Podcasts about media karlsruhe

SUMMARY How can artists harness algorithmic processes to generate poetry, music, and dance? And what can we learn from the longer history of creative coding and early experiments in human-computer collaboration?In this live episode recorded during June's 2024 SpokenWeb Symposium, producers Nicholas Beauchesne and Chelsea Miya venture into the roots and future directions of algorithmic art.Thank you to interviewees Michael O'Driscoll, Kevin William Davis, and Kate Sicchio, as well as the live studio audience.*SOUNDFX & MUSICThe score was created by Nix Nihil through remixing samples from Kevin William Davis and Voiceprint and adding synthesizers and sound effects. Additional score sampled from performances by Davis and Kate Sicchio.Davis, Kevin William. “Elegia.” On Remembrance. Created with the Murmurator software in collaboration with Eli Stine. SoundCloud audio, 5:25, 2020, https://soundcloud.com/kevinwdavis/elegia.Davis, Kevin William. “From “From ‘David'”” From Three PFR-3 Poems by Jackon Mac Low for percussion quartet and speaker; performance by UVA percussion quartet. SoundCloud audio, 4:13, 2017, https://soundcloud.com/kevinwdavis/from-from-david.Pixabay. “Crane load at construction site.” Pixabay, https://pixabay.com/sound-effects/crane-load-at-construction-site-57551/.Sherfey, John, and Congregation. “Nothing but the Blood.” Powerhouse for God (CD SFS60006), Smithsonian Folkways Special Series, 2014. Recorded by Jeff Titon and Ken George. Reproduced with permission of Jeff Titon.Sicchio, Kate. “Amelia and the Machine.” Dancer Amelia Virtue. Robotics: Patrick Martin, Charles Dietzel, Alicia Olivo. Music: Melody Loveless, Kate Sicchio. Vimeo, uploaded by Kate Sicchio, 2022, https://vimeo.com/678480077.ARCHIVAL AUDIO & INTERVIEWSAltmann, Anna. “Popular Poetics” [segment]. “Printing and Poetry in the Computer Era.” Voiceprint. Dept. of Radio and Television and CKUA, 20 May 1981.Davis, Kevin William. Interviewed by Chelsea Miya for The SpokenWeb Podcast. 25 Oct. 2022.Jackson, Mac Low. “A Vocabulary for Sharon Belle Mattlin.” Performed by Susan Musgrave, George Macbeth, Sean O'Huigin, bpNichol, and Jackson Mac Low, 1974. PennSound, http://media.sas.upenn.edu/pennsound/authors/Mac-Low/CDs/Doings/Mac-Low-Jackson_09_Vocabulary-for-Mattlin_Doings_1982.mp3.O'Driscoll, Michael. Interviewed by Chelsea Miya for The SpokenWeb Podcast. 23 Aug. 2022.Onufrijchuk, Roman. Performing “Tape Mark I,” a computer poem by Nanni Balestrini. “Printing and Poetry in the Computer Era.” Voiceprint. Dept. of Radio and Television and CKUA, 20 May 1981.Sicchio, Kate. Interviewed by Chelsea Miya for The SpokenWeb Podcast. 4 Nov. 2023.WORKS CITEDBalestrini, Nanni. “Tape Mark I.” Translated by Edwin Morgan. Cybernetic Serendipity: the Computer and the Arts. Studio International, 1968.Davis, Kevin William. From “From ‘David'” [score]. 2017. http://kevindavismusic.com/wp-content/uploads/2017/11/From-From-David.pdf.Dean, R. T., and Alex McLean, eds. The Oxford Handbook of Algorithmic Music. Oxford University Press, 2018.Higgins, Hannah. Fluxus Experience. University of California Press, 2002.Mac Low, Jackson. Vocabulary for Sharon Belle Mattlin. Instructions. 23 January 1974. Mimegraphed sheet, 28 x 22 cm. Bonotto Collection, 1.c, Fondazione Bonotto, Colceresa (VI), Italy. https://www.fondazionebonotto.org/en/collection/poetry/maclowjackson/4/3091.html.Mac Low, Jackson. Vocabulary for Sharon Belle Mattlin. Instructions. 19 September 1974. Mimegraphed sheet, 28 x 22 cm. Bonotto Collection, 1.d, Fondazione Bonotto, Colceresa (VI), Italy. https://www.fondazionebonotto.org/en/collection/poetry/maclowjackson/4/3091.html.Johnston, David Jhave. “1969: Jackson Mac Low: PFR-3” [blogpost] Digital Poetics Prehistoric. https://glia.ca/conu/digitalPoetics/prehistoric-blog/2008/08/26/1969-jackson-mac-low-pfr-3-poems/.Mac Low, Jackson. A Vocabulary for Sharon Belle Mattlin. 1973. Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, University of Iowa Libraries, Iowa City, CC-47567-68576.Mac Low, Jackson. Thing of Beauty, edited by Anne Tardos. University of California Press, 2008. https://doi-org.libaccess.lib.mcmaster.ca/10.1525/9780520933293.O'Driscoll, Michael. “By the Numbers: Jackson Mac Low's Light Poems and Algorithmic Digraphism.” Time in Time: Short Poems, Long Poems, and the Rhetoric of North American Avant-Gardism, 1963-2008, edited by J. Mark Smith. McGill-Queens University Press, 2013, pp. 109-131.Russo, Emiliano, Gabriele Zaverio and Vittorio Bellanich. “TAPE MARK 1 by Nanni Balestrini: Research and Historical Reconstruction.” The ZKM | Center for Art and Media Karlsruhe, June 2017. https://zkm.de/en/tape-mark-1-by-nanni-balestrini-research-and-historical-reconstruction.Stine, Eli, and Kevin William Davis. “The Murmurator: A Flocking Simulation-Driven Multi-Channel Software Instrument for Collaborative Improvisation.” International Computer Music Conference (ICMC), 2018. https://elistine.com/writing-blog/2018/4/14/the-murmurator.FURTHER READING / LISTENINGHiggins, Hannah, and Douglas Kahn, eds. Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts. University of California Press, 2012, https://doi.org/10.1525/9780520953734.Noll, Michael. “Early Digital Computer Art at Bell Telephone Laboratories, Incorporated,” LEONARDO, vol. 49, no. 1, 2016, pp. 55-65.Reichardt, Jasia, ed. Cybernetic Serendipity. 1968. 2nd edition. Studio International, 1968.Rockman, A, and L. Mezei. “The Electronic Computer as an Artist.” Canadian Art, vol. 11, 1964, pp. 365–67.*BIOS Chelsea Miya (she/her) is a Postdoctoral Fellow with the Sherman Center for Digital Scholarship at McMaster University where her research focuses on questions of ethics, gender, and sustainability in the context of digital cultures and design. She is a Research Affiliate with the SpokenWeb Network, and she has also held research positions with the Kule Institute of Advanced Study (KIAS) and the Canadian Writing Research Collaboratory (CWRC). You can hear her other co-produced episodes "Sounds of Data," "Drum Codes," and “Academics on Air" on the SpokenWeb Podcast.Nicholas Beauchesne (he/him) completed his PhD in English Literature at the University of Alberta in 2020, specializing in twentieth century occult literary networks and modernist “little magazines.” He is currently teaching at the U of A. Nick is an aspiring skáld, a teller of runes. He is also a vocalist and synthist performing under the pseudonym of Nix Nihil. His visionary concept album, Cassandra's Empty Eyes, was released on the spring equinox of 2022 (Dark StarChasm Noise Theories Records). For a comprehensive overview of Nick's and Nix's academic, professional, mystical, and musical services, with links to his various social media, see: www.nixnihil.net.

