Podcast appearances and mentions of sonia boyce

What makes an artist great, how does an artist become great? In today's episode of I've been thinking about, I explore the idea of maturity, ageing and process.It seems to me that maturity, ageing in the Arts is actually beneficial. Unlike other professions where ageing is synonymous with decline, with cognitive or physical impairment - people in sports have an early retirement age for that reason, Or former US president Biden wasn't he forced to step down because of his cognitive decline due to his age? That doesn't seem to apply to artists. When it comes to the Arts, age and maturity actually have the opposite effect - we can keep getting better. And there are many examples of this: Irish writer Edna O'Brien lived to 93. French writer Annie Ernaux now 84, won the Nobel prize for literature at the age of 82. Classical pianists only seem to get better with age, they have all the technique of years of practice without the need for showmanship that you sometimes see in younger pianists. I think about artists like Sonia Boyce who represented Britain at the Venice Biennale in her 60s or figurative painter Claudette Johnson also in her 60s. What about American abstract painter Stanley Whitney still making beautiful work at 79 or Indian artist, Arpita Singh. Now 87, I recently went to her solo exhibition at London's Serpentine and her work took my breath away, her use of colour and composition, I felt like I was seeing an entirely new interpretation of artistic expression.I mean as long as you can pick up a paintbrush or pencil, or a camera, the work doesn't and shouldn't stop. And I'm not saying that we have to wait until we're in our 80s to produce works that's meaningful. I'm saying that our process produces the sound and the deeper the process the richer the sound. Music Refs:Ray LaMontagne, JoleneJoni Mitchell, Both Sides Now from 1969Joni Mitchell, Both Sides Now from 2000 Holding up the Ladder links:Find out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

Sonia Boyce talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Boyce, a recent Golden Lion-winner at the Venice Biennale, was born in London in 1962 and first made an impact through her figurative drawings before shifting to what she calls a “multi-sensory” practice. Over the past three decades, her art has been a social experience, as she has worked with individual and collective collaborators to create performances, video pieces and installations. They reflect on a wealth of subjects, from personal and collective memory, to sound as a conveyor of subjective feeling and cultural experience, to the dynamics and meanings of space and environment, and to questions of value and power and who bestows and holds them. Sonia's art is about people but also formed by them—people are her raw materials. She talks about her interest in power and authorship and the shift in her career, away from drawing to relational and social practice. She discusses the transformative experiences of seeing work by the Fenix feminist art collective, Frida Kahlo and visiting the 1981 exhibition in Wolverhampton, Black Art an' Done. She reflects on William Morris's wallpaper designs and the different ways in which they have manifested in her work. She discusses the connections between Dada and jazz music, and the influence of Billie Holiday and Ella Fitzgerald, and much more. Plus, she gives insight into her life in the studio, and answers our usual questions, including the ultimate, “What is art for?”Sonia Boyce: An Awkward Relation and Lygia Clark: The I and the You, Whitechapel Gallery, London, until 12 January; Sonia Boyce: Feeling Her Way, Toronto Biennial, Art Gallery of Ontario, Toronto, until 6 April 2025; AMONG THE INVISIBLE JOINS: Works from the Enea Righi Collection, MUSEION—Museum of Modern and Contemporary Art in Bolzano-Bozen, Italy, until 2 March 2025.Listen to Sonia Boyce talking about Feeling Her Way, in the episode of The Week in Art podcast from 22 April 2022, Venice Biennale Special. Hosted on Acast. See acast.com/privacy for more information.

Artist and academic Sequoia Danielle Barnes redresses the ugly side of kitsch and ‘cute' toy cultures, telling histories of trickster rabbits from Peter Rabbit to Bugs Bunny, appropriated from Black Southern American folklore from the 16th century to now. With ceramics, fabrics, and super sticky slugs, Sequoia Danielle Barnes' new installation is an Afro-surrealist retelling of Br'er Rabbit and the Tar Baby, a folktale developed by her enslaved ancestors after being ripped from Africa and displaced in Alabama, in the United States - the place she grew up before pursuing her practice in ‘transatlantic' institutions. Here, stories about figures like Uncle Remus, Uncle Ben, and Aunt Jemima, often first told as a means of action guidance for outsmarting slavemasters, were mainstreamed into 20th century pop art and cultures. Sequoia's exhibition takes its title from the 1946 film, Song of the South, a nostalgic representation of the antebellum, pre-Confederate South, revealing how ‘cuteness' masks anti-Black racist tropes and propaganda. We discuss how popular consumption of Western/European films, TV adverts, and commercials can perpetuate forms of oppression and marginalisation, including racialisation, infantilism, violence, and the cannibalisation of enslaved peoples. Sequoia tells of her interest in ‘Tellytubby lore', how children's cartoons and animations can sustain critical traditions of surrealism, and why younger people more readily engage with her work than adults. From her creepy and uncanny collectibles, we discuss why major institutions protect and preserve golliwogs, golly, and ‘piccaninny' dolls, and Sequoia's ‘Black radical art practice' in spaces like CCA Glasgow, Fruitmarket, and the National Museum of Scotland. Sequoia shares her subversive influences from the Black diaspora, including Faith Ringgold, Betye Saars, Robert Colescott,and Eddie Chambers. With Theaster Gates, Patrick Kelly, Joe Casely-Hayford,, we explore Afrofuturism, and find entanglements in their own practice, between works with textiles, fashion, and pottery. Beneath the dark humour and sweet surfaces of their works, Sequoia speaks of connections between contemporary consumption and capitalism, and historic sugar cane plantations. exposing how legacies of colonialism, slavery, and global trade still shape society today. Sequoia Danielle Barnes: Everything Is Satisfactual runs at Edinburgh Sculpture Workshop until 28 August 2024. The exhibition is part of Edinburgh Art Festival (EAF) 2024, which continues in Scotland until 25 August 2024. For more about Black Southern Assemblage, hear Raina Lampkins-Felder, curator at the Souls Grown Deep Foundation and Royal Academy in London, on the Quiltmakers of Gee's Bend (20th Century-Now): pod.link/1533637675/episode/2cab2757a707f76d6b5e85dbe1b62993 Read about Sonia Boyce's Feeling Her Way (2022), her Golden Lion-winning British Pavilion (2022), at the Turner Contemporary in Margate, in gowithYamo: gowithyamo.com/blog-post-app/feeling-her-way-sonia-boyces-noisy-exhibition And read about Edinburgh Art Festival (EAF) 2023, in gowithYamo: gowithyamo.com/blog-post-app/edinburgh-art-festivals-reckoning-with-the-citys-colonial-legacies EDITOR: Alex Rees. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: ⁠instagram.com/empirelinespodcast⁠ And Twitter: ⁠twitter.com/jelsofron/status/1306563558063271936⁠ Support EMPIRE LINES on Patreon: ⁠patreon.com/empirelines

