Podcast appearances and mentions of Frank Bowling

À l'occasion d'une soirée consacrée à l'artiste Frank Bowling, la commissaire d'exposition Julia Marchand et le conteur d'expositions Chris Cyrille ont souhaité faire dialoguer plusieurs voix avec son œuvre poétique, celle de l'artiste et saxophoniste Dimitri Milbrun et de la poétesse et pawolèz Simone Lagrand.C'est depuis une histoire de l'art décentrée, celle de l'Atlantique noir, qu'il et elle proposent d'aborder la trajectoire diasporique de cette œuvre, dans laquelle la mer et son histoire (« The sea is history », écrivait le poète Derek Walcott), ainsi que les couches géographiques — voire géologiques — du monde, jouent un rôle fondamental.Pour approcher une peinture aussi diffractée, il et elle ont convié la parole d'une poétesse, d'un artiste, et les échos lointains de la Mer. L'événement est soutenu par Frank Bowling Foundation. Le travail de l'artiste est visible à la galerie Hauser & Wirth jusqu'au 24 mai 2025.Amphithéâtre des LogesMardi 20 mai 2025Crédit photo : © Grégoire d'Ablon et © Damien Jélaine

For the 36th episode of "Reading the Art World," host Megan Fox Kelly speaks with Sarah Roberts, curator of the landmark exhibition "Amy Sherald: American Sublime," and editor of the accompanying catalog published by Yale University Press in association with the San Francisco Museum of Modern Art.Roberts discusses Sherald's revolutionary portraiture approach — from her distinctive gray-scale skin tones that shift focus to her subjects' interior lives, to her deliberate use of clothing and settings as narrative devices. She shares insights on the "American sublime" concept in Sherald's work and her curatorial decisions integrating the iconic Michelle Obama and Breonna Taylor portraits within the larger context of the artist's practice.This episode is essential listening for anyone interested in contemporary portraiture, the evolution of American figurative painting, and how art can challenge conventional narratives about representation and identity. Roberts' insights reveal why Sherald's quiet yet radical artistic vision offers a powerful reimagining of who deserves to be seen and celebrated in American art history.ABOUT THE AUTHOR Sarah Roberts is Senior Director of Curatorial Affairs at the Joan Mitchell Foundation where she oversees the Foundation's Artwork and Archival Collections and the Joan Mitchell Catalogue Raisonné project. Since 2004, she has served in progressive leadership roles in the Department of Painting and Sculpture at the SFMOMA, and since 2020 as Andrew W. Mellon Curator and Head of Painting and Sculpture. A specialist in post-war American art, Roberts has organized significant exhibitions including major presentations of Robert Rauschenberg, Louise Bourgeois, Frank Bowling, and co-curated the Joan Mitchell retrospective that traveled internationally. Roberts holds degrees from the University of Texas at Austin and Brown University, and has contributed to numerous publications on contemporary art.ABOUT THE EXHIBITION"Amy Sherald: American Sublime" is now on view at the Whitney Museum of American Art in New York through August 3, 2025, following its run at SFMOMA. The exhibition will travel to the National Portrait Gallery in Washington, D.C. (September 19, 2025 – February 22, 2026).PURCHASE THE BOOK https://yalebooks.yale.edu/book/9780300279382/amy-sherald/ SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

December 8, 2024 - Frank Bowling, IV - Generational Legacy by Buford Church of Christ

