Podcasts about Film score

This month's mailbag may not have a spy camera, but it's packed with your questions which we were more than happy to answer! Where would we like to work in Springfield? Is Marge an underrated character? What is the best Marge episode? What did we get our Mum for Mother's Day? We answer all this and more!Support the show on Patreon at patreon.com/fourfingerdiscountListen on Spotify - spoti.fi/4fDcSY0Listen on Apple Podcasts - apple.co/4dgpW3ZCHECK OUT OUR OTHER PODCASTS:Goin' Down To South Park - spreaker.com/show/goin-down-to-south-parkThe Movie Guide with Maltin & Davis - themovieguidepodcast.comThe One About Friends - spreaker.com/show/the-one-about-friends-podcastTalking Seinfeld - spreaker.com/show/talking-seinfeldSpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-The Office Talk - spreaker.com/show/the-office-talk-podcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/four-finger-discount-simpsons-podcast--5828977/support.

All of our hosts - Candice, Sandra, and Tara - come together again for another host special. This time they explore the fascinating world of film scores and soundtracks, highlighting the differences between the two, chatting about iconic composers and film scores, and how music shapes our emotional experience of stories on screen. Are there songs that always bring to mind certain movies when you hear them? Which soundtracks struck a chord with our hosts? Tune in to hear more about the music that brings movies to life!Support the show---Subscribe to learn more about filmmaking, production, media makers, creator resources, visual storytelling, and every aspect that brings film, television, and video projects from concepts to our screens. Check out the MediaMakerSpotlight.com show page to find even more conversations with industry professionals that inspire, educate, and entertain!We on the Women in Film & Video (WIFV) Podcast Team work hard to make this show a great resource for our listeners, and we thank you for listening!

My guest this week is composer and musician Prateek Rajagopal (Executive Producer and Co-Composer of Blarf with Eric André: Film Scores For Films That Don't Exist, former member of Indian grindcore band Gutslit & film composer.We discuss how Prateek at a young age was not deemed ready for Metallica by his older brother, growing up in metal and hardcore punk, high school bands, Prateek writing jingles in India while working as a banker, the Indian metal scene, Grindcore & Gutslit, how punk and metal were not united in the 80s, going on autopilot as a musician, how to do weird things with an electric guitar, bombing in music, how Jonny Greenwood inspired Prateek and how he ended up in the USC Film Scoring Masters program, the lack of western musical infrastructure in India and how that's improving, scoring the film Tu Yaa Main and working with director Bejoy Nambiar, how Prateek and Eric André got on each other's radar, straddling Blarf's earnest film scores with heaps of subversiveness, composing the songs Dead Balleria and Run For Your Death, translating Blarf live, smashing instruments, what Eric André and Prateek hoped to achieve with this record and more!PRATEEK RAJAGOPAL:prateekrajagopal.comBLARF:stonesthrow.com/store/film-scores-for-films-that-dont-existREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Comedian (soon to be film composer?) Eric Andre and composer-producer Prateek Rajagopal (co-writer, executive producer, and the man whose range runs from The Mandalorian to India's premier death metal export GUTSLIT) bring their new BLARF album “Film Scores for Films That Don't Exist” to SCORE. An orchestral fever dream five years in the making, recorded with live players in Los Angeles and Budapest, and the unlikely creative partnership nobody saw coming. And why Eric Andre is ready to become a film composer (and has beef with John Williams).How a Berklee-trained upright bassist became one of comedy's most chaotic forces, and how Prateek — whose credits span Hollywood, Bollywood and immersive media, with contributions to projects by Bobby Krlic, Ludwig Goransson and Joseph Shirley — became the secret weapon who turned five years of Eric's voice memos into a full orchestral album.Plus, why BLARF evolved from sample-clearance nightmares to full symphonic chaos, and what does Dead Ballerina actually look like in their heads? Plus, the Ennio Morricone influence that drives the whole project, the death metal detonation hiding inside the track “What's for Dinner” (guess which one pushed for that), how this album is inspired by Nine Inch Nails' Ghost, and why Eric destroyed a piano with an axe. Also, the unaired Eric Andre Show sketch that passed S&P clearance and still got killed (a pro-Al Qaeda country song he sings in full), details on a role in the new Street Fighter film (Jason Momoa had other plans), and all the times Eric was nearly stabbed, shot or beaten up for his gags.Interview by Kenny Holmes and Matt Schrader at Stonesthrow Studios in Los Angeles. Production coordination by Dan Russell.

A teen violinist takes her love of film scores to new heights, a young flutist shares how he got his start watching online videos, and a passionate violist performs Brahms.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

We draft the best film scores of all time, with a catch. Once a composer has been selected, they are no longer eligible for being picked again. Who drafted the best team?#filmscores #hanszimmer #interstellar Join the ReelTok Patreon for weekly exclusive podcasts, the Patron Discord, early access to episodes, merch discounts, giveaways, & so much more: https://www.patreon.com/reeltokpodcastGrab some new ReelTok merch: https://reeltokpodcast.comFollow ReelTok everywhere:YouTube: https://www.youtube.com/@reeltokpodcastTikTok: https://www.tiktok.com/@reeltokpodcastInstagram: https://www.instagram.com/reeltokpodcastTwitter: https://twitter.com/reeltokpodcastLetterboxd: https://letterboxd.com/reeltokpodcastPatreon: https://www.patreon.com/reeltokpodcastListen and Rate Us 5 Stars on Spotify and Apple Podcasts:Spotify: https://open.spotify.com/show/3V214vWwkO823aa4OaeDrOApple Podcasts: https://podcasts.apple.com/us/podcast/reeltok-podcast/id1644680412George CarmiLetterboxd: https://letterboxd.com/georgecarmiTikTok: https://www.tiktok.com/@moviesandstuff14YouTube: https://www.youtube.com/@moviesandstuff14Instagram: https://www.instagram.com/georgecarmiTwitter: https://twitter.com/georgecarmiTyler WhitmoreLetterboxd: https://letterboxd.com/TylerCWhitmoreTikTok: https://www.tiktok.com/@tylercwhitmoreYouTube: https://www.youtube.com/@tylercwhitmoreInstagram: https://www.instagram.com/tylercwhitmoreTwitter: https://twitter.com/TylerCWhitmoreSeth's Film ReviewsLetterboxd: https://letterboxd.com/sethsreviewsTikTok: https://www.tiktok.com/@sethsfilmreviewsYouTube: https://www.youtube.com/@SethsfilmreviewsInstagram: https://www.instagram.com/sethsfilmreviewsTwitter: https://twitter.com/sethsfilmreviewCam WalshLetterboxd: https://letterboxd.com/cjwalsh27TikTok: https://www.tiktok.com/@camwalsh27YouTube: https://www.youtube.com/@camwalsh27Instagram: https://www.instagram.com/camwalshTwitter: https://twitter.com/CamWalsh27All of our podcast and channel graphics are done by Nalbis. Reach out to him for any and all of your graphic design needs:https://x.com/nalbis Shoutout to Mateo Bekick for editing social media clips and the ReelTok Awards footage: https://www.instagram.com/mateobekichNew episodes every Monday, Wednesday, & Friday reviewing the latest releases, covering the latest trailers and movie news, talking Oscars and awards season, as well as plenty of film drafts, rankings, & games. Every Saturday, an exclusive movie review is released on Patreon and Patreon only.Our one and only goal is to become your favorite movie podcast.#moviepodcast #podcast #moviereviews

