Podcasts about fonsi

Después de tanto tiempo hemos hecho un variadito de temas muy rico: más de 90 minutazos de dos madridistas cuñadeando a tope. Pero no hemos dejado ni un tema por tocar. Incluso hemos hablado del madridismo de Fonsi, que sabemos que es una cosa que gusta mucho por aquí. ¿Nos echabais de menos? Penalti Pop: Un recorrido divertido y nostálgico por aquellos temazos que mantienen viva nuestra memoria futbolera: https://amzn.eu/d/iLxLZTJ

El Betis de Pellegrini suma y sigue en Liga y ya asalta las plazas europeas de la tabla. Además, charlamos con el expiloto Fonsi Nieto sobre el dominio de los hermanos Márquez en el inicio de temporada del mundial de MotoGP. 

David Santos - EL COMUNISTA FONSI HACE EL RIDÍCULO (15-03-2025) Más contenido inédito en: https://www.es-tv.es Aportaciones a Raúl: https://www.patreon.com/user?u=40527138 Nº de cuenta: ES75 3018 5746 3520 3462 2213 Bizum: 696339508 o 650325992 Aportaciones a David: https://www.patreon.com/davidsantosvlog Nº de Cuenta: ES78 0073 0100 5306 7538 9734 Bizum: +34 644919278 Aportaciones a Equipo-F: TITULAR: EQUIPO F CUENTA: ES34 1465 0100 9417 5070 9106 C ÓDIGO SWIFT: INGDESMM Conviértete en miembro de este canal para disfrutar de ventajas: https://www.ivoox.com/podcast-un-murciano-encabronao-david-santos-los-audios_sq_f11099064_1.html Canales de U.M.E.: El Cid

David Santos - VIERNES EXTENSIBLE - REACCIÓN FONSI LOAIZA - REPASO SEMANAL (14-03-2025) Más contenido inédito en: https://www.es-tv.es Aportaciones a Raúl: https://www.patreon.com/user?u=40527138 Nº de cuenta: ES75 3018 5746 3520 3462 2213 Bizum: 696339508 o 650325992 Aportaciones a David: https://www.patreon.com/davidsantosvlog Nº de Cuenta: ES78 0073 0100 5306 7538 9734 Bizum: +34 644919278 Aportaciones a Equipo-F: TITULAR: EQUIPO F CUENTA: ES34 1465 0100 9417 5070 9106 C ÓDIGO SWIFT: INGDESMM Conviértete en miembro de este canal para disfrutar de ventajas: https://www.ivoox.com/podcast-un-murciano-encabronao-david-santos-los-audios_sq_f11099064_1.html Canales de U.M.E.: El Cid

On this episode of #LatinosOutLoud, #RachelLaLoca and actresses Vivian Lamolli & Vanessa Vasquez open their hearts and engage in a deep conversation about the film, Say a Little Prayer, friendships, motherhood, and being a happy as you can with yourself. The film, which had its limited theatrical premiere over the holidays in more than 120 theaters across the U.S. and the Caribbean will be available on video-on-demand platforms, including Apple TV and Prime Video, this Valentine's Day, February 14. Directed by Patrick Perez Vidauri and written by Nancy De Los Santos, the film follows three best friends who recite an ancient prayer to St. Anthony, the patron saint of "all things lost," in their quest for love, unleashing chaos and testing their friendship. The film stars Vannessa Vásquez (Divorce Bait), Jackie Cruz (Orange is the New Black), Vivian Lamolli (Grease: Rise of the Pink Ladies), and Grammy Award-winning recording artist Luis Fonsi in his film debut. The supporting cast includes Angélica María, Pepe Serna, and Chris Kattan. Luis Fonsi makes his feature film debut in Say a Little Prayer, marking an exciting milestone for the Grammy Award-winning artist. Fonsi also lends his voice to the film's title track, "The Prayer In Your Eyes”. This English Language love ballad adds a poignant layer to the film, enhancing its characters' emotional journeys. Follow These Latinas! Rachel Vivian Vanessa #SayALittlePrayer #Movies #LatinosOutLoud #LOL #VanessaVasquez #VivianLamolli #RachelLaLoca #Latinas

What does it take to make you happy?Can you think of the last time you felt a sense of contentment or that you viewed your life with a sense of appreciation simply from watching the sunrise?Today I want to introduce you to Marco, Marco is just such a person. As a photographer and lover of times in nature, Marco is one that truly takes each moment for the joy it holds.I met Marco a few years ago in Mexico and on this past trip I got to do my scuba dive course with him; we got to learn from our friend and instructor Fonsi, and I got to see even more of who I already knew Marco to beMarco and I chat about how we can often as humans push or expect so much of ourselves, how taking things one action, or one decision at a time can so often lead to less anxiety and a chance to see where life will take usHe shares how taking small steps has led him to where he is and what he does, how he values being a friend and having space to still explore who and what he will do with lifeMarco is one that means what he says, one that values connection with others, one that will stay in touch with you no matter where you are in the world, and one that will do what he can to support those in his lifeMarco is a genuine soul and one I'm truly honored to get to share with you today To tune in and meet Marco, a human that wants to remind you to take life as it comes to “roll with the current” and appreciate the beauty in every single moment And to you Marco thank you, thank you for allowing me to share a part of your story with others, for being a source of sincerity and kindness in this world, and for being a fantastic scuba partner. Excited to see where life continues to take you and all the beautiful things you are yet to create 

El escritor Fonsi Loaiza nos presenta su libro "Oligarcas - Los dueños de España" y nos cuenta un poco de las relaciones entre el poder político y el deporte, la relación de Aldama con el pp, con el franquismo y los conseguidores, Florentino Pérez y su poder por encima del poder, y también, el blanqueo y defensa de la monarquía y, sobre todo, de Juan Carlos I. Mas vídeos de Pandemia Digital: https://www.youtube.com/c/PandemiaDigital1 Si quieres comprar buen aceite de primera prensada, sin intermediarios y ayudar de esa forma a los agricultores con salarios justos tenemos un código de promoción para ti: https://12coop.com/cupon/pandemiadigital/ ----------------------------------------------------------------------------------------------- Únete a nuestra comunidad de YouTube https://www.youtube.com/channel/UCFOwGZY-NTnctghtlHkj8BA/join Se mecenas de Patreon https://www.patreon.com/PandemiaDigital ----------------------------------------------------------------------------------------------- Súmate a la comunidad en Twitch - En vivo de Lunes a Jueves: https://www.twitch.tv/pandemiadigital Sigue nuestro Canal de Telegram: https://t.me/PandemiaDigital Suscríbete en nuestra web: https://PandemiaDigital.net Sigue nuestras redes: Twitter: https://twitter.com/PandemiaDigitaI Facebook: https://www.facebook.com/PandemiaDigitalObservatorio Instagram: https://www.instagram.com/pandemia_digital_twitch TikTok: https://www.tiktok.com/@pandemiadigital #PandemiaDigital

Repasamos el Mundial de motociclismo que se decide este fin de semana en Montmeló y hablamos con el coach de Jorge Martín. 

Pueblo español está reaccionando contra oligarcas que ponen en peligro a trabajadores: Fonsi LoaizaEnlace para apoyar vía Patreon:https://www.patreon.com/julioastilleroEnlace para hacer donaciones vía PayPal:https://www.paypal.me/julioastilleroCuenta para hacer transferencias a cuenta BBVA a nombre de Julio Hernández López: 1539408017CLABE: 012 320 01539408017 2Tienda:https://julioastillerotienda.com/ Te invitamos a que visites nuestro perfil en Patreon. Solo da clic aquí Hosted on Acast. See acast.com/privacy for more information.

A collaborative series of podcasts between artists FEN and Carlos “Cafzka” Fonsi, Horrortober features both artists celebrating & discussing a few horror movies they have watched previously or those they are watching throughout October.   Una serie colaborativa de podcasts entre artistas FEN y Carlos “Cafzka” Fonsi, Horrortober presenta ambos artistas celebrando y discutiendo algunas películas de terror que han visto previamente o aquellas que estén disfrutando a través de Octubre.   FOLLOW CAFZKA on SOCIAL MEDIA   https://instagram.com/cafzka?igshid=1oubqf0oerglu     FOLLOW FEN on SOCIAL MEDIA:   https://www.facebook.com/fencorrea/   https://www.instagram.com/fencorrea/    https://twitter.com/fencorrea      FIND FEN'S Books on Amazon/Spotify/YouTube/Bandcamp:   https://www.amazon.com/Fernando-E.-E.-Correa-Gonz%C3%A1lez/e/B07221Q1FY/ref=sr_ntt_srch_lnk_1?qid=1536059902&sr=8-1      https://open.spotify.com/artist/4dUtrVampVxlHJSXNVaTi9?si=i6kqQ3N_Sv-Rlesi48mHrw      https://www.youtube.com/fencorrea     https://fencorrea.bandcamp.com

Auf dem Weg von der Weltmeisterschaft zur Weltmeisterschaft legen wir einen kurzen Pitstop ein. Das Getriebe wird noch mal gewachst und wir wechseln auf minimal breitere Reifen. Ein bisschen weniger Luftdruck als üblich, aber sonst bleibt alles wie bewährt. Unterwegs nach Belgien kommen Erinnerungen an altes Material hoch und im Radio hören wir die neusten Transfernews. Neben den Fahrerinnen und Fahrern des Pelotons, wechselt allmählich auch die Jahreszeit und weitere Regenbögen erstrahlen über der flämischen Stadt Leuven.

Luis Fonsi llamó a su esposa Agueda López para darle una buena noticia... casi buena noticia.

