Podcasts about Film score

Robin is the founder of Perseverance Records, an independent label focused on rescuing and releasing film scores, specializing in rare, unreleased, and archival music. He shares how his passion turned into a long-running label preserving soundtracks, cultivating superfans, and navigating physical media in a world of streaming.Follow Perseverance Records:WebsiteFacebookInstagramFollow Creatives Prevail:InstagramTikTokWebsiteWe would love to hear from you! Please give us a review, this really helps get others to listen in. Any suggestions on how we can improve? DM us on Instagram or TikTok.Host: Mike ZimmerlichProduced by: Omelette PrevailPost-Production: EarthtoMoiraMusic by: Daphne GreeneTech Specs:Mic and Headphone Setup:Limelight Dynamic Mic (512 Audio / Warm Audio)Vocaster One (Focusrite)MBS9500 Microphone Boom Arm (On-Stage)Pro X2 Headphones (Logitech)Light Setup:Litra Beam (Logitech)Glide Lively Wall Lights (Govee)Squares (Twinkly)Key Light (Elgato)

Episode 226 of Another Goddamn Horror Podcast features an in-depth conversation with Martin from Blitz/Berlin, the acclaimed punk band turned film score composers. This episode celebrates Graham's birthday while exploring Blitz/Berlin's impact on modern horror soundtracks and independent horror cinema. The discussion includes their latest work scoring Steven Kostanski's film Deathstalker, the creative process behind composing horror movie music, and the transition from punk music to professional film scoring.A major focus of the episode is Blitz/Berlin's live performance event honoring the birthday of legendary filmmaker George A. Romero. The conversation highlights Romero's lasting influence on the horror genre, zombie movies, and independent horror filmmaking. We also discuss the involvement of Tina Romero, music from Queens of the Dead, and the growing popularity of live horror music performances, film score concerts, and immersive horror events.Additional topics include practical effects in horror films, modern indie horror movies, horror film festivals, and the relationship between music and atmosphere in horror storytelling. As always, the episode includes plenty of off-topic conversation, including extended discussions about sandwiches, tacos, and favorite food choices while watching horror movies.This episode is essential listening for fans of:Blitz/BerlinGeorge A. RomeroHorror movie soundtracksHorror film scoresLive horror musicIndie horror filmsSteven KostanskiQueens of the DeadHorror podcastsAnother Goddamn Horror Podcast

Rob Schwimmer is a dynamic composer-pianist and renowned theremin virtuoso whose performances have captivated audiences worldwide. With accolades from The New York Times for his blend of “virtuosity, magic, and humor,” Rob's diverse talents shine through in his solo CD "Heart of Hearing," which features the theremin, Haken Continuum, and solo piano. He has collaborated with an impressive lineup of artists, including Bobby McFerrin, the New York Philharmonic, and Simon and Garfunkel, showcasing his unique ability to hang in multiple genres.In this episode, Rob shares his insights into the theremin's unique sound and its long-standing connection to sci-fi and other film genres. He recounts memorable performances—including a recent debut with the New York Philharmonic—and discusses the intricate relationship between improvisation and formal music training. Rob also demos some of the nuances of the Haken Continuum and the theremin. He shares several engaging stories about working in a variety of  musical settings, from Carnegie Hall to hanging out with Willie Nelson.(Headshot photo by Michael Weintrob)Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Immerse yourself in "Prairie Storm," an epic cinematic orchestra piece from The Healing Music Podcast. Journey through vast loneliness, awe, reverence, loss, and hope. Featuring sweeping romantic-era strings, solemn brass, and authentic Lakota flute, drums, and vocals composed by a Lakota artist. Experience the sound of the American frontier. Experience the emotional saga of the American frontier in *Prairie Storm*, a breathtaking cinematic orchestral piece from The Healing Music Podcast. This epic composition guides you through a profound core emotional spectrum: from vast loneliness and awe-filled discovery to deep cultural reverence, tragic loss, and ultimately, bittersweet hope. Sonically, the piece is a powerful dialogue between two worlds. **The American Frontier** is portrayed by a full, romantic-era orchestra used with spacious restraint: sweeping strings evoke the endless prairie, solemn brass melodies echo with solitude, and poignant woodwinds convey intimate connection. This is answered by **The Lakota World**, voiced through authentic Indigenous instrumentation: traditional frame drums and rattles ground the music in truth, while the haunting voice of the Native American flute expresses spiritual curiosity and heart. Perfect for listeners of cinematic music, meditation, soundtracks, and indigenous music, this track blends epic orchestra with profound traditional sounds. Discover the soundscape of history, heartbreak, and healing. Search terms: healing music, cinematic orchestra, epic instrumental, Native American flute music, Lakota music, meditation soundscape, emotional journey, film score, American frontier history.

This episode of the No Film School Podcast features two deep and distinct conversations. First, host GG Hawkins reunites with filmmaker Pete Ohs, who returns to share the unique distribution experiment he's launching with four films releasing throughout 2026. He reflects on his “table of bubbles” filmmaking philosophy and his desire to find joy instead of stress in the release process. Later, GG is joined by composer Hollie Buhagiar, whose original score for GG's debut feature I Really Love My Husband is now out. They break down their collaborative process in detail, from early cue drafts to the film's final emotional moments, revealing how bird calls, pitch-shifted vocals, and “surf rock” found their way into the film's DNA. In this episode, No Film School's GG Hawkins and guests discuss... Pete Ohs' philosophy of “table of bubbles” and how it's guiding his 2026 film distribution approach Why Pete is using a different distribution strategy for each of his four new films What feels broken about indie film distribution today — and how to approach it differently Hollie Buhagiar's journey into composing and her intuitive, emotion-driven scoring method The evolution of the score for I Really Love My Husband, including early drafts and final cues How creative freedom, happy accidents, and imperfect instruments brought the film to life The importance of developing a shared language between director and composer Memorable Quotes: "The films are a table made of bubbles. They cannot support anything." "The biggest result is just — is this fun?" "What's a convincing note?” "With great power comes great responsibility — even for the piano." Guests: Pete Ohs Hollie Buhagiar Resources: Pete's original pod interview Score for I Really Love My Husband on Spotify Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Happy New Year. Willkommen im neuen Jahr! Wir sind natürlich auch 2026 für Euch da. Und wie: Jim startet mit hinreißender Filmmusik aus den 70ern. Schöner kann ein Jahr einfach nicht anfangen. Spotify Playlist 26 (mit den sensationellen Songs aus unserem Podcast) Achtung: Die Liste enthält natürlich nur die auf Spotify verfügbaren Titel. Wie wir aber alle wissen, gibt es noch ein Musikuniversum jenseits von Streaming. Facebook (mit News aus der Rockmusik und allem, was glücklich macht) YouTube (der ganze Rest) Anregungen, Ideen? Dann schreibt uns doch mal - wmruv2021@gmail.com Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude. (00:00) Kapitel 1

