Podcasts about borg queen

In this episode, the hosts delve into the complexities of the Star Trek Voyager episode 'Unimatrix Zero,' exploring themes of individuality versus collectivism, the ethics of war, and the nature of relationships in high-stakes environments. They discuss the character development of Seven of Nine, the implications of body horror presented through the Borg Queen, and the political undertones of the series. The conversation also touches on the philosophical aspects of identity and the impact of dreams on self-discovery, culminating in a reflection on the ethical dilemmas faced by the characters as they navigate their interactions with the Borg.

Haunted by his past and a Borg collective that lives rent-free in his head, Captain Jean-Luc Picard must stop the cybernetic zombies from sabotaging Earth's first warp flight—the very moment that puts humanity on the galactic map. While the crew fights a high-stakes game of "hide and seek" in the Jefferies tubes, Picard must find his inner Ahab to stop the Borg Queen. Meanwhile, Commander Riker has to sober up the legendary, yet perpetually hungover, Zefram Cochrane just in time to make history.

This week's episode is a very real-life-heavy one, with winter storms, family travel chaos, sick kids, and a surprising amount of ice setting the tone. From a memorable Nashville trip and pop culture check-ins to a passionate Star Trek defense and thoughtful sci-fi discussion, we settle in for a conversational episode that leans into where everyone's headspace actually is this week. REAL LIFE  Devon braved a winter storm while hosting family, with Nashville serving as the central meetup point. The group stayed in a four-story Airbnb packed with fun things to do, except for the roof, which was completely covered in ice. There was ice everywhere. This led to discussions about boil notices, what they actually mean, and whether a boil notice might have contributed to a house full of sick kids. Despite the chaos, Devon highlights the Grand Ole Opry and the Gaylord Resort, noting that it would be awesome to visit the resort someday without kids. Steven revisits Cowboy Bebop, comparing the anime to the Netflix live-action adaptation and confirming once again that the live-action version was a huge miss. On the positive side, A Knight of the Seven Kingdoms has been a solid and enjoyable watch. Ben declares that Starfleet Academy episode 1x04 is peak Star Trek and insists that listeners should watch episode four and only episode four if nothing else. He recaps the episode, focusing on Federation and Klingon ethics around survival and why this episode delivers exactly what he wants from Star Trek. This Facebook post sparked part of the discussion: https://www.facebook.com/28601265/posts/pfbid02D298Wi45gN3cZd8S4GMS7ypkdj7ja5zsHSQKwahiZ2eVQzyV7sApm6Fu46Z8X9fFl/?app=fbl Ben also continues praising the Star Trek comic The Last Starship, describing it as noir, heartbreaking, and packed with big ideas, including Earth seceding from the Federation, a clone of Kirk, and a Borg Queen engineer. FUTURE OR NOW None this week. Too much real life. Too much talky talky. BOOK CLUB  This week's story: The Song of a Non-Human Intelligence By Mical Garcia (Jan 12, 2026) https://strangehorizons.com/wordpress/fiction/the-song-of-a-non-human-intelligence/ The story explores communication between cetacean intelligences and the concept of hope, defined as waiting until home feels safe again. Ben and Devon both enjoyed the story, with Devon wanting more. Steven found it a bit dry but still appreciated the world-building. Devon also discusses Children of Time by Adrian Tchaikovsky, connecting its themes to the episode's discussion of non-human intelligence. Next week's story: The Orchard Village Catalog By Parker Peevyhouse https://strangehorizons.com/wordpress/fiction/the-orchard-village-catalog/  Steven recommends this video by Joe Scott: https://www.youtube.com/watch?v=J1FMViCd6I4  Thanks for listening, and be sure to check out the links in the show notes for this week's stories and videos—we'll be back next episode with a new book club read and, hopefully, a little less ice.

AGT 205: The Evolution of a Species Pt 4: The Borg (Part 1) In this episode of All Good Things: A Star Trek Universe Podcast, host Christos is joined by Kelvin, Kristin, and Amy  to begin a two-part deep dive into one of Star Trek's most iconic and terrifying adversaries: the Borg. Part 1 explores the Borg's evolution from their first chilling appearance in Star Trek: The Next Generation—where they function as an unknowable, unstoppable force of cosmic horror—to Star Trek: First Contact, where the introduction of the Borg Queen gives the Collective a face, a voice, and a more personal connection to Jean-Luc Picard's trauma. The panel examines key episodes including “Q Who,” “The Best of Both Worlds,” “I, Borg,” and “Descent,” discussing how fear, loss of identity, and inevitability defined the Borg at their peak. They also debate whether First Contact strengthened the Borg by making them cinematic—or weakened them by making them knowable. This is Part 1 of 2 in our Evolution of a Species series on the Borg. Part 2 will continue the discussion with Voyager and Picard. Resistance, as always, is optional.     Join our listeners group The BQN Collective on Facebook Join our Discord server: https://discord.gg/wqJt68vnxg The Network: @BQNpodcasts (IG/Bluesky) The Show: @AllGoodPod (Bluesky) Amy: @amynelson522 (IG/Discord) Christos: @whatstheteabev (IG/Bluesky/Discord) Kelvin: @KelvinsTimeline (IG/X/Discord) Kristin: @Kstraz (IG)

The Star Trek movie journey continues with one of the franchise's most talked-about entries: Star Trek: First Contact. For Episode 126, we're joined by special guest host Sonyl Nagale as Lanita watches the film for the very first time, continuing her path through the Star Trek movies as a true film virgin. With the Borg threatening humanity, Picard confronting his trauma, and the unforgettable Borg Queen making her chilling debut, we dig into what makes this film stand out—from its darker tone and action-forward energy to the character moments that still resonate decades later. Seeing it all through Lanita's fresh perspective sparks new conversations and a few surprises along the way. Does First Contact win her over, or is resistance still futile? Join us as we engage with one of Star Trek's most iconic cinematic chapters. Support us at: https://ko-fi.com/hailingfreqopen 

Hosts Cam Smith and Tyler Orton at last determine the Borg Queen is not in fact their mother while charting the character evolutions in Picard's final season. From Data's unlikely rebirth, to Seven's ascension to captain and Jean-Luc's surprise family, the duo break down which journeys landed and which ones didn't. Plus, the hosts discuss the recent marketing for Starfleet Academy. Join our Facebook page for exclusive content such as videos and bonus episodes.  And you can also visit our blog, or follow us on Twitter and YouTube! Send any other questions, topic ideas or feedback to subspacetransmissionspod@gmail.com! Related Podcast Episodes: The Three Eras of Picard The Journey of Dr. Beverly Crusher The Journey of Worf The Psychology of Geordi La Forge   Join us next time as we wrap up 2025!

November 19, 2025Torah Smash! The Podcast for Nerdy JewsEpisode 94 - The Cube of Babel …With Guest Host Cantor Ross WolmanIn this episode, our guest host, Cantor Ross Wolman, helps us take a look back at the ambitious building of the Tower of Babel. We explore what happens when humanity's drive causes their humanity to disappear. The answers to our questions may be revealed as we look up to the heavens, past the stars, and possibly where no man has gone before.00:03:23 The Tower of Babel00:09:23 The Borg00:13:05 Seven-of-Nine and Assimilation00:17:57 Dispersion and Disconnecting from the Collective00:22:56 Assimilation in modernity00:25:29 The Borg Queen's Individuality00:33:06 The Borg helped get Obama ElectedShare this episode with a friend: https://www.torahsmash.com/post/episode-94-the-cube-of-babelConnect with us online, purchase swag, support us with a donation, and more at www.torahsmash.com.

This week on Talking Trek Live, DJs, Griffin, and Jules Verne deliver laughs, updates, and strategy! From Griffin's infamous $7,000 “Vengeance” toilet to Scopely's latest event reward changes, we cover it all before diving into a full 2025 G6 entry guide. With guest Putz fresh into Ops 64, the crew breaks down warp requirements, ship setups, event scaling, and everything you need to know before making the leap into G6.   0:00 – Opening greetings, server roll call, and audience check-in 3:40 – Griffin's $7,000 “Vengeance” toilet story 8:00 – Ghost Energy sponsorship segment & flavor news 10:40 – Special guest Jules Verne introduced (“mad scientist”) 12:10 – Armada event reward changes announced 15:30 – Crucible of War returning & reworked prize pools 20:00 – Why DJs chose Planetary Charts as a reward currency 25:00 – Community pushback, DJz explains his reasoning 32:00 – New Transporter Pattern officers added (Borg Queen, Hugh, Weyoun, Dukat) 34:00 – Transition into G6 content guide 36:00 – Putz joins the stage (just hit Ops 64 / G6) 38:00 – Storytime: hitting a deer on the way to the show 40:20 – Why Putz decided to jump into G6 now 41:30 – Early G6 warp requirements & ship setups 43:20 – Auction bracket changes and event scaling in G6 47:00 – Strategic timing of your Ops 61 push 50:00 – Away Team Assignments, caps, and planetary charts revisited 55:40 – Revenant chest timing & mirror universe speed-up farming 1:27:00 – G6 ship breakdown: Vindicator, Revenant, Relativity 1:39:45 – Hazard resistance mechanics & new solo G6 Armadas 1:52:10 – Free-to-play progression of the Junker & relativity use cases 2:05:20 – Reputation scaling past Ops 60 & closing notes 2:07:00 – Final wrap-up, plugs, and goodbyes

The crew of the U.S.S Mint Condition are together, join James, John, Josh, Joe and new crew member Toby as they follow the Enterprise back in time to save First Contact from being prevented by the Borg. The crew discuss time travel, why was Lily not remembered, was the Borg Queen a good idea and what would Gene Roddenberry have thought about this movie. Grab your phaser and pulse rifles and remember "The line must be drawn here!"

Dax decides between a hook-up with the Borg Queen (sorta) or exile. Is resistance futile? And Matt and Andy ask (Seinfeld voice) "WHAT'S THE DEAL WITH TRILLS?"[Episode discussion begins around 49:00]

