Podcasts about Tito Nieves

Hoy día los cantantes son en su mayoría compositores. Por eso varios de los nuestros fueron galardonados en los Premios ASCAP y aquí te contamos todo sobre la gala y sus ganadores.Y además en El Gordo y La Flaca: Eduardo Santamarina y Mayrin Villanueva hablaron de temas muy candentes sobre su intimidad.El cantante Tito Nieves se prepara para celebrar sus 50 años de trayectoria artística y nos contó cómo será el magno festejo.

Hoy festejamos 50 años de música y trayectoria con el gran Tito Nieves, una leyenda de la salsa. Hablaremos de su carrera, anécdotas y su pasión por la música que ha conquistado generaciones. Una de las voces más emblemáticas de la salsa. Desde sus inicios en Nueva York hasta convertirse en un ícono mundial, Repasaremos su vida y su legado con canciones que han marcado generaciones. Con historias únicas, anécdotas y mucha música, celebramos junto a este artista puertorriqueño que ha llevado el sabor de la salsa a cada rincón del mundo. En El Poder de la Música ésta es su historia. https://www.instagram.com/titonievesoficial/ https://www.instagram.com/humbertoelgato/

Tal como te lo contamos en nuestro episodio anterior, parece que la relación entre Piqué y Clara Chía no está en su mejor momento y esto es lo más reciente que hemos averiguado.Y además en El Gordo y La Flaca: ¿cuáles fueron los inicios de la actriz transgénero Karla Sofía Gascón? Aquí te lo contamos.Continúa el juicio contra Asap Rocky, pareja de Rihana y aquí te contamos todo lo que está ocurriendo en corte.  

Jean Pierre Puppi llega al podcast de Métrica Latina para una entrevista en la que hablamos de sus inicios en la música, cantar en N' Samble con 14 años, sus salseros favoritos, su llegada y salida de You Salsa, la historia de “Cómo Se Perdona”, la firma de You Salsa con Sergio George, por qué decide iniciar su carrera como solista, sus colaboraciones con Amy Gutiérrez y Klibre, su versión de Bésame Bonito, qué no le gusta de la música y su próximo sencillo

On the fourth anniversary of the Jan. 6 Capitol attack, the co-hosts discuss as Vice President Harris vows to fulfill her duty to certify the 2024 election. Plus, the co-hosts reflect on Pres. Jimmy Carter's impact after he passed away at 100 years old. Then, they share their takeaways from this year's Golden Globes and how they spent their holiday break. Salsa legend and four-time Grammy nominated singer-songwriter Tito Nieves, Latin Grammy-winning singer-songwriter Lena Burke and a Celia Cruz tribute band join to celebrate Ana Navarro's birthday! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Miami celebró la 25 edición de los Latin Grammy en una gran gala y aquí te contamos todo lo que ocurrió. Desde la alfombra roja, el backstage, los homenajes y las presentaciones sorpresa.¿Qué dijeron los grandes ganadores de los Latin Grammy?Mark Anthony y La India se reencontraron en los Latin Grammy con la presentación de 'Vivir lo nuestro'. Pero ¿cuál fue la pelea que los tuvo separados 30 años?Llegó la hora del enfrentamiento entre Jake Paul y Mike Tyson y el ambiente no puede estar más caliente.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Temas entrañables por el día de la madre con Ismael Miranda, Rubén Blades, Tito Nieves, José Alberto "El Canario" y Héctor Lavoe, no solo eso, escuchamos también lo mejor de sus repertorios

Reciban un cordial saludo. Desde Cali (Colombia), les habla Sergio Luis López, compartiéndoles un nuevo episodio de "Así la escuché yo..." “Ritmo y sabor” es el título del álbum que en 1985 presentó junto a su Orquesta el trompetista puertorriqueño Mario Ortiz, anotándose un éxito en la voz de su compatriota Primi Cruz con la canción “Negra quiéreme”. Este éxito de Primi Cruz junto a la Orquesta de Mario Ortiz es una nueva versión del tema musical grabado originalmente por el Conjunto Clásico, fundado por Raymond Castro junto al cantautor puertorriqueño Ramón Rodríguez, quien además es el compositor de esta canción; la cual fue incluida en el álbum “Llegó la ley” de 1985, vocalizada por Tito Nieves bajo el título “Quiéreme”. Así la escuché yo… ¿Y tú, en cuál grabación prefieres escuchar esta canción Autor: Ramón Rodríguez (puertorriqueño) Negra quiéreme - Mario Ortiz y su Orquesta (1985) “Ritmo y sabor” álbum (1985) Canta: Primi Cruz (nombre real Primitivo Cruz, puertorriqueño) Mario Ortiz Rodríguez (puertorriqueño) Quiéreme - Conjunto Clásico (1985) “Llegó la ley – Canta Tito Nieves” álbum (1985) Tito Nieves (nombre real Humberto Nieves, puertorriqueño) Conjunto clásico (agrupación fundada en Nueva York por Ramón “Raymond” Castro, Ramón Rodríguez y Tito Nieves) ___________________ “Así la escuché yo…” Temporada: 8 Episodio: 26 Sergio Productions Cali – Colombia Sergio Luis López Mora

Hubo saludos al fiscal Barbosa por parte de los asistentes al concierto de Tito Nieves.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4987527/advertisement

Hoy con Ingrid y Tamara en MVS, conversamos con la cantante mexicana María del Sol, sobre la próxima presentación en conmemoración del 50 aniversario luctuoso del maestro José Alfredo Jiménez. La leyenda de la salsa Tito Nieves, nos invita a su próximo concierto “Volver a casa” en el Auditorio Nacional el 16 de noviembre. El escritor Hernán Lara, nos presenta su libro “El último carnaval”. La pregunta del día es: ¿Qué cosa no soportas que haga un amigo? En el comentarot del día de hoy: https://x.com/mvs102_5/status/1724825373827801599?s=46&t=tn2KT9U8KIhiZCzxxuu6tQ Andrea Vargas y Adelaida Harrison nos traen la última parte de sombra, el lado oscuro de la personalidad 4 También, nuestro amigo Stivi de Tivi, nos trae lo mejor del mundo del entretenimiento, una entrevista con el Dr. Francis Lawrence de la nueva película Hunger Games, reseña de la serie The Crown y mucho más. El Stivi award de la semana es para: Ojitos de huevo Además, en el momento geek con Pontón platicamos acerca de Adobe sing que te ayuda a firmar electrónicamente tus documentos. Conéctate con Ingrid y Tamara en MVS, de lunes a viernes, de 10:00 AM a 1:00 PM por MVS 102.5 FM.See omnystudio.com/listener for privacy information.

En entrevista con KienyKe.com, Tito Nieves habló de la participación que tendrá en el gran concierto de fin de año 'Solo salsa'. Además, mencionó sobre su próximo proyecto junto al Grupo Niche.

Nos contó la historia de la canción "Fabricando fantasías".See omnystudio.com/listener for privacy information.

Disfruta la mejor noche de #sábado con la compañía musical de #ElSolarDeLosAburridos, para quien Danny Flores Ríos tiene preparado un repertorio salsero lleno de la “rumba” de #RubénBlades, #TitoNieves, #GilbertoSantaRosa, entre otros grandes exponentes.Encuentra la música que a ti te gusta en la mejor radio online, Buenos Momentos Radio…  #ContigoEnLínea.  Viernes y sábado 8:00 p. m.  https://buenosmomentosradio.com #CeliaCruz #FaniaAllStars #RayBarreto #HéctorLavoe #WillieColón #SammyMarrero #RaphyLeavit #AlbinoDivino #NéstorSánchez #RobertoRoena #LouiRamírez #Kako #TitoPuente #IsmaelMiranda #AdalbertoSantiago #WilfredoVargas #TitoRodríguez #BobbyCruz #BobbyValentín

En diálogo con KienyKe.com, Tito Nieves habló de su más reciente canción 'Soy', un tema que presenta junto a Gilberto Santa Rosa y que refleja un momento especial en su carrera.

Tito Nieves revive la canción “Soy” junto a Gilberto Santa Rosa.

