Podcasts about koenigsberg

Hello Playdate Community! This week, Nick, Ryan, and Don meet early for a quiet episode. It's the week between Christmas and New Years Day, so there aren't a whole lot of news items or new releases to speak of. We do cover some helpful questions from our discord community members, however! You'll also find our regular round-up of news, new releases, and more...Thanks for listening and joining us every other week! News/Links: Uncrank'd Playdate Visual Artist Showcase Submission NNNN 100 Games to Play Without Knowing English Playdate Merch Drained Pinball Musicbox Intro/Outro Music - Made with Boogie Loops on Playdate Indie Inventory: (00:25:50) The Seven Bridges of Koenigsberg by OrangeThief ROCKETPULT MINI by parsenoire Catalog Games Currently on Sale Pick of the Week: (00:28:40) Unicycle Madness by joni24 Our Next Pick of the Week is:  The Boss's Son by MetaArcade Contact: Hello Playdate on Discord Hello Playdate on Instagram Hello Playdate on Bluesky Hello Playdate on Threads Hello Playdate on YouTube Playdatepodcast.com Indie Game of the Week Collection on itch.io Helloplaydatepodcast (at) gmail dot com Voice Mail - 1-(724)-BINGOS-1  (1-724-246-4671) For Amusement Only Games Merch For Amusement Only Podcast, Nick's EM Bingo and Pinball Podcast Game and Cast, Ryan's Handheld Gaming Podcast Series Tags: video games, gaming, handheld, handhelds, panic, playdate, play, date, yellow, crank, gameboy, ds, pocket, videogames, nintendo, sega, xbox, playstation, sony, vita, psp, ngage, itch.io, Keita Takahashi, katamari, gamegear

...Ron then achieved his proudest accomplishment to date: founding the fastest-growing commercial real estate firm in Long Island: American Investment Properties. His passion for real estate grew out of his childhood experience of watching his father survey buildings and construction sites. “Helping people like my father find the perfect property to call their own eventually became my ultimate dream, “ he said. Welcome back to That Entrepreneur Show. Join our latest conversation with Ron Koenigsberg.Ron's journey to success began in the competitive New York business world. After earning a BS in Accounting from American University's Kogod Business School, he joined Arthur Andersen, excelling in the rigorous tax and financial demands of real estate. Seeking a more dynamic career, Ron earned a master's degree in real estate and development from NYU's Real Estate Institute and led real estate acquisitions at Chiyoda Life, managing a $360 million annual budget.Ron's openness to learning from industry leaders shaped his approach, later guiding him as Senior Vice President at a Long Island commercial brokerage. Drawing on his experience, Ron founded American Investment Properties, now the fastest-growing commercial real estate firm on Long Island, renowned for exceeding client expectations.Recently, Ron earned the prestigious CCIM designation, held by only 6% of commercial real estate professionals.Here are some awards Ron has received:2022 Executive Circle Award by Long Island Business News2022 Platinum Broker Award by CREXI2017 Broker of The Year by Long Island Business News2017 Build Real Estate & Property AwardsSupport the showThis episode is brought to you by Coming Alive Podcast Production: Helping You With All Your Podcasting Needs. You can head to www.comingalivepodcastproduction.com to learn more.Have a question for the host or guest? Are you looking to become a guest or show partner? Email Danica at PodcastsByLanci@gmail.com to get connected.

Today's guest on the Handsome Homebuyer Podcast is the power broker himself: Ron Koenigsberg, an accomplished author and commercial broker. On top of closing hundreds and hundreds of commercial deals on shopping centers, office buildings, and industrial parks, Ron recently completed his first book, "The Power Broker: How to Be Successful in Business and in Life". Ron is a seasoned commercial veteran, first entering the business in the late 90s, with no sign of slowing down. He's enjoyed so much success not just because he understands the nuances and intricacies of commercial real estate, but because he understands people, communication, and emotion. Sell your house, land or commercial property on: https://handsomehomebuyer.com/ Follow us on: TikTok: https://www.tiktok.com/@handsome_homebuyer Twitter: https://twitter.com/handsome_hb Instagram: https://www.instagram.com/handsome_homebuyer/ Pinterest: https://www.pinterest.com/handsome_homebuyer/ Linkedin: www.linkedin.com/in/charles-weinraub-94376116b

Welcome to The Cashflow Project! Today, we sit down with Ron Koenigsberg, founder of American Investment Properties, who brings over 30 years of commercial real estate expertise. They discuss Ron's market predictions, creative deal structuring, and the benefits of seller financing. Ron emphasizes the importance of active listening, leveraging partnerships, and continuous learning in real estate. Whether you're an investor or real estate professional, this episode is filled with practical advice and insights from an industry veteran. Tune in for a valuable conversation! [00:00] Appreciation expressed, request for real estate backstory. [03:27] Born dyslexic, adapted to excel in communication. [08:45] Changes in real estate deals post-Covid? [12:47] Never witnessed market crash; expect vibrant future. [14:03] Fiscal easing raises valuation of hard assets. [17:46] Collaborative meeting ensures profitable, fee-free transaction. [22:17] Commercial real estate is more creatively flexible. [23:12] Real estate brokers, ask senior brokers questions. [26:36] Active listening improved my relationships and career. [32:31] Fear of public speaking stems from ancestral survival. [34:10] 85% of leaders aspire to entrepreneurship. [37:46] Passionate commercial real estate seller with top qualifications. [40:55] Superpower: absorbing, persisting, making 400 calls daily. [45:20] Insightful talk with Ron Koenigs, experienced real estate broker. [46:06] Stay open to learning and self-improvement. Connect with Ron Koenigsberg! LinkedIn AIP Commercial Real Estate LI Investment Group Connect with The Cashflow Project! Website LinkedIn YouTube Facebook Instagram

In Today's Episode at You Can Overcome Anything, CesarRespino.com brings to you a special guest by the name of Ron Koenigsberg.Ron Koenigsberg is a multiple-award-winning commercial real estate broker with decades of sales experience who uses warmth, humor, personal stories, and tangible action items to help you build and hone your interpersonal skills.Ron's message to you is:"I want listeners to understand the 9 skills necessary to become a successful salesperson are the skills to be successful in business and in life!"To Connect with Ron Koenigsberg go to: www.RonKoenigsberg.com and www.aiprops.comTo Connect with CesarRespino go to: 

Ron Koenigsberg is a highly successful real estate broker with several decades of experience in sales and service. He is the founder and owner of American Investment Properties, Inc., a New York-based commercial real estate brokerage firm and recipient of the 2017 Long Island Business News Commercial Broker of the Year.  Ron holds a bachelor's degree in Accounting from American University and a master's degree in Real Estate Development from New York University. He was honored to be recognized in 2015 as a CCIM (Certified Commercial Investment Member) by the CCIM Institute, an elite designation held by only six percent of commercial real estate practitioners. Ron is the author of the Power Broker: how to be successful in business and life, an indispensable guide to learning and utilizing classic sales and interpersonal skills.   In this episode, we talked to Ron about reaching out to brokers for deals, his book Power Broker, and about active listening. We also discussed how he approaches different asset classes, his advice for scaling a portfolio, building strong relationships, and much more.   Announcement: Learn about our Apartment Investing Mastermind here.   Becoming a Power Broker; 02:52 Ron's background; 19:22 How to reach out to brokers for deals; 22:58 Ron's book, and about active listening; 27:56 How he approaches different asset classes; 30:53 Advice for scaling a portfolio and building strong relationships; 33:34 Round of insights   Announcement: Download our Sample Deal package here.   Round of Insights Apparent Failure: The deals he lost and learned lessons from. Digital Resource: CoStar. Most Recommended Book: Never Split the Difference. Daily Habit: Working out 3-4 days a week. #1 Insight for standing out with brokers: Being friends with them and caring about relationships.   Contact Ron: His Book: Power Broker Website: https://www.ronkoenigsberg.com/    Thank you for joining us for another great episode! If you're enjoying the show, please LEAVE A RATING OR REVIEW,  and be sure to hit that subscribe button so you do not miss an episode.  

