Podcasts about Zurita

Esta noche de jueves a viernes entrevistamos a Héctor Zurita de la Vega sobre la película "Descalzos" que se estrena hoy 14 de febrero de 2025, dirección creativa de esta producción de Hakuna Films. Leonardo Daimiel Pérez de Madrid nos invita a Pensar y sentir, hoy día de San Valentín sobre el Amor con mayúsculas. Luis Antequera presenta la sección de historia porque hoy 14 de febrero no es un día cualquiera. El profesor José Manuel Amaya presenta la sección de curiosidades científicas, estos días desarrollando la Teoría de la relatividad de Einstein.

Hablamos con Marcos Zurita, concejal de Cultura de San Sebastián de los Reyes, sobre la programación del 2025 en el TAM

Juanpa Zurita asegura Ana Brenda Contreras lo SALVÓ en el momento más difícil de su carrera See omnystudio.com/listener for privacy information.

Three Tier is hosted by Jacob Gluck and Taylor Foxman.---Pa'lante was created with this ethos in mind: We're from here and from there – de aquí y de allá.Eric's love of rum stems from his father's rum-making days at a major distillery in Cuba. He grew up hearing stories of his heyday on the island, and now he's on a mission to showcase rum's versatility and Latinify the spirits industry. For him, Pa'lante is equally about making damn-good rum and bringing authenticity to how our community is represented in this space. Eric believes uplifting our community and excelling in business are inseparable goals.

En SER Gastro visitamos "Zurita, barra y mantel", el nuevo restaurante del chef tudelano Leandro Gil, ganador de una Estrella Michelín en 2019

Juanpa Zurita y Vico Escorcia ADIVINAN el villancico navideño! See omnystudio.com/listener for privacy information.

A la alfombra roja de Una pequeña confusión por Zurita y Ana De La Guerra See omnystudio.com/listener for privacy information.

En este inquietante relato del autor mexicano Fernando Zurita, conoceremos 📱 Una app misteriosa, un asesino en la Dark Web y un programador que quiere controlar su destino final. Una historia que mezcla tecnología, dark web y destino final, cuestionando los límites entre el control de nuestra vida... y nuestra muerte. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Capítulo 252, duodécimo de la séptima temporada de este podcast literalmente literario. Nuevo capítulo de “Cuentos fantásticos”, la sección que publico en Días Extraños de Santi Camacho. Hoy con otro autor que muy amablemente nos cede su obra para producir un audiorelato. Te traigo a un autor venido del otro lado del charco, de tierras mexicanas, te presento a Fernando Zurita. Narrado por Xavi Villanueva !Nuevo episodio! Ya puedes disfrutar de Game over. FERNANDO ZURITA en ABISMOfm.

En El Gran Musical, con Christian Del Alcázar Ponce, conversamos con Fabiana Garzón y Andrea Zurita sobre la “Me”, una campaña de comunicación para fomentar la salud integral como acto de amor propio.

Patricia Zurita Ona, PsyD, author of Acceptance and Commitment Therapy for Borderline Personality Disorder, joins us to talk about ACT for emotion dysregulation. Zurita Ona, or “Dr. Z,” is a psychologist specializing in working with and creating compassionate, research-based, and actionable resources for overachievers and overthinkers to get them unstuck from worries, fears, anxieties, perfectionism, procrastination, obsessions, and ineffective “playing it safe” actions. She is founder of the East Bay Behavior Therapy Center—a boutique practice where she offers therapy and coaching services based on acceptance and commitment therapy (ACT) and contextual behavioral science. Zurita Ona has been nominated as a fellow of the Association of Contextual Behavioral Science for her contributions to the applications of ACT to specific fear-based struggles.    Visit our website at www.newharbinger.com and use coupon code 'Podcast25' to receive 25% off your entire order.  Buy the Book:   New Harbinger - https://bit.ly/3zxfma5  Amazon - https://a.co/d/3ZwzfHL  Barnes & Noble - https://www.barnesandnoble.com/w/1137712675   Bookshop.org - https://bit.ly/47JjKj6   If you have ideas for future episodes, thoughts, or questions, we'd love to hear from you! Send us an email at podcast@newharbinger.com 

Zurita explica los aspectos fundamentales de este primer certamen de arte contemporáneo para artistas locales y nacionales

Coco Zurita is the Guest

¡Que no se olvide la tragedia de San Juanico! Conferencias, deporte y memoria históricaEnlace para apoyar vía Patreon:https://www.patreon.com/julioastilleroEnlace para hacer donaciones vía PayPal:https://www.paypal.me/julioastilleroCuenta para hacer transferencias a cuenta BBVA a nombre de Julio Hernández López: 1539408017CLABE: 012 320 01539408017 2Tienda:https://julioastillerotienda.com/ Te invitamos a que visites nuestro perfil en Patreon. Solo da clic aquí Hosted on Acast. See acast.com/privacy for more information.

Hablamos con Marcos Zurita, concejal de Cultura de San Sebastián de los Reyes, sobre XVII Muestra de cine de la localidad

Zurita, Abad, Topic y los tres palos de Noboa en Hablando Vrgs.

La Posta obtuvo acceso a los archivos del teléfono de Fernando Villavicencio, pero hicimos algo que otros olvidaron: contrastar. Hoy te mostramos los mensajes, 100% reales, que intercambió con Charlie Pareja Cordero, la fiscal general Diana Salazar y su colega más cercano, Christian Zurita.

Marcos Zurita, concejal de Hacienda de San Sebastián de los Reyes, sobre la renovación del sistema de gestión tributaria del Ayuntamiento

El Teatro Adolfo Marsillach (TAM) de San Sebastián de los Reyes está preparado para iniciar su temporada de otoño–invierno; y, junto a los espectáculos y las obras teatrales programados, propone un acercamiento del público al mundo de las artes escénicas por medio del programa ‘Miradas escénicas', en donde se ofrece coloquios y encuentros con profesionales del sector.

