Podcasts about Irish Sea

A first time for us as we record across the sea with each other. It takes more than the Irish Sea to prevent us from talking our movie sillinessThis week we start with Disney+ offering, a new dive into a much loved franchise 'Predator: Killer Of Killers', we then give some respect (but not too much) to Prime Video release 'The Squatchers', we then get very classy with a remake of the Ang Lee classic 'The Wedding Banquet', one of us is quite taken by all things 'Straw' on Netflix, the other gets brave and embraces the Ronseal of movies 'Clown In A Cornfield' and we finish with a trip back to the cinema do delve into the world of John Wick with 'Ballerina' Hosted on Acast. See acast.com/privacy for more information.

In this episode of Welcome to Cloudlandia, we kick off by reflecting on a recent trip to the UK, where London's unexpected warmth mirrored the friendliness of its black cab drivers. Our visit coincided with the successful launch of the 10 Times program in Mayfair, which attracted participants from various countries, adding a rich diversity to the event. Next, we delve into the advancements in AI technology, particularly those related to Google Flow. We discuss how this technology is democratizing creative tools, making it easier to create films and lifelike interactions. This sparks a conversation about the broader implications of AI, including its potential to transform industries like real estate through AI-driven personas and tools that enhance market operations. We then shift our focus to the political arena, where we explore the Democratic Party's attempt to create their own media influencers to match figures like Joe Rogan. The discussion centers on the challenges of capturing consumer attention in a world overflowing with digital content, and the need for meaningful messaging that resonates with everyday life. Finally, we touch on aging, longevity, and productivity. We emphasize the importance of staying engaged and productive as we age, inspired by remarkable individuals achieving significant milestones beyond 60. SHOW HIGHLIGHTS In our recent trip to the UK, we experienced the unexpected warmth of London and engaged with the local culture, which included charming interactions with black cab drivers. This atmosphere set the tone for a successful event launch in Mayfair with global participants. We discussed the sparse historical records left by past civilizations, such as the Vikings, and how this impacts our understanding of history, drawing a parallel to the rich experiences of our recent travels. AI advancements, particularly Google Flow, are revolutionizing the creative landscape by democratizing filmmaking tools, allowing for lifelike scenes and interactions to be created easily and affordably. The potential of AI in the real estate market was explored, using the example of Lily Madden, an AI-driven persona in Portugal, which highlights the challenge of consumer attention in an ever-saturated digital content environment. We analyzed the Democratic Party's approach to media influencers in the 2024 election, noting the need for genuine engagement with voters' lives amidst fierce competition for attention in today's media landscape. The discussion shifted to aging and longevity, focusing on productivity and engagement in later years. We emphasized the importance of remaining active and contributing meaningfully past the age of 60. We wrapped up the episode with excitement about future projects, including a new workshop and book, highlighting our commitment to staying creatively engaged and inviting listeners to join us in future discussions. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dean: Mr sullivan it has to be recorded because it's uh historic thinking it's historic thinking in a historic time things cannot be historic if they're not recorded, that is true, it's like if, uh, yeah, if a tree falls in the forest yeah, it's a real. Dan: It's a real problem with what happened here in the Americas, because the people who were here over thousands of years didn't have recordings. Dean: They didn't write it down. They didn't write it down. Dan: No recordings, I mean they chipped things. Dean: They didn't write it down. Dan: They didn't write it down no recordings, no recordings. Yeah, I mean, they chip things into rock, but it's, you know, it's not a great process really. Dean: I think that's funny, you know, because that's always been the joke that Christopher Columbus, you know, discovered America in 1492. But meanwhile they've been here. There have been people, the sneaky Vikings, and stuff. How do you explain that in the Spaniards? Dan: Yep. Dean: Yeah. Dan: Yeah Well, writing. You know, writing was an important thing. Dean: Yeah, yeah. Dan: We don't know much. We don't, yeah, we really don't know much about the Vikings either, because they didn't they weren't all that great at taking notes. I mean, all the Vikings put together don't equal your journals. Dean: That's true. All the Viking lore's the not what's happening. So it's been a few weeks yeah I was in the uk, we were in the uk for a couple weekends for uh-huh okay, it was great, wonderful weather, I mean we had the very unusual. Dan: It was great, wonderful weather. Dean: I mean we had the very unusual weather for May. It was, you know, unseasonably warm 75, 80, nice bright oh my goodness. Dan: Yeah, really terrific. And boy is the city packed. London is just packed. Dean: And getting packed dirt, huh. Dan: Yeah, yeah, just so many people on the street. Dean: I always, I always laugh, because one time I was there in June which is typically when I go, and it was. It was very funny because I'd gotten a black cab and just making conversation with the driver and he said so how long are you here? And I said I'm here for a week. He said, oh, for the whole summer, because it was beautifully warm here for the whole summer. Yeah, that's so funny, I hear hear it's not quite. Dan: They're fun to talk to. Dean: Oh man for sure. Dan: Yeah, they know so much. Dean: Yes, I hear Toronto. Not quite that warm yet, but get in there I think today is predicted to be the crossover day we had just a miserable week. Dan: It was nonstop rain for five days. Oh my goodness, Not huge downpour, but just continual, you know, just continual raining. Dean: But it speeded up the greening process because I used to have the impression that there was a day in late May, maybe today like the 25th, when between last evening and this morning, the city workers would put all the leaves on the trees like yesterday there were no leaves, and but actually there were. Dan: We're very green right now because of all the rain. Dean: Oh, that's great yeah. Two weeks I'll be there in. I arrived 17th. Dan: Yeah, yeah, I'm trying to think of the date I'm actually arriving. Dean: I'm arriving on the 6th A strategic coach, you're going to be here, yeah we're doing on Tuesday. This month is Strategic Coach. Dan: Yeah, because of fathers. Dean: Right, right, right right, so we're doing. Yeah, so that Tuesday, that's exciting. Dan: Tuesday, Wednesday, Of course, our week is 19th, 18th, I think it's the 17th 17th is the workshop day and we have a garden party the night before and the day I know we have two parties. Dean: Yeah, I love I can't go wrong yeah and hopefully we'll have our table 10 on the. Uh well, we'll do it at the one, we'll do it at the one, that's great. You've been introduced to the lobster spoons. I hear. Dan: It's been good, that's a great little spot. I didn't overdo it, but I did have my two. I had two lobster spoons Okay, they're perfect. Dean: I took one of my teams there about uh, six weeks ago, and we, everybody got two we got two lobster spoons and it was good, yeah, but the food was great service with service was great. Dan: Yeah, yeah, yeah all right. Dean: Well then, we got something I'm excited about. That's great. So any, uh, anything notable from your trip across the pond no, uh, we um jump things up um. Dan: Last October we introduced the 10 times program in London so uh 25 to 30. I think we have 25 to 30 now and uh, so when I was there um last two weeks, it'll be, um, um two weeks or last week no, it was last week. Um, I'm just trying to get my, I'm just trying to get my bearings straight here. When did I get home? I think I got home just this past Tuesday. Dean: This past Tuesday. Dan: So it would have been the previous Thursday. I had a morning session and afternoon session, and in the morning it was just for 10 times and in the afternoon it was just for 10 times and in the afternoon it was for everybody. So we had about 30 in the morning and we had about 120 in the afternoon. Dean: Oh, very nice yeah. Dan: And you know a lot of different places. We had Finland, estonia, romania, dubai, South Africa quite a mix. Quite a mix of people from. You know all sorts of places and you know great getting together great. You know couple of tools. You know fairly new tools A couple of tools, you know fairly new tools and you know good food good hotel, it's the Barclay, which is in. Mayfair. Okay, and it's a nice hotel, very nice hotel. This is the third year in a row that we've been there and you know we sort of stretched their capacity. Dean: 120 is about the upper limit and what they've been to the the new four seasons at uh, trinity square, at tower bridge. It's beautiful, really, really nice, like one of my favorites no, because the building is iconic. I mean Just because the building is iconic. I mean that's one of the great things about the. Dan: Four Seasons. Dean: Yeah, and about London in specific, but I mean that. Four Seasons at. Dan: Trinity it's beautiful, stunning, love it. Yeah, we had an enjoyable play going week um we did four, four, four musicals, actually four, four different. Uh, musicals we were there one not good at all probably one of the worst musicals I've seen um and uh, but the other three really terrific. And boy, the talent in that city is great. You know just sheer talent. Dean: What's the latest on your Personality? Yeah, personality. Dan: Yeah, the problem is that London's a hot spot right now and there's a queue for people who want to have plays there. Oh okay, Actually they have more theaters than Broadway does Is that right On the West End yeah, west End, but they're all lined up. Problem is it's not a problem, it's just a reality is that you have some plays that go for a decade. You know, like Les Mis has been in the same theater now for 20 years. So there's these perennials that just never move. And then there's hot competition for the other theaters, you know I wonder is Hamilton? Dean: there, I don't think so, I just wonder about that actually, whether it was a big hit in the UK or whether it's too close. Dan: Yeah, I'm not entirely sure why it was a great play in the United States. I went to see it, you know. I mean it bears no historical similarity to what the person actually was. Dean: No. Dan: So you know, I mean, if people are getting their history from going to that play, they don't have much history. Dean: That's funny, yeah, and I'm not a rap. Dan: I'm not a fan of rap, so it's not the oh God. I'm not the target, definitely not the target audience for that particular play. But we saw a really terrific one and. I have to say, in my entire lifetime this may have been one of the best presentations, all told. You know talent, plot, everything. It's cook. It's the curious case of Benjamin Button button, which is okay. Yeah, I've seen the movie which you. You probably saw the movie. Dean: I did. Dan: Yeah, and this is Fitzgerald. It's Fitzgerald. Dean: Yes. Dan: And it is just a remarkable, remarkable presentation. They have about, I would say, 15 actors and they're literally on stage for the entire two and a half hours. And they are literally on stage for the entire two and a half hours and they are the music. So every actor can sing, every actor can dance and every actor can play at least one musical instrument. And they have 30 original songs and then you know the plot. And they pull off the plot quite convincingly with the same actors, starting off at age 70, and he more or less ends up at around age 25, and then they very ingeniously tell the rest of the story. And very gripping, very gripping very moving and very gripping, very gripping very moving, beautiful voices done in. Sort of the style of music is sort of Irish. You know it takes place in Cornwall, which is very close to you know, just across the Irish Sea from Ireland. So it's that kind of music. It's sort of Irish folk music and you know it's sort of violins and flutes and guitars and that sort of thing, but just a beautifully, beautifully done presentation. On its way to New York, I suspect, so you might get a chance to see it there. Dean: Oh wow, that's where it originated, in London. Dan: No, yeah, it's just been. It was voted the number one new musical in London for this year, for 2025. Yeah, but I didn't know what to expect, you know, and I hadn't seen the movie, I knew the plot, I knew somebody's born, old and gets younger. Yeah, just incredibly done. And then there's another one, not quite so gripping. It's called Operation Mincemeat. Do you know the story? Dean: No, I do not. Dan: Yeah, it's a true story, has to do with the Second World War and it's one of those devious plots that the British put together during the Second World War, where to this was probably 1940, 42, 43, when the British had largely defeated the Germans in North Africa, the next step was for them to come across the Mediterranean and invade Europe, the British and Americans. And the question was was it going to be Sicily or was it going to be the island of Sardinia? And so, through a very clever play of Sardinia, and so, through a very clever play, a deception, the British more or less convinced the Germans that it was going to be Sardinia, when in fact it was going to be Sicily. And the way they did this is they got a dead body, a corpse, and dressed him off in a submarine off the coast of spain. The body, floated to shore, was picked up by the spanish police, who were in cahoots, more or less, with the germans, and they gave it to the germans. And the Germans examined everything and sent the message to Berlin, to Hitler, that the invasion was gonna be in Sardinia, and they moved their troops to Sardinia to block it. and the invasion of Sicily was very fast and very successful, but an interesting story. But it's done as a musical with five actors playing 85 different parts. Oh my yeah. Dean: Wow, 85 parts. Dan: Yeah. Dean: It sounds like. Dan: I thought, you were describing Weekend at Bernie's Could be. Dean: Could be if I had seen it If I had seen it. It was funny? Dan: Yeah, it's kind of like Weekend at Bernie's right, right, right, I don't know. I don't know what I'm talking about, but I know you are. And three of them were women who took a lot of male parts, but very, very good comic comic actors, and three of