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A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

The Andy Riesmeyer Show Hour 3 (7.8) Andy kicks things off with a comedy inception — doing his impression of Tim Conway Jr. doing his impression of Jay Leno — before diving into “untouchable” stories, those heartfelt works of art made in memory of a lost loved one that you just can’t criticize even if they suck. Crozier proudly reps his lifelong Clippers fandom (complete with the full wardrobe) and is loving that the Lakers are struggling now that LeBron is out of the picture — but we can all agree the Dallas Cowboy cheerleaders can still get it. In wild news, a group of teens in Northern California were caught shooting guns out of a Waymo, but the AI alerted police, the car was remotely disabled with a fake “mechanical issue” excuse, and five officers were waiting when it stopped. Andy, a proud Hoosier who once couldn’t wait to escape Indiana, now watches his hometown rank as one of the best places to live in America 15 years later. And parents online are cheering a fed-up dad who finally snapped and chucked his annoying teenage son’s Nintendo Switch out the car window.See omnystudio.com/listener for privacy information.

This week is all about Teen sensation, MAXIE!

Nos reunimos para hablar de Dandadan, Nosferatu, Batman Caped Crusader, 2XKO y numeros del EVO. Disco recomendado Teen Dream de Beach House. Luego hablamos de nuestras impresiones finales de la temporada de Primavera 2024.

A forensic analysis of Britney's memoir is top of the agenda this week, as The Woman In Me's many bombshell revelations make headlines everywhere.  From childhood she was constantly sexualised by the media and after releasing her hit single Baby One More Time in 1998, aged just 16, the world was divided over what she represented: good American role model or dangerously bad influence? We look at how a toxic media and dated purity culture obsessed and shamed Britney over whether she was a virgin, a grotesque prurience Justin Timberlake himself took horrible advantage of via the calculatedly misogynistic media campaign for his own debut album. We trawl back through some of the most shocking Britney interviews from the lads mags of the late 90s, using our own experiences at mens' magazines to analyse journalistic motivations and Britney's own agency. Plus: that now infamous Diane Sawyer interview, and how women journalists were complicit too. We also discuss everything from the current media narrative around Britney's devastating abortion revelation to whether this memoir will calm or fuel the ongoing media circus. Please let us know your thoughts on the episode by sending us a DM @straightuppod on Insta, we love to hear from you!  Thanks so much to our brilliant partners for this ep: London Nootropics, our fave adaptogenic coffee that naturally actually boosts mental clarity and physical energy, while also easing anxiety, all without any of coffee's usual jitters. We are obsessed and you will be too! Get 20% OFF YOUR BOX  with the DISCOUNT CODE straightup at ⁠⁠londonnootropics.com⁠⁠ Yonder, the super cool lifestyle credit card that's ideal for London Huns who want to get huge discounts and freebies across food, drink, and fitness. Every point you spend is then redeemable against amazing experiences in the capital, from top restaurants to the swankiest gym classes incl Boomcycle and Kobox this month! Sign up today at ⁠⁠yondercard.com

Body horror meets the teen melodrama of pulp romance comics in Charles Burns' BLACK HOLE, in which a mysterious body-mutating STD affecting only teenagers surfaces in the 1970s. --- Follow us on Instagram at https://www.instagram.com/theveryfinecomicbookpodcast/ and send us questions to potentially read on-air via IG DM or via email at theveryfinecomicbookpodcast@gmail.com If you're enjoying The Very Fine Comic Book Podcast, don't forget to Rate it, Follow/Subscribe, and tell a friend! Our 5-star-review contest runs through the end of September 2023! Mail us things c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada Thanks for listening! Keep reading comics! --- closing song "Teen Dream" by Marty Topps featuring Jackie Pirico: https://www.youtube.com/watch?v=Bc_6jABQ0bE https://martytopps.bandcamp.com/track/teen-dream

In every way imaginable, this "Naked Lunch" is a moving feast -- and a hilarious one, too. Teen sensation turned successful TV writer/producer Shaun Cassidy gets caught in traffic, and so thus this fun and freewheeling conversation begins with Shaun on the road. Phil, David and Shaun retrace Cassidy's remarkable life and career thus far, from growing up a Hollywood "nepo baby," the son of Oscar-winning legend Shirley Jones and actor Jack Cassidy, as well as the half-brother of David Cassidy, to becoming a stadium-packing "Teen Dream" with big pop hits like "Da Doo Ron Ron," "That's Rock 'n' Roll" and "Hey Deanie," to creating TV shows like "American Gothic," "Roar" and writing in recent years on the popular medical drama, "New Amsterdam." All this, plus Shaun tells a hugely funny story about Andy Warhol and how Oprah Winfrey and his wife Tracey helped set the stage for Shaun to return to the road after three decades for his acclaimed current touring show "The Magic of the Midnight Sky." Shaun also answers a star question sent by Kim Williams Paisley who helped set up this "Lunch," as well as taking a fan call from Monica's younger sister Jennifer Horan. Find more about Shaun at https://www.shauncassidy.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

Morgan joins Caitlin to cover 1999's Jawbreaker, a campy classic that paved the way for many a movie about treacherous friendships between girls. It's funny, highly stylized, has a stacked cast, and pays homage to icons that came before it, including Queen Carrie White. Tangents include: bridesmaid dresses, exclamations and vocal stims, sneezes, hiccups, dream jobs, and under-boob sweat. Be sure to check out Morgan's CandleCore shop, and come see us at the Good For Her screening series! Richmond is the spot for feminist horror. 