SERIE: DISCIPLINAS ESPIRITUALES _____ DIRECCIÓN: Calle Árgos, 13, Metro Ciudad Lineal. 28037, Madrid. España. HORARIOS Domingos: 10H, 11:30H, 13:00H (En directo a las 13H) y 18:00H. Martes: 19:30​H (También en directo) Sábados 18H (JUMP) - 20H (ECOS) * Cada semana compartimos una palabra poderosa que creemos que cambiará tu vida. Deja que tu fe aumente y que sea retada. Síguenos en nuestras redes sociales oficiales: www.facebook.com/nuevavidamadrid www.instagram.com/nuevavidamadrid www.nuevavidainternacional.es

Hablamos con Teresa Zurita, portavoz de Por3C,  portavoz socialista de Tres Cantos, sobre las propuestas a los presupuestos municipales de 2025

Hágase la Luz con Daniel Salazar, Daniela González y Danilo Zurita, 3 de septiembre del 2024 by TXS Plus

Leonardo Valdés Zurita destaca movilización de Marea Rosa en el INE: ‘Fue muy animosa'. Dulce María Sauri: Reelección de ‘Alito' Moreno en el PRI se pudo ‘haber evitado'. Relación de seguridad México – EU se debilita: estas son las razones, según Eunice Rendón. Juventud en México: 3 recomendaciones que debería seguir el próximo gobierno. Trabajador del Poder Judicial reta a Morena a foro en TV nacional sobre elección de jueces. Sobrerrepresentación del Congreso: por esta razón no se peleó cuando el PRI tenía el poder, según Ezra Shabot. Pemex preocupa a sus proveedores: ‘No se puede tapar el Sol con un dedo', expresa Pedro Tello.See omnystudio.com/listener for privacy information.

En entrevista para MVS Noticias con Luis Cárdenas, Leonardo Valdés Zurita, expresidente del IFE, habló con Sheila Amador sobre la problemática de la sobrerrepresentación en la política mexicana, destacando la importancia de que los consejeros del INE apliquen correctamente la Constitución.See omnystudio.com/listener for privacy information.

A mãe do rock português morreu há 9 anos.

En este episodio, tenemos el placer de contar con Paola Zurita. Paola es una destacada influencer y creadora de contenido mexicana que ha conquistado las redes sociales con su carisma y autenticidad. Conocida por su estilo de vida saludable y su pasión por el fitness, Paola inspira a miles de seguidores a llevar una vida activa y equilibrada. Paola nos abre su corazón y comparte su trayectoria, los desafíos que ha enfrentado y cómo ha logrado mantenerse fiel a sí misma en el mundo digital. ====== Síguenos en nuestras Redes Sociales: 

Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y con invitados que cantan o tocan en vivo.

Programa Imagen Empresarial completo, transmitido originalmente el 15 de mayo del 2024. Conduce Rodrigo Pacheco Entrevistas Entrevistado: Ernesto Ceballos, Director General de Grupo Cebra Tema: Proyecto Cruz Roja APIEJ Entrevistado: Bruno Martínez Zurita , CEO de Kampus Desarrollos y Presidente de la Asociación de Parques Industriales del Estado de Jalisco Tema: Asociación de Parques Industriales del Estado de Jalisco Primer Congreso Anual APIEJ - “Jalisco, parques industriales como polo de desarrollo