them were women who took a lot of male parts, but very, very good comic actors. It's done in sort of a musical comedy, which is interesting given the subject matter. And then I saw a re-revival of the play Oliver about Oliver Twist, a re-revival of the play Oliver about Oliver Twist and just a sumptuous big musical. Big, you know, big stage, big cast, big music, everything like you know Dickens was a good writer. Dean: Yes, um, dan, have you? Dan? Did you see or hear anything about the new Google Flow release that just came out two or three days ago? I have not. I've been amazed at how fast people adopt these things and how clearly this is going to unlock a new level of advancement in AI. Here thing kind of reminded me of how Steve Jobs used to do the product announcement. You know presentations where you'd be on stage of the big screen and then the. It was such an iconic thing when he released the iPhone into the world and you look back now at what a historically pivotal moment that was. And now you look at what just happened with flow from a prompt. So you say what you describe, what the scene is, and it makes it with what looked like real people having real dialogue, real interactions. And so there's examples of people at a car show talking like being interviewed about their thoughts about the new cars and the whole background. Dan, all the cars are there in the conference. You know the big conference setting with people milling around the background noises of being at a car show. The guy with the microphone interviewing people about their thoughts about the new car, interviewing people about their thoughts about the new car. There's other examples of, you know, college kids out on spring break, you know, talking to doing man-on-the-street interviews with other college kids. Or there's a stand-up comedian doing a stand-up routine in what looks like a comedy club. And I mean these things, dan, you would have no idea that these are not real humans and it's just like the convergence of all of those things like that have been slowly getting better and better in terms of like picture, um, you know, pick, image creation and sound, uh, syncing and all of that things and movies, getting it all together, uh, into one thing. And there, within 48 hours of it being released, someone had released a short feature, a short film, 13 minutes, about the moment that they flipped the switch on color television, and it was like I forget who the, the two, uh in the historic footage, who the people were where they pushed the button and then all of a sudden it switched to color, um broadcasting. But the premise of the story is that they pushed the button and everything turned to color, except the second guy in the thing. He was like it didn't turn him to color and it was. He became worldwide known as the colorless man and the whole story would just unfolded as kind of like a mini documentary and the whole thing was created by one guy, uh in since it was released and it cost about 600 in tokens to create the the whole thing and they were uh in the comments and uh, things are the the description like to create that, whatever that was, would have cost between three to $500,000 to create in tradition, using traditional filmmaking. It would have cost three to 500,000 to create that filmmaking it would have cost three to 500,000 to create that. And you just realize now, dan, that the words like the, the, the um, creativity now is real, like the capability, is what Peter Diamandis would call democratized right. It's democratized, it's at the final pinnacle of it, and you can only imagine what that's going to be like in a year from now, or two years from now, with refinement and all of this stuff. And so I just start to see now how this the generative creative AI I see almost you know two paths on it is the generative creative side of it, the research and compilation or assimilation of information side of AI. And then what people are talking about what we're hearing now is kind of agentic AI, where it's like the agents, where where AIs will do things for you right, like you can train an AI to do a particular job, and you just realize we are really like on the cusp of something I mean like we've never seen. I mean like we've never seen. I just think that's a very interesting it's a very interesting thought right now, you know, of just seeing what is going to be the. You know the vision applied to that capability. You know what is going to be the big unlock for that, and I think that people I can see it already that a lot of people are definitely going down the how path with AI stuff, of learning how to do it. How do I prompt, how do I use these tools, how do I do this, and I've already I've firmly made a decision to I'm not going to spend a minute on learning how to do those things. I think it's going to be much more useful to take a step back and think about what could these be used for. You know what's the best, what's the best way to apply this capability, because there's going to be, you know, there's going to be a lot of people who know how to use these tools, and I really like your idea of keeping Well, what would you use it for? Well, I think what's going to be a better application is like so one of the examples, dan, that they showed was somebody created like a 80s sitcom where they created the whole thing. I mean, imagine if you could create even they had one that was kind of like all in the family, or you know, or uh imagine you could create an entire sitcom environment with a cast of characters and their ai uh actors who can deliver the lines and, you know, do whatever. You could feed a script to them, or it could even write the script I think that what would be more powerful is to think. I I think spending my time observing and thinking about what would be the best application of these things like ideas coming. Dan: I think that somebody's going no no, I'm asking the question specifically. What would you, dean jackson, do with it? That's what. That's what I'm saying oh not what? Not what anybody could do with it, but what? Dean: would you? Dan: do with it um well, I haven't. Dean: I haven't well for one let's let's say using it. I, years ago, I had this thought that as soon as AI was coming and you'd see some of the 11 labs and the HN and you'd see all these video avatars, I had the thought that I wonder what would happen. Could I take an AI and turn this AI into the top real estate agent in a market, even though she doesn't exist? And I went this is something I would have definitely used. I could have used AI Charlotte to help me do, but at the time I used GetMagic. Do you remember Magic, the task service where you could just ask Magic to do? Dan: something, and it was real humans, right. Dean: So I gave magic a task to look up the top 100 female names from the 90s and the top 100 surnames and then to look for interesting combinations that are, you know, three or four syllables maximum and com available so that I could create this persona, one of the ones that I thought, okay, how could I turn Lily Madden Home Services into? How would you use Lily Madden in that way? So I see all of the tools in place right now. So I see all of the tools in place right now. There was an AI realtor in Portugal that did $100 million in generate $100 million in real estate sales. Now that's gross sales volume. That would be about you know, two or $3 million in in revenue. Yeah, commissions for the thing. But you start to see that because it's just data. You know the combinations of all of these things to be able to create. What I saw on the examples of yesterday was a news desk type of news anchor type of thing, with the screen in the background reporting news stories, and I immediately had that was my vision of what Lily Madden could do with all of the homes that have come on the market in Winter Haven, for instance, every day doing a video report of those, and so you start to see setting up. All these things are almost like you know. If you know what I say complications, do you know what? Those are? The little you know? All those magical kind of mechanical things where the marble goes this way and then it drops into the bucket and that lowers it down into the water, which displaces it and causes that to roll over, to this amazing things. I see all these tools as a way to, in combination, create this magical thing. I know how to generate leads for people who are looking for homes in Winter Haven. I know how to automatically set up text and email, and now you can even do AI calling to these people to set them on an email that every single day updates them with all the new homes that come on the market. Does a weekly, you know video. I mean, it's just pretty amazing how you could do that and duplicate that in you know many, many markets. That would be a scale ready algorithm. That's. Dan: That's one thought that I've had with it yeah, you know the the thing that i'm'm thinking here is you know, I've had a lot of conversations with Peter over Peter Diamandis over the years and I said you know, everything really comes down to competition, though. Dean: Everything really comes down to competition though. Dan: The main issue of competition is people's attention, the one thing that's absolutely limited. Everybody talks everything's expanding, but the one thing that's not expanding and can't expand is actually the amount of attention that people have for looking at things you know, engaging with new things. So for example. You asked me the question was I aware of this new thing from Google? From Google and right off the bat, I wouldn't be because I'm not interested in anything that Google does. Period, period, so I wouldn't see it. But I would have no need for this new thing. So this new thing, because what am I going to do with it? Dean: I mean, I don't know. But I recall that that was kind of your take on zoom in two months. Dan: Yeah but, uh. But if the cove, if covet had not happened, I would still not be using zoom yeah, yeah, because there was nobody. There was nobody at the other end that's exactly right. Dean: You didn't have a question that Zoom was the answer to. Dan: Yeah. And I think that that's the thing right now is we don't have a question that the new Google Flow Because this seems to me to be competition with something that already exists, in the sense that there are people who are creating, as you say, $500,000 versions of this and this can be done for $600. Dean: Well, in that particular field, now I can see there's going to be some fierce competition where there will be a few people who take advantage of this and are creating new things advantage of this and are creating new things, and probably a lot of people are put out of work, but not I. I what is so like? Dan: uh, you know, no, and it's not it's not based on their skill and it's it's on their base. There's no increase in the number of amount of attention in the world to look at these things. Dean: There's no increase there's no increase of attention. Yes, the world to look at these things. Dan: There's no increase. There's no increase of attention. Dean: Yes, which it's so eerily funny, but in my journal last night, after watching a lot of this stuff, I like to look at the edges of this and my thought exactly was that this is going to increase by multiples the amount of content that is created. But if I looked at it, that the maximum allowable or available attention for one person is, at the maximum, 16 hours a day, if you add 100% of their available attention bandwidth, you could get 1, 1000 minutes or 100 of those jacksonian units everybody that we only have those. We only have 110 minute units and we're competing. We're competing against the greatest creators ever Like we're creating. We're competing against the people who are making the tippy top shows on Netflix and the tippy top shows on any of these streaming things. I don't think that it's, I think, the novelty of it to everybody's. It's in the wow moment right now that I think everybody's seeing wow, I can't believe you could do this. And it's funny to look at the comments because everybody's commenting oh, this is the end of Hollywood, hollywood's over. I don't think so. Dan: Hollywood's been kind of over for the last five or ten years. I mean it's very interesting. I think this is a related topic. I'm just going to bounce it off you. The Democratic Party has decided that they have to create their own Joe Rogan, because they now feel that Joe Rogan as a person, but also, as you know, a kind of reality out in the communication world tipped the election in 2024. Dean: Who have they nominated? Dan: Yeah, that Trump being on Joe Rogan and a few other big influencers was the reason, and so they're pouring billions of dollars now into creating their own Joe Rogans. But the truth of it is they had a Joe Rogan. He was called Joe Rogan and he was a Democrat. Dean: Yeah, and he was a Democrat. Dan: Yeah, so you got to work out the problem. Why did Joe Rogan Democrat become Joe Rogan Republican is really the real issue question. And they were saying they're going to put an enormous amount of money into influencers because they feel that they have a fundamental messaging problem. Dean: Look how that worked out for them, with Kamala I mean they had all the A-listers. Dan: Well, they had $2 billion I mean Trump spent maybe a quarter of that and they had all the A-listers. They had Oprah. They had, you know, they had just Beyonce, they just had everybody and it didn't make any difference. So I was thinking about it. They think they have a messaging problem. They actually have an existential problem because nobody can nobody can figure out why the democratic party should even exist. This is the fundamental issue why, why, why should a party like this even exist? Dean: I I can't I? Dan: I don't know, I mean, can you answer the question? I can't answer the question I really don't know why this party actually exists. So it's a more fundamental problem to get people's attention. They have no connection, I think, with how the majority of people who show up and vote are actually going about life, are actually going about life. So you have these new mediums of communication and I'm using Google Flow as an example but do you actually have anything to communicate? Dean: Right, it all definitely comes down to the idea. It's capability and ability. I think that that's where we get into the capability column in the VCR formula. That capability is one thing is why I've always said that idea is the most valuable, you know? Dan: um, yeah, because you know, execution of a better idea, a capability paired with a better ability, is going to create a better result but if it's just a way of selling something that people were resisting buying and they were resisting buying in the first place have you really? Dean: made it. Dan: Have you really made a breakthrough? Dean: Have you really made a breakthrough? That was