Podcast appearances and mentions of Olivier Rousteing

Apprendre à s'aimer:Pierre Arditi, Marthe Keller, Vitaa, Bambou, Louane, Cara Delevingne, Zaho de Sagazan, Lucky love, Audrey Tautou, Olivier Rousteing, Frédéric Lopez, Muriel Robin, Hélène Ségara, Louis Chedid, Benjamin Lavernhe.Tous les soirs du lundi au vendredi à 19h sur France 5, Anne-Elisabeth Lemoine et toute son équipe accueillent celles et ceux qui font l'actualité du jour.

Looks, coiffures, styles: la mode dans tous ses états:Aya Nakamura, Pharell Williams, Anna Wintour, Cara Delevingne, Olivier Rousteing, Daniel Giberstein, fils du créateur des bas Dim, Philippine Leroy-Beaulieu, Marco Mignot, Kauli Vaast, Lambert Wilson, Khatia Buniatichvili, Melha Bedia.Tous les soirs, du lundi au vendredi à 20h sur France 5, Anne-Elisabeth Lemoine et toute son équipe accueillent les personnalités et artistes qui font l'actualité.

Olivier Rousteing, directeur artistique de la maison Balmain est un homme de première, plus jeune créateur d'une maison haute-couture depuis Yves Saint-Laurent, il avait 25 ans. Premier homme noir à occuper ce poste dans une maison française également. Il est adulé par des stars internationales et par toute une jeune génération, d'autant que son parcours de vie a été pour le moins chaotique. Il se raconte dans C à Vous.Tous les soirs, du lundi au vendredi à 20h sur France 5, Anne-Elisabeth Lemoine et toute son équipe accueillent les personnalités et artistes qui font l'actualité.

“What does it look like to approach harm in a way that is transformative . . .  how do we heal collectively and holistically . . . there are really unique and beautiful ways of doing that doesn't look like mass incarceration.” Chapters: 00:00 Introduction to Rashida Ricketts and Her Work 07:54 Rashida's Journey into Service and Education 16:56 The Intersection of Fashion and Social Justice 27:52 Understanding the Graves to Gardens Concept 38:58 Misconceptions About Incarcerated Individuals 48:10 Call to Action and Final Thoughts Episode Summary: In this conversation, Shannon Cassidy speaks with Rashida Ricketts, founder of Graves to Gardens, about her journey from education to social justice through fashion. Rashida shares her experiences working with incarcerated individuals and how her background in communications and service shaped her understanding of the intersection between fashion and social justice. The discussion delves into misconceptions about incarcerated individuals, the importance of community and healing, and the transformative power of art. Rashida emphasizes the need for compassion and understanding in addressing systemic issues and encourages listeners to find ways to contribute positively to their communities. R.O.G. Takeaway Tips: Rashida's journey began with a commitment to service and education. Fashion can be a powerful tool for social change. Misconceptions about incarcerated individuals often overlook their humanity. Community support is crucial for those impacted by incarceration. Art and creativity can facilitate healing and self-discovery. The Graves to Gardens concept symbolizes transformation and hope. Everyone can find a way to contribute to social justice efforts. Understanding the trauma associated with poverty is essential. Compassion and forgiveness are key to healing. Small gestures can lead to significant positive change. Guest Bio: Rashida Ricketts is the Founder and Creative Director of Graves to Gardens, a podcast that bridges fashion and social justice. She has created pathways to elevate unheard stories and educate her listeners through fashion discourse. Graves to Gardens has featured prominent fashion leaders such as CFDA member Victor Glemaud, Olivier Rousteing of Balmain, Chrissy Rutherford, formerly of Harper's Bazaar, and Harlem Fashion Row's Brandice Daniel. Each leader shared Ricketts' drive to advocate for social issues, especially women's incarceration. Ricketts started Graves to Gardens during the height of racial unrest in the U.S. in 2020. “There were social issues that weren't sitting right with me. I started talking about issues that actually mattered, God gave me a vision to fulfill.” Ricketts stated. The genesis of Ricketts' impactful work in reflection of society started in high school. “In 2020, I came across this old notebook of an idea I brainstormed for a fundraiser event that involved fashion, music, and dance. Finding that notebook made me realize that fashion and social justice has always been within me,” she said. Ricketts studied Communications at The College of New Jersey, specializing in Radio, Television, and Film in addition to majoring in Journalism. Resources: Graves to Gardens Podcast  Fashion Brands:  Grant Boulevard Brother Vellies Reformation Books Through Bars  Letters for Liberation   Nat King Cole & His Trio - 'Tis Autumn  Maverick City Music - Prepare The Way Words with (Fashion) Friends: Scholar Rashida Ricketts Where to find R.O.G. Podcast: R.O.G on YouTube R.O.G on Apple Podcasts R.O.G on Spotify How diverse is your network?  N.D.I. Network Diversity Index What is your Generosity Style?  Generosity Quiz Credits: Rashida Ricketts, Sheep Jam Productions, Host Shannon Cassidy, Bridge Between, Inc. Coming Next: Please join us next week, Episode 208, Host, Shannon Cassidy.

Paris und die Fashion Week: Seit über 100 Jahren findet in der französischen Hauptstadt die einzig wahre Modewoche statt. An unserem dritten Tag und damit in unserer dritten Podcast-Episode konzentrieren wir uns wieder auf drei herausragende Modelabels. Courrèges, bekannt für Klarheit, Einfachheit und Optimismus, präsentierte seine Show in einem schlichten Tempel mit einem riesigen Perlenspiel in der Mitte. Die Models trugen hauptsächlich Schwarz, Weiß und Beige. Geradlinige Silhouetten, fast ein wenig langweilig, meditativ trifft es wohl eher. ACNE Studios aus Schweden mischt seit Jahren die Modewelt mit ihrem schwer zu definierenden Stil auf. Jede Saison anders, jede Show eine Überraschung. Klar, dass es hier viel zu entdecken gab. Wilde Mustermixe, ausgefallene Hosenvariationen und exzentrische Einflüsse bestimmten die Designs. Diese Modenschau war nicht unser Favorit, dennoch empfehlen wir, sie sich anzuschauen und sich selbst ein Urteil zu bilden. Die letzte Modenschau war eigentlich eine Gala. Die Balmain-Kollektion des Designers Olivier Rousteing bestach mit extrem prägnanten Schultern, feurigen Blusen und raffiniertem Colorblocking. Glitzer und viel satte Farbe dazu eine ordentliche Portion Schwarz, zusammen geführt in einem 80iger Jahre Vibe. Weniger gut fanden wir allerdings die vollflächigen Motive auf einigen Kleidern. Aber alles in allem war es ein Fest, ein Fest, ein Fest. Wir hoffen, dass Dir unsere Fashion Week Podcast Episoden gefallen. Alle Top Looks und Flop Looks dieser Folge findest Du auf unserem Instagram und Tik Tok Channel unter @lostonplanetfashion. Wenn Du Anregungen oder einfach nur Spaß an Mode hast, freuen wir uns über einen Kommentar oder ein Like.

Dans la nouvelle série très à la mode d'Apple TV+, la Maison Ledu est dépeinte comme une institution parisienne « au même titre que la tour Eiffel ». Emmenée par Vincent, un couturier mondialement connu, et Perle, son mannequin fétiche depuis plus de 25 ans, l'entreprise bascule dans le scandale suite à une vidéo virale dans laquelle Vincent tient des propos racistes. Quelques secondes, dix-sept exactement, qui mettent en péril l'histoire et le futur de la marque qui devient alors l'objet d'une lutte familiale acharnée où la jalousie et les ambitions individuelles vont entraver la nécessité de renouvellement dont aurait besoin la Maison pour survivre. https://www.youtube.com/watch?v=RnJ_HEM1CB4 Une histoire familiale cousue de fil noir Côté pile : faste, beauté et luxe. Côté face : trahison, revanche et une volonté de conserver les traditions coûte que coûte dans un environnement en profonde mutation. La Maison, série d'Apple TV+ dont les deux premiers épisodes ont été dévoilés le 20 septembre, oscille entre ces deux perspectives. Un premier versant met en scène Vincent (Lambert Wilson) LE visage de la marque Ledu qui a su protéger et faire grandir l'héritage familial, épaulé par Perle Foster (Amira Casar), son égérie de toujours. Un second dépeint son frère Victor, joué par Pierre Deladonchamps, prêt à vendre ses parts de l'entreprise pour éviter le naufrage, et son neveu Robinson (Antoine Reinartz) qui rêve de renverser son oncle afin de reprendre les rênes de l'entreprise. Entre les deux : un nid de guêpes inextricable où s'affronte une vision classique de la haute couture, alimentée par un Vincent profondément mégalomane qui n'envisage absolument pas de laisser sa position, et par ricochet sa gloire, et une modernité inéluctable, représentée notamment par Paloma Castel (Zita Hanrot), qui pourrait sauver la Maison Ledu. Dans la veine – bien moindre – de Succession, la série française montre combien le fait d'avoir grandi dans une même sphère familiale, avec tout ce que cela entraîne de frustrations et d'injustice, peut donner naissance à la haine viscérale d'un proche. Un amour/haine qui trouve un écho également, à travers le personnage de Diane Rovel (incarnée par une Carole Bouquet impeccable de froideur) figure de proue d'une dynastie, elle aussi, liée au luxe, contemporaine de la Maison Ledu. Ainsi, lors d'une discussion avec Victor, elle avoue sans détour la rancœur toujours très actuelle qu'elle éprouve pour une famille qui l'a « toujours prise de haut ». Au-delà de ce portrait d'une famille à couteaux tirés, La Maison se fait le porte-drapeau de nouvelles tendances qui ont longtemps été ignorées par un secteur fortement ancré dans un immobilisme, voir un traditionalisme, rassurant : puissance des réseaux sociaux, écologie, fin des entre-soi et ouverture à des talents de plus en plus précoces. Une série, à l'esthétique soignée, au goût raffiné qui fait honneur à la représentation de la mode française dans l'esprit collectif. Et pour entériner la volonté de respecter cette image d'Épinal, la fiction a fait appel à quelques guest de renom comme Olivier Rousteing, Mademoiselle Agnès ou encore Eva Herzigova. [bs_show url="la-maison"] La Maison se décline en 10 épisodes, dévoilés tous les vendredis de manière hebdomadaire jusqu'au 15 novembre sur Apple TV+.

In this episode of World's Your Oysta, Paula invites the fabulous Ty Gaskins for a delightful chat. Ty, an American editor living in Paris, shares his journey from Virginia Beach to the fashion capitals of the world. With his words gracing the pages of Vogue, Women's Wear Daily, Harper's Bazaar, and Architectural Digest, Ty's insights into French fashion, beauty, and the editorial world are not to be missed.This episode is filled with laughter, inspiration, and a touch of wanderlust as Ty was preparing for the Cannes Film Festival. Discover Ty's path from interning at Paper magazine to interviewing fashion icons like Olivier Rousteing and Diane von Furstenberg. Learn how he navigates the editorial landscape, pitches stories, and crafts content that resonates with audiences worldwide.Episode Highlights:- Ty's Journey: From Virginia Beach to New York and Paris.- Fashion Insights: The importance of proportions in Parisian style.- Editorial Career: How Ty transitioned from PR to writing for top magazines.- French Lifestyle: Embracing the Parisian way of life and its impact on creativity.- Cannes Film Festival: Behind the scenes of covering one of the most glamorous events.- Content Creation: Ty's advice on creating engaging and authentic content.Join us for a super fun conversation, as we delve into the world of fashion, travel, and the art of storytelling. This episode is a must-listen for anyone passionate about creativity and the editorial world.Connect with Ty Gaskins:- Instagram: @tygaskins- TikTok: @tygaskinsConnect with Paula and the World's Your Oysta community:Host: Paula SandersPodcast: World's Your OystaYouTube: World's Your Oysta PodcastWebsite & Newsletter: WYO PodcastProduced by Peoples Media Hosted on Acast. See acast.com/privacy for more information.