Lichen is a strange presence on this planet. Traditionally, scientists have understood lichen as a new organism formed through symbiosis between a fungus and an algae. But the science is evolving. It seems that there may be more than one species of fungus involved in this symbiosis, and some scientists have suggested that lichen could be described as both an ecosystem and an organism. Lichen may even be immortal, in some sense of the word.In lichen, the poet Forrest Gander finds both the mystery of the forest and a rich metaphor for our symbiosis with one another and with the planet, for the relationship between the dead and the living, and for how our relationships with others change us indelibly. In his poem, “Forest,” lichen are a sensual presence, even erotic, living in relationship to the other beings around them. They resemble us, strangely, despite our dramatic differences.The words of the poem teem with life, like the forest they explore, and Forrest's marvelous reading of the poem adds a panoply of meanings and feelings through his annunciation, his breaths, his breaks. It's phenomenal.This poem, and his work more broadly, is about nothing less that who we are on this Earth and how we live—how we thrive—in relationship.Forrest Gander writes poetry, novels, essays, and translations. He is the recipient of many awards and honors, including a Guggenheim Fellowship and the Pulitzer Prize in poetry for his book, Be With. As an undergraduate, like me, he studied geology, which became foundational to his engagement with ecological ethics and poetics.Forrest often collaborates with other artists on books and exhibitions, including a project with the photographer Sally Mann. His latest book of poetry is a collaboration with the photographer Jack Shear, called Knot (spelled with a “k”). He recently collaborated with artist Ashwini Bhat on an exhibition at the Shoshana Wayne Gallery in Los Angeles, called “In Your Arms I'm Radiant.”His poem, “Forest,” is from his 2021 collection of poems, Twice Alive.Forrest has taught at Harvard University and Brown University. He spoke to me from his home in Northern California, where he now lives.This episode of Chrysalis is part of the Chrysalis Poets series, which focuses on a single poems from poets who confront ecological issues in their work.You can listen on Substack, Apple Podcasts, and other podcast platforms.Please rate, review, and share to help us spread the word!Forrest GanderBorn in the Mojave Desert in Barstow, California, Forrest Gander grew up in Virginia. He spend significant years in San Francisco, Dolores Hidalgo (Mexico), Eureka Springs, and Providence. With the late poet CD Wright, he has a son, the artist Brecht Wright Gander. Forrest holds degrees in both Geology and English literature. He lives now in Northern California with his wife, the artist Ashwini Bhat. Gander's book Be With was awarded the 2019 Pulitzer Prize. Concerned with the way we are revised and translated in encounters with the foreign, his book Core Samples from the World was a finalist for the Pulitzer Prize and the National Book Critics Circle Award. Gander has collaborated frequently with other artists including photographers Sally Mann, Graciela Iturbide, Raymond Meeks, and Lucas Foglia, glass artist Michael Rogers, ceramic artists Rick Hirsch and Ashwini Bhat, artists Ann Hamilton, Tjibbe Hooghiemstra, dancers Eiko & Koma, and musicians Vic Chesnutt and Brady Earnhart, among others.   The author of numerous other books of poetry, including Redstart: An Ecological Poetics and Science & Steepleflower, Gander also writes novels (As a Friend; The Trace), essays (A Faithful Existence) and translates. Recent translations include It Must Be a Misunderstanding by Coral Bracho, Names and Rivers by Shuri Kido, and Then Come Back: the Lost Neruda Poems. His most recent anthologies are Pinholes in the Night: Essential Poems from Latin American (selected by Raúl Zurita) and Panic Cure: Poems from Spain for the 21st Century.Gander's books have been translated and published in more than a dozen other languages. He is a United States Artists Rockefeller Fellow and has received fellowships from The National Endowment for the Arts and the Guggenheim, Whiting, and Howard Foundations. In 2011, he was awarded the Library of Congress Witter Bynner Fellowship. Gander was the Briggs-Copeland poet at Harvard University before becoming The Adele Kellenberg Seaver Professor of Literary Arts and Comparative Literature at Brown University where he taught courses such as Poetry & Ethics, EcoPoetics, Latin American Death Trip, and Translation Theory & Practice. He is an Emeritus Chancellor for the Academy for the Academy of American Poets and is an elected member of The Academy of Arts & Sciences.Gander co-edited Lost Roads Publishers with CD Wright for twenty years, soliciting, editing, and publishing books by more than thirty writers, including Michael Harper, Kamau Brathwaite, Arthur Sze, Fanny Howe, Frances Mayes, Steve Stern, Zuleyka Benitez, and René Char.“Forest”By Forrest GanderErogenous zones in oaks slung with stoles of lace lichen the sun's rays spilling through leaves in broken packets a force call it nighttime thrusts mushrooms up from their lair of spawn mycelial loam the whiff of port they pop into un- trammeled air with the sort of gasp that follows a fine chess move like memories are they? or punctuation? was it something the earth said to provoke our response tasking us to recall an evolutionary course our long ago initation into the one- among-others and within my newborn noticing have you popped up beside me love or were you here from the start a swarm of meaning and decay still gripping the underworld both of us half-buried holding fast if briefly to a swelling vastness while our coupling begins to register in the already awake compendium that offers to take us in you take me in and abundance floods us floats us out we fill each with the other all morning breaks as birdsong over us who rise to the surface so our faces might be sprungRecommended Readings & MediaForrest Gander reading his poem “Unto Ourselves” from Twice Alive.TranscriptIntroJohn FiegeLichen is a strange presence on this planet. Traditionally, scientists have understood lichen as a new organism formed through symbiosis between a fungus and an algae. But the science is evolving. It seems there may be more than one species of fungus involved in this symbiosis. And some scientists have suggested that lichen, and could be described as both an ecosystem and an organism. Lichen may even be immortal in some sense of the word. In lichen, the poet Forrest Gander finds both the mystery of the forest and a rich metaphor for our symbiosis with one another and with the planet, for the relationship between the dead and the living, and for how our relationships with others change us indelibly. In his poem, "Forest," lichen are an essential presence, even erotic, living in relationship to the other beings around them. They resemble us strangely, despite our dramatic differences. The words of the poem teem with life, like the forest they explore, and Forrest's marvelous reading of the poem as a panoply of meanings and feelings through his enunciation—his breaths, his breaks; it's phenomenal. This poem in his work, more broadly, is about nothing less than who we are on this earth, and how we live; how we thrive in relationship. I'm John Fiege, and this episode of Chrysalis is part of the Chrysalis Poets series. Forrest Gander writes poetry, novels, essays, and translations. He is the recipient of many awards and honors, including a Guggenheim Fellowship, and the Pulitzer Prize in poetry for his book Be With. Forrest often collaborates with other artists on books and exhibitions, including a project with a photographer Sally Mann. His latest book of poetry is a collaboration with a photographer Jack Scheer called Knot. He recently collaborated with artist Ashwini Bhat on an exhibition at the Shoshana Wayne Gallery in Los Angeles, called In Your Arms I'm Radiant. His poem, "Forest," is from his 2021 collection of poems, Twice Alive. Forrest has taught at Harvard University and Brown University. He spoke to me from his home in Northern California, where he now lives. Here is Forrest Gander reading his poem "Forest."PoemForrest Gander“Forest”Erogenous zones in oaks slung with stoles of lace lichen the sun's rays spilling through leaves in broken packets a force call it nighttime thrusts mushrooms up from their lair of spawn mycelial loam the whiff of port they pop into un- trammeled air with the sort of gasp that follows a fine chess move like memories are they? or punctuation? was it something the earth said to provoke our response tasking us to recall an evolutionary course our long ago initation into the one- among-others and within my newborn noticing have you popped up beside me love or were you here from the start a swarm of meaning and decay still gripping the underworld both of us half-buried holding fast if briefly to a swelling vastness while our coupling begins to register in the already awake compendium that offers to take us in you take me in and abundance floods us floats us out we fill each with the other all morning breaks as birdsong over us who rise to the surface so our faces might be sprungConversationJohn FiegeThank you. It's so wonderful hearing you read it, the intonation and the flow of the words and your emphasis is just like completely new hearing you read it, rather than just reading it myself. I want to start with the sexual imagery. You begin with "erogenous zones in oaks, slung with stoles of lace lichen." And that last line, "stoles of lace lichen the," that was one of the things that jumped out to me, is the is at the end of the line there. And you read it as if it was the end of the line rather than pausing and using it as part of the next stanza. But in addition to these, this erogenous zone, you've got thrusting mushrooms in a layer of spawn, and sexual imagery doesn't often accompany decomposition, and decomposers like lichen and in fungi, but this combination brings a strong sense of the interconnectedness of life and death of reproduction and decomposition. And so this is the cyclical