Weapons Kids are creepy right? We can all agree on that? Well, you know whats even creepier? When there are meant to be kids and they aren’t there. Or even worse… there’s just one. Weapons is the new horror from Zach Cregger starring Julia Garner, Josh Brolin and Alden Ehrenreich, whose first break out hit Barbarian scared the hell out of us… and guess what? It’s got a whole bunch of creepy not-there kids! But is it actually good? Or is this just a bunch of kids “naruto running” towards oblivion? Dion, Jill and Quinny are all in or this review, with Quinny being the only one who hasn’t been traumatised by Barbarian yet. Synopsis When all but one child from the same classroom mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance. https://youtu.be/Mw57elDUcdQ As always, a midnight thank-you to all you crazy kids join in with the conversation on the Twitch stream, live each Tuesday night at 7:30pm AEDT. And an especially huge thanks to any of you naruto running grade schoolers who are kind enough to support us by casting a tip into our jar via Ko-Fi, or subscribing on twitch… every bit helps us to keep the lights on… because we’re scared of the dark. If you feel so inclined drop us a sub we really love them, The more subby mc-sub-faces we get, the more Emotes You get! https://youtu.be/OpThntO9ixc?si=_x20ryvp1bDvS9Mx WE WANT YOUR FEEDBACK! Send in voicemails or emails with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We're on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/ Full text transcript Dion  Oh, well, hello and welcome to the periodic table of awesome. I’m unsure of who I am at the moment. I could be a weapon, I’m not sure. But you know who I know is absolutely a weapon. Jill. Jill is absolutely a weapon.  Quinny  Look at those ******* guns. Boom.  Dion  And and Quinny is potentially a weapon.  Quinny  Look, I I had to register my entire body as deadly weapon as, as, as legally one is bound to when one is as hard as ******* as I.  Jill  Make a gun.  Dion  Am I was actually going to say if you. If you commit to it quinny, if you if you, if you you put yourself on a regime, if you go to the gym, you could build yourself into a weapon. And.  Quinny  Buddy, I I am a weapon. It’s just like I’m a 10 LB ******* gun. I’m like, you know, you you you’re thinking of like a a fast kind of swishy weapon. I’m more like a like a a fat man bomb that gets dropped off, you know.  Speaker 6  Yeah.  Quinny  So technically, still the weapon.  Dion  I wasn’t gonna. I wasn’t gonna go there.  Quinny  Yeah, well, I know. And as telling us, there’s better being a weapon than being a tool. What are you?  Dion  Yeah, yeah. Now you’re a ******. Don’t don’t tism me. This is that will go down a rabbit hole. We’re not going to do it. Yes. OK. Weapons. We went and.  Quinny  I know, right?  Dion  Saw weapons. We did, we.  Quinny  Can’t get a water bomb is a weapon too.  Dion  All of that what is a weapon? Yeah.  Quinny  Is that my physique? Is that what? Speaker 7  We’re saying no.  Dion  Philosophically. OK, so story time now. A while back, Jill and I went and saw a.  Jill  Little film we trauma bonded over, but Marion.  Dion  Yeah, we trailer bond, we weren’t. We didn’t know what was going on. We weren’t. It was like, ohh this film. It’s called barbarian. OK, whatever. We’ll go do that. And they were good. They gave us some alcohol. I’m like, oh, yeah. Let’s get on this and started watching a film. And then. Don’t know, maybe. 3045 minutes into it, we started going wait, where the **** is this going? And and it just proceeded to get even ******* more terrifying and crazy all the way to the end. And then we walked out going. That was ******* cool.  Jill  Yes, it was ****** **, but it was cool.  Dion  Yeah, it was.  Speaker  Quinny  You’re not normally a huge horror fan. No, but like you, you will watch it. If it’s in front of.  Dion  I mean, you know, like I’m not the sort of person who’s like, oh, is it gory and horror, sure. Or go and laugh. I’m just more like, I don’t really need to see that. It has to be a good horror, elevated horror. Elevated horror is a discerning horror. Which, you know, like the traditional stuff like nightmare on Elm Street, you know and.  Quinny  13th.  Dion  Friday 13th and I don’t really go into. I don’t need to see Gore for the sake of gore.  Jill  Those are like a sub genre though those are.  Dion  Yeah, yeah. And slasher. Yeah. And but a good.  Speaker 6  Slasher films, yeah.  Quinny  Horror. Torture. ****. Not it’s like, you know, that kind of stuff where it’s just watching people be.  Dion  Nice.  Jill  Like so.  Quinny  Exactly.  Dion  Yeah. Yeah. I mean, like all that kind of stuff can kind of get a bit confused in. But you know, I can’t say I’m a fan of it because, you know, given the choice, I’m not sure that I’d go and see barbarian or weapons again in that kind of sense. But was it a good film? Yeah.  Speaker  But.  Dion  You know, it was just that way that it kind of went through. So sure, I’m not a huge horror fan. Jill. Jill though. Yeah, she yeah loves it. Except for.  Jill  You love it. Clowns. No, no, it I’ll never watch it.  Dion  Yeah. So. It.  Quinny  Ohh, but you’re you’re not looking forward to welcome. To Derry then.  Speaker 6  Yeah.  Quinny  The the prequel to it.  Jill  Good, because I would have thought it was something to do with dairy.  Dion  Yeah.  Speaker 8  Girls and I would have gone and seen it. And I would have been very upset.  Quinny  Why would you would have? It’s a TV series coming out soon and I’m actually really pumped. I’ve.  Speaker 6  Yeah, no.  Quinny  It was one of those books that ******* creeped this **** out of me as a kid and you know, I’m like, yeah.  Dion  Sure.  Jill  I couldn’t stare at a drain for a very long time because my father would say ohh it lives in the trees and it’s little children. So here I am in the shower, not making eye contact.  Dion  Sure.  Speaker 6  Yeah, yeah.  Jill  With the brain.  Dion  With the train.  Jill  Thinking it was any kind of drain that this ******* clown lived in.  Dion  Which which technically it did. So it does live in every drain and it is a clown.  Jill  Yeah. Yeah. And I’m like, don’t look down there cause you’ll see something staring back and. I was *******. He’s terrified.  Quinny  Hi, Georgie.  Dion  Yeah, yeah, yeah. Like if if I go down that rabbit hole, I could still easily terrify the **** out of myself.  Quinny  Yep.  Dion  Yes, so.  Jill  I do kind of tend to watch horror as a form of. Therapy. Because I’m in a constant state of fight or.  Speaker 8  Flight with anxiety and if.  Jill  I were to ah. Film. Then I I know that that is something that I can’t control and it’s I just have to go along for the ride. So I just kind of like purges the fright.  Dion  Sure. I mean it’s.  Quinny  Out and also. Yeah, it gives you that, that, that moment of tension and then release, whereas having a life of anxiety means there’s no release. Yeah, exactly.  Speaker 6  Yes.  Quinny  Just tension. Constant ******* ongoing tension.  Jill  Yeah.  Quinny  Yeah. Yeah, no, I get that totally.  Dion  Quinny, do you consider yourself a fan of horror?  Quinny  As a kid, **** no. Like I was terrified of anything that looked even remotely like horror, you know, like, even seeing a cover of a VHS of something like extra or fright night or something like that was enough to make me, you know. You have nightmares for ages, so it took me a really long time till I ever went anything near horror and I came to horror through so if I.  Dion  Sure.  Quinny  So right, you know, the first horror that I watched was aliens. And yeah, because that wasn’t really a horror. That was, you know, an action film that had horror elements.  Speaker 6  Hmm.  Quinny  Then I went back and rewatched or watched alien and was scared ********. But then I started to kind of get into it. No invasion of the body snatchers and. Like that and now I have a thing that I’m not in a huge rush to go and watch a horror.  Speaker 6  Sure. Yeah.  Quinny  But I will watch a good one.  Dion  And so back to this whole sort of story when weapons came out and it’s by Zach Krieger, who Jill and I have had the Zach Cregger experience with barbarian. And while we were like, this is gonna be like I I remember I was looking at.  Speaker 6  Hmm.  Speaker  We have.  Dion  Oh great. Ohh wait. OK. Like I’ll go see what this is, but I knew what I was going into. The funniest thing was watching it with Quinn, who had not. Had this experience at. All just going. What the **** I’m like, yeah.  Quinny  No. That’s in fact there. There are multiple times in the film where characters exclaim loudly what the ****? Sure, and I agree wholeheartedly with them.  Jill  Yeah.  Dion  Because there is a part of this where I feel like weapons is communicating with the audio. Once in a really interesting way and it doesn’t spoil anything. I just feel like there are parts of the movie and beats of the story and things that are going where it the the film makers are communicating with the audience going. We’ve just shown you a bunch of ****** ** **** and we’ve had a character on screen and saying what the **** and the whole audience is like. Yeah, what the ****?  Quinny  Yeah, yeah.  Dion  And it really it was an interesting as you were saying, the release of tension and I felt like that came through at the end too where it. Diverged a little bit, but allowed the audience to have that tension released, which has been built up for the whole thing, so I consider this one not particularly a horror, but it is. Let’s be honest. Yeah, it is. Yeah.  Jill  Ohh it is.  Dion  But it is.  Quinny  It’s it’s a proper horror, but you know.  Dion  It’s a it’s a really good tension film.  Jill  Yeah, Arena asked. Is it more of a thriller? But I would say no, it’s definitely.  Speaker 6  And.  Dion  No, no.  Jill  Not not thriller.  Dion  No, because and the horror.  Quinny  It. It does good tension building and it is it has that kind of thriller kind of thing, but no, it’s very definitely.  Dion  Yeah.  Speaker 6  Yes.  Dion  Yeah, as you say, like, oh, I’m not going with jump scares. I’m like, well, maybe this is not for you.  Quinny  In fact, this has moments that are not jump scares, but like there are there are some of the most effective moments of like, skin crawling horror that I have seen in a long time, and hearing a whole.  Dion  Horror. Just dread. That contained no.  Quinny  Audience yeah, react to them and ohh wow.  Dion  With like and they have no blood. It’s just really good ******* creepy ****.  Speaker 1  Yeah, and like.  Dion  That you’re waiting for something.  Jill  I I love all of that stuff. And when one of. The big jump scares happened and I screamed.  Dion  He did.  Speaker  It was great.  Quinny  A big way.  Dion  Yeah, and. And look, let’s be honest, we all knew it was coming. Like that’s one of the great things when you still have that result like ohh ****. Even though I knew it was coming.  Speaker 6  Yeah.  Jill  Yes. Yeah. Like, I’m like, oh, my God, I know this is coming. And then it did. And then I screamed. And I’m like, I haven’t screamed and. It jumps Gary and ages. Yeah. So it was it. Was a good pay off do do you wanna know?  Dion  And the.  Quinny  What the film’s actually about? No, no.  Dion  Not yet. One one second, one second. Can I, can I ask you one question because I don’t actually have any music and you’ve caught me off guard.  Quinny  I think. It. Yeah.  Dion  The last movie that I saw that did the same kind of thing that I really actually didn’t enjoy was smile too. Ohh yeah yeah. So watched that. Yeah, and I mean.  Jill  Never.  Quinny  Ohh you should get into that Joe.  Jill  Yeah, it’s on, it’s on telly. I’ll watch it, yeah.  Quinny  Yeah. That for the for the discomforting side of it, Dee or the.  Dion  No, the the way that it like, I mean smile, which I haven’t seen and I saw smile to going in blind which is a bit funny but I understood the craft and I thought they did it really well but they jump scares became a point where it was. Just this is the building to a jump scare. Whereas I liked weapons more because it was like is it a jump scare? Maybe you know? And it was some sort of smarter done and then sometimes was like, hey, it’s not a jump scare. It’s just something absolutely ******* terrifying that doesn’t really do it. Yeah, it’s it’s. And it’s not about some. That is terrifying. It’s the idea of it is built and constructed in such a great way that the audience is filling in their brain about how terrifying and what bad things could happen, and then it doesn’t really happen that way. It just puts the the situation goes, hey, how would you react to this situation? And everyone in the audience is going *******. No, I don’t want to be in that situation. I don’t want. To do this, I want to leave. Anyway.  Quinny  Absolutely. OK.  Dion  Sorry, synopsis time. Do you know what I’ve got? I’ve got on the boards for the music to go behind. It is stuff.  Quinny  I don’t know.  Dion  From Kpop Demon Hunter. So do you want that? Why not? We haven’t had enough.  Speaker 6  No.  Quinny  Why? No, I mean, hey, by the way, the the golden from K pop demon hunters went to number one of the Billboard charts today. Wow.  Dion  Excellent. Hear it again.  Speaker 7  Yeah, well, let’s go with.  Quinny  We’re just increasing its plays.  Dion  Sure.  Quinny  Jill  You’re gonna give us, like a Anna Delphi.  Quinny  Ohh but I can because you’re a poor.  Dion  Yes, do it.  Quinny  OK, when all but one child from the same classroom mysteriously vanish on the same night at exactly the same time because they’re porous.  Speaker 7  Right.  Quinny  A community is left questioning who or what is behind the disappearances. Sorry that just turned into the chick from SBS.  Speaker 8  This is going.  Jill  I was like, it’s like Christoph Waltz and Christopher Walken met Christoph Walton.  Quinny  First off. I apologize. I apologize to everybody that was, that was the absolute peak of **** accent.  Speaker  Yeah.  Jill  Wait, was that the whole boxes?  Quinny  Yeah. When all but one child from the same club, I can.  Speaker  Oh.  Quinny  Do a slightly longer. 1 So it’s a a horror film about a community grappling with the disappearance of 17 children from the same class, all vanishing at the same time on the same. Night and it follows. The aftermath, exploring things of trauma, grief, and the unsettling nature of the events of the townspeople, tried to understand. What happened and who is responsible?  Dion  Double s in officers. OK, one of them was backed by K pop and the other was. Just a flat scare. So. OK, yeah, good.  Quinny  Sorry.  Dion  Good, good, good, good, good, good, good, good so.  Quinny  Right. Yeah. That’s how we should do it. That’s that’s how we work there. Yes. And there was a little gesture.  Dion  Now very.  Quinny  In there I’m.  Dion  Sorry, very, very, very importantly, there was a notice in front of the screening. Which was, hey, don’t spoil it for people where people go in and I thought, OK, it’s a bit naff. Let the thing stand on its own. You know, there’s no need to go through it. But it went on upon reflection.  Speaker 8  Yes.  Dion  Having it’s it’s been out for a while now. I actually kind of go. Yeah, I don’t. Really want to. Do a big spoil because not that I think you’d lose anything from it. I just think it’s a more interesting film to not know. Sort of the last third going into it, I think it has a better effect, not not giving a **** about it. Like, don’t really listen. To. People reviewing it and and spoiling stuff because. You kind of lose.  Jill  It. Yeah, I mean, the trailer was enough and then kind of like discovering what is actually going on is I think lends more to the suspense and and keeps it interesting.  Dion  Yeah.  Speaker  Yeah.  Quinny  Yeah, I do want to talk like a little bit structurally about what happens at the end of the film, but I don’t want to talk about.  Jill  Oh yeah. OK.  Quinny  The the the facts of it like you know. But anyway, let’s not talk about that bit. Let’s talk about the beginning of the film. So a base concept, a bunch of kids run away one night. But it’s not just that they run away.  Speaker 7  Yeah.  Quinny  They Naruto runner.  Jill  Naruto run, they’re going to storm area 51. Yeah, at 2:17 in the morning? Absolutely.  Dion  At 2:17 and it’s all through grainy camera footage. And I love the little child like voice, voice over narration of, like, this is a true story. This is the stuff that happened and blah blah blah and I’m like.  Speaker 7  Which is.  Jill  Yeah, it gives it a little bit of found footage vibe.  Dion  Bit Nash.  Jill  Which is yeah. It’s like a bit creepy.  Quinny  Yeah, yeah, this this does that whole found footage and like, different cameras and stuff like that. So much better than that war of. The world’s ********.  Dion  ****, don’t. Don’t even. It’s it’s an interesting one too, because what I really like about it is it is. It is an easy to understand story. It’s set in suburban Americana. Sort of. There is something creepy going on in a space that generally wouldn’t be considered creepy, and I think you did it also in barbarian like and I and I really enjoy that. It doesn’t necessarily need. Rich people, poor people. It’s not about, you know, X&Y. It’s like, look, this weird thing happened. Hmm, that has probably been going on for a long time. In this and everyone is unsettled by it, but in the end. Life will keep going. And I really, I really like they explained at the start, they’re like ohh this really strange thing and in the end everyone just sort of accepted it. And moved on because it was too upsetting for people and I really like that it gave it a good basis and a good foundation to sort of settle in and go, OK what the?  Quinny  **** did happen but, but also it it does that that very smart thing of going OK how do people in you know, small towns react to bad things happening? They’ll turn.  Dion  You know clue.  Speaker 7  Insect.  Quinny  And and the the most obvious person to turn on is the the the school teacher. So if every kid from the class Bar 1. You know doesn’t show up who’s the first thing you’re gonna look at the school teacher. You’re gonna ask questions there.  Jill  See, I’m the opposite. I’m like, why is this one? Kid left on, yeah.  Quinny  Oh yeah, 100 percent, 100%.  Jill  What’s going on with this kid?  Quinny  And the the the good thing is they actually show you like they they interview the kid, they do a lot of like they go to great lengths to really show you that due diligence has been done. Yeah. You know, and this is just there is no answer. It’s just ******* weird.  Jill  Yeah, it’s it’s puzzling.  Dion  And and like I love that they used quite well in this, like the vignette sort of style, the way they chop it up and they follow, you know, you get introduced to kind of some of the characters and then you get like as you get introduced to more, it starts replaying their stories. And I like the way that they use that quite effectively, which is like here’s. This person, and this is their story. And then we’ll follow someone else and it overlaps and it overlaps and it overlaps until you finally get to the.  Jill  Yeah. And chill, there’s a point where it’s like, hang on a second. Something really *******.  Dion  Yeah.  Jill  Weird’s going on?  Dion  And until it gets to the point where it’s like, OK, we’ve given you enough back story about how all these things are kind of overlapping and then we’re just gonna follow this one. And explain exactly what happened and you were like by that time you’re like ohh ****. Like, how do you resolve this? What the **** did happen?  Quinny  Yeah.  Jill  Yeah, it was a good point to reveal it as well because like, it was a very kind of slow burn intro to the movie. And I was like, ohh, where is this going like?  Dion  Yeah.  Jill  It’s maybe, yeah, becoming a little bit dull until like you do get that pivot point and it’s like, ohh ****. OK now strap in, cause I’m ready for.  Dion  So.  Quinny  Yeah, yeah, yeah. She’s gotten real ****** **. Yeah, it it’s interesting because I was watching it and my immediate thought was the film rush him on, which is the one where they they tell the same story, but from different perspectives. And you see the way that interacts. It’s like that. But it it’s sort of.  Jill  The rest of it.  Speaker  Hmm.  Jill  Yeah.  Quinny  Just showing you different parts, but then continuing the story on. Yeah, which I thought was really smart.  Jill  And thank God you you made the cultural reference and didn’t go with like Pulp Fiction.  Quinny  Sure. Well, you know, because I’ve all filmically ******* knowledgeable.  Dion  I mean, look, you know.  Jill  It was like, where did that reference come from? Russian.  Dion  Barbarian great one much shorter like Barbarians. Only 100 minutes. Yeah, right. This one’s 128 minutes. So we got almost an extra half hour of, you know, additional weirdness, which I think was deserved in this. Like I really like the pacing and the punch of barbarian because it just kind of like starts off real slow and then starts hammering through this one. Get it? Has the same sort of thing. It starts off real slow, but it gives you time to build that tension. And then I think at the end, a little bit more. Time like. When you start explaining things. I thought it would move a little bit quicker, but I have to admit by the end of it I was like, Oh no, I’m fine with how you. Decided you wanted to go with this and by the time you get to that big turn or the big understanding about what is going on, which I say is like 2/3 of the way. Through the film. It does delve into stuff where I’m like, is this funny? Is this not funny? But also, how are you gonna resolve this? And the only way to do it is. Kind of with a little bit of ridiculousness. But I thought it. Was it served it quite well?  Quinny  I think the thing that worked for me about it was the way the characters each sort of had their their very clear part of the story. 3 and when it intersects with one particular place, that’s where **** starts to go badly wrong for everyone you know you’re you’re trying to. Everybody’s trying to work out. Something and they’ve all got their their challenges. So you’ve you’ve got our our Julia Garner. Who’s been Justine, who obviously school teacher Josh Brolin is the dad of one of the. Benedict Wong is one of the the principal principal of the the school. Alden Ehrenreich is one of the cops, and Austin Abrams is is a a junkie for I mean, for lack of any better description.  Jill  He’s.  Dion  Just cop.  Quinny  And each of them.  Speaker 6  They’ve.  Quinny  Their their thing, their story, their interaction, yeah.  Speaker 7  Sure.  Jill  And each of their encounters with what is going on. And so you kind of get their perspective on. Ohh man, how do we trying?  Speaker 8  It’s hard not to spoil it, but.  Dion  Isn’t it you? You get there? It’s, it’s. Yeah, they they put out like, I mean the the, the film posits a strange occurrence, and then all of these different people come into it at different ways, like their their approach that they’re in, they’re affected by it in different ways. And the way that they approach it is. All 100% what everyone knew and I would do like. Yeah, there are no, there is no stupid situation. I have to admit there’s nothing stupid about each of these characters and decisions they’re making along the way. It’s just that there is something else affecting them and we as the audience know that there is something real bad. Happening and we can’t stop them, even though within their characters like, you know, the problem with horror and like that kind of stuff. You’re like, don’t go into there. That’s stupid. You never do that. Stop splitting. Up. I don’t think there’s one character in this that makes a dumb.  Speaker 6  Yeah.  Dion  Every single character is like. This is weird. But I need to find the kids. And I’m just going to do something that’s seemingly innocuous but suddenly ends up in a world. Of hurt. Like and, that’s what I thought was great about it. Isn’t one of those things like watch out for the slash? Are they going to get you? It’s like, no, they don’t know they’re. Going to be gotten. Because they’re doing something really boring, like going to a house. In the middle of the day, yeah. And then, you know, bad **** happens not because they made a dumb decision, because something else is affecting them.  Quinny  Yes. Yeah, it’s, it’s smart and it doesn’t treat its audiences in any way stupid. Yeah, it takes some weird turns. Ohh.  Dion  100%.  Quinny  Like, yeah, there’s, I don’t know whether we talk about it afterwards or what, but there’s stuff to in the last act that I was just like, what the ****? And it really there was in some very strange directions. But up until that point, you’ve also had a bunch of pretty ******* weird moments. And there’s a point where.  Speaker  Yeah.  Quinny  Like you said, Joe, it’s gone fairly slowly for a while. Yeah. And then there’s a point. Where it just suddenly ramps up and it’s no longer creeping dread. Now it’s running ******* screaming, running, screaming, terrifying.  Jill  Naruto running.  Quinny  This is ******** terror.  Dion  And. Look, I I. Liked it because they set everyone up as an unreliable narrator or character, but everyone is in is is unreliable in this you immediately start following Justine, who’s the school teacher, and they go to great lengths to explain why. Maybe she.  Speaker 6  Yeah.  Speaker  It.  Dion  You know, and they do all of that like maybe the father, like is Josh Brolin’s character is maybe he’s got something to do with it because he seems. Overly crazy at certain points of time, but. Ultimately it’s it’s it’s very sane reactions to a very insane situation, and I think that was the success of how it worked.  Speaker 6  For me, does that make sense? Yeah. Here’s one roll. Sorry.  Dion  Hmm, also shot beautifully. Also shot. Beautifully.  Quinny  Shot beautifully and a lot of it in the very, very, very dark.  Dion  But that’s what worked, man.  Quinny  Absolutely. Like there are a lot of sequences moving around through dark houses and at night and stuff like that, which you know is one of those great tropes of all things horror. I do remember watching something recently only in the last couple of years where I was blown away that they did a horror, but in full daylight.  Jill  Oh, OK.  Quinny  And I’m bugged if I remember what it was, but it it it really impressed me that they managed to do. In full light, this one does a bit of it here and then the really.  Speaker 7  The character I.  Quinny  Wanted to call out that I thought was really impressive. Was James the our junkie buddy, really?  Speaker 8  OK, well, I was impressive.  Quinny  His character, like in terms of performance wise. Not likable, not likable at all, but the energy that he came at that with.  Speaker  No.  Quinny  Like the the really nervous ****** ** energy and the like. The complete sort of. Unreliability of the character I was like ****, that’s a really good performance. I don’t like the guy. I don’t like him at all, but that’s cause it’s a really good performance.  Speaker 8  Yeah.  Jill  Yeah, that’s true.  Dion  You know? Yeah. I mean, yeah, that was like, I mean, to be honest, halfway like by the time we got to that character, I didn’t know how they were going to make him scary because he is just a junkie. And they did do some pretty good, scary, scary scenes with that just really boring situation. Technically, when you look back at it after the jump scares and after everything has happened, you’re like ****. That was so tense. For something that was really boring.  Quinny  There is a sequence and I the possibly the sequence that the whole cinema reacted to the most.  Speaker  MHM.  Quinny  And. I don’t. It’s what I love about it and I’m not going to try and describe it because it it would be doing it a disservice to describe the sequence. But what I loved about it was that it was. Fear created almost purely through sound. Like there’s a visual element to it. Something that is this growing danger.  Dion  Yeah.  Quinny  But then the use of sound was the thing that made the whole audience go **** no. Like literally the guy behind me when you heard a particular sound that door open just went oh, no. Oh, no, no.  Speaker  Yeah.  Quinny  No. And I heard.  Jill  The dream sequence.  Speaker 6  No, no, no. OK, it’s.  Dion  It’s this like this, like stalking sequence.  Quinny  In a car.  Speaker 7  Ohh.  Dion  Yeah. Yeah, right.  Speaker 7  Yep, Yep.  Dion  See this is this is what I’m talking about the the the ability to create tension based around very boring, very banal, very normal ****.  Speaker 6  Mm-hmm.  Dion  In this is great. By doing you know great things. I was like, great. It’s gonna be in the middle of night. It’s like 2:00 AM. She’s creepy anyway. Yeah. And now we’re going to make this creepier by, you know, making it sound like there aren’t many sounds like you can hear things, but you don’t need to see it. Like, if you hear, don’t show.  Quinny  Yeah.  Speaker 6  Hmm.  Dion  It can be very creepy and I like that too when there are inside certain other houses and they’re doing the low light stuff that you kind of do.  Jill  Not just sound, but like lack of sound.  Dion  And yeah, lack of sound is a great. A great way to do that.  Jill  I think one of my favorite sequences was the dream sequence of Josh Brolin’s character because it was shot from like first person perspective. So really felt like a dream. And because it was like, you know, semi dark and like the cameras turning as if like. A person is walking through a house and you know doors are opening, but you’re not seeing it because it’s as if you’re doing it. Was absolutely terrifying because there’s like. If anybody has ever had a nightmare where, like you can’t control what’s going on and you’re like, fighting with yourself to even accomplish something within the dream, it felt just like that and that. Was that was. Really incredible bit of movie making, I thought.  Quinny  And and the the every time you round a corner or whatever, you’re expecting something to. Be there to to, you know, wanna hurt you or whatever. Cause you know vaguely where what we’re kind of doing here. We’re in horror territory. Yeah, but.  Dion  Yeah, yeah. And on top of that, I also love the the interesting ability here to allow the audience to really use their imagination while they’re watching this because.  Speaker 6  Mm-hmm.  Dion  Setting up a camera. Like we we had in the end of the trailer there or not at the end of the trailer, but like there’s scenes of like an open doorway, it’s pitch black. You can’t really see anything inside, but can you because your mind starts to fill things in?  Speaker 8  Yeah, I know. Cause it felt. It’s exactly like nightmares that I have where you’re like you’re looking and you’re looking. And it’s like you’re trying to make out something and it’s like is that.  Dion  Exactly.  Speaker 8  Something? Or is it just like?  Dion  Is it a shape? Is it a shape in the room or is it just your? Your chair group has come alive, or those those other ones, so I thought was really good, which is moving around the house and everything is normal and fine. But wait.  Speaker  Yeah, my God.  Dion  What is that like when you when your brain finally kicks in and goes, that’s not actually supposed to be there. That is not what you expect in that sort of thing. And you have to come back to it and you realize ****.  Speaker 6  Mm-hmm.  Dion  That’s terrifying. Like, these are the successful things about it, which is why I really hated watching it. But I enjoyed the. **** out of. The movie, like it was just fun and it was really fun. It, like really, as I said, it was really fun taking quinny along. So I recommend someone take someone who hasn’t seen their **** before.  Jill  Hey.  Dion  Hey, sorry Jill.  Jill  Yay on the titz off scale.  Dion  Yes, titz off none left **** all gone flying everywhere.  Jill  None left. That’s a big fat 0 on. The **** off scale.  Dion  They, they they, they were like, you know, Shinkansen hanging out the window. ****, they’re just gone.  Quinny  Love that we both.  Speaker 7  Had the same age. I love that they’re.  Dion  Connected though. I just thought that they’re like.  Quinny  Well, they connected for a while and then they go. Right. I I don’t know how many tips are off for me because I was scared titless.  Speaker 8  Ah, well, there you go. That’s zero as well.  Quinny  Yeah.  Speaker 7  Yeah, like.  Jill  I don’t know, just like in the last couple of movies that I’ve seen this month, I’ve just have not had. A reaction like I did. With this one MMM.  Quinny  Yeah. Yeah. Well, and and you, you come out of it with a very distinct sense of man. I’ve watched something. Yeah, like. You know, it wasn’t safe. It wasn’t normal. It it. It didn’t feel like just your average ******* horror. Like, oh, God. What was that movie we watched a couple of years back for? None. Like, based on The Conjuring thing.  Speaker 8  Yeah.  Jill  Yeah.  Quinny  And it was just like, yeah, it’s a horror film. Yes. There’s a spooky nun. Cool. Like, in some ways, smile was a little bit like that, though I did find it was creepy as ****. But this, I don’t know, this was doing something different. This was really going into a different level of. Scary.  Dion  I I feel like collectively. Everyone was like in the film that I was sitting there going. And yes and. Everyone just kind of decided not to talk about it anymore, cause too many people died and it was too freaky. And I’m like, yes, kind of like barbarian. Kind of like weapons. We’ve watched it now and ****, you know, a lot of stuff happened and things are good, but like. Just collectively not gonna watch it again. Or not gonna talk about it because you’re still processing stuff about it. Umm. Yeah. Anyway, look. But also, you know, I can see why some people were unhappy with it.  Quinny  What? Where do you think? It didn’t work.  Dion  It’s interesting because, well, I don’t think it it’s. I can see how some people were a bit unhappy with it because they might have wanted to go more into the slasher horror kind of stuff at the end because I feel like there was the turn that happens and it goes into more explanations. You don’t really understand.  Speaker  Oh.  Dion  Exactly what’s going on, but came to me. It became more comedy and I was like ohh, I’m getting this now. You just have to go with it and you know the ending isn’t as satisfying. I think that some people were really after because it has no resolution for the characters. But. You know, I feel like after the tension of the 1st. Aaron, Aaron. A bit. I was like, I’m happy for it to just help me relieve the tension.  Quinny  Yeah.  Dion  Yeah. And also, you know, people could be sitting there going. Ohh, I didn’t. You know, everyone thought it was great, but I didn’t like it. Like, yeah, OK, I did.  Speaker 6  Hmm.  Dion  It was fun.  Quinny  I’d I’d like predicate because thing I went in after hearing a ton of fat, and though I enjoyed it, I’m still firmly bitted.  Dion  Still, yeah, sure.  Quinny  Yeah, yeah. Yeah, like I can see why. So there is a massive tonal turn. Like. Yeah, and there’s a point where, like it goes. We’ve already talked about where it ramps up, the action, kind of the the like, the threat becomes a lot higher. Mm-hmm. But then there’s another point a little bit later on where it takes a fairly sharp left turn. Into what could be seen as comedy.  Dion  Yeah.  Jill  Yeah. I mean, I think it’s a comedic moment, but it kind of like washes all of the drama and the the evil away and kind of leaves you with. OK, this was a really ****** ** situation and you know a number of horrific things happened, but by the end of it, we’re all able. To walk away. Like and put the situation behind us and I think. If it hadn’t have ended, you know very finally like the way it did. Then it kind of leaves you open to explore that situation maybe happening again. So I think like, yeah, I think I feel like the comedic twist of the ending. Was to relieve all of the tension that we built throughout the whole movie.  Quinny  Absolutely now.  Jill  But to do it in a way that wasn’t necessarily with a scare.  Quinny  Yeah, though I I would say that they I felt like we started to get elements of comedy earlier. Ohh, OK. Like essentially when we’re introduced to one of the characters that we haven’t talked about that does. Kind of push the film into a different space. It goes from being kind of. Of. This uncertainty about what? Is happening too. Suddenly there is a. Focus for it. And the focus is. Or could be. Are let down 4 people and I. Yeah. So I had that that moment where I was like that’s that’s a weird ******* choice and I’m still creeped out. But yeah.  Dion  Should.  Jill  I I’ll stand by that choice because I think it was. It’s a good way to catch you unawares.  Quinny  Yeah, yeah, very true. Very, very.  Dion  True. So, Jill while. Try and find your **** to. Reattach them.  Speaker  Shouldn’t.  Quinny  Somewhere in the fields of Japan and all. Through the.  Dion  Quinnie, do you have a rating for for weapons?  Speaker 7  Yeah.  Quinny  Oh yes, that’s a good question. OK, I’m going to go.  Speaker 6  Adding.  Quinny  I was genuinely creeped out by most of the film, and I think it works. Incredibly well as a. Really. Proper, good, scary ******* horror. Your your mileage is going to vary as to whether or not the last bit like the the last. From a certain point onwards, works for you. For me, it did kind of make me go. Huh. But it still kept the tension pretty high. So yeah, that’s where I’m at. It’s 84. If you’ve got a number, drop it. Dion  Jewel. Right.  Quinny  In that chat. I look for them.  Dion  I was going to go 85. Ah, but I’m not. I’m gonna go 86 because I like round math. So, dude, Jill, you could totally frustrate me but.  Jill  Even number.  Dion  Getting an odd number.  Quinny  That prick dangers jumped to 93, so **** you.  Dion  Yeah.  Jill  Well, then I’ll bring it back and. I’ll, I’ll go. For a 91 so that we can.  Speaker 6  Oh ****.  Jill  Even it up.  Dion  All right.  Jill  We’re going to go 90, but because of the odd number, I’ll go 91 even it.  Dion  Yeah. Out again. Yeah, 86. I really. I really enjoyed it. I thought it was just, like, kind of watching barberry and like, what the **** is happening? But it’s really good. Can I recommend it to people? Yes, with, with, with ******* guard rails as in. You know, Peter didn’t come. That’s OK. She’s not going to see this. You know, she’s going to be like, Nope.  Quinny  Not the kind of thing that.  Dion  Beck’s gonna like. No, no, all of those kinds of things like it. It’s not for everyone. But I do think it’s great. So, yeah, that was my 86. And, Jill, you’ve already got not 91.  Speaker  No.  Jill  At 91, I I have a horror friend and I immediately went to her and said hey, I watched weapons and she said Ohh good, I’m going to go and see it on Friday. And then when she came back to me, she.  Speaker 8  Said what the ****? That was so good.  Jill  Like that ending was So what the ****? And I’m like, yeah, but it was great. And like, yeah, we were just, like, dissecting, you know, the way that they built tension and all that kind of stuff and the pay offs were were all really good. I got to say the creative.  Speaker 6  Yeah.  Jill  Format for the storytelling was was great. I thought that was very inventive for like a horror film. Yeah, the.  Speaker 8  Anything that made me ******* scream, I’m like, yes. Big ticks so.  Quinny  Yeah, it takes a bit to actually get you to scream. I I heard you scream and I thought that wouldn’t have.  Jill  There were so many moments throughout the film where I actually had to stop eating and drinking because holding on to the chair and I’m like, crawling back into the chair, like with my arms crossed thinking Oh my God, Oh my God, Oh my God. And yeah, it it made me out loud scream, not just like shock. No, I screamed. And thank God it was like a loud. Tension release in the. Audio of the film as well to kind of cover up. The embarrassment of me screaming in a horror movie, but yeah.  Dion  And. I had the yeah.  Jill  Really thoroughly enjoyed.  Speaker  It.  Dion  I had The thing is like I I like weapons as a journey. Of a film. Like.  Speaker 6  Hmm.  Dion  I don’t think that there’s like there’s no point talking about A twist or a turn or this thing and this other what the **** I’m like. I like the journey of the film. Yeah, I mean.  Jill  I feel like you don’t get to have all of this fun in the end of the movie if you don’t put in the work at the start of getting through the build up.  Dion  Yeah. And by chopping it up and following.  Quinny  Yeah, you’ve gotta get to know the characters.  Dion  Yeah. And chopping up and following people with different experiencing not the same time from a different perspective, but also like different times at different perspectives. Once you understood the establishment of the character.  Jill  Yeah, but you kind of start to get little other pieces in within these people stories so that you can, like, try to build what’s happening before it’s just revealed to you in the movie. So like you as an audience are actually doing work in the film.  Dion  Yeah.  Speaker 6  Hmm.  Quinny  Too. I like that. I really like the feeling that it was showing me things. But I wasn’t. Being spoon fed them exactly and there are certain things that they showed and implied, but never actually said. So you have to make the assumption that that character did that. They may not have, but did fairly heavily implied. I live with that. I love being asked as an audience to put a little bit of thought in.  Speaker 6  Yeah. MHM.  Dion  Crazy concept. Look, Speaking of James, I actually have a James Heavy trailer for this. Just goes on about that. We’ll do that and then come back and try not to spoil, but still talk about.  Speaker 7  Oh, OK.  Dion  It a bit more depth, OK.  Speaker  I’m calling about the $50,000 reward. For information about the missing kids. Because I know. Where they are. Filter. Help me. Help me. Come on. Please help me.  Dion  Oh yes, we. Yeah, that was James. He was the the junkie, and he had tent and a very bad experience in a tent.  Jill  Sure. Just sure, we’ve all had a bad experience in the tent.  Quinny  Yeah, yeah. Mine was really intense.  Dion  Ohh George yes, and thankfully for people who haven’t seen it. And you’re like, no.  Speaker  ah  Jill  You up for that one?  Dion  Thank you. I’m like, yeah, yeah, but. It’s a really it’s. It’s so good how it makes you go. ****. I don’t wanna know about that, but it gives you an understanding back when you like, I feel like. Having watched it and then you look at all of the tents and and spooky scenes that were through earlier in the movie, you’re like, ohh, that’s not that spooky when you really think about it. It was our own imagination making it spookier than we thought. But again, of course no like.  Speaker 7  No, sure.  Quinny  Like it’s scary.  Dion  Yeah.  Quinny  It’s it’s interesting, I think I said to you guys afterwards, I I thought we were going perhaps to go in a different direction with it. So there’s a there’s a Stephen King short story that I love super short, like, only like 5 or 6 pages or something like that called suffer the little children. It’s in one of his short story collections and it’s about a teacher. Who starts seeing out of the corner of their eyes their their primary school kids? As like little demons like you know that they’re they’re wrong. They’re twisted. There’s something ****** ** about them, but only out of the corner of their eyes. So when they turn and look at them.  Jill  Ohh, I see kids like that all the time.  Quinny  Yeah. So that’s just being a teacher. But then, yeah, one day teacher goes and 1 by 1 calls all the kids at her office. Cool. Yeah. And I thought maybe we were going to go into that direction and I was like, because that’s one. Of my favorite stories, but it’s still ****** **.  Dion  Yeah, the welcome to. The thing about the unreliable like characters that we’re we’re following here and like I think yes, Karina, I’m not. I don’t want to talk about the spoiler of the twists, that of why is it like, why is this all happening? Mainly because I don’t think it’s it. It doesn’t do anything to give you. A reason to go see the movie.  Speaker 6  Hmm.  Dion  I’d rather talk around it and let people go and see it and say, hey, did you like that? Cause it’s ****** **, isn’t it? Like I don’t really.  Jill  Yeah, like, don’t be like my mother who told me that. Bruce Willis was dead the whole time, so that I don’t even bother to watch 6th sense. Yeah. And to this day have not watched it.  Dion  You know, Jill, I gotta say I’m. I’m. I’m with you on that because it was spoil. It was spoiled for me in the break room at at a work thing. And I was like, ohh. And they’re like, oh, you haven’t seen I’m like, no, because it came out yesterday.  Jill  What’s the point? There. Yeah. Thanks.  Speaker 6  Thanks.  Quinny  Yeah, yeah, I remember.  Dion  So I’ve never actually watched it.  Quinny  Trying to watch like Battlestar Galactica, the the 2000 series, and then somebody said to me, oh, I can’t believe that such and such and such and such and such for the final styles. And I was like. What the ****? And they’re like, ohh. It’s a joke. And I’m like you weren’t ******* joking.  Dion  Thanks.  Quinny  That’s cool. Well, I got to interview them this ******* weekend. So great.  Dion  Well, look, the the I think the the the non spoilery things I can say about it is that I was disappointed with. Was that the whole mystery is all about the kids. All right.  Speaker 6  Dion  And then you really don’t get a good resolution with the kids.  Jill  Yeah.  Dion  And it’s just a little bit you, you, I understand why they did the things that they did, but there isn’t. There isn’t a great resolution really.  Jill  Yeah, I feel like you don’t always have to have that in a film.  Speaker 7  No, and there is something.  Jill  It’s like we said, like it was. It was really. The journey of the movie that was the reward.  Dion  I got to say by the end of it, like the the kid who plays Alex, Carrie Christopher, he like I didn’t give a **** about.  Jill  Gorgeous little kid.  Dion  I yeah, I I was really disappointed with that kid right up until towards the end. And then I’m like ohh, that that kid did a really ******* good. Like having to do with a lot of adult themes and adult concepts by the end. And you’re like, holy ****, that kid is either gonna be a freaking St. or the devil.  Quinny  And I do like that whilst it’s avoiding tropes all over the place, you know, and it’s doing everything it can to try and not be the obvious or whatever you do still end up in a haunted house in a way. And you know it, it’s becomes.  Speaker 6  Yeah.  Jill  Yeah, with your don’t go in the basement moment.  Quinny  I know you. You’ve got 100%, you’ll do not go in the basement moment. And I was like, yeah, cool. We’re we’re. You know, we’re hitting on those things because I do think there is something like really archetypal about certain ideas and horror concepts. And being chased around your own house. Is terrifying, and people that you know not being themselves is terrifying. Yeah, yeah.  Dion  You know, and now you’ll never look at a kid in a playground running like that with their arms out. Being a plane without going whoop.  Quinny  Have you ever Naruto run? Dion  Didn’t you? You asked that question.  Jill  God, I I. Have dignity.  Quinny  I asked it off microphone.  Jill  I have dignity I.  Quinny  Thank you.  Jill  Run.  Quinny  I have seen so many people Naruto run around conventions.  Jill  I bet you.  Quinny  Have you know I’ve seen so many *******.  Jill  Yes. Yeah, they don’t do it ironically either.  Quinny  You. This. No. And I just wonder, I I I look at this and I was like, was that intentional? Did they know that they were doing that? Oh, isn’t it? No, no.  Jill  This is not a Naruto. Arm is like the arms have to be out back behind you, yeah.  Dion  Out. Yeah, they’re gonna be.  Quinny  Ohh. OK, right. Sorry, right, right. Just like.  Jill  This was like.  Dion  Yeah, this is just.  Jill  Just to the side.  Dion  Yeah, yeah, yeah. Sort of straight down kind of thing, but I mean don’t take anything you see on anime and try and replicate it and realise you’ll just hurt yourself.  Quinny  Yeah. Or someone.  Dion  Else. Yeah, yeah, yeah, all parties.  Quinny  Teapots. Right. OK, yeah.  Dion  Fair enough. Kind of planking. If only they were yelling, skippity rears when they ran around.  Quinny  Yeah, like there are. There are so many really good, very quick jump scares. Like, you know, there are there’s moments in a bed, there’s moments, you know, all over the place where you just like, really good. Momentary jump skis, but it also does that very clever thing of going we’re building up to a a jump scare and then we’re going to give you something that isn’t the jump scare. But. That can be really obvious. Like we all know that if you’re gonna build up to a jump scare, you’re not gonna give us the jump scare. You’re gonna add in a a thing. This one I was like actually that were pretty good. Like they weren’t fake outs or anything. These felt like something that still maintained the tension.  Speaker  See.  Dion  See, I really wish we’d had been able to arrange it earlier for you to have seen, barbarian. I get before this.  Speaker 6  One going on about barbaric.  Jill  We keep talking about it. We keep talking about it, but only.  Dion  Like.  Jill  For a very good.  Speaker 7  Reason. OK so so.  Dion  I warn you, I. Don’t you, Connie? It’s not a fun watch. I’m not recommending this to you because I think you’re gonna have a good time. I’m recommending it for you because all of the tense and scary things that you kind of felt from weapons, you’re going to get in barbarian again.  Quinny  OK so. Can you give me a like give me a vague synopsis of what barbarian is about.  Dion  It’s about the dangers of Airbnb.  Jill  Yeah.  Quinny  Oh, right.  Dion  Sounds boring, huh? Definitely not.  Jill  Yeah, but Justin Long is in it, but. And he’s the red herring.  Speaker 6  Eh.  Quinny  Right, so This is why you were all very excited when. He showed up in this.  Jill  Yeah. We’re Justin long shows up in a horror movie. Yeah, right.  Dion  As the thing like. It’s it’s done it it, it does a little bit of vignette things where it sort of takes the the two things it’s like it’s following Justin Long and it’s following another character. And they’re both standing at the same Airbnb and then it’s following one.  Jill  Yeah, there’s like, a really good fake out in the beginning because you’re like, ohh, this is very much going to be this thing and then it’s not. And then you’re like, but wait, what the **** is actually happening?  Dion  Yeah. Yeah, it’s like. Yeah. And by the time you find out what the **** is actually happening, you’re like. What the **** is happening?  Jill  Yeah. And you’re like, why and why and why?  Dion  No, no. And then it.  Speaker  Speaker 6  Yeah.  Dion  Just turns out it was just really, really ******* creepy.  Speaker  Yeah.  Dion  Yeah. Anyway, but it is more. It is more your traditional horror.  Speaker 6  Yeah.  Dion  You know.  Quinny  Right cause I I looked at that and I thought it sounded a bit more like the torture pointy kind of things like.  Speaker 6  This.  Jill  Body horror elements in it, that’s for sure.  Dion  There’s a little bit of torture **** because I’ve gotta also say there was just that thing of like, I don’t want to be in that situation and it’s a bit too graphic for me. Yeah, but you don’t like, you know, it’s. It’s just a good. It was the start of the way of building tension and and confusing you by going. We’re going to present you with a thing that says you’re going down this road, but it’s just going to kind of keep going. And then it’s actually like, wait. I was on on a road at all. I was actually on a lake. How did I get in this lake? And I’m not in a boat. What is going on?  Quinny  Sorry, I just I wanted to look up torture **** films cause I’m trying to think of it and particular one.  Jill  What kind of results did you?  Quinny  Just get well. Yeah, it was not a. Good time hostel. That was the one that I was trying. To. Find the name of hostel and hostel too.  Speaker 6  Yeah.  Quinny  But I love it.  Jill  Ohh, not not hostile you’re saying hostel?  Quinny  Hostile. Sorry. Yeah. Like that was one of those ones where it’s just like, you know, bad things happen to people. Human centipede, that kind of thing, bad things happened to people. It’s about the the torture.  Speaker  Oh.  Jill  Yeah, yeah.  Quinny  Salo. 120 days of sort. Sort of I was. I’m looking down this list, and I’m like, oh, yeah, I remember that when I run into that one. Yeah. Yeah. OK. And then I get. Justin Bieber never say never like. Well done to whoever ******* wrote that.  Jill  Well done.  Quinny  List because that was. Comic timing, like you wouldn’t believe.  Speaker  Ohh dear look.  Dion  There’s, you know, like, weapons isn’t a perfect film. There are some beats, I think didn’t quite. Planned and some decisions, as you said like it it goes a bit strange in the end. You’re like you’re going to go with it or you’re just going to be like oh.  Speaker 6  Hmm.  Dion  That’s sure that’s. Stupid. It’s like, no, I was. Yeah. No, I was 100% there for it too.  Quinny  I I yeah, I actually thought and I said to a couple of people, I thought it let off the the accelerator a little bit when they introduced the.  Dion  The reason?  Quinny  The reason? Yeah, like the to me when we started to get a few answers as to what was causing this, I felt like the tension ratcheted down a little bit.  Dion  Yep. I feel like they’ve they’ve followed that through with the comedy though, but they did ramp back the they did get back to the tension as they try to resolve everything as you get to the resolution.  Speaker 6  Hmm.  Dion  You’re wrapping. You’re ramping that sort of thing up again. Yeah. I thought they did it quite well. And, you know, the the end of it was. Fun.  Jill  I think it’s just like we’re going to blow off all. Of the steam that. Yeah, you know. Yeah. Of this movie? Yeah. And we’re going to do it in a comedic way, just to kind of like, yeah, that all out, you know.  Dion  Yeah. I mean, I feel like by the end of it, the audience was all kind of like, oh, ****, that was weird and ****, and I don’t know, but it was much more. Or interesting to to see that whole audience who had who had. Spent. You know good hour and a half tense as ****, absolutely sitting there going. What the **** is happening? I don’t want to be in this audience or thankfully, we’re all experiencing this together to then have a bit of a OK, well, OK, ****. OK. What was that all about? And I love confusing a confused audience. Not a confused.  Speaker 6  Hmm.  Dion  Audience like why was Ice cube in an ad for Amazon for 80 minutes? But more like that. Was that good like I had that the thing when at the end of it I was like, is that was that a good movie?  Speaker 6  Yeah.  Quinny  And I think people will take away from it what they what they will, you know, they’ll they’ll either enjoy bits of it or they want or they’ll find that some of it worked for them and some. Of it didn’t. Yeah, but. It’s done very well. That’s something that I do, you know, I’m happy to report that it’s. Done a lot better than most of the other films were released this weekend.  Jill  Quinny  Like based on its budget and everything, it’s kicked the **** out of a couple of much bigger films.  Jill  Good for.  Quinny  Them. Yeah, one of them being freakier Friday.  Dion  Look, I’m. I’m.  Jill  The Disney cash grab.  Dion  I’m happy that Zach Cregger, you know, survived the bidding war for weapons.  Speaker 6  Yes.  Dion  And that Jordan Peele fired a couple of people over not getting it.  Jill  Ohh, Jordan Peele movie coming out soon. Him.  Dion  Oh yeah. Yeah. Yes, but he was. Yeah, he was trying like Jordan Peele was trying to get Zach Craig as, Umm, spec script for his production company and did not get it. And then fired two of his management people for not getting it. OK. And I’m like, OK, but the really interesting thing I think for the next project that has been announced for this director is the Resident Evil reboot. Oh ****. And he’s writing directing. It. Ohh so it was like OK. Interesting. Yeah. Hmm. I mean, you never like a franchise with an established fan base, and many temps is fraught with peril. Yeah, absolutely.  Speaker  Yes.  Jill  But it means we don’t have to see *******. Milla Jovovich wheeled out again.  Dion  You’d leave Miller alone. She’s the supreme being.  Quinny  I mean. I love that they even attempted another reboot a few years ago and just nobody paid any attention to.  Dion  It. Yeah, I love that even one of them was a 3D1, which was like, you know, your franchise is in trouble when you’ve gone through an era of 3D coming and going again. Like jaws, jaws through the return jaws, three Jaws 3D. Like what the ****?  Speaker 6  Hmm.  Dion  Anyway.  Quinny  Trying to remember what that ******* ohh yeah. Resident Evil. Welcome to Raccoon City, you know? Yeah, the one that nobody paid any attention to at. All. But it mean.  Dion  Yeah, you know, look had no Miller in.  Quinny  It.  Dion  It’s.  Quinny  Oh well, look, I’m. I’m keen to see what he does next. Absolutely. And if he can make Resident Evil work? Cause like to me, I think that’s that’s not actually it shouldn’t be that hard. Like resident evil’s.  Jill  Yeah, it’s really not. It’s such a straightforward premise.  Quinny  Yeah, if you do a good solid zombie film and you use the characters that are in the in the games, it’s not that hard. I would ******* love to see this guy have a go at Silent Hill.  Jill  Yeah, that could have been.  Quinny  Like.  Jill  Silent Hill would have been better than Resident Evil. For this guy.  Quinny  Yeah, I think he’s his. Disturbing.  Jill  Because this guy is like, so good at, like, suburban. Dystopia.  Quinny  Yeah.  Jill  So I think like silent. Hill would be perfect for.  Quinny  Him absolutely.  Dion  Is am I the only one who didn’t mind the Silent Hill film that came out with rider? Mitchell, like I thought it was alright.  Quinny  No, I quite liked it. If the.  Dion  Freaky and the and the Borg Queen as the evil witch woman.  Speaker 6  Yeah.  Quinny  That was another one where I was like, OK, it it started really well, did some really good creepy stuff and then ended poorly. But yeah, I quite like that.  Speaker  Sure.  Dion  I mean, I’ve I I’m I I think with in return in in the idea of Zach Gregor. I’m kind of like just let him cook. Don’t give him a franchise. Don’t let him don’t make him do other **** just like no let him do his stories he’s doing quite well at the moment.  Jill  Yeah.  Dion  Of just. That’s true. Going barbarian? Yeah, that’s a good one. Weapons pretty good. You know what’s the next one? And I don’t pitch quinnie. Go for him and say, like, can you make a the same horror film, but everything you shot during the? Hi.  Quinny  I would love to see somebody ever go. On. It I haven’t watched Midsummer so.  Dion  Really.  Quinny  Yeah.  Dion  It answers the question who would you like? Would you prefer a bear or a man?  Speaker 8  Yes.  Dion  In the wheel.  Quinny  I don’t know because I always looked at that and I thought it looked a little bit, Wicker Manish, but now I’m completely confused as. To what that may actually be that.  Dion  Yes, but it’s a woman, so it’s a Wicker woman.  Quinny  Ohh.  Dion  Sorry, there are no. Ease.  Quinny  Good, because they weren’t me in the ******* original.  Dion  Film No, but there was in the Nick Cage one.  Quinny  Don’t don’t say it.  Speaker 7  Not. Why would you mention? ******* ohh. You broke my legs.  Dion  It’s very bad, it’s. Yeah, Speaking of Speaking of bad, what are we doing next week?  Quinny  Oh, oh, well, well.  Speaker  Oh.  Jill  Hopefully it’s not a bad show, yeah.  Dion  Two shows having a bit of. It