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Hi there, fashion enthusiasts! Welcome back to Just A Fashion Minute. I'm your host, David M. Watts, and I'm thrilled to bring you an exciting episode. Today, we have the incredible Caryn Franklin joining us as our guest, and trust me, the insights she shares are absolutely groundbreaking.We dive into the increasing presence of luxury brands and their creative leads in the fashion industry, emphasising the importance of excitement, drama, and emotional sensation in fashion shows. We touch on the lack of diversity in senior creative roles in luxury corporations and Caryn's earliest fashion memories and career journey. She holds nothing back as she delves into topics of racism, white privilege, and the benefits of diversity in fashion teams.As always, we have our Just A Fashion Minute News Round Up to keep you in the loop, so don't forget to subscribe on your podcasting app of choice. Happy listening!Timestamps & Topics01:31 NEWS Alessandro Michele potentially joining Fendi and the state of Fendi Womenswear; Menswear fashion talks, including quiet luxury, classic and heritage tailoring, avant-garde offerings, and impact of designers like JW Anderson and Olivier Rousteing; Highlighting of menswear brands, including Todd Snyder and S.S. Daley, with emphasis on their collections and creative directors05:16 Discussion on the situation at Gucci following the exit of Alessandro Michele and the lukewarm reception of new creative director Sabato De Sarno's collections; Recognition of British menswear brand Martine Rose and the lack of women, especially women of colour, in creative director roles in the fashion industry09:41 Launch of a new beauty division by luxury group Richemont and the growth of the beauty industry, including celebrity brands and the luxe beauty market; Caryn Franklin recalls an incident where she unknowingly made a negative comment about her outfit over a mic at a fashion show; Caryn Franklin expresses her preference for sustainable and secondhand clothing, highlighting her reluctance to promote new fashion products14:21 Caryn Franklin praises Safia Minney for her work in ethical fashion and promoting fair trade, particularly in Bangladesh; Caryn Franklin talks about her involvement in a documentary on predators in fashion and the objectification of women19:06 Caryn Franklin discusses her earliest fashion memory, her career beginnings in fashion media, and her involvement in The Clothes Show, a groundbreaking fashion TV show; The show's high viewership and global reach, and Franklin's efforts to promote diverse body and beauty ideals in the fashion industry; Franklin faced rejection for her efforts to include models of different shapes, sizes, and ethnicities in fashion shoots and promotions25:41 The conversation shifts to the lack of diversity in senior creative roles in luxury corporations and examples of cultural insensitivity from fashion brands, including Dolce and Gabbana's campaign in China and Prada's monkey charms, with their financial impact32:16 Caryn Franklin highlights the benefits of diversity in creative teams, including better business efficacy and cognitive responses, and attributes the continuation of issues to laziness, lack of understanding, and the desire for a reassuring environment among creative teams; Caryn advises women in the fashion industry to learn and adapt to the rules of the game while emphasising the importance of emotional intelligence in leadership; Her background in psychology provides insights into bias, racism, and sexism based on cognitive psychology, with a focus on the need for familiarity and the dislike of the unknown; Caryn emphasises the potential for fashion to create a more inclusive, pro-social environment and normalise different types of beauty and ideas35:56 The host expresses gratitude for the insights on inclusion and fashion, highlighting...

Le camion de livraison transportant les pièces de la collection Balmain n'est jamais arrivé à destination. Ce 16 septembre 2023, quelques minutes seulement après avoir quitté un entrepôt de l'aéroport Charles-de-Gaulle, le véhicule est braqué par trois hommes, qui s'emparent des vêtements dessinés par le styliste star Olivier Rousteing. Une catastrophe pour la maison de haute couture, à quelques jours de la Fashion Week. Après trois mois d'enquête, la police judiciaire de Seine-Saint-Denis identifie six hommes, qui avaient rendez-vous ce mercredi 28 février au tribunal de Bobigny. Comment ce vol a-t-il été organisé? Qui sont ces les suspects? Pourquoi les produits de luxe intéressent-ils autant les malfaiteurs? Philippe Gaudin et Manon Aublanc, journaliste police-justice à BFMTV.com, reçoivent Fabrice Rizzoli, spécialiste de la criminalité et président de l'association Crim'HALT.

Modeskapare som Vivienne Westwood och Valentino har fått rosor uppkallade efter sig. Det har, förstås, även Christian Dior fått. Och nu har rosorna blommat upp inom modet igen. Lyssna på alla avsnitt i Sveriges Radio Play. Rosen är en av de mest sexualiserade växterna genom tiderna. Den har symboliserat allt från oskuld till het passion och inte sällan liknats vid den kvinnliga kroppen, eller snarare dess underliv. Men inte bara, förstås. Den har trots allt hängt med i flera tusen år och varje tid har haft sina tolkningar, och användningsområden för rosen.Men i mångt och mycket är den förstås förknippad med kärlek, och lite smärta. Enligt en myt kom den röda rosen till då den grekiska gudinnan Afrodite rev sig på taggen från en vit ros, som färgades röd av hennes blod.Många är de modeskapare som låt sig inspireras av rosor. Den brittiske designern Alexander McQueen är en av dem. Inte minst valde han ut en ros som en hyllning till sin musa, Isabella Blow, efter hennes självmord. Det är en korallrosa ros, vald med omsorg för att symbolisera henens färgstarka personlighet, kärlek till mode och överdådiga klädstil. Rosen heter numera ”Alexander's Issie”.Och rosorna fortsätter att blomma upp bland modeskapare, och alltid på lite nya sätt. Den unge brittiske designern Richard Quinn har till exempel gjort sig känd för digitala rosentryck – och för att han förra året lät parfymera en visning genom tusentals riktiga rosor. Och till våren och sommaren har flera modehus och smyckedesigner gjort moderna tolkningar av rosor där taggarna ofta finns kvar som en bokstavlig udd, så att det inte blir för romantiskt och sött. Det gjorde till exempel modehuset Balmain vars vårkollektion var fylld med vackra, men taggiga rosor. Dess chefsdesigner Olivier Rousteing, sade sig ha inspirerats av en av modehusets rivigaste gamla kunder, Gertrude Stein och hennes dikt “Sacred Emily” från 1913, i vilken den berömda raden ”Rose is a rose is a rose is a rose” förekommer.I veckans program träffar vi floristerna Johanna Larsson och Christoffer Broman, som berättar om rosens status och popularitet bland kunder idag. Vi pratar också med litteraturvetaren Agneta Rahikainen och formgivaren och konstnären Martin Bergström som är aktuella med boken Flora Poetica. I den möter Edith Södergrans dikter Martin Bergströms bilder av torkade blommor. Vi reder ut poetens relation till just rosen. Vi får också följa med till plymmakaren Tim Mårtensons ateljé där han inte bara skapar fjäderkreationer utan även sidenblommor, precis som de tillverkades under 1800-talets glansdagar, då hattar prydda av blommor och fjädrar var superpopulärt.

Kid Super fait défiler Ronaldinho, Jacquemus se lance dans la sculpture, Olivier Rousteing brille avec Balmain, Harry Style fête ses 30 ans et porte une casquette Eroik

Blending two impressive heritages, the 2024 Balmain Resort Collections build upon the compelling legacy of Monsieur Balmain, melding his passion for American dynamism with the house's mastery of French craftsmanship. For this podcast, Olivier Rousteing discusses how his decorative motifs channel the bold style of the American cowboy and how his collections reflect the true history of the Wild West, with designs celebrating the long-ignored diversity of the frontier.  Rousteing walks us through the collections, explaining how they riff upon two distinct traditions, with the sharp cuts, impressive leatherwork and striking embellishments of Balmain's latest designs looking to both mid-century couture salons and 19th-century frontier saloons.  As you listen to this episode, we invite you to click here to open a special webpage, which will allow you to scroll through images of each collection, as Olivier Rousteing explains the inspirations, details and presentations of his designs. CREDITS L'ATELIER BALMAIN EPISODE 3.1 GO WEST, BALMAIN! THE BALMAIN RESORT 2024 COLLECTIONS Balmain Creative Director: Olivier Rousteing Episode Direction and Production: Seb Lascoux Balmain Historian: Julia Guillon Episode Coordination: Jeremy Mace Webpage Layout and Coordination: Léa Bouyssou Olivier Rousteing was interviewed by John Gilligan See acast.com/privacy for privacy and opt-out information. Hosted on Acast. See acast.com/privacy for more information.

En este episodio volvemos por todo lo alto. Repasamos todas las fashion weeks hasta la fecha; comentamos la polémica en el desfile de JW Anderson en el que Anna Wintour se levanta antes de que termine y el robo de los diseños de Olivier Rousteing para Balmain días antes de su show. Hablamos de las dudosas políticas de sostenibilidad de Shein, tendencias que vamos a ver este otoño-invierno y nos reímos mucho contestando vuestras preguntas en el consultorio. Además, contamos con la actuación de Pavlenha para la sección de Dando la Nota. Comenta con el hastag #EstáDeModa69. Os leemos!

“My last runway surprised more than a few,” explains Olivier Rousteing. “Coverage of previous Balmain shows often focused on the fashion-week festivals and spectacles—but for our Fall 2023 Balmain Women's designs, my team and I were determined to steer clear of the fireworks. Instead, we shone a single, perfectly directed spotlight upon the extraordinary possibilities offered to us whenever we celebrate this house's rich heritage. We turned the volume way down, channeling the hushed atmosphere of Pierre Balmain's intimate post-war couture salon presentations. By limiting the number of invitees, we allowed each guest the opportunity to better appreciate, close-up, just how our atelier's impressive craftsmanship made possible the collection's many surprising, fresh and modern spins on our founder's signature silhouettes and this house's most cherished codes. For this episode, Olivier Rousteing sits down once again with John Gilligan for a conversation about his Balmain Fall 2023 designs for men and women. Rousteing also explains the origins and inspirations for a special joint couture collection that he created in partnership with Beyoncé: The Beyoncé x Balmain Renaissance Collection. As you listen to this episode, we invite you to click here to open a special webpage, which will allow you to scroll through videos and images of each collection, as Olivier Rousteing explains the inspirations, details and presentations of his designs. CREDITS L'ATELIER BALMAIN EPISODE 2.7 OLIVIER ROUSTEING: MY BALMAIN FALL 2023 COLLECTIONS Balmain Creative Director: Olivier Rousteing Episode Direction and Production: Seb Lascoux Balmain Historian: Julia Guillon Episode Coordination: Jeremy Mace Webpage Layout and Coordination: Léa Bouyssou Olivier Rousteing was interviewed by John Gilligan See acast.com/privacy for privacy and opt-out information. Hosted on Acast. See acast.com/privacy for more information.

C'est l'histoire d'une recherche d'identité, celles que mènent chaque année dans l'anonymat des milliers d'enfants adoptés. Florian, 34 ans, a grandi dans un village de la Loire, élevé par une famille d'accueil. En 2019, en écoutant RTL, il tombe sur "Jour J", l'émission de Flavie Flament qui reçoit Olivier Rousteing, le créateur de Balmain. Celui-ci raconte comment il est parti à la recherche de sa mère d'origine. Florian appelle le standard de RTL. Pour lui, cette émission est un déclic.

Deze week bespreken we de downfall van beyonce's samenwerking met Adidas, waarom ze nog geen wig lijn heeft, Dragrace en de BBB (we bedoelen niet buik billen en benen).

Chioma is in Paris for Fashion Week and she tells Chloe what shows she's most excited about, including this week's guests: the design duo from the size-inclusive, sustainable brand, Ester Manas, and Olivier Rousteing, the creative director of the legendary fashion house, Balmain.  For a transcript of this episode, please follow this link. Learn more about your ad choices. Visit podcastchoices.com/adchoices

New collections by Balmain, Dior ERL and Louis Vuitton! Michael Freeby counts down who was Best Dressed at RuPaul's DragCon UK, who wore it best at the GayVN Awards, and more! Joel Kim Booster, Olivier Rousteing, Sminty Drop, Laganja Estranja, River Viiperi, Marco Bozzato, Derek Blasberg, Choriza May, Max Konnor, Sean Ford and more!

2022 was a difficult year in many ways, but that didn't stop the biggest luxury labels securing impressive profits or coming up with exciting new collaborations, such as one between Jean Paul Gaultier and Olivier Rousteing. This past year was marked by Russia's invasion of Ukraine, a lack of raw materials and increased awareness of just how polluting the fashion industry is. Throw in some big questions about the intersection between fashion and virtual reality, and we have to wonder: what exactly will fashion look like in 2023?

L'année 2022 n'a pas été difficile pour le secteur du luxe qui continue d'engranger des bénéfices. Elle a vu de très belles initiatives, comme la collaboration entre Jean Paul Gaultier et Olivier Rousteing. Une année marquée par la guerre en Ukraine, les difficultés d'approvisionnement pour les industries textiles et la prise de conscience environnementale d'un "sale métier qui pollue". Et, dans un futur pas si lointain, le choc entre le réel et le virtuel. La mode fera toujours rêver en 2023 ?

As we wrap up our series of in-depth conversations with Olivier Rousteing about his ten years of guiding Balmain, John Gilligan sits down again with Rousteing to talk about the Creative Director's favorite house moments of the past decade. From a beautiful classical ballet at the Paris Opera House to two incredible weekends at Coachella, Rousteing walks us through his inspirations, motivations and creations, helping us to better understand some of Balmain's most notable one-of-a-kind collaborations, events and messages. We invite you to click to open the episode's special webpage, which will allow you to scroll through videos and images of the images and videos that Olivier Rousteing will be discussing during this episode. CREDITS L'ATELIER BALMAIN EPISODE 2.4THE ROUSTEING ERA: THE KEY MOMENTSBalmain Creative Director: Olivier RousteingEpisode Direction and Production: Seb LascouxBalmain Historian: Julia GuillonEpisode Coordination: Jeremy MaceWebpage Layout and Coordination: Léa BouyssouEpisode researched, written and presented by John Gilligan See acast.com/privacy for privacy and opt-out information. Hosted on Acast. See acast.com/privacy for more information.

This podcast is for “all the beauties,” as Olivier Rousteing likes to say. We're talking about his Balmain beauty play; the Gen X and millennial natural brands staging comebacks; Beauty Pie's new refillable Unlipstick; and our dislike of foundation that's too sheer (flesh-colored water) & lipstick that's not comforting (lip-colored water). Plus, let's raise some wands to two amazing fall fragrances and Hugimals, the weighted stuffed animals we're obsessed with.Products & people mentioned on Ep. 442: shopmy.us/collections/77035Episode recap, links, and sponsor promo codes: fatmascara.com/blogPrivate Facebook Group: Fat Mascara Raising a WandSocial media: @fatmascara, @jessicamatlin, @jenn_editSubmit a "Raise A Wand" product recommendation and be featured on the show: email info@fatmascara.com or leave a voicemail at 646-481-8182 Become a member at https://plus.acast.com/s/fatmascara. Hosted on Acast. See acast.com/privacy for more information.