Do you have a favorite score from a film or tv show? In this episode, we join hosts, Grace Andrus and Abigale Maxfield, with special guests Savannah McCauley and Abrielle Millet in discussing the secrets behind some of the most iconic and memorable scores!

As customary on THE ARCHIVE, today's episode is packed with excellent music. Jason Drury opens the show with ‘On Earth as It Is in Heaven' from Ennio Morricone's award-winning score for THE MISSION (Virgin Records), honouring its 40th anniversary. Jason then continues with music from the 35th anniversary release of THE GODFATHER CODA: THE DEATH OF MICHAEL CORLEONE ( La La Land Records), composed by Carmine Coppola, Robert Folk's score from MILES FROM HOME (Quartet Records), Simon Franglen's THE CURSE OF TURANDOT (Sony Music) and music from the new 3-disc JOHNNY DOUGLAS COLLECTION from Dulcima Records. The show continues by commemorating the 40th anniversary of POLTERGEIST II (Intrada Records) by playing selections from Jerry Goldsmith's score. You'll also hear selections from the album LEE HOLDRIDGE GOES TO THE OLYMPICS (Dragon's Domain Records) and Tangerine Dream's classic electronic score for the 1977 action thriller SORCERER (Esoteric Recordings). Jason then rounds off the show with the "End Titles" from Leonard Rosenman's soundtrack for STAR TREK IV: THE VOYAGE HOME, which is also marking its 40th anniversary this year! I told you the show was packed. Enjoy. —— Special thanks to our Patreon supporters: David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Ian Clark, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp, Simon Parker, Harry Fiddlesticks, Jonas Wilstrup, Alexandre Richardson, Amy Stewart, Jack Zhu, Cole Losey. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

This week we present a Bonus episode featuring the full uncut recording of our score analysis for Jurassic World Rebirth with Caleb Burnett in Dino-Score: The Music of the Jurassic Park Franchise. Enjoy!

How will Falk take down a bank robber when aromatic, freshly minted heroes keep getting in the way? What's their origin story? You own some carnival rides? Listen to find out!The Yeast of These My Brethren, episode 148 of This Gun in My Hand, was punched into shape by Rob Northrup. This episode and all others are available on Youtube with automatically-generated closed captions of dialog. Visit http://ThisGuninMyHand.blogspot.com for credits, show notes, archives, and would it kill ya to buy my books? Such as Sisyphus, Eat Your Heart Out, available in paperback and ebook from Amazon. Why do they always need irradiated chemicals when the best origin is This Gun in My Hand?!Show Notes:1. From the Bible, King James Version, Matthew 25:40: “And the King shall answer and say unto them, Verily I say unto you, Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me.”2. Obvious mistake I didn't notice until after recording. Beer Man says he gained his powers last week. Then he mentions using his powers for three months. Continuity is hard! A no-prize will be awarded to anyone who rationalizes those statements.Credits:Music in this episode came from these public domain films:The Sun Sets at Dawn (1950), and Too Late for Tears (1949, aka Killer Bait). Most of the music and sound effects used in the episode are modified or incomplete versions of the originals.Ironized Yeast Tonic radio commercial, vintage unknown, assumed to be public domain.https://www.oldradioworld.com/media/Vintage%20Commercials%20Ironized%20Yeast.mp3Sound Effect Title: 22lr Caliber Rifle Shots and Reloading License: Public Domainhttps://freesound.org/s/717133/ Sound Effect Title: Gun Fire by GoodSoundForYouLicense: Creative Commons Attribution 3.0http://soundbible.com/1998-Gun-Fire.htmlSound Effect Title: Kimmokkeita / Ricochets by YleArkistoLicense: Creative Commons Attribution 4.0https://freesound.org/people/YleArkisto/sounds/401921/Sound Effect Title: Metal Frame.mp3 by TheBoulder3400 License: Public Domainhttps://freesound.org/s/636096/ Sound Effect Title: footsteps cellar.wavLicense: Public Domainhttps://freesound.org/people/gecop/sounds/545030/Sound Effect Title: Hose Sounds.mp3 by JazzyBayLicense: Public Domainhttps://freesound.org/people/JazzyBay/sounds/435052/Sound Effect Title: Spraying water from a garden hose by meisterjaan License: Creative Commons Attribution 3.0https://freesound.org/s/323485/ Sound Effect Title: Leather Car Seat 2 by Filmscore License: Public Domainhttps://freesound.org/s/830202/Sound Effect Title: Car_motor_Sound.m4a License: Public Domainhttps://freesound.org/people/Blizzard123/sounds/504633/#The image accompanying this episode is a modified version of a print ad for ironized yeast, assumed to be public domain, date and artist unknown.Image Alt text: Print magazine ad for Ironized Yeast featuring a photo of a woman in a striped bathing suit next to a comic strip. A word balloon above the woman in the photo has her saying ‘If men “hate the sight of you”--read this–.' In the first panel of the comic, two young men run past an emaciated woman in a black one-piece bathing suit. One of the men says, “Let's beat it__here comes that skinny dame.” The second ad shows the skinny dame seated wearing a short sleeve top with possibly ragged sleeve edges. As she reads a newspaper with a prominent ad headlined “GAIN 10 LBS,” she says, “Men hate the sight of me, I'm so skinny. I'm going to try Ironized Yeast.” The third panel has a black arrow labeled “A FEW WEEKS LATER” pointing towards the action. A smiling woman filling out a bikini, no longer a skinny dame, poses with one hand on hip and the other on the back of her hair. A young man in dark shorts holds her bicep in one hand, saying, “You're gorgeous since you've gained weight!” Two other men in the background run towards them. Across the bottom, large letters read, “THOUSANDS OF SKINNY GIRLS GAIN 10 TO 20 LBS.–QUICK!”

