Podcasts about grossing

“Den of Thieves 2: Pantera,” released on January 10, 2025, is the eagerly awaited sequel to the 2018 heist thriller “Den of Thieves.” Directed by Christian Gudegast, who also co-wrote the screenplay with Paul T. Scheuring, the film reunites stars Gerard Butler and O'Shea Jackson Jr., reprising their roles as the relentless Los Angeles Sheriff's Department detective Nicholas “Big Nick” O'Brien and the cunning thief Donnie Wilson. This installment shifts the action from the gritty streets of Los Angeles to the sun-drenched, glamorous locales of Europe, delivering a high-stakes diamond heist narrative inspired by the real-life 2003 Antwerp diamond robbery. Produced by Lionsgate, alongside Diamond Film Productions, G-BASE, and Tucker Tooley Entertainment, the film blends tactical crime drama with a newfound lightness, trading the original's brooding intensity for a more playful, buddy-cop dynamic.The story picks up with Big Nick, still reeling from personal turmoil, including a recent divorce, as he tracks Donnie across Europe. Donnie, now entangled with the notorious Panther mafia, is orchestrating a daring heist targeting the world's largest diamond exchange in Nice, France. The plot kicks off with a pulse-pounding opening in Antwerp, where Donnie and the Panther Crew, led by the enigmatic Jovanna (Evin Ahmad), steal a rare red diamond, setting the stage for a cat-and-mouse game. Nick, gone rogue from his department, pursues Donnie not just to apprehend him but with a surprising twist of intent—teaming up for the heist. Their unlikely alliance, cemented over drunken shawarma and banter about French cuisine, injects the film with a shaggy charm reminiscent of early “Fast & Furious” films, though it's layered with Gudegast's signature procedural detail.Spanning 144 minutes, “Den of Thieves 2: Pantera” luxuriates in its slow-burn buildup, dedicating much of its runtime to the meticulous planning of the diamond center break-in. From camera cycles to fake identities, the film revels in heist logistics, punctuated by tension from vengeful ex-crew members and a Sardinian mobster demanding the stolen diamond's return. The payoff arrives in the second hour with a gripping infiltration sequence and a standout car chase through the French Alps, evoking Michael Mann's “Heat” and John Frankenheimer's “Ronin.” Butler's Nick, hanging off Donnie's getaway car, firing at pursuers, anchors the visceral action, shot with a metallic realism by cinematographer Terry Stacey using Arri Alexa cameras.The cast expands with strong supporting turns from Evin Ahmad as a potential love interest for Nick, Salvatore Esposito as a mafia heavy, and Meadow Williams reprising her role from the first film. Filmed across Tenerife, the Canary Islands, and the UK from April to July 2023, the production transformed Santa Cruz streets into a French diamond district, enhancing the film's European flair. Kevin Matley's score replaces Cliff Martinez's from the original, adding a fresh sonic pulse to the Mediterranean setting.Critically, the film sits at a 63% on Rotten Tomatoes, lauded for Butler's charisma and the thrilling set pieces, though some, like Rolling Stone's David Fear, critique its convoluted plot and overlong runtime. Grossing $57.3 million worldwide against a $40 million budget, it topped the U.S. box office with a $15 million opening weekend. Now streaming on Netflix as of March 20, 2025, “Den of Thieves 2: Pantera” refines its predecessor's macho ethos into a more elegant, if familiar, thriller—leaving the door ajar for a third installment, already greenlit, set in Africa.

Today my guest is Angie Dowell from Vistapath.   What we discuss with Angie: Her start in microbiology as a tech in a hospital. Transition to Pathologists' Assistant Her belief AI can improve efficiency by handling repetitive tasks, allowing focus on higher-level thinking. Standardization in Grossing Advantages of Standardized Templates Her role at Vistapath as a Customer Success Manager Impact of AI on Pathology Future of Pathology with AI Links for this episode: Health Podcast Network  LabVine Learning Dress A Med scrubs Digital Pathology Club   Vistapath AAPA Grossing Guidelines CAP Cancer Protocols   People of Pathology Podcast: Twitter Instagram

Monday 1/13/25

On this week's show we look at whether we have seen peak streaming and we take an analytical look at the movie box office. We may have hit peak Hollywood in the 1990s and early 2000s. We also read your emails and take a look at the week's news. News: Netflix smashes records with NFL double-header and Beyoncé Bowl on Christmas Day LG's Transparent OLED TV Is Now On Sale Other: HONEST REVIEW - FREE TELLY TV - UNBOX ASSEMBLE REVIEW Telly MCINTOSH FACTORY TOUR Streaming Slows to a Trickle in 2025 An embarrassment of riches awaits television and film audiences in 2025, as projects that were delayed by a Hollywood strike in 2023 reach the small and big screens at last. New instalments of “Avatar”, “Mission: Impossible” and “Captain America” will jostle for attention at the cinema. At home, viewers will settle down for more of “The White Lotus” and the final chapter of “Stranger Things”. Full article here (Subscription Required) Movie Box Office Receipts - An Analysis You may have heard us say that the movie theater business is in decline. With streaming services and short theatrical release windows people are not going to movie theaters. Here's a look at the Box Office Numbers and what has been driving them. These numbers and data were found on Box Office Mojo by IMDB and are for the original US release. For comparisons the dollars have been adjusted for inflation to 2024 dollars.  Top 5 Box Office Receipts: Year Box Office 2024 $ #1 Release 2018 $11.8B $14.8 Black Panther 2016 $11.4 $15.0 Finding Dory 2019 $11.4 $14.1 Avengers:Endgame 2015 $11.1 $14.8 Jurassic World 2017 $11.0 $14.2 Star Wars: Episode VIII - The Last Jedi Last Five Years Box Office Receipts: Year Box Office 2024 $ #1 Release 2024 $8.5 $8.5 Inside Out 2023 $8.9 $9.2 Barbie 2022 $7.4 $8.0 Top Gun: Maverick 2021 $4.5 $5.2 Spider-Man: No Way Home 2020 $2.1 $2.56 Bad Boys for Life   Highest Receipts when adjusted for Inflation:  Year Box Office 2024 $ #1 Release 2010 $10.6 $15.4 Avatar (Number 1 Grossing movie of all time) 2009 $10.6 $15.4 Transformers: Revenge of the Fallen   Original Star Wars: 1977 $443M $2.4B Star Wars: Episode IV - A New Hope 1980 $1,6 $6.1 Star Wars: Episode V - The Empire Strikes Back 1983 $2.7 $8.6 Star Wars: Episode VI - Return of the Jedi   All Numbers below are for the original Release: Avatar - (2010) $750M  (2024)  $1.1B  Avatar (Worldwide) -  (2010) $2.7B (2024) $3.9B Top Gun: Maverick - (2022) $719M (2024) $775M Top Gun: Maverick (Worldwide) - (2022) $1.5B (2024) $1.6B Star Wars: Episode IV - A New Hope - (1977) 307M (2024) $1.6B Star Wars: Episode IV - A New Hope (Worldwide) - (1977) 775M* (2024) $4.0B Box Office Mojo did not have worldwide numbers. We used the-numbers for this value. Inflation Adjusted US Domestic Box Office for the last 25 years:  Summary: In the late 1990s and early 2000s, the box office experienced significant growth, with yearly receipts reaching new heights. For instance, in 2002, domestic box office revenues hit a peak of approximately $16 billion when adjusted for inflation.  Since then, total box office receipts have fluctuated, especially reacting to global events, such as the 2008 financial crisis, which led to a decrease in consumer spending on entertainment. The last two decades have seen a dominance of comic book adaptations and franchise films (e.g., Marvel Cinematic Universe, Star Wars, etc.) at the box office. These films often dominate annual box office charts, with some grossing over a billion dollars domestically. Sequels, remakes, and adaptations became staples as studios sought safe investments. The trend has been reinforced by the success of properties with established fan bases. The rise of streaming services (Netflix, Disney+, etc.) has changed how audiences consume films, often leading to decreased box office attendance for certain genres, particularly dramas and non-franchise films. The pandemic and writers strike severely impacted the film industry, with theaters closing and productions halting. The domestic box office fell dramatically in 2020. This decline prompted many studios to rethink release strategies, leading to more simultaneous releases on streaming platforms. Post-pandemic, there has been a gradual recovery, with some films performing exceptionally well, while smaller films continue to face challenges in recapturing pre-pandemic audience levels.    

pWotD Episode 2780: 28 Days Later Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 221,199 views on Wednesday, 11 December 2024 our article of the day is 28 Days Later.28 Days Later is a 2002 British post-apocalyptic horror film directed by Danny Boyle and written by Alex Garland. It stars Cillian Murphy as a bicycle courier who awakens from a coma to discover the accidental release of a highly contagious, aggression-inducing virus has caused the breakdown of society. Naomie Harris, Christopher Eccleston, Megan Burns, and Brendan Gleeson appear in supporting roles.Garland took inspiration from George A. Romero's Night of the Living Dead film series and John Wyndham's 1951 novel The Day of the Triffids. Filming took place in various locations in the United Kingdom in 2001. The crew filmed for brief periods during early mornings and temporarily closed streets to capture recognisable and typically busy areas when they were deserted. John Murphy composed an original soundtrack for the film, with other instrumental songs by Brian Eno, Godspeed You! Black Emperor and other artists also being featured.28 Days Later was released on 1 November 2002 to critical acclaim and financial success. Grossing more than $82.7 million worldwide on its modest budget of $8 million, it became one of the most profitable horror films of 2002. Reviewers praised Boyle's direction, the cast's performances, Garland's screenplay, the atmosphere and soundtrack. Despite Boyle not considering it a zombie film, 28 Days Later is credited with reinvigorating the zombie genre of horror film and influencing a revival in the genre a decade after its release, with its fast-running infected and character-driven drama. Since its release, it has been featured in several "best-of" film lists and maintained a following, particularly amid the COVID-19 pandemic in the 2020s.The film's success launched its titular film series, including 28 Weeks Later (2007), and 28 Years Later which is scheduled for release in 2025. Additional sequels are currently in development, while a graphic novel titled 28 Days Later: The Aftermath, and the 2009—2011 comic book series 28 Days Later also expanded the series into other media.This recording reflects the Wikipedia text as of 01:50 UTC on Thursday, 12 December 2024.For the full current version of the article, see 28 Days Later on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Emma.