El compa Fonsi nos visita para platicar todo sobre lo que paso con Norteñisimo Zierra Azul! Ademas de todos los cambios que esta haciendo para vivir una vida mas saludable! Light one up and enjoy!

Durante la Feria del Libro, un individuo identificado con ideologías nazis agredió verbalmente a Fonsi Loainza. Esta persona, Bubby Sanchis, fue posteriormente despedido de la empresa musical Wegow, que él mismo cofundó, debido a su comportamiento y antecedentes problemáticos. Disponible en YouTube: https://youtu.be/nJEUhuncKA4 Mas vídeos de Pandemia Digital: https://www.youtube.com/c/PandemiaDigital1 ----------------------------------------------------------------------------------------------- Únete a nuestra comunidad de YouTube https://www.youtube.com/channel/UCFOwGZY-NTnctghtlHkj8BA/join Se mecenas de Patreon https://www.patreon.com/PandemiaDigital ----------------------------------------------------------------------------------------------- Súmate a la comunidad en Twitch - En vivo de Lunes a Jueves: https://www.twitch.tv/pandemiadigital Sigue nuestro Canal de Telegram: https://t.me/PandemiaDigital Suscríbete en nuestra web: https://PandemiaDigital.net Sigue nuestras redes: Twitter: https://twitter.com/PandemiaDigitaI Facebook: https://www.facebook.com/PandemiaDigitalObservatorio Instagram: https://www.instagram.com/pandemia_digital_twitch TikTok: https://www.tiktok.com/@pandemiadigital #PandemiaDigital

David Santos - VIERNES EXTENSIBLE - ESCRACHA AL PROGRE FONSI LOAIZA - ZAZZA EN LA SEXTA - SALSEO CULTURAL (14-06-2024) ====== ASUNTO COLECTA EQUIPO F (2024-2025) =============== Puedes colaborar con Equipo F aquí: https://gofund.me/853b1db6 ES34 1465 0100 9417 5070 9106 Bizum: 619811940 ============================================================= Más contenido inédito en: https://www.es-tv.es Aportaciones a Raúl: https://www.patreon.com/user?u=40527138 Nº de cuenta: ES75 3018 5746 3520 3462 2213 Bizum: 696339508 o 650325992 Aportaciones a David: https://www.patreon.com/davidsantosvlog Nº de Cuenta: ES78 0073 0100 5306 7538 9734 Bizum: +34 644919278 Aportaciones a Equipo-F: TITULAR: EQUIPO F CUENTA: ES34 1465 0100 9417 5070 9106 C ÓDIGO SWIFT: INGDESMM Conviértete en miembro de este canal para disfrutar de ventajas: https://www.ivoox.com/podcast-un-murciano-encabronao-david-santos-los-audios_sq_f11099064_1.html Canales de U.M.E.: El Cid

En este episodio de "La Clave Pop", recibimos al icónico cantante puertorriqueño Luis Fonsi, quien nos cuenta (a partir del minuto 3:30) los detalles detrás de su más reciente álbum "El Viaje". Exploramos los 25 años de su carrera, desde sus primeros pasos con el cassette de "Comenzaré" hasta convertirse en un fenómeno global con "Despacito". Fonsi nos lleva a un recorrido íntimo por las ciudades que inspiraron cada canción, compartiendo anécdotas y momentos clave que han definido su trayectoria. Descubrimos cómo ha logrado mantenerse relevante y evolucionando sin perder su esencia, y cómo la colaboración y la celebración del talento ajeno han sido fundamentales en su viaje. También nos adentramos en sus proyectos paralelos como escritor y actor, y su experiencia como coach en "La Voz", donde encuentra una fuente constante de inspiración y motivación. Sigue a Marysabel Huston en sus redes sociales: Instagram y Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabel.huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X (antes Twitter): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@hustonmarysabel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MarysabelHuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Créditos: • Producción ejecutiva, edición y mezcla: Marysabel Huston Música: • QubeSounds/Pisabas • "Roma" y "Santa Marta" de Luis Fonsi (Universal Music Latino) --- Send in a voice message: https://podcasters.spotify.com/pod/show/laclavepop/message

Si, es una de estas semanas donde no podemos separar el programa de la actualidad. La cosa a se a puesto un poco dramática y algunos han terminado más enfadados al final del programa. Es inevitable teniendo en cuenta como esta la situación a día de hoy. Mires donde mires la industria del mundo de los videojuegos parece que a quedado relegada a que solo importen los bonus y los puntos a final de cada año fiscal. Bueno podría ser peor, podría ser España en Eurovision. @Gamikagames en Twitter, Facebook y en Instagram Gamikagames en nuestro grupo de telegram Nuestro programa se graba en directo, todos los jueves cuando cae la noche en nuestro canal de Twitch. www.Twich.Tv/Gamikagames

Auspiciado por Vital Full of Life. Coopera con Glenda Maldonado en este enlace. Llegamos caminando como debe ser, no como el bambalán de Yovin que se dejó montar en silla de ruedas, como si fuera el Presidente de Haiti huyendo de las feministas, protestando los resultados de las encuestas del Nuevo Día, que dieron más duro que Amanda Serrano cogiendo de zángano el país entero, en vez de cancelar el compromiso con una llamada por teléfono como le hizo Fonsi a Adamaris, pero no nos importa, porque nuestra campeona sigue siendo la Burbu enfrentando al Molusco. Patrones PYMES: The Pool Box PR Punto de Enfoque Podcast Mi Vacilón Photobooth Memory Care Center Nuestras redes sociales: Tío Macetaminofen Sol Guzabra El George El Come Siempre es Lunes

Porque Bájale 2 se preocupa por el consumidor, venimos con el segmento Bájale 2 Responde. Como respondió Adamari López a una llamada telefónica de Fonsi en donde le pidieron el divorcio despacito. Lo que no es culpa de Luis Fonsi es la cancelación del Spring Break en Miami debido a lo al garete del comportamiento de los jóvenes en los Estados Unidos. Igual de al garete que utilizar a Gallimbo como trampolín para botar de la Lotería a Mimi Pabón, algo que El Come pudo tener un poco de culpa cuando Chente invitó a la famosa modelo a su antiguo programa de Sesiones. Por último le damos las gracias a Ponce Noticias de Última Hora ya que gracias a ellos descubrimos el enorme talento de la cantante de covers, Laurie del Mar. Si te ofendes por lo que aquí hablamos, Bájale 2. Grabado desde GW-Cinco Studio como parte de GW5 Network #tunuevatelevisión. Puedes ver toda la programación en www.gwcinco.com. siguenos en instagram @gw_cinco

The Agenda's foray into transportation issues continues this week with Shane Stack, director of Missoula County Public Works, and Erik Dickson, county engineer.With the recent closure of Maclay Bridge in Target Range, residents have a lot of questions about how we got here. The commissioners, Shane and Erik tackle those questions and much more in this episode. Be sure to follow this project on Missoula County Voice for more updates and information.This episode has a lot of acronyms and engineering terms, so here's a guide for you, in alphabetical order:BIP: The Bridge Improvement Program, a funding opportunity administered by the Federal Highway Administration.Categorical exclusion, also called a CE or Cat Ex: A finding of a National Environmental Protection Act process that determines a project has no significant effect on the human environment. If a CE is granted, the project does not need an environmental assessment or environmental impact statement.  Creosote: A material derived from tar that is used to preserve wood.EA: Environmental assessment. If a categorical exclusion does not apply to a project, then an environmental assessment must be developed before the project can move forward. This is a public document that provides sufficient evidence and analysis for determining whether the project meets the criteria for a Finding of No Significant Environmental Impact (FONSI) or if an Environmental Impact Statement (EIS) is needed. Environmental Impact Statement (EIS): Federal agencies prepare an Environmental Impact Statement if a project is determined to significantly affect the quality of the human environment. The regulatory requirements for an EIS are more detailed and rigorous than the requirements for an EA.FHWA: The Federal Highway Administration, a division of the federal Department of Transportation.FONSI document: Finding of No Significant Impact. A FONSI document is the decision document of an EA and is signed by the federal agency.  HDR: An engineering firm employed by both Missoula County and MDT to assist with bridge planning.Load rating: The amount of weight a structure can safely carry. A load posted or load limited bridge is restricted by its load rating.Local option gas tax: A voter-approved 2-cent tax on gas sold within Missoula County. Revenue from this tax was specifically designated for road and bridge improvements. County residents approved this measure in 2020, but the state repealed in 2021. MDT: Montana Department of Transportation, the state's transportation agencyNEPA: National Environmental Protection Act, passed in 1970 to promote and protect the environment. Click here for the full glossary. Thank you to Missoula's Community Media Resource for podcast recording support!