David Channing is a very talented guy. He's understated and unassumingly brilliant.ever since I met him I have respected his technical abilities as well as his ability to read a room..A skill that is most essential when working under pressure on a soundstage or when helping to edit a score.He is most definitely the smartest person in any room, at least any room I've been in...He is charming and witty,I hope you enjoy this episode.

It's a Christmas miracle: a bonus Movie Squad episode! Earlier this month, Tristan Fidler and Simon Miraudo were invited to be part of Accent, the Music and Sound in Australian Cinema Conference held at the University of Western Australia. As a Boxing Day surprise (especially for those who were disappointed by their Xmas haul), we're gifting you the live recording of their session, titled Australian Film Scores and Needle Drops. From the propulsive synth of Gallipoli to the twinkling strings of Somersault; the manipulated didgeridoo in The Last Wave to the droning loops of Snowtown: Australia's most iconic film scores and needle drops are a demonstration of contrast and dissonance. (Movie about a killer boar? Better pull out the Fairlight CMI. Dark comedy set on the fictional ‘jewel of the north coast', Porpoise Spit? Let's licence all the ABBA songs.) In this live podcast recording, RTRFM's resident film critics Tristan Fidler and Simon Miraudo, aka Movie Squad, celebrate Australian movie music that clashes like a Muriel Heslop ensemble, and discuss the contemporary musicians who've tried their hand composing for locally-made features. No cultural cringe allowed! Featuring special guests… Dan Golding – writer, composer, broadcaster, academic, host of the Art of the Score podcast and the Screen Sounds program on ABC Classic radio, and Professor and Chair of Media and Communication at Swinburne University of Technology. Grace Brooks – writer, academic and teacher; co-convener of the Accent conference. Drew Krapljanov – musician, broadcaster, member of Didion's Bible, host of Drivetime on RTRFM (Mondays) and the Midnight Special Podcast. Howie Ng – writer, broadcaster, editor – Senior Film & TV editor for the website Isolated Nation, host of the Midnight Special Podcast. And a special introduction by co-convener Laurent Shervington. Movie Squad returns to Breakfast with Pam on Friday 16 January 2026! Movie Squad is sponsored by Luna Palace Cinemas, WA's premiere independent cinemas, bringing the best film content and cinematic events to Perth.

In this special show, Jason Drury continues to celebrate 50 episodes of THE ARCHIVE by concluding the countdown of his favourite LONG James Horner cues! Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

The post Singer, songwriter and composer for television and film, Randy Edelman. Some of Randy’s best known film scores include Twins, Ghostbusters II, Kindergarten Cop, ‘Beethoven, The Distinguished Gentleman, Gettysburg, Angels in the Outfield, The Mask, Pontiac Moon, The Indian in the Cupboard, and Dragonheart Live on Tape With Peter Trabucco 11-29-25 appeared first on WWDB-AM.

For this episode, we invite a new member to our growing podcast family. Special guest David Milano joins Robert and host Amber as they countdown their top 7 pieces of music from the GOAT composer John  Williams.Playlisthttps://open.spotify.com/playlist/2ogeSrBobwCPKTE1Qm71vQ?si=Uw2JuiLwTzyBM9UocCgdgQSend us a textTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7 https://www.youtube.com/@DockingBay77podcast https://dockingbay77pod.buzzsprout.com

In this special show, Jason Drury celebrates 50 episodes of THE ARCHIVE with a countdown of his favourite LONG James Horner cues! Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Litt på etterskudd med denne filmen, men det #mådaværralov.03:38 - Synopse: spionen, oppdraget og "slemmesjefen" 10:00 - Biologisk perspektiv: Hvorfor stopper lydbølger Ghost? 17:03 - Fysikk: Er The Void et "sort legeme"? 20:48 - En "ond biolog" forklarer Kill Switch 22:20 - Fysikk-skryt: Winter Soldier stopper bil med vibranium-arm 24:01 - Friksjon i heissjakta – funker rygg-mot-rygg-klatring? 28:45 - Logisk brist? Ghost sin "ett minutt"-regel 30:37 - Dommen38:00 - Filmscore!Send oss en melding!Hvis du likte denne episoden, skriv gjerne en hyggelig omtale på spotify eller iTunes og anbefal den til dine venner og superskurker. På underkappa.no finner du alle episodene og en oversikt over alle poengene vi har gitt så langt. Hvis du har kommentarer til oss, spørsmål eller forslag til superhelter, så send oss en melding på instagram @underkappa.

