Podcasts about Forum theatre

Holy Spirit inspired preaching from Peninsula Revival. Using the example of Christ, Pst Kevin Hollins encourages us to love one another. This recording is from 1991 at the Forum Theatre in Melbourne. If this message resonates with you, check us out further at revivalcentres.org. If you'd like to talk to someone, or subscribe to our weekly newsletter, drop us a line at pensinsula@revivalcentres.org. God is offering you THE salvation experience - you can receive the Holy Spirit just as the disciples did on the Day of Pentecost. It is the same today as it ever was - don't settle for less!

The San Diego, California-based Imagine Brave Spaces does just that—imagine brave spaces.  This performance activist organization, founded in 2021, uses play, performance, theatre, and other arts to help children, young people, and adults create spaces and engage in activities through which, in the words of Co-founder and Director of Programs Catherine Hanna Schrock, they can, “see what is not yet there, to picture the possibilities of what can be.”  In this in-depth interview conducted by Desire Wandan and Dan Friedman, she asks, “Isn't it a courageous thing to dream, to hope that things could get better?” and shares how Imagine Brave Spaces uses Forum Theatre, Playback Theatre, Interview Theatre, and creative community conversations to empower people to ask, “What if?” www.imaginebravespaces.com Instagram- @imaginebravespaces ----more---- Welcome to All Power to the Developing, a podcast of the East Side Institute. The Institute is a center for social change efforts that reinitiate human and community development. We support, connect, and partner with committed and creative activists, scholars, artists, helpers, and healers all over the world. In 2003, Institute co-founders Lois Holzman and the late Fred Newman had a paper published with the title “All Power to the Developing.” This phrase captures how vital it is for all people—no matter their age, circumstance, status, race, ethnicity, gender or sexual orientation—to grow, develop and transform emotionally, socially and intellectually if we are to have a shot at creating something positive out of the intense crises we're all experiencing. We hope that this podcast series will show you that, far more than a slogan, “all power to the developing” is a loving activity, a pulsing heart in an all too cruel world. ----more---- The East Side Institute is a hub for a diverse and emergent community of social activists, thought leaders, and practitioners who are reigniting our human abilities to imagine, create and perform beyond ourselves—to develop.  Each episode will introduce you to another performance activist or play revolutionary from around the world.   To learn more about the East Side Institute you can go to https://eastsideinstitute.org/   Made possible in part by Growing Social Therapeutics: The Baylah Wolfe Fund.

Arc Theatre is an Essex-based company that uses Forum Theatre and participatory drama activities to consider tough issues with audiences. Originally founded in 1984, Arc specialises in producing and performing original, live theatre, and delivering interactive, multi-media awareness programmes. They work with children and young people in schools and with groups ranging from pensioners to asylum seekers in community settings. Natalie Smith joined Arc Theatre in 1992. She has performed in and facilitated over 50 of the Company's productions and programmes and is now their Education Director. In this episode, we talk about the role of listening in this work, particularly in projects with young people.

Community Forum Theatre Bax and Nagle by Rock 102 Morning Show Podcasts

Joey Owen is a coach whose unique gifts allow her to connect with the humanity of her clients.Joey 's formative training in drama and in theatre for development instilled her with the ability to unlock people's innate creativity and confidence. With that skill she has enriched the lives around the world, helping individuals, organisations and communities to thrive.Joey is part of the new team of hosts at The Coach's Journey Podcast, but in this episode she answers Robbie's questions about her remarkable life and career, describing the adventure-driven steps that led her from training in theatre for development to founding Freedom To Learn, a charity that improves access to education for children in India and Nepal.She describes how the foundational listening skills and work around confidence that helped her to transform communities in rural Asia now underpin her work as a coach, and how spiritual practices she developed in India allow her to connect deeply with people from all walks of life. In this episode, Joey and Robbie also talk about:How to access a deeper sense of connectedness and to work from the heartThe creative processes that we can use to build confidenceInsight Seminars, and the courses that can reveal our natural coaching abilitiesLead generation tools for new coaches to use when building their businessThe way our work ripples out from our clients, to the benefit of everyone around them (including us!)Joey also shares the daily rituals that keep her steady in her work and help her to develop a profound sense of empathy and connection with her clients.Things and people we mentioned (that you might be interested in):- Mike Toller on The Coach's Journey Podcast https://www.thecoachsjourney.com/podcast/episode-32-mike-toller - Robbie's website www.robbieswale.com - Joey's website www.joeyowencoaching.com- Freedom To Learn https://freedomtolearn.org.uk/ - Insight Seminars https://www.insightseminarsuk.com/ - Tom Flatau https://team-working.com- The Prosperous Coach by Rich Litvin and Steve Chandler https://richlitvin.com/book/ - Landmark Forum https://www.landmarkworldwide.com/the-landmark-forum- Ben Carter https://www.bencartercoaching.com/- Strategic Intervention Coaching Certifications: https://rmtcenter.com/certification-programs/- Tony Robbins on the Tim Ferriss Show: https://tim.blog/2014/10/15/money-master-the-game/- The Tony Robbins documentary Robbie mentioned: https://www.netflix.com/gb/title/80102204- Lamda exams: https://www.lamda.ac.uk/lamda-exams/our-exams- The Choir guy from TV who was mentioned! Gareth Malone: https://www.garethmalone.com/- Forest Arts Centre: https://www.forest-arts.co.uk/- Forum Theatre: https://en.wikipedia.org/wiki/Forum_theatre- Cardboard Citizens: https://cardboardcitizens.org.uk/- ERSF: https://ersf.org.uk- The December Episode where Joey talks about Indra's Net: https://www.thecoachsjourney.com/podcast/episode-56-introducing-the-new-hosts-ushering-in-the-future-of-the-coachs-journey- Indra's Net: https://en.wikipedia.org/wiki/Indra%27s_net- Joey's Bark Profile - https://www.bark.com/en/gb/company/joey-owen-coaching/RvZ2l/ - Chris Joseph on the Coach's Journey Podcast: https://www.thecoachsjourney.com/podcast/episode-19-chris-joseph- SGI: https://sgi-uk.org/- SGI's introduction to chanting page: https://sgi-uk.org/Intro- Tina Turner's book, Happiness Becomes You: https://www.waterstones.com/book/happiness-becomes-you/tina-turner//9780008398637- I Heart https://iheartprinciples.com/- Henrietta Nelson on The Coach's Journey Podcast: https://www.thecoachsjourney.com/podcast/episode-46-henrietta-nelson-nobody-else-can-put-a-feeling-in-you- The chanting audio on Apple Podcasts that Joey mentions: https://music.apple.com/gb/album/nam-myoho-renge-kyo/1391365531?i=139136BIOGRAPHY FROM JOEYJoey is a fully qualified Theatre for Development Practitioner (MA), Applied Drama and Community Coach (BA Hons) and LAMDA drama teacher (LLAM). Certified as a Strategic Intervention (SI) Coach with the Coaching Institute, she has 20 years experience in the education and development sectors as a facilitator and coach in the UK, Europe and South Asia. Alongside her private coaching practice she is also Programmes Director at Freedom to Learn, an NGO working in South Asia Nepal, improving access to and quality of education for children from vulnerable backgrounds.

