Spanish painter, sculptor, and ceramicist
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3 episodes with joan miro
2 episodes with joan miro
2 episodes with joan miro
2 episodes with joan miro
2 episodes with joan miro
durée : 00:13:55 - Journal de la création du dimanche 15 juin 2025 - par : Laurent Vilarem - Pour le festival ManiFeste de l'Ircam, Hèctor Parra s'inspire du Triptyque Bleu de Joan Miro tandis qu'Alex Mincek sublime les grands aplats monochromes d'Ellsworth Kelly. Direction Aix également pour un hommage à Cézanne par Eric Tanguy et l'Yonne pour le grand banquet de Philippe Schoeller. - réalisé par : Céline Parfenoff
durée : 00:23:25 - Les Nuits de France Culture - par : Philippe Garbit - Par Georges Charbonnier - Avec Joan Miro (peintre, sculpteur, graveur, l'un des principaux représentants du mouvement surréaliste) - Réalisation Alain Trutat - réalisation : Virginie Mourthé
We often assume that art and genius are the playground of the youth. Well, while giving himself an education in art during a vacation in Spain, Amit realised that all the great Spanish masters did their most powerful work in old age, when thehraav met mastery. The light in winter is different.Welcome to Episode 97 of Everything is Everything, a weekly podcast hosted by Amit Varma and Ajay Shah.In this episode, Amit expands on his observation about the artistic possibilities of old age, while introducing the lives and work of Diego Velázquez, Francisco Goya, Pablo Picasso and Joan Miro. Also featured: Salvador Dali, U2, Bob Dylan, Penelope Fitzgerald and Wim Wenders.TABLE OF CONTENTS: 00:00 Packaging00:13 Intro: A Vacation & an Education04:34 Chapter 0: Museums and Narratives07:26 Chapter 1: Diego Velázquez and Lal Meninas19:32 Chapter 2: Francisco Goya and the Black Paintings31:42 Chapter 3: Pablo Picasso Likes to Play47:56 Chapter 4: Joan Miró Strips It Down54:47 Chapter 5: More Late Mastery1:04:51 Chapter 6: RecommendationsFor the full awesome show notes, click here!
In this audio essay, I roam from post-war France to the abstract expressionists to the artists of the East Village and even to outer space to consider times in art history when art was forced to bloom in the dark. These under-the-radar moments yielded deeply experimental work, and I wonder how we might channel some of that spirit in our own time.Artists mentioned: Laurie Anderson, Joan Miro, Jean Dubuffet, Marcel Duchamp, David Wojnarowicz, and Judy GlantzmanScientists mentioned: Robert H Dicke, Jim PeeblesJim Peebles interviewed by Alan Lightman for the American Institute of Physics January 19, 1988 Princeton, NJ: https://www.aip.org/history-programs/niels-bohr-library/oral-histories/33957All music by Soundstripe----------------------------Pep Talks on IG: @peptalksforartistsPep Talks website: https://www.peptalksforartists.com/Amy, your beloved host, on IG: @tallutsPep Talks on Art Spiel as written essays: https://tinyurl.com/7k82vd8sBuyMeACoffee Donations always appreciated!
