Podcasts about Lanois

This week Rich and Danny wish a belated happy birthday to Hall of Fame producer Daniel Lanois. The name might not be familiar, but the people with whom he has worked (U2, Peter Gabriel, Bob Dylan, many others) will be. The guys go through some of the highlights of Lanois’ production career, and play a […]

British pop/rock vocalist and songwriter Tasmin Archer joins Al to discuss Daniel Lanois' 2003 album Shine. Tasmin talks about how she became a fan of Lanois' music, and she breaks down the elements of Shine that make it one of her favorite albums, highlighting some of her favorite tracks along the way. She also revisits the making of her 1992 signature hit “Sleeping Satellite” and reveals which band indirectly influenced its sound. The conversation concludes with Tasmin talking about her upcoming album A Cauldron of Random Notes, which will be released in late 2024 or early 2025.To keep up with news on Tasmin's album release, sign up for her newsletter and much more, check out tasminarcher.com. You can also follow Tasmin on X at @tasminarcher and on Facebook at tasmin.archer.Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.1:15 Tasmin joins the show1:45 Tasmin talks about the Lanois track that hooked her on his music2:52 Tasmin recalls the moment she knew “Sleeping Satellite” was going to be special5:13 Tasmin explains how she initially got exposed to Lanois' music7:52 Tasmin and Al talk about how they responded to the album's sequencing11:55 Tasmin explains how Shine gets better with repeated listens14:03 Tasmin talks about the timeless quality of Lanois' music18:58 Tasmin identifies what she likes about Lanois' vocals24:59 “Shine” is one of Tasmin's favorite tracks on the album26:54 Tasmin and Al discuss “I Love You” and “Falling at Your Feet” (with a brief Genesis detour)31:53 Tasmin and Al talk about Lanois' take on reggae34:56 Tasmin shares her reaction to some of Lanois' lyrics38:49 Tasmin expects that Lanois will continue to make great music41:57 Tasmin explains how Lanois may have influenced some tracks on her new album44:17 Tasmin talks about some of the other influences on “Madame Joy”48:41 One of Tasmin's new songs reminds her of U250:36 Tasmin discusses the process of making A Cauldron of Random Notes58:57 Tasmin explains where the title for A Cauldron of Random Notes came from1:00:57 Tasmin talks about her initial reaction to “Sleeping Satellite” as it was being written1:03:55 Tasmin discusses the possibility of upcoming live performances Outro music is from “Sleeping Satellite” by Tasmin Archer.Support the show

It's time to dive into U2's much beloved, and also much maligned 9th studio album, Pop. It's a polarizing work among fans and critics and God knows the band's spent the last 25 years trying to distance themselves from it. But when you consider what it was intended to be and what they delivered, it is a record that could have been so much more. But the question is why? Was it really because they let Paul McGuiness book the tour too soon and they ran out of time to properly finish it? Was it not having Eno and or Lanois on board?  Was it having too many producers? Or did they just not have the big songs as Bono has conceded? Tune in and find out.

U2 had stolen the show at Live Aid. Rolling Stone had named them the Band of the 80s. And the Unforgettable Fire, while something of a left turn did top the charts in the UK and was top 20 in the U.S. So, the anticipation for their next record was not only building but there was a growing feeling that it was going to be a monster. It was. But getting there was not easy. In this episode we talk about the tag team production of Eno and Lanois. About U2 hitting pause and playing Self-Aid and the Amnesty International Tour. And the push and pull between Bono wanting to go Americana and Edge's more Eurocentric tendencies. A dynamic that will work wonders on Joshua Tree but will lead into a dead end creatively by the end of the 80s.

On the show this time, it's the OG desert blues of Mali's Tinariwen. Tinariwen has been bringing the sound of the northern Sahara to the world for over 20 years. Their music has won the hearts of listeners worldwide, regardless of language spoken. There's a vibe, a hypnotic groove, and a poetic humanness that pulls you in. There's also the Blues - the universal music of self-expression in the face of persecution. These musicians have faced hardship and oppression, and it's not over. A coup in 2020, another in 2021, the withdrawal of the French military and ongoing messy battles between various factions has made civilian life very dangerous. Their songs call for unity, and bravely run counter to the more fundamentalist groups, some of whom would ban music altogether. This record features playing from Daniel Lanois, banjo player Wes Corbett and fiddler Fats Kaplin, highlighting the band's Americana influences. It's called 'Amatssou' and was produced remotely by Lanois. It is available through Wedge. Recorded 05/29/2023. Alghalam Tiglistarha Arajghiyine Tidjit Anemouhagh Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it's the OG desert blues of Mali's Tinariwen. Tinariwen has been bringing the sound of the northern Sahara to the world for over 20 years. Their music has won the hearts of listeners worldwide, regardless of language spoken. There's a vibe, a hypnotic groove, and a poetic humanness that pulls you in. There's also the Blues - the universal music of self-expression in the face of persecution. These musicians have faced hardship and oppression, and it's not over. A coup in 2020, another in 2021, the withdrawal of the French military and ongoing messy battles between various factions has made civilian life very dangerous. Their songs call for unity, and bravely run counter to the more fundamentalist groups, some of whom would ban music altogether. This record features playing from Daniel Lanois, banjo player Wes Corbett and fiddler Fats Kaplin, highlighting the band's Americana influences. It's called 'Amatssou' and was produced remotely by Lanois. It is available through Wedge. Recorded 05/29/2023. Alghalam Tiglistarha Arajghiyine Tidjit Anemouhagh Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

This week, one of the greatest, most innovative record producers in history, Daniel Lanois—think U2's The Joshua Tree, Bob Dylan's Time Out of Mind, Peter Gabriel's So—talks about the landmark album he made with Willie, 1998's Teatro. He'll start with a deep cut, “I've Loved You All Over the World,” but then, being Lanois, he'll start to float...to Cuban dance clubs, Texas honkytonks, and Mexican movie houses...to art that exists only in shadows...and to the way U2 tries to summon Willie when they write songs.