Matty O welcomes the phenomenal G Flip to Triple M Homegrown for a reunion like no other. Travel back in time to the duo's cherished days on community radio, where the airwaves danced to their beats and their camaraderie was forged. G Flip, not just a musician but a storyteller, unravels the rich tapestry of their Melbourne homecomings. Feel the fizz of a freshly poured Carlton Draught and the comfort of a hearty pub parma. Discover the city's hidden gems and the nostalgia it evokes in a globe-trotting artist. The rhythm of the drums isn't just a sound; for G Flip, it's the pulse of their music. Dive deep into the making of 'Drummer', their latest album that wears its heartbeat on its sleeve. Unpack the layers of their songwriting, from the percussive core to the lyrical soul, and hear about the Springsteen magic that sprinkled onto the tracks. Gig tales? G Flip has them in spades. Revel in the joy of their upcoming Australian tour, especially the euphoria of taking the stage at the legendary Forum Theatre in Melbourne. For G Flip, it's not just a performance venue; it's a dream realized. But it's not all music; there's footy passion too. Will G Flip jet set from the US to Melbourne for the AFL grand final, cheering for their beloved Collingwood? Tune in to find out. Plus, get ready to chuckle as they recount the quirkiest spots they've caught a footy match while touring internationally. Journey further down the rabbit hole with the 'Memory Lane' segment. Unearth stories of spontaneous friendships, like with Ruby Fields at Splendor In The Grass, wild nights with Lewis Capaldi, and a grand spectacle alongside Robbie Williams at the AFL grand final. Matty, being a keen observer, shares his awe at G Flip's stellar Logies performance with Peking Duk. And for a fun twist, dive into a whimsical game of 'Write, Party, Dinner'. If given a choice between legends like Stevie Nicks, Alanis Morissette, and Powderfinger, who would G Flip collaborate with, party with, or share a meal with? The finale is a treat for every classic rock aficionado. Join G Flip as they take you inside 'The Slope' studios in LA, an establishment Fleetwood Mac built post the success of 'Rumours'. Experience the mystique of the Stevie Nicks-inspired decor and the entrancing play of mirrors that adorn this iconic space. Whether you're a music enthusiast, a footy fan, or someone seeking hearty conversations, this episode is a melodic blend of passion, memories, and dreams. Join in for an unforgettable ride!See omnystudio.com/listener for privacy information.

Matty O welcomes the phenomenal G Flip to Triple M Homegrown for a reunion like no other. Travel back in time to the duo's cherished days on community radio, where the airwaves danced to their beats and their camaraderie was forged. G Flip, not just a musician but a storyteller, unravels the rich tapestry of their Melbourne homecomings. Feel the fizz of a freshly poured Carlton Draught and the comfort of a hearty pub parma. Discover the city's hidden gems and the nostalgia it evokes in a globe-trotting artist. The rhythm of the drums isn't just a sound; for G Flip, it's the pulse of their music. Dive deep into the making of 'Drummer', their latest album that wears its heartbeat on its sleeve. Unpack the layers of their songwriting, from the percussive core to the lyrical soul, and hear about the Springsteen magic that sprinkled onto the tracks. Gig tales? G Flip has them in spades. Revel in the joy of their upcoming Australian tour, especially the euphoria of taking the stage at the legendary Forum Theatre in Melbourne. For G Flip, it's not just a performance venue; it's a dream realized. But it's not all music; there's footy passion too. Will G Flip jet set from the US to Melbourne for the AFL grand final, cheering for their beloved Collingwood? Tune in to find out. Plus, get ready to chuckle as they recount the quirkiest spots they've caught a footy match while touring internationally. Journey further down the rabbit hole with the 'Memory Lane' segment. Unearth stories of spontaneous friendships, like with Ruby Fields at Splendor In The Grass, wild nights with Lewis Capaldi, and a grand spectacle alongside Robbie Williams at the AFL grand final. Matty, being a keen observer, shares his awe at G Flip's stellar Logies performance with Peking Duk. And for a fun twist, dive into a whimsical game of 'Write, Party, Dinner'. If given a choice between legends like Stevie Nicks, Alanis Morissette, and Powderfinger, who would G Flip collaborate with, party with, or share a meal with? The finale is a treat for every classic rock aficionado. Join G Flip as they take you inside 'The Slope' studios in LA, an establishment Fleetwood Mac built post the success of 'Rumours'. Experience the mystique of the Stevie Nicks-inspired decor and the entrancing play of mirrors that adorn this iconic space. Whether you're a music enthusiast, a footy fan, or someone seeking hearty conversations, this episode is a melodic blend of passion, memories, and dreams. Join in for an unforgettable ride!See omnystudio.com/listener for privacy information.

Are you wearing a Viking helmet, sun hat or graduate cap? On the podcast this week, Squirrel and Jeffrey are joined again by fellow podcast host duo Russell and Ken of the “I Need to F-ing Talk To You” podcast. In this episode, Russell and Ken detail the "hats" they use to identify the different patterns of human behavior that affect conversations, and how they use BEEF and COACH models to improve the outcome of conversations. Links: - Website, Podcast, Book, Course: www.ineedtof-ingtalktoyou.com/ - Ken Cameron: www.corporate-culture-shift.com - Russell Stratton: www.bluegemlearning.com - Forum Theatre: en.wikipedia.org/wiki/Forum_theatre - Situational Leadership: en.wikipedia.org/wiki/Situational…eadership_theory -------------------------------------------------- Our book, Agile Conversations, is out now. Go to agileconversations.com to order your copy. Plus, get access to a free mini training video about the technique of Coherence Building when you join our mailing list. We'd love to hear any thoughts, ideas, or feedback you have about the show. Email us at info@agileconversations.com About Your Hosts Squirrel and Jeffrey first met while working together at TIM group in 2013 . A decade later, they remain united in their passion for growing organisations through better conversations. Squirrel is an advisor, author, speaker, coach, and consultant, helping companies of all sizes make huge, profitable improvements in their culture, skills, and processes. You can find out more about his work here: douglassquirrel.com/index.html Jeffrey is Vice President of Engineering at ION Analytics, Organiser at CITCON, the Continuous Integration and Testing Conference, author and speaker. You can connect with him here: www.linkedin.com/in/jfredrick/

Not long ago, Liz Kingsman was doing improv and sketch comedy with her friends in England. Now, this Sydney-born comedian is the talk of the comedy world. She's taken her universally acclaimed satire One Woman Show to the West End, it's now on at the Melbourne Comedy Festival, and her next stop is New York. Also, Berlin art rocker siblings Otto and Astrid from Die Roten Punkte go solo together in Otto and Astrid's Joint Solo Project and Circus Oz return to the stage for the first time since 2021 when the company was threatened with closure.