EPISODE 1515: In this KEEN ON show, Andrew talks to Jordan Crandall, the author of AUTODRIVE, about the imminent age of superintelligence in which we will won't be able to distinguish man and machine Jordan Crandall is Professor of Visual Arts at University of California, San Diego. He is the author of five books, including Drive, an anthology of his artworks, media installations, and theoretical writings published by Neue Galerie Graz and ZKM Center for Art and Media Karlsruhe. In 2011 he was the recipient of the Vilém Flusser Theory Award for outstanding research in media art and digital culture. Autodrive is his first work of fiction. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

A brief statement from Ingeborg Reichle who has attended to Resonances IV SciArt Summer School at Joint Research Centre in Ispra, Italy. > Ingeborg Reichle, PhD, is an art historian and cultural theorist and currently holds the position of a Senior Fellow at the Institute for Advanced Sustainability Studies (IASS) in Potsdam, Germany, working on the intersection of art, science, and sustainability. In recent years she served as Professor in the Department of Media Theory at the University of Applied Arts in Vienna, Austria, there she also served as founding chair of the Department of Cross-disciplinary Strategies (CDS). Before joining the faculty of the Department of Media Theory as full professor in 2016, she was FONTE professor at Humboldt University Berlin, Germany. In 2004 she gained her PhD from the Humboldt University Berlin with a dissertation about Art in the Age of Techno science (Springer, Vienna, 2009). She is advising a number of art institutions like the Swiss Arts Council Pro Helvetia and serves as a member of the Board of Trustees of the ZKM | Center for Art and Media Karlsruhe, Germany.

Vincent Crapon is Project Manager of Exhibitions for Esch2022 at the in Belval. Over the course of the year he will be overseeing 3 major exhibitions as part of the European Capital of Culture programme in the impressive locations of the Möllerei and the Masse Noire, both former storage units for the now defunkt Belval steel refinery. Today he came on the Breakfast Show to talk about his work coordinating the exhibitions there and what people can expect from the shows over the course of the year of culture. Since moving to Luxembourg seven years ago Vincent has worked for MUDAM as well as the ministry of culture before taking on this role with Esch2022. The exhibitions that are taking place in the Möllerei this year will see Esch2022 collaborate with three major international institutions that are all working at the forefront of contemporary media art. Over the course of the year ZKM | Center for Art and Media Karlsruhe, the HEK (House of Electronic Arts) in Basel and Ars Electronica in Linz will all present exhibitions that are uniquley designed for the striking setting of the Möllerei and Masse Noire. The Exhibitions will feature artists from all over the world and will present on themes including human identity in the digital age, technology and industry and humanity's impact on the natural environment. The first exhibition has already opened and will run until the 15th of May with the subsequent exhibition opening three weeks later. More information about the programme and how to book tickets can be found at www.esch2022.lu

HASH Award 2020 | Performance [21.02.2020] Performance by Johanna Bruckner with Frida Giulia Franceschini, Elma Mateva, Louise Trueheart On February 21, 2020, the international production prize HASH for net-based projects in the fields of art, technology, and design will be awarded for the second time at the ZKM | Center for Art and Media Karlsruhe. The prize, endowed with8,000 euros, was founded by Akademie Schloss Solitude and ZKM and is sponsored by the Stiftung Landesbank Baden-Württemberg. Based on the hash value from information technology, which is unique for each file and is used as a test value for datatransfer, the HASH stands for an outstanding project. The prize will be awarded to one of the artists from the English-language online support program Web Residencies for the years 2018/2019. Conceived by invited curators, the Web Residencies’ open calls addressed questions such as: What can we learn from machines and how much do we depend on them in our lives and at work? How do new care technologies relate to the crisis in caring for the elderly and sick? With which technical innovations, hacks, or open-source strategies can we counter the causes and effects of climate change? What are today's scientific or technological colonialisms? How coulddigital infrastructures that promote opinion-forming and political debate look? What role do mobile phones, actioncams, toy drones and social media live streaming play in war, terrorism, hunting, and other forms of subjective violence and their representation? More than 1,200 artists, coders, designers, and scientists have submitted project proposals for the six thematic calls for 2018/2019. Twenty-five of these ideas were awarded with Web Residencies in which poetic, playful, as well as critical, political, or utopian works were realized. On February 21, the curators and artists will come together at ZKM | Center for Art and Media Karlsruhe to present the programs’ themes and questions to an interested public in talks, presentations, and performances.

Critical Zones | Terrestrische Universität [16.07.2020] The ocean is a sensorium. It records in its complex dynamics the transformations of the Earth, and it inscribes its cycles back into the activities of life-forms. The global ocean is changing its circulations, energies, interactions, and ecologies. It is the most dynamic and sensitive component of our living planet. How can we think from and with the ocean? The ocean is in a new phase of its dynamic history, shaped by intensifications of the impact of human activities on planetary systems. The transformations are plural: they traverse a multiplicity of elements, circulations, life forms, environments, and operate across a gradient of dimensions, energies and rhythms. How are we to understand the current sets of transformations changing the ocean without reverting to an all-sweeping new horizon, one single line of sight? How to become sensible to the multiple refractions and circulations that are coupled in the making of the Anthropocene ocean? TBA21–Academy and Territorial Agency are collaborating to connect new forms of visibility and understanding of the ocean brought by science, culture, and art. Linking scientists, artists, policy makers, and conservationists by way of shared images, data sets, and narratives, the project is structured as an instigation for new cognitive modes of encountering the ocean and a line towards attainable solutions to safe-guard the oceans. »Oceans in Transformation« is a multi-year research project by Territorial Agency, commissioned by TBA21-Academy. The project is highlighted in the exhibition »Critical Zones« with a multimedia installation investigating the architecture of the continental shelf, and how they are being transformed into a complex architecture of extraction. Fossil resources are being extracted at larger and larger risk, excessive fishing is depleting the livelihood of marine life, the ploughing of the seabed through trawling is rearranging the sedimentary strata and eradicating life. About the participants John Palmesino is an architect and urbanist, born in Switzerland. He has established, together with Ann-Sofi Rönnskog, Territorial Agency, which has designed the integrated vision for the future of the Markermeer, in the Netherlands. In his scientific as well as artistic work, he focuses on the territorial transformations. Ann-Sofi Rönnskog is an architect and urbanist from Finland. Together with John Palmesino, she has established Territorial Agency . Her work focuses on the architectural and spatial analysis of contemporary city transformation processes. Markus Reymann is the director of TBA21-Academy. Between July, 2011 and today, Reymann initiated and conducted numerous expeditions. Each trip is designed as a collaboration with invited artists, scientists and thinker's eager to embark on oceanic explorations. Inspired by this unusual encounter with both human and natural elements, the Academy commissions ambitious projects informed by the itinerary of the research vessel Dardanella. Francesca Thyssen-Bornemisza is the Founder and Chair of Thyssen-Bornemisza Art Contemporary (TBA21). Driven by a belief in the power of art to serve as an agent of change, she has supported artists throughout her career in the production and creation of new work that fuels engagement with the most pressing issues of our times. Bruno Latour is a philosopher, anthropologist and sociologist. He curated the exhibition »Critical Zones«, which puts the focus on the thin surface of the earth, in which all transactions of life are mutually dependent. In his latest publication »Down to Earth: Politics in the New Climatic Regime« he demands to define politics as what leads toward the Earth and not toward the global or the national. Peter Weibel is the chairman of the ZKM | Center for Art and Media Karlsruhe. He studied literature, medicine, logic, philosophy, and film. On account of his various activities as artist, media theorist, curator, and as a nomad between art and science, he became a central figure in European media art. He also curated the exhibition »Critical Zones« Bettina Korintenberg is a cultural studies scholar whose work focuses on the areas where art, architecture, and literature intersect. Her curatorial and academic practice centers on critically questioning and reflecting on paradigms of modernity against the backdrop of contemporary social and ecological transformations. She also curated the exhibition »Critical Zones«.