To Support the Channel:Tip jar:  https://paypal.me/AskZacOr check out my store at  - www.askzac.comIn the Daniel Lanois autobiography, Soul Mining, Lanois tells of using Bill Lawrence soundhole pickups, a trick he learned from U2's The Edge. After reading, I was reminded of an interview I did with John Leventhal for Vintage Guitar Magazine back in 2017. When interviewing John, he spoke of his live electric setup, and that of his acoustic, that was a bit more complex than most as he used both an internal transducer going to a DI box, and a soundhole pickup through effects into a guitar amp. In this episode of Ask Zac, I talk about how to use the "Leventhal" dual-pickup setup, and what it has to offer.My June 2017 Vintage Guitar Magazine print interview with John Leventhalhttps://www.vintageguitar.com/32017/j...My Truetone Lounge Video interview with Leventhal   • John Leventhal | ...  Clip of JL using the dual-pickup system with R&B great, William Bell   • William Bell - "T...  Gear used:Waterloo WL-14 Ladder Braced guitarD'Addario EJ26 Phosphor Bronze Custom Light Acoustic Strings80's Bill Lawrence soundhole pickupMedium Gauge pickEffects:Boss Volume PedalMirage CompressorBoss TR-2 TremoloLine 6 Echo ParkTruetone CS6 power supply https://amzn.to/38S9rZKAmp:1965 Deluxe Reverb with Celestion Vintage 30 Speaker #askzac #guitartech #telecasterSupport the show

Dave (known as Freaktography) is a Canadian urban explorer from Ontario who managed to explore one of the most iconic urbex location in the world - the abandoned power plant beneath Niagara Falls - currently converted into a museum. Dave also visited a seemingly simple abandoned cabin in the woods which ultimately lead him to discover a story of a Canadian musician Bob Lanois who lived there. After digging through documents and plenty of interviews with relatives and associates of Bob Lanois he released Bob Lanois Snake Road Documentary. In our interview Dave shares many stories including finding 7000 dollars in abandoned house, describing how his fellow urbexing friends ordered coffee and pizza while exploring and many many more.  Links: Instagram: freaktography YouTube: freaktography Website: freaktography.com Chasing Bandos Podcast is available on chasingbandospodcast.com or your favourite podcasting app. Check out the pictures of our guest on Instagram at chasingbandospod.  You can get in contact by email: contact@gregabandoned.com  Support us by purchasing Abandoned China book - fascinating journey into incredible abandoned locations all over China! Why 'urbex explorers' don't share exact locations here: gregabandoned.com/urbex Intro song is Watcha Gon' Do is performed by Chris Shards [EPIDEMIC SOUND MUSIC LICENSE]. Rapid fire round background songs are: Greaser by TrackTribe and a tune composed by dragonboyac.  Viewer discretion announcement at the beginning of the episode was done by Adrian Wunderler-Selby.

Daniel Lanois is our guest for this latest Bonus Track. The legendary producer, artist and songwriter joins Matt to discuss his newest solo album, Player, Piano, which is available now.The album features a series of exotic instrumental piano performances and was recorded at Lanois' studio in Toronto with the help of co-producer Dangerous Wayne Lorenz. “Making this record transported me at a time when I couldn't go anywhere,” Lanois reflects. “I got to travel to Cuba and Mexico and Jamaica. I got to visit with the ghosts of Erik Satie and Oscar Peterson and Harold Budd. I got to go back in time to my work with Brian Eno and Kate Bush and Emmylou Harris. All without ever leaving my studio.” In order to achieve the timeless-sounding recordings on Player, Piano, Lanois and Lorenz set about transforming each of the three pianos in the studio, dampening the strings with tea towels and dulling the percussive impact of the hammers by adding small felt pads to the heads. When it came time to record, they used vintage ribbon mics and arranged them behind the instruments rather than in front in an effort to further soften the sound. “I decided that if I was going to make a piano record, I wanted it to sound like recordings from the ‘40s and '50s, back when the piano was soft and beautiful,” explains Lanois. As one of the most acclaimed and influential producers of the modern era, he's helmed iconic albums for everyone from Bob Dylan and Neil Young to U2 and Peter Gabriel. As a prolific and critically acclaimed songwriter, he's composed scores for Oscar-winning films and blockbuster video games in addition to releasing more than a dozen genre-bending solo records. Rolling Stone declared that his “unmistakable fingerprints are all over an entire wing of the Rock and Roll Hall of Fame” (think The Joshua Tree, Wrecking Ball, Time Out Of Mind), while NPR lauded him as the author of his own “brilliant albums of heartfelt songs.” Player, Piano follows the 2021 release of Lanois' album Heavy Sun, which received wide acclaim from outlets such as SPIN, World Cafe, No Depression and American Songwriter and more. Each song on Player, Piano is a portal, an invitation to lose yourself in the moment and disappear into a world of imagination and memory. Melodies unfold slowly with patience and grace; ethereal arrangements drift around them like fog rolling through the mountains. More than just an album, Player, Piano is a gateway into a cinematic sonic universe full of mystery and wonder, a place where the lines between reality and fantasy blur and deep truths and desires reveal themselves in profound and unexpected ways.It was a joy to speak with Daniel and he shared some great stories from his past work, including experiences with Willie Nelson, Bob Dylan, the Neville Brothers and more.If you dig what we're doing with the podcast, check out our Patreon for bonus material related to these episodes, plus additional interviews and other fun stuff. Join our Record Club to gain access to all of it!Thanks for listening! Please rate and review this podcast wherever you're finding us. We appreciate it!