Thank you Author Lisa Lin for joining us in today's episode! You can find Lisa's website here. Learn more about The Year of Cecily and The Rachel Experiment here. Get your copy of The Rachel Experiment here.   Make sure you subscribe to Sarah on Youtube here. A few of Sarah's recent Youtube videos: Harlequin Anticipated Reads June on the Range Weekly TBR   Patreon page is linked here ♡♡If you enjoyed today's episode and listen via Apple Podcast, please consider rating and leaving the podcast a review. This is the easiest way to support us and will help other Category Romance readers find us ♡ For a list of all the places where you can find the podcast along with where you can find us on social media, click herefor our linktree! Our Email is thecategoricallyromancepod@gmail.com ♡ This podcast is engineered by Sincere Alexander and contains music from Lukrembo

Teen years are a fraught time full of dating, break-ups, hormones, and...coupons? TCB has found the Teenage Coupon King of Ohio, and honestly, he needs to relax. We've got a new King! The next logical step for Harry is to air his grievances on TCB! Tipping has gone too far Only tip badly behind Bryan's back! We're in a strange economic time Extreme Couponers Just so everyone knows, Bryan isn't watching this in prime time TCB: The Coupon Break The Teenage Coupon King 90% savings He's going to school, working two part time jobs, and spending 12 hours couponing This sounds like an Ask TCB... The seven layer dip from hell intense music for couponing Have they heard of Costco? Bryan and Krissy are upset about the Kleenex! We are concerned about Cole 50 bologna! He's getting paid to shop Could this be a TCB scam? LINKS: Send us show ideas, comments, questions or concerns by texting us or leaving a voicemail at: 1.855.TCB.8383 Speak to TCB LIVE by calling 775.TCB.LIVE (1.775.822.5483) Tuesday-Thursday 12pm-5pm EST Watch TCB on YouTube Creator: Bryan Green Co-Host: Bryan Green Co-Host: Krissy Hoadley Written By: Bryan Green Exec Producers: Bryan Green & Krissy Hoadley Content Production & Research: Tina Khano YouTube Producer & Editor: Morgan Please Audio Editing: Christina A. Executive Director: Astrid B. Associate Producer: Gustavo Episodic Contribution: Marianne, Diane, Natalie, Will The Champ, Will D** Learn more about your ad choices. Visit podcastchoices.com/adchoices

You're invited to Kristin's hotel room in Yorba Linda, CA (but really) for our immediate — and first — conversation following our Teen Dream dinner with Kristy McNichol, Jimmy McNichol, Christopher Atkins, Greg Evigan, Wesley Eure, and Kathy Coleman! It's an excited jumble of moments and stories from the night when our brains were still foggy and reeling. And then stick around for another round a week later, when even MORE stories come out. Who does Kristy tell us really won that hotly debated obstacle course race in Battle Of The Network Stars? Which celebs did Michelle introduce to each other? Who walked out arm in arm with Kristin? And whose digits does Carolyn now have IN HER PHONE? It's an after dinner dish that's waaaay better than dessert!Follow us on Instagram, Facebook, Twitter, TikTok and YouTubeBecome a PCPS supporter on Patreon. Check out all the perks you get here.Help the PCPS keep on truckin' by making a donation here.Subscribe to the PCPS email newsletter “Weekly Reader” here

15-year-old Sloane knows a lot about the NBA, but does she know more than than Candace Parker, the two-time WNBA champion and MVP? Candace Parker is a two-time WNBA champion and 2008 MVP and Rookie of the Year. She is considered one of the greatest players of all time and is currently talking NBA on TNT and playing for the Las Vegas Aces. "Never underestimate the power of the grind. I respect the grind and I think that's what it takes to be successful." - Candace Parker Candace Parker was already a star athlete at 15, playing basketball and dreaming of reaching the WNBA. She was a normal kid with unique talent, wearing braces, watching Sister Sister, and dreaming of the big stage. Years later, after winning a championship and MVP award, Candace reflects on her memorable plays and calls. In this episode, you will learn the following: 1. What was it like for Candace Parker when she was 15 years old and one of the best basketball players in the world? 2. Who would win in a NBA/WNBA mixed doubles match with Candace Parker as one of the players? 3. What is the most memorable play and call of Candace Parker's career? And of course.....What takes does she have that are hotter than Kelly Oubre Jr? Connect with me: Instagram Youtube and TikTok!!!! To see more from the interview and behind-the-scenes fun! Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever eaten a candy and thought, "Hey they should make a movie about this candy"? Well then this episode is for you! This week, Katie and Brad rewatch the 1999 film, Jawbreaker. Starring Rose McGowan, Julie Benz, Rebecca Gayheart, and Judy Greer, Jawbreaker follows four teen girls as they deal with the fallout after accidentally killing their best friend. Will Jawbreaker hit all those sweet spots? Or is the movie just too tough to bite? Find out in this week's episode of Well...I Liked It!