Combo en esta edicion de los Salsa Trends. Tito Nieves ESTRENA nueva colaboracion con Gilberto Santa Rosa, Norbert llena 2 noches en MIami & mas. Tengo las noticias del genero.Recuerda compartir, sucribirte a las redes y darle like al contenido.Suscribete a nuestro canal en YouTube Canal de YouTubeFollow en redes @nacionsalsaEscucha el podcast en Apple Podcasts | Spotify | Amazon Music | iHeart RadioMusica Nueva | Spotify Playlist Playlist NS Top 20

Richie Viruet is a New York-born trumpet player of Puerto Rican decent whose 38-year career in Latin Music has taken him around the world!  Over the years Richie has toured globally with salsa bands like Larry Harlow's Latin Legends of Jazz, The Mambo Legends Orchestra, "El Rumbero del Piano" Eddie Palmieri , Tito Nieves, Celia Cruz , La India and the Spanish Harlem Orchestra just to name a few! Richie was also in the Movie "El Cantante" a 2006 biographical film which stars singers Marc Anthony and Jennifer Lopez. The film is based on the life of the late salsa singer Héctor Lavoe, who is portrayed by Anthony. It debuted at Toronto International Film Festival on September 12, 2006, El Cantante was released on August 3, 2007.In October of 2022, Richie launched his very first solo album Titled "Richie Vee Clave Con Blue" working with bass player and arranger, Mauricio Rodriguez as well as others on the album!Support the show

La banda de música regional mexicana Calibre 50 se anotó un éxito en 2019 con una canción incluida en su álbum “Simplemente, gracias” titulada “Si te pudiera mentir”. La canción de Calibre 50 es en realidad una nueva versión de la balada que grabara originalmente en 1990 la española Rocío Dúrcal bajo el título “Si te pudiera mentir”. Así la escuché yo… Esta canción es una composición del mexicano Marco Antonio Solís (“El Buki”) quien produjo el álbum de Rocío Dúrcal, donde viene originalmente este tema musical. Posteriormente, Marco Antonio Solís grabaría también su propia versión en el álbum “Trozos de mi alma” con el título “Si te pudiera mentir”. Otros artistas también grabaron versiones de esta canción como el salsero puertorriqueño Tito Nieves, quien la incluyó en el álbum “Canciones clásicas de Marco Antonio Solís” de 2007. La cantante Sharon Rose de Aruba, ya había grabado una versión en Salsa en 1993, la cual incluyó en el álbum “Sencillamente, algo especial” con el título “Si te pudiera mentir”. ¿Y tú, en cuál versión la escuchaste primero? Autor: Marco Antonio Solís (mexicano) Si te pudiera mentir - Calibre 50 (2019) "Simplemente gracias" álbum (2019) Si te pudiera mentir - Rocío Dúrcal (1990) "Si te pudiera mentir" álbum (1990) Rocío Dúrcal (nombre real María de los Ángeles de las Heras Ortiz, española) Si te pudiera mentir - Marco Antonio Solís (1999) "Trozos de mi alma" álbum (1999) Marco Antonio Solís Sosa (mexicano) Si te pudiera mentir - Tito Nieves (2007) “Canciones clásicas de Marco Antonio Solís” álbum (2007) Tito Nieves (nombre real Humberto Nieves, puertorriqueño) Si te pudiera mentir - Sharon Rose (1993) “Sencillamente, algo especial” álbum (1993) Sharon Rose (arubeña) ___________________ “Así la escuché yo…” Temporada: 6 Episodio: 28 Sergio Productions Cali – Colombia Sergio Luis López Mora

❌ Daniela Darcourt esta en Puerto Rico promoviendo su más reciente álbum "Empezando Otra Vez". Daniela nos cuenta lo difícil que ha sido recuperar el control en su carrera artística y cómo Tito Nieves le cambió la vida.

Luego de que la Ley de Ingresos 2023 fuera aprobado por la Comisión de Hacienda de la Cámara de Diputados sin cambios a la propuesta del gobierno. En entrevista con Pedro Ferriz Híjar para Central Equilibrio, el diputado panista Carlos Valenzuela exhibió la mentira de Morena, al decir que no se contrata deuda pública, cuando el incremento del Presupuesto Egresos para el próximo año de 1.2 billones de pesos se debe a que el país se endeudará y señaló que la Ley de Ingresos no va acorde con la realidad del País. “Y no es que seamos pesimistas desde la oposición, es que como dijera Tito Nieves: la cuarta transformación vive en un mundo de mentiras, fabricando fantasía, para no llorar”, mencionó el diputado.

Conviértete en un brothercito premium haciendo clic aquí: https://bit.ly/3q3YDBl #ALERTAHumorNegro #HablandoHuevadas #PorqueHablarHuevadasEsUnArte Canción oficial: Ctrl+Alt+Supr de LOS STEREOTRIPS. -ADVERTENCIA DE HUMOR NEGRO-

The stories of Salsa Continue..In this episode of Mambo in the City Salsa Podcast: El Cantante Frankie Morales stops bye to shares stories of Joe Bataan, growing up around Ismael Miranda, Pete El Conde Rodriguez and the Club Corso,  where he began singing coro for "El Cantante de Los Cantantes" Hector Lavoe! Frankie talks about growing up in El Barrio in New York City, working w/ Conjunto Clássico, travels with Ismael Rivera and Eddie Montalvo, Recording with Jimmy Sabater,  Tito Allen!  Frankie also talks about being hired by "The King" Tito Puente life on the road w/ Tito Puente, recordings and being the last singer for the King of Latin Music.Hosted by Adrian Montanez & DJ Broadway!BIO Learning from Salsa's legends such as Joe Bataan and Hector Lavoe, Frankie was primed to step it up when the greats like Celia Cruz, Ismael Rivera, Ismael Miranda, Pellin Rodriguez and Cheo Feliciano, among others, came knocking. Starting on the streets of "El Barrio", New York City's Spanish Quarter, Frankie has come a long way, and to this day, continues to grow. His first recording "Sabor Del Barrio" led the way to a ten year association with Bad Street Boys. With an inherent desire to return to his roots, and with a firm work ethic rooted in the philosophy that "growth comes to a Salsero through ‘work, work and more work' Frankie parted ways and started focusing on the Salsa genre once again. Proving that it was the right choice for him, Frankie was ready when the Lebron Brothers invited him to sit in and record with them.The recording was so impressive, that Caiman Records then produced two albums featuring none other than Frankie Morales as a solo artist, entitled "Frankie Morales: En Su Punto" and "Standing Out". These two albums exposed Frankie to greater audiences and enhanced both his experience and reputation resulting in what he thought to be a dream when he was invited as an independent vocalist to join the great legends of "The Fania All-Stars."Continuing to grow his experience, and after singing back-up for Tito Nieves, the late visionary, Ralph Mercado recommended Frankie to Ernest "Tito" Puente, who was in search of a lead vocalist. Traveling the world with Master Puente, "El Rey Del Timbal," was definitely one of the highlights of Frankie's career and famed him as a Grammy Award winner with the recordings of "Tito Puente Mambo Birdland" and "Masterpiece", Puente's final album and collaboration with "The Great" Eddie Palmieri. Still today, even after "El Rey's" passing, Frankie holds the position of Lead Vocalist with the Tito Puente Orchestra.Bio Credit: klaveLatina.comSupport the show (https://cash.app/$AdrianLMontanez)

BACK WITH A CLASSIC MIX OF 90s ROMANTIC SALSA INCLUDING ALL YOUR FAVORITES FROM MARC ANTHONY, JERRY RIVERA, TITO NIEVES, TITO GOMEZ, PUERTO RICAN POWER AND MORE

Welcome to Mambo in the City Salsa Podcast! In this episode Legendary Congero and Musical director for Charlie Aponte, Sammy Garcia joins us live from Puerto Rico! Sammy was Born in Chicago, his family then moved to the South Bronx and from there SALSA entered Sammy's life  and changed it forever. Sammy remembers  bands he was part of including: Hector Cassanova, Johnny Pacheco y Su Tumbao , Andy Montanez, Don Perignon y la Orquesta Puertorriqueña and Willie Colon. and He has recorded with  Marc Anthony, Celia Cruz, La India, Bobby Valentin, Tony Vega , Charlie Aponte, Tito Nieves just to name a few. He shares the story of traveling to Cuba with Richie Bastar ( El Compadre) and meeting his music idol  the one and only Tata Güines! Finally we surprise Sammy w/ Special guest Tito Nieves and we talk recordings, the Corso Nightclub, travel stories and the El Conjunto Clásico era w/ these 2 original members!Gente this is a great  story packed w/ moments  SALSA's biggest legends  and musicians that came into Sammy's life!It's an honor to have this legendary percussionist on the Mambo in the City Salsa Podcast!!Hosted by Adrian Montanez and DJ BroadwaySpecial Guest: Tito NievesWebsite: MambointheCity.comYoutube: MambointheCitySalsaPodcastInstagram: AdrianLMontanez( Host)Support the show (https://cash.app/$AdrianLMontanez)

El mundo hoy lo conoce como “Félix” personaje de la película animada de Disney “ Encanto “ pero su camino dentro de la música incluye su paso por el grupo Niche de Colombia, reconocimientos internacionales, producción para grandes artistas latinoamericanos como Oscar de León y Joe Arroyo entre otros. Como trombonista, percusionista, productor e ingeniero de mezcla ha trabajado para Yuri Buenaventura, Charlie Zaa, Ismael Miranda y Tito Nieves por mencionar algunos, además de su exitosa carrera como solista. Esta es la historia del artista nacido en Cali, Colombia, Mauro Castillo.