As one of the most acclaimed and influential producers of the modern era, Daniel Lanois helmed iconic albums for everyone from Bob Dylan and Neil Young to U2 and Peter Gabriel. As a prolific and critically acclaimed songwriter, he's composed scores for Oscar-winning films and blockbuster video games in addition to releasing more than a dozen genre-bending solo records. Rolling Stone declared that his “unmistakable fingerprints are all over an entire wing of the Rock and Roll Hall of Fame”. Daniel's own personal point of view informed and influenced a generation of music that still continues to resonate deeply today. Lanois is a searcher. He's perpetually on the hunt for something else - trying to squeeze out another drop from the atmosphere. Which is how, this week, as he turns 71 years old, Daniel Lanois is releasing Player, Piano, his first project of instrumental piano music. The compositions are concise but highly textured - it's a series of exotic instrumental performances and was recorded at Lanois' studio in Toronto - a former Buddhist temple- with the help of his co-producer Dangerous Wayne Lorenz.  Daniel and I spoke recently about his early development in Canada and how it influenced his work, his ongoing creative relationship with Brian Eno, why he likes to travel for work, his attraction to melancholy, projects with U2, Peter Gabriel, Brian Blade, Brian Eno, Rick James (yes, Rick James), Neil Young, Terence Malick, when to use the word “we”, the importance of silence, reconnecting with innocence, his production technique of turning “garnishing into a devotion” and why “contemporary work has more to do with vision” than with technology. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/studios

Welcome to the latest episode of "Behind the Song," where we uncover the stories behind some of the greatest tunes in music history. In this episode, we take a closer look at U2's hit song "One," and the winding road that led to its creation. In 1990, U2 was in Berlin, recording the beginnings of their album Achtung Baby. However, the initial recordings were a struggle. The atmosphere in the studio was tense, and producer Daniel Lanois was not satisfied with the progress. The band was stuck in a creative rut, unable to move forward. But then, Lanois had an idea. He suggested combining two different songs the band had been working on, creating a new, powerful track that would become "One." Bono's lyrics and vocals, paired with the band's instrumentation, came together to create a raw, emotional sound that resonated with audiences worldwide. Join us as we delve into the story behind U2's "One," and explore the creative process that led to the creation of one of the greatest songs of all time.

Daniel Lanois is a Canadian producer, multi-instrumentalist, and artist that continues to create countless classic albums since he emerged in the eighties. The vast majority of music lovers will second this, and it can be argued that Lanois was also the most important record producer of the nineties. Lanois' production work with Brian Eno, Peter Gabriel, U2, Bob Dylan, Neville Brothers, Emmylou Harris, Robbie Robertson, Willie Nelson, Neil Young, and many others. In this episode, we're going to be talking about Daniel's timeline of working on his famous albums and the work ethic he built over the years. Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/

Daniel Lanois is a Canadian producer, multi-instrumentalist, and artist that continues to create countless classic albums since he emerged in the eighties. The vast majority of music lovers will second this, and it can be argued that Lanois was also the most important record producer of the nineties. Lanois' production work with Brian Eno, Peter Gabriel, U2, Bob Dylan, Neville Brothers, Emmylou Harris, Robbie Robertson, Willie Nelson, Neil Young, and many others. In this episode, we're going to be talking about Daniel's timeline of working on his famous albums and the work ethic he built over the years. Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/

Libri: Witold Szablowski, Orsi danzanti (trad. L. Masi, Keller)..W.T. Vollmann, Europe Central (trad. G. Pannofino, Mondadori)..G. Sapienza, L'arte della gioia..Musica: Goran Bregović, Underground, colonna sonora..Nick Cave, Warren Ellis, The Rider Song..Wagner, Der Ring des Nibelungen..F. De Gregori, Generale..L. Mozart, Kindersinfonie..A. Winehouse, Back to Black..D. Lanois, House of Soul..Arcade Fire, The Lightning, I

You can support the show with monthly contributions through our Patreon site at: https://www.patreon.com/MakersAndShakers Colin Cripps joins me on the show this month. Colin is a phenomenal guitarist who doesn't really appear under his own name very often. He prefers to play the sideguy role and has graced albums for years as musician and producer for Blue Rodeo, Kathleen Edwards and many more. Colin hails from the mysterious town of Hamilton, Ontario that has produced way more musical legends than a city of that size should have. We get into some deep Hamilton history, some stories about the scene with the Lanois brothers, and Colin's work with his band Crash Vegas that was around the scene during that time, all the way through his career to his more recent work and how he approaches collaborating in the studio and finding cool guitar sounds. Colin is also a certifiable gear maniac and has a pretty extensive collection of guitars and amps that we get into as well. With so much to yak about, this episode got split into 2 parts and will continue one week from today. Enjoy, share the episode, and don't forget to leave us a review, and subscribe to the show. Colin's website and social links are at: http://www.colincripps.com Colin is regularly on tour with Blue Rodeo these days. Their website is: https://www.bluerodeo.com Our website is: https://www.makersandshakerspodcast.com And your fearless host, Steve Dawson can be found at: https://www.stevedawson.ca

