Podcasts about Elation

01. Argy, Omnya, Faithless - Aria Insomnia (White) [2024] 02. Elation, Blackcel - Give It Up (Blast Rise) [2025] 03. Charles D (USA), Space 92 - The Bouncer (Drumcode) [2025] 04. Space 92 - Orbit Motion (TAKEOFF) [2025] 05. Sarah De Warren, Samdma - Touch Me (Set About Music) [2025] 06. Popof, Markus Volker, Enveak - Back & Forth (Form) [2025] 07. FOLUAL, Luca Antolini - Flashback (Apogee Music) [2025] 08. Avao, Mha Iri - Elements Of Dance (Why Don't You Dance?) [2025] 09. Connor Woodford - Close Your Eyes (Nocturnal Knights Music) [2024] 10. Kaspar (DE) - Turn Up (IMGN) [2025] 11. The YellowHeads, Marie Vaunt - Fracture (Kurai Records) [2025] 12. Andre Pillar - Follow Me (Kurai Records) [2025] 13. T78, Krazka - Entrapta (Autektone Records) [2025] 14. Ontune - Take The Red Pill, Take The Blue Pill? (Who's Afraid Of 138?!) [2025] 15. Marie Vaunt - Kiss My Acid (Kurai Records) [2025] 16. Samdma - Numerator (Mainground Music) [2025] 17. Belocca - IFUNA (Mainground Music) [2025] 18. MARNIK, 1 World, Don Chezina - Vacilon (Techno Mix) (Arena Records) [2025] 19. Popof - Back On The Ground (Trick) [2025] 20. Mark Sherry, David Forbes - Superposition (Black Hole Recordings) [2025] 21. X-Trance - Friends (Woody Van Eyden Remix) (Ablazing ReLaunch) [2025 22. Sander van Doorn - God Mode (A State of Trance) [2025] 23. Andre Pillar - The Way Out (Kurai Records) [2025] 24. Maratone, Airborn - Chimera (Maralyzed Records) [2025]

Greg is the Founder and Chairman of Clearwing Productions, Inc., a leading live event production company he established in 1985. With over 40 years in the industry, Greg has built Clearwing into a trusted provider of full-service production support—including audio, lighting, staging, video, and backline services—for events of all sizes.From intimate presentations and corporate general sessions to large-scale concerts, multi-stage festivals, and presidential appearances, Greg's experience spans every corner of live production. Known for his calm leadership and deep technical knowledge, he brings a solutions-first mindset to every project.His legacy is rooted in precision, professionalism, and a passion for elevating the live experience.This episode is brought to you by Main Light and Elation

This was a nice Tuesday crossword by Joe Rodini, his second for the NYTimes. He's now been published on Monday and Tuesday, so ... 5 to go, Joe! Today's theme was a bit messy, but that's by design, as you'll discover when you check out today's episode. Of course, it's also Tuesday, and today Jean's in the hot seat for Triplet Tuesday; so keep listening to find out how she did, and see if you can do better (good luck!).Show note imagery: HYDRA, a monster out of Greek mythology with a concerningly large number of heads.We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

This episode highlights how Elation's cutting-edge technologies, including the KL CORE IP and KL PROFILE FC, are revolutionizing outdoor events, historic theaters like Stefan Żeromski Theater and Dakota Theater, and multi-functional venues like Nova Broadcasting Group. Chris and Lacy share personal experiences, showing how LED advancements enhance artistic flexibility and efficiency for modern productions while lowering energy costs and simplifying logistics.

Founder & CFO, Delicate ProductionsChris “Smoother” Smyth is the founder and CFO of Delicate Productions, with over 45 years in live event production. His career began in the early '70s with a spontaneous leap onto a U.S. tour, eventually working with artists like Genesis, Leo Sayer, Patti Smith, and Kiss. A pivotal tour with Supertramp led to the founding of Delicate in 1980, whose first show was The Clash at the Santa Monica Civic.Smoother has since supported acts like Dire Straits, INXS, Tool, and Yanni, and built long-lasting relationships across the industry. Known for his calm leadership and commitment to learning by doing, he remains a respected figure in the field. “I still don't consider this a real job,” he says—just a passion that became a legacy.This Episode is brought to you by Elation and Main Light

Paddy Hanna released his fifth album Oylegate on April 11 via Strange Brew Records and returns to the podcast for the first time since TPOE 90 in 2018. That was around his second album Frankly, I Mutate. In between, there have been two albums, The Hill in 2020 and Imagine I'm Hoping in 2022, which Paddy himself says flopped. While he's got married and become a dad of two since we last chatted, artistically it's been a tough road. --- From the press release: OYLEGATE, the upcoming album from Paddy Hanna, is a journey through the euphoric highs and crushing lows of parenthood, delivered with his signature blend of melancholic wit and lush, off-kilter charm. Elation and exhaustion. Love and terror. The weight of responsibility and the strange, disorienting beauty of watching life unfold before your eyes. After his fourth album, Imagine I'm Hoping, arrived to critical acclaim but not the mainstream success needed for him to continue on as a full-time musician, Hanna found himself at a personal and artistic low point. However, thanks to support from the Arts Council and the encouragement of his family, Hanna has returned as the intrepid captain of his own ship; he may not know the destination, but he'll see us along the journey with his graceful pop sensibilities. Determined to sidestep the usual sentimental trappings of writing about having a child, Hanna found an unlikely creative companion in grim Soviet-era cinema. As he wrote, films like Solaris flickered in the background—bleak, meditative landscapes that mirrored the depths of sleep deprivation and the existential wonder of bringing a new life into the world. This contrast of warmth and detachment, of intimate revelation and surreal detour, courses through OYLEGATE's DNA. Despite its moments of cold introspection, OYLEGATE is sonically rich and enveloping—an effect captured in a single request to producer Daniel Fox: "sweet, sweet caramel." Hanna wanted the music to feel like satin lining the listener's ears, wrapping them in warmth even when the themes tilt towards darkness. True to form, OYLEGATE marks yet another creative leap for an artist who refuses to be boxed in. "One advantage of being an ‘artist's artist' is that you never have to worry about being creatively different between albums. There's real freedom in doing whatever you want and not being judged for it. And even if you are judged, who gives a shit? That spirit of fearless exploration—of finding joy in the unknown, the absurd, and the deeply personal—defines OYLEGATE. An odyssey of tenderness and turbulence, it's the sound of an artist embracing life's messiest, most beautiful contradictions. Buy Oylegate: https://paddyhanna.bandcamp.com/album/oylegate

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Learn about the transformative power of Elation PULSE technology, from dazzling New Year's Eve displays at the Seattle Space Needle to the revitalization of Truth Nightclub in Johannesburg. Discover how cutting-edge fixtures like the PULSE Bar and PULSE Panel conquer logistical challenges and enhance audience experiences worldwide. Chris and Lacy share practical insights on the many uses of these versatile fixtures across live events and installs alike!

Sooner Rae Routhier is an award-winning show designer and creative producer behind some of the most iconic live performances of the past two decades. Her work with artists like Coldplay, Green Day, The Weeknd, Paramore, Muse, and Rihanna has been seen on global tours and major broadcasts including The AMA's, The Voice, and The Tonight Show.A two-time Parnelli winner and co-founder of SRae Productions and The Playground, Sooner is known for blending powerful storytelling with cutting-edge production. She also co-founded EVEN, a nonprofit promoting access and equity in the live events industry.From arena shows to immersive experiences, Sooner continues to lead the way in redefining what live entertainment can look and feel like.SummaryIn this conversation, Sooner Routhier discusses the transformative experience of collaborating with other designers on show projects. She reflects on how this collaborative approach has changed her creative process and the dynamics of show design, highlighting both the challenges and the benefits of working together with other creatives.This Episode is brought to you by Elation and Main Light

Discover how Dakota Theater in The Hague transformed its events with Elation's groundbreaking LED systems, supported by Rolight. This episode highlights the KL and FUZE series, detailing their precision, energy efficiency, and creative versatility, which benefit theaters, live shows, and cinematic setups alike. Learn how these innovations redefine professional lighting standards.