Our second Round 3 film, Jawbreaker, was requested by our friend and Office Space guest Jenn Tisdale. Jawbreaker was released in theatres on February 19th, making it one of the earliest 1999 films we've covered to date. The sophomore feature from writer Darren Stein, Jawbreaker is a John Waters-esque psychedelic high school satire. The 171st-highest grossing movie of the year, it earned 3.1 million on a 3.5 million dollar budget and was a complete failure with critics, holding just a 14% Rotten Tomatoes score and a 22 Metacritic score. The film was really intended for home video consumption, however, and it quickly became a cult classic in that form. Additionally, several critics gave the film a second look much later and came to a much different conclusion. How does it hold up? And does Jenn still love it? And what about that Marilyn Manson cameo? Find out this week!

Hey Mama, thanks for joining Heather Pettey for episode #111 of the podcast LIFE COACH BFF SHOW! Does your teen have aspirations to be a pro athlete? Baseball player, Jeremy Walker and wife Caroline, share Jeremy's experiences in becoming a high level player. Jeremy gives great insight on the dedication involved in excelling and how a parent can best support their teen. They also share the role faith plays in their lives and as a couple. You will love these two and look forward to hearing more from this pair!   Instagram @JeremyWalker12 https://www.instagram.com/jeremywalke...   Contact BFF Heather:  Heather@HeatherPettey.com Join Membership Group- CLUB BFF Website: HeatherPettey.com Voice Message: 901-308-7110 Leave a thought or question and verbal permission to read on air. Otherwise, the host will read for you! Instagram @lifecoachbff Facebook @lifecoachbff Private Facebook Group: We Are Your BFFS The best way you can thank me for the free content in this episode, is to rate and review the show on Apple!  *Quick Disclaimer- I'm a coach and not a therapist. Always seek the support of a therapist for clinical mental health issues. Hebrews 12:1   #JeremyWalker #ParentingTeens #teenathletes #baseball #probaseball #momcoach

This week on the podcast, Jackie, Jonny, and Ty are joined by hilarious comedian and one of our favourite Irish Darraghs, the one and only Darragh Bourke (aka Good Darragh)! Darragh brought in an angsty low-fi album, "Teen Dream" by Beach House, but there was very little discussion about that. Instead, they mostly focused on Darragh's upbringing in Ireland, his thoughts on Irish bars in Vancouver, everyone's stories of getting liquor as a kid, and Jonny throwing burgers in bar managers' faces. Consider this whole episode an act of aggression towards Evil Daragh, who you may or may not see on the podcast in the future. That remains to be decided. This is a music podcast, sorta.    DARRAGH'S INSTAGRAM HE NEVER USES: https://www.instagram.com/not_evil_darragh/   CROSS-BONES COMEDY AT ADMIRAL PUB ON MONDAYS: https://www.eventbrite.ca/e/cross-bones-comedy-live-monday-night-stand-up-comedy-show-in-burnaby-tickets-380529402687?aff=ebdssbeac FOLLOW US ON INSTAGRAM: https://www.instagram.com/showmeyourspodcast/ LIKE US ON FACEBOOK: https://www.facebook.com/showmeyourspod FOLLOW US ON TWITTER: https://twitter.com/showmeyourspod   Jackie's Instagram: https://www.instagram.com/jackieagnew/ Jackie's Twitter: https://twitter.com/jackdoorgirl   Jonny's Instagram: https://www.instagram.com/jonnydivito/ Jonny's Twitter: https://twitter.com/jonnydivito   Ty's Instagram: https://www.instagram.com/tytythecomic/ Comedy Ring Instagram: https://www.instagram.com/vancouvercomedyring/ Comedy Ring Eventbrite: https://www.eventbrite.ca/o/the-comedy-ring-31633461969

I killed Liz, I killed the Teen Dream. Deal with it. Unhinge those jaws binches and get ready to swallow this week's juicy ep covering none other than the dark, kinky crime comedy, Jawbreaker. Spend the next hour with us while we froth on the 50s-meets-80s outfits, the epic dialog, the gloriousness of Courtney Shayne, Judy Greer - our forever Best Supporting Actress in a comedy and so much more! If you like the show, please subscribe and leave us a review! 5 stars please :) If you're on Anchor, leave us a voice message with your favourite nostalgic.. anything! We want to hear from you! Hit us up in the DMs @warmandfuzzy_podcast Connect with Amelia @ameliasingson Connect with Shane @shanino_

Irish Singer Róisín O talks to Dave about an album that had a huge impact on her. The album in question is Teen Dream from Beach House

Miranda, Mark, and Tamera delve into Young Adult fiction, discuss some preconceptions about this type of literature and share some their favorite YA reads, old and new.