Smart Home technology and ecosystems have gone mainstream — and more customers are demanding Smart Homes. So, if you want to build in-demand housing, you need to understand this technology and incorporate it into your homes. To help you do that, Gene LaNois, Head of Professional Industry Partnerships at Google, joins the show to share his expertise on all things Smart Home. In this episode, we discuss: - Why Smart Home ecosystems matter - How to incorporate smart technologies in your builds up front - The easiest path to help you get started with you Smart Home builds This post is based on a Business Optimization podcast with Gene LaNois. The views, information, or opinions expressed during the podcast series are solely those of the individuals involved and do not necessarily represent those of Reliance Home Comfort and its team members. To hear this episode, and many more like it, you can subscribe to Business Optimization here. If you don't use Apple, you can find us here.

The guys welcome Strays Don’t Sleep (Neilson Hubbard and repeat revisitor Matthew Ryan)  to talk about U2’s “The Unforgettable Fire.”  Plenty of other discussion including being defiantly hopeful, what really are sad songs, light & darkness, the evolution of the Edge, the brilliance of Eno & Lanois, and is “Unforgettable Fire” a spiritual record?Check out U2 at: U2.comCheck out Neilson Hubbard at: http://www.neilsonhubbard.com Check out Matthew Ryan at: https://matthewryanonline.comCheck out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

This week on the Richard Crouse Show Podcast: If you love records like Joshua Tree, Wrecking Ball, and Time out of Mind you know my guest’s work. Daniel Lanois has an incredible resume. His work as a producer for U2, Peter Gabriel, Emmylou Harris, Bob Dylan, the Neville Brothers, Robbie Robertson and Neil Young among many others led Rolling Stone Magazine to say, “His unmistakable fingerprints are all over an entire wing of the Rock and Roll Hall of Fame.” Lanois has moved back to Canada and launched the brand new Maker Series imprint out of his Toronto-based recording studio. First up in the Maker Series is a solo record called Heavy Sun. A soulful, joyous album recorded in Los Angeles and Toronto that fuses classic gospel and modern electronics. He says the intent of the music is to “lift people’s spirits.” Then, we meet Jessica Bruder, author of the 2017 book “Nomadland: Surviving America in the Twenty-First Century,” and Bob Wells, a real-life nomad and one of the stars of the Oscar nominated film “Nomadland.” Then, the man, the myth, the legend William Shatner. His career is so epic it spans generations. Some will remember him as the iconic Capt. James T Kirk of the USS Enterprise. Others know him as the veteran police sergeant in T. J. Hooker. Still others think of him as the host of the reality-based television series Rescue 911 or the "Big Giant Head" from 3rd Rock from the Sun or as attorney Denny Crane both in the final season of the legal drama The Practice and in its spinoff series Boston Legal. He’s an actor, an author a singer and now the star of Senior Moment a new rom com on VOD this week. The romantic comedy focuses on Shatner’s character Victor, a retired pilot whose life goes into a tailspin after he loses his driver’s license, but starts looking up when he finds love with a character played by Jean Smart.

Super producer Daniel Lanois has just released the album of the year. This legendary record maker (U2, Peter Gabriel, Robbie Robertson, Bob Dylan, Willie Nelson, Emmylou Harris, etc),  has created the music we all need right now with the just released Heavy Sun. Lanois mixes his masterful knack for atmosphere with his love of gospel music to create a healing gumbo for these tense times. In this conversation, Daniel explains his approach to producing, what musical project is getting him excited, and he shares stories about the artists listed above. Daniel also performs a new song for us that will change your life. I wish all of us had as much soul and calm as Daniel Lanois. Enjoy!  www.daniellanois.com www.patreon.com/thehustlepod

In a career-spanning interview, Canadian record producer Daniel Lanois discusses his latest album, Heavy Sun, and reflects on his influential collaborations with the likes of Brian Eno, U2, Bob Dylan and Neil Young. Film producer Deborah Snyder talks about leaving Justice League after experiencing a family tragedy, and explains how fans helped her and her husband, director Zack Snyder, release a new cut of the superhero movie.

In this session, Lanois shares stories about his new album, Heavy Sun, and we'll look back on some classic albums from Bob Dylan, U2, Willie Nelson and more, that he has helped make.

Craig Calcaterra, Steven Goldman & Mike Ferrin discuss the "Final Comeback Album" (so far) of Bob Dylan's career: Time Out of Mind. They discuss whether it's dark or uplifting, whether the material was handled better by other musicians and producers, and whether The Braves should hit Ozzie Albies second to continue a grand tradition.

Hoy recordaremos parte del cuarto album de los irlandeses U2, que fue publicado en 1984, bajo el título de "The Unforgettable Fire". Uno de los más apreciados tanto por la banda como por sus fans, en gran parte debido al trabajo de los Productores Eno y Lanois. Contiene clásicos como "Bad" , "Pride in the name of Love" o "The unforgettable Fire" ...y como siempre, crearemos una historia paralela traduciendo parte de las letras originales, para entre varias canciones, que cada oyente pueda imaginar, a su vez una historia distinta. No están todas las que son, pero son todas las que están. Podeis también seguirnos en https://www.facebook/radioinsomnianight https://www.instagram.com/radio_insomniac Muchas gracias por escuchar y apoyar Radio Insomnia.

