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3 episodes with darnton
2 episodes with darnton
3 episodes with darnton
2 episodes with darnton
2 episodes with darnton
2 episodes with darnton
2 episodes with darnton
2 episodes with darnton
2 episodes with darnton
In this latest episode of In Theory, Disha Karnad Jani interviews Robert Darnton, Professor Emeritus and University Librarian Emeritus at Harvard University, about his recent book, The Revolutionary Temper: Paris, 1748-1789 (W. W. Norton, 2024), also published in French translation: L'humeur révolutionnaire: Paris, 1748-1789 (trans. Hélène Borraz, Gallimard, 2024). Darnton traces how the antecedents to revolution circulated among the Parisian public in the decades before the storming of the Bastille, through their everyday oppositions to the rising price of bread, the overreaches of the monarchy, and the policing of poor neighborhoods. Through their growing sense that the powerful in their society were not governing as they should, ordinary people in Paris began to acquire a shared feeling of discontent, and showed this through many forms of public performance and protest. Darnton tracks this as the development of a "revolutionary temper" in Paris, one which made the population ready to change their world in a matter of decades.
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast.
Deux-cent-deuxième numéro de Chemins d'histoire, septième numéro de la sixième saison, émission animée par Luc Daireaux Émission diffusée le samedi 2 novembre 2024 Thème : L'humeur révolutionnaire dans le Paris des Lumières Invité : Robert Darnton, professeur émérite aux universités de Princeton et de Harvard, auteur de L'Humeur révolutionnaire. Paris, 1748-1789, Gallimard, 2024. Conversation enregistrée aux Rendez-vous de l'histoire de Blois, au château, le vendredi 11 octobre 2024.
O Historicidade deste mês traz a entrevista com a professora Dra. Verônica Calsoni Lima (UFTM). Neste episódio ela nos conta os resultados da sua pesquisa sobre censura à imprensa na época moderna. Este é um tema importante que nos ajuda a historicizar a censura, algo que tem sido muito debatido contemporaneamente. Pudemos aprender sobre o surgimento e o funcionamento do mercado editorial, especialmente na Inglaterra onde também foram estabelecidos os critérios para a censura de determinados materiais considerados ofensivos ou perigosos. A entrevistada nos leva em uma viagem até meados do século XVII, quando a Inglaterra vivia um contexto revolucionário, para que possamos compreender como se formaram as bases para a atuação do Estado na censura à imprensa. Arte da Capa Arte da Capa: Danilo Pastor Financiamento Coletivo Existem duas formas de nos apoiar Pix recorrente – chave: fronteirasnotempo@gmail.com Apoia-se – https://apoia.se/fronteirasnotempo INSCREVA-SE PARA PARTICIPAR DO HISTORICIDADE O Historicidade é o programa de entrevistas do Fronteiras no Tempo: um podcast de história. O objetivo principal é realizar divulgação científica na área de ciências humanas, sociais e de estudos interdisciplinares com qualidade. Será um prazer poder compartilhar o seu trabalho com nosso público. Preencha o formulário se tem interesse em participar. Link para inscrição: https://forms.gle/4KMQXTmVLFiTp4iC8 Saiba mais da nossa convidada Verônica Calsoni Lima Professora de História Moderna na Universidade Federal do Triângulo Mineiro (UFTM). Doutora em História Social pela Universidade de São Paulo. Possui bacharelado e licenciatura (2012), e mestrado (2016) em História pela Universidade Federal de São Paulo. Também foi aluna de intercâmbio do curso de História da Universidade Nova de Lisboa (2010-2011), e pesquisadora visitante da Houghton Library (Harvard, 2024), do Goldsmiths (University of London, 2014-2015; e 2018-2019) e da Chetham's Library (Manchester, 2018-2019). Estuda a História da Inglaterra do século XVII, focando-se, sobretudo, no período da Revolução Inglesa (1640-1660) e da Restauração (1660-1685). Tem interesse na História do Livro, da Leitura e da Cultura Escrita, pesquisando os processos de produção e circulação de textos impressos, especialmente de panfletos e livros radicais e clandestinos. Também pesquisa a articulação dos sistemas de censura da Inglaterra seiscentista. Participa dos seguintes grupos de pesquisa: Poder e Religião na Época Moderna - séc. XV-XVIII (Unifesp), Grupo de Estudos de História Ibérica Moderna (USP) e Metamorphose: Materialidade e Interpretação de Manuscritos e Impressos da Época Moderna (UnB). Integra, ainda, a Rede Brasileira de Estudos em História Moderna (h_moderna). Fonte: Currículo Lattes Contato e rede social: @veronicacalsoni Produção da convidada LIMA, Verônica Calsoni. Edição & Censura: a materialidade dos panfletos de Sir Roger L'Estrange no início dos anos 1660. ANAIS DO MUSEU PAULISTA, v. 28, p. 1-50, 2020. LIMA, Verônica Calsoni. Da Nova à Velha Inglaterra: circulação de impressos profético-políticos entre a colônia e a metrópole no século XVII.. Clio. Revista de Pesquisa Histórica, v. 36, p. 66-84, 2018. Indicações de referências sobre o tema abordado ABREU, Márcia. “Ler como censor: censura em Portugal, na França e no Vaticano entre o final do século XVIII e início do XIX.” ArtCultura 24, no. 44 (June 13, 2022): 43–60. https://doi.org/10.14393/artc-v24-n44-2022-66576. DARNTON, Robert. Censores em ação: como os Estados influenciaram a literatura. São Paulo: Companhia das Letras, 2016. LIMA, Verônica Calsoni. “Edição & Censura: a materialidade dos panfletos de Sir Roger L'Estrange no início dos anos 1660.” Anais do Museu Paulista: História e Cultura Material 28 (October 26, 2020): 1–50. https://doi.org/10.1590/1982-02672020v28d3e24. MOLLIER, Jean-Yves. Interdiction de publier. La censure d'hier à aujourd'hui. Paris: Éd. Double ponctuation, 2020. Como citar esse episódio Fronteiras no Tempo: Historicidade #60 Censura à imprensa na época moderna. Locução: Marcelo de Souza Silva, Verônica Calsoni Lima e Cesar Agenor Fernandes da Silva [S.l.] Portal Deviante, 22/10/2024. Podcast. Disponível em: https://www.deviante.com.br/?p=63698&preview=true Expediente Arte da vitrine: Danilo Pastor; Edição: Talk'nCast; Roteiro e apresentação: Beraba Selo saberes históricos Agora o Fronteiras no Tempo tem o selo saberes históricos. O que é este selo? “O Selo Saberes Históricos é um sinal de reconhecimento atribuído a:● Práticas de divulgação de saberes ou produções de conteúdo histórico ou historiográfico● Realizadas em redes sociais ou mídias digitais, voltadas para públicos mais amplos e diversificados● Comprometidas com valores científicos e éticos.”Saiba mais: https://www.forumsabereshistoricos.com/ Madrinhas e Padrinhos Apoios a partir de 12 de junho de 2024 Alexsandro de Souza Junior, Aline Silva Lima, André Santos, André Trapani, Andréa Gomes da Silva, Andressa Marcelino Cardoso, Augusto Carvalho, Carolina Pereira Lyon, Charles Calisto Souza, Elisnei Menezes de Oliveira, Erick Marlon Fernandes da Silva, Flávio Henrique Dias Saldanha, Gislaine Colman, Iara Grisi, João Ariedi, João Luiz Farah Rayol Fontoura, Juliana Zweifel, Klaus Henrique de Oliveira, Manuel Macias, Marlon Fernandes da Silva, Pedro Júnior Coelho da Silva Nunes, Rafael Henrique Silva, Raul Sousa Silva Junior, Renata de Souza Silva, Ricardo Orosco, Rodrigo Mello Campos, Rubens Lima e Willian SpenglerSee omnystudio.com/listener for privacy information.
O Historicidade deste mês traz a entrevista com a professora Dra. Verônica Calsoni Lima (UFTM). Neste episódio ela nos conta os resultados da sua pesquisa sobre censura à imprensa na época moderna. Este é um tema importante que nos ajuda a historicizar a censura, algo que tem sido muito debatido contemporaneamente. Pudemos aprender sobre o surgimento e o funcionamento do mercado editorial, especialmente na Inglaterra onde também foram estabelecidos os critérios para a censura de determinados materiais considerados ofensivos ou perigosos. A entrevistada nos leva em uma viagem até meados do século XVII, quando a Inglaterra vivia um contexto revolucionário, para que possamos compreender como se formaram as bases para a atuação do Estado na censura à imprensa. Arte da Capa Arte da Capa: Danilo Pastor Financiamento Coletivo Existem duas formas de nos apoiar Pix recorrente – chave: fronteirasnotempo@gmail.com Apoia-se – https://apoia.se/fronteirasnotempo INSCREVA-SE PARA PARTICIPAR DO HISTORICIDADE O Historicidade é o programa de entrevistas do Fronteiras no Tempo: um podcast de história. O objetivo principal é realizar divulgação científica na área de ciências humanas, sociais e de estudos interdisciplinares com qualidade. Será um prazer poder compartilhar o seu trabalho com nosso público. Preencha o formulário se tem interesse em participar. Link para inscrição: https://forms.gle/4KMQXTmVLFiTp4iC8 Saiba mais da nossa convidada Verônica Calsoni Lima Professora de História Moderna na Universidade Federal do Triângulo Mineiro (UFTM). Doutora em História Social pela Universidade de São Paulo. Possui bacharelado e licenciatura (2012), e mestrado (2016) em História pela Universidade Federal de São Paulo. Também foi aluna de intercâmbio do curso de História da Universidade Nova de Lisboa (2010-2011), e pesquisadora visitante da Houghton Library (Harvard, 2024), do Goldsmiths (University of London, 2014-2015; e 2018-2019) e da Chetham's Library (Manchester, 2018-2019). Estuda a História da Inglaterra do século XVII, focando-se, sobretudo, no período da Revolução Inglesa (1640-1660) e da Restauração (1660-1685). Tem interesse na História do Livro, da Leitura e da Cultura Escrita, pesquisando os processos de produção e circulação de textos impressos, especialmente de panfletos e livros radicais e clandestinos. Também pesquisa a articulação dos sistemas de censura da Inglaterra seiscentista. Participa dos seguintes grupos de pesquisa: Poder e Religião na Época Moderna - séc. XV-XVIII (Unifesp), Grupo de Estudos de História Ibérica Moderna (USP) e Metamorphose: Materialidade e Interpretação de Manuscritos e Impressos da Época Moderna (UnB). Integra, ainda, a Rede Brasileira de Estudos em História Moderna (h_moderna). Fonte: Currículo Lattes Contato e rede social: @veronicacalsoni Produção da convidada LIMA, Verônica Calsoni. Edição & Censura: a materialidade dos panfletos de Sir Roger L'Estrange no início dos anos 1660. ANAIS DO MUSEU PAULISTA, v. 28, p. 1-50, 2020. LIMA, Verônica Calsoni. Da Nova à Velha Inglaterra: circulação de impressos profético-políticos entre a colônia e a metrópole no século XVII.. Clio. Revista de Pesquisa Histórica, v. 36, p. 66-84, 2018. Indicações de referências sobre o tema abordado ABREU, Márcia. “Ler como censor: censura em Portugal, na França e no Vaticano entre o final do século XVIII e início do XIX.” ArtCultura 24, no. 44 (June 13, 2022): 43–60. https://doi.org/10.14393/artc-v24-n44-2022-66576. DARNTON, Robert. Censores em ação: como os Estados influenciaram a literatura. São