world we live in, even though we're often myopically or delusionally, focused on some kind of progressive, linear, supernaturally immortal view of our lives. How are you imagining the reader encountering the beginning of this poem, and its images of sexually charged decomposition?Forrest GanderI'm, uh, trying to connect decomposition and eros, or the merging of more than one species, one individual, into a community. And I'm trying to use a syntax, which you notice, that also doesn't easily separate itself into clear, discrete sentences, but seems to be connected at both ends. And the sense is for us to lose our security in reading our feeling that we dominate the reading that we can figure it out quickly and divide it up into these parcels, and instead, create a kind of reading experience that mimics the kind of experience that we actually live, where everything is connected, and, and where the erotic and the decomposing are involved in the same processes.John FiegeYeah, and thanks to Governor Jerry Brown, lace lichen is now the official California state lichen making...Forrest Gander(Chuckles) Isn't that great? John Fiege...making California the first state to recognize a lichen as a state symbol. And the poem, like you were saying, how the syntax is mimicking the organic world. Visually, the line breaks and the varied intended indentations appear as local lace lichen itself. Can you talk about your relationship with lichen?Forrest GanderYes. You know, I think like you think, which is why you're doing these podcasts, that we're in an exigent historical moment where the environment is rapidly changing, and species are rapidly disappearing. And we've been hearing about this for decades without really responding in a sufficient way to the exigency of our situation. So I'm trying to find models of, instead of just heaping on more climate information horror, I'm trying to find models of other ways of thinking about our relationship with the world. And one, since I have a background in science—I have a degree in geology—is a scientific one. And I worked with a mycologist, named Anne Pringle, who taught me to see fungus and lichen in places where I hadn't been seeing them before. And it turns out lichen covers about 92% of the world you can find lichen in. And despite that, most people know what it is. They've seen, like on rocks, green, brown, little spots. It turns out, scientists don't really know what lichen is.John FiegeIt's cool to find something that scientists don't feel like they know that much about.Forrest GanderIt is! And yet, it seems like there's more more of those things that we don't really know that we can't measure, that we can't feel like we are in control of it all. And lichen is these two—more actually, it's not just an algae and cyanobacteria, or Sienna bacteria and fungus that get together it there's more organisms that are involved that come together, and are transformed completely and can't go back to what they were. And they formed this new organism that acts completely differently. And we're not so different from that, that our own bodies are full of other organisms, and even our DNA contains DNA of parasites that long ago became incorporated into our system. So lichen gives us a way of thinking about the mutualities that our lives are really made of.John FiegeYeah, and this poem, "Forest," is part of that collection, Twice Alive, where you have "Post-Fire Forest" and other poems related to wildfire and the aftermath of them, and that collection follows on the heels of your previous collection, Be With, which, you know this moving series of eulogistic poems to your late wife. It seems that Be With wrestles with and processes personal grief, while "Twice Alive" adds the element of ecological trauma. How are those two realms of trauma-related phenomena—the personal and the ecological? And how do they play out in the poem?Forrest GanderThe poems of "Be With”… they are so personally painful to me, I couldn't even read from the book after I published it. I think I read twice and then stopped reading from it. And one, as Albert Camus says, you can't live on in a grief or depression that's so terrible that it doesn't leave you with any openings. And so I wanted to find positive things to write about. But we're living during an ecological crisis. So I'm, and I've been writing about that crisis through really most of my adult life. But I wanted to find positive ways of reimagining our relationship with the world and maybe with death also. Because in lichen, and in the metaphor of like, and work, to two or more things come together and are transformed. I thought of human intimacy and the way that my relationship, my close relationships, I'm transformed in those relationships, I become something else. And that thing, which is welded in love, has a durability, and lasts. And in the same way, scientists—some scientists are saying that our whole idea of death comes out of our mammalian orientation. And that may be because some things don't die, and have theoretical immortality, and lichen, given enough nutrients, may be one of those things.John FiegeThat's amazing. How does it make you feel to think about the possibility that there's something that actually has some kind of immortality?Forrest GanderHow does it make us feel? I think it checks what we have always thought we've known. And it checks our instinctual perspective. And that kind of check, I think, is really helpful in terms of how we begin to reimagine our place in a world of other species that are completely different from us, and yet, share so much DNA.John FiegeCan you tell me about the Sangam literary traditions that you've referenced as an important element of your recent work in Eco-poetry?Forrest GanderSure! What brought me to Sangam was looking for other models of relationships between the human and the nonhuman. And it turns out that, you know, 2000 years ago, in Southern India, there was a blossoming of literature, which came to be called Sangam, which means convergence, and that one of the two styles of that poetry, which is called Akam, it was considered not only unethical but impossible to write about human emotions, as though they were independent of the landscape around us, which affects our perceptions. And, it impacts how and what we feel. And so, using that model for poems and finding that the same five landscapes that come up in the Sangam poems are the same five landscapes that one can find in California, where I live, I used those Sangam poems as a kind of model for writing poems that expressed that mutuality of, of the human and the nonhuman in the five landscapes of California in my home.John Fiegeisn't that so satisfying on so many levels to be able to look so far back in history? And to see people encountering the world in ways that are so resonant with the ways you are, we are encountering the world today in a completely different part of the planet, even? It's kind of amazing.Forrest GanderIt is! And yeah, I think it's what we will find everywhere that, you know, the Native Americans in what we now called the United States. They didn't think that these European invaders would last very long because the European invaders hadn't lived for thousands of years, with animals and plants of this continent. And so they thought we would fail. And we have failed, we've failed to live in a way that takes into account our interdependence with the nonhuman world.John FiegeWell, jumping back into the poem, your word choices and juxtapositions and the sounds, and the rhythms of the words in the poem are so powerful. Here's a section that begins at the end of a stanza and carries on to the next, "a force call it nighttime thrusts mushrooms up from their lair." I like this idea of nighttime as a force that has the power to push things up out of the earth. And nighttime is when we rest, but also maybe when we have sex, or maybe when we don't have sex often enough. But how is nighttime of force for you?Forrest GanderBecause there are so many processes, especially plant processes, that take place after the sun goes down. And that often, we're not thinking about night being a reenergizing process for other species. And also, I'm connecting nighttime, and that darkness with the half-buried to the things that go on in the dark, the things that go on underground.John FiegeRight! Well, here's another section I'd like to dig into. If you don't mind me reading, I feel bad reading your poem as you read it so beautifully, but just to go through it again. Like memories, are they or punctuation? Was it something the earth said to provoke a response, tasking us to recall an evolutionary course, our long-ago initiation into the one among others? So in this section of the poem, you shift from third person into first person plural, and we don't exactly know what the 'we' or the 'us' is, but I'm imagining it to be our species collectively speaking with the earth here. I personified a personified Earth. And each of us is merely one among others, one person among other people, but also humans are just one among many other species on the earth. So what's going on here, with the earth being provocative, the shift to first person plural, and to us thinking about our evolutionary course?Forrest GanderSo I'm thinking of mushrooms as kind of exclamation marks that come up and call our attention to the nonhuman, and also how memories are like that, that they pop up from the darkness of our mind into our conscious mind. And that, what they remind us of, what any contact with a nonhuman reminds us of, is our involvement with them; our long ago initiated course as an interdependent species, as a community in a community, that we are one among many others, as you say, and that if we forget that, then we don't take care of the earth because we don't recognize that it's part of taking care of ourselves. And for many human communities and cultures earlier, this was de rigueur, it was understood that, that we were involved. Our lives were educations in how to live with the world around us. But we've become so separated from that in our urban cultures that we need reminding.John FiegeRight, right. Well, and that reminds me of another section of the