Podcasts about Still Crazy After All These Years

Let us know what you thought about the show!In this raw and powerful episode of You Winning Life, Jason Wasser welcomes Adrian Koehler, a high-impact executive coach and leadership trainer, to discuss the transformative power of commitment, language, and self-awareness in both life and leadership.They explore how getting “stuck” in career or personal relationships often stems from a lack of clarity, aligned values, or the fear of fully committing. Adrian breaks down the difference between trying and committing, shares insights from coaching founders and prison inmates alike, and opens up about his own growth through fatherhood, failure, and radical honesty.The episode covers everything from reinventing your job description to challenging toxic workplace dynamics, and how proactive conversations and deep accountability can help you play to win—not just survive.Key Topics Covered:

The actor and presenter Nigel Havers was born in Middlesex in 1951 to a barrister father and an author mother. His screen roles have been varied, from His portrayal of Lord Andrew Lindsay in the film Chariots of Fire in 1981 which earned him a BAFTA nomination, to Lewis Archer in Coronation Street for over a decade and a guest spot in Downton Abbey amongst other. He was the face of Nescafe for many years, and is now seen presenting The Bidding Room on BBC television. With such a varied life and career – what then will he choose for his Inheritance Tracks? Inherited: I've Got You Under My Skin by Mel Tormé Pass on: Still Crazy After All These Years by Paul Simon Producers: Ben Mitchell and Anna BaileyThis programme has been changed for music rights reasons.

#448 THE NERDLINGS PODCAST: SHALL WE PLAY A GAME: YOUR CRAZY & Arlo Guthrie - Alice's Restaurant (1967) FULL ALBUM Vinyl Rip This is the Thanks Giving Edit 2024 of Shall We Play A Game.  and at the end the full Arlo Guthrie - Alice's Restaurant (1967) FULL ALBUM Vinyl Rip side one: Alice's Restaurant side two: Chilling of the Evening Ring-Around-a-Rosy Rag Now and Then  I'm Going Home The Motorcycle Song Highway in the Wind  Host Paul Simon comes out to sing "Still Crazy After All These Years" while wearing a turkey costume, but stops when he realizes how ridiculous he looks. Simon then goes backstage to complain about the entire idea to Lorne Michaels. [Season 2, 1976] https://www.youtube.com/watch?v=lYJTq75vc5c Paul Simon - Still Crazy After All These Years (w/ SNL band ) https://www.youtube.com/watch?v=gdc2Cg0tb3E   Arlo Guthrie - Alice's Restaurant (1967) FULL ALBUM Vinyl Rip https://www.youtube.com/watch?v=HivvDGYqohQ email address for contact: nerdlingpodcast@gmail.com Instagram accounts to follow:  secretplaceslasvegas and ShinySquirrelPodcast Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

Those crazy hazy lazy days of summer got us in their thrall and scheduling's been tough, so please enjoy this flashback to episode 81:  Mike and Pat discuss Walk on the Wild Side; Shine On You Crazy Diamond; Aja; Waiting on a Friend; Baker Street; Just the Way You Are; Logical Song; Old and Wise; Still Crazy After All These Years; Man Eater; Modern Love; Your Latest Trick; Brass Monkey; Edge of Glory; Get It Right; Talk Dirty to Me; Problem.

In the latest episode of Jagbags, Len and Beave try to discuss the music of Paul Simon (and his music for Simon & Garfunkel), but instead wind up devoting at least a quarter of the episode to the 1980 Art Garfunkel stone classic film "Bad Timing". Tune in for 45-minute playlists, discussions of our favorite Simon and Garfunkel LPs and songs, favorite Paul Simon albums, a discussion of various books and documentaries on Paul Simon's storied career -- and all the "Bad Timing" you can handle! ULTIMATE JAGBAGS!

Legendary Composer and Producer Mike Post joins to talk about his career scoring iconic TV Shows like Law & Order, his new album of orchestral compositions Message from the Mountains & Echoes of the Delta, and the greatest song he's ever heard in his entire life, "Still Crazy After All These Years" by Paul Simon.   Follow Mike on instagram @mikepostcomposer or check out his website and get the new album wherever you listen to music   @gr8songpod on twitter, instagram, and tiktok @ScottInterrante on instagram @Katherinethegr8 on instagram Theme music: "Kratos In Love" by Skylar Spence Mixing Assistance by Michael Isabella Podcast Art designed by Roger Feeley-Lussier We're now on YouTube! Like And Subscribe, as they say, @gr8songpod

This week, we present an encore of our 2016 conversation with songwriter and musician Paul Simon. Simon has been the recipient of many honors and awards including 12 Grammy Awards, three of which (“Bridge Over Troubled Water”, “Still Crazy After All These Years” and “Graceland”) were albums of the year. In 2003 he was given a Grammy Lifetime Achievement Award for his work as half of the duo Simon and Garfunkel. He is in the Rock n' Roll Hall of Fame as a member of Simon and Garfunkel and as a solo artist. He was a recipient of The Kennedy Center Honors in 2002 and was named as one of Time Magazine's “100 People Who Shape Our World” in 2006. In 2007, Mr. Simon was awarded the first annual Library of Congress Gershwin Prize for Popular Song. On June 6, 2016, Paul Simon came to the Nourse Theater in San Francisco for an on-stage conversation with Dave Eggers, after performing at the Greek Theater in Berkeley on June 3 and 4.  His album “Stranger to Stranger” had been released that same week.  Paul Simon's latest work, “Seven Psalms” came out in 2023.