Paulo: Companhia das Letras, 2016. LIMA, Verônica Calsoni. “Edição & Censura: a materialidade dos panfletos de Sir Roger L'Estrange no início dos anos 1660.” Anais do Museu Paulista: História e Cultura Material 28 (October 26, 2020): 1–50. https://doi.org/10.1590/1982-02672020v28d3e24. MOLLIER, Jean-Yves. Interdiction de publier. La censure d'hier à aujourd'hui. Paris: Éd. Double ponctuation, 2020. Como citar esse episódio Fronteiras no Tempo: Historicidade #60 Censura à imprensa na época moderna. Locução: Marcelo de Souza Silva, Verônica Calsoni Lima e Cesar Agenor Fernandes da Silva [S.l.] Portal Deviante, 22/10/2024. Podcast. Disponível em: https://www.deviante.com.br/?p=63698&preview=true Expediente Arte da vitrine: Danilo Pastor; Edição: Talk'nCast; Roteiro e apresentação: Beraba Selo saberes históricos Agora o Fronteiras no Tempo tem o selo saberes históricos. O que é este selo? “O Selo Saberes Históricos é um sinal de reconhecimento atribuído a:● Práticas de divulgação de saberes ou produções de conteúdo histórico ou historiográfico● Realizadas em redes sociais ou mídias digitais, voltadas para públicos mais amplos e diversificados● Comprometidas com valores científicos e éticos.”Saiba mais: https://www.forumsabereshistoricos.com/ Madrinhas e Padrinhos Apoios a partir de 12 de junho de 2024 Alexsandro de Souza Junior, Aline Silva Lima, André Santos, André Trapani, Andréa Gomes da Silva, Andressa Marcelino Cardoso, Augusto Carvalho, Carolina Pereira Lyon, Charles Calisto Souza, Elisnei Menezes de Oliveira, Erick Marlon Fernandes da Silva, Flávio Henrique Dias Saldanha, Gislaine Colman, Iara Grisi, João Ariedi, João Luiz Farah Rayol Fontoura, Juliana Zweifel, Klaus Henrique de Oliveira, Manuel Macias, Marlon Fernandes da Silva, Pedro Júnior Coelho da Silva Nunes, Rafael Henrique Silva, Raul Sousa Silva Junior, Renata de Souza Silva, Ricardo Orosco, Rodrigo Mello Campos, Rubens Lima e Willian SpenglerSee omnystudio.com/listener for privacy information.
In the spotlight is John Darnton, novelist and author of six novels, including “Burning Sky,” his latest. Darnton worked 40 years at the New York Times cover city hall before becoming a foreign correspondent in Africa; Warsaw, Poland; Madrid; and London. Along the way he won a Pulitzer Prize and two George Polk Awards, while moonlighting as a novelist. In addition to his six novels, Darnton has also written a memoir (“Almost a Family”) about his father's life and death as a foreign war correspondent. We discuss: >> The transition from reporter to novelist >> His daily word count >> His work style pre- and post-retirement >> The inspiration of Charles Darwin >> His father's life and death >> Reporting on Lech Walesa and Poland's Solidarity movement >> Etc. Learn more about John Darnton here: https://www.penguinrandomhouse.com/authors/6414/john-darnton/ Novelist Spotlight is produced and hosted by Mike Consol. Check out his novels here: https://snip.ly/yz18no Write to Mike Consol at novelistspotlight@gmail.com
In this edition of ASCL 150: Leadership Legacies, General Secretary Geoff Barton talks to Catharine Darnton, Headteacher, Gillotts School.
Could video consultations have the potential to be a game changer in medical education? In this SNUG podcast interview, Dr. Richard Darnton @DrDarnton discusses his role in running the GP part of the Medical course at the University of Cambridge, and his role as director of the GP Education Group (GPEG), focusing on the emphasis on hands-on experience for medical students in general practice. He highlights the topic of video consultations in medical education, particularly in general practice. Dr. Darnton discusses the challenges faced by GPs in adopting video consultations, including issues of complexity, logistics, and the perception of limited benefits. He suggests the use of structured video clinics in general practice, and explores the benefits of video consultations for medical education, such as overcoming space constraints and providing valuable insights into patients' environments. We discuss the experiences of students during the pandemic, where remote consultations became more prevalent. Study findings indicate that non-face-to-face consultations, including telephone and video, provide unique learning opportunities for students, improving their consultation skills and clinical reasoning. We consider the infrastructure challenges of implementing video consultations in medical education, including the need for waiting rooms, access to patient notes, and integrated consent functionalities. Dr. Darnton expresses optimism about the potential for innovative platforms to address these challenges and enhance medical education. He encourages a shift in mindset and embracing technology for the benefit of both education and clinical care. Any feedback or comments are welcome via email: andrew.mcelhinney2@nhs.scot or alex.defranco@phs.scot. Why do GPs rarely do video consultations? Qualitative study in UK general practice BJGP paper Primary care placements in the post-COVID era: A qualitative evaluation of a final year undergraduate clerkship Medical students consulting from home: A qualitative evaluation of a tool for maintaining student exposure to patients during lockdown Medical students remote consulting from home and from the health centre: A survey of prevalence and supervisor perspectives Let's face the music and dance!
Artificial Intelligence, threat? Or promise? And other brainy topics.