HASH Award 2020 [21.02.2020] by Tegan Bristow, Léa Porré, Mary Maggic, Tiare Ribeaux, Morehshin Allahyari & Performance »The Future(s) Are Black Quantum Womanist« by Rasheedah Phillips On February 21, 2020, the international production prize HASH for net-based projects in the fields of art, technology, and design will be awarded for the second time at the ZKM | Center for Art and Media Karlsruhe. The prize, endowed with 8,000 euros, was founded by Akademie Schloss Solitude and ZKM and is sponsored by the Stiftung Landesbank Baden-Württemberg. Based on the hash value from information technology, which is unique for each file and is used as a test value for data transfer, the HASH stands for an outstanding project. The prize will be awarded to one of the artists from the English-language online support program Web Residencies for the years 2018/2019. Conceived by invited curators, the Web Residencies’ open calls addressed questions such as: What can we learn from machines and how much do we depend on them in our lives and at work? How do new care technologies relate to the crisis in caring for the elderly and sick? With which technical innovations, hacks, or open-source strategies can we counter the causes and effects of climate change? What are today's scientific or technological colonialisms? How could digital infrastructures that promote opinion-forming and political debate look? What role do mobile phones, actioncams, toy drones and social media live streaming play in war, terrorism, hunting, and other forms of subjective violence and their representation? More than 1,200 artists, coders, designers, and scientists have submitted project proposals for the six thematic calls for 2018/2019. Twenty-five of these ideas were awarded with Web Residencies in which poetic, playful, as well as critical, political, or utopian works were realized. On February 21, the curators and artists will come together at ZKM | Center for Art and Media Karlsruhe to present the programs’ themes and questions to an interested public in talks, presentations, and performances.

HASH Award 2020 [21.02.2020] by Jonas Lund, Maria Roszkowska, Nicolas Maigret, Daphne Dragona, Johanna Bruckner, Dani Ploeger, Ronnie Karfiol On February 21, 2020, the international production prize HASH for net-based projects in the fields of art, technology, and design will be awarded for the second time at the ZKM | Center for Art and Media Karlsruhe. The prize, endowed with8,000 euros, was founded by Akademie Schloss Solitude and ZKM and is sponsored by the Stiftung Landesbank Baden-Württemberg. Based on the hash value from information technology, which is unique for each file and is used as a test value for datatransfer, the HASH stands for an outstanding project. The prize will be awarded to one of the artists from the English-language online support program Web Residencies for the years 2018/2019. Conceived by invited curators, the Web Residencies’ open calls addressed questions such as: What can we learn from machines and how much do we depend on them in our lives and at work? How do new care technologies relate to the crisis in caring for the elderly and sick? With which technical innovations, hacks, or open-source strategies can we counter the causes and effects of climate change? What are today's scientific or technological colonialisms? How coulddigital infrastructures that promote opinion-forming and political debate look? What role do mobile phones, actioncams, toy drones and social media live streaming play in war, terrorism, hunting, and other forms of subjective violence and their representation? More than 1,200 artists, coders, designers, and scientists have submitted project proposals for the six thematic calls for 2018/2019. Twenty-five of these ideas were awarded with Web Residencies in which poetic, playful, as well as critical, political, or utopian works were realized. On February 21, the curators and artists will come together at ZKM | Center for Art and Media Karlsruhe to present the programs’ themes and questions to an interested public in talks, presentations, and performances.

HASH Award 2020 [21.02.2020] On February 21, 2020, the international production prize HASH for net-based projects in the fields of art, technology, and design will be awarded for the second time at the ZKM | Center for Art and Media Karlsruhe. The prize, endowed with8,000 euros, was founded by Akademie Schloss Solitude and ZKM and is sponsored by the Stiftung Landesbank Baden-Württemberg. Based on the hash value from information technology, which is unique for each file and is used as a test value for datatransfer, the HASH stands for an outstanding project. The prize will be awarded to one of the artists from the English-language online support program Web Residencies for the years 2018/2019. Conceived by invited curators, the Web Residencies’ open calls addressed questions such as: What can we learn from machines and how much do we depend on them in our lives and at work? How do new care technologies relate to the crisis in caring for the elderly and sick? With which technical innovations, hacks, or open-source strategies can we counter the causes and effects of climate change? What are today's scientific or technological colonialisms? How coulddigital infrastructures that promote opinion-forming and political debate look? What role do mobile phones, actioncams, toy drones and social media live streaming play in war, terrorism, hunting, and other forms of subjective violence and their representation? More than 1,200 artists, coders, designers, and scientists have submitted project proposals for the six thematic calls for 2018/2019. Twenty-five of these ideas were awarded with Web Residencies in which poetic, playful, as well as critical, political, or utopian works were realized. On February 21, the curators and artists will come together at ZKM | Center for Art and Media Karlsruhe to present the programs’ themes and questions to an interested public in talks, presentations, and performances.

ZKM Kunstpreise: AppArtAward 2017 | Preisverleihung 07.07.2017 ZKM_Medientheater Nach sechs erfolgreichen Wettbewerben feierten wir in diesem Jahr siebenjähriges AppArtAward-Jubiläum! Das ZKM | Zentrum für Kunst und Medien, das CyberForum und ihre Partner hatten auch 2017 die besten Kunstwerke im App-Format im Visier. Mit dem AppArtAward werden Apps prämiert, die sich als avancierte künstlerische Anwendungen auszeichnen. Neben ästhetischen Aspekten steht die kreative Integration und Nutzung technologischer Möglichkeiten im Fokus. Gewinner des AppArtAwards 2017 sind: AppArtivism: Polluted Selfie | David Colombini | 2017 GameArt: Glitchskier | Shelly Alon | 2017 SoundArt: Mazetools Soniface | Stephan Kloß und Jakob Gruhl | 2017, Visual Beat | Max Mörtl und Bastian Clausdorff | 2015 /// 07.07.2017 ZKM_Media Theater After six succesful competitions, we celebrated the 7th AppArtAward anniversary this year. The ZKM | Center for Art and Media Karlsruhe, Cyberforum e.V. and their partners looked again for the best artworks in app format. The AppArtAward honors apps that represent advanced artistic applications. Besides artistic aspects the creative integration as well as the use of options offered by new technologies is important. Winner of the AppArtAward 2017: AppArtivism: Polluted Selfie | David Colombini | 2017 GameArt: Glitchskier | Shelly Alon | 2017 SoundArt: Mazetools Soniface | Stephan Kloß und Jakob Gruhl | 2017, Visual Beat | Max Mörtl und Bastian Clausdorff | 2015

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion. /// Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

