26) Gigi: Instead of joining edges after I finished the 4th triangle of the Meadowlands blanket, I picked up stitches on the side and knitted both pieces together. Hated it. Doesn't look as smooth, there are short floats that I don't like on baby blankets  Gigi: Also did the edging of Meadowlands in single crochet stitches. Not sure if I won or lost yarn chicken . Meadowlands 7 Electra Yarn squeaks , feels crunchy in my hands Jasmin: placed the steek on the shoulder seam of halloween stripe cardigan. Rrrrip.   Knit more, know more :(34:14) A segment about Persian culture, history, or just generally cool stuff about Persian people. Protests are ongoing. Still. Over a year. Deutsche Schule Tehran will be closed to Iranian students NOBEL PRIZE WINNER!!!! Imprisoned Iranian Activist Narges Mohammadi (her book is White Torture) Nobel Prize winner Shirin Ebadi Until We Are Free 2003 And Sew On:(41:22) Gigi: went to the Repair Cafe, and learned how to use a mending loom. Picked neon green and purple embroidery floss, couldn't finish my project in class, checked out the loom to finish the weaving at home.  Repair cafe: intro to embroidery  Week 3: more embroidery, satin stitch, shading Stick on interfacing that one can run through a printer  J: Figured out a “hack” for the automatic button hole feature on Janome for extra large buttons Jasmin mentions Emery Sand    

Brynne Canozo relates the Roman myth "Minerva and Arachne." This single story prompts multiple musings between Meg and Brynne. First, Meg recounts the tale's affect on her relationship with sacred clothing. Next, Brynne reflects on the character and motivations of the goddess Minerva (Athena) in the story. And finally, the two discuss what The Weaver could mean and how that title applies to Heavenly Mother. --- Support this podcast: https://podcasters.spotify.com/pod/show/inherimage/support

After narrowly escaping Arachne, it's finally time for SoCo and Yiggy to part ways. . . . Click this link to order from Happy Hippo and get 15 percent off your order - https://happyhippo.com/r?id=hg594k And check out this site to see why you should choose Happy Hippo - https://happyhippo.com/blogs/kratom-blog/why-happy-hippo-is-the-best-place-to-buy-kratom-safely I now have a Patreon!!!! patreon.com/liminallands Please consider becoming a Patron, where you get amazing benefits like ad-free episodes, access to blooper reels, and even co-producer credit (If you're into that sort of thing). The website for the show is https://theliminallands.wixsite.com/the-liminal-lands. Please consider giving it a visit. You can find information about the show, a shop, information about us, all the things that you want in a website! If you like this show, please consider leaving a like or a review on your favorite podcast listening app, or telling others about this podcast. Anything like that will help my small podcast grow. I just want to say thank you to everyone that has followed along so far. Please feel free to contact me, either on social media (Twitter handle @theliminallands, Facebook theliminallands, or follow this link to my discord: https://discord.gg/nW35bGthmb ) or email me directly at theliminallands@gmail.com. If you like what I'm doing, or heck, dislike what I'm doing here, I'd love to hear from you. This has been a huge project for me, and I would honestly like your feedback, constructive criticism, ideas, etc. Even if you hate it, I could get some valuable information from you to make my project better. So feel free to bend my ear!

Dr. D made a new friend and forced him with a blank check to come onto his podcast. Thankfully, that friend was Devin from the METAchemistry podcast. They talk about Devin's nerd backstory and get into some insights on how they think people can improve their Infinity gaming. They also laugh a whole bunch because they are both goofy goobers.

Soco finally makes his break for the outside world. Can he find some way to get out safely, or will Arachne claim another victim? Click this link to order from Happy Hippo and get 15 percent off your order - https://happyhippo.com/r?id=hg594k And check out this site to see why you should choose Happy Hippo - https://happyhippo.com/blogs/kratom-blog/why-happy-hippo-is-the-best-place-to-buy-kratom-safely I now have a Patreon!!!! patreon.com/liminallands Please consider becoming a Patron, where you get amazing benefits like ad-free episodes, access to blooper reels, and even co-producer credit (If you're into that sort of thing). The website for the show is https://theliminallands.wixsite.com/the-liminal-lands. Please consider giving it a visit. You can find information about the show, a shop, information about us, all the things that you want in a website! If you like this show, please consider leaving a like or a review on your favorite podcast listening app, or telling others about this podcast. Anything like that will help my small podcast grow. I just want to say thank you to everyone that has followed along so far. Please feel free to contact me, either on social media (Twitter handle @theliminallands, Facebook theliminallands, or follow this link to my discord: https://discord.gg/nW35bGthmb ) or email me directly at theliminallands@gmail.com. If you like what I'm doing, or heck, dislike what I'm doing here, I'd love to hear from you. This has been a huge project for me, and I would honestly like your feedback, constructive criticism, ideas, etc. Even if you hate it, I could get some valuable information from you to make my project better. So feel free to bend my ear!