Not long ago, Liz Kingsman was doing improv and sketch comedy with her friends in England. Now, this Sydney-born comedian is the talk of the comedy world. She's taken her universally acclaimed satire One Woman Show to the West End, it's now on at the Melbourne Comedy Festival, and her next stop is New York.Also, Berlin art rocker siblings Otto and Astrid from Die Roten Punkte go solo together in Otto and Astrid's Joint Solo Project and Circus Oz return to the stage for the first time since 2021 when the company was threatened with closure.

Can you speed up your learning with improv? On the podcast this week, Squirrel and Jeffrey are joined by fellow podcast host duo Russell and Ken of the “I Need to F-ing Talk To You” podcast. In this episode, Russell and Ken discuss their Forum Theatre for Business methods and Squirrel considers if they've been missing a trick by not incorporating real actors in their conversations. Links: - Website, Podcast, Book, Course: https://www.ineedtof-ingtalktoyou.com/ - Ken Cameron: www.corporate-culture-shift.com - Russell Stratton: www.bluegemlearning.com - Forum Theatre: https://en.wikipedia.org/wiki/Forum_theatre - Situational Leadership: https://en.wikipedia.org/wiki/Situational_leadership_theory -------------------------------------------------- Our book, Agile Conversations, is out now. Go to agileconversations.com to order your copy. Plus, get access to a free mini training video about the technique of Coherence Building when you join our mailing list. We'd love to hear any thoughts, ideas, or feedback you have about the show. Email us at info@agileconversations.com About Your Hosts Squirrel and Jeffrey first met while working together at TIM group in 2013 . A decade later, they remain united in their passion for growing organisations through better conversations. Squirrel is an advisor, author, speaker, coach, and consultant, helping companies of all sizes make huge, profitable improvements in their culture, skills, and processes. You can find out more about his work here: https://douglassquirrel.com/index.html Jeffrey is Vice President of Engineering at ION Analytics, Organiser at CITCON, the Continuous Integration and Testing Conference, author and speaker. You can connect with him here: https://www.linkedin.com/in/jfredrick/

Holy Spirit inspired preaching from Peninsula Revival. Recorded back in 1995 from the Forum Theatre, the calming tones of Pastor Bruce Judkins encourage us to exhibit meekness as a spiritual quality. If this message resonates with you, check us out further at revivalcentres.org. If you'd like to talk to someone, or subscribe to our weekly newsletter, drop us a line at pensinsula@revivalcentres.org. God is offering you THE salvation experience - you can receive the Holy Spirit just as the disciples did on the Day of Pentecost in AD 34. It is the same today as it ever was - don't settle for less!

Who is @sim_brick on Twitter?   Vic, Ben and Jess discuss the big issues on the May Simulcast Journal Club.   We started on a more serious note – and discussed articles on working with simulated patients to assess the quality of healthcare, and using Forum Theatre to help healthcare professions manage patients who have suffered domestic abuse. We then talked about learning curves, and a systemic review looking at their use and reporting in healthcare simulation research. For another review of that article pop over to the Key Lime podcast for their take.  We finished up with a paper highlighting the use of Lego Serious Play for training in debriefing. And that led us to wonder #whois@sim_brick …    Happy listening!    vb   

Using actors and comedy to help learning stick Dry dull PowerPoint? Theory heavy discussion? The dreaded "role-play"? One conversation with Clare and you'll forget all of this and replace it with Forum Theatre, well planned "real-play" and heavy dollops of humour. And the great thing is, this isn't just about having fun, this is dopamine inducing, interactive and real, this is sticky learning in action! With stories a plenty (spoiler alert, there is a group of very experienced train drivers in Scotland who are awesome at managing conflict!) and laced with humour Clare makes an utterly compelling case for using actors to bring any kind of learning to life. https://www.linkedin.com/in/claresamuels www.noiinclare.co.uk

Tim talks to Denis Walter about his show "A Fast Life on Wheels" coming to the Forum Theatre on November 30th See omnystudio.com/listener for privacy information.

How can the power and invention of Forum Theatre inform radical histories of oppressed groups, such as the homeless? To mark World Homelessness Day on 10 October, Peter Jones speaks with Adrian Jackson, founder of Cardboard Citizens, a theatre company working with homeless people, on the latest episode of the History Workshop Podcast.

Sylvia Botros -Brey, MD, discusses a unique way to help learners understand mistreatment and change behaviors through theater with Preston Reynolds, MD, PhD, MACP.

Exploring grief & resilience through creative tools: Delivered by grief coach Georgina Bednar During the 45min workshop, we will; - Explore resilience in a creative, tactile way (please bring some bluetac or a rubber band) - Creative facilitation to explore how we might create space for our grief and to share our experiences - Unpack what grief coaching is and how it differs from counselling Georgina's workshops often involve interactive tools, which help facilitate collective sharing of our experiences. The tone is often fun, thoughtful and encourages a sense of connection. Disclaimer Whilst all the speakers are experts in their field, the information is for general guidance and should not be taken as advice. If you need help we can connect you with the right expert here: https://link.untanglegrief.com/pdcast About Georgina Bednar Georgina is the founder of No Ordinary Experience; small arts led company working across social change, facilitation, coaching and the arts. Georgina began her career facilitating workshops and projects with artists & communities across London. She has worked extensively within youth contexts, faith communities and arts organizations to drive collaborative conversations on the ‘big questions' on organisational change, youth violence, gender, international aid, collaboration and creativity. She has led workshops at the Southbank Centre, Royal Opera House, Sadler's Wells, Southbank Centre, The Children Society, Represent Theatre, British Science Association, Goldsmith University, The Greater London Authority, Tate Collective and with a host of smaller arts organisations and with individual artists. She has trained in Relational Dynamics, Open Spaces, Forum Theatre & other arts based practices, and recently trained with Jenny McKewan in Systematic Coaching (e.g. Constellations).   Get grief support Join our free grief support community here: https://link.untanglegrief.com/pdcast

On this week's episode of Kunafa and Shay, join Marina and Nabra as they discuss Forum Theatre in Palestine with Palestinian actors and founders of ASHTAR Theatre Edward Muallem and Iman Aoun.

On this week's episode of Kunafa and Shay, join Marina and Nabra as they discuss Forum Theatre in Palestine with Palestinian actors and founders of ASHTAR Theatre Edward Muallem and Iman Aoun.