Selling is the foundation for success in everything you do in life. Ron Koenigsberg and Dex discuss the importance of selling and communication. In 2019 20% of the US filed 1099's (self employed) and by 2027 we will see 50% of the US file 1099's. We are in an age of communication and those who learn how to actively listen, negotiate and communicate will come out on top. Ron gives us his 4 keys to effective negotiation and key lessons he has learned in his real estate brokerage business. 3 Pillars 1. Mindset 2. Positivity 3. Active Listening Book: Power Broker: how to be successful in business and life by Ron Koenigsberg Ron is a highly successful real estate broker with several decades of experience in sales and service. He is the founder and owner of American Investment Properties, Inc., a New York-based commercial real estate brokerage firm and recipient of the 2017 Long Island Business News Commercial Broker of the Year. Ron holds a bachelor's degree in Accounting from American University and a master's degree in Real Estate Development from New York University. You can connect with Ron by visiting www.ronkoenigsberg.com Welcome to Pillars of Wealth Creation, where we talk about building financial freedom with a special focus on business and Real Estate. Follow along as Todd Dexheimer interviews top entrepreneurs, investors, advisers, and coaches. YouTube: www.youtube.com/c/PillarsOfWealthCreation Interested in coaching? Schedule a call with Todd at www.coachwithdex.com Listen to the audio version on your favorite podcast host: SoundCloud: https://soundcloud.com/user-650270376 Apple Podcasts: https://podcasts.apple.com/.../pillars-of.../id1296372835... Google Podcasts: https://podcasts.google.com/.../aHR0cHM6Ly9mZWVkcy5zb3VuZ... iHeart Radio: https://www.iheart.com/.../pillars-of-wealth-creation.../ CastBox: https://castbox.fm/.../Pillars-Of-Wealth-Creation... Spotify: https://open.spotify.com/show/0FmGSJe9fzSOhQiFROc2O0 Pandora: https://pandora.app.link/YUP21NxF3kb Amazon/Audible: https://music.amazon.com/.../f6cf3e11-3ffa-450b-ac8c...

We're joined by Joel Koengisberg this week to continue our series entitled Timeless.

Description: Your WakeUp Call begins when you start to challenge conventional thinking. When you empower yourself to break free from the daily grind. When you choose to design your own lifestyle and economy. Ron Koenigsberg, president of American Investment Properties, discusses the importance of relationships and communication in the commercial real estate industry. He emphasizes the value of working with commercial real estate brokers to gain access to the best deals and shares his insights on finding opportunities in a challenging market.  Ron also highlights the significance of active listening, negotiation skills, and human engineering in achieving success in business and life. In this conversation, Paul and Ron Koenigsberg discuss the importance of sales skills and critical thinking in various aspects of life, including business and personal relationships.  They emphasize the need for active listening, asking questions, and building genuine connections with others. Ron shares his strategies for success as a commercial real estate broker, including using a CRM and regular check-ins with clients. They also discuss the current market opportunities, such as owner financing and the potential for capital appreciation in commercial real estate. Key Takeaways: Building strong relationships with commercial real estate brokers is crucial for accessing the best deals. Active listening and effective communication are essential skills for success in the industry. Negotiation involves finding common interests, identifying conflicts, determining criteria, and seeking compromise. The commercial real estate market can present challenges, but opportunities can still be found by digging deeper and exploring value-add scenarios. Adapting and being resilient is key in a changing market and entrepreneurial landscape. Sales skills and critical thinking are essential in various aspects of life, including business and personal relationships. Active listening and asking questions are key to building genuine connections with others. Regular check-ins and relationship-building are important for success in commercial real estate. There are opportunities in the current market, such as owner financing and potential capital appreciation in commercial real estate.   ► Resources Ron's POWER BROKER Book:   https://www.amazon.com/dp/B0CLJ3S428?ref_=cm_sw_r_cp_ud_dp_2GJCHWYWGXJMRPBFM5ZE&fbclid=IwZXh0bgNhZW0CMTAAAR1sIHA9FOrqUCi7lR3oB_0-VBeReqtp-OmvXD8foVMtPmC3XRiR4ZnTFm8_aem_gE2ITBwWT_1lYMI3XPp7Rg Follow Ron on Facebook: https://www.facebook.com/ron.koenigsberg https://www.facebook.com/AmericanInvestmentProperties How can I help you?  Book a 1 on 1 strategy session here  https://bit.ly/4bXI1CQ Looking for your commercial deam partner? Learn more https://shorturl.at/AzEip Opt into my newsletter  https://shorturl.at/kxMO8 My social media accounts: https://linktr.ee/pauldavidthompson Check out my blog https://pauldavidthompson.com/blog/ Listen to my latest podcast episodes  https://pauldavidthompson.com/podcast-2/ Build your real estate portfolio hassle-free with our Partners at SHARE: https://calendly.com/sfrteam/pdt-share?month=2024-04 Ready to revolutionize your content production? Try Riverside.fm.  https://riverside.getrewardful.com/signup Free guide 'Making Offers Sellers Can't Resist': https://bit.ly/offerguide About Today's Guest:  Ron Koenigsberg is the President of American Investment Properties, Inc., a leading commercial real estate firm. Inspired by his father's work in construction, Ron pursued a career in real estate, earning a BS in accounting and a master's degree in real estate and development. His career includes roles at Arthur Andersen and Chiyoda Life, where he managed large-scale capital and honed his financial expertise. Ron founded American Investment Properties, the fastest-growing firm in Long Island, applying his deep knowledge and passion for real estate to help clients find their ideal properties.  

Ron Koenigsberg is the founder and owner of American Investment Properties, Inc., a New York-based commercial real estate brokerage firm and recipient of the 2017 Long Island Business News Commercial Broker of the Year. Ron holds a bachelor's degree in Accounting from American University and a master's degree in Real Estate Development from New York University. He was honored to be recognized in 2015 as a CCIM (Certified Commercial Investment Member) by the CCIM Institute, an elite designation held by only six percent of commercial real estate practitioners. Ron's expertise spans the financial intricacies and creative nuances of the real estate industry. From managing multimillion-dollar budgets to heading real estate acquisition departments, Ron's career is a testament to his unwavering commitment to excellence.  During the show we discuss: The Primary Benefits of Investing in Commercial Real Estate, as Opposed to Other Asset Classes The State of Commercial Real Estate Post-COVID The Best Asset Classes for Commercial Real Estate Why Sales Skills are Essential to Thrive in Business The 9 Skills That Will Help You Crush It in Sales and Business Why Active Listening is So Important and How to Do It the Right Way Why Matching and Mirroring is So Important  Oprah's Best Advice You Should Take to Heart How 55% of Communication is Body Language, 38% is Tonality, and Only 7% is Message Why Resilience is Important to Sales and Business Why Having a Positive Attitude is Essential to Sales Success What Causes Arguments and How to Have Everyone Win   Show resource/s: https://aipcommercialrealestate.com/ https://www.ronkoenigsberg.com/ https://www.linkedin.com/in/ronkoenigsberg/ https://www.amazon.com/Power-Broker-Succeed-Life-Business  

Kerry Lutz and Ron Koenigsberg discussed various topics related to personal and business growth. They talked about the evolving real estate market and the importance of effective sales skills, emphasizing the significance of active listening, positive thinking, and enthusiasm. The conversation also touched on overcoming fear, particularly the fear of failure and public speaking, and the challenges of managing text messages. The speakers shared personal experiences and insights, highlighting the relevance of communication, resilience, and personal growth in achieving success in various aspects of life and business. Find Ron here: aipcommercialrealestate Find Kerry here: FSN and here: inflation.cafe