my next journey in my journal was after I realized that. Okay, first of all, everybody is competing for the same 1,000 minutes available each day per human for attention each day per human for attention, and they can't you know, do you can't use all of that time for consuming content there has to be. They're using, you know, eight hours of it for, uh, for working, and you know four hours of it for all the stuff around that, and it's probably, you know, three or four hours a day of available attention. Dan: Boy, that would be a lot. Dean: I think you're right, like I think that's the thing. I'm just assuming that's the, you know, that's the. Well, when you, you know, in the 50s, Dan, what was the? I mean that was kind of the. There was much less competition for attention in the 50s in terms of much less available, right, like you look at, I was thinking that's the people you know, getting up in the morning, having their breakfast, getting to work, coming home, having their dinner and everybody sitting down watching TV for a few hours a night. That's. That seems like that was the american dream, right? Or they were going bowling or going, uh, you know it was the american habit yeah, that's what I meant. That that's it exactly, exactly. The norm, but now, that wasn't there were three channels. Yeah, and now the norm is that people are walking around with their iPhones constantly attached to drip content all day. Dan: Well, I don't know, because I've never Not. Dean: you drip content, all well. Dan: Well, I don't know, because I've never not you and I have never. I've never actually done that, so I don't actually, I don't actually know what, what people are do, I do know that they're doing it because I can? I can observe that when I'm in any situation that I'm watching people doing something that I would never do. In other words, I can be waiting for a plane to leave, I'm in the departure lounge and I'm watching, just watching people. I would say 80 or 90 percent of the people. I'm watching are looking at their phones, yeah, but. Dean: I'm not, but I'm not yes, yes, I'm actually. Dan: I'm actually watching them and uh, wondering what are they? Doing why? Dean: no. Dan: I'm. I'm wondering why they're doing what they're doing. Yeah, yeah, yeah. And, for example, I never watch the movie when I'm on an airplane, but I notice a lot of people watching the screen. Yeah, so, and you know, if anything, I've got my Kindle and I'm reading my latest novel. Yes, that's basically what I'm doing now, so so, you know, I think we're on a fundamental theme here is that we talk about the constant multiplication of new means to do something. Constant multiplication of new means to do something, but the only value of that is that you've got someone's attention. Yes, and my thing, my thinking, is that google flow will only increase the competition for getting yes, attention, attention that nobody, nobody's getting anyway. Dean: That's exactly right, that's it. And then my next thought is to what end? Dan: Well, they're out competing some other means. Dean: In other words, there's probably an entire industry of creating video content that has just been created, too, based on this new capability. I so I just think, man, these whole, I think that you know, I'm just, I'm just going. Dan: I'm just going ahead a year and we just got on our podcast and it'll be you. It won't be me. Dan did you see what such and such company just brought out? And I'll tell you, no, I didn't. And they say this is the thing that puts the thing I was talking about a year ago completely out of. Dean: Isn't that funny, that's what I'm seeing. It probably was a year ago that we had the conversation about Charlotte. Dan: Well, no, it was about six months ago. I think it was six months ago. Dean: Maybe yeah. Dan: But we were talking about Notebook, we were talking about Google. Dean: Notebook. Dan: I had one of my team members do it for me three or four times and then I found that the two people talking it just wasn't that interesting. It really didn't do it so I stopped't want to be dismissive here and I don't want to be there but what if this new thing actually isn't really new because it hasn't expanded the amount of tension that's available on the planet? Dean: biggest thing you have to, the biggest thing that you have to increase for something to be really new is actually to increase the amount of human attention that there is on the planet, and I don't know how you do that because, right, it seems to be limited yeah, well, I guess I mean you know, one path would be making it so that there it takes less time to do the things that they're spending their time other than it seems to me, the only person who's got a handle on this right now is Donald Trump. Dan: Donald seems to have a greater capacity to get everybody's attention than anyone anyone in my lifetime. Mm-hmm, yeah, he seems to have. Dean: I mean you look at literally like what and the polarizing attention that he gets. Like certainly you'd have to say he doesn't care one way or the other. Dan: He doesn't really care love or love, love or hate. He's kind of got your attention yeah one thing that I'm. He's got Canada's attention yeah. Dean: I mean really. Dan: That and $7 will get you a latte today getting. Canada's attention. Dean: It won't get you an. Americano, but it'll get you a Canadiano, okay. Dan: Yeah, it's so funny because I just I've created a new form and. I do it with perplexity it's called a perplexity search and give you a little background to this. For the last almost 20, 25 years 24, I think it is I've had a discussion group here in Toronto. Dean: It's about a dozen people. Right. Dan: And and every quarter we send in articles and then we create an article book, usually 35, 40 articles, which is really interesting, and it's sort of the articles sort of represent a 90 to 180 day sense of what's going on in the world. You know, you kind of get a sense from the articles what was going on in the world and increasingly, especially since AI came out. I said, you know, these articles aren't very meaty. They don't know it's one person's opinion about something or one person's. You know, they've got it almost like a rant that they put into words about some issues so what I? resorted to is doing perplexity search where, for example, I have one that I've submitted. This was the week when we had to submit our articles and we'll be talking about them in July, the second week of July. So they have to be formatted, they have to be printed. July, so they have to be formatted, they have to be printed, they have to be the book has to be put together and the book has to be sent out. Usually, everybody has about four weeks to read 35 articles. So my articles I have four articles this time and they all took the form, and one of them was 10 reasons why American consumers will always like their gas-fueled cars. Okay, and there were 10 reasons. And then I say, with each of the reasons, give me three bullet point, statistical proof of why this is true. And it comes out to about five pages, and then I have it write an introduction and a conclusion. This is a format that I've created with Propoxy. It takes me about an hour to start, to finish, to do the whole thing, and I read this and I said this is really, really good, this is really good. You know this is very meaty, you know it's got. You know it's just all fact, fact, fact, fact, fact, and it's all put together and it's organized. So I don't know what the response is going to be, because this is the first time I did it, but I'll never get an article from the New York Times or an article from the Wall Street Journal again and submit it, because my research is just incredibly better than their research, you know. And so my sense is that, when it comes to this new AI thing, people who are really good at something are going to get better at something, and that's the only change that's going to take place, and the people who are not good at something are going to become it's going to become more and more revealed of how not good they are. Yeah, yeah, like the schmucks are going to look schmuckier, the schmuckification of America and you can really see this because it's now the passion of the news media in the United States to prove how badly they were taken in by the Biden White House, that basically he, basically he wasn't president for the last four years, for the last four years there were a bunch of aides who had access to the pen, the automatic pen where you could sign things, and now they're in a race of competition how brutally and badly they were taken in by the White House staff during the last four years. But I said, yeah, but you know, nobody was ever seduced who wasn't looking for sex. You were looking to be deceived. Yeah, you know, all you're telling us is what easily bribe-able jerks you actually are right now, and so I think we're. You know. I'm taking this all back to the start of this conversation, where you introduced me to Google Flow. Yeah, and I'll be talking to Mike Koenigs in you know a few days, and I'm sure Mike is on to this and he will have Mike, if there's anybody in our life who will have done something with this. Dean: it's Mike Koenigs that's exactly right. Dan: You're absolutely right. Dean: Yeah. Dan: Mike will have three or four presentations using this. Yes, but the big thing I come down to. What do you have that is worth someone else's attention to pay attention to? Do you have something to communicate? Dean: Do you have something to communicate that? And my sense is it can only be worth their time if it's good for them to pay attention to you for a few minutes. You're exactly right, that is an ability. Do you have the ability to get somebody's attention? Because the capability to create that, content is going to be. Dan: There's's going to be only a few people at the tippy top that have well, that's not going to be the issue that's not going to be the issue that's not going to be the issue, that's the how is taken care of. Yes, that's exactly it. The question is the why? Dean: yes, I put it, you were saying the same thing. I think that that it's the what I just said, the why and the what. Why are we? What? To what end are we doing this? And then, what is it that's going to capture somebody's attention? Uh, for this, and I think that that's yeah, I mean, it's pretty amazing to be able to see this all unfold. Dan: Hmm. Dean: You know, yeah, yeah. But there's always going to be a requirement for thinking about your thinking and the people who think about their thinking. I think that people this is what I see as a big problem is that people are seeing AI as a surrogate for thinking that oh what a relief I don't have to think anymore. Dan: Yeah. Dean: I saw a meme that said your Gen Z doctors are cheating their way through medical school using chat GPT. Probably time to start eating your vegetables, it's probably time to start living healthily. Exactly yes. Dan: It's very interesting. I was interviewed two or three days ago by New Yorker magazine actually. Dean: Really Wow. Dan: Fairly, and it was on longevity. Dean: OK, because you're on the leaderboard right. Dan: The longevity, yeah, and, and they had interviewed Peter Diamandis and they said you ought to talk to Ann Sullivan, nice guy, the interviewer. I said the biggest issue about, first of all, we're up against a barrier that I don't see any progress with, and that is that our cells reproduce about 50 times. That seems to be built in and that most takes us to about 120,. You know, and there's been very few. We only have evidence of one person who got to 120, 121, 122, a woman in France, and she died about 10 years ago. I do think that there can be an increase in the usefulness of 120 years. In other words, I think that I think there's going to be progress in people just deciding well, I got 120 years and I'm going to use them as profitably as I can, and I said that's kind of where I that's kind of where I am right now and, uh, I said, uh, I have this thing called one 56, but the purpose of the one 56 is so that I don't, um, uh, misuse my time right now. Right, that's really, that's really the reason for it. And I said you know, at 81, I'm doing good. I'm as ambitious as I've ever been. I'm as energetically productive as I've ever been. That's pretty good. That's pretty good because when I look around me, I don't see that being true for too many other people and see that being true for too many other people. It was really, really interesting, I said, if we could get half the American population to be more productive from years 60 to 100, a 40-year period. I said it would change the world. It would totally change the world. So I said the question is do you have actually anything to be usefully engaged with once you get to about 60 years old? Do you have something that's even bigger and better than anything you've done before? And I said you know, and my sense is that medicine and science and technology is really supporting you if you're interested in doing that. But whether it's going to extend our lifetime much beyond what's possible right now. I said I don't think we're anywhere near that. Dean: I don't either. Yeah, I think you look at that, but I think you hit it on the head. That of the people who are the centenarians, the people who make it past a hundred. They're typically, they're just hung on. They made it past there but they haven't really had anything productive going on in their life for a long time since 85 years old, very rare to see somebody. Uh, yeah, you know, I mean you think about Charlie Bunger, you know, died at 99. And you look at, norman Lear made it to 101. And George Burns to 100. But you can count on one hand the people who are over 80 that are producing. Yeah, you're in a rare group. Where do you stand on the leaderboard right now? Dan: I was number 12 out of 3,000. That was about four months ago. Dean: That was about four months ago. Dan: I only get the information because David Hasse sends it to me. My numbers were the same. In other words, it's based on your rate of aging. Dean: That's what the number is when I was number one. Dan: the number, was this, and my number is still the same number. And when I was number one, the number was this and my number is still the same number. It just means that I've been out-competed by 11 others, including the person who's paying for the whole thing, brian Johnson. But you know useful information, yeah. Dean: But you know useful information. Dan: Yeah, you know and you know. But the big thing is I'm excited about the next workshop we're doing this quarter. I'm excited about the next book we're writing for this quarter. So so I've always got projects to be excited about. Dean: I love it All righty, I love it Alrighty. Okay, dan, that was a fun discussion. I'll be back next week, me too. I'll see you right here. 1:03:42 - Dan: Yeah, me too. Awesome See you there. Okay, bye, bye,