Let's hit the Cineplex for 10 trivia questions on the top-grossing 90s films by year! If you'd like to choose a specific topic or dedicate an episode to a friend send a donation of your choice on Venmo to @NoChitChatTrivia and write the topic you'd like in the comments: https://account.venmo.com/NoChitChatTrivia Our official store is live!  Support the show by grabbing a NCCT shirt, hat, puzzle, or more: https://www.thetop10things.com/store Visit our sister site thetop10things.com for travel and entertainment information! Thank you to everyone who listens!  Say hello or let's collaborate: nochitchattrivia@gmail.com

This week, Jason is joined by content creator and TikTok YouTube star, most commonly known as the apartment guy, Caleb Simpson Caleb and his content creation hit the jackpot with this man on the street style videos in which he takes his viewers along on tours of the often intriguing and impressive homes of his new friends with a combined 12.3 million followers across his social media channels. Caleb has created what some compare to the modern day, off the cuff MTV Cribs, having collaborated with celebrities such as Scarlett Johansson, Barbara Corcoran, Jared Leto, Drew Barrymore, Jada Smith, and more.  Caleb dives into his history of rent in New York, his financial perspective on the current state of renting, how he was able to get in front of celebrities who have come on his show, the business behind getting the celebrities on the show with the idea of mutually building more of a following, filming on a single phone, how he differentiates from other creators, and how he is able to monetize. Caleb also reveals how he is aware that the money is not reliable, why he charges a lot for brand sponsorships, how he got involved with NFT Now, the hard moment of calling family to help pay for rent, reaching out to creators to start generating ideas and then executing it, wanting to be able to retire at 42, and what a day in the life looks like. Who was the first celebrity to DM him to view their apartment? What is his 10 year plan?  Caleb reveals all that and so much more in another episode you can't afford to miss!                                                     Host: Jason Tartick Co-Host: David Arduin Audio: John Gurney Guests: Caleb Simpson Stay connected with the Trading Secrets Podcast!  Instagram: @tradingsecretspodcast  Youtube: Trading Secrets Facebook: Join the Group All Access: Free 30-Day Trial  Trading Secrets Steals & Deals! BetterHelp: If you're thinking of starting therapy, give BetterHelp a try. It's entirely online. Designed to be convenient, flexible, and suited to your schedule. Take off the mask, with BetterHelp. Visit BetterHelp.com/tradingsecrets today to get 10% off your first month. Trading Secrets is sponsored by BetterHelp Indeed: If you need to hire, you need Indeed. Indeed is your matching and hiring platform, with over 350 Million global monthly visitors, according to Indeed data, and a matching engine that helps you find quality candidates FAST. To get a $75 sponsored job credit to get your jobs more visibility at Indeed.com/secrets Cornbread: If you're looking for a healthier way to enjoy a carefree moment, you have to give Cornbread Hemp a try! They've created the first-ever USDA Organic THC gummy that's 100% legal. To get 30% off your first order, visit cornbreadhemp.com/TRADINGSECRETS and use promo code “TRADINGSECRETS” at checkout.

Longest running radio show hosted by top rated host in North America, Sameer Khera broadcasting from San Francisco.

Longest running radio show hosted by top rated host in North America, Sameer Khera broadcasting from San Francisco.

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageRewind 80's Band - www.rewind80sband.comTickets - www.rewind80smixtape.com.auBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $2 a month (Get On It)https://www.patreon.com/the80smontagepodcastLinks: Dolly Parton - 9 To 5https://youtu.be/UbxUSsFXYo4?si=TS7Lj16layFOyq9LFor Your Eyes Only - Sheena Eastonhttps://youtu.be/LTfRZQqp7oM?si=vjPmWbmQNz7HTRx8Survivor - Eye Of The Tiger (Official HD Video)https://youtu.be/btPJPFnesV4?si=C00RPMnxD5vPgmckIrene Cara - Flashdance What A Feeling (Official Music Video)https://youtu.be/ILWSp0m9G2U?si=2GICBN0Buo5eM2pIPatti LaBelle - New Attitude (Official Music Video)https://youtu.be/QWfZ5SZZ4xE?si=Rah64g095f2fY7iIThanks For Listening!The 80's Montage Podcast

Mens Room Top 10

Longest running radio show hosted by top rated host in North America, Sameer Khera broadcasting from San Francisco.

Are any of them rock bands? Or is it Taylor Swift! 

Today we're joined by twin 18 year olds Jack and Brad Freeman, owners of Southern Stripes lawn and landscaping down in beautiful South Carolina. These young guns have hustled their way to almost 10 employees and a 7 figure business, quickly becoming a major player in their local market! Lawntrepreneur Academy LIVE 2024   Purchase The Whole Ball of Wax (use code LAL2024 to receive $250 off and one free ticket to LAL 2024)   Get Brian's Free Newsletter   https://www.lawntrepreneuracademy.com/   LINK Membership   Brian's Lawn Maintenance On YouTube     Brian's Lawn Maintenance On Instagram     Register for EQUIP 2024 (Save 50% with code Brian)     Ballard-Inc.com (Brians10)     KUJO (Brians10)     Equipment Defender (Brians10)     https://gpstrackit.com/brianlm/     www.brandedbullinc.com Mention Brian and get $100 off a new website.     www.CycleCPA.com mention code: Brian to save $200.     www.PostcardMania.com/Brian     Zero to $100K!: The Complete Guide on How to Start a Successful Lawn Care Company     https://golmn.com/ (Use Code: BRIAN)     https://www.exmark.com/    https://www.instagram.com/STABILBRAND/   https://www.yardbook.com/

Jacob Guggenheim is head of engineering at Vistapath.  Their innovative Sentinel is bringing AI to specimen grossing.  Jacob's background in bioengineering and robotics led him to join Vistapath Vistapath's mission is to improve the efficiency and accuracy of the histology process, inspired by a real-world incident The Sentinel is designed to augment human capabilities in grossing specimens, not replace humans An accomplishment Jacob is proud of is the impact of the Sentinel in providing confidence to grossing technicians through photographic evidence The future of Vistapath includes expanding the capabilities of the Sentinel to gross a wider range of tissue and leveraging data collected during grossing for downstream processes AI is already transforming pathology, but the data bottleneck is a significant barrier that needs to be addressed for further impact   Links for this episode: Health Podcast Network  LabVine Learning Dress A Med scrubs Digital Pathology Club   Vistapath First Robotics Superlimbs Agile Development   People of Pathology Podcast: Twitter Instagram