Vikki Romero, La dama del  Sentimiento, was born on March 30 in Brooklyn, New York. She is an international recording artist known as The Lady Of Sentimental Feelings. Vikki is a producer, musician, arranger, and composer. At 10, she moved to Puerto Rico where she took music and guitar lessons. She sang in groups with her brother Victor Romero. She continued her musical studies and jazz vocals at The Hess Conservatory in Florida. Her influences were José, José, The Prince of the Voice, and Barbra Streisand. She worked with producer Richard Carpio for several years, cultivating her American audience. Vikki sings in English and Spanish. She recorded her first album Pa 'Ti Na' Ma with salsa and other genres. Vikki Romero hosted a television show on Channel 14, called The Valentina Show. She participated in several TV programs including The Blanquita Amaro Show, El Show de Rolando Barral, the internationally acclaimed Sábado Gigante, and Despierta América. Vikki sang with popular artists like Celia Cruz, Victor Romero and his orchestra Salsarengue, Tito Nieves, Andy Montañez, Tito Puente JR, Gilberto Santa Rosa, Richie Ray and Bobby Cruz, Luisito Carrion, Frank Bello, Freddy Lugo and his Tropical Flavor, Giovani Hidalgo, Andy Guzman, Tony Vega, Raul Gallimore and Orchestra Inmensidad, and Willie Panamá. Her publishing company is Miracle Victoria Songs Enterprise LLC http://wijsf.org  

El mogollero Ricardo Joel volvió por estos lares a contarnos sobre su experiencia agotadora en el concierto de Bad Bunny. Dialogamos sobre la representación de próceres en el video introductor del concierto, y los choques entre generaciones sociales en Puerto Rico. Pito Bolsa nos cuneta sobre el concierto de Gilberto Santa Rosa y Tito Nieves en Baltimore . Tocamos también el tema sobre la independencia nacional de Barbados, el éxito reciente de boxeadores boricuas, y la cartelera de UFC 269.Una sesión entre nuestros MOGOLLEROS:Paul (Pablito)Eliezer (Pito Bolsa)Ricardo Joel (Ricky)

ENRIQUE “KIKI” GARCIA, nació en Guanabacoa, Cuba pero su crianza fue en Miami, Florida. Y mucho del "sonido"de Miami Sound Machine proviene del baterista y compositor ENRIQUE KIKI GARCIA, que no solo escribió el gran éxito de MSM de 1985, “CONGA” sino que coescribió “Rhythm Is Gonna Get You” del álbum de Gloria Estefan y Miami Sound Machine, Let It Loose. Una corta charla con ENRIQUE KIKI GARCÍA Y TITO NIEVES en el programa radial de Gilda Miros. Miami, 1990s.

Alfanno Alfano es muy conocido por ser el compositor de temas de la talla de: El Gran Varón, grabado por Willie Colón, así como Vivir sin ella y Conciencia grabados por Gilberto Santa Rosa, Aparentemente y Esa mujer por Tony Vega. Mark Anthony, Olga Tañón, Cheo Feliciano, Luis Enrique, Tito Nieves, Rey Ruiz, Millie Quezada, Wichie Camacho, tan solo por mencionar algunos, han sido los artistas que han grabado temas de Alfanno. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/quebiencontony/message

HUMBERTO TITO NIEVES, el cantante salsero nació en Río Piedras, Puerto Rico (4 de Junio, 1958) y creció en Nueva York, “EL PAVAROTTI DE LA SALSA” nos cuenta de su gran amor por sus padres y su esposa y como pudo por fin dejar el vicio de las drogas y ser feliz. En el estudio de radio en Miami con Gilda Mirós esta Enrique “ KIKI García, ex miembro de Miami Sound Machine y co-autor de los exitazos; “Conga” y Rhythm Gonna Get You” Entrevista contiene música 1990s

Hoy nos enlazamos vía zoom con la ganadora del certamen Miss Universo, Andrea Meza. También conversamos con el famoso presentador, productor y empresario chileno Don Francisco, quien tiene para nosotros una gran noticia, incursiona en el mundo literario. ¡Lunes de Tecnología! Daniel Rivera nos trajo los últimos adelantos tecnológicos y como adaptarnos a ellos. En entrevista vía Zoom, Tito Nieves opinó acerca del reggaetón y del nombramiento de sus intérpretes como compositores del año, así como de las nuevas formas de consumir música. En estrevista vía zoom para este espacio, la cantante Lety López expresó que el ser mujer dentro del género regional mexicano no es cosa fácil, porque se cree que es exclusivo de los hombres y porque deben cumplir con los estereotipos de belleza impuestos por la sociedad. Además de toda la información reciente del mundo del entretenimiento y los espectáculos que diariamente tenemos para usted.

Amigos hoy les hablé de Tito Nieves alguien que con su voz potente y espectacular siempre ha dejado huella en la Salsa.

El salsero Humberto Nieves, mejor conocido como Tito Nieves, lanzó en 1989 su álbum “Yo quiero cantar” del cual se destacó la canción “El amor más bonito”. La canción de Tito Nieves es en realidad una versión en Salsa de la composición que realizara un año antes, el reconocido cantautor mexicano Marco Antonio Solís, el “buki”, quien la escribió para la cantante española Rocío Dúrcal, la cual fue incluida en su álbum “Como tu mujer”, grabada originalmente en 1988 bajo el título “El amor más bonito”. Así la escuché yo… Autor: Marco Antonio Solís El amor más bonito - Tito Nieves (1989) Yo quiero cantar álbum (1989) Tito Nieves (nombre real Humberto Nieves) El amor más bonito - Rocío Dúrcal (1988) Como tu mujer álbum (1988) Rocío Dúrcal (nombre verdadero: María de los Ángeles de las Heras Ortiz) ___________________ “Así la escuché yo…” Temporada: 2 Episodio: 64 Sergio Productions Cali – Colombia

In this episode:  Salsa Legends Tito Nieves, "Mambo King" Eddie Torres and  the Queen Maria Torres, share memories of Hector Lavoe, NYC salsa clubs of the 1970's and early 80's, Conjunto Classico,  meeting Ralph Mercado, the RMM years, Tito Puente ,Concert stories, travel stories and so much more! Enjoy this very rare podcast from exceptional  2 legends!Tito Nieves has become one of the most prominent salsa singers in the industry. He was born in 1959, as Humberto Nieves, in Río Piedras, Puerto Rico. He started performing professional gigs when he was still 15 years old. He started singing background vocals for Orquesta Cimarrón and soon became lead singer in the band. His first major breakthrough was when he began to sing with Héctor Lavoe in the late 70’s. In 1979, Tito Nieves joined the Conjunto Clásico band, becoming a worldwide sensation.By the late 80’s Nieves had enough professional experience to go out on his own. He recorded his first solo album, The Classic (1988-RMM), which contained the hit song “Sonámbulo”. This would be the first of many productions he would record for the label. His next album Yo Quiero Cantar (1989-RMM), which contained his first crossover English-language song, “I’ll Always Love You”. The third album Déjame Vivir (1990-RMM), established Nieves as one of the genre’s most formidable voices to emerge in recent years. Nieves contributes his own composition to the album, with his title track. His fourth album Rompecabeza (1992-RMM), which continued his ascent as one of salsa’s fastest rising stars.Hosted by Adrian Montanez, DJ Broadway and Mario BDon't miss the Tito Nieves Podcast :' Conversa Con Tito' every Monday Night ,via Tito Nieves official Facebook page!

Tito started his career as a Salsa Dancer by his parent's initiative, both musicians.  A top level dancer of many genres such as: Jazz, Merengue, "Bomba y Plena", Rumba, Modern Dance and Tap among others. He has visited more than 100 cities worldwide giving performances and classes, with his wife and dance partner Tamara Livolsi.Having participated in various television commercials, dance videos and movies such as, "Dirty Dancing: Havana Nights", Yellow, El Cantante: Hector Lavoe and American Gangster as dancers, he is no stranger to the stage.Today, Tito is not only a Salsa Dancer, he also is the Director of the San Juan City Salsa Dance Program and has made the choreographic works for concerts of artists such as: Gilberto Santa Rosa, Víctor Manuelle, El Gran Combo, Michael Stuart, Tito Nieves, Rubén Blades, Richie Rey y Bobby Cruz, Domingo Quiñones, Ismael Miranda, Elvis Crespo, Cheo Feliciano, Modesto Cepeda, Andy Montañez, NG2, Luis "Perico" Ortiz, Tommy Olivencia, Julio Voltio and Tego Calderón. He was also the choreographer for the "Bomba" and "Cha-Cha-Cha" routine in Ricky Martin's appearance in Miss Universe 2001 and the Celia Cruz "Azúcar" Special in Miami in 2003. Even after all this stardom, Tito remains humble, kind and readily shares his knowledge with so many!Don't forget to subscribe and leave a review!