Rory is joined by Fran Berry to discuss an action packed Saturday of racing on both sides of the Irish Sea!   Subscribe to the Paddy Power Racing YouTube here: https://www.youtube.com/@paddypowerhorseracing   It's Saturday Tipping, coming to you straight "From The Horse's Mouth"...   18+ GambleAware

The SBK Betting Podcast is back to preview all of the weekend's racing on both sides of the Irish Sea. In the UK, there is top class action at Haydock with the Temple Stakes and Sandy Lane Stakes. The Curragh also plays host to the Irish 2000 Guineas where Field Of Gold will go for glory. NAPs & NBs round off this week's podcast. Hosted on Acast. See acast.com/privacy for more information.

Founded in 1997 in Galway by a very well known face and voice here in Newstalk Bobby Kerr. Insomnia coffee was the first of the new wave of American style frothy coffees in an Ireland which overwhelmingly drank only tea. Bobby may have moved on but the Irish love affair with modern coffee continues at a pace to the point where Coffee has supplanted tea and Insomnia now has 157 outlets on both sides of the Irish Sea.To chat about the business of coffee Joe spoke to Harry O'Kelly the Chief Executive of Insomnia Coffee.

In this episode of Chatzzz, I'm joined by Kevin Byrne, founder of MacLir, an innovative brand revolutionising the world of fitness with their Creatine Gummies. Kevin shares how MacLir is changing the game by offering a simple, effective alternative to traditional creatine powders. No more scooping – just pure, convenient power for real gains.MacLir, named after the mythical Irish god "Son of the Sea," embodies transformation, vitality, and boundless energy, much like the legendary figure associated with the Irish Sea. Kevin explains how the brand aims to help individuals unlock their full potential and become figures of strength and vitality.If you're looking to optimise your fitness routine and awaken your inner power, this episode is for you.

In this episode we are take a (virtual) hop across the Irish Sea to speak with Regina Mangan of Liberty Blue estate agents in the beautiful town of Waterford. Regina is a big character in the Irish property market, a successful entrepreneur, best selling author and exceptional estate agent. In this episode we cover: How to use values to run a businessKnowing your numbersSuccession planningGrowing painsThe value of mentorshipWhy attending industry events is so importantHow to maintain your mindsetTeambuildingHow to manage BurnoutSelf CareFiring ClientsHow to ask for help!And most importantly, the story of Matt table-dancing at an industry event...A great episode from a great guest, be sure to check it out wherever you get your podcasts! 

Hailing from the Causeway Coast, Good Friend is Adam Carroll (lead vocals and bass), Izzy Curran (drums), and Andy Reid (lead guitar). These three Irish lads originally come from around Belfast/Northern Ireland but they moved to Newcastle, England to get shitty jobs and form a band. The jobs did indeed turn out to be shitty, but the band turned out great! 'We've always described our sound as Punk Rock salted by The Irish Sea. Melodic and ferocious.' The band are signed to Red Scare Industries (US) and Gunner Records (EU) and have toured the world and played with bands like MakeWar, Guerilla Poubelle & Red City Radio. Good Friend played support to The Menzingers on the 16th of April at Button Factory Dublin, where Letty interviewed Adam and Izzy of the band. Band link: https://gunnerrecords.com/product-category/bands/good-friend https://goodfriend.bandcamp.com/album/tell-me-ma-single https://www.instagram.com/goodfriendband

Ruby and Rory give us their tips for an action packed Friday on both sides of the Irish Sea, while trader Joe Logue shares his thoughts on the Kentucky Oaks!   Watch the Punchestown Rewind with Patrick Mullins here: https://www.youtube.com/watch?v=zEeKMwH_Xms   It's Friday Tipping, coming to you straight "From The Horse's Mouth"...   18+ GambleAware

This week's bumper edition of the SBK Betting Podcast covers high-quality action across the globe. The team kick off at Newmarket where they give their betting tips for both the 2,000 and 1,000 Guineas before crossing the Irish Sea for the SBK Irish Mares' Champion Hurdle where Brighterdaysahead looks to bounce back from Cheltenham disappointment. NAPs & NBs round off this week's pod with our US Racing expert, Tom Collins giving his selection for the Kentucky Derby at Churchill Downs. Hosted on Acast. See acast.com/privacy for more information.