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“Caddyshack” (A Mumtidimentional Mixtape) {Enter The Multiverse} From Wikipedia: Caddyshack is a 1980 American sportscomedy film directed by Harold Ramis, written by Brian Doyle-Murray, Ramis and Douglas Kenney, and starring Chevy Chase, Rodney Dangerfield, Ted Knight, Michael O'Keefe and Bill Murray with supporting roles by Sarah Holcomb, Cindy Morgan, and Doyle-Murray. It tells the story of a caddie, vying for a caddie scholarship, who becomes involved in a feud on the links between one of the country club's founders and a nouveau riche guest. A subplot involves a greenskeeper who uses extreme methods against an elusive gopher. Caddyshack was Ramis's directorial debut and boosted the career of Dangerfield, who was previously known mostly for his stand-up comedy. Grossing nearly $40 million at the domestic box office (the 17th-highest of the year),[3] it was the first of a series of similar comedies. The film has a cult following and was described by ESPN as "perhaps the funniest sports movie ever made" SAUCE (IN CASE YOU MISSED IT) —- AHAHA. ITS ME AGAIN. OH SHIT! Oh shit, i guess it's Jimmy Fallon's Galaxy. Oh nooo. Oh, yes. Look at this penny. I see you. Now look into my eyes. I see you, Jesus. Ahahaha! Okay, now what? This shit is twisted I missed the shift of the dimensions— Till Jimmy walked in with his pennies For some cigarettes and swishers, Just to get the picture It's 5 AM again, And it's still Infinite, I'm disinterestedd as ever in living in LA, Or just living, period— But it is what it is, I work for my rent, I've repented for this, Used to sleep in a tent, But when I was an Infant, I instantly— Wait, a customer walked in. I better help him. Heaven help him. Another level, Call dr. Nevel, Or an Ambulance, I just can't get it Just can't get it, Wait, let's insert some of the script here, I guess. Took you long enough, didn't it? That took forever. How are you alive? Maybe I'm not. Finally, we agree on something. Oh, this guy Lol. Good to see you again. Likewise, now— Here it goes… As you promised. Working on it. As I promised. Take my heart for granted, Take my soul, If this is loveless Till the end, I just can't manage, having Thoughts of death and tragic ends I haven't Felt the same since Waking up without the day to come ahead; The day has passed again A test, No fail, or pass It's just progressive, In a trance, It's just the stress, It's just to pass the time, I guess, if this is purpose Then, we'll see if this is worth it Now, or never, then Now or never, Never had a friend, All envious at best, This is the end all, In the end, it's just Me and God, And God would want A better body, To have fun I wished it all at once, And then I watched it crumble Oh, I watched it Stumble in, again, my friend I'm different when it's wet, I might not never see the Sun again I might not ever love again Oh well “Oh well” , I said Oh, well, I guess Oh well Okay. One hour left. Okay. Who gets the gold? Hum. Honestly I didn't want to hear a thing ; I had quit music—I just wasn't cut out for the industry—I was, but not by societal standards by far; my lowly place in the smoke shop would have to do for now, and though I knew it wouldn't sustain, there wasn't much else I could do but keep showing up, for as long as it lasted—dresses in at least 2 layers and 5 pairs of socks tucked into boots two-sizes-too-big I had been forced to purchase specifically due to the frigid and painful, freezing temperatures at the locations I worked, which kept its doors open 24/7. Play Iambic. What, right now? Yeah, play Iambic. Uh… Iambic played st exactly 1 hour and 19 minutes—it's script, the transcribed rendition crafted especially for the Broadway stage, an 88-page-masterpiece collecting dust in the confines of my Google Documents, along with anything else I had written and had yet the advantage of placing anywhere besides my podcast channels, which I constantly thought about cancelling, despite its innumerous downloads—nothing really seemed to matter anymore, as I was trapped in my body, in a loveless world, in a dead-end job and though my bed was clean and comfy, sharing the room wirh 3 others became exhausting. INT. SMOKESHOP. 5:58 AM DREW BARRYMORE … SUPACREE … I'm done. I quit. QUIT?! YOU CAN'T QUIT. Nope. That's it. I quit. You can't quit. I just did. I hadn't quit the music industry—the music industry had quit me. I wasn't pretty enough, skinny enough, light skinned enough, or willing to do what any of the other girls were to get ahead. WTF is THIS. Since you like to troll so much, I just thought I'd turn you into one This is not Kosher, 199x Jimmy Fallon; Let me out of this plastic —not exactly “fireproof” — death box, before I let myself out, and I trap you in it. But oh, You already did. FIGHT. UGH OH. Ok, rotate. Who is this. Oh shit, hey dude. FUCK, what year is it? MEANWHILE, Under the bridge. …anybody seen this, uh… *Troll* Yee! *Troll* Alright. That's it. Everything checks out. The story was air tight. TIGHT, TIGHT I want you to wear this tonight “The Lady In The Red Dress” You really went all out for this I really didn't. lol Oh I see, You thought this was the matrix. MIT I WISH GOD Wish what. MIT … Mm. Did u see that. See what. ALRIGHT FUCK THIS, YA'LL IT GOT SERIOUS, WHERE'S MY CYCLOPS He called me his cyclops— —-and then he said LIKE GET OUT WHAT GET OUT OF MY HOUSE WHY CAUSE YOURE JUST A PIÑATA, MAN! And I ain't got time for that! I just got a DeLorean And a new HAT I gotta go get Oof. WRECKED. Yo, Wicked. KENDRICK (TODDLER) WIZARD. Oh my. I'm J00F'd up. | | | trance | | | Look; I gotta get out of this MOTHER OF PEARL do not beach this whale carcas on my warehouse project A what A beached whale I know You brought a beached whale to my fucking rave show Oh I get it It's Avant- Guarde No, that's just how I got here …. Trust me, it's okay that This never happened You did not see me It's because I wasn't there Is this U Ū No I wasn't there. Ü I was. Fuck. What happened. It's ok. All I remember is “The Quatardashians” Hmm Also The indigenous But that's it But mostly that was all just Jesus showing off his flexes Are u fasting? Yes, “Ū” is. So, do you need this?! TRUMPP Get rid of this recording imiidiately GOT IT. kill that bitch. SKRILLEX Yessir. —-but before all that happens. …did you want fries with that?! Why are we boycotting McDonald's —for poisoning —the allies —our enemies. Wait, you're eating this? Yes. Like, for fun, or like? No. This is what I'm feeding my children Why Cause they hungry. Uh, ok— —and there's six of them. Aight, ya'll can each have one nugget with your— I wanted a cheese burger! You git hamburgers. Ham. Cheese costs CENTS; And you know your momma If I ain't about a dollar - A dollop of Daisy You really are Ashamed of his Alright, you evil bastards. I see you want to Cause suffering Correct For which you will eternally recurve damnnation and all of the pain you've caused Karmas a bitch It's lonely at the top Not when you're GOD Get off my rock Did you miss an appointment? Nah, can't do it Why what happened Too high up. Whatchu mean So what, it's just like Done. Well, this is it, huh guys. Oh, yeah, it's that, alright This is the longest ride we ever took.d This is the ONLY ride we ever took. I WANNA GET OFF THIS RIDE. I AM REALLY HIGH UP. JUST LET GO. NO. NO. NO. Put me down, kite!!! KITE wtf do you want me to do. I'm a KITE. I'm YOU FUCKIN KIKE NOOOOOOOOOOOOOOOOOOOOOOOOOO—- Well, I'll be honest, man, this sets you back, some How far back GET GONE, But? We're dinosaurs. Why would something with razor sharp teeth be so— —peaceful, and friendly?? T-REX …cuddles. I just can't fake the feeling( I can't pretend to cry It just comes, when it does But when the well runs dry That's when the the world will end That's when the world will end After this movie, I guarantee we will no longer need the Wilhelm scream AGGGGGHHHHHHH!!! YAHHHHHHHHHHH!!!! AAAAAAIIIIIIIIIIGGGHHHHHHH UUUUUUUUUUUUU This movie broke the world record for the amount of times the word “No” was screamed NO NOH. NO. ‘No! NOOOOOOOOOOO! NONONO. NOOOOOOOAAAAAHH …No! Here they all come for her, Defended upon New York In order of important, or appearance? One doesn't wonder, At al, of what's to come Uncommon, we are The call has come TRACY My tummy hurts. That's probably because you've been drinking straight tequila for the last hour and a half. No I haven't! This is water! Tequila is YELLOW, Liz Lemon! No, Tracy—that's silver tequila, And regular tequila is, You know what? Nevermind. Alright, who's got the night shift? [nobody raises their hand, at all] Seriously guys?! Come on! COME ON! Look up WHAM! For some reason, idk. Can we just— not do this? No. Out of my mind a bit Speaking in tongues, In total silence Guess it's the times, I guess that's just who I am And who I am is I said I was Sam I'm the same, I said, “Say Uncle” I guess it's a game, we're playing I don't want to be played with At all I just want to feel loved again By someone else Superb, like him I just want to be felt, I guess By someone else That's “Different” I just want to be kissed on the lips A splendid blend of Twisted trysts Let's not pretend It hasn't ended yet Until you've finished it Class dismissed again Let me off of it I just want it to stop Keep rolling Keep rolling your eyes in the back of your head Like you did just morning Just go for a walk Just stop for a moment Run a bath And just keep running Cause here something comes, Of course, It's all your callings Neatly rolling into one, They said But I Just want to be loved again And who doesn't That's the fucked up part I just want to be loved again But nobody ever Just comes up I just want to be loved again It's a walk in the park Don't follow the dog Even if he barks at you It's time to start again I wonder what comes after this part You are the gleaning in the shadows, The reckoning in my eye, The siren in my silence; The green in all the lights, I am a shamed to have just been One of your many One of your many Images, You still have me twisted, I miss you, It's just you, at the end, Again I left you where you left me Solid on solid Sounds are invalid now How are you so Swore by your awesome No more songs, I said No more songs, he's dead to me No more songs! She's inlisted He's uninterested, Isn't this interesting The problem is: I'm still in love with Everyone i've ever been in love with (And I love him) But he doesn't remember my Name And he's famous And she's crazy And he hates her But he made me hate him The day I became you The day I became So famous, I finally made it I'm dead It smells like dill in here At least it doesn't smell like dead mouse. Aha. Youre Hellen. Keller or Mirin How would you be Hellen Miren Cause I'm the Queen. posh. You want to die Well, you better do it quick Better get your shit toggether, paint a l Bigger, better picture Bitter Betty gliching steady Just remember when you're ready Ever steady still forgetting dinner Dessert was already Forget this significance Remind me why I'm on this speeding bullet to nowhere Had no other options but to go under for something Shy, sickness it's a secret Just kill me already Semi robotic, Something like a magnet, attracted, Simply symphonies And soulless bodies, tied to money Wonder what was in the vaccum cleaner meaning What did you suck up, dude Who do you suck up to. When nobody loves you But your own son And the audience is robots Nothing really works more than once, if it's really magic Sit and do nothing would you Like you're supposed to Fall over like the mannequin you are Just a body in my count A mattress without a bespost, if it matters If it matters Doesn't really matter But hey, you know We all go downtown every once or twice a note For Hanukkah I could try to be nice But there's no sense in it, Is there If everything and everyone else is just as nasty As the rest of it Just is just a test, again A doctors office visit. Simple robotics, Or already stocked up for Hanukkah, Hollywood Where's your homeland deposit box Closet full of robots Closest to the moon, I wrote another poem for you Sorry that I wasn't on the offering table The parakeet, pigeon and pirated Slattery, Damages, damages, All with the Amazon packages, Now we're all robots, Aren't we What corporation to you belong to! Something corporate , or say anything Whose to say Jeff Besoz won't replace us With m robots with thought processes, If once such could project as such presence As an AI freestyle Meanwhile, I've got a butload of buckets and bunts, Bullletwounds, eyes on Manhattan and happens to wish something bad upon me When all I wanted is Somebody to love me And someone to love him, If that's what he wanted (But who knows if what he wanted was all of the bodies opposite of him) I don't belong on this planet I belong in the garbage Put me on mars, mom Stop it, You're almost a robot, get out of my peripheral With your mental illness Geez, I must really want a menorah This is the animal house There's no one alive here Set to be slaughters. Honor the box of offerings as Thoughtful words And parallels What could be under your tongue Is the surface of love Just to touch with the battery acid or chemical trails You have left in your axis Nobody knows better than this How close it is to touching Without being loved But nobody loves you Psychotron, sure we're all robots now Nobody loves anymore {Previously, On…} L E G E N D S The Secret Life of Sunnï Blū {Enter The Multiverse} Ascension What the FUCK did you DO? What did I do?! You know what you did! I didn't do anything! Oh yeah? No! Not on purpose! GODDAMMIT, YOU SON OF A— Where's Jimmy Fallon?! What?! I don't know! Oh no. Oh shit, run. Oh no. What in the FUCK— I am “the fuck” You know what. I'm gonna sue the everliving shit out of you. For WHAT. We'll see. Fuck. Uh oh. FUCK. What now? What this time? Apparently, Jimmy Fallon is missing. What the fuck does that got to do with me. We'll see. Okay, great, Now finish that chapter. What fucking chapter?! All of it. That's—a lot. I want all of it. By my desk, by noon tomorrow. “By” your desk?! Yes, BY. Not ON. I've got too much stuff on my desk— …but it's…like 9 o clock. Should be easy, given your natural talents. What natural talents. PEACOCK. AHAHAHAHA. Okay. Well. Well what. This sucks. I lost all my coins. Hey. Ugh. You dropped this. So how was Los Angeles. What the fuck. You fucking DICK. I told you, I own shares in this. So what's the plan for this, exactly. I dunno, Harry. I got a book of stamps, And a yellow envelope marked “Jimmy Fallon” I will hate you forever. Well, that's retarded. I haven't even smited you yet. I will annihilate you, human. WHERE'S MY SHIT. Who the fuck are you, anyway? Nobody! No one. No one cares about this series, yo. I'l seriously doubt that, Jesse Pinkman. What is this stuff. It's your stuff. This is not what I ordered— Hey— Why is it BLUE Cause it is. So. WHY IN THE— Mischief managed. Alright. This should be good for the night, but we gotta get out of here by morning; I thought your parents owned this place. It's a time share! So? So it's like only —part of the time. That is stupid. No! You're stupid! You're the one who got us into this mess. It's your mess, I was just cleaning it up! Whatever! Stop trippin. Nobody's “tripping.” That's it. I'll be a stripper. Straight outta hell, that kid. Don't I know it. Alright, fine. I said, whatever you do— DONT watch this show. Stuff it, J. Slatts. I'll kill you with my eyeballs Sounds like a threat. Put on a lawsuit, then. Maybe I oughtta… —with a bow tie. You'll look so pretty. I thought I was already pretty. Uh huh. Yeah, look, so honestly I don't know if I'll ever be on the same vibration as like, Jimmy Fallon and them, ok? I don't know how I did it; I don't know what did it, It just happened and then— And then WHAT. It just—ended. Just like that. I'm not trying to offend anybody here. Just like that. Now, I ask: What are we going to do to sell you this dream? Doesnt matter what you do, I'll never believe it. Sure, fine; Don't believe it— We're gonna make you live it. Who the hell us “we” anyway? Now you're speaking in my cadence— Don't flatter yourself I like it. Too late, I guess. So, you see We're building Power triangles And love squares Power triangles And love squares Don't let it scare you, There's love there Don't let it scare you, There's love there Never fear where love has dared To call you up there Corrupt file—no fair. Don't be suprised even the odds seem to turn in your favor, I promise you; Nobody's ever ready For what has just happened here. WAKE UP, FUCKER. Ugh, I can't go through this again. So, I guess I'll have to erase, Or just secretly publish Everything I've ever written About my actual experience as a color, Just so that I can earn money As anything other than A slave— A maid, A housekeeper, A dog walker Or servitor So far under her, That I can't see far enough up to just Scratch the surface Her birthright: The entire network And mine, To sit under her, Wondering what the world would be like At the other end of the spectrum The word form of the White woman The wicked witch of all directions, In which I stand in; I'm at her mercy I've been abandoned before But this disservice, is, I'm afraid The best advice I can take is just To go straight to the bank with my angst and my hatred And shove it So here comes the nameless Face I love, Yet, The faceless God, Was Intoxicated, at best— Manipulation of the Mass Media I'm so Seriously jaded In this torture chamber In my corner office In this hall of racists, I claim, but if all is One in the same Then It's one in the same And I'm mainstream I'm famous If it's One in the same Then It's one in the same If it's One in the same Then I'm mainstream I'm so famous In a whole room full of humans I'm groomed to be useful for something, But what? It just hasn't come yet. I could sit down with a paper and pen, But I'm filling up all of my documents With hollandaise and God For what? It's just another song, or