Op de 60ste Biënnale van Venetië, die dit weekend begint, is in het Nederlandse paviljoen geen werk van Nederlandse, maar van Congolese kunstenaars te zien. Verslaggever Toef Jaeger dook in de politiek achter het belangrijkste kunstfestival ter wereld en legt uit waarom er dit jaar geen Nederlandse kunst op de Biënnale staat.Gast: Toef JaegerPresentatie: Egbert KalseRedactie: Ignace SchootMontage: Jeroen JaspersCoördinatie: Henk Ruigrok van der WervenDe installatie die in het begin van de aflevering te horen is, heet Feeling Her Way en is gemaakt door Sonia Boyce. Twee jaar geleden was dit werk de Britse inzending voor de Biënnale van Venetië.Heeft u vragen, suggesties of ideeën over onze journalistiek? Mail dan naar onze ombudsman via ombudsman@nrc.nl.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Artist Zineb Sedira records cultural and postcolonial connections between Algeria, France, Italy, and the UK from the 1960s, featuring films, rugs, and radical magazines from her personal archive. Dreams Have No Titles (2022) is Zineb Sedira's love letter to cinema, the classic films of her childhood in Paris, coming of age in Brixton in London, and ‘return' to Algiers - three cities between which the artist lives and practices. Born in 1963, the year after Algeria achieved independence from French colonial rule, her and her family's diasporic story is central to her practice. Zineb recalls her first encounters with 'militant cinema', and international co-productions like the Golden Lion-winning The Battle of Algiers (1966). She shares her decision to represent France at the 59th Venice Biennale in 2022, controversial reactions from French media and society, and solidarity from her radical contemporaries and women, like Françoise Vergès, Sonia Boyce, Latifa Echakhch, Alberta Whittle, and Gilane Tawadros. We discuss the legacy of her work in the selection of Julien Creuzet, the first person of Caribbean descent and from the French overseas territories to represent France at the Venice Biennale in 2024. Zineb shares how personal histories contribute to collective memory, subverting ideas of ‘collection', and using museum and gallery spaces to make archives more accessible. With orientalist tapestries and textiles - her ‘feminist awakening' - we discuss how culture can both perpetuate political and colonial hierarchies, and provide the possibility to ‘decolonise oneself'. From her academic research in the diaspora, Zineb suggests how she carried much knowledge in her body as lived experience, detailing her interest in oral histories (and podcasts!), as living archives. With Nina Simone, Miriam Makebe, and Archie Shepp, performers at the Pan-African Festival in Algiers (1969), she shows her love of jazz and rock music, played with her community of squatters and fellow students from Central Saint Martins. Finally, we see how the meaning of her participatory works change as they travel and migrate between global audiences, and institutions and funding in Algiers today, via aria, her research residency for artists. Zineb Sedira: Dreams Have No Titles runs at the Whitechapel Gallery in London until 12 May 2024. A free Artist and Curator Talk (with some of Zineb's ‘tribe') takes place at the Gallery on 11 April 2024. and the film version of the work shows at Tate Britain in London until September 2024. Zineb Sedira: Let's Go On Singing! ran at the Goodman Gallery in London until 16 March 2024. Part of EMPIRE LINES at Venice, a series of episodes leading to Foreigners Everywhere (Stranieri Ovunque), the 60th Venice Biennale or International Art Exhibition in Italy, in April 2024. For more about Souffles, Tricontinental, and the Casablanca Art School (1962-1987), listen to curator Morad Montazami at Tate St Ives in Cornwall. For more about Baya, read into: Baya: Icon of Algerian Painting at the Arab World Institute, Institut du Monde Arabe (IMA), in Paris. Kawkaba: Highlights from the Barjeel Art Foundation, part of Modern and Contemporary Art of the Arab World. at Christie's London. And for another artist inspired by the port city of Venice, tune in to Nusra Latif Qureshi's 2009 work, Did You Come Here To Find History?, with curator Hammad Nasar. WITH: Zineb Sedira, Paris and London-based artist, who also works in Algeria. Working between the media of photography, film, installation and performance, she was shortlisted for the 2021 Deutsche Börse Photography Foundation Prize. Dreams Have No Titles was first commissioned for the French Pavilion at the 59th Venice Biennale in 2022. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: ⁠instagram.com/empirelinespodcast⁠ And Twitter: ⁠twitter.com/jelsofron/status/1306563558063271936⁠ Support EMPIRE LINES on Patreon: ⁠patreon.com/empirelines

Who's Holding the Baby? was the title of an exhibition organised to highlight a lack of childcare provision in East London in the 1970s. Was this feminist art? Bobby Baker, Sonia Boyce, Rita Keegan and members of the photography collective Hackney Flashers are some of the artists who've been taking part in an oral history project with New Generation Thinker Ana Baeza Ruiz. Her essay presents some of their reflections on what it means to make art and call yourself a feminist.Dr Ana Baeza Ruiz is the Research Associate for the project Feminist Art Making Histories (FAMH) at Loughborough University and a New Generation Thinker on the scheme run by the BBC and the AHRC to showcase new research into the humanities. You can hear her in Free Thinking episodes on Portraits and Women, art and activism available as an Arts & Ideas podcastProducer: Ruth Watts

Who's Holding the Baby? was the title of an exhibition organised to highlight a lack of childcare provision in East London in the 1970s. Was this feminist art? Bobby Baker, Sonia Boyce, Rita Keegan and members of the photography collective Hackney Flashers are some of the artists who've been taking part in an oral history project with New Generation Thinker Ana Baeza Ruiz. Her essay presents some of their reflections on what it means to make art and call yourself a feminist. Dr Ana Baeza Ruiz is the Research Associate for the project Feminist Art Making Histories (FAMH) at Loughborough University and a New Generation Thinker on the scheme run by the BBC and the AHRC to showcase new research into the humanities. You can hear her in Free Thinking episodes on Portraits and Women, art and activism available as an Arts & Ideas podcast.Producer: Ruth Watts