My guest today is Tony Succar a two-time Latin Grammy award-winning and #1 Billboard charting artist, producer, and composer/arranger Born in Lima, Peru and raised in Miami, Florida. Tony’s produces music in the world of salsa, jazz, pop, and afro-latino-inspired music. He has a Bachelor of Arts and a Masters degree in Jazz Performance from Florida International University. In 2018, Tony was nominated for the prestigious Latin Grammy Awards for Best Tropical Song, “Me Enamoro Mas De Ti.” He received four nominations in 2019 for Album of the Year, Best Tropical Song, Best Salsa Album, and Producer of the Year for his most recent album, Mas de Mi. Tony took home two Latin Grammys for Producer of the Year and Best Salsa Album, making history as the youngest winner to have ever won both categories. Mas de Mi was released by Tony through his independent label, Unity Entertainment. His inspiration for the album was to write and produce non-traditional songs that will appeal to younger generations. He has also worked with an impressive array of talented artists, including Tito Nieves, India, Jon Secada, Marc Anthony, Sheila E., Arturo Sandoval, Judith Hill, and Obie Bermudez, among others. Tony’s debut album, UNITY: The Latin Tribute to Michael Jackson, had tremendous success, reaching Billboard’s #1 Tropical Album Music Chart, iTunes' #1 World Latin Chart, and Amazon's #1 Latin Pop Music chart, among others. It also evolved into a nationally-televised primetime PBS special that kicked off the PBS Fall Arts Festival.  He has performed at the Caribbean Sea Jazz Festival (Aruba), the Ravinia Festival (Chicago), Auditorio Telmex (Mexico), Vivo Beach (Puerto Rico), Tempo Latino (France), and the 2019 Latin Grammy Awards (MGM Grand Las Vegas), among others. Thanks to our sponsors! Soundporter Mastering: Get your free mastering demo at https://www.soundporter.com JZ Microphones: Use coupon ROCKSTARS to get 50% off The BB29 mic at JZmic.com Spectra1964: https://www.spectra1964.com OWC: Other World Computing: https://www.OWC.com iZotope: iZotope.com/Rockstars code ROCK10 10% off ADAM Audio: https://www.adam-audio.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear discography on Spotify If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/283

Hoy les hablaré sobre la triste historia, que tiene esta bella canción de salsa, Fabricando fantasías de Tito Nieves. La cuál se que muchos se preguntarán que tiene de triste, así, que los invito a escuchar este segundo episodio de Salsatonez Oficial.

Reciban un cordial saludo. Desde Cali Colombia les habla Sergio Luis López, compartiéndoles un nuevo episodio de “Así la escuché yo...” En 1996 fue lanzado el álbum "Tropical Tribute to the Beatles" producido por el reconocido promotor de música latina Ralph Mercado, como un homenaje salsero a la mítica banda británica “The Beatles”, en donde se presentaron versiones de sus grandes clásicos, como la canción que interpretó el puertorriqueño Tito Nieves titulada “Le it be” (Déjalo ser). La canción original viene incluida en el último álbum de estudio grabado por Los Beatles antes de su separación; cantada y compuesta por Paul McCartney (aunque en los créditos aparece firmada por la dupla Lennon & McCartney). De 1970…un clásico por siempre: The Beatles y “Let it be”. Así la escuché yo… Como dato curioso, hay que decir que quince años después, durante una sesión de improvisación en el Centro de Catequesis de Cali, un joven Sergio Luis López, escribió una versión libre de la canción de The Beatles bajo el título “Es así”. La canción alcanzó pronto un alto grado de aceptación en la Parroquia Nuestra Señora de Lourdes de Cali y llegó a convertirse en una especie de himno de los grupos juveniles de dicha comunidad parroquial. De 1985, Sergio Luis y “Es así” … ¿Y tú, qué opinas de esta canción? Autor: Paul McCartney (británico) - acreditada a Lennon & McCartney (británicos) John Lennon (nombre real John Winston Lennon, británico) Paul McCartney (nombre real James Paul McCartney, británico) - Versión al castellano Sergio Luis (nombre real Sergio Luis López Mora, colombiano) Let it be - Tito Nieves & Tito Puente (1996) "Tropical Tribute to the Beatles" álbum (1996) Tito Nieves (nombre real Humberto Nieves, puertorriqueño) Tito Puente (nombre real Ernesto Antonio Puente, estadounidense) Let it be - The Beatles (1970) "Let it be" álbum (2970) Canta: Paul McCartney (nombre real James Paul McCartney, británico) Es así - Sergio Luis (1985) "Mis canciones" álbum (1985) Sergio Luis (nombre real Sergio Luis López Mora, colombiano) ___________________ “Así la escuché yo…” Temporada: 1 Episodio: 80 Sergio Productions Cali – Colombia Sergio Luis López Mora

Hubo un tiempo en que la música de Puerto Rico miraba hacia diferentes direcciones. Eran los años 70 y la salsa neoyorquina lideraba los primeros lugares de sintonía, pero los jóvenes puertorriqueños compartían ese gusto salsero con el rock, la balada y la canción llena de mensaje social. Así surgieron diferentes agrupaciones con un formato de conjunto y en cuyos arreglos se miraba hacia todos esos lugares (Latin Tempo, La Conquista, Imperial Sextet, Tempo 70, Orquesta Nater, Bandolero, Orquesta Ekos o Selección Quinta). El percusionista Julio Castro creó de esta forma La Masacre, en compañía de Ramón Rodríguez y Tito Nieves, y que grabó para el sello Top Ten de Héctor Soto. Pero después Rodríguez y Nieves se fueron para Nueva York y crearon el Conjunto Clásico, con un estilo parecido, aunque no igual. Y Julio Castro siguió con La Masacre hasta convertirla en la banda que marcó una época en la música de Puerto Rico. Esta es la historia de su tercer álbum, Julio Castro y La Masacre, de 1984 para Fania en La Hora Faniática.

1.Roberto Blades - Ya no regreso contigo 2.Johnny Ray - Olvidame 3.Anthony Cruz - A que saben tus Besos 4.Jehu El Rey - Tu Sin MI 5.Daddy Yankee ft; Marc Anthony - De Vuelta Pa Vuelta 6.Grupo Gale - Buscando Olvidarte 7.Tito Nieves ft: Daniela Dancourt- Si tu te atreves 8.Marc Anthony - No Sabes como Duele 9.Antonio Cartagena - Ni Siquiera 10.. Guayacan- Extrano tu amor 11.Tito Rojas- Ella se Hizo Deseo 12.Paquito Guzman- Vivir a Solas 13.Croma latina- Duele el Corazon 14. Grupo Niche -.Etnia 15. Gilberto Santa Rosa- El Apartamento 16. Eddie Santiago - Para que vuelvas Connectate y Subscribete.. Mas Viene Pronto .. Compartalo... Su Amigo Savier...

El dúo @diradmusic habla sobre su más reciente sencillo #VamoAlla@alexzurdomusic nos invita al evento virtual junto a @christinedclario titulado #AccionDeGraciaconRedentor este jueves 26 de noviembre, SOMOS los primeros en saber que también estrenará un álbum en el 2020 y escucharemos su nueva canción #Valor@titonievesoficial también tiene un evento virtual titulado #NavidadAMiEstilo para el 20 de diciembre y escucharemos #MontadosEnBicicletaY si pensabas que era poco tenemos audio de @pacolopezpr & #CristianGonzalez sobre la plataforma @celevideos_officialTodo esto y más junto a Natasha Lebrón @cameraandaction

Daniela Darcourt nos habla sobre sus inicios en la Salsa, de su colaboración con Tito Nieves y sus influencias. En otra edición de De Tú a Tú con José Nelson. www.tusexitosfm.com --- Support this podcast: https://anchor.fm/detuatu/support

Dove Cameron, Jordan Fisher, Andrew Dice Clay, Bella Thorne, Tito Nieves, We The Kings, and Porsha Williams & Melissa Gorga of The Real Housewives franchise are only a few of the artists that singer/songwriter Charity Daw has worked with. Charity’s breadth of credits range from toy commercials to major label recording artists and everything in between such as the Recording Academy platinum-selling single “Ways To Be Wicked” from Disney's chart-topping Descendants franchise. As an artist/performer she has appeared on Jimmy Kimmel Live!, The Today Show and NBC's Christmas in Rockefeller Center. Most recently, Charity has been writing and recording songs for the MEGA music-themed L.O.L SURPRISE REMIX series where she is singing and speaking voice of the lead singer Fame Queen.

El salsero boricua, Tito Nieves, dialoga con José Nelson sobre sus inicios en la Salsa y su trayectoria. www.tusexitosfm.com --- Support this podcast: https://anchor.fm/detuatu/support

En celebración del natalicio #74 de Hector Lavoe este 30 de septiembre, hemos dedicado una semana llena de eventos en relación al "Cantante de los Cantantes." En este episodio hablamos con Tito Nieves, cantante que fue corista de Hector Lavoe al principio de su carrera musical. Nos cuenta sobre sus comienzos en la música y amistad con Hector Lavoe.