We meet author/art critic Jennifer Higgie and Sotheby's Chloe Stead to discuss an inspiring new exhibition which has just opened ‘London: An Artistic Crossroads' runs until 5th July at Sotheby's New Bond Street.Sotheby's, in partnership with Art UK and twelve museums across the country, are staging a month-long exhibition, open to the public and free of charge, shining a spotlight on the UK as a centre of creative cross-pollination.The exhibition, ‘London: An Artistic Crossroads', brings together an assemblage of remarkable works by artists who passed through or settled in the UK during their lifetime. The earliest of the works is a vivacious portrait by Flemish artist Marcus Gheeraerts the Younger, who became one of the most sought-after portraitists in England during the 16th century. It is joined by a vibrant landscape by André Derain, for whom London was a place of explosive transformation, as well as an iconicComposition by Piet Mondrian who, out of fear of German invasion and encouraged by Ben Nicholson, left Paris for Hampstead in 1938. Lucian Freud, Francis Bacon and Dame Lucie Rie are included in the line up, all émigrés, Freud from metropolitan Germany, Bacon from rural Ireland and Rie from Vienna, in addition to Frank Bowling, R.B. Kitaj and Dame Magdalene Odundo, among others.The exhibition coincides with NG200 - the Bicentenary celebrations of London's National Gallery - which it is intended to complement. As the National Gallery launches its National Treasures programme, where 12 of the nation's most iconic and well-loved paintings from the collection are lent to 12 venues across the UK, this exhibition does the reverse: bringing 12 works from major regional collections together in the capital city.The National Gallery has long provided a source of inspiration for creatives, who look to its rich collection to further enhance their own practices. Many of the artists presented in Sotheby's exhibition publicly acknowledged the museum's influence over their own styles and practice, including Bacon, Freud (the subject of a landmark National Gallery exhibition – ‘New Perspectives' – in 2022/23), Kitaj (who selected paintings for ‘The Artist's Eye' exhibition at the National Gallery in 1980), Bowling and Auerbach, who was even invited to show his interpretations of some of the National Gallery's paintings in 1995.Jennifer Higgie is an Australian writer. Previously the editor of Frieze magazine, and the presenter of Bow Down, a podcast about women in art history, she is the author of a 2021 book on women's self-portraits, 'The Mirror & The Palette: Rebellion, Revolution & Resistance, 500 Years of Women's Self Portraits'. Her latest book 'The Other Side: Women, Art and the Spirit World', was published in 2023. Jennifer has been a judge of the Paul Hamlyn Award, the Turner Prize and the John Moore's Painting Prize.Chloe Stead is Global Head of Private Sales, Old Masters Paintings for Sotheby's. She actively works with collectors, institutions, and dealers in buying and selling works of art internationally.Follow @Jennifer_Higgie and to learn more about the exhibition visit: @Sothebys‘London: An Artistic Crossroads' is open now and runs until 5th July at Sotheby's New Bond Street.Learn more: https://www.sothebys.com/en/articles/twelve-artistic-treasures-meet-in-london Hosted on Acast. See acast.com/privacy for more information.

Ben Bowling is Professor of Criminology at at Kings College London, and the son of the celebrated painter Frank Bowling, whose studio he now manages. "Frank always wanted children, but did not want to be a father, because of his own father's violence; by being an absent father through my infancy and childhood, Frank allowed me to re-write the script of fatherhood."One thing that is joyous about working in the studio is being able to involve my son, who's now in his 30's, and his son, who's two and a half. The fact that we now have four generations of male Bowlings in the studio, coming together around the work, is a source of joy. It's almost like we disrupted this old pattern of what fatherhood should be."Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield Hosted on Acast. See acast.com/privacy for more information.

Vielhaber, Christianewww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

Sechs Jahrzehnte umfasst das Werk von Frank Bowling. Der schwarze Maler wird aber erst seit wenigen Jahren international wahrgenommen. Seine Entdeckung habe auch mit der Black-Lives-Matter-Bewegung zu tun, sagt Museumsdirektor Yilmaz Dziewior. Yilmaz Dziewior im Gespräch mit Marietta Schwarzwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Dziewior, Yilmazwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Today on Boston Public Radio: We began the show by asking listeners about the voting patterns of white women ahead of the midterms. Shirley Leung talked about Mass. Governor Charlie Baker's multi billion dollar spending bill, her own latest piece on Mass. ballot Question 1, and women's entrepreneurship in Boston. Leung is a business columnist for the Boston Globe Callie Crossley discussed white suburban women's' swing to the right ahead of midterms and Kyrie Irving's recent anti-Semitic tweet. Crossley is the host of GBH's “Under the Radar.” Andrea Cabral explained the Lady of the Dunes story, and new city laws about throwing out mattresses and handling food waste. Cabral is the former Suffolk County sheriff, former Massachusetts secretary of public safety and former CEO of the cannabis company Ascend. Jared Bowen gave his thoughts on climate protesters using art as a means of getting attention, shared his thoughts on the new film “Armageddon Time,” and discussed the MFA's “Frank Bowling's America” and “To Begin Again” at the ICA. Bowen is GBH's executive arts editor and the host of Open Studio. Pamela Means joined us for another installment of live music Friday. She chatted about the history and legacy of protest music, and sang us a few songs. Means is a singer/songwriter based out of Easthampton. We ended the show by talking about daylight saving time.

Episode No. 572 features curators Reto Thüring and Lisa Volpe. With Akili Tommasino, Thüring is the co-curator of "Frank Bowling's America's," which opens at the MFA Boston this weekend. The exhibition work that the British Guiana–born Bowling made when he lived in New York from 1966-75 (at which point he returned to London, his previous home). The show features the often enormous paintings Bowling made in those years, and considers them within the context of his art criticism and curatorial projects. The exhibition is on view through April 9, 2023. The outstanding exhibition catalogue was published by the museum. Indiebound and Amazon offer it for $40-50. Volpe discusses "Gordon Parks: Stokely Carmichael and Black Power," which is at the Museum of Fine Arts, Houston through January 16, 2023. The exhibition presents and considers pictures of Carmichael that Parks made for Life magazine in 1967. Also included in the show are footage of Carmichael's speeches and interviews. Indiebound and Amazon offer the catalogue, a co-publication of Steidl, The Gordon Parks Foundation, and the MFAH, for $45-50. Instagram: Lisa Volpe, Tyler Green.