“On the way to the library, I flew a kite.” We here on Outlook decide to begin this particular Mixed Bag episode with the above quote, start to a social media status, because we on this show love libraries/love books and love the outlook of writer Leona Godin, also close friend of this radio show/podcast, but really because elections make us want to take a break to fly a kite too. As the federal elections here in Canada approach, we're together, just after Easter, to discuss some of the issues in our country's politics from a disability perspective as issues facing disabled Canadians have been mostly overlooked during this election season, so soon off of the rushed Ontario provincial elections we just so recently dealt with. We're telling about the realities of the PC Party being no-show's at both provincial and now federal disability town halls and a still-totally inaccessible, inadequate, and inequitable voting system/process. Kerry shares about experiencing a new holiday, Irish style, after being in Ireland for Halloween and now Easter, along with being in Ireland last time during the presidential elections in the States and now, being back this time during our Canadian ones. Also, she and Barry celebrated Easter by having KFC fried chicken for their Easter meal, coming to the conclusion that KFC in Ireland seems better to her than eating it in Canada. Parades, Irish Sea gulls, and Kerry cuddling with an Oyster guide dog as we talk traditions, whether holidays or looking for change (but not necessarily only for change's sake) when voting for politicians who often ignore the concerns of disabled voters. Kerry also shares about a plane ride conversation with a generation z stranger, about the multi-sensory experience of taking guide dog Oyster to her favourite park again, and Brian's revisiting previous voting attempts and their inaccessibility as he's off to try again himself. So, it's Canada's federal election on April 28th and we're doing a mixed bag edition, one co-host in studio live and the other in Northern Ireland. With a bit of distance from the anxious Canadian citizenry, sister/co-host Kerry hasn't flown a kite, but instead has flown like one into the future of the UK time zone five hours ahead of brother/co-host Brian and yet modern technology makes it possible to open up a bit of a pre-election mixed bag of discussion topics, both silly and serious as one voted already while the other is on his way after this show and we will continue with a post-election wrap-up shortly.

Send us a textJoin Gary as he invites you to take in more great music from Scotland, Northumbria, Ireland and Canada, and find out how you can win a brand new set of bagpipes!PlaylistHeather MacIsaac with Kito's Fancy, Director of Confusion and Hector's Slippers from The Moon's DaughterSt Lawrence O'Toole Pipe Band with The Irish Sea, the Scenic Route and Going to the Well for Water from Evolution: Live at the Glasgow Royal Concert HallBilly Pigg with Gypsy's Lullaby, The Hawk, Memories and Coates Hall from The Northumbrian Smallpipes (Topic)Skye Youth Pipe Band with Prince Charles' Welcome to Lochaber, The Sweet Maid of Glendaruel, Teribus and McKay's Polka recorded at the Scottish Schools Pipe Band Championships 2025.Michael Grey with Clach Mhin Mheallain, Buggerlugs, Dr Angus MacDonald's Off to Skye, The Left-Handed Piper, The Sunday Post Highlander from Cuts From Traditional Cloth Bruce Gandy with Bob of Fettercairn, The Islay Ball, Sound of Sleat and the Brown Haired Maid from My Father's SonLaoise Kelly and Tiarnan O'Duinnchinn with A Teelin Highland, Drowsie Maggie and the Ballinamore Reel from Ar Lorg na Laochra (On the Shoulders of Giants).Peatbog Faeries with  Abhainn a' Nathair (River of Snakes) from Dust LinksSkye Youth Pipe Band Fundraiser - get your tickets for the MacRae pipes hereHeather MacIsaac Album Available hereInformation on Open Call for Emerging Talent at Piping Live 2025 hereSupport the show

Ahead of Mo, Scaz & Meg taking on Ireland this weekend, Elma has hopped across the Irish Sea for an exclusive tour of Ireland's High Performance Centre, to see what the World Champion beating, Girls in Green have got up their sleeve. Injured Ireland skipper & Gloucester Hartpury second row, Sam Monaghan is back on the show, accompanied by Ireland 15s & 7s scrum half, Aoibheann Reilly & Ireland's most entertaining prop Niamh O'Dowd, AKA Noddy, AKA Noddia, AKA the late Father Dina. Alongside Niamh's multiple personas, the gang discuss ACL tear recovery & research, the chronicles of the Niss (Niamh's trusty car) & draining Dubai dry of rice pudding.  To support Em Haywood's ACL fundraiser, go to: https://tinyurl.com/4c5aypdu  Make sure you're following The Good, The Scaz & The Rugby on socials, for more live show announcements: @goodscazrugby Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's a bumper weekend of racing on both sides of the Irish Sea, as all roads lead to next week's Aintree Grand National!   Don't miss Finders Keepers, the Aintree Rewind show and MORE on the Paddy Power Racing YouTube channel: https://www.youtube.com/@paddypowerhorseracing   It's Weekend Tipping, coming to you straight "From The Horse's Mouth"...   18+ | gambleaware.org

In this Episode of The Thermal, expedition flying at its best and a feature interview with pilot Chris Gill. Imagine crossing the Irish Sea, hoping to make the other coast and all you can see is ocean…that's exactly what Chris and his copilot did earlier this month, flying from Wales to Northern Ireland and back across the Irish Sea to Scotland.

In the aftermath of the Irish War of Independence in 1921, Michael Collins is sent to London to meet Winston Churchill, David Lloyd George and other British officials to negotiate a treaty.  After weeks of travelling back and forth across the Irish Sea, Collins and his fellow Sinn Féin negotiators return with a deal. Ireland would become a Free State, but it would remain in the British Empire, and the Irish must swear an oath of allegiance to the King. Eamonn De Valera, the president of the republic, refuses to accept. De Valera and Collins, who were on the same side, are suddenly enemies. A rift tears through the republicans, splitting them into pro-Treaty and anti-Treaty forces. Families are divided, and soldiers who once fought together are on opposite sides. As the Irish tricolour replaces the Union Jack above Dublin castle, war breaks out between the two factions. Will Collins and De Valera survive their third war on home soil? Listen as William and Anita are joined once again by Diarmaid Ferriter, author of A Nation Not A Rabble, to discuss how the Anglo-Irish Treaty descended into civil war.  _____________ Empire UK Live Tour: The podcast is going on a UK tour! William and Anita will be live on stage in Glasgow, Birmingham, York and Bristol, discussing how the British Empire continues to shape our everyday lives. Tickets are on sale NOW, to buy yours head to empirepoduk.com. Empire Club: Become a member of the Empire Club to receive early access to miniseries, ad-free listening, early access to live show tickets, bonus episodes, book discounts, and a weekly newsletter! Head to empirepoduk.com to sign up. Email: empire@goalhanger.com Instagram: @empirepoduk  Blue Sky: @empirepoduk  X: @empirepoduk goalhanger.com Assistant Producer: Becki Hills Producer: Anouska Lewis Senior Producer: Callum Hill Learn more about your ad choices. Visit podcastchoices.com/adchoices

fWotD Episode 2873: Geography of Ireland Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Monday, 17 March 2025 is Geography of Ireland.Ireland is an island in Northern Europe in the north Atlantic Ocean. The island, of up to around 480 km (300 mi) north-south, and 275 km (171 mi) east-west, lies near the western edge of the European continental shelf, part of the Eurasian Plate. Its main geographical features include low central plains surrounded by coastal mountains. The highest peak is Carrauntoohil (Irish: Corrán Tuathail), which is 1,039 metres (3,409 ft) above sea level. The western coastline is rugged, with many islands, peninsulas, headlands and bays, while the southern and northern coasts feature a smaller number of substantial sea inlets, such as Lough Foyle and Cork Harbour; no part of the land is more than around 110 km (68 mi) from the sea. It was administratively divided into 32 counties, gathered in 4 provinces, though current arrangements, especially in Northern Ireland, differ from this model. The island is almost bisected by the River Shannon, which at 360.5 km (224 mi) with a 102.1 km (63 mi) estuary is the longest river in Ireland and flows south from County Cavan in the province of Ulster to form the boundary between Connacht and Leinster, and later Munster, and meet the Atlantic just south and west of Limerick. There are a number of sizeable lakes along Ireland's rivers, of which Lough Neagh is the largest.Politically, the island consists of the Republic of Ireland, with jurisdiction over about five-sixths of the island, and Northern Ireland, a constituent part of the United Kingdom, with jurisdiction over the remaining sixth. Located west of the island of Great Britain, Ireland lies at approximately 53°N 8°W. It has a total area of 84,421 km2 (32,595 sq mi) and is separated from Great Britain by the Irish Sea, bounded to the north and south respectively by the North Channel and St George's Channel, and from mainland Europe by the Celtic Sea. Ireland forms the second largest landmass in the British Isles, together with Great Britain and the Isle of Man.The island has a temperate oceanic climate, mild and humid, and is warmer than other landmasses at the same latitude due to its position vis-a-vis the winds on the Atlantic Ocean, and ocean currents and circulations. The island is one of the least forested areas in Europe, though afforestation is growing, but has a strong agricultural sector. It has a limited range of mineral resources, and has only had two major gas finds, and none in the oil sector. Hydroelectric energy is actively used, and wind farms are extending; neither solar nor tidal energy is as yet much exploited.This recording reflects the Wikipedia text as of 00:36 UTC on Monday, 17 March 2025.For the full current version of the article, see Geography of Ireland on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Emma.