George Delgado has performed w/ some of Salsa biggest names! Names like Tito Puente, Celia Cruz, Jimmy Sabater, Tito Rojas, Eddie Palmieri, Tito Nieves and many others! Today George continues to work w/ New Yorks biggest Salsa Bands including the Grammy Award winning , Spanish Harlem Orchestra and the Mambo Legends! Join us for a trip into salsa history on the Mambo In The City Salsa Podcast!¡George Delgado ha actuado con algunos de los nombres más importantes de la salsa! ¡Nombres como Tito Puente, Celia Cruz, Jimmy Sabater, Tito Rojas, Eddie Palmieri, Tito Nieves y muchos otros! Hoy en día, George continúa trabajando con las bandas de salsa más importantes de Nueva York, incluidas la ganadora del premio Grammy, la Orquesta de Harlem Española y las Mambo Legends. ¡Únase a nosotros en un viaje a la historia de la salsa en el podcast de salsa de Mambo In The City!

El caballero de la salsa Gilberto Santa Rosa lanza su nuevo sencillo y video musical junto a Tito Nieves. Desde Puerto Rico, le cuenta a Jorge Ramos cómo es hacer música en medio de una pandemia y le envía un mensaje a los jóvenes que votarán en las próximas elecciones presidenciales del 3 de noviembre.

En NotiPod Hoy Sam Dolick, editor adjunto de The New York Times, asegura que el audio es una gran parte de la evolución digital de los periódicos, ya que ambos se complementan muy bien.  ¿Cuál es el mejor micrófono para crear un pódcast? Tres expertos en podcasting  se expresan sobre los micrófonos ideales para cada voz, cada persona y cada presupuesto. La escucha de radio se ha desplomado, pero NPR está llegando a una audiencia más grande que nunca. Por qué el modelo de negocio de Patreon está amenazado y esta plataforma podría decaer. Simon Owens lo explica detalladamente en este artículo. Televisa y reVolver Podcasts se unen para ofrecer una innovadora programación de podcasts. Google agrega ajuste de audio receptivo a Pixel Buds para reaccionar a sonidos potencialmente importantes bajando el volumen y haciendo sonar una alerta. Porsche Taycan se convierte en el primer vehículo en integrar Apple Music.  Pódcast recomendado «Esenciales»  es un pódcast donde se rinde homenaje a las grandes leyendas de la música con un viaje a través de sus canciones. El episodio más reciente tiene como protagonista a Tito Nieves, una de las mayores leyendas de la salsa. En él escucharás un apasionante repaso de la trayectoria y la vida del cantante; desde sus inicios, lo que hay detrás de sus canciones, y los momentos más importantes de su vida. Es un programa de la plataforma Deezer.

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

01. Daniela Darcourt - Señor Mentira 02. Daniela Darcourt - Probablemente 03. N'Klabe - Probabilidad de Amor (feat. Daniela Darcourt) 04. Yahaira Plasencia ft. Sergio George - Cobarde 05. Tito Nieves feat. Daniela Darcourt - Si tú te atreves 06. Josimar Y Su Yambú - Con la Misma Moneda 07. Josimar y su Yambú feat. Son Tentacion - El Estúpido

01. Daniela Darcourt - Señor Mentira 02. Daniela Darcourt - Probablemente 03. N'Klabe - Probabilidad de Amor (feat. Daniela Darcourt) 04. Yahaira Plasencia ft. Sergio George - Cobarde 05. Tito Nieves feat. Daniela Darcourt - Si tú te atreves 06. Josimar Y Su Yambú - Con la Misma Moneda 07. Josimar y su Yambú feat. Son Tentacion - El Estúpido

01. Daniela Darcourt - Señor Mentira 02. Daniela Darcourt - Probablemente 03. N'Klabe - Probabilidad de Amor (feat. Daniela Darcourt) 04. Yahaira Plasencia ft. Sergio George - Cobarde 05. Tito Nieves feat. Daniela Darcourt - Si tú te atreves 06. Josimar Y Su Yambú - Con la Misma Moneda 07. Josimar y su Yambú feat. Son Tentacion - El Estúpido

We're talking: First a special congratulation to the class of 2020! The infamous Tekashi69 barks at Billboard and two very heavy hitters in the top charts. Development of new forms of concerts: Drive Ins Are Back? The state of the live entertainment world. Special Guest: The incomparable Tito Nieves. We are very honored to have Tito with us. Not only have we had the pleasure of knowing and working with him now you will have the pleasure of listening to this incredible man. Ever wanted to hear the inside stories about Hector Lavoe? Always a proud New Yorker, Tito tells us everything we need to know about his hometown Brooklyn. Music by: DJ Reality / Instagram :@WeaProblem / Facebook : (DJ Reality) Show Production by: Arturo Martinez -Arturo@410Grand.com Instagram: @TitoBandido Facebook: @ArturoTitoMartinez Damian Bastar- DamianBastar@gmail.com Instagram: @DamianBastarFacebook: @DamianBastar --- Send in a voice message: https://podcasters.spotify.com/pod/show/roadwarriorstatus/message Support this podcast: https://podcasters.spotify.com/pod/show/roadwarriorstatus/support

Interview with legendary D.J Frankie Cutlass and guests, on the Melissa Billie Clark Show. Frankie Cutlass, is an American Platinum producer, DJ, rapper, musician, writer, and remixer from Harlem, New York, United States. He is best known for his hits "Puerto Rico Ho" and "Shake Whatcha Mama Gave Ya." It was Cutlass's brother who first inspired him to DJ, and Cutlass first used the decks in the 1980s at the age of 12. Shortly after, he started working as a DJ at local parties and clubs. Cutlass first hit the scene at the age of 15 and one year later left school to embrace a full-time music career. He soon moved into production as well, working with Freestyle music artists such as TKA, K-7, Sa-Fire, The Cover Girls, George Lamond, Judy Torres, and Lisette Melendez. In 1994, Cutlass used his own label, Hoody Records, to produce The Frankie Cutlass Show, from which his single "Puerto Rico" played on the underground club circuit. In 1995, Cutlass released his second single "Boriquas on the Set" featuring Fat Joe, Doo Wop, and Ray Boogie as an underground hit, and it would lead him to a recording deal with Relativity Records/ Violator Records. By the mid-1990s, Cutlass was a member of the Funkmaster Flex team "The Flip Squad" and started spinning at special events, and on the airwaves for New York City's Hot 97 (WQHT) Radio Station. Frankie's interest had expanded into production as well as leading him to work with popular artists such as Notorious B.I.G, Uncle Luke, Fat Joe, Shaggy, Rayvon, Akinyele, Mad Lion and veteran Latin Music artists such as Tito Nieves on his smash "I Like It Like That" 1997 saw the release of his second album, Politics & Bullshit, paying tribute to old-school rap and featuring artists such as Redman, Busta Rhymes, Mobb Deep, Fat Joe, Smif-n-Wessun, Sadat X, Biz Markie, Craig G, Kool G Rap, M.O.P., Keith Murray, Heltah Skeltah, the Lost Boyz and Roxanne Shanté.The third single, "The Cypher, Pt. 3," reunited several veterans of Marley Marl productions, including Biz Markie, Roxanne Shanté, Big Daddy Kane, and Craig G --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/melissabillieclark/support

Mix Adolescentes Orquesta Y Artistas Invitados Puerto rican power, Eddie Santiago, Oscar de Leon, tito rojas, gilberto santarosa, jerry rivera, luis enrique, victor manuelle, tito nieves, rey ruiz, el gran combo de puertorico

Mix Adolescentes Orquesta Y Artistas Invitados Puerto rican power, Eddie Santiago, Oscar de Leon, tito rojas, gilberto santarosa, jerry rivera, luis enrique, victor manuelle, tito nieves, rey ruiz, el gran combo de puertorico

Mix Adolescentes Orquesta Y Artistas Invitados Puerto rican power, Eddie Santiago, Oscar de Leon, tito rojas, gilberto santarosa, jerry rivera, luis enrique, victor manuelle, tito nieves, rey ruiz, el gran combo de puertorico

Passengers Aboard Royal Caribbean's Anthem of the Seas Cruise Ship Test Negative for New Coronavirus — AGBC Health page tracking the coronavirus Gunman Who Allegedly Ambushed Cops Due in Court as Tension Between NYPD, Elected Officials Escalates 64 years ago on February 8, 1956 — Eastern Air Flight 663 swerves to avoid an oncoming aircraft and crashes near Jones Beach, killing all 84 people on board 78 years ago on February 9, 1942 — The SS Normandie catches fire and capsizes into the Hudson River 52 years ago on February 11, 1968 — Madison Square Garden opens on the site of the old Pennsylvania Station Back in April 2019 on Episode 19 of the podcast, I first talked about the possibility of a tower rising above Macy's in Herald Square, and this week, the speculation of the tower moved closer to reality as the retail giant revealed new architectural renderings of a 900ft tower planned to be built on top of the classic Midtown store. Upcoming Events: February 10: Tu B'Shevat