They killed Liz... They killed the Teen Dream... Deal with it! Join us on a (slow motion) walk through the 1999 film, Jawbreaker! Our InstagramOur WebsiteOur FacebookOur TikTokMusic: Tonight At EightBy Shane Ivers - https://www.silvermansound.comSupport the show (https://www.patreon.com/wedontwannagrowup)

What do you do when you accidentally (?) murder your bestie on her birthday? You act like everything is PEACHY FUCKING KEEN. Courtney (Rose McGowan) is the leader of this brat pack. Julie (Rebecca Gayheart), Foxy (Julie Benz), and Fern Mayo (Judy Greer) discover how cruel the politics of high school can be. Det. Vera Cruz (Pam Grier, no relation) does NOT PLAY in this dark comedy that picks up the Heathers torch. If kidnapping your girlfriends, framing Marilyn Manson for murder, teenage psychotic behavior, or prom queen destruction are your kink; this is the episode for you! Walk the halls, clench your jaw, and don't choke on this episode of Doom Generation. Follow us on Instagram @doomgenerationpod for FREE bonus material Be on the lookout for our Patreon (coming soon!) We have yearbook signings from the 88 mph Podcast, The Rancid Taco Movie Review, and a shout out to the Wait, What? Podcast. Invasion of the Pod People featuring: Manic Pixie Weirdo, No More Late Fees, Wait, What? Podcast, Against All Oddities, and the Just Say Julie (4 EVA) Podcast. --- Send in a voice message: https://anchor.fm/doomgeneration/message

We're going crazy for our newest theme March Madness, and driving us into our first debate is LA film industry veteran, current NYC lawyer, and former 90s teen Joe Kern to discuss the 1999 film Drive Me Crazy. But is this just too crazy a drive or one for the century?  +++++ Donate to our Patreon Email Comparing Notes @ comparingnotes.hello@gmail.com Learn More about our Show Song & Artwork

"Beach House" are a dream-pop duo formed in 2004 by singer/keyboardist Victoria Legrand and guitarist/keyboardist Alex Scally.The duo came together over a mutual interest in similar musical tastes, with influences ranging from Neil Young to Brian Wilson of The Beach Boys. At the time Victoria was already in a band and recruited Alex to play bass, but the project became frustrating for Victoria since it wasn't going anywhere. It wasn't long before Alex suggested that the pair split from the band and do their own thing. They started writing songs and despite not specifically trying to achieve a "dream-pop" sound, it was a genre that could easily be labelled on the music they were writing together. Their first self-titled 2006 release was the result of just 2 days of recording on a 4 track recorder in Alex's basement studio.Since those early days the duo have gone on to put out 7 studio albums and tour the world.Join Jay and Jesse as they explore the sonic world of "Beach House"."Roots to Grooves" is a production of SIGNL.https://www.signlradio.comhttps://www.instagram.com/signlradiohttps://www.twitter.com/signlradiohttps://www.facebook.com/signlradiohttps://www.mixcloud.com/signlhttps://open.spotify.com/user/96mhz6qfjoztxbl2dpm0uj903?si=aAZpsoEnRAKdx85kr1QWhg

After signing to Sub Pop, Alex Scally and Victoria Legrand decided it was time to take Beach House's lo-fi signature sound and make everything "bigger". They kept the core ingredients (jangly guitars, organ drones, and Victoria's distinct low, Nico=esque vocals), but added more approachable, hooks and more pop-leaning choruses. You could say they put the "pop" in dream pop more so than any of their predecessors, garnering mainstream success. The band is now synonymous with the genre, and helped to define and shape it for the next generation.Tracklist: Silver Soul Used To Be (single version 2008) Used To Be (Teen Dream version) 10 Mile Stereo Take Care Grizzly Bear feat. Victoria Legrand - Slow Life Visit tiestatea.com and use promo code NOFILLER15 for 15% off at checkout. A bold tea for a bold you.This show is part of the Pantheon Podcast network. Pantheon is a proud partner of AKG by Harman.