For the past 50 years, composer John Williams has arguably been the defining sound of cinema. Although he began composing music for TV and film in the 1950s, it wouldn't be until the 1970s that he broke big, thanks to that iconic soundtrack to Stephen Spielberg's Jaws. From there he would go on to provide the music for a slew of Hollywood's biggest blockbusters, and most poignant films, as well as recognizable anthems for pop-culture mainstays like the Olympic Games and NBC Nightly News. John Williams is an American icon, and a definitive creator in film and music. So join the Great Pop Culture Debate as we attempt to name the Best John Williams Film Score. Scores discussed: Jaws, Saving Private Ryan, Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Raiders of the Lost Ark, Hook, Return of the Jedi, The Empire Strikes Back, Jurassic Park, Star Wars Episode I: The Phantom Menace, Harry Potter and the Sorcerer's Stone, Home Alone, Star Wars, Indiana Jones and the Last Crusade, Schindler's List, SupermanJoin host Eric Rezsnyak and panelists Amma Marfo, Derek Mekita, and Kate Racculia as they discuss and debate 16 of the most recognizable film scores of all time.For the warm-up to this episode, in which we discuss even more compositions from John Williams that didn't make the bracket, ⁠become a Patreon supporter of the podcast⁠ today.Episode CreditsHost: ⁠Eric Rezsnyak⁠Panelists: ⁠Amma Marfo⁠, ⁠Derek Mekita⁠, ⁠Kate Racculia⁠ Producer: ⁠Bob Erlenback⁠ Editor: John HigginsTheme Music: “Dance to My Tune” by Marc Torch#johnwilliams #film #filmscores #composer #composers #orchestralmusic #orchestral #starwars #indianajones #harrypotter #superman #jurassicpark #jaws #homealone #hook #schindlerslist #savingprivateryan #empirestrikesback #imperialmarch #returnofthejedi #phantommenaceIG: https://www.instagram.com/greatpopculturedebate/Bluesky: https://bsky.app/profile/gpcd.bsky.socialWebsite: https://www.greatpopculturedebate.com/Patreon: https://www.patreon.com/greatpopculturedebateSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For the past 50 years, composer John Williams has arguably been the defining sound of cinema. Although he began composing music for TV and film in the 1950s, it wouldn't be until the 1970s that he broke big, thanks to that iconic soundtrack to Stephen Spielberg's Jaws. From there he would go on to provide the music for a slew of Hollywood's biggest blockbusters, and most poignant films, as well as recognizable anthems for pop-culture mainstays like the Olympic Games and NBC Nightly News. John Williams is an American icon, and a definitive creator in film and music. So join the Great Pop Culture Debate as we attempt to name the Best John Williams Film Score.  Scores discussed: Jaws, Saving Private Ryan, Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Raiders of the Lost Ark, Hook, Return of the Jedi, The Empire Strikes Back, Jurassic Park, Star Wars Episode I: The Phantom Menace, Harry Potter and the Sorcerer's Stone, Home Alone, Star Wars, Indiana Jones and the Last Crusade, Schindler's List, Superman Join host Eric Rezsnyak and panelists Amma Marfo, Derek Mekita, and Kate Racculia as they discuss and debate 16 of the most recognizable film scores of all time. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For the warm-up to this episode, in which we discuss even more compositions from John Williams that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Want to watch the episode instead? As of Season 12, we now have full video episodes up on YouTube. Subscribe to our channel for even more original, exclusive episodes! Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Amma Marfo, Derek Mekita, Kate Racculia Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #johnwilliams #film #filmscores #composer #composers #orchestralmusic #orchestral #starwars #indianajones #harrypotter #superman #jurassicpark #jaws #homealone #hook #schindlerslist #savingprivateryan #empirestrikesback #imperialmarch #returnofthejedi #phantommenace Learn more about your ad choices. Visit megaphone.fm/adchoices

Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our episode devoted to the best cinematic score by American composer and legend John Williams, and walks you through the Round 1 match-ups. The main episode will release on Tuesday, November 18, wherever you listen to podcasts. ⁠⁠⁠⁠⁠⁠Make sure to subscribe to the podcast⁠⁠⁠⁠⁠⁠ so you don't miss any upcoming episodes. And ⁠⁠subscribe to our YouTube Channel⁠⁠ so you don't miss our original video posts this fall and winter! And if you love pop culture, ⁠⁠⁠sign up for our weekly newsletter⁠⁠⁠ to keep up on all the new movies, music, and TV shows dropping every week! CREDITS: Intro/outro music: "Dance to My Tune" by Marc Torch IG: https://www.instagram.com/greatpopculturedebate/ Bluesky: https://bsky.app/profile/gpcd.bsky.social Website: https://www.greatpopculturedebate.com/ Patreon: https://www.patreon.com/greatpopculturedebate #podcast #popculture #debate #bestof #podcasts #music #movies #film #books #comics #television #tv #lgbtq #lgbt #nostalgia #geek #nerd #culture #greatest Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our episode devoted to the best cinematic score by American composer and legend John Williams, and walks you through the Round 1 match-ups. The main episode will release on Tuesday, November 18, wherever you listen to podcasts. ⁠⁠⁠⁠⁠⁠Make sure to subscribe to the podcast⁠⁠⁠⁠⁠⁠ so you don't miss any upcoming episodes. And ⁠⁠subscribe to our YouTube Channel⁠⁠ so you don't miss our original video posts this fall and winter! And if you love pop culture, ⁠⁠⁠sign up for our weekly newsletter⁠⁠⁠ to keep up on all the new movies, music, and TV shows dropping every week! CREDITS: Intro/outro music: "Dance to My Tune" by Marc Torch IG: https://www.instagram.com/greatpopculturedebate/ Bluesky: https://bsky.app/profile/gpcd.bsky.social Website: https://www.greatpopculturedebate.com/ Patreon: https://www.patreon.com/greatpopculturedebate #podcast #popculture #debate #bestof #podcasts #music #movies #film #books #comics #television #tv #lgbtq #lgbt #nostalgia #geek #nerd #culture #greatest Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Audio Talks, host Oisin Lunny is joined by trailblazing composer and conductor Eímear Noone, whose music has shaped everything from the Oscars to iconic video games like World of Warcraft and Diablo III. Together, they explore the transformative power of musical storytelling across film, television, and interactive media. Eímear shares how her Irish roots, early mentors, and relentless curiosity propelled her from a small village to the world's most prestigious stages. The conversation delves into her experiences in the video game industry, the unique challenges and creative opportunities of composing for games, and the emotional depth that music can bring to storytelling. She also discusses her commitment to supporting the next generation of composers through her mentorship program for young female artists, reflecting on the importance of resilience, community, and paying it forward in the music world.