Wall Street was sent surging after Donald Trump put a 90-day pause on many of his tariffs implemented just one week ago.See omnystudio.com/listener for privacy information.

Kerry have won the National League football title for the 24th time, after beating Mayo yesterday. John Drummey of Radio Kerry Sports and Damien Stack of The Kerryman spoke to Treasa Murphy.

BestPodcastintheMetaverse.com Canary Cry News Talk #825 - 03.19.2025 - Recorded Live to 1s and 0s REV ELATION | JFK Files Catalyst, CIA Lockdowns, Kinetic Chaos, Antarctica Deconstructing World Events from a Biblical Worldview Declaring Jesus as Lord amidst the Fifth Generation War! CageRattlerCoffee.com SD/TC email Ike for discount   Join the Canary Cry Roundtable   This Episode was Produced By:   Executive Producers Sir LX Protocol Baron of the Berrean Protocol*** Dame Sarah of the Shadows***   Producers of TREASURE (CanaryCry.Support) Sir Marty B Knight of the Bass, Martins T, Mary B, Aaron B,    Producers of TALENT JonathanF   Producers of TIME Timestampers: Jade Bouncerson, Morgan E Clippy Team: Courtney S, JOLMS, Kristen Reminders: Clankoniphius Links: JAM   Podcast T- 00:00 SHOW NOTES/TIMESTAMPS HELLO WORLD 00:00 V / 00:00 P EFNO RUN DOWN EXECS 00:00 V / 00:00 P   TRUMP 00:00 V / 00:00 P Drones show   JFK 00:00 V / 00:00 P Clip: SkyNews report of JFK Jr files release (SkyNews) → JFK jr assassination via CIA explicitly stated in release (X) → JFK Files reveal Ag sabotage agenda for Cuba, Op Mongoose (X) → CIA Angleton, pipeline to Israeli intelligence (X) → Israel1 intel wanted redaction (X)   CIA 00:00 V / 00:00 P Clip: CIA under lockdown after gunman incident (X)  → SWAT team on scene of barricade near CIA headquarters (Wapo) → HIGH ALERT CIA HQ swarmed by cops over ‘man with a gun' as SWAT (Sun UK) Pentagon 60K Job cuts, Def Sec Hegseth Assures Military Readiness Won't Be Affected (IBT) → Can Tucker Carlson talk Trump down from war with Iran? He's done it before. (Indy UK)   TESLA/ELON 00:00 V / 00:00 P Post/Clip: Cybertruck exploding batteries, looks so scifi (X) Clip: Montreal Tesla vandalized this morning (X) Clip: Tim Walz celebrating stock price dump of Tesla (X) Clip: Gabbin' with Gavin with Tim Walz   PRODUCERS 00:00 V / 00:00 P   SPACE 00:00 V / 00:00 P Clip: Crew 9 back on earth from space for 9 months (X)   ANTARCTICA 00:00 V / 00:00 P Scientists at Antarctic base rocked by alleged assault (BBC)   TALENT/MEET UP 00:00 V / 00:00 P TIME/END 00:00 V / 00:00 P

On Global DJ Broadcast this week, Markus Schulz presents upcoming Coldharbour material from Daxson, KhoMha and Tim Clark; along with new tunes from Victor Ruiz, Cosmic Gate, Anyma, Tinlicker and more. Omnia returns to the broadcast in the second hour for the guestmix. The show also features a memorial tribute to D:Fuse, following his recent passing.   Fans in Las Vegas can catch Markus performing a special open to close solo set for Dreamstate at Elation this Friday, and fans in Portland will also be able to see him in action live at 45 East on Saturday.    Hope you enjoy the show, and back with more next week.   Tracklist:   The Essentials with Markus Schulz 01. Miss Monique - Magnet 02. Kyau & Albert - Photographs (numind Remix) 03. Victor Ruiz - Atma 04. Cornucopia - Early Morning [Deeper Shades] 05. Cosmic Gate & James French - I'm on Fire 06. Bedrock - Heaven Scent (Marsh Remix) [Global Selection] 07. Dubfire - I Feel Speed (Stephan Bodzin Dub Mix) 08. Anyma & Ellie Goulding - Hypnotized (John Summit Remix) 09. D:Fuse featuring JES - Living the Dream (D:Fuse's T4L Vocal) [In Memory of D:Fuse] 10. Albion & The Thrillseekers - Air [A Moment of Sunrise] 11. Tinlicker - Never Let Me Go 12. Einmusik & Solee - We Talk About Dreams 13. KhoMha - Artie 14. Tim Clark - Nirvana 15. Bart Skils & Layton Giordani - Deadly Valentine [Down the Rabbit Hole] 16. Plastic Angel - Try Walking in My World [Hall of Fame]   Omnia 01. Armin van Buuren & Omnia - Love 02. ID 03. Omnia - ID 04. Omnia & UUFO - ID 05. Omnia - The Face 06. Chris Avantgarde - Perception 07. Omnia - Aura 08. Omnia - The Diamond 09. Omnia - CYBERPUNK 10. Omnia & UUFO & Max Alexander - Lifelines   Back with Markus Schulz 17. Zimmz - Reverie 18. Space Frog - X-Ray (Follow Me) (Charles D Remix) 19. Mark Reeve & Joyhauser - Focus 20. Markus Schulz - Enter the Portal 21. LEVT - Be Your Light 22. Spartaque - Falling Through Light 23. Rank 1 - Strobo 24. Daxson & JKult - Beyond Belief  

Ethan Weber is a renowned lighting designer and director, best known for his decades-long work with The Rolling Stones and an extensive career spanning U2, John Mayer, Green Day, P!nk, and more. Starting at See Factor in 1984, he joined the Stones in 1994's Voodoo Lounge Tour, evolving into a key creative force behind their legendary shows.With a work-hard, ego-free approach, Ethan blends technical expertise with artistic vision, shaping some of the world's biggest tours. Passionate about giving back, he supports Doctors Without Borders and other charities. His motto? “Never half-ass anything.”This episode is brought to you by Main Light and Elation

The Elation of Possibility How Good Can You Feel? The WISDOM podcast  Season 5 Episode 38  

Jeff Ravitz is a Primetime Emmy winning lighting designer specializing in live entertainment for multi-camera television, concert tours, and special events. His work includes award shows, comedy specials, concert films, and televised operas, with notable projects like the Olympics medal ceremonies and world tours for Bruce Springsteen, Cher, and Ringo Starr.Co-author of Lighting for Televised Live Events, Jeff is also the broadcast lighting consultant for the Coachella festival since 2016 and has designed permanent lighting systems for venues such as LA's Microsoft Theatre. A global lecturer and recipient of numerous accolades, including a Sports Emmy and the Parnelli Lighting Designer of the Year award, Jeff leads his design firm, Intensity Advisors, in Los Angeles. This episode is brought to you by Elation and Main Light

Hailing from Perth, Western Australia, Chris ‘Chalky' Chalk discovered his passion for production lighting during high school, sparking a career that began with an Advanced Diploma of Performing Arts (Lighting) at WAAPA in 2000 and an internship at the Oregon Shakespeare Festival. After joining the Festival as a lighting technician in 2003, he transitioned to film lighting in 2005, launching a successful career in the industry. A member of IATSE Locals 488 and 728, Chris has worked on acclaimed productions like WandaVision, Perry Mason, and Twin Peaks. With a foundation in theatrical lighting, Chris specializes in systems design and programming, known for his creative on-set solutions. In 2024, he returned to Australia as Sales and Marketing Manager at Omegatech, continuing his innovative work in the field. This episode is brought to you by Elation and Mainlight

Welcome to Geezers Of Gear first FutureTech Podcast. In this inaugural episode, our Ai hosts will be discussing the new Elation Paragon Series. Now isn't this better than reading spec's?