What is a bridge? Songwriters will tell you it's that added piece of a pop song that takes it to another level, adds another layer of intrigue to the musical conversation, and then is gone before you know what hit you in the heartstrings. ATTT is super pumped to welcome back one of our favorite returning guests, the musical mastermind Maurice Bursztynski all the way from wintry Australia. We get into the guts of song craft and have a spirited conversation about how the sausage is made, and we play you some of the best bridges of all time. Picks 10-6 are featured in Top Ten Great Bridges Part 1. Maurice Bursztynski is always up to cool stuff! He produces/co-produces 2 majorly awesome podcasts. Listen to Love That Album and See Hear!https://podcasts.apple.com/us/podcast/love-that-album/id459559336https://podcasts.apple.com/us/podcast/see-hear/id796677164

Tarde, pero... ¿seguro? Aquí vamos con un programa grabado hace un mes, en el que comentamos Spider-Man: Across the Spider-Verse y el fallecimiento de John Romita, Sr. En este programa, PPTSSM #17 "Whatever Happened to The Iceman?" (Abr, 1978) PPTSSM #18 "My Friend, My Foe!" (May, 1978) PPTSSM #19 "Again, The Enforcers!" (May, 1978) PPTSSM #20 "Where Were You When The Lights Went Out?" (Jun, 1978) ASM #182 "The Rocket Racer's Back in Town!" (Jul, 1978) ASM #183 "...And Where The Big Wheel Stops, Nobody Knows!" (Ago, 1978) ASM #184 "White Dragon, Red Death!" (Sep, 1978) ASM #185 "Spider, Spider, Burning Bright!" (Oct, 1978) PPTSSM #21 "Still Crazy After All These Years" (Ago, 1978) PPTSSM #22 "By The Light of The Silvery Moon Knight!" (Sep, 1978) PPTSSM #23 "Guess Who's Buried in Grant's Tomb!" (Oct, 1978) En honor al 60mo. aniversario de nuestro querido héroe arácnido, decidimos juntarnos a reseñar quincenalmente su historia en cómics y seguirle hasta donde la vida nos alcance. Conducidos por un supuesto experto y un supuesto novato, estaremos leyendo y platicando este clásico run comiquero. Acompáñanos y lee con nosotros, que nunca serán demasiados cómics... FICHA COVACHA MESA: ⁠⁠⁠⁠Spider-Gámez⁠⁠⁠⁠ y ⁠⁠⁠⁠Bernardo Arteaga⁠⁠⁠⁠ INVITADO:  Francisco Espinosa GRABACIÓN: Domingo 18 de junio, 2023. EDICIÓN AUDIO & TIMESTAMPS: Bernardo Arteaga. Síguenos en⁠⁠⁠⁠ Twitter⁠⁠⁠⁠,⁠⁠⁠⁠ Facebook⁠⁠⁠⁠,⁠⁠⁠⁠ YouTube⁠⁠⁠⁠ y ⁠⁠⁠⁠Twitch⁠⁠⁠⁠ Suscríbete al Podcast: ⁠⁠⁠⁠Spotify⁠⁠⁠⁠, ⁠⁠⁠⁠Apple⁠⁠⁠⁠, ⁠⁠⁠⁠Amazon⁠⁠⁠⁠, ⁠⁠⁠⁠Google⁠⁠⁠⁠, ⁠⁠⁠⁠Anchor⁠⁠⁠⁠ Playlist Podcast Spotify: ⁠⁠⁠⁠https://open.spotify.com/playlist/7m7l2pBglOegOgjv4UKlVi?si=31dd8c8d18e54f80⁠⁠⁠⁠ Descarga Directa: ⁠⁠⁠⁠https://archive.org/details/dec-019-08-07-23-14.42 Notas del Programa: ⁠https://lacovacha.mx/podcast/desde-el-clarin-un-podcast-aracnido-19/ ⁠⁠⁠⁠Amazing Spider-Man (1964) en Marvel Unlimited⁠⁠⁠⁠ ⁠Orden de Lectura Recomendado (aunque no prometemos cumplirlo por completo)⁠ ⁠⁠⁠http://www.comicsbackissues.com/comic-book-reading-order/spider-man-read-order-chronology/#order⁠⁠⁠ Música Spiderman · Ramones  The Chrysalis Years Anthology  ℗ 1995 Parlophone Records Ltd, a Warner Music Group Company The following music was used for this media project: Operator by Mikael Hellman Free download: https://filmmusic.io/song/7972-operator License (CC BY 4.0): https://filmmusic.io/standard-license

Actor, Singer and Author Rodney Saulsberry narrates this bio feature on prolific songwriter and singer, Paul Simon. Rodney discusses the terms of Simon recently selling his entire songwriting catalog — including classics like “Bridge Over Troubled Water,” “The Sound of Silence” and “Still Crazy After All These Years” — to Sony Music Publishing, in the latest blockbuster transaction in the music publishing business. 