This week: we talk to Emma Brown of Just Stop Oil about why the group targeted Vincent Van Gogh's Sunflowers in the National Gallery, London, for its climate emergency protest. Stacy Boldrick, assistant professor of museum studies at the University of Leicester, discusses the climate protests in the context of the long history of iconoclasm and attacks on works of art. The first version of Paris+, Art Basel's fair in the French capital, opened this week, and we ask Melanie Gerlis, a columnist for the Financial Times and The Art Newspaper, how it compares to Paris's previous fair, Fiac, and to the Frieze fairs in London last week. And this episode's Work of the Week is Frank Bowling's Suncrush (1976), which features in an exhibition of the Guyana-born artist's work at the Museum of Fine Arts in Boston. Reto Thüring, the curator of the show, tells us about the painting and Bowling's 10-year stay in America in the 1960s and 1970s.Links:juststopoil.orgStacy Boldrick, Iconoclasm and the Museum, Routledge, 212pp, £27.99, $35.96 (pb)Paris+, until 23 October.Melanie Gerlis, The Art Fair Story: a Rollercoaster Ride, Lund Humphries, 104pp, £19.99, $34.99 (hb)Frank Bowling's Americas, Museum of Fine Arts, Boston, 22 October-9 April 2023; San Francisco Museum of Modern Art, 13 May-10 September next year. Related shows: Equals 6: A Sum Effect of Frank Bowling's 5+1, University Hall Gallery, UMass Boston, 14 November-18 February 2023; Revisiting 5+1, Paul W. Zuccaire Gallery, Staller Center for the Arts, Stony Brook University, 10 November-23 February 2023. Hosted on Acast. See acast.com/privacy for more information.

Coinciding with Zurich Art Weekend and Art Basel Week, Hauser & Wirth Zürich presents recent abstract paintings by Frank Bowling. ...

Running concurrently with Frank Bowling’s solo show, Hauser & Wirth Zürich presents the exhibition ‘Jack Whitten'. The show features paintings ...

This episode is also available as a blog post: https://thecitylife.org/2022/04/16/museum-of-fine-arts-boston-and-san-francisco-museum-of-modern-art-announce-tour-dates-for-frank-bowlings-americas/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Episode 95 features Kent Kelley. His interest in the arts was formed from fond memories observing his mother, an artist who died when he was 14. A decade later he acquired his first works of art and in 2015 began building an art collection with the express goal of documenting and preserving the culture of the African diaspora. His support for the arts includes increasing the awareness of artists of color whether they be emerging artists, mid-career artists or mid-20th Century masters excluded from the historical art canon because of their race and gender. Kent is also a finance professional and currently serves as the Chief Financial Officer of a fast growing SaaS software company. His collection includes works by Nate Lewis, Tariku Shiferaw, Genevieve Gaignard, Vaughn Spann, Nathaniel Murray Quinn, Mickalene Thomas, Kehinde Wiley, Norman Lewis, Bettye Saar, Ed Clark, Frank Bowling and Benny Andrews. Kent is also a patron of the Arts. He is a Director's Circle member at his local High Museum of Art, a Director Council member at the Studio Museum of Harlem and a member of MoMA PS1's, "Greater New Yorkers", a community of forward thinking individuals dedicated to supporting MoMA PS1's ability to be artist centric, artist driven and artist focused. Kent and his wife were funders for the High Museum of Art, in Atlanta, Obama Portraits Exhibition on view until March 20, 2022. https://high.org/obama-tour/ Artsy https://www.artsy.net/article/artsy-editorial-collector-kent-kelley-supporting-brilliance-black-emerging-artists High Museum https://high.org/Press-Release/high-museum-of-art-presents-the-obama-portraits-tour-featuring-portraits-by-artists-kahinde-wiley-and-amy-sherald/ J News https://jnews.uk/collector-kent-kelley-on-supporting-the-brilliance-of-black-emerging-artists/ Newsbreak https://www.newsbreak.com/news/2481869378970/collector-kent-kelley-on-supporting-the-brilliance-of-black-emerging-artists Photo credit: Slingshots Photography

Unencumbered Voices in Curated Spaces: Inspired by the life & work of Sir Frank Bowling - a three-part summer podcast series, investigating freedom of expression today and throughout art history.This second episode in a special series of conversations from Shade, supported by Hauser & Wirth is with art historian Michael Ohajuru. Based in London, Michael Ohajuru is a Senior Fellow of the Institute of Commonwealth Studies where he leads the ‘What's Happening in Black British History' workshops, fostering a creative dialogue between researchers, educators, archivists, curators, and policy makers. He speaks regularly on the Black presence in Renaissance Europe at the National Gallery, Tate Britain, British Library, National Archives and the Victoria Albert Museum, highlighting the overt and covert Black presence in national art collections. His new book coauthored with With S. I. Martin, ‘The Guide to Black London,' is forthcoming from September Publishing.‘Frank Bowling. London / New York' is on view Hauser & Wirth New York, 22nd Street from 5 May and Hauser & Wirth London from 21 May 2021. Shade Podcast is produced and hosted by Lou MensahEditing and sound design by CA DavisMusic by Brian JacksonSeries supported by Hauser & Wirth See acast.com/privacy for privacy and opt-out information.