ZKM Kunstpreise: AppArtAward 2016 | Preisverleihung 15.07.2016 ZKM_Medientheater Nach fünf erfolgreichen Wettbewerben feierten wir in diesem Jahr sechsjähriges AppArtAward-Jubiläum! Das ZKM | Zentrum für Kunst und Medien, das CyberForum und ihre Partner suchten auch 2016 die besten Kunstwerke im App-Format. Mit dem AppArtAward wurden Apps prämiert, die sich als avancierte künstlerische Anwendungen auszeichneten. Neben ästhetischen Aspekten standen die kreative Integration und Nutzung technologischer Möglichkeiten im Fokus. Gewinner des diesjährigen AppArtAwards sind: Connected Art: sacrificium | Joanna Dauner | 2016 Virtual Reality: Raum | Sascha Haus & Onat Hekimoglu | 2016 Art+Experience: Mimics | Thomas Krüger & Fabian Schaub | 2016 Sharing: Thangs | Sammy Schuckert | 2016 /// 15.07.2016 ZKM_Media Theater After five succesful competitions, we celebrated the 6th AppArtAward anniversary this year. The ZKM | Center for Art and Media Karlsruhe, Cyberforum e.V. and their partners looked again for the best artworks in app format. The AppArtAward honors apps that represent advanced artistic applications. Besides artistic aspects the creative integration as well as the use of options offered by new technologies is important. Winner of the AppArtAward 2016: Connected Art: sacrificium | Joanna Dauner | 2016 Virtual Reality: Raum | Sascha Haus & Onat Hekimoglu | 2016 Art+Experience: Mimics | Thomas Krüger & Fabian Schaub | 2016 Sharing: Thangs | Sammy Schuckert | 2016

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion. /// Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung | Kolloquium Vortrag/Gespräch 13.10.2016 bis 14.10.2016 ZKM_Vortragssaal Im Rahmen der Ausstellung »Aby Warburg. Mnemosyne Bilderatlas. Rekonstruktion – Kommentar – Aktualisierung« lädt das ZKM | Zentrum für Kunst und Medien Karlsruhe am 13. und 14. Oktober 2016 zu einem international besetzten Kolloquium ein. Führende Persönlichkeiten der Warburg-Forschung werden an diesen beiden Tagen ihre neuen Erkenntnisse vorstellen und die Ausstellung um den aktuellen Stand der Diskussion erweitern. /// Lecture/Talk 13.10.2016 to 14.10.2016 ZKM_Lecture Hall As part of the »Aby Warburg. Mnemosyne Bilder Atlas. Reconstruction – Commentary – Update« exhibition, the ZKM | Center for Art and Media Karlsruhe invites you to an international colloquium on 13th and 14th October 2016. Leading personalities in Warburg research will present their new findings over these two days and expand the exhibition to include the latest state of discussion.

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 − heute | Künstlergespräch Künstlergespräch mit Julian Röder Moderation: Philipp Ziegler Rahmenprogramm zur Ausstellung: »WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 − heute« (26.10.2013 – 02.03.2014) Das Institut für Auslandsbeziehungen (ifa) präsentiert ab Oktober 2013 im ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe die Ausstellung »WELTREISE. Kunst aus Deutschland unterwegs«. Rund vierhundert Kunstwerke aus den Tourneeausstellungen des ifa, die während sechs Jahrzehnten die Kunst in Deutschland auf allen Kontinenten repräsentierten, werden mit neuem Blick auf die Kunstgeschichte vorgestellt Bis 1990 zeigte das Institut für Auslandsbeziehungen Ausstellungen deutscher Kunst im Auftrag der damaligen Bundesrepublik. Nach dem Mauerfall wurde der Bestand des Zentrums für Kunstausstellungen der DDR in das ifa überführt. In der Ausstellung am ZKM begegnen sich die parallelen Kunstentwicklungen von BRD und DDR, die abseits der Politik oftmals miteinander in Beziehung standen. Besonderes Augenmerk legt die Ausstellung auf die Entwicklung der heute selbstverständlichen, einflussreichen Rolle von Künstlerinnen und auf die Emanzipation der Fotografie als eigenständige Kunstgattung. /// Program at the exhibition »Travelling the world. Art from Germany. Artworks from the ifa Collection, 1949 to the Present« From October, 2013, the Institut für Auslandsbeziehungen (ifa) [The Institute for Foreign Relations] will present the exhibition “TRAVELLING THE WORLD. Art from Germany” at the ZKM⎥Center for Art and Media Karlsruhe. Around 400 works of art from the ifa touring exhibition, which represents six decades of art in Germany across all continents, are introduced with a new perspective on art history. Until 1990, the Institut für Auslandsbeziehungen exhibited art from Germany on behalf of the then Federal Republic. After the fall of the Berlin Wall, the inventory of the Zentrums für Kunstausstellungen der DDR [Center for Art Exhibitions of the GDR] was transferred to ifa. In the exhibition at the ZKM, parallel art developments in the FRD and GDR – often linked beyond politics – encounter one another. The exhibition places particular attention on the development of what, today, has become the self-evident influential role of artists and the emancipation of photography as an independent genre in art.

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 − heute | Künstlergespräch Künstlergespräch mit Barbara Klemm Moderation: Matthias Flügge Rahmenprogramm zur Ausstellung: »WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 − heute« (26.10.2013 – 02.03.2014) Das Institut für Auslandsbeziehungen (ifa) präsentiert ab Oktober 2013 im ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe die Ausstellung »WELTREISE. Kunst aus Deutschland unterwegs«. Rund vierhundert Kunstwerke aus den Tourneeausstellungen des ifa, die während sechs Jahrzehnten die Kunst in Deutschland auf allen Kontinenten repräsentierten, werden mit neuem Blick auf die Kunstgeschichte vorgestellt Bis 1990 zeigte das Institut für Auslandsbeziehungen Ausstellungen deutscher Kunst im Auftrag der damaligen Bundesrepublik. Nach dem Mauerfall wurde der Bestand des Zentrums für Kunstausstellungen der DDR in das ifa überführt. In der Ausstellung am ZKM begegnen sich die parallelen Kunstentwicklungen von BRD und DDR, die abseits der Politik oftmals miteinander in Beziehung standen. Besonderes Augenmerk legt die Ausstellung auf die Entwicklung der heute selbstverständlichen, einflussreichen Rolle von Künstlerinnen und auf die Emanzipation der Fotografie als eigenständige Kunstgattung. /// Program at the exhibition »Travelling the world. Art from Germany. Artworks from the ifa Collection, 1949 to the Present« From October, 2013, the Institut für Auslandsbeziehungen (ifa) [The Institute for Foreign Relations] will present the exhibition “TRAVELLING THE WORLD. Art from Germany” at the ZKM⎥Center for Art and Media Karlsruhe. Around 400 works of art from the ifa touring exhibition, which represents six decades of art in Germany across all continents, are introduced with a new perspective on art history. Until 1990, the Institut für Auslandsbeziehungen exhibited art from Germany on behalf of the then Federal Republic. After the fall of the Berlin Wall, the inventory of the Zentrums für Kunstausstellungen der DDR [Center for Art Exhibitions of the GDR] was transferred to ifa. In the exhibition at the ZKM, parallel art developments in the FRD and GDR – often linked beyond politics – encounter one another. The exhibition places particular attention on the development of what, today, has become the self-evident influential role of artists and the emancipation of photography as an independent genre in art.