We’re kicking off 2021 with the legendary producer, guitarist and singer/songwriter Daniel Lanois, talking about one of the greatest debut albums of all time, The Jimi Hendrix Experience’s 1967 barnstormer ‘Are You Experienced?’ We delve into Daniel’s discovery of the record while he was a teenage record producer in Canada, how the album opened up his imagination, the idiosyncrasies and nuances of Hendrix’s guitar playing technique and how it’s influenced Lanois’ own approach to the instrument, Mitch Mitchell’s jazz influenced drumming and some of the studio innovations that made the album special. Daniel also talks about reimagining ‘May This Be Love’ with Emmylou Harris when they recorded it for her classic album ‘Wrecking Ball’. Plus I pick Daniel’s brain about the making of my favorite Willie Nelson album ‘Teatro’, which he produced and was the subject of a previous episode of this show.

The Jokermen speak on Bob Dylan's 1989 Lanois-produced opus "Oh Mercy". Ian says "vibes" like a million times which is a good sign. See acast.com/privacy for privacy and opt-out information.

This session will present some of the recent legal developments which have a direct impact on the gaming industry. Topics to be discussed include privacy law (such as GDPR and CCPA), loot boxes, new EU rules in relation to marketplaces, etc. Whether you are an indie game developer, an 'AAA' game developer or a game publisher, join us as we discuss important steps to keep your game(s) and company compliant with the law. We will go through digital legislation applicable to the gaming industry and provide practical tips on: - Which laws you should pay attention to, - What you should do to comply with these new laws, and - The consequences of not complying. To learn more about the show or our online business matchmaking events for indie developers visit: http://indiegame.business Indie Game Business is produced by The Powell Group: http://powellgroupconsulting.com Watch the official live stream: www.twitch.tv/indiegamebusiness Watch INDIE's stream: www.twitch.tv/INDIE Join the Indie Game Business Discord: http://discord.gg/indiegamebusiness The Twitters to follow - Indie Game Business: https://twitter.com/BusinessIndie Powell Group Consulting: https://twitter.com/PowellGrp Jay: https://twitter.com/Powell_Jay INDIE: https://twitter.com/TheRealIndie Donate to Extra Life with our link: https://www.extra-life.org/participant/IndieGameBusiness Join the Indie Game Business Extra Life Team: https://www.extra-life.org/team/indiegamebusiness --- Support this podcast: https://anchor.fm/indiegamebusiness/support

Craig, Mike & Steven look at the Dylan/Lanois collaboration, that capped the 1980's for Dylan while hoping not to fall victim to the disease of conceit

Happy new year and new decade, music nerds! Malcolm Burn, the wildly creative Canadian producer, engineer and musician joins me on the show this month in a 2-part episode. Malcolm grew up in Ontario and in the 80’s, after trying his hand as an artist in pop bands, turned to producing and engineering in the studio and hooked up with Daniel Lanois through his Hamilton, Ontario connection. Burn, Lanois, and a 3rd Ontarian, Mark Howard, worked as a team on a string of incredibly influential albums including Bob Dylan’s “Oh Mercy”, the Neville Brothers “Yellow Moon”, Lanois’ solo “Acadie”, and Emmylou Harris’ “Wrecking Ball”, an innovative and creative career-changing album for her. Burn went on to produce her next record on his own - “Red Dirt Girl”, as well as classics for Chris Whitley and many others. I’ve always wanted some first-hand info on what that scene was like, recording in non-conventional spaces, the idea of engineering as a team, and many of the unique recording techniques they were working with through their careers. I hope you enjoy my conversation with Malcolm Burn as much as I did having it, and please remember to subscribe to the podcast and leave a review. Part 2 will be out next Wednesday!

Summer festival season is upon us! Terry gets us ready by catching up with artistic directors at three can't miss festivals: Doug Cox at Vancouver Island Music Festival, Terry Wickham at Edmonton Folk Festival, and Peter North at Salmon Arm Roots & Blues Festival. Plus, a backstage interview with the great Daniel Lanois, recorded at the Edmonton Folk Music Festival. 

En este programa vas a aprender cosas muy inútiles como a pronunciar correctamente Vladimir. Hemos tenido la suerte de “concernar” en nuestra mesa a Rodrigo Cortés, Juan Gómez Jurado, Arturo González-Campos y Javier Cansado, el cual ha descubierto, recientemente, la verdad fonética en una película de vikingos.El duelo de piedra, papel o tijera de este nuevo podcast se juega bajo las normas Tao y da paso directamente a la música de “Mocha” y el temazo de Javier Cansado: Magnicidios curiosos.Rodrigo Cortés suaviza el panorama para descubrirnos a un señor que igual, así de primeras, no sabéis quién es, pero cuyo sonido característico habéis escuchado mil veces en cualquier emisora de radio. Lanois is everywhere.Juan Gómez-Jurado tiene el honor de cerrar el programa con… ¡ratas! Un experimento espeluznante y una película de dibujos animados que provocó algunos traumitas a los niños de los 80. Y, por supuesto, a Juan también. Pocos traumas son los que le faltan al señor escritor.Prepárate a llenarte de conocimientos y decide después cuál te parece más inservible de todos.