With a career spanning nearly five decades, David has been a key figure in live entertainment, working with iconic artists such as The Rolling Stones, Van Halen, Night Ranger, Alice Cooper, and many more. His multifaceted expertise includes roles as a Lighting Designer, Production Manager, Tour Manager, and Video Director, showcasing his versatility and dedication to excellence.Currently serving as Tour Manager for Alice Cooper and the Hollywood Vampires, David oversees everything from travel logistics to show settlements and production design. His recent contributions include designing the lighting, video, and stage effects for the Hollywood Vampires' 2023 tour and creating the visual elements for Jackson Browne's global tours in 2021 and 2022.David's ethos is simple: "Behave like you'd want someone to behave." This philosophy, combined with his professionalism and creative talent, has made him an invaluable asset to the entertainment industry. As he awaits the next chapter with Alice Cooper and the Hollywood Vampires, David continues to push boundaries and deliver unforgettable live experiences. He was on the podcast in 2020 - you can go back and check that, it's episode 104. I saw him most recently - in palm beach, with Alice - a great show! This Episode is brought to you by Main Light and Elation

Episode 120 is on the scene and it's a bonus episode of DLN. We are joined by Boo Carlisle and Erin Goodman as they detail a bittersweet weekend at this year's New Year's Bash at Dillon Motor Speedway in South Carolina. The two take you behind the scenes of their journey to Dillon earlier this year. The duo faced many obstacles just getting to Dillon this year and there was a moment where the trip was in jeopardy all together. Being sick before a long trip south is one thing but facing this trip without a pit crew at the very last moment would make anyone reconsider their options. The promise of achieving a goal of making one of the biggest street stock events of the season weighed large and the duo made a last second plea to the racing community for help over social media. The duo details how the help arrived which included a late night meeting up with said help and that was before qualifying.During our conversation, find out which CARS Tour Champion guided Carlisle to a win in the last chance qualifier and the strategy used in the race itself. Elation quickly turned to panic and anxiety as Carlisle had the hardest hit of his career on the front straightway. Hear how Boo was rushed to the hospital and how their last minute group of warriors came together to make sure everything else was taken care of including removing the car from the property and their dog Checker's making it safely to Virginia.It's a unique conversation that gives you insight how tight knit the racing community is and that racers and their loved ones will go through the ringer just to have a shot at glory and a win on any given weekend. We hope you will enjoy this unique episode of DLN.

Reviews: Creature Commandos s1, Crisis on Infinite Earths Pt 1-3, Harley Quinn s5 premiere, Invincible Fight Girl s1, Ranma 1/2 s1, Sakamoto Days, Star Wars: Skeleton Crew s1 Jimmy has seen a lot of animation lately and decides to review it all. And cheekily adds one live-action show in the mix. He checks back in on the finales of some shows he reviewed when they premiered. Did they hold up to their promising starts? Tune in to find out!  Also, get a hold of us! Thanks for listening!