La mode est une machine folle qui tourne à la créativité, aux fantasmes, aux inspirations loufoques. Mais cette machine génialement délirante ne tourne pas à vide, et les idées folles des créateurs rencontrent notre réalité et s'incarnent en chefs d'oeuvre bien réels. Par quelle opération passe-t-on d'un rêve délirant à l'éxecution millimetrée d'une pièce de luxe? Evidemment, c'est grâce à la main savante de l'artisan et de la couturière que les lignes du fantasme deviennent le corps du réel. Et aujourd'hui, pour Décousu, nous avons le plaisir de recevoir Robert Mercier, un artisan du cuir qui n'a peur de rien et recherche le combat contre l'impossible. Créateur de sa propre entreprise Gienah, il a entre autres travaillé avec Schiaparelli, Balmain et Loewe, donnant naissance à des créations qui ont marqué durablement les esprits (il est à l'origine d'un nombre conséquent de pièces présentes sur le défilé Jean Paul Gaultier x Olivier Rousteing par exemple). Sans aucune langue de bois, il revient aujourd'hui sur la réalité de son travail : ses merveilles comme ses désillusions et surtout, sur l'amour inconditionnel qu'il porte à la matière. Alors sans plus tarder, bonne écoute !

La mode est une machine folle qui tourne à la créativité, aux fantasmes, aux inspirations loufoques. Mais cette machine génialement délirante ne tourne pas à vide, et les idées folles des créateurs rencontrent notre réalité et s'incarnent en chefs d'oeuvre bien réels. Par quelle opération passe-t-on d'un rêve délirant à l'éxecution millimetrée d'une pièce de luxe? Evidemment, c'est grâce à la main savante de l'artisan et de la couturière que les lignes du fantasme deviennent le corps du réel. Et aujourd'hui, pour Décousu, nous avons le plaisir de recevoir Robert Mercier, un artisan du cuir qui n'a peur de rien et recherche le combat contre l'impossible. Créateur de sa propre entreprise Gienah, il a entre autres travaillé avec Schiaparelli, Balmain et Loewe, donnant naissance à des créations qui ont marqué durablement les esprits (il est à l'origine d'un nombre conséquent de pièces présentes sur le défilé Jean Paul Gaultier x Olivier Rousteing par exemple). Sans aucune langue de bois, il revient aujourd'hui sur la réalité de son travail : ses merveilles comme ses désillusions et surtout, sur l'amour inconditionnel qu'il porte à la matière. Alors sans plus tarder, bonne écoute !

For Olivier Rousteing, a house campaign marks the final creative moment of the season's collection. And Rousteing is continually searching out surprising, engaging, and entertaining tools—new visions, new platforms—that he can rely on to ensure that each of his campaigns leaves a memorable impression. In this third episode of l'Atelier Balmain's second season, we continue our series of conversations with Balmain's creative director about his ten years of guiding the house, with Rousteing focusing on his favorite Balmain campaigns of the past decade, sharing the inspirations, challenges and stories behind his most successful campaigns. We invite you to click to open the episode's special webpage, which will allow you to scroll through videos and images of the images and videos that Olivier Rousteing will be discussing during this episode. CREDITS L'ATELIER BALMAIN EPISODE 2.3THE ROUSTEING ERA: THE KEY CAMPAIGNSBalmain Creative Director: Olivier RousteingEpisode Direction and Production: Seb LascouxBalmain Historian: Julia GuillonEpisode Coordination: Jeremy MaceWebpage Layout and Coordination: Léa BouyssouEpisode researched, written and presented by John Gilligan See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information.

We run through why you are suffering from creator's block, and how to overcome creator's block. Inspired by words from Balmain's creative director, and French fashion designer, Olivier Rousteing, we delve into why healing is an important part of opening up the creativity channel. @brightmindsetproject @hercastlegirls http://hercastlegirls.com/category/spiritual-things/

En 2020, Jean Paul Gaultier se retiró de la alta costura para ceder su lugar a directores creativos invitados. Hasta hoy, han tomado la batuta de la división couture Chitose Abe de Sacai, Glenn Martens de Y/Project y Olivier Rousteing de Balmain. De igual modo, presentó una colección de ready to wear con cinco diseñadores más invitados: Ottolinger, Alan Crocetti, Palomo Spain, Nix Lecourt Mansion y Marvin M'Toumo. Esto es Hablemos de moda con Claudia Cándano y Jordi Linares, disponible en video en Youtube y en audio en todas las plataformas de podcast. Suscríbete a nuestro canal en Apple Podcast y escúchalo un día antes.

TBC über “Catholic Girl Summer” - Katholizismus als Trend des Sommers.Außerdem: Fehlender Zugang zur Affenpocken-Impfung in Berlin, Sexismus-Diskussion über den “Hit” “Layla” und Mode von Balenciaga, Jean Paul Gaultier x Olivier Rousteing und Valentino.

No matter the state of the world, fashion's job is to keep people dreaming. By emphasising the power of artistry, fashion not only provides welcome distraction, but props up the economy – and can also be subtly political. At Dior, Maria Grazia Chiuri is working hand-in-hand with Kyiv-based artist Olesia Trofymenko. Jean-Paul Gaultier meanwhile, now managed by Spanish group Puig, has invited Balmain's Olivier Rousteing to interpret the label's sartorial DNA.

La haute couture, réservée à quelques privilégiés, est en prise directe avec le monde. Il faut continuer de faire rêver, surtout en période de crise, valoriser l'artisanat, créer des emplois, délivrer des messages politiques. Pour Dior, Maria Grazia Chiuri invite l'artiste ukrainienne Olesia Trofymenko. Jean Paul Gaultier, dont la marque est à ce jour exploitée par le groupe espagnol Puig, invite cette saison le directeur artistique de Balmain, Olivier Rousteing, à interpréter l'ADN de sa griffe.

Dans ce 6ème épisode de la saison 11, on parle de vacances à Mykonos pas comme les autres.Écriture et voix : Pénélope BoeufMontage : Vincent ZurescoMusique : via AudionetworkProduction : La Toile sur Ecoute Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

For this episode, I'm delighted to welcome back Andy Thê-Anh, an immensely talented stylist and fashion designer whom I interviewed in episode 70, when we analyzed Lululemon's successes. We also spoke with Andy in episode 80, when we discussed the Netflix documentary Wonder Boy, which presents the creative director of Balmain, Olivier Rousteing. In this episode, we continue our discussion and explore the evolution of the Gucci brand. The movie House of Gucci is a 2021 American biographical crime drama film directed by Ridley Scott, based on the 2001 book The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed by Sara Gay Forden. The film follows Patrizia Reggiani (Lady Gaga) and Maurizio Gucci (Adam Driver) as their romance transforms into a fight for control of the Italian fashion brand Gucci. Jared Leto, Jeremy Irons, Jack Huston, Salma Hayek and Al Pacino also star in the movie. Hello Andy! Thank you for accepting my invitation to talk about the film and the Gucci brand. - What did you think of the movie? - How do you perceive the history and evolution of Gucci? - Tom Ford's arrival as artistic director propelled Gucci to the top of the big fashion houses in the 90s and 2000s; why do you think that is? - In 2004, Frida Giannini successfully took up the torch, and Alessandro Michele was appointed artistic director in 2015. Alessandro brings a whole new style that combines colour, androgyny, and contemporary romanticism. A real tour de force. What do you think? - Do you think Gucci today is avant-garde with its desire to eliminate the male and female genders? Where do you think the brand is going? HOUSE OF GUCCI https://itunes.apple.com/ca/movie/house-of-gucci/id1597143789?l=fr%3Fl Find Andy Thê-Anh on: LINKEDIN INSTAGRAM I hope you enjoyed this episode and that this PR/marketing moment stimulates your creativity. Join us and sign up to our lists and training sessions where I show you step-by-step public relations tactics that you can implement immediately. GET FEATURED IN THE PRESS, FOR FREE https://prschool.natapr.com/evergreen_en THE FREE NATA PR MODEL https://prschool.natapr.com/Le-Modele-NATA-PR SIGN UP TO OUR LISTS www.natapr.com

Pour l'occasion, je reçois à nouveau Andy Thê-Anh, un styliste, créateur de mode que je vous ai présenté dans l'épisode 70 où nous avons analysé les succès de la marque Lululemon. On retrouve aussi Andy à l'épisode 80 à l'occasion de la sortie du documentaire de Netflix : Wonder Boy qui présente le directeur créatif de Balmain, Olivier Rousteing. Dans cet épisode, nous poursuivons nos échanges et discutons de l'évolution de la marque Gucci. Le film House of Gucciest un film policier biographique américain de 2021 réalisé par Ridley Scott, basé sur le livre de 2001 The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed de Sara Gay Forden. Le film nous raconte l'histoire de Patrizia Reggiani (Lady Gaga) et de Maurizio Gucci (Adam Driver), alors que leur romance se transforme en une lutte pour le contrôle de la marque de mode italienne Gucci. Jared Leto, Jeremy Irons, Jack Huston, Salma Hayek et Al Pacino sont également les vedettes. Bonjour Andy et merci d'avoir accepté à nouveau mon invitation. Qu'as-tu pensé du film? Comment perçois-tu l'histoire et l'évolution de Gucci? L'arrivée de Tom Ford à la direction artistique a propulsé de nouveau Gucci au sommet des grandes maisons de la mode dans les années 90 et 2000. Pourquoi selon toi? En 2004, Frida Giannini reprend le flambeau avec succès et Alessandro Michele est nommé directeur artistique en 2015. Ce dernier apporte un tout nouveau style où se côtoient couleur, androgynie et romantisme contemporain. Un réel tour de force. Qu'en penses-tu? Crois-tu que Gucci aujourd'hui soit avant-gardiste en souhaitant faire disparaître les genres féminin et masculin. Où se dirige la marque selon toi? HOUSE OF GUCCI https://itunes.apple.com/ca/movie/house-of-gucci/id1597143789?l=fr%3Fl Où trouver Andy Thê-Anh : LINKEDIN INSTAGRAM J'espère que cet épisode vous a plu et que cette pause RP/marketing stimule votre créativité. Rejoignez-nous et inscrivez-vous sur nos listes et à nos formations où je vous enseigne étape par étape des tactiques de relations publiques que vous pouvez mettre en œuvre immédiatement. FAITES PARLER DE VOUS GRATUITEMENT https://prschool.natapr.com/evergreen_fr LE MODÈLE NATA PR GRATUIT https://prschool.natapr.com/Le-Modele-NATA-PR INSCRIVEZ-VOUS SUR NOS LISTES www.natapr.com

Pour cette nouvelle saison, les choses évoluent avec des profils plus variés, atypiques, de nouvelles thématiques comme la transformation de son métier pour répondre aux codes de la nouvelle génération. Mais l'ADN Ma vie, mes jobs reste inchangé. Vous plonger dans le quotidien concret et sans tabou d'une multitude de parcours et métiers. J'espère que vous serez guidés, inspirés et que des réponses vous seront données. N'hésitez pas à nous suivre sur les comptes instagram et LinkedIn Ma vie, mes jobs et de nous faire part de vos retours et suggestions. Pour ce tout premier épisode je vous embarque dans le quotidien de Anissa Bonnefont réalisatrice de talent qui nous parle avec beaucoup d'humilité et de sensibilité de son métier et de comment elle construit chaque projet. Dire que Anissa donne tout pour ses projets est un euphémisme. Pendant toute la durée de ses projets Anissa vit pour ses sujets. C'est elle qui se cache derrière le très beau documentaire Wonderboy, né sous X qui retrace le parcours de Olivier Rousteing, directeur artistique de Balmain dans sa quête pour retrouver sa mère biologique. Et puis plus récemment Nadia, qui met en avant le parcours de Nadia Nadim jeune femme Afghane qui a l'aêge de 8 ans a fui les talibans avec sa mère et ses soeurs. Aujourd'hui Nadia est joueuse de foot professionnelle et est récemment devenue chirurgienne. Anissa, ou le parcours d'une femme engagée et dont le métier de réalisatrice est le terrain d'expression des messages quelle souhaite passer. Place à l'épisode de Ma vie mes jobs avec Anissa Bonnefont.

For this episode of the Balmain podcast, we continue our series of conversations with Creative Director Olivier Rousteing, who explains the inspirations, designs and presentations that help set apart his favorite runways—as well as the challenges that he and his team had to overcome during the last ten years of Paris fashion weeks. We invite you to click to open the episode's special webpage, which will allow you to scroll through videos and images of the collections and runways that Olivier Rousteing will be discussing during this episode.CREDITS L'ATELIER BALMAIN EPISODE 2.2THE ROUSTEING ERA: THE KEY RUNWAYS Balmain Creative Director: Olivier RousteingEpisode Direction and Production: Seb LascouxBalmain Historian: Julia GuillonEpisode Coordination: Jeremy MaceWebpage Layout and Coordination: Léa BouyssouEpisode researched, written and presented by John Gilligan See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information.