My last Carpenters show got wiped for some reason. Maybe the ghost of Karen?  A sound that no one will forget once they hear it. I am talking about those tight harmonies. Richard's scholarly, clever approach to harmonies often goes unnoticed, but he was quite the craftsman. What can you say about Karen? She wasn't meant to be the star. She was a black sheep. Not meant to shine. Meant to be grounded into fine dust like the Carpenter women before her.  Wikipedia: In early 1966, Karen tagged along at a late-night session in the garage studio of Los Angeles bassist Joe Osborn, and joined future Carpenters collaborator and lyricist John Bettis at a demo session where Richard was to accompany (Dan) Friberg (trumpet player and friend of Richard). Asked to sing, she performed for Osborn, who was immediately impressed with her vocal abilities. He signed Karen to his label, Magic Lamp Records, and Richard to his publishing arm, Lightup Music. The label put out a single featuring two of Richard's compositions, "Looking for Love" and "I'll Be Yours". As well as Karen's vocals, the track was backed by the Richard Carpenter Trio. The single was not a commercial success due to a lack of promotion, and the label folded the next year. Carpenters - Get Together (1969) Richard on vocals. You can sort of divine, even at this nascent stage, why Richard was not going to do many vocals from here on in.  Karen Carpenter - Jimmy Mack (1980) From the aborted solo album. Backed by Billy Joel's versatile group, these sessions were replete with fawners (of the good kind) like Joel, Paul Simon (who offered up his own "Still Crazy After All These Years"), and Peter Cetera of Chicago. One gets the feeling there was so much respect, almost a quiet but unmistakable hopefulness that she could get well, be free.  Carpenters - Crescent Noon (1970) Carpenters - Get Together (1970) From a "Your Navy Presents" radio program.  Spectrum - Crescent Noon (1966) Karen Carpenter - Midnight (1980) Carpenters - Mr. Guder (1970) Wikipedia: Richard and Bettis then were hired as musicians at a refreshment shop at Disneyland's Main Street, U.S.A. They were expected to play turn of the 20th century songs in keeping with the shop's theme. The shop's patrons had other ideas; many requested the musicians to play current popular music. When the pair tried pleasing their customers and honoring the requests, they were fired by a Disneyland supervisor, Victor Guder, for being "too radical". Bettis and Richard were unhappy about their dismissal and wrote the song "Mr. Guder" about their former superior. Karen Carpenter - My Body Keeps Changing My Mind (1980)  Carpenters - Road Ode (1972) Carpenters - B'wana She No Home (1977) I like their daring choice and also this version of the Michael Franks tune.  Karen Carpenter - Looking For Love (1966)  Carpenters - You'll Love Me (1967) Carpenters - The Rainbow Connection (Recorded in 1980, released in 1999) Richard objected to the "syllabification", notably the first verse that Kermit the Frog sings in The Muppet Movie, for whom the song was written. That original was nominated for an Academy Award. So while they dutifully trudged on, Karen wasn't pleased with the outcome and the recording was not released in her lifetime.  Carpenters - One Fine Day (1973)  Carpenters - Piano Picker (1972) Your Wonderful Parade (1969) Carpenters - California Dreamin' (1967/1999) Richard Carpenter via Obscure Media: From Joe's Studio, circa 1967. This is the one tape, 4-track or otherwise, that survives, as, for some reason, Joe gave it to me. Even though the most important ingredient on tape, the lead, is on its own track, the bass, piano, drums and string machine were all bounced to another track, leaving two open…for what, I can't remember. As a result, in 1999, we transferred the 4-track to 48-track and re-did everything, including a reproduction of my original electric piano solo. I finally got around to putting real strings on the track instead of those on the Chamberlain Music Master that was on the demo. This is one of my favorite tracks on this collection. Karen, at 17, is a marvel. I especially like the way she jumps an octave, from chest voice, to head voice on the letter (and note) "A" in the opening and then seamlessly back to chest on "Dreamin'". There is some electronic noise on the lead track, we don't know why. And I realize now and I should have then, that we have an incorrect word in the second verse: "began to pray" should be "pretend to pray". Karen Carpenter - I'll Be Yours (1966) Carpenters - Morinaga Hi-Crown Chocolate Commercial (1975?) Morinaga was/is a Japanese candy company. Hi-Crown Chocolate was, as far as I can tell, a way to market sweet, sweet nicotine to kids: From the Morinaga website: CANDY FIT FOR AN EMPEROR 1964 - Hi‐Crown chocolate debuts, and becomes a major hit from one end of Japan to the other. This was the start of a long string of hit Morinaga candies -- including you-know-what. [ed: I don't.] The Morinaga Group's Corporate Philosophy The Morinaga Group's Corporate Philosophy is composed of Our Mission, Our Visions, and Our Commitments. Our Mission states how the Group will contribute to society, and Our Visions comprise the five visions that we will pursue toward the future. Our Commitments represent the values that we have developed during more than 100-year history since the founding of the Group and will continue to uphold as our firm belief for many more years to come. To describe the essence of our Corporate Philosophy in one word, it is “Delicious, Fun, and Healthy.” Carpenters - Tryin' To Get The Feeling Again (1975/1995) It would have appeared on the Horizon album but Richard decreed that the album already had too many ballads. This was recorded before the version we all know by Barry Manilow. I love her version. So weary. So deep and sad. This should have been released.  The Richard Carpenter Trio - Every Little Thing (1966)  Carpenters - Suntory Pop Jingle #1 (1977)   