A young boy struggles to warn his community about an Alien invasion in this 80's remake. Tune in as Chris talks Tobe Hooper, SFX, & strange offerings as the LSCE screen's the 1986 cult classic “Invaders From Mars.” Join us! Check us out @lscep Or LSCEP.com Works Cited: Ansen, David, Peter McAlevey, and Ed Behr. Hollywood's New Go-Go Boys. Newsweek. Aug 11, 1986. Article Link. Accessed 4/27/22. Darnton, Nina. The Screen: ‘Invaders From Mars.' The New York Times. June 6, 1986. Article Link. Accessed 7/20/22. Friedman, Robert. “Will Cannon Boom or Bust?” American Film. Jul 1, 1986. Article Link. Accessed 4/26/22. Harley, W. “Reviews: Invaders From Mars.” Boxoffice. Vol 122, no 8. (1986):R86. Article Link. Accessed 7/20/22. Hartley, Mark. Electric Boogaloo: The Wild, Untold Story of Cannon Films! 2014. Warner Bros. Pictures, 2014. 106 Mins. Hendershot, Cyndy. “The Invaded Body: Paranoia, and Radiation Anxiety in Invaders from Mars, It Came From Outer Space, and Invasion of the Body Snatchers.” Extrapolation. Vol 39, No 1. (1998): 26-39. Latham, Rob. “Subterranean Suburbia: Underneath the Smalltown Myth in the Two Versions of “Invaders from Mars.” Science-Fiction Studies 22, No. 2 (1995) 198-208. Lor. “Invades From Mars.” Variety, 323 (1986) Article Link. Accessed 7/20/22 McDonagh, Maitland. “Invaders From Mars.” The Film Journal. Vol. 89(7) 1986, 22. Article Link. Accessed 7/20/22 Medalia, Hilla. The Go-Go Boys: The Inside Story of Cannon Films. 2014. MVD Visual, 2021. Blu Ray. Trunick, Austin. Cannon Film Guide Volume 2: 1985-1987. Orlando, FL: Bear Manor Media, 2022. --- Send in a voice message: https://anchor.fm/lsce/message
Wir beschäftigen uns mal wieder jenseits unserer eigentlichen Zeit. Manuel ist wieder Gast und hat uns Inventuren und Teilungen als Quelle der Frühen Neuzeit mitgebracht. Diese sozialhistorische Quellen entstanden in der Zeit von Mitte des 16. Jahrhunderts bis zur Einführung des Bundes Gesetzbuches 1900. Erstellt bei der Heirat und bei dem Tod, sind sie ein Zugang zu unterschiedlichen Themen und können beispielsweise für die Objektgeschichte interessant sein, Familienkonstellationen und -netzwerke besser begreifen oder die Frage welche Bedeutung Besitz hatte von Bedeutung sein. Wer genau darin stattfand, warum es diese Akten hauptsächlich für Württemberg zur Verfügung stehen und und was daran noch gezeigt werden kann gibt es in dieser Folge. Literatur Beck, Rainer: Unterfinningen. Ländliche Welt vor Anbruch der Moderne. C. H. Beck, 2004. Darnton, Robert: Das große Katzenmassaker. Carl Hanser, 1989. Keller-Drescher, Lioba: Die Ordnung der Kleider. Ländliche Mode in Württemberg 1750-1850. Tübingen, 2003. Ladurie Le Roy, Emmanuel: Ein Dorf vor dem Inquisitor 1294-1324. Ullstein, 1975. Maisch, Andreas: Unterhalt und gehörige Schranken. De Gruyter, 1992. Medick, Hans: Weben und Überleben in Laichingen 1650-1900. Göttingen, 1997. Ypi, Lea: Free: Coming of Age at the end of history. Suhrkamp, 2021.
Unser heutiger Gast ist Thomas Etzemüller, Professor an der Uni Oldenburg für Kulturgeschichte der Moderne unter besonderer Berücksichtigung Nordeuropas. Wie sein Studium der Geschichts-, Film- und empirische Kulturwissenschaft ihn in seinem Denken und Arbeiten beeinflusst hat erzählt er uns in dieser Folge. Seine Doku-Fiktion "Henning von Rittersdorf: Das Deutsche Schicksal. Erinnerungen eines Rassenanthropologen.", handelt von einem Rassenanthropolge, der unter dem Naziregime an die Uni kam und nach dem Krieg klar stellen will, dass er nur reine Wissenschaft betrieben hat. Wir sprechen in Bezug auf dieses Buch darüber wo die Grenzen zwischen Forschungsliteratur und Romanen sind, wie Wissenschaft schreiben sollte und warum es vielleicht einfacher ist über die Frühe Neuzeit zu schreiben. Außerdem sprechen wir nicht nur über die Rassenanthropologie unter dem Nazirregime sondern welche sie Rolle sie auch heute noch spielt. Wer Gast sein möchte, Fragen oder Feedback hat, kann dieses gerne an houseofmodernhistory@gmail.com oder auf Twitter an @houseofModHist richten. Literatur & Quellen: Alkemeyer, Thomas: Präsenz der stummen Macht symbolischer Gewalt. Zeitschrift für Qualitative Forschung, 8(1), 2007, S. 11-31. Darnton, Robert: Das große Katzenmassaker. Streifzüge durch die französische Kultur vor der Revolution. München: Carl Hanser, 1989. Davis, Natalie Zimon: Die wahrhaftige Geschichte von der Wiederkehr des. Martin Guerre. München: Piper, 1984. Etzemüller, Thomas: Auf der Suche nach dem Nordischen Menschen. Die deutsche Rassenanthropologie in der modernen Welt, Bielefeld 2015. Etzemüller, Thomas: Biographien: Lesen - erforschen - erzählen. Campus Verlag, 2012. Etzemüller, Thomas (Hg.): Der Auftritt. Performanz in der Wissenschaft. transcript, 2019. Etzemüller, Thomas: Henning von Rittersdorf: Das Deutsche Schicksal. Erinnerungen eines Rassenanthropologen. transcript, 2021. Etzemüller, Projekte: Imagination und Intervention: https://uol.de/thomas-etzemueller/forschung/moderne Etzemüller, Thomas: Rezension zu von Richard J. Evans: Fakten und Fiktion. https://www.hsozkult.de/publicationreview/id/reb-3168 Etzemüller, Thomas: Romantischer Rhein - Eiserner Rhein. Ein Fluß als imaginary landscape der Moderne, in: Historische Zeitschrift 295, 2012, S. 390-424. Etzemüller, Thomas: Sozialgeschichte als politische Geschichte: Werner Conze und die Neuorientierung der westdeutschen Geschichtswissenschaft nach 1945. Oldenburg, 2001. Etzemüller, Thomas: Was wahr sein könnte. Plädoyer für eine fiktionale Empirie, in: Merkur 72, 2018, H. 835, S. 17-28. Harris, Robert: Fatherland, 1992. Mantel, Hilary: Trilogie: Wolf Hall, Bring Up the Bodies, The Mirror & the Light, 2009-2020. Medick, Hans: Der Dreißigjährige Krieg – Zeugnisse vom Leben mit Gewalt. Wallstein, 2018. Nipperdey, Thomas: Deutsche Geschichte 1800-1866. Bürgerwelt und Starker Staat. C.H. Beck, 2013. Schelsky, Helmut: Wandlungen der deutschen Familie in der Gegenwart. Darstellung und Deutung einer empirisch-soziologischen Tatbestandsaufnahme. 