Producer, sound designer and composer Jonathan Snipes joins William Stokes to explore his work with experimental hip-hop group Clipping, sharing an inside look at their unique production process, before showcasing five modules in an exclusive live performance.Chapters00:00 - Introduction01:12 - Combining Hip Hop And Experimental Sounds12:45 - Unconventional Sounds And Beats 16:52 - Annea Lockwood Piano Burning20:59 - 5U Modular Selection24:31 - Module 1: Q106 Oscillator29:43 - Module 2: Modcan Digital Delay38:51 - Module 3: Modcan Frequency Shifter 39b43:04 - Module 4: Modcan Quad Envelope 60b47:41 - Module 5: Tellun TLN-156 Neural Agoniser52:04 - Live Performance#Q106Oscillator #ModcanDigitalDelay #ModcanFrequencyShifter #ModcanQuadEnvelope #TellunTLN-156Jonathan Snipes BiogJonathan Snipes is a producer, composer and sound designer based in Los Angeles, where he teaches sound design in the theatre and film departments at UCLA. As well as his work for film, television and theatre, he is known as a member of the experimental group clipping., along with fellow producer William Hutson and rapper Daveed Diggs. Having recently released their sixth studio album Dead Channel Sky on iconic label Sub Pop Records, clipping. are an outfit in the vanguard of hip-hop, sound design, beat making and strident experimentalism.https://www.jonat8han.com/https://www.instagram.com/jonat8han/William Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

From the ska pop days of Oingo Boingo to his four Academy Award nominations for Best Film Score, Danny Elfman is so much more than simply “Tim Burton's other half”. We discuss his roots, his influences, and his appearance at Utah's FanX; but, of course, we also talk about Batman, Men in Black, and A Nightmare Before Christmas!Today's root beer is Hank's 30th Anniversary.Intro and Outro music by Stereoalex on Pond5Send us a text

The filmmaker John Carpenter has a whole shelf of cult classics: “They Live,” “The Thing,” “Escape from New York,” “Halloween,” and so many more. And while he hasn't directed a new movie in more than a decade, Carpenter has continued working in the film industry, composing scores for other directors (Bong Joon Ho recently approached him about a horror movie). He has also released albums of cinematic music—no film required—often working with his son, Cody Carpenter, and the musician Daniel Davies, his godson. The New Yorker Radio Hour producer Adam Howard talks with Carpenter ahead of the launch of his new small tour, just in time for Halloween, and they discuss the unusual shift he made from directing to composing. “It's a transition from pain to joy. Directing movies is very, very stressful,” Carpenter explains. “Playing music in front of a live audience—it's joy. It's just joy.” Carpenter suggests three inspirational scores from film history: Bebe and Louis Barron's electronic music for “Forbidden Planet”; Bernard Herrmann work on Hitchcock's “Vertigo”; and Hans Zimmer's music for “Pirates of the Caribbean: Dead Man's Chest.”

Why Film Scores Matter enrollment pageDustin Yoder on IMDBDustin Yoder on InstagramArticle on Dustin from the Arkansas Democrat-Gazette  Reel Talk Arkansas is a production of the Arkansas Cinema Society + Little Rock Public Radio. Theme music by Princeaus. Follow ACS on Instagram, Facebook or our website.

In our latest tribute, Janet, John, (and Pen) celebrate the life and career of a revered Greek musician and composure who found success  across many different genres... Vangelis! His career began in rock bands,  where with Aphrodite's Child he helped create the album 666, which would become a progressive-pyschadelic rock classic. He continued to find success in the music industry before transitioning to scoring films with Charitos of Fire in 1981, for which he would win Best Original Score at the Academy Awards. His career was launched to new heights and would continue making music for classic moves movies such as Blade Runner (1982), Missing (1983), Antarctica (1983), The Bounty (1984), 1492: Conquest of Paradise (1992), and Alexander (2004). His career in music spanned over 50 years, making him one of the most important figures in modern film music.  To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

In this special show, we are celebrating the music of the label, which has cornered the market on obscure scores to great effect, DRAGON DOMAIN RECORDS. During the show, your host Jason Drury will be playing music from scores by Gerald Fried, Bernard Herrmann, Leonard Rosenman, Lalo Schifrin, Gil Melle and Christopher Young . Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Zach, Ben, and Tressel countdown their five favorite film scores! Some classics and a few more unknown scores are named so be sure to hear who made the cut!

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Dave Everson, formerly of Detroit Symphony Orchestra and LA studio hornist. About Dave: David Everson, retired Assistant Principal Horn of the Detroit Symphony Orchestra, joined the DSO in 1999 after serving as Principal Horn of the Kansas City Symphony for 13 years. A Michigan native and student of Louis Stout at the University of Michigan, he has also performed as guest Principal with ensembles including the Los Angeles Philharmonic, National Symphony, and St. Paul Chamber Orchestra. Everson is active as a studio musician in Los Angeles, where he has recorded more than 150 film scores, and he continues to perform with the Naples Philharmonic and freelance in LA.

Get ready to hear two guys hum and honk as Ben and Dylan conduct their way through the most iconic movie themes of the 2000s. From John Williams' magical “Hedwig's Theme” to Howard Shore's thunderous “Bridge of Khazad Dum”, from Klaus Badelt's swashbuckling “He's a Pirate” to Joe Hisaishi's dreamy “One Summer Day”, these scores defined a generation of film lovers. Join us for laughter, nostalgia, and some very bad humming as we relive the soundtrack to the 2000s—one iconic theme at a time.   Round 1- 3:00 Round 2- 13:00 Sponsor- 21:45 Round 3-24:45 Round 4- 32:45 Duel- 40:00   Score Links - Listen and tell us what you think! Harry Potter (Hedwig's Theme-Jon Williams): https://www.youtube.com/watch?v=wtHra9tFISY&list=RDwtHra9tFISY&start_radio=1  Lord of the Rings (Prologue: One Ring to Rule them all- Howard Shore): https://www.youtube.com/watch?v=W0znpBHTmFw  Requiem for a Dream (Lux Aeterna - Clint Mansell): https://www.youtube.com/watch?v=Byl3hl5r6OA&list=RDByl3hl5r6OA&start_radio=1 The Incredibles (The Glory Days- Michael Giacchino): https://www.youtube.com/watch?v=Uaz2MPzBQps&list=RDUaz2MPzBQps&start_radio=1  Pirates of the Caribbean (He's a Pirate, Klaus Badelt): https://www.youtube.com/watch?v=BuYf0taXoNw&list=RDBuYf0taXoNw&start_radio=1 Fellowship of the Ring (The Bridge of Khazad Dum, Howard Shore): https://www.youtube.com/watch?v=ehAgMszCHU4&list=RDehAgMszCHU4&start_radio=1  There Will Be Blood (Prospectors Arrive, Johnny Greenwood): https://www.youtube.com/watch?v=L6YndFacEnk&list=RDL6YndFacEnk&start_radio=1  Spirited Away (One Summer Day, Joe Hiraishi): https://www.youtube.com/watch?v=TK1Ij_-mank&list=RDTK1Ij_-mank&start_radio=1