Welcome to the Super Entrepreneurs Podcast! Join us as we dive into the world of commercial real estate with Ron Koenigsberg, President of American Investment Properties. Discover the secrets behind Ron's success, from mastering the art of cold calling to building resilient relationships in the dynamic real estate market. Get ready to unlock invaluable insights that will empower your entrepreneurial journey   Chapter Stamps: Founding American Investment Properties: Ron reflects on his early career and the decision to start his own firm in 2001. [00:01:00] The Power of Cold Calling: Ron discusses his approach to prospecting and finding deals in commercial real estate. [00:03:00] Navigating Market Dynamics: Insights into the impact of interest rates on the commercial real estate market. [00:05:00] Brokerage Ethics: Ron's decision not to own buildings to avoid conflicts of interest. [00:07:00] Specializing in Long Island: The importance of local expertise in commercial real estate. [00:09:00] Unlocking Success Skills: Ron's book "Power Broker" focuses on interpersonal skills and goal setting. [00:11:00] Resilience as a Game Changer: Ron emphasizes the importance of resilience in overcoming challenges. [00:18:00] Cold Calling Strategies: Ron's dedication to cold calling and its impact on his success. [00:20:00] Looking Ahead: Opportunities for collaboration and growth in commercial real estate. [00:24:00]   Pullout Quotes:   "Success in commercial real estate is about resilience – overcoming challenges is part of the journey."

Jason Koenigsberg, film critic with panandslam.com Topic: Academy Award preview Website: panandslam.com Social Media: https://twitter.com/jasonkcritic https://www.facebook.com/profile.php?id=100008224352362 https://www.instagram.com/jasonkcritic/?hl=en Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the Massimo Show Rod sits down with Ron Koenigsberg, Founder & President at American Investment Properties, a successful Long Island Broker with 30 years experience in the commercial real estate brokerage industry.   As Ron recalled the pathway to his start in commercial real estate he stated that he “[wished] everything was a straight path… but there are lessons to be learned that are probably never in a straight path, and you certainly have to have a little bit of resilience along the way.”  Ron describes his journey from growing up in Long Island and watching his father survey buildings and construction sites, through his time in college, first jobs, and the eventual decision to establish his own firm, American Investment Properties.  Rod goes on to ask Ron what's the one common thread that allowed him to not only succeed, but thrive during the market cycles over the years? Ron responded that he attributes his success to two factors, his call counts and his coaching from The Massimo Group.  Ron recounts a time in his career when he was scared, he was making a lot of calls, but business had come to a halt. After seeing an advertisement for The Massimo Group, Ron encountered James Nelson and asked him if The Massimo Group was really worth it, since it was expensive!  Ron was a successful broker, “but [he didn't] know what [he didn't] know.” After 10 years with The Massimo Group, Ron stated that “It changed my life. Within five years, I went from really losing money or just getting by to… Broker of The Year… and I won the MVP (The Massimo Group's Most Valuable Producer award) bat on the back of my book.” Rod then goes on to ask Ron what the foundations to his success are? Ron immediately replied with relationships, daily phone calls, and reaching out to his prospects, especially through face to face communication and active listening. Ron notes that while social media is important, it's also a double edged sword. 93% of the essential parts of how we communicate, per an FBI study in the 1970s and 1980s, never come through with the use of technology.  Lastly, they discuss Ron's new book, Power Broker: How to Succeed In Life And Business. This is an essential mindset book for any broker on how to attack everyday, especially if you're feeling stuck, questioning what to do, or are plateaued. It details 9 skills that Ron believes are essential for making people successful. You can find Ron's book on Amazon, Audible or at www.RonKoenigsberg.com. Note: These highlights are designed to provide an overview of this episode's content. Listeners are encouraged to tune in to the full episode for a comprehensive understanding of the topics covered. At the Massimo Group we have 15 years of experience helping the most dedicated brokers, like you, build the CRE business and life they have always desired. If you'd like to learn more visit https://massimo-group.com/

A familiar face and special guest, Joel Koenigsberg joins us to continue on in our series in Proverbs.