Strikes, panic, stock market shares in freefall. Corporate espionage has some very odd results.In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn't know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it's a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

A new campaign - and a return to that small town story where it all began.In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn't know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it's a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

Into the present – and people are still dying…In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn't know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it's a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

Casually scanning through old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” What, she wonders, is this factory making? Then another line takes her down a rabbit hole from which she will not emerge for eight months. All workers “will have to sign an oath of secrecy.” Ophelia doesn't know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it's a dangerous substance – it can cause cancer.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth in order to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

The teams prepare for court battle but are finding it tough – until the phone rings.In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn't know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it's a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

Strange packages arriving from the US - and a terrible death prompts a woman to take action for her family.In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn't know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it's a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

A woman types an anonymous letter. She'll never know - but it will trigger a battle from red brick England, to the skyscrapers of Manhattan.In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn't know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it's a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

A secretive place – but some are talking. And a dying woman decides to tell her story. Will anyone get to listen?In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn't know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it's a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

An unmarked grave – and missing documents. What do the authorities know?In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn't know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it's a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

A hush-hush factory opening. No photographs allowed. A story of cover-ups, corporate espionage, fightbacks – and death ...In this series, casually scanning old newspaper archives, Ophelia Byrne comes across an odd headline: “Hush hush process in Ballyclare firm.” The newspaper was printed in 1967. “Strictly no photographs” was the order issued at the opening of the new factory. “90 guests steered clear of a top-secret process.” All workers “will have to sign an oath of secrecy.” What, she wonders, is this factory making? Ophelia doesn't know it when she starts out, but her subsequent investigation into this company, Turner and Newall, will take her from a small town in Northern Ireland across the Irish Sea to places like Rochdale, Leeds and London. It will bring her to one million documents released for a transatlantic trial – papers which show cover-ups and even corporate espionage. The product, of course, is asbestos. You may think you know the story – it's a dangerous substance.But Ophelia marries previous journalistic investigations to new documents which reveal what government agencies knew about its risks, and when. She combs through company correspondence which the manufacturers claimed did not exist, and clearly never imagined would become public. This is the story of Killer Dust, from mountains of the material in mines still operating in countries today, to the skyscrapers of Manhattan, and the terraced streets of the north of England. It is the story too of the people who fought and died for the truth to expose the reckless pursuit of profit in the making of one of the most dangerous building materials on the planet. Presenter/ Producer: Ophelia Byrne Studio Engineer: Gary Bawden Executive Editor: Andy Martin

This episode features the story of how a group of more than 700 pioneering women in the UK smashed through barriers to higher education and claimed degrees from Trinity College Dublin. Denied their degrees at Oxford and Cambridge because of their gender despite successfully completing their exams, the “Steamboat ladies” made use of an early 1900s loophole to earn official recognition by making a trip across the Irish Sea. The episode also explores the broader suffrage movement at the turn of the century and profiles figures like Eleanor Rathbone and Margaret Hills, whose efforts paved the way for academic and professional equity for women attending universities in the UK and around the world.For a full list of episode sources and resources, visit our website at sixteentoone.com/archives.

EPISODE 131 | Hotlantis: The Lost Continent We all love mysteries, and Atlantis is one of the biggest ones. Was it a real place or just an allegory? If real, then where was it? Many people have spent a lot of time and money trying to discover the answer to that question.  Like what we do? Then buy us a beer or three via our page on Buy Me a Coffee. Review us here or on IMDb. And, seriously, subscribe, will ya? SECTIONS 02:22 - Let the Mermaids Flirt with Me - Plato's Timaeus and Critias describe Atlantis, Utopia, probably just an allegory, Tertullian's "On Baptism", Elysium, Plato references Solon 08:44 - When the Levee Breaks - Atlantias by Hellanicus of Lesbos, the disaster at Helike, Altantipedia 14:00 - Mediterranean Sundance - Crantor believed it, the Pillars of Hercules, in the Mediterranean: Santorini (Thira), the Minoans, Robert Graves thought it was Pharos, Robert L. Scranton liked Lake Copais, other Med locales 21:08 - Atlantic - Ignatius Donnelly and Pierre-Marie Termier chose the Azores, hyperdiffusionism, Otto Muck thought about the Mid-Atlantic Range and the Carolina Bays, Bory de Saint-Vincent liked the Canary Islands (and pillow lava), Jorge Maria Ribero-Meneses considered the Cachucho Plateau, some liked the Spartel Bank, Paul Dunbavin liked the the Irish Sea, Stel Pavlou changes the timeline, the Richart Structure in Mauritania 28:48 - Abraham Ortelius drew a map, Athanasius Kircher expanded that work and thought Atlantis connected North America with Africa 31:02 - New World - Edgar Cayce's visions pointed to Bimini, the Bimini Road, the Blake Plateau, the Sargasso Sea, J.M. Allen thinks of the Incans and Bolivia, mythological places, Antarctica  36:40 - Underwater Love - Olaus Rudbeck preferred Sweden, Jürgen Spanuth like Northern Europe, Helena Blavatsky's Theosophy and root races, Jörg Lanz von Liebenfels and Guido von List create Ariosophy ("the wisdom of the Aryans"), the Nazis took that ball and ran with it 41:33 - Palace of the Brine - CTs like ancient aliens, the Vatican, the Illuminati; Tony O'Connell of Atlantapedia's central Mediterranean theory, my own take on it all Music by Fanette Ronjat More Info Atlantipedia website Timaeus By Plato Critias By Plato Finding Atlantis in the depths of Plato On Baptism by Tertullian Atlantis isn't real, but here are all the places it could have been in Popular Science Atlantis on History.com Atlantis at National Geographic  Atlantis - An Investigation on Storymaps Top 10 Amazing Facts About the Lost City of Atlantis The ‘truth' behind Atlantis – Christopher Gill on Plato's Atlantis Story Where is the Lost City of Atlantis — and Does it Even Exist? in Discover Is Atlantis Real? The Truth Behind the Atlantis Myth Was there a real Atlantis? on How Stuff Works Plato's Atlantis Before Plato on Beachcombing's BIzarre HIstory Blog WHO ELSE WROTE ABOUT ATLANTIS? Findings on Santorini Point to “Lost Island of Atlantis” Origins How the Ancient Greek City of Helike Was Destroyed and Rediscovered Wrath of a God or Nature: The Demise of Helike What Are the Pillars of Hercules Mentioned in Greek Mythology? The Pillars of Heracles at the Plato Project How the Discovery of ‘Atlantis' Made Big News Then Faded Away The Mysteries of Lake Copais and the Island Fortress of Gla The Sunken City That Might Be Atlantis Atlantis Location Hypothesis 10 mysterious locations to find the lost city of Atlantis WHERE IS ATLANTIS?: PILLARS OF HERACLES, A SEA OF MUD AND MONSTERS IN THE DEEP Atlantis, Lake Tritonis, and Pharos Ignatius L. Donnelly in the Scholarly Community Encyclopedia  Master of Disaster, Ignatius Donnelly in the Public Domain Review Are the Misty Peaks of the Azores Remnants of the Legendary Atlantis? The Canary Islands And The Atlantis Legend Pillow basalt more than a kilometer above sea level Lost city of Atlantis believed found off Spain The Mystery of Carolina Bays Location hypotheses of Atlantis Hunting Atlantis TV show “Be Vewy Quiet. I'm Hunting Atlantis.” What Exactly Is the Eye of the Sahara, aka the Richat Structure? Ancient Saharan Origins of East African Bantus: The Land of Atlantis and Egypt Atlantis on the Green Sahara The Infamous Map of Atlantis on Cryptid Campfire How the imaginary island of Atlantis was mapped on Vox Bimini Road/The Lost City of Atlantis Why Some People Think Bimini Road Is A Lost Highway To Atlantis on All That's Interesting Ep. 128 | Estimated Prophets: Nostradamus & Cayce The Island of Atlantis Discovered The Blake Plateau: A Southern Treasure Deep Sea Corals: The depths of the Blake Plateau Ep. 103 | Down in Bermuda, It's Easy to Believe: The Devil's Triangle The Sargasso Sea: why this ‘golden floating rainforest' urgently needs protecting at Greenpeace Mysteries of the Sargasso Sea Atlantis: The Andes Solution : The Discovery of South America As the Legendary Continent of Atlantis by John Blashford-Snell Exploring Atlantis and Lemuria Is Atlantis in Antarctica Atlantis on the H. P. Lovecraft Wiki Swedish Visions of Atlantis – Olof Rudbeck the Elder's Atlantica Atlantis Then and Now on the Theosophical Society website Eight unbelievable theories about Atlantis - that people actually believed! Atlantis Conspiracy website Lost city of Atlantis rises again to fuel a dangerous myth in The Guardian Atlantis: The Lost Continent Finally Found by Arysio Santos  Joining The Dots: Plato's Atlantis in the Central Mediterranean by Tony O'Connell  Follow us on social: Facebook Twitter Bluesky Other Podcasts by Derek DeWitt DIGITAL SIGNAGE DONE RIGHT - Winner of a 2022 Gold Quill Award, 2022 Gold MarCom Award, 2021 AVA Digital Award Gold, 2021 Silver Davey Award, 2020 Communicator Award of Excellence, and on numerous top 10 podcast lists.  PRAGUE TIMES - A city is more than just a location - it's a kaleidoscope of history, places, people and trends. This podcast looks at Prague, in the center of Europe, from a number of perspectives, including what it is now, what is has been and where it's going. It's Prague THEN, Prague NOW, Prague LATER 

This episode will have you yearning for the days of yore when castles dotted the landscape. But wait, there are still places where castles still dot the landscape and many of those are haunted—why else would we visit them. In this episode, we'll visit Chillingham Castle in Northern England where true evil took the form of a ruthless executioner. Then we'll leap over the Irish Sea to the heart of Ireland to visit Leap Castle and find out how the Bloody Chapel got its name. Are you brave enough to wander these halls at night?History of the castle and it's ghosts : Chillingham CastleWikipediaChillingham Castle Ghosts A Spine-chilling Wander through Chillingham Castle Project FearExpedition X on Discovery+ (Season 8 - Episode 7)Leap CastleYou can also use this link to text us your story :)If you have an experience, story, or anything else you'd like to share with us, you can email us at Opeaghost@gmail.com You can also follow us on Instagram, Join our Facebook group : Ope, A Ghost, or Follow us on YoutubeToodles!