Welcome to “Creative Lives”, a podcast which opens provocative conversations, experimenting with big ideas and local practices. We bring together researchers, experts by experience, artists and performers, approaching issues around community, learning, communication, healthcare, welfare, age and the life course. The possibilities of creativity are endless. Join us for mind-opening stimulus. In podcast 2, Michael talks with presenter Lorna Collins about his work and life, on the topic of community, communication and engagement. Michael talks about how he uses art and creativity in response to the context of the pandemic, and issues around homelessness, mental health and community engagement. Michael Chandler is CEO of the Union Chapel Project, the charity that oversees both the Union Chapel venue, the Margins homeless project, and a growing and increasingly ambitious creative community programme. Michael is also founder and chair of Sierra Leone-based charity Way Out Arts, which empowers street youth through music, film and media; and previously ran the country-wide national residency programme at homeless Forum Theatre company Cardboard Citizens. The editing is by Nina Quach, and the music credit is “123 Inspiring Motivation Piano” by Tim Moor. Transcript: https://www.ucl.ac.uk/grand-challenges/creative-lives-episode-2-community-communication-and-engagement

What a f***ing great interview with actor and improvisor Peter Strand Rumpel, our long time friend and collaborator who has worked with us in our Forum Theatre for Business Programs since the beginning. Peter has also appeared in many TV Shows including Wynonna Earp, Tin Star and Hell on Wheels and Hollywood blockbusters including The Revenant with Leonardo DiCaprio and Tom Hardy and Cold Pursuit with Liam Neeson. Peter talks about his experiences in acting and also the lessons the corporate world can learn from TV and Film.Peter's Biography, Movie Credits & Demo Reel on IMDB Peter's film recommendations: Babette's Feast | The Quiet Man | The Straight Story | The RevenantPeter's book recommendation - Screen Acting Trade Secrets: How to Succeed in Hollywood Without Really Acting by Peter Skagen -Ready for the next step in your difficult conversations? You can buy the book on Amazon now.I Need To F***ing Talk To You! | The Art of Navigating Difficult Workplace Conversations - Amazon | Owl's Nest Books | Shelf Life Bookshttps://www.ineedtof-ingtalktoyou.com/

Important LinksLouisville Bail FundLouisville Community Grocery  Plays CoveredMojisola Adebayo - Plays One:Moj of the Antarctic, Muhammad Ali and Me, Desert Boy, Mat Henson; North Star Bonus LinksMojisola Adebayo Fan CamMojisola Adebayo College SpeechMojisola Adebayo Interview: Desert Boy Double Bonus!Here is a link to a short free digital performance I created with DCSG Theatre:The Last Question by Isaac Asimov, Adapted and Directed by Sean Dance Fannin

This week’s guests are our new friends, Ken Cameron & Russell Stratton!  Ken and Russell have together created the Forum Theatre for Business series to help organizations give their employees the tools they need to co-create a respectful workplace culture and empower individuals to challenge disrespectful behavior.We spoke about the power of Forum Theatre, how there’s nothing wrong with an enjoyable training program, and how they have built an amazing ecosystem around their book “I Need to F***ing Talk to You”.It’s an F***ing amazing conversation!By the Book:https://www.amazon.com/Need-ing-Talk-You-CONVERSATIONS-ebook/dp/B08L27K44L/ref=sr_1_1?dchild=1&keywords=I+need+to+f-ing+talk+to+you&qid=1616370423&sr=8-1Support the show (https://www.patreon.com/inconversation)

Catherine Hanna Schrock is the co-founder and director of Community Development for Blindspot Collective, “a theatre company that amplifies marginalized voices, illuminates untold stories, and energizes vulnerable communities.” Prior to starting her company, she created a Forum Theatre performance for human trafficking prevention, a girl's arts and empowerment program in Kenya, and the “Invisible Children Teacher Exchange” show, which she directed in Uganda. Shrock also serves as a teaching artist for The Old Globe Theatre and La Jolla Playhouse and is a published poet. She holds a Master's degree in Educational Theatre from NYU and a BA in Sociology and International Development. To find out more about her and the Blindspot Collective visit https://www.blindspotcollective.org/ and @blindspotco on instagram. --- Make sure the follow this podcast on whichever platform you are on (rate/review on Apple Podcasts) and check out the instagram @onewishonestep. See you next Monday!

They were "a democratic melting pot...significant as a way for working people to get a taste of luxury. To be waited on, to have their fantasies of a different life realised for a night."

They were "a democratic melting pot...significant as a way for working people to get a taste of luxury. To be waited on, to have their fantasies of a different life realised for a night."

This year the Contains Strong Language Festival of poetry and spoken word goes to Cumbria, as part of the programme of events marking the 250th anniversary of William Wordsworth's birth. This week's Verb was recorded at the Forum Theatre in Barrow-in-Furness, with a small, but enthusiastic socially distanced audience. Our theme is the meeting of language and landscape, and Ian's guests are the poet Clare Shaw whose 2018 collection Flood conveys water at its most awesome and destructive, writer and playwright Zosia Wand, who uses the shifting sands of Morecambe Bay as her stage in work that examines how we find identity amidst unreliable memories and family secrets. National Youth Slam Poetry Champion Matt Sowerby is one of the poets commissioned by the Contains Strong Language Festival to write a poem in response to Ruskin's View, alongside Karen Lloyd, who also reads from her work in progress book of essays on the importance of telling hopeful stories and truly paying attention tot he natural world. Many of the events at Contains Strong Language are available to view online, please see the website for more details: https://www.bbc.co.uk/events/ezb3v2 Presenter: Ian McMillan Producer: Jessica Treen