Well, it's the day after The Socieities Of Photographers Convention in London.  What a blast!  Judging, laughing, making friends, presenting workshops, representing Elinchrom Lighting and Evoto Ai, learning, exploring, creating and very little sleeping! The Convention is quite something to be a part of! In this episode, I try and explain what it feels like to be a small part of it whether judging the print competition, presenting or mixing with the trade - the various stages I pretty much always go through from fear to elation and everything in between. Enjoy! Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.    Transcript Introduction and Post-Convention Exhaustion So late last night, we returned from the societies of photographers convention in London, and you can hear him. My voice. I'm exhausted. The convention is such an incredible thing. 3 4, 5 days. Of mixing with the trade running workshops, attending workshops. And one of the most important print competitions in the industry, and that is anywhere. In the world, it's been a blast. You can hear just how tired I am. But in this episode I thought I'd battled through the fatigue and talk to what it's like to be a judge, a presenter, and a delegate. At this incredible convention firsthand. I'm Paul, and this is a slightly weary. Mastering Portrait Photography Podcast. Well, hello, one and all. I hope you're all. Well, it's been a busy store to January. If I'm honest. Uh, we were hectic all the way up to the convention. And even today, the day after it's all over, I've just been photographing a family. Roles and Responsibilities at the Convention Uh, this year at the convention, um, I was a print judge, a presenter, and an ambassador for Elinchrom Lighting. Uh, the company that I just adore using their products. And so to everybody who I've met, everybody, I've talked to everybody who I've laughed with, shared a drink with shared an idea with. Maybe argued over print score with thank you. Thank you for making the Convention such a pleasure. However, as I was sitting on the train coming home, it struck me. That there are definitely stages stages to how you feel. When, at least in the role I have. Uh, your attending. The convention. The Nine Stages of Convention Experience Um, sort of like the five stages of grief, I suppose these are the nine stages that I go through each and every time I attend the convention. It's the thought processes, it's the things that make me tick. Uh, it's how I feel. It's how I feel before is how I feel through it, doing it in this, how I feel afterwards. So let me step through them. Um, as usually when I come to the end of a judging process, I'll talk to all of the things I heard during the judging and give tips on producing. Uh, competition level prints, but I've done that so many times, this year, I just thought I go through the emotions, the various stages. Did I feel every time. Um, I attend the convention. Stage 1: Excitement So let's start with the obvious stage one. Excitement. This kicks in the minute that, uh, the convention confirm. That you're going to be attending. They confirm that you're going to be running some talks. They confirm that you're going to be a judge. Um, there's a real kick, a real thrill when that comes in. And then you start to think about what you'll do you start to, you've already had to put some ideas in, so those are going to be the titles of the talks, but you start to really plan out what that might look like, and that's six months out. We will start to put in, um, our applications for the 2026 convention in the next few months. So you have big ideas. You clear the diary. Of course, you make sure that those dates are available. And at that stage, there is nothing more than excitement. Obviously a little bit of pressure to get some social media out and tell the world you're going, but it's all about the excitement. And then you roll up closer and closer and closer to the day. And you're sitting on the train, heading into London, stage two. Stage 2: Nerves Nerves. I don't know if everybody goes through this. But I do. I start to worry that I've got all of the kit. I need that. I've got enough of a plan of what the workshops and presentations are going to be. I start to worry about that moment you walk into a room full of people that for some reason, in my mind, I assume I'm not going to know. Of course it's never like that, but that's how it feels. Um, also there's a really important to this year. It was a three o'clock deadline, you have to be in the judges room by three o'clock. Don't turn up. You're not judging and that's an Intuit. You have to be at the judges. Briefing. Meeting. And Terry Jones from the societies, she will talk through all of us as judges as to what she's expecting, how are we going to be. Uh, scheduled, what the runtimes are, what sort of language it's, uh, just an update and refresh on a language we're going to use how it's going to work. And if we're not in that room, You're not judging. And of course, the bit where I get the most nervous is as I walk in now I'm an extrovert. I love being in a crowd of people, but I've always had this fear of walking into a crowded room and not knowing anyone and having to sit in a corner. Uh, sort of minding my own business, finding people to talk to not being certain of myself. Now, luckily for me these days, I've been in the industry for so long that I know probably two thirds of the people in the room. Um, so it's not as bad as it used to be, but I used to be terrified and I'm still nervous. I'm still trepidatious. I'm still uncertain of myself. Um, but I walked in this year and of course it was just brilliant. And that brings me on to, I think, Uh, stage number three. Stage 3: Sense of Belonging A sense of belonging, a sense of being part of the family. There were so many hellos and handshakes and hugs and laughter and faces. I recognize some, I don't. I was introduced to new people. There's just this wonderful sense of coming back home. I love the convention for that. Of all the things that it brings, I think to all photographers. There's a sense of being part of something bigger. I think there are about 50, maybe 60 judges in the room, plus the print and handlers and all of the teams around us. And it is the most incredible feeling of belonging and for the next sort of 12 hours or so, um, after the briefing, there'll be socializing some food, um, maybe have a drink with a few people. It's a real sense of family. But then we come on to stage four. Stage 4: Pressure of Judging We're walking in to begin the process of judging the next morning. So this is the premier print competition in the world. So stage four is pressure. And even though I've been doing this a long time, I've been a judge. I can't remember how many years it is now. Probably 15 years. Um, there's still this sense. Of responsibility. Because each and every print, we will see hundreds of prints. But every single print is unique to the author. Every author has put everything they have into it. And trust me, you do not enter a print unless you think it stands a chance of winning? You might not say that to people you might say, oh, I don't know. I just thought he might try my arm, but you haven't entered a print. You haven't paid for it to be printed mounted and then the entry fees. For you not to think it stands a chance of winning. And as a judge, you really do feel that sort of pressure. You feel the responsibility as you sit there, the print comes up and you have to go through all of the elements, the 10 elements that were giving us, given us judges. Um, Um, on which to base our assessment and ultimately a score. And there are five judges on every panel. And these are some of the best. Photographers in the world. So if you put in a score and it comes on the screen, And you're wildly different to the other judges. Of course you feel that moment? Have I got that wrong? And there's a process for this as the challenge process. Um, and each of us know how to do it. Each of us have our own particular way of doing it. Uh, I had to run a few challenges this year. Um, and you're looking at the scores and there was one in particular where it was quite a long way out of line with the other judges, my school was higher and I'd seen things in that image that at least based on my assessment of it, my experience warranted a higher score. And every judge by the way has had exactly this happened to them. This is not just me. But I'm sitting there looking at the scores and I'm thinking. How hard have I got to work to try and get the other judges to see what I see, to feel what I feel, to evaluate the image in a similar way to me, or at least come closer to where I am. And these are photographers that some of them I've never met before. Some of whom I have met before everyone has their own style and their own way, but you then have to talk to the image and talk to the other judges. And see if you can convince them. That possibly there are things in the image that this time round, they may have missed that you, um, have seen. It goes the other way as well, by the way. So if somebody else puts in a score and minds lower. The same process will happen. But now it's me trying to listen, trying to understand where maybe I've missed some key factors in an image and that's particularly important when images come up, that aren't in your wheelhouse things that you don't specialize in when it comes to portraiture and weddings, or maybe photographing dogs. I of course know what I'm looking at. I understand that process really well. That doesn't mean I will always have seen everything, but it does mean that probably I'm in the right ballpark, but sometimes you get an image that challenges you tries, you tests you, it forces you to think in a different way. And while I might understand the print process, I'll understand the creation process, I'll understand the presentation, there may be things about that moment or about that imagery or about that style of photography that I might have missed. And so I'm eagerly listening to the other judges to see if it's something where I've just mostly get my score a little bit out and I need to be. Um, come a little bit closer to the overall score that's been, uh, the first round score that's been calculated or maybe just maybe I'll hold my ground and say no. I hear you. I understand what you're saying completely, I just feel for these reasons I've got my score about, right. So can you imagine the pressure when you raise a challenge or you're involved in a challenge with really well-known photographers from all corners of the world, um, the pressure is immense. It really is at that moment, the most important job in the world. And on top of that, we've got a live audience. So it's not even just that you're having to do. Um, or having to think on your feet and figure out your scoring, but you also then have to articulate that in a way that is clear. It's polite. It's respectful to the print, new author and the rest of your judges, but it's also educational, interesting entertaining, maybe because to hold an audience in the room, as judges we have, not just the responsibility. Of creating the right scores or appropriate scores for the images and bear in mind. Bear in mind, if you have a different judge on a different day, the chances are you going to get a slightly different score? So don't think that these are absolute objective. We feel all the time, the pressure of that. But during that process, we are also for the people in the room, entertainment. With air to be interesting, as well as educational we're there to help them understand, but also for them not to be asleep. In the room, the rooms are pretty dark because of course we've got the prince lit at the front. Um, We have a microphone, but our backs are to the audience. And somehow we have to be not only knowledgeable and skilled and respectful, but also to a degree entertaining. There's a lot of pressure on it. And it's not just the pressure of judging the prints because of course. Um, for me and most of the judges. I was also running two workshops or two masterclasses, and doing presentations on the Ellen Crum lighting stage. So during the rest of the convention, even once the judging is done. I'm still feeling a huge amount of pressure to be the very best I can be to represent Elinchrom and the brand, to the best of my ability. And again, that's part education, but mostly entertainment. If you're stood on the stage, creating pictures, it's not really about the technicals, that techniques, that care moonlighting modifies. It's really about being interesting and entertaining and giving people things. To go home and try themselves. And the workshops are almost exactly the same, just on a much longer format. So you really do feel the pressure to make sure everything's working, and when the audience are in there, that you give the very, very best of yourself. Even yesterday, I had what we euphamistically called the graveyard shift, which is the last set of presentations, not just of the day, but of the whole convention. The trade show by now is closed. There's nowhere else for delegates to go, except home. And nearly everybody you speak to is like, right. It shows done. I'm going to go catch my train. So you rock up to a room and I had, for the final session, I had the biggest workshop room. There is, um, I don't know how many people it can hold. But I was expecting two or three people to stay behind, maybe. Uh, we've got the last, uh, workshop I ran. This year was on high-key and low-key, uh, studio lighting, um, and going through the process of how you think about these things, how you evaluate. Um, the person in front of you, how you react to them, how you decide what you're going to shoot and how you then go through the stages of shooting it. I'd put together. A pretty good idea. And I assumed I'd be presenting it to two or three people who are going to brave the last trains home and stick around, even though there's a gap after the trade show, closing and the workshop starting. Well, the room was packed. It was an absolute thrill to be there. And the last few. Minutes or hour the hour and a half of the day, with a full room and incredible model. Uh, Eloise Hare was our model and playing with these beautiful Elinchrom lights and just showing different ideas and not just with a full room, but it's a room full of people who really interactive, really engaged. And so thankfully all that pressure I'd felt throughout the five days. Uh, dissipated in the last workshop. Stage 5: Elation And of course at the end of that, you get to stage five, which is elation. And that for me, at least a sort of celebration, um, uh, almost a euphoria. Um, I've been meeting people and I'm an extrovert, so being around people really recharges me. I've been talking sharp. I've been talking photography. I've been talking lighting. I've been catching up with people's businesses. And we've been creating images and I've just been feeling like I'm at home. These are my people. Every minute of every day, it's just a sense of recharging. It's a sense of, um, joy and conversation. It has been absolutely brilliant. And that's that sense of elation and you close everything down. You finished your last presentation, you put everything into its bags and then you get to stage six, which for me. Stage 6: Regret and Insecurity Is sort of, I've called it regret. It's a sort of insecurity, a paranoia. That's always been with me. I've never got rid of it, which is where I panic about all the things I've said that possibly I shouldn't have. The people I wished I'd had a chance to say hello to, but I only waived. Waved over a room. Um, You know, there are always people at the convention. I just would, I went there thinking I'm definitely going to see them. And the closest I got was to wave at them across a bar maybe. And I regret not having had enough time to see everybody, but that isn't enough time to see everything or everybody. I regret that maybe. I didn't give the best to me. I've given everything I can every single moment, but there's still that slight insecurity that maybe I didn't quite get to everyone. And maybe of course my scores of the images were off. Now, of course, when you're judging. You have a panel of five people, um, and that's there deliberately. That's there. To stop it, any outliers, really railroading and the show. And that's really, really good. It means that even if I'm one image, I scored it. S off slightly too high, a slightly too low. Maybe there are four other judges to make sure that that doesn't really matter, but you still worry about it. You worry about whether when, um, the chair of judges is looking at you. Uh, whether the person who created the images, looking at you, or whether the people that run the competition are looking at you, they're thinking. Oh, Wilkinson's a bit off this year. Isn't it? You worry. And that's always part of this. Sort of coming down from the, all of the energy and the adrenaline. Um, and then the fatigue and the grief regret, start to really kick in. And that leads us on to state seven. Stage 7: Fatigue The fatigue, the utter tiredness. And you can hear that. in my voice. I can hear that in my voice and it kind of speaks for itself. Um, I got home, I think at about 10 o'clock last night, I was in bed by 11 I was asleep by five past. And Sarah myself. Woke up at about 11 o'clock this morning. I don't remember being quite so tired. I was so tired. I am still so tired. And of course today I've had a family in the studio and I've had to go back to giving a hundred percent and all that meant is now I'm even more tired. The fatigue is part of it. And yet that's not the whole story because there's also now beginning to, to kick in a sense of stage eight, which is opportunity. Stage 8: Opportunity I've made new friends, some incredible friends. Um, Chris and mark in particular. Uh, really made me laugh. If they're listening, they'll know exactly who they are. Two monumental photographers from Australia, monumental creators, monumental. Um, intellects and I've loved sitting on the panel with them and listening and learning from them. It's refreshed existing friendships. It's refreshed all old friendships. Um, we've had new ideas, new thoughts. Um, new challenges, new things to think about new ideas for creativity. And of course, being a judge, I get a double pronged chance at that. I get to not only mix with the most knowledgeable and in pressive photographers in the world, but also to see images, competition images up close and personal from some of the greatest. Um, talent's there to the people that have entered in. Not necessarily people I never get to meet by get to see their images. And that in itself gives you new ideas and new things to test you. Today, in my family shoot, one of the four people, it turned out through chatting with them that they heavily into steam punk. I did not know this what a brilliant idea. And she's quite keen to come and do some photography she's into cosplay, um, and steam punk. And she would like me to create some pictures for her too. But that really is it a development of some of the images I've seen over the past four days. And that leads me on to what I think is the final stage. Stage 9: Energy and Optimism And that's a sense of energy. Now for me. I'm an extrovert. So being in this huge crowd energizes me on its own, but being in the judging, seeing these images, seeing these photographers, talking to the other, the other judges, um, just being in that space. Is energizing for me. And there's enough energy out of the convention. Every January to last me a good six months it'll fade. Of course it'll fade. This is a tough industry, right? We all know that. 2024, I think was brutal. Um, I don't know if anybody feels the same way as me, but that's how it felt. We hit our numbers just about, um, our revenue figures, but of course, Our costs have gone up. And so we really had to battle. To, um, get the numbers in and get our clients in. Um, 2024 is a year that I think on the whole I'm. I'm not glad it's gone. You should never, ever be glad that at the passing of time, but let's just say that 2025. Is a whole new year brand new, fresh. Um, full of opportunity, full of optimism. And the energy that I get out of the convention, having met all these incredible people will drive me for a good six months. And that's really important. Uh, Sarah and I are about to spend. Seven weeks working for cruise company. Uh, around south America. So at the end of this month, um, we leave half the team running here. And myself and Sarah will go and, uh, travel abroad. Um, and so I need the energy. I need the optimism. I'm going to need the drive because even though that is the opportunity of a lifetime to spend seven weeks traveling, including five days, uh, attending and working at the, um, Working on the cruise ship while it's docked at the Rio de Janeiro. Carnival is, um, just the opportunity of our lifetime. Um, but I'm going to need every bit of energy I can find because we've had to clear the diary for those seven weeks or at least reduce the amount of work in it and had to do an awful lot of work in the run up to it. And I'll have to do an awful lot of work. Um, when we come back from it and particularly on the customer side, but also a Mastering Portrait Photography, still creating the videos and the articles. But that stage nine, is that sense? Of energy. And then before I know it, it'll be back to the sense of excitement when we're trying to, um, get our talks and our workshops booked in for next year, 2026. Conclusion and Gratitude So to everybody who I've met, everybody who I've talked with, everybody who I've laughed with, it has been the most incredible five days. The first two, I was on my own. And then Sarah thankfully joined me, um, for the, the, the end of it. As no fun. Sarah being though, when we're judging, we are literally down in the basement, um, judging for from nine o'clock. I did the one day we'd judged from nine o'clock, till seven o'clock in the evening, nine in the morning to seven in the evening. Um, it was the thrill of a lifetime, not just to be judging the rounds. Um, but this year I was one of the judges I'm looking after the final, final selection, um, which is such an honor. But it was no fun for Sarah, if she was. L on our own. Um, and so she joined me for the last, uh, few days. Um, thank you to everybody that made it such a joy, made it such a thrill. Thank you to the Societies. And of course, in particular, To Terry Jones and her team on the competition side. But everybody on the trade show, everyone at Elinchrom. Everybody who I met every delegate, every single delegate, those of you that came and were quiet. And didn't say word those of you who came constantly ask questions. Um, all of it. Just made me laugh too. The two models I worked with. Um, to Marissa and Eloise. Thank you for just being beautiful, not just photogenic, but beautiful as souls. Um, thank you to every single one of you. And on that happy note, it's a Sunday night. Apparently I've got some cottage pie waiting for me back at home. So I'm going to round this. round this. podcast off, and wish you all well for the coming year. And I hope. I hope. you're as energized as I am for the coming 12 months. Take it easy and whatever else be kind to yourself. Take care.