Il colorato mondo di Joan Mirò prende vita in questa storia che racconta di due animali che, dopo tanto battibecco, scoprono di essere amici.Testo e voce di Claudio DugheraProgetto e montaggio a cura di Claudia MartoreProduzione: Fondazione TRGTecnico di registrazione e chitarra: Mattia MontiLe Opere di Mirò che hanno ispirato questa storia:Cane che abbaia alla luna L' uccello meravigliosoSole rossoLuna e soleFigure di notte guidate dalle tracce fosforescenti delle lumacheLa scala di fugaAUDIO CREDITS:Free music for non-commercial use from Fesliyan Studios
Mon 1ᵉʳ incontournable à Barcelone est : Gaudi évidemment !Pour écouter l'épisode en entierTOP 5 Barcelone en famille------------
Martha Mooke is a Grammy nominated, pioneering electric violist/composer, highly regarded for her artistry, music advocacy, and innovative educational programs. She transcends musical boundaries, enhancing classical training with extended techniques, technology and improvisation. A Yamaha Artist and Eventide's first Artist in Residence, Mooke is a leading clinician on electric and multi-style string playing. She has performed with Barbra Streisand, David Bowie, Philip Glass, Elton John, Laurie Anderson, Lou Reed, Iggy Pop, Andrea Bocelli, Star Wars in Concert, and Tony Bennett among others. She is Founder and Artistic Director of the Scorchio Quartet (featured on David Bowie's Heathen CD) which performs as resident quartet in the Tibet House Benefit Concerts at Carnegie Hall produced by Philip Glass. Her catalog of works include solo, chamber, orchestra, concert band, film and theater with genre-defying recordings Enharmonic Vision, Bowing's Cafe Mars, and No Ordinary Window, produced by Grammy winning Producer, Cynthia Daniels. Mooke has collaborated with beat boxing legend Rahzel on their critically acclaimed Beats Per Revolution, visual artist Nalini Malani (the Joan Miro prize winner) and software artist Scott Draves. She has been a featured speaker at PopTech, SXSW EDU, NAMM/CMS and numerous podcasts. Her film scoring credits include collaborations with filmmaker and MTV World creator Nusrat Durrani. Mooke received the prestigious ASCAP Concert Music Award for creating and producing ASCAP's new music showcase THRU THE WALLS featuring boundary defying composer/performers. She is a former Governor of the New York Chapter of the Recording Academy serving on the Grammy in the Schools and Advocacy Committees. She is on the Executive Committee of the Composer Diversity Project, and Advisory Board of Composers Now. Mooke created and directs the cutting edge, Multi-Style Strings program at New Jersey City University. Ms. Mooke can be reached via her website at http://www.marthamooke.com To purchase publications, visit https://smd.subitomusic.com/MarthaMooke Rhythms of Reggaeton, Inspired by Gente de Zona's "La Gozadera” Conceived and Arranged for Strings by Martha Mooke To purchase score only: https://www.sheetmusicplus.com/en/product/la-gozadera-score-only-22587323.html For inquiries about parts and coaching/performance packages with Martha Mooke: https://www.paperlesspost.com/go/NoeQnrgf5BLKLWi3JK0R9 -- Your support is appreciated! If you are enjoying The Orchestra Teacher Podcast, please consider becoming a supporter for as little as 99 cents per month. I am working hard to bring on some amazing educators who will share ideas, tell their story, and offer some support for all of you. I have invested a lot of time in putting it all together and money purchase equipment that will help provide the best possible listening experience. Here is the link: https://podcasters.spotify.com/pod/show/orchestrateacher/support Thank you for your continued support! If you have suggestions for podcast guests, please let me know by providing a name and contact information. --- Support this podcast: https://podcasters.spotify.com/pod/show/orchestrateacher/support
In this episoe I try to get Ivar Hackscher and Jay Gilligan to help me further my understanding about the difference between concrete and abstract performance. The topic is complex and our routes into its terrain circuitous.Some of the topics touched on:-Necessity, freedom and play.Arthus Zajonc's book Meditation as contemplative inquiry-How does thoughts and words pop into our minds as response to stimuli from the world or even ourselves?-A juggling exercise where one juggler has to respond to a short juggling trick done by another juggler with a juggling trick of their own. Like a no rule juggling dialogue.-How this question of what comes next in a dialogue relates to plant morphonogy and metamorphosis-Audience sacrifices time and attention when watching a performancethought, feeling and action.