After signing to Sub Pop, Alex Scally and Victoria Legrand decided it was time to take Beach House's lo-fi signature sound and make everything "bigger". They kept the core ingredients (jangly guitars, organ drones, and Victoria's distinct low, Nico=esque vocals), but added more approachable, hooks and more pop-leaning choruses. You could say they put the "pop" in dream pop more so than any of their predecessors, garnering mainstream success. The band is now synonymous with the genre, and helped to define and shape it for the next generation. Tracklist: Silver Soul Used To Be (single version 2008) Used To Be (Teen Dream version) 10 Mile Stereo Take Care Grizzly Bear feat. Victoria Legrand - Slow Life Visit tiestatea.com and use promo code NOFILLER15 for 15% off at checkout. A bold tea for a bold you. This show is part of the Pantheon Podcast network. Pantheon is a proud partner of AKG by Harman. Learn more about your ad choices. Visit megaphone.fm/adchoices

After signing to Sub Pop, Alex Scally and Victoria Legrand decided it was time to take Beach House's lo-fi signature sound and make everything "bigger". They kept the core ingredients (jangly guitars, organ drones, and Victoria's distinct low, Nico-esque vocals), but added more approachable, hooks and more pop-leaning choruses. You could say they put the "pop" in dream pop more so than any of their predecessors, garnering mainstream success. The band is now synonymous with the genre, and helped to define and shape it for the next generation.Tracklist: Silver Soul Used To Be (single version 2008) Used To Be (Teen Dream version) 10 Mile Stereo Take Care Grizzly Bear feat. Victoria Legrand - Slow Life Visit tiestatea.com and use promo code NOFILLER15 for 15% off at checkout. A bold tea for a bold you.This show is part of the Pantheon Podcast network. Pantheon is a proud partner of AKG by Harman.

War da nicht erst gestern gefühlt noch eine neue Folge LIV? Ja wir wissen wir sind etwas schnell aber hey: Wir haben ja gesagt unsere Köcher sind voll. Und wir wollen das Teilen was uns bewegt in Vinyl-Land. Danke, weitersagen, gern geschehen! Mi casa su casa... let's fetz!

Bitch, you make me feel like I'm living a Teen Dream! This week is the, wickedly dark, high school comedy, JAWBREAKER (1999). These boys live for this 90's cult classic and kick it all off with a New Release Double Feature Mini Review! (A QUIET PLACE PART II, THE CONJURING: THE DEVIL MADE ME DO IT) Then it's time to hide your lunch, fix your stocking seams, and park the pink Corvette. This piece of hard candy needs your full attention. . . REVIEW. COMMENT. SUBSCRIBE.  WEBSITE:  Www.Fearthetalkingqueers.com    Instagram: @fearthetalkingqueers --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/fearthetalkingqueers/support

Today in the Goblin Lagoon, Kay and Erin dive into two teen movies near and dear to their hearts-Jawbreaker and Clueless. It's time to talk fashion, music, Paul Rudd, and all the nitty gritty stuff in between.

A veteran DJ with close to 40 years of experience. An avid music lover since birth and collecting records since he was a toddler. Starting out at age 11, doing his first job as the house party Dj for his family and friends in the neighborhood, Prime honed his skills graduating to making mixtapes, djing school dances, even hosting his own hotel event while in high school. Developing his beat making and production skills while in college, Prime was given the opportunity not only to be the main Greek and Campus party DJ at Bowling Green State University, but to take his talents to the airwaves of primetime DJ of the campus radio station WBGU 88.1 (Power 88). After a year, he became the Urban Director for his success of turning a subpar station into a competing and rival station against commercial stations in Northwest Ohio area. Using his dorm room as a primary location, Studio B-237 (his actual room number) was launched. In that one room, he co-founded his first rap group, Black Minds of Music, which eventually recorded more than 70 songs, performing in local shows and shined as opening acts for X-Clan and Minister Louis Farrakhan over the course of his college career. PRIME continued to produce Hip Hop tracks after college, working with local artists in his hometown of Columbus, Ohio. He contributed to the fast-selling Columbus Mob album “MIDWEST FUNK SOUNDTRACK”. PRIME produced Jakk-N-Jill’s “The Chronic” and assisted production on Insane’s “Tahitian Treat” and AKA & Eddie B’s “The Outro”. Tai-Pan, PRIME’s friend from college, was next to be blessed with the skills of PRIME on his first full-length album entitled “THE RISE, THE FALL, THE RISE” on Educated Records, exclusively produced by PRIME which sprung the single of the same title featuring Terri Whitlow formerly of Teen Dream. The summer of 1996, PRIME released his debut solo effort, “BUSTOWN FLAV”, a cassette EP which became the hottest collection of independently produced songs everywhere on the Columbus streets. The hit single “Bustown Flav”, the personal confession of “Ax Anybody…” and “Dis Style (featuring Ci-Dubble and Taleeb)” are among the EP’s brightest moments. Because of its success, PRIME was rewarded with opening show dates with Redman, Jamal & Keith Murray; all of the respected Def Squad. Spring of 1997, Columbus witnessed the exclusively produced Taleeb “TALEEB: VERBAL TACTICS”, which featured the hit singles such as “I Smell A Blunt” and “Verbal Tactics”. But with the radio success of “The Circumstances”, PRIME has been the most sought-after producer in the city. Since then, PRIME has released two stellar CD’s THE BIRTH OF MR. JOSHUA: the breakneck pace experience and his self-titled CD THE TALENTED MR. LINDSEY. Besides his own work of music, PRIME has completed two classic albums for EKLYPZ PERIOD…”E=MC2″ and “IT’S A PLEASURE 4U2 MEET ME”; two hot EP’s for SILAS…”Unlucky 7 Vol. 1″ and “Unlucky 7 Vol. 2: Private Thoughts Gone Public” as well as a full length album entitled “Mr. Nice Guy”. PRIME has also worked and put together a very hot and marketable CD for female sensation MECHIE whose mix of hip-hop and R&B are currently making her debut “Reality Check” a hot street commodity. Besides production, PRIME has since ventured into graphic design and album consulting. Mentoring and assisting up and coming artists with designs, ideas, and concepts geared for better marketing and exposure for those he has worked with. Some of the artists he’s worked with are the late Camu Tao, Copywrite 78, S.P.I.R.I.T., J Sands of Lone Catalyst, Sev Static, BJC, Akil aka Doc Frank, Jae P., Robert