Oser la Reconversion, le Podcast, épisode #54 Oser La Reconversion est le podcast dédié aux reconversions professionnelles à quelque stade qu'elles en soient. ** Inscrivez-vous dès maintenant sur Zencaster et bénéficiez de 30% de réduction sur l'abonnement pro avec le code OSERLARECONVERSION1 sur https://zen.ai/oserlareconversion1 ** Aujourd'hui, j'accueille dans Oser la Reconversion, Lise Pierron. Après avoir été sales area manager, Lise est devenue créatrice de contenu / influenceuse mode et mannequin. Vous pouvez la retrouver sur instagram sous le pseudo @lbylise où elle est suivie par + de 30 000 abonnés. Vogue l'a récemment classée dans le top 30 des françaises à suivre. Après une école de commerce, Lise occupe le poste de sales area manager. Elle s'occupe du développement commercial d'une marque de mode sur le territoire français. Elle vend les collections aux grandes enseignes telles que Zalando, Galeries Lafayette et travaille avec des influenceurs afin de promouvoir la marque. C'est ce qui lui donne envie de passer de l'autre côte et de lancer son compte instagram en 2018. A l'époque ce sont ses collègues qui shootent son outfit of the day tous les jours à la pause. Depuis très jeune, Lise est passionnée par la mode et à 20 ans, elle se fait repérée dans la rue pour devenir mannequin. En 2020, Lise quitte son job pour devenir créatrice de contenu à temps plein. Sa carrière décolle grâce à son style et sa personnalité hors du commun. Elle a notamment été le visage du parfum Vove Vica de Valentino et a animé le premier live shopping des Galeries Lafayette. Vogue l'a récemment classée dans le top 30 des françaises à suivre. Alors avec Lise, on a évoqué le racisme envers les noirs dans le milieu du mannequinat, comment se faire une place dans la mode, l'importance du network, son enfance et ce qui lui a forgé un caractère de battante. Rejoignez le groupe privé Facebook du podcast pour prolonger la discussion : https://www.facebook.com/groups/1080461892356152/?ref=share Notes & Références : - Instagram de Lise @lbylise : https://www.instagram.com/lbylise/ - Application tag walk : https://www.tag-walk.com - Application GPS Radar : https://www.gpsradar.com/ - Documentaire Netflix, Olivier Rousteing : https://www.netflix.com/fr/title/81325861

Last season's podcast focused on some of the legendary moments, designs, images and personalities associated with Pierre Balmain and his legendary “New French Style”— highlighting how Monsieur Balmain's unique and fresh designs helped to usher in the postwar era's golden age of Paris couture. With this first episode of season two of the podcast, we begin an in-depth, four-part exploration of today's Balmain, as Olivier Rousteing, the house's creative director, continues to build upon the rich heritage of the house, while always adding his own modern, inclusive and distinctive outlook—overseeing the “Renewed French Style” that sets apart 21st-Century Balmain. In this and each of the upcoming episodes, Rousteing discusses key Balmain moments from the past ten years, explaining the inspirations behind his favorite house collections, campaigns and special events—as well as the challenges that he faced in making each of them happen. This episode begins with a special tenth-anniversary message for Rousteing from Beyoncé. It was delivered during the latest Balmain Festival, which took place inside an ephemeral festival village, set on an island in the middle of Paris' Seine River. The celebration combined two days of concerts, a runway presentation of the house's latest designs and a special retrospective, where some of the most famous models of the past 25 years wore beautiful re-editions of key Olivier Rousteing creations from the past decade. Rousteing talks to us about Beyonce's emotional message, the festival, the show, the retrospective and the influences behind the Balmain Spring 2022 collection that was premiered on the runway. We invite you to click to the episode's webpage, in order to see videos and images of the designs and presentations that Rousteing will be discussing during this episode. CREDITS L'ATELIER BALMAIN EPISODE 2.1THE ROUSTEING ERA: “HELLO OLIVIER, IT'S BEYONCE”Special Guest Audio: BeyoncéBalmain Creative Director: Olivier RousteingEpisode Direction and Production: Seb LascouxBalmain Historian: Julia GuillonEpisode Coordination: Jeremy MaceEpisode researched, written and presented by John Gilligan See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information.

Si vous vous intéressez à la haute couture, vous connaissez Olivier Rousteing, créateur et directeur artistique de la maison de couture française Balmain. Né sous X et adopté à la naissance, il a fait parlé de lui en 2019 avec la sortie en salle de Wonder Boy, un documentaire touchant où on le suit dans une enquête à la recherche de ses origines. La Bible nous parle d'adoption, sans tabou, à travers plusieurs histoires. Du lundi au vendredi à 08h15 et 16h45 sur PHARE FM Lyon Dauphiné, Jessica vous apporte une mise en pratique concrète de principes bibliques, pour vivre une foi In Real Life !

Depois de um mês bem agitado, com estreias, reestreias, cancelamentos de última hora, apresentações surpreendentes e outras nem tanto, chegamos ao fim de mais uma temporada internacional de moda. Neste episódio, contamos os destaques da Paris Fashion Week e ainda: mais repercussões da guerra da Ucrânia nas passarelas (e fora dela), as parcerias entre Gap e Dapper Dan, Olivier Rousteing e Jean Paul Gaultier e muito mais.   Roteiro: Giuliana Mesquita Montagem e publicação: Compasso Coolab  Este episódio usou trechos das apresentações de inverno 2022 da Balenciaga, da Loewe, da Saint Laurent, da Dior e da Valentino; The Symphony, de Marley Marl; I've Seen That Face Before, de Grace Jones; Beg For You, de Charli XCX.

Pour ce 80eépisode, je reçois à nouveau Andy Thê-Anh, un styliste, créateur de mode que je vous ai présenté dans l'épisode 70 où nous avons analysé les succès de la marque Lululemon. Bonjour Andy, et merci d'avoir accepté mon invitation pour discuter de la marque Balmain. Le documentaire NETFLIX de 2021, que nous avons tous les deux visionné, est très révélateur et nous présente le jeune prodige et directeur créatif de Balmain, Olivier Rousteing, alors qu'il donne vie à ses créations audacieuses et part à la recherche de ses origines. On dit que, depuis son arrivée à la direction de la maison Balmain en 2011, les ventes ont été multipliées par six et que le chiffre d'affaires de la collection pour homme a augmenté de 40 %. Selon ton analyse, comment ce jeune directeur a-t-il réussi un tel tour de force? Il semble avoir tissé des liens d'amitié avec des grandes vedettes internationales telles que Kim Kardashian, Jennifer Lopez, Rihanna, Justin Bieber, et bien d'autres. Grâce à ces personnalités, Balmain est devenue la première marque à dépasser le million d'admirateurs sur Instagram, la barre des 11 millions ayant même été franchie. Comment apporte-t-on de nouveaux codes à une marque aussi traditionnelle selon toi? Crois-tu à un essoufflement possible au bout de neuf ans? Dans ce documentaire, nous suivons Olivier dans sa quête pour retrouver ses parents biologiques. Il semble vouloir savoir d'où il vient pour aller de l'avant. Que penses-tu de sa quête, toi qui est d'origine vietnamienne et vit en Amérique depuis si longtemps? Crois-tu que connaître ses origines constitue un avantage dans le monde de la création? BALMAIN : WONDER BOY https://www.netflix.com/ca/title/81325861 Où trouver Andy Thê-Anh: LINKEDIN INSTAGRAM Inscrivez-vous sur nos listes : www.natapr.com. J'espère que cet épisode vous a plu et que cette pause RP/marketing stimule votre créativité. Pour en savoir plus : NATA PR Instagram NATA PR SCHOOL Instagram NATA PR FACEBOOK NATA PR LINKEDIN

For our 80th episode, I'm delighted to welcome back Andy Thê-Anh, an immensely talented stylist and fashion designer whom I interviewed in episode 70, when we were analyzing Lululemon's successes. Hello, Andy! Thank you for accepting my invitation to discuss the Balmain brand. The 2021 Netflix documentary, which we both watched, is very revealing and introduces us to the young prodigy and creative director of Balmain, Olivier Rousteing, as he brings his daring creations to life and goes in search of his origins. It is said that, since he took over the management of the Balmain house in 2011, sales have increased six-fold, and sales of the men's collection have increased by 40%. - According to your own analysis, how did this young director pull off such a feat? - He seems to have forged friendships with big international stars such as Kim Kardashian, Jennifer Lopez, Rihanna, Justin Bieber, and many others. Thanks to these personalities, Balmain became the first brand to exceed one million fans on Instagram. They now have more than 11 million. - In your opinion, how do you bring new codes to such a traditional brand? - Do you think that the consumer interest in Balmain may be fading after nine years? - In this documentary, we follow Olivier in his quest to find his biological parents. He seems to want to know where he comes from to move forward in his life and with his creations. As someone of Vietnamese origin who has lived in America for quite some time, what do you think of his quest? - Do you think it is an advantage to be aware of your roots when being creative? BALMAIN: WONDER BOY https://www.netflix.com/ca/title/81325861 Find Andy Thê-Anh on: LINKEDIN INSTAGRAM Subscribe to our lists: www.natapr.com. I hope you enjoyed this episode, and that this PR/marketing moment stimulates your creativity. Join our mailing lists for useful updates: www.natapr.com. To learn more, visit: NATA PR Instagram NATA PR SCHOOL Instagram NATA PR FACEBOOK NATA PR LINKEDIN

Dua is joined by Olivier Rousteing, the creative director of the French fashion house, Balmain, for a wide-ranging conversation that offers an insider's look at what makes one of fashion's brightest minds tick. From the search to find his birth parents (“You know, I've grown up for 30 years without knowing where I come from… where my skin colour comes from? Where are my parents from? And what was the reason why they didn't want to keep me?”) to his itinerary for the (rare!) ideal day off in Paris, this is one interview you won't want to miss a second of!

Olivier Rousteing, o diretor criativo da grife francesa Balmain, se junta à Dua para uma conversa ampla que oferece uma visão privilegiada de como funciona uma das mentes mais brilhantes do mundo da moda. Desde a busca pelos pais biológicos (“Sabe, eu vivi 30 anos sem saber de onde vim... de onde vem a cor da minha pele? De onde são meus pais? E por que eles não quiseram ficar comigo?”) até o roteiro para um (raro!) dia de folga ideal em Paris, essa é uma entrevista que você não vai querer perder. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Dua is joined by Olivier Rousteing, the creative director of the French fashion house, Balmain, for a wide-ranging conversation that offers an insider's look at what makes one of fashion's brightest minds tick. From the search to find his birth parents (“You know, I've grown up for 30 years without knowing where I come from… where my skin colour comes from? Where are my parents from? And what was the reason why they didn't want to keep me?”) to his itinerary for the (rare!) ideal day off in Paris, this is one interview you won't want to miss a second of! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Dua Lipa was born with an inquiring mind, and her acclaim as a singer and writer has only deepened her interest in the world around her and the people who shape it. Join Dua Lipa in deep, wide-ranging conversations with inspiring figures from different disciplines, like Sir Elton John; K-pop superstar, CL; and Creative Director of Balmain, Olivier Rousteing, to find out what makes them tick and how they are revolutionising not just their own industries, but our culture more broadly. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Dans cet épisode, je reçois Anissa Bonnefont. Anissa est réalisatrice des merveilleux documentaires "Wonder Boy" paru en 2019 et "Nadia" en 2021 qui retracent les histoires puissantes d'Olivier Rousteing, Directeur Artistique de la maison Balmain et qui est né sous X et de Nadia Nadim, joueuse internationale de foot, danoise et d'origine afghane dont le père a été assassiné par les talibans. Abandonnée par son père biologique lorsqu'elle n'a que 3 ans, Anissa vit malgré tout une enfance pleine d'amour entourée de sa maman et de celui qui deviendra son papa comme elle l'appelle. Anissa nous livre le chemin d'acceptation qu'elle a suivi en grandissant pour s'approprier son histoire. Elle nous explique aussi comment la psychanalyse lui a donné de vraies clés pour mieux se connaître et se poser les bonnes questions. Dans cet épisode, nous retraçons les origines de la passion d'Anissa pour le cinéma, un univers qui la fait rêver depuis son plus jeune âge. Après avoir suivi son mari de l'époque à Los Angeles avec leurs deux enfants en bas âge, Anissa opère un virage à 180 degrés durant deux ans ou elle développe une boulangerie française. Quelques années plus tard, elle fait le choix de revenir en France et se sépare alors de son conjoint. C'est une rencontre, qui initiera un nouveau chapitre dans sa vie. Celle, improbable d'Olivier Rousteing, brillant Directeur Artistique de la maison Balmain, prodige de la mode à qui elle fait visiter alors sa maison. Touchée par l'histoire de cet homme qui à son âge et qui est né sous X et dont l'abandon fait écho à celui qu'elle a vécu, Anissa souhaite d'emblée raconter l'histoire d'Olivier. "Wonder Boy, Olivier Rousteing, né sous X", film documentaire fruit d'un travail de 2 ans sortira en 2019 et connaîtra un grand succès. Un véritable "game changer" dans sa carrière. S'en suivront le documentaire "Nadia" sur cette joueuse internationale de football danoise d'origine Afghane qui retourner sur les traces de ses origines. Avec sa caméra, Anissa brise les tabous. Son prochain film, dont le tournage vient de se terminer, aborde d'ailleurs le thème de la prostitution choisie en adaptant le roman d'Emma Becker "La maison" qui explore les sujets du désir de la femme et du choix. Avec Anissa, nous avons également parlé de la présence des femmes dans le cinéma alors qu'on ne compte qu'un quart de réalisatrices aujourd'hui. Bien sur nous terminons sur la représentation d'Anissa de l'ambition qu'elle perçoit bien comme une nécessite. Je ne vous en dit pas plus et vous laisse en compagnie de mon invitée, Anissa Bonnefont. Belle écoute !