-Finding a line of inquiry and following it to the end - conclusion.-It's time to let artforms use us artists rather than the other way around.-What does each artform want to express?Each one has a sweet spot for what it expresses.-Can we expect audiences to ever reliably see in our work what we put, or think we put into it?-on the difference between pictures and performance.-Act as Organism-The attraction we have to watching skill is similar to the attraction we feel towards watching ideas thought through to the end.-whats the place for virtouosity today?-300 years ago people wanted to see perfection. This is not as key today. They want something real.emotional telegraphing is particularly attractive today. Maybe more so than technical skill.-Life and warmth in performance-Perfect means that something is done. Finished.-We dont listen to hear that final chord.-Rennesaince music often ends open ended-Joan Miro and Jackson Pollock and the relation of meaning, intent and ideas in abstract art-Jackson Pollock was a dancer more than a painter. The paintings are what's left behind after his dances. So full of will and action.-I see so much abstract art which doesnt say anything to me.-Juggling IS abstract so to just juggle is NOT TAKING ANY CHOICES-Abstract with inteniton. If we notice intention its no longer "abstract nonsense"-If you dont have intention and that's not visible then we get confused work.-Why is there so little intent isible in so much abstract work?-A lot of artists get away with being lazy.-Artists often rely on the structures of the artform like the way an audience sits in a theatre and necesarrily have to watch the show unfolding in time and must assume that each thing that happens on the stage is related to what came before. PerfSupport the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo
Despedimos el 2023 con deseos de mucho arte para el 2024 de la mano de Gema Garcia y Yaro Starak, artistas locales a Brisbane que nos traen una exposición de Joan Miro en Julio. Quieres mas detalles? No dejes de escucharnos.
Have you ever wanted a Picasso on your walls – or maybe a Joan Miro, a Chagall, or perhaps a Raoul Dufy? For a time in the mid-50s in America you could buy work by these artists for just a few dollars: that's a few dollars a yard, because these were fabrics and not original paintings – but they were beautifully designed, sophisticated, and elegant. As peace crept back after World War Two there was an intense hunger for new design. After five long years of uniforms, and sacrifice, people wanted something interesting to wear, and colourful fabrics to decorate their homes with. In America manufacturers were quick to turn their machines from military production to domestic demand. This episode of Haptic & Hue is about how fresh and fashionable textiles were amongst the first items people were able to enjoy in the post-war period. It focuses on a short period when manufacturers turned to established artists, like Picasso, Raoul Dufy, Marc Chagall and Miro, to help them create brilliant new textiles. It looks in particular at Daniel B Fuller's attempt to build what he called “A Museum Without Walls' with his Modern Masters series of textiles in the 1950s. It is also about what grew out of that, and tells the story of a young artist, unknown at the time, who worked for these same textile producers as a pattern designer, using his experience and skills to change the face of twentieth century art. For more information, a full transcript, and further links, https://hapticandhue.com/tales-of-textiles-series-5/
Met vandaag: Discussie over onderzoek naar oud-Kamervoorzitter Arib | Poetin gaat annexatie bezet Oekraïne aankondigen | Nieuwe muziek van JP den Tex | Hoe kwetsbaar is de Britse economie? | Het geheim van kunstenaar Joan Miro. Presentatie: Lucella Carasso.
Extrait de l'épisode HORS SÉRIE TOP 5 des activités à faire à Barcelone Mon 1er incontournable est : Gaudi ! Si vous avez envie d'écouter un TOP 5 sur une destination précise, dites-le-moi sur instagram à @familleetvoyages_blog. Allez c'est parti pour le Top 5 des activités à faire en famille à Barcelone. ------------
durée : 00:47:00 - Les Nuits de France Culture - par : Philippe Garbit - En 2010, Miquel Barcelo, le peintre et sculpteur espagnol était dans son atelier parisien et racontait ses voyages, ses inspirations et ses projets au micro de Laure Adler. - invités : Miquel Barcelo Artiste peintre et sculpteur majorquin; Joan Miro peintre, sculpteur, graveur et céramiste (1893 - 1983); Pablo Picasso Artiste. Peintre, dessinateur, sculpteur, graveur.