In this episode, I'm joined with Zae, a musician and game developer. We get an insight to the art of game development, and being in a furry band! We also discuss the film and album choices, which were "Little Shop Of Horrors" (Dir. Frank Oz.) and "Teen Dream" (Beach House).

How did an impulsive cross country trip to see Shaun Cassidy lead to a podcast? In this first meeting of the society, Carolyn, Kristin, and Michelle introduce themselves and tell you the origin story of the Pop Culture Preservation Society. They discuss how the shared experiences of our youth are an important part of our sense of connectedness, and why nostalgia is more important than ever these days. And Kristin tries to stump Carolyn and Michelle with a game of “Name That Cassidy,” but their knowledge far exceeds her expectations.

When Emma-Kate Putnam saw Lady Gaga performing at Auckland's Vector Arena in 2010, she had an epiphany. From that point on she knew she wanted to be on stage with the mega star. And recently she was able to realise that goal.   

When Emma-Kate Putnam saw Lady Gaga performing at Auckland's Vector Arena in 2010, she had an epiphany. From that point on she knew she wanted to be on stage with the mega star. And recently she was able to realise that goal.   

Ep 20 mama! This one was real fun at the time I think, yew! If you enjoyed it, please subscribe & write a review and tell your mates, that's so helpful for us.   Follow Alex on Facebook, Twitter, Instagram. Follow Luka on Facebook, Twitter, Instagram. Follow the podcast on Facebook & Instagram.

This week, Sam took a look at the third studio album from dream pop duo Beach House "Teen Dream." Released in 2010, this record helped establish Beach House as one of the premier dream pop acts of the 2010s.  Tracks played - Silver Soul - Used to Be - Real Love 

The girls haven't been able to get it together to record new episodes, but fear not, because we've pulled one out of the archives in the spirit of Thanksgiving! We're giving you a new episode, be thankful! Last July(!) we recorded an episode on Jawbreaker where in it, we ponder if girls dressed up for high school in the 90's, if you would find it cool if a celebrity went to high school with you, and try to come up with all the charges Liz Purr's girl squad would have been faced with throughout this 90's gem. Follow us! https://twitter.com/totallypausepod https://www.instagram.com/totallypausedpod Siobhan https://www.instagram.com/siomonroe https://twitter.com/siomonroe Jessica https://www.instagram.com/jesspausedpod https://twitter.com/jesspausedpod

Ketric Newell shares how God brought him to Nashville, why he felt moved to build and pastor a ministry specifically for inner city youth, what’s next for the Teen Dream Center and how you can help.  The post APP 010 | The power of spiritual advocacy & why the Teen Dream Center exists | Ketric Newell appeared first on Cross Point Church.