Art historian and Professor Griselda Pollock traces the memories of contemporary artist women like Sutapa Biswas, one of her students in the 1980s, and the entanglements in feminist, queer, and postcolonial thinking in art schools and universities. Griselda Pollock has long advocated for the critical function of contemporary art - and artists - in society. Whether paintings, drawings, or sculptures, these media can translate the traumatic legacies of colonialism, imperialism, and migration into visual form, and serve as refusals to forget - especially in our memory-effacing digital age. Born in apartheid South Africa, Griselda has lectured in global contexts; at the University of Leeds in the 1980s, she encountered Sutapa Biswas, a ‘force of nature' and one of the institution's first POC art students. She shares her experience of the two-way flows of teaching and learning. Drawing on stills from the artist's new film work Lumen (2021), and historic ‘Housewives with Steak-Knives' (1984-1985), she highlights both Bengali Indian imagery, and motifs of 17th and 18th century Old/Dutch Masters like Vermeer and Rembrandt - and why the artist ‘didn't need Artemisia Gentileschi' when she had the Hindu goddess Kali. Engaging with leaders of the Blk Art Group like Lubaina Himid, Sonia Boyce, and Claudette Johnson, we find connections with the first generation of British artists, born in the UK of migrant parents. Griselda also shares the important work of art historians and academics beyond Western/Europe, like Homi K. Bhabha, Gayatri Chakravorty Spivak, Chandra Mohanty, Catherine de Zegher, and Hiroko Hagewara. We discuss how being open to challenge and conversation, unsettling your own assumptions, denormalising and widening visibility are all ongoing obligations. Still, with Coral Woodbury's paintings, layered atop H.W. Jansen's History of Art (1968), we see how little the education system has changed. Griselda concludes with thoughts on Vincent van Gogh, Paul Gauguin, and challenging the norms of modernist colonial tourism within the confines of free speech and market demand. Medium and Memory, curated by Griselda Pollock, ran at HackelBury Fine Art in London until 18 November 2023. An expanded exhibition of Coral Woodbury's Revised Edition runs until 4 May 2024. Griselda Pollock on Gauguin is published by Thames & Hudson, and available from 28 May 2024. For more from Lubaina Himid, hear the artist on their work Lost Threads (2021, 2023), at the Holburne Museum in Bath: pod.link/1533637675/episode/4322d5fba61b6aed319a973f70d237b0 And read about their recent exhibition at Tate Modern, and work with the Royal Academy (RA) in London, in gowithYamo: gowithyamo.com/blog/the-revolutionary-act-of-walking-in-the-city For more about The Thin Black Line exhibition at the Institute of Contemporary Arts (ICA) in London (1985), hear curator Dorothy Price on Claudette Johnson's And I Have My Own Business in This Skin (1982) at the Courtauld Gallery in London: pod.link/1533637675/episode/707a0e05d3130f658c3473f2fdb559fc For more about the artist Gego, who practiced in Germany and South America, read my article about Measuring Infinity at the Guggenheim Bilbao (2023), in gowithYamo: gowithyamo.com/blog/infinite-viewpoints-gego-at-the-guggenheim-bilbao WITH: Griselda Pollock, Professor of Social and Critical Histories of Art and Director of CentreCATH (Centre for Cultural Analysis, Theory & History) at the University of Leeds. WITH: Griselda Pollock, Professor of Social and Critical Histories of Art and Director of CentreCATH (Centre for Cultural Analysis, Theory & History) at the University of Leeds. She won the Holberg Prize in 2020 for her contributions to feminism in art history and cultural studies, books, and exhibitions. She is the curator of Medium and Memory. ART: ‘Lumen, Sutapa Biswas (2017) and Lubaina Himid, from the Revised Edition series, Coral Woodbury (2023)'. PRODUCER: Jelena Sofronijevic.

Of her work, British artist Lubaina Himid says she is "filling in the gaps of history." Danielle Radojcin travels to The Holburne Museum in Bath to meet her at her new exhibition, Lost Threads, which, like much of her work, addresses the histories and legacies of colonialism and slavery.Himid turns 70 this year. She was born in Zanzibar, but after her father tragically died of malaria when she was just a few months old, her British mother took her to live in the UK, where they settled in London. She eventually studied Theatre Design at Wimbledon College of Art, and the Royal College of Art. Over the course of her career, Himid has aimed to make art that creates a dialogue with her audience - she has said how the patterns in her work are a form of narrative; she has also made a point of championing under-represented artists, especially Black and Asian women. She became a key figure in the 1980s London, “Black art” movement, in which so called black art moved from the margins to the centre of British culture thanks in part to a series of influential exhibitions Himid curated. She was the first Black woman to win the Turner Prize, which she was awarded in 2017, and was elected to the Royal Academy in 2018, the same year she was made a CBE for services to art. Today, she  lives and works in Preston, where she is a professor at the University of Central Lancashire. Himid sat down with me at the Holburne in the midst of the press preview of her new exhibition, in one of the main, very large rooms there, to tell me a bit about her work… Episode artwork: Lubaina Himid, Man in a Pyjama Drawer, 2021 via Hollybush Gardens https://paulineboty.org/Gazelli Art Housemonomediafilms.london

The idea of the artist's muse conjures up a glamorous but passive woman portrayed by a male artist. Yet many women who are commonly identified as muses have been talents in their own right; they are creatively inspired as well as sources of inspiration for others. In this episode, photographer Mary McCartney, Golden Lion prize-winning artist Sonia Boyce, and the Daily Telegraph's fashion director Lisa Armstrong sat down at Sotheby's in London for a conversation celebrating female creativity, and how women have used art, fashion and photography to reframe the role of women in art as both subject and image-maker.  To see the works discussed in this episode, or to watch an extended edition of this talk, visit https://www.sothebys.com/en/series/women-in-art-from-image-to-image-maker  And, to step further into the world of Sotheby's, you can visit any of our galleries around the world; they're open to the public. For more information, visit sothebys.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Are you struggling with harnessing your frustration into a source of creative fuel? As artists, we have been there too. We have found that by acknowledging these feelings, we can transform them into a powerful tool for our artistry. Let's embark on a journey centered around the words of renowned British artist, Sonia Boyce, and uncover the beauty of using frustration as inspiration.We believe that art has an innate power of expression, especially when it comes to giving voice to marginalized communities. Sonia Boyce's work beautifully encapsulates this idea, using various mediums to narrate stories of memory and family. We delve into our personal experiences and discuss how journaling, researching, and ideating can help channel frustrations into artistic inspiration. This transformation is a delicate balance between the maturity and immaturity involved in the creative process. Keeping a consistent creative routine can be challenging when faced with frustration, but it's crucial for success. We'll be sharing how this practice has influenced our work and how it could do the same for you. We end the episode with a call to action: go out, make art, and share it with us! Let's turn our frustrations into a source of inspiration and success in art together. Tune in, and let's get inspired!Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