Joan Miro's Bleu II punctuates the middle of a three part series. This one sits at center for good reason. It grounds the blue triptych with solid strength. Red slashes one side of the blue canvas, yet this masterpiece seems balanced. My favorite thing about Miro is the way his imagery shifts between recognition and intrigue. We see that with this Zen garden masterpiece on a bed of brilliant cobalt. Read LadyKflo's collected works. Learn about this painting and many more masterpieces with a click through to LadyKflo's site. https://www.ladykflo.com/category/masterpieces/ Checkout her socials too: https://www.instagram.com/ladykflo/ https://twitter.com/ladykflo
Hello DT fam! This week on the DT Podcast we’re making a drawing based on an old surrealist drawing practice: Automatic Drawing. Popularized in the early 1900’s automatic drawing by famous artists like Andre Breton and Joan Miro, this exercise helps us get out of our busy brains into our instinctual bodies. When we let our bodies take the lead, it’s surprising what reveals itself on the page. I’ll share more about the history of Automatic Drawing and body/subconcious-focused art in next week’s subscriber news letter.While the surrealists called this Automatic Drawing, I’m renaming it, and calling our drawing today “Body’s Choice". I’m stealing this phrase from my dear friend, the writer Courtney Martin. (If you don’t subscribe to her newsletter The Examined Family you’re missing out.) I heard Courtney use that terms when talking to her eldest daughter Maya. Maya was maybe 5 or 6 at the time, and Courtney was giving Maya a couple options. Instead of asking her, “What do you think?” she offered, “Body’s Choice!” and Maya knew immediately which direction she wanted to pursue. It completely blew me away. So many of us are trained to default to our rational brain for decision making. In turn, we lose touch with those first, most essential feelings - the ones that occur in our bodies. By practicing listening to the body, trusting it, and leading with it, we develop a deeper understanding of who we are and what is right for us. And while we practice noticing that what is right for OUR bodies, we also notice that it’s often different than what’s right for OTHER people’s bodies. And we can develop a strong respect for that, too. By having awareness and boundaries around our own bodies, not only do we respect ourselves but we respect other people, too. My body, my choice. Your body, your choice.Hope you enjoy today’s DT Podcast. I’d love to see what you draw. Share it out on Instagram and tag @drawtogether.studio so we can share it there, too - or email us a photo here and we’ll share it in next week’s email. Speaking of, check out 8 year old Cole’s awesome Doodle Game Drawing. SO MUCH FUN. Everything is better when we draw together, xoxo,w Get full access to DrawTogether with WendyMac at club.drawtogether.studio/subscribe
Episode Notes It's at The Met! Find out more at https://three-minute-modernist.pinecast.co
Show Notes This week we're covering episode 5 of War in the Pocket: "Say it Ain't So, Bernie!" and Nina has research on the Spanish painter whose work must have inspired the mural on the wall outside Al's school! Research: Joan Miró You can see visual aids comparing the art on the school wall in War in the Pocket to the works of Joan Miró on our website: gundampodcast.com Biographical information and details about his artistic career and some of his artworks from joan-miro.net, Fundació Joan Miró, theartstory.org, the Guggenheim, and Wikipedia. Article about Miró and a 2008 exhibition of his works at MoMA: Schjeldahl, Peter. “Angry Young Man.” The New Yorker, 10 Nov. 2008. _History and description of Miró's "The Reaper." _ Photograph and history of "Alicia," a tile mural created by Joan Miró and Josep Lloréns Artigas, commissioned by the Guggenheim. Video created by MoMA for a 2019 Miró exhibition titled "How to See." In the video, "curator Anne Umland and the artist's grandson, Joan Punyet Miró, examine the ways in which Miro worked to achieve a heightened state of awareness in which to paint." Article from Architectural Digest about the Cincinnati, Ohio Terrace Plaza Hotel, which is described as having "introduced modernism to the U.S." and is on the National Trust for Historic Preservation's list of the most endangered places in America. Top of the article has a beautiful color photo of the mural Miró painted for the hotel restaurant. 