Forum Theatre is a unique approach to facilitation – creating space for change and reflection through creativity, play, and certainly some bravery (to begin with!)Though the concept fascinates me, I have not had the chance to explore it in as much detail as I would have liked to. To have Pernille Jacobsen, a brilliant facilitator and Forum Theatre practitioner, join me on workshops work gave me the opportunity to change that – and I was not left disappointed.Forum Theatre and facilitation share many similarities but cast the other in new lights when considered as two halves of a ‘whole'.In this episode, you will find out about: What makes Forum Theatre unique and so impactfulHow Forum Theatre works on a practical level, and how Pernille uses it in a facilitative settingWhat Forum Theatre has taught Pernille as a facilitator, and what facilitation has taught her as a Forum Theatre practitionerHow, if at all, Forum Theatre can be translated into a virtual environmentWhat facilitation and Forum Theatre might look like in the futureClick here to download the free 1-page summaryDon't miss the next show: Subscribe to the show with your favourite podcast player.Feeling inspired by the conversation in this episode? We can have our own - take a seat at my virtual table as part of a Mastermind Group.A huge thank you must go to SessionLab, the sponsor of Workshops Work. Claim your free two months of SessionLab Pro now – this deal is exclusive to Workshops Work listeners!Questions and Answers[01:11] When did you start calling yourself a facilitator?[03:03] What would your hashtag be?[05:47] Can you explain more about Forum Theatre?[09:19] Are participants actively involved in scenes from the beginning, or do you take the lead on the performance and bring them in afterwards?[18:38] Do participants play themselves or put themselves in others' shoes?[21:00] How do you debrief in Forum Theatre?[24:09] Do you combine Forum Theatre with other types of facilitation?[25:21] What have you learned about facilitation from Forum Theatre, and vice versa?[29:00] How do you brief a group before starting a Forum Theatre workshop?[38:02] What makes workshops fail?[42:32] How do you translate Forum Theatre into a virtual environment?[45:08] Are participants more willing or reluctant online?[48:44] What is your vision for Forum Theatre in 2021?[52:42] What one thing would you like listeners to take away from this episode?LinksKlods-Hans for Viderekomne - Pernille's Forum Theatre venture Forum TheatreSnapstories - Pernille's conversational gameAugusto Boal – the inventor of Forum Theatre/theatre of the oppressedKatrin Byreus – Pernille's biggest role model when it comes to Forum Theatre and facilitation Connect to PernillePernille's LinkedInPernille's website 

Tickets are going very fast for A Very Crown Christmas , onstage at The Crown Uptown. For the price of admission, audience members will select a buffet dinner, then see a musical revue that features the talents of several of our city's favorite performers. Join Madi White, Cindy Summers, Jenny Mitchell, Kyle Vespestad, Ryan Schafer, and John Bates, under the direction of Patty Reeder, in an evening of comedy, music, and fun. A Very Crown Christmas runs through December 28. For me, Charles Dickens will always have a permanent place of honor in the holiday season. His novella “A Christmas Carol” was written primarily in reaction to the conditions of extreme poverty in Victorian England, which he both experienced and observed, and the story is credited with popularizing many of the traditions we enjoy today. This well loved holiday tale of redemption receives a musical treatment from The Forum Theatre, with music by Paul Jackson, book by Conrad Jestmore, and starring Shaun Michael-Morse

Daniel Hege, Music Director & Conductor of the Binghamton Philharmonic, speaking about the concert program titled, "Simone, Ellington & Parks" to be presented on Saturday, November 9, 2019 at the Forum Theatre in Binghamton at 7:30 pm, featuring music by Duke Ellington, Michael Daugherty, James P. Johnson, and songs of Nina Simone. www.binghamtonphilharmonic.org

JIm Ford, Resident Master Theater Organist of the Binghamton Theater Organ Society, talking with Peter Wynne about accompanying Murnau's "Phantom" at the Forum Theatre in Binghamton on October 27, 2019 at 2pm www.binghamtonTOS.org

Andrew Bisantz, Conductor, and J.J. Hudson, Stage Director, speaking with VIA's Peter Wynne about the Tri-Cities Opera production of Puccini's "Tosca" on October 20, 2019, at 3:00 pm at the Forum Theatre, 236 Washington Street in Binghamton, NY. www.tricitiesopera.com

In this latest podcast we are joined by acclaimed theatre company Cardboard Citizens, who present a new play called Stressing my Identity that questions the stigma around youth homelessness. The play encourages audience members to think differently about the situations presented and try out alternative strategies onstage using Forum Theatre techniques. What are your thoughts; if you were in government what would you put in place to help a young person at risk of homeslessness? Get involved using #violetnights or @southbankcentre on social media. Let us know also, what you think of the podcast series - we’d love you to follow us or write a review. Violet Nights, the monthly event held at Southbank Centre in London is a real-life forum for conversations which usually happen online; with music, performance and discussion in front of a live audience. And, if you’re between 18 and 25 you can apply for a spot on our free two day podcast making course. If you love them and want to know how to make one, on this two-day course you’ll learn how to plan, make and share your own podcast, by working on actual episodes of Violet Nights. If that sounds cool, head to the Southbank Centre website or search Southbank Violet Nights and we should pop up. That’s also the place to get tickets to our future Violet Nights events. It’s all free! Podcast Presenter: Nanda Poleon Produced by: Marita Fischer, Mair Howells, Martina Iozzi, Youness Elharrak, Magdalena Mladenova, Emma Conway and Temidayo Oyekan. Mixed by: Phill Brown Executive Producer: Chrystal Genesis Podcast Music by: @BlackMale_Beats Performance Music by: Charley Hullah

In this episode theatre artist and teacher Antonio Sarmento shares his experiences growing up in Mozambique, the life after recent cyclone in his town and his grass root work in Forum Theatre. Joined by John Patrick and Shivi Bhatnagar. Shikhant Sablania is an independent artist based in New Delhi, India. He is a multidisciplinary artist working in the field of art, design and creative problem solving. He loves coffee and asking irritating questions.Join Shikhant Sablania a.k.a Choorma every Saturday as he meets and interviews artists from across the globe and talk about art, life, borders and the constant need to explore. www.choorma.comfacebook.com/thechoorma@thechoormaMusic by MALFNKTIONAbout the Great African Caravan: facebook.com/thegreatafricancaravan

Jason Marriner has twenty-six year's experience in theatre management and leads Australia's largest privately owned and operated theatre company, Marriner Group based in Melbourne. Responsibilities include programming, producer relations, stakeholder management, show investments and theatre operations. Marriner Group venues comprise the heritage Princess Theatre (1886), Regent Theatre and Plaza Ballroom (1929), Comedy Theatre (1929) and Forum Theatre (1929). Jason's lifetime in the theatre business and strong relations with Australian and international producers has been instrumental in the Marriner Group securing most major musical theatre premieres in recent decades, including the most recent Harry Potter and the Cursed Child.

Conductor Joshua Horsch & Stage Director Nicholas Wuehrmann speaking with WVIA's Peter Wynne about Gilbert & Sullivan's "H.M.S. Pinafore" to be presented by Tri-Cities Opera on Sunday, April 28, 2019, at 3:00 p.m. at the Forum Theatre, 236 Washington Street in Binghamton. www.tricitiesopera.com/

A lot of people have asked me if I’m going to do an episode on the importance of play.One of the challenges of the word play is that its such a broad word and its associations aren’t always helpful when it comes to bringing everyone with us but today's guest I think shows what an incredible thing it can be.Heidi Edmundson is an emergency medicine consultant in the Emergency Department at the Whittington Hospital. She wrote this article in the Guardian in January: I introduced fun to the lives of A&E staff. The laughter was infectiousWe explore themes of how you turn individuals into a team? This inspirational senior doctor recognised that exercises her team did on their downtime seemed to energise and inspire them - and made them more connected. I think you’ll end up wanting to read more of the theatrical exercises that Heidi used to help forge a tightly bonded team? Here is a full guide to Forum Theatre and its games.This goes deep - can playing games with each other be a simple way to remind ourselves of each other’s humanity where that empathy seems to be a super power that helps us do a better job?I loved this discussion so much - you can keep up with Heidi here on her Twitter. See acast.com/privacy for privacy and opt-out information.