Extra Extra! Hear all about it! This week Janet, John, (and Pen) dive into the the greatest film scores of the 20th century! From Casablanca to Jaws! The variety of scores within this listing is vast and diverse, so tune in to find out what scores define this period of time.  To find out more about this and past episodes' movies, including trivia and other fun facts, visit the official Cinema Sounds & Secrets website. 

Welcome to the inaugural episode of PLAY MORRICONE FOR ME on CINEMATIC SOUND RADIO. You have no idea how thrilled I am to welcome Jack Criddle and his terrific program into the CINEMATIC SOUND RADIO family. I've been an admirer of Jack's show for quite some time; it reminds me a lot of Ley Bricknell's FILMIC program... eclectic, unique, exceptional, and downright entertaining. Similar to Ley, he plays stuff on this show I never would have thought to play. So, strap yourself in because once you hear the words "Play Morricone For Me," you are in for a ride. Please give a warm CINEMATIC SOUND RADIO welcome to Jack in the comments below. - Erik Woods —— SHOW NOTES Producer & host Jack Criddle started broadcasting PLAY MORRICONE FOR ME—a film music radio show with an inclination towards cult and genre scores—in 2017, on the Massachusetts College of Liberal Arts' station. The program switched to a prerecorded format in 2020, has highlighted everything from spaghetti westerns to cannibal movies to Disney songs, and has featured such guests as John Sayles, Fabio Frizzi, Ben Model and the B-52's Pat Irwin. To celebrate the beginning of PMFM's new home on Cinematic Sound Radio, Jack turns his attention to debut film scoring gigs by some of the world's great composers. These range from the relatively obscure, like Morricone's IL FEDERALE, John Barry's NEVER LET GO, and Quincy Jones's THE BOY IN THE TREE, to the well-known and celebrated, like CITIZEN KANE, CAPTAIN BLOOD, DEEP RED, SHAFT and more. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

In today's episode, we present our final look at the score for Jurassic World Rebirth in Dino-Score: The Music of the Jurassic Park Franchise with Caleb Burnett! This is PART THREE in a three part series that looks at the score by Alexandre Desplat. Be sure to follow Caleb Burnett over on Instagram and at Jurassic Outpost. Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Please check out my Newsletter featured on Substack! You can sign up for the newsletter featuring the latest from Jurassic Park Podcast and other shows I'm featured on - plus other thoughts and feelings towards film, theme parks and more!FOLLOW USWebsite: https://www.jurassicparkpodcast.com/YouTube: https://www.youtube.com/@JurassicParkPodcastInstagram: https://www.instagram.com/jurassicparkpodcast/Bluesky: https://bsky.app/profile/jurassicparkpod.bsky.socialThreads: https://www.threads.net/@jurassicparkpodcastFacebook: https://www.facebook.com/jurassicparkpodcastApple Podcasts: https://apple.co/2VAITXfSpotify:  https://spoti.fi/2Gfl41TDon't forget to give our voicemail line a call at 732-825-7763!Catch us on YouTube with Wednesday night LIVE STREAMS, Toy Hunts, Toy Unboxing and Reviews, Theme Park trips, Jurassic Discussion, Analysis and so much more.

Although we're now a couple months into 2026, I finally present you with the "best" film scores of 2025. As usual, there are some very mainstream scores in here that most observers would agree with and there are a few left field choices. If you're a longtime listener, that shouldn't surprise you. As with all of these lists, although I say they're the "best", what I really mean is these are my favorites. Who's to say what's really the best? Surely not me. This was a much harder list for me to put together than in recent years - there were a few scores that I immediately knew were going to make it, but a number of others where it took a lot more consideration, noticing that the passage of time had changed how I'd viewed a score (for better or worse); ultimately these lists are just a snapshot in time, but some decisions were made based on how I felt now while others were made based on how I felt in the past. It's a good reminder as to the subjectivity of each of these lists, at how you felt when seeing the film impacts your memory of it (and its score) forever on. But all things considered, I'm happy to say that 2025 was another solid year, with a deep set of great scores that stretch far beyond the same handful that received most attention during the year-end awards and recaps. If you can't control yourself, look below to see what scores I picked, though you'll miss out on the why of it all (and given some of the choices, the why is pretty important). Baby Invasion – Burial Sinners – Ludwig Göransson Anemone – Bobby Krlic 28 Years Later - Young Fathers Eddington – Bobby Krlic and Daniel Pemberton Marty Supreme – Daniel Lopatin Fantastic Four: First Steps - Michael Giacchino The Accountant 2 - Bryce Dessner F1 - Hans Zimmer The Shrouds - Howard Shore

In today's episode, we present our look at the score for Jurassic World Rebirth in Dino-Score: The Music of the Jurassic Park Franchise with Caleb Burnett! This is PART TWO in a three part series that looks at the score by Alexandre Desplat. Be sure to follow Caleb Burnett over on Instagram and at Jurassic Outpost. Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Please check out my Newsletter featured on Substack! You can sign up for the newsletter featuring the latest from Jurassic Park Podcast and other shows I'm featured on - plus other thoughts and feelings towards film, theme parks and more!FOLLOW USWebsite: https://www.jurassicparkpodcast.com/YouTube: https://www.youtube.com/@JurassicParkPodcastInstagram: https://www.instagram.com/jurassicparkpodcast/Bluesky: https://bsky.app/profile/jurassicparkpod.bsky.socialThreads: https://www.threads.net/@jurassicparkpodcastFacebook: https://www.facebook.com/jurassicparkpodcastApple Podcasts: https://apple.co/2VAITXfSpotify:  https://spoti.fi/2Gfl41TDon't forget to give our voicemail line a call at 732-825-7763!Catch us on YouTube with Wednesday night LIVE STREAMS, Toy Hunts, Toy Unboxing and Reviews, Theme Park trips, Jurassic Discussion, Analysis and so much more.