Unencumbered Voices in Curated Spaces: Inspired by the life & work of Sir Frank Bowling - a three-part summer podcast series, investigating freedom of expression today and throughout art history.This first episode in a special series of conversations from Shade, supported by Hauser & Wirth, is with Silas Munro—LA-based critic, writer and partner of graphic design studio Polymode.Silas Munro’s past collaborations include the City of LA Mayor’s Office, Cooper Hewitt Smithsonian Design Museum, Mark Bradford at the Venice Biennale, and MoMA. Munro’s writing appears in the book, ‘W. E. B. Du Bois’s Data Portraits: Visualizing Black America’ published by Princeton Architectural Press. He has been a visiting critic at MICA, RISD, and Yale. Munro is Founding Faculty and Chair Emeritus at Vermont College of Fine Arts. Founded in 2014, Polymode is a studio that leads the edge of contemporary graphic design through poetic research, learning experiences, and making cool shit for clients in the cultural sphere, innovative businesses, and community-based organizations.‘Frank Bowling. London / New York’ is on view Hauser & Wirth New York, 22nd Street from 5 May and Hauser & Wirth London from 21 May 2021. Shade Podcast is produced and hosted by Lou MensahEditing and sound design by CA DavisMusic by Brian JacksonSeries supported by Hauser & Wirth See acast.com/privacy for privacy and opt-out information.

Frank Bowling, an artist known for his lush semi-abstract works that consider histories of colonialism in poetic ways… now known as Sir Franklin Bowling (don't forget the Sir) - his work has redefined the course of abstract painting. For this and other artwork we discuss, please visit https://www.darwindarko.com/ekphrastic …its where you can find all this stuff catalogued for your viewing pleasure.

Episode 55 features Courtney J. Martin. In 2019, she became the sixth director of the Yale Center for British Art. Previously, she was the deputy director and chief curator at the Dia Art Foundation; an assistant professor in the History of Art and Architecture department at Brown University; an assistant professor in the History of Art department at Vanderbilt University; a chancellor’s postdoctoral fellow in the History of Art at the University of California, Berkeley; a fellow at the Getty Research Institute; and a Henry Moore Institute research fellow. She also worked in the media, arts, and culture unit of the Ford Foundation in New York. In 2015, she received an Andy Warhol Foundation Arts Writers Grant. In 2012, Martin curated the exhibition Drop, Roll, Slide, Drip . . . Frank Bowling’s Poured Paintings 1973–1978 at Tate Britain. In 2014, she co-curated the group show Minimal Baroque: Post-Minimalism and Contemporary Art at Rønnebæksholm in Denmark. From 2008 to 2015, she co-led a research project on the Anglo-American art critic Lawrence Alloway at the Getty Research Institute and was co-editor of Lawrence Alloway: Critic and Curator (Getty Publications, 2015, winner of the 2016 Historians of British Art Book Award). In 2015, she curated an exhibition at the Dia Art Foundation focusing on the American painter Robert Ryman. At Dia, she also oversaw exhibitions of works by Dan Flavin, Sam Gilliam, Blinky Palermo, Dorothea Rockburne, Keith Sonnier, and Andy Warhol. She was editor of the book Four Generations: The Joyner Giuffrida Collection of Abstract Art (Gregory R. Miller & Co., 2016), surveying an important collection of modern and contemporary work by artists of African descent. As a graduate student in 2007, Martin contributed to the Center’s exhibition and publication Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds. She received a doctorate from Yale University for her research on twentieth-century British art and is the author of essays on Rasheed Araeen, Kader Attia, Rina Banerjee, Frank Bowling, Lara Favaretto, Leslie Hewitt, Asger Jorn, Wangechi Mutu, Ed Ruscha, and Yinka Shonibare CBE (RA). Yale News April 2019 https://news.yale.edu/2019/04/10/courtney-j-martin-09-phd-named-director-ycba The Art Newspaper September 2020 https://www.theartnewspaper.com/interview/yale-center-for-british-art-embraces-a-global-framework ARTnews April 2019 https://www.artnews.com/art-news/news/yale-center-british-art-courtney-martin-director-12328/ culture type June 2019 https://www.culturetype.com/2019/06/20/courtney-j-martin-appointed-director-of-yale-center-for-british-art-an-opportunity-the-yale-alum-called-too-good-to-pass-up/ Dia Art February 2017 https://diaart.org/about/press/courtney-j-martin-to-join-dias-curatorial-department-as-deputy-director-and-chief-curator/type/text Courtney Martin image credit Angelis Apolinario