Elation Health provides an EHR along with a tightly integrated ambient voice tool, Note Assist, that generates notes on visits. But to Kyna Fong, PhD, CEO and Co-Founder, the ambient voice solution's main value and differentiator is to look beyond the note to ask "What other actions need to happen?" It can suggest referrals and prescriptions to "set the care plan on the right path and enable that care plan to be followed." Although Elation Health supports many medical disciplines, Fong says that it's particularly valuable in primary care because it can make a big impact on physicians' administrative needs. Learn more about Elation Health: https://www.elationhealth.com/ Health IT Community: https://www.healthcareittoday.com/

Join us to remember the 2024 LDI show, our highlights from the show, some cool products and a few stories. Plus, a bit about the inaugural Dining With Dinosaurs event as well. This episode is brought to you by Elation and MainLight.

This week on Faisel and Friends, we are discussing Connecting Hearts and Health: Creating an Empathetic EHR. Faisel and Dan are talking with Kyna Fong, PhD: CEO and Co-Founder of Elation Health.Our conversation explores the power of the human relationship in healthcare, the clinical-first philosophy behind building a new EHR, and the ability of a primary care tool to empower physicians.Learn more about Elation here: https://www.elationhealth.com

Michelle Maxia, Director and Founder of the Toy Box Connection, joins John Williams to talk about Giving Tuesday and what Toy Box Connection does, their mission to make sure every kid is happy at Christmas, how they have grown through the years, the items other than toys that they are looking for, how they get […]

Michelle Maxia, Director and Founder of the Toy Box Connection, joins John Williams to talk about Giving Tuesday and what Toy Box Connection does, their mission to make sure every kid is happy at Christmas, how they have grown through the years, the items other than toys that they are looking for, how they get […]

Michelle Maxia, Director and Founder of the Toy Box Connection, joins John Williams to talk about Giving Tuesday and what Toy Box Connection does, their mission to make sure every kid is happy at Christmas, how they have grown through the years, the items other than toys that they are looking for, how they get […]