poem, we have this phrase "newborn noticing." So the stanza it's in is, "and within my newborn noticing, have you popped up beside me, my love? Or were you here from the start?" And I love this idea of newborn noticing it suggests that we're noticing a new, but also noticing, as a newborn does, like Lao says—‘newborn baby, unbiased, undistracted, nonjudgmental.' And this section feels like it touches on our deeply ingrained, anthropocentrism and ignorance of other species, and maybe how poetry can help us notice the world around us more fully, especially the other-than-human world. What is this 'newborn noticing' to you?Forrest GanderRight, I'm so glad you bring up Lao Tzu, also. Lao Tzu says, "Those who are not in constant awe; surely some great tragedy will befall them." And hear the 'newborn noticing,' again, that earlier passage you mentioned, that connects the punctuation to coming out of the ground of the mushrooms, to memories that come out of the darkness of our mind into our conscious mind. That's also the birth of something.John FiegeSo here's... oh, go ahead.Forrest GanderI just like that you've been, I mean, some people ask, you know, what can we do in this environmental crisis, and one of the things we can do is to try to have a chorus of not just scientists and biologists, but a chorus of artists and priests, and poets. And that's what you've been doing: putting together that chorus of responses to our crisis. And I think it's going to take the voices of a lot of people from a lot of different trajectories, to affect any kind of change. So I'm proud of what you're doing.John FiegeYeah, I totally agree. And I'm glad you notice and appreciate that (chuckles). You know, one thing I say all the time is, you know, our environmental discourse is dominated by science, economics, and policy. And those three things are all extremely important, and we have to keep on top of all of them. But it's leaving out the whole rest of the human experience. And if we are not all focused on this problem, and dealing with it in the ways that we know how, and the ways that we know how to interact with the world, we just... we can't get there because the problem is... it's so overwhelming as it is to leave it up to a small portion of the population to address is not sufficient,Forrest GanderRight? Or it would have changed already. And I think what art and poetry and literature can do is add a kind of an emotional and psychological approach to it, that can add it to the science, and can be more convincing,John FiegeRight? And not even just like, a way to convince people, but just a way to, to understand and feel the problem is so much beyond, you know, just a reason-based problem that you can solve or not, you know, but that it's part of who you are and what you value in the world and what you know, get you up out of bed every morning.Forrest GanderThat's beautifully put. Yeah, I agree with you.John FiegeWell, here here's another line I love from the poem, "A swarm of meaning and decay." And this goes back to that cyclical view of life and death; birth and decomposition. And it also brings in this concept of meaning—this thing that humans are obsessed with. Our perpetual question of why—what is the meaning of life? And so much of the foundation of our understanding of meaning is bound up in the perpetuation of life. And oftentimes, in the avoidance of death, despite the need for death to bring life. Can you talk more about this "swarm of meaning and decay?"Forrest GanderSo the "swarm of meaning and decay" comes just a moment after my "newborn noticing." And here, the poem merges the human—we don't really know for sure whether I'm talking about human beings, or I'm talking about other forms of life that are emerging from the underworld, like fungus, for instance. And in that merging of subjectivity and world, I'm trying to emphasize how the human life and the processes of the life—lives that aren't human—are completely related to each other. It's interesting to me that the kind of poetry that I write is sometimes categorized as eco-poetry, the idea of Eco-poetry is that there might be a way of writing in which human subjectivity and the non-human aren't so discrete from each other and that we might be able to show in writing, a different way of experiencing, or really, the real way of experiencing our relationships with otherness, which is that our subjectivities merge into otherness. That we're made of multiple creatures and were made by multiple interactions with the world. And I think that's what art has always done, is that it's expanded our way of thinking of the human.John FiegeDefinitely, definitely. Well, let me jump into the last two stanzas in the poem, which read, "And abundance floods us floats us out, we fill each with the other all morning breaks as songbird over us who rise to the surface, so our faces might be strong." And again, there's so much richness in this language. But to start off with, how does abundance, both flood us and float us?Forrest GanderWell, our lives are abundant; the world is abundant. And that sense of merging with another in intimacy, in love, and merging with the world is a sense of expanding. This, you know, the notion of the self, and that's an abundance, it's recognizing our collaborative relationship with otherness. And it floats us out of ourselves so that we're not locked into our own minds, our own singular psyches, we fill with each other. And then again, here, the syntax is working in two ways. We fill with each other, we fill with the other "all morning". And then we revise that as we, as we make that break. We fill with the other "all morning breaks as birdsong over us." And I'm thinking here about how human beings, Homo sapiens, from the start, almost all of human beings have experienced birdsong since we were born, since early in our lives. We've grown up with the songs of birds infused in our minds, in our hearing. And how much of a part of us birdsong is. We're rising to the surface like the mushrooms coming from underground to blossom so that our faces might be sprung. And here again, the human and the nonhuman? Am I talking about mushrooms here? Or am I talking about human beings? I'm purposely talking about both in a way that is perhaps indistinguishable.John FiegeAnd as you mentioned, the poem starts with the imagery of the mushrooms thrusting upward. And then, at the end here, it seems that the we in the poem rises to the surface. And the last line of the poem is, so our faces might be sprung. This sense of emergence comes to that most intimate thing—our faces—and this vague 'we' suddenly has a face. And we are like flowers or emergent mushrooms in the nighttime. Where does this poem leave you? And how do you think about where you'd like to leave the reader at the end?Forrest GanderI think in that uncertainty about where the human and where the non-human begins, I think that's the strategy of the poems, which is presenting not some romantic notion of our involvement with others, but I think a form of realism, it's recognizing that our involvement with otherness is entire, that were composed of otherness. So I think the feeling of what a mushroom is, is just the face, it's this little—fruited body, they call it—of an organism that's underground that we don't see at all. And, in a way, that's what our lives are also: this brief flourishing of the face of something that's connected to a body that's much larger than ours. And that ambiguous space is what I'm interested in, in thinking about.John FiegeAnd does that noticing or that knowledge calls us to do something? In particular, do you think?Forrest Gander  32:43Well, I don't want to turn the poem into a didacticism. But the poem presents a vision. And that vision can contribute to the way that we see ourselves in the world. And the way we see ourselves in the world forces us to make ethical decisions about how we are and what we do. So in, I want to provide a vision or share a vision. And I want readers to do with it what they feel called upon to do. There have been different ways that we've understood our relationship and our role in a living Earth, through time and in different cultures. And the worldview that we have now, which is using the Earth very transactional, can be changed. And that art can inspire us to imagine those kinds of changes. In some ways, we're like the yeast that gets put with grapes to make wine. The yeast, which is a fungus, eats the sugar, and it secretes basically alcohol. That's what where we get alcohol from, and it proliferates and proliferates, and keeps producing alcohol until at about 13%. The yeast kills itself it dies because it can't live with an alcohol content greater than that. And we're like that yeast on this earth. We're using up all of the resources, and we're proliferating, and pretty soon, there's not going to be room for us to live on the world will pollute ourselves out of existence, and the world will go on. It's just that we won't be part of it.John FiegeThat's a beautiful place to end; with yeast, and lichen, and erogenous zones. All swirling around together. Can you end by reading the poem once again?Forrest GanderSure. So, 'forest' is one of the five major landscapes that appear in the Sangam poems.[See poem as transcribed above]John FiegeForrest, thank you so much. This has been wonderful.Forrest GanderThanks a lot, John. I'm really pleased to be a part of your series and to be part of the chorus of voices that you're putting together.John FiegeAnd it's a beautiful voice that you've brought to it. OutroJohn FiegeThank you so much to Forrest Gander. Go to our website at chrysalispodcast.org, where you can read his poem "Forrest" and find our book and media recommendations. This episode was researched by Elena Cebulash and edited by Brody Mutschler and Sophia Chang. Music is by Daniel Rodriguez Vivas, mixing is by Juan Garcia. If you enjoyed my conversation with Forrest, please rate and review us on your favorite podcast platform. Contact me anytime at chrysalispodcast.org, where you can also support the project, subscribe to our newsletter, and join the conversation. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.chrysalispodcast.org