2. Auflage. Ferdinand Enke, Stuttgart 1954. Schlumbohm, Jürgen: Lebendige Phantome. Ein Entbindungshospital und seine Patientinnen 1751–1830, Wallstein, Göttingen 2012. Sedlmayr, Hans: Verlust der Mitte. Salzburg-Wien, 1948. Suderland, Maja: Die Sozioanalyse literarischer Texte als Methode der qualitativen Sozialforschung oder: Welche Wirklichkeit enthält Fiktion? Historical Social Research, 40(1), 2017, S. 323-350. Timm, Uwe: Ikarien. Kiepenheuer & Witsch, 2017. Wehler, Hans Ulrich: Deutsche Gesellschaftsgeschichte. München: C. H. Beck, 1987. Zola, Emil: Der Zyklus Die Rougon-Macquart, 1869-1893.
Episode SummaryAmid mounting pressure from new leadership, Disney animators ushered in a new era with its first ever computer-generated image (CGI) sequence in The Great Mouse Detective (1986). Erin and Rachel discuss their attraction to Disney characters and their puzzlement with the lengthy cabaret sequence in this Sherlock Holmes-inspired adventure film.Episode BibliographyBlack, R.S., & Pretes, L. (2007). Victims and victors: Representation of physical disability on the silver screen. Research and Practice for Persons with Severe Disabilities, 32(1), 66-83.Bogdan, R., Biklen, D., Shapiro, A. & D. Spelkoman. (1982). The disabled: Media's monster. Social Policy, 13(2), 32-35.Culhane, J. (1986, July 27). 'The Great Mouse Detective' Gives Clues to the Future of Disney Animation. The New York Times, 16.Darnton, N. (1986, July 2). Film: 'The Great Mouse Detective'. The New York Times, 29.Donnelly, C. E. (2016). Re-visioning negative archetypes of disability and deformity in fantasy: Wicked, Maleficent, and Game of Thrones. Disability Studies Quarterly, 36(4). Ebert, R. (1986, July 2). The Great Mouse Detective. RogerEbert.com. Retrieved August 17, 2021, from https://www.rogerebert.com/reviews/the-great-mouse-detective-1986Fanning, J. (2016, June 30). Did You Know? Unravel 8 Sneaky Facts from The Great Mouse Detective. D23. Retrieved August 24, 2021, from https://d23.com/did-you-know-unravel-9-sneaky-facts-from-the-great-mouse-detective/Frayling, C. (2014). The Yellow Peril: Dr. Fu Manchu and the rise of Chinaphobia. Thames & Hudson.Goldstein, A. O., Sobel, R. A., & Newman, G. R. (1999). Tobacco and alcohol use in G-rated children's animated films. JAMA, 281(12), 1131-1136. doi:10.1001/jama.281.12.1131The Great Mouse Detective. (n.d.). Wikipedia. Retrieved August 17, 2021, from https://en.wikipedia.org/wiki/The_Great_Mouse_DetectiveKorkis, J. (2011, February 23). How Basil Saved Disney Feature Animation: Part One. Mouse Planet. Retrieved August 24, 2021, from https://www.mouseplanet.com/9534/How_Basil_Saved_Disney_Feature_Animation_Part_OneKorkis, J. (2011, March 2). How Basil Saved Disney Feature Animation: Part Two. Mouse Planet. Retrieved August 24, 2021, from https://www.mouseplanet.com/9549/How_Basil_Saved_Disney_Feature_Animation_Part_TwoMotamayor, R. (2020, April 2). Revisiting ‘The Great Mouse Detective', the Unsung Kickstarter of the Disney Renaissance (And One of Disney's Creepiest Movies). /Film. Retrieved August 17, 2021, from https://www.slashfilm.com/the-great-mouse-detective-revisited-2/Ness, M. (2015, October 22). This, Too, Started With a Mouse. Tor.com. Retrieved August 26, 2021, from https://www.tor.com/2015/10/22/this-too-started-with-a-mouse-disneys-the-great-mouse-detective/Peraza, M. (2010, April 1). Basil of Baker Street. Ink and Paint Club. Retrieved August 24, 2021, from http://michaelperaza.blogspot.com/search/label/Basil%20of%20Baker%20StreetSiskel, G. (1986, August 8). Flick of Week: 'Vagabond' One of Finest Films in Years. Chicago Tribune.Steinmetz, J. (1986, July 2). 'Great Mouse Detective': Vintage Disney, Updated. Chicago Tribune.Tran, D. N. (2008, December 12). The Great Mouse Detective Film FAQ. Basilans.com. Retrieved August 24, 2021, from http://www.geocities.ws/basilians/library/faq/film.htmWillistein, P. (1986, July 27). A Very Animated Fellow Candy Candido Lends Vocal Support to Some Memorable Disney Characters. The Morning Call.Wire-frame model. (n.d.). Wikipedia. Retrieved August 17, 2021, from https://en.wikipedia.org/wiki/Wire-frame_model
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" countries located along the French border, stretching from Holland to Switzerland pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged tacitly or openly that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters lofty idealists and down-and-dirty opportunists this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution.