Jason Drury kicks off the 2-hour-plus show with music from the 40th anniversary release of Jerry Goldsmith's classic score KING SOLOMON'S MINES (La La Land Records). Jason then moves on to music from Jack Nitzsche's 1984 reissue of THE RAZOR'S EDGE (Dragon's Domain Records), Georges Delerue's short score for the 1973 thriller THE DAY OF THE JACKAL (Quartet Records), and selections from Jerry Goldsmith's 1969 score for THE CHAIRMAN (Intrada Records) from the most recent Kickstarter campaign launched by producer and orchestrator Leigh Phillips. Jason then continues the show with a suite from the album DEBBIE WISEMAN: MUSIC FOR FILM AND TELEVISION (Silva Screen Records) and more Jerry Goldsmith with music from the deluxe edition of MEDICINE MAN (Varese Sarabande Records), as well as music from the deluxe edition of Brian Tyler's score for TIMELINE (Varese Sarabande Records). Jason then rounds off the show with even MORE music by Jerry Goldsmith, with two of the bonus tracks from the album THE CHAIRMAN (Intrada Records). Enjoy. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

CHPTRS Film Score Collection FANTASTiC | 10 March 2026 | 4.8 GB An Ambient, Cinematic, and Folk-Inspired Sound Library for Story-Driven Filmmakers In collaboration with CHPTRS, one of the most […]

In today's episode, we present our look at the score for Jurassic World Rebirth in Dino-Score: The Music of the Jurassic Park Franchise with Caleb Burnett! This is PART ONE in a three part series that looks at the score by Alexandre Desplat. Be sure to follow Caleb Burnett over on Instagram and at Jurassic Outpost. Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Please check out my Newsletter featured on Substack! You can sign up for the newsletter featuring the latest from Jurassic Park Podcast and other shows I'm featured on - plus other thoughts and feelings towards film, theme parks and more!FOLLOW USWebsite: https://www.jurassicparkpodcast.com/YouTube: https://www.youtube.com/@JurassicParkPodcastInstagram: https://www.instagram.com/jurassicparkpodcast/Bluesky: https://bsky.app/profile/jurassicparkpod.bsky.socialThreads: https://www.threads.net/@jurassicparkpodcastFacebook: https://www.facebook.com/jurassicparkpodcastApple Podcasts: https://apple.co/2VAITXfSpotify:  https://spoti.fi/2Gfl41TDon't forget to give our voicemail line a call at 732-825-7763!Catch us on YouTube with Wednesday night LIVE STREAMS, Toy Hunts, Toy Unboxing and Reviews, Theme Park trips, Jurassic Discussion, Analysis and so much more.

Film blogger Jon Mark joins Cam to discuss the diverse film composer James Newton Howard's discography:   How does Howard infuse more natural music and avoid repetition beats?   How did he do tons of comedies and horror mysteries without getting typecast by genres?   And more deep orchestral cuts (and admiration)!       AUDIO CLIP INTRO: Collider Connected Interview  

On this special episode of Piecing It Together, composer and podcaster Brian Skutle joins me to take a look back at 2025 and some of our favorite film scores of the year! It was a big year for movies and we get into a lot of great picks from some of the more celebrated scores like One Battle After Another and Sinners to some more more out of left field picks like 11 Rebels and Sisu: Road To Revenge!As always, SPOILER ALERT for any of the movies we discuss!Brian Skutle is a film critic and runs Sonic CinemaCheck out Sonic Cinema at http://sonic-cinema.com/Follow Brian on Twitter @skutlelemurMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Begin Again” which you can watch at https://www.youtube.com/watch?v=hkb2VsJlH6sMake sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our TeePublic store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://www.teepublic.com/stores/piecing-it-togetherShare the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser!And most important of all… Keep going to the theater to see new movies!

(WKXL is celebrating 80yrs in community radio and we're telling the world!!) We love to have fun and show off our diverse knowledge and so on today's WKXL NH Unscripted guest host Andrew Gibson takes over for Ray and plays some familiar, and not so familiar film scores. Can you, our audience, guess all of them? 

On todays NH Unscripted Andrew plays some familiar, and not so familiar film scores. Can you our audience guess all of them?

Robin is the founder of Perseverance Records, an independent label focused on rescuing and releasing film scores, specializing in rare, unreleased, and archival music. He shares how his passion turned into a long-running label preserving soundtracks, cultivating superfans, and navigating physical media in a world of streaming.Follow Perseverance Records:WebsiteFacebookInstagramFollow Creatives Prevail:InstagramTikTokWebsiteWe would love to hear from you! Please give us a review, this really helps get others to listen in. Any suggestions on how we can improve? DM us on Instagram or TikTok.Host: Mike ZimmerlichProduced by: Omelette PrevailPost-Production: EarthtoMoiraMusic by: Daphne GreeneTech Specs:Mic and Headphone Setup:Limelight Dynamic Mic (512 Audio / Warm Audio)Vocaster One (Focusrite)MBS9500 Microphone Boom Arm (On-Stage)Pro X2 Headphones (Logitech)Light Setup:Litra Beam (Logitech)Glide Lively Wall Lights (Govee)Squares (Twinkly)Key Light (Elgato)

Episode 226 of Another Goddamn Horror Podcast features an in-depth conversation with Martin from Blitz/Berlin, the acclaimed punk band turned film score composers. This episode celebrates Graham's birthday while exploring Blitz/Berlin's impact on modern horror soundtracks and independent horror cinema. The discussion includes their latest work scoring Steven Kostanski's film Deathstalker, the creative process behind composing horror movie music, and the transition from punk music to professional film scoring.A major focus of the episode is Blitz/Berlin's live performance event honoring the birthday of legendary filmmaker George A. Romero. The conversation highlights Romero's lasting influence on the horror genre, zombie movies, and independent horror filmmaking. We also discuss the involvement of Tina Romero, music from Queens of the Dead, and the growing popularity of live horror music performances, film score concerts, and immersive horror events.Additional topics include practical effects in horror films, modern indie horror movies, horror film festivals, and the relationship between music and atmosphere in horror storytelling. As always, the episode includes plenty of off-topic conversation, including extended discussions about sandwiches, tacos, and favorite food choices while watching horror movies.This episode is essential listening for fans of:Blitz/BerlinGeorge A. RomeroHorror movie soundtracksHorror film scoresLive horror musicIndie horror filmsSteven KostanskiQueens of the DeadHorror podcastsAnother Goddamn Horror Podcast