Arthur & Arachne. Dog & Catcher. Sy & Jamie. Donate to wildbow on PayPal & Patreon! “Consequence” Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/ The post Cut to the Quick 11.13 first appeared on Twig Audiobook.

Scotty talks to author Richard Beauchamp about his short fiction, their shared love of heavy metal, how to push past the anxieties of being a new writer, the value of working with good editors, Richard's recent sci-fi horror novella "AUTONOMOUS," and the implications of A.I. on the genre. They also spend a few minutes talking about the 1999 western horror film "Ravenous," and the "man vs. nature" stories of Jack London. To read Richard's collection "Black Tongue and other Anomalies," go to D&T Publishing's page on Godless: https://godless.com/collections/d-t-publishing?page=2 To read "AUTONOMOUS," go to: https://www.amazon.com/AUTONOMOUS-Richard-Beauchamp-ebook/dp/B0BML6LXN4/ To read the brand new anthology "Negative Space 2: A Return to Survival Horror" – featuring Richard's story "Badlands" and Scotty's story "Brown Bear, Brown Bear – visit Dark Peninsula Press at: https://www.darkpeninsulapress.com/books.html. While you're there, you can also get a copy of "Negative Space 1: An Anthology of Survival Horror," which also features stories from Richard and scotty. To read Richard's story "The Chiwaa'e" (and Scotty's story "Arachne," if you want), pick up the "Solitude" anthology from DBND Publishing at: https://www.amazon.com/dp/1651351503 To read "War Born," check out the "Heavy Metal Nightmares" anthology: https://www.amazon.com/Heavy-Metal-Nightmares-Phobica-Anthology-ebook/dp/B0BVKH2MJH/ To read Richard's story "Rib of Lilith," pick up the "Dark Town" charity anthology from D&T Publishing. Proceeds benefit the victims of the shooting in Uvalde: https://godless.com/collections/d-t-publishing/products/dark-town-an-anthology-by-d-t-publishing For Richard's new western horror story, pre-order your copy of "Along Harrowed Trails" from Timber Ghost Press: https://www.timberghostpress.com This podcast is powered by Pinecast.

This week it's back to the bottomless well of Ovidian goodness with a walk through a couple more vignettes. The guys start off with a look at the well-known tale of Arachne.  While the “hubris-meets-nemesis” theme does seem to be at the heart of the story, there are some striking bits of context that complicate simple interpretations—is Minerva primed to punish from the tale that precedes this one? Does Arachne truly know what she's getting into or who she's dealing with? Then it's on to another of Naso's greatest hits—King Midas and the Golden Touch. As we zero in on the details reveals we find here as well a much richer tale than the usual Cliffs Notes version—How does this tale play with the "deadly wish" motif? What about the aetiology of the River Xanthus?  And, wait, where is Midas' petrified daughter? Isn't she always part of this thing? Tune in to find out.

Today's episode starts with a familiar feeling – the way your heart drops when a book character that you love doesn't get the outcome you wanted for them. But the authors we hear from both took that and ran with it, writing new outcomes for the women of Greek mythology they think are misunderstood. First, Madeline Miller tells NPR's Barrie Hardymon about her novel Circe, which details the goddess' backstory. Then, Tiziana Dearing at WBUR's Radio Boston speaks with Rebecca Caprara about Spin, her re-telling of Arachne the weaver's tale.

Content Warning: Greek/Roman Gods, sexual assault, physical assault After making a joke months and months ago on one of our LIVE events on Instagram, we make good on the episode devoted to bug names and how they got them. Geoff takes the lead in this episode while Katrina literally lies back and relaxes (while her back is healing). But first she retells the story of Arachne weaving truth to power against Athena. Then Geoff tells us the story of Scorpio and Orion followed by a tale from Romania of how the dragonfly got its name. Support our work and get access to bonus content on our Patreon.

In the very first episode, Dr. D and Brady T. introduce themselves to the greater Infinity community through their new podcast, Arachne. They discuss their experiences coming up to this point in their lives and go over a variety of games they have played along the way.