Episode Forty features Peg Alston. For nearly four decades since establishing Peg Alston Fine Arts, she has emerged as this country’s foremost private dealer specializing in works by African American artists and other artists of African descent, as well as select pieces of traditional African sculpture. In addition to handling art created by gifted emerging and mid-career artists, Peg Alston has sold works by some of the most renowned 20th Century Black masters, including Aaron Douglas, William H. Johnson, Laura Wheeler Waring, William T. Williams, Horace Pippen, Charles White, and Elizabeth Catlett. She has also sold works by some of the leading names on the contemporary scene, among them: Sam Gilliam, Richard Yarde, Betye Saar, Howardena Pindell, Frank Bowling, Ronald Burns, Edward Clark, David Driskell, Al Loving, Lubaina Himid, Oliver Johnson, Faith Ringgold, and Raymond Saunders. Peg Alston emerged on the New York art scene in 1972, a time when art by African Americans was limited. Early giants such as Romare Bearden and Norman Lewis generously served as informal mentors during the beginning stages of her career. Thanks to her keen eye and tastes, commitment to her specialty, and dedication to educating the public through lectures and activism, she has played a pivotal role in cultivating an interest all around the country for investing in African American fine art, and formed close associations with many of today’s most important African American artists. Long active with theStudio Museum in Harlem and many other major New York City cultural institutions, Peg Alston organized some of the first seminars on collecting, appraising and cataloguing African American art. Today, Peg Alston is a member of the Private Dealer’s Association (PADA) and ArtTable, and recently had the honor of being interviewed by History Makers for their visual and oral archival collection. http://www.pegalstonfinearts.com/ https://www.thehistorymakers.org/biography/peg-alston-41 https://www.instagram.com/pegalston/?hl=en

Caribbean migrants not only came to work in the buses and hospitals. Many - such as the novelists George Lamming and Sam Selvon - came to Britain in search of opportunities to be paid to think and write. Others such as Stuart Hall, Vidia Naipaul and Walter Rodney came as students. London also received a stream of de facto political refugees from the Caribbean and the United States, such C.L.R. James, the poet and publisher John LaRose, and Claudia Jones, the first theorist of 'intersectionality' and founder of the Notting Hill Carnival. Visual artists such as Horace Ove, Frank Bowling, and Donald Locke made painting, sculpture and film at the frontier of the avant-garde. From London, they reassessed the past and imagined new futures for the Caribbean, Britain and the World. We are only now beginning to see as a whole this hidden current in Twentieth-century British intellectual life.A lecture by Richard Drayton 26 OctoberThe transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/lectures-and-events/windrush-thinkersGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.Website: http://www.gresham.ac.uk Twitter: http://twitter.com/GreshamCollege Facebook: https://www.facebook.com/greshamcollege Instagram: http://www.instagram.com/greshamcollege

I found that what Lanecia shared about choosing life, moving through grief, being honest and claiming art for herself was exactly what I needed to hear in this moment. I’m in love with the depth of thought behind her work (which you’ll get to hear!) as well as her perspective on the ways art makes us better humans in the world. We talked about… -- How Lancia creates with patience and mindfulness, and let’s her work “become” in it’s own timing (and the practicality of working with deadlines within this process) -- What led to her transition from minister to artist, and how her background plays out in her vocation now -- How Lanecia moved through the grief of losing her daughter, both on and off the canvas, as well as advice for others working through grief. -- How both creating art and engaging with art makes us better humans -- How Lancia has fiercely directed her own art education and her favorite resources for doing so -- much more! And! Be sure to check out the show notes on this one. Lancia shared a WEALTH of educational and inspirational resources, and I linked them all up for you. _______________________________________________________ Links and Mentions: -- Creative Process by James Baldwin -- On Joy and Sorrow by Kahlil Gibran -- Living With Art by Mark Getlein -- Menil Collection in Houston -- Art Institute in Chicago -- Romare Bearden, Sam Gilliam, Ed Clark, Toni Morrison, Audre Lorde, Frank Bowling, Elma Thomas Additional resources from Lanecia: MOMA Online classes (they are FREE!) Four Generations: The Joyner / Giuffrida Collection of Abstract Art Ninth Street Women by Mary Gabriel. Follow Lanecia: Recent Installation at Project Row http://www.larartphotography.com/ https://www.instagram.com/larartstudio/ Follow Devon + the Podcast: https://www.instagram.com/artandmagicpodcast/ https://www.instagram.com/devonwalzart/ www.devonwalz.com