‘Women in Revolt! Art and Activism in the UK 1970-1990 is a landmark exhibition at Tate Britain of feminist art in the UK from 1970 to 1990.  The exhibition explores how interconnected networks of women used radical ideas and rebellious methods to make an invaluable contribution to British culture. Showcasing work by over 100 women artists and collectives living and working in the UK, this will be the first major survey of its kind. Painting, drawing, photography, textiles, printmaking, film, sculpture, and archival materials will be brought together to map a landscape of creative practice forged against a backdrop of extreme social, economic, and political change. As well as celebrating the work of well-known artists such as Sonia Boyce, Susan Hiller and Linder, Women in Revolt! will platform many women, who despite long careers, have been largely left outside the artistic narratives of the time. RNIB Connect Radio's Toby Davey was joined in the gallery spaces of Tate Britain by Hannah Marsh, Assistant Curator of ‘Women in Revolt!' to find out more about the women Artists and collectives featured in the exhibition and more about there work too.  Toby began by asking Hannah why this 20 year period of work by many women artist and collectives is so important and how there work gives us a unique view point on what was happening in the UK at the time which was maybe not widely seen by us all through the media and news bulletins of the day.  Toby and Hannah then went on to discussed more about some of the work on display in Women in Revolt!, how the work may have been influenced by other women in culture, music and fashion at the time. Then to highlighting a couple of rooms in the exhibition that people should definitely see before talking about whether there is more visibility and opportunities today for women artists in the art world, museums and galleries. Women in Revolt! continues at Tate Britain until 4 April 2024 and audio described guided tours lead by one of Tate's Visitor Engagement Assistants can be booked by either emailing hello@Tate.org.uk or calling 020 7887 8888  More details about the ‘Women in Revolt!' exhibition ‘at Tate Britain   can be found by visiting the following pages of the Tate website- https://www.tate.org.uk/whats-on/tate-britain/women-in-revolt Image shows Gina Birch, still from 3 Minute Scream, 1977. A close up of Gina Birch, a white woman with blonde hair and red lipstick screaming and looking into the camera.

Danielle heads to Somerset House in London to speak with Aindrea Emelife, the Nigerian-British curator and art historian. Specialising in modern and contemporary art, with a focus on questions around colonial and decolonial histories in Africa, transnationalism and the politics of representation, her writing includes the book A Brief History of Protest Art, and in 2021, she was appointed to the Mayor of London's Commission for Diversity in the Public Realm. She is currently Curator of Modern and Contemporary at the Museum of West African Art (MOWAA), in Edo State, Nigeria. This summer she has curated an exhibition at Somerset House in London called Black Venus, which brings together the work of 18 Black women and non-binary artists to explore the othering, fetishisation and reclamation of narratives around Black femininity. The exhibition examines the complex narratives of Black womanhood through the influences of three perceived archetypes: the Hottentot Venus, the Sable Venus, and the Jezebel, and reframes stereotypical notions of black womanhood through the work of contemporary artists including Sonia Boyce, Carrie Mae Weems, Amber Pinkerton and Lorna Simpson. Aindrea talks about how she became interested in the history of art, and why she felt this was an important theme to address.  

TURNING THE TABLES ON TALK ART with ALAN CARR!!!! To celebrate the launch of the brand new Talk Art book 'The Interviews', Russell & Robert meet legendary broadcaster, stand-up comedian and writer ALAN CARR. Who better to chat with than the CHATTY MAN himself???!!!We discuss our new book Talk Art: The Interviews! That's right, it's TALK ART BOOK 2 release day!!! We are PUBLISHED AUTHORS! for a second time!!A huge THANK YOU to all the talented artists whose artworks are featured in the book and to our superstar editor Alison Starling and the team @octopus_books_ & @ilex_creative for their support and belief. Follow Alan Carr @ChattyMan on Instagram. Visit Waterstone's or The Margate Bookshop to buy our brand new TALK ART BOOK 2, out today Thursday 11th May 2021 in UK & Europe and from 6th June in USA & Canada. The book has also been translated into Korean and available in South Korea.'Insights from the zeitgeist are preserved with conviction and clarity, offering an inclusive way to access contemporary art in all its forms. If Talk Art is the fun podcast, then this book is the educational supplement to be prescribed alongside it.' - AestheticaThe authors of the Sunday Times bestseller Talk Art: Everything you wanted to know about contemporary art but were afraid to ask, have brought together 24 of the most profound, moving, funny and informative interviews from the wildly popular Talk Art podcast.These curated excerpts explore the inspirations, art experiences and favourite artists of a fascinating range of creative people from Grayson Perry to Elton John, from Tracey Emin to Paul Smith, and from Wolfgang Tillmans to Sonia Boyce, accompanied by images of the artworks that they have created or that have influenced them.For images of all artworks discussed in this episode visit @TalkArt. We are on Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com Hosted on Acast. See acast.com/privacy for more information.