In the Star Trek: Voyager episode, Unimatrix Zero,Part II, with Janeway and B'Elanna still Borg'd up, and Tuvok having a full identity crisis, the mission to plant a virus hangs by a thread. Meanwhile, a resistance inside Unimatrix Zero finds its voice, but the Borg Queen has an ultimatum that could end it all. Seven joins the fight and rekindles a personal connection that might not survive. Mission Log dives into Unimatrix Zero, Part II. Hosted by John Champion and Norman Lao ENTER TO WIN - The Borg Queen Skull Signature Edition prop replica from Factory Entertainment Welcome to Mission Log, a Roddenberry Entertainment podcast, where we explore the Star Trek universe one episode at a time. Each week, Mission Log examines a single episode of Star Trek, diving into its ethical subtext, metaphors, and cultural significance. From the show's most iconic moments to its hidden gems, we analyze what makes Star Trek one of the greatest science fiction sagas of all time. In every episode of Mission Log we… Recap the story and analyze key moments. Discuss the morals, messages, and meanings of the dilemmas presented. Debate whether the episode holds up and if the themes are still relevant. Join the Conversation: For as little as $1 a month, you can gain access to our exclusive Discord Community! There, we continue the discussion with dedicated channels and  weekly video chats with the hosts. Become a member of our Patreon today! https://www.Patreon.com/MissionLog SPECIAL THANKS the supporters of this week's show: Chris Garis, Julie Miller, Stuart, Michael Park, Paul Shadwell, Matt Esposito, Alan Simonis, Mike Richards, David Takechi, Mike Schiable, VADM Erickson, and Lars Seme Thanks to all of our Patreon Supporters https://www.missionlogpodcast.com/sponsors/ Want to share your thoughts on an upcoming episode? Email us at MissionLog@Roddenberry.com for a chance to be featured during the episode. Follow us on Social Media: INSTAGRAM https://www.instagram.com/RoddenberryEntertainment THREADS https://www.threads.net/@roddenberrypodcasts FACEBOOK https://www.facebook.com/MissionLogPod Did you know we're on YouTube? Find the video versions of your favorite shows like Mission Log: Prodigy, The Orville, as well as exclusive content only available on YouTube. Subscribe now:  https://www.youtube.com/@RoddenberryEntertainment?sub_confirmation=1 Our shows are part of the Roddenberry Entertainment family. For more great shows and to learn more about how we live the legacy of Gene Roddenberry, creator of Star Trek, follow us here: RODDENBERRY PODCASTS https://www.instagram.com/roddenberrypodcasts RODDENBERRY ENTERTAINMENT https://www.instagram.com/roddenberryofficial THE RODDENBERRY FOUNDATION https://www.instagram.com/theroddenberryfoundation   THIS EPISODE IS SPONSORED BY: Listeners like you - Support Mission Log on Patreon for early access to shows and the Mission Log Discord! Subscribe and Stay Updated: Never miss an episode! Subscribe on your preferred podcast player, leave a review, and join Mission Log on the journey of weekly deep dives into the Star Trek universe. Technical Director - Earl Green Producer - John Champion Associate Producer - Jessica Lynn Verdi Executive Producer - Eugene “Rod” Roddenberry Roddenberry Entertainment | All Rights Reserved