The Week After Pentecost And with that he breathed on them and said, “Receive the Holy Spirit.John 20:22 If you'd like to get an email each week with links to the podcast and updates and prayer requests click here and sign up. Worship Order Song: "Sound of Your Voice" by me Prayer of Confession Psalm 104:25-35, 37 Gloria Patri John 20:19-23 Apostles' Creed The Lord's Prayer Time of Guided Intercession Benediction Art by Frank Bowling

The Week After Pentecost And with that he breathed on them and said, “Receive the Holy Spirit.John 20:22 If you’d like to get an email each week with links to the podcast and updates and prayer requests click here and sign up. Worship Order Song: “Sound of Your Voice” by mePrayer of ConfessionPsalm 104:25-35, 37Gloria PatriJohn 20:19-23Apostles’ CreedThe Lord’s PrayerTime of Guided IntercessionBenediction Art by Frank Bowling

Thank you so much to our special guest Harold Greene for playing, singing, and worshiping with us today. Go give him some love! The Week After Pentecost On the last and greatest day of the festival, Jesus stood and said in a loud voice, “Let anyone who is thirsty come to me and drink. Whoever believes in me, as Scripture has said, rivers of living water will flow from within them.”John 7:37-38 If you'd like to get an email each week with links to the podcast and updates and prayer requests click here and sign up. Worship Order Songs: "To Worship You" by Harold Greene and me, "Mover of Mountains" by me. Prayer of Confession Psalm 33:12-22 Gloria Patri John 7:37-39 Apostles' Creed The Lord's Prayer Time of Guided Intercession Benediction Art by Frank Bowling

Thank you so much to our special guest Harold Greene for playing, singing, and worshiping with us today. Go give him some love! The Week After Pentecost On the last and greatest day of the festival, Jesus stood and said in a loud voice, “Let anyone who is thirsty come to me and drink. Whoever believes in me, as Scripture has said, rivers of living water will flow from within them.”John 7:37-38 If you’d like to get an email each week with links to the podcast and updates and prayer requests click here and sign up. Worship Order Songs: “To Worship You” by Harold Greene and me, “Mover of Mountains” by me.Prayer of ConfessionPsalm 33:12-22Gloria PatriJohn 7:37-39Apostles’ CreedThe Lord’s PrayerTime of Guided IntercessionBenediction Art by Frank Bowling

Russell and Robert meet Edward Enninful OBE, editor-in-chief of British Vogue. Over the past two and a half years as editor-in-chief of the famed publication, he has helped shape a new vision for fashion media — not just in the UK, but globally — where he has placed a “diversity of perspective” at its core.Enninful has described his vision for British Vogue as “about being inclusive. It’s not just the colour of your skin but the diversity of perspective.” He has made art a priority including interviews and features with artists as varied as Lubaina Himid, Steve McQueen (who is Vogue's Contributing Editor), Luchita Hurtado, Celia Hempton, Anthea Hamilton, Lorna Simpson, Mark Bradford, Nathaniel Mary Quinn, Frank Bowling, Lynette Yiadom-Boakye, Howardena Pindell, Bridget Riley, Toyin Ojih Odutola, Rosalind Nashashibi, Maggi Hambling, Huguette Caland, Tracey Emin, Grayson Perry and Rachel Whiteread. He has also profiled curators and museum directors such as Zoé Whitley (Chisenhale), Maria Balshaw (Tate) as well as writer Zadie Smith and photographers including Nadine Ijewere, Tyler Mitchell and Campbell Addy. In 2019, Enninful presented the Turner Prize, in an historic year where all four nominees won the prize.Ghanaian-born Enninful began his career as fashion director of British youth culture magazine i-D at age 18, the youngest ever to have been named an editor at a major international fashion title. After moving to London with his parents and six siblings at a young age, Enninful was scouted as a model on the train at 16 and briefly modelled for Arena and i-D magazines including being shot by artist Wolfgang Tillmans.Inspired by London’s club scene in the 1980s, Enninful’s work during this period captured the frenetic energy and creative zeitgeist of the time. It was also during this time that he befriended many of his future fashion collaborators, including Steven Meisel, David Smins, Pat McGrath, Craig McDean, Mario Sorrenti, Kate Moss and Naomi Campbell. For British Vogue, Enninful ’s covers have consistently featured strong women who promote messages of empowerment: Stella Tennant, Oprah Winfrey, Adwoa Aboah, Naomi Campbell, Rihanna, not to mention his September 2019 edition guest-edited by Meghan Markle HRH Duchess of Sussex, which featured 15 trailblazing female changemakers including Greta Thunberg and Jane Fonda on the cover.Enninful was awarded an OBE for his services to diversity in the fashion industry, and in 2018 he received the Media Award in Honour of Eugenia Sheppard from the CFDA in recognition of his career-long contribution to the fashion industry.Follow @Edward_Enninful and @BritishVogue. For images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArtPodcast. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. We love to hear your feedback!!!! Thank you for listening to Talk Art, we will be back very soon. See acast.com/privacy for privacy and opt-out information.