In a show packed with the best film music slotted into a 2-hour show, your host Jason Drury begins with music from Alan Silvestri's classic for BACK TO THE FUTURE (Intrada Records), which this year is celebrating its 40th anniversary. Jason then continues with music from recent Archive releases, including Hans Zimmer and Lisa Gerrard's GLADIATOR (La La Land Records), celebrating the score's 25th anniversary; the belated 40th anniversary celebration of Jerry Goldsmith's 1983 classic score for FIRST BLOOD (Intrada Records) and then selections from John Cameron for the 1980 Agatha Christie mystery movie THE MIRROR CRACK'D. Jason then continues the show with music from Henry Mancini's classic score from the classic 1983 mini-series THE THORN BIRDS, which has received a deluxe edition from Varese Sarabande Records, Basil Poledouris' 1990 Australian Western score QUIGLEY DOWN UNDER (Intrada Records) as well as selections from Jerry Goldsmith's 1972 TV movie thriller PURSUIT (Intrada Records), which is a re-recording from a recent Kickstarter campaign initiated by Producer and Orchestrator Leigh Phillips. Jason then rounds off the show with music from the new 2-CD set of Michael Kamen's classic score from the 1993 Disney adaptation of THE THREE MUSKETEERS (Intrada Records). Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Have you ever wondered what it really takes to produce a classic hit? Or what goes through a producer's mind when they're building a song from the ground up—or tearing it down to start again? Here to help us understand that process is Stephen Lipson. Stephen is the legendary producer and creative mastermind behind iconic tracks from Frankie Goes to Hollywood, Grace Jones, Annie Lennox, Simple Minds and many more including collaborations on film music such as  Batman: The Dark Knight Rises, The Lion King and Top Gun: Maverick.  From behind-the-scenes studio secrets to philosophical reflections on the role of music and technology, this conversation is a deep dive into the life of a modern music craftsman.

Send us a textGood evening listeners and welcome to another episode of Last Call with Three & 1/2 Gentlemen. As they continue with their regular movies and tv shows reviews, the hosts will bring you a biweekly mini show, about movie topics, upcoming film releases and news in the entertainment world. Tonight, the hosts will explore the profound impact of music in film and television, discussing iconic scores, the emotional weight of soundtracks, and the nostalgia that shapes storytelling. They delve into the works of renowned composers like John Williams and the significance of memorable themes in enhancing the viewer's experience. The discussion also touches on the evolution of TV scores and the influence of music on character development, culminating in a celebration of the art of scoring in both film and television. It's last call with the hosts, so let's raise your glasses and as we celebrate our love for the movies. Come listen and follow the hosts on their Instagram and YouTube channel @the.gentlemenpodcas

Welcome to Cinematic Sound Radio's celebration of the 35th anniversary of Film Score Monthly. In 1990, a young film music fan named Lukas Kendall began what was to become Film Score Monthly with a Xeroxed newsletter sent to a handful of fans who signed up to receive the snail mail newsletter. From there, the newsletter turned into one of the biggest soundtrack publications in the world. The magazine's run ended in 2005 at 150 issues. It ceased printing due to budgetary reasons. The magazine, however, still lives on in the digital world as FSM On-Line. A byproduct of the magazine was a record label, which began in 1998 with the release of Jerry Goldsmith's STAGECOACH / THE LONER. Lukas would go onto produce 250 FSM CDs, many of them long-sought-after "holy grails." The label would cease production in 2013. The website and popular message board are still running, but are in desperate need of updating. That's where you come in. Lukas is currently raising money on Kickstarter to help fund a brand-new website, message board, book, CD and more! As of the release of this episode on June 20th, 2025, the Kickstarter has reached its initial goal of $25,000 and is currently in its stretch run to raise an additional $25,000. If you've already pledged, thank you, but if you haven't, then please head over to the Kickstarter by CLICKING HERE and donate what you can to help keep this film music institution running smoothly for the next 35 years! To celebrate FSM's 35 years, I'm going to play for you my top five favourite Film Score Monthly CDs of all time, featuring the music of Franz Waxman, Bronislau Kaper, Johnny Green, Stu Phillips, Elmer Bernstein, Alexander Courage and Jerry Goldsmith. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

In this episode of The Bandwich Tapes, I sit down with William James, Principal Percussionist of the St. Louis Symphony Orchestra. We talk about his journey through the world of orchestral percussion, from early influences and summer programs to the high-pressure world of auditions. Will shares thoughtful insights on what it takes to succeed as a modern percussionist, both musically and administratively.We dig into the evolving expectations placed on orchestral players, the challenges of recording and venue acoustics, and how creativity, flexibility, and technology are reshaping the field. We also reflect on the importance of great teachers, the value of building a strong repertoire, and the ongoing role education plays in both our lives.Will's passion for percussion extends far beyond performance—he's a dedicated educator, chamber musician, and author. His contributions to the percussion community have had a lasting impact, and I was grateful for the opportunity to delve deeper into his story.About William James: William James is the Principal Percussionist of the Saint Louis Symphony Orchestra. He won the position at just 25, following studies at Northwestern University and the New England Conservatory. A versatile performer and educator, Will has played with top orchestras across the country, given solo recitals, taught masterclasses nationwide, and authored The Modern Concert Snare Drum Roll. You can learn more about William at: williamjamespercussion.comMusic from the Episode:Scirocco (Michael Burritt)Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