Uma das principais bandas de fama mundial está em turnê no Brasil, dias 19, 21, 22 e 25 de outubro. TRACKLIST: U2 - Beautiful Day (Mat Zo Remix) U2 - New Years Day (Ferry Corsten Remix) U2 - Elevation (Paul Van Dik Remix) U2 - Wire (Kervorkian Remix) NO AIR: Rádio Comunitária CPA FM - 105,9 MHz - Cuiabá/MT Sexta, 22h | Sábado, 22h25 - GMT-4 (Horário da Amazônia) www.radiocpafm.amaisouvida.com.br/ Rádio Boiuna - 87,9 MHz - Boa Vista do Ramos/AM Domingo, 9h - GMT-4 (Horário da Amazônia) www.radios.com.br/aovivo/radio-boiuna-879-fm/26485 Rádio Trans BJ - 87,9 MHz - Bom Jardim de Minas/MG Sábado, 20h - GMT-3 (Horário de Brasília) http://radiotransbj.com Rádio FM Tibau - 104.9 MHz - Tibau/RN Sábado, 19h - GMT-3 (Horário de Brasília) www.fmtibau.com.br Rádio Vespasiano FM - 87,9 MHz - Vespasiano/MG Sábado, 20h - GMT-3 www.vespasianofm.com Rádio Campo FM - 87,5 MHz - Campo do Tenente/PR Domingo, 15h00 - GMT-3 (Horário de Brasília) www.tenenteanafm.com.br Rádio Comunitária Itaquera - 87,5 MHz - São Paulo/SP Sábado, 21h | Domingo, 19h - GMT-3 (Horário de Brasília) http://rcitaquera.com.br/ Rádio Ipanema Comunitária - 87,9 MHz - Porto Alegre/RS Sábado, 21h - GMT-3 (Horário de Brasília) http://www.ipanemacomunitaria.com.br Beat Top Som Domingo, 05h - GMT-3 (Horário de Brasília) http://beattopsom.com/ Rádio Cidade Paraíba Domingo, 18h | Terça, 21h - GMT-3 (Horário de Brasília) http://radiocidadeparaiba.radiostream123.com/ Antena Web (Portugal) Quarta, 01h - GMT+1 (Horário da Europa Ocidental) http://www.antenaweb.info FCM Cidade Sábado, 22h - GMT-3 (Horário de Brasília) http://www.fcmpublicidade.com.br Agente Oficial: Marina Navarro Viagens e Turismo https://www.facebook.com/marinanavarroviagenseturismo/ Divulgação: Brazuka Tracklists https://www.facebook.com/BrazukaTracklists/ https://soundcloud.com/brazukatracklists/ https://www.youtube.com/brazukatracklists

Uma das principais bandas de fama mundial está em turnê no Brasil, dias 19, 21, 22 e 25 de outubro. TRACKLIST: U2 - With Or Without You (Teemid Remix) U2 vs Kygo - You're The Best Thing About Me U2 & Peter Gabriel - A Sort Homecoming (Daniel Lanois Remix) U2 - Ordinary Love (Pretty Pink Remix) U2 - Crazy (Dirty South Remix) U2 - Even Better Than The Real Thing (Jaques Lu Cont Remix) U2 - Where The Streets Have No Name (Cowboy Mike Remix) NO AIR: Rádio Comunitária CPA FM - 105,9 MHz - Cuiabá/MT Sexta, 22h | Sábado, 22h25 - GMT-4 (Horário da Amazônia) www.radiocpafm.amaisouvida.com.br/ Rádio Boiuna - 87,9 MHz - Boa Vista do Ramos/AM Domingo, 9h - GMT-4 (Horário da Amazônia) www.radios.com.br/aovivo/radio-boiuna-879-fm/26485 Rádio Trans BJ - 87,9 MHz - Bom Jardim de Minas/MG Sábado, 20h - GMT-3 (Horário de Brasília) http://radiotransbj.com Rádio FM Tibau - 104.9 MHz - Tibau/RN Sábado, 19h - GMT-3 (Horário de Brasília) www.fmtibau.com.br Rádio Vespasiano FM - 87,9 MHz - Vespasiano/MG Sábado, 20h - GMT-3 www.vespasianofm.com Rádio Campo FM - 87,5 MHz - Campo do Tenente/PR Domingo, 15h00 - GMT-3 (Horário de Brasília) www.tenenteanafm.com.br Rádio Comunitária Itaquera - 87,5 MHz - São Paulo/SP Sábado, 21h | Domingo, 19h - GMT-3 (Horário de Brasília) http://rcitaquera.com.br/ Rádio Ipanema Comunitária - 87,9 MHz - Porto Alegre/RS Sábado, 21h - GMT-3 (Horário de Brasília) http://www.ipanemacomunitaria.com.br Beat Top Som Domingo, 05h - GMT-3 (Horário de Brasília) http://beattopsom.com/ Rádio Cidade Paraíba Domingo, 18h | Terça, 21h - GMT-3 (Horário de Brasília) http://radiocidadeparaiba.radiostream123.com/ Antena Web (Portugal) Quarta, 01h - GMT+1 (Horário da Europa Ocidental) http://www.antenaweb.info FCM Cidade Sábado, 22h - GMT-3 (Horário de Brasília) http://www.fcmpublicidade.com.br Agente Oficial: Marina Navarro Viagens e Turismo https://www.facebook.com/marinanavarroviagenseturismo/ Divulgação: Brazuka Tracklists https://www.facebook.com/BrazukaTracklists/ https://soundcloud.com/brazukatracklists/ https://www.youtube.com/brazukatracklists

Hoy, como siempre, novedades y avances discográficos de indudable interés y atracción inmediata: atentos a los nuevos y definitivos álbumes de Ibibio Sound Machine (afro-electro-punk), Daymé Arocena (cubatrónica) y Fabiano do Nascimento (virtuosismo carioca)... y también al ethio-jazz psicodélico bailable de Black Flower; el reivindicativo trabajo del maestro Otis Taylor; el gran homenaje a la música de Jamaica a cargo de Inna de Yard con históricos de la isla y, por último pero no menos importante, el nuevo fichaje de ZZK Records: la joven Dat Garcia.