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 − heute | Podiumsgespräch Podiumsgespräch mit Elke aus dem Moore (ifa), Matthias Flügge (Kurator), Matthias Winzen (Kurator), Else Gabriel (Künstlerin), Mark Lammert (Künstler), Marcel Odenbach (Künstler) Moderation: Philipp Ziegler (ZKM) Rahmenprogramm zur Ausstellung: »WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 − heute« (26.10.2013 – 02.03.2014) Das Institut für Auslandsbeziehungen (ifa) präsentiert ab Oktober 2013 im ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe die Ausstellung »WELTREISE. Kunst aus Deutschland unterwegs«. Rund vierhundert Kunstwerke aus den Tourneeausstellungen des ifa, die während sechs Jahrzehnten die Kunst in Deutschland auf allen Kontinenten repräsentierten, werden mit neuem Blick auf die Kunstgeschichte vorgestellt Bis 1990 zeigte das Institut für Auslandsbeziehungen Ausstellungen deutscher Kunst im Auftrag der damaligen Bundesrepublik. Nach dem Mauerfall wurde der Bestand des Zentrums für Kunstausstellungen der DDR in das ifa überführt. In der Ausstellung am ZKM begegnen sich die parallelen Kunstentwicklungen von BRD und DDR, die abseits der Politik oftmals miteinander in Beziehung standen. Besonderes Augenmerk legt die Ausstellung auf die Entwicklung der heute selbstverständlichen, einflussreichen Rolle von Künstlerinnen und auf die Emanzipation der Fotografie als eigenständige Kunstgattung. /// Program at the exhibition »Travelling the world. Art from Germany. Artworks from the ifa Collection, 1949 to the Present« From October, 2013, the Institut für Auslandsbeziehungen (ifa) [The Institute for Foreign Relations] will present the exhibition “TRAVELLING THE WORLD. Art from Germany” at the ZKM⎥Center for Art and Media Karlsruhe. Around 400 works of art from the ifa touring exhibition, which represents six decades of art in Germany across all continents, are introduced with a new perspective on art history. Until 1990, the Institut für Auslandsbeziehungen exhibited art from Germany on behalf of the then Federal Republic. After the fall of the Berlin Wall, the inventory of the Zentrums für Kunstausstellungen der DDR [Center for Art Exhibitions of the GDR] was transferred to ifa. In the exhibition at the ZKM, parallel art developments in the FRD and GDR – often linked beyond politics – encounter one another. The exhibition places particular attention on the development of what, today, has become the self-evident influential role of artists and the emancipation of photography as an independent genre in art.

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 − heute | Podiumsgespräch Podiumsgespräch mit Elke aus dem Moore (ifa), Matthias Flügge (Kurator), Matthias Winzen (Kurator), Else Gabriel (Künstlerin), Mark Lammert (Künstler), Marcel Odenbach (Künstler) Moderation: Philipp Ziegler (ZKM) Rahmenprogramm zur Ausstellung: »WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 − heute« (26.10.2013 – 02.03.2014) Das Institut für Auslandsbeziehungen (ifa) präsentiert ab Oktober 2013 im ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe die Ausstellung »WELTREISE. Kunst aus Deutschland unterwegs«. Rund vierhundert Kunstwerke aus den Tourneeausstellungen des ifa, die während sechs Jahrzehnten die Kunst in Deutschland auf allen Kontinenten repräsentierten, werden mit neuem Blick auf die Kunstgeschichte vorgestellt Bis 1990 zeigte das Institut für Auslandsbeziehungen Ausstellungen deutscher Kunst im Auftrag der damaligen Bundesrepublik. Nach dem Mauerfall wurde der Bestand des Zentrums für Kunstausstellungen der DDR in das ifa überführt. In der Ausstellung am ZKM begegnen sich die parallelen Kunstentwicklungen von BRD und DDR, die abseits der Politik oftmals miteinander in Beziehung standen. Besonderes Augenmerk legt die Ausstellung auf die Entwicklung der heute selbstverständlichen, einflussreichen Rolle von Künstlerinnen und auf die Emanzipation der Fotografie als eigenständige Kunstgattung. /// Program at the exhibition »Travelling the world. Art from Germany. Artworks from the ifa Collection, 1949 to the Present« From October, 2013, the Institut für Auslandsbeziehungen (ifa) [The Institute for Foreign Relations] will present the exhibition “TRAVELLING THE WORLD. Art from Germany” at the ZKM⎥Center for Art and Media Karlsruhe. Around 400 works of art from the ifa touring exhibition, which represents six decades of art in Germany across all continents, are introduced with a new perspective on art history. Until 1990, the Institut für Auslandsbeziehungen exhibited art from Germany on behalf of the then Federal Republic. After the fall of the Berlin Wall, the inventory of the Zentrums für Kunstausstellungen der DDR [Center for Art Exhibitions of the GDR] was transferred to ifa. In the exhibition at the ZKM, parallel art developments in the FRD and GDR – often linked beyond politics – encounter one another. The exhibition places particular attention on the development of what, today, has become the self-evident influential role of artists and the emancipation of photography as an independent genre in art.

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 − heute | Künstlergespräch Künstlergespräch mit Barbara Klemm Moderation: Matthias Flügge Rahmenprogramm zur Ausstellung: »WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 − heute« (26.10.2013 – 02.03.2014) Das Institut für Auslandsbeziehungen (ifa) präsentiert ab Oktober 2013 im ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe die Ausstellung »WELTREISE. Kunst aus Deutschland unterwegs«. Rund vierhundert Kunstwerke aus den Tourneeausstellungen des ifa, die während sechs Jahrzehnten die Kunst in Deutschland auf allen Kontinenten repräsentierten, werden mit neuem Blick auf die Kunstgeschichte vorgestellt Bis 1990 zeigte das Institut für Auslandsbeziehungen Ausstellungen deutscher Kunst im Auftrag der damaligen Bundesrepublik. Nach dem Mauerfall wurde der Bestand des Zentrums für Kunstausstellungen der DDR in das ifa überführt. In der Ausstellung am ZKM begegnen sich die parallelen Kunstentwicklungen von BRD und DDR, die abseits der Politik oftmals miteinander in Beziehung standen. Besonderes Augenmerk legt die Ausstellung auf die Entwicklung der heute selbstverständlichen, einflussreichen Rolle von Künstlerinnen und auf die Emanzipation der Fotografie als eigenständige Kunstgattung. /// Program at the exhibition »Travelling the world. Art from Germany. Artworks from the ifa Collection, 1949 to the Present« From October, 2013, the Institut für Auslandsbeziehungen (ifa) [The Institute for Foreign Relations] will present the exhibition “TRAVELLING THE WORLD. Art from Germany” at the ZKM⎥Center for Art and Media Karlsruhe. Around 400 works of art from the ifa touring exhibition, which represents six decades of art in Germany across all continents, are introduced with a new perspective on art history. Until 1990, the Institut für Auslandsbeziehungen exhibited art from Germany on behalf of the then Federal Republic. After the fall of the Berlin Wall, the inventory of the Zentrums für Kunstausstellungen der DDR [Center for Art Exhibitions of the GDR] was transferred to ifa. In the exhibition at the ZKM, parallel art developments in the FRD and GDR – often linked beyond politics – encounter one another. The exhibition places particular attention on the development of what, today, has become the self-evident influential role of artists and the emancipation of photography as an independent genre in art.

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 − heute | Künstlergespräch Künstlergespräch mit Julian Röder Moderation: Philipp Ziegler Rahmenprogramm zur Ausstellung: »WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 − heute« (26.10.2013 – 02.03.2014) Das Institut für Auslandsbeziehungen (ifa) präsentiert ab Oktober 2013 im ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe die Ausstellung »WELTREISE. Kunst aus Deutschland unterwegs«. Rund vierhundert Kunstwerke aus den Tourneeausstellungen des ifa, die während sechs Jahrzehnten die Kunst in Deutschland auf allen Kontinenten repräsentierten, werden mit neuem Blick auf die Kunstgeschichte vorgestellt Bis 1990 zeigte das Institut für Auslandsbeziehungen Ausstellungen deutscher Kunst im Auftrag der damaligen Bundesrepublik. Nach dem Mauerfall wurde der Bestand des Zentrums für Kunstausstellungen der DDR in das ifa überführt. In der Ausstellung am ZKM begegnen sich die parallelen Kunstentwicklungen von BRD und DDR, die abseits der Politik oftmals miteinander in Beziehung standen. Besonderes Augenmerk legt die Ausstellung auf die Entwicklung der heute selbstverständlichen, einflussreichen Rolle von Künstlerinnen und auf die Emanzipation der Fotografie als eigenständige Kunstgattung. /// Program at the exhibition »Travelling the world. Art from Germany. Artworks from the ifa Collection, 1949 to the Present« From October, 2013, the Institut für Auslandsbeziehungen (ifa) [The Institute for Foreign Relations] will present the exhibition “TRAVELLING THE WORLD. Art from Germany” at the ZKM⎥Center for Art and Media Karlsruhe. Around 400 works of art from the ifa touring exhibition, which represents six decades of art in Germany across all continents, are introduced with a new perspective on art history. Until 1990, the Institut für Auslandsbeziehungen exhibited art from Germany on behalf of the then Federal Republic. After the fall of the Berlin Wall, the inventory of the Zentrums für Kunstausstellungen der DDR [Center for Art Exhibitions of the GDR] was transferred to ifa. In the exhibition at the ZKM, parallel art developments in the FRD and GDR – often linked beyond politics – encounter one another. The exhibition places particular attention on the development of what, today, has become the self-evident influential role of artists and the emancipation of photography as an independent genre in art.