#corrupción #realmadrid #podcast Fonsi en redes: https://www.instagram.com/fonsiloaiza/ https://twitter.com/FonsiLoaiza En este episodio Ale se sienta a hablar largo y tendido con Fonsi Loaiza, periodista gaditano formado en las universidades públicas de Sevilla (licenciado en Comunicación), Pompeu Fabra (másteres en Comunicación Social y en Periodismo Deportivo) y Autònoma en Catalunya (doctorado en Medios de Comunicación y Cultura). Como autor ha escrito la biografía no autorizada del actual presidente del Real Madrid, Florentino Pérez, el poder del palco, el monográfico sobre el Mundial 2022 Qatar: sangre, dinero y fútbol, y Machismo, mafia y corrupción en el fútbol español, publicado esta misma semana.En su actividad en redes sociales Fonsi Loaiza ha logrado propagar un mensaje incómodo contra el establishment y cuenta con más de 228.000 seguidores en Twitter. Escucha pod reAle en: itunes - https://podcasts.apple.com/us/podcast/pod-reale/id1516296569 Spotify - https://open.spotify.com/show/4olJfsvd8JS7Iv1ufuiU0hi Voox - https://www.ivoox.com/podcast-pod-reale_sq_f1916749_1.html Síguelo en: Instagram - https://www.instagram.com/universaletv/ https://www.tiktok.com/@podreale Twitter - https://twitter.com/universaletv Facebook - https://www.facebook.com/podreAle #españa #periodismo #realmadrid #barcelona #catalunya #independencia #cadiz #futbol #europa #qatar #qatar2022 #corrupción #educación #sanidad #sanidadpública #rojo #izquierda #psoe #podemos --- Send in a voice message: https://podcasters.spotify.com/pod/show/pod-reale/message

1.    En entrevista exclusiva, habla Imalay Arroyo, una de las arrestadas por las manifestaciones en La Parguera. Nos cuenta cómo la Policía le fabricó un caso, la arrestó sin leerle las advertencias, la golpeó y las secuelas que está sufriendo por el grillete electrónico que le pusieron. 2.    Sobre media docena de heridos en festividad en Ciales cuando chofer de un vehículo todoterreno perdió el control e impactó a los espectadores 3.    Hombre que apareció muerto en la mañana de ayer en el interior de un vehículo en la Carr 909 de Humacao, es Julio Vargas Rodríguez, hermano del convicto exalcalde de Humacao, Reinaldo “Rey” Vargas 4.    Demanda masiva amenaza al reggaetón: Bad Bunny, Daddy Yankee, Fonsi y Bieber entre los 170 artistas acusados. Steely & Clevie Productions reclaman derechos de autor por el uso indebido del ‘dembow', ritmo original sampleado en más de mil 800 canciones 5.    ¿Cómo se llama la obra? Puerto Rico. En un país tropical permiten escuelas que son cajones con techos bajitos, sin ventanas ni ventilación cruzada. 6.    Presentan muestra de obra inédita de ceramista. La insigne ceramista escultórica Toni Hambleton presentará la exposición “La silla nuestra de cada día” en la galería Reunión, en la primera exposición en 10 años 7.    Nueve de las 10 ciudades con más homicidios del mundo son de México.     Estas son algunas de las noticias que tenemos hoy En Blanco y Negro con Sandra.   AUDIO: Este es un programa independiente y sindicalizado. Esto significa que se transmite simultáneamente por una serie de emisoras de radio y medios que son los más fuertes en sus respectivas regiones, por sus plataformas digitales, aplicaciones para dispositivos móviles y redes sociales. Estos medios son: 1.     Cadena WIAC - WYAC 930 AM Cabo Rojo- Mayagüez 2.     Cadena WIAC – WISA 1390 AM Isabela 3.     Cadena WIAC – WIAC 740 AM Área norte y zona metropolitana 4.     WLRP 1460 AM Radio Raíces La voz del Pepino en San Sebastián 5.     X61 – 610 AM en Patillas 6.     X61 – 94.3 FM Patillas y todo el sureste 7.     WPAB 550 AM - Ponce 8.     ECO 93.1 FM – En todo Puerto Rico 9.     Mundo Latino PR.com   Podcast disponible en Spotify, Soundcloud, Apple Podcasts, Google Podcasts y otras plataformas https://anchor.fm/sandrarodriguezcotto   También nos pueden seguir en: REDES SOCIALES: Facebook, X (Twitter), Instagram, Threads, LinkedIn, Tumblr, TikTok   BLOG:   En Blanco y Negro con Sandra http://enblancoynegromedia.blogspot.com   SUSCRIPCIÓN: Substack, plataforma de suscripción de prensa independiente https://substack.com/@sandrarodriguezcotto   OTROS MEDIOS DIGITALES: ¡Ey! Boricua, Revista Seguros. Revista Crónicas y otros         --- Support this podcast: https://podcasters.spotify.com/pod/show/sandrarodriguezcotto/support

Aunque pareciera que Lionel Messi y Cristiano Ronaldo pueden tener todo lo que sueñan gracias a sus millonarios contratos, existen claúsulas muy específicas que los limitan y les impiden cumplir algunos caprichos.Y además en El Gordo y La Flaca: Hablamos con Alejandra Espinoza sobre sus nuevos proyectos, su vida en Los Ángeles y su gran deseo de volver a ser madre.La nueva canción de Luis Fonsi ha causado gran controversia por una dedicación que para los fanáticos llega 14 años después. Esto dicen los neoyorquinos sobre la canción de Fonsi a su ex. Carolina Miranda es el nuevo rostro de las protagonistas mexicanas de las telenovelas. Hablamos con ella y te contamos todo sobre su vida.

Además, mira lo que dijo Adamari López y parece que va dirigido a Fonsi.

Y también hablamos sobre la visita de Tekashi y Lenier a Cuba. ¿Cómo se defendió el cantante cubano y qué opina la gente en el exilio?See omnystudio.com/listener for privacy information.

Fonsi está lanzando una nueva canción en la que pide que pasen la página y que no se haga la víctima... ¿a quién va dirigida?

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"Podcasten killed the radio star", sang einst ein rundlicher, bebrillter Hutträger und leitete damit singend die finale Folge der Jubiläumsstaffel ein. Wo die Berliner "Titten kofen", liegt inzwischen Fraunberg - der Sendeort mit 42 Ortsteilen. Die zwei Topflappen-Häkler spielen die Waldzitter von Fonsi und lauschen den Celli von "Joker". "Du bist Tubist, wenn du Tubist bist", ist nur eines der vielen bleibenden Zitate, die in Martin Scholz' "Touché"-Knebelvertrag mit Dieter Bohlen standen. Oder so ähnlich...Fazit der 10. Staffel: Es braucht längst keinen Plattenvertrag mehr. Heute reicht es, wenn man die Musik für die nächste McDonalds-Werbung liefert. Oder eben für Bitburger. Die Platte der "Fog Joggers" versinkt im Schlitz der Jukebox, das Rauschen endet und es bleibt zu sagen: "In diesem Sinne - viele Grüße. Chris".Social MediaBasti findest du als @Geekpunkt auf Twitch, YouTube & Instagram. Hannes findest du als @LambertsTacheles auf Twitch, YouTube & Facebook.Titletrack "Jammern auf niedrigem Niveau"performed by Hannes Lambert & Bastian Hagermusic by Jules Gaialyrics by Bastian Hagermixed by Jules Gaia & Bastian Hagercopyright by Epidemic SoundDein Support hilftDamit wir dir auch weiterhin beste Jammer-Unterhaltung bieten können, brauchen wir deine Unterstützung! Wenn du uns finanziell supporten willst, so werde jetzt Steady-Unterstützer auf https://steadyhq.com/jammernaufniedrigemniveau/Empfehle uns gerne in deinem Freundeskreis oder bewerte den Podcast positiv. Wir freuen uns auch über dein Feedback, am liebsten per Whatsapp unter 0151-24088906 oder https://whatsapp.jammernaufniedrigemniveau.de/Unser Dank geht an unsere Jammerlappen auf Steady:Andreas, Anja, Christiane, Christoph, Elke, Julia, Jonas, Kathrin, Konni, Lars, Nicole, Marco, Markus, Matthias, Melanie, Michael, Miriam, Sam, Sandra, Sissy, Stefan und Tobias

What does it mean to be normal?What if you saw yourself differently than those who knew you?Today I want to introduce you to Fonsi, Fonsi is one that describes himself as "a normal guy" but to those of us that know him (and those that just get to see his life on social media) he is anything but average. Fonsi is one that has the ability to share his passion or the ocean with others in a way that helps them let go of fear and embrace the beauty of it all, he is one who cares deeply for others, has a smile and joy that can connect with anyone, and for his many talents, certifications, and abilities... he is one of the most humble and kind men I knowWe talk about the importance of being happy not just doing the things you love, but more importantly, doing them with people you love. He shares how what set out to be a few months in Australia turned into a 4 year adventure, and how that time changed his mindset and led him to live the lifestyle he has nowWe talk about the value of time with yourself and how the way we value ourselves impacts the way we are able to show up for others. He shares how he has struggled with procrastination and comparison, how he has grown in that in some ways, and how he still maybe puts off things that aren't his favorite tasksHe shares why he would rather share experience over advice, how he hopes what life has taught him can impact others to live the way they are meant to, and why it's important to know that lifestyle may be one way for some and another for othersSo tune in today and meet Fonsi, one that emulates the kindness of his culture, one that loves sharing the peace he has found in the ocean with others, and one that humbly, joyfully, and patiently shows up for those around himAnd to you Fonsi thank you, thank you for sharing your heart, your talents, your time, and for being such an integral part of our team, you have an overwhelming presence of care that I'm so grateful to know and witness, I am forever honored to call you friend, to learn from you, laugh with you, and cheer you on as you continue to impact this world for the better. Thank you for the opportunity to let others get to know a small part of the man we all love and treasure @fonsidiventures

Lo nuevo de Alejandro Fernandez, Soledad, Ovy On The Drums ft Ozuna, Natalie Perez y más artistas.

Mientras el Senado estuvo ocupado lo que le envió la Cámara Baja sobre el Presupuesto de la Nación, los y las diputadas tuvieron una recargada agenda con la reforma tributaria. En palabras del ministro Marcel, la reforma lleva un 40% de lo presentado. O sea, avanza pasito a pasito, como dice el poeta Fonsi.