1951 article from The Harvard Crimson (university newspaper) about the arrival of the commissioned Miró mural for the graduate student center. about the Sol de Miró design, created for a 1983 Spanish tourism campaign. Check our website for an image of the poster in question. Article about how Miró's time in the USA and Japan influenced his art: Orlova, Ksenia. “Joan Miro. 1960s: In Search of a New Artistic Language, Close Contacts With the Cultures of the USA and Japan.” Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020), 7 Sept. 2020, https://doi.org/10.2991/assehr.k.200907.025. _Details of an upcoming (as of Feb. 7, 2022) art exhibit at the Bunkamura Museum of Art in Tokyo, Japan, titled "Joan Miró and Japan." _ Pages about Takiguchi Shūzō (瀧口修造) from Wikipedia (English and Japanese), the Takiguchi Shūzō Archives at TAMA Art University, and the Routledge Encyclopedia of Modernism. Wikipedia page about the Yomiuri Indépendant Exhibition. Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 licenses. The recap music is "pieces of life" by Analog by Nature, licensed under a CC BY attribution license. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.com
durée : 03:00:00 - Les Nuits de France Culture - par : Philippe Garbit - Par Marie-Christine Navarro - Avec Jean Bazaine, Jacques Bony, Gérard Houbron, Maurice Jacquemond, Jean Tardieu, Alfred Manessier, Geneviève Asse, Jean Le Moal et Jacques Banaszuc- Avec en archives, les voix de Sonia Delaunay, Georges Braque, Jacques Villon, Ferdinand Léger, Joan Miro, Alberto Giacometti et Maria Helena Vieira da Silva - Lectures Pierre-Marie Van Dievoet - Réalisation Marie-Dominique Arrighi
durée : 00:47:00 - Les Nuits de France Culture - par : Philippe Garbit - En 2010, Miquel Barcelo, le peintre et sculpteur espagnol était dans son atelier parisien et racontait ses voyages, ses inspirations et ses projets au micro de Laure Adler. - invités : Miquel Barcelo Artiste peintre et sculpteur majorquin; Joan Miro peintre, sculpteur, graveur et céramiste (1893 - 1983); Pablo Picasso Artiste. Peintre, dessinateur, sculpteur, graveur.
„Niebo jak turkus, morze jak lazur, góry jak szmaragd, powietrze jak w niebie” - tak opisał Majorkę Fryderyk Chopin, który wraz z George Sand spędził tam zimę na przełomie 1838 i 1839 roku.Chopin mieszkał w Palmie, a następnie przeniósł się do Valldemossy, którą również odwiedziliśmy. Pod urokiem Majorki byli też: Joan Miro, Antoni Gaudi, Agatha Christie czy Robert Graves, specjalista od Klaudiusza i Messaliny, który został pochowany w górskiej wiosce Deia.Przybliżyliśmy pochodzącego z Majorki Rajmunda Llulla, prekursora informatyki i austriackiego arcyksięcia Ludwiga Salvatora, orędownika dzikiej przyrody tej największej wyspy w archipelagu Balearów.Opowiedzieliśmy długą i fascynującą historię Majorki, odpowiedzieliśmy też na pytanie, dlaczego Majorkańczycy protestują przeciwko masowej turystyce. Poznaliśmy też historię gotycko-renesansowej katedry w Palmie.Gościem Jerzego Jopa była Ewa Sawicka, autorka książki „Niebanalna Majorka”.
Texte: Une toile de 1933 de l'artiste espagnol Miro n'a pas été vendue mercredi lors d'une semaine durant laquelle d'autres pièces ont été vendues à des prix records lors d'enchères londonniennes. Traduction: A 1933 work by the Spanish artist Joan Miro failed to sell on Wednesday in a week that has seen other pieces sold for record prices at London auctions. Learn more about your ad choices. Visit megaphone.fm/adchoices
Texte: Une toile de 1933 de l'artiste espagnol Miro n'a pas été vendue mercredi lors d'une semaine durant laquelle d'autres pièces ont été vendues à des prix records lors d'enchères londonniennes. Traduction: A 1933 work by the Spanish artist Joan Miro failed to sell on Wednesday in a week that has seen other pieces sold for record prices at London auctions.