Liv reads Ovid's Metamorphoses, Book VI, translated by Brookes More. Minerva battles weaving with Arachne, Procne and Philomela face the horrors of Tereus, and more. CW/TW: PROCNE AND PHILOMELA IS PARTICULARLY TRIGGERING. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! This is not a standard narrative story episode, it's a reading of an ancient source, audiobook style. For regular episodes look for any that don't have "Liv Reads..." in the title! Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

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The Metamorphoses of Ovid is probably one of the best known, certainly one of the most influential works of the Ancient world. It consists of a narrative poem in fifteen books that describes the creation and history of the world through mythological tales, starting with a cosmogony and finishing with the deification of Julius Caesar. Published around 8 AD, the Metamorphoses are a source, sometimes the only source, for many of the most famous ancient myths, such as the stories of Daedalus and Icarus, Arachne or Narcisus.Ovid works his way through his subject matter often in an apparently arbitrary fashion; however, the connection between all the seemingly unconnected stories is that all of them talk about transformation. Change as the only permanent aspect of nature is the certainty that underlies the work of Ovid, who jumps from one transformation tale to another, sometimes retelling what had come to be seen as central events in the world of Greek myths and sometimes straying in odd directions. The poem is often called a mock-epic. It is written in dactylic hexameter, the form of the great heroic and nationalistic epic poems, both those of the ancient tradition (the Iliad and Odyssey) and of Ovid's own day (the Aeneid). It begins with the ritual "invocation of the muse," and makes use of traditional epithets and circumlocutions. But instead of following and extolling the deeds of a human hero, it leaps from story to story sometimes in very cunning ways, and, because of the clever ways in which it connects the stories, the Metamorphoses were once called the "Thousand and One Nights of the Ancient World". (Adapted from Wikipedia.)Translated by J. J. Howard.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Metamorphoses of Ovid is probably one of the best known, certainly one of the most influential works of the Ancient world. It consists of a narrative poem in fifteen books that describes the creation and history of the world through mythological tales, starting with a cosmogony and finishing with the deification of Julius Caesar. Published around 8 AD, the Metamorphoses are a source, sometimes the only source, for many of the most famous ancient myths, such as the stories of Daedalus and Icarus, Arachne or Narcisus.Ovid works his way through his subject matter often in an apparently arbitrary fashion; however, the connection between all the seemingly unconnected stories is that all of them talk about transformation. Change as the only permanent aspect of nature is the certainty that underlies the work of Ovid, who jumps from one transformation tale to another, sometimes retelling what had come to be seen as central events in the world of Greek myths and sometimes straying in odd directions. The poem is often called a mock-epic. It is written in dactylic hexameter, the form of the great heroic and nationalistic epic poems, both those of the ancient tradition (the Iliad and Odyssey) and of Ovid's own day (the Aeneid). It begins with the ritual "invocation of the muse," and makes use of traditional epithets and circumlocutions. But instead of following and extolling the deeds of a human hero, it leaps from story to story sometimes in very cunning ways, and, because of the clever ways in which it connects the stories, the Metamorphoses were once called the "Thousand and One Nights of the Ancient World". (Adapted from Wikipedia.)Translated by J. J. Howard.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Metamorphoses of Ovid is probably one of the best known, certainly one of the most influential works of the Ancient world. It consists of a narrative poem in fifteen books that describes the creation and history of the world through mythological tales, starting with a cosmogony and finishing with the deification of Julius Caesar. Published around 8 AD, the Metamorphoses are a source, sometimes the only source, for many of the most famous ancient myths, such as the stories of Daedalus and Icarus, Arachne or Narcisus.Ovid works his way through his subject matter often in an apparently arbitrary fashion; however, the connection between all the seemingly unconnected stories is that all of them talk about transformation. Change as the only permanent aspect of nature is the certainty that underlies the work of Ovid, who jumps from one transformation tale to another, sometimes retelling what had come to be seen as central events in the world of Greek myths and sometimes straying in odd directions. The poem is often called a mock-epic. It is written in dactylic hexameter, the form of the great heroic and nationalistic epic poems, both those of the ancient tradition (the Iliad and Odyssey) and of Ovid's own day (the Aeneid). It begins with the ritual "invocation of the muse," and makes use of traditional epithets and circumlocutions. But instead of following and extolling the deeds of a human hero, it leaps from story to story sometimes in very cunning ways, and, because of the clever ways in which it connects the stories, the Metamorphoses were once called the "Thousand and One Nights of the Ancient World". (Adapted from Wikipedia.)Translated by J. J. Howard.