The Aside Podcasts are a free resource supported by Drama Victoria - Australia's oldest Drama Association In this episode of The Aside we discuss Augusto Boal and Forum Theatre. Link to many activities: http://www.youththeatre.ie/content/files/Theatre-Forum-Resource-web.pdf

Jim Ford, organist, talking with WVIA's Peter Wynne, about the Mack Sennett Mini-Film Festival, presented by the Binghamton Theater Organ Society, at the Forum Theatre, 226 Washington Street in Binghamton, NY, Sunday, December 30 at 2pm. Ford will create an original sound track as he accompanies the silent films. www.binghamtonTOS.org

In Part Two: Theatre for Systemic Change, Marc talks about his experiences with Forum Theatre and Legislative Theatre in addressing community issues. With over 30 years experience, Marc shows the successes, opportunities, and future vision of his theatre work. The Mandala Center for Change: “Founded in 1999, the Mandala Center is a multi-disciplinary arts education … Continue reading "Marc Weinblatt: Part Two: Theatre for Systemic Change" The post Marc Weinblatt: Part Two: Theatre for Systemic Change appeared first on Nothing Never Happens.

Breathless but full of complementary hors d'oeuvres and some house red, Anders, Andy and special guest Jo DiMattia rushed from the MIFF program launch at Melbourne's opulent Forum Theatre to pool their thoughts. Is the slate of Australian films the strongest MIFF has ever had? Did the programmers get the best they could from Cannes? We have a new venue, will it be more comfortable than the Comedy Theatre? And who'll brave the Astor's 737-minute Nic Cage-a-thon? We endeavour to answer these questions, share a Film Diary, and a lot more on this, our MIFF program launch renegade recording. Buy tickets, find out more and get amongst it all here: http://miff.com.au/ Find us here: @TheCultCapPod

Jamil Jude is a director, producer, playwright, and dramaturg. Self-identifying as an "Artist Plus", Jamil feels most at home bringing socially relevant art to the community. Jamil is the Associate Artistic Director at Kenny Leon’s True Colors Theatre Company in Atlanta, GA as well as the Co-Founder of The New Griots Festival. He was a participant in the Leadership U: One-on-One program, funded by The Andrew W. Mellon Foundation and administered by Theatre Communications Group. The program provided him a residency at  Park Square Theatre, in St. Paul, MN, where he worked as Artistic Programming Associate. Prior to that, he served as the National New Play Network (NNPN) Producer-in-Residence at Mixed Blood Theatre Company. Jamil has helmed productions for companies such as the Olney Theatre, Forum Theatre, and Curious Theatre, as well as various Twin Cities’ theatre companies, including Park Square Theatre, History Theatre, Freshwater Theatre, Stages Theatre Company, and Daleko Arts. Jamil's next directing project is KING HEDLEY II at True Colors, running 2/13 through 3/11/2018. Jamil talks with Marc about sharing the African Diaspora experience through his work, his new role with True Colors Theatre, his vision for 21st century theater with more community conversations around the art, his deep appreciation for the plays of August Wilson, and his desire and hope for more diversity and opportunities for people of color in theater communities.

It's amazing to have any time at all with Sarah Louise Thompson. Better known among friends as Thomo, the beanie-toting Melburnian divides her time between affairs of Poison City Records and bringing up the rear of the beloved Camp Cope. Still, miraculously, a window was found in which to share Thomo's story - which, prior to Camp Cope's formation in 2015, hadn't involved her playing music for over half a decade. From a Hole-obsessed kid in Kiama to Skinny's in Brisbane and everywhere in-between, it's time to hold onto your wool-hats and get out your air drums: Thomo's on the podcast. Cheers to Babymachine for their musical accompaniment (ie. soundcheck) during this episode. Camp Cope are performing at the Forum Theatre in Melbourne with Cash Savage and the Last Drinks and RVG. Limited tickets remain here: https://forummelbourne.com.au/shows/cash-savage-the-last-drinks-camp-cope Support the podcast on Patreon: http://patreon.com/barbands Follow Sarah on Twitter: @slthomthom84Follow the podcast on Twitter: @barbandspodFollow David on Twitter: @DJYwrites

Duration: 16 min The SDEA (Singapore Drama Educators Association) Theatre Arts Conference took place at Goodman Arts Centre from 30 June to 1 July 2017. SDEA‘s mission is to advance the profession of the drama/theatre educator and advocating for the... The post Podcast 18: Forum Theatre in Myanmar; SDEA Theatre Arts Conference appeared first on ArtsEquator.

Episode 212 of Punwatch, with guest comedian & veteran punster Jennifer Wong and a smorgasbord of Indian cuisine puns. This episode is entitled "Curry Closure Causes Sibling Split". Alex was gonna host, so all the stories are Alex-style picks. One day soon. Melbourne listeners: Jen is performing her show, "How to English Harder" at the Melbourne International Comedy Festival! The show is on from the 11th to the 23rd of April at the Forum Theatre. Get in quick and see her before she scarpers back to Sydney! Get tickets here. You can also find Jennifer on Facebook or on Twitter @wojennifer - tons o' puns there - or at her website, jenniferwong.com.au Punsters: Jennifer Wong, Lisa Dib, James Ferris, David Shaw Host: Andrew Cherry

Nikki Britton is an excitable, full of energy Australian comedian whose show, Romanticide, reflects on her not so excitable love life. Britton reflects in her show on her romantic conquests, experiences and failures, and how they have shaped her as a person. The show is a one hour energised stand up routine in a small crowded room at The Forum, which boasts quite a hot time, as it’s stuffy inside. Luckily, there is a massive air conditioner blasting cool air into the place. Unluckily, it was positioned directly behind my head, meaning I sometimes struggled to concentrate on the show as blasts of cold air ruffled my hair. Apart from this however, Britton manages to encapsulate her audience over the hour by going through her experiences in the field of relationships from the help of a show plan which she attempts to hide behind a massive speaker on stage with her. Although this might come across as amateur at first, it merely adds to the hilarity of the show as she openly denies what it is, instead cracking jokes about how interesting the speaker is. Her use of accents and impersonations brings the majority of laughs in the show, and it's genuinely amusing when she uses body movement to help tell a story or event. Britton connects with the majority of the audience through the topic of her show, being romance and relationships. Nearly everyone has experience something to do with love or loss of it, and even if you haven’t you are still able to connect with what Nikki Britton is joking about. She covers the new age of online dating and dick pics, how she deals with them and the stupidity of it. Her audience interaction and comments on what we laughed at added to laughs, pinpointing men’s awkward laughing at the dick pics and just making the show funnier. Since Nikki Britton’s Romanticide can relate with so many different people, it comes down to her personality which determines if you would like this show or not. Nikki Britton is a very energetic ball of excitement, and perhaps that’s why I enjoyed her so much, because I feel like I relate with the constant energy spikes. If you prefer a little bit more sedated, not in your face comedy, then this might not be the show for you. However if, like me, you enjoy explosive comedians who can never get run off their feet from overuse of yelling, moving or shouting, Nikki Britton is for you. Her show, Romanticide, is on at the MICF until April 23rd at The Forum Theatre’s Ladies’ Lounge.