Nico Roig nos visita hoy junto a Pau Rodríguez (bajo, samplers, teclados) en Future Beats para presentar su nuevo álbum: Vol.71 (Discos Quatreguineus). Un trabajo audaz, atrevido y brillante en forma y contenido. Un tesoro sonoro en la última hornada de novedades del año.En el concepto es un disco ambiental, que roza lo esotérico. Un disco que nos recuerda que todavía no va mal. A pesar de la decepción que supone hacerse mayor quedan impulsos muy vitales en el día a día.En el último largo de Nico Roig hay ecos de Lanois, Agnes Obel, Hans Zimmer... en cualquier caso estamos ante una propuesta abierta y sin complejos: “las influencias son muy dispares, sí. Es como si llegáramos a otro planeta. Y el oyente es atraido por una gravedad distinta, menos asfixiante que la que conocemos. De todas formas es difícil llegar a todo el mundo. Los mismos programadores de conciertos me dicen que esto es raro. Y no lo es. No es un experimento, mis decisiones más arriesgadas las tomo con otros proyectos como Os Meus Shorts. La palabra experimental se utiliza a menudo de forma exagerada para definir cuando las convenciones que usamos son menos habituales”.Además os ofrecemos algunos estrenos: como el proyecto del artista electrónico japonés Masaaki Yoshida con Anchorsong y Viva Cal Sextet, un tributo a Cal Tjader que nos presenta en detalle José Arteaga.Y también otras recomendaciones: las versiones de Disney en jazz pop vía Verve, Baptiste Trotignon & Minino Garay, Madness y Naïm Amor & John Convertino.

On this week's episode of HomeTech: We are joined by Gene LaNois - Head of Professional Channel at Nest Labs. Gene provides us with an overview of Nest's unique program, which seeks to create a thriving, and symbiotic relationship with the professionals of various trades who chose to incorporate Nest products into their installation businesses. That plus... What Apple's (half-baked) efforts tell us about the future of TV. SmartThings teams up with Leviton. Is Savant returning to their roots? And a solar roof that looks nothing like an ugly solar roof. Fan of the podcast? Want to support our efforts? Please consider becoming a Patron!

As a producer, Daniel Lanois has been instrumental in crafting definitive records by U2, the Neville Brothers, Bob Dylan, Peter Gabriel, Willie Nelson, Emmylou Harris, Neil Young, and more. His productions have a trademark quality -- swampy and percussive, psychedelic but as earthy as the dubs of his noted influence Lee "Scratch" Perry -- that he also brings to his records as a songwriter and composer. His latest, Goodbye to Language, out now on Anti Records, is one of his best. Accompanied by Rocco DeLuca on lap steel, Lanois plays pedal steel, creating a sweeping landscape that spiritually connects to the sounds he contributed to Brian Eno 1983 ambient masterpiece Apollo: Atmospheres and Soundtracks. We joined Lanois following a live performance at his place, Bella Vista in Silverlake, to discuss the new record, his long production career, and his definition of "soul music," exploring how that definition guides and directs his artistic approach.

Bomba Estéreo es uno de los principales reclamos del Festival Charco. Hoy tenemos como invitado a Simón Mejía (director artístico, programador, bajista de Bomba Estéreo). Con él hablamos sobre el antes y el después de su último álbum, Amanecer, el primero que graban con una multinacional y con un productor, Ricky Reed: Amanecer es el primer disco que hacemos con un productor. Es importante encontrar nuevas químicas musicales, dimos con alguien con la mente muy abierta y aunque venía de un mundo muy diferente nos entendió muy bien. Soltamos las riendas. Al principio fue algo traumático pero cuando nos entendimos conseguimos un equilibrio muy creativo. Nuestra condición fue que la mitad de las sesiones tuvieran lugar en Los Ángeles y la otra en Bogotá. Ricky no conocía la ciudad, ni la cumbia. No creo que supiera ni dónde estaba Colombia como buen norteamericano. Pero le encantó y además de entendernos muy bien en lo profesional sellamos una amistad. Con Simón también hablamos sobre la evolución de Bomba Estéreo, las razones por las que han firmado un contrato con una multinacional, cómo llegaron a contar con la complicidad y colaboración de Will Smith, el proceso creativo y la escena latina alternativa: La cumbia ha sido un éxito total. Lo que pasa es que todos los ritmos que vienen de esa raíz son muy poderosos. Pero ahora creo que está pasando algo muy interesante con la música andina y la electrónica. América Latina tiene un gran potencial y una inmensa historia musical para ser explorada. Antes la gente joven latina valoraba más la música anglosajona, pero eso ha cambiado. Por otra parte Darío Manrique entrevista a Miguel García Garrido (Festival Charco): Tratamos de romper esquemas, el año pasado tuvimos un cartel más indie. Esta vez hemos ampliado el panorama y tenemos cabezas de cartel de diferentes escenas que han traspasado fronteras. En la actualidad musical os adelantamos los nuevos trabajos de La Femme y Daniel Lanois.