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Metamorphoses of Ovid is probably one of the best known, certainly one of the most influential works of the Ancient world. It consists of a narrative poem in fifteen books that describes the creation and history of the world through mythological tales, starting with a cosmogony and finishing with the deification of Julius Caesar. Published around 8 AD, the Metamorphoses are a source, sometimes the only source, for many of the most famous ancient myths, such as the stories of Daedalus and Icarus, Arachne or Narcisus.Ovid works his way through his subject matter often in an apparently arbitrary fashion; however, the connection between all the seemingly unconnected stories is that all of them talk about transformation. Change as the only permanent aspect of nature is the certainty that underlies the work of Ovid, who jumps from one transformation tale to another, sometimes retelling what had come to be seen as central events in the world of Greek myths and sometimes straying in odd directions. The poem is often called a mock-epic. It is written in dactylic hexameter, the form of the great heroic and nationalistic epic poems, both those of the ancient tradition (the Iliad and Odyssey) and of Ovid's own day (the Aeneid). It begins with the ritual "invocation of the muse," and makes use of traditional epithets and circumlocutions. But instead of following and extolling the deeds of a human hero, it leaps from story to story sometimes in very cunning ways, and, because of the clever ways in which it connects the stories, the Metamorphoses were once called the "Thousand and One Nights of the Ancient World". (Adapted from Wikipedia.)Translated by J. J. Howard.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Metamorphoses of Ovid is probably one of the best known, certainly one of the most influential works of the Ancient world. It consists of a narrative poem in fifteen books that describes the creation and history of the world through mythological tales, starting with a cosmogony and finishing with the deification of Julius Caesar. Published around 8 AD, the Metamorphoses are a source, sometimes the only source, for many of the most famous ancient myths, such as the stories of Daedalus and Icarus, Arachne or Narcisus.Ovid works his way through his subject matter often in an apparently arbitrary fashion; however, the connection between all the seemingly unconnected stories is that all of them talk about transformation. Change as the only permanent aspect of nature is the certainty that underlies the work of Ovid, who jumps from one transformation tale to another, sometimes retelling what had come to be seen as central events in the world of Greek myths and sometimes straying in odd directions. The poem is often called a mock-epic. It is written in dactylic hexameter, the form of the great heroic and nationalistic epic poems, both those of the ancient tradition (the Iliad and Odyssey) and of Ovid's own day (the Aeneid). It begins with the ritual "invocation of the muse," and makes use of traditional epithets and circumlocutions. But instead of following and extolling the deeds of a human hero, it leaps from story to story sometimes in very cunning ways, and, because of the clever ways in which it connects the stories, the Metamorphoses were once called the "Thousand and One Nights of the Ancient World". (Adapted from Wikipedia.)Translated by J. J. Howard.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Metamorphoses of Ovid is probably one of the best known, certainly one of the most influential works of the Ancient world. It consists of a narrative poem in fifteen books that describes the creation and history of the world through mythological tales, starting with a cosmogony and finishing with the deification of Julius Caesar. Published around 8 AD, the Metamorphoses are a source, sometimes the only source, for many of the most famous ancient myths, such as the stories of Daedalus and Icarus, Arachne or Narcisus.Ovid works his way through his subject matter often in an apparently arbitrary fashion; however, the connection between all the seemingly unconnected stories is that all of them talk about transformation. Change as the only permanent aspect of nature is the certainty that underlies the work of Ovid, who jumps from one transformation tale to another, sometimes retelling what had come to be seen as central events in the world of Greek myths and sometimes straying in odd directions. The poem is often called a mock-epic. It is written in dactylic hexameter, the form of the great heroic and nationalistic epic poems, both those of the ancient tradition (the Iliad and Odyssey) and of Ovid's own day (the Aeneid). It begins with the ritual "invocation of the muse," and makes use of traditional epithets and circumlocutions. But instead of following and extolling the deeds of a human hero, it leaps from story to story sometimes in very cunning ways, and, because of the clever ways in which it connects the stories, the Metamorphoses were once called the "Thousand and One Nights of the Ancient World". (Adapted from Wikipedia.)Translated by J. J. Howard.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

First, Liv reads a selection from the new translation of Ovid's Metamorphoses, by Stephanie McCarter, because it's ARACHNE and it's AMAZING. Then, the cursed legacy of Thebes, the stories of Ino and Semele.Help keep LTAMB going by subscribing to Liv's Patreon for bonus content!CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Ovid's Metamorphoses translated by Stephanie McCarter; Theoi.com; Early Greek Myths by Timothy Gantz.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. Selections read from METAMORPHOSES by Ovid and translated by Stephanie McCarter, published by Penguin Classics, an imprint of Penguin Random House, LLC. The unabridged audio recording narrated by Bahni Turpin is published by Ground Cherry Press, available at Audible, at other major online audiobook retailers, and to borrow at public libraries. Hosted on Acast. See acast.com/privacy for more information.