Nikki Britton is an excitable, full of energy Australian comedian whose show, Romanticide, reflects on her not so excitable love life. Britton reflects in her show on her romantic conquests, experiences and failures, and how they have shaped her as a person. The show is a one hour energised stand up routine in a small crowded room at The Forum, which boasts quite a hot time, as it’s stuffy inside. Luckily, there is a massive air conditioner blasting cool air into the place. Unluckily, it was positioned directly behind my head, meaning I sometimes struggled to concentrate on the show as blasts of cold air ruffled my hair. Apart from this however, Britton manages to encapsulate her audience over the hour by going through her experiences in the field of relationships from the help of a show plan which she attempts to hide behind a massive speaker on stage with her. Although this might come across as amateur at first, it merely adds to the hilarity of the show as she openly denies what it is, instead cracking jokes about how interesting the speaker is. Her use of accents and impersonations brings the majority of laughs in the show, and it's genuinely amusing when she uses body movement to help tell a story or event. Britton connects with the majority of the audience through the topic of her show, being romance and relationships. Nearly everyone has experience something to do with love or loss of it, and even if you haven’t you are still able to connect with what Nikki Britton is joking about. She covers the new age of online dating and dick pics, how she deals with them and the stupidity of it. Her audience interaction and comments on what we laughed at added to laughs, pinpointing men’s awkward laughing at the dick pics and just making the show funnier. Since Nikki Britton’s Romanticide can relate with so many different people, it comes down to her personality which determines if you would like this show or not. Nikki Britton is a very energetic ball of excitement, and perhaps that’s why I enjoyed her so much, because I feel like I relate with the constant energy spikes. If you prefer a little bit more sedated, not in your face comedy, then this might not be the show for you. However if, like me, you enjoy explosive comedians who can never get run off their feet from overuse of yelling, moving or shouting, Nikki Britton is for you. Her show, Romanticide, is on at the MICF until April 23rd at The Forum Theatre’s Ladies’ Lounge.See omnystudio.com/listener for privacy information.

For those who haven’t seen David O’Doherty’s comedy before, like myself, if you decide to see him in action you’ll be greeted by one of the most refreshing examples of comedy in modern day times. O’Doherty blends his own down to earth comedic vibe with music seemingly created on the spot in front of the audience. He covers both the biggest issues that the world faces today such as the rise of fascism, to the smallest such as bad twitter sponsorships. It’s nice to see both topics handled off hand, putting a light touch on even the saddest of events our world faces today. Performed at the Forum Theatre under a wash of blue, red and multicoloured lights, David O’Doherty keeps the crowd focused through his consistent switch between musical performance and stand up comedy, as he prances around the stage displaying his own brand of characteristics. You become so immersed in what he’s saying occasionally that you forget to notice him lying sideways on the stage, his legs splayed and in a state of obvious relaxation. This itself is hilarious, as O’Doherty is obviously a man who does what he wants, when he wants it, wherever he wants it. And of course, the crowd will follow. There are never massive crack up moments from the crowd, but there doesn’t need to be. O’Doherty dishes out comedy by the second, meaning that there is a constant state of amusement in the air. Although not all of it lands, the nature of constant comedy makes up for this, as you’ll forget that you didn’t laugh at something within minutes. The star of David O’Doherty’s show perhaps might be his musical ability, or his little keyboard. The musical instrument brings a lot to the show, which would be lost without it. O’Doherty’s skill with the instrument is apparent as he blunders music on purpose for the gags, switching between singing and talking sporadically, which gives the impression of complete unpreparedness. This skill is brilliant, as in your heart you know this is a show which is perfectly timed, structured and planned, however you just believe it too be completely improvised as he jumps from topic to topic to on the keyboard. David O’Doherty breathes a breath of fresh air into the modern day comedy scene, which in itself is amusing coming from a man who's been in the game for so long, eighteen years to be exact. This in itself shows his prowess in the sport of comedy, as he has perfected his own style of comedy, which no one else would be able to come close to mimicking. David O’Doherty’s Big Time is on till April 23rd at the Forum Theatre. He also has a children's show Danger Is Everywhere on the 6th and 13th of April at the Melbourne Town Hall. Written by Hamish VallanceSee omnystudio.com/listener for privacy information.

For those who haven’t seen David O’Doherty’s comedy before, like myself, if you decide to see him in action you’ll be greeted by one of the most refreshing examples of comedy in modern day times. O’Doherty blends his own down to earth comedic vibe with music seemingly created on the spot in front of the audience. He covers both the biggest issues that the world faces today such as the rise of fascism, to the smallest such as bad twitter sponsorships. It’s nice to see both topics handled off hand, putting a light touch on even the saddest of events our world faces today. Performed at the Forum Theatre under a wash of blue, red and multicoloured lights, David O’Doherty keeps the crowd focused through his consistent switch between musical performance and stand up comedy, as he prances around the stage displaying his own brand of characteristics. You become so immersed in what he’s saying occasionally that you forget to notice him lying sideways on the stage, his legs splayed and in a state of obvious relaxation. This itself is hilarious, as O’Doherty is obviously a man who does what he wants, when he wants it, wherever he wants it. And of course, the crowd will follow. There are never massive crack up moments from the crowd, but there doesn’t need to be. O’Doherty dishes out comedy by the second, meaning that there is a constant state of amusement in the air. Although not all of it lands, the nature of constant comedy makes up for this, as you’ll forget that you didn’t laugh at something within minutes. The star of David O’Doherty’s show perhaps might be his musical ability, or his little keyboard. The musical instrument brings a lot to the show, which would be lost without it. O’Doherty’s skill with the instrument is apparent as he blunders music on purpose for the gags, switching between singing and talking sporadically, which gives the impression of complete unpreparedness. This skill is brilliant, as in your heart you know this is a show which is perfectly timed, structured and planned, however you just believe it too be completely improvised as he jumps from topic to topic to on the keyboard. David O’Doherty breathes a breath of fresh air into the modern day comedy scene, which in itself is amusing coming from a man who's been in the game for so long, eighteen years to be exact. This in itself shows his prowess in the sport of comedy, as he has perfected his own style of comedy, which no one else would be able to come close to mimicking. David O’Doherty’s Big Time is on till April 23rd at the Forum Theatre. He also has a children's show Danger Is Everywhere on the 6th and 13th of April at the Melbourne Town Hall.   Written by Hamish Vallance

Colleagues from the University of Sheffield describe what our students will take away from the Forum Theatre experience.