Rob Schwimmer is a dynamic composer-pianist and renowned theremin virtuoso whose performances have captivated audiences worldwide. With accolades from The New York Times for his blend of “virtuosity, magic, and humor,” Rob's diverse talents shine through in his solo CD "Heart of Hearing," which features the theremin, Haken Continuum, and solo piano. He has collaborated with an impressive lineup of artists, including Bobby McFerrin, the New York Philharmonic, and Simon and Garfunkel, showcasing his unique ability to hang in multiple genres.In this episode, Rob shares his insights into the theremin's unique sound and its long-standing connection to sci-fi and other film genres. He recounts memorable performances—including a recent debut with the New York Philharmonic—and discusses the intricate relationship between improvisation and formal music training. Rob also demos some of the nuances of the Haken Continuum and the theremin. He shares several engaging stories about working in a variety of  musical settings, from Carnegie Hall to hanging out with Willie Nelson.(Headshot photo by Michael Weintrob)Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Immerse yourself in "Prairie Storm," an epic cinematic orchestra piece from The Healing Music Podcast. Journey through vast loneliness, awe, reverence, loss, and hope. Featuring sweeping romantic-era strings, solemn brass, and authentic Lakota flute, drums, and vocals composed by a Lakota artist. Experience the sound of the American frontier. Experience the emotional saga of the American frontier in *Prairie Storm*, a breathtaking cinematic orchestral piece from The Healing Music Podcast. This epic composition guides you through a profound core emotional spectrum: from vast loneliness and awe-filled discovery to deep cultural reverence, tragic loss, and ultimately, bittersweet hope. Sonically, the piece is a powerful dialogue between two worlds. **The American Frontier** is portrayed by a full, romantic-era orchestra used with spacious restraint: sweeping strings evoke the endless prairie, solemn brass melodies echo with solitude, and poignant woodwinds convey intimate connection. This is answered by **The Lakota World**, voiced through authentic Indigenous instrumentation: traditional frame drums and rattles ground the music in truth, while the haunting voice of the Native American flute expresses spiritual curiosity and heart. Perfect for listeners of cinematic music, meditation, soundtracks, and indigenous music, this track blends epic orchestra with profound traditional sounds. Discover the soundscape of history, heartbreak, and healing. Search terms: healing music, cinematic orchestra, epic instrumental, Native American flute music, Lakota music, meditation soundscape, emotional journey, film score, American frontier history.

This episode of the No Film School Podcast features two deep and distinct conversations. First, host GG Hawkins reunites with filmmaker Pete Ohs, who returns to share the unique distribution experiment he's launching with four films releasing throughout 2026. He reflects on his “table of bubbles” filmmaking philosophy and his desire to find joy instead of stress in the release process. Later, GG is joined by composer Hollie Buhagiar, whose original score for GG's debut feature I Really Love My Husband is now out. They break down their collaborative process in detail, from early cue drafts to the film's final emotional moments, revealing how bird calls, pitch-shifted vocals, and “surf rock” found their way into the film's DNA. In this episode, No Film School's GG Hawkins and guests discuss... Pete Ohs' philosophy of “table of bubbles” and how it's guiding his 2026 film distribution approach Why Pete is using a different distribution strategy for each of his four new films What feels broken about indie film distribution today — and how to approach it differently Hollie Buhagiar's journey into composing and her intuitive, emotion-driven scoring method The evolution of the score for I Really Love My Husband, including early drafts and final cues How creative freedom, happy accidents, and imperfect instruments brought the film to life The importance of developing a shared language between director and composer Memorable Quotes: "The films are a table made of bubbles. They cannot support anything." "The biggest result is just — is this fun?" "What's a convincing note?” "With great power comes great responsibility — even for the piano." Guests: Pete Ohs Hollie Buhagiar Resources: Pete's original pod interview Score for I Really Love My Husband on Spotify Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

David Channing is a very talented guy. He's understated and unassumingly brilliant.ever since I met him I have respected his technical abilities as well as his ability to read a room..A skill that is most essential when working under pressure on a soundstage or when helping to edit a score.He is most definitely the smartest person in any room, at least any room I've been in...He is charming and witty,I hope you enjoy this episode.

In this special show, Jason Drury continues to celebrate 50 episodes of THE ARCHIVE by concluding the countdown of his favourite LONG James Horner cues! Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

The post Singer, songwriter and composer for television and film, Randy Edelman. Some of Randy’s best known film scores include Twins, Ghostbusters II, Kindergarten Cop, ‘Beethoven, The Distinguished Gentleman, Gettysburg, Angels in the Outfield, The Mask, Pontiac Moon, The Indian in the Cupboard, and Dragonheart Live on Tape With Peter Trabucco 11-29-25 appeared first on WWDB-AM.