What you'll learn in this episode:   What jewelry can tell us about the aesthetics and values of a particular era. Why sustainability in the jewelry industry is essential, and why the definition of “sustainable” is much broader than we might think. Why maintaining purpose is the key to making our world and our creative work better. Why the term “ethical jewelry” is less about materials and more about our choices as consumers and makers. How Lisa decides which topics deserve attention at Initiatives in Art and Culture's conferences.   About Lisa Koenigsberg   Lisa Koenigsberg is President and Founder, Initiatives in Art and Culture (IAC) and an internationally recognized thought-leader in visual culture. Koenigsberg's work is characterized by commitment to authenticity, artisanry, materials, sustainability, and responsible practice. Over 20 years ago, she established IAC's multi-disciplinary conference series on visual culture and has since been responsible for launching its web-based webinars and other offerings. She has held leadership positions at NYU where she also served on the faculty, at several major museums, and at the New York City Landmarks Preservation Commission.   Koenigsberg's writings have appeared in such books as The Art of Collecting (ed. D. Jensen), Auspicious Vision: Edward Wales Root and American Modernism, Architecture: A Place for Women (eds. E. P. Berkeley and M. McQuaid), The Gilded Edge: The Art of the Frame (ed. E. Wilner), in journals such as Gems and Jewellery (the publication of the Gemmological Association of Great Britain), American Art Journal, Proceedings of the American Antiquarian Society, and Journal of the Society of Architectural Historians, as well as in magazines and in Trendvision's Trendbook.   A frequent speaker, she has also organized symposia and special sessions at universities, museums, and professional organizations throughout the US and abroad, including at the State Art Collections of Dresden, NYU, City University Graduate Center, the Smithsonian Institution, the Norton Museum of Art, and the United Nations, and has organized and chaired sessions at the American Association of Museums, the Goldsmiths Company (London), the Society of Architectural Historians, Yale University Art Gallery, the Aspen Institute, and the Jewelry Industry Summit and at JCK.   She holds graduate degrees from The Johns Hopkins University and from Yale University from which she received her PhD. She is president of the Board of the Morris–Jumel Museum, a trustee of Glessner House in Chicago, and is a member of the Advisory Board of Ethical Metalsmiths and of the board of the NY Silver Society.   Additional Resources: Initiatives in Art and Culture Instagram Initiatives in Art and Culture Facebook Initiatives in Art and Culture Linkedin Initiatives in Art and Culture Linktr.ee Lisa Koenigsberg Linkedin   Photos are available on TheJewelryJourney.com     Transcript: What is sustainable jewelry? According to Lisa Koenigsberg, it's about much more than the materials used. As founder of Initiatives in Art and Culture (IAC), Lisa has organized dozens of conferences to encourage people to explore sustainability, stores of value, visual culture and more, all through the lens of jewelry. She joined the Jewelry Journey Podcast to talk about what visual culture is and why it's significant; what it means for makers and jewelry professionals to maintain purpose; and what we can expect from IAC's upcoming conferences. Read the episode transcript here. Sharon: Hello everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. Today, my guest is Lisa Koenigsberg speaking to us from New York and environs back east. She is the founder of Initiatives in Art and Culture, which is focused on a number of issues such as women in western art. There's also a conference, which I just noticed, on arts and crafts in the art world. She is an internationally recognized authority on material culture. This July, she is chairing an important conference called “Maintaining Purpose” with a focus on how to make something we all love, jewelry. We'll learn more about her jewelry journey today and hear more about the conference. I didn't go into all the details of the conference and her background because it would take too long. Lisa, welcome to the program. Lisa: Thank you. It's so nice to be here. Sharon: Tell us about your jewelry journey. Were you a jeweler? Were you educated as a jeweler? Lisa: No, I am not a jeweler. I am the child of two people who are very object-driven and, of course, a mother with extraordinary taste. But in terms of how you might say I studied jewelry, jewelry was part of what we looked at when thinking about—a term I find not felicitous, but I'll use it for the moment—decorative arts, so fitting into the range of the useful and the beautiful. Silver, for example. Jewelry certainly had a space there, and that was the earliest point for me that was non-life-driven. One of the great blessings that happened to me was that I did my graduate work at Yale. That was when the arts and crafts movement wasn't codified in the same way it is now. We sat around and talked about it in the back room of the American Arts office. There were objects there, and we had the opportunity to hold, see, explore. At the time, I also used to wash silver and jewelry for an extraordinary dealer who wrote a wonderful book, Rosalie Roberian. One of the things that did was give me a sense of weight, dimension, proportion, of engaging closely with materiality. Although the arts and crafts is one dimension, I think that illustrates well one of the things that has been so important for me, which is looking for the opportunity to hold, the opportunity to talk with makers. For example, every year, The Goldsmiths' Company in the U.K. does something called the Goldsmiths' Fair. At the Goldsmiths' Fair, there is one week with 67 or so makers. During that time, you can go and speak with any of the makers, explore the work in your hand, look closely at it. I think the journey of looking is probably one of the most important things. I've been interested in jewelry as a manifestation of the aesthetic of any era for a very long time as well. My background and training are cross-disciplinary. I'm an American studies person. For me, one of the things I always look for is what we are seeing as characteristic of an age, for example. I see jewelry as very much a part of the tangible expressions of an era. For example, if you're talking about a brooch, you can be working on a sculpture for the body, similarly with neckwear. It's one of the most intriguing forms of expression there is. Making jewelry, the impulse to craft out of whatever the culture sees as precious material, is one of the innate impulses we have, along with the urge to adorn. If you step back and think about it, jewelry is intertwined with so many events of state, events of faith, events of heart. The Pope, for example, wears the Fisherman's Ring, and at the passing of each Pope, that ring is shattered; a new ring is made. We're all currently fixated on the crown jewels as Charles' coronation comes up. All of that is actually jewelry. It's jewelry indicative of state, of lineage, obviously of aesthetics. The band that many of us wear on one left or right ring finger, as simple or as elaborate as it may be, that is jewelry. It's a signifier. It's also invested with tremendous emotion. Jewelry plays an enormously powerful role in culture. It's another kind of historical document. So, if we look at jewelry, we can learn things. For example, you can explore the kinds of ornament it was thought only men wore, but by actually going back and looking, as it was done in the exhibition “Golden Kingdoms,” you can see that women also wore certain kinds of major ceremonial ornament. You can learn from the inscriptions. You can learn about stylistic transmission from the aesthetics. One of the things we don't think about so much is what we leave behind. When we go and look at how we have explored previous cultures, past cultures, one of the things we see is that the documents are often what have been termed luxury arts. They are art that are made of objects that are deemed precious within a culture. They demonstrate a certain egis over resources and talent, but they also serve as documents of that culture. They tell us things about religion, about aesthetics, about faith, about ritual. We need to be thinking about that with regard to jewelry in our own age as well. What are we leaving behind? Sharon: You cover so many things in Initiatives in Art and Culture. You talk about gems and sustainability and art. It's so many things. How did you start this, and what is the conference about? Lisa: I founded Initiatives in Art and Culture in 2004. One of the reasons it was started is because I had developed a series of conferences that had, at their core, a concern for visual culture. What does visual culture tell you? Because there is much to be learned about materiality. What's it made of? How do we get those materials? And that opens the door to discussing sustainability. Then, what's done with those materials? What are the forms? What are the means of expression, whether it's three-dimensional, such as a ring, or two-dimensional, except that it really has a third dimension, however subtle it may be. So, within the category of good, better or best, what differentiates an object from another? Then taking it a step further, what does that object mean in terms of the way we use it, in terms of its place in society, in terms of what it says? Beyond that, how is it linked to the time, or does it presage the future in some way? I'm sure I've left out some foci related to political and social concerns, but it's that wholeness that is inherent in visual culture. That is the focus of what IAC does. We have deep commitment to artistry and materials as well as a commitment to responsible practice. Sharon: Several questions. Were you always interested in all of this, or is it something your professors taught you and you learned as you read? It's not the way I would look at something. I think it's really interesting. How did you start looking at this? Lisa: I was born into a family that was and remains very visually engaged and involved with art, very involved with looking. Well before I had what one might think of as a professor, I had my parents, who in effect included me in their world of looking from moment one. My experience of art, of objects, has been part of my life since the very beginning. For us, a shared experience was very often looking, whether it was going to an exhibition or a trip planned specifically to see certain things. This was very much part of my world, or the world I was lucky enough to be born into. That included the people that were friends of my parents, and that included curators and collectors and people who were very engaged in the world of looking. My mother herself is a very well-recognized either fiber artist or artist who does sculpture using wire to explore grid and void. I say that to avoid the nomenclature wars. I was very lucky to have some extraordinary teachers, but one of the best teachers I had was in high school. We reenacted the Ruskin Whistler trial. I was the attorney for Ruskin, so I had to know all about each one of the witnesses, each one of the people who appeared and testified in the trial, and that made art come alive in a way that was exceptional. Another thing was that during those years, there was something called the myth and image school. It's the idea that an era has emblems that are representative, that are invested with particular meaning. There may be a flip side to that emblem or a parallel that represents its opposite, but this idea, one which is very cross-disciplinary and often ranges through literature and art, was incredibly formative for me. This is the stuff my teachers exposed me to when I was 13, 14. I was reading these books because they had read them in school, in college, and they shared them with us. For me, going to university—I went to Johns Hopkins and did a BA/MA in history—it was, on the one hand, a new chapter and transformative, but on the other hand, it was in some ways a continuation of what I had been doing all the way along. Sharon: Correct me if I'm wrong, but it seems like—I've watched your conferences for a long time, and it seems that you focus on art and gems and other things. This idea of maintaining purpose and an emphasis on sustainability seems to be in the last few years. Am I incorrect? Do you just put on a conference when you think it's a really important subject and it's coming to the fore? Lisa: Sustainability is a dicey word when it comes to what exactly that means. At root, it is to survive, but in our thinking, sustainability is linked to responsible practice, which can involve how you source materials, how you make an object, what the circumstances and conditions of that making are. We actually have been interested in that since the first project. It was called “Green,” and it was in 2008. The reason that happened was there was an increasing concern with what was then called sustainability, which was often associated with the color green. We had something I definitely want to revive, which is a conference of 20 years of looking at fashion jewels, the zeitgeist of culture, photography, literature, etc. This term sustainability was being used, green was being used, and one of the things I didn't want to do was a superficial one-off. So, we decided that for the 10th year—I think it was the 10th year—of that conference, we would do something called “Green: Sustainability, Significance, and Style.” In that conference we looked at color, of course; we even looked at green diamonds, but we also looked at coral and organic material that's made into jewelry. The issues pertaining to coral were at peak interest at that point, and we did quite a lot in that conference with gold. That was the first time I worked with Toby Pomeroy, with whom I've been fortunate enough to be both friends and colleagues since then. At that point, Toby had done something that was then radical, which was to approach the refiner Hoover & Strong to see if it could be demonstrated that the materials, the scrap, that he came in with was the only material that was in the batch that was refined and that it remained segregated from everything else. That was what you might call an exploration in chain of custody, in the sense that he had a sense of origin of these materials and he wanted to ensure that he could attest to their integrity. Hoover & Strong met the challenge. At that point, Toby was making quite a lot of jewelry, and there was a term that was being used called Eco Loops. Toby has since gone on to do remarkable work with regard to mercury elimination, and he will be involved in the conference, “Maintaining Purpose,” that we are doing. With “Maintaining Purpose”—and actually with the “Green” conference, we had Mike Kowalski, who was then the chair of Tiffany, involved in the conference. There was a great deal of focus on things like land reclamation and after-mining and that sort of thing. Having said that, one thing I'd like to stress is that one of our speakers, who at that point was the head of Bono's RED, got up and said, “I know you're all wondering, ‘What's a red person doing at a green conference?'” I felt as if I had been hit over the head with pipe, because I had never thought about environmental sustainability or integrity as being isolated from social condition and well-being. Now, when you look at the 17 SDG, you'll see so many different issues broken out, but one of the things I thought was, “Gosh, we've got to do red now,” because this is a split I wasn't thinking about or perceiving. Green and red basically led to the creation of a conference. Our initial thinking was to do a conference that would look at precious substances. We did a coral conference; we did a diamond conference, which we were very privileged to do. We had wonderful support from Sally Morrison for that project. Then I woke up and realized we had never done gold, so effectively what happened is that the conference on precious substances became the Gold Conference. The Gold Conference is now entering its 13th year. We broadened gold to include gold and diamonds because we wanted to draw people's attention to stores of value, which these materials are, and also comparative approaches to things like mining, whether it's formalized or otherwise. And also because, of course, metal and stone go together. That's not to say we do not explore and include focus on other stones. We're very proud that Cruzeiro Mines, which is a tourmaline and rubellite mine from Brazil that has exemplary practices and absolutely beautiful stones, is participating in this year's conference. But the way the Gold and Diamond Conference evolved was it came to use jewelry as a lens for a 360-degree approach to the life and the issues associated with the material in question. On the one hand, you have great artistry, like Giovanni Corvaja. We were privileged to have Daniel Brush speak, whose loss I feel keenly. Every year we welcome wonderful jewelers. At the same time, we think about the issues related to extracting material or recycling material and what those words mean. What is recycling? We have repurposed since the dawn of time, so what gives something that halo of recycling? Do we have to think about what we're using? And, of course, jewelry is a created object. What are the environmental ramifications of extracting, creating the jewelry business writ large? Often in our heads, we think about jewelry and we see a craftsperson, a maker. That aspect of things is very dear to our hearts, and we're keenly interested in artisanry. At the same time, you have other aspects to this jewelry industry, large corporations that produce for particular market segments. You have the luxe maison. In some ways, they're all compatriots in a world, in other ways competitors in a world, and yet bound together by a common concern for ensuring that this world we have continues. Without this world, without this air, without this earth, we are nothing. We can't make anything. We have effaced ourselves. I think there is a point of critical mass that's been reached where there is a deep and general concern. One of the things I fear and that I hope I can help with is building community to encourage people to keep going forward despite the fears that we may have about doing something a different way. Last year our conference was “Boldly Building the Future.” How do you boldly build the future? We have many declarations that have been stated about gold, for example. There was a declaration drafted and shepherded through for the gold industry by LBMA and the World Gold Council. They have principles. Principles are not blueprints. How do you get from that vision, the abstract vision, to its implementation? How do you transform? We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.