Students from the Clinical & Educational Psychology Doctorate programmes discuss their experience of the Form Theatre exercise.

Watch to see how Forum Theatre is used as an innovative teaching tool in the Clinical Psychology, and Educational Psychology Doctorate programmes at the University of Sheffield. Music is 'Mario Bava Sleeps In a Little Later Than He Expected To' by Chris Zabriskie and 'Event Horizon' by Jon Luc Hefferman. CC BY-NC 3.0

Colleagues from the University of Sheffield, and our external partners Storybag Theatre describe how Forum Theatre is used in teaching.

Students and staff from the Clinical & Educational Psychology Doctorate programmes explore some of benefits of Forum Theatre.

Deb Sivigny has been designing in the Washington, DC area for over a decade and is the resident faculty artist in the Theatre and Performance Studies Department at Georgetown University. She teaches courses in design and costume history. She was a Doyle Faculty Fellow in 2015 and a TLISI Summer fellow for two years introducing technology in the classroom.  Recent professional credits include costume design for Round House Theatre, Theater J, Imagination Stage, Theater Alliance, Forum Theatre, and Rorschach Theatre where she is a company member. She has also designed for Kennedy Center TYA, Woolly Mammoth, Young Playwrights Theatre, Shakespeare Theatre ACA, Colorado Shakespeare Festival, Everyman Theatre, Olney Theatre and The Hub. She is a member of USA 829.  She is also developing new work as a member of Welders 2.0, working as a generative artist creating design-driven work for a theatre audience. She is a Korean adoptee and her work with The Welders centers around the subject of adoption. She has a BA in theatre design from Middlebury College and an MFA from the University of Maryland.  You can check out her website at debsivigny.com, follow her on Twitter at @indepenguin, or email her at debsivigny@gmail.com.  Follow me on Twitter @TheRamblerADHD, email me at TheRamblerADHD@gmail.com, and like/share me on Facebook at Facebook.com/TheRamblerADHD.  If you like the podcast, please be so kind as to leave a nice review on iTunes.  Thanks for listening! Songs from A Collective Effort are available at SoundCloud (Http://soundcloud.com/acollectiveeffortmusic/sets/a-collective-effort-mix-bag) and other music of the podcast comes courtesy of Needle Drop Records by The Bell.  “Alexander Hamilton” and “My Shot” come off of the Hamilton (Original Broadway Cast Recording) from Hamilton Uptown, LLC and Atlantic Recording Corporation.

An excerpt from Welcome to Fear City by Kara Lee Corthron. Read and sung by Kara Lee Corthron. Sound design by Natalie Johnsonius Neubert Kara Lee Corthron’s plays include Julius by Design (Fulcrum Theater), Etched in Skin on a Sunlit Night (InterAct Theatre, Philadelphia), AliceGraceAnon (New Georges), Holly Down in Heaven (Forum Theatre, DC area), Spookwater, Listen for the Light, and Welcome to Fear City, which will be […]

Napoleon Hill Foundation Certified Instructor & Resiliency Expert, Tom Cunningham (too tall) interviews Simon Malbogat. Simon has been a key player in Canada’s theatre scene for over 30 years now. He has studied with the some of the greatest contemporary popular theatre practitioners in the world. He has blended Forum Theatre with the Sweet Medicine Teachings of the Deer Tribe Metis Medicine Society, to create an innovative theatre and teaching approach. Simon has been the Artistic Director of Mixed Company Theatre for 25 years. Simon has directed shows which have toured throughout Canada dealing with such topics such as bullying , harassment, assault, homelessness, homophobia and aging. Simon's brand of theatre incorporates the Masks of Manipulation, which he has created to identify what kind of manipulation is being used, why the manipulator manipulates, and how to deal with the manipulator. Simon has brought his innovative theatre techniques to workplaces such as TD Bank, Toronto Community Housing, and Toronto Hydro to help create a HR policy and to work with staff to identify problems and help solve them. http://www.mixedcompanytheatre.com/

I sat down with Forum Theatre's artistic director, Michael Dove, and we spent a lot of time talking about Forum's mission and the way it reaches out to audiences and creates an inclusive inter-cultural audience. We also talk about hip hop and other really fun stuff.

8:00 AM: "Beyond the Odds with Anita Johnson HIV/AIDS." Beyond the Odds is a multimedia arts project designed to illuminate the perspectives and personal stories of young people living with HIV/AIDS. Visit www.beyondtheodds.org Anita Johnson is a nationally-recognized, award-winning broadcast journalist and producer. 8:30 AM: Perfect Love with Michael Buck and Joey Tranchina. Michael Buck is an Inspirational Speaker, Peer Counselor, Community Activist, Founder & Creator of Perfect Love. He is also the creator and founder of ‘SISTHAS Supporting SISTHAS', ‘Hepatitis C Info Series', ‘NOT LISTENING', ‘HIV/AIDS Nutritional Series' and ‘UFAHAMU HIV, Swahili for understanding, is a collaboration of African and African American artists for the prevention of HIV & AIDS. Michael is a past board member of CAL-PEP, AIDS Community Research Consortium (ACRC). Joey Tranchina: Founding Executive Director, AIDS Prevention ACTION Network, (of which Michael is a board member), formerly CEO Hepatitis C Global Foundation. Joey is also: Co-Director Project Mali. The greatest natural resource in Africa is Africans. Tuesday, Dec. 1, World AIDS Day Perfect Love is hosting a free Community AIDS Awareness Breakfast in East Palo Alto at New Sweet Home Church, 2170 Capitol Ave., (650) 325-1467. 9:00 AM: Loretta Devine, opening @ The Rrazz Room at Hotel Nikko, Friday, November 27 through Sunday, November 29, 2009, 8 PM Fri/Sat. and 7 PM Sun. The Rrazz Room is located at 222 Mason Street in San Francisco, CA 94102. Visit www.therrazzroom.com 9:30: Marc Bamuthi Joseph curator of Left Coast Leaning, Thursday-Saturday, Dec. 3-5, in YBCA's “Forum Theatre,” 701 Mission Street, 8 p.m., www.ybca.org. Joining Bamuthi is musician, composer, Ambrose Akinmusire who is performing December 5, with Holcombe Waller, Denizen Kane, Erica Chong Shuch, Sean San José, Chinaka Hodge.