Más de cuarenta años cantando Salsa, Tito Nieves ha trazado su propio estilo, con la "masacre", con "el conjunto clásico" y como solista romántico.Pero también su vida y los hechos mas sustanciales han quedado consignados en muchos de sus éxitos. Como lo ha manifestado en múltiples ocasiones, la salsa ha levantado a Tito, cuando la vida le ha golpeado duro.Comentarios en el Whatsapp +57 313 599 9477"La Salsa En Su Punto" es una realización de BIENSONADO RADIO.Créditos: Entrevistas: Ernesto Lechner, El Canal la salsa de hoy (Youtube),Diario "Chicago Tribune"--------2019----------

Eddie Torres is a pioneer, inspiration and the reason so so many salsa dancers dance salsa! His story is so unique and his experience is second to none. Fun chat with one of the greatest! Enjoy :) From: www.EddieTorresNY.com He was born July 3,1950 in the same hospital as Tito Puente; raised by his Puerto Rican parents in Spanish Harlem, a.k.a. El Barrio, New York City. Torres's mother, a hospital worker; his father an inventive plumber, sparked Eddie's knack for inventing. No dancers or musicians in the gene pool to Eddie's best knowledge. He was merely 12 years old when he caught the dancing bug. Just back in New York after a two year sojourn in Puerto Rico, he developed a puppy-love crush on a girl from the hood. Shyly, he asked her to the movies and she made a counter-offer: why didn't he come to her house? That Saturday, when Renée opened the door, Eddie was surprised to see a tall, good-looking guy sitting on the couch. Renée whispered apologetically, "He's my ex-boyfriend. He's looking to make up with me." Then, in an attempt to break the tension, she asked Eddie, "Do you know how to Latin?" She wanted to know if he knew how to dance Latin. Fresh from Puerto Rico, his confidence emboldened him. Renée leaned over the record player and dropped the needle on the groove of Eddie Palmieri's Azucar Pa' Ti. Not knowing a thing about leading position or about timing, the young suitor started jumping around, then glanced over to collect looks of approval. But his rival on the couch sat clamping his jaw closed, holding back a burst of laughter. Two minutes into the number, Renée retired her inexperienced partner, pulled her ex-boyfriend up and explained in a professorial manner, "Let me show you the way WE do the Latin." It was plain to see that there was a lot of coordination, plenty of moving together and all sorts of turns. The more they danced, the worse Eddie felt. After the dance demonstration, his love interest pulled him to one side and explained, "He really wants to make up with me." From that moment, Eddie made himself a promise, "This is never going to happen to me again. I'm going to learn how to dance." The idea of learning "to dance Latin" became an obsession. Schooling took the form of going to all the clubs and hanging out with all the good dancers--watching, imitating, asking, and being a pest. Slowly he started to learn the foundations of the dance. In those days, not many clubs allowed teenagers in, but the famous Hunts Point Palace opened every Sunday from noon to midnight, and for $5, they presented five top Latin bands, back-to-back, on two stages. Fifteen-year-old Eddie punched the clock when the club opened and sauntered out at closing time, exhausted but determined to learn. Eight years later, he was teaching and competing in dance contests and garnering a reputation amongst the good dancers as being one of the best. One night, while he was dancing in a head-to-toe white outfit, in a club lit with nothing but black lights, his sister pulled him off the floor. It seems Renée, his childhood flame, spotted a slick dancer and wanted an intro. In the dark, Eddie's sister did the honors."Renée, I want you to meet Eddie." Upon recognizing the skillful dancer, she froze as if she'd seen ten ghosts. Eddie wanted to dance with her desperately, he wanted to thank her, "You're the reason why I got into this." But she disappeared and that was the last time he saw her. LEARNING THE BASICS There were no studios where one could learn how to dance this style, so the nightclub scene was the nurturing ground for aspiring dancers. And not all dancers were generous. "There were dancers who didn't even want you to look at their steps, 'cause they didn't want you to learn: That's private stock!" Lucky for Eddie, he had a knack for picking up steps just by watching. He observed dancers like Louie Máquina, who got his nickname from his "real rapid-fire footwork"; Gerard, a dancer known for his scandalous antics on the floor; George Boscones, the teacher of the newcomers and especially Jo-Jo Smith, a professional jazz teacher with a unique style of mambo jazz dancing. The pros of that time were Freddy Rios, the Cha Cha Aces, Tommy Johnson and the one team who were the greatest influence of all, the prima donna team: Augie and Margo. After the first time Eddie saw them at Roseland, he was in such a state of euphoria that he couldn't sleep for weeks. He kept thinking, "I want to be Augie and I have to find Margo." As soon as he learned to hold his own, he set up shop as a dance teacher, because he wanted to share his knowledge. Armed with a rented phonograph and a bunch of friends, he was soon in business. With no concept of timing, technique or theory, his instruction consisted of rudimentary pointers: "You hear that accent? That means you break forward with the left foot and when you hear it again, you break back." This is known as dancing on two, Eddie would soon find out. Breaking on two meant that of a four beat measure, you stepped forward with the left foot on the second beat and on the second beat second measure you stepped back on the right foot. According to Eddie's mentor, Tito Puente, that's why beat two is so popular, because it compliments the tumbao of the conga and the rhythm section. TITO, PLEASE From 1975 to about 1986, the Corso nightclub on East 86th Street became home to the second generation of the Palladium era. Wednesdays, Fridays, Saturdays and Sundays found Eddie Torres strutting his Harlem steps to the likes of T.P. and Machito. From the beginning, Tito Puente's music really spoke to him. This was during the years that Puente had the ass-kicking band with Santos Colón. Testing his skill in dance contests, Torres garnered so many awards that at one point, Marty Ahret, Corso's owner, asked him to sit out the contests and judge. One Sunday evening, as Tito Puente came off the stage, Eddie approached the maestro to pay his compliments. Tito perceived Eddie's flair, "You've got talent for dancing. You need to do something more than just spend all your time here dancing socially." "There's no mentors," Eddie retorted. Tito whipped around, "Forget about mentors. Develop your own ideas and put a little act together. Figure it out yourself." Emboldened, Eddie persisted, "If I had an act, could we do some work together?" "Get something together and show me." All Eddie ever wanted to do was to dance with Tito's band. Eight years lapsed before Eddie met Maria, his future wife and partner. His years of dancing and observing had evolved into a unique technique and style. Maria, a children's gymnastics teacher, felt rather intimidated at first, but quickly became Eddie's best student, learning faster than anyone he'd ever taught. "I would do a step and she would reflect it right back to me." But her style was provincial and lacked the Big Apple pizazz. Prompted by the possibilities, Eddie choreographed his first two tunes, El Cayuco and Palladium Days by Tito Puente, and trained Maria. In less than a year, she became a good stage dancer, but she didn't have any experience in club dancing. So when Eddie introduced Maria at the clubs as his new partner, his friends didn't think she had it. A couple of years later, they conceded, "You know, Eddie, she's getting pretty good." By the third year, they agreed, she was the best partner he'd ever had. Filled with enthusiasm over his partner work, Eddie decided it was time to talk to Tito. Performing at Christopher's Cafe, in El Barrio, Mr. Puente spotted Eddie, "You're the dancer from the Corso." Torres offered him a makeshift business card, and pitched, "Do you think I can come over with my partner and demonstrate for you these two numbers that I choreographed? If you like them, maybe we could do a show with you?" Tito did not mince words, "You know, I'll be honest with you, Eddie. I'm very busy right now. I don't think I'll have a chance to call you...." Eddie frowned. "...But I'll tell you what I'll do. I'm going to introduce you to my musical director, Jimmy Frisaura. Tell Jimmy exactly what you want in the music, how you want us to play it, and in our next concert, I'll feature you with your partner." Eddie was flabbergasted. The year was 1980. It was a dream come true-the debut show with Tito Puente took place at the New York Coliseum as part of a big Latin Expo. Eddie was really nervous, but he and his partner, Maria, were very prepared. They performed Cayuco first and then broke out into Palladium Days. The crowd was captivated and Tito had a big smile on his face. It was a total success.   From that day forward, everywhere Tito went, Eddie would follow, costume and shoes, ready to go. And Tito would always ask, "You guys like to do a number?" It was ad honorem, but Torres felt privileged to be working with Tito. Eventually, Torres became a fixture--part of the format of the show. Then he popped the question, "Tito, would you mind if we call ourselves the Tito Puente Dancers?" That dream, to be identified as Tito's dance team, took the form of a jacket with TP's picture playing timbales--it said Tito Puente Dancers, and Tito dug it. It was Eddie's biggest honor. Even more so when Jimmy Frisaura confided, "Tito doesn't share the stage with anybody too readily. He likes you." WE WANT LATIN In the mid-eighties, Latin was out and the hustle was in and it was very hard to get work as a Latin dancer. On one occasion, Eddie wanted to dance in a Latin concert at Madison Square Garden where Tito Puente was playing, but Ralph Mercado said, "Naw, no, no. I got the Disco Dance Dimensions for the intermission show. I don't see no need for you to be out there. That's not what the people want." Feeling hurt and upset, Eddie explained his frustration to Tito, "I'm not asking for money. I just want to go out and do my thing with you." Tito assured him, "Don't worry about it, baby. I'm gonna bring you in as the Tito Puente Dancers and I'm going to tell Ralphy he doesn't have to worry about nothing."   The night of the concert, the Disco Dance Dimensions put on a crowd-pleasing show. Immediately after, Tito Puente played Para Los Rumberos, and got the crowd into a frenzy. Then, he signaled the dancing duo onto the stage to perform Palladium Days, a very fiery, intense mambo. Sternly, Eddie forewarned Maria, "I want you to dance blood." They danced as if they were on fire. Tito had a big ol' smile. And a pleased Ralph Mercado looked on from the sidelines. The roaring crowd in the Garden gave them a standing ovation, sending out a clear message: they preferred to see Latin dancing accompanying the Latin music. They wanted to let Ralph and everyone know, "Hey, that's what we want." After that evening, Ralph Mercado started calling Eddie to do shows with him. In the nineties, Ralphy introduced his own captivating dance troupe called the RMM Dancers, who animate his concerts with sensuous salsa dancing, though Eddie's group continues to appear at RMM gigs. THE FUTURE During the eighties, when Maria and Eddie came on the scene, only a few pro dance teams were left. Aside from Ernie and Dottie and the Cha Cha Aces, there was little trace of the powerful Palladium era. It seems the Palladium dancers got so caught up dancing for their own enjoyment that they weren't thinking about future generations. Early on, Eddie developed a vision: to see Latin dancing evolve to the point of a respected, classic art form. Recognizing the need to pass the traditions of the music and the dance on to future generations, Mr. T. took it upon himself to make it happen. People laughed at him, "Eddie, what are you doing? This dance is dead." But he obstinately continued his mission. Before Eddie Torres came along, no one had laid down concepts of structure and technique. He has taught thousands of Latin dance aficionados. His children's dance program in the Bronx teaches approximately three hundred children throughout the year including Eddie's ten year old daughter Nadia, who is already a seasoned pro. The unique idea of offering salsa or mambo dancing to children alongside other dance forms such as ballet, jazz, tap, modern or African, guarantees the future of Latin. The program developed by Eddie is now run by Maria. HE'S GOT STYLE When Latin dance first came to NY, it was an open position dance. That means that two dancers would dance in front of each other and there was not much contact, what we know today as partner work. But the second generation after the Palladium got into doing a lot of partner work. There seems to be a fascination for inventing turns and being in touch with the partner. The Palladium dancers lay down the blue prints of the New York hip style of Latin dancing. "In NY, people like to dress slick, talk slick, to be very bebop jazzy. Especially Latinos. Being born and raised in Harlem carries a certain attitude about how you walk through the streets, attitude about the way you say things and how you use your body language. It carries such a signature that if I saw someone from New York dancing in Japan, I'd know it." Broadway musicals, Ailey's work, African dancing, and flamenco all were sources of inspiration for Eddie. Watching, imitating, and admiring the people that were the tops, Eddie slowly evolved as a pro. His style results from a true amalgamation of all those that came before him. With an uncanny ability to imitate, he incorporated a little jazz, a little ballet, a little tap, a little modern, and came out with his own style. Observing the different dancers of his time with their own signatures, he picked up from every one of their styles: JoJo Smith's jazz movements and expression of style; Freddy Rios's very Cuban typical style; a little of Louie Máquina. In dancing, that is known as eclectic styling. THE TORRES REPERTOIRE The late June Laberta, a ballroom dance teacher, was Eddie's greatest influence. She taught every ballroom dance in the book, but her greatest love was mambo. On many occasions, June accompanied Eddie to the Corso where the odd couple danced up a storm. He was in his twenties, she was in her late fifties. Creating kooky intricate little moves that came from jazz and everything that she knew, the lean Laberta would spin like a top. June's mentoring was decisive in Eddie's teaching career. She said, "Eddie, I can help you learn the language of teaching." She took him to ballrooms on Friday nights warning, "These people are scholars and aficionados of the dance. If you don't break on the two, if you're not consistent with your timing, or if they ask questions about the theory and you don't know, they'll use it against you." Sure enough, after doing his fancy footwork, he'd hear the dreaded question, "Do you break on the two?" At that time, these theoretical points about clave and dancing didn't jive with Eddie. Fortunately for Eddie, he'd been on two all his life--he just didn't know it. And June continued harping, "It's going to enhance you as a dancer, as a teacher and as a choreographer. You'll go a lot further with this knowledge." But Eddie fought it. Fifteen years went by before he really learned. Thanks to June Laberta, Eddie's steps all have names. This repertoire of steps and turns, with their corresponding names, provides a way of relating to students academically. Eddie's class syllabus documenting three hundred steps strangely parallels the habits of the old scholars of dance at the ballrooms. His laboratory is self-contained--sometimes steps spring up spontaneously in the class. Sometimes, just fooling around with a little break or phrase, a step is born. Nowadays, part of the fun is to invent a step and then find a name for it. Today, dancing students are surpassing people who have been dancing socially for many years. Mr. T. gets calls all the time, "I'm a great dancer, people stop to watch me." One visit to a class and they get humbled. Natural talent is a plus, but Torres warns, "Amongst Latinos, we believe that we can walk on the dance floor and we just do it because we're Latinos, we're born with this. This is just not true." "I've danced out of joy, I've danced out of pain. This is the kind of dance where if you want to jump up and say 'Azucar!' like Celia, and you want to move your shoulders and bob your head, this is where you can do it and it's O.K. It's cool. And it's hip. You can be you." We must thank Tito Puente for showcasing salsa dancing in most of his concerts and for making his little speech about the importance of the dance when he presents our beloved Latin dancers. Eddie's accomplishments include his many collaborations with the Tito Puente Orchestra, choreographing music videos for artists like Ruben Blades, Orquesta de la Luz, Tito Nieves, José Alberto El Canario, David Byrne, founding a dance company, dancing for the President George Bush, performing.at Carnegie Hall, the Apollo Theater, Madison Square Garden.    