Catharine Darnton Headteacher, Gillotts School, Henley On Thames, & ASCL Council member • Jane Austen, Pride and Prejudice • Hart & Kuchermann, Children’s Understanding of Mathematics, 11-16 • Maggie O’Farrell, Hamnet
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast.
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices
En 1730 dans un quartier parisien, des hommes vident des sacs de chats à moitié morts dans la cour de l'atelier. Puis, ils font un procès parodique aux chats. Les travailleurs jouent le rôle de gardes et on retrouve même un confesseur et un exécuteur public. Les animaux sont prononcés coupables et le confesseur leur administre les derniers sacrements. Les animaux sont ensuite attachés à une potence improvisée. Cette anecdote a été étudiée par l'historien américain Robert Darnton. Il a publié un essai sous le titre de Grand massacre des chats pour la première fois en 1984. Il a été traduit en 17 langues ! Pour soutenir financièrement la chaîne, trois choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl 3. UTip: https://utip.io/lhistoirenousledira Avec: Laurent Turcot, professeur en histoire à l'Université du Québec à Trois-Rivières, Canada Abonnez-vous à ma chaine: https://www.youtube.com/c/LHistoirenousledira Facebook: https://www.facebook.com/histoirenousledira Instagram: https://www.instagram.com/turcotlaurent Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Pour aller plus loin: Darnton, Robert, The Great Cat Massacre and Other Episodes in French Cultural History, 1984 Harold Mah, Suppressing the Text: The Metaphysics of Ethnographic History in Darnton's Great CatMassacre, History Workshop, No. 31 (Spring, 1991), pp. 1-20 #histoire #documentaire #chat
In the 245th episode of the Keep Moving Forward podcast I interview Founder of TQN Training, Mitch Darnton. To learn more about Mitch, follow him on Instagram. To stay up to date on all things coming out of The KMF Collective, head on over to http://keepmovingforward.us/ and subscribe to my YouTube Channel. Always remember, you can beat the odds and go the distance, if only you keep moving forward.
Afinal o que é o Absolutismo? “Poder concentrado nas mãos dos reis!”, eis a resposta que você provavelmente pensou, e não está incorreta… mas há mais história ai, claro. Este é um tema de destaque no ensino básico do qual muitos de nós guardamos na memória especialmente a imagem de Luís XIV, o rei sol, da França, cujo modelo de absolutismo acabou, erroneamente, sendo generalizado para diferentes países e contextos históricos europeus. Como tudo que tratamos aqui no Fronteiras, vocês poderão entender que essa não é uma história assim tão simples – mas que também não é difícil de entender! Venham conosco nessa jornada de conhecimento e reflexões até os primórdios da modernidade europeia em busca das origens e das características do sistema absolutista! Neste episódio Descubra quais são as caraterísticas do absolutismo e entenda a relevância deste conceito para a nossa história. Conheça quais as teorias desenvolvidas pelos historiadores para explicar o surgimento deste regime na Europa ocidental, entenda o papel da Igreja e do contexto econômico e social neste processo. Analise conosco algumas das ideias dos principais pensadores do absolutismo e descubra como justificavam a concentração de poderes nas mãos dos monarcas. Por fim, entenda como eram as diferentes dinâmicas deste sistema de governo em diversas regiões europeias, quais eram e como funcionavam as limitações aos poderes reais. Arte da Capa Publicidade Ajude nosso projeto! Você pode nos apoiar de duas formas: PADRIM – só clicar e se cadastrar (bem rápido e prático) PIC PAY – Baixe o aplicativo do PicPay: iOS / Android Redes Sociais Twitter, Facebook, Youtube, SPOTIFY, Instagram Contato fronteirasnotempo@gmail.com Expediente Produção Geral e Hosts: C. A e Beraba, Recordar é Viver: Willian Spengler. Vitrine: Augusto Carvalho, Edição: Adriano João Como citar esse episódio Citação ABNT Fronteiras no Tempo #51 O Absolutismo. Locução: Cesar Agenor F. da Silva, Marcelo de Souza e Silva e Willian Spengler [S.l.] Portal Deviante, 22/09/2020. Podcast. Disponível em: http://www.deviante.com.br/?p=41681&preview=true Material Complementar Podcasts Fronteiras no Tempo #20 – Reformas Protestantes Fronteiras no Tempo #18 – Grandes Navegações Fronteiras no Tempo #33: Inquisição Fronteiras no Tempo #37 A Conquista da América Fronteiras no Tempo #47 Os Piratas SciCast #190: Estado e Nação Guerra dos 30 anos (SciCast #375) Renascença (SciCast #385) Leonardo da Vinci (SciCast #353) Livros e Artigos ANDERSON, Perry. Linhagens do Estado Absolutista. 