David and special guest co-host, Andrew, sit down to discuss Paul Simon's classic, "Still Crazy After All These Years"

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Rory Cooper. He's a partner at Purple Strategies, a corporate reputation and advocacy agency in Alexandria, Va., a former George W. Bush and Eric Cantor aide, and a longtime Republican strategist. He's on Twitter at @rorycooper.Rory's Music Pick: Paul SimonHere comes rhymin' Simon, right onto his own edition of Political Beats. This is the rare episode in which neither of your two esteemed hosts were intimately familiar with the artist's music before preparations began for the show. Thankfully, Rory Cooper is here to fill in our blanks and guide us through Simon's career.We begin with an overview of Simon's partnership with Art Garfunkel (though the music itself largely will wait for a specific S&G episode) before the break-up which led to the self-titled solo debut (Ok, Ok, there was a Paul Simon album in 1965, but that really belongs to the S&G story) , an album that immediately engages the listener and highlights the artist's firm grasp an the American musical songbook.As Jeff points out early in the show, Simon's music is largely about rhythm and finding different places and sources to get that rhythm. His second effort, There Goes Rhymin' Simon, features one of the best and purest slices of '70s pop in “Kodachrome”. Following a Grammy Award for Album of the Year for Still Crazy After All These Years, Simon took five years off before returning to mixed results, though Jeff makes the case for Hearts and Bones as a minor classic. Simon's career renaissance would come via a cassette handed to him by an artist he was supposed to be helping. Instead, he fell in love with the music and stole/borrowed the idea to compose and record an album inspired by the sounds. This would be Graceland, a miracle of an album that still holds up well today. Yes, we discuss the circumstances surrounding the recording, the accusations of “cultural appropriation,” and much more.That album served as a template for much of the rest of his career (though the less said about Songs From The Capeman the better). Simon continued producing quality albums every five years or so with a handful of gems and no real embarrassments up until what appears to be his final new studio album in 2016, Stranger to Stranger.Hop on the bus, Gus, and come along for the ride. There is a need to discuss much about Paul Simon on Political Beats.

In 1975, Paul Simon released his fourth solo album. The title track, “Still Crazy After All These Years,” was inspired while Simon was going through a rocky period in his life the year before, and it ended up being a song that so perfectly speaks to working through the beginnings and the endings of life that it has been heralded as the “Auld Lang Syne” of popular music. From when he first shared the song while he was still in the process of writing it on the Dick Cavett show, to his famous performance of it on Saturday Night Live dressed in a turkey costume, find out the backstory of this tune by one of music's most masterful writers in the new episode of the Behind The Song podcast. Watch the video episode on the Behind The Song Youtube channel: https://bit.ly/2DBF4wJ