something Or something. It's just another — Goddamnit it, more coughs again. I told you not to watch this. Why do I taste pancakes? Maybe you're having a stroke again. Chyeah, a stroke of genius. I'll show you a stroke. Or don't. Well, there goes the captain. where is that scene, anyway? I don't know, I just wrote it. Great, she left the door open. She's got no furniture! It's a “dance floor” It's “the black box” she called it “the black box” Goddamn, do you listen to all her stuff? “Fear stimulates my imagination” Pilot ASOT Fuck man, What is a woman to a man, And an androgynous genius to The industry, or anyone at all If all are foes ans frauds All else is toxic! I woke up with one hand tucked behind my back Feeling dead drunk, I just woke up again But never fell asleep What world am I in? The end of the Dream sequence The end of the energy keeping me between three things: My past, My future And these prequels, Sequels And seeing arrangements And She's going crazy But nobody quite understands That these demons are chasing me saying “You deserved those hands in your face” The scratches on Kayla's back should have had me but I was too fat To find love again And still have something Wonderfully, undone And wrong with me Wrong with me enough to slam poetry So I'm guessing the white women I love beyond words and bounds are— In charge of whatever happens At the top of the rock; So I jumped off. I want to see someone suffer for all that I've done; No, that's dark, and karmic, you know— To go on like that; The confusions and refusal to accept that The album is called ChaosMagick, But the cover is more Urgent, A prose or a pawn of protection Against all the coughs And the reckless mismanagement The hands in my head And the eye on my scar And the lies on my heart So tell me, What happens When you're flying a kite with your heart, And it's broken? What happens to the kite , When you fly it with your heart And your art up in bundles— heartbroken, heartbroken So what come of Miss May, Come January? What come of Miss April By Next December what comes of the words I was saying For no one But everyone heard them And I've been gone Much longer than months, But still stocked up on all that I've wanted Or all that I got Or just, all that I love But got no undercovers to acknowledge no more How right I was Or how wrong I am What come of Miss June, when Miss January comes around? what come now, around August, When March is long forgotten? What comes of the drugs, Of the come ups, and come downs What comes of the process When nothing is served But the surf has come up Somewhere And I just can't love enough To go there I want to go to there I want to be that girl I want to sit at the top of the rock Writing songs, and sipping mock cocktails I want to Don't you know I just want to get back to Where I belong I'm so out of money and love That I want to be Under the train, When it's coming (Sometimes it's just the impulse that says “GO” Then the train starts to slow And my pain bubbles up into a numb, Dumb, crumbling cluster of poetry You know? Or you don't Cause you're all just on your phones Scrolling Some black man stands over me, Reminding me of why I never trust the ones Who want me most, Or just assume, By color code, That I belong to them I'm sorry, I just can't write with your arms around my neck like this Your heart around my arms like this It's so wholesome I had other verses but forgot them They took away my movies for the curses And the hexes That they put on me I said don't. And the king said “Heads will roll” Cause, you know; I've got parts for all of them now, The ones I'd forgotten But come from the catacombs, Back from the conduit You know, This is awful I had another one, But lost it. The king?! Which one. Teas I! No, it wasn't, It was Gían's father, From further off Should I call John back? Which one? Turns out, I love all of them— Turns out, I've got all of them In my college I taught them all to be someone Becoming of acknowledgement With nombres most common Juan, in subcultures, but Beyond that (Or above them) It's John, Or just Jonathan, Watch the ones who drop the consanant; They're always so troublesome, But I took them all up As understudies, Social Studies and some theatrics, Joan of Ark said Two more moments (Two more weeks in) I could have a body worthy Of a Grammy award, but — Would I be a writer then? Probably not, hon— Writers are Off a bit. If you were pretty, ever at all— would you have written this?! If I were pretty at all would there be reason to be this Conflicted? Some of those old New York hallways Haven't been painted In ages Since they made them Don't make that face at me I only dropped my key once On the fourth floor —they're horrible, you know To us, The “brothers” know no love They are destruction, speaking Of this, I got a cold heart. Cold like the robber Cold like the calling I've done in my corner office cold, like the jello mold forming a thought process Worthy enough I might love it like a husband We're re-evaluating your circumstances. Whatever the fuck that's supposed to mean. I've got friends at USPS What the fuck could that even account to. Look, I'm gonna have to give this some serious considerations. It's not that serious. It's not that serious. Of course it is! I'm up to my knees in investments! So?! I wade a waiste deep, Surely you can get by “Up to your knees” What exactly do you need? Money. And lots of it. I mean, from me. Money. Really? Leave me alone. I told you not to write this. You're a voice in my head; No, I'm the hand in your mailbox. What in the fuck do you believe in. I believe in everything! They said you were a genius; I didn't expect you to be —at the very least, lucid— *squints* learn some new vocabulary, okay? For what? Dinner. Maybe. We're still in the process of voting. She's crazy. We'd be crazy not to actually hire her. Her accounts are all practically open; We could just take it. Yeah, and when she kills herself, and there's no blood on our hands— There's nothing that can be done about the amount of this stuff that's already printed! Printed?! What?! You mean— She's published? Self-published. My, what a beautiful happenstance To have already had you And awakened atop mattresses Marked for my assassins hand— Polite, I lost you All of us, Atop the rock We stood and suffered Months beyond a montage, Undercover Love was lost, And all's uncertain The interception of God, At the cost of What terror and cutbacks Have caused us all What you lost was $50, a Hallmark Card, an Academy award, a long lost star's phone number, And all that you wanted, The cock of the gun Was the sound that you wondered What was called , then ran off into wonder. How am I gonna make money And become an award winning songwriter Music producer And multidisciplinary artist, Without all the funding it takes to get noviced Without taking clothes off Wake up 10 years younger I'm suffering My stomach was a rubber band My stomach was a rubber band My only song was Water I forgot to stop For the applause I drowned in all the love; right then and there I died of Lovenessness [The Festival Project] The sound and laughter of children play A baby in a basket The basket case at Trader Joe's Who know what happens It just doesn't pull my heartstrings any longer That my son belongs without his mother So I'd better have another This is us, come on. Don't do this to me. Don't do this, Timmy, you'll be sorry. Come on! We're not even in that movie! We are, though; it's still Listen, you've got the right guy for this. Are you sure. Yeah, I promise. Officers, Stop for a *movement [hot cops flash dance number] Fuck, well, that was all wrong. But worth it! What I meant was— God, this show gets good at 31, But I'm only 22, So I guess I'll know how wrong the war was Once we've lost it, Cause imm a man now The episode is over, Soon comes the next episode With snoop dogg, Or not That was our wedding album. Scatterbrained, and pregnant— There she was just putting all the things together That she needed to be Needed To be needed. There she was, All on 4/20 Trying not to do the wrong thing, But what was it? To be loved. Then, There she was at 21 just going off again At some event— A friend, and her Back then could not imagine They'd become him To be someone. Not as one, But of entirely another World apart, aside from Cyclones into snow cones Turns the watchers into artists All their own, And off my own accord Or own account Or done with boredom Dove soap Open doors And clocks that turn the other hand away, Each day you love Manhattan But can't have that. That's it— This is just Season 1 of Mad Men WHERE THE FUCK IS— [she throws her hands above her head in surrender] I don't KNOW! Oh, you're a girl now?! I guess! What's with those pants, then? To hide the assets! What assets?! You look tragic. I'm going for ‘skeleton' to match all your wives and everybody else on the red carpet Who said you get the red carpet? Manhattan. That guy lies! Well how about this: The walk of stars were carved out in blocks of marble All in my honor. 1000/1 You're our God, now. What! I don't want to be God! SUCK IT UP. YOU WON. I don't wanna! Yaaaaaaayyy. You got the award! All the awards! Speech! Speech! SUNNI BLŪ Uh—- I'm drunk, And there's nothing on the teleprompter [a man in the audience coughs] A-HEM. [Sunni Blū immidiateky shoots the coughing man] [multi-camera shots of celebrity audience reactions; laughing, clapping in hilarity as if someone hasn't just died] TAYLOR SWIFT (unmoved at all) SUNNÏ BLŪ I don't know why you're laughing. That was awful. That guy died [audience is insane, super fake as usual] [more cut takes] SUNNÏ BLŪ It should have been you, Taylor. TAYLOR SWIFT (Still unaffected) SUNNI BLU Anyway. I'd like to thank the academy… Cause I am the academy [Audience is celebrities being celebrities] SUNNI BLU You guys are all idiots: I'm a go f*ck myself— And anyone else who wants to show up At my afterparty. Whatever. Peace. [cheesy academy award music plays—Sunnï knocks over the mic, peaces out obnoxiously; the audience cheers wildly and the host returns to the stage.] Who's the host? Whatever. Hey, better than nothin. You're telling me. yeah. I know: Oh, she's a comic? Yeah. I got it. BOB SAGET Ooh, that's good. Ū No—no my God. No Bob Saget, stop it! Wait, Bob Saget is dead right? Last I recall: Fuck—FUCK! Dammit. Dammit, dammit. Okay, Rue— you're up. Rue, what in the— Shhhh, don't let them know I'm in here! Oh, wait— It's me, Blanche. That's hot. I'm a debutant. My god, you're so young. Here, take this, What's that, You'll need that. V.O. I'm being hunted by the ghost of Bob Saget. *haunted. No, hunted! There she is! Grab her! Ooh, Bob Saget. Why, yes. How old are you? Not dead yet! You don't have to kidnap me, I'll happily go with you, sir. Really? Yes. GET IN THE— NOH, GET IN THE VAN. INT. IN THE VAN. [a bunch of hot male celebrities are in the van] Oh. Okay. Wow. That was easy. What is it, Friday. It's Friday and a half. Friday.5 What. There's a Friday movie between 1 and 2 So I guess this is season 8.5 I guess this is season 8.5 HEY, GET BACK HERE. What is this. It's your lunch. I don't want this. Well, okay. What— is this strange music— They call it dubstep Come on, Jimmy, you're slipping Kimmel, cause Fallon is dead or presumed missing Probably Skrillex Probably a bounty on his head, Dog willing The Festival Priojects Inclement Infinite Is coming up next, on Legends Come on Jim, KEEP UP. Nobody can know about this, okay? Wait, where's Kimmel Okay, I got O'Brien— Black Irish Bastard… Alright, Alec Baldwin is a little tied up, right now, but LEMON, Fuck. That's l—future me. What?! I gotta go, okay?! What? Go where. Let's get DRUNK. No, That's—I got a show tonight What?! Look at my lexicon. Your—what, Meet me on Lexington. Oh, this pussy is finished! I got it, I got it! He's LENNONNNNN!! JOHN LENNON Fuck. Look, I gotta go. John Lennon?! You're dead! Funny, I thought not. Watch this. MOOOOOOOOOOOM. Fuck, What, It's my kid. I gotta go. Wait, you have kids?! Well, I just had you, didn't I? “The mayor” is a secret underground rap star lol #trappin Okay, What's else happened Idk hold on Okay, So whats the sauce on this sandwich. Oh. Jeez, this again. That *sandwhich? Hah. There's no sauce on that sandwhich. —there's not!? No: You see. It's very simple. WAKE UP, YOU'RE A ROCKSTAR. we gotta take the train. The train?! NO. NOTTHETRAIN. NO. Man, fuck the train! [SUNNI BLŪ wakes up on the train.] What's this, the train? [is the train] (Angrily, tossing newspaper) Man, FUCK the train! Other hobo: Aww, thanks, I need that for my— [s/he snatches back the paper]. Wait! I need that back—what day is it? [drunkenly illegible gibberish turns into perfect Hebrew] GODDAMMIT, it's Shabbat; I gotta get to Temple. [s/he shoves the newspaper back into the hobo's lap] Here. Oh no, I thought I couldn't forget RABI FUCK _]€_# WHAT WAS IT GODDAMIT IT WAS SO CLEVER. God So it was… What did you do with it? Do with what My idea what idea My—my rabbi joke— What rabbi joke you know what rabbi joke! You were the one who gave it to me. Oh, did I? YES, SATAN, JESUS. GOD Ohh, Satan-Jesus. I like that one. NO— it was— It was much better than that, it was— It was funny. Oh, it was? YES. —did you write it down? Fuck, I realize I just opened a A FUCK PORTAL. OHH, GET IN IT, GET INSIDE. I had an Artemis in my pocket But I lost him Walked away from the cornermarker And the cornerstone, for the sunset I wonder if songs always come When I'm walking, Or God makes us promises, For world of I'm not JB, I'm KG, Can you see me now? If you could see what I see, We'd be even wtf did I just write this And not realize I just wrote this Yeah. That shit happens to me all the time. WHAT. ALL THE TKMEx Shut up, THE ANDRE3K CHARADES GAME is getting intense. What in the FUCK is that. *flutes* Ohh. And KITES. yyyyyYYYYYYYAAAAAHHH—— GODDAMMIT. I can't see really, I just dream I'm not thinking, I'm dancing This is what you asked for Exactly what you asked for For once, I'm finally glad I have your eyes on My friend I can see you all on the horizon, Singing NO, NO MORE MUSICALS!! Jimmy, what did you do?! I don't know what I did! You lyin bastard. I'm not lying! So, where ya from? —I don't know where I'm from. Listen, I'm gonna need you SHUT UP, JUST SHUT UP. It seems like these scenes are getting shorter. I'm bored with this. Ok. Let's do something else. I fuckin hate you. I hate you. I fuckin hate you. 88. Oh no: 8 Wait, what the— *dolphin* WOAH, okay: Oh, no. No, No, no OHNONO. I told you I'd find him. Anyway. Seems like there's something more important I should be doing. Are you sure this is the right place. Right place. Right time. Fuck— FUCK. What, what happened. I lost my— SKRILLEX! No. SKRILLEX. NO, NO— SKR— I swear to God, Google knows everything. Google don't know shit about SHIT. I gotta lose m 39 lbs. For what. MADONNA DO IT FOR THE BANANAS. I hate— you. COME ON, MISTER. Fuck off, Madonna, I'M A GOD. I miss Beyoncé. That's not relevant. Beyoncé is relevant to everything. *smacks* QUIT FANGIRLING. Trust me, I hate you. I don't trust you, but I believe you. I got it. I hate this place. Holy shit. What. I developed a new phobia. What's that mean?! I don't know, I can probably use it in a fight or something. For what. SPECIAL ABILITY UNLOCKED. I see you looking over my shoulder I see the shadows, I try not to jump at em. I spent six months in a coffin, you know I spent my life a sarcophagus (Wow, I got it right.) Try not to mutter those haunts in a hospital Try to recover from trauma Uncovered post traumatics, Anxiety attacks and a lot of those— What do you call them? A flashback. Here goes one: SONNY MOORE aka SKRILLEX appears. I told you not to— But I did! I didn't mean to! But you did! This is ludachris! Oh look, it's— Fuck. God dammit. Come on! What's his name!? What's his name?! I'll think abo it it. Are you serious? Another shapeshifter? Yes, I guess welll just have to kill them all, then. I just want to go home. You don't have one. …oh. So here we have. Okay, wait a second. I wasn't faking my symptoms at all, actually. My heart had dropped, and been pounding and fluttering insessantly— It had been a hard week, but especially the last three days; The coughing—. Everyone seemed to be wearing clothing with stars or bears on it, Champion sportswear. I fucking hate champion sportswear. But the palpitations were real as ever— and now— On a Saturday night in the Jamaica, Queens medical center emergency room, There they were again. Only this time I knew exactly why. ‘Too Bizzare' by Skrillex begins to play, via Complications 003- The Trauma Method. Irony. It was ironic, but still startling, Started with some nostalgic traumas, Every other time I saw an ER doctor (Why I don't go) Fuck, I just realized I have to airdrop myself 880 times. That fucking sucks. Did you say you were a doctor? I was, once. When is “once” At some point. Listen, I'm gonna need you to backtrack to get to the bottom of this. I'm innocent, I promise! We caught you at 27 different angles doing this. Oh. [beat] I plead the 5th. Ohh. Cerulean. My favorite. c R A Y On Oh, I get it, I L L U M I N A T U S. Nice, it worked. I know everything about you. So you do. [beat] You're a God. What the fuck do you want from me. Listen. I. Am not. A God, Right. That's exactly what a God would say. No they wouldn't! Because a God wouldn't say anything! AHA. Don't ‘AHA' ME. I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back It don't matter to me, now Now and again I go crazy just making arrangements, But besides that, If you like it, you should have it It's a long road, As Kaskade says, And a short dance, With the right one And time goes by I would call it mild, But actually I'm in a wild panic It might be a heart attack I just might even Die right here But I don't mind, at all It don't matter—to me I don't mind—at all It don't matter to me, I said I don't mind, at all, now It really don't matter to me I said, I don't mind, at all It really don't