Neuroaesthetics | Symposium Symposium im ZKM | Zentrum für Kunst und Medientechnologie, 22.-24. November 2012 In Kooperation und mit Unterstützung der Gemeinnützigen Hertie-Stiftung. Helga Griffiths has been working for over 20 years on the integration of various sensory stimuli into her multi-sense installations. With reference to several practical examples (one of which ‒ the animated video Brainscape ‒ will be shown during the conference), she illustrates some of the advantages, but also some of the difficulties that she has encountered in this approach. A successful experience space as she terms it, enables the percipient to immerse him- or herself in a multi-dimensional sensory space and experience memories, emotions and ideas that originate from, but at the same time are not necessarily identical to, the memories, emotions and ideas of the artist. Typical of Griffiths’ work is her technique of taking sensory information received through one sense (e.g. sight or sound) and transforming it into another, such as odor, in order to communicate with the percipient at a more direct, intuitive level and enable the sensory immersion experience to transcend conventional boundaries of perception. Helga Griffiths is a Multi-Sense-Artist working at the intersection of science and art. She holds a B.F.A. from Mason Gross School of the Arts at Rutgers University, and from 1992–1994 completed her postgraduate studies at the Stuttgart State Academy of Art and Design. In 1994 she continued with further studies in New Media at the Karlsruhe University of Arts and Design. She received several awards such as the first prize at “Kunst auf Zeit” in Graz, an “Honorable Mention” at the International Biennale of Paper Art in Düren, the “Lichtenberg”- Award (all in 1998), and the first prize at “LichtRouten”- festival in Lüdenscheid in 2003. She received grants for artist residencies at Cité Internationale des Arts Paris in 2001 and an NEA grant at the Escuela de Artes Plásticas in Puerto Rico in 2004. Her work is in permanent collections such as the TBA TV Station in Tokyo, Deutsches Hygiene-Museum, Dresden, or the Leopold-Hoesch-Museum in Düren, Germany. She has exhibited her multi-sense-installations at several biennials such as Cairo Biennale, Echigo-Tsumari Art Triennale in Japan, Havanna Biennial, and Seoul International Media Art Biennale. Her work has been shown in international museum exhibitions like the Bundeskunsthalle Bonn; Artificial Light in Art Centre, Eindhoven; Kunsthalle Kiel, Palais de Tokyo, Paris; Henie Onstad Kunstsenter, Oslo; Upper Austrian Culture Quarter, Linz, and at the ZKM | Center for Art and Media Karlsruhe.

Molecular Aesthetics | Symposium Symposium at ZKM | Center for Art and Media, July 15 -17, 2011 in cooperation with DFG-Center for Functional Nanostructures (CFN) Karlsruhe Institute for Technology (KIT). As part of several joint projects on creativity and innovation which will be carried out by the ZKM | Center for Art and Media Karlsruhe and Akademie Schloss Solitude and which were initiated by the State of Baden-Württemberg between 2007 and 2010, the symposium »Molecular Aesthetics« aims at establishing a link between the current developments in molecular sciences and the visual arts and music. Also marking the International Year of Chemistry, it tries to initiate an interdisciplinary exchange of views and ideas, which could lead to a new definition of aesthetics. This project is financed by the Ministry of science, Research and Arts Baden Württemberg. /// Symposium im ZKM | Zentrum für Kunst und Medientechnologie, 15. -17. Juli 2011 In Kooperation mit dem DFG-Centrum für Funktionelle Nanostrukturen (CFN) des Karlsruhe Instituts für Technologie. Als Teil der gemeinsam vom ZKM | Zentrum für Kunst und Medientechnologie und der Akademie Schloss Solitude ausgeführten Projekte zum Thema Kreativität und Innovation, die 2007 vom Staatsministerium Baden-Württemberg initiiert wurden, zielt das Symposium »Molekulare Ästhetik« darauf ab, eine Verbindung zwischen den aktuellen Entwicklungen in den Molekularwissenschaften und der Kunst und der Musik zu etablieren. Es versucht, im internationalen Jahr der Chemie einen interdisziplinären Austausch von Ansichten und Ideen zu initiieren, der zu einer neuen Definition von Ästhetik führen könnte. Das Projekt wird gefördert vom Ministerium für Wissenschaft, Forschung und Kunst Baden-Württemberg.

Molecular Aesthetics | Symposium After the discussion of the term "molecular aesthetics" and the examination of some synthetic supermolecules, principles leading to aesthetically demanding molecules are discussed on the basis of various organic natural substances. Through dimerization, bilateral-symmetric or card-like connections are formed. The linkage to ring-shaped, rotationally symmetric molecules takes place according to certain laws. The phenomenon of translation can be observed in linear and three-dimensional polymers. In the crystal lattice of the diamond the most different figures are hidden. Of particular interest is the chirality or handiness of natural and medicinal substances, which gives the molecules amazing properties. The comparison of words, molecules and melodies is also aesthetically appealing. Symposium at ZKM | Center for Art and Media, July 15 -17, 2011 in cooperation with DFG-Center for Functional Nanostructures (CFN) Karlsruhe Institute for Technology (KIT). As part of several joint projects on creativity and innovation which will be carried out by the ZKM | Center for Art and Media Karlsruhe and Akademie Schloss Solitude and which were initiated by the State of Baden-Württemberg between 2007 and 2010, the symposium »Molecular Aesthetics« aims at establishing a link between the current developments in molecular sciences and the visual arts and music. Also marking the International Year of Chemistry, it tries to initiate an interdisciplinary exchange of views and ideas, which could lead to a new definition of aesthetics. This project is financed by the Ministry of science, Research and Arts Baden Württemberg. /// Nach der Diskussion des Begriffes „molekulare Ästhetik“ und der Betrachtung einiger synthetischer Supermoleküle werden anhand verschiedener organischer Naturstoffe Prinzipien besprochen, die zu ästhetisch anspruchsvollen Molekülen führen. Durch Dimerisierung entstehen bilateral-symmetrische oder spielkartenartige Verbindungen. Die Verknüpfung zu ringförmigen, rotationssymmetrischen Molekülen erfolgt nach bestimmten Gesetzmäßigkeiten. Das Phänomen der Translation ist in linearen und drei dimensionalen Polymeren zu beobachten. Im Kristallgitter des Diamanten sind die unterschiedlichsten Figuren versteckt. Von besonderem Interesse ist die Chiralität oder Händigkeit von Natur- und Arzneistoffen, die den Molekülen erstaunliche Eigenschaften verleiht. Ästhetisch reizvoll erscheint auch der Vergleich von Worten, Molekülen und Melodien. Symposium im ZKM | Zentrum für Kunst und Medientechnologie, 15. -17. Juli 2011 In Kooperation mit dem DFG-Centrum für Funktionelle Nanostrukturen (CFN) des Karlsruhe Instituts für Technologie. Als Teil der gemeinsam vom ZKM | Zentrum für Kunst und Medientechnologie und der Akademie Schloss Solitude ausgeführten Projekte zum Thema Kreativität und Innovation, die 2007 vom Staatsministerium Baden-Württemberg initiiert wurden, zielt das Symposium »Molekulare Ästhetik« darauf ab, eine Verbindung zwischen den aktuellen Entwicklungen in den Molekularwissenschaften und der Kunst und der Musik zu etablieren. Es versucht, im internationalen Jahr der Chemie einen interdisziplinären Austausch von Ansichten und Ideen zu initiieren, der zu einer neuen Definition von Ästhetik führen könnte. Das Projekt wird gefördert vom Ministerium für Wissenschaft, Forschung und Kunst Baden-Württemberg.

Molecular Aesthetics | Symposium The fascinating structure of DNA has enabled the encoding of a life's message and 50 years after the discovery, genome libraries and gene manipulation, we have just about scratched the surface. But today, DNA is not only a molecule of life, but also an important building block in a new field of nanotechnology - design of novel nanostructures. And the structures, which have been designed on the nano scale by making use of remarkable properties of a double helix, are not only fascinatingly complex but have, in the last decade, found a range of interesting applications and continue to attract lots of attention. What has been done till now to fill in the gaps in understanding the DNA and where can we go from here? Symposium at ZKM | Center for Art and Media, July 15 -17, 2011 in cooperation with DFG-Center for Functional Nanostructures (CFN) Karlsruhe Institute for Technology (KIT). As part of several joint projects on creativity and innovation which will be carried out by the ZKM | Center for Art and Media Karlsruhe and Akademie Schloss Solitude and which were initiated by the State of Baden-Württemberg between 2007 and 2010, the symposium »Molecular Aesthetics« aims at establishing a link between the current developments in molecular sciences and the visual arts and music. Also marking the International Year of Chemistry, it tries to initiate an interdisciplinary exchange of views and ideas, which could lead to a new definition of aesthetics. This project is financed by the Ministry of science, Research and Arts Baden Württemberg. /// Die faszinierende Struktur der DNS verschlüsselt die Botschaften des Lebens. Trotz Genom-Datenbanken und Genmanipulationen bleibt sie auch 50 Jahre nach ihrer Entdeckung ein Neuland der Forschung. Neben ihrer Funktion als Molekül des Lebens dient die DNS heute als Grundbaustein im aufstrebenden Feld der Nanotechnologie. Die speziellen Eigenschaften der Doppelhelix ermöglichen die Entwicklung innovativer, komplexer Nanostrukturen, die im vergangenen Jahrzehnt zahlreiche Anwendungsgebiete fanden und nach wie vor großes wissenschaftliches Interesse erregen. Was wurde unternommen, um die Lücken in unserer Kenntnis der DNS zu füllen, und welche zukünftigen Schritte bieten sich an? Symposium im ZKM | Zentrum für Kunst und Medientechnologie, 15. -17. Juli 2011 In Kooperation mit dem DFG-Centrum für Funktionelle Nanostrukturen (CFN) des Karlsruhe Instituts für Technologie. Als Teil der gemeinsam vom ZKM | Zentrum für Kunst und Medientechnologie und der Akademie Schloss Solitude ausgeführten Projekte zum Thema Kreativität und Innovation, die 2007 vom Staatsministerium Baden-Württemberg initiiert wurden, zielt das Symposium »Molekulare Ästhetik« darauf ab, eine Verbindung zwischen den aktuellen Entwicklungen in den Molekularwissenschaften und der Kunst und der Musik zu etablieren. Es versucht, im internationalen Jahr der Chemie einen interdisziplinären Austausch von Ansichten und Ideen zu initiieren, der zu einer neuen Definition von Ästhetik führen könnte. Das Projekt wird gefördert vom Ministerium für Wissenschaft, Forschung und Kunst Baden-Württemberg.

Molecular Aesthetics | Symposium Artists operate within both the miniscule contexts of cells and molecules and the vastly larger macrocosm of human experience. While scientists ponder higher dimensions and the existence of multiple universes, the scope of knowledge encompasses once inconceivable reaches of space and time. Art is no longer limited to human scale. Neither is it any longer confined to this world or even, to this universe. Symposium at ZKM | Center for Art and Media, July 15 -17, 2011 in cooperation with DFG-Center for Functional Nanostructures (CFN) Karlsruhe Institute for Technology (KIT). As part of several joint projects on creativity and innovation which will be carried out by the ZKM | Center for Art and Media Karlsruhe and Akademie Schloss Solitude and which were initiated by the State of Baden-Württemberg between 2007 and 2010, the symposium »Molecular Aesthetics« aims at establishing a link between the current developments in molecular sciences and the visual arts and music. Also marking the International Year of Chemistry, it tries to initiate an interdisciplinary exchange of views and ideas, which could lead to a new definition of aesthetics. This project is financed by the Ministry of science, Research and Arts Baden Württemberg. /// Künstler agieren sowohl im Mikrokosmos der Moleküle und Zellen als auch im vielfach größeren Makrokosmos der menschlichen Erfahrungswelt. Unser Wissen ist durch die wissenschaftliche Erforschung höherer Dimensionen und multipler Paralleluniversen in bislang unvorstellbare Regionen von Raum und Zeit vorgedrungen. Kunst bleibt nicht länger auf das menschliche Maß beschränkt und weist über die Grenzen unseres Planeten, ja sogar unseres Universums hinaus. Symposium im ZKM | Zentrum für Kunst und Medientechnologie, 15. -17. Juli 2011 In Kooperation mit dem DFG-Centrum für Funktionelle Nanostrukturen (CFN) des Karlsruhe Instituts für Technologie. Als Teil der gemeinsam vom ZKM | Zentrum für Kunst und Medientechnologie und der Akademie Schloss Solitude ausgeführten Projekte zum Thema Kreativität und Innovation, die 2007 vom Staatsministerium Baden-Württemberg initiiert wurden, zielt das Symposium »Molekulare Ästhetik« darauf ab, eine Verbindung zwischen den aktuellen Entwicklungen in den Molekularwissenschaften und der Kunst und der Musik zu etablieren. Es versucht, im internationalen Jahr der Chemie einen interdisziplinären Austausch von Ansichten und Ideen zu initiieren, der zu einer neuen Definition von Ästhetik führen könnte. Das Projekt wird gefördert vom Ministerium für Wissenschaft, Forschung und Kunst Baden-Württemberg.