¿Qué hay detrás del mundial de Qatar? Hablamos con Fonsi Loaiza y Yago Álvarez @EconoCabreado sobre la cara oculta del mundial de Qatar y quién ha sacado verdaderamente tajada con la celebración del mundial. Programa completo En Pandemia Digital, Puedes apoyar al programa Pandemia Digital desde 3 euros al mes en: https://www.patreon.com/PandemiaDigital Puedes ver el programa realizado 22 Noviembre 2022 en: https://www.twitch.tv/videos/1659976557?filter=archives&sort=time https://www.youtube.com/watch?v=D07uD1o_wos Puedes seguir los programas por : Youtube https://www.youtube.com/c/PandemiaDigital1/videos Ivoox https://www.ivoox.com/podcast-pandemia-digital_sq_f11419368_1.html Spreaker https://www.spreaker.com/show/pandemia-digital_1 Spotify https://open.spotify.com/show/1seVFBx3N2kaubvcCJE2N1 Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly93d3cuc3ByZWFrZXIuY29tL3Nob3cvNTMxMzc5MS9lcGlzb2Rlcy9mZWVk Ttwitch https://www.twitch.tv/pandemiadigital/videos?filter=all Sigue toda la actividad de #PandemiaDigital desde Redes Sociales: Telegram https://t.me/PandemiaDigital Twitter https://twitter.com/PandemiaDigitaI Facebook https://www.facebook.com/PandemiaDigitalObservatorio Instagram https://www.instagram.com/pandemia_digital_twitch/?hl=es TikTok https://www.tiktok.com/@pandemiadigital Canción que suena al inicio y final del programa Letra: Soplodepalabras (Caña y media) Producción y edicion: Rober Villalba Base: Gangsta beat de Gipsy Crunk

Entrevista a Fonsi Loaiza y Yago Álvarez sobre la cara oculta del mundial de Qatar. ¿Qué hay detrás del mundial de Qatar? Hablamos con Fonsi Loaiza y Yago Álvarez @EconoCabreado sobre la cara oculta del mundial de Qatar y quién ha sacado verdaderamente tajada con la celebración del mundial. En Pandemia Digital, Puedes apoyar al programa Pandemia Digital desde 3 euros al mes en: https://www.patreon.com/PandemiaDigital Puedes ver el programa realizado 22 Noviembre 2022 en: https://www.twitch.tv/videos/1659976557?filter=archives&sort=time https://www.youtube.com/watch?v=D07uD1o_wos Puedes seguir los programas por : Youtube https://www.youtube.com/c/PandemiaDigital1/videos Ivoox https://www.ivoox.com/podcast-pandemia-digital_sq_f11419368_1.html Spreaker https://www.spreaker.com/show/pandemia-digital_1 Spotify https://open.spotify.com/show/1seVFBx3N2kaubvcCJE2N1 Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly93d3cuc3ByZWFrZXIuY29tL3Nob3cvNTMxMzc5MS9lcGlzb2Rlcy9mZWVk Ttwitch https://www.twitch.tv/pandemiadigital/videos?filter=all Sigue toda la actividad de #PandemiaDigital desde Redes Sociales: Telegram https://t.me/PandemiaDigital Twitter https://twitter.com/PandemiaDigitaI Facebook https://www.facebook.com/PandemiaDigitalObservatorio Instagram https://www.instagram.com/pandemia_digital_twitch/?hl=es TikTok https://www.tiktok.com/@pandemiadigital Canción que suena al inicio y final del programa Letra: Soplodepalabras (Caña y media) Producción y edicion: Rober Villalba Base: Gangsta beat de Gipsy Crunk

El periodista ens parla de les maniobres polítiques de Qatar per aconseguir aquest Mundial i de les seves relacions amb Espanya

Edgar Estrada nos cuenta todo sobre el mundo del entretenimiento; espectáculos, cultura, cine, televisión, teatro y muchas recomendaciones a tu alcance. ¡Estamos "Del Tingo al Tango"!Una producción original de Audio Centro

Luis Alfonso Rodríguez López-Cepero (born April 15, 1978), known by his stage name Luis Fonsi (Spanish pronunciation: [ˈlwis ˈfonsi]), is a Puerto Rican singer. He is known for multiple songs, one of them being "Despacito" featuring rapper Daddy Yankee.Fonsi received his first Latin Grammy Award nominations in the Record of the Year category and won Song of the Year thanks to the song "Aquí Estoy Yo". The song also won three Billboard Latin Music Awards. "Despacito" became Fonsi's biggest success, winning four Latin Grammy Awards, seven Billboard Latin Music Awards, five Billboard Music Awards and three Grammy Awards nominations. He also won one Latin American Music Award for "Échame la Culpa" with Demi Lovato.As of 2018, Fonsi has broken six Guinness World Records and sold more than 11 million records with "Despacito", whose music video was the most-watched YouTube video of all time until November 2020, with over 7 billion views.

El periodista deportivo, Fonsi Loaiza, nos habla sobre su nuevo libro ‘Florentino Pérez, el poder del palco'.El autor asegura que Florentino Pérez, presidente del Real Madrid, conoce muy bien cómo funcionan los Estados a través de los negocios. Como ejemplo afirma que la mayor razón para fichar a Javier “Chicharito” Hernández fue para hacer grandes contrataciones de su empresa constructora con el expresidente Enrique Peña Nieto.Link para hacer donaciones vía PayPal:https://www.paypal.me/julioastilleroCuenta para hacer transferencias a cuenta BBVA a nombre de Julio Hernández López: 1539408017CLABE: 012 320 01539408017 2 See acast.com/privacy for privacy and opt-out information.