3.ed. São Paulo: Brasiliense, 1998. BOBBIO, Norberto; MATTEUCCI, N.; PARQUINO, G. Dicionário de política. Brasília: UnB, 1998. BURKE, Peter. A fabricação do Rei: a construção da imagem pública de Luís XIV. Rio de Janeiro: Jorge Zahar, 1994 CAMPOS, Wellington José. O Absolutismo e a formação dos Estados Nacionais. História, imagem e narrativas, n.8, abr., 2009. DARNTON, Robert. Poesia e Polícia. São Paulo: Cia das Letras, 2014. HILL, Christopher. O mundo de ponta cabeça: ideias radicais durante a revolução inglesa de 1640. São Paulo: Cia das letras, 1997, 481p. HOBBES, T. Leviatã. São Paulo: Martins Fontes, 2019. MAQUIAVEL, N. O príncipe. São Paulo: Edpro, 2018. MAQUIAVEL, Nicolau. O príncipe. São Paulo: Folha de S. Paulo, 2011 [Coleção Livros que mudaram o mundo] MORE, Thomas. A Utopia. São Paulo: Folha de S. Paulo, 2011 [Coleção Livros que mudaram o mundo] SILVA, K. V. SILVA, M. H. Dicionário de conceitos históricos. 3ª ed. São Paulo: Contexto, 2005. THOMPSON, E. P. Costumes em comum: estudos sobre a cultura popular e tradicional. São Paulo: Cia das Letras, 1998. WEBER, Max. A ética protestante e o espírito do capitalismo. 15.ed. São Paulo: PIONERIA, 2000. 233p WELFFORT, Francisco (org). Os clássicos da política. 14.ed. São Paulo: Ática, 2.v., 2006. v.1 e v.2 Madrinhas e Padrinhos Alexandre Strapação Guedes Vianna, Alexsandro de Souza Junior, Aline Lima, Anderson O Garcia, André Luis Santos, Andre Trapani Costa Possignolo, Andréa Silva, Andressa Marcelino Cardoso, Artur Henrique de Andrade Cornejo, Bruno Scomparin, Carlos Alberto de Souza Palmezani, Carlos Alberto Jr., Carolina Pereira Lyon, Ceará, Cláudia Bovo, Eani Marculino de Moura, Eduardo Saavedra Losada Lopes, Elisnei Oliveira, Ettore Riter, Felipe Augusto Roza, Felipe Sousa Santana, Flavio Henrique Dias Saldanha, Iago Mardones, Iara Grisi, Isaura Helena, João Carlos Ariedi Filho, José Carlos dos Santos, Leticia Duarte Hartmann, Lucas Akel, Luciano Beraba, Manuel Macias, Marcos Sorrilha, Mayara Araujo dos Reis, Mayara Sanches, Moises Antiqueira, Paulo Henrique de Nunzio, Rafael, Rafael Alves de Oliveira, Rafael Igino Serafim, Rafael Machado Saldanha, Rafael Zipão, Raphael Almeida, Raphael Bruno Silva Oliveira, Renata Sanches, Rodrigo Raupp, Rodrigo Vieira Pimentel, Rubens Lima, Sr. Pinto, Wagner de Andrade Alves, Willian Scaquett, Willian Spengler e ao padrinho anônimoSee omnystudio.com/listener for privacy information.
Neste episódio, Rafinha (@rafaverdasca) e Da-niel Gomes (@danielgomesdecarvalho) recebem a Professora Doutora Neuma Brilhante da UnB para uma conversa sobre as peculiarida-des do iluminismo em Portugal que já foi acusado, inclusive, de não ser um país que pro-duziu ideias ilustradas. O debate envolveu a conceituação do Iluminismo, assim como um breve panorama da historiografia acerca da ilustração. Mediante esses aspectos, as ideias iluministas em Portugal são trazidas à tona dialogando com a reforma da Universidade de Coimbra e com a nova concepção de governo que elas trazem a Portugal. Esse programa foi editado por Gabriel Campos Para esse episódio, foi utilizada a seguinte bibliografia: CASSIRER, Ernst et al. Filosofía de la Ilustra-ción. México: Fondo de cultura económica, 1943. Darnton, Robert. Boemia literária e revolução: o submundo das letras no Antigo Regime. Editora Companhia das Letras, 1989. ISRAEL, Jonathan I. Iluminismo radical: a filo-sofia e a construção da modernidade 1650-1750. Madras, 2009. RODRIGUES, Neuma Brilhante. Nos caminhos do Império: a trajetória de Raimundo José da Cunha Mattos. 2008. 242 f. Tese (Doutorado em História)-Departamento de História, Uni-versidade de Brasília, Brasília, 2008. RODRIGUES, Neuma Brilhante. Para a utilidade do Estado e “Glória à Nação” a Real Casa Pia de Lisboa nos tempos de Pina Manique (1780-1805). Territórios e Fronteiras, ISSN-e 1984-9036, Vol. 1, Nº. 2, 2008, págs. 25-46. VENTURI, Franco. "Cronologia e Geografia do Iluminismo." Utopia e Reforma no Iluminismo. Bauru: EDUSC, 2003.
Charles Darwin (1809 – 1882) laid the foundations of evolutionary biology through the process of natural selection, which he outlined in his seminal work, On the Origin of Species. John Darnton is a Pulitzer-prize winning reporter and best-selling novelist who has worked for The New York Times for over 40 years. His many books include Neanderthal, The Experiment, Mind Catcher, The Darwin Conspiracy and most recently Black & White and Dead All Over Again. He joins us on Culture Insight to share his insight into the life and work of Charles Darwin.