Today is the 128th birthday of the artist Joan Miro. I was first introduced to his work in the college library. I did take Art History classes, so it could have actually been course-related, instead of my usual library extra curricular “studying.” I was drawn to his vibrant colors and primitive and almost abstract characters. His work has influenced generations of artist and empowered them to depict the world a bit differently. The world is a better off place because he was in it and still feels the loss that he has left. This episode is also available as a blog post. --- Send in a voice message: https://anchor.fm/waldina/message
I adore the work of Miro, and was so delighted to see Conor Tallon was chatting to Dr Michael Waldron of the Crawford Gallery about a work by Miro this week. See acast.com/privacy for privacy and opt-out information.
Esta semana los esperamos con música, relagos, reflexiones sobre la migración y el actual debate la ley del aborto en Argentina. Además los alumnos de la escuela bilingüe Joan Miró debutan como reporteros de Estación Sur con la serie "Radio en la escuela".Tags für die Appelectrotango, Carlos Libedisnky, Marita Orbegoso, Día Internacional del migrante, aborto legal, gratuito y seguro, escuela primaria Joan Miro, Radio en la escuela, dímelo con la R.
Everyone's An Artist: A Hands-On Exploration of Art History!
This is an update to let you know that Everyone's An Artist: A Hands-On Exploration of Art History, will be returning on December 19th, 2020. Future episodes will include Canadian artist, Joyce Wieland & Spanish artist, Joan Miro!
Texte: Une toile de 1933 de l'artiste espagnol Miro n'a pas été vendue mercredi lors d'une semaine durant laquelle d'autres pièces ont été vendues à des prix records lors d'enchères londonniennes. Traduction: A 1933 work by the Spanish artist Joan Miro failed to sell on Wednesday in a week that has seen other pieces sold for record prices at London auctions. Learn more about your ad choices. Visit megaphone.fm/adchoices
Texte: Une toile de 1933 de l’artiste espagnol Miro n’a pas été vendue mercredi lors d’une semaine durant laquelle d’autres pièces ont été vendues à des prix records lors d’enchères londonniennes. Traduction: A 1933 work by the Spanish artist Joan Miro failed to sell on Wednesday in a week that has seen other pieces sold for record prices at London auctions.
What is surrealist painting? In this podcast, I offer a few thoughts on surrealism in painting, and name a few of my favorite surrealist painters. This is a vast subject, but a lot can be gained by looking at the work of the very best artists: Giorgio de Chirico, Yves Tanguy, Max Ernst, Joan Miro, and Pablo Picasso.
Cet épisode est en lien avec la rétrospective sur Joan Miro au Grand Palais (qui a lieu jusqu’au 4 février 2019). Dans la logique de ma démarche qui essaie de vous pousser à passer plus de temps devant les œuvres, à contempler davantage, à vous poser des questions, à aller chercher ce que vous voyez … Poursuivre la lecture de « Episode 2 : Exposition Joan Miro au Grand Palais ( 3 oct 2018 – 4 février 2019) »
Petit tour d'horizon de l'exposition consacrée à Joan Miró, à voir en ce moment au Grand Palais ! Une chouette occasion de découvrir l'oeuvre de l'artiste catalan, même si elle manque un peu d'oeuvres fortes et que la scénographie laisse quelque peu à désirer. PS : Les [kul] et [pakul] viennent de là >> https://www.youtube.com/watch?v=ywraldud6n4
Le sujet de ce premier épisode est Joan Miro, artiste à multi-facettes catalan, peintre, poète, sculpteur, céramiste, lithographe. Ce podcast peut s’écouter en lien avec la rétrospective en cours actuellement au Grand Palais à Paris qui présente un peu plus de 170 œuvres de Miro et qui seront exposés jusqu’au 4 février 2019 (l'exposition fera … Poursuivre la lecture de « Episode 1 : Joan Miro (1893-1983) »
So much has been said about the return of the Joan Miro's mural, "BIRD PEOPLE" at the Ulrich Museum, I feel that Miro is part of our community. We should know more about the man himself.