In the Star Trek: Voyager episode, Unimatrix Zero,Part II, with Janeway and B'Elanna still Borg'd up, and Tuvok having a full identity crisis, the mission to plant a virus hangs by a thread. Meanwhile, a resistance inside Unimatrix Zero finds its voice, but the Borg Queen has an ultimatum that could end it all. Seven joins the fight and rekindles a personal connection that might not survive. Mission Log dives into Unimatrix Zero, Part II. Hosted by John Champion and Norman Lao ENTER TO WIN - The Borg Queen Skull Signature Edition prop replica from Factory Entertainment Welcome to Mission Log, a Roddenberry Entertainment podcast, where we explore the Star Trek universe one episode at a time. Each week, Mission Log examines a single episode of Star Trek, diving into its ethical subtext, metaphors, and cultural significance. From the show's most iconic moments to its hidden gems, we analyze what makes Star Trek one of the greatest science fiction sagas of all time. In every episode of Mission Log we… Recap the story and analyze key moments. Discuss the morals, messages, and meanings of the dilemmas presented. Debate whether the episode holds up and if the themes are still relevant. Join the Conversation: For as little as $1 a month, you can gain access to our exclusive Discord Community! There, we continue the discussion with dedicated channels and  weekly video chats with the hosts. Become a member of our Patreon today! https://www.Patreon.com/MissionLog SPECIAL THANKS the supporters of this week's show: Chris Garis, Julie Miller, Stuart, Michael Park, Paul Shadwell, Matt Esposito, Alan Simonis, Mike Richards, David Takechi, Mike Schiable, VADM Erickson, and Lars Seme Thanks to all of our Patreon Supporters https://www.missionlogpodcast.com/sponsors/ Want to share your thoughts on an upcoming episode? Email us at MissionLog@Roddenberry.com for a chance to be featured during the episode. Follow us on Social Media: INSTAGRAM https://www.instagram.com/RoddenberryEntertainment THREADS https://www.threads.net/@roddenberrypodcasts FACEBOOK https://www.facebook.com/MissionLogPod Did you know we're on YouTube? Find the video versions of your favorite shows like Mission Log: Prodigy, The Orville, as well as exclusive content only available on YouTube. Subscribe now:  https://www.youtube.com/@RoddenberryEntertainment?sub_confirmation=1 Our shows are part of the Roddenberry Entertainment family. For more great shows and to learn more about how we live the legacy of Gene Roddenberry, creator of Star Trek, follow us here: RODDENBERRY PODCASTS https://www.instagram.com/roddenberrypodcasts RODDENBERRY ENTERTAINMENT https://www.instagram.com/roddenberryofficial THE RODDENBERRY FOUNDATION https://www.instagram.com/theroddenberryfoundation   THIS EPISODE IS SPONSORED BY: Listeners like you - Support Mission Log on Patreon for early access to shows and the Mission Log Discord! Subscribe and Stay Updated: Never miss an episode! Subscribe on your preferred podcast player, leave a review, and join Mission Log on the journey of weekly deep dives into the Star Trek universe. Technical Director - Earl Green Producer - John Champion Associate Producer - Jessica Lynn Verdi Executive Producer - Eugene “Rod” Roddenberry Roddenberry Entertainment | All Rights Reserved