Jake is back from vacation and he's really happy, because it means he's no longer constantly short of breath due to the altitude. Don't get him wrong, he loves nature and being outside on vacation. But he just loves home more.Music recommendations are the Twin Peaks soundtrack by Angelo Badalamenti, and Teen Dream by Beach House.Angelo Badalamentihttps://itunes.apple.com/us/album/twin-peaks-soundtrack-from/374382340https://open.spotify.com/album/6iGX2bbzKEocRY0HzdQ9zXBeach Househttps://itunes.apple.com/us/artist/beach-house/200823564https://open.spotify.com/artist/56ZTgzPBDge0OvCGgMO3OYWake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid

Jake is back from vacation and he's really happy, because it means he's no longer constantly short of breath due to the altitude. Don't get him wrong, he loves nature and being outside on vacation. But he just loves home more.Music recommendations are the “Twin Peaks” soundtrack by Angelo Badalamenti, and “Teen Dream” by Beach House.Angelo Badalamentihttps://itunes.apple.com/us/album/twin-peaks-soundtrack-from/374382340https://open.spotify.com/album/6iGX2bbzKEocRY0HzdQ9zXBeach Househttps://itunes.apple.com/us/artist/beach-house/200823564https://open.spotify.com/artist/56ZTgzPBDge0OvCGgMO3OYWake & Jake:https://artfinixstudios.com/artfinix-podcasts/https://artfinixstudios.com/education/https://www.facebook.com/ArtfinixPOD/https://www.instagram.com/artfinixpodcasts/https://www.instagram.com/wakeandjakepod/https://www.instagram.com/kennyg.g.allin/Music Composed by Jake FisherLogo by Baitul Javid

Can gathering around the table and sharing a meal really change the lives of at risk teens? Find out as we sit down with the Teen Dream Center in Nashville, TN. Words by Leah Gwin Read by Nancy Peterson Cover Photo by Abigail Bobo Original Music by Kyle Carpenter & Wilder Adkins Read this story and many more at goodgritmag.com & use the promo code LISTEN to get $10 off your subscription. --- Brought to You by Non-Fiction Coffee --- Coffee can change lives. Non-Fiction Coffee believes this and it’s why they’ve partnered with small farmers all over the world like the Torre family farm in the mountains of Junin Peru. Find our how your purchase can change the world by visiting nonfiction.coffee/goodgrit. --- Brought to You by Tupelo, MS --- Spring is right around the corner, and if you’re looking to load up the car and explore the South start by visiting Tupelo, Mississippi. See the birthplace of the King, snap a photo on The Natchez Trace Parkway, and fall in love with the Tupelo food scene. Go to tupelo.net to plan your next trip and take advantage of one of the many preset itineraries under the EXPLORE tab. Tupelo, Mississippi: anything’s possible.

On Episode #27, in our special classic horror series for the spoopiest month, October, we bring you the queen of horror herself, Mrs. Penny Dreadful and badass Goth babe - Mary Shelley! The ghouls talk Mary's life and the infamous tale of Frankenstein, how and why it was made. They also geek out about the show, Penny Dreadful and Literature as a whole. Join us for a gothic adventure with Teen Dream, Mary Shelley. Talking Points: Mary! Do You love me?, Are you writing?, Badass Mom, Mary Wollstonecraft, JK Rowling, Goth Queen, The Podcast not the Hosts, Lord Byron, Sex on Mom’s Grave, Ghost Sex Party, Lordt Byron, Doe Boy, Sweet Child Bride, Swingers Party, Put Your Chariot Keys in the Jar, I love my Ghost Mom, Love Proteus, I am one of Proteus’ Ten Friends Check us out on iTunes, Stitcher, Spotify, and Google Play!! Rate, Subscribe, Comment. You know the drill. --- Support this podcast: https://anchor.fm/the-ghouls-next-door/support

  Summary As adults, we usually forget the dreams that we once had in our teenage years. We tend to cover them up and move on with life like most people. When we become adults, get married, and have kids, we tend to dream for them our unfulfilled dreams. We ask them to follow what we say or what suggest because we think that we are very wise and they have to listen to us.This may lead to some conflict down the road. And it may eventually create some distance between us and our kids when they become teenagers. That is why it is crucial for us to understand our teens and their dreams and aspirations better. For this reason, I invited an expert to the Dream Achievers Podcast so we can talk about the teens, their dreams, and how to support them in living their dreams. My special guest in this episode of the Dream Achievers Podcast is Mary Lynne Fernandez, who recently released her new book "The Warrior Teenager: Let Go of Self-Sabotage & Embrace Your True Power". I've known Mary Lynne for several years. I know that she is an authentic and caring person. She is helping teenagers to end their self-sabotage, realize their values, and live their teen dreams. Apart from being an author, Mary Lynne is a successful keynote speaker, transformational life coach, and an insightful business consultant. She brings forth over 14 years of enthusiastic expertise in the field of coaching young adults while profoundly empowering their parents. She has passionately served tweens, teens, and their parents as a middle school teacher and as a life coach. To every client, audience, project, and challenge, Mary Lynne brings forth fairness, humility, and gratitude. Her kind and honest style of speaking and coaching have earned her immense respect and love in her community. Mary Lynne struggled during her teenage years like so many teens do today. She overcame the struggle and teaches others to do the same so they can become a Warrior Teenager. Today she is respected as a powerhouse “Teen-Esteem Expert.” When it comes to connecting with teenagers, Mary Lynne is a real natural. Listen to this episode to learn how we can help teens let go of self-sabotage so they embrace their true power, overcome their challenges, and live their dreams. Action List Subscribe to the Dream Achievers Podcast on iTunes Checkout Mary Lynne's new book, the Warrior Teenager, and order a copy at www.TheWarriorTeenager.com. Checkout Mary Lynne's website at www.MaryLynneFernandez.com. Share your thoughts and questions using the comment box below Order your copy of Get What You Want book Share this episode with your connections using the social media icons on this page Join our Facebook Community of Dream Achievers Take it to the next level by registering for the Dream On and Get What You Want Training Program.