Molecular Aesthetics | Symposium The representation of macromolecular structures, for research or publication purposes, was a particular challenge for 20th century scientists. Focusing on protein science, this talk will explore how scientists and their collaborators have developed and used various techniques, from physical models to photorealistic computer graphics, to represent these structures. It will particularly focus on how the domains of science, the mechanical arts, the visual arts and computer science intersected and criss-crossed as this culture of macromolecular representation changed and evolved through the second half of the 20th century. Symposium at ZKM | Center for Art and Media, July 15 -17, 2011 in cooperation with DFG-Center for Functional Nanostructures (CFN) Karlsruhe Institute for Technology (KIT). As part of several joint projects on creativity and innovation which will be carried out by the ZKM | Center for Art and Media Karlsruhe and Akademie Schloss Solitude and which were initiated by the State of Baden-Württemberg between 2007 and 2010, the symposium »Molecular Aesthetics« aims at establishing a link between the current developments in molecular sciences and the visual arts and music. Also marking the International Year of Chemistry, it tries to initiate an interdisciplinary exchange of views and ideas, which could lead to a new definition of aesthetics. This project is financed by the Ministry of science, Research and Arts Baden Württemberg. /// Symposium im ZKM | Zentrum für Kunst und Medientechnologie, 15. -17. Juli 2011 In Kooperation mit dem DFG-Centrum für Funktionelle Nanostrukturen (CFN) des Karlsruhe Instituts für Technologie. Als Teil der gemeinsam vom ZKM | Zentrum für Kunst und Medientechnologie und der Akademie Schloss Solitude ausgeführten Projekte zum Thema Kreativität und Innovation, die 2007 vom Staatsministerium Baden-Württemberg initiiert wurden, zielt das Symposium »Molekulare Ästhetik« darauf ab, eine Verbindung zwischen den aktuellen Entwicklungen in den Molekularwissenschaften und der Kunst und der Musik zu etablieren. Es versucht, im internationalen Jahr der Chemie einen interdisziplinären Austausch von Ansichten und Ideen zu initiieren, der zu einer neuen Definition von Ästhetik führen könnte. Das Projekt wird gefördert vom Ministerium für Wissenschaft, Forschung und Kunst Baden-Württemberg.

Molecular Aesthetics | Interactive 3D-Installation Ljljana Fruk and Bernd Lintermann are presenting the interactive 3D-Installation »Molecules that Changed the World«. It was part of the Symposium »Molecular Aesthetics« which took place as a part of the project »Käpsele Connection. Creativity and Innovation in Baden-Württemberg« in cooperation with DFG-Center for Functional Nanostructures (CFN) of the Karlsruhe Institute of Technology (KIT). Symposium at ZKM | Center for Art and Media, July 15 -17, 2011 in cooperation with DFG-Center for Functional Nanostructures (CFN) Karlsruhe Institute for Technology (KIT). As part of several joint projects on creativity and innovation which will be carried out by the ZKM | Center for Art and Media Karlsruhe and Akademie Schloss Solitude and which were initiated by the State of Baden-Württemberg between 2007 and 2010, the symposium »Molecular Aesthetics« aims at establishing a link between the current developments in molecular sciences and the visual arts and music. Also marking the International Year of Chemistry, it tries to initiate an interdisciplinary exchange of views and ideas, which could lead to a new definition of aesthetics. This project is financed by the Ministry of science, Research and Arts Baden Württemberg. /// Ljljana Fruk und Bernd Lintermann präsentieren die interaktive 3D-Installation »Molecules that Changed the World«. Diese war Teil des Symposiums »Molekulare Ästhetik«, das im Rahmen des Projekts »Käpsele Connection. Kreativität und Innovation in Baden-Württemberg« in Zusammenarbeit mit dem DFG-Centrum für Funktionelle Nanostrukturen (CFN) des Karlsruhe Institute of Technology entstand. Symposium im ZKM | Zentrum für Kunst und Medientechnologie, 15. -17. Juli 2011 In Kooperation mit dem DFG-Centrum für Funktionelle Nanostrukturen (CFN) des Karlsruhe Instituts für Technologie. Als Teil der gemeinsam vom ZKM | Zentrum für Kunst und Medientechnologie und der Akademie Schloss Solitude ausgeführten Projekte zum Thema Kreativität und Innovation, die 2007 vom Staatsministerium Baden-Württemberg initiiert wurden, zielt das Symposium »Molekulare Ästhetik« darauf ab, eine Verbindung zwischen den aktuellen Entwicklungen in den Molekularwissenschaften und der Kunst und der Musik zu etablieren. Es versucht, im internationalen Jahr der Chemie einen interdisziplinären Austausch von Ansichten und Ideen zu initiieren, der zu einer neuen Definition von Ästhetik führen könnte. Das Projekt wird gefördert vom Ministerium für Wissenschaft, Forschung und Kunst Baden-Württemberg.

3D-Festival BEYOND 2011 | Festival Fri, May 27 – Sun, May 29, 2011 Interview with Prof. Peter Weibel (CEO of the ZKM | Center for Art and Media Karlsruhe) on the influence of stereoscopic 3D on Art. From 27 to 29 May 2011, Karlsruhe will host the world’s first international 3D Festival BEYOND. In addition to current productions and trends in stereoscopic cinema and made for TV films, as well as the development of 3D-gaming, BEYOND will show installations and performances by artists in the area of 3D projection media projecting. The festival focuses on both optical and acoustic perception. Through the title of the event, “3DAYS of DIMENSIONS,” the BEYOND festival points out the linking of visual and acoustic 3D projections to an experience embracing all of the senses. In “3DAYS OF DIMENSIONS,” BEYOND presents the development of stereoscopic processes and futuristic possibilities for presentation. The broad reaching festival spectrum also includes 360° projection, holography, and laser technology. In addition, on the BEYOND-Expo platform the audience can gather information about current developments in the consumer world, as well as visions for the future in the areas of entertainment, engineering, and education.

Molecular Aesthetics | Interactive 3D-Installation Ljljana Fruk and Bernd Lintermann are presenting the interactive 3D-Installation »Molecules that Changed the World«. It was part of the Symposium »Molecular Aesthetics« which took place as a part of the project »Käpsele Connection. Creativity and Innovation in Baden-Württemberg« in cooperation with DFG-Center for Functional Nanostructures (CFN) of the Karlsruhe Institute of Technology (KIT). Symposium at ZKM | Center for Art and Media, July 15 -17, 2011 in cooperation with DFG-Center for Functional Nanostructures (CFN) Karlsruhe Institute for Technology (KIT). As part of several joint projects on creativity and innovation which will be carried out by the ZKM | Center for Art and Media Karlsruhe and Akademie Schloss Solitude and which were initiated by the State of Baden-Württemberg between 2007 and 2010, the symposium »Molecular Aesthetics« aims at establishing a link between the current developments in molecular sciences and the visual arts and music. Also marking the International Year of Chemistry, it tries to initiate an interdisciplinary exchange of views and ideas, which could lead to a new definition of aesthetics. This project is financed by the Ministry of science, Research and Arts Baden Württemberg. /// Ljljana Fruk und Bernd Lintermann präsentieren die interaktive 3D-Installation »Molecules that Changed the World«. Diese war Teil des Symposiums »Molekulare Ästhetik«, das im Rahmen des Projekts »Käpsele Connection. Kreativität und Innovation in Baden-Württemberg« in Zusammenarbeit mit dem DFG-Centrum für Funktionelle Nanostrukturen (CFN) des Karlsruhe Institute of Technology entstand. Symposium im ZKM | Zentrum für Kunst und Medientechnologie, 15. -17. Juli 2011 In Kooperation mit dem DFG-Centrum für Funktionelle Nanostrukturen (CFN) des Karlsruhe Instituts für Technologie. Als Teil der gemeinsam vom ZKM | Zentrum für Kunst und Medientechnologie und der Akademie Schloss Solitude ausgeführten Projekte zum Thema Kreativität und Innovation, die 2007 vom Staatsministerium Baden-Württemberg initiiert wurden, zielt das Symposium »Molekulare Ästhetik« darauf ab, eine Verbindung zwischen den aktuellen Entwicklungen in den Molekularwissenschaften und der Kunst und der Musik zu etablieren. Es versucht, im internationalen Jahr der Chemie einen interdisziplinären Austausch von Ansichten und Ideen zu initiieren, der zu einer neuen Definition von Ästhetik führen könnte. Das Projekt wird gefördert vom Ministerium für Wissenschaft, Forschung und Kunst Baden-Württemberg.