In the Star Trek: Voyager episode, Unimatrix Zero,Part II, with Janeway and B'Elanna still Borg'd up, and Tuvok having a full identity crisis, the mission to plant a virus hangs by a thread. Meanwhile, a resistance inside Unimatrix Zero finds its voice, but the Borg Queen has an ultimatum that could end it all. Seven joins the fight and rekindles a personal connection that might not survive. Mission Log dives into Unimatrix Zero, Part II. Hosted by John Champion and Norman Lao ENTER TO WIN - The Borg Queen Skull Signature Edition prop replica from Factory Entertainment Welcome to Mission Log, a Roddenberry Entertainment podcast, where we explore the Star Trek universe one episode at a time. Each week, Mission Log examines a single episode of Star Trek, diving into its ethical subtext, metaphors, and cultural significance. From the show's most iconic moments to its hidden gems, we analyze what makes Star Trek one of the greatest science fiction sagas of all time. In every episode of Mission Log we… Recap the story and analyze key moments. Discuss the morals, messages, and meanings of the dilemmas presented. Debate whether the episode holds up and if the themes are still relevant. Join the Conversation: For as little as $1 a month, you can gain access to our exclusive Discord Community! There, we continue the discussion with dedicated channels and  weekly video chats with the hosts. Become a member of our Patreon today! https://www.Patreon.com/MissionLog SPECIAL THANKS the supporters of this week's show: Chris Garis, Julie Miller, Stuart, Michael Park, Paul Shadwell, Matt Esposito, Alan Simonis, Mike Richards, David Takechi, Mike Schiable, VADM Erickson, and Lars Seme Thanks to all of our Patreon Supporters https://www.missionlogpodcast.com/sponsors/ Want to share your thoughts on an upcoming episode? Email us at MissionLog@Roddenberry.com for a chance to be featured during the episode. Follow us on Social Media: INSTAGRAM https://www.instagram.com/RoddenberryEntertainment THREADS https://www.threads.net/@roddenberrypodcasts FACEBOOK https://www.facebook.com/MissionLogPod Did you know we're on YouTube? Find the video versions of your favorite shows like Mission Log: Prodigy, The Orville, as well as exclusive content only available on YouTube. Subscribe now:  https://www.youtube.com/@RoddenberryEntertainment?sub_confirmation=1 Our shows are part of the Roddenberry Entertainment family. For more great shows and to learn more about how we live the legacy of Gene Roddenberry, creator of Star Trek, follow us here: RODDENBERRY PODCASTS https://www.instagram.com/roddenberrypodcasts RODDENBERRY ENTERTAINMENT https://www.instagram.com/roddenberryofficial THE RODDENBERRY FOUNDATION https://www.instagram.com/theroddenberryfoundation   THIS EPISODE IS SPONSORED BY: Listeners like you - Support Mission Log on Patreon for early access to shows and the Mission Log Discord! Subscribe and Stay Updated: Never miss an episode! Subscribe on your preferred podcast player, leave a review, and join Mission Log on the journey of weekly deep dives into the Star Trek universe. Technical Director - Earl Green Producer - John Champion Associate Producer - Jessica Lynn Verdi Executive Producer - Eugene “Rod” Roddenberry Roddenberry Entertainment | All Rights Reserved