“Content is queen” is the mantra of this week's Trapital's guest, Sherrese Clarke Soares. The phrase has a double-meaning. For one, it's the heart of her investment firm, HarbourView Equity Partners, which specializes in acquiring content across the entertainment, sports, and media sectors. But on a personal level, the phrase also represents her unique place in the industry as a rare Black and female founder. Sherrese founded HarbourView in 2021. This came on the heels of founding Tempo Music and ten-plus years at Morgan Stanley. These experiences have put Sherrese front and center with IP, understanding not only its financial incentives, but its cultural value too.HarbourView is backed with up to $1 billion in investment capital from Apollo Global Management. Within months of its founding, HarbourView acquired the music catalog of Luis Fonsi and with that, the decade-defining hit “Despacito.” It was the latest splash in the booming business of catalog sales that ecliped over $5 billion in 2021 alone. What's Sherrese's strategy with Fonsi's catalog plus other IP acquisitions? You'll want to listen to the full episode to find out, plus a whole lot more. Here's everything we covered during our interview:[3:27] Why Sherrese Created Her Own Firm, HarbourView[6:55] Why HarbourView Team Looks Different Than Any Other Investment Group[10:31] Hip-Hop Investments Being Overlooked[15:28] Why HarbourView Acquired Luis Fonsi's Music Catalog[17:21] HarbourView's “Forever Owner” Strategy To IP[22:47] Owning IP In web3 [24:22] Owning IP Vs. Owning Distribution [28:24] Current Market Conditions Impact On Catalog Investments[33:39] Music Industry In Better Shape Now Compared To 2008 Recession[35:54] Building A Next-Gen Asset Management Firm[37:25] Opportunities In Reggae & Ska[39:11] Importance of Mentorship in Private EquityListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Sherrese Clarke Soares, @sherreseclarkesoares Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapital Trapital is home for the business of hip-hop. Gain the latest insights from hip-hop's biggest players by reading Trapital's free weekly memo. TRANSCRIPTION[00:00:00] Sherrese Clarke Soares: We want to be one of the largest buyers, if not the largest buyer, of music catalogs, but we're also investing outside of music in how do we create cross-pollination across the music that we own to other places where we may invest as well. So we think there's lots and lots and lots of upside around owning premium content. So we are very focused on being kind of as close to the IP as possible or the IP creation or development, or actually ownership of the IP, because we think that that's going to drive huge, huge upside. [00:00:27] Dan Runcie: Hey, welcome to the Trapital podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more who are taking hip-hop culture to the next level. [00:00:54] Dan Runcie: Today's guest is Sherrese Clarke Soares. She's the founder and CEO of HarbourView Equity Partners, a global investment firm that's focused on premium content across the entertainment, sports, and media sectors. You may know the name from some of the music catalog acquisitions she's done a couple months back.[00:01:14] Dan Runcie: The firm acquired Luis Fonsi's catalog and got one of the biggest hits of the 21st century with Despacito. So we talked about that and we talked about Sherrese's strategy more broadly for the firm. One of the things that has always stuck out to me about the music investment space is that you don't see as many big deals for hip-hop, R&B, or genres outside of the US, especially considering how popular all of these are in the streaming era and likely will continue to be.[00:01:43] Dan Runcie: So we talked about how Sherrese's firm is focused on the wide space and how she sees us as an opportunity that others may not. And we talked more broadly about the entertainment space, what some of the investment opportunities that HarbourView is looking at outside of music and other emerging trends as they relate to the main streaming services and other technology platforms and more. Here's my conversation with Sherrese. All right. Today we're joined by Sherrese Clarke Soares and you've been a high-demand guest. So I'm glad we could finally do this. [00:02:16] Sherrese Clarke Soares: I'm glad we can, too. Thank you for having me. [00:02:19] Dan Runcie: Yeah. And I think one of the reasons people want to hear from you is because you've accomplished a lot in your career both Morgan Stanley and at Tempo, and now you have your own firm and it'll be great to hear a bit about the journey and specifically that moment that you knew that you wanted to break out and launch your own company in this space. [00:02:39] Sherrese Clarke Soares: Yeah, absolutely. Well, super great to be here. I guess just the journey is, you know, it's like one of those things that people talk about, it's the overnight success, 20 years in the making.[00:02:48] Sherrese Clarke Soares: It's been something that I've wanted to do for a long time, which is to be an investor in the entertainment space, entertainment media, you know, sports, even, because of how much I believe in the power and the impact of what content does. You know, obviously, it brings stories across the world and has the ability to shape hearts and minds.[00:03:07] Sherrese Clarke Soares: But it also brings joy, like so much of what we all know and have fond memories of, especially when it comes to music are things that are momentous and important times in our lives. And so something that's so core to the human condition to me is nothing but a great investment opportunity. So that's, I think, you know, that's, I guess, one kind of critical piece of the journey.[00:03:27] Sherrese Clarke Soares: As it relates to starting HarbourView HarbourView. I started in January, 2021 after resigning from my post as CEO of Tempo Music, which was a platform that I founded out of work I was doing at Morgan Stanley. There's so many things, you know, as I was putting together that platform, when I was at Morgan Stanley, I got multiple offers from different investors.[00:03:46] Sherrese Clarke Soares: We ultimately chose to work with Providence Equity Partners because of their intimate knowledge of the media space. But one of the things, I guess for me was I was, it was my first deal in terms of becoming an investor and finally getting to do what I wanted to do. So I didn't really, you know, in hindsight, negotiate the best deal for myself as it relates to, you know, economics for something that I was building with my own two hands.[00:04:11] Sherrese Clarke Soares: And it basically started from a blank sheet of paper in 2015 when I was pregnant with my son, actually. And so I really finally had this moment and this aha moment of, one, there's an opportunity, people are looking for people who, who are like me and have the track record that I have to back me and I was getting a lot of actually reverse inquiry when I was at Tempo for investors to back what I had built a lot of unsolicited inbounds.[00:04:39] Sherrese Clarke Soares: And that was largely because I had spent so much time trying to curate investors to really support what it was that I was looking to build. And so that started to give me some confidence that, you know, that there was really an appetite for the firm and the vision that I was looking to build. And so I resigned in December of 2020 with, you know, the idea that I really was going to build a firm that was bigger than music.[00:05:05] Sherrese Clarke Soares: Tempo was also only designed to be a music rights acquisition platform. And I really wanted to do music 'cause I love it, but also do things outside of music as well. So I launched HarbourView and went about the business of finding the right partner for us. We knew we wanted to partner with a large scale asset manager to really turbo charge and accelerate our growth.[00:05:25] Sherrese Clarke Soares: And so we did that in October of 2021, where we launched a billion-dollar partnership with Apollo, but importantly, we are independent. We're an independent firm and we're able to retain that independent and that discretion over how we invest, how we think about building out the firm, which is great. And so was able to do that in October, launched officially in October in terms of our capital partnership and have been out, telling our story to the world and really looking at building a coalition that believes in our vision, which is in identifying opportunities that other people have a hard time seeing because they kind of only invest from their own, from their native walks. Whereas we, by virtue of being a diverse team, we believe in the power of thinking about things differently.[00:06:08] Sherrese Clarke Soares: And so, so that's what we've been up to. It's really exciting. I'm joined by exceptional humans that have joined me on this journey. We're all really aligned to the vision and the mission with all of my team, including my assistant, really participating in the equity upside of the business, where 13 full-time professionals, soon to be a 14th.[00:06:26] Sherrese Clarke Soares: And, you know, we've been pretty busy since October. We've made a number of investments, some of which we've announced, some of which we are about to announce. And so, continue to look forward to that. And we're, you know, pretty active in the market while also starting to think about investment opportunities outside of music, which we're really, which we're really, really jazzed about.[00:06:42] Dan Runcie: Could you talk a bit more about the opportunities specifically for your diverse team and the opportunities that investors saw in you that you feel that the market wasn't focusing on? [00:06:55] Sherrese Clarke Soares: Yeah. So I would say, like, one of the things that's critical to us is obviously, you know, we are who we are. And so, you know, when you look at us as an investment team, we very naturally look different than any other investment team that you will see.[00:07:07] Sherrese Clarke Soares: Like, the collage of who we are as a team is always like my proudest moment of a page when I'm showing into anyone in the world and telling our story, because we are really sort of, you know, I know you're Jamaican, too, by heritage. And so, you know, as, as you know, we have a statement "Out of many, one people," and so it really does kind of resonate with that.[00:07:26] Sherrese Clarke Soares: And so from that perspective, that was really resonating with how we talked to investors, including Apollo, which was great. They saw that in us immediately, but also how we think about the world. We think differently. And we think our difference is our strength. And so what that means is that we have approached the opportunities based with a very data-focused mindset.[00:07:45] Sherrese Clarke Soares: And that data-focused mindset actually leads to the truth, which the truth is that we own a lot of things that are in the Latin space, and the hip-hop space, and R&B space, which we're all really proud of because we also are showing very quantitatively and, with data, that that's where the real growth and the real opportunity is in our perspective.[00:08:04] Sherrese Clarke Soares: And so we tend to try to, again, lead with this idea that the world is round and not flat. And what we mean by that is a lot of investors tend to do the same playbook over and over again, or a template that, you know, many other people do. We're very focused on building a pathway that allows us to not take anything for granted to not come into a situation with preconceived notions, to really try to identify what we think our value add is to an opportunity set, whether it's in music or otherwise and how we really can envision the future.[00:08:40] Sherrese Clarke Soares: And that really, I think, has been resonating with investors, with our partners because it is a differentiated approach to how other people are thinking about it. In the music space, obviously, there's a lot of great firms, many of whom we admire who have done really fantastic things, but we just differentiate our strategy from that.[00:08:57] Sherrese Clarke Soares: We are not aiming to be a music operator, a music label, or a publishing business, or otherwise. We are really aiming to be a really strategic partner from an economic perspective and financial perspective to the overall ecosystem. So that really allows us to think creatively and to do really creative things and really be respectful of the fact that, you know, the creative ecosystem itself has gone through its own journey, has offers and brings a lot to the table. But in a similar vein, we as seasoned investors bring a lot to the table, too. And so we're able to engage in the way that's differentiated from others that are kind of purely looking at it from an operating perspective. [00:09:35] Sherrese Clarke Soares: We're looking at it from, like, okay, how can we join forces together and really drive upside for both sides of the equation? So we, we typically try to, in anything that we do, any investment that we make, structure how everybody benefits on a go-forward basis together. [00:09:49] Dan Runcie: I'm very glad you're focused on this piece because one thing that I've always scratched my head at is I've talked to other people who are investors in this space.[00:09:58] Dan Runcie: And I would always hear from them specifically about hip-hop music that, oh, well, it isn't mature enough. And they don't feel like it's proven or they feel like it's too disposable or they feel like sampling is a challenge. But if you look at streaming data, which a lot of this has been influenced by, especially with the current wave of acquisitions.[00:10:18] Dan Runcie: It's hip-hop, it's Latin music where we think about the genres that have shown the power and the potential, especially on a worldwide perspective. I'm like, you can't overlook this forever. So, you know, in many ways it's their loss.[00:10:31] Sherrese Clarke Soares: Well, mostly, yeah, you know, people do what they're very comfortable with. So it's like things that they know, see, and hear, which, you know, I get it. And I'm okay with, I guess, to a point. You know, I'm excited about everything in the classic rock space, as much as anybody else. Like, I'm a huge, I'm a huge fan of all of it, like, grew up on all of it, enjoyed it, listened to it, but I'm also a child that was raised in the hip-hop era.[00:10:53] Sherrese Clarke Soares: Like hip-hop is going to be 50 years old next year. Like, that's not an immature thing. You know, I don't think we're calling 50-year-old people children, in which case, there is a lot that underlines it. And so it's all about how you sift through the data, how you look at what your, what you think is driving and where you think things are going to go, which gives us a point of view that we think again, is differentiated.[00:11:14] Sherrese Clarke Soares: We have a lot of things in our portfolio that we believe to be really strong for the culture, really strong from a legacy perspective. And we think has really extraordinary growth potential for a variety of different reasons. And so we don't believe that view. And again, we don't have any preconceived notions about what's going to work and what isn't going to work.[00:11:35] Sherrese Clarke Soares: We really try to be genre-agnostic. So, you know, we own a little bit of everything. Like, we're closing this week, a couple of things in the country market, which we're really excited about. We've closed things in the rock market, which we're really excited about, but we are never going to ignore genres such as hip-hop, R&B, et cetera.[00:11:52] Sherrese Clarke Soares: Latin are places where it may be a very local experience. Like, one of the artists in our catalog is Eslabon Armando. And last week, he crossed a billion streams and was on the cover of Billboard. And he is a Mexican, local Mexican artist, and one of the best in the game, but not very well known here in the US market or in the, you know, pop, you know, the, the pop market, if you will.[00:12:16] Sherrese Clarke Soares: And so just giving a sense for there is a lot to local music, and so I'm sure you can, you know, commiserate, like growing up, what did you listen to on Saturday and Sunday morning in your house? It was not necessarily, like, you know, what was playing on the radio. It was what your mom and dad grew up to.[00:12:34] Sherrese Clarke Soares: Those rhythmic sounds of soca or reggae or local, which is very local music, but there are billions of people like us around the world that connect with a very differentiated experience. And so we're really bullish on things like that because we know that just, we just know that intrinsically based on who we are, that this is popular music.[00:12:54] Sherrese Clarke Soares: And we also know intrinsically that, you know, technology is bringing broadband globally to a lot of places where it hasn't existed before. So you intersect those two things and you see growth. And we again drive through data to come to these conclusions, which again, leads us with what I think is the best outcome, a data-driven, you know, evidential support and not just an empathetic one, that this is all real.[00:13:19] Sherrese Clarke Soares: And we have known it for a long time in technology has democratized it, such that we can see it evidenced in a real way. [00:13:27] Dan Runcie: You mentioned the data-driven approach a few times. Is there anything that the data is telling you that you see as a huge opportunity coming up soon that you think that others may be overlooking or not thinking about as much?