What you'll learn in this episode:   What jewelry can tell us about the aesthetics and values of a particular era. Why sustainability in the jewelry industry is essential, and why the definition of “sustainable” is much broader than we might think. Why maintaining purpose is the key to making our world and our creative work better. Why the term “ethical jewelry” is less about materials and more about our choices as consumers and makers. How Lisa decides which topics deserve attention at Initiatives in Art and Culture's conferences.   About Lisa Koenigsberg   Lisa Koenigsberg is President and Founder, Initiatives in Art and Culture (IAC) and an internationally recognized thought-leader in visual culture. Koenigsberg's work is characterized by commitment to authenticity, artisanry, materials, sustainability, and responsible practice. Over 20 years ago, she established IAC's multi-disciplinary conference series on visual culture and has since been responsible for launching its web-based webinars and other offerings. She has held leadership positions at NYU where she also served on the faculty, at several major museums, and at the New York City Landmarks Preservation Commission.   Koenigsberg's writings have appeared in such books as The Art of Collecting (ed. D. Jensen), Auspicious Vision: Edward Wales Root and American Modernism, Architecture: A Place for Women (eds. E. P. Berkeley and M. McQuaid), The Gilded Edge: The Art of the Frame (ed. E. Wilner), in journals such as Gems and Jewellery (the publication of the Gemmological Association of Great Britain), American Art Journal, Proceedings of the American Antiquarian Society, and Journal of the Society of Architectural Historians, as well as in magazines and in Trendvision's Trendbook.   A frequent speaker, she has also organized symposia and special sessions at universities, museums, and professional organizations throughout the US and abroad, including at the State Art Collections of Dresden, NYU, City University Graduate Center, the Smithsonian Institution, the Norton Museum of Art, and the United Nations, and has organized and chaired sessions at the American Association of Museums, the Goldsmiths Company (London), the Society of Architectural Historians, Yale University Art Gallery, the Aspen Institute, and the Jewelry Industry Summit and at JCK.   She holds graduate degrees from The Johns Hopkins University and from Yale University from which she received her PhD. She is president of the Board of the Morris–Jumel Museum, a trustee of Glessner House in Chicago, and is a member of the Advisory Board of Ethical Metalsmiths and of the board of the NY Silver Society.   Additional Resources: Initiatives in Art and Culture Instagram Initiatives in Art and Culture Facebook Initiatives in Art and Culture Linkedin Initiatives in Art and Culture Linktr.ee Lisa Koenigsberg Linkedin   Photos are available on TheJewelryJourney.com   Transcript:   What is sustainable jewelry? According to Lisa Koenigsberg, it's about much more than the materials used. As founder of Initiatives in Art and Culture (IAC), Lisa has organized dozens of conferences to encourage people to explore sustainability, stores of value, visual culture and more, all through the lens of jewelry. She joined the Jewelry Journey Podcast to talk about what visual culture is and why it's significant; what it means for makers and jewelry professionals to maintain purpose; and what we can expect from IAC's upcoming conferences. Read the episode transcript here.    Sharon: Hello everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.    Today, my guest is Lisa Koenigsberg speaking to us from New York and environs back east. She is the founder of Initiatives in Art and Culture, which is focused on a number of issues such as women in western art. There's also a conference, which I just noticed, on arts and crafts in the art world. She is an internationally recognized authority on material culture. This July, she is chairing an important conference called “Maintaining Purpose” with a focus on how to make something we all love, jewelry. We'll learn more about her jewelry journey today and hear more about the conference. I didn't go into all the details of the conference and her background because it would take too long. Lisa, welcome to the program.   Lisa: Thank you. It's so nice to be here.   Sharon: Tell us about your jewelry journey. Were you a jeweler? Were you educated as a jeweler?   Lisa: No, I am not a jeweler. I am the child of two people who are very object-driven and, of course, a mother with extraordinary taste. But in terms of how you might say I studied jewelry, jewelry was part of what we looked at when thinking about—a term I find not felicitous, but I'll use it for the moment—decorative arts, so fitting into the range of the useful and the beautiful. Silver, for example. Jewelry certainly had a space there, and that was the earliest point for me that was non-life-driven.    One of the great blessings that happened to me was that I did my graduate work at Yale. That was when the arts and crafts movement wasn't codified in the same way it is now. We sat around and talked about it in the back room of the American Arts office. There were objects there, and we had the opportunity to hold, see, explore. At the time, I also used to wash silver and jewelry for an extraordinary dealer who wrote a wonderful book, Rosalie Roberian. One of the things that did was give me a sense of weight, dimension, proportion, of engaging closely with materiality. Although the arts and crafts is one dimension, I think that illustrates well one of the things that has been so important for me, which is looking for the opportunity to hold, the opportunity to talk with makers. For example, every year, The Goldsmiths' Company in the U.K. does something called the Goldsmiths' Fair. At the Goldsmiths' Fair, there is one week with 67 or so makers. During that time, you can go and speak with any of the makers, explore the work in your hand, look closely at it. I think the journey of looking is probably one of the most important things.    I've been interested in jewelry as a manifestation of the aesthetic of any era for a very long time as well. My background and training are cross-disciplinary. I'm an American studies person. For me, one of the things I always look for is what we are seeing as characteristic of an age, for example. I see jewelry as very much a part of the tangible expressions of an era. For example, if you're talking about a brooch, you can be working on a sculpture for the body, similarly with neckwear. It's one of the most intriguing forms of expression there is. Making jewelry, the impulse to craft out of whatever the culture sees as precious material, is one of the innate impulses we have, along with the urge to adorn.    If you step back and think about it, jewelry is intertwined with so many events of state, events of faith, events of heart. The Pope, for example, wears the Fisherman's Ring, and at the passing of each Pope, that ring is shattered; a new ring is made. We're all currently fixated on the crown jewels as Charles' coronation comes up. All of that is actually jewelry. It's jewelry indicative of state, of lineage, obviously of aesthetics. The band that many of us wear on one left or right ring finger, as simple or as elaborate as it may be, that is jewelry. It's a signifier. It's also invested with tremendous emotion.    Jewelry plays an enormously powerful role in culture. It's another kind of historical document. So, if we look at jewelry, we can learn things. For example, you can explore the kinds of ornament it was thought only men wore, but by actually going back and looking, as it was done in the exhibition “Golden Kingdoms,” you can see that women also wore certain kinds of major ceremonial ornament. You can learn from the inscriptions. You can learn about stylistic transmission from the aesthetics.    One of the things we don't think about so much is what we leave behind. When we go and look at how we have explored previous cultures, past cultures, one of the things we see is that the documents are often what have been termed luxury arts. They are art that are made of objects that are deemed precious within a culture. They demonstrate a certain egis over resources and talent, but they also serve as documents of that culture. They tell us things about religion, about aesthetics, about faith, about ritual. We need to be thinking about that with regard to jewelry in our own age as well. What are we leaving behind?   Sharon: You cover so many things in Initiatives in Art and Culture. You talk about gems and sustainability and art. It's so many things. How did you start this, and what is the conference about?   Lisa: I founded Initiatives in Art and Culture in 2004. One of the reasons it was started is because I had developed a series of conferences that had, at their core, a concern for visual culture. What does visual culture tell you? Because there is much to be learned about materiality. What's it made of? How do we get those materials? And that opens the door to discussing sustainability. Then, what's done with those materials? What are the forms? What are the means of expression, whether it's three-dimensional, such as a ring, or two-dimensional, except that it really has a third dimension, however subtle it may be. So, within the category of good, better or best, what differentiates an object from another? Then taking it a step further, what does that object mean in terms of the way we use it, in terms of its place in society, in terms of what it says? Beyond that, how is it linked to the time, or does it presage the future in some way? I'm sure I've left out some foci related to political and social concerns, but it's that wholeness that is inherent in visual culture. That is the focus of what IAC does. We have deep commitment to artistry and materials as well as a commitment to responsible practice.   Sharon: Several questions. Were you always interested in all of this, or is it something your professors taught you and you learned as you read? It's not the way I would look at something. I think it's really interesting. How did you start looking at this?   Lisa: I was born into a family that was and remains very visually engaged and involved with art, very involved with looking. Well before I had what one might think of as a professor, I had my parents, who in effect included me in their world of looking from moment one. My experience of art, of objects, has been part of my life since the very beginning. For us, a shared experience was very often looking, whether it was going to an exhibition or a trip planned specifically to see certain things. This was very much part of my world, or the world I was lucky enough to be born into. That included the people that were friends of my parents, and that included curators and collectors and people who were very engaged in the world of looking. My mother herself is a very well-recognized either fiber artist or artist who does sculpture using wire to explore grid and void. I say that to avoid the nomenclature wars.    I was very lucky to have some extraordinary teachers, but one of the best teachers I had was in high school. We reenacted the Ruskin Whistler trial. I was the attorney for Ruskin, so I had to know all about each one of the witnesses, each one of the people who appeared and testified in the trial, and that made art come alive in a way that was exceptional. Another thing was that during those years, there was something called the myth and image school. It's the idea that an era has emblems that are representative, that are invested with particular meaning. There may be a flip side to that emblem or a parallel that represents its opposite, but this idea, one which is very cross-disciplinary and often ranges through literature and art, was incredibly formative for me. This is the stuff my teachers exposed me to when I was 13, 14. I was reading these books because they had read them in school, in college, and they shared them with us. For me, going to university—I went to Johns Hopkins and did a BA/MA in history—it was, on the one hand, a new chapter and transformative, but on the other hand, it was in some ways a continuation of what I had been doing all the way along.    Sharon: Correct me if I'm wrong, but it seems like—I've watched your conferences for a long time, and it seems that you focus on art and gems and other things. This idea of maintaining purpose and an emphasis on sustainability seems to be in the last few years. Am I incorrect? Do you just put on a conference when you think it's a really important subject and it's coming to the fore?   Lisa: Sustainability is a dicey word when it comes to what exactly that means. At root, it is to survive, but in our thinking, sustainability is linked to responsible practice, which can involve how you source materials, how you make an object, what the circumstances and conditions of that making are. We actually have been interested in that since the first project. It was called “Green,” and it was in 2008. The reason that happened was there was an increasing concern with what was then called sustainability, which was often associated with the color green. We had something I definitely want to revive, which is a conference of 20 years of looking at fashion jewels, the zeitgeist of culture, photography, literature, etc. This term sustainability was being used, green was being used, and one of the things I didn't want to do was a superficial one-off.    So, we decided that for the 10th year—I think it was the 10th year—of that conference, we would do something called “Green: Sustainability, Significance, and Style.” In that conference we looked at color, of course; we even looked at green diamonds, but we also looked at coral and organic material that's made into jewelry. The issues pertaining to coral were at peak interest at that point, and we did quite a lot in that conference with gold.    That was the first time I worked with Toby Pomeroy, with whom I've been fortunate enough to be both friends and colleagues since then. At that point, Toby had done something that was then radical, which was to approach the refiner Hoover & Strong to see if it could be demonstrated that the materials, the scrap, that he came in with was the only material that was in the batch that was refined and that it remained segregated from everything else. That was what you might call an exploration in chain of custody, in the sense that he had a sense of origin of these materials and he wanted to ensure that he could attest to their integrity. Hoover & Strong met the challenge. At that point, Toby was making quite a lot of jewelry, and there was a term that was being used called Eco Loops. Toby has since gone on to do remarkable work with regard to mercury elimination, and he will be involved in the conference, “Maintaining Purpose,” that we are doing.    With “Maintaining Purpose”—and actually with the “Green” conference, we had Mike Kowalski, who was then the chair of Tiffany, involved in the conference. There was a great deal of focus on things like land reclamation and after-mining and that sort of thing. Having said that, one thing I'd like to stress is that one of our speakers, who at that point was the head of Bono's RED, got up and said, “I know you're all wondering, ‘What's a red person doing at a green conference?'” I felt as if I had been hit over the head with pipe, because I had never thought about environmental sustainability or integrity as being isolated from social condition and well-being. Now, when you look at the 17 SDG, you'll see so many different issues broken out, but one of the things I thought was, “Gosh, we've got to do red now,” because this is a split I wasn't thinking about or perceiving. Green and red basically led to the creation of a conference.    Our initial thinking was to do a conference that would look at precious substances. We did a coral conference; we did a diamond conference, which we were very privileged to do. We had wonderful support from Sally Morrison for that project. Then I woke up and realized we had never done gold, so effectively what happened is that the conference on precious substances became the Gold Conference. The Gold Conference is now entering its 13th year. We broadened gold to include gold and diamonds because we wanted to draw people's attention to stores of value, which these materials are, and also comparative approaches to things like mining, whether it's formalized or otherwise. And also because, of course, metal and stone go together. That's not to say we do not explore and include focus on other stones. We're very proud that Cruzeiro Mines, which is a tourmaline and rubellite mine from Brazil that has exemplary practices and absolutely beautiful stones, is participating in this year's conference.    But the way the Gold and Diamond Conference evolved was it came to use jewelry as a lens for a 360-degree approach to the life and the issues associated with the material in question. On the one hand, you have great artistry, like Giovanni Corvaja. We were privileged to have Daniel Brush speak, whose loss I feel keenly. Every year we welcome wonderful jewelers. At the same time, we think about the issues related to extracting material or recycling material and what those words mean. What is recycling? We have repurposed since the dawn of time, so what gives something that halo of recycling? Do we have to think about what we're using? And, of course, jewelry is a created object. What are the environmental ramifications of extracting, creating the jewelry business writ large? Often in our heads, we think about jewelry and we see a craftsperson, a maker. That aspect of things is very dear to our hearts, and we're keenly interested in artisanry. At the same time, you have other aspects to this jewelry industry, large corporations that produce for particular market segments. You have the luxe maison.    In some ways, they're all compatriots in a world, in other ways competitors in a world, and yet bound together by a common concern for ensuring that this world we have continues. Without this world, without this air, without this earth, we are nothing. We can't make anything. We have effaced ourselves. I think there is a point of critical mass that's been reached where there is a deep and general concern. One of the things I fear and that I hope I can help with is building community to encourage people to keep going forward despite the fears that we may have about doing something a different way. Last year our conference was “Boldly Building the Future.” How do you boldly build the future? We have many declarations that have been stated about gold, for example. There was a declaration drafted and shepherded through for the gold industry by LBMA and the World Gold Council. They have principles. Principles are not blueprints. How do you get from that vision, the abstract vision, to its implementation? How do you transform?   We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. 