Si se reúnen Pedro Sánchez y Justin Trudeau, por usar el ejemplo que ha puesto Martín, no decimos que participan en un "duelo de estilo". ¿Por qué, en cambio, las revistas enfrentan así a Máxima de Holanda y Letizia de España? No solo eso, también celebran ver a Máxima "más delgada que nunca". Luego nos extraña que la gente pase por quirófano hasta verse irreconocible, como le ha pasado esta semana, en sendos funerales, a María Zurita y a Alfonso Díez, viudo de la duquesa de Alba. Además, comentamos la entrevista que ha concedido Bertín Osborne a una clínica de "puesta a punto de la virilidad" y la coincidencia de que Juango Ospina, abogado de Edwin Arrieta, víctima del crimen de Daniel Sancho en Tailandia, sea íntimo amigo de Álvaro Onieva, marido de Tamara Falcó, a la que ya solo separan dos grados de Ángels Barceló, porque Ospina estuvo la semana pasada en el programa... 

Una cosa es ir al cine y reconocer en la pantalla gigante a actores conocidos que representan escenas de la vida diaria, y otra, ir al cementerio y reconocer en espacios reducidos los cadáveres de personas conocidas que ya no pueden actuar. Pero aquella noche fatal el doctor Carlos Zurita, médico español a quien le tocó ejercer su profesión durante los trágicos años de la Guerra Civil española, hizo primero lo uno y después lo otro. Tan pronto como salió del cine, se dirigió al cementerio para realizar la mórbida tarea de reconocer el cadáver de un amigo perdido. Allí se encontró a la viuda del gitano al que acababan de fusilar. La guapa mujer estaba velando a su esposo, sentada al lado de la caja en la que yacía el difunto, amortajado con discreta elegancia. Al ver pasar al médico, la gitana le echó una mirada de odio que si bien no lo fulminó ahí mismo, le quedó grabada en la memoria para siempre. ¡Cuál no sería la consternación del doctor Zurita al recibir la noticia al día siguiente de que la perturbada mujer se había ahorcado, pero no sin antes colgar, uno por uno, a sus siete hijos!1 Lo que nos preguntamos todos es: ¿Qué la impulsó a matar con sus propias manos a esos siete indefensos pequeños, sangre de su sangre? La explicación que nos ofrece el historiador español Fernando Díaz-Plaja es que «aquella mujer no quiso que sus hijos vivieran en un ambiente que odiaba».2 Esta dramática historia contiene elementos conmovedores que evocan la historia sagrada. Al Hijo de Dios mismo, Jesús de Nazaret, no lo fusilaron en una guerra civil, pero sí lo crucificaron en una guerra a muerte que Él libró contra el enemigo de nuestra alma. Y durante esa última semana trágica de su vida, lo traicionaron y lo negaron dos de sus mejores amigos. Uno de ellos, Judas Iscariote, sintió tanto remordimiento por haberlo traicionado que quiso devolver el precio de sangre inocente —las treinta monedas de plata— que recibió por entregar a su Maestro. Pero cuando se convenció de que era irreversible lo que había hecho, arrojó el dinero por el suelo, salió y se ahorcó.3 El otro amigo era Simón Pedro. Después de negar tres veces a su Maestro, lo cual había sido inconcebible para él, sus ojos se encontraron con los de Jesús. Fue una mirada penetrante e inolvidable la de su mejor amigo, no una mirada de odio sino de amor y comprensión. Y Pedro salió, y lloró amargamente.4 Pero lo que le faltó aprender a Judas, así como a la pobre gitana, lo aprendió Pedro posteriormente: a reconocer la infinita capacidad que Dios tiene para perdonar hasta al que menos merece el perdón, y de enseñarnos a nosotros el valor eterno de amar a nuestros enemigos.5 Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Francisco Moreno Gómez, La Guerra Civil en Córdoba. 1936-1939, Madrid, 1985, citado en Fernando Díaz-Plaja, Anecdotario de la Guerra Civil española (Barcelona: Plaza & Janés, 1995), p. 128. 2 Díaz‑Plaja, p. 128. 3 Mt 27:3‑5 4 Lc 22:54‑62 5 Mt 5:43‑45; 6:14‑15; 18:21‑35; Lc 23:32‑43