[00:13:39] Sherrese Clarke Soares: Yeah, 100%. I don't share that though, because then everybody starts, the next thing, you know, people start chasing down my sources. Yeah, no, 100%. That's I think how we, that's how we're differentiated. That's how we find differentiated opportunities. And, you know, we think about that every single day. So we are constantly building our own proprietary data system that we love.[00:14:05] Sherrese Clarke Soares: And we don't think that anybody else has anything nearly matched to it. I started to build one at my previous platform, but didn't have the resources candidly to actually do it. And now that I do have the resources, we've built it out full sum in a way that we can analyze things from back, you know, backwards and forwards, including historical information all the way through to, you know, tapping into what's happening in real-time platforms, such as, you know, Spotify, TikTok, YouTube, et cetera.[00:14:35] Sherrese Clarke Soares: So it gives us a lot of really great insight, which again, I think just makes us approach this a little bit differently than even my predecessor. So, yeah, so it allows us to see a lot of stuff. And again, if I told you what I was seeing, then everybody would just try to go copycat it. What they probably can't copycat is how we've been able to build a really great platform around data analytics that we just continue to invest in.[00:14:55] Sherrese Clarke Soares: But that's who we are as a DNA, right? Like other people kind of use their DNA, the lead, their platforms, and they have great success in different ways, but our DNA is really around leading around that stuff. And so we're excited about that. [00:15:07] Dan Runcie: I hear you on that. And yeah, definitely don't want to give away any of the trade secrets, but let's talk about one of the deals we can talk about, which is the Luis Fonsi catalog, which your company had acquired. With that, you got one of the biggest hits of the 21st century with Despacito. What did it take to make that deal happen? [00:15:28] Sherrese Clarke Soares: Yeah, I think what it takes is a couple of things. The first is obviously again, leading with data, having a sense for the marketplace. Again, going back to like a local language, Spanish language song. It's going to resonate with a lot of people. They may not be people that you individually know, but it resonates with a lot of people.[00:15:48] Sherrese Clarke Soares: So from a thesis perspective, completely right on point. And secondly, like just spending time with Luis and the team, Angie and Denny and others, you know, we really connected on what we want, what at least what I personally want HarbourView to be, and how impactful I want it to be for the entertainment business overall, but particularly for recognizing the impact, the cultural impact that we, and I say, we like broadly people of color have in the world.[00:16:17] Sherrese Clarke Soares: And again, we buy everything, but it's important to me for that to be a level playing field. So I think it was really just spending time with the team, working through sort of the thesis, letting them know who we were thematically as a firm, what we care about. And then that really allowed us to sort of see a really great path together.[00:16:35] Sherrese Clarke Soares: And, you know, again, we built in partnership into that deal as we do into every deal. And that allows us to basically, he wants us to win. We want him to win, keep rooting for each other. And all the deals that we have in our portfolio, and we've closed close to 30 deals already so far, are all kind of very similar and kind of pick up on those very same themes of like, look, the things that we know and love are really impactful and important. And you're seeing it drive through, drive through data. [00:17:03] Dan Runcie: And after you acquire a catalog like this or any of the other ones in your portfolio, what does the post-sale activity on the asset look like? I know that in this space, a lot of people have talked about whether some investors are buy and hold versus trying to maximize the asset themselves.[00:17:21] Sherrese Clarke Soares: Yeah, absolutely. So the post-sale is, you know, look, we aim to be the forever owners of these assets and we look to provide return to our partners in various ways that we think is differentiated and one that we believe there's nobody better than our team to actually deliver. So we think about, like, how to create liquidity events while still maintaining the ownership ultimately of the catalog itself.[00:17:47] Sherrese Clarke Soares: And so some of that will be in portfolio strategy. And so portfolio strategy for us is like, yeah, we're building an accumulating, a really huge library. We want to be one of the largest buyers, if not the largest buyer, of music catalogs, but we're also investing outside of music in how do we create cross pollination across the music that we own to other places where we may invest as well. So we think there's lots and lots and lots of upside around owning premium content. So we are very focused on being kind of as close to the IP as possible or the IP creation or development, or actually ownership of the IP, because we think that that's going to drive huge, huge upside.[00:18:24] Dan Runcie: And I imagine that too, that extends into the multimedia aspect too. And obviously why you don't just want to have holded music. You're looking at other assets too, because obviously IP and music's there, but there's so much potential. You're looking at movies and TV shows and just where everything's going with video streaming on that front.[00:18:42] Sherrese Clarke Soares: Absolutely. But also think about this, two things. One is, again, my team is incredible, just again, an exceptional group of people, but they're athletes, they're not one-trick ponies. And so, you know, they really can think about things across the space. The other thing that's also happening as we engage deeper and deeper in the music space is the same thing is true from the parties that we partner with on the catalog side.[00:19:04] Sherrese Clarke Soares: Like, many have ideas of things that they want to do way beyond music. And sometimes people, you know, tend to hold a lot of that in a box. But if you look at, you know, culture, culture is led by music in a lot of ways. And so you can see that music is like, you know, kind of a leading indicator and that being a leading indicator helps you to really identify where to go next.[00:19:28] Sherrese Clarke Soares: And so we think that all of these things work very symbiotically together in giving our partners and our partners on the other side is people who are looking to invest in, you know, they, you know, engage in music engagement as well because they engage in music as it relates to how you're thinking about developing either new product on the film and television side and, or integrating it into what they're putting together.[00:19:51] Sherrese Clarke Soares: You know, again, there's, you know, there's a soundtrack. Every movie, just think about the synergies that exist across both. And so we're very focused on really thinking holistically about the learnings that we get from really understanding the asset itself, understanding the entertainment asset itself and how we think that can apply in other spaces as well and really being very, very intentional about leveraging that knowledge across a wider pool and really creating some of that synergistic upside opportunity. [00:20:19] Sherrese Clarke Soares: So that's how we think about it. And again, it's very differentiated than others who have been solely kind of a music operator with a fund vehicle that's attached to it or big firms that maybe only take kind of a point of view at one point in time on the relative value of the attractiveness of music.[00:20:35] Sherrese Clarke Soares: We are residents, I like to say. We are not tourist. And means that we're here to stay. Like, we like the neighborhood, this is our block. We know the lady down the street, we know the person up the street, people may move in and out, but we'll be here. This is our home and this space of really kind of thinking about how all these things work together.[00:20:55] Dan Runcie: And I'm sure it's an exciting time on that front too, with just all the other emerging IP-related opportunities, whether it's with metaverse in gaming or other related things. What is that piece have been like? [00:21:08] Sherrese Clarke Soares: Yeah, listen, I mean, I think it's really interesting. I think we're at early innings, you know, as my dear friend Morgan DeBaun, who's a CEO and founder of Blavity, likes to say, we're sort of in the MySpace era of Web 3.0, right? So like we all had a MySpace account and we all thought that was going to be it for social media. But truthfully, obviously we're looking at Facebook, and Instagram, and TikTok, and other things as sort of like what became the mature execution businesses of what social media is. I think Web 3.0 and the metaverse and all that is probably in the same place.[00:21:36] Sherrese Clarke Soares: So super excited about the potential, but we're still really early on what it will look like over time. But I think it's going to be huge for anybody who owns premium IP because that's, you know, again, how do we all decide how we're going to engage? We're going to engage because they're going to be sort of the ability to engage with anchoring around IP that we all kind of know love and care about.[00:21:57] Sherrese Clarke Soares: So I think it's going to be a really interesting time and an exciting time, exciting time as it relates to sort of the next frontier for a digital distribution. I mean, I'd like to tell people like, it's 2022. In 2012, which was 10 years ago, we weren't talking about streaming, we were talking about downloads and maybe sort of this disruptive technology where people were, obviously, at that point, pirating music. But we weren't talking about, you know, streaming leading how we consume both video and audio content.[00:22:25] Sherrese Clarke Soares: And 10 years from now, I think, streaming will be, is still a big part of the business model, but we've been talking about something else, too, and we don't know exactly what that is. But what we do know and if we look at over decades, not just the last 10 years, multiple decades, is that as distribution platforms pull up IPs at the center of it and really drives how those distribution platforms, you know, gain eyeballs, right?[00:22:47] Sherrese Clarke Soares: Like, I don't know if you remember back in the day when you were all growing up and, you know, if you had Comcast or, you know, I don't remember all the cable services anymore, AT&T. Every once in a while, there'd be a dispute between ESPN and AT&T and the screen would go black and you couldn't get your sports content.[00:23:03] Sherrese Clarke Soares: And who won over time, you know, the content owners, ESPNs and others, who were providing this kind of premium content to allow us all to pay a hundred dollars a month or $200 a month or whatever it is that we pay for cable to exist, you know, really kind of what we're able to command rates and outcomes. And so if you think about that as sort of, again, even a leading indicator around the power of content, this is sort of what we believe in intrinsically. And we believe that that's going to be applied in a Web 3.0 and the metaverse world as well. [00:23:34] Dan Runcie: That's a great point. And I mean, I couldn't agree more that, I think about a question I posed to a few people a few months back. It was on whether they would rather own universal music group stock or Spotify stock.[00:23:47] Dan Runcie: And the answers were pretty split. And I think I was a bit surprised and I was like, you wouldn't want to have the underlying asset that is having all of these other distribution deals with all of these other growing platforms as they are, you would rather take the bet on the one. And of course, you know, there's a case to be made on the other side, too.[00:24:03] Dan Runcie: But to your point about ESPN and the cable services, the underlying content does end up being the one that triumphs. [00:24:10] Sherrese Clarke Soares: Yeah, I think that's right. And I mean, listen, like Spotify positively changed the way that the business model and was like the leader and so kudos to Dan Ek and everything that he's built.[00:24:22] Sherrese Clarke Soares: And so I think there is something to being kind of at the forefront of changing a distribution model because there's obviously a lot of room, and it's hard for people to catch up as we are seeing, and obviously why they in so much share. But just to be kind of a generic distribution provider, that's less interesting to me personally, because you get squeezed on both sides.[00:24:41] Sherrese Clarke Soares: You got to pay for the content and then you got to, you got to compete on price with your subscriber base. And so that's just to squeeze into the middle. That's just pure math. But when you see like platforms like, and we know Netflix is going through its adjustment period now, but when you see platforms like Netflix and Spotify, what ends up happening with them because they lead.[00:24:58] Sherrese Clarke Soares: And they're so far ahead as it relates to redefining the category, that's why they end up capturing a lot of value. So I hear the debate and understand the debate philosophically, but if you're just asking me, like, would I rather own IP versus would I rather own distribution, it's IP for me all day. Now, if somebody was going to redefine what distribution looks like, then, and in a way that we think is going to be a category killer, that may be a great place to invest because as we've seen, you know, distribution models that, that lead the category and disrupt actually win, for at least an extended period of time.[00:25:32] Dan Runcie: Yeah, it's a great point at Spotify, too. I feel like they did change the space in what they've been able to do, and even how they've continued to diversify their own income streams. I think they've shown it had the proof points, you know, of what works. And I think similar to Netflix, to some extent, you know, they're changing a few things just given with the way things are, but.[00:25:52] Dan Runcie: I feel like it's an age old thing. I think one other aspect, I think about, too, just given you mentioned 2012 versus 2022, here we are now. And what the next decade will look like. I look at an app like TikTok where it wasn't a few years ago, where not that many people were talking about it, except for, you know, the early users.[00:26:10] Dan Runcie: And now it has a billion monthly active users. Fastest app to get there. That just means that that timeframe of getting to a billion monthly active users for the next thing is likely going to be even shorter than it was for TikTok. [00:26:23] Sherrese Clarke Soares: That's right. And by the way, and now TikTok is super influential on music that we all listen to, on advertising, on how people get exposed to different things.[00:26:32] Sherrese Clarke Soares: And so, you know, the speed with which, to your point, getting to a billion active monthly users, you know, technology has really allowed to persist is incredible. And so I only think that'll get faster and faster and, you know, again, content, again, back to TikTok, like, you know, it's popularity was indexed off the back of music.[00:26:52] Sherrese Clarke Soares: And so there's no denying that again, back to like, Seeing what's going to be the next thing. What's the next distribution model, what's the next use case will continue to proliferate. We've got inklings of things that exist now, whether it's out of home exercise or, you know, whether it's other social media platforms or whether it's gaming.[00:27:11] Sherrese Clarke Soares: So we've inklings of that, but it's all still really small in the grand scheme of the revenue pie. But to, you know, as we've discussed and to your point, like the speed with which technology is changing and moving forward, the next next thing may be on the horizon in the next two, three years, or maybe something that, again, we're not even talking about now in the way that we weren't really talking about TikTok in 2018 or 19. And so yes, technology will move quickly and the way to engage will continue to expand the monetization opportunities. [00:27:42] Dan Runcie: Right. Yeah. The big opportunities there, especially on the longer term, but I'm wondering on the short term though, I've heard a few people talking about just where things are with the market.[00:27:52] Dan Runcie: We're recording this now June, 2022, and the overall market may not be quite as fraught as it was say, let's say October, November 2021, but there's still deals that we're seeing happening, especially on the investing side. And I'm hearing rumors about this Pink Floyd catalog getting nearly half a billion dollars potentially, but what's your take right now on where things are and whether or not the current market conditions will impact anything that we've seen on the catalog investment side? [00:28:24] Sherrese Clarke Soares: Yeah, I think, listen, I think, you know, as interest rates rise and as relative value to other risk asset classes change, you may see people who are tourists, from an investor perspective, leave the space because they may say, okay, instead of investing in music, I'm going to invest in this other thing, which will decrease buyer demand and may put some weakness into the market.