Anna graduated from the RCA in 2015 and holds a BA from Central Saint Martins. In 2017 she won Griffin Art Prize and the Young Contemporary Talent Prize supported by the Ingram Collection. . . She has been shortlisted for several prizes, including The London Group, in 2013, where she was presented with a prize by Frank Bowling. In 2019 her show Muscle Memory at Elephant West in London saw a collaboration with musician and friend Kieran Hebden also known as Four Tet drawing on grief, movement, vibration and memory. . . Anna describes painting as attitude. Painting serves as a physical intelligence and makes the most sense when described in relation to the body and often come out of chaos. Her Ukrainian grandmother used to say: “If it wasn’t all lies it would be the truth"

At UNTITLED, ART San Francisco, Leigh Raiford, Associate Professor of African American Studies at the University of California, Berkeley, conversed with gallerist Michael Rosenfeld to discuss Michael Rosenfeld Gallery's curated presentation of artists exhibited in "Soul of a Nation: Art in the Age of Black Power 1963–1983." The gallery's booth presentation at UNTITLED, ART San Francisco will included works by such seminal artists as Frank Bowling, Ed Clark, Sam Gilliam, Jacob Lawrence, Norman Lewis, Betye Saar, and William T. Williams, among others. The conversation ranges in topics, from the prominence of abstraction in Soul of a Nation, the place of Africa in African American art, and the gallery's long history exhibiting Black artists as well as the "discovery" of many older Black artists in today's contemporary artworld. James Voorhies, Chair, Graduate Program in Curatorial Practice, California College of the Arts, moderated the conversation.

In this week's Esoteric Modulation we talk about effects, the implications of different DSP's, Whether to go in the rack or out and using effects as an instrument. We take a look at a Tate podcast that talks about art and music improvisation. We have a listener question on can something easy to produce or a mistake be art. And we round it off with our Bandcamp artist of the week Matthew Shaw. Episode 005 Effects & ImprovisationShow Note Timings Into: 0.00Show Run-Down: 0.40What Ed has Ed been up to: 0.57Art commissions for Gary Numan and Eventide Soundscape with Eventide Space Paining to self produces soundscapes Stereo FX SSSR Labs Vertigo DSP: 5.10Tiptop Audio Z-DSP Chris KlepperEffects Talk (In Case out Case): 11.52Effects Talks Effects as Instruments 21.45The Art Segment: 25.54Listener Question 39.15Bandcamp Arts of the Show 44.45Shoutouts 53.39 Show Note links Chat and Round Up Stereo FX SSSR Labs Vertigo DSPBens Video https://www.youtube.com/watch?v=HAoFMZs7BRQ&tTiptop Audio Z-DSP http://tiptopaudio.com/zdsp-ns/The Modular & Esoteric Equipment Segment In or out of case effects?Complex multi tools VS simple small rack effects Eventide Space:https://www.eventideaudio.com/products/stompboxes/reverb/spaceErica Synths Black Hole:https://www.ericasynths.lv/shop/eurorack-modules/by-series/black-series/black-hole-dsp2/Ben’s Black Hole video: https://www.youtube.com/watch?v=PS_aj2jZgyMhttps://millionmachinemarch.comEffects as an InstrumentsLyra 8 Effects:https://somasynths.com/lyra8-fx/Art Segment The Art of ImprovisationThis Tate podcast features Frank Bowling, an artist who has spent 60 years improvising with paint. https://www.tate.org.uk/art/artists/frank-bowling-792/art-improvisationJamie Lidell - Capitol Chambers Sonic TALK Specialhttps://www.youtube.com/watch?v=D-Et0dVllpYScannerhttps://scanner.bandcamp.comListener QuestionGus/ userfriendly:Can a mistake be art? Bandcamp Arts of the ShowMatthew ShawTotemic Topologies Vol . 3https://electricreference.bandcamp.com/album/totemic-topologies-vol-3Shoutouts Waveform Magazine - https://www.waveformmagazine.comKyle Swishers new ‘Source of Uncertainty’ podcast:https://podcasts.apple.com/us/podcast/source-of-uncertainty-a-buchla-podcast-4u/id1467860041?ign-mpt=uo%3D4Hosts and Guests Ed Ball Website: https://www.edwardball.co.ukBen Wilson aka DivKid: https://www.youtube.com/user/DivKidVideo