El miedo a emprender es común en las personas que se avientan a la aventura de crear su propio proyecto para salir de todo eso que les es cómodo, para explorar lo desconocido. Si es cierto que emprender es sinónimo de incertidumbre, superar esos miedos, autoconocerte también forma parte del proceso de desarrollo de un emprendedor. Desde cómo empezar, hasta cómo planear, empezar, mantenerte y decidir si ser emprendedor es para ti o no… Andy Zurita nos da las claves para tener la seguridad que te llevará a lograr lo que te propongas.

En esta edición escucharemos y comentaremos la vida y obra del poeta y compositor chileno Mauricio Redolés, nacido en Santiago en 1953 y quien se conviirtió pronto en una figura la resistencia política a la dictadura de Augusto Pinoche, luego de dar sus primeros pasos en la Nueva Canción Chilena de la mano de figuras como Patricio Manns. Pertenece la generación de escritores donde figuran nombres como Raúl Zurita y Roberto Bolaño. Su música y poemas están cargados de ironía y conciencia política. Sigue dando funciones en Chile y fue para nosotros un agradable descubrimiento su inteligencia artística y la manera en que asume con humor los grabdes problemas de la sociedad contemporánea. --- Support this podcast: https://podcasters.spotify.com/pod/show/libreriaradio/support

La prohibición del maíz transgénico para consumo humano debe quedar en la Constitución Programa de Trabajadores Agrícolas Temporales México-Canadá ha colocado a 504 mil trabajadoresEs tiempo de purificación dice el papa Francisco en la misma del Miércoles de Ceniza que marca el inicio de la CuaresmaMás información en nuestro podcast

Mundo Express - Christian Zurita, Usos de Iphone Vision Pro by FM Mundo 98.1

Este #FelizLunes en el canal de #ElFilip les cuento la historia de un hombre famoso que renunció a un cargo importante dentro de la #Iglesia ¿La razón ? Hoy se los cuento aquí en este canal.

Hoy en Jessie Cervantes en Exa, tenemos en entrevista a Emiliano Zurita y nos viene a platicar de la serie Zorro.See omnystudio.com/listener for privacy information.

The Sermon on the Mount was Jesus' greatest teaching recorded in Scripture. It reveals the heart of God and what life in the Kingdom of God looks like in practice. It encourages Christ-followers to live in ways that embrace God's character and bring love, hope, and healing to the world. This week we look at Matthew 5:5 and why it is blessed to be meek. This episode was recorded on January 21, 2024, during our 10:30am worship service. Today's speaker: Dania Zurita Audio Engineer: Oliver Kaufmann and Edwin Duarte Theme Music by: Giancarlo Cordon Produced by: William Hartz ========== Christ Fellowship of Elizabeth is a Christian community whose mission is to love God, make disciples, and change the world. We hope you enjoyed this week's message. Make sure you subscribe in Apple Podcast, Google Play, Spotify, or your favorite podcatcher so you never miss an episode. Follow us online: Website: https://cfofelizabeth.com Instagram: https://instagram.com/cfofelizabeth Threads: https://www.threads.net/@cfofelizabeth Facebook: https://facebook.com/cfofelizabeth YouTube: https://youtube.com/ChristFellowshipofElizabeth Subscribe to our other podcasts at: https://cfofelizabeth.com/podcasts You can join us in person every Sunday. We gather for worship at 10:30am at The Liberty Center at 1121 Elizabeth Ave, Elizabeth, NJ. You can also join us virtually on our livestream by visiting cfofellizabeth.com/live or visiting our YouTube page. To give your tithe or gift online, you can visit: https://tithe.ly/give_new/www/#/tithe or text "Give" to 856-317-6679. To contact the church by phone, call 908-289-6322. If this is your first time with us or you just want to learn more about our church, please visit: http://www.cfofelizabeth.com/im-new ========== ©2024 Christ Fellowship of Elizabeth Love God. Make Disciples. Change the World. Special Guest: Dania Zurita.

NotiMundo al Día - Christian Zurita, Fuga de Alias Fito y Pedido de Exhumar Restos de Norero by FM Mundo 98.1

Leslie Zurita interviews Pastor Fran to hear some of his personal thoughts about LifeSpring Church right now, about the shifts happening in the American church, and how Christians should navigate the realm of politics in this election year that is sure to be tempestuous.

Leslie Zurita interviews Pastor Fran to hear some of his personal thoughts about LifeSpring Church right now, about the shifts happening in the American church, and how Christians should navigate the realm of politics in this election year that is sure to be tempestuous.

Benjamin Franklin famously said, “Don't put off until tomorrow what you can do today”. But, for some people, it is not that easy. Despite their best intentions, projects and tasks may have a perpetual completion date. Is it a lack of motivation, or sheer laziness that keeps some in a state of inaction? Neither. It is something much deeper.To better understand what lies at the core of procrastination and how to overcome it, Harvesting Happiness Podcast Host Lisa Cypers Kamen speaks with psychologist, coach, and authorDr. Patricia Zurita Ona. , aka Dr. Z. Dr.Dr. Z's research goes beyond the surface of procrastination and perfectionist behaviors. In her book, Acceptance and Commitment Skills for Perfectionism and High-Achieving Behaviors, she lifts the veil of procrastination demonstrating that it is not laziness but the fear of failure that inhibits people from completing tasks. This episode is proudly sponsored byNutrafol— Offers hair wellness from within. Use promo code HARVESTING to save $10 off your first month's subscription + free shipping (US only) at www.nutrafol.com.>. To learn more, visit www.harvestinghappinesstalkradio.com.

El año pasado publicó Umbilical, un libro sobre el vínculo que se establece con el hijo antes de su nacimiento. Ahora que ya es padre, Andrés Neuman nos regala un poemario que se antoja su consecuencia lógica, Isla con madre (Ed. La bella Varsovia), volumen en el que rescata y pule los poemas que escribió hace quince años, durante la enfermedad y muerte de quien le dio la vida. Hablamos con él de este libro doliente y luminoso. Luego Ignacio Elguero se pasa por el estudio para recomendarnos otros títulos: Exteriores del paraíso, de Manuel Rivas, y Lo que queda fuera, de Bernardo Atxaga, que son los dos nuevos libros del recién nacido sello Cuatro Lunas; La mujer que no entendía el mundo (Ed. Reino de Cordelia), novela en la que David Torres rescata la fascinante historia de la ajedrecista Sonja Graf, y Ensayos reunidos (Ed. Literatura Random House), selección personal de los ensayos inéditos del gran poeta chileno Raúl Zurita. En Peligro en La estación nuestro colaborador Sergio C. Fanjul nos habla de Osebol (Ed. Capitán Swing), todo un fenómeno editorial en Suecia, donde ha gustado mucho este libro en el que la periodista Marit Kapla reconstruye la historia de su pueblo a través de los testimonios de sus habitantes. Para terminar, Mariano Peyrou pone sobre la mesa No pudimos ser amables (Ed. Galaxia Gutenberg), volumen que reúne una selección de los poemas escritos por Bertolt Brecht entre 1916 y 1956 con traducción y edición de José Luis Gómez Toré. Escuchar audio