[00:28:50] Sherrese Clarke Soares: You know, so I think that being said, you know, people should expect that that may happen in the next few, next few years, or the next, you know, 12 to 18 months is probably a better time frame. But I would say that as it relates to the overall environment, whether it's inflation, supply chain, things of that nature, depending on how a business is positioned and the way that we buy we're positioned really well as a really great hedge to all of that.[00:29:17] Sherrese Clarke Soares: We don't really have the same exposure to that volatility. The price point, particularly in music from a consumer perspective is actually a really great value. And so we don't see a lot of churn expected. The way that consumers consume music is actually, you know, very accessible, even relative to video content, right?[00:29:37] Sherrese Clarke Soares: Because video content, you buy into platform, A, B, or C for the exclusive content they have on those respective platforms. Whereas in music, like you can pretty much listen to anything you want across all the platforms pretty homogenously. So that I think is, you know, proves to be a really great asset class, especially in this period of uncertainty, especially with the public equity markets being as volatile as it is.[00:30:01] Sherrese Clarke Soares: And, you know, people having, you know, a hard time getting a sense for where real value is with tech, valuations being as volatile as they are, because their indexed to the overall equity markets, public equity markets, et cetera, like things like what we do as illiquid, but also, you know, non-correlated for sure, but certainly also countercyclical really actually create a really great investment opportunity for people who are looking to reduce volatility or especially market volatility in their portfolio.[00:30:31] Sherrese Clarke Soares: So like, nothing's really changed for us in the last. You know, six to nine months since, for the portfolios that we own. Everything's continuing to come in as expected. We don't really see any, like, real top line impact. Whereas other businesses are seeing really top real top-line impact, they have wage inflation, they have supply chain issues.[00:30:49] Sherrese Clarke Soares: They've got obviously interest rates. They have overall market volatility. And so all that will create kind of near-term uncertainty for those companies and therefore for those company valuations, which we just don't have that same type of volatility. So we're actually really excited about, you know, the marketplace in the near term because we think we'll have a great, you know, we'll have, we have a lot of dry powder and, in having a lot of dry powder, we also are positioned in an opportunity where we have the opportunity to really kind of lean in. So, that's us [00:31:21] Dan Runcie: Right. In a lot of ways, that was the pitch, I think, when a lot of these deals were happening, people were attracted to the non-correlated assets and here it is, right? Like, we're seeing what's happening elsewhere. [00:31:34] Sherrese Clarke Soares: Yes, exactly. Yeah, exactly. So a lot of times for entertainment, me being around the entertainment market from an investing and financing perspective for the better part of 20 years, you're always telling people how non-correlated it is, but usually you're kind of having this conversation and the market's all working together and in parallel. Well, what's been interesting about the last few years, starting with COVID is that you've been able to in real-time, see like, oh yeah, it really is non-correlated. Everything else is moving, you know, down into the left and we're moving up into the right because of the way that we consume, because you're basically, again, content in particular, but music even more special, is connected to the human condition.[00:32:13] Sherrese Clarke Soares: We all have a favorite song. You know, you're going to go to a birthday party or a wedding, you're going to hear music. You're going to go to a kid's performance at the end of the year, you're going to hear music. You know, we all have things that are attached to really important moments in our lives. And we use music and consume music more than we even realize.[00:32:30] Sherrese Clarke Soares: Sometimes we consume it very, you know, proactively, but a lot of times we can consume it very subconsciously. We go into a grocery store, we go to the gym, we step into our car, listen to the radio. Like, you're engaging with something that again, you know, is very pervasive. It's ephemeral, and it's everywhere, and it allows it to really kind of be resilient on a relative basis.[00:32:50] Dan Runcie: Right. And I think one of the differences too, between this timeframe, and let's say 2008, when there was the last recession, then the music industry itself, the business model and the state of the industry, just wasn't in the best place to begin with. Even beforehand, just given where things were with CD sales, and piracy, and digital downloads still, you know, and I guess you had, you still did have road tones and things like that at the time, but it wasn't where it is now, where yes, there has been a bit of a slide back with a lot of the stocks. However, music itself was in a strong place. So not only are you able to prove that out, there was an underlying business model here that continues to prove that people are going to listen to all of this music and consume all of this music, regardless of, you know, what may be happening outside.[00:33:39] Sherrese Clarke Soares: Yeah, I think that's right. I mean, I think, look, you know, at the end of the day, all businesses will go through business model adjustments. You know, the music business went through theirs. The film business just recently went through theirs. And I think it's coming on the other side of that, where that's why you're seeing all the major film studios have, you know, a something plus right.[00:33:57] Sherrese Clarke Soares: A Disney Plus you know, a Discover Plus, or what have you, and starting to move towards having a streaming model as well. So all businesses, no matter what shape or size, no matter what industry media or not will go through disruptions on how the business is consumed and will have these periods of time.[00:34:14] Sherrese Clarke Soares: And I don't think the entertainment business is, you know, somehow isolated from that or immune to. But what you will see over the long duration is again, back to kind of like the underlying consumption. I'd say the other point to make is like, it's hard to look at stock prices in this current context to really kind of give you kind of a good point of view on volatility or, and, or valuation only because it's a reference point, but we also have to remember that most of the public markets is actually managed by quantitative balancing if you will, but not necessarily active and, and active and thoughtful and you know, investing strategies. A lot of it is very passively managed. And so as there is volatility that injects itself in the overall markets themselves, you see a lot of rebalancing of portfolios that actually just bring prices down that may have nothing to do with the underlying fundamentals of the asset class itself.[00:35:07] Sherrese Clarke Soares: So that's just something to kind of keep in mind if you're looking at the stocks of universal Warner or any of the other kind of music traded stocks as well. [00:35:14] Dan Runcie: The other big piece with this, and you mentioned this earlier, is just the distinction between the tourists and the residents here, right? These types of things end up impacting much more of the tourists who maybe, they only had one foot in and it doesn't take much, you know, ripple for them to move, or shadow, adjust, or downscale what they were doing, where the people that were actually building. Are still in it. I mean, I'm still seeing startup deals happening.[00:35:36] Dan Runcie: I'm still seeing rounds being closed. And I think that's, it's likely a signal to the people that were more so, you know, dedicated. And they're also just showed with the investment market, saw them as you know, from an opportunity perspective. So I, I think that's a, like you mentioned earlier, that's a big piece of this, too.[00:35:54] Sherrese Clarke Soares: Yeah, I think that's what's going to differentiate us. Like, you know, our goal for HarbourView is to build an institution not dissimilar to a lot of people who I admire in the private equity space. And you know, there's been a lot of great work that's been done over the last 35, 40 years building kind of private equity, asset management businesses.[00:36:12] Sherrese Clarke Soares: And we're hopeful to build kind of the next generation of that, and really build a scale of industrialized force in the entertainment and media space from a sector perspective. And so as we think about that, we really think about who and what we want to be and being residents of the space is a big piece of that because that's where we can identify places where we can really dig in and support high quality management teams that we really like and want to engage with.[00:36:35] Sherrese Clarke Soares: That's where we can really dig in support, really having a long term view over owning these assets and really find ways to identify value when other investors, again, kind of have a relative value in their mind and have moved on to the next greatest or the next hottest thing. We want to really be focused on really kind of you know, building, obviously, we have to deliver great returns. And the only way that we can scale to being an industrialized force is having top-quartile returns. So we aim for that just as much as anybody else, but we think that there's a really great way of doing that as being a part of the ecosystem, you know, fully entrenched in the world versus just being there to be opportunistic.[00:37:13] Dan Runcie: That makes sense. That makes a lot of sense. And yeah, shifting gears a little bit. One thing that I know is near and dear to both of us as Jamaicans, we got to talk about what the opportunities in reggae and ska look like. [00:37:25] Sherrese Clarke Soares: Yeah, listen. I'm a huge, huge, huge, huge fan. Like, people often ask me, I often get the question in these interviews. Like, what are you listening to? And if I'm really honest, you know, the car ride is the Bob Marley radio station. Every day, my kids are constantly like, why do we always have to listen to Bob Marley? And then every morning the kids get up to Here Comes the Band and Machel Montano, that's the way to kind start our high-energy day.[00:37:50] Sherrese Clarke Soares: So we're big fans and believers. And to the extent that there's opportunities out there to acquire, we're happy, happy, happy to do it. You know, one thing for about us as a firm is we try not to be a pursuer. Like, if somebody's open to selling, we want to have every opportunity to, to take a look and to compete and to compete on the merits and put our best foot forward.[00:38:12] Sherrese Clarke Soares: But we are not interested in making anybody feel like we're after just being vultures or after their work. But I say all that to say like, we don't own a lot of reggae and ska or soca today. But if anybody who is of those audiences is listening and is excited to sell, we are happy, happy, happy participants and active participants in that market, but we're never going to, you know, go and try to, you know, force people to, to give up rights or sell rights that, that they may not be ready to.[00:38:41] Dan Runcie: Yeah. I feel like it's only a matter of time before we see one of those deals or, or dance hall too. I feel like we're going to see it soon enough. [00:38:48] Sherrese Clarke Soares: Yes, exactly. Exactly. [00:38:49] Dan Runcie: Yeah. All right. Well, before we let you go, I do want to talk a bit about mentorship and apprenticeship 'cause I know that's something you've talked about in past interviews as well and just how important it is specifically in private equity and in finance and I want to hear how that's been really helpful for you and your career, and then extending that to the next generation. [00:39:11] Sherrese Clarke Soares: Yeah, absolutely. So we're big believers in that. We're taking interns this summer, I believe one from Howard and one from HBS. So we're big believers in that. We're a small firm, but we're still having an intern class, which, you know, I think speaks to sort of this idea of giving people an opportunity to just come learn.[00:39:29] Sherrese Clarke Soares: And us to learn from them and what they can bring to the table. So, yes, it is absolutely 100%. And in an apprenticeship business, I've learned so much from so many really great people, inclusive of all the people that I've worked with over the years at Morgan Stanley. You know, tons, tons of people I could give you lots, a whole long laundry list of names of people there, or even all my new partners at Apollo have been just great in, you know, rolling up their sleeves and thinking about things with me as we've been, you know, looking at, you know, various opportunities.[00:40:01] Sherrese Clarke Soares: So that's been really great. I think one of the things that we're very focused on as well is really trying to be thoughtful about who we want to be as investors and how we want to, and how we think and we derive our own POV. So we, we try to basically take all the things that we want to take from those experiences, learning how to obviously, you know, do all the diligence and all that stuff are things that I've learned coming up, but having this strong conviction around what we care about, thematically, who we want to be as an investor, how we want to be seen as an investor, how we want to partner with management teams, I think has been things that we've sort of curated based on the experiences that we've had, but mentorship and apprenticeship has been huge part of my career and will never not be.[00:40:47] Sherrese Clarke Soares: I mean, I, I have mentors today, like even to negotiate my deal that I negotiated with Apollo, I had great people like the great Stu Bergen, who's a good friend of mine, who was a senior executive at Warner music, who really helped me to think through that. Or Robert Smith who's obviously the CEO and founder of Vista Equity Partners, or Damien Dwin who, as a long-time friend of mine, has started multiple platforms have really been people who have been in my ear on like, okay, you could do this.[00:41:11] Sherrese Clarke Soares: This is how you negotiate that. This is the value that you bring, make sure you stand firm or this or that. And it's been just really great to always have those people around, but it's also really empowering to also, you know, set a vision for what it is and who it is that we want the firm to be, and what it is we want our investing style to be, and what it is we want to be to the marketplace.[00:41:30] Sherrese Clarke Soares: So, so it's been great. I've been very fortunate over the years to basically have exposure to people who have built great businesses, who have seen lots of things, seen lots of different points of adversity, but also made way, made time to pour back into me. And so we think it's responsible for us to pour back into others too. So we're very, very, very focused on that. [00:41:53] Dan Runcie: Well said. And yeah, I think especially people hearing that you're still reaching out to people to help close the big deals that you have given everything that you've accomplished is just a reminder that yes, like this doesn't stop. Everyone that you see is learning. You know, this is a constant thing for sure. [00:42:09] Sherrese Clarke Soares: Yes, 100%, 100%[00:42:11] Dan Runcie: Well, Sherrese. This is great. Thank you so much. I think people are going to definitely feel like they'll get a closer lens as to how these deals go down and just a lot of the thought behind it, but I'm sure people will also be listening and waiting for the headlines to see the next deals to drop as well.[00:42:27] Sherrese Clarke Soares: Yes. Yes. We'll be coming to a neighborhood, neighborhood near you soon. [00:42:34] Dan Runcie: And if people do want to keep track, where can they follow HarbourView or where can they do that? [00:42:39] Sherrese Clarke Soares: Follow HarbourView on LinkedIn, on Instagram also, and then, you know, check out our website. Yeah. [00:42:46] Dan Runcie: Sounds good. Sherrese, thanks again.[00:42:48] Sherrese Clarke Soares: Thank you so much. So great to see you. Take care. [00:42:51] Dan Runcie: If you enjoyed this podcast, go ahead and share with a friend, copy the link, text it to a friend posted in your group chat, post it in your slack groups, wherever you and your people talk. Spread the word. That's how Trapital continues to grow and continues to reach the right people. And while you're at it, if you use Apple Podcasts, go ahead, rate the podcast, give it a high rating and leave a review. Tell people why you like the podcast that helps more people discover the show. Thank you in advance. Talk to you next week.Advertising Inquiries: https://redcircle.com/brands