Temas de la Balada interpretadas en Salsa! Tito Nieves, David Pabon, Cano Estremera, Conjunto Chaney, Hildemaro y muchos mas!

Let’s rewind twenty years. What was happening in 1998? Besides being awkward teens, we were listening to some música, and there were some JAMS! A couple of seminal releases, some reggaeton history in the making y mucho más. Ponte redi for some throwbacks! Featuring music by Elvis Crespo, Shakira, Tito Nieves, Wassabanga/El Chombo, Chayanne, and La India. Show notes: bit.ly/2Fwkvhd Follow us: instagram.com/RadioMenea twitter.com/RadioMenea facebook.com/RadioMenea

01. Proyecto A feat Baudhy - No te vas 02. Edgar Joel - Contigo Ft. Joan Carranza & Orchestra 03. Danny Daniel - Adiós Amor 04. Proyecto A - Con la misma moneda 05. Willy García - Se Acabo feat Fragancia & Kafu Banton 06. Jerry Rivera Ft Yandel - Mira 07. Tito Nieves y Sergio George - Viva la Musica 08. Boni y Kelly Ft Victor Manuelle - Amigos con derecho

01. Proyecto A feat Baudhy - No te vas 02. Edgar Joel - Contigo Ft. Joan Carranza & Orchestra 03. Danny Daniel - Adiós Amor 04. Proyecto A - Con la misma moneda 05. Willy García - Se Acabo feat Fragancia & Kafu Banton 06. Jerry Rivera Ft Yandel - Mira 07. Tito Nieves y Sergio George - Viva la Musica 08. Boni y Kelly Ft Victor Manuelle - Amigos con derecho

01. Proyecto A feat Baudhy - No te vas 02. Edgar Joel - Contigo Ft. Joan Carranza & Orchestra 03. Danny Daniel - Adiós Amor 04. Proyecto A - Con la misma moneda 05. Willy García - Se Acabo feat Fragancia & Kafu Banton 06. Jerry Rivera Ft Yandel - Mira 07. Tito Nieves y Sergio George - Viva la Musica 08. Boni y Kelly Ft Victor Manuelle - Amigos con derecho

Las noticias del género, lo que está caliente en la carretera. Tito Nieves estuvo en Sur America tenemos los detalles. Gilberto Santa Rosa llevo sus concierto 40 y cantando a Guatemala. Enterate quienes son los encargados de llevar la salsa a los Premios Latin Billboards este jueves desde Las Vegas. Se acerca El Dia Nacional De la Salsa en PR y te contamos quienes estaran en tarima. Eso y más en los salsa trends con el Chikillo - La Voz Del Genero. Recuerda compartir el episodio.