My guest today is Dr. Patricia Zurita Ona, or 'Dr Z' as she is commonly known. She a clinical psychologist specializing in children, adolescents, and adults struggling with OCD, anxiety, and emotion regulation problems. Dr Z is the founder of East Bay Behavior Therapy Center, a therapy practice, where she runs an intensive outpatient program integrating Acceptance and Commitment Therapy (ACT) and Exposure Response Prevention (ERP). She is the creator of “ACT beyond OCD,” an online class for people that want to augment their ACT and ERP skills for tackling OCD. In addition to her clinical work, Dr Zurita Ona supervises and teaches doctoral students at The Wright Institute, a private graduate school for psychology. She has also authored several books and workbooks which I can leave links for belowSome of the topics we explore include:- The importance of behavioral flexibility in the face of adversity- The difference between harmonious passions and obsessive behaviors- How perfectionism can show up in a range of life areas- Common challenges related to decision making, regret, and the fear of failure - How a connection to a deeper awareness can help us move through difficulty- The role of psychedelic-assisted therapy in cultivating an observer self—————————————————————————Dr. Z's website: https://www.thisisdoctorz.com/OCD Workbook: https://www.thisisdoctorz.com/act-workbook-for-adults-with-ocd/Twitter: https://twitter.com/drz_behaviorist—————————————————————————If you find value in the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It only takes 30 seconds and plays an important role in being able to get new guests. I also love reading them! Connect with me on Instagram: https://www.instagram.com/mentallyflexible/Check out my song “Glimpse at Truth” that you hear in the intro/outro of every episode: https://tomparkes.bandcamp.com/track/glimpse-at-truth

Beccy Speight (Chief Executive of the RSPB) and Patricia Zurita (former CEO of BirdLife International and now Chief Strategy Officer of Conservation International) join Suzy to share their insight on changing perceptions and overcoming challenges as women in the conservation community. And we hear how each would spend a fantasy birding day. Recorded at Global Birdfair 2023 Timestamps & Links: 00:00:00  Opening The October Big Day takes place this year on October 14th and The Casual Birder Podcast will again be entering a team. We will also be supporting BirdLife International. Help us reach our fundraising target! Just Giving link 00:01:12  Past Episode Past episode: Focus on Birders: Chiara Talia 00:01:30 Introduction 00:02:32 Conversation with Beccy and Patricia begins 00:03:13 Patricia Zurita introduces BirdLife International and her path to joining the organisation. 00:05:26 Beccy Speight introduces the work of the RSPB and her background in conservation. 00:07:49 Beccy shares two birding memories that inspired her 00:09:00 Engaging with communities  00:09:40 Patricia shares the International perspective 00:11:48 Beccy speaks of the power of documentaries like Wild Isles to raise awareness 00:14:22 Overcoming Challenges and Changing Perceptions 00:17:06 The Importance of Collaboration and Diversity in Leadership 00:20:00 A fantasy birding day: where would you go, what you see? 00:20:15 Patricia - New Hummingbird species in Ecuador    00:20:45 Beccy - Shetland soundscapes BirdLife International RSPB 00:22:00 Suzy's Birding 00:22:02 In search of a Nightjar 00:25:31 Stone-Curlew 00:27:38 Mis-identifying a Common Tern 00:28:18 Support the Show Contribute to the show's tip jar 00:28:46 Keep in touch Tell me about your birding The Casual Birder Bird Club - sign up 00:29:10 Wrap and Close Thanks to Randy Braun for designing the artwork for the show. The theme music is Short Sleeved Shirt by The Drones. Thanks to them for letting me use it. Check out their website at www.dronesmusic.net The Casual Birder Podcast   https://casualbirder.com/

Do you find stress eating leads to guilt and diets that result in binge eating? You're not alone—my guest this week, Ariana Zurita, gets it, too. Together, we explore the world of Intuitive Eating—a refreshing perspective that guides us toward body positivity and mindful nourishment. Tune in as we discuss the shift from diet culture to embracing body positivity and worthiness. We'll share insights on embracing worthiness and living a life attuned to your body's needs. It's time to break free and live life intuitively. We also thought it would be helpful to add the National Eating Disorder Association (NEDA) website information just in case any listeners are struggling with an ED. https://www.nationaleatingdisorders.org Links: Connect with Ariana Website - https://imaginechangenow.com/ Instagram - https://www.instagram.com/intuitive.eating.momma/ Be sure you subscribe to Grounding Journey Podcast to catch all the episodes or visit my website - https://Groundingjourneypodcast.com⁣ ⁣ IG https://www.instagram.com/grounding_journey/ Thanks for listening to this episode! I would love to connect with you email me at - grateful@groundingjourney.com Learn more about My Healthy Life Box and our products - myhealthylifebox.com New to Grounding Journey? I'm Cris, a student of the world, finding my path and helping others along the way. I've been using Meditation, Yoga, Crystal Healing, Reiki, and aromatherapy to light my way for almost 20 years. ⁣ ⁣ When I'm not cuddled up at home with my dog, a good book, and a glass of wine, I'm often traipsing around foreign lands with Matthew, my husband, and Kevin, our son, exploring and learning from different cultures and beliefs systems. ⁣ ⁣ I recently started a monthly subscription box, as a compliment to my podcast - Grounding Journey, The deeper conversations you've been seeking as a way to connect with other souls on a similar spiritual journey. ⁣ Thanks for being a part of my journey. I hope to be a part of yours!

A menos de 7 días de las votaciones y con su candidato a la presidencia asesinado, al Movimiento Construye se le termina el tiempo para tener su reemplazo oficial para promoverlo en los últimos días de campaña. Christian Zurita y Andrea González Náder afirman en Conclusiones que están atravesando obstáculos de cara a las elecciones generales en Ecuador.Para conocer sobre cómo CNN protege la privacidad de su audiencia, visite CNN.com/privacidad

A menos de 7 días de las votaciones y con su candidato a la presidencia asesinado, al Movimiento Construye se le termina el tiempo para tener su reemplazo oficial para promoverlo en los últimos días de campaña. Christian Zurita y Andrea González Náder afirman en Conclusiones que están atravesando obstáculos de cara a las elecciones generales en Ecuador.Para conocer sobre cómo CNN protege la privacidad de su audiencia, visite CNN.com/privacidad

Three Tier is hosted by Jacob Gluck and Taylor Foxman.---Pa'lante was created with this ethos in mind: We're from here and from there – de aquí y de allá.Eric's love of rum stems from his father's rum-making days at a major distillery in Cuba. He grew up hearing stories of his heyday on the island, and now he's on a mission to showcase rum's versatility and Latinify the spirits industry. For him, Pa'lante is equally about making damn-good rum and bringing authenticity to how our community is represented in this space. Eric believes uplifting our community and excelling in business are inseparable goals.