For this episode, we invite a new member to our growing podcast family. Special guest David Milano joins Robert and host Amber as they countdown their top 7 pieces of music from the GOAT composer John  Williams.Playlisthttps://open.spotify.com/playlist/2ogeSrBobwCPKTE1Qm71vQ?si=Uw2JuiLwTzyBM9UocCgdgQSend us a textTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7 https://www.youtube.com/@DockingBay77podcast https://dockingbay77pod.buzzsprout.com

In this special show, Jason Drury celebrates 50 episodes of THE ARCHIVE with a countdown of his favourite LONG James Horner cues! Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

For the past 50 years, composer John Williams has arguably been the defining sound of cinema. Although he began composing music for TV and film in the 1950s, it wouldn't be until the 1970s that he broke big, thanks to that iconic soundtrack to Stephen Spielberg's Jaws. From there he would go on to provide the music for a slew of Hollywood's biggest blockbusters, and most poignant films, as well as recognizable anthems for pop-culture mainstays like the Olympic Games and NBC Nightly News. John Williams is an American icon, and a definitive creator in film and music. So join the Great Pop Culture Debate as we attempt to name the Best John Williams Film Score. Scores discussed: Jaws, Saving Private Ryan, Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Raiders of the Lost Ark, Hook, Return of the Jedi, The Empire Strikes Back, Jurassic Park, Star Wars Episode I: The Phantom Menace, Harry Potter and the Sorcerer's Stone, Home Alone, Star Wars, Indiana Jones and the Last Crusade, Schindler's List, SupermanJoin host Eric Rezsnyak and panelists Amma Marfo, Derek Mekita, and Kate Racculia as they discuss and debate 16 of the most recognizable film scores of all time.For the warm-up to this episode, in which we discuss even more compositions from John Williams that didn't make the bracket, ⁠become a Patreon supporter of the podcast⁠ today.Episode CreditsHost: ⁠Eric Rezsnyak⁠Panelists: ⁠Amma Marfo⁠, ⁠Derek Mekita⁠, ⁠Kate Racculia⁠ Producer: ⁠Bob Erlenback⁠ Editor: John HigginsTheme Music: “Dance to My Tune” by Marc Torch#johnwilliams #film #filmscores #composer #composers #orchestralmusic #orchestral #starwars #indianajones #harrypotter #superman #jurassicpark #jaws #homealone #hook #schindlerslist #savingprivateryan #empirestrikesback #imperialmarch #returnofthejedi #phantommenaceIG: https://www.instagram.com/greatpopculturedebate/Bluesky: https://bsky.app/profile/gpcd.bsky.socialWebsite: https://www.greatpopculturedebate.com/Patreon: https://www.patreon.com/greatpopculturedebateSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For the past 50 years, composer John Williams has arguably been the defining sound of cinema. Although he began composing music for TV and film in the 1950s, it wouldn't be until the 1970s that he broke big, thanks to that iconic soundtrack to Stephen Spielberg's Jaws. From there he would go on to provide the music for a slew of Hollywood's biggest blockbusters, and most poignant films, as well as recognizable anthems for pop-culture mainstays like the Olympic Games and NBC Nightly News. John Williams is an American icon, and a definitive creator in film and music. So join the Great Pop Culture Debate as we attempt to name the Best John Williams Film Score.  Scores discussed: Jaws, Saving Private Ryan, Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Raiders of the Lost Ark, Hook, Return of the Jedi, The Empire Strikes Back, Jurassic Park, Star Wars Episode I: The Phantom Menace, Harry Potter and the Sorcerer's Stone, Home Alone, Star Wars, Indiana Jones and the Last Crusade, Schindler's List, Superman Join host Eric Rezsnyak and panelists Amma Marfo, Derek Mekita, and Kate Racculia as they discuss and debate 16 of the most recognizable film scores of all time. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For the warm-up to this episode, in which we discuss even more compositions from John Williams that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Want to watch the episode instead? As of Season 12, we now have full video episodes up on YouTube. Subscribe to our channel for even more original, exclusive episodes! Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Amma Marfo, Derek Mekita, Kate Racculia Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #johnwilliams #film #filmscores #composer #composers #orchestralmusic #orchestral #starwars #indianajones #harrypotter #superman #jurassicpark #jaws #homealone #hook #schindlerslist #savingprivateryan #empirestrikesback #imperialmarch #returnofthejedi #phantommenace Learn more about your ad choices. Visit megaphone.fm/adchoices

Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our episode devoted to the best cinematic score by American composer and legend John Williams, and walks you through the Round 1 match-ups. The main episode will release on Tuesday, November 18, wherever you listen to podcasts. ⁠⁠⁠⁠⁠⁠Make sure to subscribe to the podcast⁠⁠⁠⁠⁠⁠ so you don't miss any upcoming episodes. And ⁠⁠subscribe to our YouTube Channel⁠⁠ so you don't miss our original video posts this fall and winter! And if you love pop culture, ⁠⁠⁠sign up for our weekly newsletter⁠⁠⁠ to keep up on all the new movies, music, and TV shows dropping every week! CREDITS: Intro/outro music: "Dance to My Tune" by Marc Torch IG: https://www.instagram.com/greatpopculturedebate/ Bluesky: https://bsky.app/profile/gpcd.bsky.social Website: https://www.greatpopculturedebate.com/ Patreon: https://www.patreon.com/greatpopculturedebate #podcast #popculture #debate #bestof #podcasts #music #movies #film #books #comics #television #tv #lgbtq #lgbt #nostalgia #geek #nerd #culture #greatest Learn more about your ad choices. Visit megaphone.fm/adchoices

Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our episode devoted to the best cinematic score by American composer and legend John Williams, and walks you through the Round 1 match-ups. The main episode will release on Tuesday, November 18, wherever you listen to podcasts. ⁠⁠⁠⁠⁠⁠Make sure to subscribe to the podcast⁠⁠⁠⁠⁠⁠ so you don't miss any upcoming episodes. And ⁠⁠subscribe to our YouTube Channel⁠⁠ so you don't miss our original video posts this fall and winter! And if you love pop culture, ⁠⁠⁠sign up for our weekly newsletter⁠⁠⁠ to keep up on all the new movies, music, and TV shows dropping every week! CREDITS: Intro/outro music: "Dance to My Tune" by Marc Torch IG: https://www.instagram.com/greatpopculturedebate/ Bluesky: https://bsky.app/profile/gpcd.bsky.social Website: https://www.greatpopculturedebate.com/ Patreon: https://www.patreon.com/greatpopculturedebate #podcast #popculture #debate #bestof #podcasts #music #movies #film #books #comics #television #tv #lgbtq #lgbt #nostalgia #geek #nerd #culture #greatest Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Audio Talks, host Oisin Lunny is joined by trailblazing composer and conductor Eímear Noone, whose music has shaped everything from the Oscars to iconic video games like World of Warcraft and Diablo III. Together, they explore the transformative power of musical storytelling across film, television, and interactive media. Eímear shares how her Irish roots, early mentors, and relentless curiosity propelled her from a small village to the world's most prestigious stages. The conversation delves into her experiences in the video game industry, the unique challenges and creative opportunities of composing for games, and the emotional depth that music can bring to storytelling. She also discusses her commitment to supporting the next generation of composers through her mentorship program for young female artists, reflecting on the importance of resilience, community, and paying it forward in the music world.