Chilean director Sebastián Lelio's 2013 film Gloria has been remade for an English-speaking audience as Gloria Bell. Starring Julianne Moore it's extremely faithful to the original; what's new about it? Wife is the latest play by Samuel Adamson which has just opened at The Kiln in London. Drawing on many influences including Ibsen's A Doll's House, it explores many decades of gay history Guyana-born artist Frank Bowling OBE has lived in then UK since he was a teenager and been a painter almost as long. Now at the age of 85, Tate Britain is staging a retrospective exhibition of his abstract expressionist work. Comparisons are being drawn to Rothko, Pollock and Turner Brian Bilston has been described as the Poet Laureate of Twitter. His new comic novel Diary of a Somebody follows his attempt to write a new poem everyday for a year Wild Bill is ITV's comedy starring Rob Lowe as an American police chief constable who is transferred from Boston Massachusetts to Boston in Lincolnshire with hilarious consequences! Tom Sutcliffe's guests are Jenny McCartney, Dea Birkett and Ekow Eshun. The producer is Oliver Jones Podcast Extra recommendations: Dea: Delighted by the return of big top circuses Ekow: Faith Ringold at Serpentine Gallery. Also Get Up Stand Up and Kaleidoscope at Somerset House Jenny: Lowborn by Kerry Hudson Tom: MIke Nelson at Tate Britain

In this episode we explore the role of chance and accident in the creative process. Hear artists, musicians and choreographers discuss what it means to 'go with the flow'.The podcast features Frank Bowling, an artist who has spent 60 years improvising with paint. With contributions from dancer Alethia Antonia, artist Albert E. Dean, musicians Greta Eacott, Deji Ijishakin and Axel Lidstrom, and Bowling’s assistant Spencer A. Richards. The podcast is presented by DJ and broadcaster Zakia Sewell.The Art of Improvisation is a Falling Tree production for Tate, produced by Hannah Dean. It features music by Cykada, G.Bop Orchestra and The Evil Usses.Explore 60 years of experiments and improvisation with paint.Visit Frank Bowling at Tate Britain, 31 May – 26 August 2019Book nowWant to listen to more of our podcasts? Subscribe on Apple Podcasts.Photo: ​​© Rikard Österlund See acast.com/privacy for privacy and opt-out information.

Painter and Royal Academician Frank Bowling discusses his life and work with Mel Gooding (Art critic and author of the Royal Academy’s monograph on Frank Bowling) and Courtney J. Martin (Assistant Professor of History of Art & Architecture at Brown University and Specialist in 20th Century British Art).

Painter and Royal Academician Frank Bowling discusses his life and work with Mel Gooding (Art critic and author of the Royal Academy's monograph on Frank Bowling) and Courtney J. Martin (Assistant Professor of History of Art & Architecture at Brown University and Specialist in 20th Century British Art).

Artist Frank Bowling in conversation with Courtney J Martin. Frank Bowling’s series of ‘poured’ paintings are the subject of the current Focus display at Tate Britain.

Libby Purves meets Michael Palin; surfer Easkey Britton; author and forensic anthropologist Kathy Reichs and singer and songwriter Barb Jungr. Easkey Britton is an Irish surfer who recently surfed in Iran - a country not known for its surfing culture. Her surfing has taken her around the world - she was the first Irish person to surf the frightening Teahupoo waves in Tahiti and the first woman to ride the giant wave Aileens at the Cliffs of Moher in County Clare. Her trip to Iran is the subject of a documentary by French filmmaker Marion Poizeau. Michael Palin CBE is a comedian, actor, writer and travel documentary maker. His latest journey takes him to somewhere he had never been in his 25 years of travelling - Brazil. For a new BBC One series he explores the fifth largest country on earth which is next in line to host both the World Cup and Olympic Games. There is a book to accompany the series published by Weidenfeld & Nicholson. Kathy Reichs is a forensic anthropologist and bestselling author. She is one of only fifty-six people certified by the American Board of Forensic Anthropology. She is also professor of anthropology at the University of North Carolina in Charlotte and an examiner for the province of Quebec in Canada. Her latest novel featuring Dr Temperance Brennan, 'Bones Are Forever', is published by Random House. Singer and songwriter Barb Jungr's latest album 'Stockport to Memphis' charts a metaphorical journey - not just her own route through life but that of her own parents' escape to the UK from war-torn Europe. It also pays tribute to her father-in-law, the painter Frank Bowling, who came to the UK from Guyana as a young man. 'Stockport to Memphis' is released on Naim Jazz Records. Producer: Paula McGinley.

In this interview for the Government Art Collections podcast series, artist Frank Bowling RA discusses the influences on his painting in the Collection, including the landscape of Guyana and 1960s Abstract Expressionism. For more go to: http://www.gac.culture.gov.uk

Frank Bowling was born in Guyana in 1936 and he studied at the Royal College of Art with David Hockney and Derek Boshier. He has exhibited in the Whitney Biennial, has been awarded a Guggenheim Fellowship, shown in the 2003 Venice Biennale and his work is