C'est l'histoire d'une femme hors du commun : immigrée d'Europe de l'Est aux Etats-Unis, prolétaire, athée, féministe, libertaire et surtout anarchiste, elle a dédié sa vie à la lutte révolutionnaire, en parcourant le monde de combats en combats. Son nom : Emma Goldman. De son histoire personnelle à l'histoire du XXème siècle, redécouvrez sa True Story. En opposition à toute forme d'autorité En 1876, dans une petite classe de Koenigsberg, en Prusse orientale, un maître perd patience et punit ses élèves en leur donnant un à un des coups de règles sur les mains. Le tour de la petite Emma arrive. Ce n'est pas la première fois qu'elle reçoit ou observe des violences physiques. Ces images et ces souvenirs de violence sont sans doute à l'origine de l'opposition à toute forme d'autorité violente que Emma Goldman poursuivra toute sa vie. Mais alors, quels sont ses combats ? Comment s'est-elle fait entendre ? Pour découvrir d'autres récits passionnants, cliquez ci-dessous : George Francis Train, l'aventurier excentrique qui a inspiré Jules Verne Le Bal des folles, ou l'attraction morbide du Tout-Paris Le “manifeste des 343”, l'appel fondateur des femmes pour le droit à l'avortement Un podcast Bababam Originals Ecriture : Hélène Vézier Réalisation : Matteo Benedetto, Antoine Berry Roger Voix : Andréa Brusque Learn more about your ad choices. Visit megaphone.fm/adchoices