John Featherstone Principal & Managing Director of Lightswitch. Born and educated in the United Kingdom, John was theatrically trained at Britain's National Youth Theatre.John met four lads who had just formed a band called The Smiths,John hit the road with The Smiths, and worked with them and his dear friend Johnny Marr until the band split. After that, he spent a decade concert touring under the watchful eye of Roy Bennett. John toured with bands from DuranDuran, INXS, Janet Jackson, Van Halen, and more. John met Norm Schwab also Principal & Managing Director for Lightswitch in 1986 — the same trip to the States when he met his wife, Kathy. John moved to the United States in 1989 and continued to tour extensively until he founded Lightswitch in 1993 with Norn Schwab.Lightswitch is a design consortium committed to the continuing pursuit of excellence in all aspects of the design process. Lightswitch creates visual design for dynamic live events and compelling architectural environments. John is married to Kathy and they have two daughters, Hailey and Ella who are both in the industry Please welcome my good friend John Featherstone to Geezers Of Gear. This Episode is brought to you by Main Light and Elation

Rich and Doug discuss the demonic bullets dodged in this epic podcast. Enjoy, share and MAGA baby!    What do you think about the episode?  Comment below or email us: http://waw.fm/hello

Send us a textElection day has come and gone.  Elation for some, sorrow for others.  But for a select few in our nation, corporate journalists and Tic-tokkers mainly, the results have initiated a decline in cognitive function.

Bob Bonniol is an Emmy Award winning Director, Production Designer, andProducer. He is known for his implementation of extensive media andinteractive features in his productions and installations. His practice spans the worlds of theater, broadcast, opera, installations, and architecture. In 2023, he has widely deployed new interactive technology and AI to elevate live concert production, with tour designs for Billy Joel, Blake Shelton, Megan Thee Stallion, and the One Night Houston Festival. In the course of his career he has worked from Broadway to Beijing, helpingclients like Disney, NBCU, ABC, Live Nation, AEG, Marvel Studios, and Lucas' film gathers and dazzles audiences of millions. We had the pleasure of Bob being on the show in February of 2023, you can check out episode #183 on our website www.geezersofgear.com Please welcome Bob back to the Podcast. This Episode is brought to you by Elation and Main Light

A lot of Americans are joyful; a lot are really hurting, so be kind; Will Trump really unite Americans - even the ones who didn't vote for him? Some Harris supporters think Biden to blame for her blowout loss; Racism and sexism may not have doomed Kamala, but was definitely a factor

We are extremely lucky to have Cosmo (Charles) Wilson back on the Podcast. Cosmo is a concert lighting designer and director. He has been in the industry since the 80's and is one of the nicest people you will ever meet, he is a legend.Cosmo has worked with over 40 acts including AC/DC, Aerosmith, Black Sabbath, Emerson, Lake & Palmer, Foreigner, INXS, Iron Maiden, Judas Priest, Meat Loaf, Mötley Crüe, The Rolling Stones, Ronnie James Dio, David Lee Roth, Scorpions,[2] and Rod Stewart. He was a touring road crew member from 1986 before becoming a director and designer. Cosmo received a Parnelli Award for Lighting Director of the Year 2015, a Tour Link Top Dog Award for Lighting Director of the Year for AC/DC in 2016 and Aerosmith in 2017, and the "Live Production Summit Pinnacle Awards" for both Lighting Director of the Year and Lighting Designer of the Year in 2020 and again in 2023. We are so pleased Cosmo has found the time to come on the Podcast again, you can check out his previous shows at www.geezersofgear.com episode numbers #78 #112 #118 and #171Please welcome Cosmos to the show. This episode is brought to you by MainLight and Elation

Make it Louder! Episode 533 of Make Some Trance radio show with your host - Ruslan Radriges ♪ New track with Alexander Popov "DREAMS CONTROL" ► interplay.band.link/DreamsControl ♪ Discover this episode: ► band.link/mst533 Also new music by Ruslan Radriges: ♪"MIRA" ► 2rock.ffm.to/0253 ♪ "AGAIN" ► interplay.ffm.to/itp331 ♪ "UNSTOPPABLE" ► 2rock.ffm.to/0245 ♪ "LOST" ► interplay.ffm.to/itp322 ♪ "COSMOS" ► 2rock.ffm.to/0235 ♪ "REVIVAL" ► 2rock.ffm.to/0233 ♪ "PHOENIX" ► interplay.ffm.to/itp299 ♪ "SIGNALS" ► 2rock.ffm.to/0224 ♪ "HOPE" ► 2rock.ffm.to/0220 ♪ "KEEP BREATHING" ► 2rock.ffm.to/bs056 ♪ "IMAGINATION" ► band.link/Imagination_ ♪ "SINNER GAME" ► band.link/SinnerGame ♪"FULL OF STARS" ► 2rock.ffm.to/0205 ♪ "BLOW IT UP": ► 2rock.ffm.to/0194 ♪ "KEEP ON DANCE": ► biglink.to/KEEPONDANCE ♪ "THE LIGHT": ► biglink.to/THELIGHT ♪ "PLAY IT LOUD": ► 2rock.ffm.to/bs019 Follow Ruslan Radriges: ♦Instagram → www.instagram.com/ruslanradri... ♦Spotify → bit-ly.ru/jyfms ♦Facebook → www.facebook.com/RuslanRadriges ♦YouTube → bit-ly.ru/uLJPc #RuslanRadriges #MST533 TRACKLIST: Ruslan Radriges - Intro 01. Sultan + Shepard - Hypercycle [This Never Happened] 02. Beatsole x Tompsohn x DJ TISCO - How You Feel [Nomads] 03. AdamDarling x Enrey x ZEETS - Wilderness [On The Way] 04. Amber Revival - Hurricane [Opus Music] 05. Argy x Omiki x Son Of Son - RITMO [New World] 06. Beyercraft & DaWTone - Free [2Rock Techno] [PERFECT TUNE] 07. Brooks - Falling [Future House Music] 08. Alexander Komarov - Arabian Night [Interplay] 09. Andain - Summer Calling (BLR Remix) [Black Hole 10. Oliver Heldens & Armin van Buuren ft. Sam Harper - Freedom [Armada] 11. Jarred - Are You Ready [Crash & Smile] 12. Elation ft. Celia Grantini - Let Me Be Your Your Fantasy [Acid Dolphin] [MOMENT OF THE PAST] 13. Dave202 vs Cerf, Mitiska & Jaren - Arrival vs Beggin You (Armin van Buuren Remix) [SOME LATELY FAVORITE] 14. Maria Nayler & Trance Classics - Silence [Amsterdam] 15. Andrew Rayel & Emilya Buchan - Euphoria [InHarmony] 16. NyTiGen & FANTAZM - Charged [2Rock] 17. SLIN BOURGH & HouseWerk - No Fear [Revealed] 18. REGGIO & Okay Okay - Armageddon [Revealed] Ruslan Radriges - Outro

From 'Baseball Isn't Boring' (subscribe here): The Dodgers are officially heading to the World Series, while the Mets are officially going home. It's an emotional time for all involved, which was why our two guests were the perfect duo to have on immediately after the last pitch of the National League Championship Series. Mets super Jenn Salerno (@jennsalerno310) and the host of 'West Coast Bias' Alonso Sarinana (@alonsosarinana) join Bradfo to give their guttural reaction to the Dodgers' Game 6 win. Spoiler: Alonso is really happy, but Jenn is not. For the pulse of each fan base, you're going to want to listen to this. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Donny LoDico is a highly experienced professional with over 30 years of work experience in the field of lighting, video, and event management. He has a strong background in corporate events, lighting design, and video production. Currently, Donny is the Director of Lighting / Senior Account Executive at Video West Inc in the United States. An incredible moment was last year when Video West Inc and Lightswitch were honored to help deliver The Virgin Galactic event to the public via a livestreamDonny has toured with some of the biggest names in live entertainment, includingGeorge Strait, GooGoo Dolls, Rush, Peter Gabriel and many more. Donny leveraged this skill set to become an industry leader in creating unique live experience with his particular talent of protecting the creative vision, while still making sure a project is on time, and on budget. In Donny's spare time he has a passion for motorsports including building his son's Kart racing team LNL Racing. This episode is brought to you by Elation and Main Light