This week on the InSession Film Podcast, we discuss the best film scores of the decade so far! We also talk about the great Michael Fassbender coming off the heels of the latest Women InSession podcast as we had more to say (and defend) about his career.   - Opening Banter (0:42) - Michael Fassbender (16:52) - Film Scores of the Decade (46:02)   Visit https://insessionfilm.com for merch and more!   Episode Sponsor: Saily - Get 5% OFF with the code ISF5: https://go.saily.site/aff_c?offer_id=101&aff_id=9039   Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content!   Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

Marshall, Ben, Kirk, and Mike geek out about some of their favorite film-scoring moments and explore just how powerful music is when fastened to picture in a moving way. Got any questions you want answered in an upcoming episode? Email us at podcast@all-ambient.com.The⁠⁠⁠⁠⁠⁠⁠⁠⁠ all:ambient Discord server⁠⁠⁠⁠⁠⁠⁠⁠⁠ is now live! Come join the community & conversation with a bunch of like-minded artists & creators. ⁠⁠⁠⁠⁠⁠⁠⁠⁠Join us here⁠⁠⁠⁠⁠⁠⁠⁠⁠ – you'll need to create a Discord account if you've never done so – and welcome to the all:ambient family!the all:ambient podcast is an inside look at the incredible artists in ambient music, digging into creative processes, hearing untold stories, and following the rabbit trail to wherever that conversation may lead.Don't forget to leave a review and text a friend or fellow musician about the podcast. We really appreciate it!

In a show packed, as always, with quality music, your host Jason Drury begins the show with THE JAMES BOND SUITE from the compilation album JOHN BARRY - THE POLYDOR YEARS: THE CONCERT JOHN BARRY (Quartet Records) by John Barry Jason then continues with THE REIVERS (CONCERT SUITE) by John Williams from La La Land Records new 2-CD set release of music from the classic 1969 film starring Steve McQueen. That is followed by a concert suite of music from the 1980s Gerry Anderson ‘Supermacromation' series TERRAHAWKS (Silva Screen Records) by Richard Harvey. Jason then continues with the "Main Title" from the original 1963 film THE PINK PANTHER by Henry Mancini, released in a new 2-CD set by Quartet Records over Christmas 2024. Afterwards, you'll hear selections from Laurie Johnson's swashbuckling score for THE LADY AND THE HIGHWAYMAN (Dragon Domain Records), ABBOTT AND COSTELLO MEET FRANKENSTEIN from the crowdfunded re-recording of Frank Skinner's score from Intrada Records and a suite from the 1961 Disney family drama GREYFRIARS BOBBY from the album THE FILM MUSIC OF FRANCIS CHARGIN from Naxos Records. Jason then rounds off the show with ‘The End' from another recent release from Quartet Records, another 2-disc reissue, this time from the 1991 Martin Scorsese remake of CAPE FEAR by Bernard Herrmann, adapted, arranged and conducted by Elmer Bernstein. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

‘Where life had no value, and death sometimes had its price. That is why bounty hunters appeared.' For decades, the Italian, or Spaghetti Western, has entertained and thrilled cinema audiences all over the world. Its distinct style, as well as its inventive musical scores, has influenced and inspired actors, filmmakers, and composers. It is a genre that is still enjoyed today by many. This unusual but entertaining ensemble of films influenced not just the western film as we knew it, but also had a lasting effect on many other movies. Some of which were produced long after Italian westerns had ridden off into the proverbial sunset of cinema history. On today's episode, join Jason Drury and special guest Italian Western music expert John Mansell as they uncover the musical delights of this quirky but important collection of sagebrush sagas. The unique musical sounds crafted by the composers you will hear go largely unnoticed and underappreciated today. Enjoy! John Mansell's book, ITALIAN WESTERN: VIOLENT IMAGE, SAVAGE SOUNDTRACK – THE MUSIC OF SPAGHETTI WESTERNS is available now on Amazon. To obtain a copy, press HERE! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Send us a textIn this episode of Horrific Podcast, we sit down with acclaimed composer Clayton Worbeck to discuss his latest haunting score, Call of the Void. Known for his atmospheric and narrative-driven compositions, Clayton brings a distinct voice to film and TV. From touring with Ministry to scoring psychological thrillers, he shares his journey from industrial rock to cinematic soundscapes—and what inspired his latest chilling work. Clayton Worbeck is an award-winning film and TV composer based in Vancouver. With roots in experimental rock and industrial music, he's worked with acts like Ministry, Filter, and IAMX, and contributed to soundtracks for Saw V and EA Sports NHL 10. His latest project, Call of the Void, is a dark, immersive score pushing sonic boundaries. Get The Best Energy Drink On The Market Today: Dubby! It gives us Energy We Need to battle all the Ghosts and Demons! Use Code "HORRIFIC" to save 10% https://www.dubby.gg/discount/HORRIFIC%20?ref=yfafejid Make Your Car or House Smell Like a Disney or Universal Park with Magic Candle Company! Use Code "THNETWORK" at checkout and save 10% https://magiccandlecompany.com?sca_ref=8499280.CVzaCEZ7Ko Ghost Executioners and Halloween Gory Nights Merchandise! https://www.teepublic.com/user/thehorrificnetwork?utm_source=designer&utm_medium=social&utm_campaign=horrificnetwork Follow All Things Horrific Network Here https://linktr.ee/thehorrificnetwork

In the latest episode, Grammy-nominated, Juno Award-winning producer Fred Mollin shares stories of working with legends like Michael McDonald, and Billy Joel. Plus, hear about his prank on Rod Stewart, dealing with a doped-up Harry Nilsson with a nasty attitude, his work on the Friday the 13th films, and more!Purchase a copy of Unplugged: Stories and Secrets from a Life of Making Records, Scoring Film, and Working with the Legends of MusicVisit FredMollinUnplugged.comVisit Fred Mollin's official website ---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:ACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

What are your favorite film scores ever? What about the most iconic?