In this episode of Exploring Humanity Through Sci-Fi, host Tony Tellado talked with the renowned actress Alice Krige, best known to Star Trek fans as the iconic Borg Queen. Alice discusses her powerful role in the film She Will, where she portrays Veronica Ghent, an aging movie star recovering from surgery in a mysterious Scottish retreat—a place infamous for its history with witch burnings. She delves into how trauma, vulnerability, and the quest for redemption shape her character and enrich the film's narrative. Alice shares fascinating behind-the-scenes insights about working with first-time director Charlotte Colbert, executive producer Dario Argento, and her talented co-stars, including Malcolm McDowell and Kota Eberhardt. She highlights the film's unique visual style and how nature and the cosmos are artfully interwoven with personal healing and justice. The conversation moves to Alice's multifaceted journey as the Borg Queen across multiple Star Trek projects, including her pivotal roles in Star Trek: First Contact, Star Trek: Voyager, and the animated series Lower Decks. Alice reflects on the character's enduring allure, mysterious qualities, and cultural significance as an archetype that evokes complex reactions in viewers. Tony and Alice also reminisce about her acclaimed performances in projects like Carnival Row, Ghost Story, and her broad theater background. Alice provides a candid look at how immersive roles can profoundly affect actors—sometimes lingering well past filming, as she recounts from her experience on Silent Hill. With warmth and wisdom, Alice credits her career's richness to a passion for storytelling, collaboration, and the enduring joy of working with devoted creative teams. Whether discussing the demands of fantasy roles, the art of transformation through makeup and costume, or her gratitude for a life spent in performance, Alice offers an inspiring perspective for fans and fellow artists alike. Start Your Free One Year Trial On Sci-Fi Talk Plus

We tackle the film Gretel & Hansel! Released in 2020 and directed by Osgood Perkins! Gretel & Hansel is based on the Grimm's Fairy Tale, Hansel and Gretel! This one stars Sophia Lillis of IT and Dungeons and Dragons: Honor Among Thieves fame and Alice Krige the Borg Queen from Star Trek: First Contact!Plot: In a distant land, two siblings, Hansel and Gretel, wander through the woods in search of food and work. When a mysterious lady offers them a way out, they accept without thinking about the consequences.Taglines: A grim fairy tale. Follow the crumbs.Music by Kevin Macleod.

Prepare for warp speed as Gene Lyons and Big D travel back to the 24th century—and then to 2063—to review Star Trek: First Contact, the Next Generation crew's darkest and most action-packed cinematic outing. Commissioned by listener Jeremiah as part of a sci-fi classics series, this episode dives deep into the ethics of Picard's command decisions, the practical (and impractical) nature of Borg assimilation, and the horny weirdness of Star Trek fandom. Along the way, Gene and Big D debate Star Trek vs. Star Wars and ponder whether the Borg Queen really does have big “ASMR energy.” They also address critical questions like: What's the best Star Trek tech? And how many wipes does it take to remove Data's synthetic skin? Whether you're Team Trek or Team Wars, this episode is a hilarious, no-holds-barred deep dive into one of the franchise's most beloved films—and possibly its most awkward. Plot Summary In Star Trek: First Contact, Captain Jean-Luc Picard and the crew of the USS Enterprise-E defy Starfleet orders to confront the Borg, a cybernetic collective intent on assimilating Earth. After destroying a Borg cube near Earth, a Borg sphere escapes through a temporal vortex, altering the past to prevent humanity's first contact with alien life. The Enterprise follows the Borg to April 4, 2063—just before Zefram Cochran's historic warp flight that would attract the Vulcans. As the crew works to ensure history stays intact, Picard battles his trauma from past assimilation, while Lieutenant Commander Data is seduced—emotionally and physically—by the sinister Borg Queen. With humanity's future hanging in the balance, Picard must choose between revenge and reason, culminating in a high-stakes confrontation aboard a compromised Enterprise. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

In which our heroes discuss Parker Posey (cut from Episode 178 - Josie & The Pussycats)

Assimilation (Star Trek: Picard, S2 E3) was recommended by Hauke he/him, who said: While it's very hard to pull out individual episodes of Picard (especially the first two seasons) on my current rewatch this one stood out to me.Having narrowly escaped the horrible Confederation of the alternate 2400, the crew travels back to 2024 to correct the timeline. “Let's see what has been lost in the wake of your fear” Q whispers to Picard again as they jump to the past.Assimilation sets up the character arcs for the rest of the season.Raffi is racked with guilt and anger for Elnor's death early in the episode.Seven, gets to experience not being met with fear since the timeline hop means she was never assimilated.Rios immediately gets into some good trouble meeting the charming doctor Teresa.And Jurati, still racked with guilt over killing Maddox in season one is doing something difficult and dangerous: impressing the Borg Queen (played in this iteration by the magnetic Anne Wershing who sadly passed away in early 2023).Fear, Hope, guilt, forgiveness. Picard season two is about all these things, deeply personal to both Picard and Stewart, and it doesn't get enough credit.“ Move backward to go forward. Shatter to mend. The past is now.”Assimilation first aired on March 17, 2022, written by Kiley Rossetter & Christopher Monfette, and directed by Lea ThompsonSeven distracts the Magistrate long enough for the group to overpower and kill him and his officers. The ship comes under attack, and the Queen takes advantage of the situation to directly connect herself to the ship's computers. She destroys their pursuers and slingshots the ship around the sun, creating a wormhole to 2024. She tells Picard that they must find "The Watcher" in Los Angeles who knows what Q changed to cause the new timeline. The ship crashes near Chateau Picard in France, and the Queen diverts all power to sustain herself. Elnor dies of his wounds, and Raffi angrily blames Picard before departing with Seven and Rios to start searching for the Watcher. Rios's transporter malfunctions and he is knocked out, waking up in a clinic that secretly treats undocumented immigrants. Before he can leave, immigration officers raid the clinic and arrest both Rios and his physician, Teresa. Rios's communicator is left behind. Despite Picard's warnings, Agnes connects her mind to the Queen and learns the exact location of the Watcher before she can be assimilated, impressing the Queen.The Joy of Trek is hosted by Khaki & Kay, with editing & production by Chief Engineer Greg and music by Fox Amoore (Bandcamp | Bluesky)Send us your recommendations, or support us on Patreon.Find us at joyoftrek.com · Twitter · Facebook

The holidays are known for three things: peace on Earth, good will toward men, and werecats. In that vein, the Borg Queen, Glenn Shadix, and Clovis the Very Good Cat combine to distract you from the extremely icky center of the Tootsie Pop that is 1992's Stephen King's Sleepwalkers. After that, we revisit the golden days of RKO Radio Pictures with quite possibly the very worst person ever presented to moviegoing audiences as a sympathetic protagonist, but at least it looks pretty good. That's 1942's Cat People!Email: info@channel-37.comTwitter: @WHXN37

Oh dammnnnn, Starbase 80! That's right. The crew is headed to the dreaded Starbase this week, and the SNP team has their review and deep dive of episode 505 of Star Trek Lower Decks! SNP OG host Brittany "The Borg Queen of Puns" Tomes returns to help us talk about this one!Ransom uses too much disinfectant gel while Mariner gets paranoid about curses.Plus, the mailbag, T'Poll, and so much more on episode 211 of Strange New Pod.Send us a textSupport the show

The Men of Micheaux pay tribute to Toni Vaz, a recently deceased and recently discovered legendary Hollywood actress and stuntwoman. They discuss her creation of the NAACP Image Award and struggle to define “The Chittlin' Circuit.” They also talk about The Borg Queen stumping Vincent in Six Degrees of D'urville. After that, they review Remi Weekes' immigration horror film “His House,” which includes a spoiler-worthy twist that leads to differing opinions from Len and Vincent. Rate & Review The Mission on Apple Email  micheauxmission@gmail.com Follow The Mission on Instagram Subscribe to the Mission on YouTube  Get your Micheaux Mission SWAG from TeePublic We are a proud member of The Podglomerate - we make podcasts work! Learn more about your ad choices. Visit megaphone.fm/adchoices

Series 5: Villains Are you also sick of the repetitive Soong character storyline? Why is Borgati the Borg Queen in the future when she is 400 years old? Is Agnus still guarding the gates? Is there a hierarchy of villains in season 3? What do Agnes, Janeway, and the Changelings have in common? Ashlyn and Rhianna as they get into the heads of the best Villains of the season and third seasons of Picard! SPOILER ALERT: Picard seasons two and three. TRIGGER WARNING: Murder, Drugs, and other villainous activity This is the most recent installment of our Villain series, where Ashlyn and Rhianna dive into the greatest Star Trek villains starting with The Original Series and ending with Picard. What is the Prime Directive? Join us next week as we debut our first ever intro episode, before we dive into the Prime Directive Series! DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro and outro is by Jerry Goldsmith. Rule of Acquisition #40: “She can touch your lobes but never your latinum.” Please check out our Patreon and donate any $1, $6, $12, or $23 per month to access exclusive episodes of trivia, Galaxy Quest, and reviews of every episode of The Animated Series and our reviews of Lower Decks seasons 1-4! https://www.patreon.com/thedurassisterspodcast