I'd LOVE to hear from you! Now you can send a TEXT MESSAGE! Be sure to leave your contact EMAIL so I can return your message!In this episode of "My DPC Story Podcast," host Dr. Maryal Concepcion sits down with Dr. Sonia Singh, founder of Juniper Modern Primary Care. Dr. Singh shares her journey from traditional fee-for-service medicine to establishing a successful Direct Primary Care (DPC) practice in Houston, Texas, focused on busy women aged 20-50. She delves into her initial lack of a clear vision, the importance of hiring a brand designer, and the strategic decision to opt for a micro practice model to avoid managing a large staff. Dr. Singh emphasizes using technology for automation and maintaining a minimalist yet welcoming clinic space designed like an apartment. She discusses the emotional and professional struggles that led her to DPC, including her residency challenges and the inspiration drawn from observing patient-doctor relationships in Oaxaca. Listeners will gain insights into Dr. Singh's pricing strategy, patient demographics, and the personal satisfaction she finds in DPC. The episode wraps up with Dr. Concepcion encouraging doctors to explore the DPC model for better work-life balance and autonomy. For more resources, visit mydpcstory.com and consider joining their Patreon community.*Click HERE to learn more about DrChrono*Explore a sample EHR chart with Elation -> SPRUCE HEALTH: NEW USERS get 20% off your SPRUCE HEALTH paid plan with code: MARYAL20 FREE 1 month trial - HEIDI HEALTH PRO: As Individualized As Your DPC.Support the showBe A My DPC Story PATREON MEMBER! SPONSOR THE PODMy DPC Story VOICEMAIL! DPC SWAG!FACEBOOK * INSTAGRAM * LinkedIn * TWITTER * TIKTOK * YouTube

David Wolstenholme is a control systems specialist from Kent, England. David has gained extensive experience touring large-scale musical theatre and ice shows, and has spent time at the National Theatre of Great Britain and Cirque Du Soleil. More recently, he has toured internationally with pop and rock artists in stadiums and arenas worldwide, working with ELO, Take That, Helene Fischer, and Pharrell Williams, among others. David specializes in lighting and show data integration and control systems, including lighting and video tracking systems for events of all sizes. Along with business partners Dom Smith and Paul Johnson, David established Show Binary Ltd. The company specializes in designing, consulting, and renting data control systems for live events, theatre, and film. This episode is brought to you by Elation and Main Light

I'd LOVE to hear from you! Now you can send a TEXT MESSAGE! Be sure to leave your contact EMAIL so I can return your message!Today's episode features Dr. Phil Boucher of Frontier Pediatric Care in Lincoln, NE. Dr. Boucher, a tech-savvy Direct Primary Care (DPC) Pediatrician, shares his journey from traditional healthcare to establishing Nebraska's first pediatric DPC practice. Transitioning swiftly from his old practice to opening Frontier Pediatric Care, Dr. Boucher emphasizes the importance of personalized patient relationships and community engagement. He details the success of using social media to maintain patient connections, educate the community, and manage objections to the DPC model.Listeners will learn about Dr. Boucher's inventive approaches, from crafting a memorable practice name to addressing pediatric patients' unique needs. The episode touches on pricing strategies, patient retention, and the benefits of additional tailored services like autism evaluations and mental health care. Dr. Concepcion highlights the significance of in-person doctor availability alongside virtual care. Dr. Boucher also discusses his plans, team management insights, and the transformative impact of DPC on his professional and personal life. Tune in for an inspiring story of healthcare innovation and patient-centric care.JOIN OUR PATREON COMMUNITY FOR MORE FROM Dr. BOUCHER!*Click HERE to learn more about DrChrono*Explore a sample EHR chart with Elation -> SPRUCE HEALTH: NEW USERS get 20% off your SPRUCE HEALTH paid plan with code: MARYAL20 FREE 1 month trial - HEIDI HEALTH PRO: As Individualized As Your DPC.Support the showBe A My DPC Story PATREON MEMBER! SPONSOR THE PODMy DPC Story VOICEMAIL! DPC SWAG!FACEBOOK * INSTAGRAM * LinkedIn * TWITTER * TIKTOK * YouTube

Fishing, Night, Truck, Grandfather, Empty, Modem, Moments, Boards, Phones, Fear, Elation, Soul, Duality, Broken, DIscord, Heights, Memories, Places, Heart, Simple, Enjoyment. A rumination of the echoes of revolution, told from one person's life. Part 1 of 4.

Craig Caserta is the VP of Production Creative Technology Group. Originally From New York, Craig is no stranger to Event Lighting with over 20 Years of experience as a Lighting Designer and Programmer. Craig has worked for a diverse range of productions, including Concerts, Corporate Events, Trade Shows, Touring, Television, Film, and DVD Shoots providing both Lighting Design and programming and is also at the forefront of the latest technologies, working with key manufacturers in developing and testing new products.Drawing on his years of experience Craig focuses on customer service and providing his clients with creative solutions. Craig was last on the Podcast back in March 2020 so please welcome Craig to the show again. This epsiode is brought to you by Main Light and Elation

Ch.6 September Elation Movie by Bob Van Dyne

About Scott Barclay:Scott Barclay is a Managing Director at Insight Partners based in Palo Alto. His Computational Care thesis envisions the future of US and global healthcare built at the intersection of empathy and scalable technology.  Scott's early career traversed capital markets with Banc of America Securities in Europe and the US, The Boston Consulting Group, and CVS Health. At CVS and then after, Scott helped create and scale the nation's e-prescribing ecosystem, running iScribe (acq Allscripts) and as Chief Strategy Officer of Surescripts.  Prior to Insight, Scott built his investing career as a healthcare angel investor and advisor (NaviHealth, Doximity, Elation) and, from 2015 – 2020, as a Partner at DCVC, a world-class early-stage deep tech venture capital firm, where he was a director or observer on the Boards of companies like Carbon Health, Freenome, SafelyYou, and many others. Things You'll Learn:The three big themes that are set to revolutionize healthcare investment.The art and science behind Insight Partners' long-term investment and operational support strategies.Navigating valuation adjustments in turbulent markets and fostering founder relationships.The investment wisdom in an era of market recalibration—what it really takes to write the check.Sustainability and profitability: Scott's forecast on public exits for health tech startups.Resources:Connect with and follow Lynne on LinkedIn.Learn more about Insight Partners on their LinkedIn and website.