Interview with Alexander Hacke and Danielle de Picciotto ! Part 4  hackedepicciotto are Alexander Hacke and Danielle de Picciotto. Both are legends of their own making: Danielle de Picciotto moved to Berlin in 1987, to become the lead singer of the band „Space Cowboys“, the co-initiator of the Love Parade, a collaborator of the Ocean Club with Gudrun Gut, and Alexander's partner in crime. Alexander Hacke is founding member and bass player of Einstürzende Neubauten. The artist couple, romantically married in 2006, has creatively interacted with countless international projects for almost 2 decades now besides regularly releasing their own compositions. Their live shows are, to put it mildly, intense. Danielle specializes in unusual instruments such as the Hurdy Gurdy, the auto harp and the cemence besides playing the violin and piano; Alexander is master of the bass, guitar and drums. Together they create beautiful, existentialistic, acoustic soundscapes, which roar and vibrate simultaneously leaving their audiences shaken but overjoyed. Danielle, author of two books, writes most of their lyrics, be it the poetic spoken word moments or the momentous choirs they compose together. Alexander Hacke, an excellent throat singer and vocalist, growls his grnarly, rumbling cries that float eerily over their nomadic desert drones, with screeching birds, bees or wild wind accompanying slow, heavy riffs that start as a whisper and end in a volcanic, rolling wave of apocalyptic frenzy. The collage of this mixed with melancholic, translucent harmonies, very heavy & low bass chords, and electronics are a mesmerizing universe of sound and emotion which has generated an ever growing group of enthusiastic listeners. The Best of hackedepicciotto (Live in Napoli) showcases live interpretations of music from across their career. The album includes reinterpretations of tracks from all of their studio albums: Keepsakes (2023), a tender exploration of friendship and loss, The Silver Threshold (2021), their defiant reaction to the pandemic, Perseverantia (2016), which dealt with the artists nomadic lifestyle, Menetekel (2017), which embodies their collective despair at the state of the world, and powerful energy of The Current (2020), recorded by the Irish Sea. Hackedepicciotto's Info https://www.hackedepicciotto.de/ Hear The Current here https://hackedepicciotto.bandcamp.com/  

Storm Eowyn has wreaked havoc on both sides of the Irish Sea, but hopefully that won't stop Rory and Joe giving us some weekend winners!   Don't miss the new series of Cheltenham Countdown on the Paddy Power Racing YouTube channel: https://www.youtube.com/@paddypowerhorseracing   It's Weekend Tipping, coming to you straight "From The Horse's Mouth"...   18+ | gambleaware.org

Welcome back to the Candlelit Tales podcast, where we tell Irish myths set to original music. In this episode, we continue our series on the Fianna, the Fianna Saga, with a particularly memorable arrival at Tara. We might all know the Salmon of Knowledge story or the burning of Tara at Samhain, but this tale offers a fresh perspective on this legendary chapter. My sister, Sorcha, told this story. Before we dive in, we'd like to take a moment to thank our sponsor for this episode—Tigh'n Alluis, the Irish Sweat House. This family-run business, created by siblings, two brothers, is reviving Ireland's ancient sweat house tradition. Places that were once used for healing, restoration, easing rheumatism to curing colds. Positioned in the stunning location in the Dublin mountains overlooking the Wicklow and the Irish Sea, Tigh'n Alluis blends old Irish mythology with holistic practices, using the four elements—fire, water, air, and earth—to create a sauna experience like no other. You'll leave feeling restored, refreshed, and connected to an age-old Irish healing tradition. You'll find more about them in the show notes—be sure to check them out. Please note the content of these stories may be triggering for some listeners, please take care of yourself as you listen. This story includes mentions of fire. Find details about this episodes sponsors here: https://tighnalluis.ie/contact/ This podcast is also supported by the people who donate to us each month via https://www.patreon.com/candlelittales and anyone who sends us a once-off donation through the Paypal button on our website http://candlelittales.ie/ Find details of our upcoming shows here: https://candlelittales.ie/performances/ https://www.youtube.com/c/CandlelitTales https://open.spotify.com/show/2102WuUUe9Jl6cGXNwQEKf https://soundcloud.com/candlelittales https://twitter.com/candlelit_tales?lang=en https://www.facebook.com/candlelittales https://www.instagram.com/candlelittales https://vimeo.com/user52850249 https://music.amazon.co.uk/podcasts/00d5c29b-ee1a-4078-aacf-62e1a94522dc/candlelit-tales-irish-mythology-podcast

Please join us at patreon.com/tortoiseshack In this wrap of 2024 we skip over the Irish Sea to talk with listener favourite, Prof Richard Murphy, about the UK's year of turmoil and the stability of having a politics of not very much ambition. Richard talks about how the Labour Party had continued to impose rules upon itself under the guise of fiscal prudence, whilst offering a seat at the table to some of the biggest capitalist predators in the world. Global Britain in 2025? We will see. Donate to Dignity for Palestine:https://www.patreon.com/posts/117612489

As supplies of the Irish favourite run low, makers of less well-known stouts are having their moment. Plus, we hear how storm damage at Holyhead Port is hitting Irish Sea trade.

This Friday, it's a joint production between Nick and Charlotte Greenway and they're joined by Jane Mangan to look ahead to this weekend's racing on both sides of the Irish Sea. Starting in Ireland, Tony Costello explains why Asian Master wasn't sold as a store and his journey from point to points to the fourth placed spot in the Supreme Novice Hurdle, ridden by his son Tom. Then onto Cheltenham over the next couple of days and Caroline Tisdale and Paul Nicholls discuss their runners before getting the thoughts of Sporting Life's Ben Linfoot on the December Gold Cup as part of this week's Timeform, Something for the Weekend.

This Friday, it's a joint production between Nick and Charlotte Greenway and they're joined by Jane Mangan to look ahead to this weekend's racing on both sides of the Irish Sea. Starting in Ireland, Tony Costello explains why Asian Master wasn't sold as a store and his journey from point to points to the fourth placed spot in the Supreme Novice Hurdle, ridden by his son Tom. Then onto Cheltenham over the next couple of days and Caroline Tisdale and Paul Nicholls discuss their runners before getting the thoughts of Sporting Life's Ben Linfoot on the December Gold Cup as part of this week's Timeform, Something for the Weekend.

This week's topic is Embracing Change and it's fair to say my special guest for this week has seen his fair share over the last year. He was host of RTÉ's flagship chat show The Late Late Show for 14 years and he has also worked in RTÉ as a radio presenter for over 20 years, speaking to the nation every weekday morning at 9am for his hugely popular Tubridy Show. Following some very well publicized upheavals in RTÉ last year, he found himself across the Irish Sea and taking on a major role in UK broadcasting. Currently hosting his brand new radio show on Virgin Radio UK and host of the instantly successful podcast The Bookshelf, Broadcaster Ryan Tubridy is my very special guest for this week.And we've also got another very important guest. When we're facing major change in our life, or if we find ourselves pining to shake things up in our career, relationship or lifestyle, the financial part can be the most intimidating. So why not meet the man I went to when I was humming and hawing about making a major change to my career! My conversations with him were truly transformational so I wanted to bring him on the show to see if he could help allay any of your fears you may have around change and set you up for your most exciting life trajectory. Financial wizard Dave Quinn is also here to share his expertise. The Mind Full Podcast is proudly sponsored by WHOOP, the world's most advanced fitness and health wearable. For one month's free subscription on us just use this link!http://join.whoop.com/mindfullAnd don't forget!Dermot Whelan Live – The Busy and Wrecked Tour is coming to a theatre near you from Jan 2nd 2025.Tickets are on sale now so check out dermotwhelan.com for all the details and I can't wait to get back out on the road and meet you all. The show will be a mix of comedy, craic, meditation and inspiration and hopefully an evening where you can relax and have a laugh and pick up some useful and fun tools too. If you've been feeling wound up, worn down, snowed under or bowled over this is the show for you so grab your stressed-out besties and your bedraggled partners, and join me as I travel all over Ireland and beyond and we'll un-wreck our heads and destress our lives together. Incidentally, I love to see teenagers at my shows too - you just gotta be over 14. Hosted on Acast. See acast.com/privacy for more information.

During the last Ice Age, glaciers scored huge trenches through the land beneath the Irish Sea. Today, those valleys are filled with softer material and sit between tracts of hard rock, creating a diverse landscape that wind farm developer Codling Wind Park has had to research in painstaking detail before it can begin installing its... The post #304 Grounded in Knowledge – Ireland's Biggest Offshore Wind Farm first appeared on Engineering Matters.

Narrator: Nadine Brown

On a bright sunny day, Ballygally Castle is postcard perfect—a breath taking almost dream like Scottish baronial Castle overlooking the sea in Northern Ireland. Yet on any dark, stormy evening, Ballygally takes on a more sinister feel and looks like something right out of a 1950's horror movie.  There's a dark coastal road that takes you to the castle on the hill and you can just imagine the lightning flashes making Ballygally's Scottish granite flash a pale grey before going back to almost black in the night. In a corner turret of the castle, a small window overlooks the North Channel of the Irish Sea from a small, drafty room that the Ballygally staff now call the “Ghost Room.” No one stays in the ghost room overnight anymore—well, no one living anyway.Come with us to Northern Ireland to explore the seductively mysterious Ballygally Castle and its ghost history in the episode of the True Hauntings Podcast. If you loved this episode please subscribe and share it to your friends. The Ghost Room of BallyGally Castle - A True Hauntings Podcast SUPPORT THE ADVERTISERS THAT SUPPORT THIS SHOW Mythical Meats - To grab the taste sensation sweeping the nation and save 10% go here and use code P60 at check out,  https://shop.mythicalmeats.com/ Mint Mobile - To get your new wireless plan for just15 bucks a month, and get the plan shipped to your door for FREE, go to www.MintMobile.com/P60 Haunted Magazine - https://bit.ly/hauntedmagazine Tarot Readings by Winnie - www.darknessradio.com/love-lotus-tarot Follow Anne and Renata: Facebook: @AnneAndRenata Instagram: @AnneAndRenata YouTube: @AnneAndRenata TikTok: @AnneAndRenata Learn more about your ad choices. Visit megaphone.fm/adchoices

The Best of HackedePicciotto (Live in Napoli) is Alexander Hacke and Danielle De Pictiotto's newest release showcasing live interpretations of music from across their career. The album includes reinterpretations of tracks from all of their studio albums: Keepsakes (2023), a tender exploration of friendship and loss, The Silver Threshold (2021), their defiant reaction to the pandemic, Perseverantia (2016), which dealt with the artists nomadic lifestyle, Menetekel (2017), which embodies their collective despair at the state of the world, and powerful energy of The Current (2020), recorded by the Irish Sea. For over 20 years Alexander Hacke (Einstürzende Neubauten) and artist, musician and filmmaker Danielle de Picciotto (co-founder of Love Parade) have been developing and evolving a symbiotic working practise together, with a deep intuition of the kind that has distinguished a rare number of creative and romantic partnerships – think of the writers Joan Didion and John Gregory Dunne, the artists Lee Miller and Man Ray or heroes of independent filmmaking, Gena Rowlands and John Cassavetes – each partnership underlined by a creative equality that allowed both artists freedom to explore and expand.    https://www.Instagrm.com/hackedepicciotto https://www.Facebook.com/hackepicciotto  https://www.hackedepicciotto.bandcamp.com  Website: https://www.hackedepicciotto.de   Music Matters with Darrell Craig Harris is sponsored by Shure Microphones. Voice overs provided by Nigel John Farmer from his studio VoiceWrapStudio.com in France. Our thanks to Rodney Hall FAME Recording Studios in Muscle Shoals, Alabama for our intro and outro backing music clip. A Big Shout and thanks to our friends at  @Shure for their support! Contact us at inquiry@darrellcraigharris.com  Social: www.Instagram.com/musicmatterspodcastofficial  www.MusicMattersPodcast.com                                   