Simon y Garfunkel fue, y es, un grupo mítico. Ya lo hemos visto en este programa. Pero en 1970, cuando disfrutaban de las mieles del éxito, acababan de lanzar su famoso “Puente sobre aguas turbulentas”, el dúo se separó. Una pena, pero la vida sigue y Simon emprendió, en solitario, su exitosa carrera. Una carrera que le ha consolidado como uno de los mejores cantautores de la historia de la música pop, ocupando en esta subjetiva lista el octavo lugar, según la revista Rolling Stone. Tras algunas grabaciones sin repercusión especial y algún reencuentro puntual con su viejo amigo Garfunkel, en diciembre de 1975 editó su nuevo LP, titulado Still Crazy After All These Years, “Todavía loco después de todos estos años”, en el que contó con los mejores músicos de sesión del momento y que está profundamente impregnado de una pátina de jazz. Las letras, salvo algunas incursiones en el genocidio judío o el béisbol, están repletas de sensaciones encontradas que le ocasionaban la dura experiencia de su reciente divorcio. El álbum fue un gran éxito, llegando a n.º 1 y vendiendo más de un millón de ejemplares. Una de las canciones más famosas de este disco es 50 Ways To Leave Your Lover, “50 maneras de dejar a tu amante”. 50 Ways to leave your lover CD 1, Corte 06 Otro éxito de este LP fue la canción que da título al álbum, Still Crazy After All These Years, “Todavía loco después de todos estos años”. Esta canción ha sido muy versionada: Rosemary Clooney, Ray Charles, Karen Carpenter y Willie Nelson, que incluyó su versión en la película Vaqueros del espacio, del 2000. Still crazy after all these years CD 1, Corte 19 Cuando su popularidad comenzó a disminuir, Simon se subió al carro de la música étnica, un género emergente en ese momento. En una visita a Sudáfrica, conoció a muchos músicos locales con los que hizo Graceland (1986), una exquisita fusión de su propia sofisticada poesía de conciencia con el du-duá de la Sudáfrica negra y la música coral zulú. Aunque algunos lo acusaron de robo cultural, es decir, la apropiación y explotación de la música de otra cultura, el álbum fue uno de los más comercialmente exitosos y aclamado por la crítica y ayudó a poner la música sudafricana en el escenario mundial. Esto es Graceland, la canción que da título al disco. Graceland CD 2, Corte 01 Simon realizó un viaje similar a Brasil para grabar Rhythm of the Saints (1990), una fusión aún más densa (y algo menos popular) de percusión de origen africano con el folk rock estadounidense. Sus letras, un poco extravagantes, debían mucho al poeta caribeño ganador del Premio Nobel, Derek Walcott. Walcott colaboró con Simon en The Capeman, el primer musical de Broadway de Simon, que se estrenó en enero de 1998 y que resultó ser un fracaso de crítica y publico. Esta basado en un famoso asesinato ocurrido en Nueva York en 1959 en el que estaba implicada una pandilla puertorriqueña. Con música de Simon, Walcott colaboró en las letras. La obra ponía en escena la música callejera de Nueva York, la música que le había inspirado y con la que quería poner de manifiesto la contribución de los hispanos al pop urbano. No fue suficiente. El espectáculo se estrenó en el Teatro Marqués el 29 de enero de 1998, y tuvo unas críticas malísimas. El espectáculo duró 68 representaciones. Vamos a escuchar dos de las canciones del espectáculo. Adiós hermanos, en castellano en el original, es la primera. Adiós hermanos CD 2, Corte 10 Esta es otra canción del fallido espectáculo. Born in Puerto Rico, escuchadla atentamente por que no tiene desperdicio. Born in Puerto Rico CD 2, Corte 11 Afortunadamente para Simon, no todo eran desgracias. Graceland seguía dándole satisfacciones. El sencillo You can call me al llega a lo más alto de las listas, gracias también al videoclip promocional en el que intervino Chevy Chase, el famoso cómico estadounidense. Pero vuelven los problemas, la ONU, nada menos, le declara persona non grata y lo incluyen en sus listas negras por haber roto el boicot impuesto a Sudafrica al contratar músicos de esta nacionalidad en el álbum y haber grabado parte del mismo allí. Finalmente, al ser evidente que lo único que había hecho era dar cara y ojos a un buen número de músicos negros del pais y poner en el mundo la música y la cultura sudafricana, en 1987 Paul Simón dejó de estar en las listas negras y en febrero de ese año comienza en Róterdam el Graceland Tour, auténtico fenómeno de masas universal que llevaría a Simon a recorrer durante dos años todo el mundo. Este año, Graceland obtiene el Grammy al mejor disco del año. You can call me al CD 2, Corte 04 En 1999, Simon se unió a Bob Dylan para una gira de verano en los Estados Unidos. La serie de conciertos, que puso fin a los ocho años de ausencia de Simon de los escenarios, marcó la primera vez que los dos artistas trabajaron formalmente juntos. Más tarde, ses mismo año, continuó una gira en solitario. You’re the one, “Tú eres el único”, es el décimo álbum de estudio en solitario de Paul Simon y fue editado en el año 2000. Este trabajo fue nominado para un Premio Grammy al Álbum del año en 2001. Con esta nominación, Simon se convirtió en el primer artista que conseguía ser elegido en cinco décadas consecutivas (1960-2000). Solamente Paul McCartney consiguió igualar esta marca en el año 2006. De este álbum es Darling Lorraine, “Querida Lorraine”. Darling Lorraine CD 2, Corte 13 So beautiful or so what, “Tan hermoso o tan qué”, es su duodécimo álbum de estudio. Simon, que ya se había experimentado con ritmos y melodias étnicas, volvió a componer canciones de una manera más tradicional, o sea, solo con su guitarra acústica. Aunque, bueno, en el estudio su productor Phil Ramone, las editó a su gusto. Según sus propias palabras “La música de So beautiful or so what se inspiró en el blues de África Occidental, combinado con tambores indios y armonías bluegrass”. Otra de las características de este trabajo son los simbolismos religiosos bastante evidentes en las letras de Simon y, aunque el autor no tenía ningún objetivo a priori sobre el tema, lo cierto es que, “las letras me fueron llevando a este resultado sin que yo tuviera nada que ver… o si”. En cualquier caso, el disco fue recibido con una aclamación generalizada por la crítica. Vamos a escuchar el tema que da nombre al disco, So beautiful or so what. So beautiful or so what Bueno pues… esto ha sido todo por hoy. Nos ha quedado claro que, si bien Garfunkel tiene una voz preciosa, el talento y la música la tiene Simon. Nos escuchamos en el próximo programa, aquí, en Sienteloconoido.caster.fm, tendremos más música, más músicos y más historias. Hasta entonces, … ¡¡¡Buenas vibraciones!!!.

The Sue Morgan Podcast Episode 52 - Still Crazy After All These Years 250921 by Random audio from UK broadcaster Ian Watko Watkins

Feeling a little energetic tonight! A few quotes made their way in; Still Crazy After All These Years, something from Jesus Christ, Superstar, Dream On (Aerosmith), probably others of which I'm unaware. Had a good group of in-person folks tonight. Feels so good!

In this episode, Anna, Mav, Andrew, and their special guest, romance comics expert Sydney Heifler (@romancecomicbks), discuss Excalibur #4, "Still Crazy After All These Years." We barely talk about Murderworld, but we do talk super-smooches, super-styles, super-symbolism, super-shapeshifting (that's definitely not Freudian at all), and why it's super important not to tickle people without their consent (looking at you, Kurt).