Frank Morano interviews Jason Koenigsberg, film critic with panandslam.com about the upcoming Academy Awards. Learn more about your ad choices. Visit megaphone.fm/adchoices

Learn more about your ad choices. Visit megaphone.fm/adchoices

Zvi Koenigsberg var med Adam Zertal da han fant Josvas alter på Ebal-fjellet. Siden den gang har han vært lidenskapelig engasjert i bibelsk arkeologi. Denne gang møter vi Zvi i Jerusalem hvor han forteller om hvordan han var med å finne tydningen av en amulett som ble funnet i løsmassene fra Zertals utgravinger ved alteret på Ebal. Betydningen av denne oppdagelsen skulle vise seg å være svært betydningsfull. Ikke bare var det en forbannelsesamulett fra forbannelsens fjell, men den inneholder det eldste funnet av hebraisk skrift. Det bekrefter også Adam Zertals funn og forsterker betydningen av dette stedet.

Charlotte Langsev's history began in Koenigsberg, East Prussia, where her mom was born.Her dad was in the army for  Kaiser Wilhelm before the First World War.They moved from there, to Germany, to Blumenau, Brazil, to Edmonton, Canada and finally to Brownsmead, Oregon.She tells of growing up in Brownsmead, the first school and family history.

Kalinigradská oblast je území mezi Litvou a Polskem, kde žije zhruba půl milionu lidí. Součást Ruska se rozkládá na 15 tisících kilometrech čtverečních a je strategickým místem u Baltského moře. Dřív ale patřila Polsku, Německu i Litvě. Až do roku 1946 se dnešní Kaliningrad jmenoval německy Koenigsberg, česky Královec. Jaká jsou historická fakta? Odkud se české „právo“ na Královec vzalo?Všechny díly podcastu Jak to bylo doopravdy můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

This is a bonus episode! We sat down for a conversation with Alex and Kerry Koenigsberg. They work for a company called Arula, which was hired to run the 2022 Fort Collins Top Dog Competition at Odell Brewery on Sunday September 25th. We discuss how they got involved with this fundraiser, and how the proceeds from the competition will come back around and help out wildlife!Fort Collins Top Dog CompetitionOneWildPodcast.comSupport the show

Zvi Koenigsberg shares just what and where the Gilgal is. Zvi Koenigsberg is the author of The Lost Temple of Israel. He spent almost a decade studying archaeology and the Bible under the informal mentorship of the late president of the Hebrew University in Jerusalem, Professor Benjamin Mazar, who excavated the Western Wall. Koenigsberg worked with Professor Adam Zertal of Haifa University at the Mount Ebal excavations, which are the subject of this book.

Zvi Koenigsberg shares what light archaeology can cast when seeking to understand the whereabouts of ''The place that God will choose.''(Deut 12:5)Zvi Koenigsberg is the author of The Lost Temple of Israel. He spent almost a decade studying archaeology and the Bible under the informal mentorship of the late president of the Hebrew University in Jerusalem, Professor Benjamin Mazar, who excavated the Western Wall. Koenigsberg worked with Professor Adam Zertal of Haifa University at the Mount Ebal excavations, which are the subject of this book.

Sammy Koenigsberg is on a mission to keep local agriculture alive and accessible to the Charlotte community. Sammy's passion for farming has become an inspiration to chefs, culinary students, and home cooks to know and care where their food comes from. Jamie & Sammy look back to Jamie's first visit to the farm 20 years ago, Sammy serving as Jamie's farming mentor, and all about the ever-growing Matthews Community Farmers Market.Matthews Community Farmers Market https://www.matthewsfarmersmarket.comNew Town Farmshttp://www.newtownfarms.com/

What we know about advertising, you should know about advertising. Start your 1-month FREE trial to Campaign US.https://shop.haymarket.com/camus/webcast22/

David Gornoski sits down with Richard Koenigsberg, psychologist & historian from the Library of Social Science, for a discussion on sacrifice, violence, and war. Mr. Koenigsberg starts the discussion by describing his interactions with Rene Girard. The conversation then moves to the psychology of Hitler, the purpose of political violence, male aggressiveness, the Ukraine war, and more. Visit the website of the Library of Social Science here. Visit A Neighbor's Choice website here.