matter to anyone Now does it (Not it doesn') I don't mind, at all It don't matter— to me I don't mind, at all It don't matter—to me Might as well not think about it The space between us Might as well just stay awake then No sense in leaving Just to come back Palpitations and precipitations at the pulpit Preacher, please don't make me a culprit I been prayin— I been paying my tithes, 10% Even, Now 25, Almost half of me is not mine! Why try? I've been walking out, in straight lines I been crying silently It ain't right I been making most of my nights Sometimes I see sun come up twice Up, down up 10 degrees, It ain't right Up down up 33, it ain't right Up, down, up I've been spending my time Down, up, down Riding round, Trying not to down in my mind Up, down up What is this. It's my project. What is it? The Festival Project. Yeah but—what— What. Is it? …it's my project. *painfully infuriated* Okay, enter here. EXAM ROOM 10 Why exam room 10? Because. Where are the other nine? Just—get in. I'm not going in there! JUST GET IN. UGH. DEADMAU5 (head and all) stands at a tall podium in the center of the room) What is this, This is deadmau5. I know that. —-!!! —?!? What. !!! What? This is the exam? Yes! NO. What is “no”. I'm not playing for deadmau5. That's the exam. Then I fail! Automatic Fail? yes. Automatic fail. Then you win. What. *slams gavel* Congratulations—you're the next superstar DJ. WhY. . What. Woohoo! I just retired! DEADMAU5 exits. … … After a few moments of comic tension, the Deadmau5 head rolls back in through the exit which he has taken. Ugh. Fuck this. No matter what you do, you're a superstar DJ. What. No! Yes. The answer is yes. NO. Fuck. What the FUCK. No matter what you do. You want to go, Go, you want to die, Die, you want to try, try You want to cry, cry Do what you want; As so will I, Demand is demand— Supply is supply. EDX So then, I followed this long hallway under the stage deck. Uh huh. And it led to a door— Uhhuh, where'd the door lead? To a portal. Woah. Pasqualle! You made it! I—yes. Congratulations! *blows party horn* *Daisies/ confetti* You're like 25! I'll be 25 forever. Nice! Yeah. I guess that's why it's called ‘music'—a musician without muses is just useless. ‘Well, whose next?' I wondered. All of my muses were not just so wonderful to me, but adored by many—and perhaps this is what allured me most—befuddled ans confounded me; once my mind was set on something, there was nothing else its eye could see—and for how long one God could only know, how deep the love would go and that the blood would run deep, and the scars to show for it, only upon my heart and never by soul—for a love was a love, and even once came and gone, to the end of my life I knew I would still ponder upon them, at one time or another, my muses—star studded lovers, rather than crossed, shiny and golden like all diamond and trophies so treasured and thought of as precious. ‘Yes, you are—precious.' Another tongue in cheek thought, for the other that I was, and also was not, as summer drew onward as short as it would come and go—a reminder to leave the apartment more often, and to mind my manners, to find the upper echelon wherever it was and come quietly into its doors, to open my world and wordform of thought, into a place where my heart always was; then, and only then, would I be home. Amongst the men and women of the uppercut and classy, luxurious big fishing ponds and flocks of doves upon olive branches—the peaceful world long parted from where mine was, by only the fault of my own. What had been done just certainly was, and yet, what was to come was an open poem, not of mine, but Godform in thought. ‘I wonder what's at the top of Rockefeller Plaza.' —perhaps, a gander at the bottom of an even larger entertainment complex. Then, again, only God would know what was beyond all that I wanted; a job—and not just any job at all— the one that I had always wanted. Mmm. Birthday cake. Suddenly the taste of a white confetti crème filled my mouth with a delicious remnince of what it might be like to taste a confectionary sugar again—but i couldn't imagine ever making it just on talent and charisma alone—no. Indeed, it seemed something had damaged my charm, and perhaps it was just the swarms and droves of phone controlled masses that saw me as nothing more than dust, I had started to surrender my desire to perform, and the quality of my music—along with my ability to make it, suffered with the awful thing that had been crowding my soul at all—whatever it was, evil and dark in nature, sure saw to it that it wanted to hurt me in all the ways that it could—and in all the ways it could not, I stayed away from most others, favoring my delusions of love. ‘Nobody seems to understand that the pain they cause will only harm themselves.', I thought Younger souls, however, they were—and they would be kept in the pain that I was in one way or another until eventual death, far behind me on the infinite road to the source. Far enough behind, that it seeked to destroy my progress, and for all that it could, it also couldn't. The infliction of pain would simply not act as a measure for control any longer. Off into my own world, where I was at least free from the thoughts and judgement of others. She's the most beautiful girl, And I'm the most beautiful boy; So naturally, we belong together, don't we? I see a pretty picture, Picket fences and a family Golden Retrievers Someone relieve her; She doesn't believe me TV dreams and exquisite pretty people Burning candles, fire flames and frequent figures, Guest characters and cameos, Repeat offenders, multiple appearances Suddenly, really, it's another need People, people pleasers Audience affection, Tragic endings, Butterflies and new beginnings Gun under my tongue, Rubber like a frog My mind is in a fog Haven't bothered going on a walk To Trader Joe's but The anthem of my youth, A lost soul Another form of my love So what I wonder Put the gun up under my chin Rubber like a frog Blow my head off Just cause I didn't blow up Selfish cunt Big brother, Another hypnotist Little brother, Gotta love him Gotta love em For the Love of God I could stop for a moment Wash my mind out with soap Like I'm ten years younger, even Seriously 20 years between us, You can't even hide underwater In a bathtub Seriously, Someone help us For the love of God, for the love of Hollywood Seriously, Someone love us, For the love of God, For the love of Rockefeller Plaza Someone help us Another possible walk of stars A little shop of horrors Another whole story I get rid of my demons The hoes screamin I put semen in her Permanent like semen, Just keep dreamin I'mma just keep preaching SaMo, Brooklyn Europe Next I keep scheming Whoever you are; If you're a wreck— You need a check No respect, neglect Just cover your neck (I'm blind to my own design, sometimes) That's what the eye is Try this: Close your eyes and say thrice, kids I am the God of the eye, Osiris I am the God of the Eye, I'm Osiris I am the God, I walk amongst the highest Thoth, You lost Better just die and keep trying I am the God of the eye, I am (Try this) I am the God of the eye (I never die) I am the God of the eye (That's right, three times) I am the God of the eye No black and white television, In my dimension we pay attention to centrifugal, The mission isn't in materialism, Whatever youre spending If money the God, l of your eye, Realize, I am higher My gunfire, Is right on the back of The one dollar I am the God of the eye I Am Your money is nothin to us We come in peace, To end suffering Pretty little nigga Look just like Kendrick Kickin it with jigga I'm the new higs boson Part of me never left Boston (Fuck Starr!) Part of me never left homeless This ain't my home It's my office You never heard this song You don't notice I'm an ugly kid, you don't notice me Rooftop smells like soy sauce On god I am ugly You don't notice -Atari the God Can we get back to this, please? Damn. She really whooped her ass, though. Janet, can I borrow you for a second? No. Please. [Whoopi Goldberg appears in the doorway, gesturing “c'mon”] …alright. I got convictions on my lips, I took a picture Turn the page The worst of all was, it really did seem like they were racists— INSOMNIAC EVENTS Not just racists— the most deadly kind of racists. WHITE SUPREMACISTS You really want it this way, don't you? No! I LOVE you! Oh, do you? If there's a mile in here, I swear to god.. Are you high enough yet? I thought so HIGHER! hire star* What. Just do it. You remember these guys, right? GOOD CANNABIS, FAIRBANKS, ALASKA No. Why are we back here. Alright, we might have fucked up. Why. This guy sucks. HEY. What. COME BACK TO ALASKA never that. WHAT, WHY NOT! GOD HATES FAGS!!! Well, you're wrong! WHITE POWER. Nah. ALL LIVES MATTER O rly? Even this guy? Literally every “NO” …so, “all lives.” Look, I don't care what color it is; I want that book in my library. GO TO THE LIVRARY. NO. GET IN HERE. NO AUBREY. STAY DEAD. She's dead, right? YOU CALLED ME HERE. I didn't! You Did. I did not, all i said was *swoons* …I love her. (I really do) WHAT?! “I Love you?!” It was more the *swoon* that did it. Disconnect. Fuck, I lost deadmau5 again What'd you do to him? Nothing! Put him back! He's still there! He's right there, you see him? No! This isn't deadmau5. We want deadmau5. bring him BACK. Fuck, I fucked up. What'd you do? …nothing? Pick up the phone Pick up the phone …hello? Who IS this? Fuck it, I quit. Man, God never puts my dishes back in the right place, like ever. I told you, I don't live here, I'm just… Babysitting. CC! What! CC! What? CC WHAT. Fuck, man. That was wild. Where the fuck have you been? I don't know. You don't know—you smell funny. “Funny” is that what that smell is? No. When were you? When? Ha. Did you—- Did I what? —did you go to a party without me? Lmfao fuck these niggaz. Why, what happened. What's this. Where was it?! Idlewild. “IdLeWiLd”?!?!? You. Old. One here and die, you know, l. It's cattle call for curtain calls guy Where did this go— What was this, once? It's the return Welcome to Oz This is the Tower of Babel Remember; I wrote that Better than the bottom, Still not the top —it's not as fast, when it's not going all the way up Did you jump yet Come around more Keep coughing Are you sure this is where it was or—? Somewhere else I stayed Back when I was homeless It's hopeless! We lost her Antenna, antenna SUPERMARKET I loved her —she was undercover —I'm still in your stirrups I'm lost in New York, then BACKFIRE Adele remix is on [have a seat] Can I go now? I still need a hat, a half dollar and an alter cloth You could win an award for this; I don't want an award, I just want my son back Motherhood, motherhood Brotherhood, brotherhood This isn't one of us! No one was No one was Can I go now? Where to? Home! Nope, that's just the office, I'm still homeless, unless I They got cabanas on top of offices! (The rich and the famous) Networking and brunches— _this looks fun, doesn't it? I altered the course of history In brief exchanges and Various social atrocities This is hypocrisy! lol rly This is hypocrisy!! Hyper awareness and, psychic inclinations… You realize the more low quality people you let in The more low quality this country becomes, don't you? I put a roll in the back of the chosen ones. Used to be cast more, Now something seldom ever happens Such as this— A fun Fortune 500 What does that even mean Forbes. Look it up. What if the policy is Foreign; Look it up. I know enough about the girl next door to know Something is horrible, Something inside of her Rots at the core, Her obsession; My undeservedness of such, What she must, I mustn't, just Unjustice Broski, okay I got to discard All the pichardo Besides just this one (I'm standing on top of you) Put somebody worthy on the fourth floor Worse off, I was done for Before I got to New York What's her for?! I know enough about the man upstairs to know All these glares and “How dare you's” and Hatred says Why would you wait 30 years Until today, I guess Something is certainly off about her. I said yes. It was more probably something like “SUCK MY DICK” What. “YOU HEARD ME” Oh yes, I did. From 1990 to 1993 From 1990 To 1993 From 1990 To 1993 Stop breeding these things, “Love is familiarity” No Love is what you make it But you can't Because of slavery They don't make music —they don't make love either Well, look where your lust took you! Nowhere! Exactly! Look where your love took you: Vegas, Los Angeles, South of the Border Above it a New Yorker— Under budget, Celibate and My arms are too short to jump the turnstyle, Meanwhile My ex husband left permanent scars on My face My lips My arms My hands And my heart. Did you bite him? Of course I bit him, he was strangling me. You definitely won this fight. I know. Look, if I don't call for security, This bitch is gonna make me kill her. OCTOPUSSY NO. What. NO. Stankass. I will KILL this bitch. Look, I gotta get ahead in this. I need a WIN. These are customs. Trash. Wash your pussy. Send her back. Nah, you know what. Remove that hex. Wait, what, really?! Yeah, like; Reverse it. Woah. That's crazy. They got like….white slaves now. That's not right. What do you mean. That's not it. You said “reverse it” This is what the white supremacy just did to everyone else: [world in crisis except for for people who look like Kayla Lauren, to whom EVERYTHING is a fucking crisis, that isn't] BECKY/KAREN/WICKED WITCH OF WHITE AMERICA I AM OFFENDED I'm offended that you signed your like 12 year old daughter up to pose nearly nude, but— Hey look, it's us now; is this freedom?! Uh…. Why are all the female models like 12 and all the male models are fully grown men— Or women. Right. Idk. Wait, I do. You do?! Wait. Something tells me all the pedophiles and all the white supremacists are in the same group… Run the same businesses— Have the same families. This is disgusting Okay, this is gross That's not right ! That's not my job! Oh, it's not!!? NO. Who should I call That guy. So you want this? Oh, it's a death curse?! It will NEVER end. Wanna bet. I'll kill you and take the whole world with me. Now that's a threat. Thing is, I'm actually making it. I'm telling on you! Ok. Wait 30 years though so you look and sound REALLY fucking stupid. Ok. 30 YEARS. Doesn't make sense. What's the statute of limitations for— Hm. Depends. Depends on what. Who are you?! WHO ARE YOU?! NOBODY YOU SHOULD KNOW ABOUT. THEN WHY DO I? wtf is this? This is Texas being petty. Ok, fuck ya‘lol YAW. I'm serious, wtf is wrong with you. Something. What. Fix me. Fix you. Hm. Ok. *COUGHING* Somethings wrong here. Yep, it's definitely some kind of FIX IT. Where's this ROCK? At the ROCK. Like, where tho?! Ur gonna need this. What. They r crucifying u. Noted. Hunts Point Food Distribution Center Lmfao I need this word hold on “eliminating redundancies, setting strict timelines, and allowing cases to proceed contemporaneously” [ Finally, recognizing the danger that social media poses to young people and mental health, New York City Department of Health and Mental Hygiene Commissioner Dr. Ashwin Vasan today issued a Health Commissioner's Advisory identifying unfettered access to and use of social media as a public health hazard, just as past U.S. surgeons general have done with tobacco and firearms.] A win. I don't play dead. What do you call this: DIE! DIE, BITCH! Corrections. I still don't understand how this— ACID HAPPENS. Out of sight Out of mind So why these guys Tryna waste my time Tryna fuck with my mind with All these lights OH MY GOD I ain't got time for that Well, Maybe I do— I just Don't like NIGGAZ LIKE YOU. (Say what) I don't like Niggaz like U! I'm Sunnï Blū! You're stupid Oh, so he put a curse on sunni blu, too? Ok. Cool. When all my aliases come up This dumb motherfucking drunk Is gonna get stuck In his own woods He'll bury himself In the words that he left With the scars In the words that he left With the scars Sunni blu Is the sayer of stars I slaughtered them all Swallowed them whole Like a big black hole I'm a big black god I'm a big black God Fuck Twinkle that broad One punch girl One punch girl 5 punch faggot I'll unwrap flags on your Goddamn Fuck that Put a curse on my alter ego Lucky he's a he, tho I blow holes in em I blow smoke And love sausage I'm a hedon And he not a Hero He broke He lost I'm open Shirts vs skins I got 666 Curses to show you What your words did IM RA I'm a big black God You're at home with the young apostle Let's be honest He never even liked his father So turned him to a mother, Told his mother to ‘run far, And bring back The life that I want' I'm a big black God In light skinned clothing You don't know to explode Or explode on me Cause my mommy's a Dark skinned icon That my God Find something to pass the time, God Sunni with I, huh I won Fuck a pedophile wifebeater Bury him in the woods with his fury Fear me, now I'm coming up with reverse curses And cures Cause my words Bought the whole world Buried you in the woods I'll bury you in the woods, Bitch Very good I'm a big black God -Blū. GOD is the GOAT I just became god I do what I want I get what I want when I want it I don't want no problems Me myself and God only I buy everything I used to steal These tears in my heart say I'm healing What's the difference, anyway? I've never been fit for your interests, or industry Add insult to injury Add everything to my Amazon cart, then My sympathies Nothing is greater in heaven As it is in hell, for this industry Turned on its head And turned over from 7 to ten Check your messages, then Shut up kid, this doesn't involve you You're not included in the package Michael c hall and John c Riley reprise Mr. Cellophane in the style of DEXTER MORGAN. HA. Classic. GOT EM. V.O. I met her at The Jumping Point {Coming Up…} INT. THE JUMPING POINT POP-UP NIGHTCLUB LOUNGE & BAR. NIGHT “A Long Day's Night” / “A Hard Day's Night” C {CONFUSION SPELL, SUCCESSFUL} [Sequence Initiated.] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. {