Ken Lennon is the recently retired Executive Lighting Designer for Walt Disney Imagineering. His designs over the last 37 years have included such iconic attractions as Cars Land at Disney California's Adventure, Star Wars Galaxy's Edge at Disneyland and Walt Disney World, New Fantasyland at Tokyo Disneyland. Ken attended UCLA where he received both a BA and MFA in Theater. He started with the Walt Disney Company in 1987 at the newly created Disney Stores Design Team. Throughout his career, Ken has worked with several lighting manufacturers to develop products conducive to the changing entertainment and sustainability environments. In his spare time, Ken enjoys any kind of live entertainment, especially concerts and theater, and going out to new dining places. He also loves to speak to students about lighting and encouraging the next generation to see lighting as a beautiful art form. In his retirement, he hopes to travel and chase the things he loves all around the world. This episode is brought to you by Elation and Main Light

Chris Lisle has over 32 years experience in the entertainment industry. He has worked in a variety of roles including Production Designer, Lighting Designer, Production Manager, and Show Producer. Chris started Chris Lisle Lighting Design back in 1991. Chris is also the co-founder and Executive Director of the Touring Career Workshop, a non-profit that serves as “Human Resources for Touring Production Professionals” This episode is brought to you by Elation and Main Light

Mark Chapman and Steve Crossman present all the reaction from the second day of Euro 2024. Football correspondent John Murray and former England defender Matthew Upson also have the latest from the England camp ahead of their opening game against Serbia. Gareth Southgate gives injury updates on both John Stones and Luke Shaw, while Harry Kane discusses the talent in the squad.Euro Leagues' Guillem Balague reacts to Spain cruising past Croatia in the opening game of Group B, and is joined by former England striker Dion Dublin and senior football reporter Ian Dennis to pay tribute to the late Kevin Campbell.A pair of former England internationals in Paul Robinson and Phil Jagielka join Mark and Italian football expert Mina Rzouki for all the reaction to Italy's 2-1 win over Albania.Timecodes: 00:55 Concerns over Iceland defeat 01:55 Gareth Southgate pre-Serbia 06:50 Harry Kane pre-Serbia 09:15 England vs Serbia preview 12:35 Spain 3-0 Croatia reaction 21:05 Tributes to Kevin Campbell 26:05 Italy 2-1 Albania reaction

It's a Festival Filled episode as the crew share their favorite demos from Steam Next Fest and their favorite announcements from Summer Game Fest! Killer Bean: https://store.steampowered.com/app/1597080/Killer_Bean/ Metaphor ReFantazio: https://store.steampowered.com/app/2679460/Metaphor_ReFantazio/ Clair Obscur: Expedition 33 https://store.steampowered.com/app/1903340/Clair_Obscur_Expedition_33/ South of Midnight: https://store.steampowered.com/app/1934570/South_of_Midnight/ DOOM The Dark Ages: https://store.steampowered.com/app/3017860/DOOM_The_Dark_Ages/ Avowed: https://store.steampowered.com/app/2457220/Avowed/ Flintlock: Siege of Dawn: https://store.steampowered.com/app/1832040/Flintlock_The_Siege_of_Dawn/ Fragpunk: https://store.steampowered.com/app/2943650/FragPunk/ Mixtape: https://store.steampowered.com/app/2582320/Mixtape/ Indiana Jones and the Great Circle: https://store.steampowered.com/app/2677660/Indiana_Jones_and_the_Great_Circle/ CUFFBUST: https://store.steampowered.com/app/2592220/CUFFBUST/ Gears of War E-Day: https://store.steampowered.com/app/3010850/Gears_of_War_EDay/ Fear the Spotlight: https://store.steampowered.com/app/1959390/Fear_the_Spotlight/ UFO 50: https://store.steampowered.com/app/1147860/UFO_50/ Parcel Corps: https://store.steampowered.com/app/2015960/Parcel_Corps/ Monster Hunter Wilds: https://store.steampowered.com/app/2246340/Monster_Hunter_Wilds/ Kunitsu-Gami: Path of the Goddess: https://store.steampowered.com/app/2510710/KunitsuGami_Path_of_the_Goddess/ LEGO Horizon Adventures: https://www.playstation.com/en-us/games/lego-horizon-adventures/ Psychroma: https://store.steampowered.com/app/1879950/Psychroma/ Grunn: https://store.steampowered.com/app/2720950/Grunn/ Elation of the Wonder Box 6000: https://store.steampowered.com/app/2154780/Elation_For_The_Wonder_Box_6000/ 500 CALIBER CONTRACTZ: https://store.steampowered.com/app/2571410/500_CALIBER_CONTRACTZ/ Tactical Breach Wizards: https://store.steampowered.com/app/1043810/Tactical_Breach_Wizards/ Metal Slug Tactics: https://store.steampowered.com/app/1590760/Metal_Slug_Tactics/ Caravan SandWitch: https://store.steampowered.com/app/1582650/Caravan_SandWitch/ I Am Your Beast: https://store.steampowered.com/app/1876590/I_Am_Your_Beast/ The Alters: https://store.steampowered.com/app/1601570/The_Alters/ Demonschool: https://store.steampowered.com/app/1900250/Demonschool/ Conscript: https://store.steampowered.com/app/1286990/CONSCRIPT/ THRESHOLD: https://store.steampowered.com/app/2580020/THRESHOLD/ iTunes Page: https://itunes.apple.com/us/podcast/noclip/id1385062988 RSS Feed: http://noclippodcast.libsyn.com/rss Spotify: https://open.spotify.com/show/5XYk92ubrXpvPVk1lin4VB?si=JRAcPnlvQ0-YJWU9XiW9pg Soundcloud: https://soundcloud.com/noclippodcast Watch our docs: https://youtube.com/noclipvideo Crewcast channel: https://www.youtube.com/channel/noclippodcast Learn About Noclip: https://www.noclip.video Become a Patron and get early access to new episodes: https://www.patreon.com/noclip Follow @noclipvideo on Twitter Chapters: 0:00:00 - Intro 0:03:40 - Frank Reports Back From Summer Game Fest 0:06:55 - Killer Bean 0:08:52 - Metaphor ReFantazio 0:14:46 - Clair Obscur: Expedition 33 0:17:35 - South of Midnight 0:18:50 - Thoughts on the Xbox Showcase 0:22:52 - DOOM The Dark Ages 0:25:39 - Avowed 0:26:30 - Flintlock: Siege of Dawn 0:27:18 - Fragpunk 0:28:02 - Mixtape 0:28:35 - Indiana Jones and the Great Circle 0:29:10 - CUFFBUST 0:32:31 - Gears of War E-Day 0:36:10 - Blumhouse Games 0:39:27 - Fear the Spotlight 0:41:00 - SGF Play Days + UFO 50 0:44:35 - The Future of Indie Games Publishing 0:51:06 - Parcel Corps 0:52:45 - Monster Hunter Wilds & Kunitsu-Gami 0:54:30 - LEGO Horizon Adventures 0:56:28 - Psychroma 0:57:30 - Final Thoughts on Summer Game Fest 1:07:05 - Steam Next Fest June 2024 1:08:29 - Grunn 1:12:00 - Elation of the Wonderbox 6000 1:15:30 - 500 Caliber Contracts 1:17:10 - Tactical Breach Wizards 1:19:20 - Metal Slug Tactics 1:19:56 - Caravan SandWitch, I Am Your Beast, The Alters 1:21:28 - Thanking Our Supporters (Whoops!) 1:22:20 - Okay Back To 11 Bit Studios 1:23:55 - Demonschool 1:26:20 - Conscript 1:28:30 - THRESHOLD 1:30:09 - Sign Off  

This week, I want to talk to you about one of the most important building blocks you need to live a great life.YOUR BLISS.Some people think bliss is the same as HAPPINESS, JOY, ELATION, and others. But those are emotions, and bliss is not. BLISS is a TRANSCENDENT STATE OF BEING fed by emotions. Pay close attention as I tell you what the differences are.You must be more MINDFUL than ever and PROTECT AND PRESERVE YOUR BLISS in every way you can.Here's how……Discover the PURPOSE AND MEANING of your life. Bliss helps you understand the overarching WHY of your time on Earth. Bliss is a long-term way of thinking that rises above all temporary emotions.…Weigh your RELATIONSHIPS carefully. Do not allow those who rob you of your bliss to have a place in your life. Reduce or eliminate completely those that no longer serve you well.…Think about who and what things ROB you of your bliss. Write them down. Now do the same for people and activities that ADD to your bliss. Write them down. The physical act of writing helps cement them into your consciousness. Now consciously work to eliminate things that rob you of your bliss and take actions to make more time in your life for things that add to your bliss.Put in the work toward finding your BLISS.And when you find it, protect your BLISS.It is a GIFT OF KINDNESS to the person who matters most in the world.The most BLISSFUL version of YOU.