Operación Luna, llamado "Opération Lune" en francés y "Dark Side of the Moon" en inglés, es un falso documental o documental-ficción del canal televisivo francés ARTE France, rodado en el año 2002, con una duración de 52 minutos y dirigido por el director franco-tunecino William Karel. En el documental se especula con la posibilidad de que la llegada del hombre a la Luna por parte del Apolo 11 fuera un monumental engaño encargado por el entonces presidente Richard Nixon, y que las imágenes del hecho fueran rodadas en un estudio por Stanley Kubrick, quien por entonces rodaba 2001, Una Odisea en el Espacio. Para dar credibilidad, el director Karel incluyó entrevistas a personalidades como los secretarios de Defensa y Estado Donald Rumsfeld y Henry Kissinger, el entonces director de la CIA Richard Helms, el astronauta Buzz Aldrin, Alexander Haig y la propia viuda del director, Christiane Kubrick. No obstante, esas entrevistas fueron sacadas de contexto o se hicieron con preguntas vagas. Al final del documental se ven "tomas falsas" en las que muestran riéndose a los participantes. También contribuyó el ser rodado y emitido por el canal especializado en documentales ARTE. Como guiño a los seguidores de Kubrick, algunos personajes tienen nombres de personajes de filmes suyos, como Dimitri Muffley, suma de los nombres de los presidentes ruso y norteamericano en ¿Teléfono rojo? Volamos hacia Moscú, David Bowman, de 2001: una odisea espacial, Jack Torrance de El resplandor; aparte de dos referencias a personajes de Con la muerte en los talones de Hitchcok, Eve Kendall y George Kaplan, y otra a El hombre que sabía demasiado (Ambrose Chapel). Otro personaje se llama W.A. Koenigsberg, una "construcción" entre las iniciales de Woody Allen (W.A.) y su nombre real Allen Stewart Koenigsberg.

This is part 2 of Dr. Jerby's interview with Sammy Koenigsberg of New Town Farms in Waxhaw NC. The discussion shows us why soil health is absolutely vital to our own health and why everyone should shop at local farmer's markets.To check out New Town Farms go to newtownfarms.com. Coming soon is The Inn at New Town Farms which sounds like a great place to visit for rest and relaxation as well as an opportunity to see how the farm functions and to eat some of its abundance. Stay tuned!

In this episode, Dr. Jerby interviews Sammy Koenigsberg of New Town Farms in Waxhaw NC. The discussion shows us why soil health is absolutely vital to our own health and why everyone should shop at local farmer's markets.To check out New Town Farms go to newtownfarms.com. Coming soon is The Inn at New Town Farms which sounds like a great place to visit for rest and relaxation as well as an opportunity to see how the farm functions and to eat some of its abundance. Stay tuned!

Panslam's film critic Jason Koenigsberg joins Frank and the Other Side of Midnight to talk everything Academy Awards, from this year's biggest snubs, the altering hosts of the ceremony, and his predictions of major awards. Learn more about your ad choices. Visit megaphone.fm/adchoices

Resources from this episode:Read Prof. Koenigsberg's article at HBR: https://hbr.org/2022/01/3-strategic-o...Meet Jamie Adamchuck from UE Coaching: https://uecoaching.com/And frankly, they don't build 'em any better than Steve Rae: https://wizardofads.org/partner/steve...SHOW LESS

Horizon Media has just reopened its doors to staff after yet another COVID-19 shutdown, and is ready to get people back into the office on a hybrid schedule. As CEO Bill Koenigsberg puts it, you can't compete with rolling out of bed in your pajamas, but people do miss being together.Koenigsberg is at the helm of Horizon as it navigates a complex and shifting media landscape for clients — from the end of cookies, to the rise of the metaverse, to all things shoppable commerce. These changes are informing the agency's strategy, from its data platform blu to upfront negotiations.In this episode, Koenigsberg also talks about how Horizon is helping clients navigate the crisis in Ukraine and where he sees growth coming from in 2022. Listen here now, and subscribe to Campaign Chemistry wherever you listen to podcasts. 

C'est l'histoire d'une femme hors du commun : immigrée d'Europe de l'Est aux Etats-Unis, prolétaire, athée, féministe, libertaire et surtout anarchiste, elle a dédié sa vie à la lutte révolutionnaire, en parcourant le monde de combats en combats. Son nom : Emma Goldman. De son histoire personnelle à l'histoire du XXème siècle, découvrez sa True Story. En opposition à toute forme d'autorité En 1876, dans une petite classe de Koenigsberg, en Prusse orientale, un maître perd patience et punit ses élèves en leur donnant un à un des coups de règles sur les mains. Le tour de la petite Emma arrive. Le coup qu'elle reçoit et la douleur qu'il provoque sur ses mains d'enfants resteront gravées dans sa mémoire... Ce n'est pas la première fois qu'elle reçoit une réprimande physique. Habituellement, c'est à la maison que les scènes de violence ont lieu, avec son père qui tente de faire taire sa rébellion au fouet. Mais aussi dans la rue, où elle assiste quelques mois plus tôt au châtiment d'un paysan en pleine rue. Ces images et ces souvenirs de violence sont sans doute à l'origine de l'opposition à toute forme d'autorité violente que Emma Goldman poursuivra toute sa vie. Mais alors, quels sont ses combats ? Comment s'est-elle fait entendre ? Ecoutez la suite de cette histoire incroyable dans ce podcast. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : Enriqueta Martí, la vampire qui terrorisait Barcelone Marie Curie, la génie des sciences aux deux prix Nobel La marquise de Brinvilliers, la plus redoutable des empoisonneuses Ecriture : Hélène Vézier Réalisation : Matteo Benedetto, Antoine Berry Roger Voix : Andréa Brusque Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Jesus loves me at the bottom of my garbage can."  An inescapable, inevitable truth that Hollie Koeningsberg came to realize along a long, perilous road.  An Iraqi war vet who worked in very difficult combat operations.  A Purple Heart recipient.  A former cop.  A survivor who saw her family devastated by cancer.  Hollie's story inspired the families, students, and veterans that came together on Wednesday, November 10th, 2021 for Northwest Christian School's all-school Veterans Day Chapel and still has everyone talking.  You will not soon forget her story as she reflects upon her life of service to the country, her insights regarding contemporary America, the lengths that our Savior will go to in order to win our hearts, and how deeply we are loved by Him.Hollie serves as a Director at Clydehurst Christian Ranch in Montana.  To learn more about her ministry at Clydehurst, please visit:  https://www.clydehurst.com/"Kingdom Culture Conversations" is a podcast created through Frameworks, a Biblical worldview initiative of Northwest Christian School.For more information on Frameworks, please visit:  https://frameworks.ncsaz.org/For more information on Northwest Christian School, visit:  https://www.ncsaz.org/To reach out to Geoff Brown, please email gbrown@ncsaz.org or you can reach him by cell phone:  (623)225-5573.

Ep. 1702 Melvin Koenigsberg, Army Vet by Radio on the Go

Pastor Joel begins the series with a conversation on the biblical view of sex.

A true friend of Advertising Week, Horizon Media's Founder, CEO, and President, Bill Koenigsberg discusses his career path from the early days to present, helming Horizon Media, the world's largest independent media agency.

We're switching it up this week with a new format. Quell contributor and co-Founder of Pansy Skate, Shauny Stamm joins Adrian on the podcast for a more intimate episode to talk about mental health and gender identity. Subscribe to Quell Party wherever you listen to podcasts. Please rate us five stars on Apple Podcasts, leave a review, and most importantly– share us with a friend. Theme song: Jupiter by The Marias You can find anything Quell on quellskate.com or on all socials at quellskate

Have you ever invited your players out to lunch? If not, Scott Koenigsberg has some great advice for you in the third episode of The Art of LiveOps podcast. Scott is the head of product and ad monetization at Zygna where he has worked for over 10 years. In this episode, he talks about Zynga's culture of experimentation and shares his experiences on how games are more about the players than ever before.Support the Show.

We were lucky enough to be joined this week by Bart Koenigsberg from Hi-Rez Studios, who's in charge of the eSports and competitive scene for Tribes: Ascend.  We talk Tribes with Bart and hit some news and your Twitter questions towards the end. Enjoy! KBMOD Podcast Direct Download KBMOD Podcast Direct Download Mirror KBMOD Podcast on [&hellip