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Sahara was meant to be the next big adventure franchise—an Indiana Jones for a new era. Its main character—Dirk Pitt played by Matthew McConaughey—was the lead in a series of novels by Clive Cussler. The material was there to be mined, but the audience was not. Despite its inspiration, Sahara could not match the popularity of the novels. Grossing just $119 million worldwide, it took quite the hit at the box office, especially since the cost of the film ballooned during production. The reasons for why those costs went off the rails are plentiful and detailed extensively in an old LA Times piece. Its failure aside, there is some fun to be had. With exciting set pieces and that classic McConaughey charm, this should not have been the flop it was. Now, sit back, quench your thirst for adventure with a Shiner Bock from the Spoetzl Brewery, and don't drink that well water! I, the Thunderous Wizard (@WriterTLK), Bling Blake, and Chumpzilla are pulling a Panama to evade the fuzz! This Week's Segments: Introduction/Plot Breakdown – Adventure has a new name ... Dirk Pitt! (00:00) Lingering Questions – Outside of die hard Clive Cussler fans (Bling Blake), who would want a sequel to this movie? (29:48) The "USS Texas" Trivia Challenge – Chumpzilla challenges the field to trivia about the movie. (49:20) Recommendations – We offer our picks for the week and next up: We kickoff Adventurous Flops with the world's most handsome treasure seeker in Remo Williams: The Adventure Begins! (1:02:19) And, as always, hit us up on Threads, Twitter, Facebook, or Instagram to check out all the interesting factoids from this week's episode! You can find this episode of Hops and Box Office Flops on Apple Podcasts, Google Podcasts, Stitcher, Podbean, Spotify, Acast, TuneIn, iHeartRadio, Vurbl, Amazon Music, and more!