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A través de su historia de altas y bajas, el Pastor José Fonsi nos deleita con su historia con Dios. Un episodio imperdible del que debo resaltar tres cosas que hablamos: 1- El aceleramiento con el que Dios le llevaba. 2-El manejo de los dones. 3- El manejo de las frustraciones como ministro. --- Send in a voice message: https://anchor.fm/legadopr/message Support this podcast: https://anchor.fm/legadopr/support

Florentino Pérez se ha convertido en uno de los máximos exponentes de la oligarquía en el Estado español. El presidente del Real Madrid y ACS pasó de coger una empresa de construcción en quiebra y ser un empleado de la familia March a controlar autopistas, servicios de dependencia y limpieza y hasta guarderías… Para ello se ha servido del poder que otorga el palco del Bernabéu y el mundo del deporte como semillero de corrupciones. Ha tejido toda una trama de relaciones íntimas con periodistas y controla los tempos mediáticos como pocos. Tiene el dinero y la influencia para poner y quitar directores de periódicos y hasta para llamar por los pies de foto que no le gustan. Y este libro se ha propuesto contarlo. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

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Nueva Música presenta lo último de Laura Pausini, Sebastián Yatra, Kany García y más artistas.

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Isn't it refreshing talking about something other than the famous virus? We for sure enjoyed it. Tune in for the latest on entertainment and for some good music related content.