First, Gerard is sorry, he couldn't make it as he was on a ship in the Irish Sea, and his Starlink wouldn't connect. So, it is just Laurent interviewing a young superstar, Peter Paul van Voorst, CEO of the mobile battery management platform Skoon.Skoon, based in Rotterdam, is now seven years old and manages more than 1,000 mobile batteries in 14 countries. Mobile batteries range from 1kw to 1MW and are either on trailers or inside 10ft containers.With Peter Paul, Laurent analyses this new segment of the Storage market. How did the technology evolve, what are the established use-cases (Construction, Film sets, Events) but also the new ones (Support to distribution networks).In recent years, not only has the hardware evolved (widespread use of LFP), but there has been an absolute revolution in the software layers, from BMS (Battery Management System) to EMS (Energy Management System) to now the overall fleet management. Those progresses are not only from a technical perspective but also from an economic and environmental perspectives.How this whole system works, grows and provide immense services to the Electrification of the Economy by providing the ultimate flexibility (time and space).

This week we chat to Anthony Candon about one of the greatest men in Irish history — Muirchertach Ua Briain (c.1050–1119), king of Munster, arguably king of all Ireland, and great-grandson of Brian Bóru. Tony tells us all about Muirchertach's reputation as a great military leader, his influence on the Irish Church, his international status outside of Ireland, the astute marriage alliances he brokered for his daughters with famous Norwegian king Magnus Barelegs and Arnulf de Montgomery, brother of Robert de Bellême, earl of Shrewsbury. We also chat how appropriate a camel is as a diplomatic gift, the Rock of Cashel and decapitated head trophies in medieval Irish warfare. You can find Anthony Candon's published articles on academia.edu Suggested reading: Anthony Candon, “Power, politics and polygamy: women and marriage in late pre-Norman Ireland”, in: Damian Bracken, and Dagmar Ó Riain-Raedel (eds), Ireland and Europe in the twelfth century: reform and renewal (Dublin: Four Courts Press, 2006) 06–127 Anthony Candon, ‘Muirchertach Ua Briain, politics and naval activity in the Irish Sea, 1075 to 1119', Gearóid Mac Niocaill and Patrick F. Wallace (ed.), Keimelia: studies in medieval archaeology and history in memory of Tom Delaney (1987), 397–415 Anthony Candon, ‘Barefaced effrontery: secular and ecclesiastical politics in early twelfth-century Ireland', Seanchas Ard Mhacha, xiv, no. 2 (1991), 1–25 For the 12th century Church see Marie Therese Flanagan, The transformation of the Irish church in the twelfth century (Woodbridge, 2013). For the Rock of Cashel listen to Dr Patrick Gleeson on the Amplify Archaeology Podcast https://open.spotify.com/episode/63Sv8kZNbP12NT4HoRAgUp?si=1dda663e986b4e53

Episode 190 is about the ocean, and a staggering event. The sinking of the HMS Birkenhead off Gansbaai, south of Cape Town - and event which led to the famous phrase women and children first in maritime lore. All of course also linked to the fierce 8th Frontier War of South Africa because there were hundreds of troops on board this ship when it went down - it is believed 445 drowned or were killed by sharks. The chronicle of what happened is riveting. The terrifying ordeal for the survivors of this ship became part of the mid-nineteenth century Victorian consciousness. The sinking of the Birkenhead also remains one of the greatest maritime disasters off South Africa's coast. But the fact that every one of the women and children aboard survived the wreck owing to the gallantry and discipline of the men on board has been immortalised in maritime lore. The soldiers of the British Army regiments, and the sailors and marines under Captain Robert Salmond, jeopardised their own chances of survival by putting the 'women and children first'. It stems from the ongoing 8th Frontier War I've been covering now for a couple of episodes. The British fighting the amaxhosa were in need of reinforcements, particularly the 74th highland Regiment which had already borne the brunt of the fighting along the Amatola ridges and valleys. Mount Misery had caused hundreds of casualties. In many ways, The Birkenhead was also a symbol of the age of innovation, she was one of the first iron-hulled ships ever built for the Royal Navy and was converted into a troop ship. As she was being laid down the Navy switched it's main propulsion to propellor from paddle wheels, so the vessel ended up converted from frigate to troop carrier. The Birkenhead was among the early attempts to marry sail and steam and rigged as a brigantine with two masts, a third being added later. She was powered by two 564 horsepower steam engines from Forrester & Co that drove a pair the 6-metre paddle wheels. . As part of her conversion to a troopship in 1851, a forecastle and poop deck were added to increase her accommodation, and a third mast was added, to change her sail plan to a barquentine. Although she never served as a warship, she was faster and more comfortable than any of the wooden sail-driven troopships of the time, making the trip from the Cape in 37 days in October 1850. However, it was a journey HMS Birkenhead would make for the last time in January 1852. Under command of Captain Robert Salmond, it steamed to Portsmith in the first week of January to pick up troops from ten different regiments, including the 2nd and the 74th. On the 5th January she sailed across the Irish Sea to Queenstown and picked up officers wives and children. All told there were 479 soldiers on board and more than 50 women and children, as well as a crew of 125. That was a total of 693 people stuffed into an iron hull less than 64 metres long and just over eleven metres wide - about the width of a tennis court. Even though she was thought of as well built, the early iron used in shipbuilding was quite brittle and tore easily compared to iron of later ships. Upon arrival at Simons Bay, most of the civilians disembarked, leaving only seven women and 13 children on board. Fuel, food and nine horses and forage were loaded along with more passengers, then HMS Birkenhead set sail again at 18h00 on the 25th February, heading for Algoa Bay and East London. Captain Salmond made a few hasty calculations and sailed close to the the coast heading south east towards Cape Agulhas. Time was of the essence, but two factors transpired against the ship. One was the compasses were registering small errors making navigation tricky, and the other was a strong south-east current was sweeping into Walker Bay and carrying the ship closer to shore than the crew realised. The were heading towards Danger Point, and the rocks.

This week David Maxwell finds out how to preserve some of this year's harvest with HE teacher come obsessive gardener Kerry Connolly. She's an expert at turning a glut of marrows and tomatoes into sauces and chutneys for the colder months. He also returns to Howth near Dublin to visit another exceptional garden on this Irish Sea peninsula. This time he meets mountain climber Karl Flynn who has created an exceptional exotic garden through a lifetime of weekend gardening. Oliver Shurmann reveals his favourite perennial for September and Anna Hudson joins David in studio to answer questions and provide seasonal inspiration. Contact the programme on gardenerscorner@bbc.co.uk

Take yourself back to the Celtic Tiger. Business is booming, properties are flying off the market. This is the environment in which Brian and Mary Patricia O'Donnell built up their mammoth property portfolio, at one point valued at over €1bn. Their Dublin home, Gorse Hill on upmarket Vico Road in Killiney, was repossessed by Bank of Ireland following a much-publicised stand-off in 2015. The mansion, which looks out over the Irish Sea, was sold two years later for €9.5m. Now, nearly a decade after the O'Donnells were ordered to leave the property, they are back in the news. Host: Fionnán Sheahan Guests: Shane Phelan and Donal O'Donovan See omnystudio.com/listener for privacy information.

Where did the people of Scotland come from?  The Picts were living in Scotland when the Romans arrived but where did they come from and who did they descend from?  Theorys abound: from home grown stories of them descending from an Egyptian queen to more conventional crossings of the Irish Sea by Gaelic peoples.  Take a listen and see what you think.

Northern Ireland was a different place when Scotsman Kevan Whitson took the Royal County Down head professional job in 1992. The country was still enmeshed in the Troubles, golf travel hadn't yet boomed, and the club saw 1,500 visitor rounds a year. But Old Tom's layout at this low-key members' club strung along the Irish Sea has always been world-class, and RCD now rightfully claims its place as perhaps the greatest links in the world, as well as a fixture on every golfer's bucket list. Host Tom Coyne sat down with Whitson to walk through the changes he's overseen in his 30 years at the club, the balancing act between providing an elite visitor experience and serving the club's membership, and his memories of hosting everyone from Jack and Arnie to Rory and Rickie. Plus, Whitson offers a few points of advice for anyone gearing up to take on the 2024 Irish Open host venue, and lays out how Royal County Down may just be golf's answer to Emily Post, with every hole teaching players to mind their manners. The Golfer's Journal is made possible by reader support. If you enjoyed this episode, please consider becoming a member here:⁠⁠ ⁠⁠⁠https://glfrsj.nl/MembershipsYT⁠⁠ TGJ Podcast is presented by⁠⁠  @titleist ⁠⁠ 

After President Biden and former President Trump's visits to the Texas-Mexico border, correspondent Cecilia Vega reports from Eagle Pass, Texas, where she interviewed Governor Greg Abbott. The governor's controversial border enforcement effort, known as Operation Lone Star, has led to a showdown with the federal government. Bill Whitaker reports from the Isle of Man on the longest-running and most dangerous motorcycle race on earth: The Isle of Man TT. Once the seat of a Viking Kingdom, the 30 mile-long island sits in the middle of the Irish Sea, with England to the east and Ireland to the west. Whitaker examines the distinct Manx identity and the role a collision of cultures played in shaping such a wild and improbable race. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.