In 2011, when Olivier Rousteing was appointed creative director of Balmain, no-one could have predicted the changes in store for the French fashion-house and the industry at large - and the fact that Olivier has been at the forefront of both. A passionate advocate for diversity within the industry – Olivier is known for his savvy and forward-thinking engagement with social media as well as for his body-conscious, intricately-crafted clothes. He continues to serve as an inspiration to young designers and creatives and shown many other fashion houses the path to follow for resonance with that new generation. See omnystudio.com/listener for privacy information.

In 2016, Khloe Kardashian/Good American “borrowed” catsuits from d.bleu.dazzled, a fashion company founded by Destiney Bleu. Did Khloe and Ko. steal the design? Listen to find out. This is the last episode of the season! In this video, I talk about stolen fashion designs. I start off with what a reference is versus what a copycat is. Sometimes a designer will reference their past works like Olivier Rousteing or the designs of a former designer or creative director at the same company. YouTube Channel: https://www.youtube.com/channel/UCGUj6bGHKey3edMGCVcdesQ Join the Facebook group: www.facebook.com/groups/mostfashionablecrime/ Reddit Community: https://www.reddit.com/r/MostFashionableCrime/ Visit www.mostfashionablecrime.com to sign up for the newsletter! Social Media: Twitter @MostFashionable Instagram and Facebook @MostFashionableCrime Sources: https://en.wikipedia.org/wiki/Black_Is_King https://www.nylon.com/fashion/destiney-bleu-on-black-is-king-her-lawsuit-with-khloe-kardashian-more https://www.dbleudazzled.com/pages/about-us https://people.com/style/destiney-bleu-responds-to-khloe-kardashian-defamation-cease-and-desist-letter/ https://www.huffpost.com/entry/khloe-kardashian-copied-designer_n_593aea8fe4b0c5a35c9f1db5 https://en.wikipedia.org/wiki/Emma_Grede https://en.wikipedia.org/wiki/Fashion_law http://www.revelist.com/style-news/khloe-kardashian-copying-designer/8018/luckily-if-you-want-something-supersexy-and-incredibly-sparkly-dbleudazzled-is-open-for-business/25 https://rulings.law/ruling/20STCV20510/9/30/2020?searchtext= https://www.thefashionlaw.com/khloe-kardashian-good-american-push-back-against-smear-campaign-with-anti-slapp-motion/ https://www.forbes.com/sites/oliverherzfeld/2013/01/03/protecting-fashion-designs/?sh=5615b173b317 https://abj.artrepreneur.com/fashion-design/ https://www.duanemorris.com/articles/protecting_fashion_designs_through_ip_law_5516.html --- Send in a voice message: https://anchor.fm/mostfashionablecrime/message Support this podcast: https://anchor.fm/mostfashionablecrime/support

In 2016, Khloe Kardashian/Good American “borrowed” catsuits from d.bleu.dazzled, a fashion company founded by Destiney Bleu. Did Khloe and Ko. steal the design? Listen to find out. This is the last episode of the season! In this video, I talk about stolen fashion designs. I start off with what a reference is versus what a copycat is. Sometimes a designer will reference their past works like Olivier Rousteing or the designs of a former designer or creative director at the same company. YouTube Channel: https://www.youtube.com/channel/UCGUj6bGHKey3edMGCVcdesQ Join the Facebook group: www.facebook.com/groups/mostfashionablecrime/ Reddit Community: https://www.reddit.com/r/MostFashionableCrime/ Visit www.mostfashionablecrime.com to sign up for the newsletter! Social Media: Twitter @MostFashionable Instagram and Facebook @MostFashionableCrime Sources: https://en.wikipedia.org/wiki/Black_Is_King https://www.nylon.com/fashion/destiney-bleu-on-black-is-king-her-lawsuit-with-khloe-kardashian-more https://www.dbleudazzled.com/pages/about-us https://people.com/style/destiney-bleu-responds-to-khloe-kardashian-defamation-cease-and-desist-letter/ https://www.huffpost.com/entry/khloe-kardashian-copied-designer_n_593aea8fe4b0c5a35c9f1db5 https://en.wikipedia.org/wiki/Emma_Grede https://en.wikipedia.org/wiki/Fashion_law http://www.revelist.com/style-news/khloe-kardashian-copying-designer/8018/luckily-if-you-want-something-supersexy-and-incredibly-sparkly-dbleudazzled-is-open-for-business/25 https://rulings.law/ruling/20STCV20510/9/30/2020?searchtext= https://www.thefashionlaw.com/khloe-kardashian-good-american-push-back-against-smear-campaign-with-anti-slapp-motion/ https://www.forbes.com/sites/oliverherzfeld/2013/01/03/protecting-fashion-designs/?sh=5615b173b317 https://abj.artrepreneur.com/fashion-design/ https://www.duanemorris.com/articles/protecting_fashion_designs_through_ip_law_5516.html --- Send in a voice message: https://anchor.fm/mostfashionablecrime/message Support this podcast: https://anchor.fm/mostfashionablecrime/support

2021年秋冬コレクションの中から、PRADA、CELINE、BALMAIN、FENDIの4ブランドを全3回に渡りフィーチャーしていきます。第3回はBALMAINとFENDI。両ブランドのデザイナーが、コロナ禍への思いをどのようにデザインに昇華させたのかに注目です。 ■Shownote バルマンとは 1:56~歴代デザイナーと特徴について 3:51~オリビエによる新たなバルマン 9:50~コレクション概要&コンセプト(バルマン) 14:54~ファーストルックを見ていく18:14~各ルックのポイント&注目したディテール 21:23~全体のまとめ 37:23~フェンディとは 40:12~コレクション概要&全体的な印象 43:52~各ルックのポイント&注目したディテール 47:50~ボリューム感のあるアウター類 51:38~ニューノーマルを体現したニットとカラー 59:41~アクセサリーとシューズ 68:05~シルヴィアの伝えたかったことを考察 70:16~ ■おすすめファッションEC MATCHESFASHIONFarfetchYOOXSSENSE ■紹介コレクション BALMAIN「SS 2021」BALMAIN「AW 2021」Fendi「SS 2022 Menswear」Fendi「FW 21-22 Menswear」Fendi「SS 2021 Menswear」Fendi「FW 16-17 Menswear」 ■用語ピエール・バルマン,バレンシアガ,ディオール,３大デザイナー,オリヴィエ・ルスタン,ファイヤープレイス,ジョリーマダム,ブレザー,バイカージーンズ,オスカー・デ・ラ・レンタ,ライセンス,パワーショルダー,ロベルト・カヴァリ,ピーター・デュンタス,オートクチュール,ワンダーボーイ,1945ライン,PBモノグラム,ルイ・ヴィトン,ヴァージル・アブロー,セリーヌ,エディースリマン,ビヨンセ,リアーナ,カニエ・ウェスト,キム・カーダシアン,ネックピロー,フライトブーツ,ギャザー,カーゴパンツ,ムートン,B-3,ラペル,セットアップ,ジャンプスーツ,テーラード,ダブル(ブレスト),シングル(ブレスト),紺ブレ(ブレザー),パンプキンスーツ,ボッテガヴェネタ,イントレ(イントレチャート,ヴァレンティノ,ジバンシー,ヴェルサーチ,ドラゴンボール,フリーザ様,ドラえもん,フェンディ,ファー,襟巻き,カールラガーフェルド,エナメル,ステッチ,キム・ジョーンズ,シルヴィア・ベントリーニ・フェンディ,ガウン,カシミア,シルク,ニコ・ヴァシェラーリ,ノットウェイビング,パイピング,エルメネジルド・ゼニア,WWD,カットアウト,スリット,H&M,トーガ,ピーカブー,ボアジャケット,キルティング,メゾン・マルジェラ,アレキサンダー・マックイーン,リブ編み,ジャガード,ケーブル編み,ノエル・フィールディング,The Great British Baking Show,ミンク,サカイ,カラー,ルーズソックス,キャメル ■参考資料 FARFETCH「Balmain: the history of a French powerhouse」VOGUE「balmain」VOGUE「Everything to know about the history of the blazer」VOGUE「Happy birthday! Olivier Rousteing looks back over 10 years of success at Balmain」VOGUE「#SuzyPFW: Balmain celebrates 75 years of history – with modernity」VOGUE RUNWAY「Balmain」・VOGUE「“I Want To Turn Balmain Into A Timeless House”: Olivier Rousteing On His Aviator-Inspired AW21 Collection」HISTORY OF YESTERDAY「A Brief History of Balmain」her「Reeling Back The Years – History Of Fashion House Balmain」icon-icon「Jolie Madame, Balmain's Iconic Collection」PORTO MONTENEGRO「Discover Balmain – one of the most beloved high fashion brands」FASHION UNITETED「PFW AW21: Balmain showcases an aviation-inspired collection」LIFESTYLE ASIA「Pagoda shoulders: behind the bold trend that Balenciaga and Balmain are bringing back」BALMAIN PARIS「BALMAIN HERITAGE」Fendi「FW 21-22 Menswear」WWD 時代と呼応する“ホーマル”が気持ち良い！　「2021-22年秋冬メンズ・コレクション」リポートThe New York Times Style Magazine:Japan ​​『シルヴィア・フェンディ、「私の愛する人たち、人生を彩るものやこと」』Fashion Press ​​「フェンディ 2021年秋冬メンズコレクション – 別世界で生まれた紳士服」 DSCENE「​​​​​​#MFW: FENDI Fall Winter 2021 Menswear Collection」Numero 「​​​​FENDI presents their Men's Fall/Winter 2021-2022 Collection」 ■編集後記 これにて21FWのコレクション動向シリーズは終了です。毎シーズンコレクションは、それなりにチェックしていますが、年2でゴリゴリに調べるのも勉強になってよいです。次回からは面白いぞ～～。(キヒロ)ボクが猛烈な風邪を引いてしまったせいでなかなか収録ができず申し訳ない気分でいっぱいでしたが、キヒロくんがその分めちゃくちゃバルマンについて調べ上げていて流石だなと感心しました。今回を機に少しでもコレクションについて興味を持っていただけたらなと感じます。(ヒデト)The post 2021FW コレクション動向 -BALMAIN,FENDI- first appeared on TOKYO WARDROBE.

Depois de quase dois séculos de história, os ares de mudança estão soprando forte na Tiffany. Agora sob o guarda-chuva do grupo LVMH, a tradicional joalheria estadunidense quer garantir seu posto de estrela do setor de luxo, ao mesmo tempo em que se mexe para se mostrar conectada com as novas gerações. Neste episódio, relembramos um pouco da história da marca e analisamos as mudanças em curso para tentar descobrir o que vem por aí. E ainda: Jeremy Scott, da Moschino, fala sobre a sua nova collab no Brasil, novidades na Água de Coco, revelações de Olivier Rousteing e muito mais.  Montagem e publicação: Compasso Coolab Roteiro: Milene Chaves Este episódio usou trechos das músicas Moon River, por Beyoncé; Breakfast at Tiffany's, de Deep Blue Something; How You Like That' M/V, de Blackpink; 2000 s2, de Luisa Sonza; Nothing's gonna stop us now, de Starship; Lança-perfume, de Rita Lee; Easy on me, de Adele; Up all night, de Sault; e um trecho do desfile de verão 2022 da Balmain.

Cette semaine nous recevons un invité d'exception, pour un épisode à son image : généreux, profondément humain, et simplement délicieux. Nicolas Paciello est l'un des pâtissiers les plus talentueux de sa génération : après avoir dirigé les cuisines du Crillon, du Prince de Galles (où il a décroché deux étoiles), ou de La Réserve, il régale aujourd'hui les clients du prestigieux Fouquet's.  Mais Nicolas est aussi un entrepreneur ambitieux : il a lancé CinqSens, sa propre marque de pâtisserie qui compte déjà deux adresses à Paris. Dans cet épisode, Nicolas nous raconte :

Invité d'honneur du deuxième épisode de "Passions. Le podcast Porsche." sur le thème de la créativité, Olivier Rousteing, directeur artistique d'une très grande maison de couture française depuis 10 ans, revient sur son parcours hors du commun et la passion qui l'anime au quotidien. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The designer speaks with Tim Blanks about his journey to find his birth parents and the power of breaking boundaries in fashion.   Olivier Rousteing was named Balmain's creative director ten years ago, when he was still only in his mid-twenties. But Rousteing — who was adopted as a child and grew up believing he was of mixed-race parentage — says he always felt like he was performing a role to fit in amongst the French fashion elite. Recently, he decided to try and find his birth parents to give him a greater understanding of his identity, and allowed a documentary crew to film the process. In the process, Rousteing discovered his Somalian and Ethiopian heritage. The resulting film, “Wonder Boy,” came out last year, and arrived on Netflix in June. The experience has made him want to be more open about his identity. “You knew the designer for many years and now you are going to know the human being behind that,” he says. This week on The BoF Podcast, BoF's editor-at-large Tim Blanks speaks with Rousteing about connecting with his personal history, the power of community and why timelessness in fashion is vital today. Rousteing said he hopes his personal journey will help provide inspiration for young creatives from diverse backgrounds hoping to make it in fashion. “I think I am the new France,” says Rousteing. “I think this is the message that I am delivering to people… This is my mission to give some hope in breaking boundaries.” In his decade at the helm, Rousting has brought a new approach to Balmain's customers, too. “What I wanted to do during this decade is to make sure that there was awareness of the brand,” said Rousteing. “So, my first step was to create a strong community of people listening to the name of Balmain.” The pandemic has made Rousteing rethink his approach to design. “I think what is trendy is not cool anymore,” said Rousteing. “You want to buy values and you want to buy timeless [products] and you want to feel that what you get is something that will stay in time.” Related Articles: Olivier Rousteing Brings His Maximalism to Couture at Balmain At Balmain, Does a New Logo Signal New Opportunity? Balmain's High-Visibility Mega Mix Join BoF Professional for the analysis and advice you need. Get 30 days for just $1 or explore group subscriptions for your business.