No Cultural Authority

Cada vez más identificados con la causa "setentera", esta semana nos centramos en el espíritu de grandes bandas y artistas curtidos en la distancia corta en imprescindibles y reducidas salas de conciertos y tugurios de mala reputación. Cultura diaria, pese a quien pese. Suenan: FRANKIE MILLER - "A FOOL" ("HIGH LIFE", 1974) / ALLEN TOUSSAINT - "CRUEL WAY TO GO DOWN" ("SOUTHERN NIGHTS", 1975) / LITTLE FEAT - "ROCK AND ROLL DOCTOR" ("FEATS DON'T FAIL ME NOW", 1974) / BADGER - "LISTEN TO ME" ("WHITE LADY", 1974) / STEELY DAN - "BAD SNEAKERS" - ("KATY LIED", 1975) / PAUL SIMON - "YOU'RE KIND" ("STILL CRAZY AFTER ALL THESE YEARS", 1975) / TRAVIS, SHOOK AND THE CLUB WOW - "IT'S NOT TOO LATE" ("THE ESSENTIAL TRAVIS, SHOOK AND THE CLUB WOW", 1974) / NRBQ - "THINGS TO YOU" ("ALL HOPPED UP", 1977) / DAN HICKS & HIS HOT LICKS - "IT'S NOT MY TIME TO GO" ("LAST TRAIN TO HICKSVILLE", 1973) / CHILLI WILLI & THE RED HOT PEPPERS - "9-5 SONGWRITING MAN" ("BONGOS OVER BALHAM", 1974) / BEES MAKE HONEY - "KNEE TREMBLER" ("MUSIC EVERY NIGHT", 1973) / BRINSLEY SCHWARZ - "THE UGLY THINGS" ("THE NEW FAVOURITES OF BRINSLEY SCHWARZ", 1974) / ACE - "SO SORRY BABY" ("FIVE-A-SIDE", 1974) / Escuchar audio

Felt a little off tonight, but I know better than to judge it while it's happening! The humidity is making some notes stick and I have a squeak in the pedal, so I may have just been distracted. In any case, tonight music went pretty mellow for the most part. A few quotes worked their way in; "Still Crazy After All These Years", and some camp song about the Titanic going down. Go figure...

This week, Wayne brings us Equinox, the fifth studio album by Styx. This would be their first album for A&M Records and their last album with guitarist John Curulewski. He would be replaced by guitarist and singer Tommy Shaw on their next release, “The Grand Illusion,” at which point Styx would take the form which most of us remember as one of the groups that make up the soundtrack of our childhood. Equinox would only go to #58 on the album charts, but would see a resurgence with the release of The Grand Illusion in 1977. Midnight Ride James "JY" Young takes the vocal duties on this track, also written by Young. It is a fast, rocking song about a one-night stand with a groupie. Lorelai This track is the biggest hit from the album and features the vocals of both James Young and the distinctive sound of Dennis DeYoung. The name of the album was from a brainstorming session, and “Equinox” was the only name that everyone didn't hate. Lorelai was the name of a water fairy. Prelude 12 This song is performed and written by John Curulewski. This instrumental on a 12-string guitar is the prelude to Suite Madame Blue, and is often missed when that song is played on the radio or Spotify. Suite Madame Blue This well-known epic was written for the US Bicentennial. Wistful yet positive despite its minor key, the song calls for reflection and responsibility. The song was done in one day. ENTERTAINMENT TRACK: Theme from "Laverne and Shirley" This television series spin-off from "Happy Days" would debut in January on ABC. STAFF PICKS: “Dream On” by Aerosmith There is no mistaking the opening riff from this epic pick by Brian. It was originally released in 1973, but had its album re-release in December 1975 and was marching up the charts in January. Steven Tyler was not originally comfortable singing in the higher octaves, but fortunately overcame that fear. “Island Girl” by Elton Jon Rob's staff pick was #1 for three weeks, and was the first single from the album "Rock of the Westies." Kiki Dee is on background vocals on this Caribbean-influenced hit. “50 Ways to Leave Your Lover” by Paul Simon Bruce's staff pick is the second single off Simon's album "Still Crazy After All These Years." This is Simon's sole #1 hit as a solo artist. “Tower” by Angel Wayne cranks things back up with his staff pick from a group discovered by Gene Simmons of Kiss. Angel had a prog rock vibe and dressed in all white during their performances. "Tower" is a medieval themed track. LAUGH TRACK: “Convoy” CW McCall We finish off this episode with this ode to the CB radio. Citizens Band was pretty much the social media app of the 70's.

Martin sits down with Flagpole Radio Cafe Shakespeare Repertory Theater member, Kate Katcher, to chat about her time on Broadway in the cast of "Fiddler on the Roof," the history of playwriting, and getting younger generations interested in theater. For more information about the "Still Crazy After All These Years" 1-Act Play Festival June 7-9th, 2019 www.straykatstheatrecompany.com. Tickets and Information about our next live show: www.flagpoleproductions.org - Produced/Directed by Martin Blanco and Barbara Gaines. FRC Podcast Produced/Directed by M.T. Independent Productions mtindependent.productions@gmail.com 

durée : 00:58:40 - "I Do It For Your Love" de Paul Simon - par : Laurent Valero - This song is by Paul Simon and appears on the album "Still Crazy After All These Years" (1975) - réalisé par : Patrick Lérisset

Dregin eru fram nokkur lög þar sem sungið er um aldur og mismunandi tímaskeið. Meðal laga eru It Was A Good Year, Still Crazy After All These Years, Forever Young, 100 Years, Young At Heart, Grow Old With Me, When I'm Sixty Four, When I'm 65 og Góða ferð heim.