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Mateo Lopez is Director of Customer Success at Vistapath. In this episode we discuss the future of AI in pathology grossing.  Mateo shares his journey from PA to industry, the founding story of Vistapath, and the innovative Sentinel grossing station. We talk about how the Sentinel uses AI to streamline grossing, improve accuracy, and enhance the pathology workflow.  Finally, we discuss how PAs and others can best prepare for using AI tools to augment their skills.     Links for this episode: Health Podcast Network  LabVine Learning Dress A Med scrubs Digital Pathology 101 Book   Vistapath    People of Pathology Podcast: Twitter Instagram

Throwback Trivia Question

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Listen to us as we discuss Your Name If you would like to give us feedback on how were doing follow us at: https://discord.gg/cd6sNqvnav https://beacons.ai/senornerdpodcast https://www.instagram.com/senornerdpodcast/ @senornerdpod on Twitter. Your Name[b] (Japanese: 君の名は。, Hepburn: Kimi no Na wa) is a 2016 Japanese animated romantic fantasy film written and directed by Makoto Shinkai, produced by CoMix Wave Films and distributed by Toho. It depicts the story of high school students Taki Tachibana and Mitsuha Miyamizu, who suddenly begin to swap bodies despite having never met, unleashing chaos on each other's lives. The film was inspired by the frequency of natural disasters in Japan. Your Name premiered at the 2016 Anime Expo in Los Angeles on July 3, 2016, and was theatrically released in Japan on August 26, 2016; it was released internationally by several distributors in 2017. It features the voices of Ryunosuke Kamiki and Mone Kamishiraishi, with animation direction by Masashi Ando, character design by Masayoshi Tanaka, and its orchestral score and soundtrack composed by Radwimps. A light novel of the same name, also written by Shinkai, was published a month prior to the film's premiere. The film received widespread critical acclaim, with praise for its story, animation, music, visuals, and emotional weight. Grossing over US$382 million worldwide, it became the third highest-grossing Japanese film of all time, breaking numerous box office records, unadjusted for inflation. It received several accolades, including the Best Animated Feature at the 2016 Los Angeles Film Critics Association Awards, the 49th Sitges Film Festival, and the 71st Mainichi Film Awards; it was also nominated for the Japan Academy Prize for Animation of the Year. A live-action remake is in development at Paramount Pictures and Bad Robot Productions. Mitsuha Miyamizu is a high school student in the rural town of Itomori, Japan. Bored of the town, she wishes to be a Tokyo boy in her next life. Soon, she begins to intermittently switch bodies with Taki Tachibana, a boy from Tokyo. On certain days, Taki and Mitsuha wake up in each other's bodies and must live the entire day as the other, reverting when they go to sleep at night. The two set up ground rules for sharing their bodies, communicating via messages on paper, their phones, and their skin. Mitsuha (in Taki's body) sets Taki up on a date with his coworker, Miki Okudera, while Taki (in Mitsuha's body) helps Mitsuha become more popular at school. While in Mitsuha's body, Taki accompanies Mitsuha's grandmother Hitoha and younger sister Yotsuha to the Shinto shrine on a mountain near Itomori, leaving an offering of kuchikamizake made with Mitsuha's spit. Hitoha explains that god is the ruler over both time and the connections between humans. Mitsuha tells Taki that the comet Tiamat is expected to pass nearest to Earth on the day of the autumn festival. The next day, Taki goes on the date with Miki in his own body; Miki enjoys the date but says she can tell Taki is preoccupied with someone else. Realizing he is falling for Mitsuha, Taki attempts to call her on the phone but cannot reach her. The body-switching stops as inexplicably as it started. Plot[edit]

Written and directed by Taran Killam, Killing Gunther is a mockumentary centering on a group of incompetent assassins who assemble to take down the world's best hitman. It is a wonderfully comedic and weird film that was unfortunately slept on by both critics and viewers. Grossing less than $200,000, Killing Gunther never found much of an audience. But it should have. Its cast of eclectic characters do more than enough to buoy the conceit across its modest 92-minute runtime. Throw in a delightfully off-the-wall turn from Arnold Schwarzenegger (he sings a country song!) as the titular Gunther and you've got yourself a damn good time. Now, sit back, sing some karaoke with a Sublimely Self-Righteous Black IPA from Stone Brewing, and hope Ashley gets well soon! I, the Thunderous Wizard (@WriterTLK), Bling Blake, and Capt. Cash are retiring to Austria to coach field hockey and open a vegetable garden! This Week's Segments: Introduction/Plot Breakdown – They're out to change the killing business! (00:00) Lingering Questions – Who would we recruit for our elite assassin team to kill Gunther? (19:22) The "Erotic Ceramics" Trivia Challenge – I challenge the field to trivia about the movie. (33:05) Recommendations – We offer our picks for the week and next up: We continue Aging Action Star Flops with Expend4bles! (42:00) And, as always, hit us up on Threads, Twitter, Facebook, or Instagram to check out all the interesting factoids from this week's episode! You can find this episode of Hops and Box Office Flops on Apple Podcasts, Google Podcasts, Stitcher, Podbean, Spotify, Acast, TuneIn, iHeartRadio, Vurbl, Amazon Music, and more!