Today Chuy pins the guys against each other to see how well they know their film scores. Then Chuy mentions a rumor he heard about Bob which leads to us asking about listeners rumors. Finally Nod to the ODD gives us the Turd Tosser. Support the show: https://www.klbjfm.com/mattandbobfm/See omnystudio.com/listener for privacy information.

Although we're now a couple months into 2025, I finally present you with the "best" film scores of 2024. As usual, there are some very mainstream scores in here that most observers would agree with and there are a few left field choices. If you're a longtime listener, that shouldn't surprise you. As with all of these lists, although I say they're the "best", what I really mean is these are my favorites. Who's to say what's really the best? Surely not me. If you can't control yourself, look below to see what scores I picked, though you'll miss out on the why of it all. And make sure to check out my conversation with David Rosen (from Piecing It Together) to see what we think are the best film scores of the decade (so far). Evil Does Not Exist – Eiko Ishibashi Smile 2 – Cristobal Tapia de Veer Megalopolis - Osvaldo Golijov AGGRO DR1FT – AraabMuzik Dune 2 – Hans Zimmer The Brutalist – Daniel Blumberg Challengers – Trent Reznor & Atticus Ross Le Comte de Monte Cristo (The Count of Monte Cristo) - Jerome Rebotier Kingdom of the Planet of the Apes - John Paesano A Different Man – Umberto Smerilli

OBSCURE SCORES returns to CINEMATIC SOUND RADIO with an absolute banger of a show: PORNO GROOVES - MUSIC FROM ADULT FILMS. Everyone has to start somewhere and the erotic entertainment industry also needs composers. Take some time with DR. LOVE as he leads you through some classics of the porn music industry. Featured is music from SPACE THING with music by William A. Castleman, WOMB RADIER by Scott Randolph and music from porn classics DEEP THROAT and DEEP THROAT 2. Relax, babies and let the music flow over you. The doctor has spoken... Enjoy! Huge thanks to producer Tamara Ravencroft, who remastered the show. You can find her show, The Darkside with Madame Ravencroft, on MIX 98.5 in Kitchener, Ontario, each Wednesday morning from 12-2am (ET). You can find repeat shows on visionsinsound.ca —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On this special episode, I'm joined by Nick Marcus from The Film Scorer Podcast to discuss our picks for the best film scores of the 2020s decade so far at the mid-way point. This special conversation is a cross-over that will appear on both of our podcasts and we get into a lot of really amazing film scores from over the last 5 years.As always, SPOILER ALERT for any of the movies we discuss!Nick Marcus is the host of The Film Scorer Podcast, featuring long-form interviews with film composers.Check out The Film Scorer at https://thefilmscorer.com/And follow The Film Scorer on Twitter @thefilmscorerMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAThe song at the end of the episode is the main theme from "The Angel Of Death," a film from director Christopher Johnson that you will be able to see soon.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or

Today we're talking with accomplished composer, Andrew Morgan Smith who has successfully navigated the world of both film and concert composition. We are diving into the technical details about work flow, working with orchestrators, scoring sessions that span the globe, and keeping up with latest technological innovations in the music world. https://www.andrewmorgansmith.com/

In a show jam-packed with superb music, Jason Drury opens with a 10-minute suite of Christopher Young's new soundtrack for the 1922 silent horror classic, NOSFERATU A SYMPONY OF HORROR (Warner Classics). Jason then moves on to selections from John Williams' 2000 score THE PATRIOT, which Intrada Records recently released to commemorate its 25th anniversary, Trevor Jones' score for the 1982 Jim Henson-directed dark fantasy THE DARK CRYSTAL (La La Land Records), and, as a tribute to the late John Morgan, music from the 1982 sci-fi horror THE AFTERMATH (Dragon Domain Records). The show continues with a 2024 re-recording of Dimitri Tiomkin's score for the 1958 adventure drama THE OLD MAN AND THE SEA (Intrada Records), followed by music from the 1972 science fiction horror film HORROR EXPRESS by John Cavacas (Quartet Records/Citadel Records), and selections from Nile Rodgers' score for the 1994 comedy sequel BEVERLEY HILLS COP III (La La Land Records). Jason concludes the episode by playing music from John Williams' STAR WARS: EPISODE III - REVENGE OF THE SITH (Sony Classical), which is celebrating its twentieth anniversary this year Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On this special episode of Piecing It Together, composer and podcaster Brian Skutle joins me to take a look back at 2024 and some of our favorite film scores of the year! It was a big year for movies and we get into a lot of great picks from some of the more celebrated scores like The Brutalist and Conclave to some more more out of left field picks like Daddio, The Colors Within and A Different Man!As always, SPOILER ALERT for any of the movies we discuss!Brian Skutle is a film critic and runs Sonic CinemaCheck out Sonic Cinema at http://sonic-cinema.com/Follow Brian on Twitter @skutlelemurMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Begin Again" which you can watch at https://www.youtube.com/watch?v=hkb2VsJlH6sThe song at the end of the episode is a piece of a film score that I did in 2024 for a film called The Angel Of Death which you'll be able to watch soon. Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our TeePublic store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://www.teepublic.com/stores/piecing-it-togetherShare the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or