A key person behind the rapid early growth of Balmain and smooth operations of the legendary flagship at 44 François Premier was Ginette Spanier. Spanier was the first person to be named as Balmain's Directrice, (the Director of the house), and she remained in that position for almost thirty years. While her name may not be familiar to many today, she was a well-known personality during her time at Balmain—due not only to her superb management of the house's rapid growth, but also to her amazing life story. It's an incredible history that—just as the announcer of the popular television series “This Is Your Life” notes in the snippet we use to begin this episode—can be summed up as one of “fun, fear and fate.” Because Ginette Spanier was not only a genius at management—she was also a war hero. Spanier's extraordinary history, told in a trio of best-selling autobiographies, is composed of a series of startling changes and her perfect adaptation to each of them. She began life as a rich Parisian. But, after her upper-class family moved to London, her parents lost their fortune during the Great Depression. Suddenly needing to work, Spanier transformed herself into a Fortnum and Mason salesgirl, rubbing shoulders with royals, artists and aristocrats of the time. And then, after moving back to Paris to live with her new French husband in 1939, she was forced to spend the years of the Nazi occupation on the run, sheltered by brave résistants, as she and her husband—both Jewish—fled the Germans and their Vichy collaborators. Immediately after the liberation of Paris, she joined the Allied forces, helping to recruit, train and organize needed support staff for the American army, as it headed east toward Berlin. After the Nazis were finally defeated, Spanier worked to create and managing the team of translators that assisted in the prosecution of the some of the modern era's most horrific war criminals, at the historic judgement at Nuremberg. So… it's clear that Spanier did not come with the typical background that one might expect for a Director of a French luxury haute couture house. As Directrice of Balmain for almost 30 years, Spanier oversaw the everyday workings of Balmain—skillfully managing all members of the team and working closely with Pierre Balmain to make key decisions on collections and strategy. She also oversaw the house's daily shows and its large team of in-house haute-couture models, known as the Balmain Cabine. To best understand how Paris' post-war model and show system worked, the podcast is joined once again by the award-winning fashion journalist Lynn Yaeger. And of course, Lynn was happy to share some amazing (and sometimes quite scandalous) tales with us.CREDITS L'ATELIER BALMAIN EPISODE SEVENFun, Fear and Fate Fun, Fear and Fate: Ginette Spanier and Mid-Century BalmainBalmain Creative Director: Olivier RousteingAudio: This Is Your Life, 09.02.1972: Courtesy of Ralph Edwards Productions, TIYL Productions & FremantleSpecial Podcast Guest: Lynn YaegerEpisode Direction and Production: Seb LascouxBalmain Historian: Julia GuillonEpisode Coordination: Alya NazaralyResearch Assistance: Pénélope André and Yasmine Ban AbdallahDigital Coordination/Graphic Identity: Jeremy MaceEpisode researched, written and presented by John Gilligan To explore further:Pierre Balmain: My Years and Seasons, (Doubleday, 1965)Ginette Spanier: It Isn't All Mink (Collins, 1959 and V&A Publishing, 2017)Ginette Spanier: And Now It's Sables (R. Hale, 1970)Ginette Spanier: Long Road To Freedom (R. Hale, 1976)See acast.com/privacy for privacy and opt-out information. This Episode's Music:PRALINE SUNG BY JEAN SABLONBalmain's Creative Director, Olivier Rousteing, makes it very clear—collection after collection—that he believes that fashion can never be separated from music. Inspired by Rousteing, each l'Atelier Balmain podcast carefully selects artists and music that reflect and strengthen the story being told. During this episode, Lynn Yaeger managed to give her own distinctive spin to the translated lyrics of an early 1950's French hit song about one of Balmain's biggest stars: Praline. Paris has had many beautiful women (and men) working as in-house models—but there are few who ever managed to become as famous as Praline. And we can't think of any other couture showroom model who ever had a hit song written about them! This 1951 tune was written by Eddie Constantine and sung by Jean Sablon. The melody is introduced with an astounded spoken reaction — “wait, you don't know who Praline is?” — and then Jean Sablon breaks into a song that follows the Praline through one of her day as Balmain's star model, beginning with her morning stroll down the Champs Elysées, following her through a tough day of shows , (while she always manages to keep looking perfectly put together), and finally, although she's tired, she is persuaded to go out at night and ends up falling in love with the singer. That singer ends his tune by letting his listeners know that he is now the lucky guy who's engaged to Praline. Et la vie est jolie! Sur les Champs ElyséesSes cheveux tout bouclésElle est fraîche et jolie,C'est Praline regardez-la marcherElle a l'air de danserSur le coup de midi c'est PralineElle est toujours bien habilléeOn dirait qu'elle est richeBien chapeautée, chaussée, gantée,Elle a même un canicheCar elle est mannequinDu velours au satinElle pass' la journée, c'est PralineUne robe du soir, le manteau rayé noir,La robe de mariée, c'est PralineHuit heur's tout' seule et fatiguéeElle rentre chez elleDemain il faut recommencerElle oublie qu'elle est belleSur les Champs ElyséesDes Messieurs distinguésFeraient bien des folies pour PralineEll' fait " non " gentimentEll' ne veut qu'un amant" Et ce s'ra pour la vie " dit PralineLe soir où je l'ai rencontréeEll' m'a fait un sourire et puisOn est aller danserAprès... j'peux pas vous l'direDepuis tout a changé nous sommes fiancésEt la vie est jolie Ah! PralineOn va se marier c'est banal à pleurerMais c'est moi qui souris à PralineA ma PralineOn the Champs ElyséesHer hair all in curlsShe is fresh and prettyIt's Praline watch her walkShe seems to dance And at noon it's PralineShe is always well dressedLooks like she's richNice hat, heels, gloves,She even has a poodleBecause she is a model From velvet to satinShe spends the day,it's PralineAn evening dress,the black striped coat,The wedding dressIt's Praline Eight hours all alone and tiredShe returns homeTomorrow we have to start againShe forgets that she is beautiful On the Champs ElyséesDistinguished GentlemenWould do crazy things for PralineShe says "no" nicely She only wants a true love"one that will be for life"said Praline The night I met herShe gave me a smileand then We went dancingAfter ... I can't tell you Since then, everything has changedwe are engagedAnd life is prettyah! PralineWe are going to get married,it's expected to cryBut me I smile at PralineTo my Praline℗ 1951 Parlophone / Warner Music France, a Warner Music Group CompanyComposer: Bob AstorComposer: Eddie ConstantineWriter: Francois Jacques See acast.com/privacy for privacy and opt-out information.

Tous les jours dans le club de l'été, Europe 1 vous livre le meilleur des séries sur le web et les plateformes. Ce mardi, Louise Bernard revient sur le documentaire Wonder boy, Olivier Rousteing, né sous X, disponible sur Netflix.

Tous les jours dans le club de l'été, Europe 1 vous livre le meilleur des séries sur le web et les plateformes. Ce mardi, Louise Bernard revient sur le documentaire Wonder boy, Olivier Rousteing, né sous X, disponible sur Netflix.

Olivier Rousteing celebró 10 años al frente de Balmain. Sin duda, él ha ayudado a revitalizar, redefinir y a darle todo el hype a la icónica casa francesa. Así que Rebeca y Ali recuerdan su historia, colaboraciones, algunos datos curiosos y sus colecciones favoritas.

Maira Kalman, the celebrated author, illustrator and designer joins the l’Atelier Balmain podcast for episode four. Kalman who oversaw 2020’s critically praised and colorful re-edition of Gertrude Stein’s best-selling “Autobiography of Alice B Toklas,” discusses the incredible literary and artistic legacy of Gertrude Stein and Alice B Toklas. Pierre Balmain shared a deep friendship with the couple, and he was very devoted to his pair of “American Mothers”—which is why Gertrude Stein, Alice B Toklas, along with their famous white poodle, Basket, were seated front and center at Pierre Balmain’s first show. This is the second of four episodes concentrating on the fascinating moments and personalities that played a part in the incredible story of the 1945 birth of the house of Balmain. The group of four episodes, taking its name from Alice B Toklas’ famous summation of Pierre Balmain’s first collection—A New French Style—turns to some of today’s leading writers, documentary film makers, museum curators and fashion writers for unique insights on Paris post-war style and challenges, Pierre Balmain’s fresh new style, iconic images of Balmain designs and some of the legendary personalities seated in the front row of that first house presentation. At each step, we’ll also make clear how Olivier Rousteing continues to build upon the firm foundations that Pierre Balmain established, 75 years ago. Balmain Creative Director: Olivier RousteingSpecial Podcast Guest: Maira KalmanMusic: J’ai Deux Amours — Josephine BakerAdditional Music: Jean-Michel DerainEpisode Direction and Production: Seb LascouxBalmain Historian: Julia GuillonEpisode Coordination: Alya NazaralyResearch Assistance: Fatoumata Conte and Pénélope AndréDigital Coordination/Graphic Identity: Jeremy MaceEpisode researched, written and presented by John Gilligan To explore further:The Autobiography of Alice B Toklas; By Gertrude Stein, Illustrated by Maira Kalman (Penguin 2020)Pierre Balmain’s Autobiography: My Years and Seasons (Doubleday, 1965) This Episode’s Music:Balmain’s Creative Director, Olivier Rousteing, makes clear—collection after collection—that he believes that fashion can never be separated from music. Inspired by Rousteing, each l’Atelier Balmain podcast carefully selects artists and music that reflect and strengthen the story being told. And, for an episode concentrating on some of the many amazing expatriates who transformed both the life of Paris and the history of art—what could be a more perfect song that the classic 'J'ai Deux Amours' from Josephine Baker? Josephine Baker, immortalized by Picasso and described by Ernest Hemingway as "the most sensational woman anyone ever saw,” led an amazing life of art, resistance and engagement—and the house of Balmain is incredibly proud of its long association with the French legend. Baker—born Freda Josephine McDonald in East Saint Louis—first sang this love song to her adopted home of Paris in the ‘30s, and she sang many versions of it over the many following decades.Most versions being with the lines: “On dit qu'au-delà des mers. Là-bas sous le ciel clair. Il existe une cité. Au séjour enchanté. Et sous les grands arbres noirs. Chaque soir. Vers elle s'en va tout mon espoir. " ("They say that beyond the seas. Over there under the clear sky. There is a city. In the enchanted land. And under the great black trees. Every evening. All my hope goes towards her.") This city, beyond the seas, is the city of light that welcomed and embraced Josephine Baker—as well as so many other refuges, artists and intellectuals—drawn to creativity and freedom that helped set Paris apart during the era of Josephine, Alice, Gertrude and all those amazing talents who visited that famous salon on rue de Fleurus. J'ai deux amours. Mon pays et Paris. Par eux toujours. Mon cœur est ravi.I have two loves. My country and Paris. For them always. My heart is filled with delight. See acast.com/privacy for privacy and opt-out information.