Mathias Rastorfer, CEO and Co-owner of Galerie Gmurzynksa, talks about the survey of Joan Miro's work the gallery has mounted for its 50th Anniversary. The exhibition comprises early, radically abstract-surrealist museum-works such as the 1925 “Circus Horse” or the beautifully-hued 1927 “Peinture;” rarely seen mixed-media “Collage-Drawings” of the 1930s; a suite of large drawings picturing fantastic biomorphic interpretations on the female figure and on the theme of lovers; and a distinct group of Miró’s commanding anthropomorphic bronze sculptures from the 1960s to 1970s.
Innovative research at UNC-CH leads to breakthroughs in the study & treatment of Autism. A Hillsborough quilter transforms masterworks of art into a tangible viewing opportunity for the blind. And a new exhibit showcases the works of surrealist master Joan Miro.
Professor Ana Pulido Rull and Senior Educator Sara Segerlin explore multicultural visuals in Miro’s painting, Figures and Stars, and move between Spanish and English dialog to help fully express the artist’s cultural, mythical, and political messages.
Jump in for a VIP visit to the Art Institute of Chicago's new Jaharis Galleries of Greek, Roman, and Byzantine Art. Quadruple in size from the museum's earlier ancient art galleries, the new vista boasts a massive display of 550 ancient treasures from the Art Institute and collections around the world, including the British Museum, Getty Villa, Oriental Institute, Field Museum, and more. In this episode, we explore the aesthetics and merits of the new gallery design, point out some pitfalls, see old friends in a new light, and get close and personal with a few new kids on the block. We also explore the Art Institute's new interactive multimedia iPad app, LaunchPad. Also mentioned: Lycurgus Cup, Projecta Casket, Cycladic Female Figurines, Proto-Elamite/Mesopotamian Statuette of a Striding Figure, Roman mosaics, conservation, Kulapat Yantrasast, wHY Architecture, Etruscans, Sardinia, Getty Villa, British Museum, Pablo Picasso, Marc Chagall, Alexander Calder, Joan Miro, Apple iPad. Explore the image gallery, credits, transcript, and more at http://ancientartpodcast.org/55. Connect at http://twitter.com/lucaslivingston and http://facebook.com/ancientartpodcast.
By TK Today was November 13. We were back from Veterans' Day. It was Monday Morning Assembly. It took very long. We had Art Masters assembly. The artist's name was Joan Miro. We ran around the backstop. We did challenge game. Je..... and As.... shared volcanoes. For P.E., we tried to get the ball.
Con una conferencia del crítico y profesor de Historia del Arte de la Universidad Autónoma de Madrid Julián Gallego, se inauguró en la sede de la Fundación, el pasado 18 de abril, la Exposición «Maestros del siglo XX. Naturaleza muerta», en la que se ofrecen 79 obras pertenecientes a 32 destacados maestros de los principales movimientos y escuelas artisticas del presente siglo, cuyo catalogo presentamos en forma de diccionario en el número anterior de este Boletín Informativo. La muestra representa una variada selección de 72 pinturas y 7 esculturas que han tratado el tema de la «naturaleza muerta» a lo largo del siglo XX. Las escuelas y estilos a los que se pueden adscribir obras y autores son los que se han ido sucediendo en el arte eontemporaneo de diversos paises: surrealismo, cubismo, dadaismo, expresionismo, arte «pop», arte abstracto, etc. Los pintores y escultores representados en la exposición son los siguientes: Jean Arp, Mac Beckman, Jules Bissier, Pierre Bonnard, Georges Braque, Marc Chagall, Jean Dubuffet, Raoul Dufy, Max Ernst, Alberto Giacometti, Juan Gris, Paul K1ee, Oskar Kokoschka, Le Corbusier, Fernand Leger, Roy Lichtenstein, Rene Magritte, Henri Matisse, Joan Miro, Adolphe Monticelli, Ben Nicholson, Claes Oldenburg, Pablo Picasso, Odilon Redon, Georges Rouault, Kurt Schwitters, Chaim Soutine, Nicolas de Stael, Saul Steinberg, Antoni Tapies, Jean Tinguely y Andy Warhol.Más información de este acto
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