Your host Jason Drury begins the show with the superb 22-minute "Grand Gothic Suite" by Elliot Goldenthal from the album ELLIOT GOLDENTHAL: MUSIC FOR FILM (Silva Screen Records), containing music from BATMAN FOREVER and BATMAN AND ROBIN. Jason then continues with selections from Nino Rota's Oscar-winning score from 1974‘s THE GODFATHER PART 2 (La La Land Records) and Jerry Goldsmith's classic 1976 score for ISLANDS IN THE STREAM, which Intrada Records recently reissued. The wonderful theme from John Barry's Oscar-winning score from the 1985 film OUT OF AFRICA (Intrada Records) continues the show. This is followed by music from David Fanshawe's score for the 1991 Michael Winner revenge thriller DIRTY WEEKEND (Silva Screen Records) and then music from Don Davis's score from the 2001 film JURASSIC PARK III (La La Land Records) Jason then rounds off the show by playing more music from the album ELLIOT GOLDENTHAL: MUSIC FOR FILM with another suite, this time from his classic score from 1992‘s ALIEN 3. Enjoy. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Filmmaker Halina Reijn returns! The writer-director joins us to discuss the making of her new film "Babygirl" starring Nicole Kidman, Harris Dickinson, and Antonio Banderas. She shares how her original A24 hit "Bodies Bodies Bodies" opened doors for her as a filmmaker in America, how Nicole Kidman played an integral role in securing music rights for a pivotal scene in the film, the magnificence of Antonio Banderas, and more. This is officially our last interview in 2024. We'll be taking next week off and will be back with a full show to kick off 2025 on January 10.ReelBlend PremiumSign up for a bi-weekly newsletter from Sean, and ad-free episodes at bit.ly/reelblendpremium.ReelBlend on YouTubeBe sure to subscribe to ReelBlend on YouTube (YouTube.com/ReelBlendPodcast) for full episodes of the show in video form.Follow The ShowReelBlend - @ReelBlendSean - @Sean_OConnellJake - @JakesTakesKevin - @KevinMcCarthyTVGabe - @gabeKovacsOur Sponsors:* Check out Rosetta Stone and use my code TODAY for a great deal: https://www.rosettastone.com* Check out Rosetta Stone and use my code TODAY for a great deal: https://www.rosettastone.comSupport this podcast at — https://redcircle.com/reelblend/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's Casual Friday! Joining us is Heather "Digby" Parton from the blog Hullabaloo. Also, H Jon Benjamin, aka the Jazz Daredevil, joins us to talk about his new soundtrack project and his live show in New Jersey. See the Jazz Daredevil in New Jersey here: https://www.subpop.com/artists/jon_benjamin_jazz_daredevil/tours First, Sam and Emma run through updates on the Harris-Walz blue wall press, Trump's interview dropouts, Israel's killing of Yahya Sinwar and ongoing assaults on Gaza and Lebanon, early voting in the US, death and justice in Texas and Tennessee, Secret Services' systemic failures, and an unseemly $30m drop in the polymarket bucket, also parsing through Trump's confusingly bad appearance on Fox and Friends, leaving hosts stunned over his nonsensical ramblings about attack ads and education. Diby then joins, as she helps Sam and Emma unpack Trump's struggles at the most sycophantic of town halls with Univision, as he continues to get in his own way with his lies about January 6th and obsession with anti-immigrant fear-mongering. They also dive into early voting turnout trends, with massive numbers out of swing states highlighted by a particular gender gap favoring Democrat-voting women, and explore what that says about the GOP's low-propensity push, before shifting into an extensive conversation on the Trump campaign's preemptive attacks on election integrity, and what an attempt to steal the election with real political infrastructure behind it could look like. H. Jon. Benjamin. then helps to explore the relationship between luck and success, and why random and annoying DOES, in fact, = funny.   And in the Fun Half: Sam and Emma unpack Jerry Seinfeld's wildly reactionary relationship to comedy, watch Elon Musk make even the most sycophantic audience look awkward, and listen to Donald Trump struggle to tie together some frayed conspiratorial strings about “King of the Woke” Harvey Weinstein, plus, your calls and IMs! Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Follow us on TikTok here!: https://www.tiktok.com/@majorityreportfm Check us out on Twitch here!: https://www.twitch.tv/themajorityreport Find our Rumble stream here!: https://rumble.com/user/majorityrep ort Check out our alt YouTube channel here!: https://www.youtube.com/majorityreportlive Join Sam on the Nation Magazine Cruise! 7 days in December 2024!!: https://nationcruise.com/mr/ Check out StrikeAid here!; https://strikeaid.com/ Gift a Majority Report subscription here: https://fans.fm/majority/gift Subscribe to the ESVN YouTube channel here: https://www.youtube.com/esvnshow Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! http://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: http://majority.fm/app Go to https://JustCoffee.coop and use coupon code majority to get 20% off your purchase! Check out today's sponsors: Article: Article is offering you 50 dollars off your first purchase of 100 dollars or more.  To claim, visit https://Article.com/majority and the discount will be automatically applied at checkout.  That's https://Article.com/majority for 50 dollars off your first purchase of 100 dollars or more. Manukora Honey: Head to https://Manukora.com/MAJORITY to get $25 off the Starter Kit, which comes with an MGO 850+ Manuka Honey jar, 5 honey travel sticks, a wooden spoon, and a guidebook! Sunset Lake CBD: Sunsetlakecbd is a majority employee owned farm in Vermont, producing 100% pesticide free CBD products. Use code Leftisbest and get 20% off at http://www.sunsetlakecbd.com. Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattLech @BradKAlsop Check out Matt's show, Left Reckoning, on Youtube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out Ava Raiza's music here! https://avaraiza.bandcamp.com/ The Majority Report with Sam Seder - https://majorityreportradio.com/

We celebrate spooky season with an unnerving mix of songs from our favorite horror movie scores, including The Shining, Under The Skin, Hereditary and more.Enjoy the show? Tell a friend and leave us a review wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgFeatured songs and films:1. Wendy Carlos and Rachel Elkind: "Main Title" and "Clockworks (Bloody Elevators)," from The Shining2. Mark Korven: "The Goat & The Mayhem," from The Witch3. Goblin: "Sighs," from Suspiria4. Hildur Guǒnadóttir: "The Door," from Chernobyl5. John Carpenter: "Main Title," from Halloween6. Colin Stetson: "Mothers & Daughters," from Hereditary7. Mica Levi: "Lipstick To Void," from Under the Skin8. Cristobal Tapia De Veer: "Laura Smile," from Smile9. Ben Salisbury and Geoff Barrow: "The Alien," from Annihilation10. Bobby Krlic: "Gassed," from MidsommarLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy