Podcast appearances and mentions of Eddie Torres

In this podcast episode, GIA President & CEO Eddie Torres sat down with Dr. Maria Rosario Jackson, former Chair of the National Endowment for the Arts, to reflect on her transformative tenure. Recognized as one of the most impactful leaders in NEA history, Dr. Jackson discusses her visionary efforts to embed arts and culture into broader civic and governmental initiatives, from supporting Indian Country and Puerto Rico to advancing interagency collaborations on arts, health, and civic infrastructure. Join us as Dr. Jackson shares profound insights from her extensive career, celebrates the power of creativity to drive social change, and envisions a future where the arts continue to inspire, connect, and empower communities nationwide.

Send us a textA hard smoking hero stops off to see his dealer to test a new drug before heading off for a night of theological discussion, well hung vampires, and french heretic-klers. After that, the night takes a surreal turn. On Episode 648 of Trick or Treat Radio we wrap up 2024 and this year's December Double Feature Cram Jam with our buddy Rocky from the band Knowman. We discuss the films Heretic and MadS and Rocky has a gift for the listeners. So grab your favorite holy book, take excessive amounts of brown drugs, and strap on for the world's most dangerous podcast!Stuff we talk about: 2024 year in review, folk horror, indie horror, big hollywood jackoffs, Bob and Doug McKenzie, Destro, Ravenshadow's glow up, E.T. Eddie Torres, Anne Margaret, The Frighteners, the corpse of Jared Leto, I'm Afraid of Americans, receiving holiday cards, horror not getting enough credit, Nosferatu, Robert Eggers, Bill Skarsgard, Nosferatu the Vampire, Willem Dafoe, Ralph Ineson, Lily-Rose Depp, Yoga Hosers, “Mr. Perfect” Paul Orlock, Red Sox Swap, Penis Pokey, Waldenbooks, Knowman, GFY, Evil Corny, Monk Blood, Turok, 65, A Quiet Place, A24, Scott Beck, Bryan Woods, Sophie Thatcher, Hugh Grant, Chloe East, Topher Grace, Scooby-Doo, get down with the wetness, robot handies, Mazzy Star, The Church of the Subgenius, Monopoly, The Landlord Game, Under the Book of Heaven, Andrew Garfield, monotheistic vs. polytheistic religions, Book of Mormon, Bad Religion, Barbarian, Shutter Island, MadS, David Moreau, Ils, french extremity films, films shot in one take, Go, Night at the Roxbury, drug culture films, The Crazies, The Strangers, Nick of Time, Running Time, Rope, Judgment Night, night in the life of, “I'll Be Your Bucket of Piss”, Y2K, Kyle Mooney, 28 Days Later, the Green Lantern hierarchy, Aaron Pierre, we need to address the honky in the room, Memento Prick, Old Long Dong Orlock, Little Orphan Orlock, A Monopoly on Control, turn the sausage, the cousin of a banger, don't snort your sausage, and don't chap your banger.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Send us a message!Welcome back to LNXdance with your Co-Hosts, Marcus & Mari! Our guest for this episode is the beautiful Katherine Jimenez. We are so honored to share her story with you. Enjoy!Kathy on IG: katherinejimenez_official Ailey Extensions: www.alvinailey.org/extension/instudio/mamboNYU, Dance Ed: steinhardt.nyu.edu/programs/dance-educationStreaming Platform: KJON2.comCombinacion Perfecta and Eddie Torres: www.youtube.com/watch?v=mWXO5uW-PUsComparte el amor with our guest, and let us know your favorite part of this chat. We want to thank Katherine for making this Sip & Chat happen and sharing her story with us!Katherine Jiménez is a multifaceted figure in the world of dance. She was born in NYC and received training, taught, and graduated from The Ailey School and the Professional Performing Arts High School. With a passion for Latin dance, Katherine became a prominent figure in the scene, training under esteemed masters of NY Style Mambo. Katherine has performed internationally, gracing stages of City Center, The United Palace, Hostos, Radio City Music Hall, and Lincoln Center alongside esteemed artists like Tony Vega, Johnny Pacheco, Andy Montanez, Marvin Santiago, Willie Colon, Charanga America, and many others. In addition, Katherine has also served as a judge for the World Salsa Summit, helping fellow dancers refine their craft.Having successfully earned a master's degree in Dance Education from NYU Steinhardt, Katherine is on a mission to make dance and movement tools accessible to all. To achieve this, she founded her own streaming platform, KJon2.com, which aims to support and inspire individuals of all ages, ethnicities, and backgrounds worldwide. As well as a professor for NYU Steinhardt School in the Dance Education program. Throughout her career, Katherine has earned recognition as the first NY Style Mambo instructor at The Ailey School through the Ailey Extension and at The Professional Performing Arts High School. She has conducted workshops for Alvin Ailey's Arts in Education Teaching Artists. She has been featured on various media platforms, including PIX11, The New York Times, The Sherri Show, Cheddar News with ShannSupport the Show.--Brought to you by MotionScoop Dance Corp, LNXdance Podcast is a series of conversations FOR Latinx dancers and educators BY Latinx dancers and educators. Join Mari & Marcus -M&M- as they dive deep into important topics in the dance industry and explore how being part of the Latinx community affects us, our contributions, decisions, and careers. We hope you enjoy our sip and chat, don't forget to subscribe and leave a comment with what you loved, questions and topics for next time! Follow us on our Instagram page LNXdance to interact with our community and with us.For business inquiries and to apply to be a guest, please email motionscoopinfo@gmail.com ¡Adiós! Hosts: Marcus Mantilla-Valentin & Mari VasconezSponsors: MotionScoop Dance Corp.

Struggling podcasters/backyard wrestlers agree to fill in for a babysitting job. What starts off as a quiet night of pizza and video games quickly spirals into bloody chaos as they find themselves fighting for relevancy. On Episode 603 of Trick or Treat Radio we discuss the throwback horror, heavy metal, wrestling flick Here For Blood from director Daniel Turres! We also discuss how to turn a comic strip into a film, the delicate balance you need to strike in a horror comedy, and what House of the Devil would look like if Lloyd Kaufman directed it. So grab your favorite spooky gimmick mask, lace up your wrestling boots, and strap on for the world's most dangerous podcast!Stuff we talk about: Troma, expensive box sets, independent cinema, E.T., Eddie Torres the Extra Testicle, wrestling, heavy metal, throwback horror, the halftime show, Fantastic Four casting, Franklin Richards, is it possible to make a good Fantastic Four movie?, Josh Trank, Capone, Major League, Pedro Pascal, Roger Corman, The Bear, Andor, Joseph Quinn, Vanessa Kirby, Ebon Moss-Bachrach, Ralph Dibney, The Mandalorian, too much of a good thing, Madame Web, Final Cut, Lloyd Kaufman, Charles Band, Carny Shyster, comic strips, Fred Basset, For Better or Worse, Family Circus, Groo, The Far Side, Steven From Providence, Doug Allen, Nancy and Sluggo, Heavy Metal, Fritz the Cat, Beetle Bailey, Wizard of Id, Haggar the Horrible, Franky the Mobster, Dee Snider, Shawn Roberts, Daniel Turres, AI written synopsis, throwback 90s horror, pro-wrestling horror, heavy metal horror, the effects of steroids, Dr. Zahorian, Survivor Series, Neon Maniac, Nightbreed, Herr Starr, Repo Man, The Butcher Shop FX Studio, behemoth, House of the Devil if Lloyd Kaufman directed it, disconnected film openings, safe spaces in horror, striking a balance between horror and comedy, Powerman 5000, Pantera, Karl Gotch, George Hackenschmidt, Baseball Furies, watching bloody movies on Valentines Day, I Saw the Devil, Kim Jee-woon, Cobweb, Career Killers, Maximum Overdrive, Pat Hingle, The Night of the Hunter, Charles Laughton, Robert Mitchum, I egress, and The Fantastic Foreskin.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Art Movez co-hosts Toni Williams, Eli Kuslansky and guest co-host Dr. Durell Cooper talks with Edwin Torres, the President and CEO of Grantmakers in the Arts, a national association of funders that make grants to artists and arts organizations. --- Send in a voice message: https://podcasters.spotify.com/pod/show/toni-williams72/message Support this podcast: https://podcasters.spotify.com/pod/show/toni-williams72/support

Get ready for a rhythm-packed journey as we dive into Episode #46 of the Mambo in the City Salsa Podcast! In this special edition, we're paying tribute to the legendary "El Rey Del Timbal," Tito Puente. Join us as we reminisce with The Mambo King and Queen of Dance, Eddie and Maria Torres, alongside the iconic Bongo Player, Jonny "Dandy" Rodriguez, and the talented Tito Puente JR, son of the late great Tito Puente!Get ready to be transported as we unravel tales of Celia Cruz and Tito Puente's adventures on the road. Immerse yourself in the memories of Eddie Torres and Tito Puente, setting the dance floor ablaze at the Corso night club. And let's not forget the electrifying vibes of the Palladium Ballroom in the heart of New York City!This episode is not just a journey through history; it's a celebration of the pulsating beats that shaped an era. And a special shoutout to our sponsor, Lehman Center for the Performing Arts, for making this rhythmic odyssey possible! Tune in, turn up the volume, and let the salsa magic begin!

Welcome to another episode of Friendless, where we delve into the complexities of human connection and the pursuit of creative fulfillment. In this episode, our host James Avramenko is joined by the talented artist, Eddie Torres. Eddie opens up about the pressure to constantly create content for the algorithm, feeling trapped on a hamster wheel that kills creativity. They share their fascination with exploring the world of kink and dom/sub relationships, inspired by a beautiful display of Shabari they came across on Instagram.But Eddie's journey as an artist is not without its challenges and self-doubt. They discuss the shame and embarrassment they feel about being a poet, fearing the judgment and failure that may come with identifying as such. Eddie reflects on their early experiences studying advertising and communications in Brazil, and how it led them to pursue a second degree in fashion design, ultimately embracing their identity as an artist.Loneliness and isolation are recurring themes in Eddie's life, and they candidly discuss the difficulties of making and maintaining friendships, especially during the pandemic. They wonder how others find solace in long-distance relationships and explore the power dynamics at play in the audition room and the need for artists to surround themselves with those in different mediums to avoid unhealthy competition.Throughout the conversation, James and Eddie navigate these topics with sensitivity and curiosity, reminding us of the importance of secure connections and celebrating the joy of others.Be sure to support the show by leaving a 5-star review and sharing this captivating episode with your friends.Don't forget to sign up for the weekly Substack newsletter to gain exclusive access to behind-the-scenes content and thought-provoking essays.Follow Friendless on Instagram and on TikTokand find all other links over on the Linktree!If you'd like to support Friendless why not Buy Me A Coffee?Fun and Safety sweeties!

Welcome to SEASON 2! This week we welcome the WORLD RENOWNED pro dancer Desiree Godsell. Born and raised in Houston, Texas, graduated from the High School of Performing and Visual Arts, received a B.F.A. in Dance Performance from The University of the Arts in Philadelphia. Choreographed and danced for Atlantic recording artist Santigold touring all over the world, Was partners with mambo king Eddie Torres, she's starred in Broadway. Been on 4 different late night talk shows including Jimmy Fallon, Stephen Colbert, etc. Has been in movies such as “in the heights” & so much more! Tune in to this amazing conversation about the seasons of life in dance as well as parenting as a pro dancer.   @desireegodsell Make sure you check out our patreon for Ad free episodes, MORE EXCLUSIVE content as well as Merchandise discounts and other bonus content! www.patreon.com/DanceNoCapPodcast Social Media: IG: @DanceNoCapPodcast  Archie: @YoItsArchie  Yesi: @Yesibean Efosa: @E.omede Jamiel: @Mitey_mau5 Amber: @DJafrodeshiak --- Send in a voice message: https://podcasters.spotify.com/pod/show/dancenocappodcast/message

When a group of psycho podcasters go on a murderous rampage after surviving a botched live show the previous week, only one Arkham occupant can calm their violent tendencies and restore order to the show. On Episode 563 of Trick or Treat Radio we are joined by Arkham Josh to discuss the films The Third Saturday in October Part V and The Third Saturday in October Part I! We also discuss our favorite Twilight Zone episodes, we talk about the different eras of slashers, and we discuss lost films! So grab an iconic slasher mask, take comfort in the words of the poet laureate Pootie Tang, and strap on for the world's most dangerous podcast!Stuff we talk about: National Twilight Zone day, Arkham Josh, Eddie Torres, Film Festivals, Portland ME, beating kids at foosball, Time Enough At Last, Burgess Meredith, John Lithgow, Third Rock From the Sun, Richard Kiel, Star Trek, Fats & Corky, break down the walls of Jericho, Jelly's, Kansas Bowling, Parker Love Bowling, Friday the 13th Part V, Howling V, The Third Saturday in October Part V, The Third Saturday in October Part I, Freddy Krueger, Nightmare on Elm Street, Franklin Jr., foot jobs, small town Alabama, college football, Happy Birthday To Me, Halloween, 70s grindhouse, wood paneling, Texas Chainsaw Massacre, Jay Burleson, Phantasm, Scream, 90s slasher films, Child's Play, New Nightmare, Candyman, Popcorn, Maniac Cop 2, Wes Craven, Blood and Black Lace, Mario Bava, A Dark Song, From Black, Darth Maul, the death of metal, the height of the slasher, lost film, Heavy Metal, Blade Runner, London After Midnight, The Hills Run Red, Poltergeist, Unmasked Part 25, Saturday the 14th, Psychos in Love, Sleepaway Camp 2, KISS Meets the Phantom of the Park, Steel Panther, Lew Temple, the look of a killer's mask, William Shatner, costume in a box, Ben Cooper, Evil Dead Rise, Lee Cronin, Misfits of Horror, Tennessee Hate Week, words of comfort from Pootie Tang, poet laureates, The Last Thursday in November, We Arrived Together, and Terror at 37 Feet.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Recovering addicts desperate for closure and saddled by crushing guilt after the disappearance of their God, are presented with a bizarre offer to learn the truth about what happened and set things right - if they are willing to pay a terrifying price. Although how many technical issues are they willing to endure? On Episode 562 of Trick or Treat Radio we discuss From Black from director Thomas Marchese! We also pay tribute to Giovanni Lombardo Radice, talk about Mesopotamian Divination, and learn who the real E.T. is. So grab your favorite book of incantations, fix your broken hard drive, and strap on for the world's most dangerous podcast!Stuff we talk about: Technical issues, MonstahXpo, wanting to go to a convention, Steve Van Samson, Rough House Publishing, Retro Ridictopus, homemade horror trinkets, Corky and Fats from Magic, Rosemary from Demons, Madman Mars, Blood Feast, clayguy.com, Black Honey, Brian Paulin, Blood Pigs, Morbid Vision Films, August Underground, Fred Vogel, Linnea Quigley, shitty GPS, Gallo Video, smut with neon lights, Cannibal Ferox, Mike Baronas, The Omen, Count Orlock, Max Schreck, House on the Edge of the Park, Eddie Torres the Extra Testicle, From Black, non-linear storytelling, Anna Camp, Kevin Smith, The Babadook, Thomas Marchese, Finding Nemo, Mike Muir, Son, bad audio mix impacting a film, Key of Solomon magic, meditation on grief, True Blood, Quasar, Spider One, Krsy Fox, Allegoria, Bury the Bride, A Dark Song, The Third Saturday in October Part I and V, and RIP Giovanni Lombardo Radice.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Eddie Torres learned the power of food connecting families at an early age when he would have Sunday dinners with more than 20 members of his extended family, most of whom lived in the same apartment complex. But it wasn't until the great recession, which buckled the car industry where he was working, that he decided to go to culinary school.  After school he bounced around town until making his way to Ella pretty quickly, starting at the bottom and working his way up to the line. Then, he heard from his boss that Kelly McCown was taking over at The Kitchen and looking to build his team. Eddie tried out and ended up working at The Kitchen for 6 years, working his way up to sous chef. Eddie talks about the intensity, the craft, the precision and the joy that it took to work at one of Sacramento's most prestigious restaurants.  Today he  is back working with his good friend Ben Roberts who owns Pizza Supreme Being helping put out some of the best pizza in Sacramento, while he works on his own concept of a Puerto Rican inspired restaurant.  Photo courtesy of @jamiecardenasphotographer Eddie's instagram   Visit the podcast website at dineonesix.com   Follow us on Instagram Comments, questions or suggestions? Email us at max@dineonesix.com or neill@dineonesix.com

No hay que perderse la selección maravillosa que hace Benjamín Cuello cada semana. En esta oportunidad nos presenta a Africando All Star, Maelo Ruíz, Benny Moré, Seo Fernández con Eddie Torres y Cheo Marquetti y su Conjunto Los Salseros. Producción de Sábados de Antaño para Expresiones Colombia Radio. www.expresionescolombia.co COntacto: +573163254938

Happened In the 90's hosted by Steve and Matt picks a day, any day, and then goes back in time to that magical decade we all know and love the 90's, to revisit episodes of tv, movies that premiered, or cultural events that occurred on that day in the 90's. Matt and Steve veer into some strange territory by Matt and Steve taking some of their teachers to task and then Steve writes his love letter to wolf pussy. After that it's time to turn off the Nintendo and pack up that Power Pad because it time to go back to September 8th in the 90s. SEGMENT 1 Show: Bobby's World Episode: The Visit To Aunt Ruth's (Season 1 | Episode 1) Premiere Date: 09/08/1990 Story: Bobby does not want to stay at Aunt Ruth's house. He thinks he'll be bored and she smells. However, Bobby finds that being with his Aunt Ruth is actually fun. SEGMENT 2 Show: New York Undercover Episode: School Ties (Season 1 | Episode 1) Premiere Date: 09/08/1994 Story: Manhattan police detectives J.C. Williams and Eddie Torres are assigned to a case dealing with a 17 year old girl who accuses a high school football player of rape. Eddie has problems going to see his mother, who is in the hospital, after six years of non-communication with each other. Thanks for listening! Watch all new episode every Thursday here on Youtube: https://www.youtube.com/channel/UCk5uXQXE9WGIWcpSkNkXaOg Audio available on all major platforms. Email Us At: hitnineties@gmail.com Instagram: HappenedInThe90s Twitter: HIThe90s Facebook: @HappenedInThe90s Website: happenedinthe90s.wordpress.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Happy Birthday to: Eddie Torres, George M. Cohan, Syvilla Fort, and Amalia Aguilar! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

Grantmakers in the Arts is participating in the Racial Equity Coding Project, which was kicked off with a culmination of research led by Doris Duke Charitable Foundation (DDCF) with Callahan Consulting for the Arts (CCA). The project has given funders an opportunity to examine and refine their own coding practices and to consider new data collection measures for the future. In this third episode, we are glad to be joined by Eddie Torres, president and CEO, Grantmakers in the Arts. He closes our series with his reflections as the leader of a philanthropy-serving organization, and his hopes for the next steps of the project. He also offers a unique opportunity for you to get involved! Email Eddie at eddie@giarts.org for more information.

The Nobodies have a guest! This week, we have friend of the show and fellow sucker Eddie Torres in. We break down the news and releases this week before getting to the story of the week, Kanye West releasing "Donda 2" (technically) exclusively on the Stem Player, a 200 dollar piece of equipment that all 3 of us were somehow convinced to buy. Half album review, half product review, we breakdown the pros, the cons and the repercussions of the Stem Player and Mr. West's plan to set this up as a brand new music platform. PLAYLIST OF THE WEEK https://open.spotify.com/playlist/6FtJeMMcMfvhH40fd1MiCd?si=db564caf6506486e CONTACT US at TheUnpaidNobodies@gmail.com Brandon: Twitter - @TonyFugazi Instagram - brandonscavone Spotify - https://open.spotify.com/user/3hq3hnl07yk6np95pmijslvgn?si=c0360416ebaf4e04 Purvis: Twitter - @sumn_simple Instagram - sumn_simple Spotify - https://open.spotify.com/user/1280124514?si=19356165562246a2 Eddie Spotify - https://open.spotify.com/user/edtorres1018?si=0dcb2df5a1654d1d --- Send in a voice message: https://anchor.fm/unpaid-nobodies/message

In this episode:  Salsa Legends Tito Nieves, "Mambo King" Eddie Torres and  the Queen Maria Torres, share memories of Hector Lavoe, NYC salsa clubs of the 1970's and early 80's, Conjunto Classico,  meeting Ralph Mercado, the RMM years, Tito Puente ,Concert stories, travel stories and so much more! Enjoy this very rare podcast from exceptional  2 legends!Tito Nieves has become one of the most prominent salsa singers in the industry. He was born in 1959, as Humberto Nieves, in Río Piedras, Puerto Rico. He started performing professional gigs when he was still 15 years old. He started singing background vocals for Orquesta Cimarrón and soon became lead singer in the band. His first major breakthrough was when he began to sing with Héctor Lavoe in the late 70’s. In 1979, Tito Nieves joined the Conjunto Clásico band, becoming a worldwide sensation.By the late 80’s Nieves had enough professional experience to go out on his own. He recorded his first solo album, The Classic (1988-RMM), which contained the hit song “Sonámbulo”. This would be the first of many productions he would record for the label. His next album Yo Quiero Cantar (1989-RMM), which contained his first crossover English-language song, “I’ll Always Love You”. The third album Déjame Vivir (1990-RMM), established Nieves as one of the genre’s most formidable voices to emerge in recent years. Nieves contributes his own composition to the album, with his title track. His fourth album Rompecabeza (1992-RMM), which continued his ascent as one of salsa’s fastest rising stars.Hosted by Adrian Montanez, DJ Broadway and Mario BDon't miss the Tito Nieves Podcast :' Conversa Con Tito' every Monday Night ,via Tito Nieves official Facebook page!

Anya Katsevman has spent much of her career teaching.  She is a two time Salsa champion and has gained the reputation of coaching and mentoring rising talent in the Latin dance world!Most recently she has been seen on stage with the King of Mambo,  Eddie Torres. Sought after for  judging, choreographing, producing, staging, designing, and helping develop artists, professionals and dancers of all levels in all genres of the entertainment industry. Anya is also a recognized  life coach, healer  and mentor using reiki, spirituality and  her method called godeeper a dance based wellness program to help people develop in their business and personal endeavors. Don't forget to subscribe and leave a review!

This podcast is dedicated to the ones who want to grow and excute the call of God on their lives! Check out this Q & A session that Josue is interviewed by the host of the TruCulture Podcast Eddie Torres. In this discussion Jouse talks about failures in leadership and shares some stories on how to overcome these short comings. Follow the TruCulture podcast at https://linktr.ee/_eduardo.torres follow Josue @josueibarrapodcast --- Support this podcast: https://anchor.fm/josue-ibarra4/support

"It began on the northside streets of Chicago's Wrigleyville." Highly motivated as we start our day; motivated and thankful. On the show this morning we were honored to have Mr. Eddie Torres (Musician & Award Winning Composer) in the studio. From the northside of Chicago to some of the most storied counties, Eddies' journey was awesome to hear. Currently, Eddie has a film in post-production and we spoke about the process and the early years. Latin jazz, being unique and never giving up; all this and coffee. Bright and early. We appreciate Eddie for taking time to share and build with us. We wish him the very best in all his endeavors, and a Merry Christmas. A very Merry Christmas and shouts go out to all of you as well. We appreciate all of our listeners, fans and new subscribers. Check out the early episodes of your favorite morning news show and check out the catalog here: https://www.goodmorningaurorail.com/blog/categories/episodes . All the news you love, all the time. Big shouts go out to Java Plus, Gillerson's, Aurora Rapid Response and Aurora Tap House. Register your business by the 31st; and are you familiar with what Aurora Township does? Elections April 6th, stay woke! Be blessed, be strong, stay positive and have a very Merry Christmas! --- Support this podcast: https://anchor.fm/goodmorningaurora/support

Jesus, The Way, The Truth and The Life Part 4 with Pastor Eddie Torres

In this podcast, Activating Our Power After the Election, Eddie Torres, president & CEO of Grantmakers in the Arts, and Kristen Cambell, executive director of Philanthropy for Active Civic Engagement (PACE), discuss the responsibility of funders to support advocacy, lobbing, and overall civic engagement after the election.

In episode 40, we catch up with Award Winning Film Composer, Grammy Voting Member, and Music Producer, Eddie Torres. Eddie's compositions have been recognized in Amsterdam, London and in South Europe (Spain) - winning Best Original Score awards. Eddie has also received Film nominations for Best Original Score in Italy, Spain and in New York. Eddie’s vote counts for both the Grammy and Latin Grammys in four categories – no small feat considering The Recording Academy demands an impressive list of commercial credits to be accepted as a member. He was also a board member for the Academy’s Chicago chapter (Gospel Task Force Committee). Expanding on his success in music for film and other projects, Eddie has composed music for TV shows such as Murder For Hire (Oxygen), Long Lost Family (TLC) License To Kill and Super Nanny (Life Time), but has also produced artists such American Idol Devin Velez. Eddie recently signed to new feature film Life Ain’t Like The Movies releasing 2021. Eddie has also produced TV jingles for Telemundo Chicago, Del Ray Farms and TCF Bank. His original music score can also be heard on a documentary Self Serve included Hollywood actors such as Oscar nominated actress Sally Kirkland, creator of Final Destination Jeffery Reddick. Eddie’s voice is heard through his character Apple Peace, a 3D animation (The Fruit Gang) titled You Are Special on Amazon and also served as senior sound producer. It began on the streets of Chicago’s Wrigleyville neighborhood. Eddie was nine years old when his father put a $26 guitar in his hands. Ever after, he considered himself a musician. By age 11, he was playing multiple instruments. In his teens, he lined up gigs for his band: concerts, corporate events, weddings and fundraisers. In between parking cars for Cubs fans and performing, he began using second-hand recording equipment to piece together his own music. By his twenties, Eddie worked a full-time job started a family and produced music from his studio in Chicago at night. The round-the-clock demands took a toll so he chose his passion for making music, opening Rushing Wind Productions in 2002. After relocating to Chicago’s west suburbs, he constructed an acoustically-sound, stylish 1,000-square-foot home studio in 2007. One look around Eddie’s studio tells a story: Walls are papered with endearing notes praising Eddie’s professionalism, tireless work ethic and musical imagination. Eddie’s work spans the globe. From Jersey shore musicians to directing a live church band in Peru to recording projects from Brazil, Israel, Puerto Rico, Georgia and India, collaborators trust Eddie’s agility to embrace the cultural undertones inherent in a creative theme. Eddie’s deep faith and talent for dramatic musical effect has connected him with many Chicago-area churches from small congregations to mega-churches. Among his many Christian music credits, he served as music director in some of them and producing some church projects. Eddie lives with his beautiful wife of over 30 years Juanita and has two kids and one grandson. Joshua, Alexa and grandson Logan. What is one of Eddie’s most memorable projects? Co-writing and producing the original track Never Forgotten with his daughter, Alexa which available on iTunes. The song, with bright overtones of ukulele/reggae/pop, was inspired by the memory of people loved and lost. For more information go to: www.eddietorresmusic.com. * * * Watch Life hacks for Entrepreneurs Episode 10 here: https://youtu.be/ckiBNv5lqvM * * * Special thanks to our episode sponsor MRDEU Global Media. For more info visit www.mrdeu.com & The Weight Loss Warehouse.

Thanks for checking out Episode X with Oscar Hernandez!   Oscar Hernandez Biography    Oscar Hernandez is a 4x time Grammy-award winner and leader of the renowned Spanish Harlem Orchestra. He is a pianist, arranger, composer, and a bandleader. He has worked with Ray Barreto, Ismael Miranda, Celia Cruz, Conjunto Libre, Pete "El Conde" Rodriguez, and Grupo Folkorico.  He has produced such artists as Ruben Blades, Paul Simon, Willie Colon "Carabalí", Daniel Ponce, Rafael DeJesus, Eddie Torres, Phil Hernandez, Steve Kroon, Juan Luis Guerra, and many more.  On Episode X we discuss his career that spans over 40 years, his experience working with so many respected artists, the responsibilities of a bandleader, and encouraging those that work hard at their craft to continue persevering.   For more on Oscar Hernandez and Spanish Harlem Orchestra visit:   http://www.oscarhernandezmusic.com  http://www.Spanishharlemorchestra.com    Special thanks:   Oscar Hernandez  Alex Maldonado (Cameras)  Daniel Contreras (Cameras) _____________________________________   Gear used:   Macbook Pro (Early 2015): https://amzn.to/3ea8DCI RØDE Procaster Microphones: https://amzn.to/2TtHeDG RØDE Pop Filter: https://amzn.to/36lSFm2  _____________________________________   FOLLOW ME: http://www.instagram.com/sir_kevinchong  WEBSITE: http://www.sirkevinchong.com

Eddie is back!!COVID has changed everyone's life and Eddie's story is no different. We discuss his career change and his next moves with Alpha Ethics.Support the show (https://www.paypal.com/biz/fund?id=SUEC9BNU7MRLJ)

Eddie sits down to discuss how he got into coaching, starting his own gym and motivation.Support the show (https://www.paypal.com/biz/fund?id=SUEC9BNU7MRLJ)

When she assumed Eddie Torres was dancing with her “off time” Why people don't dress up to go dancing anymore. teaching 17 year old Johnny Vasquez his very first basic steps, The rise of bachata, Whispering leads The secret to being an exceptional social dancer and Dating Willie Colon Find Edie, The Salsa FREAK: Personal Website: - https://www.SalsaFreak.com Online Store: - https://www.DanceFreak.com Online Training: - https://www.BlackBeltSalsa.com Online Dance Business Management Training: - https://www.DanceBusinessManagement.com ALL Dance Genre Training: - https://www.BlackBeltDance.com _________________ Facebook:  - https://www.facebook.com/BlackBeltDanceDenver - https://www.facebook.com/SalsaFreak  - https://www.facebook.c…    

As a part of the continued efforts of Grantmakers in the Arts to center racial equity, we are glad to introduce the first Grantmakers in the Arts Racial Equity Podcast Series! To kick us off, Grantmakers in the Arts (GIA) president & CEO Eddie Torres discusses why GIA values and centers racial equity via a stroll through the history of arts funding, a review of ways that GIA is collaborating with others to continue centering racial equity in concrete ways both within the GIA and externally, and how GIA will continue this creative collaboration in order to continue the work across sectors.

In this podcast, Jeff Chang, vice president of Narrative, Arts, and Culture at Race Forward is interviewed by Eddie Torres, president and CEO of Grantmakers in the Arts. He speaks about narrative change a strategy, cultural shifts and how these evolve to impact human behaviors, and his own critiques of pop culture. Chang wraps up with what funders can consider.

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Eddie Torres is a pioneer, inspiration and the reason so so many salsa dancers dance salsa! His story is so unique and his experience is second to none. Fun chat with one of the greatest! Enjoy :) From: www.EddieTorresNY.com He was born July 3,1950 in the same hospital as Tito Puente; raised by his Puerto Rican parents in Spanish Harlem, a.k.a. El Barrio, New York City. Torres's mother, a hospital worker; his father an inventive plumber, sparked Eddie's knack for inventing. No dancers or musicians in the gene pool to Eddie's best knowledge. He was merely 12 years old when he caught the dancing bug. Just back in New York after a two year sojourn in Puerto Rico, he developed a puppy-love crush on a girl from the hood. Shyly, he asked her to the movies and she made a counter-offer: why didn't he come to her house? That Saturday, when Renée opened the door, Eddie was surprised to see a tall, good-looking guy sitting on the couch. Renée whispered apologetically, "He's my ex-boyfriend. He's looking to make up with me." Then, in an attempt to break the tension, she asked Eddie, "Do you know how to Latin?" She wanted to know if he knew how to dance Latin. Fresh from Puerto Rico, his confidence emboldened him. Renée leaned over the record player and dropped the needle on the groove of Eddie Palmieri's Azucar Pa' Ti. Not knowing a thing about leading position or about timing, the young suitor started jumping around, then glanced over to collect looks of approval. But his rival on the couch sat clamping his jaw closed, holding back a burst of laughter. Two minutes into the number, Renée retired her inexperienced partner, pulled her ex-boyfriend up and explained in a professorial manner, "Let me show you the way WE do the Latin." It was plain to see that there was a lot of coordination, plenty of moving together and all sorts of turns. The more they danced, the worse Eddie felt. After the dance demonstration, his love interest pulled him to one side and explained, "He really wants to make up with me." From that moment, Eddie made himself a promise, "This is never going to happen to me again. I'm going to learn how to dance." The idea of learning "to dance Latin" became an obsession. Schooling took the form of going to all the clubs and hanging out with all the good dancers--watching, imitating, asking, and being a pest. Slowly he started to learn the foundations of the dance. In those days, not many clubs allowed teenagers in, but the famous Hunts Point Palace opened every Sunday from noon to midnight, and for $5, they presented five top Latin bands, back-to-back, on two stages. Fifteen-year-old Eddie punched the clock when the club opened and sauntered out at closing time, exhausted but determined to learn. Eight years later, he was teaching and competing in dance contests and garnering a reputation amongst the good dancers as being one of the best. One night, while he was dancing in a head-to-toe white outfit, in a club lit with nothing but black lights, his sister pulled him off the floor. It seems Renée, his childhood flame, spotted a slick dancer and wanted an intro. In the dark, Eddie's sister did the honors."Renée, I want you to meet Eddie." Upon recognizing the skillful dancer, she froze as if she'd seen ten ghosts. Eddie wanted to dance with her desperately, he wanted to thank her, "You're the reason why I got into this." But she disappeared and that was the last time he saw her. LEARNING THE BASICS There were no studios where one could learn how to dance this style, so the nightclub scene was the nurturing ground for aspiring dancers. And not all dancers were generous. "There were dancers who didn't even want you to look at their steps, 'cause they didn't want you to learn: That's private stock!" Lucky for Eddie, he had a knack for picking up steps just by watching. He observed dancers like Louie Máquina, who got his nickname from his "real rapid-fire footwork"; Gerard, a dancer known for his scandalous antics on the floor; George Boscones, the teacher of the newcomers and especially Jo-Jo Smith, a professional jazz teacher with a unique style of mambo jazz dancing. The pros of that time were Freddy Rios, the Cha Cha Aces, Tommy Johnson and the one team who were the greatest influence of all, the prima donna team: Augie and Margo. After the first time Eddie saw them at Roseland, he was in such a state of euphoria that he couldn't sleep for weeks. He kept thinking, "I want to be Augie and I have to find Margo." As soon as he learned to hold his own, he set up shop as a dance teacher, because he wanted to share his knowledge. Armed with a rented phonograph and a bunch of friends, he was soon in business. With no concept of timing, technique or theory, his instruction consisted of rudimentary pointers: "You hear that accent? That means you break forward with the left foot and when you hear it again, you break back." This is known as dancing on two, Eddie would soon find out. Breaking on two meant that of a four beat measure, you stepped forward with the left foot on the second beat and on the second beat second measure you stepped back on the right foot. According to Eddie's mentor, Tito Puente, that's why beat two is so popular, because it compliments the tumbao of the conga and the rhythm section. TITO, PLEASE From 1975 to about 1986, the Corso nightclub on East 86th Street became home to the second generation of the Palladium era. Wednesdays, Fridays, Saturdays and Sundays found Eddie Torres strutting his Harlem steps to the likes of T.P. and Machito. From the beginning, Tito Puente's music really spoke to him. This was during the years that Puente had the ass-kicking band with Santos Colón. Testing his skill in dance contests, Torres garnered so many awards that at one point, Marty Ahret, Corso's owner, asked him to sit out the contests and judge. One Sunday evening, as Tito Puente came off the stage, Eddie approached the maestro to pay his compliments. Tito perceived Eddie's flair, "You've got talent for dancing. You need to do something more than just spend all your time here dancing socially." "There's no mentors," Eddie retorted. Tito whipped around, "Forget about mentors. Develop your own ideas and put a little act together. Figure it out yourself." Emboldened, Eddie persisted, "If I had an act, could we do some work together?" "Get something together and show me." All Eddie ever wanted to do was to dance with Tito's band. Eight years lapsed before Eddie met Maria, his future wife and partner. His years of dancing and observing had evolved into a unique technique and style. Maria, a children's gymnastics teacher, felt rather intimidated at first, but quickly became Eddie's best student, learning faster than anyone he'd ever taught. "I would do a step and she would reflect it right back to me." But her style was provincial and lacked the Big Apple pizazz. Prompted by the possibilities, Eddie choreographed his first two tunes, El Cayuco and Palladium Days by Tito Puente, and trained Maria. In less than a year, she became a good stage dancer, but she didn't have any experience in club dancing. So when Eddie introduced Maria at the clubs as his new partner, his friends didn't think she had it. A couple of years later, they conceded, "You know, Eddie, she's getting pretty good." By the third year, they agreed, she was the best partner he'd ever had. Filled with enthusiasm over his partner work, Eddie decided it was time to talk to Tito. Performing at Christopher's Cafe, in El Barrio, Mr. Puente spotted Eddie, "You're the dancer from the Corso." Torres offered him a makeshift business card, and pitched, "Do you think I can come over with my partner and demonstrate for you these two numbers that I choreographed? If you like them, maybe we could do a show with you?" Tito did not mince words, "You know, I'll be honest with you, Eddie. I'm very busy right now. I don't think I'll have a chance to call you...." Eddie frowned. "...But I'll tell you what I'll do. I'm going to introduce you to my musical director, Jimmy Frisaura. Tell Jimmy exactly what you want in the music, how you want us to play it, and in our next concert, I'll feature you with your partner." Eddie was flabbergasted. The year was 1980. It was a dream come true-the debut show with Tito Puente took place at the New York Coliseum as part of a big Latin Expo. Eddie was really nervous, but he and his partner, Maria, were very prepared. They performed Cayuco first and then broke out into Palladium Days. The crowd was captivated and Tito had a big smile on his face. It was a total success.   From that day forward, everywhere Tito went, Eddie would follow, costume and shoes, ready to go. And Tito would always ask, "You guys like to do a number?" It was ad honorem, but Torres felt privileged to be working with Tito. Eventually, Torres became a fixture--part of the format of the show. Then he popped the question, "Tito, would you mind if we call ourselves the Tito Puente Dancers?" That dream, to be identified as Tito's dance team, took the form of a jacket with TP's picture playing timbales--it said Tito Puente Dancers, and Tito dug it. It was Eddie's biggest honor. Even more so when Jimmy Frisaura confided, "Tito doesn't share the stage with anybody too readily. He likes you." WE WANT LATIN In the mid-eighties, Latin was out and the hustle was in and it was very hard to get work as a Latin dancer. On one occasion, Eddie wanted to dance in a Latin concert at Madison Square Garden where Tito Puente was playing, but Ralph Mercado said, "Naw, no, no. I got the Disco Dance Dimensions for the intermission show. I don't see no need for you to be out there. That's not what the people want." Feeling hurt and upset, Eddie explained his frustration to Tito, "I'm not asking for money. I just want to go out and do my thing with you." Tito assured him, "Don't worry about it, baby. I'm gonna bring you in as the Tito Puente Dancers and I'm going to tell Ralphy he doesn't have to worry about nothing."   The night of the concert, the Disco Dance Dimensions put on a crowd-pleasing show. Immediately after, Tito Puente played Para Los Rumberos, and got the crowd into a frenzy. Then, he signaled the dancing duo onto the stage to perform Palladium Days, a very fiery, intense mambo. Sternly, Eddie forewarned Maria, "I want you to dance blood." They danced as if they were on fire. Tito had a big ol' smile. And a pleased Ralph Mercado looked on from the sidelines. The roaring crowd in the Garden gave them a standing ovation, sending out a clear message: they preferred to see Latin dancing accompanying the Latin music. They wanted to let Ralph and everyone know, "Hey, that's what we want." After that evening, Ralph Mercado started calling Eddie to do shows with him. In the nineties, Ralphy introduced his own captivating dance troupe called the RMM Dancers, who animate his concerts with sensuous salsa dancing, though Eddie's group continues to appear at RMM gigs. THE FUTURE During the eighties, when Maria and Eddie came on the scene, only a few pro dance teams were left. Aside from Ernie and Dottie and the Cha Cha Aces, there was little trace of the powerful Palladium era. It seems the Palladium dancers got so caught up dancing for their own enjoyment that they weren't thinking about future generations. Early on, Eddie developed a vision: to see Latin dancing evolve to the point of a respected, classic art form. Recognizing the need to pass the traditions of the music and the dance on to future generations, Mr. T. took it upon himself to make it happen. People laughed at him, "Eddie, what are you doing? This dance is dead." But he obstinately continued his mission. Before Eddie Torres came along, no one had laid down concepts of structure and technique. He has taught thousands of Latin dance aficionados. His children's dance program in the Bronx teaches approximately three hundred children throughout the year including Eddie's ten year old daughter Nadia, who is already a seasoned pro. The unique idea of offering salsa or mambo dancing to children alongside other dance forms such as ballet, jazz, tap, modern or African, guarantees the future of Latin. The program developed by Eddie is now run by Maria. HE'S GOT STYLE When Latin dance first came to NY, it was an open position dance. That means that two dancers would dance in front of each other and there was not much contact, what we know today as partner work. But the second generation after the Palladium got into doing a lot of partner work. There seems to be a fascination for inventing turns and being in touch with the partner. The Palladium dancers lay down the blue prints of the New York hip style of Latin dancing. "In NY, people like to dress slick, talk slick, to be very bebop jazzy. Especially Latinos. Being born and raised in Harlem carries a certain attitude about how you walk through the streets, attitude about the way you say things and how you use your body language. It carries such a signature that if I saw someone from New York dancing in Japan, I'd know it." Broadway musicals, Ailey's work, African dancing, and flamenco all were sources of inspiration for Eddie. Watching, imitating, and admiring the people that were the tops, Eddie slowly evolved as a pro. His style results from a true amalgamation of all those that came before him. With an uncanny ability to imitate, he incorporated a little jazz, a little ballet, a little tap, a little modern, and came out with his own style. Observing the different dancers of his time with their own signatures, he picked up from every one of their styles: JoJo Smith's jazz movements and expression of style; Freddy Rios's very Cuban typical style; a little of Louie Máquina. In dancing, that is known as eclectic styling. THE TORRES REPERTOIRE The late June Laberta, a ballroom dance teacher, was Eddie's greatest influence. She taught every ballroom dance in the book, but her greatest love was mambo. On many occasions, June accompanied Eddie to the Corso where the odd couple danced up a storm. He was in his twenties, she was in her late fifties. Creating kooky intricate little moves that came from jazz and everything that she knew, the lean Laberta would spin like a top. June's mentoring was decisive in Eddie's teaching career. She said, "Eddie, I can help you learn the language of teaching." She took him to ballrooms on Friday nights warning, "These people are scholars and aficionados of the dance. If you don't break on the two, if you're not consistent with your timing, or if they ask questions about the theory and you don't know, they'll use it against you." Sure enough, after doing his fancy footwork, he'd hear the dreaded question, "Do you break on the two?" At that time, these theoretical points about clave and dancing didn't jive with Eddie. Fortunately for Eddie, he'd been on two all his life--he just didn't know it. And June continued harping, "It's going to enhance you as a dancer, as a teacher and as a choreographer. You'll go a lot further with this knowledge." But Eddie fought it. Fifteen years went by before he really learned. Thanks to June Laberta, Eddie's steps all have names. This repertoire of steps and turns, with their corresponding names, provides a way of relating to students academically. Eddie's class syllabus documenting three hundred steps strangely parallels the habits of the old scholars of dance at the ballrooms. His laboratory is self-contained--sometimes steps spring up spontaneously in the class. Sometimes, just fooling around with a little break or phrase, a step is born. Nowadays, part of the fun is to invent a step and then find a name for it. Today, dancing students are surpassing people who have been dancing socially for many years. Mr. T. gets calls all the time, "I'm a great dancer, people stop to watch me." One visit to a class and they get humbled. Natural talent is a plus, but Torres warns, "Amongst Latinos, we believe that we can walk on the dance floor and we just do it because we're Latinos, we're born with this. This is just not true." "I've danced out of joy, I've danced out of pain. This is the kind of dance where if you want to jump up and say 'Azucar!' like Celia, and you want to move your shoulders and bob your head, this is where you can do it and it's O.K. It's cool. And it's hip. You can be you." We must thank Tito Puente for showcasing salsa dancing in most of his concerts and for making his little speech about the importance of the dance when he presents our beloved Latin dancers. Eddie's accomplishments include his many collaborations with the Tito Puente Orchestra, choreographing music videos for artists like Ruben Blades, Orquesta de la Luz, Tito Nieves, José Alberto El Canario, David Byrne, founding a dance company, dancing for the President George Bush, performing.at Carnegie Hall, the Apollo Theater, Madison Square Garden.    

Quanice and Josh are talking COINS. In this episode, they unpack how Fyre Festival can provide a lesson for all arts organizations, how funders may tend to benefit the same ol' same ol', owning your own racism/bias, and talk about how 2019 is already wearing them OUT. PLUS, we talk to this month's Social Justice Warrior in Action - Eddie Torres, president and CEO of Grantmakers in the Arts - about self-care and what the field needs right now.The thoughts/views expressed by the co-hosts of Art Accordingly are their own and not on behalf of the Arts Administrators of Color Network or any other organization.

In this exclusive visual podcast international award winning film composer, Grammy voting member, music producer, and musician Eddie Torres goes deep into how practicing in his car during lunch laid the foundation for him to make music that would one day make a global impact.

We speak with Eddie Torres, Grantmakers in the Arts president and CEO, Jessica Mele, program officer in Performing Arts at the William and Flora Hewlett Foundation, and Sam Massol, director of Advocacy and Engagement at the Center for Arts Education. They explore advocacy through an arts education lens in discussion about how funders can support their grantees in advocating for the arts given the current national landscape.

We kicked off our Arts Advocacy series last month and we are excited to provide more insight on how you can become an arts advocate. This podcast features Eddie Torres, Grantmakers in the Arts president & CEO, Kerry McCarthy, GIA board vice chair and New York Community Trust program director of Thriving Communities: Arts and Historic Preservation and, E. San San Wong, GIA board member and Barr Foundation director of Arts and Creativity. They take a deeper dive into a discussion about what foundations and funders can do to support advocacy and lobbying efforts, and strategies for funders in the current national landscape.

Jaa9 var på starten av 2000-tallet med på å starte Norges versjon av Wu Tang Clan aka Dirty Oppland, som bestod av A-Kjeft, Sjakk-Mats, Defekt, Abu, Empefem, Pi, Bj Ørnar, Dj Buckmann, Eddie Torres, Lav-Tekk, OnklP og Jaa9 selv. Kollektivet fra Lillehammer endret norsk rap, både måten man rappet på og hva som var innafor å rappe om. I tillegg er han den lavmælte halvdelen av Jaa9&OnklP, som jevnlig har droppet skiver siden 2004, og plaget radio med låter som “Kjendisparty”, “Glir Forbi”, “Fredag” og “Hvem Faen”. Denne våren slipper han soloskive, og førstesingelen “Oppi Her” går allerede en kule varmt på nett.

We speak with Grantmakers in the Arts President & CEO, Eddie Torres, Americans for the Arts Vice President of Government Affairs and Arts Education, Narric W. Rome, and Penn Hill Group Principal, Alex Nock. They explore the question, "What now?" in discussion about the tax bill, arts advocacy efforts, and strategies for funders in the current national landscape.

Relató los hechos de violencia ocurridos en los que un niño de ocho años y su progenitora resultaron gravemente heridos durante un atentado en la en la intersección de las calles Mayor y Guadalupe. Añadió que de acuerdo a la pesquisa preliminar, se sospecha que el atentado estaba dirigido al narcotraficante que controla el residencial Portugués en Ponce a quien apodan Keké quien se encuentra en guerra con pandilleros de la barriada Cantera.

Swapcast with ROCK N ROLL BEER GUY PODCAST. My good friend Eddie Torres and I get together to catch up and talk about our podcasts. Check his out at ROCK N ROLL BEER GUY on Itunes and of the platforms

Eddie Torres also known as "The Mambo King" is a living legend in the Latin dance community. He has trained world-famous salseros like Adolfo Indacochea, Wilton Beltre and Eddie Torres, Jr. Along with June Laberta, Eddie developed what we call New York style salsa where dancers break "on 2". He danced alongside and collaborated with Tito Puente. Like we said, a living legend. Here is part 2 of our interview with Eddie at the Chicago Salsa Congress. If you haven't checked out part 1, do it!   --- Send in a voice message: https://anchor.fm/thisweekinsalsa/message

Eddie Torres also known as "The Mambo King" is a living legend in the Latin dance community. He has trained world-famous salseros like Adolfo Indacochea, Wilton Beltre and Eddie Torres, Jr. Along with June Laberta, Eddie developed what we call New York style salsa where dancers break "on 2". He danced alongside and collaborated with Tito Puente. Like we said, a living legend. LDC caught up with Eddie at the Chicago International Salsa Congress. Luckily, we brought our microphones! Here is part 1 of our interview where we cover The Palladium, Tito Puente, how Eddie got into dancing and much more.  Show Notes: Augie and Margo dancing at the Palladium Eddie Torres website Eddie Torres YouTube page Eddie & Maria Torres with Tito Puente Eddie Torres and June Laberta at the studio --- Send in a voice message: https://anchor.fm/thisweekinsalsa/message