Daniel Lanois is a world-renowned musician, songwriter, and producer who splits his time living between Ontario and California. A multi-Grammy winning producer who has had a vital influence on key records by Bob Dylan, U2, Emmylou Harris, Peter Gabriel, and Neil Young, Lanois is also a pioneer of ambient music and one of the finest […]

Después de los programas especiales dedicados a T-Bone Burnett y Joe Henry hoy estrenamos otra sesión centrada en el trabajo de otro sensacional productor autor: Daniel Lanois. Su firma aparece en algunas obras esenciales de U2, Peter Gabriel y Bob Dylan. Aunque haber sido el responsable de la producción de álbumes como "So", "The Joshua Tree", "Atchung Baby" o "Time Out Of Mind" ya es un mérito formidable, es necesaria una inmersión en sus propios trabajos y en producciones menos conocidas para comprender y descubrir todas sus habilidades. Lanois es, además de productor, un excepcional compositor e intérprete. Compruébalo en esta edición especial de Future Beats.PLAYLIST:1. Daniel Lanois - Two Worlds2. Daniel Lanois - The Collection Of Marie Claire3. Marianne Faithfull - After The Ceasefire4. Emmylou Harris - Deeper Well5. Daniel Lanois - Here is What Is6. Willie Nelson - I Never Cared Of You7. Bob Dylan - Man In The Long Black Coat8. Daniel Lanois - Lovechild9. Neville Brothers - Yellow Moon10. Daniel Lanois - Frozen11. Neil Young - Walk With Me12. Daniel Lanois - Shine13. Bob Dylan - Love Sick

Tributo al gran Jack Bruce; nuevos álbumes de Sonny Knight & The Lakers, Ephemerals, Groundation, Lanois, Limboos, Sanseverino y The Coral; Darío Manrique entrevista a Maui & Los Sirenidos.PLAYLIST:1. Jack Bruce - White Room (Feat Eric Clapton)2. Sonny Knight & The Lakers - Sugar Man3. Ephemerals - Easy Ain't Nothin4. Groundation - Liberation Call5. The Coral - Wrapped In Blue6. Daniel Lanois - Space Love7. Maui y Los Sirenidos - Un Ratito Más (Acústico RGP)8. Darío Manrique entrevista a Maui9. Maui y Los Sirenidos - Dejarse Llevar (Acústico RGP)10. Sanseverino - Johnny Tu n'es pas un ange11. The Limboos - Space Mambo

Victor Indrizzo is one bad ass mutha. He is known as one of the most sought after session drummers in LA. His list of credits is staggering. He's worked with Willie Nelson, Scott Weiland, Daniel Lanois, Chris Cornell, Marrianne Faithful, Masters of Reality, Michael Penn, Macy Gray, Aimee Mann, Shakira, Sheryl Crow, and so many more bands and artists your head would spin. We sat in his recording studio in Hollywood and discussed his entire career. Victor's a very knowledgeable guy who's been around and seen it all. He's spent countless hours in studios and on the road. A lot of ground is covered here. Great guy, great hang. Recorded in Victor's studio, Hollywood, CA April 2014

These are songs that conjure up images of wind blown landscapes, tumbleweeds, sunbleached rocks, dusty roads and heat waves rising off the ground. Of course most of the music in this mix has an ambient/atmospheric feel. I remember the first time I heard Daniel Lanois' use of slide guitar on "Apollo - Atmospheres & Soundtracks", I hated it. I guess I thought of the slide guitar as too close to "country music" which I definitely hated. Well over the years I've come around on the slide guitar, I love it now. I'm still not a big country music fan, though I do have a ton of Johnny Cash recordings. I've come to appreciate the lonely, melancholy feel that can be expressed through twangy, dusty western music. Of course the ultimate in great ambient twang is Ry Cooder's "Paris, TX" soundtrack. That makes an appearance in this mix along with standbys like Lanois, Steve Roach & A Small Good Thing. I was happy to sneak in a piano tune, "Alice & twins" by Japancakes. It just sort of fit with the overall feel & then the slide guitar comes in to make it even more "dusty". Whether it's the twang of an acoustic guitar, the wail of a harmonica or the ethereal sound of a slide guitar, this mix will drop you off on an abandoned rail line in the middle of nowhere. T R A C K L I S T : 00:00    Earth - left in the desert 00:45    George Winston - Farewell 01:50    Ry Cooder - nothing out there 03:00    Chas Smith - an hour out of desert center 03:50    Bill Frisell - lonely man 04:52    p.g. six - 6 for wire, strung harp with slide with Steve Roach buried underneath 06:15    A Small Good Thing - drowning light 09:00    Daniel Lanois - Asylum 11:30    Steve Roach & Roger King - rain & creosote 15:30    Six Organs of Admittance - oak path 18:50    Balmorhea - Palestrina 20:10    Steve Tibbetts - kili-ki drok 21:10    Balmorhea - on the weight of the night 25:00    Esmerine - There Were No Footprints In The Dust Behind Them 27:35    Badgerlore - goodnight, sweet rabbits 29:20    Chronomad - aksak 33:50    Ennio Morricone - man with a harmonica 34:10    Japancakes - Alice & twins 37:50    Steve Roach - new moon at forbidden mesa 38:20    Loren Mazzacane Connors - lullaby (the 1st) 40:10    July Skies - branch line summers fade 41:45    end