WELCOME BACK TO SEASON 9 of The GWA PODCAST! This week, we interview one of the most influential and groundbreaking artists alive, SONIA BOYCE! Born and raised in London, where she still lives today, Boyce has been taking the art world by storm since the 1980s when she and other trailblazing artists – such as Lubaina Himid and Claudette Johnston – emerged collectively onto the art scene as the Black Arts Movement. Putting images of women and their stories centre stage, they exhibited in shows such as Five Black Women in 1983 at the Africa Centre, Thin Black Line at the ICA in 1985, and The Other Story at the Hayward in 1989.  Since then, Boyce's indefatigable practice – spanning drawing, printmaking, photography, installation, video and sound – has constantly evolved, focusing on collaboration, often with an emphasis on improvisation as she works with other artists to create immersive installation environments. Taking on a broader ethos of "collage" and what it means today – both literally and metaphorically – Boyce's practice has brought together a multitude of people, places and perspectives to provoke invaluable conversations about the world we live in today. Often involving sound pieces, when I find myself amongst one of Boyce's works, it becomes easy to lose oneself inside this very special, unusual but gripping world.  Since 2014 Boyce has been a professor of Black Art and Design, at the University of Arts London. In 2016, she was made a Royal Academician, in 2019 received an OBE for her services to art, and of course in 2022 became the winner of the Golden Lion award at the Venice Biennale, which she won for Feeling her Way – an immersive exhibition filled with bejewelled wallpaper and improvisatory song by women musicians – which is currently on view at Turner Contemporary in Margate before travelling to Leeds and later the Yale Centre for British Art.  https://turnercontemporary.org/bio/sonia-boyce/ https://www.tate.org.uk/art/artists/sonia-boyce-obe-794  https://www.theguardian.com/artanddesign/2018/mar/19/hylas-nymphs-manchester-art-gallery-sonia-boyce-interview  https://www.royalacademy.org.uk/article/sonia-boyce-ra-magazine-venice-biennale  https://www.nytimes.com/2022/05/13/arts/design/sonia-boyce-venice-biennale.html https://www.bbc.co.uk/iplayer/episode/m001f0q7/imagine-2022-sonia-boyce-finding-her-voice  Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Mikaela Carmichael  Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/

In 2022 Sonia Boyce became the first Black British woman to represent Britain at the Venice Biennale exhibition. She also took home the coveted Golden Lion Award for her installation Feeling Her Way, which combined video and collage with improvised performances by five female musicians. Sonia was born in London and grew up near the renowned Whitechapel Art Gallery. As a very young child she would visit the gallery, often alone, relishing the light and space inside the building. In 1985, two years after graduating from Stourbridge College of Art, she completed her drawing Missionary Position II, which was acquired by the Tate two years later. She was just 25 and was one of the youngest artists and the first Black woman to enter its permanent collection. In 1999 Sonia started work on the Devotional Collection, an archive of sound, ephemera and wallpaper relating to black British women in music, ranging from Shirley Bassey to Neneh Cherry, and celebrating their contribution to international culture. Sonia lives in London with her partner, the curator David A. Bailey. She has taught Fine Art studio practice for more than 30 years in several art colleges across the UK. She was awarded an OBE in the 2019 New Year Honours for services to art. DISC ONE: Meet Me On The Corner - Lindisfarne DISC TWO: Help Me Make It Through the Night - John Holt DISC THREE: Caught You In A Lie - Louisa Mark DISC FOUR: Psycho Killer -Talking Heads DISC FIVE: Wolf & Leopards - Dennis Brown DISC SIX: Is That Jazz - Gil Scott Heron DISC SEVEN: Put Your Records On - Corinne Bailey Rae DISC EIGHT: Love and Affection - Joan Armatrading BOOK CHOICE: Charlie and the Chocolate Factory by Roald Dahl LUXURY ITEM: Champagne CASTAWAY'S FAVOURITE: Is That Jazz by Gil Scott Heron Presenter Lauren Laverne Producer Paula McGinley

Sonia Boyce's exhibition, Feeling Her Way, won the top prize at the Venice Biennale international art fair. As the sound, video and wallpaper installation arrives at the Turner Contemporary gallery in Margate, Sonia tells Samira why she wanted to form her own girl band and help them to achieve imperfection through improvisation. Director Colm Bairéad on his film The Quiet Girl – a small scale Irish-language drama, but the highest grossing Irish-language film in history, and the first to be nominated for Best International Feature Film at the Oscars, and BAFTA nominated for Best Film Not In The English Language and Best Adapted Screenplay. Equity general secretary Paul Fleming and freelance theatre director Kate Wasserberg discuss the ongoing problem of low pay and poor conditions in the UK theatre sector. Artistic director and chief executive of Oldham Coliseum, Chris Lawson, discusses the decision to cancel its programme of shows after losing its Arts Council England funding. Presenter: Samira Ahmed Producer: Eliane Glaser Main Image - Sonia Boyce courtesy of the artist and Simon Lee Gallery. Photographer: Parisa Taghizadeh

The British artist — who won the top prize at the Venice Art Biennale this year — speaks with calm eloquence about the pros and cons of being the first Black British woman to win the Golden Lion at the Venice Biennale. Hosted on Acast. See acast.com/privacy for more information.

The artist Sonia Boyce has just won the top prize at the Venice Biennale, the Olympics of the art world, where she has been representing Great Britain in a commission for the British Council. Sonia is a multidisciplinary practitioner known for working with audio, video, wallpaper and print. For this project she has been collaborating with four female singers at the famous Abbey Road studios in London, recording a piece of sonic art. It's part of her award-winning exhibition in Venice called Feeling Her Way. Join the BBC's Anna Bailey as she follows Sonia on her artistic journey from recording, installing and opening her work at the British Pavilion. Presented and produced by Anna Bailey for the BBC World Service Executive producer: Rebecca Armstrong

New Talk Art! We meet leading artist Sonia Boyce. Boyce's practice is fundamentally collaborative and inclusive, fostering a participatory approach that questions artistic authorship and cultural difference. Last month, she became the first Black female artist to represent Britain at the Venice Biennale, the world's oldest international art exhibition. The work she presented in the British Pavilion won the prestigious prize, the Golden Lion. Six years before, she had been the first Black British woman to get elected to the Royal Academy of Arts.The British Council presents Feeling Her Way by Sonia Boyce at the British Pavilion for La Biennale di Venezia, running from 23 April – 27 November 2022. Boyce's powerful exhibition explores the potential of collaborative play as a route to innovation. The installation brings together video works featuring five Black* female musicians (Poppy Ajudha, Jacqui Dankworth MBE, Sofia Jernberg, Tanita Tikaram and composer Errollyn Wallen CBE) who were invited to improvise, interact and play with their voices. The video works take centre stage among Boyce's signature tessellating wallpapers and golden geometric structures, and the Pavilion's rooms are filled with sounds – sometimes harmonious, sometimes clashing – embodying feelings of freedom, power and vulnerability.This new commission expands on Boyce's Devotional Collection, built over more than two decades and spanning more than three centuries, which honours the substantial contribution of Black British female musicians to transnational culture.Artist and academic Sonia Boyce OBE RA (b. London, 1962) came to prominence in the early 1980s as a key figure in the burgeoning Black Arts Movement of that time with figurative pastel drawings and photo collages that addressed issues of race and gender in Britain. In 1987, she became one of the youngest artists of her generation to have her artwork acquired by Tate and the first Black-British female artist to enter the collection. Since the 1990s Boyce's practice has taken a significant multi-media and improvisational turn by bringing people together in a dynamic, social practice that encourages others to speak, sing or move in relation to the past and the present. Incorporating film, photography, print and sound in multi-media installations, Boyce's practice is fundamentally collaborative and inclusive, fostering a participatory approach that questions artistic authorship and cultural difference. At the heart of her work are questions about the production and reception of unexpected gestures, with an underlying interest in the intersection of personal and political subjectivities.Follow @SoniaBoyceArtist and @SimonLeeGallery. Visit https://www.simonleegallery.com/artists/277-sonia-boyce/ and https://venicebiennale.britishcouncil.org/feeling-her-way See acast.com/privacy for privacy and opt-out information.