Who would win between Gandalf and Picard? Pike vs Shelob? Saruman vs the Borg Queen?Today Lore of the Rings mashes up with Captain's Pod to compare and contrast the two amazing world of Lord of the Rings and Star Trek. We look into Tolkien and Roddenberry's inspiration and reasons for their world, as well as wander through timeless themes from each world.Find more info about the Captain's Pod:https://redcircle.com/shows/cd60a346-5f7c-44bf-a18e-07572520dbbdwww.twitch.tv/cinemasinsliveFind contact info, social media links, discounts and more on the Lore of the Rings website: https://www.ringspodcast.com/Support the show with a wafer of lembas: https://www.buymeacoffee.com/lotrpodcastEmbark on an immersive journey through the captivating realms of J.R.R. Tolkien's Middle-earth, where the epic sagas of the Lord of the Rings, the Hobbit, the Silmarillion, and Unfinished Tales, and more come to life. Join us as we delve into the rich tapestry of Tolkien's masterful storytelling, drawing intriguing comparisons between his literary works and the cinematic adaptations crafted by Peter Jackson. Be at the forefront of the latest developments as we explore the highly anticipated Rings of Power series from Amazon. Prepare to be enthralled as we uncover hidden connections, untold tales, and delve into the depths of Middle-earth lore. Tune in now and become part of our fellowship on this extraordinary journey!This podcast is not affiliated with the Tolkien Estate.Support this podcast at — https://redcircle.com/ringspodcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Who would win between Gandalf and Picard? Pike vs Shelob? Saruman vs the Borg Queen?Today Lore of the Rings mashes up with Captain's Pod to compare and contrast the two amazing world of Lord of the Rings and Star Trek. We look into Tolkien and Roddenberry's inspiration and reasons for their world, as well as wander through timeless themes from each world.Find more info about the Captain's Pod:https://redcircle.com/shows/cd60a346-5f7c-44bf-a18e-07572520dbbdwww.twitch.tv/cinemasinsliveFind contact info, social media links, discounts and more on the Lore of the Rings website: https://www.ringspodcast.com/Support the show with a wafer of lembas: https://www.buymeacoffee.com/lotrpodcastEmbark on an immersive journey through the captivating realms of J.R.R. Tolkien's Middle-earth, where the epic sagas of the Lord of the Rings, the Hobbit, the Silmarillion, and Unfinished Tales, and more come to life. Join us as we delve into the rich tapestry of Tolkien's masterful storytelling, drawing intriguing comparisons between his literary works and the cinematic adaptations crafted by Peter Jackson. Be at the forefront of the latest developments as we explore the highly anticipated Rings of Power series from Amazon. Prepare to be enthralled as we uncover hidden connections, untold tales, and delve into the depths of Middle-earth lore. Tune in now and become part of our fellowship on this extraordinary journey!This podcast is not affiliated with the Tolkien Estate.Support this podcast at — https://redcircle.com/ringspodcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to Captain's Pod, a Star Trek podcast presented by CinemaSins! This week Ian and Deneé join forces with Aaron Airmet to boldly explore Middle Earth and beyond! Join them as they trace the origins of the two franchises, dive into the Shire and Starfleet alike, and conclude by asking the big questions like “Who wins in a fight between Sauron and the Borg Queen?”NEXT WEEK: Star Trek Lower Decks: Envoys (S1E2)1) Ten Forward/The Prancing Pony: Pull up a chair and gather round as we take a deep dive into origins, themes, and legacies! (4:35) 2) Character Chaos: Ian and Aaron pick 6 heroes and 6 villains each from their respective franchises and do battle! Huzzah! (43:02)5) The Jefferies Tubes- Bloopers and other goodies that didn't make it into the show. Don't tell Section 31 or Sauron! (1:19:28) Here's where to find Aaron's amazing show Lore of the Rings: https://redcircle.com/shows/a7304417-1713-4239-8d0f-996ff4e2c174CAPTAIN'S POD is LIVE every Friday at 12:30CTish!Twitch: https://www.twitch.tv/cinemasinsliveYouTube: https://www.youtube.com/channel/UC5Nxj5dpHf2p7cN9qdUVEzAThe show's hailing frequencies are always open by email at captainspod@cinemasins.com Find us on Twitter:The Show - @captainspodcsIan - @whittsinnedDeneé - @deneesaysJoin a community of CinemaSinners and Trekkies on the CinemaSins discord: www.discord.gg/cinemasins  Want extra *holodeck privileges? Join the Sinclub! https://www.patreon.com/CinemaSins And live long and Podsper! *holodeck and ads not includedAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's Die Hard on the USS Enterprise!This time of the show, Phil and Liam analyze STAR TREK FIRST CONTACT with the help of special guest Andy Maiorano, host of The AndyPlex podcast and an avowed Star Trek superfan! Set phasers to fun!When he is informed that a hostile race of cybernetic beings known as The Borg have launched an attack on Earth, Captain Jean-Luc Picard (Patrick Stewart) disobeys orders to directly engage with the Borg threat. However, upon arrival to the battle zone, he discovers that the planet Earth has been completely subsumed by the Borg, who have used time travel to assimilate the entire planet. Picard follows a Borg craft through a temporal vortex and ends up in the past, sending his trusted first officer Commander William Riker (Jonathan Frakes) down to Earth to make sure that history is not changed. However, in the chaos, the Borg board the Enterprise and begin rapidly assimilating the crew, placing the ship, the planet Earth, and the entire course of history, in grave jeopardy!First off, the guys start by discussing their respective relationships with this movie and the Star Trek franchise in general, with each of them landing on very different places on the Trekkie spectrum (or Trek-trum?!). The boys analyze this curious specimen in the ‘Die Hard DNA' section, where they clarify the number of surprising connections between this futuristic siege movie and John McClane's exploits at Nakatomi Plaza. As they break down this Paramount picture yet further in the ‘Anatomy of an Action Movie', the conversation expands into a deeper discussion of Star Trek's utopian philosophies, and this movie's unusually thoughtful exploration of the idea of revenge - which makes it something of an outlier in the traditionally bloodthirsty action movie genre.The boys beam in to the ‘Die Hard Oscars' to hand out some action movie awards (where the Borg Queen commands considerable attention!) before this particular trek is wrapped up with the Double Jeopardy trivia quiz! STAR TREK FIRST CONTACT trailer:https://www.youtube.com/watch?v=B3NJ49VyjDsAt the time of release, STAR TREK FIRST CONTACT is streaming on Paramount +, Prime Video, Max, Fubo and MGM+ in the US and is available to rent or buy on YouTube, Apple/iTunes, Fandango, Spectrum, AMC On Demand and all the usual platforms! Support this podcast at — https://redcircle.com/die-hard-on-a-blank/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Greetings Earthlings! On today's all new episode of PCMC Mike is joined, once again, by resident Trekkie, Vin Forte. Today the guys are discussing the awesome 1996 movie Star Trek: First Contact! This movie has it all, a Borg Queen, robot orgasms, Picard in a t-shirt, and the dad from Babe! Even if you don't like Star Trek this episode will make you laugh and give you respite from the cruel harsh world...If you like what you hear give us a review and share us with your friends. find us everywhere @PCMCpod

Join us as we explore STAR TREK: FIRST CONTACT on Essential Sci-Fi Movies. Mike is joined by Clyde Haynes of Star Trek Discovery Pod and Troy Heinritz of The Hollywood Outsider to discuss the film's strengths, including its creative sets and seamless tones. Delving deeper, we analyze the impact of the Borg Queen and Picard's connection to the Borg on the franchise. The movie captures the essence of Star Trek for fans and non-Trekkies, with compelling storylines and character dynamics. Chapters: 0:00 Introduction 1:24 Star Trek First Contact 7:24 The Borg Queen Debate 13:36 Tonal Shifts and Details 15:28 Memorable Fan Service Cameos 23:27 Significance of the Borg Queen 25:56 Picard's Spidey Sense 27:58 Influence on Star Trek Lore 32:54 Star Trek Fandom Celebration 38:13 New Uniforms and Exciting Premiere 48:38 The Realism of Zefram Cochrane 53:32 Impact of Lily Sloan's Character 1:02:27 Enterprise E: A Lean, Mean Ship 1:06:35 Impressive Special Effects in 4K Viewing 1:07:56 Epitome of Star Trek --- Send in a voice message: https://podcasters.spotify.com/pod/show/intergalacticpod/message

It's Janeway vs. Oldway vs. Borg Queen vs. Time Itself in a quadrangle showdown that will bring the entire series to a thrilling and puzzlingly abrupt conclusion! Can Janeway finally give her crew the happy homecoming of their dreams? Will audiences get the BioWare-style epilogues they deserve? Is “Endgame, Part II” GOOD… or is it GARBAGE? patreon.com/shadeaux shadeauxpublicradio.com

It's time for Last Time On, the podcast for everyone who wants to watch all of that prestige television, but who has time for that? Our hosts don't, so they take the randomized highway down your favorite shows they haven't seen, and try to guess what happened Last Time On!Join us as Ben, Victor, and Xhafer watch this show just go full star trek for once. Ben gets caught speeding on the space highway, Xhafer pulls out his Voyager mug to do some math, and Victor slides a banana under the door.

When the Borgified dustbuster club infects the beef cube's central plexus, the Queen starts losing track of Zeros and counters with an ultimatum to force them back. But when Captain Janeway orders the garden center shut down for good, it keeps the resistance movement alive but kills any hope for Seven and Axum. Were there better cliffs to hang from over the summer break? Who thought he could get away with hearting a boob picture? What's a sure sign of desperation on Voyager's bridge? It's the episode that gets that special Darmoky treatment!Support the production of The Greatest Generation.Friends of DeSoto for Democracy.Friends of DeSoto for Justice. Friends of DeSoto for Labor.Follow The Game of Buttholes: The Will of the Caretaker!Music by Adam Ragusea & Dark MateriaFollow The Greatest Generation on Twitter, and discuss the show using the hashtag #GreatestGen!The Greatest Generation is on YouTube.Facebook group | Subreddit | Discord | WikiSign up for our mailing list!Get a thing at podshop.biz!

Guests: Jason von Stietz & David Smith Sport psychologists Jason von Stietz and David Smith return for part two of our trilogy about Data as a strategist. In this episode, we examine how Data deals with prejudice from his subordinates while commanding of the U.S.S. Sutherland in TNG: "Redemption, Part 2." Then, we talk about how Data foils the Borg Queen's plans in "Star Trek: First Contact." Follow us on Twitter! Strange New Worlds: twitter.com/scienceoftrek Mike: twitter.com/miquai Jason: twitter.com/CBTSportPsych David: twitter.com/StonewallFit

When Seven starts visiting a garden center in her dreams, the people are familiar and they're asking for her help. But when the Borgs Queen goes medieval to try to shut down Unimatrix Zero, Captain Janeway plans a dangerous away mission to the Borgs' coolest cube. What percentage of the ship is available for sexual dalliances with Harry Kim? Why were there so many civilians at Wolf 359? Did Axum do anything wrong? It's the episode that's only giving you half of a reason to tune in at any given moment.Support the production of The Greatest Generation.Friends of DeSoto for Democracy.Friends of DeSoto for Justice. Friends of DeSoto for Labor.Follow The Game of Buttholes: The Will of the Caretaker!Music by Adam Ragusea & Dark MateriaFollow The Greatest Generation on Twitter, and discuss the show using the hashtag #GreatestGen!The Greatest Generation is on YouTube.Facebook group | Subreddit | Discord | WikiSign up for our mailing list!Get a thing at podshop.biz!

Professional Morticia. Welcome To Laquinta California. The Borg Queen and the Christmas Prince. Strange things are afoot at CVS. Dodge trucks are Ford tough. Embalming For Dummies. Follow Your Dead Dreams. Dongle Nostalgia. Haunted by Smoking Butts. We Like Mike. Red On-Air Prince. Smelling the Right Tree. Elijah Blue Diamond Almond. White Pages, Red Flags! Freakin' For Two With Wendi and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.

Professional Morticia. Welcome To Laquinta California. The Borg Queen and the Christmas Prince. Strange things are afoot at CVS. Dodge trucks are Ford tough. Embalming For Dummies. Follow Your Dead Dreams. Dongle Nostalgia. Haunted by Smoking Butts. We Like Mike. Red On-Air Prince. Smelling the Right Tree. Elijah Blue Diamond Almond. White Pages, Red Flags! Freakin' For Two With Wendi and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.