Straight to the point info packed realness, opening up the conversation on women getting "bulky" in the gym, supplements that Mitch swears by, HIIT workout TRUTH, and a man that loves his PSL... Of course. Show Notes Follow our dude on Instagram @tqn_training for more amazing information! The Ultimate Warrior Squat Nutritional Meal Guides & Consults All good things, Eliza
Straight to the point info packed realness, opening up the conversation on women getting "bulky" in the gym, supplements that Mitch swears by, HIIT workout TRUTH, and a man that loves his PSL... Of course. Show Notes Follow our dude on Instagram @tqn_training for more amazing information! The Ultimate Warrior Squat Nutritional Meal Guides & Consults All good things, Eliza
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton's thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager's story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today's reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton's thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager's story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today's reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/.
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
From 2008: John Darnton is a 42-year New York Times veteran reporter, editor and foreign correspondent who was awarded two George Polk Awards for his coverage of Africa and Eastern Europe, and the Pulitzer Prize for his stories that were smuggled out of Poland during the period of martial law. He retired in 2005 and began teaching journalism at SUNY/New Paltz. And I’m guessing fewer co-workers at the old Grey Lady are on speaking terms with him, thanks to "Black & White and Dead All Over."
(Audio in English) Teknologien utvikler seg fortere enn vi kan snu oss. Google gir oss uendelige mengder informasjon. Hva vinner vi med denne raske utviklingen? Hva går tapt? Og hvordan kan bibliotekene – kunnskapsformidlerne – bruke endringene til sin fordel? Bokhistoriker Robert Darnton er foregangsmann i den amerikanske debatten om digital litteratur. Et digitalt verdensbibliotek hvor kulturarven er åpen for alle er opplysningsfilosofens drøm, hevder han, og det naturlige skrittet videre i bokens historie. Darnton er en bejublet historieprofessor tilknyttet en rekke prestisjetunge universiteter, som nylig takket av som direktør for Harvard University Library. See acast.com/privacy for privacy and opt-out information.
Robert Darnton, author of books, articles, and Carl H. Pforzheimer University Professor and Director of the University Library at Harvard. Darnton joins host Jonathan Judaken to discuss the future of libraries, the printed press, and his project – the Digital Public Library of America, or D.P.L.A. – which he hopes will foster a culture of “Open Access” to help promote the free communication of knowledge and sharing of intellectual wealth in order to create this “digital commonwealth.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Robert Darnton, author of books, articles, and Carl H. Pforzheimer University Professor and Director of the University Library at Harvard. Darnton joins host Jonathan Judaken to discuss the future of libraries, the printed press, and his project – the Digital Public Library of America, or D.P.L.A. – which he hopes will foster a culture of “Open Access” to help promote the free communication of knowledge and sharing of intellectual wealth in order to create this “digital commonwealth.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Robert Darnton, author of books, articles, and Carl H. Pforzheimer University Professor and Director of the University Library at Harvard. Darnton joins host Jonathan Judaken to discuss the future of libraries, the printed press, and his project – the Digital Public Library of America, or D.P.L.A. – which he hopes will foster a culture of “Open Access” to help promote the free communication of knowledge and sharing of intellectual wealth in order to create this “digital commonwealth.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Robert Darnton, author of books, articles, and Carl H. Pforzheimer University Professor and Director of the University Library at Harvard. Darnton joins host Jonathan Judaken to discuss the future of libraries, the printed press, and his project – the Digital Public Library of America, or D.P.L.A. – which he hopes will foster a culture of “Open Access” to help promote the free communication of knowledge and sharing of intellectual wealth in order to create this “digital commonwealth.” Learn more about your ad choices. Visit megaphone.fm/adchoices
The role of the library in the digital age is one of the compelling questions of our era. How are libraries coping with the promise and perils of our impending digital future? What urgent initiatives are underway to assure universal access to our print inheritance and to the digital communication forms of the future? How is the very idea of the library changing? These and related questions will engage our distinguished panelists, who represent both research and public libraries and two of whom serve on the steering committee for the Digital Public Library of America. Robert Darnton is Carl H. Pforzheimer University Professor at Harvard, Director of the Harvard University Library and one of America’s most distinguished historians. He serves on the steering committee of the Digital Public Library of America and has been a trustees of the New York Public Library since 1995. In a recent essay in the New York Review of Books, Darnton defended a NYPL plan to liquidate some branches in the system while renovating the main Fifth Avenue branch. The essay sparked a number of responses. In November of last year, Darnton provided a status report on the DPLA. Darnton is the author of many influential books including The Case for Books, Past, Present, and Future and The Great Cat Massacre. Susan Flannery is director of libraries for the City of Cambridge and past president of the Massachusetts Library Association.
Cultural historian Robert Darnton, Harvard University librarian and professor, speaks about efforts to create the Digital Public Library of America (DPLA), a project to make the country's research libraries available, free of charge, over the Internet.
A pioneering scholar of the Enlightenment and of the history of the book, Robert Darnton is the director of the University Library and the Carl H. Pforzheimer University Professor at Harvard. A former Rhodes Scholar and MacArthur Fellow, his books include The Business of the Enlightenment: A Publishing History of the Encyclopedie, The Great Cat Massacre: And Other Episodes in French Cultural History, and The Forbidden Best-Sellers of Prerevolutionary France. He has written extensively on the impact of digital technologies on the culture of print and on the responsibilities of libraries in the computer age. In this Forum, Darnton discussed and took questions about the emergence of the discipline of the history of the book, the future of books and reading, and his own vision of the ways in which new and old media can reinforce each other, strengthening and transforming the world of learning.
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