We start this episode with an examination of an iconic 20th-Century photograph: the black-and-white image of Gertrude Stein, seated in Pierre Balmain’s showroom, which was captured by the fashion photographer Horst for Vogue in 1946.Maira Kalman, the celebrated author, illustrator and designer explains why she chose to recently paint her own version of this legendary image for her recent edition of “The Autobiography of Alice B Toklas.” Susanna Brown, who has curated some of the most impressive fashion photography exhibits at London’s V&A museum also joins the podcast to discuss that image, as well as some of the other photos that came out of that now-legendary Horst session for Vogue. Few people know more about Horst than Brown, who edited the V&A’s beautiful book on Horst and curated the museum’s 2014 show "Horst: Photographer of Style" —an international touring exhibit that showcased over 250 images drawn from Horst’s six-decade career. Brown expertly guides us through Horst’s fascinating life and career, explaining what makes the photographer’s work stand apart. She also discusses another of her favorite Horst-Balmain shootings, from among the many which took place over Horst’s long career at Vogue. Lynn Yaeger closes the episode’s discussion, with insights on why fashion magazines evolved from using mid-century illustrators,(like Gruau, who had a long history with Balmain) to today’s near-total dependence on photos.This is the fourth of four l’Atelier Balmain episodes exploring the house’s first collection. Underlining how that first show introduced what Alice B Toklas defined as a “New French Style,” the four podcasts focus on Pierre Balmain's astounding success in overcoming the extremely difficult conditions, while also placing the spotlight on some of the many fashion and cultural icons who were part of the house’s earliest days and helped guarantee the success of the Paris fashion world’s first post-war star, Pierre Balmain. The inherent joy of the legendary Horst photo of Stein seated in the Balmain showroom—this is an image that Kalman perfectly sums up as being one of “sheer giddy delight”—matched that of the young Pierre Balmain at this same moment. With the long war years finally over and his daring audacious gamble of his first collection having paid off, Pierre Balmain was sure that a better future lay ahead. That early house spirit was recently channeled by Olivier Rousteing for his Spring 2021 collection, with its focus on the beauty of travel and the message that better days lie ahead, soon, for all of us. Balmain Creative Director: Olivier RousteingSpecial Podcast Guest: Susanna BrownSpecial Podcast Guest: Maira KalmanSpecial Podcast Guest: Lynn YaegerMusic: “Fleur de Paris” by Josephine BakerAdditional Music: Jean-Michel DerainEpisode Direction and Production: Seb LascouxBalmain Historian: Julia GuillonEpisode Coordination: Alya NazaralyResearch Assistance: Fatoumata Conte and Pénélope AndréDigital Coordination/Graphic Identity: Jeremy MaceEpisode researched, written and presented by John Gilligan To explore further:The Autobiography of Alice B Toklas by Gertrude Stein, Illustrated by Maira Kalman (Penguin 2020)Horst Photographer Of Style; Susanna Brown (Victoria and Albert Museum)Pierre Balmain’s Autobiography: My Years and Seasons, Doubleday, 1965 See acast.com/privacy for privacy and opt-out information. This Episode’s Music:Balmain’s Creative Director, Olivier Rousteing, makes very clear—collection after collection—that he believes that fashion can never be separated from music. Inspired by Rousteing, each l’Atelier Balmain podcast carefully selects artists and music that reflect and strengthen the story being told. For this episode, we once again rely on a classic from Josephine Baker, who had a long relationship with Balmain. Baker offers us another version of “Fleur de Paris”—the same French post-war song that we played a few episodes ago—when we offered the Maurice Chevalier version for Episode Three. The joy and pride that Josephine Baker feels as she sings is evident—and understandable. After all, Baker is a decorated French war hero—she actually fought for the French Resistance. And her post-Liberation excitement reflects the same optimistic confidence in the power of new beginnings that Pierre Balmain clearly shared with her. C'est une fleur de chez nousElle a fleuri de partoutCar c'est la fleur du retourDu retour des beaux joursPendant quatre ans dans nos cœursElle a gardé ses couleursBleu, blanc, rouge, elle était vraiment avant toutFleur de chez nous. This is a flower from our homeShe has blossomed everywhereBecause this is the flower of returningReturning to better daysFor four years, in our heartsShe held on to her colorsBlue, white, red—she remained before all othersThe flower from our home See acast.com/privacy for privacy and opt-out information.

Seated in the front row of the first Balmain show, alongside his friends Gertrude Stein and Alice B. Toklas, was the fascinating English Renaissance man, Cecil Beaton. The author and film director Lisa Immordino-Vreeland joins this episode of l’Atelier Balmain to discuss the fascinating life and work of Beaton. Immordino Vreeland, known for her prizewinning documentaries about some of the 20th-Century’s most talented forces in art, creation and fashion, recently focused on Beaton for her third film and second book—both titled Love Cecil—and she shares insights on his life, philosophy and creations with the podcast. From the moment he saw his first Balmain designs, Cecil Beaton began forming an important connection to the house—in fact, almost immediately after that premiere show, Beaton began to promote the young Pierre Balmain to key members of London and Paris society. Lynn Yaeger returns to the podcast to discuss some of the English, French and American aristocratic and upper-class personalities who were quick to adopt Balmain’s fresh, feminine silhouette—and, just as one might expect, Yaeger is also happy to share the scandals and background stories connected to each of those colorful personalities. While we explore how post-war society was quick to embrace Balmain, we also highlight how Olivier Rousteing cleverly appropriates society’s codes and signatures for today’s modern vision of luxury and class that speaks to our age — and the young, diverse and inclusive Balmain Army that Olivier Rousteing designs for today. This is the third of four l’Atelier Balmain episodes exploring the house’s first collection. Underlining how that first Balmain show introduced what Alice B Toklas defined as a “New French Style,” the four podcasts focus on Pierre Balmain's astounding success in overcoming the extremely difficult conditions, while also placing the spotlight on some of the many fashion and cultural icons who were part of the house’s earliest days and helped guarantee the success of the Paris fashion world’s first post-war star, Pierre Balmain. Balmain Creative Director: Olivier RousteingSpecial Podcast Guest: Lisa Immordino VreelandSpecial Podcast Guest: Lynn YaegerMusic: Echoes of France (La Marseillaise) by Django ReinhardtAdditional Music: Jean-Michel DerainEpisode Direction and Production: Seb LascouxBalmain Historian: Julia GuillonEpisode Coordination: Alya NazaralyResearch Assistance: Fatoumata Conte and Pénélope AndréDigital Coordination/Graphic Identity: Jeremy MacéEpisode researched, written and presented by John Gilligan To explore further:Love, Cecil—the documentary film and book by Lisa Immordino Vreeland (Film: Zeitgeist Films, 2017; Book: Abrams, 2017)Pierre Balmain’s Autobiography: My Years and Seasons, Doubleday, 1965 See acast.com/privacy for privacy and opt-out information. This Episode’s Music:Balmain’s Creative Director, Olivier Rousteing, makes very clear—collection after collection—that he believes that fashion can never be separated from music. Inspired by Rousteing, each l’Atelier Balmain podcast carefully selects artists and music that reflect and strengthen the story being told. For this podcast, we turn to the beautiful jazz of Django Reinhardt, playing one of his most moving creations throughout the episode. Jean Reinhardt—known to all by his Romani nickname Django—was France’s first major jazz artist—and, for many critics, he is simply Europe’s greatest jazz talent, ever. Two of his hits bookend the dark years of France’s occupation. The first, “Nuages” (Clouds), is one of his most famous compositions. Written after France’s defeat in 1940, it became for many a sort of unofficial Parisian anthem, signifying hopes for eventual freedom and liberation. Reinhardt, unlike many Romani, somehow managed to avoid the camps and horrors of that time—even after his plans to escape to Switzerland were thwarted by the Nazis, he was still able to return to Paris and continue playing. Most Romani, of course, were not so connected, talented and lucky. It’s estimated that over 600,000 Romani people were interned and killed during the Porajmos (the Nazi genocide of Romani people). So, we can easily understand why Reinhardt decided to mark the Liberation with this now iconic, celebratory and joyful jazz version of “La Marseillaise,” France’s national anthem. At that same time, remembering the great and tragic losses, he composed a moving requiem mass for the victims of the Romani genocide, entitled “Requiem à mes frères tsiganes.” See acast.com/privacy for privacy and opt-out information.

From a musical péniche gliding through the center of Paris to under-the-star runways dedicated to virtual show attendees, Olivier Rousteing has overseen a series of innovative solutions, in order to present his vision of Balmain’s distinctive optimism and heritage during 2020’s long months of lockdowns and worries. This second episode of l’Atelier Balmain explores Olivier Rousteing’s dedication to adapting Pierre Balmain impressive legacy for today’s generation.Balmain Creative Director: Olivier Rousteing Music: “Noir” by Yseult - Artist: Yseult Composers: Yseult, Ziggy Franzen, Romain Descampe Label: Believe Music (on behalf of naïve/Y.Y.Y); Sony ATV Publishing, and 1 Music Rights SocietiesAdditional music: Jean-Michel DerainEpisode Directed and Produced by: Seb LascouxBalmain Historian: Julia GuillonEpisode Coordination: Alya NazaralyResearch Assistance: Fatoumata ConteDigital Coordination/Graphic Identity: Jeremy MacéEpisode researched, written and presented by: John GilliganTo explore further:Pierre Balmain’s Autobiography: My Years and Seasons, Doubleday, 1965 See acast.com/privacy for privacy and opt-out information.

For our first L’Atelier Balmain episode, we explore the pre-Balmain histories of two of the 75-year-old house’s best-known designers: the founder Pierre Balmain and the current Creative Director, Olivier Rousteing. Although both men were originally “provincials,” as they moved forward on their distinct pathways to Balmain and the French capital, each converted himself into a true Parisian. Balmain Creative Director: Olivier Rousteing Music: Marseillaise "How You Gonna Keep Them Down On The Farm After They’ve Seen Paree?" by Eddie Cantor Extrait : INA broadcasts of Pierre BalmainAdditional music: Jean-Michel DerainEpisode Directed and Produced by: Seb LascouxBalmain Historian: Julia GuillonEpisode Coordination: Alya NazaralyResearch Assistance: Fatoumata ConteDigital Coordination/Graphic Identity: Jeremy MaceEpisode researched, written and presented by: John GilliganTo explore further:Pierre Balmain’s Autobiography: My Years and Seasons, Doubleday, 1965 See acast.com/privacy for privacy and opt-out information.

Mais oui. Enfin. Une heure et trente minutes de discussion avec cet être humain fantastique et rigolo qu’est Marina Rollman. Ça serait un peu étrange de la présenter parce que si vous êtes ici, vous la connaissez surement (peut-être même que vous pensiez que c’était elle qui faisait ce podcast) mais au cas où : Marina Rollman c’est des blagues sur scènes (Un Spectacle Drôle), des chroniques sur France Inter & Couleur3 (notamment), des courts-métrages, des apparitions dans des programmes très comiques (Le Roi De La Vanne, La Flamme,…), un compte Instagram mieux organisé que ma vie & beaucoup beaucoup d’écriture.Entre deux confinements, on a pris le temps de se poser chez elle (avec Ottavio son chien superstar) pour parler de plein de trucs : Pourquoi elle fait moins de chroniques sur France InterPourquoi aujourd’hui elle préfère se consacrer à l'écriture de fiction plutôt qu’au stand upCe qui l’a fascinée dans l’humourLa suite de sa fameuse aventure avec Nathalie Portman Beaucoup d’histoires avec des gens qui meurent à la finPlein de sortes de thérapie dont la PNLDes spoilers de Desperate HousewivesLes projets qu’elle imagine pour la suitePourquoi la trentaine c’est mieux que la vingtaineTrouver le juste milieu entre ce qui est intéressant et ce qui est drôleL’envie d’arriver à faire rire sans taper sur personne Vous pouvez soutenir Les Gens Qui Doutent via Patreon (et recevoir à l'avance des petits épisodes bonus) A propos de Marina RollmanSon site MarinaRollman.com, où trouver les dates de spectacleFacebook | Twitter | Instagram | YoutubeA propos de ce podcastAbonnez-vous sur iTunes, PocketCasts, Spotify ou via n'importe quelle application de podcasts (RSS)Tenez-vous au courant des prochains épisodes en me suivant sur Twitter, Facebook ou InstagramPour venir me voir en spectacle, c'est ici RéférencesOttavio, son chien starL’humoriste suisse Thomas Wiesel (que j'ai reçu dans Les Gens Qui Doutent deux fois : ici et ici)L’humoriste américain Jake Johannsen et son spectacle This'll Take About An Hour, qui est un long flot de penséesL’humoriste américain Julio Torres et son spectacle My Favorite ShapesLes comédies musicales Book of Mormon, The Producers, A Star is Born,…Les candidats potentiels (ou pas) pour sa comédie musicale : Ophélie Winter, Béatrice Dalle, Felix Maritaud, Geremy Credeville, Jason (Brokerss), Angèle,…Leila Kaddour-Boudadi, journaliste dans La Bande Originale (émission dans laquelle Marina et moi on fait des blagues)L’humoriste américaine Sarah Silverman et son fabuleux spectacle We Are Miracles (joué devant seulement 39 personnes) dispo sur HBOLes deux autres spectacles de Sarah Silverman cités : A Speck of Dust (Netflix) et Jesus is MagicL’humoriste française Blanche GardinSa chronique sur Nathalie PortmanLa thérapie cognitivo-comportementaleLa PNL (programmation neuro-linguistique)La série Desperate Housewives L’épisode de Nouvelle Ecole où Marina était invitée où ils parlent du fait que la vie n’est pas un montageNotre dieu à tous Alain ChabatLa comédien français Vincent DedienneLe projet de podcasts de blagues & littératures dont je parle sortira en décembreL’humoriste belge Lisa Delmoitiez (que j'aime d'amour & avec qui je co-écrit le nouveau podcast)Le spectacle Je Parle Toute Seule de Blanche GardinL’humoriste belgo-québecois Dan Gagnon (que j'ai aussi reçu dans Les Gens Qui Doutent)La série Succession (HBO)L’humoriste Hannah Gadsby et son premier spectacle NanetteL’humoriste Yacine BelhousseLe comédien / scénariste Jaboukie Young-White (qui a été correspondant pour le Daily Show)L’humoriste américain Louis CKSa chronique sur les tote bags Le film Freaky FridayLa série Euphoria (HBO)La militante féministe Gloria SteinemLa toile de la série The L WordSon squad de rêve : Cher, John Mulaney, Sylvester, Béatrice Dalle, Virginie Despentes, Olivier Rousteing, Zadie Smith, Michael Che, Miranda July, Adèle Haenel, Céline Sciamma, Laurent Sciamma (et son spectacle Bonhomme)Les billets pour ses dates à La Cigale (Paris) en janvier (et pour la tournée) sont en vente sur MarinaRollman.com  Pour soutenir le podcast via PatreonSoutenez ce podcast http://supporter.acast.com/lesgensquidoutent. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

durée : 00:31:17 - Boomerang - par : Augustin Trapenard - Directeur artistique de Balmain depuis bientôt dix ans, il a fait basculer le monde de la mode dans le XXIème siècle. La semaine prochaine, dans le cadre de la Fashion Week à Paris, il présentera sa nouvelle collection de prêt à porter printemps/été 2021. Olivier Rousteing est l'invité d'Augustin Trapenard. - invités : Olivier Rousteing - Olivier ROUSTEING

For our season 8 finale, we bring back our "Stay @ Home" series with French fashion designer and creative director of Balmain, Olivier Rousteing. In 2011, at the age of 25, he took over the luxury fashion house and for nearly a decade held this title. The brand has gone under what many would call a Renaissance, as the haute couture brand has smoothly moved into the digital age while still adhering to its iconic roots. Nowadays there is no area in modern day fashion & pop culture that the brand hasn't touched. From it's numerous collabs with brands to working with A-list celebrities from Kim and Kanye to Beyonce & Jay-Z, Olivier Rousteing has pushed the agenda of the Balmain.  In this episode, Olivier reflects on his decade at Balmain and the new perspectives he's gained during COVID-19.  He tells us why he is "less scared of tomorrow" and how he believes this time right now is a "revolution that will bring a better future." Thank you so much for tuning into the Business of HYPE. As always, thank you for tuning into HYPEBEAST Radio and Business of HYPE. Please don't forget to rate, comment and subscribe to our other shows. This episode was recorded prior to COVID-19 with the interludes recorded during. We hope you guys stay safe, wash your hands, practice social distancing and find ways to still stay inspired during this time. For more info: https://www.instagram.com/balmain/ https://www.instagram.com/olivier_rousteing/?hl=en https://www.balmain.com/us --- Support this podcast: https://anchor.fm/businessofhype/support

We are discussing the commodification of Pride Month as well as expanding on the idea of performative allyship within different fashion brands, ranging from Louis Vuitton to Converse. Next, we question this year’s decrease in buyers’ consumption of Pride products and finish the episode by highlighting Olivier Rousteing and Balmain’s most recent campaign. Some virtual pride events that you can attend include those on myGwork, Attitude Magazine’s website, Animal Crossing, and Reddit.