Emcee and Julian are back for part two of what was just a wonderful conversation with Star Trek's Lead Creature and Makeup Designer, Neville Page.In part two, Neville talks about using complexion in his makeup designs, designing the awesome (and eerie) skulls we saw Picard collect as trophies in season two, and of course, his work on the Borg, including designing the Borg Queen with the late and absolutely amazing Annie Wersching.All that and more on the conclusion of our sit down with Neville Page.Follow Neville Page:Twitter | InstagramOrder Star Trek: The Art of Neville PageListen to Part OneSupport the show

This episode was recorded in early July 2023, before the SAG Strike.The Delta Flyers is a weekly Star Trek: Voyager rewatch & recap podcast hosted by Garrett Wang & Robert Duncan McNeill. Each week Garrett and Robert will rewatch an episode of Voyager starting at the very beginning. This week's episode is Endgame, Part II. Garrett and Robbie recap and discuss the episode, and share their insight as series regulars.Endgame Part II:A time traveller forces Captain Janeway into a deadly showdown with her nemesis, the Borg Queen, and a romance ignites during Voyager's peril.We want to thank everyone who makes this podcast possible, starting with our Executive producers Megan Elise & Rebecca McNeillAnd a special thanks to our Ambassadors, the guests who keep coming back, giving their time and energy into making this podcast better and better with their thoughts, input, and inside knowledge: Lisa Klink, Martha Hackett, Robert Picardo, Ethan Phillips, Robert Beltran, Tim Russ, Roxann Dawson, Kate Mulgrew, Brannon Braga, Bryan Fuller, John Espinosa, & Ariana DelbarAdditionally we could not make this podcast available without our Co-Executive Producers: Stephanie Baker, Philipp Havrilla, Liz Scott, Eve England, Sab Ewell, Sarah A Gubbins, Jason M Okun, Luz R., Marie Burgoyne, Kris Hansen, Daniel de Rooy, Chris Knapp, Michelle Z, Janet K Harlow, Utopia Science Fiction Magazine, Courtney Lucas, Matthew Gravens, Brian Barrow, Captain Jeremiah Brown, Heidi Mclellan, Rich Gross, Mary Jac Greer, John Espinosa, E, Deike Hoffmann, Mike Gu, Anna Post, Shannyn Bourke, Vikki Williams, Jenna Appleton, Alicia Kulp, Lee Lisle, Mary Beth Lowe, Sarah Thompson, Samantha Hunter, Holly Smith, Amy Tudor, Jamason Isenburg, Adm. Bill "Seoulman" Yu, KMB, Dominic Burgess, Ashley Stokey, Zachary Upton, Lori Tharpe, Mary Burch, AJC, Nicholaus Russell, Dominique Weidle, Lisa Robinson, Normandy Madden, Joseph Michael Kuhlman, Darryl Cheng, Alex Mednis, AJ Freeburg, Elizabeth Stanton, Kayla Knilans, Tim Beach, Ariana, Meg Johnson, Victor Ling, Shambhavi Kadam, Holly Schmitt, James H. Morrow, Christopher Arzeberger, Nicole Anne Toma, Donna Runyon, Nicholas Albano, Daniel O'Brien, Bronwen Duffield, Mark Lacey, Andrew Duncan, David Buck, Jeremy McGraw, Danie Crofoot, Ian Ramsey, Feroza Mehta, Michael Dismuke, Jonathan Brooks, Gemma Laidler, Rob Traverse, Penny Liu, Matt Norris, Stephanie Lee, Daina Burnes, Morgan Linton, & David SmithAnd our Producers:James Amey, Patrick Carlin, Richard Banaski, Ann Harding, Ann Marie Segal, Samantha Weddle, Chloe E, Nikita Jane, Carole Patterson, Warren Stine, Jocelyn Pina, Mike Schaible, AJ Provance, Captain Nancy Stout, Claire Deans, Maxine Soloway, Barbara Beck, Species 2571, Mary O'Neal, Aithne Loeblich, Dat Cao, Scott Lakes, Stephen Riegner, Debra Defelice, Tara Polen, Jason Potvin, Cindy Ring, Kelly Brown, Jason Wang, Gabriel Dominic Girgis, Amber Nighbor, Mark G Hamilton, Rob Johnson, Chris Bosdell, Maria Rosell, Heather Choe, Michael Bucklin, Lisa Klink, Jennifer Jelf, Justin Weir, Mike Chow, Kevin Hooker, Aaron Ogitis, Ryan Benoit, Megan Chowning, Rachel Shapiro, Eric Kau, Captain Jak Greymoon, David Wei Liu, Clark Ochikubo, David J Manske, Roxane Ray, Amy Rambacher, Jessica B, E.G. Galano, Cindy Holland, Will Forg, Ryan Tomei, Charlie Faulkner, Estelle Keller, Russell Nemhauser, Lawrence Green, Christian Koch, Lisa Gunn, Lauren Rivers, Shane Pike, Jennifer B, Dean Chew, Akash Patel, Jennifer Vaughn, Cameron Wilkins, Michael Butler, Ken McCleskey, Walkerius Logos, Abby Chavez, Preston Meyer, Lisa Hill, & Cerise RobinsonThank you for your support!“Our creations are protected by copyright, trademark and trade secret laws. Some examples of our creations are the text we use, artwork we create, audio, and video we produce and post. You...

Episode 680. Welcome back to Grimmfest Conversations, which are episodes that feature Stuart ( @frompage2screen) talking with guests who were in attendance at Grimmfest. In this episode Stuart introduces the story of his sit down chat with Borg Queen and Sleepwalker Alice Krige which occured November 19th 2022 in Manchester at the Grimmfest BFI Monsters and Movies event Check out https://frompage2screen.com/ for more content including reviews, competitions, interviews and movie news that you dont see everywhere else. Check out 'thegeekhouse' in groups on Facebook Video Content at https://www.youtube.com/frompage2screen Instagram: https://www.instagram.com/frompage2screen/ Stuarts Twitter: https://twitter.com/FromPage2Screen

"I won't need no fucking knife."In this episode of "Something Pretty," tension and passion run high in Deadwood. Seth Bullock's growing affection for widow Alma Garret reaches new heights, even as his stepson and wife approach the town. The two share an exuberant tryst in the Grand Central Hotel, causing a commotion. Meanwhile, Joanie Stubbs awaits the arrival of her old friend Maddie and three prostitutes to start her new brothel, separating from the manipulative Cy Tolliver.Al Swearengen, infuriated by Governor Pennington's territorial divisions, grapples with the encroachment of civilization on his world. Swearengen takes a jab at Bullock after his rendezvous with Alma, causing a violent fight between the two men. As they brawl, the stagecoach arrives, bringing Bullock's family and Joanie's allies to Deadwood.The scene turns chaotic with various characters getting injured, while Alma struggles with her new lover's battered state and the arrival of his wife and child. An awkward encounter ensues between Alma, Bullock, and his wife Martha.At the Bella Union, Tolliver's fury over Joanie's departure is barely concealed. Despite his suspicions about the source of her funding, he begrudgingly allows her to leave. Joanie, Maddie, and the new women share a tense toast with Tolliver before departing.Finally, Bullock brings his family to their new home but cannot bring himself to enter. Instead, he returns to Alma's embrace at the Grand Central Hotel. In this episode of the podcast, Wes and Clay discuss the first part of "A Lie Agreed Upon" and the primo property that Bullock has managed to land. Plus! The guys chat about the Borg Queen, the worst time to wear a red dress, and the rest of the lies we all agree upon.Links:Support "Something Pretty" on PatreonListen to our other podcastsYouTubeJoin our DiscordSupplemental Reading:The Deadwood Bible: A Lie Agreed UponDeadwood: Stories of the Black HillsDeadwood: The Golden YearsReading Deadwood: A Western to Swear ByLife's WorkTheme Song: Western ShowDown by HoliznaCC0 is licensed under a CC0 1.0 Universal License.

Before Picard Season 3, there was First Contact and the Borg Queen. Jimmy Akin, Dom Bettinelli, and Fr. Cory Sticha discuss the film's "never meet your heroes" theme; Picard's ongoing trauma; and what makes this movie one of the most popular Trek films.

Before Picard Season 3, there was First Contact and the Borg Queen. Jimmy Akin, Dom Bettinelli, and Fr. Cory Sticha discuss the film's "never meet your heroes" theme; Picard's ongoing trauma; and what makes this movie one of the most popular Trek films. The post Star Trek: First Contact appeared first on StarQuest Media.

When a haunted cube shows up inside Jupiter, a dustbuster club beams down to rescue Jack from the Borg Queen's plans. But when Picard plugs himself in and the D gets ready to fire, a dozen denouements start prescribing the next era of Trek. What do they keep in Bay 13? Do all public speaking drones get similar hardware? Who had the best character arc in season 3? It's the episode that can gofobo itself!Support the production of Greatest TrekMusic by Adam RaguseaFollow Greatest Trek on Twitter, and discuss the show using the hashtag #GreatestTrek!Greatest Trek on Twitch | Facebook group | Subreddit | Discord | WikiSign up for our mailing list!Get a thing at podshop.biz!

Season 3 of STAR TREK PICARD wraps up with the a series finale episode titled "THE LAST GENERATION".The Geek Buddies and big STAR TREK nerds John Rocha and Michael Vogel welcome their friends and Enterprise Incidents cohosts Scott Mantz and Steve Morris to break down this final episode of Star Trek Picard. They'll break down all the storylines, twists and turns, shocks, and heartwarming moments. And they'll discuss where this season belongs in the annals of the best of Star Trek's seasons of TV shows.Chapters:0:00 Intro and Overall Thoughts on Picard Season 3 Finale9:45 The Checkov Opening15:20 Opening Scene to Before They Board the Borg Cube26:31 Inside the Borg Ship, Picard vs Borg Queen, Picard and Jack, TNG Crew Saves the Day49:48 7 of 9 Captains the Titan with Raffi, Titan Crew Eventually is Freed from Assimilation1:04:30 Streamlabs and Superchat Questions1:21:35 Final Scenes- Picard, Jack and Beverly, Seven is a Captain, Raffi and Worf, Titan Name Change, Jack and Q1:44:05 Final thoughts on Season 3 of PICARDFOLLOW THE GEEK BUDDIES:Twitter: https://twitter.com/Geek_BuddiesFollow John Rocha: https://twitter.com/TheRochaSays​​​​​Follow Michael Vogel: https://twitter.com/mktoonFollow Scott Mantz: https://twitter.com/MovieMantzFollow Steve Morris: https://twitter.com/srmorris

Federation president Anton Chekov issues a planetary distress signal. Picard and the crew of the Enterprise find a Borg ship hiding in the clouds of Jupiter. Seven liberates the Titan from the assimilated crew and engages the fleet. Worf and Riker infiltrate the Borg ship, while Picard plugs into the hive mind to rescue Jack from the Borg Queen's influence. The compromised fleet destroy spacedock and Earth's planetary shields, and begin targeting major cities. The Enterprise locates the beacon controlling the assimilated crew members and destroys it, and Picard succeeds in freeing Jack from the Queen, after which they escape as the cube explodes. With the Borg destroyed once and for all, all assimilated Starfleet personnel return to normal, and the Enterprise is returned to the Fleet Museum. A year later, the crew reminisce over drinks and a game of cards. Seven is promoted to captain of the Titan, which is rechristened the USS Enterprise-G, with Raffi as her First Officer and Jack as liason to the Captain. Jack receives a visit from Q telling him that while Picard's trial has ended, his has just begun.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Season 3 of STAR TREK PICARD is back with Episode 9 titled "VOX".The Geek Buddies and big STAR TREK nerds John Rocha and Michael Vogel bring you their Spoiler Review of PICARD Season 3 Episode 9! They break down their overall thoughts on the episode and talk the Borg and the Changelings plans being revealed, Picard and Jack's connection to it, how Starfleet was infiltrated, the death of a certain character, and that final moment of nostalgia!The series stars PATRICK STEWART, JONATHAN FRAKES, TODD STASHWICK, MARINA SIRTIS, GATES MCFADDEN, MICHAEL DORN, BRENT SPINER, AMANDA PLUMMER, JERI RYAN and MICHELLE HURD.Chapters:0:00 Intro and Overall Thoughts10:00 Jack and Deanna, The Borg, Jack Runs from Picard and Beverly22:20 Jack Escapes, Data and Picard, Geordie Informs Picard36:25 Jack vs the Borg Queen, the Borg Assimilates Starfleet, Shaw, TNG Cre Escapes53:53 TNG Crew Comes Home, Final Thoughts on the Episode FOLLOW THE GEEK BUDDIES:Twitter: https://twitter.com/Geek_BuddiesFollow John Rocha: https://twitter.com/TheRochaSays​​​​​Follow Michael Vogel: https://twitter.com/mktoon

Picard discovers an important person from his past may be integral to the divergence in the timeline. Q continues his manipulation of the timeline, taking an interest in Dr. Adam Soong. Seven and Raffi attempt a daring rescue of Rios, while Jurati faces the consequences of her deal with the Borg Queen. In this episode of the podcast, Wes and Clay discuss "Fly Me to the Moon" and getting over it in three days. Plus! The guys chat about Q's endgame, Resident Evil shotguns, and Rios putting ICE... on ice. Are you looking for older episodes? Find this and every other episode at The Pensky Podcast! Thanks for listening. Stay connected: • https://thepenskyfile.com/links/ • e-mail: thepenskyfilevideo(at)gmail.com

With time running out to save the future, Picard takes matters into his own hands and seeks out an old friend for help. Meanwhile, Rios ends up on the wrong side of the law and Jurati makes a deal with the Borg Queen. In this episode of the podcast, Wes and Clay discuss "Watcher" and the subtle way that Star Trek: Picard weaves modern politics into its sci-fi allegory. Plus! The guys chat about dog divorces, shotgun call-backs, and understanding acronyms. Are you looking for older episodes? Find this and every other episode at The Pensky Podcast! Thanks for listening. Stay connected: • https://thepenskyfile.com/links/ • e-mail: thepenskyfilevideo(at)gmail.com

When Captain Janeway starts fiddling with her comm badge, a risky heist to steal Borg technology leads to a Locutus 2.0 situation with Seven. But after reliving her assimilation through the USS Raven's logs, an ultimatum from Dax's ex-girlfriend makes Seven willing to stay in Borg City. What's the most shocking reason to be in a closet in Silver Lake? Where should you not fall asleep when you have an 8am class? Which crew member celebrates Captain Janeway Day? It's the episode that's more Grizzly Man than Gorillas in the Mist.Support the production of The Greatest Generation.Friends of DeSoto for Democracy.Friends of DeSoto for Justice. Follow The Game of Buttholes: The Will of the Caretaker!Music by Adam Ragusea & Dark MateriaFollow The Greatest Generation on Twitter, and discuss the show using the hashtag #GreatestGen!The Greatest Generation is on Twitch.Facebook group | Subreddit | Discord | WikiSign up for our mailing list!Get a thing at podshop.biz!

It's great staying friends with people through the years, and nobody's seen this show grow as much as comedian Amanda Cohen. Amanda came into our lives through a Craigslist ad looking for people with big personalities to participate in a Pee Wee's Playhouse style musical variety show.Soon after meeting, we launched this podcast and Amanda's been with us through the highs and lows of our 18 years in podcasting. She's a rising star in LA's comedy scene and she's currently touring the Midwest.Today comedian Amanda Cohen joins us to kick off our fall season to talk about the early years of podcasting and to look at the future of filmmaking and artificial intelligence. Will computers auto generate infinite reboots of our favorite shows with our favorite actors, like Carol Channing as the Borg Queen on Star Trek?AMANDA COHEN: http://www.amandacohen.comResistance is futile, RASPBERRIES!Plus--➤ A look at the pressure entertainers go through to get plastic surgery.➤ The fascist origins of the world's most recognized fashion designers.➤ Donnie Stopa's Cancel Culture documentary.Episode #3048