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In today's episode, we dive into the top-grossing Christmas movies, from Home Alone, Elf, The Polar Express, and more iconic films! Get ready for an exciting and energetic start to our festive journey! Merry Christmas! Happy Holidays! and Happy New Year C4 crew!Instagram link:https://www.instagram.com/c4tabletalk/Tiktok link:https://www.tiktok.com/@c4tabletalkYoutube link:C4 Table Talk - YouTubeNew intro link:Qv!NtOni - Composition 4 (C4 Table Talk intro) - YouTube

Billboard recently released the list of the top 10 highest grossing comedy tours of 2023, and the numbers will blow your mind. Topping the charts at number one is none other than Kevin Hart, who raked in a whopping $67.5 million from 82 shows and sold 631,000 tickets.Trevor Noah has recently released a new special on Netflix titled "Trevor Noah: Where Was I?". In this hour-long special, Trevor takes audiences on a journey of funny and poignant observations from his experiences traveling around the world.Jerry Seinfeld visited Israel to meet with families of hostages.Tina Fey may be the odds-on favorite to replace Lorne Michaels as the 50th anniversary of Saturday Night Live approaches. Tina Fey's comedic brilliance and experience make her a strong contender for this prestigious position.Support the show! Join the $2 Club! at Buy Me A Coffee: www.buymeacoffee.com/dailycomedynews www.linktr.ee/dailycomedynews Facebook group: www.facebook.com/groups/dcnpod - join us to to discuss comedy and your favorite comedians. YouTube channel:https://www.youtube.com/@dailycomedynews?sub_confirmation=1 Instagram is @dailycomedynews https://www.instagram.com/dailycomedynews/?hl=en Reddit https://www.reddit.com/r/dailycomedynews/ Web version at www.dailycomedynews.com Twitter X is @dcnpod because the person with what I want tweeted once Email: john at thesharkdeck dot com Daily Comedy News commentary includes satire and parody. Daily Comedy News is a production of Caloroga Shark Media, the leading company in short form daily podcastsBecome a supporter of this podcast: https://www.spreaker.com/show/daily-comedy-news-a-podcast-about-comedi/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4522158/advertisement

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Enthusiastic music fans had a summer filled with A-liners hitting the stage all around the world. P!ink was the first woman to headline a tour in Wisconsin, Taylor Swift walked her Runway in over 50 shows throughout the United States and earning over $300 million, while Beyonce's Renaissance World Tour sparked coordinating chrome outfits: the Queen's hive was very supportive and the Texas native brought in over $100 million. Ed Sheeran's Mathematics tour did big numbers while breaking a record at Levi's Stadium in Santa Clara, California, performing in front of more than 77,000 fans. Sheeran walked away with $110 million. Stay ConnectedForbes newsletters: https://newsletters.editorial.forbes.comForbes on Facebook: http://fb.com/forbesForbes Video on Twitter: http://www.twitter.com/forbesForbes Video on Instagram: http://instagram.com/forbesMore From Forbes: http://forbes.comForbes covers the intersection of entrepreneurship, wealth, technology, business and lifestyle with a focus on people and success.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Listen to us as we discuss the 2002 film 28 Days Later. If you would like to give us feedback on how were doing follow us at:⁠ https://beacons.ai/senornerdpodcast⁠⁠ https://www.instagram.com/senornerdpodcast/ ⁠@senornerdpod on Twitter 28 Days Later is a 2002 British post-apocalyptic horror film directed by Danny Boyle and written by Alex Garland. It stars Cillian Murphy as a bicycle courier who awakens from a coma to discover the accidental release of a highly contagious, aggression-inducing virus has caused the breakdown of society. Naomie Harris, Christopher Eccleston, Megan Burns, and Brendan Gleeson appear in supporting roles.Garland took inspiration from George A. Romero's Night of the Living Dead film series and John Wyndham's 1951 novel The Day of the Triffids for the film's post-apocalyptic story. Filming took place in various locations in the United Kingdom in 2001. The crew filmed for brief periods during early mornings and temporarily closed streets to capture recognisable and typically busy areas when they were deserted. John Murphy composed an original soundtrack for the film, with other instrumental songs by Brian Eno, Godspeed You! Black Emperor and other artists also being featured.28 Days Later was released on 1 November 2002 to critical acclaim and financial success. Grossing more than $82.7 million worldwide on its modest budget of $8 million, it became one of the most profitable horror films of 2002. Reviewers praised Boyle's direction, the cast's performances, Garland's screenplay, the atmosphere and soundtrack. Despite Boyle not considering it a zombie film, 28 Days Later is credited with reinvigorating the zombie genre of horror film and influencing a revival in the decade after its release, with its fast-running infected and character-driven drama.[3][4] Since its release, it has been featured in several "best-of" film lists and maintained a following, particularly amid the COVID-19 pandemic in the 2020s.The film was followed by 2007 sequel 28 Weeks Later, a 2007 graphic novel titled 28 Days Later: The Aftermath, which expands on the timeline of the outbreak, and a 2009 to 2011 comic book series titled 28 Days Later.PlotA highly contagious, aggression-inducing virus called the "rage virus" is unleashed in Great Britain after an infected chimpanzee is freed from its cage in a laboratory in Cambridge by a group of eco-terrorists. Within seconds of exposure after freeing the enraged chimp, one of the terrorists succumbs to the virus and immediately infects another. Over the following hours and days, it spreads rapidly and becomes an epidemic, resulting in total societal collapse.

Grossing Over $1 Million a Year in Life Insurance w Tristan Dlabik - TT&DPC EP 83   Tony and Dakota interview successful life insurance team leader and owner Tristan Dlabik! Tristan shared his story, starting from when he was spending his time as a trouble maker as a young man up until he found the empowering, lucrative world of life insurance. Tristan talked about how he developed himself as a salesman and outworked a lot of other folks at his life insurance company. He became a team leader in his early 20's and eventually went on to partner and become part owner of a branch. He expressed gratitude for being able to connect and partner with his mentor Simon Arias and build something with him. Tristan shared his ambitions for the future as well as some inspiring messages and calls to action for the listeners. Tristan has over 988,000 instagram followers. He talked about his plans to grow and scale his social media influence as one of many strategies to create residual, long term wealth. Check out this podcast!     The Ultimate Course on Flipping (and Wholesaling) Houses

ESTHER 5:9-14 Thanks to everyone who supports TMBH at patreon.com/thetmbhpodcast You're the reason we can all do this together! Discuss the episode here Opening song, "A Premonition" from the album, "The Clamour and the Crash" by Jeff Foote

Justin Shugrue, a young entrepreneur that opened a bagel shop in Dallas that has been grossing $6M/year, since they opened 3 years ago joins Enterprise Radio. The post Dallas Bagel Shop in Dallas Grossing $6M/year, since they opened 3 years ago! appeared first on Enterprise Podcast Network - EPN.

Note: This podcast contains mature language. Horse trainer turned millionaire Clinton Anderson, founder of Downunder Horsemanship, joins the show to talk about his fans and enemies; and the unique equine industry. Clinton hosts a podcast where he “interviews successful business owners from all industries about how they started their careers and how they navigated the challenges and successes of running their own businesses while maintaining their personal lives.”  Visit us online: https://thecowboyperspective.com/ Clint Anderson's podcast: https://www.uncutandrealraw.com/ Downunder Horsemanship https://downunderhorsemanship.com/ Support our Sponsors:  kershdesign.com  baconbashtexas.com Topics: (5:49) The equine industry is ‘backwards' (8:51) A love for long-range shooting (12:21) Losing loved ones and updating trusts (16:34) The value of golden handcuffs (21:44) Building loyalty (30:50) They ‘hate my guts,' but they listen (38:43) A lesson from standup comedy (41:36) Focus on the good 30 seconds (47:40) Horse training - and people training (56:16) Grossing millions and still losing money (1:04:14) No desire to be ‘real famous' (1:14:49) Sticking to the wheelhouse (1:26:15) The stories of the equine industry  

We stumbled across a list showing the top 10 grossing animated Disney films, so of course we must give our opinion on if we, as a society, are using our money prudently in our quest for entertainment. Here. We. Go.

Check out Effin' Cultured here, or wherever you find podcastsGuess What!?Harrison Ford Done With Indiana JonesChampagne of Beers be lyin' in EuropeRodgers to the JetsNetflix done with mail out DVD'sTop Grossing Tours Of All TimeEven Weirder...Boston's First SatanConSasquatch Sanctuary City AnnouncedSpace Restaurant AnnouncedBike tricks 2000ft in the airModel Captured UFO on Private FlightCows have tongues surgically removed with no explanationWhatcha - Bobby has weird things being auctionedJoin our Discord!Follow us @theneatcast on TikTokFollow us @neatcastpod on Twitter!Follow us @neatcastpod on Instagram!Follow us @theneatcast on Facebook!

In this episode of the Podcast, Cerm and BF break down UFC 285. Should Valentina and Grossing have an immediate rematch? What happens between Jones and Stipe? Who should Rakhmonov fight next??Please Rank and Review us on Apple Podcast! If you have any questions or feedback, reach out to us on Instagram at @BurningTheBoats.

Preston Brown of Zia Homes Ep shares how he has 18 successful businesses grossing $180 million dollars. 18 Successful Businesses Grossing $180 Million Dollars | Video Replay 18 Successful Businesses Grossing $180 Million Dollars PRESTON BROWN | Speaker, Serial Entrepreneur, Disruptive Innovator Preston Brown is... The post 18 Successful Businesses Grossing $180 Million Dollars appeared first on Real Estate Disruptors.

Preston Brown of Zia Homes Ep shares how he has 18 successful businesses grossing $180 million dollars. 18 Successful Businesses Grossing $180 Million Dollars | Video Replay 18 Successful Businesses Grossing $180 Million Dollars PRESTON BROWN | Speaker, Serial Entrepreneur, Disruptive Innovator Preston Brown is... The post 18 Successful Businesses Grossing $180 Million Dollars appeared first on Real Estate Disruptors.

BEST OF HMS PODCASTS - Thursday December 29, 2022

Today, we're winning more deals by increasing our knowledge, with special guest Todd BallengerListen in to continue to pivot, innovate, adapt, and overcome!Episode Resources:Watch Levi's YouTube Channel HereGet Levi's New Book HereFacebook GroupLearn More About Mortgage Marketing PROJoin the Podcast Facebook Group Here

Her husband has one problem that is almost TOO embarrassing to confront: SKID MARKS. How would you tell your partner to get their hygiene together?  Learn more about your ad choices. Visit megaphone.fm/adchoices

Well, they've finally doing it. With The Avengers, John and Steve will have explored every MCU movie up to the year 2012. And what a movie it is. Grossing over 1.5 Billion dollars, The Avengers is one of the most successful movies of all time and truly solidified not a franchise, not a few sequels but an entire universe which seems to be expanding at an incredible rate. Friday can't come soon enough. If you haven't seen this incredible film you can buy or stream it right here. https://amzn.to/3xAn3bk Don't forget to support The Cine-Files at https://www.patreon.com/TheCineFiles and purchase any film we feature at https://www.cine-files.net Facebook: https://www.facebook.com/TheCineFilesPod/?ref=bookmarks John @therochasays Steve @srmorris The Cine-Files Twitter @cine_files Instagram thecinefilespodcast --- Send in a voice message: https://anchor.fm/thecine-files/message Support this podcast: https://anchor.fm/thecine-files/support