In Episode 4 of her new podcast series, Suzy hears the moving and uplifting life story of the Creative Director of Balmain, Olivier Rousteing.Hear the unique story of how Olivier Rousteing and his “Balmain Army” have fought for diversity and inclusivity in the fashion industry for nearly ten years. An inspiration to us all, his many supporters include Beyoncé, the Kardashian clan, Rihanna... oh! And Michelle Obama.Olivier understood the power of social media very early on in his career, and has adapted to the digital world seamlessly. But he reveals that it was just one comment from Suzy backstage that led him to believe in himself and become the star designer he is today, building on the allure and power of women. He also shares his feelings about being raised by adoptive parents in Bordeaux, and tells Suzy the riveting and dramatic story behind the new documentary about him, Wonder Boy, revealing his struggle to find his birth mother.Produced by Natasha Cowan.Edited by Tim Thornton.Music by @joergzuber.Graphics by Paul Wallis.Production Assistance by Lauren Sweeting.Support for the Creative Conversations podcast comes from the Condé Nast Luxury Conference.To find Suzy's articles visit vogue.co.uk/fashion/suzy-menkes ...find Suzy on Instagram @suzymenkes and Twitter @thesuzymenkes

Not just a good way to keep a jacket on, but a symbol of anarchy, rebellion and eroticism. In this episode, we discover why the zip has a special pull for Balmain's creative director Mr Olivier Rousteing, and explore the next frontier in zip technology with the North Face Japan.

Prendre des pièces vintage ou invendues, les retravailler pour leur donner une seconde vie… « Upcycler », recycler ses vêtements en les transformant pour valoriser l’existant, c’est une démarche écologique pour refuser la fast fashion et son gaspillage de ressources. Mais parfois, les mots compliqués de l’Occident cachent des pratiques qui sont monnaie courante en Afrique, en Amérique latine ou en Asie. Mais les modèles et les créateur·trice·s noir·e·s sont tellement invisibilisés, leur travail approprié, qu’il est difficile d’entendre d’autres voix dans l’univers de la mode. Kévi Donat est allé rencontrer Youssouf Fofana de Maison Château Rouge, personnalité afro qui contribue à la mode française. Avant de lui aussi, aller apprendre à transformer ses vieilles fringues au Studio 13/16 du Centre Pompidou, qui organise des ateliers d’upcycling avec des enfants. Un hors-série du Tchip réalisé en partenariat avec le Studio 13/16 du Centre Pompidou. RÉFÉRENCES CITÉES DANS L’ÉMISSION La marque Comme des garçons, fondée par Rei Kawakubo, le sociologue Eric Fassin, Kim Kardashian, Katy Perry, « Il était une fois le wax » un épisode de Programme B par Mélanie Wanga (https://www.binge.audio/il-etait-une-fois-le-wax/), Olivier Rousteing, Imane Ayissi, la rue des Gardes (Paris 18e), Sape & Co tenue par Le Bachelor (rue de Panama, Paris 18e), la Maison Château Rouge installée rue Myrha (Paris 18e), l’association Les oiseaux migrateurs de Yousssouf Fofana, le Studio 13/16 du Centre Pompidou.EXTRAITSImane Ayissi : “Il était temps que la haute couture intègre des stylistes africains” - France 24 : https://youtu.be/k8kPJbO6PnYRencontre avec le designer de la Air Jordan 1 Maison Château Rouge - Le site de la Sneaker : https://youtu.be/Soh-0RUTYLw Pourquoi s’habiller pollue la planète - Le Monde : https://youtu.be/3DdU7c66E9g CRÉDITSLe Tchip est un podcast de Mélanie Wanga, Kévi Donat et François Oulac distribué par Binge Audio. Réalisation : Mathieu Thévenon. Générique : Shkyd. Direction de projet : Soraya Kerchaoui-Matignon. Production : Albane Fily. Chargée d’édition : Camille Regache. Identité graphique : Camille Bernard et Sébastien Brothier (Upian). See acast.com/privacy for privacy and opt-out information.

Sur Europe 1, "L'Équipée sauvage" est allée à la rencontre de passants pour savoir ce qu'ils pensaient de l'invité du jour, le styliste et directeur artistique de Balmain Olivier Rousteing.

durée : 00:54:47 - Popopop - par : Antoine de Caunes - À l'occasion du documentaire "Wonder Boy", Antoine de Caunes, accompagné de Charline Roux, reçoit le créateur, Olivier Rousteing, ainsi que la réalisatrice Anissa Bonnefont. - invités : Olivier Rousteing - Olivier ROUSTEING - réalisé par : Ghislain Fontana

durée : 00:32:56 - Les Petits matins - Anissa Bonnefont et Olivier Rousteing vous parlent du film documentaire "Wonder boy, Olivier Rousteing né sous X". - réalisation : Mydia Portis-Guérin - invités : Anissa Bonnefont Réalisatrice; Olivier Rousteing Directeur artistique de la marque Balmain

durée : 00:27:04 - Le Réveil culturel - par : Tewfik Hakem - Rencontre avec la réalisatrice Anissa Bonnefont et Olivier Rousteing, directeur artistique de Balmain, pour la sortie du film "Wonder boy, Olivier Rousteing né sous X" - réalisation : Vincent Abouchar - invités : Anissa Bonnefont Réalisatrice; Olivier Rousteing Directeur artistique de la marque Balmain

durée : 00:27:04 - Le Réveil culturel - par : Tewfik Hakem - Rencontre avec la réalisatrice Anissa Bonnefont et Olivier Rousteing, directeur artistique de Balmain, pour la sortie du film "Wonder boy, Olivier Rousteing né sous X" - réalisation : Vincent Abouchar - invités : Anissa Bonnefont Réalisatrice; Olivier Rousteing Directeur artistique de la marque Balmain

durée : 00:09:33 - L'invité de 7h50 - par : Léa Salamé - “Je ne sais pas si on est vraiment prêt un jour, d’affronter cette réalité là”, témoigne Olivier Rousteing, styliste, directeur artistique de la maison de haute couture Balmain depuis 2011, invité de France Inter, jeudi. Né sous X, il est au cœur d'un documentaire qui raconte la recherche de sa mère biologique.

Depuis plus de cinquante ans, les hommes foulent les podiums du monde entier. Les acheteurs, la presse mais aussi les stars ressentent une certaine lassitude. Les défilés sont-ils encore le meilleur moyen pour assurer la visibilité d’une marque ? Comment étonner, encore et encore ? Simon Jacquemus préfère pique-niquer avec ses invités plutôt qu’organiser un défilé, Olivier Rousteing mélange pour Balmain les hommes et les femmes, Thom Browne emballe décor et mannequins dans du papier bulle.

Men have been taking to the catwalk for 50 years for fashion weeks in London, New York, Milan, and of course Paris. But buyers and fashion journalists alike have short attention spans. How to stay exciting year after year? Are traditional fashion shows always the answer? Simon Jacquemus prefers picnicking with his guests to organising a show, Olivier Rousteing mixes men and women for Balmain, while Thom Browne wraps decor and models in bubble wrap.

Nabil (instagram: @nabilaliffi) is the director of digital fashion in Selfridges, a chain of high end department stores in England. In his current role he leads a team of 120 people and coordinates Selfridges' brand position across a variety of media platforms. Back in 2009, Nabil received the Mendaki scholarship to study Fashion Management in London College of Fashion. Prior to graduating, he was offered a job as an Art director in Urban Outfitters, where he rose to the role of Creative Director, before being headhunted to his current position in Selfridges. In 2013, Nabil was awarded the prestigious Prime Minister’s Youth Promise award by the government of Singapore.3 Things I learnedHow do you stand out? Instead of competing in the usual rat race, can you find something off the beaten track that you’re interested in and where your chances of doing well are improved because not that many people are in that space? Worth checking out this piece by Petter Thiel https://www.wsj.com/articles/peter-thiel-competition-is-for-losers-1410535536You’re rarely out, even if you’re down. In Nabil’s case, his A level results may have shut the door to his original plans to pursue a liberal arts degree, but it gave him the impetus to pursue something that was arguably even better. Credit to him for daring to pivot. Still, doing something non-conventional is still very scary though. You can see that it took certain life events to push Nabil to do something different. And even so, Nabil needed time to process this decision and come to terms with it. You need grit. Grit to look (and even ask) for opportunities and pursue extra-curricular activities. Grit to look for the next way to apply yourself even if life closes one door. Grit (courage) to say yes to projects that seem scary and demanding at the outset. Even when Nabil was unsure about his future, he was still seeking out opportunities in the fashion scene. Here are links to some of the things we talked about...Grit by Angela Duckworth https://www.amazon.co.uk/Grit-passion-resilience-secrets-success/dp/1785040200/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=Olivier Rousteing https://en.wikipedia.org/wiki/Olivier_RousteingBalmain https://www.balmain.com/Raffles Institution https://en.wikipedia.org/wiki/Raffles_InstitutionRaffles Runway https://www.instagram.com/rafflesrunway/?hl=enSingapore Fashion Week https://www.instagram.com/singaporefashionweek/?hl=enDaniel Boey https://www.danielboeycreatives.com/Tan Kheng Hua https://en.wikipedia.org/wiki/Tan_Kheng_HuaHaute Couture https://en.wikipedia.org/wiki/Haute_coutureIf you have enjoyed this episode of The Alternative CV Podcast please subscribe, share this episode and leave a comment or review so that I know what you like and what I can do better on. Get in touch at hello@alternativecv.fm. Thanks so much for helping me make this show better!

Olivier Rousteing takes us backstage with his Balmain Army and shares his empowering message for women. Featuring Gigi Hadid, Kendall Jenner, Adriana Lima, Karlie Kloss, Jourdan Dunn, Bhumika Arora and Joesphine Skriver.

Olivier Rousteing, the creative director of Balmain, talks about his new collaboration designing costumes for the Paris Opera house, the debut of his make-up line with L'Oreal, his childhood, his friendship with Kim Kardashian and where he wants to take the Balmain brand.

Olivier Rousteing takes us backstage at his Balmain Spring 2017 Collection in Paris with supermodels Gigi Hadid, Josephine Skriver, Romee Strijd, Sara Sampaio, Doutzen Kroes and Isabeli Fontana.

Live interview with Balmain's Olivier Rousteing by Lou Stoppard on Saturday 25 April at 13.30 BST. https://www.showstudio.com/project/in_fashion/olivier_rousteing

You may know him from his millions of Instagram followers, but the young French designer is more to him than his selfies (of which, there are indeed many). In this interview, Vogue chats to him about growing up adopted, social media, Kim Kardashian and more. 

BALMAIN x H&M Fashion Show by Olivier Rousteing featuring supermodels Kendall Jenner, Gigi Hadid, Karlie Kloss and Alessandra Ambrosio. On Tuesday night in New York the Balmain x HM Collection had it's global runway debut in front of a celebrity packed audience. The Balmain capsule collection will hit H&M, Stores worlide and online on November 5th. Here's a first look #HMBalmaination Executive Produced and Directed by Karen Morrison.

#TBT BALMAIN Paris Designer Olivier Routsteing takes us backstage at his Spring 2013 show in Paris with top models Anna S, Karmen Pedaru and Magdelena Frackowick. The Balmain woman is always confident and sexy but for Spring 2013 Rousteing was inspired by a 90’s latin, power woman – remember those famous supermodel photographs by Steven Meisel? Reported, Executive Produced and Directed by Karen Morrison/MODTV.

Balmain designer Olivier Rousteing gives us an exclusive look at BALMAIN Spring 2014 colletion. Featuring interivews with top models Rosie Huntington-Whiteley, Karlie Kloss, Georgia May Jagger, Cindy Bruna, makeup artist Tom Pecheux, hair stylist Sam McKnight and Marie Claire Accessories Director Kyle Anderson.