Adolescence: It was the best of times, it was the worst of times. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

This episode is a teen dream of teens taking charge and taking off to fabulous locations. Loacations such as: The Island Palms: the Reggae Hotel-Casino Located a mere ten blocks from the beach, then, a tour of a coffee creamer factory, Clash of Clanscast with Sweet Stephen Silversteen and Billy Winkerstein, The other Billy asks adults to buy beer for him but he does the right thing in the end, Steeven Keeng's idea recorder, and finally, "this guy over here" gets into some preeety kinky stuff, man.

„ Yfirvofandi“ er fyrsta orðið sem kemur upp í hugann þegar hlýtt er á „To Know Him is To Love Him“ sem er fyrsti smellur (af mörgum) úr smiðju Phil Spectors. Yfirvofandi, því þrátt fyrir angurværð lagsins sem svífur undursamlega inn í vitundina úr flaueli fimmunnar, þá finnur maður kraumandi sturlunina. Phil Spector er í […]

Sing in me, Muse, and through me tell the storyof that man skilled in all ways of contending,the wanderer, harried for years on end,after he plundered the strongholdon the proud height of Troy.Songs about mines and standard transcendentalism.1,"Dialup Intro","Giosue Etranger","Ut Supra Infra"2,"Phone Talk","Dr. Ring-Ding & The Senior Allstars","Dandimite!"3,"Dandimite Ska","Dr. Ring-Ding & The Senior Allstars","Dandimite!"4,"Oracle & Intro","O Brother","Oktoeight"5,"The Carrying Arms","The Antlers","In the Attic of the Universe"6,"Two Characters in Search of a Country Song","The Magnetic Fields","The Charm of the Highway Strip"7,"Fool Looks For Logic in Chambers of Human Heart","O Brother","Oktoeight"8,"Dark as the Dungeon","Johnny Cash","At Folsom Prison"9,"Working in the Coal Mine","Lee Dorsey","Great Googa Mooga Disc 1"10,"Subterranean Homesick Blues","Bob Dylan","Bringing It All Back Home"11,"Heart of Gold","Neil Young","Harvest"12,"Big Rock Candy Mountain","Harry ""Haywire Mac"" McClintock","O Brother"13,"Desert Love","Sonny Lester & The Sonny Lester Orchestra","Exotica"14,"Rock Island Line","Lead Belly","The Very Best of Leadbelly"15,"Indian War Whoop","John Hartford","O Brother"16,"I Am a Man of Constant Sorrow (radio station version) (feat. Dan Tyminski)","The Soggy Bottom Boys","O Brother"17,"Man of Constant Sorrow","Bob Dylan","Bob Dylan"18,"Paradigm of Hope","O Brother","Oktoeight"19,"Lucifer Sam","Pink Floyd","The Piper At The Gates Of Dawn"20,"Fire","The Jimi Hendrix Experience","Are You Experienced"21,"Temple Mystique","The Hidden Words","Free Thyself From The Fetters of This World"22,"Spiritually Unaffiliated","O Brother","Oktoeight"23,"Technicolor Health","Harlem Shakes","Technicolor Health"24,"Lover of Mine","Beach House","Teen Dream"25,"Solitude Is Bliss","Tame Impala","Innerspeaker"26,"Tractor Man","Ariel Pink's Haunted Graffiti","Underground"27,"Where Is My Mind?","Pixies","Surfer Rosa / Come On Pilgrim"28,"Bangers + Mash","Radiohead","In Rainbows (bonus disc)"29,"My Wife, Lost in the Wild","Realpeople / Beirut","Holland"30,"Useful Chamber","Dirty Projectors","Bitte Orca"31,"On Miracles","O Brother",32,"Dialtone Fades Out","Giosue Etranger","Ut Supra Infra"Lyrics in podcast ID3 tag [again].

Will, Barrett and Chris discuss Wilco in concert and the new album by Beach House, "Teen Dream."

Teen Dream, the third album from Baltimore dream-pop duo Beach House, is going to be one of the best albums of the year. Can we say that in February? Oh yes.

Join husband and wife team Jennifer and Ogun as they explore ways to create a conscious planet through conscious family living. This week Rev. Kevin Ross and his wife Anita will share about their empowering Teen Dream Camp and being new parents.