Producer, sound designer and composer Jonathan Snipes joins William Stokes to explore his work with experimental hip-hop group Clipping, sharing an inside look at their unique production process, before showcasing five modules in an exclusive live performance.Chapters00:00 - Introduction01:12 - Combining Hip Hop And Experimental Sounds12:45 - Unconventional Sounds And Beats 16:52 - Annea Lockwood Piano Burning20:59 - 5U Modular Selection24:31 - Module 1: Q106 Oscillator29:43 - Module 2: Modcan Digital Delay38:51 - Module 3: Modcan Frequency Shifter 39b43:04 - Module 4: Modcan Quad Envelope 60b47:41 - Module 5: Tellun TLN-156 Neural Agoniser52:04 - Live Performance#Q106Oscillator #ModcanDigitalDelay #ModcanFrequencyShifter #ModcanQuadEnvelope #TellunTLN-156Jonathan Snipes BiogJonathan Snipes is a producer, composer and sound designer based in Los Angeles, where he teaches sound design in the theatre and film departments at UCLA. As well as his work for film, television and theatre, he is known as a member of the experimental group clipping., along with fellow producer William Hutson and rapper Daveed Diggs. Having recently released their sixth studio album Dead Channel Sky on iconic label Sub Pop Records, clipping. are an outfit in the vanguard of hip-hop, sound design, beat making and strident experimentalism.https://www.jonat8han.com/https://www.instagram.com/jonat8han/William Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

The filmmaker John Carpenter has a whole shelf of cult classics: “They Live,” “The Thing,” “Escape from New York,” “Halloween,” and so many more. And while he hasn't directed a new movie in more than a decade, Carpenter has continued working in the film industry, composing scores for other directors (Bong Joon Ho recently approached him about a horror movie). He has also released albums of cinematic music—no film required—often working with his son, Cody Carpenter, and the musician Daniel Davies, his godson. The New Yorker Radio Hour producer Adam Howard talks with Carpenter ahead of the launch of his new small tour, just in time for Halloween, and they discuss the unusual shift he made from directing to composing. “It's a transition from pain to joy. Directing movies is very, very stressful,” Carpenter explains. “Playing music in front of a live audience—it's joy. It's just joy.” Carpenter suggests three inspirational scores from film history: Bebe and Louis Barron's electronic music for “Forbidden Planet”; Bernard Herrmann work on Hitchcock's “Vertigo”; and Hans Zimmer's music for “Pirates of the Caribbean: Dead Man's Chest.”

Why Film Scores Matter enrollment pageDustin Yoder on IMDBDustin Yoder on InstagramArticle on Dustin from the Arkansas Democrat-Gazette  Reel Talk Arkansas is a production of the Arkansas Cinema Society + Little Rock Public Radio. Theme music by Princeaus. Follow ACS on Instagram, Facebook or our website.

In our latest tribute, Janet, John, (and Pen) celebrate the life and career of a revered Greek musician and composure who found success  across many different genres... Vangelis! His career began in rock bands,  where with Aphrodite's Child he helped create the album 666, which would become a progressive-pyschadelic rock classic. He continued to find success in the music industry before transitioning to scoring films with Charitos of Fire in 1981, for which he would win Best Original Score at the Academy Awards. His career was launched to new heights and would continue making music for classic moves movies such as Blade Runner (1982), Missing (1983), Antarctica (1983), The Bounty (1984), 1492: Conquest of Paradise (1992), and Alexander (2004). His career in music spanned over 50 years, making him one of the most important figures in modern film music.  To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

In this special show, we are celebrating the music of the label, which has cornered the market on obscure scores to great effect, DRAGON DOMAIN RECORDS. During the show, your host Jason Drury will be playing music from scores by Gerald Fried, Bernard Herrmann, Leonard Rosenman, Lalo Schifrin, Gil Melle and Christopher Young . Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Zach, Ben, and Tressel countdown their five favorite film scores! Some classics and a few more unknown scores are named so be sure to hear who made the cut!

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Dave Everson, formerly of Detroit Symphony Orchestra and LA studio hornist. About Dave: David Everson, retired Assistant Principal Horn of the Detroit Symphony Orchestra, joined the DSO in 1999 after serving as Principal Horn of the Kansas City Symphony for 13 years. A Michigan native and student of Louis Stout at the University of Michigan, he has also performed as guest Principal with ensembles including the Los Angeles Philharmonic, National Symphony, and St. Paul Chamber Orchestra. Everson is active as a studio musician in Los Angeles, where he has recorded more than 150 film scores, and he continues to perform with the Naples Philharmonic and freelance in LA.

Get ready to hear two guys hum and honk as Ben and Dylan conduct their way through the most iconic movie themes of the 2000s. From John Williams' magical “Hedwig's Theme” to Howard Shore's thunderous “Bridge of Khazad Dum”, from Klaus Badelt's swashbuckling “He's a Pirate” to Joe Hisaishi's dreamy “One Summer Day”, these scores defined a generation of film lovers. Join us for laughter, nostalgia, and some very bad humming as we relive the soundtrack to the 2000s—one iconic theme at a time.   Round 1- 3:00 Round 2- 13:00 Sponsor- 21:45 Round 3-24:45 Round 4- 32:45 Duel- 40:00   Score Links - Listen and tell us what you think! Harry Potter (Hedwig's Theme-Jon Williams): https://www.youtube.com/watch?v=wtHra9tFISY&list=RDwtHra9tFISY&start_radio=1  Lord of the Rings (Prologue: One Ring to Rule them all- Howard Shore): https://www.youtube.com/watch?v=W0znpBHTmFw  Requiem for a Dream (Lux Aeterna - Clint Mansell): https://www.youtube.com/watch?v=Byl3hl5r6OA&list=RDByl3hl5r6OA&start_radio=1 The Incredibles (The Glory Days- Michael Giacchino): https://www.youtube.com/watch?v=Uaz2MPzBQps&list=RDUaz2MPzBQps&start_radio=1  Pirates of the Caribbean (He's a Pirate, Klaus Badelt): https://www.youtube.com/watch?v=BuYf0taXoNw&list=RDBuYf0taXoNw&start_radio=1 Fellowship of the Ring (The Bridge of Khazad Dum, Howard Shore): https://www.youtube.com/watch?v=ehAgMszCHU4&list=RDehAgMszCHU4&start_radio=1  There Will Be Blood (Prospectors Arrive, Johnny Greenwood): https://www.youtube.com/watch?v=L6YndFacEnk&list=RDL6YndFacEnk&start_radio=1  Spirited Away (One Summer Day, Joe Hiraishi): https://www.youtube.com/watch?v=TK1Ij_-mank&list=RDTK1Ij_-mank&start_radio=1