Her multi-media work celebrates the achievements of women in music and art, challenges racial and sexual bias and asks how our cultural institutions can become more inclusive. From pastels to a cappella, Mark Coles profiles the life and career of Sonia Boyce, winner of this year's Venice Biennale, international art exhibition. Sonia Boyce's winning entry entitled 'Feeling Her Way' features the improvisations of five black female musicians, Poppy Ajudha, Jacqui Dankworth MBE, Sofia Jernberg, Tanita Tikaram and composer Errollyn Wallen CBE. Credit: Feeling Her Way by Sonia Boyce. Presenter: Mark Coles Production team: Sally Abrahams, Diane Richardson and Janet Staples Sound: Rod Farquhar Editor: Richard Vadon

BBC journalist Chi Chi Izundu joins us to talk about her investigation into DJ Tim Westwood and allegations of sexual misconduct – accusations he strenuously denies. Also, for the first time ever a black woman has represented Britain at a major arts festival in Venice… and she won the top prize. The artist, Sonia Boyce, featured other black women in her art and one of them, singer Poppy Ajudah, drops in to chat with Roshan and De-Graft. And we talk customer service in Caribbean takeaways and black businesses with author Yvonne P Witter. Presenters: De-Graft Mensah and Roshan Roberts Producer: Kamilah McInnis Researcher: Michele Theil Sound: Dave O'Neill Editor: Alison Gee

Konstnären Sonia Boyce tilldelas ett Guldlejon för utställningen Feeling her way på konstbiennalen i Venedig. Hon är den första svarta kvinnliga konstnären i Storbritanniens paviljong på biennalen. Jag ville arbeta med riktigt människor och riktiga röster, säger Sonia Boyce till P1 Kulturs Cecilia Blomberg.

Guldlejonet för bästa paviljong på Venedigbiennalen gick till Storbritanniens Sonia Boyce, för den musikaliska installationen "Feeling her way". Kulturredaktionens Cecilia Blomberg har träffat henne. ÄR NICOLAS CAGE BRA ELLER DÅLIG?Vad är han egentligen? Den frågan ställer sig vår reporter Joakim Silverdal i ett undersökande reportage om den enigmatiske skådespelaren, som tar oss från USA och filmjournalisten Keith Fipps som skrivit boken "Age of Cage" till poeten UKON här i Sverige. Nicolas Cage dubbla sidor är dubbelt aktuella i filmen "The unbearable weight of massive talent" med biopremiär den 29 april, där han spelar två versioner av sig själv.NY DOKUMENTÄR OM PUTINKRITIKERN NAVALNYJ VÄRD ALLA LOVORD?Kritiksamtal med P1 Kulturs reporter och tidigare Rysslandskorrespondent Fredrik Wadström om dokumentärfilmen "Aleksej Navalnyj de sista dagarna i frihet", som visas på SVT Play och av tidningen The Guardian nyligen hyllades som en film som "kommer få dig att tappa hakan att bevittna".ESSÄ: OM DE SOCIALA KODERNAS SNUBBELTRÅDARI dagens OBS-essä påminner Eva-Lotta Hultén om hur svårt det kan vara att förstå allt det som inte låter sig förklaras i mänsklig interaktion. Det kan handla om oskrivna regler, eller små betydelsebärande tecken som tolkas utan att vi tänker på det.Programledare: Lisa Wall Producent: Felicia Frithiof

The world's most prestigious art event is back in full force. Monocle's Chiara Rimella and Alexis Self chat about their week in Venice, and how the Biennale has responded in times of conflict. Plus: we hear from some of the most talked-about artists at this year's event, including Stan Douglas and Golden Lion winner Sonia Boyce.See omnystudio.com/listener for privacy information.

The world's most prestigious art event is back in full force. Monocle's Chiara Rimella and Alexis Self chat about their week in Venice, and how the Biennale has responded in times of conflict. Plus: we hear from some of the most talked-about artists at this year's event, including Stan Douglas and Golden Lion winner Sonia Boyce.

Dansteaterkompaniet DV8 lägger ner och premiär för fjärde säsongen av SVT:s "Den stora älgvandringen". Producent: Estrid HolmProgramledare: Amanda Niklasson