Dregin eru fram nokkur lög þar sem sungið er um aldur og mismunandi tímaskeið. Meðal laga eru It Was A Good Year, Still Crazy After All These Years, Forever Young, 100 Years, Young At Heart, Grow Old With Me, When I'm Sixty Four, When I'm 65 og Góða ferð heim.

Dregin eru fram nokkur lög þar sem sungið er um aldur og mismunandi tímaskeið. Meðal laga eru It Was A Good Year, Still Crazy After All These Years, Forever Young, 100 Years, Young At Heart, Grow Old With Me, When I'm Sixty Four, When I'm 65 og Góða ferð heim.

Dregin eru fram nokkur lög þar sem sungið er um aldur og mismunandi tímaskeið. Meðal laga eru It Was A Good Year, Still Crazy After All These Years, Forever Young, 100 Years, Young At Heart, Grow Old With Me, When I'm Sixty Four, When I'm 65 og Góða ferð heim.

After his split with Art Garfunkel, it would take Paul Simon three solo albums before he reached the top spot with "Still Crazy After All These Years," released on this date, October 25, 1975. Allan looks back in today's Classic Rock Calendar... Image: Landmark / PR Photos

From the publisher: For more than fifty years, Paul Simon has spoken to us in songs about alienation, doubt, resilience, and empathy in ways that have established him as one of the most beloved artists in American pop music history. Songs like “The Sound of Silence,” “Bridge Over Troubled Water,” “Still Crazy After All These Years,” and “Graceland” have moved beyond the sales charts and into our cultural consciousness. But Simon is a deeply private person who has resisted speaking to us outside of his music. He has said he will not write an autobiography or memoir, and he has refused to talk to previous biographers. Finally, Simon has opened up—for more than one hundred hours of interviews—to Robert Hilburn, whose biography of Johnny Cash was named by Michiko Kakutani of the New York Times as one of her ten favorite books of 2013. The result is a landmark book that will take its place as the defining biography of one of America’s greatest artists. Over the past three years, Hilburn has conducted in-depth interviews with scores of Paul Simon’s friends, family, colleagues, and others—including ex-wives Carrie Fisher and Peggy Harper, who spoke for the first time—and even penetrated the inner circle of Simon’s long-reclusive muse, Kathy Chitty. The result is a deeply human account of the challenges and sacrifices of a life in music at the highest level. In the process, Hilburn documents Simon’s search for artistry and his constant struggle to protect that artistry against distractions—fame, marriage, divorce, drugs, record company interference, rejection, and insecurity—that have derailed so many great pop figures. Martin’s interview with Robert Hilburn was recorded on June 18, 2018.

For more than fifty years, Paul Simon has spoken to us in songs about alienation, doubt, resilience, and empathy in ways that have established him as one of the most beloved artists in American pop music history. Songs like “The Sound of Silence,” “Bridge Over Troubled Water,” “Still Crazy After All These Years,” and “Graceland” have moved beyond the sales charts and into our cultural consciousness. But Simon is a deeply private person who has resisted speaking to us outside of his music. He has said he will not write an autobiography or memoir, and he has refused to talk to previous biographers. Finally, Simon has opened up—for more than one hundred hours of interviews—to Robert Hilburn, whose biography of Johnny Cash was named by Michiko Kakutani of the New York Times as one of her ten favorite books of 2013. The result is a landmark book that will take its place as the defining biography of one of America’s greatest artists Join Shelley and Christian as they dive into this amazing book and make sure you listen to our companion show, 'Deeper Digs in Rock: Robert Hilburn on Paul Simon' where the former LA Times music critic shares some incredible tales. 'Paul Simon: The Life' was published by Simon & Schuster on May 8, 2018 Disclaimer: The views expressed here by Shelley Sorenson are made in her capacity as a private citizen, and do not necessarily reflect the views of the San Francisco Public Library or the City of San Francisco.

For more than fifty years, Paul Simon has spoken to us in songs about alienation, doubt, resilience, and empathy in ways that have established him as one of the most beloved artists in American pop music history. Songs like “The Sound of Silence,” “Bridge Over Troubled Water,” “Still Crazy After All These Years,” and “Graceland” have moved beyond the sales charts and into our cultural consciousness. But Simon is a deeply private person who has resisted speaking to us outside of his music. He has said he will not write an autobiography or memoir, and he has refused to talk to previous biographers. Finally, Simon has opened up—for more than one hundred hours of interviews—to Robert Hilburn, whose biography of Johnny Cash was named by Michiko Kakutani of the New York Times as one of her ten favorite books of 2013. The result is a landmark book that will take its place as the defining biography of one of America’s greatest artists Join Shelley and Christian as they dive into this amazing book and make sure you listen to our companion show, 'Deeper Digs in Rock: Robert Hilburn on Paul Simon' where the former LA Times music critic shares some incredible tales. 'Paul Simon: The Life' was published by Simon & Schuster on May 8, 2018 Support the shows by wearing cool rock n roll gear from TeePublic: https://www.teepublic.com/stores/rocknroll  Disclaimer: The views expressed here by Shelley Sorenson are made in her capacity as a private citizen, and do not necessarily reflect the views of the San Francisco Public Library or the City of San Francisco. Call us at 650-822-ROCK or email at: info@rocknrollarchaeology.com

Robert chooses Beethoven's Opus 131 and Still Crazy After All These Years by Paul Simon.