In a show packed with the best film music slotted into a 2-hour show, your host Jason Drury begins with music from Alan Silvestri's classic for BACK TO THE FUTURE (Intrada Records), which this year is celebrating its 40th anniversary. Jason then continues with music from recent Archive releases, including Hans Zimmer and Lisa Gerrard's GLADIATOR (La La Land Records), celebrating the score's 25th anniversary; the belated 40th anniversary celebration of Jerry Goldsmith's 1983 classic score for FIRST BLOOD (Intrada Records) and then selections from John Cameron for the 1980 Agatha Christie mystery movie THE MIRROR CRACK'D. Jason then continues the show with music from Henry Mancini's classic score from the classic 1983 mini-series THE THORN BIRDS, which has received a deluxe edition from Varese Sarabande Records, Basil Poledouris' 1990 Australian Western score QUIGLEY DOWN UNDER (Intrada Records) as well as selections from Jerry Goldsmith's 1972 TV movie thriller PURSUIT (Intrada Records), which is a re-recording from a recent Kickstarter campaign initiated by Producer and Orchestrator Leigh Phillips. Jason then rounds off the show with music from the new 2-CD set of Michael Kamen's classic score from the 1993 Disney adaptation of THE THREE MUSKETEERS (Intrada Records). Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Send us a textGood evening listeners and welcome to another episode of Last Call with Three & 1/2 Gentlemen. As they continue with their regular movies and tv shows reviews, the hosts will bring you a biweekly mini show, about movie topics, upcoming film releases and news in the entertainment world. Tonight, the hosts will explore the profound impact of music in film and television, discussing iconic scores, the emotional weight of soundtracks, and the nostalgia that shapes storytelling. They delve into the works of renowned composers like John Williams and the significance of memorable themes in enhancing the viewer's experience. The discussion also touches on the evolution of TV scores and the influence of music on character development, culminating in a celebration of the art of scoring in both film and television. It's last call with the hosts, so let's raise your glasses and as we celebrate our love for the movies. Come listen and follow the hosts on their Instagram and YouTube channel @the.gentlemenpodcas

Welcome to Cinematic Sound Radio's celebration of the 35th anniversary of Film Score Monthly. In 1990, a young film music fan named Lukas Kendall began what was to become Film Score Monthly with a Xeroxed newsletter sent to a handful of fans who signed up to receive the snail mail newsletter. From there, the newsletter turned into one of the biggest soundtrack publications in the world. The magazine's run ended in 2005 at 150 issues. It ceased printing due to budgetary reasons. The magazine, however, still lives on in the digital world as FSM On-Line. A byproduct of the magazine was a record label, which began in 1998 with the release of Jerry Goldsmith's STAGECOACH / THE LONER. Lukas would go onto produce 250 FSM CDs, many of them long-sought-after "holy grails." The label would cease production in 2013. The website and popular message board are still running, but are in desperate need of updating. That's where you come in. Lukas is currently raising money on Kickstarter to help fund a brand-new website, message board, book, CD and more! As of the release of this episode on June 20th, 2025, the Kickstarter has reached its initial goal of $25,000 and is currently in its stretch run to raise an additional $25,000. If you've already pledged, thank you, but if you haven't, then please head over to the Kickstarter by CLICKING HERE and donate what you can to help keep this film music institution running smoothly for the next 35 years! To celebrate FSM's 35 years, I'm going to play for you my top five favourite Film Score Monthly CDs of all time, featuring the music of Franz Waxman, Bronislau Kaper, Johnny Green, Stu Phillips, Elmer Bernstein, Alexander Courage and Jerry Goldsmith. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

This week on the InSession Film Podcast, we discuss the best film scores of the decade so far! We also talk about the great Michael Fassbender coming off the heels of the latest Women InSession podcast as we had more to say (and defend) about his career.   - Opening Banter (0:42) - Michael Fassbender (16:52) - Film Scores of the Decade (46:02)   Visit https://insessionfilm.com for merch and more!   Episode Sponsor: Saily - Get 5% OFF with the code ISF5: https://go.saily.site/aff_c?offer_id=101&aff_id=9039   Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content!   Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

In a show packed, as always, with quality music, your host Jason Drury begins the show with THE JAMES BOND SUITE from the compilation album JOHN BARRY - THE POLYDOR YEARS: THE CONCERT JOHN BARRY (Quartet Records) by John Barry Jason then continues with THE REIVERS (CONCERT SUITE) by John Williams from La La Land Records new 2-CD set release of music from the classic 1969 film starring Steve McQueen. That is followed by a concert suite of music from the 1980s Gerry Anderson ‘Supermacromation' series TERRAHAWKS (Silva Screen Records) by Richard Harvey. Jason then continues with the "Main Title" from the original 1963 film THE PINK PANTHER by Henry Mancini, released in a new 2-CD set by Quartet Records over Christmas 2024. Afterwards, you'll hear selections from Laurie Johnson's swashbuckling score for THE LADY AND THE HIGHWAYMAN (Dragon Domain Records), ABBOTT AND COSTELLO MEET FRANKENSTEIN from the crowdfunded re-recording of Frank Skinner's score from Intrada Records and a suite from the 1961 Disney family drama GREYFRIARS BOBBY from the album THE FILM MUSIC OF FRANCIS CHARGIN from Naxos Records. Jason then rounds off the show with ‘The End' from another recent release from Quartet Records, another 2-disc reissue, this time from the 1991 Martin Scorsese remake of CAPE FEAR by Bernard Herrmann, adapted, arranged and conducted by Elmer Bernstein. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com