V Benetkah so odprli umetnostni bienale, ki se vrača po enoletnem premoru zaradi pandemije. Glavno nagrado, zlatega leva, je dobil britanski paviljon, v katerem letos razstavlja umetnica Sonia Boyce z naslovom Feeling Her Way. Mednarodna žirija je zapisala, da v sodelovanju z drugimi temnopoltimi ženskami razkriva veliko zamolča-nih zgodb, da ima zelo sodoben jezik ter prikazuje razdrobljene oblike, ki jih gledalec in gledalka ob doživljanju paviljona lahko sestavita. Na odprtju je bila sicer v središ ču pozornosti Ukrajina. Sredi beneških Vrtov, v katerih stoji ruski paviljon, so posta-vili trg z vrečami peska, ki ponazarjajo tiste, ki jih uporabljajo v spopadih za zaščito pred bombami. Rusijo so zaradi napada na Ukrajino z bienala izključili, umetniki, ki nasprotujejo režimu ruskega predsednika Vladimirja Putina, pa so kljub temu dobro-došli. Na 59. beneškem bienalu zlati lev britanskemu paviljonu z razstavo umetnice Sonie BoyceV Benetkah so odprli umetnostni bienale, ki se vrača po enoletnem premoru zaradi pandemije. Glavno nagrado, zlatega leva, je dobil britanski paviljon, v katerem letos razstavlja umetnica Sonia Boyce z naslovom Feeling Her Way. Mednarodna žirija je zapisala, da v sodelovanju z drugimi temnopoltimi ženskami razkriva veliko zamolčanih zgodb, da ima zelo sodoben jezik ter prikazuje razdrobljene oblike, ki jih gledalec in gledalka ob doživljanju paviljona lahko sestavita. Na odprtju je bila sicer v središču pozornosti Ukrajina. Sredi beneških Vrtov, v katerih stoji ruski paviljon, so postavili trg z vrečami peska, ki ponazarjajo tiste, ki jih uporabljajo v spopadih za zaščito pred bombami. Rusijo so zaradi napada na Ukrajino z bienala izključili, umetniki, ki nasprotujejo režimu ruskega predsednika Vladimirja Putina, pa so kljub temu dobrodošli.

Kultūrinės spaudos apžvalga.Socialiniuose tinkluose pasirodžius informacijai, kuria sostinės pedagogai galimai išreiškia palaikymą Rusijos karinei agresijai Ukrainoje bei skleidžia Rusijos propagandą, Vilniaus savivaldybės žinia visuomenei – tokie ugdymo įstaigų darbuotojai negali dirbti mokyklose. Domisi Karina Metrikytė.Išrinktos geriausios 2021 m. verstinės knygos. Visų trijų kategorijų – grožinės, negrožinės bei vaikų ir jaunimo literatūros – laimėtojus apžvelgs projekto koordinatorius Paulius Garbačiauskas.Vilniuje prasideda Meninių akcijų savaitė. Įvairiose sostinės vietose vyksiantys meniniai veiksmai kvies permąstyti laisvos visuomenės idėją, gilinti supratimą apie žodžio laisvę ir jos atsakomybę, psichologinę sveikatą, lytinį švietimą, lygiavertes LGBTQ+ teises.LRT Klasika tęsia pažintį su Metų knygos rinkimuose dalyvaujančiais kūriniais ir kviečia į paskutiniąją pažintį. Tai – Rasos Grybaitės grafinė novelė „Grybo auksas“.Pasaulio kultūros įvykių apžvalgoje apie Ukrainos meno skverą Venecijos bienalėje, Prancūzijos rinkimus komiksuose ir karikatūrose bei knygų miestelį Ispanijoje.Venecijos meno bienalėje geriausiu nacionaliniu paviljonu išrinktas D. Britanijos paviljonas ir jam atstovaujanti menininkė Sonia Boyce. Kokie menininkai ir jų atstovaujamos šalys dar pastebėti 59-ojoje Venecijos meno bienalėje ir kokią žinutę jie siunčia?Jau beveik du mėnesius Vilniuje ir Kaune vyksta savaitgalio dienos stovyklos Ukrainos vaikams. Prie šios iniciatyvos įgyvendinimo prisijungė ir ukrainietė Polina Stasyuk. Kaip Lietuvoje esančioms ukrainiečių šeimoms sekasi integruotis mūsų šalyje?Muzikinės Domanto Razausko naujienos, kuriose – „Little North“, „Trio Sr9“ ir Fergus McCreadie naujausi albumai.Ved. Inesa Rinkevičiūtė

Die britische Künstlerin Sonia Boyce ist die erste Schwarze Künstlerin, die ihr Land auf der Biennale vertritt. Für ihre Ausstellung "Feeling Her Way" im britischen Pavillon hat sie den Goldenen Löwen bekommen. Claudia Dichter berichtet aus Venedig. Von Claudia Dichter.

A Venice Biennale special: we give you a flavour of the 59th edition of the Biennale which, as ever, brings a deluge of contemporary art to the historic Italian city. We talk to four artists in the national pavilions – Francis Alÿs in the Belgian Pavilion, Sonia Boyce in the British pavilion, Shubigi Rao in the Singapore pavilion and Na Chainkua Reindorf in the Ghana pavilion – about their presentations and how, if at all, they relate to the idea of nationhood. Louisa Buck and Jane Morris join host Ben Luke to review the main exhibition, The Milk of Dreams, curated by Cecilia Alemani, and pick their highlights of the Biennale so far. And while most visitors to Venice this week are immersed in contemporary art, for this episode's Work of the Week, we take a look at a masterpiece that remains exactly where it was intended to hang. The art historian Ben Street joins Ben Luke in San Giovanni Crisostomo, a church near Venice's Rialto bridge, to look at Saints Christopher, Jerome and Louis of Toulouse, a late painting by the Venetian Renaissance artist Giovanni Bellini.Venice Biennale, 23 April-27 November.Ben Street, How to Enjoy Art: A Guide for Everyone, Yale University Press, £14.99/$20. See acast.com/privacy for privacy and opt-out information.

Artist Sonia Boyce discusses her new video work, the product of being embedded with social services in Barking and Dagenham, which addresses domestic violence. She also reveals her process as she prepares to represent the UK at the Venice Biennale. After a dramatic Oscars ceremony, film critics Anna Smith and Tim Robey join us to discuss the Academy Award winning films, the success enjoyed by British contenders, and the slap that was heard around the world. BBC Young Musician Winner Laura van der Heijden is in the studio to talk about her new album with pianist Jâms Coleman. Called Pohádka, it explores the rich folk melodies of Janáček, Kodály and Dvořák. Laura's debut album won BBC's Newcomer of the Year award and BBC Music Magazine just awarded it 5 stars, saying: “These performers bring sonorous depth and mystery.” Laura and Jâms perform Dvořák's “Songs My Mother Taught Me” live in the studio. Presenter: Samira Ahmed Producer: Jodie Keane Image credit: Anne Purkiss