Presented by Aasmah Mir and the Rev. Richard Coles. Andy Hamilton earned his comedy stripes at Cambridge, in the university's Light Entertainment Society, and has written and performed for a number of radio and television programmes from I'm Sorry I Haven't A Clue and Drop the Dead Donkey, to QI, to Old Harry's Game, and the award winning Outnumbered. He discusses how he manages change. Delia El-Hosayny recalls her 30 years as a bouncer, during which time such was stabbed, shot at and delivered a baby in a nightclub toilet. Saturday Live listener John Simmons shares his family story. His parents temporarily 'adopted', Jesus, a child refugee from the Spanish Civil War. John later researched the story of the 4,000 children who came to the UK from Spain and found out what happened to Jesus and his sister when they returned home. JP Devlin meets Ricky Valance - the 1960s star from a Welsh mining community who had a No.1 hit with the song Tell Laura I Love Her. Historian Dr. Laura King describes her latest work around objects and testimony from families and various communities in Leeds, which has culminated in the exhibition Remembrance. And Robert Peston chooses his Inheritance Tracks: Beethoven's Opus 131, and Still Crazy After All These Years by Paul Simon. Andy Hamilton's tour Change Management runs from 21 May - 10 June. Spanish Crossings by John Simmons, is out now in paperback. Remembrance runs at the Abbey House museum in Leeds until December 2018. Robert Peston's book WTF is published by Hodder.

Bienvenidos al episodio número 36 de Mi Gato Dinamita, el podcast que todo lo festeja con enanos. Duración total: 1:40:48.0:00:01-0:02:59 - Música: "Feliz Cumpleaños", por Emilio Arvelo.0:03:00-0:04:47 - Susanette y Guille nos dan la bienvenida con un muy especial saludo de cumpleaños para Entintado.0:04:48-0:08:25 - Música: "Here Comes The Sun", por The Beatles.0:08:26-0:17:04 - Mientras espera a Cenicienta, Guille no puede pensar en otra cosa que no sea la picada. Susanette cuenta cosas de sus gatos, su mamá y su cama.0:17:05-0:20:29 - Música: "Still Crazy After All These Years", por Paul Simon.0:20:30-0:25:34 - Guille al fin arranca con la picada mientras la licenciada Susanette lo analiza. Por alguna extraña razón hay piedras involucradas en la sesión.0:25:35-0:28:40 - Música: "Te Amo", por Franco De Vita.0:28:41-0:31:45 - Sigue el análisis pedregoso, que no tiene nada que ver con la geología. Guille sigue dando buena cuenta de la picada.0:31:46-0:35:23 - Música: "Pink Bullets", por The Shins.0:35:24-0:39:27 - Entintado habla de gatos longevos.0:39:28-0:41:59 - Música: "A Hazy Shade of Winter", original de Simon & Garfunkel, por The Bangles.0:42:00-0:58:57 - Al fin llega Cenicienta al festejo, quien ríe y canta rodeada de pajarillos, ratoncillos y acusaciones de prostitución y tráfico de enanos contra Blancanieves. Es todo el cuento de hadas más sórdido que puedan imaginar. Un teléfono interrumpe.0:58:58-1:08:28 - Música: "For The Time Being", por Erlend Øye (Hernán Cattaneo remix)1:08:29-1:20:40 - Aparece nuestro amigo Horacio al festejo y queda prendado de Cenicienta. Hay sospechas sobre la calle Charcas. Susanette llora, Cenicienta habla en inglés.1:20:41-1:24:49 - Música: "Pretty (Ugly Before)", por Elliott Smith.1:24:50-1:29:33 - Cenicienta insiste en que Entintado quiere fiesta. Hay más invitados internacionales al festejo.1:29:34-1:33:54 - Música: "Like a Hurricane", original de Neil Young, por Adam Sandler.1:33:55-1:37:34 - El grupo se despide discutiendo, como corresponde, vida y familia de Judd Apatow.1:37:35-1:40:48 - "Fiesta", por Raffaella Carrà.Ilustramos este episodio con imágenes alusivas: la picada; el pastel de cumpleaños de Entintado; Steve Jobs; Sandler y Rogen; la familia Apatow; Seth Rogen; Cream Puff; Corduroy; y Harvey Keitel y Robert De Niro en "Taxi Driver". Como siempre, podés disfrutar de este episodio online con el reproductor de acá arriba, bajártelo en formato .mp3 haciendo clic en donde dice "Download" o escucharlo en SoundCloud. Si querés suscribirte a este podcast con tu aplicación favorita, buscanos en iTunes o usá nuestro feed RSS.

Time for some shameless pandering - at least towards generation X'ers and continuing residents of the Midwest. Pop songs - some of them have sax solos. Mike and Pat discuss - and discuss. Walk on the Wild Side; Shine On You Crazy Diamond; Aja; Waiting on a Friend; Baker Street; Just the Way You Are; Logical Song; Old and Wise; Still Crazy After All These Years; Maneater; Modern Love;Your Latest Trick; Brass Monkey; Edge of Glory; Get It Right; Talk Dirty to Me; Problem.