Let's rewind twenty years. What was happening in 1998? Besides being awkward teens, we were listening to some música, and there were some JAMS! A couple of seminal releases, some reggaeton history in the making y mucho más. Ponte redi for some throwbacks! PLUS! It's our cumpleaños! And not to be groserxs, but can we ask you for un regalito? We have regalitos for YOU in return! Check out the details for our birthday campaign here: https://wp.me/p78d4C-lO Featuring music by Elvis Crespo, Shakira, Tito Nieves, Wassabanga/El Chombo, Chayanne, and La India. Show notes: https://www.radiomenea.com/blog/2018/03/09/episode-48-1998 Follow us: facebook.com/radiomenea instagram.com/radiomenea twitter.com/radiomenea

Los Amores Volume 6 : Salsa Edition Mixtape (2018) mixed By DJ Flaco Flash 1. David Pabon – Y Nos Amamos 2. Rey Sepulveda – Hay Otra En Tu Lugar 3. Edgar Joel – Hasta El Sol De Hoy 4. Tito Rojas – Condename A Tu Amor 5. Adolescentes – Anhelos 6. Johnny Rivera – Cuando Para La Lluvia 7. Eddie Santiago – Lluvia 8. Lalo Rodriguez – Devorame Otra Vez 9. Tito Rojas – Siempre Sere 10. Galy Galiano – La Cita 11. Jerry Rivera – Cuenta Conmigo 12. Eddie Santiago – Tu Me Haces Falta 13. Costa Brava – Tu Precio 14. Maelo Ruiz – Te Va A Doler 15. Willie Gonzalez – El La Intimidad 16. Rey Ruiz – Si Te Preguntan 17. Frankie Ruiz – Quiero Llenarte 18. Willie Gonzalez – Quiero Morir En Tu Piel 19. Tommy Olivencia feat. Hector Tricoche – La Primera Piedra 20. Tommy Olivencia feat. Hector Tricoche – Lobo Domesticado 21. Marc Anthony – Nadie Como Ella 22. Mickey Taveras – Historia Entre Tus Dedos 23. Grupo Niche – Si Supieras 24. Grupo Niche – Te Ensenare Olvidar 25. Orquesta Matecana – Gracias Amor 26. Maelo Ruiz – Volver A Amarte 27. Victor Manuel – En Nombre De Los Dos 28. Andy Montanez – Casi Te Envidio 29. Tito Nieves – Fabricando Fantasias 30. Tommy Olivencia feat. Frankie Ruiz – Lapiz De Carmin 31. Victor Manuel – Asi Es La Mujer Que Amo

✌

This week we start with a sad song, transition into a discussion of the various dancing (or non-dancing!) traditions in our families and our relationships to music, and end with a chat on the problematic ways spiritual traditions get used and appropriated. How are we like this even? We got mad good música for you tho - como siempre! Featuring music by Tito Nieves, Wiki, and Yerba Buena ft Orishas. Show notes: https://www.radiomenea.com/blog/2017/11/10/meneito-6-dancing-or-dominoes Follow us: www.instagram.com/radiomenea/ www.facebook.com/radiomenea/ twitter.com/radiomenea

Y en este episodio, que muchos nos hemos reido con J Alvarez. Quien tuvo la oportunidad de trabajar con Tito Nieves en su nuevo sencillo #EsaBoquita. Hablamos de su experiencia grabando salsa. Sus artistas favoritos del genero. Y ademas con que salsero se compara. Te agradecemos que compartas este episodio. 

Battling nerves, haters in your head  and leaving a great first impression!

Sleeping in church, malo by default and a chance to open for Tito Nieves!

Jorge Luis Piloto es un exitoso compositor cubano de fama internacional, radicado en Miami, a quien muchos artistas le han grabado mas de 500 canciones a lo largo de sus 40 años de carrera. Ganador de un Grammy Latino a la mejor canción por Yo No Se Mañana, su catálogo ha sido grabado por artistas como Celia Cruz, Luis Enrique, Gilberto Santa Rosa, Christina Aguilera, Carlos Vives, Willy Chirino, Rey Ruiz , Tito Nieves, Cheo Feliciano etc. En este episodio, Jorge Luis Piloto nos narra de manera sencilla cómo fueron sus comienzos como compositor y cómo es el proceso que vive cada vez que escribe una canción."La inspiración es una pequeña chispa... todo lo demás es trabajo, ensayo y error... ir armando un rompecabezas". Esta es una oportunidad única de entrar en la mente (mas bien en el corazón) de una persona extraordinaria que ha sido capaz de alcanzar muchas veces el éxito sin haber tenido nunca que dejar de ser él mismo.

Sometimes even classics need a re-do. This week, we look at covers - from Latino music classics to translated versions of English-language hits. Featuring music by Karen Rodriguez, Jarina De Marco, Leslie Grace, Bunny Michael, Tony Succar, Tito Nieves and La Lupe. Show notes: https://www.radiomenea.com/blog/2016/08/12/episode-10-covers

Born into a family of talented musicians in Lima, Peru on May 18, 1986, Tony Succar’s very DNA must be imbued with cadence and rhythm. The Succar family moved to Miami, Florida when Tony was just two; at the ripe old age of 13, Tony’s own music career began. He says, “I was privileged to be brought up in a family of musicians: I couldn’t be more grateful.” Succar’s music education began on piano then segued to percussion. He earned his Bachelor of Arts degree in Jazz Performance from Florida International University in 2008 and his Master’s degree in 2010.Succar has worked with artists Arturo Sandoval, Néstor Torres, Ed Calle, Tito Nieves, La India, Obie Bermudez, Jennifer Peña, and Tito Puente Jr., among others. Growing up in Miami—a multi-cultural “Melting Pot”—molded him into a versatile musician, prompting him to make the most of his prodigious talent.President of his own entertainment company, Mixtura Productions, Tony Succar is well-versed in a number of professional roles: bandleader, percussionist, musician, producer, composer, and arranger. He is currently endorsed by Gon Bops, a top percussion brand, and Sabian, one of the leading cymbal manufactures in the world. Whether in a timbales solo, an orchestration, or an explosive groove, Succar’s sound is gripping and distinctive and accommodates the energies and interests of musicians and dancers. Notably, at every performance, Tony focuses on the integrity of his music.Succar’s compositions emphasize combinations of syncopation, harmonic curiosity, rhythmic uniformity, and tasteful melodies. With his unique arrangements and personal charisma, Succar breaks the mold to create enticing masterpieces for all. Tony’s debut album (CD/DVD) “Live at the Wertheim Performing Arts Center” is a prime example. The album received excellent reviews from mainstream media, including this one: “An exciting fusion of South America, Cuba, Jazz and South Beach flavor from an up-and-coming artist who will almost certainly be heard from more in the future.” – Jazz Chicago Reviews.Assembling an exceptional production team and featured artists, Tony Succar has created The UNITY Project, a unique endeavor aimed at the minds, ears and hearts of a global audience. Pop legend Michael Jackson’s music and life philosophies heavily influenced Tony as a youngster and teenager, truly igniting his musical ideas and passion. The UNITY Project is the result: an innovative sound that interconnects elements of American Pop, Jazz, Tropical, and World Music with the enduring foundations of the King of Pop. The UNITY album will explode beyond mainstream media to appeal indefinitely to markets around the world.Unity features more than 100 musicians, such Latin superstars as Tito Nieves, Jon Secada, and India, and the mixing magic of Jackson’s legendary engineer Bruce Swedien.The mission of the UNITY Project is to honor the legacy of Michael Jackson, King of Pop, by remaining true to his artistic essence, excellence, and music. The UNITY Project seeks to unify all human beings’ hearts, talents, peoples and cultures to ensure that the imaginary barriers between people and countries shrink until—just as Michael Jackson envisioned—we all live harmoniously together.

Special guest and TV Producer Seth Magalaner is back this week for another episode of the MFP!This week we are featuring music from Robin Thicke, The Smiths, Buddy Holly, Chuck Berry, Milt Jackson, The Monkees, Tito Nieves, Kenny Rogers, Real Estate, Andy Breckman, and Fences (feat, Macklemore & Ryan Lewis)!!!SUBSCRIBE: iTunes TWITTER: @MusicFirstPcastFACEBOOK: Music First PodcastEMAIL: MusicFirstPodcast@gmail.com

English language Salsa. Going out to all my salsa loving listeners everywhere. Special shout out to Ina ! 1- I'm Going To Shen Zen,(Orchesta La palabra) 2- I still believe (Brenda K. Starr) 3- Suddenly (Louie Ramirez ) 4- Careless Whisper 5- Sealed with a kiss ( David Cedeño ) 6 - Betcha By Golly Wow (Ray De La Paz) 7 - My eyes adore you (Tito Nieves )