Aubrey Williams, Horace Ové, Sonia Boyce, Lubaima Himid, Peter Doig, Chris Ofili, Hurvin Anderson, Grace Wales Bonner and Alberta Whittle have works on show at Tate Britain as part of an exploration of artists from the Caribbean who made their home in Britain, and British artists who have looked at Caribbean themes and heritage in their work. Shahidha Bari's guests include the curator David A Bailey, New Generation Thinker Sophie Oliver and academic Asha Rogers. David A Bailey is co-curator of Life Between Islands, Caribbean British Art from 1950 at Tate Britain which runs until 3 April 2022 Lubaima Himid's exhibition runs at Tate Modern until 3 July 2022. You can find a discussion about the Black British Art movement in this playlist exploring Black History on the Free Thinking website - it also includes conversations about the writing of Maryse Condé, Aimé Césaire, with Kei Miller and Colin Grant, and a discussion of sugar https://www.bbc.co.uk/programmes/p08t2qbp Sophie Oliver is a BBC AHRC New Generation Thinker and Lecturer in Modernism at the University of Liverpool. You can hear her Essay on Jean Rhys's dress here: https://www.bbc.co.uk/programmes/m000v870 Asha Rogers is Associate Professor in Contemporary Postcolonial Literature at the University of Birmingham. She is the author of State Sponsored Literature: Britain and Cultural Diversity after 1945. Producer: Ruth Watts

Part 1 - BMV Director Barbara Jackson-McIntosh returns to Analyze This to clarify the Bureau's current procedures and the future of their facilities on St. Thomas and St. Croix (07:43). For more information on the BMV's virtual services: https://bmv.vi.gov/online-services1100/. Neville James then hosts Government House representative Sanaa Smith and Sonia Boyce, Executive Director of the Workforce Development Board, to preview the upcoming Workforce Summit 2021 (41:48). For more information or to register: https://www.vidol.gov/workforcesummit2021/.

Artists Sonia Boyce, Isaac Julien, Eddie Chambers and Harold Offeh talk to Anne McElvoy about their art and the influence of the British black arts movement - which began around the time of the First National Black Art Convention in 1982 organised by the Blk Art Group and held at Wolverhampton Polytechnic. Eddie Chambers has written Roots and Culture: Cultural Politics in the Making of Black Britain and Black Artists in British Art: A History since the 1950s. He teaches at the University of Texas, Austin. Sonia Boyce is Professor at Middlesex University, a Royal Academician and the Principal-Investigator of the Black Artists & Modernism project. She will show work in the British Pavilion at the Venice Biennale in 2022. Isaac Julien shows at the Victoria Miro Gallery. His work is on display at the Museum of Modern Art in Scotland until August 31st. Lessons of the Hour is a ten-screen film installation looking at the life and times of Frederick Douglass who, from 1845-7, made repeated visits to Edinburgh, while campaigning across the UK and Ireland against US slavery. Harold Offeh is an artist, curator and senior lecturer in Fine Art at Leeds Beckett University. His work Covers features in Untitled: art on the conditions of our time which runs in a newly curated display at Kettle's Yard, Cambridge 10 July 2021 – 3 October 2021 following its opening at the New Art Exchange in Nottingham. You can also see his work in the Wellcome Collection exhibition Joy which runs until February 2022. Nottingham Contemporary's The Place Is Here brought together around 100 works by over 30 artists and collectives in 2017 when this episode first aired. Producer: Karl Bos Editor: Robyn Read You might be interested in our playlist on the Free Thinking programme website Exploring Black History https://www.bbc.co.uk/programmes/p08t2qbp

Opera singer Peter Brathwaite used lockdown creatively. Responding to the Getty Museum's social media challenge to reproduce a work of art using only household items, he embarked on an extraordinary project: to recreate as many artworks depicting black people as possible, posting the results on social media using the hashtag #BlackPortraiture. Over 80 artworks later, Peter's remarkable recreations of art spanning eight centuries have made a huge impression, particularly in their relevance to the Black Lives Matter movement. As part of Black History Month on BBC Radio 3, Peter explores five of his recreations in depth, digging deeper into the stories of the black people he has brought to life. He also shares discoveries he has made about himself, his Barbadian heritage and ancestry, through the processes of researching and recreating each portrait. In this final episode we meet artist Sonia Boyce, whose 1982 self-portrait Rice n Peas celebrates her Black British identity through the medium of food.

Artist Sonia Boyce's career has been punctuated by series of firsts - the first black woman to have her work collected by the Tate, the first black woman to be elected a Royal Academician. As her first retrospective opens, Sonia discusses her art and why she removed a painting from the walls of Manchester Art Gallery.On the 100th anniversary of Debussy's death two interpreters of his music discuss his life, legacy and influences. Lucy Parham tours a show playing his piano music interspersed with readings from Debussy's own writings and letters while Mirga Gražinytė-Tyla the conductor of the city of Birmingham Symphony Orchestra has curated a season of Debussy's orchestral works. Testament is a rapper, beatboxer and theatre maker who's now based in Yorkshire. That county is the setting of Black Men Walking, a touring production that takes as its real life inspiration a group of black men - and some women - who go walking in the Peak District once a month. It uses music, poetry and the rich and largely unsung history of black people in this country, and countryside, to tell its story. Presenter: Gaylene Gould Producer: Hannah Robins.

Artists Sonia Boyce, Isaac Julien, Eddie Chambers and Harold Offeh talk to Anne McElvoy about their art and the influence of the British Black Art movement - which began around the time of the First National Black Art Convention in 1982 organised by the Blk Art Group and held at Wolverhampton Polytechnic.Eddie Chambers has written Roots and Culture: Cultural Politics in the Making of Black Britain and Black Artists in British Art: A History Since the 1950s. He teaches at the University of Texas, Austin. Sonia Boyce is Professor at Middlesex University, a Royal Academician and will also have a solo show at the ICA later this year. She is one of the recipients of a Paul Hamlyn Foundation Award. She is also the Principal-Investigator of the Black Artists & Modernism project. Isaac Julien is showing Other Destinies at the Royal Ontario Museum from January and shows at Victoria Miro Gallery. Harold Offeh is an artist, curator and senior lecturer in Fine Art at Leeds Beckett University. His work Covers will feature in Untitled: art on the conditions of our time.Nottingham Contemporary's The Place Is Here brings together around 100 works by over 30 artists and collectives spanning painting, sculpture, installation, photography, video and archival displays from the 1980s. It runs from 04 Feb - 30 Apr 2017New Art Exchange's exhibition, Untitled: art on the conditions of our time, runs from 14 Jan - 19 Mar 2017 and features 12 British artists each with ties to Africa.Producer: Karl Bos Editor: Robyn Read